1
00:00:05,130 --> 00:00:06,548
OK, HERE'S THE DEAL.
2
00:00:06,590 --> 00:00:07,591
SHE KNOWS
THAT YOU KNOW,
3
00:00:07,633 --> 00:00:10,010
BUT SHE'S GOT
A FEW REQUESTS.
4
00:00:10,051 --> 00:00:11,553
NO MAUDLIN
SOAP OPERA THEATRICS.
5
00:00:11,595 --> 00:00:16,433
SHE WANTS THE ROOM DRAMA-FREE
AND FULL OF LAUGHTER.
6
00:00:16,475 --> 00:00:17,518
NO TEARS.
7
00:00:17,559 --> 00:00:19,436
IN FACT,
SHE'S INSTRUCTED ME
8
00:00:19,478 --> 00:00:22,105
TO BAR ANYONE
FROM THE HOSPITAL
THAT CRIES.
9
00:00:22,147 --> 00:00:23,440
I CAN'T PROMISE THAT.
10
00:00:23,482 --> 00:00:25,275
WHO COULD?
11
00:00:25,317 --> 00:00:26,652
THEN YOU LEAVE.
JEN'S RULES.
12
00:00:26,694 --> 00:00:28,111
IT'S WHAT SHE WANTS,
CHILDREN.
13
00:00:28,153 --> 00:00:30,280
JUST DO THE BEST
YOU CAN.
14
00:00:31,573 --> 00:00:33,033
DO WE ALL GO IN
TOGETHER?
15
00:00:33,074 --> 00:00:34,702
UH, NOT AT FIRST.
16
00:00:34,743 --> 00:00:35,703
I THINK WE SHOULD
EASE INTO THIS.
17
00:00:35,744 --> 00:00:37,412
SO WHY DON'T WE TRY
ONE AT A TIME?
18
00:00:37,454 --> 00:00:40,290
THIS ISN'T HAPPENING.
19
00:00:40,332 --> 00:00:42,710
I CAN'T BELIEVE
THIS IS HAPPENING.
20
00:00:44,336 --> 00:00:46,672
WHO WANTS TO GO FIRST?
21
00:00:54,137 --> 00:00:55,514
SEND IN THE CLOWN, HUH?
22
00:01:06,233 --> 00:01:08,694
SO.
23
00:01:08,736 --> 00:01:10,195
SO THEY SENT YOU
IN FIRST.
24
00:01:10,237 --> 00:01:12,322
YEAH,
I'M THE OPENING ACT.
25
00:01:12,364 --> 00:01:13,657
WELL, YOU CAN START OFF
26
00:01:13,699 --> 00:01:16,368
BY WIPING THAT FAKE
SMILE OFF YOUR FACE.
27
00:01:22,165 --> 00:01:24,543
SAY SOMETHING, PACEY.
28
00:01:27,379 --> 00:01:30,424
WELL, JACK TELLS ME
YOU'RE DYING.
29
00:01:30,465 --> 00:01:32,760
OTHER THAN THAT,
EVERYTHING'S OK, RIGHT?
30
00:01:35,262 --> 00:01:37,556
THANK YOU.
31
00:01:37,598 --> 00:01:39,224
COME HERE.
32
00:01:39,266 --> 00:01:40,225
THESE ARE FOR YOU.
33
00:01:40,267 --> 00:01:42,394
OH, THANK YOU.
THEY'RE BEAUTIFUL.
34
00:02:29,858 --> 00:02:30,818
ARE THEY SURE? I MEAN,
IF IT'S HER HEART,
35
00:02:30,859 --> 00:02:32,736
CAN'T SHE
HAVE A TRANSPLANT?
36
00:02:32,778 --> 00:02:34,905
SHE'LL NEVER MAKE
THE DONOR LIST,
37
00:02:34,947 --> 00:02:38,283
AND WITH HER LUNGS
FAILING...
38
00:02:46,500 --> 00:02:49,419
HEY.
39
00:02:49,461 --> 00:02:51,630
I, UH, I GOT THESE
FOR JEN.
40
00:02:53,423 --> 00:02:55,258
WILL YOU TELL HER
THAT I CAME BY?
41
00:02:55,300 --> 00:02:56,927
I WILL.
42
00:03:00,472 --> 00:03:02,181
THE LADY WILL SEE YOU NOW.
43
00:03:30,251 --> 00:03:31,210
HEY THERE.
44
00:03:31,252 --> 00:03:33,005
Hi.
45
00:03:34,506 --> 00:03:36,341
HOW YA DOING?
46
00:03:37,467 --> 00:03:38,802
WHAT'S WRONG
WITH THESE GUYS?
47
00:03:38,844 --> 00:03:39,887
I DON'T KNOW.
WHAT'S WRONG, GUYS?
48
00:03:39,928 --> 00:03:42,430
IS SOMEONE DYING
OR SOMETHING?
49
00:03:42,472 --> 00:03:43,431
IT'S NOT FUNNY.
50
00:03:43,473 --> 00:03:44,725
ON THE CONTRARY,
IT'S FATALLY FUNNY.
51
00:03:44,766 --> 00:03:45,976
I COULD DIE LAUGHING.
52
00:03:47,519 --> 00:03:48,937
STOP IT.
53
00:03:48,979 --> 00:03:50,939
COME ON, GUYS.
IT'S FUNNY, OK?
54
00:03:50,981 --> 00:03:52,816
IT HAS TO BE.
IT HAS TO BE FUNNY.
55
00:03:52,858 --> 00:03:54,401
OTHERWISE, I'M GONNA
GET ANGRY AND BITTER,
56
00:03:54,442 --> 00:03:56,778
AND I DON'T WANT TO.
57
00:03:57,863 --> 00:03:59,823
SHE GETS VERY CRABBY
ON HER DEATHBED.
58
00:04:11,626 --> 00:04:13,503
HOW IS SHE?
59
00:04:13,545 --> 00:04:15,672
MORE BRAVE
THAN SHE'LL EVER KNOW.
60
00:04:15,714 --> 00:04:17,507
I'M JUST ON MY WAY
OVER THERE NOW.
61
00:04:17,549 --> 00:04:18,675
CAN YOU KEEP AN EYE
ON ALEXANDER?
62
00:04:18,717 --> 00:04:20,719
YEAH.
63
00:04:24,305 --> 00:04:25,473
YOU'RE AVOIDING.
64
00:04:25,515 --> 00:04:26,683
NO, I'M NOT.
65
00:04:26,725 --> 00:04:28,268
YOU MEAN THAT WASN'T
CHRISTOPHER?
66
00:04:28,309 --> 00:04:29,352
YES, IT WAS HIM.
67
00:04:29,394 --> 00:04:30,771
EVERY TIME THE PHONE
RINGS, IT'S HIM.
68
00:04:30,812 --> 00:04:32,397
I STILL THINK YOU
OWE IT TO THAT BOY
69
00:04:32,439 --> 00:04:33,398
TO CALL HIM UP
AND TELL HIM
70
00:04:33,440 --> 00:04:34,399
YOU'VE BEEN
AVOIDING HIS CALLS
71
00:04:34,441 --> 00:04:35,525
BECAUSE YOU'RE TOO CHICKEN
72
00:04:35,567 --> 00:04:36,777
TO TELL HIM
IT'S OVER.
73
00:04:36,818 --> 00:04:39,029
I'M NOT TOO CHICKEN
TO TELL HIM THAT IT'S OVER.
74
00:04:39,071 --> 00:04:40,572
I'M JUST--
75
00:04:40,614 --> 00:04:42,866
I'M NOT SURE IF IT'S OVER.
76
00:04:42,908 --> 00:04:44,034
YOU'RE STILL IN LOVE
WITH YOUR EX-BOYFRIEND.
77
00:04:44,076 --> 00:04:47,037
I AM NOT STILL IN LOVE
WITH MY EX-BOYFRIEND.
78
00:04:47,079 --> 00:04:48,580
NO, YOU'RE STILL IN LOVE
79
00:04:48,622 --> 00:04:50,582
WITH YOUR
EX-BOYFRIENDS, PLURAL.
80
00:04:50,624 --> 00:04:52,542
BESSIE, THAT IS RIDICULOUS.
81
00:04:52,584 --> 00:04:54,962
COME ON,
DIAL THE NUMBER.
82
00:04:55,003 --> 00:04:56,838
I'LL HOLD YOUR HAND.
83
00:04:56,880 --> 00:04:59,424
GO.
84
00:04:59,466 --> 00:05:00,508
I HATE YOU.
85
00:05:00,550 --> 00:05:01,802
YOU'RE WELCOME.
86
00:05:17,776 --> 00:05:18,735
HI.
87
00:05:18,777 --> 00:05:20,862
HEY.
88
00:05:20,904 --> 00:05:22,906
I WAS WALKING AROUND
IN A FOG
89
00:05:22,948 --> 00:05:28,411
AND REALIZED I HADN'T
EATEN TODAY.
90
00:05:28,453 --> 00:05:30,497
WELL, YOU'VE COME
TO THE RIGHT PLACE.
91
00:05:35,627 --> 00:05:36,962
MMM.
92
00:05:37,004 --> 00:05:38,755
TRY THAT.
93
00:05:40,966 --> 00:05:41,925
MMM.
94
00:05:41,967 --> 00:05:42,968
YEAH?
95
00:05:43,010 --> 00:05:43,969
YEP.
96
00:05:44,011 --> 00:05:45,344
NO SUIT AND TIE
FOR YOU.
97
00:05:45,386 --> 00:05:48,015
THIS IS DEFINITELY
YOUR CALLING.
98
00:05:48,056 --> 00:05:49,975
THE MAN IN THE APRON
WHO'S ROOTED--
99
00:05:50,017 --> 00:05:52,519
WHO'S CEMENTED
IN THE CAPESIDE.
100
00:05:54,938 --> 00:05:56,690
PACE, WHAT'S WITH
THE LIFE ENNUI?
101
00:05:56,731 --> 00:05:58,608
WELL, COME ON,
102
00:05:58,650 --> 00:06:00,568
DAWSON WENT OFF
AND CONQUERED HOLLYWOOD,
103
00:06:00,610 --> 00:06:01,736
YOU RAN AWAY TO PARIS
AND NEW YORK,
104
00:06:01,778 --> 00:06:02,737
AND I...
105
00:06:02,779 --> 00:06:04,031
WELL, I DIDN'T RUN.
106
00:06:04,072 --> 00:06:06,116
I FLEW--COACH.
107
00:06:07,534 --> 00:06:10,120
REGARDLESS, I LEFT
THE SOUND FOR WHAT,
108
00:06:10,162 --> 00:06:11,955
A TOTAL OF 2 YEARS
IN MY ENTIRE LIFE?
109
00:06:11,997 --> 00:06:14,666
YEAH, BUT, PACEY,
YOU HAVE A RESTAURANT.
110
00:06:14,708 --> 00:06:15,750
IT'S WHAT YOU LOVE.
111
00:06:15,792 --> 00:06:17,627
WHY COULDN'T I
HAVE A RESTAURANT
112
00:06:17,669 --> 00:06:18,879
IN HOLLYWOOD OR NEW YORK?
113
00:06:18,920 --> 00:06:21,380
PACEY, DON'T BE
SO HARD ON YOURSELF.
114
00:06:21,422 --> 00:06:23,717
I MEAN, I KNOW THAT
WITH EVERYTHING
115
00:06:23,758 --> 00:06:25,010
THAT'S GOING ON
RIGHT NOW,
116
00:06:25,052 --> 00:06:26,053
IT'S HARD NOT TO BE,
117
00:06:26,094 --> 00:06:27,971
BUT COME ON.
118
00:06:28,013 --> 00:06:29,139
YOU'VE REALLY GOT IT
GOING ON.
119
00:06:29,181 --> 00:06:31,558
YOU HAVE
A GREAT LIFE HERE.
120
00:06:33,185 --> 00:06:34,728
Yeah.
121
00:06:36,188 --> 00:06:38,565
I JUST WISH THAT
I COULD FEEL THAT.
122
00:06:38,606 --> 00:06:39,733
YOU DON'T?
123
00:06:39,774 --> 00:06:41,651
WELL, I DIDN'T...
124
00:06:43,444 --> 00:06:46,031
UNTIL YOU CAME BREEZING
THROUGH MY DOOR AGAIN.
125
00:06:49,743 --> 00:06:50,827
UH-OH.
126
00:06:52,453 --> 00:06:53,496
THERE'S NO NEED TO BOLT.
127
00:06:53,538 --> 00:06:55,999
I'M JUST SAYING THANK YOU.
128
00:06:56,041 --> 00:06:59,086
YOU REMINDED ME OF WHAT
I'M CAPABLE OF FEELING.
129
00:06:59,127 --> 00:07:02,505
IT'S LIKE
I WAS WALKING AROUND
130
00:07:02,547 --> 00:07:03,840
SEEING MY LIFE
THROUGH A SMUDGED WINDOW,
131
00:07:03,882 --> 00:07:04,841
AND THEN I SAW YOU,
132
00:07:04,883 --> 00:07:06,551
AND THE SMUDGES WERE GONE.
133
00:07:06,593 --> 00:07:07,969
THE WINDOW WAS CLEAN.
134
00:07:08,011 --> 00:07:10,513
ELOQUENT.
135
00:07:10,555 --> 00:07:11,806
WELL, I TRY.
136
00:07:14,601 --> 00:07:16,144
HEY! HEY! IN MY--
137
00:07:17,604 --> 00:07:20,523
IN MY KITCHEN, I'M THE ONLY
ONE WHO THROWS ANYTHING.
138
00:07:23,985 --> 00:07:26,487
I WANT YOU TO THINK
VERY CAREFULLY
139
00:07:26,529 --> 00:07:28,198
ABOUT THE NEXT THING
THAT YOU DO.
140
00:07:43,171 --> 00:07:44,756
AND HERE WE ARE AGAIN.
141
00:07:46,174 --> 00:07:48,051
WHAT IS IT
BETWEEN THE TWO OF US?
142
00:07:48,093 --> 00:07:51,221
ARE YOU
BRINGING THIS DOWN?
143
00:07:51,263 --> 00:07:52,222
BECAUSE YOU KNOW WHAT?
144
00:07:52,264 --> 00:07:53,556
I HAVE ENOUGH
FREQUENT FLYER MILES
145
00:07:53,598 --> 00:07:54,724
TO GET A NON-STOP
OUT OF HERE.
146
00:07:54,766 --> 00:07:55,725
REALLY?
147
00:07:55,767 --> 00:07:57,477
I'D HATE FOR YOU
TO DO THAT.
148
00:07:57,518 --> 00:07:58,895
YOU KNOW, I WOULD
NEVER BRING YOU DOWN,
149
00:07:58,937 --> 00:08:00,021
BECAUSE I JUST
WANT YOU TO BE--
150
00:08:02,565 --> 00:08:03,691
WHAT ARE YOU GONNA EAT?
151
00:08:03,733 --> 00:08:05,193
THAT'S YOUR DINNER.
152
00:08:09,281 --> 00:08:11,158
PACEY, IS THIS OK?
153
00:08:14,786 --> 00:08:17,038
SHOULD WE BE
LAUGHING LIKE THIS?
154
00:08:19,791 --> 00:08:21,835
I WOULD SAY
AT A TIME LIKE THIS,
155
00:08:21,876 --> 00:08:23,962
YES, NOW MORE THAN EVER.
156
00:08:34,973 --> 00:08:36,016
SO, WHAT,
SO THAT WAS IT?
157
00:08:36,057 --> 00:08:37,851
SO NO BEGGING
AND PLEADING?
158
00:08:37,892 --> 00:08:40,937
WELL, THERE WAS
A LOT OF PAUSING
AND HEAVY SILENCE,
159
00:08:40,979 --> 00:08:45,108
AND HE DID HIS WHOLE
"UH-HUH, UH-HUH,
UH-HUH THING."
160
00:08:45,150 --> 00:08:48,862
NO BIG, SUICIDAL "I CAN'T
LIVE WITHOUT YOU" SPEECH?
161
00:08:48,903 --> 00:08:51,614
I MEAN, I THOUGHT
THAT THIS GUY WAS
A BROODING WRITER.
162
00:08:52,824 --> 00:08:55,202
HE MUMBLED SOMETHING
ABOUT "LOVE IS SO SHORT,
163
00:08:55,243 --> 00:08:56,786
FORGETTING IS SO LONG."
164
00:08:56,828 --> 00:08:58,205
OH, MY GOD.
THAT'S BEAUTIFUL.
165
00:08:58,246 --> 00:08:59,622
HE STOLE IT.
166
00:08:59,664 --> 00:09:00,790
PABLO NERUDA,
167
00:09:00,832 --> 00:09:02,792
20 LOVE POEMS
AND A SONG OF DESPAIR,
168
00:09:02,834 --> 00:09:04,794
PUBLISHED IN HARDBACK, 1924.
169
00:09:04,836 --> 00:09:06,129
JOEY, JOEY, JOEY.
170
00:09:06,171 --> 00:09:08,798
WHAT AM I GOING
TO DO WITH YOU?
171
00:09:08,840 --> 00:09:10,800
YOU'RE CONSTANTLY GETTING
INTO THESE SITUATIONS
172
00:09:10,842 --> 00:09:12,052
WHERE YOU JUMP IN
WITH YOUR HEART,
173
00:09:12,093 --> 00:09:13,970
AND THEN YOU HAVE TO
JUMP OUT WITH YOUR HEAD.
174
00:09:14,012 --> 00:09:15,847
YOUR HEART AND YOUR HEAD
HAVE JUST BEEN
175
00:09:15,889 --> 00:09:17,557
IN CONSTANT CONFLICT
WITH EACH OTHER.
176
00:09:17,598 --> 00:09:20,227
WELL, THAT'S BECAUSE
THERE'S NOTHING ELSE
TO BE CONFLICTED ABOUT.
177
00:09:20,268 --> 00:09:22,229
I AM ALL OUT
OF CONFLICT.
178
00:09:22,270 --> 00:09:24,147
I HAVE BEEN
FOR YEARS.
179
00:09:24,189 --> 00:09:26,316
WELL, IF YOU EVER WANT
TO BE REMINDED OF IT,
180
00:09:26,358 --> 00:09:29,152
YOU CAN JUST WATCH
DAWSON'S SHOW.
181
00:09:29,194 --> 00:09:32,239
WHAT ABOUT THAT GIRL
THAT THEY CAST AS ME? UGH.
182
00:09:32,280 --> 00:09:35,825
I'VE OFTEN THOUGHT
ABOUT GETTING A LAWYER
AND SUING HIS ASS.
183
00:09:35,867 --> 00:09:37,160
WELL, AT LEAST
YOU GET TO HAVE SEX.
184
00:09:37,202 --> 00:09:38,703
ALL I DO IS MOPE AROUND
185
00:09:38,745 --> 00:09:40,163
AND PINE AFTER PETEY,
THEN COLBY,
186
00:09:40,205 --> 00:09:41,289
THEN COLBY, THEN PETEY.
187
00:09:43,041 --> 00:09:46,002
WELL, YOU NEVER
COULD MAKE A DECISION.
188
00:09:46,044 --> 00:09:48,838
YOU KNOW, THAT'S WHERE
HE GOT IT ALL WRONG.
189
00:09:48,880 --> 00:09:50,882
I MEAN,
THE ETERNAL TRIANGLE,
190
00:09:50,924 --> 00:09:52,926
IT'S BASED
ON ACTUAL EVENTS.
191
00:09:52,967 --> 00:09:56,137
IT'S NOT
ABOUT SAM CHOOSING
BETWEEN COLBY AND PETEY.
192
00:09:56,179 --> 00:09:57,389
IT NEVER WAS.
IT'S ABOUT...
193
00:09:58,765 --> 00:10:00,725
SAM MAKING
A DECISION WITH HERSELF.
194
00:10:00,767 --> 00:10:02,102
CAN WE JUST USE
THE REAL NAMES HERE?
195
00:10:02,143 --> 00:10:06,064
THERE'S NO NEED TO PROTECT
THE GUILTY IN THIS ROOM.
196
00:10:09,650 --> 00:10:13,613
IT'S JUST SAD THAT
IT TOOK A TV SHOW
TO MAKE ME SEE IT.
197
00:10:13,654 --> 00:10:14,989
WHAT?
198
00:10:15,031 --> 00:10:16,116
SEE WHAT?
199
00:10:16,157 --> 00:10:17,909
I'M INCREDIBLY INTERESTED
IN ALL OF THIS.
200
00:10:19,827 --> 00:10:22,038
THE ONLY DECISION LEFT
201
00:10:22,080 --> 00:10:24,624
IS THE ONE THAT I NEED
TO MAKE WITH MYSELF--
202
00:10:24,665 --> 00:10:28,878
TO STOP RUNNING
ONCE AND FOR ALL.
203
00:10:28,920 --> 00:10:32,048
I MEAN, I KNOW WHO
I'M SUPPOSED TO BE WITH.
204
00:10:32,090 --> 00:10:34,050
I'VE ALWAYS KNOWN.
REALLY?
205
00:10:34,092 --> 00:10:35,302
YEAH, BUT THEN
THE FEAR TAKES OVER,
206
00:10:35,343 --> 00:10:37,262
THE FREE-FLOATING,
ANXIETY-RIDDEN FEAR
207
00:10:37,304 --> 00:10:39,180
IN THE PIT OF MY STOMACH
THAT MAKES ME RUN.
208
00:10:39,222 --> 00:10:43,768
JEN, I AM COMPLETELY
COMFORTABLE RUNNING.
209
00:10:43,810 --> 00:10:46,396
I REALLY DON'T KNOW
ANY OTHER WAY.
210
00:10:46,438 --> 00:10:48,898
MAYBE I CAN HELP.
211
00:10:52,277 --> 00:10:54,737
WHAT IF I DEMAND THAT
YOU MAKE THAT DECISION?
212
00:10:54,779 --> 00:10:56,406
NO MORE RUNNING.
213
00:10:56,448 --> 00:10:59,826
I'M GOING TO MAKE IT
MY DYING WISH.
214
00:10:59,867 --> 00:11:02,870
MY DEATH WILL SERVE
A GREATER PURPOSE.
215
00:11:02,912 --> 00:11:05,206
IT'S YOUR
ULTIMATE MOTIVATOR.
216
00:11:07,417 --> 00:11:08,668
JEN.
217
00:11:08,709 --> 00:11:09,794
HEY.
218
00:11:09,836 --> 00:11:11,087
JUST FOR THE RECORD HERE,
219
00:11:11,129 --> 00:11:12,671
BECAUSE I FEEL
LIKE I'M A LITTLE BIT
220
00:11:12,713 --> 00:11:14,341
OUT OF THE LOOP ON THIS,
221
00:11:14,382 --> 00:11:15,925
WHO IS IT THAT
YOU'VE ALWAYS KNOWN
222
00:11:15,967 --> 00:11:16,926
THAT YOU WERE
MEANT TO BE WITH?
223
00:11:16,968 --> 00:11:19,262
IS IT COLBY
OR IS IT PETEY?
224
00:11:19,304 --> 00:11:20,805
IT--
225
00:11:22,890 --> 00:11:23,891
HEY, JO.
226
00:11:23,933 --> 00:11:25,435
I'M COME
TO KIDNAP JEN,
227
00:11:25,477 --> 00:11:26,685
THAT IS
IF YOU'RE READY.
228
00:11:26,727 --> 00:11:28,146
READY AND WAITING.
229
00:11:29,981 --> 00:11:32,066
GET ME
OUT OF THIS BED.
230
00:11:43,286 --> 00:11:45,288
IT'S BEAUTIFUL TODAY,
ISN'T IT?
231
00:11:47,748 --> 00:11:48,916
MMM.
232
00:11:48,958 --> 00:11:51,127
HOW THE SUN JUST AFFECTS
EVERY BREATHING THING.
233
00:11:51,169 --> 00:11:53,963
I MEAN, YOU CAN
REALLY SEE IT.
234
00:11:54,005 --> 00:11:56,299
OK, MRS. DALLOWAY.
235
00:11:58,009 --> 00:12:00,428
THANK GOD,
YOUR HUMOR HAS RETURNED.
236
00:12:03,097 --> 00:12:05,766
SURE YOU WANT
TO DO THIS?
237
00:12:05,808 --> 00:12:06,976
ABSOLUTELY.
238
00:12:09,354 --> 00:12:10,855
YOU?
239
00:12:10,897 --> 00:12:12,731
100% SURE...
240
00:12:12,773 --> 00:12:14,401
I DON'T,
241
00:12:14,442 --> 00:12:18,029
BUT I DON'T THINK
YOU'RE GONNA LET ME
OUT OF IT, SO...
242
00:12:18,071 --> 00:12:20,365
I'LL BE QUICK.
I PROMISE.
243
00:12:24,285 --> 00:12:26,079
LET'S DO THIS THING.
YOU CAN TURN IT ON.
244
00:12:28,998 --> 00:12:31,000
HI, AMY, IT'S MOM.
245
00:12:33,378 --> 00:12:37,924
WELL, BY THE TIME
YOU SEE THIS,
246
00:12:37,965 --> 00:12:40,427
I WON'T BE HERE ANYMORE,
247
00:12:40,468 --> 00:12:42,429
AND I KNOW
HOW MUCH THAT SUCKS
248
00:12:42,470 --> 00:12:45,139
FOR BOTH OF US.
249
00:12:45,181 --> 00:12:46,891
SO SEEING AS HOW
I WON'T BE AROUND
250
00:12:46,933 --> 00:12:48,435
TO THOROUGHLY ANNOY YOU,
251
00:12:48,476 --> 00:12:51,438
I THOUGHT I WOULD
GIVE YOU A LITTLE LIST
252
00:12:51,479 --> 00:12:53,856
OF THE THINGS
THAT I WISH FOR YOU.
253
00:12:58,236 --> 00:13:01,155
WELL, THERE'S THE OBVIOUS.
254
00:13:01,197 --> 00:13:03,866
AN EDUCATION,
255
00:13:03,908 --> 00:13:07,161
FAMILY, FRIENDS,
256
00:13:07,203 --> 00:13:11,790
AND A LIFE THAT IS
FULL OF THE UNEXPECTED.
257
00:13:11,832 --> 00:13:14,544
BE SURE TO MAKE MISTAKES.
258
00:13:14,586 --> 00:13:17,255
MAKE A LOT OF THEM,
259
00:13:17,297 --> 00:13:19,048
BECAUSE THERE'S NO BETTER WAY
260
00:13:19,090 --> 00:13:21,342
TO LEARN AND TO GROW,
ALL RIGHT?
261
00:13:21,384 --> 00:13:23,553
AND, UM,
262
00:13:23,595 --> 00:13:26,556
I WANT YOU TO SPEND
A LOT OF TIME AT THE OCEAN,
263
00:13:26,598 --> 00:13:29,100
BECAUSE THE OCEAN
FORCES YOU TO DREAM,
264
00:13:29,142 --> 00:13:33,271
AND I INSIST THAT YOU,
MY GIRL, BE A DREAMER.
265
00:13:34,939 --> 00:13:36,107
GOD.
266
00:13:39,360 --> 00:13:44,240
I'VE NEVER REALLY
BELIEVED IN GOD.
267
00:13:44,282 --> 00:13:46,367
IN FACT, I'VE SPENT
A LOT OF TIME AND ENERGY
268
00:13:46,409 --> 00:13:50,037
TRYING TO DISPROVE
THAT GOD EXISTS,
269
00:13:50,079 --> 00:13:55,293
BUT I HOPE THAT YOU ARE
ABLE TO BELIEVE IN GOD,
270
00:13:55,335 --> 00:14:00,381
BECAUSE THE THING THAT I'VE
COME TO REALIZE, SWEETHEART,
271
00:14:00,423 --> 00:14:02,008
IS THAT
IT JUST DOESN'T MATTER
272
00:14:02,049 --> 00:14:04,010
IF GOD EXISTS OR NOT.
273
00:14:04,051 --> 00:14:08,431
THE IMPORTANT THING
IS FOR YOU TO BELIEVE
IN SOMETHING,
274
00:14:08,473 --> 00:14:10,475
BECAUSE I PROMISE YOU
275
00:14:10,517 --> 00:14:12,977
THAT THAT BELIEF
WILL KEEP YOU WARM AT NIGHT,
276
00:14:13,019 --> 00:14:16,939
AND I WANT YOU
TO FEEL SAFE ALWAYS,
277
00:14:16,981 --> 00:14:20,401
AND THEN THERE'S LOVE.
278
00:14:20,443 --> 00:14:25,948
I WANT YOU TO LOVE
TO THE TIPS OF YOUR FINGERS,
279
00:14:25,990 --> 00:14:27,992
AND WHEN YOU FIND THAT LOVE,
280
00:14:28,034 --> 00:14:30,328
WHEREVER YOU FIND IT,
281
00:14:30,370 --> 00:14:32,413
WHOEVER YOU CHOOSE,
282
00:14:32,455 --> 00:14:35,875
DON'T RUN AWAY FROM IT,
283
00:14:35,916 --> 00:14:39,629
BUT YOU DON'T HAVE
TO CHASE AFTER IT EITHER.
284
00:14:39,671 --> 00:14:41,297
YOU JUST BE PATIENT,
285
00:14:41,339 --> 00:14:44,425
AND IT'LL COME TO YOU,
I PROMISE,
286
00:14:44,467 --> 00:14:48,429
AND WHEN YOU
LEAST EXPECT IT,
287
00:14:48,471 --> 00:14:50,931
LIKE YOU,
288
00:14:50,973 --> 00:14:55,102
LIKE SPENDING
THE BEST YEAR OF MY LIFE
289
00:14:55,144 --> 00:14:59,982
WITH THE SWEETEST
AND THE SMARTEST
290
00:15:00,024 --> 00:15:05,446
AND THE MOST BEAUTIFUL
BABY GIRL IN THE WORLD.
291
00:15:05,488 --> 00:15:08,658
YOU DON'T BE AFRAID,
SWEETHEART,
292
00:15:08,700 --> 00:15:10,993
AND REMEMBER,
293
00:15:11,035 --> 00:15:14,038
TO LOVE IS TO LIVE.
294
00:15:21,629 --> 00:15:23,339
DAWSON STILL DOESN'T KNOW
I BORROWED THIS.
295
00:15:23,381 --> 00:15:24,674
YOU MEAN STOLE?
296
00:15:24,716 --> 00:15:26,676
NO, I MEAN BORROWED.
297
00:15:26,718 --> 00:15:28,219
YOU DON'T STEAL
FROM FRIENDS.
298
00:15:30,221 --> 00:15:32,265
WHEN DID YOU
BORROW THIS?
299
00:15:32,306 --> 00:15:34,267
UH, IN 1998,
RIGHT AFTER HE SHOT IT.
300
00:15:34,308 --> 00:15:35,602
OH. HA HA.
301
00:16:05,673 --> 00:16:08,593
OH, GOD,
WE'RE SO GAWKY.
302
00:16:08,635 --> 00:16:10,094
WELL...
303
00:16:10,136 --> 00:16:11,095
YOU ANYWAY.
304
00:16:11,137 --> 00:16:12,263
YEAH.
305
00:16:23,775 --> 00:16:26,068
SUCH A LONG TIME AGO.
306
00:16:29,113 --> 00:16:30,406
YES, IT WAS.
307
00:16:33,117 --> 00:16:35,035
I RECOGNIZE
A JOEY TRANCE
WHEN I SEE IT.
308
00:16:37,664 --> 00:16:39,749
IT IS DEFINITELY NICE
TO HAVE HER BACK
AROUND AGAIN.
309
00:16:39,791 --> 00:16:42,209
DO YOU FEEL THE SPARKS?
310
00:16:44,629 --> 00:16:46,422
WELL, YOU CAN NEVER
REALLY DENY THE SPARKS
311
00:16:46,464 --> 00:16:49,258
BETWEEN THE TWO OF US.
312
00:16:49,300 --> 00:16:51,552
WHEN SHE'S AROUND,
I JUST FEEL MORE...
313
00:16:53,429 --> 00:16:54,430
I FEEL MORE ALIVE.
314
00:16:57,183 --> 00:16:59,519
I THINK PEOPLE UNDERESTIMATE
HOW IMPORTANT THAT IS.
315
00:16:59,560 --> 00:17:03,105
I THINK THEY
OVERESTIMATE IT, TOO.
316
00:17:03,147 --> 00:17:04,106
I MEAN, AS MUCH
AS YOU WANT TO,
317
00:17:04,148 --> 00:17:05,274
YOU CAN'T RELY
ON SOMEONE ELSE
318
00:17:05,316 --> 00:17:08,027
TO MAKE YOU FEEL ALIVE.
319
00:17:08,068 --> 00:17:09,487
IT'S AN INSIDE JOB.
320
00:17:11,197 --> 00:17:12,323
TRUE.
321
00:17:15,159 --> 00:17:17,161
SO DO YOU PLAN
ON BORROWING HER
322
00:17:17,203 --> 00:17:18,663
OR STEALING HER
FROM YOUR BEST FRIEND?
323
00:17:21,457 --> 00:17:24,126
WELL, I'M HOPING THAT
IT'S A LITTLE DIFFERENT NOW,
324
00:17:24,168 --> 00:17:25,670
AND MAYBE
WE'VE MOVED BEYOND THAT.
325
00:17:25,712 --> 00:17:29,632
I JUST WANT THE 3 OF YOU
TO STAY FRIENDS,
326
00:17:29,674 --> 00:17:31,300
AND I HOPE
YOU STAY IN TOUCH.
327
00:17:31,342 --> 00:17:35,137
NEVER FORGET WHAT
YOU MEAN TO EACH OTHER
328
00:17:35,179 --> 00:17:40,226
AND THE EFFECT
THAT YOU'VE HAD ON
EACH OTHER'S LIVES.
329
00:17:40,267 --> 00:17:42,812
SO FRIENDSHIP CAN
REALLY NEVER BE OVER
OR UNDERESTIMATED.
330
00:17:49,276 --> 00:17:51,320
OH, GOD, I HATE THIS.
331
00:17:51,362 --> 00:17:54,323
I'M SO ANGRY.
332
00:17:54,365 --> 00:17:55,700
I DON'T WANT TO DO THIS.
I DON'T WANT TO...
333
00:17:57,368 --> 00:17:58,327
DIE. I HATE THIS.
334
00:17:58,369 --> 00:18:00,079
REMIND ME
TO NEVER DO IT AGAIN.
335
00:18:00,120 --> 00:18:03,499
IT'S NOT FUNNY.
336
00:18:03,541 --> 00:18:05,209
I'M LOSING MY SENSE
OF HUMOR HERE, PACE.
337
00:18:05,251 --> 00:18:06,335
I DON'T WANT
TO LEAVE MY DAUGHTER.
338
00:18:06,377 --> 00:18:08,337
I DON'T WANT
TO LEAVE HER ALONE.
339
00:18:08,379 --> 00:18:10,214
WE WILL NOT LEAVE
YOUR DAUGHTER ALONE.
340
00:18:10,256 --> 00:18:11,298
I PROMISE YOU THAT.
341
00:18:11,340 --> 00:18:13,342
SATURDAY NIGHT
HAS ME AND AMY'S NAME
342
00:18:13,384 --> 00:18:14,677
WRITTEN ALL OVER IT, OK?
343
00:18:14,719 --> 00:18:16,345
WE WILL TAKE CARE
OF YOUR BABY.
344
00:18:16,387 --> 00:18:18,848
I PROMISE YOU.
345
00:18:18,890 --> 00:18:20,391
OH, MY GOD.
346
00:18:33,279 --> 00:18:34,280
Hey.
347
00:18:34,321 --> 00:18:35,322
HEY.
348
00:18:35,364 --> 00:18:36,574
HOW'D IT GO?
349
00:18:38,701 --> 00:18:42,246
WELL, YOU KNOW THAT LIST
OF HARDEST THINGS
TO LIVE THROUGH?
350
00:18:42,288 --> 00:18:44,707
YOU JUST
GOT BUMPED AGAIN.
351
00:18:44,749 --> 00:18:46,876
AH.
352
00:18:46,918 --> 00:18:48,252
I'M SO
OUT OF TOUCH, JO.
353
00:18:48,294 --> 00:18:50,671
I'VE...
354
00:18:50,713 --> 00:18:52,130
I'VE WASTED
SO MUCH TIME
355
00:18:52,172 --> 00:18:53,758
LIVING IN MY LITTLE
HOLLYWOOD BUBBLE.
356
00:18:55,760 --> 00:18:56,844
EVEN NOW,
MY MIND'S ON MY WORK.
357
00:18:56,886 --> 00:18:59,555
I HATE TO ADMIT THAT.
358
00:18:59,597 --> 00:19:01,348
SHOW'S CALLING
EVERY 5 SECONDS.
359
00:19:01,390 --> 00:19:03,142
THE NETWORK
WANTS A SCRIPT,
360
00:19:03,183 --> 00:19:04,435
WHICH I HAVEN'T
FINISHED YET,
361
00:19:04,477 --> 00:19:05,728
BECAUSE I DON'T KNOW HOW.
I DON'T HAVE AN ENDING.
362
00:19:05,770 --> 00:19:07,396
I CAN'T EVEN THINK STRAIGHT
ENOUGH TO WRITE ONE.
363
00:19:07,438 --> 00:19:10,357
DAWSON, THIS IS A TIME
OF EXTREME STRESS.
364
00:19:10,399 --> 00:19:12,276
IT'S NOT JUST THAT.
365
00:19:12,318 --> 00:19:14,153
WHEN I SAW JEN
FOR THE FIRST TIME
366
00:19:14,194 --> 00:19:16,823
THE OTHER DAY WITH AMY,
367
00:19:16,864 --> 00:19:19,408
MY FIRST THOUGHT WAS,
"WHEN DID JEN HAVE A BABY?"
368
00:19:19,450 --> 00:19:22,578
I FORGOT JEN HAD A BABY.
369
00:19:22,620 --> 00:19:23,704
I FORGOT I KNEW THAT.
370
00:19:23,746 --> 00:19:25,581
WHAT--
371
00:19:25,623 --> 00:19:27,291
WHAT'S WRONG WITH ME?
372
00:19:27,333 --> 00:19:29,752
YOU CANNOT FEEL GUILTY
ABOUT THAT, DAWSON.
373
00:19:29,794 --> 00:19:31,796
MY OFFICE IS CALLING
EVERY 5 SECONDS.
374
00:19:31,838 --> 00:19:32,797
IT'S--IT'S
CALLED LIFE,
375
00:19:32,839 --> 00:19:34,173
AND WE JUST
HAVE TO DEAL.
376
00:19:34,214 --> 00:19:36,383
DEAL WITH--
WITH WHAT, THOUGH?
377
00:19:36,425 --> 00:19:37,510
IT'S NOT SHAKESPEARE.
378
00:19:37,551 --> 00:19:39,720
I'M NOT WRITING
SCHINDLER'S LIST.
379
00:19:39,762 --> 00:19:40,763
I DON'T EVEN KNOW
WHY I CARE SO MUCH.
380
00:19:40,805 --> 00:19:41,889
I'M NO SPIELBERG.
381
00:19:41,931 --> 00:19:42,807
THE GUY WON'T EVEN
TAKE A MEETING WITH ME.
382
00:19:42,849 --> 00:19:44,600
WHY WOULD HE?
STOP IT.
383
00:19:44,642 --> 00:19:46,226
SHE'S DYING.
384
00:19:47,478 --> 00:19:49,313
JO, SHE'S GONNA DIE,
AND ALL I CAN THINK ABOUT
385
00:19:49,355 --> 00:19:52,608
IS SOME FRICKIN' ENDING
TO SOME STUPID TV SHOW.
386
00:19:52,650 --> 00:19:54,610
I KEEP THINKING THERE'S GONNA
BE TIME FOR THE REST OF IT,
387
00:19:54,652 --> 00:19:56,946
BUT IT--IT--IT RUNS OUT.
388
00:19:56,988 --> 00:19:58,572
YES, IT DOES.
389
00:19:58,614 --> 00:20:00,240
NOTHING IN MY LIFE
FEELS REAL ANYMORE.
390
00:20:00,282 --> 00:20:02,702
I'VE LOST TOUCH WITH
MY FAMILY, MY FRIENDS,
391
00:20:02,743 --> 00:20:04,620
YOU...
392
00:20:04,662 --> 00:20:06,246
AND YOU AND ME TOGETHER
IS THE ONLY THING
393
00:20:06,288 --> 00:20:07,247
THAT EVER MADE SENSE TO ME,
394
00:20:07,289 --> 00:20:08,499
AND I FORGOT THAT...
395
00:20:10,334 --> 00:20:11,961
UNTIL I SAW YOU,
396
00:20:12,003 --> 00:20:14,421
AND THEN IT CAME BACK,
WHAT WE WERE,
397
00:20:14,463 --> 00:20:15,840
AND WE'RE NOT
EVEN TOGETHER.
398
00:20:15,882 --> 00:20:18,216
DO YOU NOT WATCH
THE CREEK?
399
00:20:18,258 --> 00:20:21,470
WE'RE TOGETHER EVERY
WEDNESDAY AT 8:00.
400
00:20:21,512 --> 00:20:23,597
DAWSON, YOU WROTE
A SHOW ABOUT US.
401
00:20:23,639 --> 00:20:25,474
AND THAT'S THE PROBLEM.
402
00:20:25,516 --> 00:20:27,560
I'VE TURNED MY ENTIRE LIFE
INTO FICTION.
403
00:20:27,601 --> 00:20:29,436
IT'S NOT EVEN REAL LIFE
THAT I'M LIVING ANYMORE.
404
00:20:29,478 --> 00:20:31,689
IT IS REAL,
405
00:20:31,731 --> 00:20:33,315
IN THE BEST WAY
POSSIBLE.
406
00:20:33,357 --> 00:20:35,484
DAWSON, DO YOU KNOW
HOW LUCKY YOU ARE?
407
00:20:35,526 --> 00:20:38,821
YOU'RE A WRITER.
408
00:20:38,863 --> 00:20:41,574
YOU GET
TO LIVE LIFE TWICE.
409
00:20:41,615 --> 00:20:43,701
WHO ELSE
CAN DO THAT?
410
00:20:46,704 --> 00:20:49,874
I LIKE THIS ONE.
411
00:20:49,916 --> 00:20:51,333
DEFINITELY AN "A."
412
00:20:59,425 --> 00:21:01,385
OH, YEAH.
413
00:21:01,427 --> 00:21:03,303
I THOUGHT IT WAS
A LITTLE PEDESTRIAN,
414
00:21:03,345 --> 00:21:04,805
RUSHED.
415
00:21:04,847 --> 00:21:07,265
I THINK, UH,
CYNTHIA HERE
416
00:21:07,307 --> 00:21:08,851
IS CAPABLE
OF MUCH MORE.
417
00:21:08,893 --> 00:21:09,894
OH, GOSH.
418
00:21:09,936 --> 00:21:11,395
WELL, WE'RE ALL CAPABLE
OF MORE, JACK.
419
00:21:12,980 --> 00:21:14,023
HEY, WANNA SIT?
420
00:21:14,065 --> 00:21:15,357
WANNA GO
IN YOUR CHAIR?
421
00:21:15,399 --> 00:21:16,692
Yeah, thanks.
422
00:21:16,734 --> 00:21:17,902
HEY.
423
00:21:22,073 --> 00:21:23,532
WANNA GO IN YOUR THINGY?
424
00:21:23,574 --> 00:21:24,742
HERE.
425
00:21:27,578 --> 00:21:29,663
MAMA.
426
00:21:29,705 --> 00:21:31,958
OHH.
427
00:21:31,999 --> 00:21:33,584
SPEAKING OF CAPABILITY...
428
00:21:35,753 --> 00:21:38,798
CAN I BRING UP
THE AS YET UNSPOKEN
SUBJECT OF AMY HERE?
429
00:21:38,839 --> 00:21:41,383
BAD SEGUE, ENGLISH TEACHER.
430
00:21:41,425 --> 00:21:42,593
I THINK YOU CAN DO BETTER.
431
00:21:42,635 --> 00:21:44,637
JEN, COME ON.
THIS IS TOUGH.
432
00:21:44,678 --> 00:21:47,765
I DON'T WANT YOU
TO FEEL PRESSURE, JACK.
433
00:21:47,807 --> 00:21:49,600
I AM HER GODFATHER.
434
00:21:49,642 --> 00:21:54,563
I THINK THAT WHEN
MOST PEOPLE SIGN UP
FOR GODPARENT DUTIES,
435
00:21:54,605 --> 00:21:57,858
THEY DON'T IMAGINE THAT
IT COULD EVER EXTEND
BEYOND A FEW BABYSITS.
436
00:21:57,900 --> 00:22:00,694
JEN, I WANT HER.
437
00:22:00,736 --> 00:22:02,446
I WANT HER,
438
00:22:02,488 --> 00:22:06,700
BUT I DON'T KNOW
WHAT YOU AND GRAMS
HAVE DISCUSSED.
439
00:22:07,994 --> 00:22:10,454
GRAMS IS AWARE
OF THE REALITY
OF THE SITUATION,
440
00:22:10,496 --> 00:22:12,372
WITH HER HEALTH
AND ALL...
441
00:22:14,083 --> 00:22:16,919
AND WE BOTH THINK
THAT YOU WOULD MAKE
AN EXCELLENT FATHER.
442
00:22:19,546 --> 00:22:21,048
ONE REQUEST.
443
00:22:23,009 --> 00:22:27,345
CAN YOU PLEASE HELP AMY
FIND A PLACE TO BE?
444
00:22:27,387 --> 00:22:31,100
I FEEL LIKE I NEVER
REALLY QUITE FIT.
445
00:22:31,142 --> 00:22:35,479
WHICH IS
WHY WE'RE US.
446
00:22:35,521 --> 00:22:37,397
I KNOW.
447
00:22:38,774 --> 00:22:39,942
I MEAN, FROM THE SECOND
448
00:22:39,984 --> 00:22:41,902
THAT I STEPPED
OUT OF THAT CAB
449
00:22:41,944 --> 00:22:42,903
AND ONTO THE CREEK,
450
00:22:42,945 --> 00:22:46,115
I--I WAS THE INSTIGATOR,
YOU KNOW?
451
00:22:46,157 --> 00:22:48,617
GIRL WHO CAUSED PROBLEMS
AND ROCKED THE CREEK
452
00:22:48,659 --> 00:22:52,370
AND UPSET THE DELICATE
EMOTIONAL BALANCE
OF CAPESIDE,
453
00:22:52,412 --> 00:22:56,625
AND--AND I DON'T WANT AMY
TO BE THAT PERSON.
454
00:22:58,836 --> 00:23:01,547
I WANT HER TO BELONG.
455
00:23:01,588 --> 00:23:03,549
I FEEL LIKE
I NEVER REALLY DID.
456
00:23:03,590 --> 00:23:05,176
JEN, YOU BELONG.
457
00:23:10,181 --> 00:23:12,432
YOU BELONG TO ME.
458
00:23:14,852 --> 00:23:16,520
DON'T YOU GET IT?
459
00:23:18,689 --> 00:23:20,900
YOU'RE MY SOULMATE.
460
00:23:29,116 --> 00:23:32,410
AMY'S GONNA KNOW LOVE.
461
00:23:32,452 --> 00:23:33,829
EVERY DAY OF HER LIFE,
SHE IS GONNA KNOW
462
00:23:33,871 --> 00:23:35,873
HOW MUCH
HER MOTHER LOVED HER.
463
00:23:37,083 --> 00:23:38,667
I'M GONNA SEE TO THAT.
464
00:23:40,544 --> 00:23:41,628
OK?
465
00:26:31,757 --> 00:26:34,885
I'LL SEE YOU SOON, CHILD.
466
00:26:39,223 --> 00:26:40,307
SOON.
467
00:27:43,329 --> 00:27:44,746
YOU SHOULD
GO TALK TO HIM.
468
00:27:47,249 --> 00:27:49,835
NOW'S NOT THE TIME.
469
00:27:49,876 --> 00:27:52,379
OK, FAIR ENOUGH.
470
00:27:52,421 --> 00:27:55,715
JUST REMEMBER
THAT SAYING'S
NOT WORTH MUCH TODAY.
471
00:28:21,367 --> 00:28:22,784
HEY.
472
00:28:22,826 --> 00:28:25,371
HEY. I'M LOOKING
FOR SOME SERVING SPOONS.
473
00:28:25,412 --> 00:28:27,998
THEY'RE IN THE BIN
AT THE END.
474
00:28:30,292 --> 00:28:32,252
WELL, HOW YOU DOING?
475
00:28:32,294 --> 00:28:33,420
YOU OK?
476
00:28:33,462 --> 00:28:35,130
YEAH.
477
00:28:35,172 --> 00:28:38,800
YEAH,
I REALLY AM OK.
478
00:28:38,842 --> 00:28:42,304
WHAT'S GOING ON
IN THAT HEAD OF YOURS?
479
00:28:46,850 --> 00:28:47,976
YOU'RE OFF THE HOOK.
480
00:28:48,018 --> 00:28:50,354
WHAT?
481
00:28:50,396 --> 00:28:52,814
YOU'RE OFF THE HOOK.
482
00:28:52,856 --> 00:28:55,442
I'VE NEVER REALLY
PUT MUCH FAITH
IN ALL THAT
483
00:28:55,484 --> 00:28:57,319
"IF YOU LOVE SOMEONE,
SET THEM FREE" CRAP,
484
00:28:57,361 --> 00:28:59,279
AS EVIDENCED BY EVERYTHING
I'VE DONE IN MY LIFE
485
00:28:59,321 --> 00:29:00,406
UP TO THIS VERY MOMENT,
486
00:29:00,447 --> 00:29:04,951
BUT I AM DETERMINED
TO BE HAPPY, JOEY.
487
00:29:04,993 --> 00:29:07,287
HAPPY IN THIS LIFE.
488
00:29:07,329 --> 00:29:10,499
AND I LOVE YOU.
I MEAN, I ALWAYS--
489
00:29:10,541 --> 00:29:14,044
I HAVE ALWAYS,
ALWAYS LOVED YOU.
490
00:29:14,086 --> 00:29:17,214
BUT OUR TIMING HAS
JUST NEVER BEEN RIGHT.
491
00:29:17,256 --> 00:29:20,092
AND THE WAY I FIGURE IT,
TIME IS NO MAN'S FRIEND.
492
00:29:20,133 --> 00:29:21,218
SO I HAVE
TO GET RIGHT WITH THAT
493
00:29:21,260 --> 00:29:22,928
AND BE HAPPY NOW.
494
00:29:22,969 --> 00:29:24,179
BECAUSE THIS IS IT.
495
00:29:24,221 --> 00:29:26,432
I MEAN, THIS
IS ALL THAT WE GET.
496
00:29:26,473 --> 00:29:27,807
IF THERE'S ONE THING
I'VE LEARNED
FROM LOSING JEN,
497
00:29:27,849 --> 00:29:28,975
THAT'S
WHAT I'VE LEARNED.
498
00:29:29,017 --> 00:29:30,102
PACEY, I--
499
00:29:30,143 --> 00:29:31,853
ACTUALLY, UM, HOLD ON.
I'M NOT DONE YET.
500
00:29:31,895 --> 00:29:34,565
BECAUSE I ALSO WANT
FOR YOU TO BE HAPPY.
501
00:29:36,108 --> 00:29:37,901
IT'S REALLY IMPORTANT
FOR ME THAT YOU BE HAPPY.
502
00:29:37,943 --> 00:29:39,778
SO I WANT YOU
TO BE WITH SOMEONE,
503
00:29:39,819 --> 00:29:41,947
WHETHER IT BE DAWSON
OR NEW YORK GUY
504
00:29:41,988 --> 00:29:43,532
OR SOME MAN THAT YOU
HAVEN'T EVEN MET YET,
505
00:29:43,574 --> 00:29:47,202
BUT I WANT YOU
TO BE WITH SOMEONE
506
00:29:47,244 --> 00:29:48,786
WHO CAN BE
A PART OF THE LIFE
507
00:29:48,828 --> 00:29:51,457
THAT YOU WANT
FOR YOURSELF.
508
00:29:51,498 --> 00:29:52,958
I WANT YOU
TO BE WITH SOMEONE
WHO MAKES YOU FEEL
509
00:29:52,999 --> 00:29:54,834
LIKE I FEEL
WHEN I'M WITH YOU.
510
00:29:54,876 --> 00:29:58,922
SO, I GUESS
THE POINT TO THIS
LONG, RUN-ON SENTENCE
511
00:29:58,964 --> 00:30:03,051
THAT'S BEEN THE LAST
10 YEARS OF OUR LIVES
512
00:30:03,093 --> 00:30:05,971
IS JUST THAT THE SIMPLE ACT
OF BEING IN LOVE WITH YOU
513
00:30:06,012 --> 00:30:07,431
IS ENOUGH FOR ME.
514
00:30:09,600 --> 00:30:12,394
SO YOU'RE
OFF THE HOOK.
515
00:30:17,149 --> 00:30:18,567
YOU KNOW,
FOR THE RECORD, I--
516
00:30:20,444 --> 00:30:22,571
I DON'T WANT
TO BE LET OFF THE HOOK.
517
00:30:24,239 --> 00:30:25,991
BECAUSE EVERYTHING
IN MY LIFE
518
00:30:26,032 --> 00:30:30,496
THAT I'VE DONE
HAS LED ME HERE,
519
00:30:30,537 --> 00:30:31,830
RIGHT NOW,
520
00:30:31,871 --> 00:30:34,916
AND THE LAST THING
I WANT, NEED, OR DESERVE
521
00:30:34,958 --> 00:30:37,169
IS TO BE LET OFF
SOMEBODY'S HOOK.
522
00:30:37,210 --> 00:30:38,253
PLEASE DON'T MISS
MY POINT HERE 'CAUSE--
523
00:30:38,295 --> 00:30:40,297
AND DON'T MISS MINE.
524
00:30:40,339 --> 00:30:42,591
PACEY...
525
00:30:42,633 --> 00:30:46,261
I LOVE YOU.
526
00:30:46,303 --> 00:30:47,887
YOU KNOW THAT.
527
00:30:49,473 --> 00:30:52,309
AND IT'S VERY REAL.
528
00:30:52,351 --> 00:30:55,103
IT'S SO REAL
THAT IT'S KEPT ME MOVING,
529
00:30:55,145 --> 00:31:00,317
MOSTLY RUNNING FROM IT,
NEVER READY FOR IT.
530
00:31:02,152 --> 00:31:05,863
AND I LOVE DAWSON.
531
00:31:05,905 --> 00:31:09,242
HE'S MY SOUL MATE.
532
00:31:09,284 --> 00:31:12,870
HE'S TIED TO MY CHILDHOOD,
AND IT'S A LOVE
533
00:31:12,912 --> 00:31:15,541
THAT IS PURE
AND ETERNALLY INNOCENT.
534
00:31:18,460 --> 00:31:20,962
I CAN'T BE
LET OFF THE HOOK
535
00:31:21,004 --> 00:31:22,464
BECAUSE I MIGHT
JUST GET THE NOTION
536
00:31:22,506 --> 00:31:24,508
THAT IT'S OK
TO KEEP RUNNING.
537
00:31:27,302 --> 00:31:31,515
SO THEN WHAT EXACTLY
ARE YOU SAYING HERE?
538
00:31:31,557 --> 00:31:33,308
OH, PACEY,
THERE YOU ARE.
539
00:31:33,350 --> 00:31:35,352
UM, WE NEED PLATES.
540
00:31:37,062 --> 00:31:38,397
YOU ARE SO SWEET
541
00:31:38,438 --> 00:31:40,148
TO OPEN UP
YOUR PLACE LIKE THIS.
542
00:31:40,190 --> 00:31:43,193
I LOVE YOU BOTH.
543
00:31:45,529 --> 00:31:46,613
OK, UH...
544
00:31:46,655 --> 00:31:49,032
I THINK YOU WERE
MAYBE JUST ABOUT
545
00:31:49,074 --> 00:31:51,159
TO SAY SOMETHING
REALLY IMPORTANT.
546
00:31:51,201 --> 00:31:55,163
PACEY...
547
00:31:55,205 --> 00:31:57,040
I REALIZE--
548
00:31:57,082 --> 00:32:00,001
JOEY, GIVE ME A HAND.
549
00:32:00,043 --> 00:32:03,088
HERE, GRAB THIS TRAY.
HERE.
550
00:32:03,129 --> 00:32:06,216
HOW YOU DOING, PACEY?
551
00:32:06,258 --> 00:32:08,176
I'M GOOD, BESS.
I'M GOOD, THANKS.
552
00:32:25,985 --> 00:32:27,738
GRAMS SAID
YOU WERE HERE.
553
00:32:30,990 --> 00:32:32,284
JUST THINKING?
554
00:32:32,325 --> 00:32:35,704
CAPESIDE'S
FAVORITE PASTIME.
555
00:32:40,083 --> 00:32:42,628
WHAT ABOUT?
556
00:32:42,669 --> 00:32:44,254
MOVING.
557
00:32:46,005 --> 00:32:48,216
MOVING?
558
00:32:48,258 --> 00:32:49,342
WHERE?
559
00:32:49,384 --> 00:32:55,056
I DON'T KNOW.
BOSTON, NEW YORK.
560
00:32:55,098 --> 00:32:58,393
WHY?
561
00:32:58,435 --> 00:32:59,603
AMY.
562
00:33:01,605 --> 00:33:02,731
JACK, YOU CAN'T DO THAT.
563
00:33:02,773 --> 00:33:04,983
YES, I CAN.
564
00:33:05,024 --> 00:33:07,110
HOW MANY GAY PARENTS
DO YOU KNOW IN CAPESIDE?
565
00:33:07,152 --> 00:33:09,070
SO?
566
00:33:09,112 --> 00:33:10,238
HOW MANY GAY TEACHERS
WERE THERE
567
00:33:10,280 --> 00:33:13,241
BEFORE YOU CAME BACK?
568
00:33:13,283 --> 00:33:15,285
HOW MANY GAY SHERIFFS
ARE THERE, FOR THAT MATTER?
569
00:33:15,327 --> 00:33:17,621
LAST TIME
I CHECKED? NONE.
570
00:33:21,207 --> 00:33:24,628
I'M TIRED
OF BEING FIRST, DOUG.
571
00:33:24,670 --> 00:33:27,589
HALF MY LIFE HAS BEEN
ABOUT REEDUCATING
THIS COMMUNITY.
572
00:33:27,631 --> 00:33:28,841
WHAT DO I
HAVE TO SHOW FOR IT?
573
00:33:28,882 --> 00:33:32,427
YOU THINK THERE ARE PRIZES
FOR INSPIRING PEOPLE?
574
00:33:32,469 --> 00:33:34,304
I DON'T
WANT TO INSPIRE
PEOPLE ANYMORE.
575
00:33:34,346 --> 00:33:36,431
ALL I WANT
TO DO IS GIVE AMY
A NORMAL EXISTENCE.
576
00:33:36,473 --> 00:33:37,683
SHE'S NOT GONNA
GET THAT HERE.
577
00:33:37,724 --> 00:33:41,144
SHE'S GONNA HAVE
THE SAME CHILDHOOD
THAT I DID.
578
00:33:41,186 --> 00:33:42,604
ONLY INSTEAD OF
BEING THE ONLY GAY KID,
579
00:33:42,646 --> 00:33:45,106
SHE'S GONNA
BE THE ONLY KID
WITH A GAY PARENT.
580
00:33:45,148 --> 00:33:47,317
I DON'T WANT THAT.
581
00:33:47,359 --> 00:33:48,360
YOU'RE GONNA
BE A GAY PARENT
582
00:33:48,401 --> 00:33:50,111
NO MATTER WHERE YOU ARE.
583
00:33:50,153 --> 00:33:54,115
AND, YEAH, AMY IS
GONNA FACE REJECTION.
584
00:33:54,157 --> 00:33:56,201
THAT'S WHAT IT MEANS
TO BE A TEENAGER.
585
00:33:56,242 --> 00:34:00,121
I JUST WANT TO BE
A GOOD PARENT, DOUG.
586
00:34:00,163 --> 00:34:01,456
I HAVE TO BE.
587
00:34:01,498 --> 00:34:04,626
HEY...
588
00:34:04,668 --> 00:34:07,170
JACK...
589
00:34:07,212 --> 00:34:09,798
BEING A GOOD PARENT
MEANS KNOWING
590
00:34:09,840 --> 00:34:14,344
THAT YOUR CHILD
IS BOUND TO FALL DOWN.
591
00:34:14,386 --> 00:34:16,513
YOU JUST
HAVE TO SHOW 'EM
HOW TO GET BACK UP.
592
00:34:18,181 --> 00:34:21,058
WHAT DO YOU KNOW
ABOUT PARENTING?
593
00:34:21,100 --> 00:34:24,270
NOT MUCH.
594
00:34:24,312 --> 00:34:26,147
I'M HOPING
TO LEARN QUICKLY.
595
00:34:30,694 --> 00:34:33,071
THAT'S A SWEET GESTURE,
BUT, NO, THANK YOU.
596
00:34:33,112 --> 00:34:34,072
IT'S NOT A GESTURE.
597
00:34:34,113 --> 00:34:35,240
YES, IT IS.
598
00:34:35,281 --> 00:34:36,658
WITH EVERYTHING
THAT WE'VE BEEN THROUGH,
599
00:34:36,700 --> 00:34:38,326
I'LL BE DAMNED IF WE'RE
GONNA GET BACK TOGETHER
600
00:34:38,368 --> 00:34:41,078
OVER YOUR SENSE
OF OBLIGATION,
601
00:34:41,120 --> 00:34:42,163
OR WORSE, PITY.
602
00:34:42,205 --> 00:34:44,290
SCREW PITY.
603
00:34:46,543 --> 00:34:47,794
I LOVE YOU.
604
00:34:47,836 --> 00:34:52,549
I LOVE YOU, JACK.
605
00:34:52,591 --> 00:34:56,511
I LOVE THAT YOU'RE
THE BRAVEST PERSON
I KNOW...
606
00:34:56,553 --> 00:35:00,807
THE KINDEST.
607
00:35:00,849 --> 00:35:02,392
I LOVE THAT
NO MATTER WHAT YOU DO,
608
00:35:02,434 --> 00:35:04,895
YOUR LIFE
IS GONNA STAND OUT.
609
00:35:07,856 --> 00:35:11,109
I WANT TO STAND OUT
WITH YOU...
610
00:35:11,150 --> 00:35:13,528
AND YOUR DAUGHTER.
611
00:35:15,447 --> 00:35:17,908
IF YOU'LL LET ME.
612
00:35:26,458 --> 00:35:27,751
UH...
WHAT?
613
00:35:27,793 --> 00:35:29,127
IT'S THE DUDLEYS.
614
00:35:29,168 --> 00:35:30,462
RIGHT THERE.
615
00:35:30,503 --> 00:35:34,132
EVENING,
MR. AND MRS. DUDLEY.
616
00:35:34,173 --> 00:35:36,676
I WAS JUST, UH...
617
00:35:36,718 --> 00:35:38,678
KISSING MY BOYFRIEND.
618
00:35:38,720 --> 00:35:40,722
THAT'S SWEET, DEAR.
619
00:36:57,966 --> 00:37:00,510
HEY.
620
00:37:02,595 --> 00:37:04,305
HOW YA DOING?
621
00:37:04,347 --> 00:37:07,851
SURVIVING. YOU?
622
00:37:13,356 --> 00:37:14,649
IT'S BEEN A LONG DAY.
623
00:37:14,691 --> 00:37:18,319
YEAH.
624
00:37:18,361 --> 00:37:20,488
ARE YOU WRITING?
625
00:37:20,530 --> 00:37:22,949
NO.
626
00:37:22,991 --> 00:37:25,284
THE CURSE OF
AN UNWRITTEN ENDING.
627
00:37:25,326 --> 00:37:28,496
OH.
628
00:37:28,538 --> 00:37:29,956
MAKE IT
A HAPPY ONE, PLEASE.
629
00:37:29,998 --> 00:37:32,542
I CAN'T TAKE
ANY MORE SAD ONES.
630
00:37:34,753 --> 00:37:37,380
STAY AWAY FROM THE LIFE
AND DEATH OF IT ALL.
631
00:37:39,298 --> 00:37:40,967
IT'S INTERESTING
HOW PEOPLE USE
THAT EXPRESSION.
632
00:37:41,009 --> 00:37:43,595
LIFE AND DEATH.
633
00:37:43,636 --> 00:37:45,471
AS IF TO IMPLY
THAT LIFE
634
00:37:45,513 --> 00:37:46,806
IS THE OPPOSITE
OF DEATH,
635
00:37:46,848 --> 00:37:49,976
BUT BIRTH IS
THE OPPOSITE OF DEATH.
636
00:37:50,018 --> 00:37:52,687
LIFE...
637
00:37:52,729 --> 00:37:55,065
HAS NO OPPOSITE.
638
00:37:58,401 --> 00:37:59,903
I NEVER THOUGHT
OF IT THAT WAY.
639
00:37:59,945 --> 00:38:02,822
WELL, LEAVE IT TO ME
TO OVERTHINK IT.
640
00:38:05,784 --> 00:38:07,911
YOU ARE THE WRITER.
641
00:38:09,746 --> 00:38:11,957
YEAH.
642
00:38:11,998 --> 00:38:13,374
THIS WRITER
HAS DECIDED
643
00:38:13,416 --> 00:38:16,836
IT DOESN'T MATTER
HOW IT ENDS...
644
00:38:16,878 --> 00:38:19,297
BECAUSE FICTION
IS FICTION,
645
00:38:19,338 --> 00:38:23,551
AND FOR THE FIRST TIME,
IN A LONG TIME,
646
00:38:23,593 --> 00:38:27,889
MY LIFE IS REAL.
647
00:38:27,931 --> 00:38:30,934
IT DOESN'T MATTER
WHO ENDS UP WITH WHO.
648
00:38:33,061 --> 00:38:37,565
BECAUSE IN SOME UNEARTHLY WAY,
649
00:38:37,607 --> 00:38:40,026
IT'S ALWAYS
GONNA BE YOU AND ME.
650
00:38:42,904 --> 00:38:44,572
SOUL MATES.
651
00:38:44,614 --> 00:38:48,868
WHAT WE HAVE GOES
BEYOND FRIENDSHIP,
652
00:38:48,910 --> 00:38:52,330
BEYOND LOVERS.
653
00:38:52,371 --> 00:38:54,373
IT'S FOREVER.
654
00:38:56,542 --> 00:38:58,503
YES, IT IS.
655
00:39:03,049 --> 00:39:04,801
I LOVE YOU, DAWSON.
656
00:39:04,843 --> 00:39:06,928
I LOVE YOU, TOO, JOEY.
657
00:39:09,973 --> 00:39:11,016
COME ON, ALEXANDER!
658
00:39:11,057 --> 00:39:12,892
COME ON!
ONLY A FEW MORE STEPS!
659
00:39:12,934 --> 00:39:14,978
YOU CAN DO IT!
660
00:39:26,405 --> 00:39:27,949
YOU AND ME, ALWAYS.
661
00:39:27,991 --> 00:39:30,535
ALWAYS.
662
00:39:47,677 --> 00:39:51,931
I CAN'T
TAKE IT ANYMORE, COLBY.
663
00:39:51,973 --> 00:39:54,559
I DON'T WANT TO WAIT
FOR MY LIFE TO BE OVER.
664
00:39:54,600 --> 00:39:56,728
I WANNA KNOW RIGHT NOW.
665
00:39:56,769 --> 00:39:58,188
WHAT WILL IT BE?
666
00:40:19,709 --> 00:40:23,171
YOU AND ME.
667
00:40:23,213 --> 00:40:24,839
ALWAYS.
668
00:40:38,228 --> 00:40:41,189
THAT WAS PERFECT.
669
00:40:41,231 --> 00:40:43,524
ABSOLUTELY PERFECT.
670
00:40:47,612 --> 00:40:53,534
ARE THOSE TEARS?
ARE YOU CRYING?
671
00:40:53,576 --> 00:40:56,662
HE GOT ME.
672
00:40:56,704 --> 00:40:58,581
He got me.
673
00:41:02,752 --> 00:41:04,087
LET'S CALL HIM.
674
00:41:06,214 --> 00:41:08,133
WELL, I'M TAKING OFF.
675
00:41:08,174 --> 00:41:09,675
YOU SHOULD GET
OUT OF HERE, TOO.
676
00:41:09,717 --> 00:41:11,636
YOU HAVE A MEETING
FIRST THING IN THE A.M.
677
00:41:11,677 --> 00:41:13,846
GOT IT.
678
00:41:13,888 --> 00:41:16,599
NO, NO, NO.
GET OUT OF HERE.
679
00:41:16,641 --> 00:41:18,517
THANKS.
680
00:41:21,938 --> 00:41:23,022
YEAH?
681
00:41:23,064 --> 00:41:24,816
HEY, IT'S US.
IT WAS GREAT!
682
00:41:24,857 --> 00:41:26,109
FANTASTIC!
IT WAS SO SWEET.
683
00:41:26,151 --> 00:41:27,777
YOU GOT JOEY
CRYING LIKE A BABY.
684
00:41:28,820 --> 00:41:30,238
I CAN'T WAIT
TILL NEXT SEASON.
685
00:41:30,280 --> 00:41:32,490
YOU'LL NEVER GUESS
WHO I'M MEETING TOMORROW.
686
00:41:32,531 --> 00:41:34,867
SPIELBERG?
687
00:41:34,909 --> 00:41:36,828
GET OUT OF TOWN!
688
00:41:36,869 --> 00:41:37,870
WHO MADE YOU
A HOLLYWOOD PLAYER,
MAN?
689
00:41:37,912 --> 00:41:39,122
OH, MY GOD!
690
00:41:39,164 --> 00:41:40,957
WHAT ARE YOU GONNA SAY?
WHAT ARE YOU GONNA WEAR?
691
00:41:40,999 --> 00:41:42,541
I HAVE NO IDEA.