1
00:00:01,418 --> 00:00:02,795
Joey:
IT'S TRUE WHAT THEY SAY.
2
00:00:02,837 --> 00:00:05,005
TIME PLAYS TRICKS ON YOU.
3
00:00:05,046 --> 00:00:07,215
MEMORY IS
AN UNRELIABLE NARRATOR.
4
00:00:07,257 --> 00:00:11,010
HISTORY GETS REWRITTEN
IN SMALL WAYS
WITH EACH PASSING DAY.
5
00:00:11,052 --> 00:00:13,180
I CAN'T SWEAR THIS IS
EXACTLY HOW IT HAPPENED,
6
00:00:13,221 --> 00:00:15,349
BUT THIS IS HOW IT FELT.
7
00:00:59,018 --> 00:01:00,310
Joey: SUMMER
HAD BROUGHT US HOME,
8
00:01:00,352 --> 00:01:02,270
AND WE WASTED NO TIME
ASSUMING OUR ROLES
9
00:01:02,312 --> 00:01:05,900
IN WHAT HAD BECOME
AN ALL-TOO-FAMILIAR
SCENARIO.
10
00:01:12,322 --> 00:01:16,201
PACEY HAD FALLEN FROM GRACE,
DAWSON'S DREAMS WERE DASHED,
11
00:01:16,243 --> 00:01:19,246
AND I WAS SOMEHOW
IN THE MIDDLE OF IT
ALL OVER AGAIN.
12
00:01:21,999 --> 00:01:24,083
THE TRIANGLE
WE HAD ALL TRIED
SO HARD TO PUT TO REST
13
00:01:24,125 --> 00:01:26,837
HAD COME BACK TO HAUNT US.
14
00:01:31,466 --> 00:01:32,676
NEED SOME HELP?
15
00:01:35,054 --> 00:01:36,597
YOU SCARED
THE CRAP OUT OF ME.
16
00:01:36,638 --> 00:01:37,598
WUSS.
17
00:01:37,639 --> 00:01:38,682
WHAT ARE
YOU DOING?
18
00:01:38,724 --> 00:01:41,100
IT'S CALLED
SYMBOLIC PURGING.
19
00:01:41,142 --> 00:01:42,394
I CAN'T STAND
TO HAVE THIS STUFF
AROUND ANYMORE.
20
00:01:42,436 --> 00:01:43,771
IT JUST SITS HERE
MOCKING ME.
21
00:01:43,812 --> 00:01:45,773
I THOUGHT
I WAS THE ARTIST.
22
00:01:45,814 --> 00:01:47,566
THAT--
23
00:01:48,776 --> 00:01:50,235
UM, FINE,
LAUGH ALL YOU WANT,
24
00:01:50,277 --> 00:01:52,112
BUT THAT'S THE WHOLE
MOVIE RIGHT THERE,
SHOT BY SHOT.
25
00:01:52,153 --> 00:01:53,614
WELL, THEN I WOULDN'T
BE THROWING IT AWAY
IF I WERE YOU.
26
00:01:53,655 --> 00:01:54,949
YOU'RE GONNA NEED THIS.
27
00:01:57,492 --> 00:02:00,621
DAWSON, YOU HAVE THE CHANCE
TO DO SOMETHING GREAT HERE,
28
00:02:00,662 --> 00:02:02,122
AND I CAN'T LET YOU
PASS THAT UP.
29
00:02:02,163 --> 00:02:04,165
I'VE BEEN AUTHORIZED
TO USE FORCE IF NECESSARY.
30
00:02:04,207 --> 00:02:06,543
HAPPEN TO BRING
YOUR $18,000 WITH YOU?
31
00:02:07,962 --> 00:02:09,128
NO, I FORGOT THAT.
32
00:02:09,170 --> 00:02:10,505
JO, YOU'RE SWEET,
I APPRECIATE IT,
33
00:02:10,547 --> 00:02:12,257
BUT I HAVE NO MONEY.
34
00:02:12,299 --> 00:02:14,468
ZERO. NOT ONLY THAT,
I'M IN DEBT.
35
00:02:14,509 --> 00:02:15,469
THANKS TO YOUR
FRIEND AND MINE,
36
00:02:15,510 --> 00:02:16,637
I CHARGED UP
ALL MY CREDIT CARDS.
37
00:02:16,678 --> 00:02:17,679
I'M GONNA HAVE TO WORK
DOUBLES AT FRESH FISH
38
00:02:17,721 --> 00:02:19,306
ALL THIS SUMMER
JUST TO PAY THEM OFF.
39
00:02:19,347 --> 00:02:20,432
SO...
40
00:02:20,474 --> 00:02:23,393
STOP BY AND SAY HI
SOMETIME.
41
00:02:23,435 --> 00:02:27,230
DAWSON LEERY, YOU ARE GOING
TO LET ALL THESE DETAILS
GET IN THE WAY?
42
00:02:27,272 --> 00:02:28,523
WOULD THEY STOP SPIELBERG?
43
00:02:28,565 --> 00:02:30,317
I DON'T KNOW. I DON'T
RECALL ANYTHING IN HIS BIO
44
00:02:30,358 --> 00:02:31,777
ABOUT HIS BEST FRIEND
SQUANDERING
ALL OF HIS MONEY.
45
00:02:34,321 --> 00:02:37,908
PACEY MESSED UP.
NO ONE'S DENYING THAT.
46
00:02:37,950 --> 00:02:39,660
BUT IT WASN'T
INTENTIONAL, DAWSON.
47
00:02:39,701 --> 00:02:41,703
IT NEVER IS, JO.
48
00:02:41,745 --> 00:02:44,289
NEVER IS, BUT IT HAPPENS
EVERY SINGLE TIME,
49
00:02:44,331 --> 00:02:47,001
AND I DON'T NEED IT
ANYMORE. IT'S...
50
00:02:47,042 --> 00:02:48,376
WHAT?
51
00:02:48,418 --> 00:02:49,461
IT WHAT?
52
00:02:49,503 --> 00:02:53,507
NOTHING.
IT'S JUST...
53
00:02:53,548 --> 00:02:56,175
SOME THINGS
NEVER CHANGE.
54
00:02:56,217 --> 00:02:57,260
I CAN'T BELIEVE
YOU'RE TAKING
HIS SIDE ON THIS.
55
00:02:57,302 --> 00:02:58,553
I'M NOT.
56
00:02:58,595 --> 00:03:00,889
I'M NOT TAKING
ANYONE'S SIDE,
DAWSON.
57
00:03:00,931 --> 00:03:03,391
LOOK,
I LOVED YOUR SCRIPT.
58
00:03:03,433 --> 00:03:05,226
IT WAS REAL.
IT WAS THE TRUTH.
59
00:03:05,268 --> 00:03:09,773
IT MAKES EVERYTHING
WE'VE BEEN THROUGH
SEEM SOMEHOW WORTH IT.
60
00:03:09,815 --> 00:03:12,776
AND I DON'T KNOW WHY
YOU AND PACEY CAN'T
JUST PUT YOUR HEADS TOGETHER
61
00:03:12,818 --> 00:03:14,569
AND FIGURE SOMETHING OUT.
62
00:03:14,611 --> 00:03:16,530
LOOK I REFUSE TO BELIEVE
IT HAS TO END THIS WAY.
63
00:03:16,571 --> 00:03:17,990
WELL, BELIEVE IT, JO,
'CAUSE I PRETTY MUCH
64
00:03:18,032 --> 00:03:19,574
NEVER WANT TO SEE THE GUY
AS LONG AS I LIVE.
65
00:03:19,616 --> 00:03:21,326
YOU KNOW WHAT? I KNOW
YOU DON'T MEAN THAT.
66
00:03:21,368 --> 00:03:22,369
YEAH, I DO.
67
00:03:22,410 --> 00:03:23,662
IF YOU GIVE UP NOW,
YOU HAVE NOTHING
68
00:03:23,704 --> 00:03:24,955
AND IT WAS
ALL JUST A WASTE.
69
00:03:24,997 --> 00:03:26,623
IT WAS A WASTE
EITHER WAY.
70
00:03:26,665 --> 00:03:28,416
JO, LOOK, WE CAN GO
BACK AND FORTH FOR HOURS
71
00:03:28,458 --> 00:03:30,460
ON WHY IT'S VIRTUALLY
IMPOSSIBLE FOR ME
TO MAKE THIS FILM,
72
00:03:30,502 --> 00:03:32,921
BUT THE REAL REASON IS
I DON'T BELIEVE IN IT
ANYMORE.
73
00:03:32,963 --> 00:03:34,798
I DON'T.
74
00:03:34,840 --> 00:03:38,259
THE SCRIPT
WAS A CELEBRATION
OF FRIENDSHIP,
75
00:03:38,301 --> 00:03:40,971
SOME GOLDEN ERA
THAT PROBABLY ONLY
EVER EXISTED IN MY HEAD,
76
00:03:41,013 --> 00:03:42,514
AND I SOMEHOW DELUDED
MYSELF INTO BELIEVING
77
00:03:42,556 --> 00:03:44,183
THAT IT WAS A STORY
OF US, OF ALL OF US,
78
00:03:44,224 --> 00:03:46,935
AND THAT
IT SHOULD BE TOLD.
79
00:03:46,977 --> 00:03:48,395
AND I DON'T
BELIEVE THAT ANYMORE.
80
00:03:48,436 --> 00:03:50,605
WELL, FORTUNATELY FOR YOU,
I KNOW YOU DON'T MEAN THAT.
81
00:03:50,647 --> 00:03:53,859
LOOK, YOU'RE HURT,
YOU'RE PISSED OFF,
YOU WANT TO GIVE UP,
82
00:03:53,901 --> 00:03:55,318
WHICH IS TOTALLY
UNDERSTANDABLE,
83
00:03:55,360 --> 00:03:57,779
BUT IT SUCKS
FOR YOU RIGHT NOW
84
00:03:57,821 --> 00:03:59,990
BECAUSE YOU'RE NOT
DEALING WITH SOMEBODY
WHO'S GOING TO LET YOU.
85
00:04:00,032 --> 00:04:03,493
SO I'M GOING TO LEAVE YOU
TO YOUR SULKING FOR NOW,
86
00:04:03,535 --> 00:04:05,620
BUT I'LL BE BACK.
87
00:04:05,662 --> 00:04:07,831
AND I PROMISE YOU
IT'S NOT GONNA BE PRETTY.
88
00:04:07,873 --> 00:04:10,625
ASSES WILL BE KICKED,
NAMES WILL BE TAKEN.
89
00:04:10,667 --> 00:04:14,254
UNTIL THEN,
BYE-BYE, OLD CHUM.
90
00:05:12,813 --> 00:05:14,231
OK, IS EVERYONE CLEAR?
91
00:05:14,273 --> 00:05:15,482
DOES EVERYONE UNDERSTAND
THEIR ASSIGNMENTS?
92
00:05:15,523 --> 00:05:16,650
WHAT ABOUT ME?
WHAT CAN I DO?
93
00:05:16,691 --> 00:05:17,985
ANYTHING. ANYTHING AT ALL
TO DISTRACT ME
94
00:05:18,026 --> 00:05:19,444
FROM THE SHEER HELLISH
BOREDOM OF SUMMER SCHOOL.
95
00:05:19,486 --> 00:05:22,156
PAGE 12.
96
00:05:23,448 --> 00:05:25,075
MISS JACOBS?
THAT'S RIGHT.
97
00:05:25,117 --> 00:05:26,534
THE OLD BROAD?
98
00:05:26,576 --> 00:05:28,287
THE ONE AND THE SAME.
WHAT ABOUT HER?
99
00:05:28,328 --> 00:05:30,580
WELL, I'M YANKING YOU
OUT OF EARLY RETIREMENT
100
00:05:30,622 --> 00:05:32,249
TO BRING HER LIFE
TO THE SCREEN.
101
00:05:32,291 --> 00:05:34,626
WAIT A SECOND.
LET ME GET THIS STRAIGHT.
102
00:05:34,668 --> 00:05:36,628
YOU WANT ME
TO PLAY THE SLUTTY TEACHER
103
00:05:36,670 --> 00:05:39,214
THAT--THAT ROBBED PACEY
OF HIS DELICATE FLOWER?
104
00:05:39,256 --> 00:05:41,466
DO YOU HAVE A PROBLEM
WITH THAT?
105
00:05:41,508 --> 00:05:42,926
YOU COULD PLAY EVE.
106
00:05:42,968 --> 00:05:43,885
SADLY, EVE
DIDN'T MAKE THE CUT.
107
00:05:43,927 --> 00:05:44,886
AW, THAT'S A SHAME.
108
00:05:44,928 --> 00:05:46,138
WHO THE HELL IS EVE?
109
00:05:46,180 --> 00:05:48,140
EH, LONG STORY.
AMBIGUOUS ENDING.
110
00:05:48,182 --> 00:05:49,224
NOW WHAT ABOUT PACEY?
OH, YEAH.
111
00:05:49,266 --> 00:05:50,851
GUESS HE COULDN'T MAKE IT.
112
00:05:50,892 --> 00:05:52,311
BUT DON'T WORRY.
I'LL TAKE CARE OF THAT.
113
00:05:52,351 --> 00:05:53,312
(SIGHS)
114
00:05:53,352 --> 00:05:54,562
HEY, JOEY.
DOUGIE,
115
00:05:54,604 --> 00:05:56,106
WHERE IS HE?
116
00:05:56,148 --> 00:05:58,900
THE LITTLE BROTHER?
OH, HE'S, UM, OUT
117
00:05:58,942 --> 00:06:00,735
OR SOMETHING.
118
00:06:00,777 --> 00:06:02,988
LIAR, LIAR.
TSK, TSK, DOUGIE.
119
00:06:03,030 --> 00:06:05,657
I'M WARNING YOU, JOEY,
IT'S UGLY.
120
00:06:05,699 --> 00:06:08,660
Pacey: HEY. JO, COME IN.
121
00:06:08,702 --> 00:06:10,954
I'M FINALLY STARTING
TO UNDERSTAND
THESE SOAP OPERAS.
122
00:06:10,996 --> 00:06:14,333
THEY'RE
PRETTY GOOD.
123
00:06:14,373 --> 00:06:15,750
ALL RIGHT, DIRT MERCHANT.
124
00:06:15,792 --> 00:06:17,127
PUT SOME PANTS ON.
YOU'RE COMING WITH.
125
00:06:17,169 --> 00:06:19,880
YEAH.
126
00:06:19,921 --> 00:06:21,840
I DON'T THINK I'M GOING
TO BE ABLE TO DO THAT.
127
00:06:21,882 --> 00:06:23,884
THE YOUNG AND THE RESTLESS
IS JUST ABOUT TO COME ON.
128
00:06:23,925 --> 00:06:26,803
I GOTTA SEE HOW J.T. TALKS
HIS WAY OUT OF THIS ONE
129
00:06:26,845 --> 00:06:28,387
'CAUSE COLLEEN
WAS ABOUT TO KILL HIM.
130
00:06:28,429 --> 00:06:30,765
I WOULDN'T MISS THAT FOR
ALL THE PIZZA IN CAPESIDE.
131
00:06:30,807 --> 00:06:31,975
BUT, PLEASE, FEEL FREE.
132
00:06:32,017 --> 00:06:33,518
PULL UP A SEAT.
WE GOT CHIPS.
133
00:06:33,560 --> 00:06:34,728
PACEY.
134
00:06:37,231 --> 00:06:38,523
THIS IS PATHETIC.
135
00:06:38,565 --> 00:06:45,030
WELL, YEAH. KIND OF
COMES WITH THE TERRITORY.
136
00:06:45,072 --> 00:06:46,573
NOW I'M NOT SURE WHAT
YOU WANT ME TO DO ABOUT IT.
137
00:06:46,614 --> 00:06:48,407
I WANT YOU
TO COME WITH ME.
138
00:06:48,449 --> 00:06:49,826
I WANT YOU
TO HELP ME FIGURE OUT
139
00:06:49,868 --> 00:06:52,579
HOW TO GET DAWSON'S MOVIE
MADE ON $10 AND A DREAM.
140
00:06:52,620 --> 00:06:54,206
I'D JUST END UP RUINING
THE WHOLE THING,
141
00:06:54,248 --> 00:06:56,415
AND DAWSON KNOWS THAT,
I KNOW THAT,
142
00:06:56,457 --> 00:06:57,959
AND IN YOUR HEART
OF HEARTS YOU KNOW THAT.
143
00:06:58,001 --> 00:06:59,753
I'M A DANGEROUS MAN,
144
00:06:59,794 --> 00:07:02,547
A LETHAL WEAPON,
145
00:07:02,589 --> 00:07:07,886
SO WE'RE ALL BETTER OFF
IF I JUST LAY HERE
ON MY COUCH,
146
00:07:07,928 --> 00:07:09,388
WATCHING MY STORIES.
147
00:07:12,557 --> 00:07:14,726
UHH!
148
00:07:14,768 --> 00:07:16,686
PACEY!
WHAT?
149
00:07:16,728 --> 00:07:19,356
LOOK.
150
00:07:19,398 --> 00:07:22,943
I NEED YOU.
DAWSON NEEDS YOU.
151
00:07:22,984 --> 00:07:24,736
OK. HERE'S
THE MOST CRUCIAL THING
152
00:07:24,778 --> 00:07:25,862
THAT YOU'RE
GOING TO HAVE TO GET
153
00:07:25,904 --> 00:07:27,197
THROUGH THAT PRETTY
LITTLE HEAD OF YOURS.
154
00:07:27,239 --> 00:07:30,158
THINGS WILL NEVER BE
THE SAME BETWEEN
DAWSON AND ME.
155
00:07:32,077 --> 00:07:34,079
OR ANY OF US
FOR THAT MATTER.
156
00:07:34,121 --> 00:07:35,830
AND YOU'RE JUST GOING
TO HAVE TO ACCEPT THAT.
157
00:07:35,872 --> 00:07:39,293
I DON'T.
158
00:07:39,334 --> 00:07:41,002
AND I NEVER WILL.
159
00:07:43,504 --> 00:07:46,425
OK. THAT'S FINE.
160
00:07:46,465 --> 00:07:50,595
BE CHEERY AND DELIGHTFUL
AND WHATEVER ELSE IT IS
YOU WANT TO BE.
161
00:07:50,637 --> 00:07:52,180
I REALLY DON'T CARE.
162
00:07:59,896 --> 00:08:01,106
YEAH, BEFORE YOU GO--
163
00:08:04,318 --> 00:08:06,027
(PACEY GROANS)
164
00:08:09,739 --> 00:08:11,450
(DOOR SLAMS)
165
00:08:21,709 --> 00:08:23,128
YOU ARE SO BUSTED.
166
00:08:23,170 --> 00:08:25,088
WHAT ARE YOU
TALKING ABOUT?
167
00:08:25,130 --> 00:08:26,673
IS THIS HIM?
THAT'S HIM.
168
00:08:26,714 --> 00:08:28,675
THAT'S IT, HARLEY.
I'M GONNA HAVE
TO TELL YOUR FATHER.
169
00:08:28,716 --> 00:08:30,177
TELL HIM WHAT?
170
00:08:30,218 --> 00:08:31,928
HE KNOWS PATRICK AND I
ARE SEEING EACH OTHER.
171
00:08:31,970 --> 00:08:33,138
BUT WOULD HE LIKE TO KNOW
ABOUT THIS LITTLE BIT
OF UNPLEASANTNESS?
172
00:08:33,180 --> 00:08:34,306
I THINK NOT.
173
00:08:34,348 --> 00:08:36,683
WELL, I'M NOT
GONNA TELL HETSON,
174
00:08:36,724 --> 00:08:38,852
WHICH IS GOOD FOR YOU
175
00:08:38,893 --> 00:08:40,603
BECAUSE HE WOULD LIKE
TO HAVE WIPED THE FLOOR
WITH YOUR PUNK ASS,
176
00:08:40,645 --> 00:08:42,439
BUT NOW IT LOOKS LIKE
YOU TWO OWE ME A FAVOR.
177
00:08:42,481 --> 00:08:44,983
NO.
178
00:08:45,025 --> 00:08:47,819
YOU DON'T UNDERSTAND.
THIS IS A GREAT FILM.
179
00:08:47,861 --> 00:08:51,365
YOU WOULD BE DOING THE WORLD
OF INDEPENDENT CINEMA
A HUGE FAVOR.
180
00:08:51,406 --> 00:08:52,907
I DON'T KNOW.
LET ME READ THE SCRIPT.
181
00:08:52,949 --> 00:08:53,908
THERE'S NO TIME.
182
00:08:53,950 --> 00:08:55,160
YEAH, WELL, UH, I GUESS
183
00:08:55,202 --> 00:08:57,120
YOU'RE OUT OF LUCK, THEN.
BYE-BYE.
184
00:08:57,162 --> 00:08:59,998
OK, LOOK, I REALLY
DIDN'T WANT TO HAVE
TO DO THIS,
185
00:09:00,040 --> 00:09:01,875
BUT IT APPEARS AS THOUGH
I HAVE NO CHOICE.
186
00:09:01,916 --> 00:09:05,253
UM, I'LL
GO OUT WITH YOU.
187
00:09:05,295 --> 00:09:06,587
WHAT?
I'LL GO OUT WITH YOU.
188
00:09:06,629 --> 00:09:07,630
IT'S WHAT YOU WANT, RIGHT?
189
00:09:07,672 --> 00:09:10,258
BUT JUST COFFEE, OK?
NO FUNNY BUSINESS.
190
00:09:10,300 --> 00:09:13,678
YEAH. THANKS FOR THAT,
BUT I'M NOT REALLY
INTERESTED.
191
00:09:13,720 --> 00:09:17,098
WHAT ARE YOU TALKING ABOUT?
I'M A FILM GEEK'S DREAM.
192
00:09:17,140 --> 00:09:19,559
NOT THIS FILM GEEK.
193
00:09:19,600 --> 00:09:21,269
HOW YOU DOIN'?
194
00:09:38,995 --> 00:09:40,205
OH, HEY, SWEETIE.
HEY.
195
00:09:40,247 --> 00:09:41,415
CAN I FIX YOU
SOME DINNER?
196
00:09:41,456 --> 00:09:43,041
NO, THANKS.
I'M JUST GONNA TAKE A NAP
197
00:09:43,083 --> 00:09:44,834
BEFORE THE DINNER SHIFT.
198
00:09:44,876 --> 00:09:47,712
SWEET DREAMS.
199
00:09:54,886 --> 00:09:55,929
TOLD YOU
I'D BE BACK.
200
00:09:55,970 --> 00:09:57,514
HOW--HOW DID--
201
00:09:57,556 --> 00:09:58,639
DON'T WORRY ABOUT IT.
202
00:09:58,681 --> 00:10:00,308
I JUST WANT YOU
TO ADMIT HERE AND NOW,
203
00:10:00,350 --> 00:10:03,728
ONCE AND FOR ALL, THAT
YOU FINALLY HAVE NO EXCUSES.
204
00:10:03,770 --> 00:10:05,313
WELL, WHAT ABOUT ACTORS?
205
00:10:05,355 --> 00:10:06,481
LEARNING THEIR LINES
AS WE SPEAK.
206
00:10:06,523 --> 00:10:08,733
AWAITING A PHONE CALL
FROM THEIR DIRECTOR.
207
00:10:08,775 --> 00:10:11,361
OOH. I GET TO PLAY
MISS JACOBS.
208
00:10:11,403 --> 00:10:15,449
YOU KNOW, THE WOMAN
WHO SEDUCES A YOUNG BOY
ON THE VERGE OF MANHOOD.
209
00:10:15,490 --> 00:10:17,576
I DO HAVE SOME NOTES,
HOWEVER.
210
00:10:17,617 --> 00:10:19,286
LATER. WE'LL DIS--
WE'LL DISCUSS IT LATER.
211
00:10:19,327 --> 00:10:20,495
SO WHAT DO YOU SAY,
DAWSON,
212
00:10:20,537 --> 00:10:21,788
ARE YOU READY
TO TAKE OFF THE DRESS
213
00:10:21,829 --> 00:10:22,956
AND STEP UP
TO THE PLATE?
214
00:10:22,997 --> 00:10:25,375
YEAH, DAWSON,
YOU HAVE NO IDEA
215
00:10:25,417 --> 00:10:28,545
WHAT I WENT THROUGH
TO GET THIS STUFF.
216
00:10:28,587 --> 00:10:31,798
GUYS, IT'S AMAZING.
AND THIS IS--
217
00:10:31,839 --> 00:10:33,383
I'M TOUCHED
BEYOND WORDS, BUT--
218
00:10:33,425 --> 00:10:36,010
BUT? NO.
THERE ARE NO BUTS, DAWSON.
219
00:10:36,052 --> 00:10:38,012
ALL YOU HAVE TO DO
IS SHOOT THE MOVIE,
220
00:10:38,054 --> 00:10:40,181
JUST LIKE YOU WERE
GOING TO DO A WEEK AGO.
221
00:10:40,223 --> 00:10:42,434
AND IF YOU'RE TELLING ME
THAT YOU DON'T BELIEVE
IN FRIENDSHIP ANYMORE,
222
00:10:42,476 --> 00:10:45,895
I AM GOING TO THROW YOU
OUT THAT WINDOW.
223
00:10:45,937 --> 00:10:49,023
N-NO, IT'S NOT THAT.
I MEAN, I HAVE TO WORK.
I HAVE A JOB.
224
00:10:49,065 --> 00:10:51,192
OH, NO, YOU DON'T.
225
00:10:51,234 --> 00:10:52,193
YOU'RE FIRED.
226
00:10:52,235 --> 00:10:53,194
WHAT?
227
00:10:53,236 --> 00:10:54,195
IT'S MY RESTAURANT,
DAWSON.
228
00:10:54,237 --> 00:10:55,780
I'M FIRING YOU.
CASE CLOSED.
229
00:10:55,822 --> 00:10:57,532
MOM--
OK, SO HERE'S
WHAT YOU'RE GOING TO DO.
230
00:10:57,574 --> 00:11:00,285
YOU'RE GONNA
POP THE CHAMPAGNE,
231
00:11:00,327 --> 00:11:02,329
YOU'RE GOING TO POUR IT
INTO THESE SILLY
LITTLE CUPS
232
00:11:02,370 --> 00:11:03,871
BECAUSE THAT'S
ALL I COULD FIND,
233
00:11:03,913 --> 00:11:06,124
AND THEN YOU ARE
GOING TO MAKE A TOAST
234
00:11:06,166 --> 00:11:09,336
TO STARTING PRODUCTION
ON YOUR NEW FILM.
235
00:11:09,377 --> 00:11:11,171
AND I'D PROBABLY THROW IN
A LITTLE SOMETHING
236
00:11:11,212 --> 00:11:14,549
ABOUT YOUR FRIENDS HERE
WHO, IN MY OPINION,
ARE FAIRLY AMAZING
237
00:11:14,591 --> 00:11:18,345
AND DON'T FORGET
TO MENTION YOUR MOTHER.
238
00:11:23,183 --> 00:11:27,145
WHAT CAN I SAY?
239
00:11:27,187 --> 00:11:28,687
LET'S DO THIS THING.
240
00:11:28,729 --> 00:11:29,897
YES.
241
00:11:31,107 --> 00:11:32,567
YAY.
242
00:11:32,609 --> 00:11:35,028
(CHEERING)
243
00:11:35,069 --> 00:11:36,571
I KNOW.
244
00:11:44,162 --> 00:11:45,746
Joey:
WHAT DO WE THINK?
245
00:11:45,788 --> 00:11:47,541
I THINK WE SHOULD GIVE HIM
ANOTHER 5 MINUTES
246
00:11:47,582 --> 00:11:49,417
AND TRY AND TIME OUT
THIS BIKE THING PERFECTLY.
247
00:11:49,459 --> 00:11:51,169
AND THEN WE'LL
HAVE HIM JUST WALK
INTO THE VIDEO STORE?
248
00:11:51,211 --> 00:11:52,879
I GUESS SO. YEAH.
249
00:11:52,920 --> 00:11:54,673
IT'S NOTHING LIKE
ASKING THE DIRECTOR
TO COMPROMISE
250
00:11:54,713 --> 00:11:56,591
BEFORE HE'S EVEN GOTTEN
HIS FIRST SHOT OFF.
251
00:11:56,633 --> 00:11:59,219
HEY, JEN, UM,
RIGHT AFTER THIS,
252
00:11:59,260 --> 00:12:00,845
WE HAVE TO GO
INSIDE THE VIDEO STORE
253
00:12:00,887 --> 00:12:02,472
AND SHOOT IN THERE,
AND WE ONLY HAVE
A LIMITED TIME IN THERE,
254
00:12:02,514 --> 00:12:05,559
SO PLEASE TELL ME
255
00:12:05,600 --> 00:12:07,519
THEY KNOW THEIR LINES.
256
00:12:07,561 --> 00:12:09,020
THEY JUST DON'T KNOW
WHAT ORDER THEY GO IN.
257
00:12:15,068 --> 00:12:16,611
WHAT, NO SPRINKLES?
258
00:12:16,653 --> 00:12:17,820
KIDDING.
259
00:12:17,862 --> 00:12:20,031
ANY WORD ON
OUR SPECIAL DELIVERY?
260
00:12:20,073 --> 00:12:21,074
IN TRANSIT.
261
00:12:21,115 --> 00:12:24,202
OK, WHY DO I NOT SMELL
EGGS FLORENTINE?
262
00:12:24,244 --> 00:12:25,453
Pacey: EXCUSE ME?
263
00:12:25,495 --> 00:12:27,038
I THOUGHT
WE HAD AN AGREEMENT.
264
00:12:27,080 --> 00:12:28,415
I LET YOU
CRASH ON MY COUCH,
265
00:12:28,456 --> 00:12:30,417
YOU COOK FOR ME.
266
00:12:30,458 --> 00:12:31,792
ELABORATE,
MOUTH-WATERING,
267
00:12:31,834 --> 00:12:34,713
PROFESSIONALLY PREPARED
MEALS, WELL GARNISHED.
268
00:12:34,753 --> 00:12:36,755
I'M REALLY FLATTERED
BY YOUR FAITH IN
MY CULINARY ABILITIES,
269
00:12:36,797 --> 00:12:37,798
BUT I CAN'T DO IT TODAY.
270
00:12:37,840 --> 00:12:39,551
I GOT OTHER THINGS
TO DO,
271
00:12:39,593 --> 00:12:40,968
BUT I LEFT ALL
THE FIXINGS OUT FOR YOU,
272
00:12:41,010 --> 00:12:42,053
AND YOU REALLY DO
OWE IT TO YOURSELF
273
00:12:42,095 --> 00:12:43,804
AS A MODERN BACHELOR
TO DEVELOP SOME SORT
274
00:12:43,846 --> 00:12:45,390
OF RUDIMENTARY
COOKING SKILLS.
275
00:12:45,432 --> 00:12:49,102
AND CHICKS
DIG THAT KIND OF THING.
276
00:12:49,143 --> 00:12:51,896
AND, YOU KNOW,
THOSE OTHER GUYS, TOO.
THEY LIKE IT.
277
00:12:54,982 --> 00:12:56,693
MY GOD,
LOOK AT THAT.
278
00:12:56,735 --> 00:12:58,612
OH, SHOW
SOME RESPECT, MAN.
279
00:12:58,653 --> 00:13:00,614
SHE'S OLD ENOUGH
TO BE SOMEBODY'S MOTHER.
280
00:13:00,655 --> 00:13:02,699
YEAH, A ZYGOTE'S.
281
00:13:02,741 --> 00:13:04,492
BESIDES, I HAPPEN TO HAVE IT
ON PRETTY GOOD AUTHORITY
282
00:13:04,534 --> 00:13:07,245
THAT MOTHERS HAVE
EXCELLENT SEX LIVES.
283
00:13:08,955 --> 00:13:10,707
GOOD AFTERNOON.
CAN WE HELP YOU?
284
00:13:10,749 --> 00:13:12,083
UM, YEAH--
Dawson: CUT, CUT.
285
00:13:12,125 --> 00:13:13,585
AUDREY, YOU'RE GONNA
HAVE TO TAKE THE ROBE OFF.
286
00:13:13,627 --> 00:13:14,586
YOU'RE KIDDING ME.
287
00:13:14,628 --> 00:13:15,754
I THOUGHT
WE'D BE IN TIGHT ENOUGH
288
00:13:15,794 --> 00:13:16,671
SO WE WOULDN'T SEE IT,
BUT IT'S RIGHT THERE.
289
00:13:16,713 --> 00:13:18,465
THIS IS,
LIKE, MY DREAM DAY.
290
00:13:18,506 --> 00:13:21,342
OK, DAWSON,
WHAT IF I JUST SHOW
A LITTLE SHOULDER?
291
00:13:21,384 --> 00:13:22,636
I NEED BARE SKIN.
292
00:13:22,677 --> 00:13:23,886
Jen: YOU NEED, LIKE,
SPAGHETTI STRAPS.
293
00:13:23,928 --> 00:13:25,096
SHE'S RIGHT. YOU
HAVE TO HAVE SOMETHING
294
00:13:25,138 --> 00:13:26,681
TO MATCH THE WARDROBE
AUDREY WOULD BE WEARING
295
00:13:26,723 --> 00:13:28,182
IF PACEY JUNIOR HADN'T
WALKED INTO HER CHEST
296
00:13:28,224 --> 00:13:29,517
WITH A JELLY DOUGHNUT.
297
00:13:29,559 --> 00:13:30,685
WE DON'T HAVE
AN E.T.A. ON THAT
DRESS YET, DO WE?
298
00:13:30,727 --> 00:13:32,061
YES. SPIN CYCLE.
YOUR MOM SAYS
299
00:13:32,103 --> 00:13:33,563
IT'S GONNA BE ABOUT,
UH, 20 MINUTES.
300
00:13:33,605 --> 00:13:35,898
UH, EXCUSE ME.
IS THERE ANY SCENARIO
301
00:13:35,940 --> 00:13:37,525
IN WHICH SHE
COULD JUST TAKE OFF
ALL HER CLOTHES?
302
00:13:37,567 --> 00:13:39,277
YOU KNOW,
AT LEAST FOR ONE TAKE?
303
00:13:39,319 --> 00:13:41,904
BECAUSE THEN, YOU KNOW,
I FEEL LIKE I COULD
REALLY GIVE YOU
304
00:13:41,946 --> 00:13:44,198
AN APPROPRIATE
ON-CAMERA REACT--AAH!
305
00:13:44,240 --> 00:13:46,951
CAN I HAVE 5 MINUTES
ALONE WITH THIS GUY?
306
00:13:46,993 --> 00:13:50,037
YOU DON'T KNOW HOW LONG
I DREAMED OF HEARING
YOU SAY THAT. OW!
307
00:13:53,166 --> 00:13:54,793
WHAT?
NOTHING.
308
00:13:54,833 --> 00:13:57,671
OK, GEORGE,
KEEP DOING EXACTLY
WHAT YOU'VE BEEN DOING.
309
00:13:57,712 --> 00:13:59,464
GUYS WILL BE GOING
A LITTLE BIT TIGHTER
NEXT TIME,
310
00:13:59,506 --> 00:14:01,966
AND, AUDREY, IF YOU CAN
JUST LOWER THE ROBE DOWN
JUST ABOVE YOUR ELBOWS.
311
00:14:02,008 --> 00:14:04,678
PATRICK, I KNOW
YOU GOT IT IN YOU
TO IMAGINE THE REST.
312
00:14:06,304 --> 00:14:09,223
THINK OF HOW MANY MORE
PATIENTS YOU WOULD HAVE
313
00:14:09,265 --> 00:14:11,850
IF YOU SEIZED UPON THIS
WONDERFUL OPPORTUNITY
FOR FREE PUBLICITY.
314
00:14:11,892 --> 00:14:14,937
IF I HAVE TO GIVE YOU
$200, HOW IS IT FREE?
315
00:14:14,979 --> 00:14:19,150
THIS YOU WILL GET BACK
WITH A CREDIT IN THE FILM.
316
00:14:19,192 --> 00:14:23,571
A VERY SPECIAL THANKS
TO DR. ELICE BRISCOE,
THE FRIENDLY DENTIST.
317
00:14:23,613 --> 00:14:27,367
THE DENTIST WHO CARES
ABOUT PEOPLE'S DREAMS,
I MEAN, THINK OF IT.
318
00:14:27,408 --> 00:14:29,868
AND LOOK AT THAT SMILE.
319
00:14:29,910 --> 00:14:32,955
IT'S A CRIME TO KEEP YOU
BEHIND THIS DESK.
320
00:14:32,997 --> 00:14:34,582
WOULD YOU DO US
THE HONOR OF PERHAPS
321
00:14:34,624 --> 00:14:36,376
COMING IN AND DOING
A LITTLE CAMEO IN THE FILM?
322
00:14:36,417 --> 00:14:37,377
Joey:
UH, DAWSON--
323
00:14:37,418 --> 00:14:38,294
HEY, JACK,
CAN WE USE THAT BELL?
324
00:14:38,336 --> 00:14:39,295
YEAH, DONE.
325
00:14:39,337 --> 00:14:41,255
GREAT. SORRY. WHAT?
326
00:14:41,297 --> 00:14:43,299
WELL, I JUST THINK
WITH THE LIGHT STREAMING
THROUGH THE WINDOW,
327
00:14:43,341 --> 00:14:45,051
WE'RE TOTALLY GOING
TO BE ABLE TO SEE
THROUGH AUDREY'S DRESS.
328
00:14:45,092 --> 00:14:46,720
HA HA! I KNOW.
329
00:14:46,761 --> 00:14:48,304
YOU KNOW?
YES.
330
00:14:48,346 --> 00:14:49,597
THAT'S THE NATURAL
LIGHTING EFFECT
331
00:14:49,639 --> 00:14:50,807
I'VE BEEN WAITING
ALL DAY TO GET.
332
00:14:50,849 --> 00:14:52,225
THAT'S WHY I DIDN'T DO
THE WIDE SHOT FIRST.
333
00:14:52,266 --> 00:14:54,435
SO IS THIS
GONNA WORK OR WHAT?
334
00:14:54,477 --> 00:14:56,563
THAT IS PERFECTION.
SHE KNOWS?
335
00:14:56,604 --> 00:14:58,231
YEAH, OF COURSE
SHE KNOWS.
336
00:14:58,272 --> 00:14:59,482
I'M NOT GONNA DO
SOMETHING LIKE THAT
WITHOUT ASKING HER FIRST.
337
00:14:59,524 --> 00:15:01,568
WHAT THE HELL IS THIS KID
DOING TO MY STORE?
338
00:15:01,609 --> 00:15:03,027
HE'S NOT DOING ANYTHING.
I TOLD YOU
339
00:15:03,069 --> 00:15:04,863
WE WILL PUT EVERYTHING BACK
EXACTLY AS WE FOUND IT.
340
00:15:04,904 --> 00:15:06,489
YOU ALSO TOLD ME YOU
WOULDN'T BREAK ANYTHING
341
00:15:06,531 --> 00:15:08,032
AND THAT YOU'D
BE OUT OF HERE BY 2:00.
342
00:15:08,074 --> 00:15:09,576
Doug: HEY, JOEY,
I JUST WANTED
TO LET YOU TO KNOW
343
00:15:09,617 --> 00:15:11,536
I CAN'T BLOCK THAT STREET
ANYMORE. IT'S ALMOST 5:00.
344
00:15:11,578 --> 00:15:12,953
OH, THANK GOD, THE LAW.
345
00:15:12,995 --> 00:15:14,581
OFFICER, CAN YOU GET
THESE KIDS OUT OF MY STORE?
346
00:15:14,622 --> 00:15:15,956
IS THERE A PROBLEM
HERE, JOEY?
347
00:15:15,998 --> 00:15:17,542
NO. YOU KNOW WHAT?
THERE'S NO PROBLEM.
348
00:15:17,584 --> 00:15:21,379
LOOK, I UNDERSTAND
THAT WE'RE GOING LONGER
THAN WE ANTICIPATED,
349
00:15:21,421 --> 00:15:24,716
AND I APPRECIATE
SO MUCH THAT YOU'RE
LETTING US BE HERE,
350
00:15:24,758 --> 00:15:26,593
BUT WE JUST NEED--
IT'S FRIDAY.
351
00:15:26,634 --> 00:15:29,554
DO YOU KNOW WHAT PEOPLE DO
ON A FRIDAY NIGHT?
352
00:15:29,596 --> 00:15:31,389
RENT VIDEOS.
EXACTLY,
353
00:15:31,431 --> 00:15:34,684
WHICH IS WHY I WANT THEM
OUT OF HERE NOW.
354
00:15:34,726 --> 00:15:35,727
WE NEED
10 MORE MINUTES.
355
00:15:35,769 --> 00:15:36,853
YOU KNOW WHAT, SIR?
356
00:15:36,895 --> 00:15:39,230
WHY DON'T WE, UM,
TALK ABOUT THIS OUTSIDE?
357
00:15:40,398 --> 00:15:41,900
THANK YOU.
358
00:15:43,818 --> 00:15:45,152
OK. SO NOW
WHAT DO WE DO?
359
00:15:45,194 --> 00:15:47,238
WE SHOOT QUICKLY WHILE
DOUG HAS THE GUY DISTRACTED.
360
00:15:47,280 --> 00:15:48,322
AND IF
IT DOESN'T WORK?
361
00:15:48,364 --> 00:15:50,575
UH, BRIBERY.
362
00:15:50,617 --> 00:15:51,910
DAWSON, WE DON'T
HAVE ANY MONEY.
363
00:15:51,950 --> 00:15:53,369
NO, BUT WE DO HAVE
AN ABUNDANCE OF HOT GIRLS,
364
00:15:53,411 --> 00:15:55,204
WHICH ARE
AS GOOD AS CURRENCY
IN MANY COUNTRIES.
365
00:15:55,246 --> 00:15:57,164
YOU'RE JOKING.
366
00:15:57,206 --> 00:15:58,374
YOU'RE JOKING
AT A TIME LIKE THIS?
367
00:15:58,416 --> 00:16:01,001
DAWSON,
WE HAVE YET TO
FINISH THIS SCENE,
368
00:16:01,043 --> 00:16:03,463
WE'RE LOSING
THE LIGHT, WE'RE
LOSING THE LOCATION.
369
00:16:03,504 --> 00:16:06,925
HEY, WITHOUT CHAOS,
THERE'D BE NO HAPPY ACCIDENTS.
370
00:16:09,009 --> 00:16:10,720
Todd: HELLO, HELLO,
HELLO, HELLO.
371
00:16:11,805 --> 00:16:13,473
WHY ARE WE NOT
FILMING HERE, LEERY?
372
00:16:13,514 --> 00:16:15,475
THE LIGHT IS PERFECT.
373
00:16:15,516 --> 00:16:18,812
THE LEADING LADY
IS PERFECT.
374
00:16:18,853 --> 00:16:20,855
WHAT THE HELL
ARE YOU DOING HERE?
375
00:16:20,897 --> 00:16:23,817
WELL, THAT SEXY MOM
OF YOURS
376
00:16:23,858 --> 00:16:25,234
MADE ME AN OFFER
I COULDN'T REFUSE.
377
00:16:25,276 --> 00:16:28,822
HA HA! ALL I DID WAS
E-MAIL HIM THE SCRIPT.
378
00:16:28,863 --> 00:16:31,198
IT TOOK ME 2 DAYS
TO BLOODY DOWNLOAD THE THING.
379
00:16:31,240 --> 00:16:33,785
BUT WHEN I DID,
I SAID THIS IS BRILLIANT.
380
00:16:33,827 --> 00:16:36,036
I SAID THIS IS
JUST THE SORT OF PROJECT
381
00:16:36,078 --> 00:16:37,580
THAT TODD NEEDS
TO BE INVOLVED WITH.
382
00:16:37,622 --> 00:16:39,749
SO I'M HERE, FULLY
ON BOARD, READY TO WORK
383
00:16:39,791 --> 00:16:42,168
IN WHATEVER MENIAL CAPACITY
YOU MAY REQUIRE ME.
384
00:16:42,209 --> 00:16:43,920
I COULD REALLY USE A D.P.
DONE.
385
00:16:43,962 --> 00:16:45,045
AND A CAMERA OPERATOR.
386
00:16:45,087 --> 00:16:46,339
DONE AGAIN. JUST GET ME
A TRIPLE ESPRESSO
387
00:16:46,380 --> 00:16:47,423
AND I'M GOOD TO GO.
GOT IT.
388
00:16:47,465 --> 00:16:50,551
UM, TODD,
I'M THE DIRECTOR NOW.
389
00:16:50,593 --> 00:16:54,931
RIGHT YOU ARE, AND
A DAMN GOOD ONE, TOO.
390
00:16:54,973 --> 00:16:56,766
UM...
391
00:17:03,272 --> 00:17:04,899
I'LL GO.
Gale: OH, JOEY.
392
00:17:04,941 --> 00:17:06,693
DON'T EVEN THINK
ABOUT IT.
BUT--
393
00:17:08,569 --> 00:17:10,112
ALL RIGHT,
LISTEN UP PEOPLE.
394
00:17:10,154 --> 00:17:14,325
CHOP, CHOP. THIS MAN HERE
HAS A MOVIE TO MAKE,
395
00:17:14,367 --> 00:17:17,704
AND WE ARE GONNA MAKE IT
FOR HIM OR DIE TRYING.
396
00:17:17,745 --> 00:17:21,332
(APPLAUSE)
397
00:17:24,084 --> 00:17:25,336
SO LET ME
GET THIS STRAIGHT.
398
00:17:25,378 --> 00:17:27,338
YOU'VE DEVELOPED SOME SORT
OF SUPERSTITIOUS BELIEF
399
00:17:27,380 --> 00:17:28,589
THAT IF YOU EAT
STEAMED BROCCOLI EVERY DAY,
400
00:17:28,631 --> 00:17:30,090
YOU'LL NEVER DIE?
401
00:17:30,132 --> 00:17:33,011
EXACTLY.
402
00:17:33,052 --> 00:17:34,428
WELL, YOU SEE THE PROBLEM
IS, SWEETHEART,
403
00:17:34,470 --> 00:17:37,682
IS THESE ARE HUGE,
GIGANTIC PIECES OF BROCCOLI.
404
00:17:37,724 --> 00:17:40,142
I'M LOOKING FOR MORE
OF A BROCCOLINI-TYPE DEAL.
405
00:17:40,184 --> 00:17:41,227
A BROCCOLINI?
406
00:17:41,268 --> 00:17:44,146
EXACTLY.
407
00:17:44,188 --> 00:17:45,606
WELL, OFF YOU GO THERE.
408
00:17:56,617 --> 00:17:59,913
YOU KNOW, IN CALIFORNIA,
THIS IS REALLY A VERY
REASONABLE REQUEST.
409
00:18:09,422 --> 00:18:10,965
NO WAY.
NOT GONNA HAPPEN.
410
00:18:11,007 --> 00:18:12,216
NOT IN A MILLION YEARS.
411
00:18:12,258 --> 00:18:14,385
I TOTALLY UNDERSTAND
YOUR CONCERN. I REALLY DO,
412
00:18:14,427 --> 00:18:16,429
BUT IT'S AN INCREDIBLY
CHARACTER-DEFINING MOMENT
413
00:18:16,470 --> 00:18:18,431
NOT JUST FOR YOU.
FOR ALL 3 CHARACTERS,
EXPLAINS YOUR DYNAMIC.
414
00:18:18,472 --> 00:18:20,516
I SAID NOT HAPPENING.
415
00:18:23,728 --> 00:18:25,521
WHAT'S SO FUNNY?
416
00:18:25,563 --> 00:18:27,899
SHE CAN'T SWIM.
SHE--
417
00:18:35,114 --> 00:18:37,116
EW, NO THANKS.
I'M TRYING TO QUIT.
418
00:18:37,157 --> 00:18:38,743
NO, IT'S NOT TO EAT.
419
00:18:38,785 --> 00:18:40,828
I NEED YOU TO CHOP THIS UP
AND SERVE IT TO TODD.
420
00:18:40,870 --> 00:18:42,914
YOU ARE HIS NEW
PERSONAL ASSISTANT.
421
00:18:42,956 --> 00:18:43,915
I'VE BEEN WRAPPED
FOR THE DAY.
422
00:18:43,957 --> 00:18:45,165
CAN'T YOU FIND
SOMEONE ELSE TO DO IT?
423
00:18:45,207 --> 00:18:46,584
SOMEONE WHO'S NOT
NUMBER ONE ON THE CALL SHEET?
424
00:18:46,626 --> 00:18:48,753
NO. COME ON. GET UP.
425
00:18:48,795 --> 00:18:50,838
THERE ARE DIVAS OUT THERE
MORE IMPOSSIBLE THAN YOU
426
00:18:50,880 --> 00:18:52,506
WHO REQUIRE
OUR IMMEDIATE ATTENTION.
427
00:18:52,548 --> 00:18:55,927
OH! FINE!
THANK YOU.
428
00:18:57,929 --> 00:19:00,932
OK.
429
00:19:00,974 --> 00:19:02,391
HEY, HEY, HEY,
GET OUT OF HERE!
430
00:19:02,433 --> 00:19:04,143
(GROWLS)
431
00:19:05,185 --> 00:19:06,896
(GROWLS)
432
00:19:06,938 --> 00:19:08,856
AAH!
433
00:19:08,898 --> 00:19:10,984
(GROWLS)
434
00:19:11,776 --> 00:19:13,945
AND CUT!
435
00:19:13,987 --> 00:19:15,446
GREAT! WE GOT IT.
436
00:19:15,488 --> 00:19:17,740
OH, COME ON.
IT'S JUST A SMALL DONATION.
437
00:19:17,782 --> 00:19:18,574
YOU'RE SURE
I'M NOT A LESBIAN?
438
00:19:18,616 --> 00:19:19,909
YES, I'M SURE.
439
00:19:19,951 --> 00:19:21,786
I MEAN, IT WOULD
EXPLAIN A LOT.
440
00:19:21,828 --> 00:19:24,664
OTHERWISE, WHY DO I
HATE THIS NEXT-DOOR
NEIGHBOR GIRL SO MUCH?
441
00:19:24,705 --> 00:19:26,206
AND WHY WOULD
I RATHER HANG OUT
442
00:19:26,248 --> 00:19:28,960
WITH THIS ASEXUAL
FILM DORK INSTEAD
OF GO TO FRANCE?
443
00:19:29,002 --> 00:19:32,546
BECAUSE MAYBE YOU'RE
NOT READY TO GO TO FRANCE.
444
00:19:32,588 --> 00:19:34,966
MAYBE AS MUCH AS YOU HATE
TO ADMIT IT TO YOURSELF,
445
00:19:35,008 --> 00:19:37,718
YOU HAD A SUCKY CHILDHOOD
AND YOU STILL HAVE
A LOT OF GROWING UP TO DO.
446
00:19:37,760 --> 00:19:41,014
HE MUST HAVE BEEN
A REALLY GOOD KISSER,
THE GAY GUY.
447
00:19:41,055 --> 00:19:43,850
YOU HAVEN'T LISTENED
TO ONE WORD THAT I'VE SAID.
448
00:19:46,853 --> 00:19:48,270
HAVE YOU WORKED
IN A RESTAURANT BEFORE?
449
00:19:48,312 --> 00:19:50,023
YEAH, I WORKED
A KITCHEN UP IN BOSTON.
450
00:19:50,064 --> 00:19:52,150
I ACTUALLY
STUDIED UNDER ONE OF
THE BEST COOKS UP THERE,
451
00:19:52,191 --> 00:19:54,694
BUT NOW I GUESS
I'M JUST DOING THIS.
452
00:19:54,735 --> 00:19:56,236
WHICH IS
WHAT EXACTLY?
453
00:19:56,278 --> 00:19:59,866
HONESTLY? I'M JUST
HELPING OUT A FRIEND.
454
00:20:01,659 --> 00:20:04,745
YOU KNOW WHAT?
DON'T GO ANY PLACE.
455
00:20:04,787 --> 00:20:06,080
I'LL BE RIGHT BACK
WITH YOUR CHANGE.
456
00:20:08,624 --> 00:20:11,544
HI.
457
00:20:11,585 --> 00:20:12,962
YOU DON'T REMEMBER ME,
DO YOU?
458
00:20:14,964 --> 00:20:16,966
NO, BUT I REALLY
WISH I DID.
459
00:20:18,926 --> 00:20:21,888
WELL, YOU SURE CHANGED
YOUR PITCH A LOT
SINCE THIS MORNING.
460
00:20:21,929 --> 00:20:25,099
THE RECEPTIONIST
FROM THE DENTIST'S OFFICE,
OF COURSE. I'M SORRY.
461
00:20:25,141 --> 00:20:28,728
NO, NO. YOU REALLY
DON'T REMEMBER ME.
462
00:20:28,769 --> 00:20:31,605
OH, COME ON.
FROM HIGH SCHOOL?
463
00:20:31,647 --> 00:20:35,068
I MEAN, IT'S KIND
OF A BLOW TO MY EGO.
464
00:20:35,109 --> 00:20:37,778
YOU USED TO FOLLOW ME
AROUND EVERYWHERE.
465
00:20:37,820 --> 00:20:40,907
IT WAS KIND
OF PATHETIC, BUT...
466
00:20:40,948 --> 00:20:43,242
NOW HERE WE ARE
5 YEARS LATER
467
00:20:43,283 --> 00:20:46,079
AND IT'S LIKE YOU DON'T
EVEN KNOW WHO I AM.
468
00:20:46,120 --> 00:20:48,539
HERE YOU GO, CHRISTY.
469
00:20:48,581 --> 00:20:50,624
THANKS. NICE
SEEING YOU, PACEY.
470
00:20:52,210 --> 00:20:53,920
CHRISTY?
YEAH, YEAH,
CHRISTY LIVINGSTONE.
471
00:20:53,961 --> 00:20:54,879
CHRISTY!
472
00:21:05,973 --> 00:21:06,933
(GROANS)
473
00:21:06,974 --> 00:21:08,142
CURTAINS IN
THE KITCHEN WINDOW
474
00:21:08,184 --> 00:21:10,811
CERTAINLY
ARE AN EYESORE.
475
00:21:10,853 --> 00:21:12,813
DON'T KNOW
HOW GALE CAN BEAR
LOOKING AT THEM.
476
00:21:14,690 --> 00:21:18,444
I'LL BE SURE TO ALERT
THE INTERIOR DECORATING POLICE.
477
00:21:21,655 --> 00:21:23,282
HOW YA DOIN'?
478
00:21:23,323 --> 00:21:26,953
SITTIN' UP HERE ON THE PORCH
WATCHIN' EVERYBODY.
479
00:21:26,994 --> 00:21:29,455
IT'S VERY NICE
SEEING ALL YOU CHILDREN
480
00:21:29,496 --> 00:21:30,790
TOGETHER AGAIN
481
00:21:30,831 --> 00:21:34,376
HAVING ONE FUN
LAST DAY IN CAPESIDE.
482
00:21:34,418 --> 00:21:37,797
ONE LAST DAY, PLEASE.
483
00:21:37,838 --> 00:21:39,632
(SIGHS)
484
00:21:39,673 --> 00:21:42,009
I'M SURE THAT THIS
ISN'T GONNA BE ANYONE'S
LAST DAY IN CAPESIDE,
485
00:21:42,051 --> 00:21:43,761
I MEAN, I'M SURE
THAT WE'LL ALL HAVE REASONS
486
00:21:43,803 --> 00:21:46,513
TO COME BACK HERE,
YOU KNOW, AND--AND WE'RE
JUST MOVING TO NEW YORK.
487
00:21:46,555 --> 00:21:48,474
IT'S NOT LIKE WE'RE--
488
00:21:48,515 --> 00:21:50,935
DYING.
489
00:21:50,977 --> 00:21:53,520
THAT'S RIGHT.
WE'RE NOT.
490
00:21:53,562 --> 00:21:57,275
WE'RE JUST BEGINNING
ONE MORE CHAPTER
491
00:21:57,316 --> 00:21:59,652
IN OUR LIVES
TOGETHER.
492
00:21:59,693 --> 00:22:03,781
A VERY NICE
LONG ONE.
493
00:22:09,328 --> 00:22:10,704
(SIGHS)
494
00:22:10,746 --> 00:22:12,957
DO YOU MISS THIS PLACE?
495
00:22:12,999 --> 00:22:15,417
OH...EVERY DAY.
496
00:22:15,459 --> 00:22:17,586
DO I REGRET
LEAVING IT?
497
00:22:17,628 --> 00:22:18,921
NEVER.
498
00:22:24,844 --> 00:22:25,803
HI.
499
00:22:25,845 --> 00:22:28,306
HEY, DAWSON.
500
00:22:28,346 --> 00:22:29,431
HOW YOU GUYS DOIN'?
501
00:22:29,473 --> 00:22:31,600
WHEW. GOOD.
WE'RE GOOD.
502
00:22:31,642 --> 00:22:32,852
COULDN'T BE BETTER.
503
00:22:32,893 --> 00:22:34,520
GOOD. I HATE
TO INTERRUPT,
504
00:22:34,561 --> 00:22:35,521
BUT--
505
00:22:35,562 --> 00:22:36,814
CAB'S HERE.
506
00:22:36,856 --> 00:22:38,983
NO, ACTUALLY, IT'S
JUST THAT YOU'RE, UH,
507
00:22:39,025 --> 00:22:40,860
WELL, YOU'RE...
508
00:22:40,901 --> 00:22:42,486
KINDA IN MY SHOT.
509
00:22:42,528 --> 00:22:43,737
OH.
510
00:22:43,779 --> 00:22:44,822
(LAUGHS)
OH, WELL.
511
00:22:44,864 --> 00:22:46,782
I CAN'T THINK
OF A MORE APPROPRIATE WAY
512
00:22:46,824 --> 00:22:49,367
TO SAY GOOD-BYE TO OUR OLD
NEXT-DOOR NEIGHBOR, CAN YOU?
513
00:22:49,409 --> 00:22:51,745
FRANK CAPRA
OF CAPESIDE?
514
00:22:51,787 --> 00:22:53,331
NO. COME HERE.
515
00:23:55,684 --> 00:23:57,144
Jack: SEE YA.
516
00:24:02,400 --> 00:24:03,359
Audrey: BYE.
517
00:24:03,401 --> 00:24:04,484
Gale: BYE-BYE.
518
00:24:04,526 --> 00:24:05,652
Joey: WE LOVE YOU.
519
00:24:05,694 --> 00:24:06,946
Audrey: BYE.
520
00:24:12,659 --> 00:24:14,661
BYE.
521
00:24:14,703 --> 00:24:16,372
WE LOVE YOU.
522
00:24:16,414 --> 00:24:17,790
WOW. THEY'RE REALLY
NEVER LEAVING, ARE THEY?
523
00:24:17,831 --> 00:24:18,791
I DON'T THINK SO.
524
00:24:18,832 --> 00:24:19,792
BYE!
525
00:24:19,833 --> 00:24:21,001
Joey: BYE.
526
00:24:21,043 --> 00:24:23,212
Audrey:
MISS YOU, CUTIES!
527
00:24:31,220 --> 00:24:33,222
WHAT IS THIS FEELING?
528
00:24:34,723 --> 00:24:35,933
(SIGHS)
529
00:24:35,975 --> 00:24:36,934
IT JUST SEEMS
LIKE EVERYTHING'S
530
00:24:36,976 --> 00:24:38,394
GETTING
SMALLER AND SMALLER.
531
00:24:38,436 --> 00:24:39,395
IT'S ALL STILL THERE,
532
00:24:39,437 --> 00:24:42,064
BUT I JUST
CAN'T TOUCH IT.
533
00:24:43,316 --> 00:24:46,277
I THINK IT'S
CALLED GOOD-BYE.
534
00:24:54,285 --> 00:24:56,287
(LAUGHING)
535
00:25:09,507 --> 00:25:10,468
(ENGINE STARTS)
536
00:25:19,352 --> 00:25:20,353
THE TRUTH? OF COURSE
I'M TELL YOU THE TRUTH.
537
00:25:20,394 --> 00:25:21,854
WHY WOULD I LIE
ABOUT THESE THINGS?
538
00:25:21,895 --> 00:25:23,105
PACEY WITTER,
539
00:25:23,147 --> 00:25:25,983
BAD-ASS STUD
AND MAN ABOUT TOWN?
540
00:25:26,025 --> 00:25:28,652
OK, YOU'RE RIGHT,
I WOULD LIE
ABOUT THOSE THINGS,
541
00:25:28,694 --> 00:25:30,696
BUT I DID SAIL
AROUND THE CARIBBEAN,
AND FOR A WHILE THERE,
542
00:25:30,737 --> 00:25:32,365
I ACTUALLY
DID OWN A BMW.
543
00:25:32,406 --> 00:25:34,532
I PROMISE YOU, THAT
IS THE GOSPEL TRUTH.
544
00:25:34,574 --> 00:25:36,076
I SEE.
545
00:25:36,118 --> 00:25:38,578
SO NOW AFTER
MUCH SOUL-SEARCHING,
546
00:25:38,620 --> 00:25:41,290
YOU'VE COME BACK
RIGHT TO WHERE YOU STARTED.
547
00:25:41,332 --> 00:25:43,000
WELL, COME ON,
548
00:25:43,042 --> 00:25:45,211
I'M NOT EXACTLY
RIGHT WHERE I STARTED.
549
00:25:45,252 --> 00:25:46,586
I'M TALKIN' TO YOU,
AREN'T I?
550
00:25:46,628 --> 00:25:48,588
YEAH.
551
00:25:48,630 --> 00:25:50,007
YEAH, YOU ARE.
552
00:25:50,049 --> 00:25:52,134
OR YOU WERE.
553
00:25:52,176 --> 00:25:54,594
I WA--OH, NO,
YOU'RE LEAVING?
554
00:25:54,636 --> 00:25:56,305
I'M SORRY.
I--I HAVE TO GO.
555
00:25:56,347 --> 00:25:57,515
I SHOULD'VE
LEFT AGES AGO,
556
00:25:57,555 --> 00:25:59,266
BUT, UM...
557
00:25:59,308 --> 00:26:00,267
(SIGHS)
558
00:26:00,309 --> 00:26:01,768
YOU CAN CALL ME.
559
00:26:01,810 --> 00:26:02,769
REALLY?
560
00:26:02,811 --> 00:26:03,770
YOU SHOULD...
561
00:26:03,812 --> 00:26:05,147
CALL ME.
562
00:26:05,189 --> 00:26:07,149
HERE.
563
00:26:07,191 --> 00:26:09,360
I WILL,
ABSOLUTELY WILL.
564
00:26:09,402 --> 00:26:10,361
BYE, PACEY.
565
00:26:10,403 --> 00:26:12,821
GOOD-BYE,
CHRISTY.
566
00:26:12,863 --> 00:26:14,698
HA HA.
567
00:26:16,325 --> 00:26:17,743
WASN'T THAT--
568
00:26:17,784 --> 00:26:19,619
CHRISTY LIVINGSTONE,
YES, IT WAS.
569
00:26:19,661 --> 00:26:20,704
TALKING TO YOU?
570
00:26:20,746 --> 00:26:21,955
TALKIN' TO ME.
571
00:26:21,997 --> 00:26:22,956
IN FACT,
FLIRTING WITH ME.
572
00:26:22,998 --> 00:26:23,707
SHE GAVE ME
HER PHONE NUMBER.
573
00:26:23,749 --> 00:26:25,583
(LAUGHS)
574
00:26:25,625 --> 00:26:27,211
(SIGHS)
575
00:26:27,253 --> 00:26:28,670
YOU KNOW WHAT
THIS MEANS, RIGHT?
576
00:26:28,712 --> 00:26:30,172
YOU KNOW, CHRISTY,
SHE'S LIKE, UH--
577
00:26:30,214 --> 00:26:31,549
METAPHOR, I KNOW.
578
00:26:31,589 --> 00:26:32,632
SHE REPRESENTS ALL
OF THE HIGH SCHOOL GIRLS
579
00:26:32,674 --> 00:26:33,759
YOU THOUGHT YOU'D
NEVER BE ABLE TO HAVE
580
00:26:33,800 --> 00:26:34,968
BECAUSE
YOU WERE SUCH A LOSER.
581
00:26:35,010 --> 00:26:36,220
EXACTLY.
582
00:26:36,262 --> 00:26:39,390
AND THE FACT THAT
ALL THE NORMAL GIRLS
583
00:26:39,432 --> 00:26:41,141
WHO HAVEN'T BEEN
SURGICALLY ENHANCED--
584
00:26:41,183 --> 00:26:44,895
GIRLS LIKE ME AND JEN
AND AUDREY AND ANDIE--
585
00:26:44,937 --> 00:26:46,564
THE FACT THAT WE'VE SPENT
EVERY SECOND OF THE PAST 5 YEARS
586
00:26:46,604 --> 00:26:48,190
TELLING YOU THAT
YOU WEREN'T A LOSER,
587
00:26:48,232 --> 00:26:49,607
THAT MEANS NOTHING TO YOU.
588
00:26:49,649 --> 00:26:52,152
I-I'M SORRY, YOU LOST ME
THERE IN THE MIDDLE.
589
00:26:52,194 --> 00:26:54,405
MAYBE I SHOULD
EXPLAIN THE WHOLE
METAPHOR THING AGAIN.
590
00:26:54,447 --> 00:26:56,031
WHY AM I EVEN
TALKING TO YOU?
591
00:26:56,073 --> 00:26:59,701
HI. UM, I'M HERE
TO PICK UP A TO-GO ORDER.
592
00:26:59,743 --> 00:27:00,827
THE NAME'S POTTER.
593
00:27:00,869 --> 00:27:01,745
RIGHT. RIGHT.
COMING RIGHT UP.
594
00:27:01,787 --> 00:27:02,955
THANK YOU.
595
00:27:05,999 --> 00:27:07,084
SO HOW'S IT GOING?
596
00:27:08,626 --> 00:27:10,212
HOW'S WHAT GOING?
597
00:27:10,254 --> 00:27:12,256
YOU KNOW WHAT
I'M TALKIN' ABOUT.
598
00:27:13,757 --> 00:27:15,551
WELL,
IT'S NOT TOO LATE
599
00:27:15,593 --> 00:27:17,470
FOR YOU TO FIND OUT
FOR YOURSELF.
600
00:27:18,304 --> 00:27:19,972
WELL, YEAH,
BUT IF I DID THAT,
601
00:27:20,013 --> 00:27:22,308
THEN I'D HAVE TO EAT
ALL THOSE FINE WORDS
I SAID THE OTHER DAY,
602
00:27:22,349 --> 00:27:23,434
AND I ACTUALLY
BELIEVE THEM.
603
00:27:23,476 --> 00:27:26,644
SO, WHAT I WAS HOPING
WAS THAT, INSTEAD,
604
00:27:26,686 --> 00:27:28,439
YOU COULD JUST
TAKE THIS TO DAWSON.
605
00:27:35,070 --> 00:27:36,572
IT'S NOT EVERYTHING,
606
00:27:36,614 --> 00:27:39,074
BUT IT'S EVERYTHING THAT
I COULD GET IN ONE DAY,
607
00:27:39,116 --> 00:27:42,620
AND I'LL GET THE REST
WHENEVER I GET THE REST.
608
00:27:42,660 --> 00:27:43,954
BUT WHAT I WAS HOPING IS
THAT YOU WOULD TAKE THAT
609
00:27:43,996 --> 00:27:45,372
TO HIM AND THEN...
610
00:27:45,414 --> 00:27:47,749
TELL HIM
I SAID CONGRATULATIONS
611
00:27:47,791 --> 00:27:50,544
AND ALL THAT GOOD STUFF.
612
00:27:57,801 --> 00:27:59,303
I COULD.
613
00:27:59,345 --> 00:28:00,762
ALL RIGHT.
614
00:28:01,930 --> 00:28:03,349
BUT I WON'T.
615
00:28:06,018 --> 00:28:08,228
'CAUSE YOU KNOW WHAT,
PACE, YOU WERE RIGHT.
616
00:28:09,438 --> 00:28:11,524
THIS ISN'T MY FIGHT.
617
00:28:12,774 --> 00:28:16,069
YOU KNOW,
NEVER HAS BEEN AND...
618
00:28:16,111 --> 00:28:18,364
IT NEVER WILL BE.
619
00:28:19,573 --> 00:28:21,450
SO, WHAT,
AFTER ALL THESE YEARS,
620
00:28:21,492 --> 00:28:23,327
YOU'RE JUST
GONNA WASH YOUR HANDS
OF THE BOTH OF US?
621
00:28:26,913 --> 00:28:28,957
I'M GONNA TRY.
622
00:28:37,550 --> 00:28:39,552
TAKE CARE.
623
00:28:46,684 --> 00:28:48,894
OK.
624
00:28:54,107 --> 00:28:55,609
WE'RE FRIENDS, OK?
625
00:28:55,651 --> 00:28:58,111
NO MATTER HOW MUCH
BODY HAIR WE ACQUIRE,
626
00:28:58,153 --> 00:28:59,112
DEAL?
627
00:28:59,154 --> 00:29:01,990
Harley: DEAL.
628
00:29:02,032 --> 00:29:04,368
George:
AND WE DON'T TALK
ABOUT THIS AGAIN. DEAL?
629
00:29:04,410 --> 00:29:06,203
YOU GOT IT.
630
00:29:06,245 --> 00:29:09,582
WHY'D YOU HAVE
TO BRING THIS UP ANYWAY?
631
00:29:12,042 --> 00:29:13,419
AND CUT. PERFECT.
632
00:29:13,460 --> 00:29:16,547
EVERYBODY, THANK YOU
FOR A TERRIFIC FIRST DAY.
633
00:29:16,589 --> 00:29:18,882
THAT'S A WRAP.
I'LL SEE YOU ALL TOMORROW.
634
00:29:18,924 --> 00:29:20,300
ALL RIGHT.
635
00:29:20,342 --> 00:29:22,135
HEY, THANK YOU.
636
00:29:22,177 --> 00:29:24,388
(CREW
CHATTERING)
637
00:29:26,390 --> 00:29:27,807
THANK YOU
VERY MUCH.
638
00:29:28,808 --> 00:29:31,811
(SIGHS)
639
00:29:31,853 --> 00:29:34,147
OH, MY APOLOGIES, SIR.
FORCE OF HABIT.
640
00:29:34,189 --> 00:29:35,148
NO, STAY THERE.
641
00:29:35,190 --> 00:29:36,816
STAY THERE.
642
00:29:36,858 --> 00:29:39,069
YOU BAILED
MY ASS OUT TODAY.
643
00:29:39,111 --> 00:29:40,529
THAT'S RIGHT,
YOU LITTLE BUGGER.
644
00:29:40,571 --> 00:29:42,322
MY BLOODY DOGS
ARE BARKIN'.
645
00:29:42,364 --> 00:29:43,907
MAKES YOU FEEL FOR
THE LITTLE PEOPLE,
DOESN'T IT?
646
00:29:43,949 --> 00:29:45,367
MAKES YOU WANNA
GO BACK AND APOLOGIZE
647
00:29:45,409 --> 00:29:47,785
TO EVERY CREW MEMBER
YOU EVER THREW
A HISSY FIT AT, I BET.
648
00:29:47,827 --> 00:29:49,496
HELL, NO.
MAKES ME WANNA PRODUCE.
649
00:29:49,538 --> 00:29:51,498
(LAUGHING)
650
00:29:52,583 --> 00:29:53,833
(AUDREY SIGHS)
651
00:29:53,875 --> 00:29:57,296
ANYTHING ELSE I CAN
DO FOR YOU, MR. CARR?
652
00:29:57,337 --> 00:29:58,547
YEAH, CALL ME
TODD, LOVE.
653
00:29:58,589 --> 00:29:59,548
I TRIED THAT
ALREADY, REMEMBER?
654
00:29:59,590 --> 00:30:01,091
YOU TOLD ME
TO CALL YOU MR. CARR.
655
00:30:01,133 --> 00:30:03,135
I LIKE YOU, BLONDIE.
656
00:30:03,176 --> 00:30:04,637
YOU'RE A SAUCY ONE.
657
00:30:04,678 --> 00:30:06,012
YOU'RE A BIT
OF A TART, AREN'T YA?
658
00:30:06,054 --> 00:30:09,224
EXCUSE ME. DID YOU
JUST CALL ME A HOOKER?
659
00:30:09,266 --> 00:30:11,351
WHAT? I MEANT IT
IN A GOOD WAY.
660
00:30:12,561 --> 00:30:13,562
YOU KNOW,
COME TO THINK OF IT,
661
00:30:13,604 --> 00:30:14,980
THERE IS SOMETHING
YOU CAN DO FOR ME.
662
00:30:15,021 --> 00:30:17,733
BACK RUB. NOW.
663
00:30:17,775 --> 00:30:19,276
OK, YOU'VE GOT
TO BE KIDDING ME.
664
00:30:19,318 --> 00:30:20,736
GO ON, YOU KNOW
YOU WANT TO.
665
00:30:20,778 --> 00:30:22,571
COME ON,
GIVE A GEEZER A RUB.
666
00:30:22,613 --> 00:30:26,533
SEE WHAT IT'S LIKE
TO LAY YOUR HANDS
ON A REAL DIRECTOR.
667
00:30:26,575 --> 00:30:28,702
YOU--YOU KNOW,
DAWSON WAS RIGHT.
668
00:30:28,744 --> 00:30:30,912
YOU ARE AN ARROGANT
LITTLE BASTARD.
669
00:30:30,954 --> 00:30:31,913
WHO, ME?
670
00:30:31,955 --> 00:30:33,373
LOOK, I'M
TOTALLY MISUNDERSTOOD.
671
00:30:37,210 --> 00:30:39,463
BETWEEN YOU AND ME,
SWEETHEART,
672
00:30:39,505 --> 00:30:41,173
IT'S REALLY
JUST A NUMBERS GAME.
673
00:30:41,214 --> 00:30:43,091
I FIGURE, YOU KNOW,
674
00:30:43,133 --> 00:30:45,636
EVENTUALLY SOME BIRD'S
GONNA FIND IT
ALL VERY CHARMING.
675
00:30:46,720 --> 00:30:48,221
(LAUGHS)
676
00:30:52,810 --> 00:30:53,893
OK.
677
00:31:01,485 --> 00:31:02,528
(SIGHS)
678
00:31:02,569 --> 00:31:04,112
(GROANS)
679
00:31:05,238 --> 00:31:06,948
OH, THAT'S GOOD.
680
00:31:08,033 --> 00:31:10,869
TOO GOOD...ACTUALLY.
681
00:31:12,245 --> 00:31:14,039
MIGHT MAKE A BLOKE
WANNA INVITE A BIRD
682
00:31:14,080 --> 00:31:16,792
UP TO HIS ROOM
FOR A NIGHTCAP.
683
00:31:18,043 --> 00:31:19,545
WHAT DO YOU SAY?
684
00:31:22,922 --> 00:31:23,881
ABSOLUTELY.
685
00:31:23,923 --> 00:31:26,343
(LAUGHS)
686
00:31:29,805 --> 00:31:31,515
(GIGGLING)
687
00:31:56,665 --> 00:31:58,500
(SIGHS)
688
00:32:02,212 --> 00:32:04,214
Joey: HEY.
689
00:32:04,256 --> 00:32:08,051
HEY, WHAT ARE YOU
STILL DOIN' HERE?
690
00:32:08,093 --> 00:32:11,012
MM, I THOUGHT
I'D STICK AROUND
TO CONGRATULATE YOU.
691
00:32:11,054 --> 00:32:12,890
(LAUGHS)
692
00:32:12,930 --> 00:32:15,726
YOU WERE GREAT TODAY.
693
00:32:15,768 --> 00:32:16,976
WELL, IF ANYONE
WAS GREAT TODAY,
694
00:32:17,018 --> 00:32:18,186
IT'S BECAUSE OF YOU.
695
00:32:18,228 --> 00:32:21,064
I HAVE YOU TO THANK
FOR THIS, YOU KNOW.
696
00:32:22,608 --> 00:32:24,818
OH, THAT MAY
VERY WELL BE TRUE,
697
00:32:24,860 --> 00:32:25,819
BUT--
698
00:32:25,861 --> 00:32:27,112
(SIGHS)
699
00:32:27,153 --> 00:32:29,072
YOU CAN SAVE YOUR SPEECH
FOR SUNDANCE.
700
00:32:29,114 --> 00:32:31,074
I'M EXHAUSTED.
701
00:32:32,325 --> 00:32:33,952
SPEND THE NIGHT.
702
00:32:33,993 --> 00:32:34,953
(LAUGHS)
703
00:32:34,994 --> 00:32:36,622
AND WHAT
WOULD WE CALL THAT?
704
00:32:36,663 --> 00:32:39,207
LIFE IMITATING
ART IMITATING LIFE?
705
00:32:39,249 --> 00:32:41,752
I...DON'T KNOW.
706
00:32:41,794 --> 00:32:42,920
I'M TOO TIRED
TO FIGURE IT OUT.
707
00:32:42,961 --> 00:32:45,255
IT'S OK IF
YOU DON'T WANT TO.
I UNDERSTAND.
708
00:32:46,339 --> 00:32:47,633
IT'S
A LITTLE WEIRD.
709
00:32:48,801 --> 00:32:50,636
NOT TO MENTION
SOMEWHAT DANGEROUS.
710
00:32:50,677 --> 00:32:52,721
WHAT DO YOU MEAN?
711
00:32:57,643 --> 00:32:59,102
I DON'T KNOW.
712
00:33:02,105 --> 00:33:05,275
WHAT IF YOU WOKE UP
AND YOU WERE 15 AGAIN?
713
00:33:08,779 --> 00:33:11,490
THE FUNNY THING IS--IS--
714
00:33:11,531 --> 00:33:13,199
(SIGHS)
715
00:33:13,241 --> 00:33:15,619
I DON'T FEEL
THAT WAY ANYMORE.
716
00:33:17,621 --> 00:33:19,331
WATCHING YOU SHOOT
THOSE SCENES TODAY,
717
00:33:19,372 --> 00:33:21,541
IT WAS LIKE THIS...
718
00:33:21,583 --> 00:33:24,670
HUGE WEIGHT
HAS BEEN LIFTED.
719
00:33:24,711 --> 00:33:26,546
YEAH.
720
00:33:28,340 --> 00:33:30,133
YEAH, I KNOW
WHAT YOU MEAN.
721
00:33:30,175 --> 00:33:32,135
SHOOTING THIS MOVIE
722
00:33:32,177 --> 00:33:34,137
IS GONNA SAVE ME
TONS OF MONEY
ON THERAPY.
723
00:33:34,179 --> 00:33:36,598
(LAUGHS)
724
00:33:36,640 --> 00:33:38,308
TODAY WAS A GREAT DAY.
725
00:33:38,350 --> 00:33:39,601
OH, THE BEST.
726
00:33:39,643 --> 00:33:42,145
I MEAN, HOW MANY
TRULY GREAT DAYS
727
00:33:42,187 --> 00:33:43,856
ARE WE GONNA
HAVE IN OUR LIVES?
728
00:33:43,897 --> 00:33:45,774
I DON'T KNOW.
729
00:33:46,859 --> 00:33:48,861
WHO KNOWS
HOW MANY YOU GET?
730
00:33:51,655 --> 00:33:53,239
WHEN THEY DO HAPPEN
TO COME ALONG,
THOUGH,
731
00:33:53,281 --> 00:33:54,533
I HOPE
YOU'RE CLOSE BY,
732
00:33:54,574 --> 00:33:55,784
AT LEAST
FOR A FEW OF 'EM.
733
00:33:58,203 --> 00:33:59,830
ME, TOO.
734
00:34:11,008 --> 00:34:13,844
SO HOW WOULD YOU
DESCRIBE YOUR MOVIE?
735
00:34:13,886 --> 00:34:16,137
IF SOMEBODY ASKED YOU,
WHAT WOULD YOU SAY?
736
00:34:17,430 --> 00:34:21,393
I WOULD SAY...
737
00:34:21,434 --> 00:34:24,813
IT'S ABOUT A GIRL
WHO WANTED MORE
THAN WHAT SHE HAD...
738
00:34:25,731 --> 00:34:28,107
WHO HAD TO GROW UP
TO REALIZE
739
00:34:28,149 --> 00:34:30,694
THAT SHE ALREADY HAD
EVERYTHING SHE EVER
COULD'VE WANTED.
740
00:34:36,199 --> 00:34:38,702
I LIKE THAT.
741
00:34:41,413 --> 00:34:43,832
I DON'T WANNA
CLOSE MY EYES.
742
00:34:44,958 --> 00:34:46,334
WHY?
743
00:34:49,212 --> 00:34:52,131
I'M AFRAID
WHEN I OPEN 'EM,
YOU WON'T BE HERE.
744
00:34:53,967 --> 00:34:56,428
CLOSE YOUR EYES,
DAWSON.
745
00:36:11,128 --> 00:36:12,045
HEY.
746
00:36:14,422 --> 00:36:15,590
HEY.
747
00:36:17,843 --> 00:36:18,885
WHAT ARE YOU
DOIN' HERE?
748
00:36:20,178 --> 00:36:22,388
UH, THE SAME THING
YOU ARE, I'D SUPPOSE.
749
00:36:22,430 --> 00:36:24,307
ACTUALLY, I
CAME HERE TO MEET--
750
00:36:24,349 --> 00:36:25,308
MEET WITH JOEY?
751
00:36:25,350 --> 00:36:27,102
YEAH, SO DID I.
752
00:36:28,185 --> 00:36:29,479
I GET IT.
753
00:36:29,521 --> 00:36:30,981
(SIGHS)
754
00:36:31,023 --> 00:36:33,358
JOEY POTTER:
AMATEUR
PEACE BROKER.
755
00:36:35,527 --> 00:36:36,945
(SIGHS)
756
00:36:36,987 --> 00:36:37,946
SO WHERE IS SHE?
757
00:36:37,988 --> 00:36:39,114
I DON'T KNOW,
758
00:36:39,156 --> 00:36:41,741
BUT I'D SAY THAT SHE
IS PROBABLY NOT COMING.
759
00:36:41,783 --> 00:36:43,576
I THINK SHE HAS
THIS KOOKY NOTION
760
00:36:43,618 --> 00:36:45,871
THAT YOU AND I ARE
GONNA WORK THIS OUT
BETWEEN OURSELVES.
761
00:36:45,912 --> 00:36:48,456
WELL, THAT'S...
762
00:36:48,498 --> 00:36:49,958
NOT GONNA HAPPEN.
763
00:36:50,000 --> 00:36:51,877
YEAH, I KNOW.
THAT'S WHAT I TOLD HER,
764
00:36:51,918 --> 00:36:53,336
BUT WE'RE TALKIN' ABOUT A GIRL
WHO'S NEVER REALLY LISTENED
765
00:36:53,378 --> 00:36:56,214
TO A SINGLE WORD THAT EITHER
YOU OR I HAS EVER TOLD HER,
766
00:36:56,255 --> 00:36:59,009
AND I DID, I SAID IT TO HER,
I SAID, "LOOK, JO,
767
00:36:59,051 --> 00:37:02,220
THINGS WILL NEVER BE THE SAME
BETWEEN DAWSON AND I."
768
00:37:02,261 --> 00:37:04,181
SHE DOESN'T LISTEN TO ME.
769
00:37:04,221 --> 00:37:06,058
YOU KNOW HER,
SHE'S STUBBORN, THAT GIRL.
770
00:37:11,188 --> 00:37:12,397
(SIGHS)
771
00:37:12,438 --> 00:37:13,773
WELL,
IF SHE'S NOT COMIN',
I'M GONNA TAKE OFF.
772
00:37:13,815 --> 00:37:14,900
I'VE GOT
SOMEWHERE TO BE.
773
00:37:17,777 --> 00:37:18,904
HOLD ON
FOR ONE SECOND.
774
00:37:18,945 --> 00:37:20,572
(SIGHS)
775
00:37:22,448 --> 00:37:25,284
LOOK, YOU SAID SOME
PRETTY CRAPPY THINGS
THE OTHER DAY.
776
00:37:25,326 --> 00:37:26,786
YEAH. SO DID YOU.
777
00:37:27,620 --> 00:37:29,539
YES, I DID.
778
00:37:29,581 --> 00:37:31,624
AND I MEANT THEM 100%.
779
00:37:31,666 --> 00:37:32,625
I KNOW,
SO DID I, PACE,
780
00:37:32,667 --> 00:37:33,877
AND
THAT'S THE THING,
781
00:37:33,919 --> 00:37:34,627
I DON'T KNOW HOW
WE GET PAST THAT.
782
00:37:34,669 --> 00:37:36,922
WELL, MAYBE WE DON'T.
783
00:37:38,090 --> 00:37:39,382
MAYBE THAT'S THE POINT
784
00:37:39,424 --> 00:37:40,633
THAT WE JUST
DON'T GET PAST IT,
785
00:37:40,675 --> 00:37:42,635
WE REALIZE THAT...
786
00:37:42,677 --> 00:37:45,138
WE CAN'T GO BACK
TO THE WAY THINGS
USED TO BE,
787
00:37:45,180 --> 00:37:46,514
AND THERE'S NOTHING
WE CAN DO ABOUT THAT
788
00:37:46,556 --> 00:37:48,266
'CAUSE THE GUYS
THAT WE ARE NOW
789
00:37:48,307 --> 00:37:51,144
ARE WORLDS APART
FROM THE GUYS THAT
WE WERE BACK THEN.
790
00:37:51,186 --> 00:37:53,146
THE ONLY TIE THAT
REALLY BINDS US TOGETHER
791
00:37:53,188 --> 00:37:55,232
IS THE FACT THAT WE
STILL LOVE THE SAME WOMAN.
792
00:38:03,156 --> 00:38:04,657
(SIGHS)
793
00:38:04,699 --> 00:38:07,410
IT ALWAYS COMES BACK
TO THAT, DOESN'T IT?
794
00:38:09,037 --> 00:38:11,330
YES, IT DOES.
795
00:38:11,372 --> 00:38:13,041
YES, IT DOES,
AND YOU KNOW WHAT?
796
00:38:13,083 --> 00:38:14,960
I DON'T REALLY REGRET
A SINGLE SECOND
797
00:38:15,001 --> 00:38:16,586
THAT I SPENT WITH HER,
798
00:38:16,628 --> 00:38:18,588
AND I'M GUESSING
YOU DON'T EITHER.
799
00:38:20,215 --> 00:38:23,551
IN FACT, I REALLY
CONSIDER US PRETTY LUCKY...
800
00:38:24,844 --> 00:38:26,221
THAT A--A WOMAN LIKE THAT
801
00:38:26,263 --> 00:38:28,807
WOULD GIVE EITHER ONE OF US
THE TIME OF DAY.
802
00:38:30,058 --> 00:38:32,144
YOU KNOW,
IT MAKES SENSE.
803
00:38:32,978 --> 00:38:34,353
WHAT DOES?
804
00:38:34,395 --> 00:38:36,689
WHY IT NEVER WORKED OUT
FOR EITHER ONE OF US.
805
00:38:39,025 --> 00:38:41,444
ALL WE WANTED WAS HER.
806
00:38:41,486 --> 00:38:44,239
SO MUCH SO
THAT WE DESTROYED
OUR FRIENDSHIP...
807
00:38:45,907 --> 00:38:47,200
AND IN THE END,
ALL SHE EVER WANTED
808
00:38:47,242 --> 00:38:49,535
WAS FOR US
TO BE FRIENDS AGAIN.
809
00:38:56,793 --> 00:38:58,295
OK, I'M GONNA
ASK YOU THIS ONCE,
810
00:38:58,336 --> 00:39:00,588
AND THEN I PROMISE YOU
I'LL NEVER ASK IT AGAIN.
811
00:39:02,090 --> 00:39:03,549
IS IT POSSIBLE?
812
00:39:03,591 --> 00:39:04,968
FOR US TO BE
FRIENDS AGAIN?
813
00:39:17,605 --> 00:39:19,232
ANYTHING'S POSSIBLE.
814
00:39:23,028 --> 00:39:24,696
FAIR ENOUGH.
815
00:39:24,737 --> 00:39:27,157
LOOK, UH,
THIS IS FOR YOU.
816
00:39:27,199 --> 00:39:29,868
WHAT'S THIS?
817
00:39:29,909 --> 00:39:31,536
WELL, I HOPE
YOU DON'T MIND,
818
00:39:31,577 --> 00:39:34,206
BUT I TOOK THE LIBERTY
OF GOING TO SEVERAL
LOCAL BUSINESSMEN
819
00:39:34,247 --> 00:39:35,248
AND ASKING THEM
IF THEY'D LIKE TO INVEST
820
00:39:35,290 --> 00:39:37,458
IN A VERY PROMISING
YOUNG FILMMAKER,
821
00:39:37,500 --> 00:39:38,877
AND, BY AND LARGE,
THEY WERE ALL VERY RECEPTIVE,
822
00:39:38,918 --> 00:39:40,337
THOUGH THERE WAS
THIS ONE DENTIST,
823
00:39:40,377 --> 00:39:42,255
AND I DON'T KNOW HOW
SHE GOT THIS IN HER HEAD,
824
00:39:42,297 --> 00:39:43,882
BUT SHE SEEMS TO THINK
SHE'S AN ACTRESS,
825
00:39:43,923 --> 00:39:45,175
SO YOU MIGHT HAVE
TO GIVE HER A LITTLE ROLE,
826
00:39:45,217 --> 00:39:47,219
LIKE A CAMEO AT MOST.
827
00:39:47,260 --> 00:39:49,095
JUST WARNIN' YA.
828
00:40:01,316 --> 00:40:02,775
THANK YOU.
829
00:40:04,110 --> 00:40:06,445
DON'T MENTION IT.
830
00:40:36,433 --> 00:40:38,978
Joey: I USED TO BE AFRAID
OF SO MANY THINGS...
831
00:40:39,020 --> 00:40:40,230
(CHEERING)
832
00:40:40,272 --> 00:40:41,898
THAT'S A WRAP!
833
00:40:45,026 --> 00:40:46,194
Joey:
THAT I'D NEVER GROW UP.
834
00:40:46,236 --> 00:40:47,862
THAT I'D BE TRAPPED
IN THE SAME PLACE
835
00:40:47,904 --> 00:40:49,530
FOR ALL ETERNITY.
836
00:40:51,449 --> 00:40:54,744
THAT MY DREAMS WOULD
FOREVER BE SHY OF MY REACH.
837
00:41:03,128 --> 00:41:05,380
IT'S TRUE WHAT THEY SAY.
838
00:41:05,422 --> 00:41:07,464
TIME PLAYS TRICKS ON YOU.
839
00:41:07,506 --> 00:41:08,883
ONE DAY YOU'RE DREAMING,
840
00:41:08,925 --> 00:41:11,052
THE NEXT YOUR DREAM
HAS BECOME YOUR REALITY.
841
00:41:11,094 --> 00:41:12,095
AU REVOIR.
842
00:41:19,018 --> 00:41:22,647
AND NOW THAT THIS SCARED
LITTLE GIRL NO LONGER
FOLLOWS ME WHEREVER I GO,
843
00:41:22,688 --> 00:41:24,357
I MISS HER.
844
00:41:24,399 --> 00:41:25,524
I DO.
845
00:41:25,566 --> 00:41:28,820
'CAUSE THERE ARE THINGS
I WANNA TELL HER--
846
00:41:28,861 --> 00:41:31,489
TO RELAX,
TO LIGHTEN UP,
847
00:41:31,530 --> 00:41:34,200
THAT IT IS
ALL GOING TO BE OK.
848
00:41:36,202 --> 00:41:38,955
I WANT HER TO KNOW THAT
MEETING PEOPLE WHO LIKE YOU,
849
00:41:38,997 --> 00:41:40,206
WHO UNDERSTAND YOU,
850
00:41:40,248 --> 00:41:41,958
WHO ACTUALLY ACCEPT YOU
FOR WHO YOU ARE,
851
00:41:42,000 --> 00:41:44,419
WILL BECOME AN INCREASINGLY
RARE OCCURRENCE.
852
00:41:44,461 --> 00:41:48,256
JEN, JACK, AUDREY,
ANDIE, PACEY, AND DAWSON.
853
00:41:48,298 --> 00:41:50,967
THESE PEOPLE WHO
CONTRIBUTED TO WHO I AM,
854
00:41:51,009 --> 00:41:53,845
THEY ARE WITH ME
WHEREVER I GO,
855
00:41:53,886 --> 00:41:55,054
AND AS HISTORY
GETS REWRITTEN
856
00:41:55,096 --> 00:41:57,223
IN SMALL WAYS
WITH EACH PASSING DAY,
857
00:41:57,265 --> 00:42:00,935
MY LOVE FOR THEM
ONLY GROWS.
858
00:42:00,977 --> 00:42:04,314
BECAUSE THE TRUTH IS...
IT WAS THE BEST OF TIMES.
859
00:42:04,356 --> 00:42:06,941
MISTAKES WERE MADE,
HEARTS WERE BROKEN,
860
00:42:06,983 --> 00:42:08,567
HARSH LESSONS LEARNED,
861
00:42:08,609 --> 00:42:11,863
BUT ALL OF THAT HAS RECEDED
INTO FOND MEMORY NOW.
862
00:42:11,904 --> 00:42:13,781
HOW DOES IT HAPPEN?
863
00:42:13,823 --> 00:42:15,283
WHY ARE WE SO QUICK
TO FORGET THE BAD
864
00:42:15,325 --> 00:42:17,285
AND ROMANTICIZE THE GOOD?
865
00:42:17,327 --> 00:42:19,162
MAYBE IT'S BECAUSE
WE NEED TO BELIEVE
866
00:42:19,204 --> 00:42:20,038
THAT THE TIME
WE SPENT TOGETHER
867
00:42:20,079 --> 00:42:22,248
ACTUALLY MEANT SOMETHING,
868
00:42:22,290 --> 00:42:26,252
THAT WE WERE THERE FOR EACH
OTHER IN A TIME IN OUR LIVES
THAT DEFINED US ALL,
869
00:42:26,294 --> 00:42:29,047
A TIME IN OUR LIVES
THAT WE WILL NEVER FORGET.
870
00:42:37,013 --> 00:42:40,308
I CAN'T SWEAR THIS
IS EXACTLY HOW IT HAPPENED.
871
00:42:41,934 --> 00:42:44,020
BUT THIS IS HOW IT FELT.