1
00:00:16,725 --> 00:00:19,812
EDDIE...WHAT THE HELL
ARE YOU DOING HERE?
2
00:00:19,854 --> 00:00:20,980
RIGHT. UM--
3
00:00:21,062 --> 00:00:22,731
WHAT HAPPENED
TO CALIFORNIA?
4
00:00:22,773 --> 00:00:24,232
WELL, IT'S STILL THERE.
5
00:00:24,274 --> 00:00:26,067
YOU KNOW, I JUST KINDA
LEFT FOR A WHILE.
6
00:00:26,109 --> 00:00:27,277
AND WHAT HAPPENED
TO SCHOOL?
7
00:00:27,319 --> 00:00:28,821
AGAIN, STILL THERE.
8
00:00:28,863 --> 00:00:30,572
STILL STANDING WITHOUT
ME AND EVERYTHING.
9
00:00:30,614 --> 00:00:31,866
IT'S HARD TO
BELIEVE, I KNOW.
10
00:00:33,116 --> 00:00:35,911
LOOK, I START
IN THE FALL.
11
00:00:35,953 --> 00:00:38,622
EVERYTHING WORKED OUT, JO.
EVERYTHING, JO.
12
00:00:38,664 --> 00:00:40,666
I MEAN, I HAD THIS
INTERVIEW, RIGHT?
13
00:00:40,708 --> 00:00:43,168
AND I DIDN'T STUTTER
OR STUMBLE OR THROW UP
OR ANYTHING,
14
00:00:43,210 --> 00:00:44,169
AND THEY LOVED
MY WRITING,
15
00:00:44,211 --> 00:00:46,338
WHICH IS JUST
TOTALLY, LIKE, SURREAL
16
00:00:46,380 --> 00:00:50,300
BECAUSE NO ONE
HAS EVER LOVED
ANYTHING I'VE DONE.
17
00:00:51,510 --> 00:00:52,720
EXCEPT FOR YOU.
18
00:00:52,761 --> 00:00:56,515
WHICH IS WHY I'M HERE.
19
00:00:56,557 --> 00:00:59,935
I WANTED TO SAY
THANK YOU.
20
00:00:59,977 --> 00:01:03,564
BECAUSE YOU KNEW
I COULD DO IT,
AND I HAD NO IDEA.
21
00:01:05,315 --> 00:01:08,777
YOU KNOW, JO, IT'S NOT
JUST BECAUSE I DIDN'T
THINK I COULD DO IT.
22
00:01:08,819 --> 00:01:11,989
IT'S BECAUSE I DIDN'T
SEE THE WORLD THAT WAY.
23
00:01:12,031 --> 00:01:13,782
YOU KNOW? IT'S A PLACE
WHERE PEOPLE GET SECOND
24
00:01:13,824 --> 00:01:17,285
AND THIRD AND FOURTH
CHANCES TO MAKE
SOMETHING OF THEMSELVES.
25
00:01:18,412 --> 00:01:20,205
OR AS
A PLACE WHERE...
26
00:01:20,247 --> 00:01:23,792
YOU CAN BE A COWARD,
27
00:01:23,834 --> 00:01:27,671
AND HURT SOMEONE. HEY.
28
00:01:27,713 --> 00:01:31,884
BUT THEY STILL HAVE
THE DECENCY TO SEE
THE DECENCY IN YOU.
29
00:01:33,134 --> 00:01:34,929
AND, JOEY,
30
00:01:34,970 --> 00:01:38,599
YOU ARE THE MOST
DECENT PERSON I KNOW.
31
00:01:38,640 --> 00:01:41,769
AND YOU HAVE
INCREDIBLE EYES
32
00:01:41,810 --> 00:01:44,521
AND THE SEXIEST VOICE
33
00:01:44,563 --> 00:01:46,774
AND A SMILE
THAT BREAKS MY HEART.
34
00:01:47,858 --> 00:01:49,610
AND IF I'M GONNA
BE A WRITER,
35
00:01:49,651 --> 00:01:52,821
I NEED SOMEONE
LIKE THAT AROUND.
36
00:01:54,990 --> 00:01:58,827
I NEED YOU AROUND.
37
00:01:58,869 --> 00:02:00,955
WHAT DO YOU SAY?
38
00:02:07,461 --> 00:02:11,799
NO.
39
00:02:13,383 --> 00:02:16,386
WELL, THAT'S NOT
THE ANSWER THAT I'M
LOOKING FOR, REALLY.
40
00:02:16,428 --> 00:02:19,848
EDDIE, YOU WALKED AWAY.
41
00:02:19,890 --> 00:02:21,475
I CAME BACK.
42
00:02:24,853 --> 00:02:26,605
I MOVED ON.
43
00:02:32,069 --> 00:02:34,571
OH.
44
00:02:37,491 --> 00:02:38,909
OK.
45
00:02:41,078 --> 00:02:43,497
IF THAT'S HOW
YOU FEEL, THEN...
46
00:02:43,538 --> 00:02:46,291
OK, I UNDERSTAND.
47
00:02:46,333 --> 00:02:48,752
I DO.
48
00:02:48,794 --> 00:02:51,922
I GUESS I'LL BE
SEEING YOU, JOEY.
49
00:02:53,548 --> 00:02:55,509
I'M SORRY.
50
00:03:58,947 --> 00:04:02,450
BRUTAL. DO NOT
LET YOUR ENEMIES HAVE
ACCESS TO THIS CLOSET.
51
00:04:03,702 --> 00:04:04,870
TELL ME
THIS WAS PURCHASED
52
00:04:04,912 --> 00:04:07,622
FOR SOME SORT OF HALLOWEEN
CHURCH LADY COSTUME.
53
00:04:07,664 --> 00:04:09,750
IT LOOKS
MUCH BETTER ON.
54
00:04:09,791 --> 00:04:12,044
KEEP TELLING
YOURSELF THAT, SWEETIE.
55
00:04:12,086 --> 00:04:14,379
YOU KNOW, PERHAPS
YOU'D LIKE TO FOCUS
ON THE TASK AT HAND
56
00:04:14,421 --> 00:04:17,174
SO YOU CAN HURRY UP
AND GO AND LEAVE ME
TO MY WORK.
57
00:04:17,216 --> 00:04:19,843
IF YOU'RE GONNA BE
CHAPERONING MY SEMI-FORMAL,
58
00:04:19,885 --> 00:04:23,805
I NEED YOU TO
WEAR SOMETHING
THAT'S MODERATELY HIP
59
00:04:23,847 --> 00:04:25,807
SO I DON'T
LOOK LIKE A FREAK
ASSOCIATING WITH YOU.
60
00:04:25,849 --> 00:04:28,936
NOT LIKE SULTRY,
OLDER WOMAN SEXY.
61
00:04:28,977 --> 00:04:31,146
WHAT AM I SAYING?
62
00:04:31,188 --> 00:04:32,814
I'D NEVER FIND
ANYTHING LIKE THAT
IN THIS CLOSET.
63
00:04:32,856 --> 00:04:35,067
DID I ACTUALLY
AGREE TO THIS?
64
00:04:36,317 --> 00:04:38,277
OH, THAT'S AUDREY'S.
65
00:04:38,319 --> 00:04:40,030
I COULD BORROW IT.
66
00:04:40,072 --> 00:04:42,116
NO WAY.
67
00:04:42,157 --> 00:04:44,076
YOU NEED TO LOOK GOOD,
BUT NOT TOO GOOD.
68
00:04:44,118 --> 00:04:46,453
THE MEN AT MILTON ARE
WEAK OF CONSTITUTION
69
00:04:46,494 --> 00:04:49,039
AND HIGHLY SUSCEPTIBLE
TO THE WILES OF
THE OLDER WOMAN.
70
00:04:49,081 --> 00:04:50,999
SO, SEEING AS
IT'S MY NIGHT,
71
00:04:51,041 --> 00:04:53,835
AND MY FAIR-WEATHER,
JACK-OF-NO-TRADES,
BOYFRIEND PATRICK
72
00:04:53,877 --> 00:04:55,294
IS GOING TO BE THERE,
73
00:04:55,336 --> 00:04:57,923
AND HE HAS SOME SORT OF
UNHOLY ATTACHMENT TO YOU,
74
00:04:57,965 --> 00:05:00,259
WE'RE GONNA KEEP
YOUR WILES COVERED.
75
00:05:00,300 --> 00:05:02,677
UNDER...
76
00:05:02,719 --> 00:05:05,889
THIS LOVELY
SUBDUED DRESS.
77
00:05:07,682 --> 00:05:10,310
EW! WHAT
IS THIS, RAYON?
78
00:05:10,351 --> 00:05:12,771
IT'S SILK.
79
00:05:12,813 --> 00:05:14,231
BLEND.
80
00:05:15,690 --> 00:05:17,651
IT'S PERFECT.
81
00:05:17,692 --> 00:05:19,027
NOT TOO PERFECT.
82
00:05:20,279 --> 00:05:22,072
HARLEY, LOOK,
83
00:05:22,114 --> 00:05:23,991
I SWEAR TO KEEP MY
MRS. ROBINSON CLAWS
84
00:05:24,032 --> 00:05:25,533
OFF YOUR BOYFRIEND.
85
00:05:25,575 --> 00:05:28,078
BUT CAN YOU GO?
I HAVE A LOT
OF WORK TO DO.
86
00:05:28,120 --> 00:05:30,789
YEAH, BUT DO YOU THINK
I SHOULD GO PASTIES
OR STRAPLESS?
87
00:05:30,831 --> 00:05:33,125
NEITHER!
I'M CONSIDERING
88
00:05:33,167 --> 00:05:35,418
INVESTING IN
A CHASTITY BELT
FOR YOU.
89
00:05:35,460 --> 00:05:37,004
PUSHING YOUR
BUTTONS, POTTER.
90
00:05:37,045 --> 00:05:38,505
OUT.
91
00:05:38,546 --> 00:05:39,673
I'M OUT.
92
00:05:40,757 --> 00:05:44,303
OH. HEH!
I LOOK RIDICULOUS.
93
00:05:44,343 --> 00:05:48,431
NO, YOU DON'T.
YOU LOOK BEAUTIFUL
AND GLOWING.
94
00:05:48,473 --> 00:05:50,934
AND DEFINITELY LIKE
YOU JUST PARTOOK
OF YOUR BOYFRIEND.
95
00:05:51,893 --> 00:05:53,812
GREAT.
MM-HMM.
96
00:05:58,608 --> 00:06:00,902
AND ALL THE MORE
BEAUTIFUL FOR IT.
97
00:06:04,323 --> 00:06:06,449
YOU LINDLEY WOMEN
ARE SOMETHING ELSE.
98
00:06:06,491 --> 00:06:08,994
YOU KNOW, GRAMS
BROKE UNCLE BILL'S HEART.
99
00:06:09,036 --> 00:06:11,121
THAT MAN IS
A SHELL OF HIMSELF.
100
00:06:11,163 --> 00:06:12,539
CAN'T EVEN WATCH
WHEEL OF FORTUNE ANYMORE
101
00:06:12,580 --> 00:06:14,166
BECAUSE VANNA WHITE REMINDS
HIM OF HIS DEVASTATION.
102
00:06:14,208 --> 00:06:16,043
MY GRAMS,
THE BLACK WIDOW.
WHO KNEW?
103
00:06:18,212 --> 00:06:20,214
ALL RIGHT.
I SHOULD GO.
104
00:06:20,255 --> 00:06:21,756
NO, YOU SHOULDN'T.
105
00:06:21,798 --> 00:06:23,550
NO.
106
00:06:23,591 --> 00:06:25,177
YOU'RE THE ONE
WHO MADE ME
GET OUT OF BED.
107
00:06:25,219 --> 00:06:28,180
I KNOW, BUT
I'M WOMAN ENOUGH TO ADMIT
WHEN I'VE MADE A MISTAKE.
108
00:06:32,475 --> 00:06:33,518
YEAH, YOU SHOULD GO.
109
00:06:33,560 --> 00:06:34,728
MM-HMM.
110
00:06:34,769 --> 00:06:36,437
OH, GOD.
YOU GOTTA GO.
111
00:06:36,479 --> 00:06:38,481
YEAH.
112
00:06:38,523 --> 00:06:39,983
ALL RIGHT.
WELL, UM...
113
00:06:40,025 --> 00:06:41,735
LOOK, I'LL SEE
WHAT I CAN FIND OUT
ABOUT GRAMS.
114
00:06:41,776 --> 00:06:42,736
OK.
115
00:06:42,777 --> 00:06:44,154
I'LL CALL YOU
LATER.
116
00:06:44,196 --> 00:06:45,322
OK.
117
00:06:45,364 --> 00:06:46,614
LATER.
118
00:06:46,656 --> 00:06:47,782
BYE.
119
00:07:07,969 --> 00:07:09,012
HELLO?
120
00:07:09,054 --> 00:07:11,514
HI. IS THIS
POTTER'S HOUSE OF PAIN?
121
00:07:11,556 --> 00:07:14,142
THIS IS MISTRESS
JOEY SPEAKING.
122
00:07:14,184 --> 00:07:17,062
I'M GLAD I CAUGHT YOU.
I THOUGHT YOU MIGHT HAVE
GONE OUT OF BUSINESS.
123
00:07:17,104 --> 00:07:18,855
I WAS EXPECTING YOU
LAST NIGHT.
124
00:07:18,897 --> 00:07:21,066
YEAH, I, UM...
125
00:07:21,108 --> 00:07:23,526
YOU KNOW, I FINISHED
UP AT THE BAR,
126
00:07:23,568 --> 00:07:26,321
AND I WAS JUST
EXHAUSTED, AND...
127
00:07:26,363 --> 00:07:28,282
NO ENERGY LEFT
FOR THE NAUGHTY
STOCKBROKERS.
128
00:07:28,323 --> 00:07:29,448
THAT'S OK.
I UNDERSTAND.
129
00:07:29,490 --> 00:07:30,909
I WAS KIND OF TUCKERED OUT
MYSELF LAST NIGHT.
130
00:07:30,951 --> 00:07:32,286
LOOK, HERE'S
WHAT I'M THINKING.
131
00:07:32,327 --> 00:07:34,704
LAST NIGHT, WE WERE
VERY OLD PEOPLE.
132
00:07:34,746 --> 00:07:36,790
BUT TONIGHT, LET'S
AT LEAST PRETEND LIKE
WE'RE YOUNG PEOPLE.
133
00:07:36,831 --> 00:07:40,294
GO OUT LATE,
STUMBLE HOME VERY LATE.
WHAT DO YOU SAY?
134
00:07:40,335 --> 00:07:42,087
I HAVE PLANS.
135
00:07:42,963 --> 00:07:44,464
NO.
136
00:07:44,505 --> 00:07:47,801
YEAH. I PROMISED HARLEY
I'D DO HER A FAVOR.
137
00:07:47,842 --> 00:07:50,053
WHAT EXACTLY
DOES ROSEMARY'S
BABY WANT?
138
00:07:50,095 --> 00:07:53,265
SHE WANTS ME TO CHAPERONE
THE MILTON SEMI-FORMAL.
139
00:07:53,307 --> 00:07:55,434
WOULD THAT
INVOLVE YOU
BEING IN A DRESS?
140
00:07:55,474 --> 00:07:56,893
MM-HMM.
141
00:07:56,935 --> 00:07:58,186
AND HEELS?
142
00:07:58,228 --> 00:08:00,105
POSSIBLY.
143
00:08:00,147 --> 00:08:01,898
WELL, OK.
CONSIDER MY ARM TWISTED.
I'LL BE THERE.
144
00:08:01,940 --> 00:08:04,234
WHAT?
I MEAN, REALLY?
145
00:08:04,276 --> 00:08:07,446
IT'S...IT'S
A FRIDAY NIGHT.
ARE YOU SURE?
146
00:08:07,486 --> 00:08:10,031
I'M SURE AS RAIN.
147
00:08:10,073 --> 00:08:13,452
GREAT. UM, MEET ME
HERE AT 6:00.
148
00:08:13,493 --> 00:08:14,453
I'LL SEE YOU THERE.
149
00:08:14,494 --> 00:08:15,787
SHOE SHINED
AND SUIT PRESSED.
150
00:08:18,873 --> 00:08:19,916
PACEY WITTER.
151
00:08:19,958 --> 00:08:22,294
DAWSON! HI!
152
00:08:22,336 --> 00:08:24,503
WELCOME TO THE DREAM
MACHINE, MY FRIEND.
153
00:08:26,089 --> 00:08:27,174
CAN YOU SMELL
THE MONEY GROWING?
154
00:08:27,215 --> 00:08:29,843
UH, IF IT SMELLS
LIKE DRAKAR NOIR,
155
00:08:29,884 --> 00:08:31,886
THEN YEAH, BIG TIME.
156
00:08:31,928 --> 00:08:33,680
WHAT ARE YOU
DOING HERE?
157
00:08:37,851 --> 00:08:39,019
WHAT'S THIS?
158
00:08:39,060 --> 00:08:41,896
IT'S ALL THE MONEY
I SAVED WORKING
WITH TODD.
159
00:08:41,938 --> 00:08:43,564
I NEED YOU
TO MAKE IT GROW.
160
00:08:45,359 --> 00:08:46,943
YOU NEED TO SLOW DOWN
FOR JUST A SECOND--
161
00:08:46,985 --> 00:08:49,404
TRANSFORM THAT INTO
A RESPECTABLE BUDGET
FOR AN INDIE FILM.
162
00:08:49,446 --> 00:08:50,947
COMING OF AGE STORY.
NO SPECIAL EFFECTS,
163
00:08:50,989 --> 00:08:53,033
ALTHOUGH I MIGHT NEED
A SLUMMING A-LIST ACTOR
164
00:08:53,074 --> 00:08:54,284
LOOKING FOR SOME
INDUSTRY CRED.
165
00:08:54,326 --> 00:08:55,576
YOU UP FOR IT?
166
00:08:58,121 --> 00:08:59,706
WOULD YOU MIND
STEPPING INTO MY
OFFICE FOR ONE SEC?
167
00:08:59,747 --> 00:09:01,582
SURE.
168
00:09:05,003 --> 00:09:06,713
YOU KNOW THAT THING
THAT I TOLD YOU
I COULD DO FOR YA?
169
00:09:06,754 --> 00:09:08,423
UH, YEAH.
170
00:09:08,465 --> 00:09:11,510
I WAS ACTUALLY
KIND OF KIDDING.
171
00:09:11,550 --> 00:09:13,636
WELL, BUT,
UH-
172
00:09:13,678 --> 00:09:14,929
THAT'S WHAT YOU
DO FOR A LIVING, RIGHT?
173
00:09:14,971 --> 00:09:15,722
IS INVEST MONEY
FOR OTHER PEOPLE?
174
00:09:15,763 --> 00:09:16,764
SHH. SHH.
175
00:09:16,806 --> 00:09:19,142
TECHNICALLY, YES.
176
00:09:20,268 --> 00:09:21,228
Why are we whispering?
177
00:09:21,269 --> 00:09:22,896
BECAUSE IF THE GUYS
EVER HEARD ME
178
00:09:22,937 --> 00:09:25,232
TURNING DOWN
INVESTMENT MONEY
BASED ON MORAL REASONS,
179
00:09:25,273 --> 00:09:26,983
I WOULD BEPROFESSIONALLY CASTRATED.
180
00:09:27,025 --> 00:09:27,734
WHAT MORAL REASONS?
181
00:09:29,277 --> 00:09:31,071
I HAVEN'T EXACTLY
HAMMERED OUT
182
00:09:31,112 --> 00:09:34,199
MY MIXING FRIENDS AND
BUSINESS POLICY YET.
183
00:09:34,241 --> 00:09:35,992
PACE, I THINK WE'VE
BEEN THROUGH ENOUGH
184
00:09:36,034 --> 00:09:38,036
THAT WE DON'T HAVE TO WORRY
ABOUT IT GETTING AWKWARD.
185
00:09:38,078 --> 00:09:39,496
WELL, YES,
WE'VE CERTAINLY
BEEN THROUGH AWKWARD,
186
00:09:39,538 --> 00:09:40,497
BUT WE'VE
NEVER BEEN THROUGH
187
00:09:40,539 --> 00:09:41,748
"I'M BROKE AND
IT'S ALL YOUR FAULT."
188
00:09:41,789 --> 00:09:43,417
I'M NOT WORRIED.
189
00:09:43,458 --> 00:09:45,335
I KNOW THIS WILL SOUND
DISGUSTINGLY L.A. OF ME,
190
00:09:45,377 --> 00:09:48,963
BUT THIS WHOLE PROJECT
JUST HAS A REALLY GOOD VIBE.
191
00:09:49,005 --> 00:09:51,883
BECAUSE I'M
YOUR FRIEND...
192
00:09:51,925 --> 00:09:54,177
I'M NEVER GONNA TELL
ANYBODY THAT YOU JUST
USED THE WORD "VIBE".
193
00:09:54,219 --> 00:09:57,013
I'M SERIOUS, MAN.
I JUST...
194
00:09:57,055 --> 00:09:59,140
I MADE A DECISION
TO TRUST MY INSTINCTS,
195
00:09:59,182 --> 00:10:01,059
AND EVER SINCE I DID,
EVERYTHING'S BEEN
FALLING INTO PLACE.
196
00:10:01,101 --> 00:10:02,519
I WROTE 20 PAGES
LAST NIGHT.
197
00:10:02,561 --> 00:10:04,938
I COULD BARELY
TYPE FAST ENOUGH
198
00:10:04,979 --> 00:10:06,398
TO KEEP UP WITH THE IDEAS
THAT WERE COMING,
199
00:10:06,440 --> 00:10:08,233
AND I CAN'T WAIT
TO GO HOME AND WRITE MORE.
200
00:10:08,275 --> 00:10:10,444
I MEAN, HONESTLY,
THE ONLY THING
201
00:10:10,485 --> 00:10:13,447
HOLDING ALL THIS UP
RIGHT NOW IS YOU.
202
00:10:25,959 --> 00:10:28,462
GRAMS, GRAMS, GRAMS,
WE GOTTA CHAT.
203
00:10:30,464 --> 00:10:31,923
WHY'D YOU
DROP THE HAMMER
ON UNCLE BILL?
204
00:10:31,965 --> 00:10:34,092
THE MAN IS DISTRAUGHT.
205
00:10:34,134 --> 00:10:39,097
WELL, APPARENTLY,
HE HAS SWORN OFF
WOMEN FOR LIFE.
206
00:10:39,139 --> 00:10:40,890
OF COURSE, IF WE'RE
SPEAKING FRANKLY,
207
00:10:40,932 --> 00:10:42,850
I DON'T KNOW HOW LONG
THAT COULD ACTUALLY BE.
208
00:10:42,892 --> 00:10:44,018
JENNIFER.
209
00:10:44,060 --> 00:10:46,020
YOU KNOW WHAT'S FUNNY,
THOUGH, IS THAT,
210
00:10:46,062 --> 00:10:49,608
WELL, I'M EMBARKING ON
A SOMEWHAT FUNCTIONAL,
211
00:10:49,649 --> 00:10:51,526
POSSIBLY EVEN
FULLY COMMITTED
RELATIONSHIP.
212
00:10:51,568 --> 00:10:54,362
YOU, WHO ARE
2 GENERATIONS MY SENIOR,
213
00:10:54,404 --> 00:10:55,905
ARE BEHAVING LIKE
A FICKLE TEENAGER.
214
00:10:55,947 --> 00:10:57,865
YOU ARE BREAKING HEARTS
LEFT AND RIGHT.
215
00:10:57,907 --> 00:10:59,618
I MOST CERTAINLY
AM NOT.
216
00:11:01,786 --> 00:11:04,122
OK. OUTBURST.
217
00:11:05,957 --> 00:11:08,126
PERHAPS I SHOULD
BE SLIPPING SOME
ST. JOHN'S WORT
218
00:11:08,168 --> 00:11:10,211
INTO YOUR
MORNING METAMUCIL.
219
00:11:38,823 --> 00:11:40,033
HEY.
220
00:11:40,074 --> 00:11:42,035
HI. OH, MY LORD.
221
00:11:42,076 --> 00:11:44,078
YOU ARE WAY TOO HOT
TO BE A CHAPERONE.
222
00:11:44,120 --> 00:11:45,330
I THINK
I'M LIVING OUT
223
00:11:45,372 --> 00:11:47,290
ONE OF MY TEENAGE
FANTASIES RIGHT NOW.
224
00:11:47,332 --> 00:11:49,501
WELL, YOU LOOK
QUITE COMELY YOURSELF.
225
00:11:49,543 --> 00:11:51,503
OH, THIS
OLD THING? NAH.
226
00:11:51,545 --> 00:11:54,088
OK, NOW,
227
00:11:54,130 --> 00:11:57,133
IN ORDER TO MAKE UP FOR
OUR LAST HIGH SCHOOL
DANCE EXPERIENCE,
228
00:11:57,175 --> 00:11:58,677
IN WHICH I DID ACTUALLY
BUY YOU A CORSAGE,
229
00:11:58,717 --> 00:12:00,345
BUT THEN I LET IT WILT
TO A LOVELY SHADE OF BROWN,
230
00:12:00,387 --> 00:12:01,388
I BROUGHT YOU OPTIONS.
231
00:12:01,429 --> 00:12:04,683
IN BOX "A"...
232
00:12:04,723 --> 00:12:07,726
WE HAVE THE CORSAGE
FOR THE FUN-LOVING
AND WHIMSICAL JOEY--
233
00:12:07,768 --> 00:12:09,563
A CARVED RADISH ON
A BED OF BABY CARROTS.
234
00:12:09,604 --> 00:12:13,692
AND THEN, OPTION "B"...
235
00:12:13,732 --> 00:12:16,777
THE CORSAGE
FOR THE CLASSIC AND
SOPHISTICATED JOEY--
236
00:12:16,819 --> 00:12:18,572
ROSES ON A BED
OF BABY'S BREATH,
237
00:12:18,613 --> 00:12:20,574
WHICH HAS A CREEPY NAME
BUT IS A CLASSIC FLOWER.
238
00:12:20,615 --> 00:12:22,909
WELL, IN HONOR
OF THE YOUTH
239
00:12:22,950 --> 00:12:25,161
WITH WHOM WE'LL BE
SHARING THE DANCE FLOOR,
240
00:12:25,203 --> 00:12:26,829
I THINK I'M GONNA
GO WITH OPTION "A."
241
00:12:26,871 --> 00:12:27,955
THE VEGGIES.
242
00:12:27,997 --> 00:12:30,166
ALL RIGHT.
VEGGIES IT IS.
243
00:12:36,339 --> 00:12:37,840
COOL.
244
00:12:37,882 --> 00:12:41,802
AND, IN HONOR
OF THE CLASSY GUY
YOU ARE TONIGHT--
245
00:12:41,844 --> 00:12:42,929
DON'T BE FOOLED.
IT'S JUST A COSTUME.
246
00:12:42,970 --> 00:12:45,139
NO, REALLY.
247
00:12:45,181 --> 00:12:47,475
YOU GET A ROSE.
248
00:12:48,767 --> 00:12:50,687
IT'S PERFECT.
249
00:12:50,729 --> 00:12:52,063
SHALL WE?
250
00:12:56,067 --> 00:12:57,026
THIS'LL BE FUN.
251
00:12:57,068 --> 00:12:59,820
YEAH. A FLASHBACK.
252
00:13:30,017 --> 00:13:31,894
NICE NIGHT.
253
00:13:34,230 --> 00:13:36,775
I JUST LOVE THE SMELL
OF SECRET ANTIPERSPIRANT
IN THE EVENING.
254
00:13:38,234 --> 00:13:40,695
IT HAD TO BE SAID.
255
00:13:44,449 --> 00:13:47,034
THIS WHOLE NIGHT
BITES ALREADY.
256
00:13:47,076 --> 00:13:48,244
I HAVEN'T EVEN
GOTTEN TO THE PART
257
00:13:48,286 --> 00:13:49,704
WHERE MY FRIENDS
SWARM AROUND ME
258
00:13:49,746 --> 00:13:51,956
AND SHRIEK ABOUT
HOW MUCH THEY
LOVE MY DRESS.
259
00:13:51,998 --> 00:13:53,625
HARLEY, YOU'RE
NOT THE FIRST WOMEN
260
00:13:53,667 --> 00:13:54,751
IN THE HISTORY
OF SEMI-FORMALS
261
00:13:54,793 --> 00:13:56,877
TO ACCOMPANY
A NON-DANCING DATE.
262
00:13:56,919 --> 00:13:59,798
MR. WITTER OVER HERE
WAS FAMOUSLY
UNCOOPERATIVE
263
00:13:59,838 --> 00:14:00,715
WHEN IT CAME TO
THE BOOTY SHAKE.
264
00:14:00,757 --> 00:14:01,924
HEY, I DANCED.
265
00:14:01,966 --> 00:14:03,718
UNDER DURESS.
266
00:14:03,760 --> 00:14:05,303
AND HE BROKE UP WITH ME
AT OUR SENIOR PROM,
267
00:14:05,345 --> 00:14:07,806
SO WE NEVER HAD
THE CHANCE TO DANCE
AT OUR OWN PROM.
268
00:14:07,846 --> 00:14:09,766
OK. DIRTY LAUNDRY, JOE.
LET IT GO.
269
00:14:09,808 --> 00:14:10,684
HAD TO BE SAID.
270
00:14:12,185 --> 00:14:14,437
THIS GUY'S OBVIOUSLY
NOT OF SOUND MIND
271
00:14:14,479 --> 00:14:16,606
TO HURT THE FEELINGS
OF A BABE LIKE YOU.
272
00:14:18,983 --> 00:14:20,777
HARLEY.
273
00:14:20,819 --> 00:14:21,944
I LOVE
YOUR DRESS!
274
00:14:21,986 --> 00:14:23,488
CUTE!
275
00:14:23,530 --> 00:14:24,781
THANKS.
276
00:14:24,823 --> 00:14:26,366
A LITTLE TOO AGUILERA
FOR A SCHOOL EVENT,
277
00:14:26,407 --> 00:14:27,908
BUT MAYBE IT'S JUST ME.
278
00:14:27,950 --> 00:14:29,619
JUST KEEP IT DOWN,
ALL RIGHT?
279
00:14:29,661 --> 00:14:31,454
YOUR FRIEND OVER THERE
MIGHT THINK I'M ATTACHED.
280
00:14:31,496 --> 00:14:32,664
I HATE YOU.
281
00:14:32,706 --> 00:14:34,248
PATRICK, PERHAPS
YOU'D LIKE TO
282
00:14:34,290 --> 00:14:35,333
GO OVER TO
THE PUNCH BOWL
283
00:14:35,375 --> 00:14:36,751
AND RETRIEVE
SOME DRINKS?
284
00:14:36,793 --> 00:14:38,545
I THINK SHE
MIGHT WANNA CLAW
YOUR EYES OUT.
285
00:14:43,717 --> 00:14:45,926
HAVE YOU EVER NOTICED
HOW MUCH THAT DRESS
BRINGS OUT YOUR EYES?
286
00:14:45,968 --> 00:14:47,679
NO.
287
00:14:47,721 --> 00:14:49,055
OH, WELL, IT DOES.
288
00:14:49,096 --> 00:14:50,807
YOU LOOK
SO PRETTY TONIGHT,
289
00:14:50,849 --> 00:14:52,851
AND I BET IF YOU AND I
WERE TO STEP OUT
ON THE DANCE FLOOR,
290
00:14:52,891 --> 00:14:54,853
YOU WOULD BE,
BY FAR, THE MOST
BEAUTIFUL WOMAN ON IT.
291
00:14:54,894 --> 00:14:56,771
DUH.
292
00:15:02,026 --> 00:15:03,737
AHEM.
293
00:15:06,406 --> 00:15:07,990
WHAT?
294
00:15:08,032 --> 00:15:10,201
OH, BEVERAGES.
295
00:15:10,243 --> 00:15:11,828
I WAS WONDERING WHY
I WENT OVER THERE.
296
00:15:17,500 --> 00:15:18,877
YOU KNOW,
I SHOULD TELL YOU
297
00:15:18,918 --> 00:15:20,461
THAT I HAPPEN TO BE
CLOSE, PERSONAL FRIENDS
298
00:15:20,503 --> 00:15:21,962
WITH WOODY KULCHAK,
299
00:15:22,004 --> 00:15:24,758
WHO HAS SNUCK IN A BOTTLE
OF PEACH SCHNAPPS TONIGHT.
300
00:15:24,799 --> 00:15:28,219
SO, IF YOU'D
LIKE THIS DANCE
TO BE TRULY MAGICAL,
301
00:15:28,261 --> 00:15:31,264
I COULD ARRANGE
FOR COCKTAILS FOR 2
UNDERNEATH THE BLEACHERS.
302
00:15:31,305 --> 00:15:33,558
JUST GIVE ME THE WORD.
303
00:15:33,600 --> 00:15:35,852
NO.
304
00:15:37,604 --> 00:15:40,314
THINK ABOUT IT, BABE.
305
00:15:42,358 --> 00:15:43,693
HEY, WHAT'S ALL THIS?
306
00:15:43,735 --> 00:15:46,195
AH. RETURNING
TO MY YOUTH
FOR INSPIRATION.
307
00:15:46,237 --> 00:15:48,197
HAVE YOU SEEN
MY HOOK POSTER?
308
00:15:48,239 --> 00:15:49,574
UM, NO,
NOT RECENTLY.
309
00:15:49,616 --> 00:15:51,659
UH, MAYBE YOU COULD
CHECK THE ATTIC.
310
00:15:53,745 --> 00:15:55,872
SO, NOW THAT
YOU ARE REVISITING 15,
311
00:15:55,914 --> 00:15:57,665
DOES THAT MEAN
I HAVE TO START PAYING
YOU AN ALLOWANCE AGAIN?
312
00:16:00,042 --> 00:16:01,502
I DON'T EVER RECALL YOU
GIVING ME AN ALLOWANCE.
313
00:16:01,544 --> 00:16:03,504
WHAT ARE YOU
GONNA DO FOR MONEY?
314
00:16:04,881 --> 00:16:06,507
IT'S FAIRLY INEXPENSIVE
TO LIVE AT HOME.
315
00:16:06,549 --> 00:16:09,552
HENCE THE
LIVING AT HOME.
316
00:16:09,594 --> 00:16:11,721
AH. MEANING
THAT YOU DON'T
PLAN TO CONTRIBUTE
317
00:16:11,763 --> 00:16:13,306
TO THE
HOUSEHOLD EXPENSES.
318
00:16:14,849 --> 00:16:18,060
WELL, I ABSOLUTELY CAN...
IF YOU WANT ME TO.
319
00:16:18,102 --> 00:16:21,731
I MEAN, I CAN GET
A PART TIME JOB OR...
320
00:16:21,773 --> 00:16:24,191
I'LL BABY-SIT LILY.
THAT WAY YOU DON'T HAVE TO
PAY SOMEBODY ELSE TO DO IT.
321
00:16:24,233 --> 00:16:26,277
THAT'S NOT WHAT
I'M GETTING AT, DAWSON.
322
00:16:27,320 --> 00:16:28,780
WHAT ARE YOU GETTING AT?
323
00:16:28,822 --> 00:16:30,615
WHAT I'M WONDERING
IS HOW DO YOU INTEND
324
00:16:30,657 --> 00:16:32,867
TO MAKE MONEY
IN THE LONG TERM?
325
00:16:32,909 --> 00:16:33,910
WHAT'S YOUR PLAN?
326
00:16:33,952 --> 00:16:36,370
ALL RIGHT.
327
00:16:36,412 --> 00:16:38,539
UM...
328
00:16:38,581 --> 00:16:41,000
THE PLAN IS
WRITE THIS MOVIE,
329
00:16:41,041 --> 00:16:43,586
SHOOT IT, FINISH IT,
SEND IT OFF TO FESTIVALS.
330
00:16:43,628 --> 00:16:45,588
HOPEFULLY IT'LL BE
GOOD ENOUGH TO GET
PICKED UP AND DISTRIBUTED
331
00:16:45,630 --> 00:16:48,508
AND WILL MAKE ENOUGH MONEY
TO THEN FINANCE
MY NEXT PROJECT.
332
00:16:48,549 --> 00:16:50,384
I MEAN WHAT'S YOUR
BACKUP PLAN?
333
00:16:50,426 --> 00:16:53,304
IF DIRECTING
DOESN'T WORK.
334
00:16:54,931 --> 00:16:56,766
WHAT DO YOU MEAN,
IF DIRECTING DOESN'T WORK?
335
00:16:56,808 --> 00:17:00,770
MAKING A LIVING AS
A FILM DIRECTOR IS A
ONE IN A MILLION CHANCE.
336
00:17:00,812 --> 00:17:03,898
NOW, I KNOW YOU DON'T
WANNA HEAR THIS, BUT...
337
00:17:03,940 --> 00:17:05,817
YOU NEED TO
BE PRACTICAL.
338
00:18:09,797 --> 00:18:11,799
THEN I GOT BUMPED UP
TO JUNIOR VARSITY
339
00:18:11,841 --> 00:18:13,467
WHEN CY WATSON
TORE HIS ACHILLES.
340
00:18:15,720 --> 00:18:17,972
WELL, YOU PROBABLY
HEARD THAT I WAS
ALL-STATE LAST YEAR,
341
00:18:18,014 --> 00:18:20,266
BECAUSE, YOU KNOW,
I MEAN, I'M A GOOD
OUTSIDE SHOOTER,
342
00:18:20,307 --> 00:18:21,434
AND I CAN DUNK,
WHICH IS GOOD FOR
SOMEBODY MY AGE,
343
00:18:21,475 --> 00:18:22,727
AND I'M A GOOD PASSER.
344
00:18:22,769 --> 00:18:24,311
BUT, I MEAN, I'VE ALWAYS
BEEN REALLY GOOD.
345
00:18:24,353 --> 00:18:25,855
I SCORE, LIKE,
30 POINTS A GAME.
346
00:18:27,398 --> 00:18:29,609
WHAT KIND OF SCHOOL DANCE
ACTUALLY HAS A PUNCH BOWL?
347
00:18:29,650 --> 00:18:31,652
A SCHMANCY PRIVATE
SCHOOL DANCE.
348
00:18:31,694 --> 00:18:34,030
WELL, I HOPE FOR
THE SAKE OF ALL INVOLVED,
349
00:18:34,072 --> 00:18:35,740
THAT SOME INTREPID STUDENT
HAS SPIKED THIS PUNCH,
350
00:18:35,782 --> 00:18:37,157
OR ELSE IT KINDA LOSES OUT
ON ITS CLICHE VALUE.
351
00:18:37,199 --> 00:18:38,910
HMM.
352
00:18:38,952 --> 00:18:40,078
SPEAKING OF, WHEN DO
WE GET OUR PICTURE TAKEN
353
00:18:40,119 --> 00:18:41,203
IN FRONT OF
THE TROPICAL MURAL?
354
00:18:41,245 --> 00:18:42,329
THAT WOULD BE PROM.
355
00:18:43,623 --> 00:18:45,416
RIGHT.
BLOCKED PROM OUT.
356
00:18:45,458 --> 00:18:46,417
AS YOU SHOULD.
357
00:18:46,459 --> 00:18:48,335
IT WASN'T EXACTLY
YOUR FINEST HOUR.
358
00:18:48,377 --> 00:18:50,046
WELL, I WAS
TROUBLED BACK THEN.
359
00:18:50,088 --> 00:18:51,505
YOU KNOW,
JAMES DEAN TYPE.
360
00:18:51,547 --> 00:18:53,925
YOU WERE A DUMBASS.
361
00:18:55,718 --> 00:18:58,429
WAS I AT LEAST
A MYSTERIOUS DUMBASS
362
00:18:58,471 --> 00:19:01,139
WITH SMOLDERING
SEX APPEAL?
363
00:19:01,181 --> 00:19:03,267
DUMBASS.
364
00:19:03,309 --> 00:19:05,645
OK, FINE.
I CAN ACCEPT THAT.
365
00:19:05,686 --> 00:19:07,146
'CAUSE NOW I'M
A HAPPY DUMBASS.
366
00:19:07,187 --> 00:19:09,023
I GOT
A SECOND CHANCE.
367
00:19:12,359 --> 00:19:14,070
PACE, WE SHOULD--
368
00:19:14,112 --> 00:19:15,488
FINE. FINE.
369
00:19:15,529 --> 00:19:17,281
PATRICK,
370
00:19:17,323 --> 00:19:18,324
LET GO OF HIM!
371
00:19:18,365 --> 00:19:19,826
WHY SHOULD I?
372
00:19:19,867 --> 00:19:21,201
YOU GUYS WERE DANCING
PELVIS TO PELVIS
373
00:19:21,243 --> 00:19:22,745
LIKE IT WAS
GOING OUT OF STYLE.
374
00:19:22,787 --> 00:19:25,372
IT WAS MY ONLY RECOURSE
AFTER YOU FAILED ME
IN EVERY WAY!
375
00:19:25,414 --> 00:19:26,707
JAMIE CAME TO MY AID!
376
00:19:26,749 --> 00:19:29,251
JAMIE IS NOT
YOUR DATE! I AM!
377
00:19:29,293 --> 00:19:30,252
IN NAME ONLY!
378
00:19:30,294 --> 00:19:31,420
DID YOU DO
ONE DATE-LIKE THING
379
00:19:31,462 --> 00:19:32,421
THE ENTIRE NIGHT?
380
00:19:32,463 --> 00:19:34,507
THIS IS DATE-LIKE!
381
00:19:35,633 --> 00:19:37,217
ARE YOU
GONNA DO SOMETHING?
382
00:19:37,259 --> 00:19:39,053
OH, YEAH. OF COURSE.
OF COURSE.
383
00:19:40,596 --> 00:19:42,932
IT'S JUST
SO FUNNY. OK. OK.
384
00:19:47,145 --> 00:19:48,104
OK, OK, OK.
385
00:19:48,146 --> 00:19:50,064
HEY, BREAK IT UP.
HEY, GUYS.
386
00:19:51,024 --> 00:19:52,108
THAT'S HOW
YOU WIN MY HEART?
387
00:19:52,150 --> 00:19:53,776
BY TRYING TO GIVE
THE GUY A WEDGIE?
388
00:19:53,818 --> 00:19:54,694
IT'S CALLED
THE KRAV MAGA,
389
00:19:54,735 --> 00:19:56,696
-AND J.
-LO USED IT
IN ENOUGH.
390
00:19:56,737 --> 00:19:58,364
HEY, IT'S PATTY
FROM THE BLOCK.
391
00:20:01,241 --> 00:20:02,535
YOU WALKED RIGHT
INTO THAT ONE, BUD.
392
00:20:02,576 --> 00:20:03,661
YEAH, THAT WASN'T
EVEN FUNNY, BUDDY.
393
00:20:03,703 --> 00:20:04,662
OK. COME ON.
394
00:20:04,704 --> 00:20:05,663
YOUR GIRLFRIEND
LIKED IT.
395
00:20:05,705 --> 00:20:07,498
OH, YEAH?!
396
00:20:07,540 --> 00:20:09,083
ALL RIGHT!
397
00:20:14,172 --> 00:20:16,423
LOOK AT ME!
I LOOK COMPLETELY HIDEOUS.
398
00:20:16,465 --> 00:20:18,092
NO, YOU DON'T.
399
00:20:18,134 --> 00:20:19,510
YOU LOOK LIKE
A ROCK STAR.
ARE YOU KIDDING?
400
00:20:19,552 --> 00:20:21,554
YOU HAVE THE WHOLE
SMOKY EYE
LOOK GOING.
401
00:20:21,595 --> 00:20:24,098
WHERE'S HE WHOSE NAME
SHALL NOT BE SPOKEN?
402
00:20:24,140 --> 00:20:25,725
OH, HE'S IN
THE BOY'S BATHROOM
WITH PACEY,
403
00:20:25,766 --> 00:20:27,434
GETTING CLEANED UP.
SORT OF.
404
00:20:27,476 --> 00:20:29,562
DID HE ASK
ABOUT ME?
I WAS THERE BRIEFLY.
405
00:20:29,603 --> 00:20:30,604
WAS HE WITH
OTHER GIRLS?
406
00:20:30,646 --> 00:20:33,149
IT WAS THE
BOY'S BATHROOM.
407
00:20:33,191 --> 00:20:34,233
WHICH IS WHERE
WE HAD OUR FIRST KISS.
408
00:20:34,274 --> 00:20:35,526
HELLO?
409
00:20:35,568 --> 00:20:37,611
I'M ALL FOR THE GRAND
ROMANTIC GESTURE,
410
00:20:37,653 --> 00:20:40,447
BUT NEXT TIME,
INSTEAD OF FLAILING
AROUND WILDLY,
411
00:20:40,489 --> 00:20:42,783
WHY DON'T YOU
JUST TELL HER
THAT YOU LIKE HER?
412
00:20:42,825 --> 00:20:44,035
AND THEN, IF YOU
STILL FEEL THE NEED
413
00:20:44,077 --> 00:20:45,203
FOR THROWING
A PUNCH AFTERWARDS,
414
00:20:45,244 --> 00:20:46,453
PICK AN ENEMY
YOUR OWN SIZE.
415
00:20:46,495 --> 00:20:47,872
LIKE AN OPOSSUM.
416
00:20:47,914 --> 00:20:50,249
OH, YEAH. YEAH.
LIKE YOU'RE THE ROCK,
OR SOMETHING.
417
00:20:50,290 --> 00:20:53,127
HEY, HOBBIT,
AT LEAST I CAN
GROW FACIAL HAIR.
418
00:20:53,169 --> 00:20:55,379
WHAT DO
YOU CALL THIS?
LINT.
419
00:20:55,421 --> 00:20:57,215
LOOK AT ME!
420
00:20:57,255 --> 00:20:59,675
I'M CRYING
IN THE BATHROOM.
421
00:20:59,717 --> 00:21:02,178
AND THUS CARRYING ON
AN AGE-OLD TRADITION
422
00:21:02,220 --> 00:21:04,304
OF WOMEN CRYING
IN THE BATHROOM.
423
00:21:04,346 --> 00:21:05,890
I DID IT IN HIGH SCHOOL.
424
00:21:05,932 --> 00:21:07,725
LISTEN, JOEY, I DON'T
WANNA HURT YOUR FEELINGS,
425
00:21:07,767 --> 00:21:10,686
BUT MY HIGH SCHOOL
EXPERIENCES SHOULDN'T
REALLY BE THE SAME AS YOURS,
426
00:21:10,728 --> 00:21:13,564
OR I'M DOING SOMETHING
TERRIBLY, TERRIBLY WRONG.
427
00:21:13,606 --> 00:21:15,482
SORRY, KIDDO.
428
00:21:15,524 --> 00:21:17,985
BUT THAT'S JUST
HOW IT GOES WITH
THE HIGH SCHOOL DANCE.
429
00:21:18,027 --> 00:21:20,113
YOU BUY THE DRESS,
YOU MESS WITH THE HAIR,
430
00:21:20,154 --> 00:21:21,239
YOU POSE
FOR THE PICTURE,
431
00:21:21,280 --> 00:21:23,241
YOU THINK YOUR DATE
IS FINALLY GONNA SAY
432
00:21:23,282 --> 00:21:24,324
ALL THE THINGS
YOU'VE BEEN DYING
FOR HIM TO SAY,
433
00:21:24,366 --> 00:21:25,952
AND NO.
434
00:21:25,993 --> 00:21:29,163
INEVITABLY,
YOU END UP IN THE
GIRL'S BATHROOM CRYING.
435
00:21:29,205 --> 00:21:30,581
LOOK, YOU LIKE
HARLEY, RIGHT?
436
00:21:30,623 --> 00:21:31,999
SHE HAS HER
STRONG POINTS.
437
00:21:33,292 --> 00:21:34,710
OK.
438
00:21:34,752 --> 00:21:36,294
I MEAN, AS LONG AS
WE'RE TALKING MAN TO MAN,
439
00:21:36,336 --> 00:21:38,380
YEAH, I LIKE HER.
440
00:21:38,422 --> 00:21:39,381
A LOT.
441
00:21:39,423 --> 00:21:40,424
WELL, GOOD.
CONGRATULATIONS, MAN.
442
00:21:40,466 --> 00:21:42,468
'CAUSE TRUE FEELINGS
FOR A WOMAN,
443
00:21:42,509 --> 00:21:44,386
THAT'S ABOUT
THE BEST EXPERIENCE
YOU'RE EVER GONNA HAVE.
444
00:21:44,428 --> 00:21:46,722
I MEAN, IT'LL
MAKE YOU STRONG,
IT'LL MAKE YOU STUPID,
445
00:21:46,764 --> 00:21:50,643
AND IT WILL DEFINITELY
TAKE YOU CLOSER TO BEING
THE MAN YOU WANT TO BE.
446
00:21:50,684 --> 00:21:52,311
WHAT DO BOYS HAVE
TO SUFFER THROUGH?
447
00:21:52,352 --> 00:21:54,230
THINKING THEY'RE GONNA
HAVE SEX AFTERWARDS
448
00:21:54,272 --> 00:21:56,065
AND BEING
SORELY DISAPPOINTED.
449
00:21:56,107 --> 00:21:58,109
WELL...
450
00:21:58,151 --> 00:22:00,194
DON'T EVEN
THINK ABOUT IT.
451
00:22:00,236 --> 00:22:02,071
I KNOW! RELAX.
452
00:22:03,656 --> 00:22:05,032
DON'T BE AFRAID
TO BE NICE TO HER.
453
00:22:05,074 --> 00:22:08,035
OH. SO, BY NICE
TO HER, YOU MEAN...
454
00:22:08,077 --> 00:22:10,037
I MEAN TELL HER THAT
YOU LIKE HER SHOES.
455
00:22:10,079 --> 00:22:11,538
OH, AND HER, UH--
456
00:22:11,580 --> 00:22:13,291
TELL HER THAT
YOU LIKE HER, IDIOT.
457
00:22:13,331 --> 00:22:16,127
OW. HEY.
458
00:22:17,003 --> 00:22:17,962
DON'T PUSH ME.
459
00:22:18,004 --> 00:22:20,923
OH, YEAH?
LET'S SEE WHAT'S UP!
460
00:22:20,965 --> 00:22:22,591
SO, YOU'VE HONESTLY
HAD A BAD TIME
461
00:22:22,633 --> 00:22:24,760
AT EVERY DANCE
YOU'VE GONE TO?
462
00:22:25,719 --> 00:22:27,138
YEAH.
463
00:22:28,931 --> 00:22:29,890
EXCEPT THIS ONE.
464
00:22:29,932 --> 00:22:32,768
THIS ONE WAS...
465
00:22:32,810 --> 00:22:34,645
NICE.
466
00:22:36,189 --> 00:22:39,066
WELL, I'M GLAD
SOMEONE HAD A GOOD TIME.
467
00:22:42,987 --> 00:22:44,113
HELLO?
468
00:22:45,948 --> 00:22:47,241
EVERYTHING OK?
469
00:22:47,283 --> 00:22:48,617
YEAH, FINE.
470
00:22:48,659 --> 00:22:50,077
YEAH, EVERYTHING'S
GOOD IN HERE.
471
00:22:50,119 --> 00:22:52,246
JUST CHECKING.
472
00:22:54,414 --> 00:22:57,335
YEAH, I DON'T KNOW
WHY I SHOULD BE TAKING
ADVICE FROM YOU.
473
00:22:57,375 --> 00:22:59,712
LIKE YOU'RE SOME
KIND OF YODA WHEN
IT COMES TO THE CHICKS.
474
00:22:59,753 --> 00:23:01,964
HAVE YOU SEEN MY DATE?
475
00:23:04,758 --> 00:23:07,011
TELL ME MORE, SENSEI.
476
00:23:09,680 --> 00:23:11,224
THAT WAS FOR YOU.
477
00:23:11,265 --> 00:23:12,225
YES?
478
00:23:12,266 --> 00:23:13,267
THE PHONE.
479
00:23:13,309 --> 00:23:14,935
YES?
480
00:23:14,977 --> 00:23:18,480
UM...DR. LOOMIS'
OFFICE
481
00:23:18,522 --> 00:23:21,275
CALLING TO CONFIRM
YOUR APPOINTMENT
TOMORROW AT 12:30.
482
00:23:26,030 --> 00:23:27,489
DR. LOOMIS ISN'T
YOUR REGULAR DOCTOR.
483
00:23:27,531 --> 00:23:29,116
HOW COME I'VE NEVER
HEARD HIS NAME BEFORE?
484
00:23:31,869 --> 00:23:34,121
ALL RIGHT. SOMETHING
IS GOING ON WITH YOU,
485
00:23:34,163 --> 00:23:37,457
AND I DEMAND TO KNOW
WHAT IT IS.
486
00:23:37,499 --> 00:23:39,835
JENNIFER, IF YOU
ARE LOOKING FOR
MYSTERY OR DRAMA,
487
00:23:39,877 --> 00:23:41,754
YOU'D BEST TAKE
YOUR SEARCH ELSEWHERE.
488
00:23:41,795 --> 00:23:45,132
I'M SORRY. I'M NOT
GOING TO LET YOU
KEEP THIS SECRET.
489
00:23:45,174 --> 00:23:47,301
I'VE LIVED WITH YOU
FOR 5 YEARS,
490
00:23:47,343 --> 00:23:49,427
AND EVERY TIME THAT
I'VE TRIED TO MOPE
MY WAY AROUND THE HOUSE,
491
00:23:49,469 --> 00:23:52,139
YOU'VE INSISTED
THAT I COME CLEAN
FOR THE COMMON GOOD.
492
00:23:53,849 --> 00:23:55,309
SO...
493
00:23:55,351 --> 00:23:57,228
NOW IT'S YOUR TURN.
494
00:24:00,189 --> 00:24:01,190
ALL RIGHT.
495
00:24:05,485 --> 00:24:09,782
DR. LOOMIS
IS AN ONCOLOGIST.
496
00:24:09,823 --> 00:24:11,325
I AM SEEING HER
497
00:24:11,367 --> 00:24:13,619
BECAUSE THERE IS
A MALIGNANT TUMOR
IN MY BREAST.
498
00:24:13,660 --> 00:24:17,248
I WILL BE STARTING
A ROUND OF RADIATION
THERAPY NEXT WEEK
499
00:24:17,290 --> 00:24:18,582
BECAUSE THE GROWTH
HAS SPREAD
500
00:24:18,624 --> 00:24:22,044
BEYOND THE POINT WHERE
SURGERY WOULD BE EFFECTIVE.
501
00:24:33,680 --> 00:24:35,099
ARE YOU TALKING ABOUT
BREAST CANCER?
502
00:24:35,141 --> 00:24:36,267
YES.
503
00:24:39,186 --> 00:24:41,479
OH, MY GOD.
504
00:24:41,521 --> 00:24:43,523
YES.
505
00:24:43,565 --> 00:24:46,110
WOULD YOU BE A DEAR?
506
00:24:46,152 --> 00:24:47,736
GO TURN THE OVEN DOWN.
507
00:24:47,778 --> 00:24:50,364
I DON'T WANT
THE CRUST TO BURN.
508
00:24:52,074 --> 00:24:54,160
JENNIFER, I TOLD YOU
WHAT IT IS.
509
00:24:54,201 --> 00:24:56,996
NOW PLEASE, JUST GO.
510
00:25:00,749 --> 00:25:03,043
VERY WELL.
I'LL DO IT MYSELF.
511
00:25:19,101 --> 00:25:20,019
HEY.
512
00:25:23,439 --> 00:25:24,690
OOH.
513
00:25:24,731 --> 00:25:25,816
YEAH, I KNOW.
KIDS TODAY, HUH?
514
00:25:25,858 --> 00:25:27,151
THAT DAMN RAP MUSIC.
515
00:25:27,193 --> 00:25:29,569
AND THOSE BAGGY PANTS.
516
00:25:29,611 --> 00:25:31,489
EVEN WITH THE DAMAGE
TO MY UNSUSPECTING
EARDRUM,
517
00:25:31,529 --> 00:25:33,573
I DID THINK THAT
TONIGHT WAS QUITE NICE.
518
00:25:33,615 --> 00:25:35,075
QUITE NICE.
519
00:25:35,117 --> 00:25:36,410
YES. QUITE.
520
00:25:36,452 --> 00:25:38,412
PERFECT. IT WAS...
521
00:25:38,454 --> 00:25:40,331
IT'S BEEN A PERFECT NIGHT.
522
00:25:43,250 --> 00:25:44,126
PACE?
523
00:25:46,045 --> 00:25:47,963
I CAN'T DO THIS.
524
00:25:50,090 --> 00:25:52,343
YOU CAN'T DO WHAT?
525
00:25:52,385 --> 00:25:55,471
EVEN WHEN EVERYTHING
IS PERFECT,
526
00:25:55,513 --> 00:25:58,682
BEING WITH YOU
DOESN'T FEEL RIGHT,
527
00:25:58,724 --> 00:26:01,519
AND I'M SORRY.
528
00:26:01,559 --> 00:26:03,354
LOOK, EVERYTHING TONIGHT--
529
00:26:03,396 --> 00:26:07,483
I MEAN, TONIGHT
WAS LOVELY AND FUN AND...
530
00:26:07,525 --> 00:26:09,318
YOU'VE BECOME THIS...
531
00:26:09,360 --> 00:26:12,112
I MEAN, THIS AMAZING MAN,
532
00:26:12,154 --> 00:26:13,989
BUT IT DOESN'T...
533
00:26:14,031 --> 00:26:17,826
I'M SORRY. I DON'T...
534
00:26:17,868 --> 00:26:19,495
I DON'T FEEL IT.
535
00:26:21,247 --> 00:26:24,250
AND I CAN'T DO THIS
WITH YOU.
536
00:26:24,291 --> 00:26:25,918
OK, JOEY, JUST
SLOW DOWN FOR A SECOND.
537
00:26:25,959 --> 00:26:27,378
NO, PACE, IT'S...
538
00:26:27,420 --> 00:26:30,672
IT'S TRUE AND...
539
00:26:30,714 --> 00:26:32,799
I'M SORRY.
540
00:26:32,841 --> 00:26:35,428
SO WHAT,
YOU'RE SCARED.
541
00:26:35,469 --> 00:26:36,803
RIGHT? YOU'RE SCARED.
542
00:26:36,845 --> 00:26:38,556
AND SO AM I,
BELIEVE ME.
543
00:26:38,596 --> 00:26:39,806
AND I'M SCARED BECAUSE
544
00:26:39,848 --> 00:26:42,142
I DON'T KNOW WHERE
THIS THING IS GOING, JO.
545
00:26:42,184 --> 00:26:45,729
AS IN, I THINK
IT COULD GO ANYWHERE.
546
00:26:45,771 --> 00:26:47,147
THIS COULD BE IT.
547
00:26:47,189 --> 00:26:49,233
IT WON'T BE.
548
00:26:49,275 --> 00:26:53,237
HOW COULD YOU
POSSIBLY KNOW THAT?
549
00:26:53,279 --> 00:26:55,155
I MEAN, REALLY. LAST
WEEK, YOU'RE ON BOARD,
550
00:26:55,197 --> 00:26:56,449
AND NOW YOU'RE JUST
PSYCHICALLY TELLING ME
551
00:26:56,490 --> 00:26:58,117
THAT THIS COULD NEVER
BE SOMETHING GREAT.
552
00:26:58,158 --> 00:26:59,617
YOU CAN'T POSSIBLY
KNOW THAT,
553
00:26:59,659 --> 00:27:01,912
BECAUSE WE DON'T
KNOW THAT, JOEY.
554
00:27:01,954 --> 00:27:03,456
AND I'M SORRY.
555
00:27:03,497 --> 00:27:05,749
I KNOW THAT THIS
IS SUCH A HORRIBLE
THING TO SAY.
556
00:27:05,791 --> 00:27:07,625
BUT HOW?
557
00:27:07,667 --> 00:27:09,211
HOW COULD YOU KNOW?
558
00:27:09,253 --> 00:27:11,338
AND WHEN DID YOU
MAKE THIS DECISION,
TONIGHT?
559
00:27:11,380 --> 00:27:12,590
I MEAN, I THOUGHT
TONIGHT WAS GOING GREAT.
560
00:27:12,630 --> 00:27:14,133
IT WAS.
IT WAS GREAT.
561
00:27:14,174 --> 00:27:16,093
SO THEN WHEN?
562
00:27:16,135 --> 00:27:17,177
AND DON'T TELL ME
THAT YOU'RE NOT SCARED,
563
00:27:17,219 --> 00:27:19,179
BECAUSE I KNOW
THAT YOU ARE.
564
00:27:19,221 --> 00:27:20,347
I MEAN, I'VE KNOWN YOU
TOO LONG
565
00:27:20,389 --> 00:27:23,309
AND SEEN YOU PUSH AWAY
TOO MANY GOOD THINGS
566
00:27:23,350 --> 00:27:26,145
TO LET YOU
PUSH ME AWAY RIGHT NOW.
567
00:27:26,186 --> 00:27:28,646
MY WHOLE LIFE, JOEY,
MY WHOLE LIFE
568
00:27:28,688 --> 00:27:32,151
YOU HAVE BEEN
THE MOST BEAUTIFUL THING
IN MY ORBIT.
569
00:27:32,192 --> 00:27:35,613
AND MY FEELINGS FOR YOU
WERE WHAT PROVED TO ME
570
00:27:35,653 --> 00:27:38,157
THAT I COULD BE GREAT.
571
00:27:38,198 --> 00:27:41,285
AND THOSE FEELINGS
WERE STRONGER
AND WERE WISER
572
00:27:41,327 --> 00:27:43,329
AND MORE PERSISTENT
AND MORE RESILIENT
573
00:27:43,370 --> 00:27:45,080
THAN ANYTHING ELSE
ABOUT ME.
574
00:27:45,122 --> 00:27:46,664
PACEY, STOP.
JO--
575
00:27:46,706 --> 00:27:48,250
PACEY!
WHEN I WAS AFRAID
OF EVERYTHING,
576
00:27:48,292 --> 00:27:49,418
I WAS NEVER AFRAID
TO LOVE YOU,
577
00:27:49,460 --> 00:27:51,878
AND I COULD LOVE YOU
AGAIN. I COULD.
578
00:27:51,920 --> 00:27:54,173
PACEY, NO. PACEY, STOP!
579
00:27:56,008 --> 00:27:58,552
EDDIE CAME BACK.
580
00:28:02,348 --> 00:28:04,891
I'M SORRY.
HE CAME BACK LAST NIGHT.
581
00:28:04,933 --> 00:28:06,101
HE CAME TO THE BAR--
582
00:28:06,143 --> 00:28:08,228
OH.
583
00:28:08,270 --> 00:28:09,896
OK.
584
00:28:09,938 --> 00:28:12,608
LOOK, I'M SORRY--
585
00:28:52,189 --> 00:28:53,440
HEY. I BROUGHT YOU
SOME COFFEE
586
00:28:53,482 --> 00:28:55,234
SINCE YOU'RE BURNING
THE MIDNIGHT OIL,
587
00:28:55,275 --> 00:28:56,485
AND A TURKEY SANDWICH.
588
00:28:56,527 --> 00:28:57,486
PROTEIN.
589
00:28:57,528 --> 00:28:59,196
THANKS, MOM.
590
00:28:59,238 --> 00:29:02,366
AH, YOUR EARLY WORK.
591
00:29:02,408 --> 00:29:04,702
YOU REALLY ARE
FEELING NOSTALGIC.
592
00:29:04,743 --> 00:29:07,037
AH, WELL...
593
00:29:07,079 --> 00:29:09,081
I DON'T KNOW.
594
00:29:09,122 --> 00:29:10,332
IN THOSE DAYS
IT WASN'T JUST ME ALONE
595
00:29:10,374 --> 00:29:11,750
IN FRONT OF
A COMPUTER SCREEN, YOU KNOW?
596
00:29:11,791 --> 00:29:14,253
I MEAN, I HAD PEOPLE
PITCHING IN.
597
00:29:14,294 --> 00:29:15,671
I HAD A WHOLE
SUPPORT SYSTEM.
598
00:29:18,424 --> 00:29:20,384
SO HOW IS
YOUR SCRIPT COMING?
599
00:29:20,426 --> 00:29:22,094
GREAT.
600
00:29:22,135 --> 00:29:24,930
GREAT. IT'S, UH...
601
00:29:26,515 --> 00:29:27,683
WELL, ACTUALLY,
YOU KNOW WHAT?
602
00:29:27,725 --> 00:29:30,852
IT'S NOT SO GREAT
RIGHT NOW.
603
00:29:30,894 --> 00:29:32,979
LOOK, MOM, THERE'S SOMETHING
I'VE GOT TO TELL YOU.
604
00:29:34,565 --> 00:29:37,568
UM...
605
00:29:37,610 --> 00:29:40,696
I DON'T HAVE
A BACK-UP PLAN...
606
00:29:40,738 --> 00:29:42,448
AND I WON'T EVER HAVE ONE.
607
00:29:44,533 --> 00:29:46,159
I'M GOING TO BE A DIRECTOR,
608
00:29:46,201 --> 00:29:48,579
AND I DON'T WANT TO HAVE
ANYTHING TO FALL BACK ON,
609
00:29:48,621 --> 00:29:50,664
BECAUSE THERE'S NOTHING ELSE
THAT I WANT TO DO.
610
00:29:50,706 --> 00:29:52,791
IT'S NOT ALWAYS ABOUT
WHAT YOU WANT.
611
00:29:52,832 --> 00:29:54,793
DAWSON, YOU GROW UP,
612
00:29:54,834 --> 00:29:55,919
AND LIFE ISN'T WHAT
YOU THOUGHT IT WAS
GOING TO BE LIKE
613
00:29:55,961 --> 00:29:56,920
WHEN YOU WERE A KID.
614
00:29:56,962 --> 00:29:59,256
I AGREE.
615
00:29:59,298 --> 00:30:02,301
AND YOU'RE RIGHT,
BEING A DIRECTOR
IS A CHILD'S DREAM,
616
00:30:02,342 --> 00:30:04,678
AND THAT'S HOW I KNOW
THAT IT'S REAL.
617
00:30:04,720 --> 00:30:06,096
BECAUSE IT'S WHAT
I WANTED TO DO
618
00:30:06,138 --> 00:30:08,014
BEFORE I KNEW HOW
TO BE SCARED OR CYNICAL.
619
00:30:08,056 --> 00:30:10,768
OK, HONEY,
WHAT ABOUT COLLEGE?
620
00:30:10,809 --> 00:30:12,728
AT LEAST GO BACK.
FINISH FILM SCHOOL
621
00:30:12,770 --> 00:30:14,730
TO MAKE SURE THAT
YOU'RE COMMITTED
TO THIS THING.
622
00:30:14,772 --> 00:30:17,691
MOM, PLEASE.
IF A YEAR OF FETCHING LATTES
623
00:30:17,733 --> 00:30:19,276
AND CAJOLING ACTRESSES
OUT OF THEIR TRAILER
624
00:30:19,318 --> 00:30:20,860
TO ACT IN FRONT
OF A GREEN SCREEN
625
00:30:20,902 --> 00:30:22,362
DIDN'T KILL MY DESIRE
TO MAKE MOVIES,
NOTHING WILL.
626
00:30:22,404 --> 00:30:23,947
I KNOW THAT.
627
00:30:23,989 --> 00:30:27,075
AND I DON'T NEED TO SPEND
$60,000 OF THIS FAMILY'S MONEY
628
00:30:27,117 --> 00:30:28,868
TO FIGURE THAT OUT.
629
00:30:28,910 --> 00:30:31,497
I MEAN, MAKING MOVIES IS...
630
00:30:33,791 --> 00:30:35,292
IT'S MY LIFE.
631
00:30:35,334 --> 00:30:37,670
AND I NEED YOU TO BELIEVE
632
00:30:37,711 --> 00:30:40,964
THAT I'M THAT
ONE IN A MILLION
WHO'S GOING TO MAKE IT,
633
00:30:41,006 --> 00:30:43,300
BECAUSE I DO.
634
00:30:45,927 --> 00:30:48,388
HONEY, DID I
EVER TELL YOU THE STORY
635
00:30:48,430 --> 00:30:50,015
ABOUT THE TIME
636
00:30:50,056 --> 00:30:52,392
YOUR FATHER DECIDED
TO MAKE CHEWING GUM
637
00:30:52,434 --> 00:30:53,977
ON OUR KITCHEN STOVE?
638
00:30:54,019 --> 00:30:55,937
PLEASE TELL ME
YOU'RE KIDDING.
639
00:30:55,979 --> 00:30:58,106
MM-MMM. NO. HE WAS
GOING TO SELL IT
TO LOCAL GIFT SHOPS.
640
00:30:58,148 --> 00:31:00,526
AND I WON'T GET INTO
ANYTHING BEYOND THE FACT
641
00:31:00,567 --> 00:31:02,736
THAT IT WAS
A STICKY MESS
642
00:31:02,778 --> 00:31:04,655
AND WE HAD TO SHAVE
PART OF YOUR HEAD
643
00:31:04,697 --> 00:31:06,573
ONCE DAD DECIDED
TO MAKE YOU SOUS-CHEF
644
00:31:06,615 --> 00:31:07,866
OF THE STRAWBERRY
DIVISION.
645
00:31:07,907 --> 00:31:09,075
YOU SHAVED MY HEAD?
646
00:31:09,117 --> 00:31:10,828
PART OF YOUR HEAD.
YOU WERE 5.
647
00:31:10,869 --> 00:31:13,330
IT WAS THE EIGHTIES.
WE TOLD YOU IT WAS PUNK.
648
00:31:13,372 --> 00:31:15,374
THAT'S GREAT.
649
00:31:15,415 --> 00:31:16,875
ANYWAY, I'M JUST...
650
00:31:16,916 --> 00:31:19,044
WELL, I'M
BRINGING IT UP BECAUSE
651
00:31:19,085 --> 00:31:20,838
YOUR DAD HAD A LOT
OF HAREBRAINED SCHEMES,
652
00:31:20,879 --> 00:31:23,006
AND I WAS ALWAYS CONVINCED
THAT THE GUM ONE
653
00:31:23,048 --> 00:31:25,759
WAS BASED ON CHARLIE
AND THE CHOCOLATE FACTORY,
654
00:31:25,801 --> 00:31:28,011
WHICH WAS HIS FAVORITE BOOK
AS A CHILD.
655
00:31:28,053 --> 00:31:30,597
BUT HE WOULDN'T
ADMIT IT.
656
00:31:34,017 --> 00:31:35,769
OK, THIS ONE'S
A LITTLE MORE SUBTLE
657
00:31:35,811 --> 00:31:37,354
THAN SOME OF
YOUR OTHER LIFE LESSONS.
658
00:31:37,396 --> 00:31:39,231
DAWSON...
659
00:31:39,272 --> 00:31:41,483
YOUR DAD'S
PIPE DREAMING,
660
00:31:41,525 --> 00:31:44,319
IT DROVE ME
RIGHT UP THE WALL.
661
00:31:44,361 --> 00:31:45,696
BUT IT WAS ALSO
ONE OF THE THINGS
662
00:31:45,738 --> 00:31:48,031
THAT MADE ME
FALL IN LOVE WITH HIM.
663
00:31:48,073 --> 00:31:51,159
BECAUSE, LIKE YOU,
664
00:31:51,201 --> 00:31:53,871
HE HAD THE COURAGE
TO BELIEVE
665
00:31:53,911 --> 00:31:55,914
THAT LIFE COULD BE
AS GREAT AS YOU THINK
IT COULD BE
666
00:31:55,955 --> 00:31:57,332
WHEN YOU'RE A KID.
667
00:32:00,001 --> 00:32:02,880
SO YOU GET
WHAT I'M SAYING?
668
00:32:09,094 --> 00:32:10,763
WOULD YOU LIKE ME
TO WATCH LILY FOR YOU?
669
00:32:10,804 --> 00:32:12,180
YEAH.
670
00:32:12,222 --> 00:32:15,100
AND THEN GO
JUMP OFF THE CLIFF.
671
00:32:15,141 --> 00:32:16,518
ONLY METAPHORICALLY,
OF COURSE.
672
00:32:16,560 --> 00:32:17,561
MOM...
673
00:32:17,603 --> 00:32:19,730
I'M YOUR MOTHER.
I CAN'T HELP IT.
674
00:32:21,356 --> 00:32:23,400
OOH.
675
00:32:23,442 --> 00:32:25,444
APPARENTLY...
676
00:32:25,485 --> 00:32:27,112
YOU LIKED
MY LITTLE METAPHOR
677
00:32:27,153 --> 00:32:28,530
ABOUT THINGS
THAT FADE.
678
00:32:28,572 --> 00:32:29,573
ACTUALLY, I JUST THOUGHT
IT WAS COOL
679
00:32:29,615 --> 00:32:31,199
THAT THERE WERE
PEOPLE IN THIS WORLD
680
00:32:31,241 --> 00:32:33,493
WHO WOULD GIVE YOU
THE PRIZE OUT OF
THEIR CRACKER JACK BOX.
681
00:32:37,790 --> 00:32:39,666
IT'S BECAUSE
I LOVE YOU, HONEY.
682
00:32:49,008 --> 00:32:50,302
HMM.
683
00:33:31,802 --> 00:33:34,680
OK. THERE IS NOTHING WRONG
WITH BEING SCARED.
684
00:33:36,556 --> 00:33:38,725
IT'S PERFECTLY NATURAL.
685
00:33:38,767 --> 00:33:41,728
BEING SCARED
DOES NO ONE ANY GOOD.
686
00:33:44,439 --> 00:33:45,607
OK.
687
00:33:45,649 --> 00:33:47,651
SO WHAT DO I DO
TO HELP?
688
00:33:47,693 --> 00:33:49,945
WELL, YOU CAN
FETCH ME THE BUTTER
689
00:33:49,987 --> 00:33:51,905
FROM THE TOP SHELF
OF THE REFRIGERATOR.
690
00:33:54,741 --> 00:33:57,076
I WASN'T REFERRING, UM...
691
00:33:57,118 --> 00:34:00,539
TO THIS CULINARY EXERCISE
IN DISPLACED ENERGIES.
692
00:34:00,580 --> 00:34:01,581
I MEAN YOU.
693
00:34:01,623 --> 00:34:04,459
I MEAN, WHAT DO I DO
TO HELP YOU?
694
00:34:09,255 --> 00:34:12,551
YOU'RE GOING TO NEED SOMEBODY
TO DRIVE YOU TO TREATMENTS,
695
00:34:12,592 --> 00:34:14,970
AND I CAN DO THAT.
696
00:34:15,012 --> 00:34:17,764
I CAN COOK MEALS
IN ADVANCE,
697
00:34:17,806 --> 00:34:22,060
TIVO 60 MINUTES,
698
00:34:22,101 --> 00:34:24,187
AND WHEN YOU GET BORED,
699
00:34:24,229 --> 00:34:26,189
JACK AND I
ARE GOING TO ACT OUT SCENES
700
00:34:26,231 --> 00:34:28,692
FROM MOULIN ROUGE
FOR YOU.
701
00:34:28,734 --> 00:34:30,485
JACK CAN HAVE NOTHING
TO DO WITH THIS,
702
00:34:30,527 --> 00:34:31,945
NOR CAN YOU, JENNIFER.
703
00:34:31,987 --> 00:34:35,741
THIS IS MY OWN
PERSONAL BUSINESS,
704
00:34:35,782 --> 00:34:38,827
AND I CAN
TAKE CARE OF IT MYSELF.
705
00:34:42,581 --> 00:34:43,916
WELL, WHAT ABOUT ME?
706
00:34:43,957 --> 00:34:46,752
I MEAN, WHO'S GOING
TO TAKE CARE OF ME?
707
00:34:46,793 --> 00:34:49,629
I MEAN, YOU'RE
MY GRANDMOTHER,
708
00:34:49,671 --> 00:34:51,089
THE PERSON I LOVE MOST
IN THE WORLD,
709
00:34:51,130 --> 00:34:53,633
AND YOU'RE SICK,
AND I'M THE ONE WHO'S SCARED.
710
00:34:53,675 --> 00:34:56,553
LOOK, JENNIFER,
711
00:34:56,595 --> 00:34:58,430
THIS IS NOT
A DEATH SENTENCE.
712
00:34:58,471 --> 00:35:00,682
NOW...
713
00:35:00,724 --> 00:35:02,768
MANY PEOPLE MY AGE,
714
00:35:02,809 --> 00:35:06,855
THEY HAVE ONE ROUND
OF RADIATION THERAPY
715
00:35:06,897 --> 00:35:11,359
AND THEY LIVE
LONG HAPPY LIVES
IN REMISSION.
716
00:35:13,820 --> 00:35:16,448
OK, SO LET'S TALK ABOUT THAT.
717
00:35:17,449 --> 00:35:18,450
HMM?
718
00:35:18,491 --> 00:35:19,868
OH, JENNIFER...
719
00:35:19,910 --> 00:35:21,912
BUT CAN WE AT LEAST
JUST START TALKING?
720
00:35:23,789 --> 00:35:25,164
JENNIFER...
721
00:35:25,206 --> 00:35:28,209
I AM NOT READY
TO DIE YET.
722
00:35:30,003 --> 00:35:31,630
COME HERE.
723
00:35:34,132 --> 00:35:36,259
DO YOU HEAR ME?
724
00:35:36,301 --> 00:35:37,469
HMM?
725
00:35:38,804 --> 00:35:40,472
DO YOU?
726
00:35:50,065 --> 00:35:53,485
AND AS MY FIST
WAS ROCKETING
TOWARDS HIS NECK,
727
00:35:53,526 --> 00:35:55,821
I WAS JUST, LIKE,
YOU KNOW, PATRICK,
728
00:35:55,862 --> 00:35:57,781
YOU'RE A LOVER,
NOT A FIGHTER.
729
00:35:57,823 --> 00:36:00,993
THAT LAST PART
WAS PRETTY OBVIOUS.
730
00:36:01,034 --> 00:36:03,620
AND AS FOR
THE FIRST PART...
731
00:36:03,662 --> 00:36:05,622
YOU MEAN THE LOVER PART?
732
00:36:05,664 --> 00:36:07,874
NOT A CHANCE.
733
00:36:07,916 --> 00:36:10,836
OH. WELL, I DIDN'T
MEAN IT LITERALLY.
734
00:36:12,629 --> 00:36:14,131
WELL, YEAH, I DID, BUT...
735
00:36:14,172 --> 00:36:17,216
YOU KNOW,
THAT'S NOT THE REASON
I'M AT THE DANCE WITH YOU.
736
00:36:17,258 --> 00:36:20,053
I'M AT THE DANCE WITH YOU
BECAUSE IF I WEREN'T,
737
00:36:20,095 --> 00:36:22,597
YOU'D BE WITH
SOME OTHER GUY,
AND THAT WOULD KILL ME.
738
00:36:22,639 --> 00:36:24,683
BECAUSE YOU LIKE ME?
739
00:36:24,724 --> 00:36:26,643
YEAH.
740
00:36:33,191 --> 00:36:34,484
NICE SPEECH.
741
00:36:34,526 --> 00:36:36,235
PACEY TEACH YOU THAT?
742
00:36:36,277 --> 00:36:40,490
YEAH. YEAH, THAT AND HOW
TO UNHOOK A BRA
WITH ONE HAND.
743
00:36:40,532 --> 00:36:43,451
TRY IT AND YOU'LL
HAVE ONE HAND LEFT.
744
00:37:03,221 --> 00:37:04,639
IF MEMORY SERVES,
745
00:37:04,681 --> 00:37:06,725
I OWE YOU A DANCE,
MS. POTTER.
746
00:39:32,037 --> 00:39:33,496
YOU'RE PROBABLY
WONDERING
747
00:39:33,538 --> 00:39:35,373
WHAT THE HELL
I'M DOING HERE.
748
00:40:01,649 --> 00:40:04,485
HI.