1
00:00:03,044 --> 00:00:05,631
THAT PLACE WAS
SO NICE, PACE.
2
00:00:05,673 --> 00:00:07,800
THEY HAD INDIVIDUAL
TOWELS IN THE BATHROOM.
3
00:00:07,842 --> 00:00:09,009
REALLY?
4
00:00:09,050 --> 00:00:11,637
LAID OUT IN BASKETS
AND EVERYTHING?
MM-HMM.
5
00:00:11,679 --> 00:00:13,597
WELL, IF THAT'S
NOT THE HALLMARK
OF A CLASSY JOINT,
6
00:00:13,639 --> 00:00:14,598
I DON'T KNOW WHAT IS.
7
00:00:14,640 --> 00:00:16,224
WELL, YOU DO
DEFINITELY KNOW
8
00:00:16,266 --> 00:00:17,726
HOW TO TREAT A LADY.
9
00:00:17,768 --> 00:00:19,979
WELL, I GOTTA
SPEND MY MONEY
ON SOMETHIN'.
10
00:00:21,188 --> 00:00:23,231
OH, THAT CAME OUT
TOTALLY WRONG.
11
00:00:23,273 --> 00:00:24,358
BECAUSE YOU ARE NOT--
12
00:00:24,399 --> 00:00:26,568
N-NOT SOMETHING THAT
I JUST SPEND MONEY ON.
13
00:00:26,610 --> 00:00:28,111
IT'S NOT LIKE
A POSSESSION--
BUT I WOULD.
14
00:00:28,153 --> 00:00:29,112
I WOULD, AND I DO.
15
00:00:29,154 --> 00:00:31,198
WELL, WHY DO YOU THINK
I'M WITH YOU?
16
00:00:33,617 --> 00:00:35,327
OK.
17
00:00:36,787 --> 00:00:38,455
HOW'S WORK GOIN', PACE?
18
00:00:38,497 --> 00:00:40,875
UH, IT'S GOING
REALLY WELL,
THANK YOU.
19
00:00:40,916 --> 00:00:42,668
I GOT A PROMOTION,
ACTUALLY.
20
00:00:42,710 --> 00:00:45,379
REALLY? TO WHAT?
21
00:00:45,420 --> 00:00:46,672
I...DON'T KNOW.
22
00:00:46,714 --> 00:00:48,215
THERE'S NO TITLE,
BUT I GET AN OFFICE,
23
00:00:48,256 --> 00:00:50,676
AND, UH,
I GET A SECRETARY.
THAT'S KIND OF COOL.
24
00:00:50,718 --> 00:00:52,011
OOH!
YEAH.
25
00:00:52,051 --> 00:00:54,262
FANCY.
26
00:00:54,304 --> 00:00:57,224
YOU CERTAINLY WON'T
WANT TO TALK TO ME
AFTER TONIGHT, SO...
27
00:00:57,265 --> 00:01:00,477
YOU SEE, I KNEW
YOU WOULD UNDERSTAND.
28
00:01:00,519 --> 00:01:02,897
DON'T KICK A GIRL
WHEN SHE'S DOWN.
29
00:01:02,938 --> 00:01:04,732
YOU KNOW,
I'M STRAPPED FOR CASH,
30
00:01:04,773 --> 00:01:07,317
AND THEY CUT MY HOURS
BECAUSE EVERYONE'S
ON SPRING BREAK,
31
00:01:07,359 --> 00:01:09,028
DRINKING ELSEWHERE.
32
00:01:09,069 --> 00:01:11,613
I GUESS THAT MEANS
YOU'RE FREE FOR DINNER
NEXT SATURDAY.
33
00:01:12,948 --> 00:01:15,993
WELL, ANYTHING
FOR A FREE MEAL.
34
00:01:16,035 --> 00:01:19,914
CLASSY LADY LIKE YOU,
I MIGHT EVEN THROW IN
A FREE DESSERT.
35
00:01:19,955 --> 00:01:22,666
YOU MUST BE SERIOUS
ABOUT ME.
36
00:01:30,674 --> 00:01:32,259
OK, WELL...
37
00:01:33,510 --> 00:01:34,845
I THINK
THAT'S MY CUE.
38
00:01:34,887 --> 00:01:36,137
I'M JUST GONNA...
OK.
39
00:01:36,179 --> 00:01:37,598
CUT MY LOSSES.
40
00:01:39,098 --> 00:01:40,976
UM...
41
00:01:41,018 --> 00:01:42,770
I'LL HAVE MY SECRETARY
CALL YOU ABOUT DINNER.
42
00:01:42,811 --> 00:01:45,313
PACEY, I HAD
A LOVELY TIME.
43
00:01:47,315 --> 00:01:48,233
SO DID I.
44
00:01:49,276 --> 00:01:52,029
GOOD NIGHT.
45
00:02:58,137 --> 00:02:59,387
MORNIN', SUNSHINE.
46
00:03:00,179 --> 00:03:01,932
MMM...
47
00:03:01,974 --> 00:03:03,100
WHERE'S GRAMS?
48
00:03:03,142 --> 00:03:06,185
SHE'S DOWNSTAIRS,
STIRRING PORRIDGE.
49
00:03:06,227 --> 00:03:08,939
MMM. REALLY?
50
00:03:09,898 --> 00:03:11,358
SHALL WE, THEN?
51
00:03:11,399 --> 00:03:13,527
SHALL WE WHAT?
52
00:03:16,530 --> 00:03:18,907
OH.
53
00:03:18,949 --> 00:03:21,200
SHALL WE THAT.
54
00:03:21,242 --> 00:03:22,494
YEAH, THAT.
55
00:03:22,536 --> 00:03:25,998
YEAH. NAH.
56
00:03:26,040 --> 00:03:27,582
NO?
57
00:03:27,624 --> 00:03:29,417
NO.
58
00:03:29,459 --> 00:03:31,170
I'M NOT REALLY
IN THE MOOD.
59
00:03:31,210 --> 00:03:33,881
MOOD? WHO NEEDS MOOD?
60
00:03:35,590 --> 00:03:36,675
WHAT?
61
00:03:36,717 --> 00:03:38,093
NOTHING A LITTLE
TOOTHPASTE WON'T FIX.
62
00:03:38,135 --> 00:03:39,887
OH.
63
00:03:39,928 --> 00:03:42,221
WELL, FINE.
THEN DON'T KISS ME.
SEE IF I CARE.
64
00:03:43,974 --> 00:03:45,893
NOT SO SEXY
WHEN YOU'RE POUTING.
65
00:03:51,148 --> 00:03:54,109
DO YOU KNOW HOW MANY
OF THESE WERE IN HERE
WHEN I BOUGHT THEM?
66
00:03:54,151 --> 00:03:55,527
12.
MM-HMM.
67
00:03:55,569 --> 00:03:56,945
KNOW HOW MANY
ARE IN HERE NOW?
68
00:03:56,987 --> 00:03:58,446
12.
69
00:04:00,741 --> 00:04:03,118
WE HAVEN'T HAD SEX
IN A WEEK, JEN.
70
00:04:03,160 --> 00:04:04,953
THAT'S HARDLY TRUE.
71
00:04:04,995 --> 00:04:07,998
NOT SINCE GRAMS WENT TO BINGO.
THAT WAS A WEEK AGO TODAY.
72
00:04:08,040 --> 00:04:09,917
WHAT AM I,
SEX ON A STICK?
73
00:04:09,958 --> 00:04:11,835
I'M NOT A BOY.
I DON'T HAVE...
74
00:04:11,877 --> 00:04:14,088
THE SAME KIND
OF SEX DRIVE
THAT YOU DO,
75
00:04:14,129 --> 00:04:15,589
ALL RIGHT?
76
00:04:15,630 --> 00:04:17,340
NOT TO MENTION
THE FACT THAT I--
77
00:04:17,382 --> 00:04:18,633
I LIVE
IN MORTAL TERROR
78
00:04:18,675 --> 00:04:19,801
OF MY GRAMS WALKING
IN ON US
79
00:04:19,843 --> 00:04:21,302
IN THE MIDDLE OF
SOME UNGODLY ACT.
80
00:04:21,344 --> 00:04:23,138
SO MAYBE THAT HELPS
YOU TO UNDERSTAND
81
00:04:23,180 --> 00:04:26,265
WHY I'M NOT
JUMPING YOUR BONES
EVERY CHANCE I GET.
82
00:04:26,307 --> 00:04:29,853
HMM. WOW. THEN IT'S TRUE
WHAT THEY SAY.
83
00:04:29,895 --> 00:04:30,938
WHAT?
84
00:04:30,979 --> 00:04:31,939
ONCE YOU START DATING,
85
00:04:31,980 --> 00:04:33,565
THE SEX GOES
RIGHT OUT THE WINDOW.
86
00:04:33,607 --> 00:04:35,316
YOU ARE SUCH
A DRAMA QUEEN.
87
00:04:37,027 --> 00:04:39,696
YOU KNOW, THERE ARE
OTHER WAYS FOR US
TO BE INTIMATE.
88
00:04:42,407 --> 00:04:44,743
I'M ALL FOR THAT STUFF.
89
00:04:44,785 --> 00:04:46,453
YEAH? SO AM I.
90
00:04:46,494 --> 00:04:47,788
WELL, COME ON.
91
00:04:54,169 --> 00:04:55,963
HMM.
92
00:04:56,004 --> 00:04:58,339
IS THIS WHAT YOU WERE
TALKING ABOUT--SNUGGLING?
93
00:04:58,381 --> 00:05:00,092
MMM. YEAH.
94
00:05:02,886 --> 00:05:05,388
WHAT DID YOU THINK
I WAS TALKING ABOUT?
95
00:05:07,557 --> 00:05:09,392
NOTHING.
96
00:05:20,779 --> 00:05:21,655
JO.
97
00:05:21,696 --> 00:05:23,157
OHH!
98
00:05:23,198 --> 00:05:24,407
HI!
99
00:05:24,449 --> 00:05:26,201
TO WHAT DO I OWE
THIS HONOR?
100
00:05:26,243 --> 00:05:28,411
I--I BROUGHT YOU
AN OFFICE-WARMING GIFT.
101
00:05:28,453 --> 00:05:30,622
YOU WON'T GET IN TROUBLE
FOR HAVING VISITORS,
WILL YOU?
102
00:05:30,664 --> 00:05:33,208
NO, NO. NOT IF YOU STOP
DISTRACTING THE BOYS.
103
00:05:33,250 --> 00:05:35,585
YOU WANT TO STEP
INTO MY OFFICE?
104
00:05:35,627 --> 00:05:37,838
HOW PROFESSIONAL.
105
00:05:37,879 --> 00:05:39,589
SO, EVERYONE'S
JUST ON THE PHONE.
106
00:05:39,631 --> 00:05:40,924
IS THIS WHAT
YOU DO ALL DAY?
107
00:05:40,966 --> 00:05:42,759
IT'S A LITTLE MORE
COMPLICATED THAN THAT.
108
00:05:42,801 --> 00:05:44,552
LET ME GRAB THOSE.
THANKS, TOM.
109
00:05:44,594 --> 00:05:46,596
SO, WHAT MAKES YOU
SO BUSY NOW
110
00:05:46,638 --> 00:05:48,223
THAT YOU NEED
AN ASSISTANT?
111
00:05:48,265 --> 00:05:49,641
I DON'T KNOW,
112
00:05:49,683 --> 00:05:52,477
BUT TO TELL YOU THE TRUTH,
SHE KIND OF FREAKS ME OUT.
113
00:05:52,519 --> 00:05:53,478
MARCY?
114
00:05:53,520 --> 00:05:54,855
HI.
115
00:05:54,896 --> 00:05:56,397
I'D LIKE TO INTRODUCE YOU
TO MY FRIEND JO.
116
00:05:56,439 --> 00:05:57,691
NICE TO MEET YOU.
117
00:05:57,732 --> 00:05:59,442
F.Y.I. FOR YOU,
MR. WITTER,
118
00:05:59,484 --> 00:06:00,861
THE MEETING'S BEEN
PUSHED TO 3:00,
119
00:06:00,902 --> 00:06:02,321
AND MR. RINALDI'S
IN YOUR OFFICE.
120
00:06:02,361 --> 00:06:04,656
AND WHEN YOU
HAVE A MOMENT,
I'D LIKE A WORD.
121
00:06:04,698 --> 00:06:05,657
A WORD?
122
00:06:05,699 --> 00:06:07,701
DON'T PATRONIZE ME,
MR. WITTER.
123
00:06:07,742 --> 00:06:09,536
I'M SORRY, MA'AM. I--
124
00:06:09,577 --> 00:06:11,788
YOU CAN TALK NOW
IF YOU LIKE.
125
00:06:11,830 --> 00:06:13,707
FINE, MR. WITTER.
IF YOU MUST KNOW,
126
00:06:13,748 --> 00:06:15,125
MR. RINALDI FIRED ME,
127
00:06:15,167 --> 00:06:17,127
AND I'LL BE LEAVING
AT THE END OF THE DAY.
128
00:06:21,673 --> 00:06:23,758
JUST BREAKIN' IT IN
FOR YOU.
129
00:06:26,094 --> 00:06:28,513
OH, WHO'S THE LOOKER?
130
00:06:31,225 --> 00:06:32,642
YOU DO REALIZE
131
00:06:32,684 --> 00:06:34,186
THAT I'M STANDING
RIGHT HERE?
132
00:06:34,228 --> 00:06:36,813
AND YOU DO REALIZE
THAT WAS A COMPLIMENT,
RIGHT?
133
00:06:36,855 --> 00:06:38,606
RICH,
134
00:06:38,648 --> 00:06:39,649
THIS IS JOEY.
135
00:06:39,691 --> 00:06:41,442
JOEY, YOU
REMEMBER RICH.
136
00:06:41,484 --> 00:06:44,863
AND, RICH,
WHY IS IT, EXACTLY,
YOU FIRED MY SECRETARY?
137
00:06:44,905 --> 00:06:47,574
WELL, UH, SHE TRIED
TO KICK ME OUT
OF YOUR OFFICE.
138
00:06:47,615 --> 00:06:49,076
WELL, DOESN'T THAT
DESERVE A RAISE?
139
00:06:49,117 --> 00:06:51,912
YEAH, WELL,
I DIDN'T LIKE
HER ATTITUDE, WITTER,
140
00:06:51,953 --> 00:06:54,664
OR THE CUT OF HER JIB,
FOR THAT MATTER.
141
00:06:54,706 --> 00:06:55,874
YOU CAN JUST
FIRE SOMEBODY
142
00:06:55,916 --> 00:06:57,876
BECAUSE YOU DON'T LIKE
THE WAY THEY LOOK?
143
00:06:57,918 --> 00:06:59,294
ISN'T THAT
DISCRIMINATION?
144
00:06:59,336 --> 00:07:01,504
IS SHE HUMAN RESOURCES?
145
00:07:01,546 --> 00:07:03,548
NO. NO, NO.
SHE'S MY, UH...
146
00:07:03,590 --> 00:07:04,966
FRIEND OF MINE.
147
00:07:05,008 --> 00:07:07,052
OH.
148
00:07:07,094 --> 00:07:09,846
SO, UH, WHY AREN'T YOU
IN SCHOOL TODAY?
149
00:07:09,888 --> 00:07:10,972
I'M ON SPRING BREAK.
150
00:07:11,014 --> 00:07:13,100
WHAT DO YOU DO
9 TO 5, JOHNNY?
151
00:07:13,141 --> 00:07:15,269
JOEY.
152
00:07:15,310 --> 00:07:17,771
NOTHING AT THE MOMENT.
UM...
153
00:07:17,812 --> 00:07:21,816
I SAY YOU SPEND
THE NEXT 2 WEEKS
FILLING IN HERE.
154
00:07:21,858 --> 00:07:23,944
YOU KNOW HOW TO PLAY
OFFICE, RIGHT?
155
00:07:23,985 --> 00:07:27,155
WHY DON'T YOU
SET THAT UP, WITTER.
156
00:07:27,197 --> 00:07:28,531
HMM.
157
00:07:28,573 --> 00:07:30,992
HE'S KIDDING, RIGHT?
158
00:07:31,034 --> 00:07:34,621
RICH? NO, HE DOESN'T
REALLY HAVE MUCH
OF A SENSE OF HUMOR.
159
00:07:34,662 --> 00:07:36,998
WELL, HOW MUCH
DOES IT PAY?
160
00:07:37,040 --> 00:07:39,876
I DON'T KNOW.
I THINK IT'S, LIKE,
600 BUCKS A WEEK.
161
00:07:39,918 --> 00:07:42,170
ARE YOU SERIOUS?
162
00:07:42,212 --> 00:07:44,547
WOULD YOU ACTUALLY
WANT TO DO IT?
163
00:07:44,589 --> 00:07:45,757
WELL, YOU HAVE TO
ADMIT, PACE,
164
00:07:45,799 --> 00:07:47,508
I MEAN,
IT IS PERFECT TIMING.
165
00:07:47,550 --> 00:07:48,760
I'M BROKE.
166
00:07:48,802 --> 00:07:50,178
WE NEVER SEE
EACH OTHER ANYMORE.
167
00:07:50,220 --> 00:07:51,763
YEAH, BUT HANGIN' OUT
BY THE COFFEE MACHINE
168
00:07:51,805 --> 00:07:52,973
IS NOT EXACTLY A DATE,
NOW, IS IT?
169
00:07:53,014 --> 00:07:55,350
WHO'S KIDDING WHO, PACE?
170
00:07:55,392 --> 00:07:58,979
NOW, WE BOTH KNOW
THAT THE BOSS
171
00:07:59,020 --> 00:08:01,856
DOESN'T HANG OUT
BY THE COFFEE MACHINE.
172
00:08:01,898 --> 00:08:03,691
THAT WOULD BE
THE ASSISTANT'S JOB.
173
00:08:03,733 --> 00:08:05,693
AND YOU'RE SURE
YOU'D BE COMFORTABLE
174
00:08:05,735 --> 00:08:08,655
WITH THE WHOLE
-BOSS/
-SECRETARY
POWER RELATIONSHIP?
175
00:08:08,696 --> 00:08:11,574
WE BOTH KNOW
WHO'S BOSS HERE.
176
00:08:15,495 --> 00:08:17,080
WELL, OK, YEAH.
I MEAN,
177
00:08:17,122 --> 00:08:18,915
WHAT'S THE WORST THAT
COULD HAPPEN, RIGHT?
178
00:08:18,957 --> 00:08:21,501
BARRING ME TAKING OVER
THE COMPANY, NOTHING.
179
00:08:21,542 --> 00:08:23,920
HOW FUN IS THIS GONNA BE!
180
00:08:31,011 --> 00:08:32,637
IT'S ABOUT A LOT OF THINGS,
181
00:08:32,679 --> 00:08:34,055
BUT MORE THAN ANYTHING,
182
00:08:34,097 --> 00:08:36,308
IT'S ABOUT WHAT
IT FEELS LIKE TO BE 15...
183
00:08:36,350 --> 00:08:38,185
THAT TIME IN YOUR LIFE
WHEN EVERYTHING'S NEW
184
00:08:38,226 --> 00:08:40,395
AND YOU'RE CONSTANTLY
ON THE EDGE OF A BROKEN HEART.
185
00:08:40,437 --> 00:08:43,523
I MEAN, IT SHOULD BE STYLIZED
AND OPERATIC AND...
186
00:08:43,564 --> 00:08:44,691
AND...
187
00:08:44,732 --> 00:08:47,652
I'D LIKE TO DIRECT IT.
188
00:08:47,694 --> 00:08:48,945
WHOA, JUNIOR.
189
00:08:48,987 --> 00:08:50,571
LET'S NOT GET
AHEAD OF OURSELVES.
190
00:08:50,613 --> 00:08:52,782
WALK BEFORE YOU RUN.
191
00:08:52,824 --> 00:08:54,368
OK.
192
00:08:54,409 --> 00:08:55,618
WHAT DO YOU THINK?
193
00:08:55,660 --> 00:08:58,121
I LIKE IT.
194
00:08:58,163 --> 00:08:59,206
I DO.
195
00:08:59,247 --> 00:09:01,166
AND I THINK YOUR PASSION
FOR IT IS GREAT.
196
00:09:01,208 --> 00:09:03,043
IT'S JUST...
197
00:09:03,084 --> 00:09:04,752
WHAT?
198
00:09:04,794 --> 00:09:06,046
IT'S A LITTLE SOFT.
199
00:09:06,087 --> 00:09:08,089
AND IN CASE
YOU HAVEN'T NOTICED,
200
00:09:08,131 --> 00:09:09,632
WE DON'T REALLY DO
SOFT AROUND HERE.
201
00:09:09,674 --> 00:09:11,259
WE DO EXPLOITATION.
202
00:09:11,301 --> 00:09:14,388
LARRY LEARNED
EVERYTHING HE KNOWS
FROM ROGER CORMAN.
203
00:09:14,429 --> 00:09:15,930
YOU COULD PITCH HIM
CITIZEN KANE,
204
00:09:15,972 --> 00:09:17,891
AND UNLESS
THERE'S A MINIMUM
OF 3 NUDE SCENES,
205
00:09:17,932 --> 00:09:19,684
HE'D GIVE YOU A LOOK
LIKE HE JUST
SMELLED A FART.
206
00:09:19,726 --> 00:09:20,935
OK. THAT'S ALL
WELL AND GOOD,
207
00:09:20,977 --> 00:09:22,687
BUT I'M NOT SURE
I KNOW HOW TO
MAKE THAT MOVIE.
208
00:09:22,729 --> 00:09:23,604
MY ADVICE TO YOU...
209
00:09:23,646 --> 00:09:24,731
IS TO PLAY UP THE SEX.
210
00:09:24,772 --> 00:09:26,400
HE'LL UNDERSTAND THAT.
211
00:09:26,441 --> 00:09:28,693
WHAT MAKES THIS PITCH
SO INTERESTING AND UNIQUE
212
00:09:28,735 --> 00:09:30,695
IS THE FACT THAT
IT'S THIS EPIC LOVE STORY
213
00:09:30,737 --> 00:09:31,821
WITHOUT THE SEX.
214
00:09:31,863 --> 00:09:34,074
I'LL LET YOU IN
ON A LITTLE SECRET.
215
00:09:34,115 --> 00:09:37,077
LARRY NEWMAN IS
THE HORNIEST MAN ALIVE,
216
00:09:37,118 --> 00:09:38,786
A WORLD-CLASS PERVERT.
217
00:09:38,828 --> 00:09:39,871
HE'S ON HIS THIRD WIFE.
218
00:09:39,913 --> 00:09:41,373
SHE'S 23...
219
00:09:41,415 --> 00:09:43,083
AND DONE A LOT OF WORK
IN THE VALLEY,
220
00:09:43,124 --> 00:09:44,334
IF YOU KNOW WHAT I MEAN.
221
00:09:44,376 --> 00:09:45,793
WHICH DOESN'T SEEM
TO STOP HIM
222
00:09:45,835 --> 00:09:47,837
FROM COVETING MY RACK,
MIND YOU.
223
00:09:47,879 --> 00:09:49,714
I'M SO SORRY.
224
00:09:49,756 --> 00:09:51,966
THAT MUST BE TERRIBLE
TO WORK IN AN ENVIRONMENT
LIKE THAT.
225
00:09:52,008 --> 00:09:53,927
PLEASE.
226
00:09:53,968 --> 00:09:56,930
YOU'VE BEEN STARING
AT THE TWINS FOR
THE PAST 20 MINUTES.
227
00:09:56,971 --> 00:09:58,765
I...
228
00:09:58,806 --> 00:10:00,350
NOT THAT I MIND,
OF COURSE.
229
00:10:00,392 --> 00:10:02,894
THEY ARE FANTASTIC
230
00:10:02,936 --> 00:10:04,479
AND WORTH EVERY PENNY.
231
00:10:06,231 --> 00:10:07,941
WHAT'S MY POINT?
232
00:10:07,982 --> 00:10:10,151
I DON'T KNOW.
233
00:10:10,193 --> 00:10:11,861
MY POINT IS...
234
00:10:11,903 --> 00:10:13,947
IF YOU WANT TO MAKE
A MOVIE WITH US,
235
00:10:13,988 --> 00:10:16,157
FIND A WAY
TO TELL YOUR STORY
236
00:10:16,199 --> 00:10:19,077
WHILE STILL APPEALING
TO THE LOWEST COMMON
DENOMINATOR.
237
00:10:19,119 --> 00:10:20,703
PITCH LARRY
THE SAME THING
YOU PITCHED ME,
238
00:10:20,745 --> 00:10:24,040
ONLY THROW IN...
A STRIPPER, A 3-WAY,
239
00:10:24,082 --> 00:10:27,001
OR LIKE AN AFFAIR
WITH A TEACHER
OR SOMETHING.
240
00:10:31,298 --> 00:10:33,007
I CAN DO THAT.
241
00:10:45,228 --> 00:10:47,230
HELP LINE.
THIS IS JEN SPEAKING.
242
00:10:50,024 --> 00:10:52,360
ARE YOU SURE THAT THAT'S
ACTUALLY A PROBLEM?
243
00:10:52,402 --> 00:10:55,071
BECAUSE SPEAKING AS A GIRL
244
00:10:55,113 --> 00:10:56,781
WHOSE BOYFRIEND
WANTS TO COPULATE
245
00:10:56,823 --> 00:10:58,575
EVERY WAKING MOMENT
OF THE DAY,
246
00:10:58,617 --> 00:11:00,410
I WOULD ACTUALLY
WELCOME THE BREAK.
247
00:11:00,452 --> 00:11:02,454
I MEAN, I APPRECIATE
THE ENTHUSIASM.
248
00:11:02,496 --> 00:11:05,457
IT'S JUST IT'S--IT'S
A LITTLE EXHAUSTING.
249
00:11:05,499 --> 00:11:06,874
THIS POSITION, THAT POSITION,
250
00:11:06,916 --> 00:11:08,376
"YOU WANT MY LEGS WHERE?"
251
00:11:10,128 --> 00:11:12,297
I MEAN, I CAN'T EVEN
WEAR A SKIRT ANYMORE
252
00:11:12,339 --> 00:11:15,883
WITHOUT HIM TAKING IT
AS AN INVITATION
TO HIKE IT UP.
253
00:11:15,925 --> 00:11:18,803
HEY, WITTER,
NICELY DONE.
254
00:11:18,845 --> 00:11:20,597
NICELY DONE,
INDEED.
255
00:11:20,639 --> 00:11:22,390
WHAT ARE YOU
TALKIN' ABOUT?
256
00:11:22,432 --> 00:11:23,975
THE NEW HIRE.
257
00:11:24,017 --> 00:11:25,310
OH. JOEY.
258
00:11:26,186 --> 00:11:27,312
HEY, JOE.
259
00:11:30,231 --> 00:11:33,485
OH. MORNING, PACE.
260
00:11:33,527 --> 00:11:35,153
MORNING.
261
00:11:38,697 --> 00:11:40,534
EXCUSE ME.
262
00:11:42,327 --> 00:11:44,120
ARE THESE GUYS
BOTHERIN' YOU?
263
00:11:44,162 --> 00:11:46,414
NO. THEY MAY BE TRYING TO,
264
00:11:46,456 --> 00:11:48,124
BUT I CAN'T EXACTLY TELL.
265
00:11:48,166 --> 00:11:50,669
DID ANY OF YOU
GO TO COLLEGE?
266
00:11:50,709 --> 00:11:52,337
WE'RE JUST SHOWIN'
HER THE ROPES, PACEY.
267
00:11:52,379 --> 00:11:54,130
ARE YOU COMFORTABLE,
JOEY?
268
00:11:54,172 --> 00:11:55,756
I MEAN, THIS SEEMS
A LITTLE HIGH.
269
00:11:56,633 --> 00:11:57,634
OH. OH, WHOA.
270
00:11:58,968 --> 00:12:01,513
THAT'S...SUPER.
THANK YOU.
271
00:12:01,555 --> 00:12:03,806
WELL, GREAT.
I'M GLAD WE GOT
THAT ALL FIXED UP.
272
00:12:03,848 --> 00:12:05,392
BUT SEEING AS THIS
IS MY SECRETARY,
273
00:12:05,433 --> 00:12:08,353
WHY DON'T YOU GUYS
GO BACK TO YOUR--
AHEM!
274
00:12:08,395 --> 00:12:09,896
OFFICE TEMP--
IT'S NOT IMPORTANT
RIGHT NOW.
275
00:12:09,937 --> 00:12:11,147
WHAT'S IMPORTANT--
276
00:12:11,189 --> 00:12:12,440
SHE'S NOT GONNA
BE HERE LONG,
277
00:12:12,482 --> 00:12:13,732
SO DON'T GET
TOO ATTACHED.
278
00:12:14,859 --> 00:12:16,403
BYE-BYE.
279
00:12:20,281 --> 00:12:21,824
NEANDER-CREEPS.
280
00:12:21,866 --> 00:12:23,577
SORRY ABOUT THAT.
281
00:12:30,667 --> 00:12:32,043
WHAT IS THIS?
282
00:12:32,085 --> 00:12:35,255
OH. WELL, THAT'S YOUR
OFFICE-WARMING GIFT.
283
00:12:35,296 --> 00:12:36,881
YOU FORGOT TO OPEN IT
YESTERDAY.
284
00:12:36,923 --> 00:12:39,092
I THOUGHT SINCE NOW
YOU'RE A TRUE PROFESSIONAL
285
00:12:39,133 --> 00:12:40,885
AND YOU HAVE AN OFFICE
OF YOUR OWN,
286
00:12:40,927 --> 00:12:43,680
THAT YOU DESERVE
POINTLESS GADGETS
TO STICK ON YOUR DESK.
287
00:12:43,722 --> 00:12:44,889
WELL, THANK YOU,
MISS POTTER.
288
00:12:44,931 --> 00:12:46,224
THAT'S VERY
THOUGHTFUL OF YOU.
289
00:12:46,266 --> 00:12:48,935
WELL, I AM THE BEST
ASSISTANT EVER.
290
00:12:48,976 --> 00:12:50,895
OF COURSE YOU ARE.
291
00:12:50,937 --> 00:12:54,232
YOU KNOW, UH,
WHEN I GOT HERE
THIS MORNING,
292
00:12:54,274 --> 00:12:55,650
YOU FORGOT
TO MAKE THE COFFEE,
293
00:12:55,692 --> 00:12:58,278
AND I LIKE TO START THE MORNING
WITH A CUP.
OH.
294
00:12:58,319 --> 00:13:00,905
OH, RIGHT. WELL,
YOU WERE A CHEF, RIGHT?
295
00:13:00,947 --> 00:13:03,283
I MEAN, YOU CAN
MAKE IT YOURSELF.
296
00:13:06,911 --> 00:13:08,371
SURE. YEAH.
297
00:13:08,413 --> 00:13:10,164
COULD YOU RUN THIS
DOWN TO TOM, PLEASE?
298
00:13:10,206 --> 00:13:11,332
SURE.
299
00:13:14,586 --> 00:13:17,297
ARE YOU SURE YOU NEED
TO FIND A REPLACEMENT?
300
00:13:17,338 --> 00:13:19,966
SHE'S GOT ANOTHER JOB,
AND SHE'S IN SCHOOL,
301
00:13:20,007 --> 00:13:21,092
AND MOST IMPORTANTLY,
302
00:13:21,134 --> 00:13:22,719
SHE'S UNAVAILABLE, RICH.
303
00:13:22,761 --> 00:13:24,011
ALL RIGHT. OK.
304
00:13:24,053 --> 00:13:25,555
TELL YOU THE TRUTH,
THE WHOLE THING'S
305
00:13:25,597 --> 00:13:27,307
BECOMING A BIT
OF A DEBACLE.
I GOT HERE THIS MORNING,
306
00:13:27,348 --> 00:13:29,392
THE GUYS WERE
ALL OVER HER DESK.
307
00:13:29,434 --> 00:13:31,603
LIKE THAT'S NOT GONNA HAPPEN
WITH ANYTHING REMOTELY FEMALE.
308
00:13:31,645 --> 00:13:32,979
AND SHE'S ALSO
MY FRIEND.
309
00:13:33,020 --> 00:13:34,230
WHICH MAKES IT
A LITTLE AWKWARD
310
00:13:34,272 --> 00:13:35,774
WHEN I'M TRYIN' TO
TELL HER WHAT TO DO.
311
00:13:35,814 --> 00:13:37,358
YOU GOT TO GET YOURSELF
TOGETHER, MAN.
312
00:13:37,400 --> 00:13:39,152
THERE'S A REPORTER COMING IN
TO TALK TO US LATER,
313
00:13:39,193 --> 00:13:41,404
AND I DON'T WANT YOU TO BE
SNOTTING ALL OVER YOUR TIE
314
00:13:41,446 --> 00:13:42,947
BECAUSE YOU HAVEN'T HAD
315
00:13:42,989 --> 00:13:46,326
A NONFAT CAFE MOCHA
LATTE GRANDE WHATEVER.
316
00:13:46,367 --> 00:13:48,787
A REPORTER FOR WHO?
317
00:13:48,827 --> 00:13:51,164
I DON'T KNOW.
SOME CHICK FROM
THE FINANCIAL SECTION
318
00:13:51,205 --> 00:13:53,750
TO DISCUSS OUR LITTLE
UP-AND-COMING COMPANY HERE.
319
00:13:53,792 --> 00:13:55,918
SEE HOW THE BIG BOYS
PLAY AND WHATNOT.
320
00:13:55,960 --> 00:13:57,378
COOL.
321
00:13:57,420 --> 00:13:58,755
YEAH, IT'S SWELL.
322
00:13:58,797 --> 00:14:00,590
SO YOU BETTER STRAIGHTEN UP,
'CAUSE IT SEEMS LIKE
323
00:14:00,632 --> 00:14:03,677
THIS BROAD IS INTERESTED
IN YOU IN PARTICULAR--
324
00:14:03,718 --> 00:14:05,637
RISING TO THE TOP
IN RECORD TIME
OR SOMETHING.
325
00:14:05,679 --> 00:14:06,845
REALLY?
326
00:14:06,887 --> 00:14:08,515
SHE WANTS TO TALK
TO ME, HUH?
327
00:14:08,556 --> 00:14:10,642
SERIOUSLY, IT'S
THE FINANCIAL SECTION.
328
00:14:10,684 --> 00:14:11,643
WHO READS THAT?
329
00:14:16,189 --> 00:14:18,149
SO, SHE WANTS
TO TALK TO YOU?
330
00:14:20,610 --> 00:14:22,278
WERE YOU EAVESDROPPING?
331
00:14:22,320 --> 00:14:24,989
WELL, YES.
I'M YOUR ASSISTANT.
332
00:14:25,031 --> 00:14:26,574
IT'S MY JOB.
IT'S WHAT I DO.
333
00:14:28,201 --> 00:14:30,036
MM-HMM.
334
00:14:41,631 --> 00:14:44,008
HEY.
335
00:14:44,050 --> 00:14:45,926
DID YOU GET ME ONE?
336
00:14:45,968 --> 00:14:48,012
I DIDN'T KNOW
YOU WANTED ONE.
337
00:14:48,054 --> 00:14:49,972
WAY TO BE A BOYFRIEND.
338
00:14:50,014 --> 00:14:51,474
YEAH, RIGHT.
339
00:14:51,516 --> 00:14:53,226
GOOD ONE, JEN.
340
00:14:53,267 --> 00:14:55,812
SO, I STILL DON'T KNOW
WHAT C.J. STANDS FOR,
341
00:14:55,854 --> 00:14:59,023
BUT MAYBE THE "C"
STANDS FOR "CRABBY"?
342
00:14:59,065 --> 00:15:00,567
WHAT'S THE MATTER?
343
00:15:04,028 --> 00:15:05,446
NOTHING.
344
00:15:07,323 --> 00:15:08,282
NOTHING.
345
00:15:09,325 --> 00:15:10,577
THAT'S IT?
346
00:15:12,078 --> 00:15:14,163
I DON'T LIKE YOU
USING OUR PROBLEMS
IN THE BEDROOM
347
00:15:14,205 --> 00:15:16,040
TO HELP OTHER PEOPLE.
348
00:15:16,082 --> 00:15:17,542
OH, WELL, FIRST OF ALL,
349
00:15:17,584 --> 00:15:20,044
I WASN'T AWARE THAT WE HAD
PROBLEMS IN THE BEDROOM.
350
00:15:20,086 --> 00:15:22,171
AND...SECOND OF ALL,
351
00:15:22,213 --> 00:15:23,214
WHY NOT?
352
00:15:23,256 --> 00:15:26,050
FORGET IT.
353
00:15:26,092 --> 00:15:29,888
WHAT, IS THIS
ABOUT SEX?
354
00:15:29,929 --> 00:15:32,056
PRETTY MUCH, YEAH.
355
00:15:32,098 --> 00:15:34,434
OK.
356
00:15:34,475 --> 00:15:36,269
BUT YOU KNOW,
IF SOME GIRL CALLED UP
357
00:15:36,310 --> 00:15:37,437
AND SAID THAT HER BOYFRIEND
358
00:15:37,478 --> 00:15:39,647
WAS PRESSURING HER
INTO HAVING SEX,
359
00:15:39,689 --> 00:15:41,691
YOU WOULD SLIP ON
YOUR VERY BEST DR. DREW,
360
00:15:41,733 --> 00:15:43,484
AND YOU WOULD TELL HER
NOT TO STAND FOR IT.
361
00:15:43,526 --> 00:15:45,653
LOOK, IF WHAT YOU TOLD ME
ABOUT YOUR PAST IS TRUE,
362
00:15:45,695 --> 00:15:47,906
THEN I'M GUESSIN'
WHAT I DON'T UNDERSTAND
363
00:15:47,947 --> 00:15:50,491
IS WHY THE CREEPS
AND THE SCUMBAGS WHO
TREATED YOU SO POORLY
364
00:15:50,533 --> 00:15:52,326
GOT THE BENEFIT
OF YOUR SEX DRIVE.
365
00:15:52,368 --> 00:15:55,079
WHEREAS GUYS LIKE ME
WHO ACTUALLY TREAT YOU
FAIRLY WELL...
366
00:15:55,121 --> 00:15:58,082
WE GET RIDICULED
FOR WANTING
TO HAVE SEX WITH YOU.
367
00:15:59,500 --> 00:16:01,210
WOW. KUDOS TO YOU, C.J.
368
00:16:01,252 --> 00:16:03,379
THAT IS THE NICEST WAY
THAT ANYBODY'S EVER
CALLED ME A SLUT.
369
00:16:03,421 --> 00:16:05,924
WHAT ARE YOU
TALKIN' ABOUT?
370
00:16:05,964 --> 00:16:07,300
BASICALLY,
WHAT YOU'RE SAYING IS
371
00:16:07,341 --> 00:16:08,551
IF I CAN BE A SLUT
FOR OTHER GUYS,
372
00:16:08,593 --> 00:16:09,886
WHY CAN'T I BE
A SLUT FOR YOU?
373
00:16:09,928 --> 00:16:11,220
THAT'S NOT WHAT I MEAN.
374
00:16:17,560 --> 00:16:19,479
PLEASE TELL ME
YOU'RE GONNA
KICK ASS IN THERE.
375
00:16:19,520 --> 00:16:21,522
I'M RELATIVELY CERTAIN
I WON'T THROW UP,
376
00:16:21,564 --> 00:16:23,274
BUT BEYOND THAT,
I CAN'T PROMISE
ANYTHING.
377
00:16:23,316 --> 00:16:24,818
FABULOUS.
378
00:16:31,449 --> 00:16:33,743
DAWSON LEERY!
379
00:16:33,785 --> 00:16:36,621
HA! HOW THE HELL'S
MY FAVORITE YOUNG DIRECTOR?
380
00:16:36,663 --> 00:16:39,206
IT'S GOOD TO SEE YOU, KID.
GOOD TO SEE YA.
381
00:16:39,248 --> 00:16:40,291
YOU, TOO, MR. NEWMAN.
382
00:16:40,333 --> 00:16:42,961
AH, MR. NEWMAN
WAS MY FATHER,
383
00:16:43,002 --> 00:16:44,921
AND THAT BASTARD'S
LONG GONE.
384
00:16:44,963 --> 00:16:46,046
YOU JUST CALL ME LARRY.
385
00:16:46,088 --> 00:16:47,507
HAVE A SEAT, PLEASE.
386
00:16:47,548 --> 00:16:48,758
OK.
387
00:16:48,800 --> 00:16:50,844
LARRY.
388
00:16:51,803 --> 00:16:53,304
OK.
389
00:16:53,346 --> 00:16:55,097
OHH!
390
00:16:55,139 --> 00:16:56,307
PETER.
391
00:16:56,349 --> 00:16:57,517
YES, LARRY?
392
00:16:57,558 --> 00:16:59,143
MY ASS HURTS.
393
00:16:59,185 --> 00:17:00,603
WHY DOES MY ASS HURT?
394
00:17:00,645 --> 00:17:04,231
I'M SORRY, LARRY.
I, UH, I...FORGOT.
395
00:17:04,273 --> 00:17:06,734
ACTIONS, PETER, ACTIONS.
NOT EXCUSES.
396
00:17:06,776 --> 00:17:09,153
WHEW!
397
00:17:09,195 --> 00:17:10,613
AHH!
398
00:17:10,655 --> 00:17:12,323
IT'S MY PROSTATE.
399
00:17:12,365 --> 00:17:15,242
DAMN THING'S AS BIG
AS A CURED HAM.
400
00:17:15,284 --> 00:17:18,538
GETTIN' OLD, BOY.
WHOO!
401
00:17:18,579 --> 00:17:21,207
IT'S JUST A SERIES
OF INDIGNITIES.
402
00:17:21,248 --> 00:17:23,376
YOU'LL FIND OUT.
403
00:17:23,417 --> 00:17:26,044
OK. SO, WHAT ARE
WE DOIN' HERE?
404
00:17:26,086 --> 00:17:27,881
UH, WELL--
405
00:17:27,922 --> 00:17:29,757
OHH! WHOA, WHOA, WHOA!
406
00:17:29,799 --> 00:17:32,259
I CAN'T BELIEVE
I ALMOST FORGOT THIS.
407
00:17:32,301 --> 00:17:34,345
YOU ARE MY HERO, KID.
408
00:17:35,388 --> 00:17:37,598
THANK YOU...
LARRY.
409
00:17:37,640 --> 00:17:39,851
THAT--I, UH--
THAT MEANS A LOT.
410
00:17:39,893 --> 00:17:41,519
THE RE-SHOOTS WERE
TOUGH, BUT, UH,
411
00:17:41,561 --> 00:17:43,437
ULTIMATELY I WAS
PRETTY HAPPY WITH
HOW THEY TURNED OUT.
412
00:17:43,479 --> 00:17:44,772
I GOTTA SAY,
BY THE END OF IT,
413
00:17:44,814 --> 00:17:46,900
I ACTUALLY FELT LIKE
A REAL DIRECTOR.
414
00:17:46,941 --> 00:17:48,526
RIGHT.
415
00:17:48,568 --> 00:17:50,778
UH, NO, THE RE-SHOOTS
WERE FINE.
416
00:17:50,820 --> 00:17:53,322
WHAT I'M TALKIN' ABOUT
IS NATASHA.
417
00:17:53,364 --> 00:17:55,616
SHE WAS GREAT,
WASN'T SHE?
418
00:17:55,658 --> 00:17:58,619
I WAS VERY HAPPY
WITH THE PERFORMANCE
THAT I GOT OUT OF HER.
419
00:17:58,661 --> 00:18:00,914
UH, HER PERFORMANCE
WAS MEDIOCRE AT BEST.
420
00:18:00,955 --> 00:18:03,207
WHAT I'M TALKIN'
ABOUT HERE IS THE FACT
421
00:18:03,249 --> 00:18:05,960
THAT YOU MANAGED
TO GET YOURSELF
INTO HER KNICKERS?
422
00:18:09,505 --> 00:18:11,298
HEATHER TELLS ME
EVERYTHING.
423
00:18:11,340 --> 00:18:13,760
SEE, HERE'S MY THING
WITH DIRECTORS.
424
00:18:13,801 --> 00:18:15,803
I CAN TELL ANY SCHMUCK
WHERE TO PUT THE CAMERA,
425
00:18:15,845 --> 00:18:18,723
HOW TO SAY "ACTION,"
BLAH, BLAH, BLAH, BLAH.
426
00:18:18,765 --> 00:18:22,018
BUT WHEN A FREAKIN' P.A.
FIGURES OUT HOW TO BANG
THE LEADIN' LADY,
427
00:18:22,060 --> 00:18:23,019
BUDDY, THAT IS SOMEBODY
428
00:18:23,061 --> 00:18:25,104
I WANT TO BE
IN BUSINESS WITH.
429
00:18:25,145 --> 00:18:29,650
AND THAT'S YOU,
BIG FELLA.
HA HA HA HA!
430
00:18:29,692 --> 00:18:30,944
HEE HEE HEE HEE!
431
00:18:30,985 --> 00:18:33,780
WHOO! YEAH!
432
00:18:33,821 --> 00:18:35,823
OK, DAWSON...
433
00:18:35,865 --> 00:18:38,534
TELL ME A STORY.
434
00:18:38,576 --> 00:18:42,747
OK. SO, WE OPEN
IN A TEENAGER'S BEDROOM,
435
00:18:42,789 --> 00:18:45,291
WALLS PLASTERED
WITH MOVIE POSTERS.
NOW, WAIT.
436
00:18:45,332 --> 00:18:48,669
THIS ISN'T
ONE OF THOSE MOVIES
ABOUT MAKIN' MOVIES, IS IT?
437
00:18:48,711 --> 00:18:50,046
NO. NOT AT ALL.
438
00:18:50,088 --> 00:18:51,047
NOT REALLY.
439
00:18:51,089 --> 00:18:52,381
WELL, EITHER IT IS
OR IT ISN'T.
440
00:18:52,423 --> 00:18:54,050
WELL--
ALL RIGHT.
NEVER MIND.
441
00:18:54,092 --> 00:18:56,052
GO AHEAD.
442
00:18:56,094 --> 00:19:00,056
OK. SO, ON THE BED--
BOY AND A GIRL.
443
00:19:00,098 --> 00:19:02,140
BOTH 15. THEY'VE
BEEN BEST FRIENDS
444
00:19:02,182 --> 00:19:03,726
FOR AS LONG AS
THEY CAN REMEMBER.
445
00:19:03,768 --> 00:19:05,185
ARE THEY, YOU KNOW--
446
00:19:05,227 --> 00:19:06,980
NO.
HUH?
447
00:19:09,148 --> 00:19:10,357
UH, NOT YET.
448
00:19:10,399 --> 00:19:11,776
I GOT YA.
449
00:19:11,818 --> 00:19:14,320
LET THE AUDIENCE GET
A LITTLE WET FIRST.
450
00:19:14,361 --> 00:19:15,947
I LIKE THIS.
THIS IS GOOD.
451
00:19:15,989 --> 00:19:17,573
YEAH.
452
00:19:17,615 --> 00:19:19,450
SO, UH, THEY'RE
IN THE BEDROOM,
453
00:19:19,492 --> 00:19:21,452
AND THEY'RE TALKING
ABOUT MOVIES.
454
00:19:21,494 --> 00:19:23,997
WAIT A MINUTE.
I GOTTA ASK YOU
SOMETHIN' HERE.
455
00:19:24,038 --> 00:19:25,414
UH, IS THIS
A HORROR MOVIE?
456
00:19:25,456 --> 00:19:27,541
NO, NOT AT ALL.
457
00:19:27,583 --> 00:19:28,876
THIS IS A
COMING-OF-AGE STORY.
458
00:19:30,377 --> 00:19:31,754
ACTUALLY, LARRY,
459
00:19:31,796 --> 00:19:34,507
IT'S A TEEN SEX
COMEDY...WITH HEART.
460
00:19:34,548 --> 00:19:38,427
AMERICAN PIE MEETS
STAND BY ME.
461
00:19:42,056 --> 00:19:43,641
BUT IT'S GOT SEX, RIGHT?
462
00:19:47,812 --> 00:19:49,730
SURE. YEAH.
463
00:19:49,772 --> 00:19:51,649
GOOD. SEE,
THIS IS INTERESTING.
464
00:19:51,691 --> 00:19:54,777
FRIENDS WILL COME
AND FRIENDS WILL GO,
465
00:19:54,819 --> 00:19:56,612
BUT I SAY...
466
00:19:56,654 --> 00:19:58,739
THERE'S ALWAYS ROOM
FOR A MOVIE
467
00:19:58,781 --> 00:20:01,450
IN WHICH TEENAGE GIRLS
TAKE THEIR CLOTHES OFF.
468
00:20:01,492 --> 00:20:04,495
ALL RIGHT, LET'S CUT
TO THE CHASE, PALLY.
469
00:20:04,537 --> 00:20:06,080
MY ASS IS ON FIRE HERE.
470
00:20:06,122 --> 00:20:07,081
HMM-UNH!
471
00:20:07,123 --> 00:20:08,124
UM, OK.
472
00:20:08,166 --> 00:20:09,542
HERE--HERE'S THE PART
OF THE STORY
473
00:20:09,583 --> 00:20:11,293
THAT I THINK YOU'LL FIND
THE MOST INTERESTING.
474
00:20:11,335 --> 00:20:14,172
OUR MAIN CHARACTER
THINKS OF HIMSELF
AS ONE OF THE GOOD GUYS.
475
00:20:14,213 --> 00:20:16,174
HE'S ALWAYS TRYIN'
TO DO THE RIGHT THING,
476
00:20:16,215 --> 00:20:18,258
AND IT ALWAYS
GETS IN THE WAY
WHEN IT COMES TO GIRLS.
477
00:20:18,300 --> 00:20:21,387
UM, SO IT'S--IT'S
REALLY INTERESTING
478
00:20:21,428 --> 00:20:24,182
TO WATCH HIM GO THROUGH
THIS MORAL DILEMMA
479
00:20:24,223 --> 00:20:26,642
WHEN HE MEETS
THIS GIRL AT SCHOOL
THAT HE REALLY LIKES,
480
00:20:26,684 --> 00:20:28,268
BUT IT TURNS OUT
THAT SHE'S...
481
00:20:30,104 --> 00:20:32,690
A...STRIPPER.
482
00:20:37,235 --> 00:20:38,571
STRIPPER?
483
00:20:38,612 --> 00:20:40,614
YEAH, STUDENT BY DAY,
STRIPPER AT NIGHT.
484
00:20:40,656 --> 00:20:43,868
SEE, I'VE--I'VE SEEN THIS
PROBABLY 100 TIMES,
485
00:20:43,910 --> 00:20:46,162
BUT I'LL BE DAMNED
IF I WOULDN'T STAY UP
TILL 3 A.M.
486
00:20:46,204 --> 00:20:48,206
TO WATCH IT ON SKINEMAX.
487
00:20:48,246 --> 00:20:50,374
AND YOU CAST
ONE OF THOSE
488
00:20:50,416 --> 00:20:53,169
HOT LITTLE
PAST-HER-PRIME STARLETS
489
00:20:53,211 --> 00:20:56,130
WHO'S WILLING TO SHOW OFF
HER NEW BOOB JOB,
490
00:20:56,172 --> 00:20:59,800
YOU GOT YOURSELF
A MINI-BLOCKBUSTER
ON YOUR HANDS.
491
00:20:59,842 --> 00:21:01,010
THIS IS GOOD.
492
00:21:01,052 --> 00:21:02,762
THIS IS REAL GOOD.
493
00:21:02,803 --> 00:21:04,180
I LIKE THIS.
494
00:21:04,222 --> 00:21:06,766
YOU GOT YOURSELF A DEAL.
495
00:21:06,807 --> 00:21:09,518
IT'S THE BEST PITCH
I'VE HEARD IN, UH...
496
00:21:09,560 --> 00:21:10,895
A LONG TIME.
497
00:21:10,937 --> 00:21:12,396
WELL, YOU GUYS WANT
TO HEAR THE REST OF IT?
498
00:21:12,438 --> 00:21:14,023
I MEAN, THAT'S JUST
A VERY SMALL PART OF IT.
499
00:21:14,065 --> 00:21:16,901
LET ME GIVE YOU
A LITTLE ADVICE, PALLY.
500
00:21:16,943 --> 00:21:19,153
WHEN SOMEBODY TELLS YOU
YOU GOT YOURSELF A DEAL,
501
00:21:19,195 --> 00:21:20,446
YOU ZIP IT.
502
00:21:20,487 --> 00:21:22,115
YOU KNOW,
YOU NOD, YOU SMILE,
503
00:21:22,156 --> 00:21:24,533
AND YOU LOOK GRATEFUL.
504
00:21:24,575 --> 00:21:26,410
YOU DO NOT SAY ANOTHER WORD.
505
00:21:26,452 --> 00:21:28,746
ANOTHER WORD
CAN ONLY DO YOU HARM.
506
00:21:28,788 --> 00:21:30,623
YOU KNOW WHAT I'M SAYIN'?
507
00:21:40,258 --> 00:21:41,341
ABSOLUTELY.
508
00:21:41,383 --> 00:21:44,053
OUTSTANDING! OK.
509
00:21:44,095 --> 00:21:46,013
LISTEN, WE'LL FIGURE OUT
THE BEATS AFTER LUNCH.
510
00:21:46,055 --> 00:21:47,765
IN THE MEANTIME...
511
00:21:50,476 --> 00:21:52,770
TELL ME A LITTLE MORE
ABOUT NATASHA.
512
00:21:55,982 --> 00:21:57,858
HUH? BOOM.
513
00:21:59,443 --> 00:22:01,279
WHOO!
514
00:22:02,863 --> 00:22:04,364
I HEAR WHAT
YOU'RE SAYING, WALTER.
515
00:22:04,406 --> 00:22:06,117
I'M JUST NOT WILLING
TO PUSH IT THAT HARD.
516
00:22:06,159 --> 00:22:09,120
LOOK, I JUST DON'T HAVE
THE NUMBERS, OK?
517
00:22:11,289 --> 00:22:14,041
WELL, WHEN?
518
00:22:14,083 --> 00:22:16,335
OK, HOLD ON A SECOND.
LET ME ASK MY SECRETARY.
519
00:22:16,376 --> 00:22:17,878
HEY, JO--
520
00:22:17,920 --> 00:22:20,047
ARE YOU LOOKING
FOR THIS, MR. WITTER?
521
00:22:20,089 --> 00:22:22,258
YES, AS A MATTER OF FACT.
WHEN DID THIS COME IN?
522
00:22:22,300 --> 00:22:25,886
UM, WELL, I DIDN'T
WANT TO INUNDATE YOU
WITH INFORMATION.
523
00:22:26,887 --> 00:22:27,972
GOOD THINKING.
524
00:22:31,349 --> 00:22:34,728
OK, WALTER, I GOT IT
RIGHT IN FRONT OF ME.
SHOOT.
525
00:22:34,770 --> 00:22:36,480
WALTER?
526
00:22:36,522 --> 00:22:39,525
OH, I PRESSED A BUTTON
WHEN I CAME IN HERE.
I THOUGHT IT WAS HOLD.
527
00:22:39,566 --> 00:22:41,861
THAT'S OK.
THAT'S FINE.
528
00:22:41,902 --> 00:22:44,155
WE CAN JUST GET HIM
ON THE LINE AGAIN.
529
00:22:44,197 --> 00:22:46,866
HA HA.
530
00:22:46,907 --> 00:22:48,534
YOU KNOW, JO, YOU'RE
SUCH A SMART GIRL,
531
00:22:48,575 --> 00:22:51,120
I HONESTLY THOUGHT
THIS WAS GONNA BE
A LITTLE EASIER FOR YOU.
532
00:22:51,162 --> 00:22:54,748
WELL, I KIND OF MADE IT A POINT
NOT TO LEARN SECRETARIAL SKILLS.
533
00:22:54,790 --> 00:22:57,543
YOU MIGHT'VE WANTED
TO MENTION THAT EARLIER.
534
00:22:57,584 --> 00:22:59,503
WELL, IF I'M
TOO GOOD AT IT,
535
00:22:59,545 --> 00:23:02,464
THEN NO ONE WILL
EVER LET ME DO WHAT
I REALLY WANT TO DO.
536
00:23:02,506 --> 00:23:06,219
I FIND THAT VERY HARD
TO BELIEVE, MISS POTTER.
537
00:23:07,761 --> 00:23:10,097
HI.
538
00:23:11,682 --> 00:23:12,933
WHAT ARE YOU
DOING HERE?
539
00:23:12,975 --> 00:23:15,269
WELL, YOUR SECRETARY
WASN'T AT HER DESK,
540
00:23:15,311 --> 00:23:16,562
SO I HOPE IT'S OK--
541
00:23:16,603 --> 00:23:18,981
THAT'S FINE.
SHE'S, UH, THAT'S--
SHE'S THERE.
542
00:23:19,023 --> 00:23:20,482
OH. OK, WELL, HERE.
543
00:23:20,524 --> 00:23:22,902
YOU WOULDN'T MIND
HANGIN' THIS UP FOR ME,
WOULD YOU?
544
00:23:22,943 --> 00:23:24,695
DO YOU HAVE
AN APPOINTMENT, MISS?
545
00:23:24,737 --> 00:23:26,780
WHY, YES. AS A MATTER
OF FACT, I DO.
546
00:23:26,822 --> 00:23:29,283
UH, THIS IS
SADIA SHAW, PACE,
547
00:23:29,325 --> 00:23:31,077
THE REPORTER
I WAS TELLIN' YOU ABOUT.
548
00:23:31,118 --> 00:23:32,452
OF COURSE.
549
00:23:32,494 --> 00:23:33,913
PLEASED TO MEET YOU
AGAIN.
550
00:23:33,954 --> 00:23:36,916
SO, I GUESS THE RUMORS
I'VE BEEN HEARING
ARE TRUE, PACEY.
551
00:23:36,957 --> 00:23:38,625
YOU'RE CERTAINLY
MOVING UP IN THE WORLD.
552
00:23:38,667 --> 00:23:40,961
SO YOU GUYS
KNOW EACH OTHER?
553
00:23:41,003 --> 00:23:42,838
NOT ENTIRELY,
554
00:23:42,880 --> 00:23:45,216
BUT I GUESS THAT'S WHAT
THE INTERVIEW'S FOR.
555
00:23:45,258 --> 00:23:46,550
I GUESS SO.
556
00:23:49,095 --> 00:23:50,804
HEY, IS THERE ANYTHING
WE CAN GET YOU
557
00:23:50,846 --> 00:23:52,306
TO MAKE YOU
MORE COMFORTABLE?
558
00:23:52,348 --> 00:23:54,516
JO, WOULD YOU MIND
GRABBIN' US
A POT OF COFFEE?
559
00:23:54,558 --> 00:23:56,685
SURE, MR. WITTER.
560
00:23:56,727 --> 00:23:57,770
I WILL GET
RIGHT ON THAT.
561
00:23:57,811 --> 00:23:58,771
I WILL JUST WHIP UP
A BATCH.
562
00:23:58,812 --> 00:24:01,107
THANK YOU.
563
00:24:03,401 --> 00:24:04,944
YEAH, THANK YOU.
564
00:24:04,985 --> 00:24:06,112
WHY DON'T YOU STEP IN,
565
00:24:06,153 --> 00:24:08,030
MAKE YOURSELF
MORE COMFORTABLE.
566
00:24:34,056 --> 00:24:35,224
AND CUT!
567
00:24:35,266 --> 00:24:38,894
GENTLEMEN, SATAN HIMSELF
WOULD BE PROUD!
568
00:24:38,936 --> 00:24:41,147
ALL RIGHT,
LET'S TAKE A BREAK.
569
00:24:47,445 --> 00:24:49,780
YOU HAVE NO IDEA
HOW...
570
00:24:49,822 --> 00:24:50,948
YEAH, YEAH.
571
00:24:56,703 --> 00:24:58,664
WHAT THE HELL
ARE YOU DOIN' HERE?
572
00:24:58,705 --> 00:25:00,624
MORAL QUANDARY.
YOU GOT A MINUTE?
573
00:25:00,666 --> 00:25:02,084
BOLLOCKS, LEERY.
574
00:25:02,126 --> 00:25:03,627
YOU'RE LIKE SOME
BLOODY LITTLE ANGEL
575
00:25:03,669 --> 00:25:05,463
THAT POPS HIS HEAD UP
OVER MY SHOULDER
576
00:25:05,503 --> 00:25:07,631
EVERY TIME
I'M ABOUT TO ENGAGE
IN MEANINGLESS SEX
577
00:25:07,673 --> 00:25:08,757
WITH A COMELY EXTRA.
578
00:25:08,799 --> 00:25:10,759
YOU ARE A BLOODY
MORAL QUANDARY.
579
00:25:10,801 --> 00:25:14,638
EXCUSE ME.
I'M IN THE BAND, TODD.
580
00:25:14,680 --> 00:25:16,223
MY APOLOGIES, LOVE.
581
00:25:16,265 --> 00:25:18,351
CAN YOU EVER
FORGIVE ME?
582
00:25:19,852 --> 00:25:21,812
SURE THIS CAN'T WAIT
583
00:25:21,854 --> 00:25:25,149
5 MINUTES?
GEE, WHAT A TREAT.
584
00:25:31,280 --> 00:25:32,614
SO, RICH...
585
00:25:32,656 --> 00:25:35,451
WOULD YOU SAY
THAT PACEY'S ARRIVAL
586
00:25:35,493 --> 00:25:37,453
AND YOUR RISE
IN PROFITABILITY
587
00:25:37,495 --> 00:25:38,578
HAD A DIRECT CORRELATION?
588
00:25:40,039 --> 00:25:42,124
WELL, LET'S NOT GET
CRAZY HERE.
589
00:25:42,166 --> 00:25:44,502
WE ALL KNOW
HOW UNPREDICTABLE
THE MARKET IS.
590
00:25:44,542 --> 00:25:46,504
IT JUST SO HAPPENS
WE ALSO STARTED TO PUSH
591
00:25:46,544 --> 00:25:47,671
A NEW STOCK
AROUND THAT TIME,
592
00:25:47,713 --> 00:25:49,298
AND IT DID
VERY WELL FOR US.
593
00:25:49,340 --> 00:25:51,008
AND THAT WOULD BE
STEPATECH.
594
00:25:51,050 --> 00:25:53,010
YES, AND AS
A MATTER OF FACT,
595
00:25:53,052 --> 00:25:55,012
I WAS THE FIRST
PERSON WHO WENT OUT
WITH STEPATECH.
596
00:25:55,054 --> 00:25:57,931
YEAH, THAT'S CORRECT.
PACEY WAS THE FIRST.
597
00:25:59,683 --> 00:26:01,435
EXCUSE ME, PACE.
UH, JACK'S ON ONE.
598
00:26:01,477 --> 00:26:03,062
THAT'S OK.
599
00:26:03,103 --> 00:26:04,897
YOU CAN HOLD
ALL MY CALLS.
THANKS.
600
00:26:04,938 --> 00:26:07,316
EVEN FROM YOUR ROOMIE?
601
00:26:09,026 --> 00:26:11,237
YES,
EVEN MY ROOMMATE.
602
00:26:12,905 --> 00:26:15,657
OH, OK. MY BAD.
603
00:26:15,699 --> 00:26:17,034
CARRY ON.
604
00:26:19,577 --> 00:26:22,331
I APOLOGIZE FOR THAT.
IT'S HER FIRST DAY.
605
00:26:22,373 --> 00:26:23,832
I UNDERSTAND.
606
00:26:23,874 --> 00:26:25,876
THIS MUST BE QUITE
A COUP FOR YOU, PACEY,
607
00:26:25,918 --> 00:26:27,294
HAVING AN ASSISTANT.
608
00:26:27,336 --> 00:26:29,380
I HEARD THAT UNTIL RECENTLY
YOU WERE A COOK.
609
00:26:30,756 --> 00:26:32,716
YEAH, ACTUALLY.
I DID DABBLE
610
00:26:32,758 --> 00:26:35,094
FOR A WHILE IN
THE FOOD SERVICE
INDUSTRY,
611
00:26:35,135 --> 00:26:36,929
BUT I'M QUITE--
612
00:26:39,181 --> 00:26:40,849
AHEM. THE BUTTON'S
STICK ON THOSE
SOMETIMES.
613
00:26:40,891 --> 00:26:43,352
I APOLOGIZE.
614
00:26:43,394 --> 00:26:44,478
WHERE WAS I?
615
00:26:44,520 --> 00:26:47,356
I WISH I COULD REMEMBER.
I WAS RIVETED.
616
00:26:47,398 --> 00:26:48,941
FRESH COFFEE?
617
00:26:48,982 --> 00:26:51,485
GREAT. YOU CAN JUST
PUT IT ON THE DESK.
618
00:26:51,527 --> 00:26:52,903
PACEY TAKES TONS OF SUGAR
IN HIS COFFEE.
619
00:26:52,945 --> 00:26:54,363
OTHERWISE,
HE CAN'T DRINK IT.
620
00:26:54,405 --> 00:26:56,698
YOU KNOW, HE PUTS SUGAR
IN HIS FRUITY PEBBLES.
621
00:26:56,740 --> 00:26:58,492
CAN YOU BELIEVE IT?
622
00:26:58,534 --> 00:27:00,327
AH, HA!
623
00:27:00,369 --> 00:27:02,413
ALL RIGHT. THANKS
FOR YOUR HELP,
MISS POTTER.
624
00:27:02,455 --> 00:27:03,663
THAT'LL BE ALL.
625
00:27:03,705 --> 00:27:04,957
AND HOW DO YOU
TAKE YOURS?
626
00:27:04,998 --> 00:27:06,750
UH, JUST A SPLASH
OF CREAM--
627
00:27:06,792 --> 00:27:08,626
NONFAT, IF YOU
HAVE IT, PLEASE.
628
00:27:08,668 --> 00:27:09,420
THANK YOU.
629
00:27:09,462 --> 00:27:13,673
OF COURSE.
630
00:27:13,715 --> 00:27:15,134
OH, GOD!
631
00:27:17,261 --> 00:27:19,179
OH, MY GOD.
SORRY, SORRY. OHH!
632
00:27:19,221 --> 00:27:21,181
YOU KNOW WHAT?
I CAN GET IT.
633
00:27:21,223 --> 00:27:22,558
I'M SO SORRY.
634
00:27:22,600 --> 00:27:23,517
I GOT IT.
635
00:27:23,559 --> 00:27:25,561
WITTER, UH,
WHY DON'T WE...
636
00:27:25,603 --> 00:27:27,187
CONTINUE THIS INTERVIEW
IN MY OFFICE?
637
00:27:27,229 --> 00:27:29,356
I'M SURE YOU'LL BE
MORE COMFORTABLE THERE.
638
00:27:29,398 --> 00:27:30,357
IT'S MUCH BIGGER.
639
00:27:41,952 --> 00:27:43,537
IT WAS AN ACCIDENT.
640
00:27:43,579 --> 00:27:46,373
REALLY! AN ACCIDENT.
641
00:27:46,415 --> 00:27:48,834
NOW, WHY DO I FIND THAT
SO HARD TO BELIEVE?
642
00:27:48,875 --> 00:27:50,252
YOU BETTER GET GOIN'.
643
00:27:50,294 --> 00:27:53,088
YOU DON'T WANT TO MISS
YOUR 15 MINUTES OF FAME.
644
00:27:57,301 --> 00:28:00,053
I DON'T UNDERSTAND
WHAT YOU'RE SO
TORN UP ABOUT, MATE.
645
00:28:00,095 --> 00:28:01,597
A JOB IS A JOB.
646
00:28:01,639 --> 00:28:03,140
WORK BEGETS WORK.
647
00:28:03,182 --> 00:28:04,141
DO YOU KNOW
WHAT I MEAN?
648
00:28:04,183 --> 00:28:05,351
YEAH. I JUST...
649
00:28:05,392 --> 00:28:07,353
HAVE A REALLY HARD TIME
650
00:28:07,394 --> 00:28:09,522
DOING SOMETHING
THAT I DON'T BELIEVE IN.
651
00:28:09,563 --> 00:28:11,982
I LEARNED SO MUCH WORKIN'
FOR YOU IN THE RE-SHOOTS
AND EVERYTHING,
652
00:28:12,024 --> 00:28:14,776
BUT I LOST A CHUNK OF
MY SOUL IN THE PROCESS.
653
00:28:14,818 --> 00:28:17,737
YOU'RE SUCH A BLOODY
DRAMA QUEEN, LEERY.
654
00:28:17,779 --> 00:28:20,866
THE TRICK
IS TO KEEP WORKIN'
655
00:28:20,907 --> 00:28:22,159
SO ONE DAY
YOU GET TO A POINT
656
00:28:22,201 --> 00:28:24,077
WHERE YOU CAN WRITE
YOUR OWN TICKET.
657
00:28:24,119 --> 00:28:25,745
BUT WHAT IF BY THE TIME
YOU GET THERE,
658
00:28:25,787 --> 00:28:27,623
YOU DON'T KNOW
WHO THE HELL
YOU ARE ANYMORE?
659
00:28:27,665 --> 00:28:29,707
YOU ASK YOURSELF
WHAT KIND OF FILMMAKER
YOU WANT TO BE.
660
00:28:29,749 --> 00:28:30,959
ME, I'M A JOURNEYMAN.
661
00:28:31,001 --> 00:28:33,170
I GO WHERE THE JOBS ARE.
662
00:28:33,212 --> 00:28:35,964
AHH, MAYBE I'M JUST NOT
CUT OUT FOR ANY OF THIS.
663
00:28:36,006 --> 00:28:37,715
OH, I SEE.
664
00:28:37,757 --> 00:28:40,927
SO THIS IS THAT BIT
WHERE I GIVE YOU
A BIT OF A LIFT, IS IT?
665
00:28:40,969 --> 00:28:42,221
NO.
666
00:28:42,262 --> 00:28:43,556
'CAUSE I'M NOT
GONNA DO IT...
667
00:28:43,597 --> 00:28:47,309
EVEN IF YOU ARE
A TALENTED
LITTLE BUGGER,
668
00:28:47,351 --> 00:28:49,186
EVEN IF YOU ARE
LIGHT-YEARS AHEAD
669
00:28:49,228 --> 00:28:51,021
OF WHERE I WAS
AT YOUR AGE.
670
00:28:51,063 --> 00:28:52,814
ALL RIGHT, ALL RIGHT.
THAT'S ENOUGH.
671
00:28:54,900 --> 00:28:55,942
WHAT'S THAT?
672
00:28:55,984 --> 00:28:57,361
GO MAKE A MOVIE.
673
00:28:57,403 --> 00:28:59,572
WITH 10 BUCKS?
674
00:28:59,613 --> 00:29:01,365
IT'S A START.
675
00:29:01,407 --> 00:29:03,075
LOOK, IF YOU'RE NOT
WILLING TO DO IT
THEIR WAY,
676
00:29:03,116 --> 00:29:04,284
WITH THEIR MONEY,
677
00:29:04,326 --> 00:29:06,495
THEN DON'T CASH
THE CHECK.
WRITE YOUR OWN.
678
00:29:06,537 --> 00:29:08,706
SOMETIMES, WITH
A LITTLE BIT OF MONEY
679
00:29:08,746 --> 00:29:10,332
AND A LOT OF FAITH,
680
00:29:10,374 --> 00:29:13,293
YOU CAN ALMOST
WILL AN ENTIRE MOVIE
INTO EXISTENCE.
681
00:29:13,335 --> 00:29:14,545
THAT'S WHAT I DID.
682
00:29:16,338 --> 00:29:17,923
HOW'D IT TURN OUT?
683
00:29:17,964 --> 00:29:19,049
IT WAS RUBBISH...
684
00:29:19,091 --> 00:29:21,719
BUT IT GOT ME HERE.
685
00:29:21,760 --> 00:29:23,887
HERE I AM, DOING
THE DEVIL'S WORK
686
00:29:23,929 --> 00:29:25,389
IN SUNNY LOS ANGELES.
687
00:29:26,348 --> 00:29:28,141
LISTEN, MATE,
688
00:29:28,183 --> 00:29:30,102
I KNOW NO MATTER
WHAT YOU DO...
689
00:29:30,143 --> 00:29:31,645
YOU'RE GONNA DO IT
WITH HEART
690
00:29:31,687 --> 00:29:34,106
AND BALLS
AND SWAGGER.
691
00:29:34,147 --> 00:29:36,692
AND THAT IS ALL
THAT MATTERS
IN THIS WORLD.
692
00:29:36,734 --> 00:29:38,110
REMEMBER THAT.
693
00:29:39,486 --> 00:29:41,154
GO ON, GET OUTTA HERE.
694
00:29:41,196 --> 00:29:42,573
GO CHANGE A DIAPER
OR SOMETHIN'.
695
00:30:04,511 --> 00:30:06,846
WELL, WHAT WAS THAT EARLIER?
696
00:30:06,888 --> 00:30:08,724
HOW DO YOU KNOW
THAT WOMAN?
697
00:30:08,766 --> 00:30:10,100
THE REPORTER?
698
00:30:10,142 --> 00:30:13,019
I'VE MET HER ONCE...
AT A FUNCTION.
699
00:30:13,061 --> 00:30:14,521
MONTHS AGO.
700
00:30:14,563 --> 00:30:15,773
I DIDN'T EVEN KNOW HER NAME.
701
00:30:15,813 --> 00:30:17,691
WHY DOES THAT
NOT SHOCK ME?
702
00:30:17,733 --> 00:30:19,276
WE WERE NEVER
FORMALLY INTRODUCED.
703
00:30:19,318 --> 00:30:21,111
I MEAN, WOULD IT
HAVE KILLED YOU
704
00:30:21,153 --> 00:30:22,738
TO HAVE ACTED
PROFESSIONALLY TODAY?
705
00:30:22,780 --> 00:30:25,282
COME ON, PACEY.
706
00:30:25,324 --> 00:30:27,367
YOU GUYS ARE PIGS.
707
00:30:27,409 --> 00:30:29,286
I MEAN, ACCORDING TO
CAVEMAN STANDARDS,
708
00:30:29,328 --> 00:30:30,870
I'M NOT THE
PROFESSIONAL TYPE.
709
00:30:30,912 --> 00:30:32,122
AND WHAT TYPE IS THAT?
710
00:30:32,164 --> 00:30:33,373
THE TYPE THAT CAN
POUR A CUP OF COFFEE
711
00:30:33,415 --> 00:30:35,083
WITHOUT PAINTING IT
ALL OVER THE WALLS?
712
00:30:35,125 --> 00:30:36,376
BECAUSE YOU'RE
NOT THAT TYPE.
713
00:30:36,418 --> 00:30:38,587
THAT'S ALL AN ASSISTANT
IS TO YOU, ISN'T IT?
714
00:30:38,629 --> 00:30:40,964
JUST SOME CHICK
WHO POURS COFFEE.
715
00:30:41,006 --> 00:30:43,717
I DIDN'T REALIZE
THAT YOU WANTED TO BE
A CAREER ASSISTANT.
716
00:30:43,759 --> 00:30:45,927
WHY DO YOU THINK
RICH FIRED MARCY?
717
00:30:45,969 --> 00:30:49,055
'CAUSE SHE'S OVER 30.
718
00:30:50,474 --> 00:30:53,185
HAVE YOU EVER
EVEN NOTICED
THE ASSISTANTS HERE?
719
00:30:53,226 --> 00:30:55,771
I FEEL LIKE
THERE'S NO GOOD WAY
TO ANSWER THAT QUESTION.
720
00:30:55,813 --> 00:30:58,106
THEY LOOK LIKE
THE MAXIM GIRLS OF
THE OFFICE OUT THERE.
721
00:30:58,148 --> 00:31:00,734
I GUESS
I'D NEVER NOTICED.
722
00:31:00,776 --> 00:31:03,236
BECAUSE WHEN I COME HERE,
IT'S TO DO MY JOB.
723
00:31:03,278 --> 00:31:04,697
WHICH I WAS ACTUALLY
PRETTY GOOD AT
724
00:31:04,738 --> 00:31:06,699
UNTIL YOU CAME HERE
AND SABOTAGED ME.
725
00:31:06,740 --> 00:31:09,284
GET REAL, PACEY.
726
00:31:09,326 --> 00:31:11,537
ALL I'M ASKING FOR
IS A LITTLE RESPECT,
727
00:31:11,578 --> 00:31:12,705
A LITTLE HUMAN KINDNESS.
728
00:31:12,746 --> 00:31:14,206
BUT YOU SEE,
THAT'S THE WHOLE POINT.
729
00:31:14,247 --> 00:31:15,749
I DON'T HAVE TO RESPECT YOU
OR BE KIND TO YOU.
730
00:31:15,791 --> 00:31:16,792
YOU'RE MY SECRETARY.
731
00:31:16,834 --> 00:31:18,711
OH, THAT'S
THE WHOLE POINT?
732
00:31:18,752 --> 00:31:19,795
YOU REGRESSED--
WOMAN!
733
00:31:19,837 --> 00:31:21,797
YOU ARE WRECKING MY HEAD.
734
00:31:21,839 --> 00:31:24,383
COULD YOU NOT JUST
ACCEPT THE TEMPORARY
AND COME WITH A SMILE
735
00:31:24,424 --> 00:31:26,968
AND MAYBE A LITTLE GRACE?
736
00:31:27,010 --> 00:31:31,097
NO. NOT IF THIS IS HOW
YOU PLAN ON TREATING
YOUR FUTURE ASSISTANTS.
737
00:31:31,139 --> 00:31:32,391
FRANKLY, PACEY,
738
00:31:32,432 --> 00:31:35,143
I'M BEGINNING TO
UNDERSTAND THE NICKNAME.
739
00:31:36,603 --> 00:31:38,522
WHAT NICKNAME?
740
00:31:39,815 --> 00:31:42,609
THEY CALL YOU WITLESS.
741
00:31:42,651 --> 00:31:44,778
WHO CALLS ME WITLESS?
742
00:31:44,820 --> 00:31:46,572
I THINK THAT WOULD BE
UNPROFESSIONAL OF ME
743
00:31:46,613 --> 00:31:48,281
TO DISCLOSE
SUCH INFORMATION.
744
00:31:48,323 --> 00:31:49,616
WHERE WAS
THAT PROFESSIONALISM
745
00:31:49,658 --> 00:31:51,368
WHEN YOU WERE POURING CREAM
DOWN THE REPORTER'S LEG?
746
00:31:51,410 --> 00:31:52,494
OH, PLEASE.
747
00:31:52,536 --> 00:31:54,413
DON'T SAY "REPORTER"
748
00:31:54,454 --> 00:31:57,541
LIKE YOU HAVEN'T BURNED
THAT GIRL'S NAME
INTO YOUR MEMORY.
749
00:31:57,583 --> 00:32:01,086
YOU KNOW, I DON'T THINK
THIS IS THE PROPER ARENA
TO VENT YOUR JEALOUSY.
750
00:32:01,127 --> 00:32:03,004
JEALOUS?!
751
00:32:03,046 --> 00:32:04,423
HARDLY. OK, YEAH.
752
00:32:04,464 --> 00:32:07,008
I MIGHT'VE HAD
SOME SORT OF
PSYCHOTIC LAPSE,
753
00:32:07,050 --> 00:32:08,427
BUT THAT WAS ODD,
REALLY, BECAUSE...
754
00:32:08,468 --> 00:32:09,511
WHY WOULD I
BE JEALOUS?
755
00:32:09,553 --> 00:32:10,554
I DON'T KNOW.
756
00:32:10,596 --> 00:32:12,180
IT'S NOT LIKE YOU'D
EVER BE ATTRACTED
757
00:32:12,222 --> 00:32:13,766
TO THE SHREWD
BUSINESS TYPE, RIGHT?
758
00:32:13,807 --> 00:32:15,016
WELL, WHAT DOES IT MATTER?
759
00:32:15,058 --> 00:32:17,477
'CAUSE YOU'RE
NOT JEALOUS. RIGHT?
760
00:32:19,479 --> 00:32:23,233
YOU KNOW WHAT?
I'D LIKE TO
ISSUE AN APOLOGY.
761
00:32:23,275 --> 00:32:24,526
TAKE A LETTER, WOULD YOU?
762
00:32:26,069 --> 00:32:28,530
YOU'RE GONNA NEED
A PEN AND PAPER.
763
00:32:32,242 --> 00:32:35,579
DEAR...MISS...SHAW...
764
00:32:39,875 --> 00:32:42,419
IT WAS...WONDERFUL...
765
00:32:42,461 --> 00:32:44,129
TO SEE YOU
THIS AFTERNOON.
766
00:32:44,170 --> 00:32:45,839
NO, NO. GO BACK.
767
00:32:45,881 --> 00:32:48,258
IT WAS LOVELY
TO SEE YOU AGAIN.
768
00:32:48,300 --> 00:32:50,636
HOWEVER, I WOULD LIKE
TO TAKE THIS OPPORTUNITY
769
00:32:50,677 --> 00:32:54,264
TO APOLOGIZE FOR
MY SECRETARY'S BEHAVIOR.
770
00:32:54,306 --> 00:32:56,975
BECAUSE, YOU SEE,
SHE'S NEW...
771
00:32:57,016 --> 00:32:58,769
AND VERY BAD.
772
00:33:02,481 --> 00:33:04,107
I MISSED THE LAST PART.
773
00:33:04,149 --> 00:33:06,652
IT WAS SOMETHING MORONIC
FOLLOWED BY SOMETHING INANE.
774
00:33:30,926 --> 00:33:33,261
I'M, UH,
HEADED OUT, WITTER.
775
00:33:36,431 --> 00:33:37,850
JEEZ, MAN.
776
00:33:37,891 --> 00:33:40,602
AT LEAST I WAITED A WEEK
WITH MINE.
777
00:33:44,105 --> 00:33:45,691
PIGS.
778
00:33:45,732 --> 00:33:47,024
WE'RE ALL PIGS.
779
00:33:48,944 --> 00:33:49,820
MM-HMM.
780
00:34:08,672 --> 00:34:10,883
WHATEVER IS THE MATTER
WITH YOU TWO?
781
00:34:10,924 --> 00:34:12,801
C.J. THINKS
I'M A SLUT.
782
00:34:12,843 --> 00:34:13,969
I DO NOT.
783
00:34:14,011 --> 00:34:16,221
WHY WOULD YOU THINK
SUCH A THING, JENNIFER?
784
00:34:16,262 --> 00:34:17,764
BECAUSE HE
PRETTY MUCH SAID SO.
785
00:34:17,806 --> 00:34:19,140
NO, I DIDN'T.
786
00:34:19,182 --> 00:34:22,143
WELL, C.J.,
WHY DO YOU THINK
JENNIFER FEELS THIS WAY?
787
00:34:22,185 --> 00:34:24,855
WELL, SHE SEEMED
TO LIKE HAVING SEX
788
00:34:24,897 --> 00:34:27,190
RIGHT UP UNTIL
THE MOMENT SHE STARTED
HAVING SEX WITH ME.
789
00:34:27,232 --> 00:34:29,150
THAT'S NOT TRUE.
790
00:34:29,192 --> 00:34:30,777
I SEE THE PROBLEM HERE.
791
00:34:30,819 --> 00:34:32,362
YOU DO?
MMM.
792
00:34:32,404 --> 00:34:36,033
C.J., JENNIFER
IS ATTEMPTING
793
00:34:36,074 --> 00:34:39,244
FOR THE VERY FIRST TIME
IN HER YOUNG LIFE
794
00:34:39,285 --> 00:34:42,372
TO HAVE A FULL, WELL-ROUNDED
RELATIONSHIP WITH A BOY.
795
00:34:42,414 --> 00:34:44,416
AND, JENNIFER,
796
00:34:44,457 --> 00:34:48,127
C.J.'s PROBLEM
IS THAT HE, LIKE
797
00:34:48,169 --> 00:34:50,380
ANY YOUNG MAN
OF PURE HEART
AND GOOD INTENTION,
798
00:34:50,422 --> 00:34:51,631
IS WORRIED
799
00:34:51,673 --> 00:34:54,384
THAT YOU WILL ALWAYS
BE MORE ATTRACTED
800
00:34:54,426 --> 00:34:56,344
TO THE RAKES
OF THIS WORLD.
801
00:34:56,386 --> 00:34:58,013
WELL, YOU CAN TELL C.J.
802
00:34:58,055 --> 00:35:00,682
THAT NICE PECS
AND A GOOD 6-PACK
ONLY GO SO FAR.
803
00:35:02,434 --> 00:35:04,185
AND YOU CAN TELL JENNIFER
THAT WHAT SHE JUST SAID
804
00:35:04,227 --> 00:35:06,479
DIDN'T MAKE ME FEEL
THE SLIGHTEST BIT BETTER.
805
00:35:06,521 --> 00:35:09,190
I HAVE NICE PECS.
806
00:35:10,275 --> 00:35:11,818
JENNIFER?
807
00:35:11,860 --> 00:35:13,486
YOU CAN TELL C.J.
808
00:35:13,528 --> 00:35:15,447
THAT THE BEST SEX
THAT I'VE EVER HAD
IN MY LIFE
809
00:35:15,488 --> 00:35:16,615
HAS BEEN WITH HIM.
810
00:35:20,911 --> 00:35:21,954
THAT'LL DO.
811
00:35:27,709 --> 00:35:29,711
YOU CAN TELL JEN THAT...
812
00:35:29,753 --> 00:35:32,297
I'M SORRY IF
I MADE HER FEEL BAD...
813
00:35:32,338 --> 00:35:35,675
AND...THAT I WAS
NEVER INSINUATING
814
00:35:35,717 --> 00:35:38,428
THAT SHE'D BE
OF QUESTIONABLE MORALITY.
815
00:35:39,638 --> 00:35:41,139
AND THAT I WILL
SNUGGLE WITH HER
816
00:35:41,180 --> 00:35:42,849
ANYTIME SHE WANTS.
817
00:35:47,353 --> 00:35:50,649
WELL. I THINK
MY WORK IS DONE HERE.
818
00:35:50,690 --> 00:35:53,568
I HAVE PEACE TO BROKER
ELSEWHERE IN BEANTOWN.
819
00:35:57,697 --> 00:35:59,282
I'M SO SORRY.
820
00:35:59,324 --> 00:36:02,494
NO. NO. I'M SORRY.
821
00:36:02,535 --> 00:36:04,496
BUT I'M NOT SORRY
ABOUT WANTIN'
TO HAVE SEX WITH YOU.
822
00:36:04,537 --> 00:36:05,664
I MEAN, THAT'S
JUST HOW IT IS.
823
00:36:05,705 --> 00:36:06,790
THAT'S HOW
IT'S ALWAYS GONNA BE.
824
00:36:06,832 --> 00:36:08,750
YOU PROMISE?
825
00:36:08,792 --> 00:36:11,169
OH, I PROMISE.
826
00:36:12,129 --> 00:36:13,922
OOH.
827
00:36:13,964 --> 00:36:15,966
I THINK
I'M IN THE MOOD.
828
00:36:17,216 --> 00:36:18,885
IN THE MOOD FOR WHAT?
829
00:36:19,845 --> 00:36:21,888
NO,
IT JUST PASSED.
NO.
830
00:36:21,930 --> 00:36:24,516
N--I--UH...
I'M JUST KIDDIN'.
831
00:36:26,143 --> 00:36:27,477
SHALL WE, THEN?
832
00:36:37,612 --> 00:36:40,323
WELL, I THINK WE'RE
IN PRETTY GOOD SHAPE HERE.
833
00:36:40,365 --> 00:36:42,742
JUST MAKE SURE...
834
00:36:42,784 --> 00:36:43,910
THAT THE FIRE
835
00:36:43,952 --> 00:36:45,704
AT THE STRIP CLUB
IS SPECTACULAR.
I MEAN--
836
00:36:45,745 --> 00:36:47,413
WHOOSH! ALL RIGHT?
837
00:36:47,455 --> 00:36:49,916
NOW, HAVE YOU, UH...
THOUGHT ABOUT A TITLE,
DAWSON?
838
00:36:51,292 --> 00:36:52,460
A TI--UH, NO.
839
00:36:52,502 --> 00:36:53,879
I HAVEN'T,
ACTUALLY.
840
00:36:53,920 --> 00:36:54,921
I GOT ONE
FOR YOU.
841
00:36:54,963 --> 00:36:57,174
SUNSET STRIPPED.
842
00:36:58,424 --> 00:36:59,718
SUNSET STRIPPED.
843
00:36:59,759 --> 00:37:00,886
WHAT DO YOU THINK?
844
00:37:00,927 --> 00:37:03,180
I...UM...
845
00:37:03,221 --> 00:37:05,140
THINK IT'S VERY CLEVER.
846
00:37:05,182 --> 00:37:07,350
ECONOMICAL...
847
00:37:07,392 --> 00:37:08,810
YEAH, WORKS WELL.
848
00:37:08,852 --> 00:37:10,979
UH, YOU KNOW, BEIN'
THAT HER--HER NAME
IS SUNSET.
849
00:37:11,021 --> 00:37:13,148
AND I THINK IT'LL HELP
WITH THE FOREIGN, TOO.
850
00:37:13,190 --> 00:37:14,941
WHICH REMINDS ME--
851
00:37:14,983 --> 00:37:17,777
A MINIMUM OF 3
NUDE SCENES, PLEASE?
852
00:37:17,819 --> 00:37:20,530
THAT'S NOT
INCLUDING THE SCENES
IN THE STRIP BAR.
853
00:37:20,572 --> 00:37:23,116
I WANT THIS PICTURE
TO BE WALL-TO-WALL
BOOBS.
854
00:37:23,158 --> 00:37:25,410
OK?
855
00:37:25,451 --> 00:37:27,453
THIS IS GONNA BE
A VERY GOOD PICTURE.
856
00:37:27,495 --> 00:37:29,748
MY FRIENDS, THANK YOU.
THAT'S IT. CONGRATS
857
00:37:29,789 --> 00:37:30,916
ON A GREAT MEETING.
858
00:37:34,211 --> 00:37:35,545
ATTAGIRL.
859
00:37:35,587 --> 00:37:37,923
VERY GOOD.
GOOD WORK.
860
00:37:39,257 --> 00:37:41,843
LET'S GO.
NICE GOIN', EVERYBODY.
861
00:37:41,885 --> 00:37:43,929
YOU KNOW WHAT?
UM, EXCUSE ME.
I'M SORRY.
862
00:37:46,848 --> 00:37:48,934
WELL, WHAT IS IT?
OUT WITH IT.
863
00:37:48,975 --> 00:37:50,643
I CAME IN HERE
THE OTHER DAY
864
00:37:50,685 --> 00:37:52,687
BECAUSE I WANTED
TO TELL A STORY
865
00:37:52,729 --> 00:37:54,773
ABOUT...
SOMETHING SMALL,
SOMETHING PERSONAL,
866
00:37:54,814 --> 00:37:58,193
SOMETHING I'VE BEEN...
TRYIN' TO FIGURE OUT
FOR QUITE SOME TIME.
867
00:37:58,235 --> 00:38:00,862
I WANTED TO WRITE
ABOUT GROWING UP...
868
00:38:00,904 --> 00:38:03,073
AND WHY IT'S
SO HARD. AND...
869
00:38:03,115 --> 00:38:04,908
I WANTED
TO WRITE ABOUT
FALLING IN LOVE
870
00:38:04,950 --> 00:38:08,369
AND WHY IT CAN'T LAST,
BUT AT THE SAME TIME,
HOW IT LASTS FOREVER.
871
00:38:10,038 --> 00:38:12,249
AND SOMEHOW,
THAT GOT TWISTED
INTO A STORY
872
00:38:12,290 --> 00:38:13,208
ABOUT A STRIPPER.
873
00:38:14,793 --> 00:38:16,253
I--I GUESS
WHAT I'M TRYIN'
TO SAY IS,
874
00:38:16,294 --> 00:38:17,879
I CAN'T DO THIS.
875
00:38:17,921 --> 00:38:19,839
I APPRECIATE
THE--THE OFFER
876
00:38:19,881 --> 00:38:22,383
AND THE CONFIDENCE...
BUT...
877
00:38:22,425 --> 00:38:24,719
I JUST
WOULDN'T FEEL RIGHT
TAKING YOUR MONEY.
878
00:38:24,761 --> 00:38:27,264
ARE YOU
ABSOLUTELY SURE
ABOUT THIS?
879
00:38:30,600 --> 00:38:33,979
YEAH. YEAH, I AM.
880
00:38:35,313 --> 00:38:37,232
ALL RIGHT, PUT TOGETHER
A DIRECTORS LIST.
881
00:38:37,274 --> 00:38:39,025
I WANT TO GET
SOMEBODY ON THIS
BY THE END OF THE WEEK.
882
00:38:40,359 --> 00:38:43,071
NICE KNOWIN' YOU, KID.
THE BEST OF LUCK
TO YOU, HUH?
883
00:38:47,492 --> 00:38:48,701
ALL RIGHT.
884
00:38:48,743 --> 00:38:51,412
HERE. GOT SOMEBODY
HERE IN MIND.
885
00:38:54,707 --> 00:38:57,002
THIS IS SOMEBODY
WE COULD CALL.
886
00:39:00,964 --> 00:39:03,175
HEY, MR. WITTER.
WHAT CAN I GET YOU?
887
00:39:03,216 --> 00:39:06,094
OH, NOTHING, ACTUALLY.
I'M KINDA PARTIAL
TO THIS JACKET.
888
00:39:06,136 --> 00:39:08,638
NOT THE BEST
OF FIRST DAYS,
I'LL ADMIT.
889
00:39:08,680 --> 00:39:09,639
NO.
890
00:39:09,681 --> 00:39:10,890
BUT I'M
OF THE OPINION
891
00:39:10,932 --> 00:39:12,350
THAT SOME WORLDS
SHOULD NEVER
COLLIDE.
892
00:39:12,391 --> 00:39:14,186
PLUS, HOW ARE YOU
EVER GONNA TAKE ME
SERIOUSLY--
893
00:39:14,227 --> 00:39:15,228
I GOT IT--
NOW THAT YOU KNOW
894
00:39:15,270 --> 00:39:16,229
THE GUYS
CALL ME WITLESS?
895
00:39:16,271 --> 00:39:18,023
YEAH, AND
MY WHOLE JEALOUSY ACT
896
00:39:18,064 --> 00:39:20,399
REALLY DIDN'T SHOWCASE
MY BEST FEATURES.
897
00:39:20,441 --> 00:39:22,610
ACTUALLY, YOU KNOW,
I KINDA LIKED THAT PART.
898
00:39:22,652 --> 00:39:25,571
YOU WERE JUST HOPING
SHE AND I WOULD WRESTLE.
899
00:39:25,613 --> 00:39:27,991
WHAT KIND OF MAN
DO YOU TAKE
ME FOR?
900
00:39:28,033 --> 00:39:31,077
I GUESS I'M
JUST NOT USED
TO OFFICE COMBAT.
901
00:39:31,119 --> 00:39:33,412
I'M MORE
OF A DRUNK
WRANGLER.
902
00:39:33,454 --> 00:39:35,790
THAT'S GOOD NEWS,
ACTUALLY, BECAUSE
I WANTED TO TELL YOU,
903
00:39:35,832 --> 00:39:36,875
DON'T QUIT
YOUR NIGHT JOB.
904
00:39:36,916 --> 00:39:39,294
WHAT DO YOU MEAN?
905
00:39:39,336 --> 00:39:41,296
WELL, I MEAN
THAT UNDER NO CIRCUMSTANCES
906
00:39:41,338 --> 00:39:43,089
DO I EVER WANT TO SEE YOU
IN MY PLACE OF WORK AGAIN,
907
00:39:43,131 --> 00:39:45,050
REGARDLESS OF HOW HOT
YOU LOOK IN PINSTRIPES.
908
00:39:47,886 --> 00:39:49,428
YOU'RE FIRING ME?
909
00:39:49,470 --> 00:39:52,807
Y-YEAH, BUT, I MEAN,
C-CAN YOU THINK OF
ANY BETTER SOLUTION?
910
00:39:52,849 --> 00:39:54,726
IS THIS BECAUSE
OF THE WHOLE COFFEE
THING, PACEY?
911
00:39:54,767 --> 00:39:56,853
BECAUSE I CAN
MAKE COFFEE.
912
00:39:56,895 --> 00:39:58,230
AND I CAN SERVE IT
AND EVERYTHING.
913
00:39:58,271 --> 00:40:00,023
I'M NOTHING IF NOT
A PROFESSIONAL
SERVER.
914
00:40:00,065 --> 00:40:01,774
IT'S NOT ABOUT
THE COFFEE THING.
915
00:40:01,816 --> 00:40:03,109
OK?
916
00:40:03,151 --> 00:40:04,903
THEN WHAT'S IT ABOUT?
917
00:40:04,944 --> 00:40:08,573
JO, HOW CAN YOU
EXPECT ME TO CONCENTRATE
IF YOU'RE AROUND ALL DAY?
918
00:40:08,614 --> 00:40:11,576
AM I REALLY THAT MUCH
OF A DISTRACTION, PACEY?
919
00:40:11,617 --> 00:40:15,205
I MEAN, MY DESK IS
OUTSIDE OF YOUR OFFICE.
YOU CAN'T EVEN SEE ME.
920
00:40:15,247 --> 00:40:18,166
BUT I KNOW YOU'RE THERE.
AND I WOULD NOT HAVE COME
AS FAR AS I HAVE
921
00:40:18,208 --> 00:40:20,168
IF YOU WERE
5 FEET AWAY FROM ME
ALL THE TIME.
922
00:40:20,210 --> 00:40:21,961
I JUST WOULDN'T.
TRUST ME.
923
00:40:22,003 --> 00:40:23,963
REALLY?
924
00:40:24,005 --> 00:40:25,506
AND WHY IS THAT?
925
00:40:28,467 --> 00:40:29,969
OK, NOW YOU'RE
JUST MILKIN' THIS
926
00:40:30,011 --> 00:40:31,888
FOR ALL IT'S WORTH,
AREN'T YOU?
927
00:40:33,098 --> 00:40:34,891
FINE.
928
00:40:34,933 --> 00:40:36,601
I WOULDN'T HAVE BEEN
ABLE TO CONCENTRATE
929
00:40:36,642 --> 00:40:38,644
BECAUSE EVERY TIME
YOU'RE 5 FEET AWAY FROM ME
930
00:40:38,686 --> 00:40:41,981
OR 25 FEET
AWAY FROM ME,
FOR THAT MATTER...
931
00:40:42,023 --> 00:40:44,859
THERE'S REALLY ONLY ONE THING
THAT I WANT TO DO.
932
00:40:44,901 --> 00:40:47,237
DO TELL.
933
00:41:09,717 --> 00:41:12,137
I'M SORRY, MR. WITTER.
I DON'T THINK I CAN
WORK FOR YOU ANYMORE.
934
00:41:17,100 --> 00:41:19,185
FINE. JUST REMEMBER
THAT I FIRED YOU.
935
00:41:19,227 --> 00:41:20,853
NO, NO. I QUIT.
936
00:41:21,854 --> 00:41:23,856
YOU HAVE TO LET ME
KEEP MY DIGNITY.
937
00:41:23,898 --> 00:41:26,025
OK, BUT
IF I FIRE YOU,
938
00:41:26,067 --> 00:41:28,236
THEN YOU GET
SEVERANCE PAY.
939
00:41:28,278 --> 00:41:30,071
OH.
940
00:41:30,113 --> 00:41:33,658
WELL, JUST REMEMBER,
YOU'LL NEVER FIND
ANOTHER GIRL LIKE ME.
941
00:41:33,699 --> 00:41:36,869
I PREFER TO THINK
OF MY SECRETARIES
AS WOMEN, BUT OK.
942
00:41:36,911 --> 00:41:38,871
WELL, ENOUGH OF THAT.
I THINK WE CAN
BOTH AGREE
943
00:41:38,913 --> 00:41:40,457
THAT THIS WASN'T
THE BEST IDEA.
944
00:41:40,498 --> 00:41:42,041
NO DOUBT.
945
00:41:42,083 --> 00:41:44,085
MY CURRENT THINKING
IS THAT RELATIONSHIPS
946
00:41:44,127 --> 00:41:46,838
MAKE TERRIBLE PLATFORMS
FOR MULTI-TASKING.
947
00:41:46,879 --> 00:41:49,007
PITY, THAT.
I WAS LOOKING FORWARD
948
00:41:49,048 --> 00:41:51,050
TO SEEING YOU
ON A REGULAR BASIS.
949
00:41:52,635 --> 00:41:55,221
WE'LL JUST HAVE TO MAKE
A POINT TO MAKE MORE TIME,
THEN, WON'T WE?
950
00:41:57,849 --> 00:41:59,142
YOU ALMOST DONE
HERE?
951
00:42:00,852 --> 00:42:03,313
I JUST HAVE TO
CLOSE UP THE REGISTER.
952
00:42:03,355 --> 00:42:06,316
WELL...THAT'S EXCELLENT,
'CAUSE, YOU KNOW,
I WAS THINKING...
953
00:42:06,358 --> 00:42:08,651
I JUST HAPPEN TO LIVE
RIGHT ACROSS THE STREET.
954
00:42:08,693 --> 00:42:10,862
I WAS THINKING
THAT, TOO.
955
00:42:10,903 --> 00:42:12,364
REALLY.
WHAT A COINCIDENCE.
956
00:42:12,405 --> 00:42:13,698
I'LL BE RIGHT THERE.
957
00:42:13,739 --> 00:42:15,033
I'LL SEE YOU SOON.
958
00:42:17,743 --> 00:42:19,454
HEY. YOU DON'T THINK
THERE'S ANY CHANCE
959
00:42:19,496 --> 00:42:21,373
YOU MIGHT BE WILLING
TO WEAR THAT SECRETARY'S
OUTFIT--
960
00:42:21,414 --> 00:42:23,458
YOU HAD YOUR CHANCE.
961
00:42:24,834 --> 00:42:26,836
WE'LL TALK
ABOUT THAT LATER.
EXCUSE ME.
962
00:42:35,387 --> 00:42:37,055
HEY.
963
00:42:41,434 --> 00:42:42,643
EDDIE.