1
00:00:01,669 --> 00:00:03,337
TIME OF WRAP,
PLEASE, DAWSON?
2
00:00:03,337 --> 00:00:05,506
12:07 A.M.
3
00:00:05,506 --> 00:00:07,382
SO THAT'S WHAT,
MONDAY?
4
00:00:07,382 --> 00:00:10,344
12:07 A.M.
SOMETIME IN JANUARY,
5
00:00:10,344 --> 00:00:14,473
AND WE HAVE DONE IT, PEOPLE.
WE HAVE FINISHED
PRINCIPAL PHOTOGRAPHY.
6
00:00:14,473 --> 00:00:17,017
(ALL CHEERING)
7
00:00:20,228 --> 00:00:23,064
SO, ALTHOUGH IT'S RATHER
OUT OF CHARACTER FOR ME,
8
00:00:23,064 --> 00:00:24,817
I'D LIKE
TO TAKE THIS OPPORTUNITY
9
00:00:24,817 --> 00:00:27,110
TO THANK ALL OF YOU
FOR ALL YOUR HARD WORK
10
00:00:27,110 --> 00:00:28,904
AND TO PROPOSE A TOAST.
11
00:00:28,904 --> 00:00:30,572
TO US,
12
00:00:30,572 --> 00:00:33,450
AND OUR MOVIE. CHEERS.
13
00:00:33,450 --> 00:00:37,120
(ALL CHEER)
14
00:00:45,212 --> 00:00:48,423
IT'S STRANGE, ISN'T IT,
THAT ALL THIS WILL
JUST BE GONE TOMORROW,
15
00:00:48,423 --> 00:00:49,800
LIKE IT NEVER
EVEN EXISTED?
16
00:00:53,261 --> 00:00:54,304
HEY.
17
00:00:54,304 --> 00:00:56,390
NICE SPEECH,
BY THE WAY.
18
00:00:56,390 --> 00:00:58,934
AND DON'T EVEN BOTHER
TRYING TO PRETEND
THAT IT WAS TODD'S IDEA,
19
00:00:58,934 --> 00:01:01,353
BECAUSE THAT PUPPY
HAD YOU WRITTEN ALL OVER IT.
20
00:01:01,353 --> 00:01:04,899
SINCERITY, WARMTH,
AND A HINT OF SOMETHING,
I DON'T KNOW.
21
00:01:04,899 --> 00:01:07,651
BITTERSWEET?
OR WAS IT JUST BITTER?
22
00:01:09,570 --> 00:01:11,321
WELL, THAT'S
WHAT WRAP PARTIES
ARE ALL ABOUT,
23
00:01:11,321 --> 00:01:12,948
AREN'T THEY?
I KNOW YOU'RE
24
00:01:12,948 --> 00:01:14,575
MORE EXPERIENCED
AT THEM THAN I AM.
25
00:01:14,575 --> 00:01:18,328
SO, ARE YOU HEADING BACK
TO L.A. TOMORROW, OR WHAT?
26
00:01:18,328 --> 00:01:20,789
YEAH, WITH TODD.
YOU?
27
00:01:20,789 --> 00:01:21,790
AFTERNOON FLIGHT.
28
00:01:21,790 --> 00:01:23,959
MAX GOT ME
A SMALL PART
29
00:01:23,959 --> 00:01:25,586
IN THAT SPIELBERG FILM
HE'S DOING.
30
00:01:25,586 --> 00:01:28,589
YOU KNOW, IT'S,
LIKE, 2 DAYS WORK
OR WHATEVER, BUT WHO KNOWS?
31
00:01:28,589 --> 00:01:30,131
MAYBE IT'LL LEAD
TO BIGGER THINGS.
32
00:01:31,967 --> 00:01:34,803
KNOWING YOU, NATASHA,
I'M CERTAIN IT WILL.
33
00:01:34,803 --> 00:01:37,347
IS THAT
A LITTLE ATTITUDE?
34
00:01:37,347 --> 00:01:40,392
A BREAK IN THE
OH, SO PROFESSIONAL
ON-SET DEMEANOR
35
00:01:40,392 --> 00:01:41,977
YOU'VE BEEN CULTIVATING
SINCE THE NEW YEAR?
36
00:01:41,977 --> 00:01:43,311
NOT EVERYONE
ON THE PLANET
37
00:01:43,311 --> 00:01:45,188
IS ACTING EVERY
SECOND OF THEIR
LIVES, YOU KNOW.
38
00:01:45,188 --> 00:01:50,694
NO, MAYBE NOT,
BUT IN HOLLYWOOD, THEY ARE.
39
00:01:50,694 --> 00:01:52,654
SO, GOOD-BYE, DAWSON.
40
00:01:52,654 --> 00:01:55,156
GOOD LUCK OUT THERE.
41
00:01:55,156 --> 00:01:58,201
I HAVE A FUNNY FEELING
ABOUT YOU.
42
00:01:58,201 --> 00:02:00,287
WHAT'S THAT?
43
00:02:00,287 --> 00:02:02,039
THAT YOU'RE
GONNA NEED IT.
44
00:02:03,373 --> 00:02:04,249
RIGHT.
45
00:02:59,262 --> 00:03:01,431
HI. IT'S ME.
46
00:03:01,431 --> 00:03:05,686
UM, I'M BACK AT SCHOOL.
I MEAN, I'VE BEEN BACK.
47
00:03:05,686 --> 00:03:07,688
I WASN'T GOING TO CALL
YOU, BECAUSE, YOU KNOW,
YOU HAVEN'T CALLED ME,
48
00:03:07,688 --> 00:03:09,106
AND I DO HAVE
SOMETHING CALLED PRIDE,
49
00:03:09,106 --> 00:03:11,525
THOUGH APPARENTLY
NOT ENOUGH, BECAUSE,
YOU WIN, OK?
50
00:03:11,525 --> 00:03:13,568
I'M BEING THE TYPICAL
GIRL AND CALLING YOU.
51
00:03:13,568 --> 00:03:15,403
AND IN RETROSPECT,
YOU KNOW,
52
00:03:15,403 --> 00:03:17,031
I REALLY DON'T THINK
CHRISTMAS WENT THAT BADLY,
53
00:03:17,031 --> 00:03:18,448
IF YOU GRADE IT
ON ONE OF THOSE
54
00:03:18,448 --> 00:03:20,534
WHO'S AFRAID OF VIRGINIA
WOOLF TYPE SCALES.
55
00:03:20,534 --> 00:03:24,121
BUT, UM, ANYWAY,
YOU'RE PROBABLY OUT
POUNDING THE PAVEMENTS
56
00:03:24,121 --> 00:03:27,082
AND STUFF, SO JUST
GIVE ME A CALL
57
00:03:27,082 --> 00:03:28,583
WHEN YOU GET A CHANCE
OR WHENEVER.
58
00:03:28,583 --> 00:03:31,294
OK. BYE.
59
00:03:39,219 --> 00:03:40,095
ARE YOU KIDDING?
60
00:03:40,095 --> 00:03:41,180
SO, HOW DID
YOU GET IN HERE?
61
00:03:41,180 --> 00:03:43,182
YOU DON'T EVEN LOOK
A DAY OVER 16.
62
00:03:43,182 --> 00:03:44,933
PEOPLE ALWAYS
THINK I'M 16,
63
00:03:44,933 --> 00:03:48,854
BUT, DUH, I AM
TOTALLY 18.
64
00:03:50,397 --> 00:03:51,899
DON'T YOU MEAN 15?
NICE TALKING TO YOU GUYS.
65
00:03:51,899 --> 00:03:54,693
OW! MANIAC.
66
00:03:54,693 --> 00:03:56,195
HARLEY, WHAT ARE
YOU DOING HERE?
67
00:03:56,195 --> 00:03:58,113
I THOUGHT
CHRISTMAS VACATION
WAS LONG OVER
68
00:03:58,113 --> 00:03:59,781
FOR THE BRITNEY
AND CHRISTINA SET.
69
00:03:59,781 --> 00:04:01,241
I'M NOT ON VACATION.
70
00:04:01,241 --> 00:04:03,202
UNFORTUNATELY,
I LIVE HERE NOW.
71
00:04:03,202 --> 00:04:06,121
SO, WHERE'S EDDIE?
HE'S THE ONLY NICE PERSON
I KNOW IN BOSTON,
72
00:04:06,121 --> 00:04:08,082
AND HE STILL OWES ME
A ROOT-BEER FLOAT.
73
00:04:08,082 --> 00:04:10,000
WAIT A SECOND.
YOU LIVE HERE
FULL-TIME NOW?
74
00:04:10,000 --> 00:04:12,669
AS IN FULL-TIME
WITH YOUR FATHER?
75
00:04:12,669 --> 00:04:16,215
YES. WHY ARE
YOU SMILING?
76
00:04:16,215 --> 00:04:19,593
SORRY. IT'S JUST
YOUR FATHER'S
SUCH A GREAT GUY,
77
00:04:19,593 --> 00:04:22,012
HE DESERVES TO HAVE
SUCH A WELL-BEHAVED,
GOOD-NATURED,
78
00:04:22,012 --> 00:04:25,140
TEENAGE GIRL LIVING
WITH HIM FULL-TIME.
79
00:04:25,140 --> 00:04:26,391
SPEAKING OF WHICH,
80
00:04:26,391 --> 00:04:28,018
WHY AREN'T YOU
IN SCHOOL RIGHT NOW?
81
00:04:28,018 --> 00:04:30,229
IF I TELL YOU, WILL YOU
TELL ME WHERE EDDIE IS?
82
00:04:30,229 --> 00:04:32,397
OUT WITH IT.
83
00:04:32,397 --> 00:04:35,734
OK, FINE. I WAS
ON A FIELD TRIP, AND I DITCHED.
84
00:04:35,734 --> 00:04:37,986
YOU WOULD, TOO, IF YOUR
ENTIRE LIFE WAS RUINED
85
00:04:37,986 --> 00:04:40,321
BY YOUR MOTHER'S SUDDEN NEED
TO DO RESEARCH IN BANGLADESH.
86
00:04:42,116 --> 00:04:43,700
HARLEY, YOUR LIFE
ISN'T RUINED.
87
00:04:43,700 --> 00:04:44,993
YOU'RE JUST BEING
MELODRAMATIC.
88
00:04:44,993 --> 00:04:46,787
RIGHT. LIKE
YOU WOULD KNOW
89
00:04:46,787 --> 00:04:48,288
WHAT IT'S LIKE
TO HAVE YOUR LIFE RUINED?
90
00:04:49,915 --> 00:04:51,959
LOOK, HE'S
NOT HERE, OK?
91
00:04:51,959 --> 00:04:54,169
EDDIE.
AND TO BE HONEST,
92
00:04:54,169 --> 00:04:56,337
I DON'T EXACTLY
KNOW WHERE HE IS.
93
00:04:56,337 --> 00:04:59,258
MAN, I CAN'T BELIEVE
YOU MESSED IT UP WITH HIM.
94
00:04:59,258 --> 00:05:02,219
HE WAS AMAZING.
HE WAS BEYOND AMAZING.
95
00:05:02,219 --> 00:05:04,304
LOOK, I'LL GO GET YOU
A ROOT-BEER FLOAT,
96
00:05:04,304 --> 00:05:05,555
AND THEN YOU HAVE TO GO
BACK TO SCHOOL.
97
00:05:05,555 --> 00:05:07,266
I DON'T CARE
HOW MISERABLE IT IS.
98
00:05:07,266 --> 00:05:10,310
IT'S JUST LIFE.
LIFE IS MISERABLE.
99
00:05:13,272 --> 00:05:16,150
HEY, GUYS. HEY, STAY WITH
YOUR PARTNERS, GUYS.
100
00:05:16,150 --> 00:05:17,276
STAY WITH
YOUR PARTNERS.
101
00:05:17,276 --> 00:05:19,236
LET'S GO. OK.
102
00:05:38,337 --> 00:05:40,257
SHOULDN'T YOU BE
DOING THAT IN A MUSEUM?
103
00:05:40,257 --> 00:05:42,509
OH, BLOODY HELL.
104
00:05:42,509 --> 00:05:44,261
SORRY. I DIDN'T MEAN
TO SCARE YOU.
105
00:05:44,261 --> 00:05:46,805
WELL, YOU DID.
106
00:05:46,805 --> 00:05:49,933
IT'S NOT THE SORT
OF PLACE YOU EXPECT
TO FIND STOCKBROKERS.
107
00:05:49,933 --> 00:05:52,227
GIVE ME A BREAK, WOULD YOU?
I'M ON MY LUNCH HOUR.
108
00:05:52,227 --> 00:05:54,062
MIND IF I SIT?
109
00:05:54,062 --> 00:05:56,857
NO, GO AHEAD,
BUT DON'T SIT TOO CLOSE.
110
00:05:56,857 --> 00:05:58,108
I KNOW,
THAT OVERWHELMING
PHYSICAL ATTRACTION'S
111
00:05:58,108 --> 00:05:59,734
GETTING TO YA, HUH?
112
00:05:59,734 --> 00:06:00,777
NO, THAT'S NOT IT,
EXACTLY.
113
00:06:00,777 --> 00:06:02,029
REALLY?
NO.
114
00:06:02,029 --> 00:06:03,071
I JUST DON'T
WANT ANYONE TO KNOW
115
00:06:03,071 --> 00:06:04,531
THAT, UH,
YOU'RE WITH ME.
116
00:06:04,531 --> 00:06:06,116
THANKS.
117
00:06:06,116 --> 00:06:08,118
(LAUGHS) WHAT ARE YOU
DOING HERE, ANYWAY?
118
00:06:08,118 --> 00:06:10,329
I WORK NEAR HERE.
I COME HERE
ALL THE TIME.
119
00:06:10,329 --> 00:06:11,746
THE BETTER QUESTION
IS WHAT ARE
YOU DOING HERE?
120
00:06:11,746 --> 00:06:14,208
I'M JUST KILLING TIME
TILL 1:00.
121
00:06:14,208 --> 00:06:16,375
WHAT HAPPENS AT 1:00?
122
00:06:16,375 --> 00:06:18,170
WELL,
YOU SHOULD KNOW THIS,
123
00:06:18,170 --> 00:06:20,379
SINCE YOU COME HERE
ALL THE TIME.
124
00:06:20,379 --> 00:06:22,966
ON MY LUNCH HOUR,
WHICH HAPPENS AT NOON.
125
00:06:22,966 --> 00:06:24,592
SO I COME HERE,
I WALK AROUND,
126
00:06:24,592 --> 00:06:25,886
HAVE A SLICE
OF PIZZA,
127
00:06:25,886 --> 00:06:27,179
AND I'M OUT
THE DOOR BY 12:45.
128
00:06:27,179 --> 00:06:29,388
AH, BACK TO WORK.
129
00:06:29,388 --> 00:06:31,225
YEAH, THAT'S WHY THEY
CALL IT THE LUNCH HOUR.
130
00:06:31,225 --> 00:06:33,227
'CAUSE, YOU SEE, IF WAS
TO STAY TILL AFTER 1:00,
131
00:06:33,227 --> 00:06:34,686
BY THE TIME
I GOT BACK TO WORK,
132
00:06:34,686 --> 00:06:36,271
IT'D BE THE LUNCH
HOUR AND A HALF,
133
00:06:36,271 --> 00:06:37,772
AND WE JUST CAN'T
HAVE THAT, NOW, CAN WE?
134
00:06:37,772 --> 00:06:39,440
THEN I DON'T
WANT TO KEEP YOU.
135
00:06:39,440 --> 00:06:40,984
EXCUSE ME?
136
00:06:42,319 --> 00:06:43,402
IT'S 12:46.
137
00:06:45,655 --> 00:06:48,700
OH.
138
00:06:48,700 --> 00:06:50,285
RIGHT.
139
00:06:52,579 --> 00:06:53,872
RIGHT. THEN I'LL...
140
00:06:53,872 --> 00:06:55,290
I'LL JUST SEE YOU
BACK HOME.
141
00:07:00,754 --> 00:07:04,383
WELL, OF COURSE IT SUCKS.
THAT'S WHY THEY CALL IT LIFE.
142
00:07:04,383 --> 00:07:08,469
AND WHAT IS IT REALLY,
OTHER THAN AN ENDLESS
SERIES OF MIND-NUMBING DAYS,
143
00:07:08,469 --> 00:07:10,013
ONE ON TOP OF ANOTHER.
144
00:07:10,013 --> 00:07:12,557
ALIENATION, DESPAIR--
145
00:07:12,557 --> 00:07:15,769
THESE ARE THE NATURAL
BY-PRODUCTS OF LIVING
IN A MECHANIZED SOCIETY--
146
00:07:15,769 --> 00:07:16,686
OK, STOP.
147
00:07:16,686 --> 00:07:17,812
STOP?
148
00:07:17,812 --> 00:07:19,731
YEAH. UM...
149
00:07:19,731 --> 00:07:21,983
A LOT OF PEOPLE GET DEPRESSED
THIS TIME OF YEAR.
150
00:07:21,983 --> 00:07:25,153
I DON'T THINK
THEY'RE CALLING IN HOPING
TO TALK TO KIERKEGAARD.
151
00:07:26,613 --> 00:07:28,573
BUT YOU SAID HE WAS
A PHILOSOPHY MAJOR.
152
00:07:30,409 --> 00:07:33,203
WHATEVER. LOOK, I JUST,
I DON'T WANNA FIGHT, OK?
153
00:07:33,203 --> 00:07:34,996
I GET ANNOYED,
AND YOU GET DEFENSIVE.
154
00:07:34,996 --> 00:07:37,291
LET'S JUST MOVE ON
TO THE NEXT ONE.
155
00:07:37,291 --> 00:07:40,294
YOU KNOW WHAT?
LET'S NOT. I QUIT.
156
00:07:40,294 --> 00:07:42,754
YOU CAN'T QUIT.
YOU HAVEN'T EVEN
STARTED YET.
157
00:07:42,754 --> 00:07:44,381
IT'S YOUR FIRST DAY OF TRAINING.
IT'S YOUR FIRST HOUR.
158
00:07:44,381 --> 00:07:47,259
YEAH, WELL, IF THE
TRAINING CONSISTS OF
SITTING HERE FOR A WEEK
159
00:07:47,259 --> 00:07:49,303
AND LISTENING TO YOU
ACT SUPERIOR TO ME--
160
00:07:49,303 --> 00:07:50,845
I'VE BEEN DOING THIS
FOR 2 YEARS.
161
00:07:50,845 --> 00:07:53,472
GREAT. WELL,
MAYBE YOUR EXPERTISE
WILL COME IN HANDY
162
00:07:53,472 --> 00:07:55,350
WHEN WE GET TO
A HYPOTHETICAL SITUATION
163
00:07:55,350 --> 00:07:57,685
INVOLVING CASUAL SEX AND
A COUPLE OF BLOND GIRLS.
164
00:08:00,521 --> 00:08:02,023
MAYBE YOU'RE RIGHT
ABOUT ONE THING.
165
00:08:02,023 --> 00:08:03,733
LET'S CALL IT A DAY.
166
00:08:03,733 --> 00:08:07,154
SO, COME BACK TOMORROW
OR DON'T COME BACK,
167
00:08:07,154 --> 00:08:11,450
BUT WHATEVER YOU DECIDE,
YOU SHOULD MAKE IT
ABOUT YOU, NOT ME.
168
00:08:15,495 --> 00:08:17,205
David: OK.
THIS'LL DO NICE. THANKS.
169
00:08:20,750 --> 00:08:22,710
DAMN.
170
00:08:24,754 --> 00:08:25,880
WHAT?
171
00:08:25,880 --> 00:08:28,049
OH, THERE'S
NO GOOD MAGAZINES
TO READ.
172
00:08:29,884 --> 00:08:32,887
THAT'S IT? I MEAN,
YOU'RE NOT AT ALL
NERVOUS ABOUT THIS?
173
00:08:32,887 --> 00:08:34,306
OH, IT'S
A PIECE OF CAKE.
174
00:08:34,306 --> 00:08:35,932
I'VE DONE IT, LIKE,
A MILLION TIMES.
175
00:08:35,932 --> 00:08:37,434
A MILLION?
176
00:08:37,434 --> 00:08:38,935
GIVE OR TAKE.
177
00:08:38,935 --> 00:08:41,520
I'D BE
A PRETTY HYPOCRITICAL
PEER COUNSELOR
178
00:08:41,520 --> 00:08:42,814
IF I DIDN'T PRACTICE
WHAT I PREACHED.
179
00:08:42,814 --> 00:08:45,442
RIGHT.
180
00:08:45,442 --> 00:08:48,945
SERIOUSLY,
IT'S NO BIG DEAL.
181
00:08:48,945 --> 00:08:51,031
AND THE MOST
EMBARRASSING PART
IS WHEN THEY ASK
182
00:08:51,031 --> 00:08:52,282
WHAT KIND
OF HIGH-RISK BEHAVIOR
183
00:08:52,282 --> 00:08:53,908
YOU'VE ENGAGED IN
THE PAST 3 TO 6 MONTHS.
184
00:08:53,908 --> 00:08:55,035
THE ONLY THING
I CAN COME UP WITH
185
00:08:55,035 --> 00:08:57,745
IS EATING CARBS
AFTER 9 P.M.
AND JAYWALKING.
186
00:09:00,957 --> 00:09:03,877
JACK McPHEE?
187
00:09:03,877 --> 00:09:05,545
IT'S FINE.
188
00:09:15,347 --> 00:09:17,724
BLINDINGLY DULL.
ACHINGLY DULL.
189
00:09:17,724 --> 00:09:20,143
MIND-NUMBINGLY DULL.
190
00:09:21,853 --> 00:09:25,399
I SEE, AND WHAT DO THESE
LITTLE CARDS PROVE EXACTLY?
191
00:09:25,399 --> 00:09:27,775
OTHER THAN THE FACT
YOU'VE BEEN PREVIEWING
THE BLOODY THING ALL ALONG?
192
00:09:27,775 --> 00:09:30,028
THEY PROVE THAT
WE'RE NOT THROUGH SHOOTING.
THAT'S WHAT THEY PROVE.
193
00:09:30,028 --> 00:09:32,030
RESHOOTS?
194
00:09:32,030 --> 00:09:35,116
ABSOLUTELY. MORE SEX.
MORE VIOLENCE.
195
00:09:35,116 --> 00:09:37,327
MAYBE A LITTLE TWIST
IN THE PLOT
196
00:09:37,327 --> 00:09:39,746
THAT'S NOT PREDICTABLE
FROM THE VERY FIRST FRAME.
197
00:09:39,746 --> 00:09:42,290
I MEAN,
OBVIOUSLY, THE GOAL HERE
198
00:09:42,290 --> 00:09:44,418
IS TO TRY TO MAKE
THIS DAMN THING WATCHABLE.
199
00:09:44,418 --> 00:09:47,837
I SEE. SO, YOU'RE CALLING
MY MOVIE UNWATCHABLE?
200
00:09:47,837 --> 00:09:51,383
I DON'T HAVE TO.
THEY DID.
201
00:09:51,383 --> 00:09:52,592
YOU WANT ME
TO READ SOME MORE?
202
00:09:52,592 --> 00:09:54,593
NO, THAT WON'T BE
NECESSARY, THANK YOU.
203
00:09:56,971 --> 00:09:58,139
ANYONE GOT A LIGHT?
204
00:09:59,724 --> 00:10:01,642
IF I'M GONNA SIT HERE
AND TAKE ARTISTIC ADVICE
205
00:10:01,642 --> 00:10:03,811
FROM EVERY TOM, DICK,
AND HARRY IN TARZANA
206
00:10:03,811 --> 00:10:05,855
THAT DIDN'T HAVE
ANYTHING BETTER
TO DO LAST WEDNESDAY NIGHT,
207
00:10:05,855 --> 00:10:08,400
THEN I'M GONNA
BLOODY WELL NEED
SOME NICOTINE, ALL RIGHT?
208
00:10:08,400 --> 00:10:10,777
LIGHT, PLEASE, DAWSON.
209
00:10:12,695 --> 00:10:15,574
UM, YOU KNOW WHAT?
I'M GONNA GO GET ONE.
210
00:10:25,917 --> 00:10:28,169
COME ON.
PICK UP THE PHONE.
211
00:10:28,169 --> 00:10:30,922
(CELL PHONE RINGS)
212
00:10:30,922 --> 00:10:33,091
REACH INTO
THE POCKET AND
PICK UP THE PHONE.
213
00:10:39,889 --> 00:10:40,890
HELLO?
214
00:10:40,890 --> 00:10:42,309
SHUT UP BEFORE
YOU MAKE THIS ANY WORSE
215
00:10:42,309 --> 00:10:43,642
AND GET OUT HERE.
216
00:10:45,061 --> 00:10:47,063
HELLO? HELLO?
217
00:10:51,025 --> 00:10:52,152
EXCUSE ME.
218
00:10:52,152 --> 00:10:54,154
WHOA! WHOA! WHOA!
219
00:10:54,154 --> 00:10:55,447
WHERE DO YOU
THINK YOU'RE GOING?
220
00:10:55,447 --> 00:10:57,324
OH, I'M SORRY.
DON'T MEAN
TO BE RUDE.
221
00:10:57,324 --> 00:10:58,658
THERE'S
ANOTHER IDIOT
OUT IN THE HALL
222
00:10:58,658 --> 00:11:00,034
THAT REQUIRES
MY ATTENTION.
223
00:11:04,872 --> 00:11:06,374
AND JUST WHAT
IN THE BLOODY HELL
224
00:11:06,374 --> 00:11:07,417
DO YOU THINK
YOU'RE DOING?!
225
00:11:07,417 --> 00:11:08,751
WHAT DO I THINK--
WHAT ARE YOU DOING?
226
00:11:08,751 --> 00:11:09,752
YOU'RE DIGGING YOURSELF
A HOLE IN THERE
227
00:11:09,752 --> 00:11:11,045
BIGGER THAN
THE LA BREA TAR PITS.
228
00:11:11,045 --> 00:11:12,839
DID IT EVER OCCUR
TO YOU THAT MIGHT
BE MY INTENTION?
229
00:11:12,839 --> 00:11:14,715
YOU NEVER
WANNA WORK AGAIN?
230
00:11:14,715 --> 00:11:15,925
WE'RE IN CHARGE HERE.
WE MAKE THE DECISIONS.
231
00:11:15,925 --> 00:11:17,927
WHICH IS ALL WELL AND GOOD
EXCEPT FOR ONE THING.
232
00:11:17,927 --> 00:11:19,179
WHAT?
233
00:11:19,179 --> 00:11:21,431
IT'S THEIR MONEY.
234
00:11:21,431 --> 00:11:22,890
LOOK, YOU BROUGHT ME HERE
FOR MY ABILITY
235
00:11:22,890 --> 00:11:24,559
TO STAY CALM
IN A CRISIS, RIGHT?
236
00:11:24,559 --> 00:11:26,478
WELL, THIS IS IT.
THIS IS A CRISIS
237
00:11:26,478 --> 00:11:27,437
'CAUSE IF YOU DON'T
GO BACK IN THERE
238
00:11:27,437 --> 00:11:28,563
AND ACT HAPPY
ABOUT THESE RESHOOTS,
239
00:11:28,563 --> 00:11:29,939
THEY'RE GONNA GET
SOMEBODY ELSE TO DO IT,
240
00:11:29,939 --> 00:11:31,566
SOMEBODY WHO CAN
RUIN THIS MOVIE.
241
00:11:31,566 --> 00:11:32,942
AND WOULD THAT BE
SUCH A TRAGEDY?
242
00:11:32,942 --> 00:11:35,236
YES. LOOK,
MAYBE I'M NAIVE
243
00:11:35,236 --> 00:11:38,323
THINKING THAT
THIS WHOLE SYSTEM,
THIS WHOLE PROCESS,
244
00:11:38,323 --> 00:11:40,699
CAN ONLY PRODUCE
SOMETHING THAT'S
A NOTCH ABOVE MEDIOCRE,
245
00:11:40,699 --> 00:11:43,620
BUT I WANT THIS THING
TO BE GOOD.
246
00:11:43,620 --> 00:11:45,455
I WANT IT TO BE AS GOOD
AS IT POSSIBLY CAN BE,
247
00:11:45,455 --> 00:11:46,540
AND I DON'T THINK
I WOULD'VE STUCK IT OUT
248
00:11:46,540 --> 00:11:47,582
WORKING FOR YOU
THIS WHOLE TIME
249
00:11:47,582 --> 00:11:49,376
IF YOU DIDN'T
WANT THE SAME THING.
250
00:11:52,879 --> 00:11:55,131
SO, WE FIGURE
3 DAYS OF RESHOOTS
251
00:11:55,131 --> 00:11:58,218
ON A SOUNDSTAGE
HERE IN L.A.,
VERY MINIMAL BUDGET.
252
00:11:58,218 --> 00:12:02,096
THE WHOLE IDEA HERE
IS TO, UH, COME UP
WITH A NEW ENDING.
253
00:12:02,096 --> 00:12:04,015
SOMETHING
THAT'S WATCHABLE.
254
00:12:04,015 --> 00:12:07,810
OR AT THE VERY LEAST,
SOMETHING THAT MAKES SENSE.
255
00:12:07,810 --> 00:12:10,021
NOW, I HAVE NO IDEA
WHAT THAT'S GOING TO BE,
256
00:12:10,021 --> 00:12:11,898
BUT HEATHER HERE
SEEMS FAIRLY CONFIDENT
257
00:12:11,898 --> 00:12:15,193
THAT GIVEN ENOUGH
NICOTINE, ALCOHOL, CAFFEINE,
258
00:12:15,193 --> 00:12:18,446
YOU MIGHT BE ABLE
TO PULL SOMETHING OFF.
259
00:12:18,446 --> 00:12:19,989
WELL, THAT'S, UH,
VERY CHARITABLE OF HER.
260
00:12:19,989 --> 00:12:21,658
THANK YOU, SWEETHEART.
261
00:12:21,658 --> 00:12:24,118
MM-HMM. ALL RIGHT, TODD,
WHAT'S IT GONNA BE?
262
00:12:24,118 --> 00:12:26,787
WELL, I CAN SEE
WHERE YOU'RE COMING FROM.
263
00:12:26,787 --> 00:12:29,957
I CAN. I CAN SEE
WHERE YOU'RE COMING FROM.
264
00:12:29,957 --> 00:12:34,713
I CAN SEE HOW YOU
AND OTHER PEOPLE
LIKE YOURSELF,
265
00:12:34,713 --> 00:12:37,840
PEOPLE OF
LESSER INTELLIGENCE,
266
00:12:37,840 --> 00:12:39,800
MIGHT BE A BIT CONFUSED
BY MY MOVIE.
267
00:12:39,800 --> 00:12:41,469
AND I CAN SEE
HOW YOU ACTUALLY
268
00:12:41,469 --> 00:12:43,846
DON'T HAVE ANY
NEW IDEAS OF YOUR OWN
ON HOW TO IMPROVE IT,
269
00:12:43,846 --> 00:12:46,933
BECAUSE, AFTER ALL,
YOU'RE NOT REALLY
270
00:12:46,933 --> 00:12:50,769
IN THE BUSINESS OF
HAVING IDEAS, ARE YOU?
271
00:12:50,769 --> 00:12:53,440
OH, THAT'S RIGHT.
YOU THINK YOU ARE.
272
00:12:53,440 --> 00:12:55,233
WELL, YOU'RE NOT.
273
00:12:55,233 --> 00:12:57,902
YOU'RE IN THE BUSINESS
OF CRITICIZING
OTHER PEOPLE'S IDEAS.
274
00:12:57,902 --> 00:13:01,780
WHICH IS WHY, AFTER MUCH
CAREFUL CONSIDERATION,
275
00:13:01,780 --> 00:13:03,658
I'LL BE THROWING
YOUR MOST GENEROUS OFFER
276
00:13:03,658 --> 00:13:05,826
BACK IN YOUR FACE
AND LEAVING.
277
00:13:05,826 --> 00:13:08,787
GOOD-BYE,
AND GOOD LUCK WITH ALL
YOUR FUTURE ENDEAVORS.
278
00:13:15,794 --> 00:13:18,673
WELL, THEN,
SINCE NOBODY SEEMS UP TO
THE RHETORICAL CHALLENGE
279
00:13:18,673 --> 00:13:20,258
OF CONVINCING ME
THAT NORMAN MAILER WAS WRONG
280
00:13:20,258 --> 00:13:22,260
WHEN HE DISMISSED
ALL FEMALE WRITERS
AS UNREADABLE,
281
00:13:23,802 --> 00:13:25,221
THAT'S IT FOR WEDNESDAY.
282
00:13:42,614 --> 00:13:45,325
OH. THAT CAN'T
BE JOEY POTTER.
283
00:13:45,325 --> 00:13:46,785
GUESS ONE "D"
ISN'T ENOUGH
284
00:13:46,785 --> 00:13:48,536
TO GET ANYONE THROWN OUT
OF WORTHINGTON ANYMORE.
285
00:13:48,536 --> 00:13:50,330
SWEET, REALLY,
286
00:13:50,330 --> 00:13:52,039
YOUR OVERWHELMING
CONCERN FOR MY FUTURE,
287
00:13:52,039 --> 00:13:53,708
BUT THAT'S
ACTUALLY NOT WHY
I'M SUBJECTING MYSELF
288
00:13:53,708 --> 00:13:55,251
TO YOUR TOXIC
PERSONALITY.
289
00:13:55,251 --> 00:13:57,878
GREAT. AND I'LL SKIP AHEAD
TO THE PART WHERE I INFORM YOU
290
00:13:57,878 --> 00:13:59,422
THAT NO, NO MATTER
HOW MANY TIMES YOU ASK,
291
00:13:59,422 --> 00:14:01,174
IT WILL NEVER BE POSSIBLE
FOR YOU TO DROP THIS COURSE
292
00:14:01,174 --> 00:14:03,259
WITHOUT FORFEITING YOUR
CREDITS FROM THE FIRST SEMESTER.
293
00:14:03,259 --> 00:14:04,469
LOOK, I DON'T WANT
TO BE STANDING HERE
TALKING TO YOU
294
00:14:04,469 --> 00:14:06,220
ANY MORE THAN YOU WANT
TO BE LISTENING TO ME.
295
00:14:06,220 --> 00:14:09,432
I JUST NEED TO TELL YOU
THAT YOUR DAUGHTER...
296
00:14:09,432 --> 00:14:12,644
WELL, SHE MAY NOT BE
AS SAFELY ENSCONCED
IN MILTON ACADEMY
297
00:14:12,644 --> 00:14:15,104
AS YOU CURRENTLY
THINK SHE IS.
298
00:14:15,104 --> 00:14:17,231
WHAT DOES THAT MEAN?
299
00:14:17,231 --> 00:14:18,857
SHE'S CUTTING CLASS, OK?
300
00:14:20,276 --> 00:14:23,279
I'M A LITTLE CONFUSED
AS TO WHY YOU'RE TELLING ME.
301
00:14:23,279 --> 00:14:25,365
SHE CAME INTO
THE BAR YESTERDAY,
302
00:14:25,365 --> 00:14:27,992
ON THE LAM FROM
SOME FIELD TRIP, AND...
303
00:14:27,992 --> 00:14:29,327
GOD KNOWS WHERE
SHE WENT WHEN SHE LEFT.
304
00:14:29,327 --> 00:14:30,453
I JUST...
305
00:14:30,453 --> 00:14:32,789
BUT CALL ME CRAZY,
I JUST FIGURE
306
00:14:32,789 --> 00:14:34,957
THESE ARE
THE THINGS THE FATHER
OF A 15-YEAR-OLD GIRL
307
00:14:34,957 --> 00:14:37,335
WANDERING THE STREETS
OF BOSTON SHOULD KNOW.
308
00:14:37,335 --> 00:14:40,630
THE SUBTEXT HERE BEING
THAT THESE ARE THE THINGS
THAT A FATHER WOULD KNOW
309
00:14:40,630 --> 00:14:42,215
IF HE WERE
PAYING ATTENTION.
310
00:14:42,215 --> 00:14:43,424
I DIDN'T SAY THAT.
311
00:14:43,424 --> 00:14:44,509
YOU DIDN'T HAVE TO.
312
00:14:44,509 --> 00:14:46,720
LOOK...
313
00:14:46,720 --> 00:14:48,388
I'LL TELL YOU WHAT.
314
00:14:48,388 --> 00:14:51,474
(SIGHS) LET'S MAKE ANOTHER ONE
OF OUR FAMOUS DEALS.
315
00:14:51,474 --> 00:14:53,810
YOU STAY OUT OF MY LIFE,
316
00:14:53,810 --> 00:14:57,104
AND I'LL DO MY VERY BEST
TO STAY OUT OF YOURS.
317
00:14:57,104 --> 00:15:00,024
GLADLY. YOU KNOW,
I'M SORRY FOR
THE INTRUSION.
318
00:15:00,024 --> 00:15:01,860
I GUESS I WAS NAIVE
ENOUGH TO THINK THAT
319
00:15:01,860 --> 00:15:03,528
THIS MIGHT
ACTUALLY BE ABOUT
SOMETHING OTHER
320
00:15:03,528 --> 00:15:05,739
THAN YOUR
GIGANTIC MALE EGO.
321
00:15:10,535 --> 00:15:13,371
SO YOU'RE SAYING
THAT THAT DOESN'T BOTHER YOU,
322
00:15:13,371 --> 00:15:15,998
THE WHOLE LIFE-AS-REPETITIVE-
STRESS-INJURY THING?
323
00:15:15,998 --> 00:15:19,043
NO, IT DOES,
BUT NOTHING
PREPARES YOU
324
00:15:19,043 --> 00:15:21,379
FOR A LIFE OF
MIND-NUMBING BOREDOM
AND REPETITION
325
00:15:21,379 --> 00:15:23,840
SO MUCH AS STUDYING
MUSIC AS A CHILD.
326
00:15:23,840 --> 00:15:25,966
PIANO LESSONS?
VIOLIN.
327
00:15:25,966 --> 00:15:28,511
YEESH.
YEAH. MY MUM TAUGHT
PIANO, THOUGH,
328
00:15:28,511 --> 00:15:31,598
TO A SERIES OF
EVER-CHANGING TWITS
329
00:15:31,598 --> 00:15:33,057
WHO ALL HAD
ONE THING IN COMMON:
330
00:15:33,057 --> 00:15:35,268
THEY WERE
ALLERGIC TO DOGS.
331
00:15:35,268 --> 00:15:36,811
SO YOU HAD FISH.
332
00:15:36,811 --> 00:15:38,688
TANKS FULL.
333
00:15:38,688 --> 00:15:40,273
SO, WHAT'S YOURS, THEN?
334
00:15:40,273 --> 00:15:41,232
MY WHAT?
335
00:15:41,232 --> 00:15:42,817
YOU EXCUSE
FOR COMING HERE EVERY DAY.
336
00:15:42,817 --> 00:15:46,654
IT CAN'T SIMPLY BE A MATTER
OF GEOGRAPHIC PROXIMITY.
337
00:15:46,654 --> 00:15:49,490
NO, IT'S NOT.
IT'S, UH...
338
00:15:49,490 --> 00:15:51,075
IT'S MUCH LIKE
YOURS, REALLY.
339
00:15:51,075 --> 00:15:53,411
IT'S SORT OF A WINDOW
INTO THE PERSON
THAT I USED TO BE.
340
00:15:53,411 --> 00:15:55,037
YOU USED TO BE
ANOTHER PERSON?
341
00:15:55,037 --> 00:15:56,706
MUCH AS I'M SURE
YOU WEREN'T BORN
WITH PINK HAIR,
342
00:15:56,706 --> 00:15:59,083
I AM NOT
THE CONSERVATIVE PERSON
YOU THINK THAT I AM.
343
00:15:59,083 --> 00:16:00,084
YOU'RE NOT?
344
00:16:00,084 --> 00:16:01,294
NO, I'M NOT.
345
00:16:01,294 --> 00:16:04,004
PROVE IT.
346
00:16:04,004 --> 00:16:05,256
STAY.
347
00:16:05,256 --> 00:16:06,340
STAY HERE?
348
00:16:06,340 --> 00:16:07,300
COME ON, I DON'T THINK
349
00:16:07,300 --> 00:16:08,635
YOU TAKING
ONE AFTERNOON OFF
350
00:16:08,635 --> 00:16:10,637
IS GOING TO SEND
CAPITALISM SCREECHING
TO ITS KNEES.
351
00:16:10,637 --> 00:16:11,846
NO, IT PROBABLY WON'T,
352
00:16:11,846 --> 00:16:13,264
BUT IT WILL
CATAPULT ME TO THE TOP
353
00:16:13,264 --> 00:16:14,599
OF THE RICH RINALDI
FIRING LIST.
354
00:16:14,599 --> 00:16:16,684
YEAH, THAT'S SUCH
A BLOODY TRAGEDY.
355
00:16:16,684 --> 00:16:18,227
HERE.
356
00:16:18,227 --> 00:16:19,854
CALL THEM.
357
00:16:19,854 --> 00:16:22,189
TELL THEM, I DON'T KNOW,
THAT YOU'RE SICK OR SOMETHING.
358
00:16:22,189 --> 00:16:23,524
YOU'RE SERIOUS
ABOUT THIS?
359
00:16:23,524 --> 00:16:24,692
YEAH.
360
00:16:24,692 --> 00:16:26,611
QUESTION IS: ARE YOU?
361
00:16:26,611 --> 00:16:28,279
(LAUGHS)
362
00:16:34,869 --> 00:16:38,205
HI. CAN I SPEAK
TO RICH RINALDI, PLEASE?
363
00:16:38,205 --> 00:16:42,209
(COUGHS)
364
00:16:42,209 --> 00:16:44,587
OK, WELL, IF WHAT YOU'RE
TELLING ME IS TRUE,
365
00:16:44,587 --> 00:16:46,506
IS THAT YOU'VE--
YOU'VE HAD UNPROTECTED SEX
366
00:16:46,506 --> 00:16:48,508
WITH 17 WOMEN
IN THE LAST 3 MONTHS,
367
00:16:48,508 --> 00:16:50,718
THEN I DEFINITELY THINK
IT'S A GOOD IDEA FOR YOU
TO GET TESTED.
368
00:16:50,718 --> 00:16:54,639
FOR YOU AND FOR
ALL OF THOSE HOT WOMEN
YOU'VE BEEN SLEEPING WITH.
369
00:16:54,639 --> 00:16:59,101
WHAT? I HAVE NAILED
370
00:16:56,432 --> 00:16:59,101
MANY A HOT GIRL IN MY DAY.
371
00:16:59,101 --> 00:17:00,436
HEY, I BELIEVE YOU.
372
00:17:00,436 --> 00:17:01,896
THANK YOU.
373
00:17:01,896 --> 00:17:03,356
I CAN'T BELIEVE I VOLUNTEER
TO HELP YOU GUYS
374
00:17:03,356 --> 00:17:05,274
AND GET CRITICIZED
FOR MY ACTING ABILITIES.
375
00:17:05,274 --> 00:17:06,943
OH, PLEASE,
LIKE YOU COULD
EVER BE STRAIGHT.
376
00:17:06,943 --> 00:17:07,986
YOUR HEART
IS TOO BIG,
377
00:17:07,986 --> 00:17:09,445
AND SO IS YOUR BRAIN.
378
00:17:09,445 --> 00:17:13,157
(LAUGHS) SHE'S HOSTILE.
TOLD YOU.
379
00:17:13,157 --> 00:17:16,410
COULD YOU PLEASE
NOT TALK ABOUT ME
LIKE I'M NOT IN THE ROOM.
380
00:17:16,410 --> 00:17:18,204
SO I HAVE SOME ANGER.
381
00:17:18,204 --> 00:17:22,375
CAN YOU TELL ME THAT
THERE'S SOMETHING WRONG WITH
EXPRESSING YOUR EMOTIONS?
382
00:17:22,375 --> 00:17:23,584
HEY!
383
00:17:23,584 --> 00:17:24,836
SORRY.
AM I, UH,
INTERRUPTING--
384
00:17:24,836 --> 00:17:26,587
NO, NO, IT'S COOL.
385
00:17:26,587 --> 00:17:29,048
WE'RE--WE'RE DONE HERE,
I THINK.
386
00:17:29,048 --> 00:17:30,090
YEAH, IT'S 4:00.
WE'RE DONE.
387
00:17:30,090 --> 00:17:31,676
SO...
388
00:17:31,676 --> 00:17:34,762
YOU GUYS THINK
YOU CAN GET ALONG
WITHOUT ME TOMORROW, OR WHAT?
389
00:17:34,762 --> 00:17:37,015
WHOA, WHOA, WHOA.
WAIT A SECOND.
390
00:17:37,015 --> 00:17:38,432
YOU MEAN THE ONLY REASON
YOU'RE HANGING AROUND
HERE ALL AFTERNOON
391
00:17:38,432 --> 00:17:39,976
INSTEAD OF
WASTING TIME WITH ME
392
00:17:39,976 --> 00:17:42,353
IS BECAUSE SHE
CAN'T MANAGE TO GET
ALONG WITH HIM?
393
00:17:42,353 --> 00:17:43,730
JEN?
394
00:17:43,730 --> 00:17:45,398
ARE YOU MAD
AT ME, TOO?
395
00:17:45,398 --> 00:17:48,651
YOU CAN'T LOAN ME
YOUR BOYFRIEND
FOR ONE MEASLY HOUR?
396
00:17:48,651 --> 00:17:49,986
IS HE YOUR BOYFRIEND?
397
00:17:49,986 --> 00:17:51,195
HAVE YOU GUYS
KISSED YET?
398
00:17:51,195 --> 00:17:53,656
DID I MISS ALL OF THIS
OVER CHRISTMAS VACATION?
399
00:17:53,656 --> 00:17:55,950
CHARMING.
LET'S GO.
400
00:18:00,287 --> 00:18:02,164
WHY ARE
YOU LOOKING AT ME?
401
00:18:03,791 --> 00:18:05,626
HOSTILE.
402
00:18:17,304 --> 00:18:19,933
(SIGHS)
403
00:18:22,476 --> 00:18:23,978
AHA.
404
00:18:23,978 --> 00:18:25,855
SO HE'S CHANGED
HIS MIND, HAS HE?
405
00:18:25,855 --> 00:18:27,774
COME TO HIS SENSES?
406
00:18:27,774 --> 00:18:29,984
NOT THAT HIS APOLOGY'S
GOING TO BE ACCEPTED,
MIND YOU.
407
00:18:29,984 --> 00:18:32,194
SO WHERE IS HE?
408
00:18:32,194 --> 00:18:34,655
CAUGHT IN TRAFFIC?
SMOKING?
409
00:18:36,532 --> 00:18:38,826
NOT EXACTLY.
410
00:18:38,826 --> 00:18:40,244
DAWSON?
411
00:18:40,244 --> 00:18:43,247
YEAH. YOU KNOW,
TECHNICALLY, ACTUALLY,
412
00:18:43,247 --> 00:18:44,707
HE'S NOT GONNA
BE HERE TODAY,
413
00:18:44,707 --> 00:18:46,542
UH, BECAUSE
TECHNICALLY, HE...
414
00:18:46,542 --> 00:18:48,795
DOESN'T KNOW THAT THIS
MEETING IS TAKING PLACE.
415
00:18:50,671 --> 00:18:52,423
YOU SET THIS UP?
416
00:18:52,423 --> 00:18:54,383
UM--
417
00:18:54,383 --> 00:18:55,509
YEAH.
418
00:18:55,509 --> 00:18:57,428
UH, TECHNICALLY.
419
00:18:57,428 --> 00:19:01,015
(CHUCKLES) YOU SET THIS UP
TO APOLOGIZE FOR HIM,
420
00:19:01,015 --> 00:19:03,059
TO SMOOTH THINGS OVER,
421
00:19:03,059 --> 00:19:05,269
TO CLEAN UP
AFTER HIS MESS...
422
00:19:05,269 --> 00:19:08,606
LIKE YOU'VE BEEN DOING
ALL ALONG?
423
00:19:08,606 --> 00:19:11,191
YEAH, KIND OF.
424
00:19:11,191 --> 00:19:14,528
LOOK, NOBODY SETS OUT
TO MAKE A BAD FILM.
425
00:19:14,528 --> 00:19:16,447
TODD WANTS IT
TO BE BETTER.
I KNOW THAT HE DOES.
426
00:19:16,447 --> 00:19:17,949
AND HE MIGHT BE
TOO PROUD TO ADMIT IT,
427
00:19:17,949 --> 00:19:19,575
BUT HE'S GOT, LIKE,
5 ALTERNATE ENDINGS
IN HIS HEAD.
428
00:19:19,575 --> 00:19:21,577
THIS IS STUFF WE'VE
BEEN TALKING ABOUT
ALL ALONG,
429
00:19:21,577 --> 00:19:24,580
STUFF THAT CAN
EASILY BE DONE ON
A SOUNDSTAGE IN 3 DAYS
430
00:19:24,580 --> 00:19:25,832
FOR NO MONEY.
431
00:19:25,832 --> 00:19:27,917
WELL, THAT'S ALL
VERY SWEET AND MOVING,
432
00:19:27,917 --> 00:19:32,046
BUT SINCE I DON'T
SEE HIM HERE ON HIS KNEES
BEGGING FOR FORGIVENESS,
433
00:19:32,046 --> 00:19:33,881
YOU'RE WASTING MY TIME,
MY FRIEND.
434
00:19:33,881 --> 00:19:34,924
UNLESS--
435
00:19:34,924 --> 00:19:36,467
UNLESS WHAT?
436
00:19:36,467 --> 00:19:37,927
UNLESS THE ANSWER
TO OUR PROBLEMS
437
00:19:37,927 --> 00:19:39,095
IS SITTING RIGHT
IN FRONT OF US.
438
00:19:39,095 --> 00:19:41,263
EXCUSE ME?
439
00:19:41,263 --> 00:19:42,723
I KNOW THIS IS
GONNA SOUND CRAZY,
440
00:19:42,723 --> 00:19:45,601
BUT JUST STAY
WITH ME FOR A SECOND.
441
00:19:45,601 --> 00:19:47,561
HE KNOWS THE FOOTAGE
WE'VE ALREADY SHOT.
442
00:19:47,561 --> 00:19:50,773
HE KNOWS THE SCRIPT,
THE ACTORS, THE CREW.
443
00:19:50,773 --> 00:19:53,693
PERSONALLY,
FROM WHAT I'VE SEEN,
444
00:19:53,693 --> 00:19:54,902
I THINK HE COULD DO IT.
445
00:19:56,195 --> 00:19:57,321
WAIT A MINUTE.
HOLD ON A SECOND.
446
00:19:57,321 --> 00:19:59,406
WHAT? YOU'RE SAYING
YOU CAN'T DO THIS?
447
00:19:59,406 --> 00:20:00,992
NO. I'M SAYING
THIS IS INSANE.
448
00:20:00,992 --> 00:20:02,618
ALL RIGHT,
LET ME ASK YOU THIS.
449
00:20:02,618 --> 00:20:06,246
HYPOTHETICALLY,
IF YOU HAD TO,
450
00:20:06,246 --> 00:20:08,206
COULD YOU DIRECT
THE RESHOOTS OF THIS MOVIE?
451
00:20:08,206 --> 00:20:09,917
WELL, YES,
BUT THAT'S NOT--
452
00:20:09,917 --> 00:20:11,169
ALL RIGHT.
CALL HIS AGENT.
453
00:20:11,169 --> 00:20:12,879
I DON'T THINK HE HAS ONE.
454
00:20:12,879 --> 00:20:14,130
WELL, THEN DON'T
CALL HIS AGENT.
455
00:20:14,130 --> 00:20:15,840
CALL HIS MOTHER AND MAKE HER
SIGN A PERMISSION SLIP.
456
00:20:15,840 --> 00:20:18,342
WAIT A MINUTE. WAIT--
HOLD ON A SECOND.
THIS IS INSANE.
457
00:20:18,342 --> 00:20:20,302
THIS IS--THIS IS NOT
WHY I CAME HERE TODAY.
458
00:20:20,302 --> 00:20:22,013
THIS IS NOT WHAT
I WANTED TO HAVE HAPPEN.
459
00:20:22,013 --> 00:20:24,515
WELL, GUESS WHAT?
IT DID.
460
00:20:24,515 --> 00:20:27,060
AND SINCE
OPPORTUNITIES LIKE THIS
DON'T COME ALONG EVERY DAY,
461
00:20:27,060 --> 00:20:28,936
I'D HOP ON
THE HAPPY TRAIN.
462
00:20:28,936 --> 00:20:31,480
OR, I'M SORRY,
463
00:20:31,480 --> 00:20:34,274
IS BEING A DIRECTOR
NOT THE FULFILLMENT
OF A DREAM
464
00:20:34,274 --> 00:20:35,693
YOU'VE BEEN WAITING
YOUR ENTIRE LIFE FOR?
465
00:20:35,693 --> 00:20:37,737
NO, IT IS.
IT DEFINITELY IS, BUT--
466
00:20:37,737 --> 00:20:38,946
WE'LL BE IN TOUCH.
467
00:20:46,370 --> 00:20:47,371
(DOOR CLOSES)
468
00:20:47,371 --> 00:20:48,831
OH, BOY.
469
00:20:53,419 --> 00:20:56,338
SO DID WE EVER FIGURE OUT
WHOSE PARTY THIS WAS?
470
00:20:56,338 --> 00:20:58,591
NO. SOME DUDE'S,
471
00:20:58,591 --> 00:21:01,219
THEN I DON'T SUPPOSE
WE EVER FIGURED OUT
WHAT DAY IT IS.
472
00:21:01,219 --> 00:21:04,097
COME ON!
GIVE ME A BREAK!
473
00:21:04,097 --> 00:21:06,015
SO'S YOUR FRIEND COMING
TO PICK US UP OR WHAT?
474
00:21:06,015 --> 00:21:08,059
I REALLY VOTE
WE TAKE A CAB.
475
00:21:08,059 --> 00:21:09,643
YEAH, AND PAY
THE GUY WITH WHAT?
476
00:21:09,643 --> 00:21:12,063
YOU KNOW, YOU BEING FAMOUS
DOESN'T MAKE ME ANY LESS BROKE.
477
00:21:12,063 --> 00:21:13,689
WHAT? YOU'RE BROKE?
478
00:21:13,689 --> 00:21:15,942
YES, JACK,
AUDREY LIDDELL IS BROKE.
479
00:21:15,942 --> 00:21:17,985
IS THAT SO IMPOSSIBLE
TO BELIEVE?
480
00:21:17,985 --> 00:21:20,529
WOW. SOMEONE
MUST BE PAYING TOO MUCH
FOR THEIR DRUGS.
481
00:21:20,529 --> 00:21:23,157
YOU KNOW, CONTRARY
TO POPULAR OPINION,
I'M NOT ON DRUGS.
482
00:21:23,157 --> 00:21:24,951
YEAH, RIGHT.
483
00:21:24,951 --> 00:21:27,620
YOU KNOW, I HATE TO BE
JUDGMENTAL LIKE YOUR
WEIRD COLLEGE FRIENDS,
484
00:21:27,620 --> 00:21:30,039
BUT PLEASE DON'T RIP
MY LUNGS OUT OF MY CHEST
485
00:21:30,039 --> 00:21:31,498
WHEN YOU HAVE
SOME BAD PCP.
486
00:21:31,498 --> 00:21:32,750
SHUT UP, WILL YOU?
HE'S COMING.
487
00:21:32,750 --> 00:21:33,918
WHO? YOUR FRIEND?
488
00:21:33,918 --> 00:21:36,003
DAWSON. DAWSON LEERY.
489
00:21:36,003 --> 00:21:37,463
I'M SORT OF ON THIN ICE
WITH HIM AT THE MOMENT,
490
00:21:37,463 --> 00:21:38,589
SO IF YOU CAN FIND IT
WITHIN YOURSELF
491
00:21:38,589 --> 00:21:40,007
TO SHUT UP ABOUT DRUGS FOR,
I DON'T KNOW,
492
00:21:40,007 --> 00:21:41,050
SAY, THE NEXT HALF AN HOUR--
493
00:21:41,050 --> 00:21:42,718
WHAT? YOU'LL MAKE IT
WORTH MY WHILE?
494
00:21:42,718 --> 00:21:44,553
DON'T I ALWAYS?
495
00:21:44,553 --> 00:21:46,806
SO YOU'RE SAYING I CAN
GO THROUGH YOUR UNDERWEAR
DRAWER UNSUPERVISED?
496
00:21:46,806 --> 00:21:48,474
NO! THAT'S GROSS!
497
00:21:48,474 --> 00:21:50,768
I'LL SIT ON YOUR LAP
THE WHOLE WAY HOME, OK?
498
00:21:50,768 --> 00:21:52,061
ALL RIGHT. COOL.
499
00:21:52,061 --> 00:21:53,312
BUT ONE WORD ABOUT
ANY SORT OF ILLEGAL SUBSTANCE,
500
00:21:53,312 --> 00:21:54,272
AND YOU HAVE BLOWN IT.
501
00:21:54,272 --> 00:21:56,232
HEY, I HAVE
SELF-CONTROL.
502
00:21:56,232 --> 00:21:59,110
I'LL BELIEVE THAT
WHEN I SEE IT.
503
00:21:59,110 --> 00:22:02,571
I'M GOING TO GO
WAIT IN THE CAR.
504
00:22:02,571 --> 00:22:04,406
HEY, JACK.
505
00:22:07,576 --> 00:22:09,703
HEY.
506
00:22:09,703 --> 00:22:11,080
YOU CAME.
507
00:22:11,080 --> 00:22:12,832
YEAH.
YOU CALLED, RIGHT?
508
00:22:12,832 --> 00:22:15,584
THE FACT THAT I RECENTLY
DESTROYED YOUR HOUSE
WITH AN AUTOMOBILE
509
00:22:15,584 --> 00:22:17,878
MUST HAVE, UH,
SLIPPED MY MIND
WHEN I WAS DIALING.
510
00:22:17,878 --> 00:22:20,631
I FREAKED OUT, OK?
511
00:22:20,631 --> 00:22:22,049
WHAT, THEN
OR RIGHT NOW?
512
00:22:22,049 --> 00:22:24,051
BOTH, I GUESS.
513
00:22:29,182 --> 00:22:31,934
WHAT ARE YOU EVEN
DOING HERE, AUDREY?
514
00:22:31,934 --> 00:22:33,727
HERE IN L.A. OR HERE
AT THIS WEIRD PARTY?
515
00:22:33,727 --> 00:22:34,979
EITHER ONE.
516
00:22:34,979 --> 00:22:36,689
I DON'T KNOW.
517
00:22:36,689 --> 00:22:40,193
ONE MINUTE,
JACK AND I ARE, LIKE,
IN A PARKING LOT OFF SUNSET
518
00:22:40,193 --> 00:22:41,694
TALKING TO THESE GUYS
IN A LIMO,
519
00:22:41,694 --> 00:22:44,238
AND THE NEXT MINUTE, WE'RE
HERE, AND IT'S MORNING, AND...
520
00:22:44,238 --> 00:22:46,740
(SIGHS)
521
00:22:46,740 --> 00:22:48,075
LIKE I SAID,
522
00:22:48,075 --> 00:22:50,870
I JUST FREAKED, AND...
523
00:22:50,870 --> 00:22:53,497
YOU WERE THE ONLY PERSON
THAT I KNEW WOULD BE
IN THIS AREA CODE
524
00:22:53,497 --> 00:22:56,042
AND WOULD DEFINITELY
BE AWAKE AT THIS HOUR.
525
00:22:56,042 --> 00:22:57,084
WHAT ABOUT
YOUR PARENTS?
526
00:22:57,084 --> 00:22:59,086
PLEASE.
527
00:22:59,086 --> 00:23:01,297
DO THEY EVEN KNOW
THAT SCHOOL STARTED
BACK ALREADY?
528
00:23:01,297 --> 00:23:04,508
NO.
529
00:23:04,508 --> 00:23:08,012
I WASN'T READY
TO GO BACK LAST WEEK,
530
00:23:08,012 --> 00:23:12,141
SO I LIED A LITTLE BIT.
531
00:23:12,141 --> 00:23:18,564
I DIDN'T WANT TO FACE
THE GRAND TRIBUNAL OF JUDGMENT.
532
00:23:18,564 --> 00:23:20,733
I'M READY NOW, THOUGH.
533
00:23:20,733 --> 00:23:22,985
AND I'M GOING TO BE GOOD
FROM NOW ON, DAWSON, I SWEAR.
534
00:23:22,985 --> 00:23:24,153
JUST...
535
00:23:24,153 --> 00:23:25,696
DON'T BE MAD.
536
00:23:25,696 --> 00:23:28,949
I MEAN,
DON'T BE ANY MORE MAD
THAN YOU ALREADY ARE.
537
00:23:28,949 --> 00:23:31,577
(SIGHS)
ALL RIGHT. JUST...
538
00:23:31,577 --> 00:23:33,620
TELL ME YOU REALIZE
HOW STUPID IT IS
539
00:23:33,620 --> 00:23:34,914
TO GET IN A CAR
FULL OF STRANGERS
540
00:23:34,914 --> 00:23:37,333
THAT YOU MEET
IN A PARKING LOT.
541
00:23:41,879 --> 00:23:44,422
HEY, IT'S ME AGAIN.
542
00:23:44,422 --> 00:23:46,759
UM, LOOK, I GET
THAT YOU'RE AVOIDING ME.
543
00:23:46,759 --> 00:23:49,762
I DO. MANY DAYS,
NO PHONE CALLS.
WHAT COULD BE CLEARER?
544
00:23:49,762 --> 00:23:51,972
BUT, UM...
545
00:23:51,972 --> 00:23:53,766
I'M SCARED NOW,
546
00:23:53,766 --> 00:23:56,018
BECAUSE I DON'T
UNDERSTAND WHY YOU
WOULDN'T CALL ME BACK.
547
00:23:56,018 --> 00:23:57,144
IT'S NOT LIKE YOU, OK?
548
00:23:57,144 --> 00:23:58,145
AND I GUESS
I'M JUST SCARED
549
00:23:58,145 --> 00:23:59,479
THAT SOMETHING MAY
HAVE HAPPENED TO YOU,
550
00:23:59,479 --> 00:24:01,315
BECAUSE--AND EVEN
IF SOMETHING DID
HAPPEN TO YOU,
551
00:24:01,315 --> 00:24:02,608
I WOULDN'T
KNOW ABOUT IT,
BECAUSE, OBVIOUSLY,
552
00:24:02,608 --> 00:24:04,068
I'M NOT A VERY IMPORTANT
PERSON IN YOUR LIFE.
553
00:24:04,068 --> 00:24:05,819
SO...
554
00:24:05,819 --> 00:24:07,738
COULD YOU JUST...
555
00:24:07,738 --> 00:24:08,697
CALL ME BACK?
556
00:24:08,697 --> 00:24:09,656
UH...
557
00:24:09,656 --> 00:24:12,659
CALL ME BACK
AS SOON AS POSSIBLE.
558
00:24:12,659 --> 00:24:14,161
BYE.
559
00:24:23,837 --> 00:24:25,131
MMM...
560
00:24:25,131 --> 00:24:26,382
ANY LUCK THIS TIME?
561
00:24:26,382 --> 00:24:29,093
WHEN HAVE I EVER
BEEN LUCKY WITH MEN?
562
00:24:29,093 --> 00:24:31,387
HE'LL CALL YOU BACK, JOEY.
I KNOW HE WILL.
563
00:24:31,387 --> 00:24:33,055
UH, YEAH, YEAH.
564
00:24:33,055 --> 00:24:35,891
THERE'S USUALLY A VERY
LOGICAL EXPLANATION
FOR THIS KIND OF THING.
565
00:24:35,891 --> 00:24:37,059
YEAH, I GUESS.
566
00:24:40,104 --> 00:24:41,563
HEY, CAN YOU GUYS, UM--
567
00:24:41,563 --> 00:24:43,983
PAY THE BILL THAT'S
BEEN SITTING HERE FOR,
LIKE, A CENTURY?
568
00:24:43,983 --> 00:24:45,401
YEAH.
569
00:24:45,401 --> 00:24:46,860
YOU GUYS ARE WELCOME
TO STAY AS LONG AS YOU WANT.
570
00:24:46,860 --> 00:24:48,237
IT'S JUST...
571
00:24:48,237 --> 00:24:51,073
I DON'T FEEL THAT GREAT.
I WANT TO GET HOME EARLY.
572
00:24:51,073 --> 00:24:52,241
YEAH, IT'S NO PROBLEM.
573
00:24:52,241 --> 00:24:53,826
HERE. AHEM.
574
00:24:53,826 --> 00:24:55,119
KEEP THE CHANGE.
575
00:24:55,119 --> 00:24:56,870
THANKS. THANKS A LOT.
576
00:24:56,870 --> 00:24:58,122
BYE.
577
00:24:59,581 --> 00:25:01,459
WELL,
THAT WAS DEPRESSING.
578
00:25:01,459 --> 00:25:03,836
THERE'S NOTHING
SADDER IN THE UNIVERSE
579
00:25:03,836 --> 00:25:05,503
THAN WATCHING SOMEBODY
WAIT FOR A PHONE CALL
580
00:25:05,503 --> 00:25:07,547
THAT'S OBVIOUSLY
NEVER GOING TO COME.
581
00:25:07,547 --> 00:25:09,133
OH, SURE THERE IS.
582
00:25:09,133 --> 00:25:11,718
THERE'S ORPHANS,
SICK ORPHANS.
583
00:25:11,718 --> 00:25:13,346
PLUS, WE DON'T KNOW
IF THIS GUY'S NOT GONNA CALL.
584
00:25:13,346 --> 00:25:14,930
OH, PLEASE.
585
00:25:14,930 --> 00:25:16,265
WE'RE GUYS, AREN'T WE?
586
00:25:16,265 --> 00:25:18,058
HOW MANY PEOPLE
HAVE YOU RUTHLESSLY
HOOKED UP WITH
587
00:25:18,058 --> 00:25:19,059
AND NEVER CALLED?
588
00:25:19,059 --> 00:25:21,519
A FEW.
589
00:25:24,190 --> 00:25:25,816
LOOK, I WENT OUT A LOT
THIS SUMMER, ALL RIGHT?
590
00:25:25,816 --> 00:25:28,402
AND?
591
00:25:28,402 --> 00:25:31,030
AND I DIDN'T CALL
A FEW OF THE GUYS BACK.
592
00:25:31,030 --> 00:25:32,323
LOOK, IF A STRAIGHT GUY
DID IT,
593
00:25:32,323 --> 00:25:34,200
IT WOULD BE RAKISHLY
CHARMING, YOU KNOW?
594
00:25:34,200 --> 00:25:35,451
YOU MEET SOMEONE, OK?
595
00:25:35,451 --> 00:25:36,410
YOU THINK YOU'RE
GOING TO LIKE THEM--
596
00:25:36,410 --> 00:25:38,578
AND THEN AFTER
CLOSER EXAMINATION,
597
00:25:38,578 --> 00:25:39,788
YOU DON'T.
598
00:25:39,788 --> 00:25:40,956
YEAH.
599
00:25:40,956 --> 00:25:42,041
BUT ONLY AFTER
600
00:25:42,041 --> 00:25:43,876
THE CLOSER
EXAMINATION PART.
601
00:25:43,876 --> 00:25:45,336
BASICALLY.
602
00:25:45,336 --> 00:25:47,004
ARE YOU GOING
TO GIVE ME SOME KIND
OF LECTURE HERE, OR WHAT?
603
00:25:47,004 --> 00:25:48,214
DO YOU WANT ONE?
604
00:25:48,214 --> 00:25:49,840
NOT PARTICULARLY.
605
00:25:49,840 --> 00:25:51,549
FINE.
606
00:26:02,144 --> 00:26:04,771
OK. LET'S GO, HARLEY.
607
00:26:04,771 --> 00:26:06,148
YOU'RE OUTTA HERE.
GET YOUR COAT.
608
00:26:06,148 --> 00:26:07,565
EXCUSE ME?
609
00:26:07,565 --> 00:26:08,734
LOOK, I REALLY DON'T
HAVE THE ENERGY
610
00:26:08,734 --> 00:26:10,110
TO GO THROUGH
ALL OF THIS AGAIN TODAY.
611
00:26:10,110 --> 00:26:11,278
IN CASE YOU'VE
FORGOTTEN,
612
00:26:11,278 --> 00:26:12,863
WE'VE ALREADY PLAYED
THIS SCENE 2 DAYS AGO.
613
00:26:12,863 --> 00:26:15,908
YEAH, AND THEN
YOU RATTED ME OUT
TO MY FATHER,
614
00:26:15,908 --> 00:26:17,451
WHO GROUNDED ME
FOR A MONTH.
615
00:26:17,451 --> 00:26:19,370
SO I FIGURED
THE ONLY WAY
I COULD REPAY YOU
616
00:26:19,370 --> 00:26:21,163
WOULD BE
TO CUT CLASS AGAIN.
617
00:26:21,163 --> 00:26:22,540
RIGHT.
618
00:26:22,540 --> 00:26:23,790
YOU REALLY THINK
I'M GOING TO LEAVE YOU HERE
619
00:26:23,790 --> 00:26:25,376
WITH A POSSIBLE DATE-RAPIST
WHO THINKS YOU'RE 18?
620
00:26:25,376 --> 00:26:26,335
I DON'T THINK SO.
621
00:26:26,335 --> 00:26:27,794
I'M LEAVING.
YOU'RE LEAVING.
622
00:26:27,794 --> 00:26:29,629
LET'S GO NOW.
623
00:26:42,059 --> 00:26:44,811
I CAN'T BELIEVE YOU TALKED ME
INTO STAYING FOR THIS YESTERDAY.
624
00:26:44,811 --> 00:26:46,980
I MEAN, BIG FISH
EATING LITTLE FISH.
WHAT'S THE BIG DEAL?
625
00:26:46,980 --> 00:26:49,108
THIS IS
WHAT YOU DRAG YOUR BUTT
DOWN HERE FOR EVERY DAY?
626
00:26:49,108 --> 00:26:51,026
WELL, IF IT WAS
A BIG COMPANY EATING
A LITTLE COMPANY,
627
00:26:51,026 --> 00:26:52,194
YOU'D LOVE IT.
628
00:26:52,194 --> 00:26:53,153
AND FOR THE RECORD,
629
00:26:53,153 --> 00:26:54,947
I DON'T COME HERE
EVERY DAY.
630
00:26:54,947 --> 00:26:56,156
YOU DON'T?
631
00:26:56,156 --> 00:26:57,741
NOT NORMALLY, NO.
632
00:26:57,741 --> 00:26:59,785
USUALLY JUST WHEN
I HAVE A HANGOVER.
633
00:26:59,785 --> 00:27:01,120
SO, THEN WHAT WAS THIS WEEK?
634
00:27:01,120 --> 00:27:02,662
SOME SORT
OF SPECIAL OCCASION?
635
00:27:02,662 --> 00:27:05,332
I'VE JUST BEEN WONDERING
WHAT'S IT ALL FOR.
636
00:27:05,332 --> 00:27:07,834
I MEAN, IF WHAT YOU'VE
TOLD ME OVER THE LAST
COUPLE OF DAYS IS TRUE,
637
00:27:07,834 --> 00:27:10,212
THEN YOU'VE
PRETTY MUCH CHANGED
YOUR ENTIRE LIFE,
638
00:27:10,212 --> 00:27:11,755
AND I'M NOT
ENTIRELY SURE WHY.
639
00:27:11,755 --> 00:27:13,340
HOW THE HELL SHOULD I KNOW?
640
00:27:13,340 --> 00:27:14,967
WHY DOES ANYBODY
CHANGE THEIR LIFE?
641
00:27:14,967 --> 00:27:16,718
WHY DO PEOPLE
DYE THEIR HAIR,
FOR THAT MATTER?
642
00:27:16,718 --> 00:27:18,804
TO PISS OFF MY MUM.
643
00:27:18,804 --> 00:27:21,265
OR TO TRY
TO BE SOMEBODY ELSE?
644
00:27:21,265 --> 00:27:22,766
FOR ME,
IT WOULD BE THE LATTER.
645
00:27:22,766 --> 00:27:24,684
AND WHY DO YOU WANT
TO BE SOMEBODY ELSE?
646
00:27:24,684 --> 00:27:26,562
BECAUSE THAT'S
A PART OF GROWING UP.
647
00:27:26,562 --> 00:27:28,397
LET ME TELL YOU,
PACEY AT 15 WAS
A BIT OF A SCHMUCK--
648
00:27:28,397 --> 00:27:30,441
BAD HAIRCUT,
BAD HAWAIIAN SHIRTS,
649
00:27:30,441 --> 00:27:32,067
BROKE ALL THE TIME.
650
00:27:32,067 --> 00:27:33,569
DUMB ENOUGH TO BE CHASING
AFTER THINGS
651
00:27:33,569 --> 00:27:34,861
HE KNEW HE WAS NEVER
GOING TO GET, ANYWAY.
652
00:27:34,861 --> 00:27:37,573
MOSTLY WOMEN,
I SUPPOSE.
653
00:27:37,573 --> 00:27:38,491
MOSTLY...
654
00:27:38,491 --> 00:27:39,992
THOUGH THERE WERE
A FEW GIRLS.
655
00:27:39,992 --> 00:27:42,035
AND YOU ARE ALLOWED
TO CALL THEM GIRLS
WHEN THEY'RE 16.
656
00:27:42,035 --> 00:27:43,370
HMM.
657
00:27:43,370 --> 00:27:46,332
NOT THAT YOU CARE
WHAT I THINK, BUT...
658
00:27:46,332 --> 00:27:49,042
I DON'T THINK
HE SOUNDS THAT BAD,
659
00:27:49,042 --> 00:27:51,170
THIS PERSON YOU USED TO BE.
660
00:27:51,170 --> 00:27:53,422
HE ACTUALLY SOUNDS
KIND OF NICE.
661
00:27:53,422 --> 00:27:55,382
YEAH, WELL,
MAYBE HE WAS...
662
00:27:55,382 --> 00:27:56,383
OCCASIONALLY.
663
00:27:56,383 --> 00:27:59,094
HMM, STILL COULD BE.
664
00:27:59,094 --> 00:28:01,305
QUIT THE JOB.
665
00:28:01,305 --> 00:28:04,057
GET RID OF THAT GOATEE.
666
00:28:04,057 --> 00:28:05,683
GROW BACK
THE TERRIBLE HAIRCUT.
667
00:28:08,145 --> 00:28:09,480
WHAT IF I TOLD YOU
668
00:28:09,480 --> 00:28:11,898
I'D ACTUALLY
BEEN THINKING
ABOUT THAT LATELY?
669
00:28:11,898 --> 00:28:14,026
I'M NOT SURE
I'D BELIEVE YOU.
670
00:28:14,026 --> 00:28:15,444
UNLESS...
671
00:28:15,444 --> 00:28:16,694
UNLESS WHAT?
672
00:28:16,694 --> 00:28:19,281
UNLESS YOU SHOWED UP
HERE AGAIN TOMORROW,
673
00:28:19,281 --> 00:28:21,867
PROMPTLY, AT 1:00,
674
00:28:21,867 --> 00:28:25,703
WEARING SOME WRETCHED
HAWAIIAN T-SHIRT.
675
00:28:33,795 --> 00:28:34,880
LOOK, YOU KNOW THAT
THAT'S NOT TRUE, RIGHT?
676
00:28:34,880 --> 00:28:36,256
I MEAN,
JUST BECAUSE A GIRL
677
00:28:36,256 --> 00:28:38,342
HAS A LESS THAN PERFECT
RELATIONSHIP
WITH HER FATHER,
678
00:28:38,342 --> 00:28:39,717
IT DOESN'T MEAN THAT SHE
WON'T BE ABLE TO SUSTAIN
679
00:28:39,717 --> 00:28:41,928
A MORE MEANINGFUL
RELATIONSHIP IN--
680
00:28:41,928 --> 00:28:43,972
HEL--HELLO?
681
00:28:43,972 --> 00:28:45,683
HELLO?
682
00:28:45,683 --> 00:28:47,685
SHE HUNG UP ON ME.
683
00:28:47,685 --> 00:28:49,978
MY FIRST REAL
NONHYPOTHETICAL CALLER,
684
00:28:49,978 --> 00:28:51,813
AND SHE HUNG UP ON ME.
685
00:28:51,813 --> 00:28:53,482
SOMEBODY PROBABLY
WALKED IN THE ROOM.
686
00:28:53,482 --> 00:28:54,900
YOU KNOW, A ROOMMATE
OR SOMETHING. SHE GOT
EMBARRASSED AND HUNG UP.
687
00:28:54,900 --> 00:28:56,985
NO, YOU'RE JUST TRYING
TO MAKE ME FEEL BETTER.
688
00:28:56,985 --> 00:28:58,320
NO, YOU WERE DOING FINE.
689
00:28:58,320 --> 00:28:59,946
WHY DID THIS HAVE
TO BE BOY TROUBLE?
690
00:28:59,946 --> 00:29:03,325
WHY COULDN'T IT
HAVE BEEN A NICE
EATING DISORDER
691
00:29:03,325 --> 00:29:05,703
OR A HOMESICK FRESHMAN
IN NEED OF A GOOD OLD
EGO BOOST?
692
00:29:05,703 --> 00:29:08,038
(TELEPHONE RINGS)
693
00:29:08,038 --> 00:29:09,623
YOU GONNA ANSWER THAT?
NO.
694
00:29:09,623 --> 00:29:10,957
SHE WAS TALKING TO YOU.
695
00:29:10,957 --> 00:29:12,251
SHE'S PROBABLY GONNA WANNA
BE TALKING TO YOU AGAIN.
696
00:29:12,251 --> 00:29:14,044
NO, I--I DON'T
WANNA ANSWER IT.
697
00:29:14,044 --> 00:29:16,338
I'M JUST GONNA
MESS IT UP AGAIN.
Y-Y-YOU DO IT.
698
00:29:16,338 --> 00:29:18,382
ARE YOU SURE?
YES.
JUST ANSWER IT.
699
00:29:18,382 --> 00:29:20,926
HELP LINE.
THIS IS C.J.
700
00:29:20,926 --> 00:29:24,722
NO, SHE HAD TO STEP AWAY
FOR A SECOND.
701
00:29:24,722 --> 00:29:26,724
YEAH, SHE'S, UH--
SHE'S A LITTLE HIGH-STRUNG.
702
00:29:29,226 --> 00:29:30,310
OH, LET'S GIVE HER
A BREAK, THOUGH.
703
00:29:30,310 --> 00:29:33,355
IT'S HER FIRST DAY.
704
00:29:33,355 --> 00:29:35,524
YEAH, YEAH.
IT IS HARD TO TALK WHEN
OTHER PEOPLE ARE IN THE ROOM.
705
00:29:38,026 --> 00:29:40,446
WHY DON'T YOU CALL ME BACK
IN 10 MINUTES WHEN THEY'RE GONE?
706
00:29:40,446 --> 00:29:42,197
YEAH, I'LL BE HERE.
707
00:29:43,823 --> 00:29:46,076
ALL RIGHT. PROMISE ME
YOU'LL CALL ME BACK.
708
00:29:46,076 --> 00:29:47,869
OK. BYE.
709
00:29:51,415 --> 00:29:52,791
WHAT?
710
00:29:52,791 --> 00:29:56,002
NOTHING.
711
00:29:56,002 --> 00:29:59,632
Harley: HELLO? EVERY THIRD STORE
WE'RE PASSING SELLS LIQUOR.
712
00:29:59,632 --> 00:30:02,217
SHOULDN'T THIS INDICATE
TO YOU THAT WE'RE NOT
IN SUCH A GREAT PART OF TOWN?
713
00:30:02,217 --> 00:30:04,803
YEAH, WELL, YOU WANTED
TO WALK ON THE WILD SIDE,
714
00:30:04,803 --> 00:30:07,222
SO SINCE YOUR DAD
IS IN CLASS UNTIL 6:00...
715
00:30:07,222 --> 00:30:09,725
WE'RE HERE.
716
00:30:09,725 --> 00:30:11,393
WHERE ARE WE, ANYWAY?
717
00:30:11,393 --> 00:30:12,561
NOWHERE, OK?
718
00:30:12,561 --> 00:30:15,439
I JUST HAVE
TO DO SOMETHING.
719
00:30:15,439 --> 00:30:17,899
"EDDIE DOLING, 3-A"?
720
00:30:17,899 --> 00:30:19,943
I THOUGHT YOU SAID
YOU DIDN'T KNOW
WHERE HE WAS.
721
00:30:19,943 --> 00:30:20,986
I DON'T.
722
00:30:20,986 --> 00:30:21,945
I KNOW WHERE HE LIVES.
723
00:30:21,945 --> 00:30:23,405
I JUST DON'T KNOW
WHERE HE IS.
724
00:30:23,405 --> 00:30:24,782
WELL, PERHAPS YOU'VE HEARD
OF THIS INVENTION:
725
00:30:24,782 --> 00:30:25,907
THE TELEPHONE?
726
00:30:25,907 --> 00:30:27,159
IT'S A HELPFUL STALKING TOOL.
727
00:30:27,159 --> 00:30:29,828
YEAH, I TRIED THAT
ALREADY, HARLEY,
THANK YOU,
728
00:30:29,828 --> 00:30:30,870
BUT WHEN A GIRL
LEAVES A WHOLE SLEW
729
00:30:30,870 --> 00:30:32,289
OF UNRETURNED
VOICE MAIL MESSAGES
730
00:30:32,289 --> 00:30:34,374
FOR SOMEONE SHE THOUGHT
WAS HER BOYFRIEND,
AND THEN--
731
00:30:34,374 --> 00:30:36,001
BOYFRIEND? UH-OH.
THAT MEANS ONE THING.
732
00:30:36,001 --> 00:30:37,419
YOU SLEPT WITH HIM,
DIDN'T YOU?
733
00:30:37,419 --> 00:30:38,712
WHAT DID YOU JUST SAY?
734
00:30:38,712 --> 00:30:40,673
I ASKED IF YOU
SLEPT WITH THE BOY.
735
00:30:40,673 --> 00:30:42,841
YOU KNOW, HAD SEX?
GONE ALL THE WAY?
736
00:30:42,841 --> 00:30:44,134
I THOUGHT
THAT'S WHAT YOU SAID.
737
00:30:44,134 --> 00:30:47,053
YEAH, SO,
WHAT'S THE PROBLEM?
738
00:30:47,053 --> 00:30:50,766
NOTHING. I GUESS I...
739
00:30:50,766 --> 00:30:54,144
I HAD FORGOTTEN WHAT
A SOPHISTICATED WOMAN
OF THE WORLD YOU ARE.
740
00:30:54,144 --> 00:30:55,853
HARLEY, YOU'RE PROBABLY
NOT EVEN A VIRGIN,
741
00:30:55,853 --> 00:30:58,898
PROBABLY LOST IT
YEARS AGO TO A TRUCKER
NAMED BUBBA, RIGHT?
742
00:31:01,360 --> 00:31:02,486
I DON'T GET IT.
743
00:31:02,486 --> 00:31:04,862
YOU'RE NOT SUPPOSED TO.
744
00:31:04,862 --> 00:31:06,990
LOOK, GO. I'M NOT
IN THE MOOD FOR THIS.
745
00:31:13,288 --> 00:31:14,289
Harley: SO WHAT?
746
00:31:14,289 --> 00:31:16,458
JUST BECAUSE I'M 15,
747
00:31:16,458 --> 00:31:17,501
I'M NOT EVEN ALLOWED
TO TALK ABOUT SEX?
748
00:31:17,501 --> 00:31:19,336
NO, YOU CAN TALK ABOUT IT,
749
00:31:19,336 --> 00:31:21,380
AND THEN WHEN YOU'RE 19, YOU
CAN HAVE THE UNADULTERATED JOY
750
00:31:21,380 --> 00:31:24,257
OF LOOKING BACK AND
REALIZING WHAT AN IDIOT
YOU SOUNDED LIKE.
751
00:31:30,764 --> 00:31:32,890
OH, RIGHT, BECAUSE
YOU'RE SO SMART NOW.
752
00:31:32,890 --> 00:31:35,101
YOU MUST KNOW EXACTLY
WHAT YOU'RE DOING.
753
00:31:35,101 --> 00:31:36,770
THAT'S WHY YOU CAME
ALL THIS WAY TO STALK SOMEONE
754
00:31:36,770 --> 00:31:41,650
WHO HASN'T CALLED YOU BACK
SINCE YOU DECIDED
TO SLEEP WITH HIM.
755
00:31:41,650 --> 00:31:44,820
WHAT?
WHAT'S THE BIG DEAL?
756
00:31:44,820 --> 00:31:46,905
WE'RE IN
THE WRONG APARTMENT, RIGHT?
757
00:31:52,202 --> 00:31:54,079
JOEY?
758
00:31:56,248 --> 00:31:59,668
I MEAN, THIS OBVIOUSLY
ISN'T IT, RIGHT?
759
00:31:59,668 --> 00:32:02,462
YOU GOT THE NUMBERS
SWITCHED OR SOMETHING.
760
00:32:06,174 --> 00:32:07,259
JOEY?
761
00:32:26,445 --> 00:32:27,987
Rich: I MUST SAY,
YOUR IDEA OF CASUAL FRIDAY
762
00:32:27,987 --> 00:32:30,073
LEAVES A LITTLE
TO BE DESIRED, WITTER.
763
00:32:30,073 --> 00:32:31,450
DO YOU THINK WE COULD
DISCUSS YOUR FASHION
DOS AND AND DON'TS
764
00:32:31,450 --> 00:32:32,576
SOME OTHER TIME?
765
00:32:32,576 --> 00:32:34,536
LIKE, SAY, AFTER LUNCH?
766
00:32:34,536 --> 00:32:36,538
LUNCH. THINK AGAIN,
MY FRIEND.
767
00:32:39,165 --> 00:32:40,166
WHAT'S ALL THAT?
768
00:32:40,166 --> 00:32:41,710
EXTRA WORK...
769
00:32:41,710 --> 00:32:44,588
OR, I'M SORRY, DID YOU THINK
YOUR LITTLE MINI-VACATION
770
00:32:44,588 --> 00:32:45,547
WOULD HAVE NO CONSEQUENCES?
771
00:32:45,547 --> 00:32:47,132
I TOLD YOU I WAS SICK.
772
00:32:47,132 --> 00:32:50,886
YEAH, WELL, I DON'T
GET SICK MYSELF,
773
00:32:50,886 --> 00:32:53,179
AND YOU KNOW WHAT
KILLS ME ABOUT PEOPLE WHO DO?
774
00:32:53,179 --> 00:32:54,473
WHAT'S WHAT?
775
00:32:54,473 --> 00:32:56,349
HOW THEY NEVER SEEM
TO REALIZE THAT
THEM BEING SICK
776
00:32:56,349 --> 00:32:58,644
DOESN'T DECREASE THE QUANTITY
OF WORK AROUND HERE.
777
00:32:58,644 --> 00:33:00,186
IT JUST MEANS SOMEONE ELSE
HAS TO DO IT.
778
00:33:00,186 --> 00:33:02,439
DOESN'T SEEM VERY FAIR
TO YOUR COLLEAGUES,
DOES IT, NOW?
779
00:33:02,439 --> 00:33:05,859
I CAN TELL
YOU'RE ALL BROKEN UP
ABOUT THAT, RICH,
780
00:33:05,859 --> 00:33:07,486
BUT PERHAPS WHAT YOU'RE
REALLY UPSET ABOUT
781
00:33:07,486 --> 00:33:09,613
IS THAT THEY JUST DON'T
OPEN UP AS MANY NEW
ACCOUNTS AS I DO.
782
00:33:09,613 --> 00:33:12,950
GETTING A LITTLE UNNECESSARILY
COCKY HERE, AREN'T WE?
783
00:33:12,950 --> 00:33:15,786
COCKY, YES,
UNNECESSARY, NO,
784
00:33:15,786 --> 00:33:17,830
BECAUSE ALL OF US HERE
KNOW THAT THE AMOUNT
OF MONEY YOU MAKE
785
00:33:17,830 --> 00:33:19,748
IS DIRECTLY PROPORTIONAL
TO THE AMOUNT OF MONEY
WE MAKE.
786
00:33:19,748 --> 00:33:21,959
YEAH, WELL, THAT MAY BE TRUE,
787
00:33:21,959 --> 00:33:24,169
BUT MY ATTITUDE
ISN'T THE PROBLEM.
788
00:33:24,169 --> 00:33:27,673
YOURS IS, AND I EXPECT
TO SEE A CHANGE IN IT
SOON, VERY SOON.
789
00:33:27,673 --> 00:33:29,549
HERE. MAYBE THIS WILL HELP.
THANKS.
790
00:33:29,549 --> 00:33:31,384
I LOVE JANUARY,
791
00:33:31,384 --> 00:33:33,345
'CAUSE THAT'S
WHEN THIS COMES.
792
00:33:33,345 --> 00:33:34,554
WHAT, MY PAYCHECK?
793
00:33:34,554 --> 00:33:37,850
THANKS. NOT YOUR PAYCHECK,
WITTER, YOUR W-2.
794
00:33:37,850 --> 00:33:39,518
I'M NOT EXACTLY SURE
WHAT'S IN THERE,
795
00:33:39,518 --> 00:33:43,146
BUT I'M GUESSING IT'S MORE
THAN THEY PAY FRY COOKS.
796
00:33:43,146 --> 00:33:45,440
LIKE YOU WOULD HAVE
ANY IDEA.
797
00:33:45,440 --> 00:33:48,109
HEY, ANYTIME YOU WANT
TO QUIT AND GO BACK
TO THE EASY LIFE,
798
00:33:48,109 --> 00:33:49,152
BE MY GUEST,
799
00:33:49,152 --> 00:33:51,112
BUT AS LONG
AS YOU WORK HERE,
800
00:33:51,112 --> 00:33:52,531
THE ONLY LUNCHES YOU'RE
GOING TO BE GOING TO
801
00:33:52,531 --> 00:33:54,366
ARE THE ONES YOU CATER...
802
00:33:54,366 --> 00:33:55,367
IN YOUR MIND.
803
00:33:55,367 --> 00:33:58,035
(CHUCKLES)
804
00:34:13,886 --> 00:34:17,054
(CHILDREN CHATTERING)
805
00:35:04,603 --> 00:35:08,481
Jen: SO THIS IS WHAT
IT'S LIKE WHEN YOU'RE
ACTUALLY WORKING, HUH?
806
00:35:08,481 --> 00:35:10,901
THIS IS IT.
807
00:35:13,070 --> 00:35:16,698
I THOUGHT THE PHONES
WOULD RING A LITTLE MORE.
808
00:35:16,698 --> 00:35:18,491
WELL, IT DOESN'T
REALLY WORK LIKE THAT.
809
00:35:18,491 --> 00:35:20,035
I MEAN, THINK ABOUT IT.
810
00:35:20,035 --> 00:35:22,328
THINK ABOUT HOW STUBBORN
PEOPLE ARE,
811
00:35:22,328 --> 00:35:25,457
HOW HARD IT IS
FOR THEM TO ASK FOR HELP
812
00:35:25,457 --> 00:35:29,044
OR ACTUALLY
ADMIT THEY'RE WRONG
ABOUT SOMETHING.
813
00:35:29,044 --> 00:35:31,254
YEAH, YOU'RE PROBABLY RIGHT.
814
00:35:33,048 --> 00:35:34,215
LISTEN, C.J.--
815
00:35:34,215 --> 00:35:35,968
IT'S ALMOST 4:00.
CAFFEINE FIX?
816
00:35:35,968 --> 00:35:37,970
YOU'RE ASKING ME
IF I WANT COFFEE?
817
00:35:37,970 --> 00:35:40,472
YEAH. I'M JUST GONNA
GO OUT TO THE CART.
818
00:35:40,472 --> 00:35:43,892
OH, NO, NO.
NO, YOU'RE NOT
LEAVING ME HERE ALONE.
819
00:35:43,892 --> 00:35:46,227
YEAH, I AM.
820
00:35:46,227 --> 00:35:49,230
NO, YOU'RE NOT,
BECAUSE IF YOU LEAVE,
821
00:35:49,230 --> 00:35:51,190
THEN THE PHONE'LL
MOST CERTAINLY RING,
822
00:35:51,190 --> 00:35:53,860
AND IT'LL BE SOMEONE
ON THE OTHER END WHO WANTS
TO TALK TO SOMEBODY AND--
823
00:35:53,860 --> 00:35:56,071
YEAH. THAT'S WHAT
YOU'RE HERE FOR.
824
00:35:56,071 --> 00:35:59,950
YEAH, EXCEPT YOU KNOW
WHAT YOU'RE DOING,
AND I DON'T,
825
00:35:59,950 --> 00:36:02,285
WHICH IS WHY
YOU SHOULDN'T GO.
826
00:36:02,285 --> 00:36:03,662
YOU KNOW,
A FEW DAYS AGO,
827
00:36:03,662 --> 00:36:05,371
YOU COULDN'T STAND
BEING IN THE SAME
ROOM WITH ME,
828
00:36:05,371 --> 00:36:08,249
AND NOW YOU DON'T
WANT ME TO LEAVE.
829
00:36:08,249 --> 00:36:11,128
THAT WAS A WEEK AGO.
CAN'T A PERSON CHANGE
IN A WEEK?
830
00:36:11,128 --> 00:36:12,253
I DON'T KNOW. CAN SHE?
831
00:36:14,089 --> 00:36:15,632
SURE YOU DON'T
WANT ANYTHING? NO?
832
00:36:15,632 --> 00:36:17,009
OK, I'LL BE RIGHT BACK.
833
00:36:26,601 --> 00:36:27,769
KIERKEGAARD.
834
00:36:32,107 --> 00:36:36,194
(TELEPHONE RINGS)
835
00:36:37,654 --> 00:36:38,947
(RING)
836
00:36:38,947 --> 00:36:40,448
(SIGHS)
837
00:36:40,448 --> 00:36:41,992
(RING)
838
00:36:45,578 --> 00:36:47,039
HELLO, HELP LINE.
839
00:36:53,545 --> 00:36:57,799
WELL, UM, IF WE'RE BEING
COMPLETELY HONEST,
840
00:36:57,799 --> 00:36:59,300
WHICH I HOPE WE ARE,
841
00:36:59,300 --> 00:37:01,928
I-I-I'M NOT ENTIRELY SURE
IF I CAN HELP YOU,
842
00:37:01,928 --> 00:37:05,098
BUT, UH--
BUT I-I'D LIKE TO TRY,
843
00:37:05,098 --> 00:37:06,558
SO...
844
00:37:17,777 --> 00:37:20,030
SO, YOU GONNA
TELL ME, OR WHAT?
845
00:37:20,030 --> 00:37:21,698
NOTHING TO TELL.
846
00:37:21,698 --> 00:37:23,449
HA HA HA! COOL!
847
00:37:25,660 --> 00:37:27,412
LET ME, UH--
LET ME ASK YOU SOMETHING.
848
00:37:27,412 --> 00:37:28,747
YEAH?
849
00:37:28,747 --> 00:37:31,208
YOU KNOW ALL THAT STUFF
THAT WE TALKED ABOUT
YESTERDAY,
850
00:37:31,208 --> 00:37:35,587
DID THAT FUNDAMENTALLY
ALTER YOUR OPINION
OF ME IN ANY WAY?
851
00:37:35,587 --> 00:37:36,755
YEAH, RIGHT.
852
00:37:36,755 --> 00:37:38,590
LIKE I COULDN'T TELL
FROM A MILE AWAY
853
00:37:38,590 --> 00:37:40,508
THAT YOU WERE GONNA
END UP BEING WAY
SLUTTIER THAN ME.
854
00:37:40,508 --> 00:37:41,927
WHAT?
855
00:37:41,927 --> 00:37:43,344
COME ON, JACK.
GIVE ME A LITTLE CREDIT.
856
00:37:43,344 --> 00:37:44,721
I MEAN, LOOK AT YOU.
857
00:37:44,721 --> 00:37:46,056
YOU'RE RIDICULOUSLY
GOOD-LOOKING.
858
00:37:46,056 --> 00:37:47,390
I MEAN,
YOU'RE NO VIGGO--
859
00:37:47,390 --> 00:37:50,810
YEAH, OK, THAT--THAT--
THAT'S GREAT. LET'S GO.
860
00:37:50,810 --> 00:37:52,311
WHAT, WE'RE LEAVING?
861
00:37:52,311 --> 00:37:53,605
WELL, YEAH.
862
00:37:53,605 --> 00:37:54,606
YOU DON'T HONESTLY THINK
I'M GONNA STAND HERE
863
00:37:54,606 --> 00:37:56,066
AND HAVE THIS CONVERSATION
WITH YOU?
864
00:37:56,066 --> 00:37:57,400
I'M SORRY,
BUT I SORTA THINK--
865
00:37:57,400 --> 00:37:58,610
HEY, HEY, HEY, DAVID...
YEAH?
866
00:38:01,571 --> 00:38:02,989
SHUT UP.
867
00:38:02,989 --> 00:38:05,575
YEAH, I THINK
I COULD DO THAT.
868
00:38:08,954 --> 00:38:10,663
Professor Hetson:
ONE OF BARTHELME'S
CENTRAL TENETS, OF COURSE,
869
00:38:10,663 --> 00:38:13,166
WAS HIS BELIEF THAT ONLY
BY JUXTAPOSING DISJOINTED,
870
00:38:13,166 --> 00:38:15,919
QUITE OFTEN AT TIMES,
ABSURD FRAGMENTS OF TIME
871
00:38:15,919 --> 00:38:20,132
COULD ONE TRULY REPLICATE
THE EMOTIONAL TENOR
OF REAL LIFE.
872
00:38:20,132 --> 00:38:21,925
CAN SOMEONE
GIVE ME AN EXAMPLE?
873
00:38:24,844 --> 00:38:27,055
JOEY?
874
00:38:27,055 --> 00:38:29,307
OK, PICK A STORY,
ANY STORY.
875
00:38:29,307 --> 00:38:30,725
WAIT, I'LL PICK ONE
FOR YOU.
876
00:38:30,725 --> 00:38:32,602
UH, THE SCHOOL.
HOW ABOUT THAT?
RING ANY BELLS?
877
00:38:32,602 --> 00:38:34,771
UH, YES.
878
00:38:34,771 --> 00:38:35,855
WHAT'S IT ABOUT?
879
00:38:35,855 --> 00:38:37,607
IT'S ABOUT A TEACHER
880
00:38:37,607 --> 00:38:39,067
WHO'S TRYING TO EXPLAIN
SOMETHING TO HIS STUDENTS.
881
00:38:39,067 --> 00:38:40,902
WHAT'S HE
TRYING TO EXPLAIN?
882
00:38:40,902 --> 00:38:42,319
DEATH AND LOSS.
883
00:38:42,319 --> 00:38:43,905
WHY IS HE TRYING
TO EXPLAIN IT?
884
00:38:43,905 --> 00:38:46,116
BECAUSE IT KEEPS HAPPENING
TO THEM OVER AND OVER AGAIN,
885
00:38:46,116 --> 00:38:47,993
LIKE THIS ENDLESS CYCLE.
886
00:38:47,993 --> 00:38:52,538
FIRST, THE ORANGE TREES,
THEN THE HERB GARDEN,
THEN THE TROPICAL FISH.
887
00:38:52,538 --> 00:38:54,415
YOU KNOW, IT'S ABSURD,
REALLY, BECAUSE...
888
00:38:54,415 --> 00:38:58,128
ONE MINUTE, THEY'RE THERE.
THE NEXT MINUTE...
889
00:38:58,128 --> 00:39:03,049
THEY'RE GONE,
AND THE THING THAT'S TRUE,
THE PART OF IT THAT'S TRUE,
890
00:39:03,049 --> 00:39:04,467
THE PART OF IT THAT'S REAL,
891
00:39:04,467 --> 00:39:08,429
IS THAT NO ONE EVER DOES
EXPLAIN IT TO HIM BECAUSE...
892
00:39:08,429 --> 00:39:09,931
NO ONE CAN.
893
00:39:09,931 --> 00:39:10,890
THAT'S GREAT, JOEY.
894
00:39:14,811 --> 00:39:16,479
OF COURSE, YOU FORGOT
ALL ABOUT THE SNAKES
AND THE PUPPIES,
895
00:39:16,479 --> 00:39:18,023
BUT, OH, LOOK, WE'RE
OUT OF TIME FOR TODAY.
896
00:39:18,023 --> 00:39:20,525
MONDAY, EVERYONE,
SAUL BELLOW.
897
00:39:26,198 --> 00:39:28,366
GOT A SECOND, POTTER?
898
00:39:30,910 --> 00:39:32,329
WHAT'S THIS?
899
00:39:32,329 --> 00:39:33,830
THIS IS 50 BUCKS.
900
00:39:35,290 --> 00:39:36,541
OK, LOOK,
I KNOW YOU'RE POOR,
901
00:39:36,541 --> 00:39:37,542
BUT DON'T TELL ME
YOU'RE SO POOR
902
00:39:37,542 --> 00:39:38,751
YOU'VE NEVER SEEN
50 BUCKS BEFORE.
903
00:39:38,751 --> 00:39:40,086
I DON'T GET IT.
904
00:39:40,086 --> 00:39:42,547
FOR TAKING CARE OF HARLEY
WHILE I WAS TEACHING YESTERDAY.
905
00:39:42,547 --> 00:39:45,633
SHE SAID THAT YOU
HELPED HER OUT WITH SOMETHING,
906
00:39:45,633 --> 00:39:49,554
SAID SHE WAS HAVING
SOME KIND OF A CRISIS.
907
00:39:49,554 --> 00:39:51,181
SHE WAS
HAVING A CRISIS?
908
00:39:51,181 --> 00:39:52,807
YES, LOOK, JUST TAKE
THE MONEY, WILL YOU?
909
00:39:52,807 --> 00:39:54,851
IT'D BE A WHOLE LOT EASIER
FOR ME THAN TRYING
TO BE NICE TO YOU
910
00:39:54,851 --> 00:39:56,269
FOR THE REST OF
THE FRICKIN' SEMESTER.
911
00:39:56,269 --> 00:40:00,106
WAIT A SECOND.
WHY WOULD YOU BE
NICE TO ME? WHY?
912
00:40:00,106 --> 00:40:04,277
BECAUSE AS YOU POINTED OUT
THE OTHER DAY,
913
00:40:04,277 --> 00:40:06,112
THIS REALLY
ISN'T ABOUT ME.
914
00:40:09,199 --> 00:40:11,701
HER MOTHER'S GONE,
AND HER FATHER...
915
00:40:11,701 --> 00:40:14,287
IS A GIGANTIC
SCUZZBUCKET?
916
00:40:14,287 --> 00:40:17,332
YES, HE IS, ACTUALLY...
917
00:40:17,332 --> 00:40:19,458
MOST DAYS, ANYWAY,
ACCORDING TO HER.
918
00:40:19,458 --> 00:40:22,212
YOU, ON THE OTHER HAND,
SHE SEEMS TO LIKE.
919
00:40:22,212 --> 00:40:24,547
YEAH, WELL,
I'M VERY LIKABLE,
920
00:40:24,547 --> 00:40:26,258
BUT LIKABLE
AND POOR.
921
00:40:27,967 --> 00:40:29,844
$50, 3 TIMES A WEEK.
922
00:40:29,844 --> 00:40:31,512
65, AND I'LL HELP
THE LITTLE ANGEL
WITH HER HOMEWORK,
923
00:40:31,512 --> 00:40:33,348
NOT THAT SHE'D WANT HELP
FROM A "D" STUDENT.
924
00:40:33,348 --> 00:40:34,807
DEAL.
925
00:40:37,143 --> 00:40:38,144
HERE.
926
00:40:38,144 --> 00:40:39,312
WHAT'S THAT?
927
00:40:39,312 --> 00:40:41,231
50 BUCKS. NO CHARGE
FOR YESTERDAY.
928
00:40:41,231 --> 00:40:43,441
UH, LOOK, DON'T DO ME
ANY FAVORS, POTTER.
929
00:40:43,441 --> 00:40:46,236
I'M NOT. YOU WOULDN'T
UNDERSTAND, OK?
930
00:40:46,236 --> 00:40:49,197
WAS IT A GIRL THING
OR SOMETHING?
931
00:40:49,197 --> 00:40:51,241
NO, IT'S
A HUMAN-BEING THING.
932
00:40:56,788 --> 00:40:58,623
Todd: SO YOU FOUND ME
THEN, DID YA?
933
00:40:58,623 --> 00:40:59,958
CALLED THE SURF REPORT.
934
00:40:59,958 --> 00:41:02,419
THERE WERE ONLY SO MANY BEACHES
YOU COULD POSSIBLY BE AT.
935
00:41:02,419 --> 00:41:04,754
I CAN SEE I'M GONNA HAVE
TO GET ONE OF THOSE
936
00:41:04,754 --> 00:41:06,965
LITTLE MEN IN BLACK
DEALIES,
937
00:41:06,965 --> 00:41:09,759
DEPROGRAM YOU NOW THAT
OUR LONG ASSOCIATION
IS OVER.
938
00:41:09,759 --> 00:41:11,552
IT'S TOO DANGEROUS,
ISN'T IT?
939
00:41:11,552 --> 00:41:13,972
HAVING THAT MUCH
INFORMATION FLOATIN'
AROUND OUT THERE,
940
00:41:13,972 --> 00:41:16,433
EVERYBODY JUST WAITING
TO BE USED AGAINST YA?
941
00:41:16,433 --> 00:41:18,393
I CAME BY TO APOLOGIZE.
942
00:41:18,393 --> 00:41:21,146
FOR WHAT?
FOR STEALIN' ME JOB?
943
00:41:21,146 --> 00:41:23,856
LOOK, AFTER
YOU TOLD 'EM NO
YESTERDAY,
944
00:41:23,856 --> 00:41:25,400
LIKE THE BLOODY IDIOT
THAT YOU ARE,
945
00:41:25,400 --> 00:41:27,484
THEY CALLED ME.
946
00:41:27,484 --> 00:41:29,695
THEY EVEN APOLOGIZED,
947
00:41:29,695 --> 00:41:31,406
AS MUCH
AS THEY'RE CAPABLE OF.
948
00:41:31,406 --> 00:41:34,451
SO WHAT'S NEXT?
WE DO RESHOOTS HERE?
WE GO BACK TO BOSTON? WHAT?
949
00:41:34,451 --> 00:41:36,286
I'M SORRY, MATE.
YOU MISUNDERSTOOD ME.
950
00:41:36,286 --> 00:41:38,246
WE'RE NOT
DOING ANYTHING.
951
00:41:38,246 --> 00:41:39,956
YOU ARE.
952
00:41:39,956 --> 00:41:41,916
WAIT A MINUTE. I'VE BEEN
THROUGH THIS BEFORE.
I'M NOT GONNA--
953
00:41:41,916 --> 00:41:43,084
NOT GONNA WHAT?
954
00:41:43,084 --> 00:41:45,586
NOT GONNA BENEFIT FROM
BEING AT THE RIGHT PLACE
955
00:41:45,586 --> 00:41:47,422
AT THE RIGHT TIME?
956
00:41:47,422 --> 00:41:48,714
THAT'S ALL IT IS,
YOU KNOW.
957
00:41:48,714 --> 00:41:51,676
DOESN'T MEAN YOU'RE
ACTUALLY GOING PLACES
958
00:41:51,676 --> 00:41:53,136
OR THAT YOU'RE MORE
TALENTED THAN I AM,
YOU KNOW. I MEAN--
959
00:41:53,136 --> 00:41:55,347
GOD, NO. YOU'RE LIKE...
960
00:41:56,848 --> 00:42:00,143
BARELY FUNCTIONAL,
BUT YOU'RE...
961
00:42:00,143 --> 00:42:01,811
LIKE MY MENTOR.
962
00:42:03,355 --> 00:42:05,857
WHAT, NOT
STEVEN BLOODY SPIELBERG?
963
00:42:05,857 --> 00:42:07,192
WELL, HE...
964
00:42:07,192 --> 00:42:08,943
HASN'T BEEN RETURNING
MY PHONE CALLS.
965
00:42:08,943 --> 00:42:13,406
JUST DON'T MAKE IT
ANY WORSE, OK?
966
00:42:13,406 --> 00:42:16,368
AND LISTEN,
THE ABSOLUTE FIRST THING
967
00:42:16,368 --> 00:42:19,329
YOU HAVE TO REMEMBER
TO DO WHEN YOU'RE ON SET
968
00:42:19,329 --> 00:42:21,080
IS TAKE A PICTURE
OF NATASHA'S FACE
969
00:42:21,080 --> 00:42:25,084
AT THE EXACT MOMENT
THAT SHE'S INTRODUCED
TO HER NEW DIRECTOR...
970
00:42:25,084 --> 00:42:27,545
'CAUSE THAT'S SOMETHING
I BLOODY WELL HAVE TO SEE.
971
00:42:31,924 --> 00:42:32,967
COME IN.