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[ Shutter Clicking ]
[ Tires Squeal ]
- [ Horn Honks ] - [ Shutter Clicks ]
[ Parking Brake Cranks ]
[ Door Shutting, Horn Honking ]
[ Dog Barking ]
[ Man Laughs ] FUNNY. VERY FUCKIN'’ FUNNY. THAT'’S NICE, BOB.
HEY, MOUSE, IT'’S NOT THE CAR YOU STEAL, IT'’S THE CAR YOU BRING IN.
THAT'’S RIGHT. SPEAKIN'’ OF WHICH, THAT CAR THERE ?
ALARM ON, CLUB-- YOU NAME IT. THE GUY WANTED TO MAKE IT LOOK REAL IN CASE YOU GOT CAUGHT.
THAT'’S WHAT BURN JOBS ARE ALL ABOUT. THAT'’S WHY THEY PAY MORE.
JACKIE TOLD ME TO TAKE OUT 1,200 '’CAUSE YOU BET THE PATRIOTS LAST WEEK.
YOU BET THE PATRIOTS ? IT WAS PLUS 12.
[ Scoffs ] YOU'’RE GONNA HAVE TO DO BURN JOBS MAKIN'’ BETS LIKE THAT.
YOU BEEN GOIN'’ FUCKIN'’ NUTS LATELY. WHAT DO YOU MEAN ?
THE CRAZY BETS YOU'’RE MAKIN'. STOP TAKIN'’ 'EM.
I'’M A BOOKIE, NOT A SOCIAL WORKER. PUT IT BACK, MOUSE.
I CAN'’T FIGURE YOU OUT, BOBBY.
YOU'’RE THE ONLY ONE WHO'LL WORK THE NEIGHBORHOOD STEALIN'’ YUPPIE CARS FOR 500 BUCKS A POP.
YEAH, LEAST IT'’S SAFE. JACKIE'’S GOT A SWEET DEALERSHIP JOB UP IN SAUGUS.
- NO. I'’D RATHER WATCH HIS SISTER GET HER ASS WAXED. - SHE'’S LOST A LOT OF WEIGHT.
ONE CAR, 20 GRAND, FELLAS. HOLY SHIT.
FORGET IT. IT'’S FUCKIN' SUBURBS. COPS UP THERE ARE WORSE THAN THIS.
THEY SEE A MOSQUITO FROM OUT OF TOWN, THEY PULL HIM OVER.
ALL RIGHT. YOU KNOW WHAT JACKIE'’S GONNA SAY. FUCK JACKIE.
HE'’S NOT THE ONE BEHIND THE WHEEL. DON'’T BE FUCKIN' WITH MY TOOLS.
ALL RIGHT, HERE'’S YOUR CABBAGE.
YOU GET A GUN FOR YOUR COUSIN SEAMUS YET ? NO.
I GOT A BEAUTIFUL .45. NAH. WHAT'’S THE LINE ON THE CELTS ?
CELTS LAYIN'’ AT FIVE. YEAH ? GIMME A "G" ON THE CELTS.
WHY DON'’T YOU BUY THE GUN AND BLOW YOUR HEAD OFF ? IT'’S LESS PAINFUL.
HOW'’S THE DIET GOIN' ? PRETTY GOOD. I LOST 20 POUNDS THIS WEEK.
PROBABLY JUST WATER WEIGHT. I DON'’T GIVE A FUCK IF IT'S HAIR LOSS ! IT'’S GONE !
FRESH PRICK.
THAT'’S NICE AND HOT.
GO.
HEY, SHIT. YOU KNOW WHAT, GIMME 50 ON MICKEY PAT. COME ON. [ Bartender ] NAH, YOU'’RE OUT.
- LET ME IN, HUH ? - IT'’S MY FUCKIN' MONEY.
[ Man ] ALL RIGHT. LET'’S GO, MICK. COME ON. MICKEY !
[ Bobby ] FITZ, YOU'’RE A FUCKIN' PUSSY. YOU'’RE GOIN' DOWN, FITZIE.
[ Man ] COME ON, MICKEY. YOU CAN DO IT. FITZIE, YOU SUCK.
- [ Bobby ] COME ON, MICK. YOU'’RE GOIN' DOWN, FITZIE. - FUCK !
- YEAH ! - [ Men Muttering ]
- [ Bobby ] HOW'’S THAT FOR A QUICK 50 ? - GUYS, HOW YOU DOIN'’ ?
ALL RIGHT. YEAH. ENJOYIN'’ YOUR STAY HERE ?
YOUR COUSIN SHOWIN'’ YOU AROUND ? GETTIN'’ YA LAID ? THAT REMINDS ME--
- FINNEY SAID HE SAW TEDDY TIMMONS THE OTHER NIGHT. - FINNEY'’S A FUCKING GLUE HEAD.
HOW COULD HE ? TEDDY'’S GOT THREE YEARS LEFT.
MAYBE HE GOT OFF FOR GOOD BEHAVIOR. HE AIN'’T A RAT.
- I AIN'’T SAYIN' HE'’S A RAT. WHERE YOU GUYS GOIN'’ ? - WE GOTTA GET GOIN'’.
WHERE'’S THE PARTY ? GIVE ME A DRINK OF THAT BEER, WILL YA ?
THERE YA GO. OH, YOU GUYS ARE REAL NICE. WHERE YOU GUYS GOIN'’ ?
SEE YA LATER. BYE-BYE. THANKS A LOT.
CALL FINNEY AND ASK HIM. YEAH.
HEY, BROS, HOW ABOUT ONE ON THE ARM FOR OLD TIME'’S SAKE ?
HOW ABOUT ONE UP THE ASS FOR OLD TIME'’S SAKE ?
[ Seamus ] HEY, WHO ARE THOSE TWO MAGICIAN GUYS WITH THE WHITE TIGERS ?
[ Bobby ] SIGFREID AND ROY. THEY'’RE PRETTY FUNNY.
[ Mouse ] FAGS. ARE THEY ? YEAH.
WHAT DID YOU THINK ? THEY'’RE MARRIED TO EACH OTHER, RIGHT ?
NO, WAIT, THE OTHER GUY'’S MARRIED TO THE TIGER. [ Laughs ]
ROY. BRAVE MAN TO FUCK A TIGER. GOT A LIGHT ?
YEAH. [ Laughs ]
[ Alarm Blaring ] [ All Laugh ]
COME ON. COME ON, COME ON.
UUH ! FUCK.
[ Horn Honks ] COME ON, COME ON !
[ Several Alarms Blaring ] COME ON ! [ Laughs ]
KEEP LOOKIN'’. GO ! YEAH.
RUN, RUN, RUN, RUN ! RISE AND SHINE, MOTHERFUCKERS.
[ Both Laughing ] [ Bobby ] THAT WAS A FUCKED-UP BALL-BUSTER, HUH ?
[ Mouse ] I THOUGHT YOU WERE GONNA PUT YOUR FOOT THROUGH THAT LAST ONE.
SOME ASS LEFT THE LIGHTS ON AGAIN. HOLY SHIT.
FUCKIN'’ "A." LOOK AT THIS. HEY, HEY, HEY.
[ Horn Honking ] AH, FUCKIN'’ DIGGER.
HEY, DIG. HEY, GLAD I CAUGHT YA. SEAMUS, WHAT'’S UP ?
- HOW YOU DOIN'’ ? - WHAT'’S HAPPENING ?
- HEY, DIGGER. WHAT THE FUCK'’S UP ? - AHH !
YEAH ? [ Laughs ]
- HEY, I GOT THIS GREAT BOOK FOR YOU. HE LIKES TO READ. - YEAH.
YEAH. GREAT. WHAT'’S IT CALLED ?
I FORGOT THE TITLE. THE COVER'’S GONE.
UNBELIEVABLE.
ARE THEY HOLDIN'’ ? HUH ?
- ARE THEY HOLDIN'’ ? - HUH ?
[ Seamus ] ARE WE HOLDIN'’ ? NAH. NO.
NOPE. GOTTA BE UP IN THE MORNIN'’. HOW ABOUT YOU ? YOU HOLDIN'’ ?
YEAH, I'’M HOLDIN'. I'’M HOLDIN' THIS. YOU'’RE HOLDIN' YOUR DICK !
HEY, DIG. NOTHIN'’. YEAH, WHAT ?
OKAY, BYE. GOOD NIGHT. YEAH, GOOD NIGHT.
GOOD SEEIN'’ YOU. ALL RIGHT, SEAMUS. HEY, MOUSE.
YEAH ? IS SHANG STILL AT BROSNI'’S ?
YEAH. ALL RIGHT, I'’LL CATCH YA'S LATER.
[ Muttering ] MUCH LATER.
[ Mouse, Indistinct ] I LIKE DIGGER.
- [ Bobby ] BE NICE. BE NICE. - [ Mouse ] MOVE, MOVE, MOVE.
SEAMUS, BACK IN DUBLIN, WHAT KIND OF PENITENCE YOU GET FOR JERKIN'’ OFF ?
I DON'’T KNOW. I NEVER CONFESSED TO IT. YOU CONFESSED TO JERKIN'’ OFF ?
JUST ONCE, TO MOTHERFUCKIN'’ MOORLAND. I HAD TO CLEAN EVERY TOILET IN THE RECTORY THOUGH.
[ Bobby Sighs ] HEY, THAT AIN'’T NO FUCKIN'’ EIGHT BALL.
FUCKIN'’ JACKIE, MAN.
IT'’S FINE. DO YOU WANT TO STAY UP THE REST OF THE MONTH ? YEAH.
[ Snorting ]
[ Baseball Bat Cracking, Crowd Cheering, Indistinct Announcer ]
[ Explosion, Horns Honking, Jackhammer Pounding ]
[ People Laughing, Bells Ringing ]
[ Man ] IN WHAT COUNTRY WOULD WE FIND--
WINONA RYDER'’S A CRACKER. I LOVE HER.
DO YOU LIKE HER ? I LOVE HER.
YEAH, SHE'’S A CRACKER. A CRACKER. GREAT TITS.
SHE'’S FUCKIN' BEAUTIFUL. PFEIFFER'’S A GIVEN. MICHELLE PFEIFFER.
WITHOUT A SHADOW OF A FUCKIN'’ DOUBT. MICHELLE PFEIFFER.
JAMIE LEIGH CURTIS. HUH ? COME ON. YEAH.
REMEMBER HEART ? YEAH. OH, YEAH. THE ROCK CHICKS ? YEAH.
OH, JESSICA LANGE ? SHE'’S A GIVEN. SHE'’S FUCKIN' BEAUTIFUL.
SOCCER NEVER HAS FIGHTS. SOCCER'’S ABOUT SKILL. IT'’S ABOUT FINESSE.
DO YOU KNOW WHAT IS A BORING GAME ? BASEBALL. WHAT'’S A BORING GAME ?
AH, JESUS ! BASEBALL IS BORING ?
NO, IT IS ! WHAT'’S THAT GAME ?
IF YOU GO TO THE BAR, DON'’T TALK ABOUT THIS FUCKIN'’ SHIT, OKAY ? WHAT'’S THAT GAME ? CRICKET.
CRICKET'’S AN ENGLISH GAME. HUGE FAGS. HUGE FAGS.
[ Laughing ] JESUS CHRIST !
[ Thud ] SHH, SHH, SHH.
[ Whispering ] WHAT THE FUCK IS THAT ?
[ Laughs ] I DON'’T KNOW.
SHH !
THE TREE HATER ! YEAH, YEAH.
THE FUCK IS THAT ? SHH, SHH ! I DON'’T KNOW WHAT IT IS.
SHH, SHH. STOP TAPPIN'’. I'’M STOPPIN'.
THAT'’S ALL. GONE, I THINK. FUCK THAT.
FUCKIN'’ WEIRD, HUH ? [ Giggling ]
IN NO PARTICULAR ORDER: WINONA RYDER, SHE'’S IN. OKAY.
KIM BASINGER. KIM BASINGER IS IN.
MM-HMM. MICHELLE PFEIFFER IS DEFINITELY IN.
MICHELLE PFEIFFER IS DEFINITELY IN. JAMIE LEIGH CURTIS IS IN. YEAH, YEAH.
HER MOM TO GET TO HER. UHH-- JESSICA LANGE IS IN. JESSICA LANGE IS IN.
MADONNA IS IN. NAH, I DIDN'’T SAY THAT.
MADONNA'’S WHAT ? BIG-TIME IN. I DON'’T LIKE HER.
CAN I JUST SAY ONE THING ? SIMPLE MINDS. WHAT ? FUCKING GREAT !
FAGS. [ Mocking ] FUCKING GREAT !
THEY'’RE NOT FAGGOTS, THEY'’RE GREAT. I DON'’T MEAN FAGS, LIKE THEY'’RE FAGS.
I MEAN, LIKE THEY'’RE FAGGY. THE BREAKFAST CLUB. YEAH, I KNOW WHAT YOU MEAN.
THE BREAKFAST CLUB--> THERE WAS LOADS OF GREAT MOVIES THEN. LIKE WHAT ?
OH, YEAH. ARE YOU NUTS ?
FERRIS BUELLER'’S DAY OFF. RISKY BUSINESS.
RISKY BUSINESS IS A GOOD MOVIE. ST. ELMO'’S FIRE.
ST. ELMO'’S FIRE> ? ARE YOU FUCKIN'’ RETARDED ? ANOTHER FUCKIN'’ CLASSIC !
NO, I JUST THOUGHT IT WAS A GOOD MOVIE. ST. ELMO'’S FIRE> ?
WITH FUCKING WHAT'’S-HIS-NAME ? ROB LOWE ? WHAT A GREAT ACTOR.
REMEMBER THAT TIME ROB LOWE DID SOMETHIN'’ AND WALKED OVER THERE WITH A DIMPLE IN HIS CHIN ?
YA FUCKIN'’ IDIOT. JESUS CHRIST.
I LOVE TITS. ME TOO. FUCKIN'’ LOVE 'EM.
YOU KNOW WHAT I LOVE ? YOU KNOW WHAT I LOVE ? TITS.
WHAT ? TITS. YEAH.
THEY'’RE FUCKIN' GREAT. YEAH. YOU LIKE BIG TITS ?
I LIKE ALL TITS. SMALL TITS, BIG TITS, I LOVE THEM ALL. SMALL TITS ?
HARD TITS ? I DON'’T LIKE 'EM SO HARD. I LIKE '’EM LIKE--
I LIKE REAL TITS. I LIKE REAL TITS. I DON'’T LIKE THE FAKE TITS.
HAVE YOU EVER FELT FAKE TITS ? I HATE FAKE TITS.
FEEL THAT. THAT'’S WHAT THEY FEEL LIKE.
THAT'’S NICE AND HARD. CAN I HAVE A GO ?
WHY HARD TI-- TITS ARE SUPPOSED TO BE SOFT.
WHAT'’RE YOU DOIN' ? I'’M CUTTIN' LINES. WHAT DO YOU MEAN--
YOU GOT A FUCKIN'’ MESS. YOU GOT COKE EVERYWHERE ALL OVER THE FUCKIN'’ MIRROR.
WHAT ? YOU GOTTA KEEP IT IN THE CENTER.
YOU CAN'’T HAVE IT OUT HERE. BITS HERE, BITS HERE. HERE, LOOK.
OKAY. YOU KNOW WHAT, HITLER ? TAKE THE FUCKIN'’ MIRROR. FUCKIN'’ ASSHOLE.
YOU KNOW WHAT-- FUCK THIS. FUCK NO.
IT'’S A RIDICULOUS LIST. ALL THE PEOPLE WE'’RE TALKIN' ABOUT... WHY ?
WOULD NEVER FUCK US IN A FUCKIN'’-- THE LAST DAY ON THE FACE OF THE EARTH.
IF THERE WAS A FUCKIN'’ EARTHQUAKE, THERE'’S NO GUYS LEFT...
AND YOU HAD THE LAST COCK ON EARTH, THEY WOULDN'’T FUCK US. YOU NEVER KNOW.
BELIEVE ME, WE KNOW. LOOK IN THE MIRROR. WE FUCKIN'’ KNOW. YEAH, WE KNOW.
[ TV, Indistinct ] GO BACK. GO BACK TO WHAT ?
[ Voices Overlapping ] ONE AT A TIME ! HANG ON.
JESUS, RIGHT THERE. MICHELLE PFEIFFER'’S LEFT TIT.
HUH ? HUH ? YEAH. YEAH.
OH, LOOK AT THAT. YOU CAN SEE THE LEFT ONE. YEAH.
FUCKIN'’ GORGEOUS. LOOK AT THAT NIPPLE.
GET THE DEMI MOORE TAPE.
[ Laughing ] SHH !
[ Distant Clatter ]
COUNTRY. IT'’S A FUCKIN' COUNTRY. CITY. CITY.
IT'’S A FUCKIN' COUNTRY. IT'’S A FUCKIN' CITY.
IT'’S NOT A FUCKIN' CITY, IT'’S A FUCKIN' COUNTRY. REALLY ?
YEAH. OKAY, FUCK IT.
AMSTERDAM-- OKAY, OKAY, OKAY.
AMSTERDAM IS OVER HERE, BUT HOLLAND IS OVER FUCKIN'’ HERE. OKAY.
THERE NOT EVEN NEAR EACH OTHER. NO. IF HOLLAND'’S OVER HERE--
YOU KNOW WHERE AMSTERDAM IS ? RIGHT IN THE MIDDLE OF FUCKIN'’ HOLLAND, '’CAUSE IT'S A CITY.
YEAH ? THEN WHAT'’S THIS FUCKIN'’ NETHERLANDS BULLSHIT ? WHAT'’S THAT ALL ABOUT ?
THE NETHERLANDS IS ANOTHER NAME FOR HOLLAND. WHAT DO YOU MEAN ?
UH, IT'’S LIKE CALLIN'’ AMERICA THE UNITED STATES.
NO, NO. WHAT'’S THAT ?
THAT'’S MY BEER. OH.
MAYBE WE SHOULD GET ANOTHER EIGHT BALL. HUH ?
SHOULD GET ANOTHER EIGHT BALL. THINK ?
MM.
YEAH. NAH, MAN. IT'’S LATE. LET'’S GO TO FUCKIN' BED.
I DON'’T MIND. I-- WE'’LL CALL SHANG AND I'’LL--
SHE'’LL STILL BE UP. YEAH ?
WE'’LL CALL SHANG, WE'’LL GO AROUND.
I'’LL GET THE MONEY AND-- [ Incoherent Babbling ] WE'’LL GET ANOTHER EIGHT BALL.
GRAM. GRAM. GRAM. YEAH, THAT'’S BETTER. YEAH, IT MAKES MORE SENSE.
YOU TWO GUYS, RIGHT ? YEAH.
YOU TWO GUYS HAVE BEEN SO GREAT TO ME SINCE I COME OVER. YEAH.
I JUST WANTED TO KIND OF LET YOU KNOW THAT, LIKE, I APPRECIATE IT SO MUCH.
AND I-- YOU KNOW-- THAT'’S GREAT. YEAH.
THANKS. YOU KNOW, THANKS A LOT. THAT'’S GREAT.
I REALLY, YOU KNOW-- I-- I-- YOU KNOW, REALLY LIKE YOU.
IT'’S GOOD TO HAVE YOU. IT'’S GREAT THAT YOU'RE MY COUSIN, AND YOU'’RE GREAT.
OKAY. YEAH.
IS THE HUGGIN'’ OVER NOW ?
NAH, FUCK IT, MAN. NO ?
NO. COME ON. IT'’S LATE. LET'’S GO TO BED.
IF YOU WANT TO GET A GRAM, GET A GRAM ON YOUR WAY HOME OR SOMETHIN'’.
YOU COULD STAY HERE IF YOU WANT. YEAH ? I-- I COULD SLEEP OVER ?
YOU STAY IN YOUR BED IN YOUR ROOM. I'’LL SLEEP ON THE COUCH. YES.
YOU SLEEP ON THE BARCALOUNGER. YEAH. '’CAUSE I DON'T WANT TO GO OUT NOW.
ALL RIGHT. SLEEP IN THE CHAIR AND I'’LL SLEEP HERE. GOIN'’ OUT-- IT'S COLD.
IT'’S FREEZIN'. UNLESS I WAS GOIN'’ TO GET ANOTHER GRAM.
NO. SLEEP ON THE CHAIR. NO ? OKAY.
[ Voices, Indistinct ]
[ Mouse'’s Voice ] FUNNY. VERY FUCKIN'’ FUNNY. THAT'’S NICE, BOB.
[ Man'’s Voice, Indistinct ]
[ Mickey'’s Voice ] HEY, WHERE'’S THE PARTY ? COME ON. GIVE ME A DRINK OF THE BEER.
I AIN'’T SAYIN' HE'’S A RAT.
[ Mouse'’s Voice ] WHY DON'’T YOU BUY THE GUN AND BLOW YOUR HEAD OFF ?
UP AND AT '’EM, BOYS.
COME ON, MOUSE. TIME TO PAY THE PIPER.
DID YOU HAVE TO LEAVE THE BOOTS ON ?
- [ Grunting ] - OW !
WOULD YOU LIKE SOME MORE, MOUSE ? WHATEVER IT IS, PILE IT ON.
MORNIN'’. HEY.
[ Mouse ] HEY. LOOK WHAT THE CAT DRAGGED IN.
SEAMUS, YOU CALLED YOUR MOTHER THIS WEEK ? MAYBE TONIGHT, AUNTIE FAYE.
THANKS. YOU FOUND HIM ANY WORK YET ?
WE'’LL GET HIM SOMETHIN', MA. DON'’T WORRY ABOUT IT. DON'’T FORGET, ON SUNDAY...
WE HAVE TO VISIT UNCLE EDDIE AND YOUR FATHER AT THE GRAVEYARD.
GO TELL DIGGER WE NEED THE CAB.
OKAY. THAT'’S ENOUGH, MA. THANKS.
RYAN'’S GOT AN OFFER ON THE HOUSE. YEAH ?
IT'’S A LAWYER IN WASHINGTON. LUCKY STIFFS.
HE'’LL BE MOVIN' TO DANVERS NOW.
ONLY YOUR FATHER AND I HAD THE SENSE TO BUY A PLACE ON THAT SIDE OF TOWN.
THEY'’RE GOIN' LIKE HOTCAKES OVER THERE.
[ Chuckles ] YOU'’RE KIDDIN' ME, RIGHT ?
- [ Laughing ] SLANCHA. - [ Laughing ]
[ Grunting ] [ Man ] HEY, YOU KNOW TOMMY SULLIVAN ?
TOMMY WITH THE BIG HEAD OR TOMMY WITH THE SMALL HEAD ? NO, THE ONE WITH NO TEETH.
OH, YEAH, TOMMY THE TOOTH. YEAH. YEAH.
HIS MOTHER WORKS OVER IN THE HOUSING DEPARTMENT. YEAH.
SHE SAYS THE MAYOR'’S TRYIN' TO STICK ANOTHER COLORED FAMILY IN THE PROJECTS.
FINALLY PUT A GODDAMN GUINEA IN THE MAYOR'’S OFFICE, HE WANTS TO PUT NIGGERS IN THE PROJECTS.
FUCKIN'’ WOP. WHY DON'T WE PUT '’EM OVER IN HIS NEIGHBORHOOD, HUH ? ALL OF '’EM--
NIGGERS, SPICKS, ZIPPER HEADS-- PUT '’EM ALL IN THE NORTH END.
YOU KNOW WHAT I'’M SAYIN' ? HEY, GUYS ! UH-HUH.
LET'’S GET TO WORK HERE, FOR CHRISSAKES. I DID MY JOB.
- I STOLE THE FUCKIN'’ THING. - YOU KNOW WHAT, RED ? YOU SHOULD RUN FOR MAYOR.
PLATFORM LIKE THAT, YOU CAN'’T LOSE. LOOK, I AIN'’T NO RACIST.
OUR MOTHERS CAN WALK AROUND 3:00 IN THE MORNING, NO ONE'’S GONNA TOUCH 'EM.
YOU STICK OUTSIDERS IN THE PROJECTS, THE WHOLE SYSTEM FALLS APART.
THEY'’LL BE SELLIN' DRUGS IN THE STREET AND DRIVE-BY SHOOTERS. YOU MARK MY WORDS.
IT AIN'’T LIKE THEY ALL WANNA MOVE HERE, YOU KNOW.
THEY WANNA LIVE AMONGST THEMSELVES LIKE US. IT'’S ALL THIS LIBERAL BULLSHIT.
HARVARD EGGHEAD MOTHERFUCKERS. JACK KENNEDY WOULDN'’T HAVE PULLED THIS CRAP.
PUT THE PUCKS BACK, MURPHY. YOU HEAR THE SHIT ABOUT TEDDY TIMMONS ?
AW, CHRIST. WHO TOLD YOU THAT ? SOMEONE SAID THEY SAW HIM.
I HEARD THINGS. YOU HEARD. DID YOU SEE IT WITH YOUR OWN EYES ?
NO, I JUST HEARD THINGS. IT'’S JUST PEOPLE TALKIN'. IF HE WAS OUT, I'’D KNOW.
HEY, MOUSE. YEAH, WHAT ?
- GIMME THE TAPE. - [ Man ] COME ON !
YOU KNOW WHAT ? YOU'’RE TURNIN'’ INTO A KLEPTO, MAN. YEAH ?
YOU SHOULD CALL A DOCTOR. THANK YOU.
[ Mouse ] MY FATHER HAD THAT.
HEY ! LET'’S GO. WRAP IT UP TIME.
OFF THE ICE.
LOOK, HE'’S MY BROTHER. WE SLEPT IN THE SAME ROOM FOR 22 YEARS.
HE WAS A FAG, I THINK I WOULD KNOW ABOUT IT.
MAYBE HE DIDN'’T TURN INTO A FAG TILL LAST YEAR. DON'’T WORK LIKE THAT.
THEY'’RE BORN WITH IT. DOES THAT MEAN THERE'’S BABY FAGS ?
LET'’S GO OVER. COME ON. NAH. I DON'’T WANNA.
I'’M FINE WHERE I AM. NO. LET'’S GO OVER. COME ON.
I KNOW I MIGHT LIKE HER, BUT SOMETIMES SHE'’S A DIFFERENT PERSON.
I DON'’T KNOW WHAT SHE'S GONNA BE ONE MOMENT TO THE NEXT. DON'’T SAY ANYTHING.
HEY. WHAT'’S GOIN' ON ? BOYS.
- HEY, SHEILA. - HEY, MOUSE.
THAT'’S A NICE SWEATER.
- IT'’S A, UH, BLOUSE, MOUSE. - YEAH, IT'’S NICE.
YOU GONNA GET ME A DRINK OR WHAT ?
ABSOLUTELY. YEAH.
MAKE IT TWO. GET ME ONE TOO. I'’LL BE RIGHT BACK.
[ Mouse ] OH, YEAH, MY PLEASURE TO GET YOU ONE TOO.
[ Laughing ] THAT'’S A NICE FUCKIN'’ BLOUSE !
I'’LL BE RIGHT BACK.
♪ DO, DO, DO, DO, DO ♪
OOH ! MMM, NICE ASS.
HEY, WHAT'’RE YOU DOIN' ? WHAT HAPPENED ?
[ Both Laugh ]
WHAT'’S UP ? YOUR PLACE ?
YEAH. YEAH. YEAH ?
WHAT TIME ? SAY, 1:00.
SAY 1:00. YEAH. YEAH. YEAH.
GOOD IDEA. OKAY.
1:00. YOU SURE. BYE. UH-HUH.
YOU'’RE GONNA BE THERE. DON'’T FORGET. MM-HMM. OKAY.
NICE OUTFIT, BY THE WAY.
THANKS. GUESS WHO'’S DOWN AT BROSNIHAN'’S.
WHO ? TEDDY.
HEY, RED.
HEY. HE'’S IN THE HEAD.
[ Bobby Mutters, Indistinct ]
HOW'’S HE DOIN' ? HE'’S FUCKIN' COKED UP OUT OF HIS MIND.
HEY.
[ Snorting ]
HEY ! HEY, I SAW MAUREEN BROWN UP AT THE STREET HOCKEY RINK LAST NIGHT.
JESUS CHRIST, SHE PUT SOME FUCKIN'’ WEIGHT ON. OH, YEAH ?
OH, CAN'’T EVEN SEE HER TITS NO MORE. IT'’S LIKE SHE'S WEARIN'’ HER HIPS ON HER SHOULDERS.
FUCK, WHAT THE-- WHAT WAS THE NAME OF THAT GIRL ?
AH, GODDAMN IT, I USED TO JERK OFF TO HER ALL THE TIME AND I COULDN'’T REMEMBER HER NAME.
UH, LITTLE CHEERLEADER-- UH, NOREEN O'’ROURK.
YES, YES, YES ! THAT'’S FUCKIN'-- WAIT, WAIT, WAIT ! NO, NO, NO.
MM. NO, NO, NO. THAT AIN'’T HER. WHAT'’S, UH--
NO, NO, NO. WHO ?
FUCKIN'’ HEAD-- HAIR-- THE REDHEAD ?
OH, WICKED NICE TITS. DEVLIN, DEVLIN, DEVLIN WAS HER NAME.
- YEAH, DEBBIE DEVLIN. - DEBBIE DEVLIN. YOU WANT A BLAST ?
HOW LONG YOU BEEN OUT ? YEAH ? I JUST GOT BACK.
GREAT TO SEE YOU. [ Mock Groan ] HEY. HEY.
SO, UH, ANYTHING I NEED TO KNOW ?
NO, NOTHIN'’ AT ALL.
YOU SEEN JACKIE? HUH ? HE SAY ANYTHING ABOUT ME ?
HE HASN'’T SAID ANYTHING YET. [ Laughing ] YET ?
NOT YET ? NOT FUCKIN'’ YET ?
WHAT'’S SO-- ANYTHING I NEED TO KNOW ?
NO, NO. ABOUT WHAT ? NO.
NO. I'’M FUCKIN' BACK.
- TEDDY-- - WHAT ?
WHAT ?
YOU KNOW WHAT ? TAKE SOME MONEY. DO ME A FAVOR. HEY, WHAT ARE YOU DOIN'’ ?
PUT THE FUCKING'’ MONEY AWAY. I'’M NOT GOIN' OUTTA THE GAME ! DON'’T FUCK AROUND !
- I GOT NOTHIN'’ TO FUCKIN'’ HIDE, BOBBY. - YOU KNOW WHAT YOU'’RE DOIN' ?
LOOK AT ME ! I GOT NOTHIN'’ TO FUCKIN'’ HIDE.
COME ON, LET'’S GET A BEER. I'’M DYIN' OF THIRST HERE.
[ Digger ] L.B.J., HE BECOME PRESIDENT.
L.B.J. SHOT J.F.K. ? [ Stammering ] YEAH, THAT'’S A--
WHAT'’S YOUR POINT ? WHAT-- ALL RIGHT. WHERE'’S HE FROM ?
- FROM TEXAS. - RIGHT ! RIGHT ?
- SO WHERE'’S KENNEDY FROM ? - HE WAS FROM HERE.
- EXACTLY. RIGHT ? THAT'’S MY POINT. - THAT'’S YOUR POINT ?
FUCKIN'’ TURN YOURSELF IN ! HEY, I'’M NOT THE ONLY GUY THAT'’S SUPPORTING THIS THEORY !
FUCK OFF.
[ Katy ] I WOULD SAY WE SHOULD DO THIS TOGETHER.
JUST THE TWO OF US. JUST THE TWO OF US, FOR A CHANGE.
I'’M SICK AND TIRED OF YOU, IF YOU WANT TO KNOW THE TRUTH.
TELL ME THE TRUTH.
NICE AND EASY.
HEY, BOYS, HOW YOU DOIN'’ ? ALL RIGHT ? [ All Greeting ]
HEY, MOUSE, MOVE OVER. COME ON.
HERE YOU GO.
[ Jackie ] HEY, BOBBY ? YEAH.
I HEARD YOU GOT A BAD COUNT THE OTHER NIGHT. CONSIDER THAT A GIFT, ALL RIGHT ?
THANKS, MAN. SO...
TEDDY FUCKIN'’ TIMMONS, HUH ? I HEARD YOU WERE BACK.
YEAH. YOU DON'’T CALL ME !
WELL, NO, YOU SEE, JACKIE, I-I JUST GOT BACK--
WHAT ARE YOU BOYS DRINKIN'’ ? HEY, SHANG, GET A ROUND IN HERE, WILL YOU ?
- SURE, JACK. - FUCKIN'’ CELTICS, HUH ?
I-I-I G-GUESS YOU BEEN HEARIN'’ STORIES ABOUT ME, HUH, JACKIE ?
- I HEARD YOU WAS BACK IS ALL. - WELL, LET ME TELL YA. THIS IS FUCKIN'’ HILARIOUS.
YOU'’RE GONNA PISS YOUR PANTS. REMEMBER THAT PEREZ, THAT FUCKIN'’ SPICK FROM DORCHESTER ?
- WHAT, THE LITTLE GUY ? - R-REMEMBER YOU SENT ME AND GAVVY DOWN TO TALK TO HIM--
- GAVVY, YOU REMEMBER THAT ? - SURE, I REMEMBER THAT.
SO ABOUT A MONTH AGO THESE F.B.I. GUYS COME TO TALK TO ME IN THE JOINT.
AND I DON'’T EVEN TALK TO REGULAR COPS, EVER, YOU KNOW ?
LIKE WHEN THEY CAME TO ME AFTER I GOT BUSTED WITH ALL THAT COKE...
AND THEY SAID "JACKIE O," AND I SAID, "I KNOW THE GUY, BUT I DON'’T WORK FOR ANYONE."
- HEY, THANKS FOR THAT, BY THE WAY. - THAT'’S NO PROBLEM, JACKIE.
SO, THESE F.B.I. GUYS, THEY WANT TO KNOW ABOUT PEREZ...
'’CAUSE THEY'RE BUILDING A CASE AGAINST HIM, RIGHT ? YOU'’RE GONNA LOVE THIS.
I SAY, "YOU MEAN JUNIOR PEREZ OF COLUMBIA AVENUE IN DORCHESTER,
ABOUT FIVE-TWO, GOT A FAT-ASSED GIRLFRIEND LOOKS LIKE A FUCKIN'’ PIT BULL ?"
THEY SAID YEAH, AND I SAID, "NO, NEVER HEARD OF THE GUY."
SHE DOES LOOK LIKE A PIT BULL !
[ Teddy ] RIGHT ? SO, SO NOW THEY ROLL UP THEIR SLEEVES. THEY'’RE NOT GOING NOWHERE.
AND I SIT THERE FOR THREE HOURS, FUCKIN'’ SWEATIN', SHAKIN'’. I ALMOST START CRYING'’.
IT'’S LIKE FUCKIN' ACADEMY AWARD TIME. FINALLY I BREAK DOWN.
AND, YOU KNOW, I, I TELL '’EM THE TRUTH.
I-I'’M LIKE GEORGE FUCKIN'’WASHINGTON. I CANNOT TELL A LIE.
"I KNOW PEREZ AND I USED TO WORK FOR HIM."
I-I GIVE '’EM PEREZ, THAT FAT FUCKIN'’ COLUMBIAN PRICK MENENDEZ, LOCATIONS, EVERYTHING.
AND THEN THEY COME BACK TO ME, AND THEY WANT ME TO TESTIFY.
IT'’S LIKE WITNESS PROTECTION BULLSHIT, AND I'’M LIKE, "FUCK YOU.
"I'’M NOT GOING INTO ANY WITNESS PROTECTION BULLSHIT FUCKIN'’ PLAN.
FUCK THAT ! WE MADE A DEAL !"
SO, NOW, THIS LAWYER THEY GAVE ME IS ALL OVER '’EM.
I'’M NOT EVEN SAFE IN THE JOINT WITH THE WITNESS PROTECTION AND SHIT, AND THEY--
THEY GOT NO CHOICE ! THEY GOTTA LET ME GO.
FUCK ! CAN YOU BELIEVE THAT ? FUCK !
YEAH. I TELL YA, IT WAS A FUCKIN'’ NIGHTMARE.
NEVER TRUST THOSE FEDS, MAN. THEY FUCKIN'’ LIE. I'’M LUCKY TO BE HERE.
- YEAH, FUCKIN'’ FEDS. COCKSUCKERS, HUH ? - PRICKS.
THEY'’RE IN BOSTON LOOKING FOR PUERTO RICANS. IN WASHINGTON THEY'’RE STEALIN' US BLIND !
- EXACTLY. - ABSOLUTELY RIGHT.
[ Man ] YOU GOT THAT RIGHT, JACK. HEY, HERE'’S TO TEDDY.
WELCOME HOME ! [ All Toasting, Shouting ]
WHEN THE COPS GONNA LEARN, HUH ? THIS TOWN DON'’T TALK.
ESPECIALLY THIS KID RIGHT HERE.
A FUCKIN'’ CHATTERBOX. THE GIFT OF GAB, HUH ?
HEY, GUYS, I GOTTA GO.
KATY'’S MOTHER'S COOKIN'’ DINNER.
ANYONE GOT ANY ROLAIDS ? [ Men Laughing ]
HEY, HEY, JACKIE, UH, WE'’RE COOL, RIGHT ?
SURE, SURE, HEY. GIVE ME A CALL ON THE WEEKEND. WE GOT SOME WORK.
OH, UH, DID SKUNK MENTION ANYTHING TO YOU ABOUT THAT DEALERSHIP THING UP IN SAUGUS ?
I DON'’T KNOW ABOUT THAT, JACK. OKAY, WE'’LL TALK ABOUT IT.
- OKAY, SEE YA, BOYS. - SEE YA LATER, JACK.
YEAH, JACK, SEE YOU AROUND. TAKE IT EASY, JACK.
SEE YA LATER. ALL RIGHT. BYE-BYE.
- [ Man ] WOW. - YOU DID ALL RIGHT.
[ All Laughing ]
I EVER TELL YOU THE STORY ABOUT THE TIME MOUSE BROKE INTO A YUPPIE APARTMENT ?
- NO. - SEAMUS, DID YOU HEAR THIS STORY ?
THIS IS A GREAT FUCKIN'’ STORY. THIS IS FUCKIN'’ HILARIOUS.
THERE WAS A PLACE ON MONUMENT AVENUE THAT MOUSE AND I WERE LOOKIN'’ TO BREAK INTO.
IT WAS GONNA BE THE TWO OF US, BUT I WAS SOMEPLACE. WHERE THE FUCK WAS I ?
- [ Man ] WHO KNOWS ? - I DON'’T KNOW WHERE I WAS.
ANYWAYS, MOUSE DECIDES TO BREAK IN ON HIS OWN, WHICH--
YOU KNOW MOUSE LIKE I DO-- IS A FUCKIN'’ WICKED BAD IDEA.
LIKE THE TIME YOU ATE A WHOLE FUCKIN'’ HOT PEPPER, ONE BITE.
- I THOUGHT THAT WAS A PICKLE. - [ Bobby ] THIS IS WORSE THAT THAT.
SO, ANYWAYS-- NOT THIS FUCKIN'’ STORY. YOU TELL THIS STORY,
I'’M GONNA TELL THE ONE ABOUT THAT BROAD WAS GOIN'’ DOWN ON YOU AND SHE PUKED.
WHO ? CONNIE FEELIN ? FUCK, I'’M PROUD OF THAT STORY.
- FAT CONNIE FEELIN ? - THIS IS WHEN SHE WAS SKINNY.
[ All Laughing, Shouting ]
IT WASN'’T LIKE I TOOK HER TO THE PROM. SHE BLEW ME AND SHE PUKED. BIG DEAL.
ANYWAYS, HE BREAKS IN BY HIMSELF SO HE'’S IN THIS APARTMENT, BEAUTIFUL FUCKIN'’ PLACE, RIGHT ?
AND HE'’S LOOKIN' AT THE PLACE, ADMIRIN'’ THE BOOKS-- THE WHOLE THING.
HE FIGURES HE'’S GOT ALL THE TIME IN THE WORLD, '’CAUSE THE GUY WORKS NINE TO FIVE.
IT'’S LIKE ONE O'CLOCK FIRST THING HE DOES, HE MAKES A SANDWICH.
THAT'’S WHAT YOU ALWAYS DO WHEN YOU BREAK INTO A PLACE. WHAT WAS THE SANDWICH ?
HAM AND THREE CHEESE. WITH TOMATO SAUCE. RIGHT, THREE CHEESES.
[ Bobby ] IT WAS, UH, HAVARTI-- [ Mouse ] AND BLUE CHEESE.
[ Laughing ] HAVARTI ! [ Mouse ] BLUE CHEESE AND, UH--
THE GALLOPIN'’ GOURMET OVER HERE. ANYWAYS, HE STARTS EATING, HE'’S HALFWAY THROUGH.
NOW HE'’S GOTTA TAKE A SHIT. SO HE GOES DOWNSTAIRS, HE'’S SITTIN' ON THE THRONE...
READIN'’ SOME MAGAZINE. WHAT WAS IT ? TIME OR> NEWSWEEK ?
- CURRENT EVENTS ? - A GOOD MAGAZINE.
ANYWAYS, HE GETS DONE, HE GOES UPSTAIRS, HE FINDS A WATER BED, WHICH HE'’S NEVER SEEN BEFORE.
HE'’S ONLY SEEN 'EM ON TV, OR HE'’S HEARD ABOUT IT.
SO HERE HE IS, GETTIN'’ READY TO GET IN THE WATERBED, AND HE FINDS--
WHAT HAS HE ALWAYS WANTED TO FIND HIS WHOLE LIFE AND CAN NEVER FIND ?
- [ All Together ] BASEBALL CARDS ! - WORTH A LOTTA FUCKIN'’ MONEY.
A BIG PHOTO ALBUM FULL OF FUCKIN'’ OLD BASEBALL CARDS, RIGHT ?
SO HE'’S JUMPIN' UP AND DOWN, CREAMIN'’ IN HIS PANTS, FLIPPIN'’ THROUGH THE CARDS.
FUCKIN'’ MICKEY MANTLE'S ROOKIE CARD, TOM SEAVER'’S ROOKIE CARD, RIGHT ?
HE'’S SO GODDAMN HAPPY. HE FEELS HE'’S GONNA BE RICH, HE'’S GOT IT MADE.
- HE FALLS ASLEEP. - I WAS OUT OF IT BEFORE I BROKE IN.
YEAH, THAT'’S WHAT I DO BEFORE A JOB: DOWNERS.
FOUR HOURS LATER HE WAKES UP TO THE SOUND OF THE KEY IN THE DOOR.
- FUCKIN'’ GOLDILOCKS HERE. - [ Mouse ] I WAKE UP, I THINK I'’M AT MY MOTHER'S HOUSE.
BUT THIS GUY'’S STARIN' AT ME, GUY IN A SUIT, BIG FUCKIN'’ GUY.
HE SAYS TO ME, "EXCUSE ME," AND I'’M LIKE, "WHO THE FUCK ARE YOU ?"
HE'’S LOOKIN' AT ME, HE PICKS UP THE PHONE, HE STARTS TO CALL THE COPS.
I'’M LIKE, SHIT, I REALIZE WHERE I AM, SO I BOLT.
I'’M OUT THE DOOR. I DODGE AROUND THE GUY, A BIT OF A DANCE.
[ Bobby ] LEAVING EVERYTHING BEHIND: THE BASEBALL CARDS, THE TV, EVERYTHING.
SO HERE'’S THIS GUY ON THE LINE WITH THE COPS, GOING,
"YEAH, SOMEBODY JUST BROKE INTO MY APARTMENT."
THE COPS ARE GOING, "WHAT DID HE TAKE ?" HE LOOKS AROUND.
"A FUCKIN'’ NAP !"
[ Man ] LET'’S GO. COME ON. JESUS CHRIST !
JESUS FUCKIN'’ CHRIST ! EVERYBODY OUT ! EVERYBODY OUT !
[ Digger ] OH, JESUS, THIS IS BAD. TEDDY.
JESUS, FUCK !
FUCK !
THAT FUCKIN'’ JACKIE, MAN. THE FUCKIN'’ COCKSUCKER.
[ Breathing Heavily ]
COME ON, BOB. BOB, COME ON. WE GOTTA GO.
BOB, WE NEED TO GO NOW !
YEAH. YOU TOO, SEAMUS. COME ON !
COME ON, WE GOTTA GET OUTTA HERE. COME ON.
COME ON ! HERE YOU GO. YOU TOO, SEAMUS. COME ON ! SEAMUS, LET'’S GO.
[ Bobby ] NOW, SEAMUS. LET'’S GO. NOW ! YOU CAN'’T BE SITTIN' HERE !
[ Together, Shouting ] COME ON !
[ Woman Over Police Radio, Indistinct ] [ Man ] LEE, WATCH THE DOOR.
GOT IT. BROS, WHAT HAVE WE GOT ?
TEDDY TIMMONS.
AH, JESUS.
TEDDY TIMMONS IS YOUR COUSIN, ISN'’T IT, O'GRADY ?
HEY, YOU'’RE AN O'GRADY TOO, RIGHT ?
YEAH, SURE. YOU'’RE BOBBY'S COUSIN SEAMUS FROM IRELAND. AM I RIGHT OR WRONG ?
YEAH. I THOUGHT SO.
WHICH MEANS THAT'’S YOUR BLOOD ON THE FLOOR OVER THERE, MORE OR LESS.
I'’M SORRY FOR YOUR TROUBLE.
SIT DOWN HERE. I WANNA TALK TO YOU. COME ON, IT'’S ALL RIGHT.
I ASSUME THEY ALREADY EXPLAINED TO YOU THE PART ABOUT KEEPIN'’ YOUR MOUTH SHUT,
SO LET ME FILL YOU IN ON THE REST OF IT.
YOU WERE IN THE BATHROOM.
THAT'’S RIGHT. EVERYBODY IN THIS JOINT WAS IN THE BATHROOM DURING THE SHOOTING.
MAYBE YOU DIDN'’T KNOW THAT ABOUT THIS NEIGHBORHOOD. OH, YEAH.
THE BARROOMS AROUND HERE GOT THE BIGGEST HEADS IN AMERICA. SURE.
JUST LAST MONTH, WHEN JAY MONROE GOT SHOT OVER AT ROSIE'’S SUB SHOP,
THERE WERE 22 GUYS IN THE TOILET THEN.
CAN YOU IMAGINE THAT ? TWENTY-TWO GUYS ALL TAKIN'’ A PISS AT THE SAME TIME.
YEAH, BUT THAT'’S JUST AROUND HERE.
YOU SEE, OVER WHERE I LIVE, IN WEST ROXBURY, WE GOT A LOT OF IRISH KIDS LIKE YOU...
WITH NO PAPERS OR SKILLS, JUST TRYING TO MAKE AN HONEST BUCK.
BUT WE DON'’T HAVE THIS KIND OF SHIT.
IGNORANT PUNKS HIDIN'’ BEHIND INTIMIDATION TACTICS...
AND SHIT-EATIN'’ CODES.
WHEN WE HAVE TO GO TO THE TOILET, WE GO ONE AT A TIME.
YEAH, WELL, THIS AIN'’T WEST ROXBURY.
YOU GOT THAT RIGHT.
SO TELL ME, O'’GRADY, JUST FOR THE RECORD.
- I WAS IN THE BATHROOM. - HOW ABOUT YOU, DIGGER ?
- THE BATHROOM. - BROS.
- I WAS IN THE BATHROOM. - MURPHY.
- I WAS IN THE BATHROOM. - WHAT ABOUT YOU, SEAMUS ?
WHERE WERE YOU DURING THE SHOOTING ?
LOOK AT ME, SON. I WAS IN THE BATHROOM.
SAY AGAIN ? I WAS IN THE BATHROOM.
YOU ASK WHY I KEEP PLAYING THESE STUPID GAMES.
THAT'’S FINE. WE ALL KNOW WHO'’S BEHIND IT.
AND I DON'’T GIVE A RAT'S ASS HOW MANY TIMES HE PAYS THE RENT...
FOR SOME POOR OLD GRANDMA DOWN IN THE PROJECTS...
OR ALL THE GUY'’S HE'S WHACKIN'’ ARE HOPELESS CASES.
THIS IS STILL MY BEAT, AND I'’M GONNA BE HERE WHEN SOMEBODY TALKS.
GET OUTTA HERE.
GO ON. GET THE HELL OUTTA HERE.
BROS, GIMME A BEER.
[ Trains Rumbling ]
- WE SHOULD FUCKIN'’ DO SOMETHIN'’. - YEAH, WE SHOULD FUCKIN'’--
WE SHOULD FUCKIN'’ WHAT, DIG ? WHAT THE FUCK YOU MEAN ? WELL, YOU KNOW--
I SAW WHO FUCKIN'’ KILLED HIM ! SHUT UP, SEAMUS.
I WON'’T FUCKIN' SHUT UP. I SAW WHO KILLED HIM ! SHUT THE FUCK UP ! SHUT UP !
IT'’S BETWEEN JACKIE AND TEDDY.
TEDDY SHOULD HAVE DONE HIS TIME, KEPT HIS FUCKIN'’ MOUTH SHUT.
INSTEAD, HE DECIDED TO RAT JACKIE OUT. HE DUG HIS OWN FUCKIN'’ GRAVE.
HOW DO YOU KNOW ? TEDDY SAID HE DIDN'’T RAT ANYBODY OUT. HEY, HEY !
FORGET WHAT TEDDY SAID. IT WAS ON THE STREET.
FUCK. THAT'’S IT. THAT'’S IT ?
THAT'’S THE END OF IT ? YEAH, THAT'’S THE END OF IT, YEAH.
SEAMUS, WE WORK FOR JACKIE, OKAY ?
HE PAID FOR THE CLOTHES ON OUR BACK, AND HE PAID FOR YOUR PLANE TICKET OVER HERE.
I MEAN, YOU KNOW. THAT'’S RIGHT.
EVERYBODY WANTS THE NEIGHBORHOOD TO STAY THE WAY IT IS.
NO MORE OUTSIDERS. TAKE CARE OF OURSELVES. POLICE OURSELVES. FUCK.
JACKIE MIGHT AS WELL BE CARRYIN'’ A FUCKIN'’ BADGE RIGHT NOW. THAT'’S THE WAY IT IS.
I TELL YOU ONE THING. [ Snorting ]
FUCK, MAN. FUCKIN'’ OLD DAYS,
SOMETHING LIKE THIS HAPPENED, YOU JUST SETTLED IT WITH YOUR FISTS.
YOU KNOW ? YOU USE YOUR HANDS. YEAH ?
WORST THAT WOULD HAPPEN, MAYBE SOMEBODY WOULD COME AFTER YOU WITH A SHOVEL, YOU KNOW ?
[ Digger ] A BASEBALL BAT. YEAH.
[ Seamus ] NOT ANYMORE, THOUGH. [ Bobby ] NOT ANYMORE.
[ No Audible Dialogue ]
[ Conversing, Indistinct ]
[Man] LOOK WHO IT IS.
- WHAT'’S HE DOIN' HERE ? - PATSY, HOW ARE YOU ? GOOD TO SEE YOU.
[ Digger ] JESUS, LOOK AT HIM. MUST HAVE BALLS THE SIZE OF BARBELLS.
JUST LIKE FUCKIN'’ NOTHIN' HAPPENED, HUH ? HE SHOULDN'’T BE HERE.
HEY, BROS, KELLY, HOW YA DOIN'’ ? SAD DAY, HUH ? SAD DAY. HOW YA DOIN'’, JACK ?
HEY, KATY. HEY, JACKIE. I'’M A LITTLE BUSY RIGHT NOW.
[ Indistinct ] YEAH.
MRS. TIMMONS, HOW ARE YOU ? OH, JACKIE.
[ Jackie ] I'’M SO SORRY FOR YOUR TROUBLES. THANK YOU.
[ Jackie ] YEAH, HE WAS A GREAT KID, AND WE'’RE GONNA MISS HIM.
HEY, MRS. O'’GRADY, HOW ARE YOU DOIN'’ ?
THANK YOU FOR COMING, JACKIE. LISTEN, IF THERE'’S--
IF THERE'’S ANYTHING I CAN DO, YOU KNOW, PLEASE LET ME KNOW.
HERE, I WANT YOU TO HAVE THAT, JUST TO KIND OF-- FOR THE DAY.
CATCH YOU LATER. DON'’T FORGET: ANYTHING I CAN DO.
[ Indistinct ]
GO AHEAD. HUH ?
I HATE THIS, MAN. I KNOW, BUT IT'’S GOTTA BE DONE.
I'’LL GO OVER WITH YOU. NO, THAT'’S OKAY. YOU STAY.
[ Bobby ] NO, I'’LL GO. YOU STAY. YEAH. YOU SURE ?
[ Sighs ]
THANK YOU, HERBERT. THERE YOU ARE, BOBBY. I HARDLY TALKED TO YOU.
TEDDY ALWAYS LOVED YOU. YOU WERE HIS FAVORITE COUSIN. HE WAS A GOOD KID.
WHEN HE HAD SCARLET FEVER THAT TIME WHEN YOU CAME OVER EVERY DAY AFTER SCHOOL ?
OH, YEAH, YEAH. I'’LL ALWAYS REMEMBER THAT.
THEY WERE GOOD BOYS.
[ Crying ] WHAT HAPPENED, BOBBY, DOWN IN THAT BARROOM ? I DON'’T KNOW.
WAS IT OVER A GIRL, BOBBY ? SOMEONE SAID THERE WAS A GIRL.
I DON'’T KNOW. PEOPLE WERE DRINKIN'’ AND ANYTHING COULD HAVE HAPPENED.
OH, BOBBY, I REALLY NEED TO KNOW. I DON'’T KNOW, AUNT MARGARET.
I-I HAVEN'’T REALLY TALKED TO ANYBODY ABOUT IT. WAS HE ON HIS OWN ?
WAS HE ON HIS OWN, BOBBY ? I DON'’T THINK SO.
I'’M GETTIN' SOME COFFEE. CAN I GET YOU SOME ? NO, THANK YOU, SWEETHEART.
I GOTTA GET GOIN'’. UH, SEE YOU TOMORROW.
OKAY. BOBBY, WAIT A SECOND. I WANT TO TALK TO YOU.
HOW ARE YOU HOLDIN'’ UP, MRS. TIMMONS ? YOU OKAY ?
- WHAT HAPPENED DOWN THERE ? - MA, I-I--
WERE YOU IN THERE ? I TOLD YOU MOUSE AND I WERE WALKING BY AFTER IT HAPPENED.
WE DIDN'’T SEE ANYTHING. WELL, SOMEBODY SAW IT.
SOMEBODY SHOULD SAY SOMETHIN'’ THIS TIME.
ALL THESE MOTHERS, AND ALL THEY'’VE BEEN THROUGH.
ALL THEIR SONS GONE.
JAY MONROE.
BILLY CLARK.
MARY McLAUGHLIN'’S KID.
YOU'’D BETTER BELIEVE I'’D SAY SOMETHIN'.
[ Sighing ]
[ Thumping Sound ] [ Winces ]
[ Knocking At Door ]
[ Woman ] PRETTY PLEASE. [ Knocking At Door ]
WHAT'’S GOIN' ON ? [ Laughing ] WHAT ARE YOU DOIN'’, O'GRADY JERK ?
[ Bobby ] WHERE YA BEEN ? SHE WAS PASSED OUT !
WHAT ?
SHE WAS WHAT ? SHE WAS PASSED OUT. SHE WAS--
COME ON, COME ON.
[ Guffawing ] SHH ! COME ON.
[ Bobby ] HEY-- [ Giggling ]
OKAY, GIVE ME THIS. WHERE WERE YOU TODAY ?
I WAS AROUND. JUST-- HERE.
I'’M TIRED. JESUS.
HOLD ON. I'’M JUST GONNA TAKE MY SHOES OFF.
[ Sighs ] I MISSED YOU TODAY. YEAH ?
I DID.
JESUS !
FRANK HILL'’S A FUCKIN' PIG, YOU KNOW THAT ? WHY ?
- YOU WANNA KNOW WHAT HE DID TO ME ? - WHAT DID HE DO ?
- HE TRIED TO HIT ON ME. PRICK. - SO FUCK '’IM.
AND ? AND--
I DON'’T KNOW. [ Snorts ]
FUCK '’IM .
FUCK '’IM.
TAKE YOUR CLOTHES OFF. YOU KNOW WHAT ?
LOOK-- LET'’S JUST-- COME ON. YOUR MOTHER'’S PASSED OUT.
YOU KNOW WHAT I'’M SAYING ?
JUST PUT YOUR HEAD DOWN. THAT'’S IT. JUST RELAX.
OKAY. FOR ONE SECOND. JUST FOR A SECOND.
OKAY. MMM. THERE YOU GO.
HOW'’S THAT ? I'’M WICKED TIRED, BOBBY.
YEAH ? MM-HMM.
THERE YOU GO.
TEDDY'’S GONNA BE OKAY, RIGHT ?
YEAH, HE'’LL BE FINE.
SHEILA'’S ANOTHER ONE.
YEAH, SHE IS. MM-HMM.
OKAY. GOOD NIGHT, BOBBY.
GOOD NIGHT.
HEY, FELLAS. JACKIE, LET'’S GO ! WE'’RE READY TO PLAY !
WHAT'’S THE RUSH, HUH ?
[ Indistinct Chatter ]
HEY, FELLAS, HOW YA DOIN'’ ? ALL RIGHT ?
HEY, JACKIE. HOW ARE YA ?
WATCH WHERE YOU'’RE THROWIN'’ THE FUCKIN' STICKS, BOBBY. HERE.
JACKIE ? [ Indistinct ] WHAT ? YEAH.
[ Indistinct Question ] NO.
HEY, BOBBY. [ Jackie Laughs ]
GOT ANY TAPE ? HE WANTS TO TAPE HIS ASS--
[ Chattering, Laughing ]
GO.
LET'’S GO, GUYS.
HEY ! WHAT THE FUCK IS THAT ? BRING IT AROUND.
COME ON, BROS. RED, WHAT'’RE YA DOIN' ?
DON'’T MAKE ME GET UP AND COME AND PLAY !
WHAT THE FUCK ? KEEP THE FUCKIN'’ STICK DOWN, MAN.
IT'’S DOWN. FUCKIN'’ STICK'S UP OVER YOUR FUCKIN'’ SHOULDER !
PLAY THE FUCKIN'’ BALL ! PLAY, PLAY, PLAY, PLAY !
[ Jackie ] COME ON, SHANG !
[ Jackie ] WHAT THE HELL ARE YOU DOIN'’ ? YOU'’RE LOOKIN' UP THERE !
COME ON, JACKIE !
[ Shouting ]
[ Jackie ] COME ON, SHANG.
PING ! GO-O-OAL !
COME ON ! FUCK YOU !
HEY, WHAT'’S-- FUCK YOU, MOUSE !
[ Mouse ] FUCK YOU ! FUCK YOU !
YOU FUCKIN'’ IDIOT !
COME ON, JACKIE. RIGHT THROUGH THESE FUCKIN'’ GUYS, JACKIE.
COME ON, BOBBY. RIGHT AT '’EM, BOBBY.
YEAH ! YES ! YEAH ! AW, FUCK !
COME ON, MOUSE !
ON THE RIGHT. COME ON.
THAT'’S IT. COME ON. BEAUTIFUL.
I THINK GAVIN'’S GETTIN'’ TIRED !
HE'’S DYIN' ON YOU NOW. YOU GOT HIM.
YEAH ! THAT'’S IT ! YES !
[ Jackie ] FUCK !
COME ON !
THERE'’S THE BABY. HERE'’S MY BABY NOW.
COME ON, MOUSE ! DO SOMETHING !
COME ON ! WHAT IS THIS ? AHH !
WHAT THE FUCK-- WHAT THE FUCK IS THAT, HUH ?
YOUR STICK'’S BEEN UP THE WHOLE FUCKIN'’ GAME, PAL.
YOU BEEN SMACKIN'’ ME IN THE BACK SINCE I GOT HERE. DO SOMETHIN'’ ABOUT IT.
MIND YOUR OWN FUCKIN'’ BUSINESS.
ALL RIGHT.
COME ON. LET'’S GO.
COME ON. FUCKIN'’ HIT HIM, BOBBY.
COME ON, BIG BOY. LET'’S SEE. COME ON.
YOU GONNA JUMP ? LET'’S SEE IT. LET'’S SEE WHAT YOU GOT.
COME ON ! HEY, GUYS, WHAT THE FUCK. COME ON. LET'’S PLAY THE GAME.
- JACKIE, COME ON. GAME. - THAT'’S IT, MOUSE.
- FAGGOT ! - LET'’S PLAY HOCKEY, WILL YA ?
YOU KNOW WHAT ? DOUBLE OR NOTHIN'’ ON THAT CELTICS BET, OKAY ?
- WHAT ? - YEAH, GRAND ON THE NEXT GOAL. YOU HEARD ME.
ALL RIGHT, YOU'’RE ON. COME ON, BOYS. LET'’S PLAY.
GO ! COME ON ! LET'’S PLAY !
[ Indistinct Shouting ]
[ Jackie ] COME ON, GAVIN ! WHAT YOU NEED, A CIGARETTE ?
THAT'’S IT, BILLY ! GET THAT CHECK, MICKEY ! KEEP MOVIN'’ !
COME ON, BROS ! YOU PLAY LIKE A BROAD !
- GAVIN ! GAVIN ! GAVIN ! - COVER HIM !
- AW, FUCK ! - YEAH !
NICE FUCKIN'’ SAVE, ASSHOLE.
SWISS CHEESE ! TALK TO YA LATER !
[ Jackie ] WE CAN STILL MAKE HAPPY HOUR. COME ON.
[ Jackie ] SORRY ABOUT THAT, BOBBY.
[ Laughing ] HEY.
COULDA KICKED HIS ASS, BOBBY.
YOU COULDA.
LOOK AT HIM STANDIN'’ THERE, LAUGHIN'’ HIS ASS OFF. BIG MAN.
GIVE ME THREE FINGERS, WILL YA ?
DOWN ON THE DOCKS, IN THE OLD DAYS, SOMEONE HAD IT COMIN'’, THEY TOOK A BEATIN'.
AHH ! HERE'’S TO THE MONEY.
CHEERS. [ Chuckling ]
HEY ! HEY, JACKIE. HOW YA DOIN'’ ?
OKAY. COME ON IN. SHEILA, HOW YA DOIN'’ ?
AGAIN.
SO, WHAT YA DOIN'’ ? OH, UM, JUST GOT OUR HAIR DONE.
OH, YEAH ? YEAH. YOU LIKE IT ?
FABULOUS. OH, YEAH ? SHE DID IT.
YEAH. OF COURSE. SHE DO IT ALL TO YOU ?
DID YOU DO HERS ? YEAH.
SO ? SO ?
ALL OF A SUDDEN YOU'’RE INTO HUNTING BROADS ? WHAT DO YOU KNOW ABOUT BROADS ?
YOU WOULDN'’T KNOW WHAT TO DO WITH A GIRL. YOU WOULDN'’T HAVE A CLUE.
ANNIE, MARCY. HOW YOU GUYS DOIN'’ ?
BA-BOOM ! [ Jackie ] GET OUTTA HERE.
SO WHAT ARE YOU GUYS DOIN'’ ? WE'’VE BEEN DRINKIN'.
OKAY, SEE YOU THERE.
[ Laughing ] [ Digger Speaking, Indistinct ]
WHERE'’S HE GOIN' ?
[ On Jukebox ] ♪ WISH I KNEW WHAT YOU WERE LOOKING FOR ♪
HI. OH.
HI.
OKAY. SEE YOU GUYS LATER. HI. NO. UH, HI.
I'’M ANNIE. THIS IS MARCY.
HI. HOW ARE YA ?
SO--
SO. SO, UM,
[ Marcy ] WHAT DO YOU DO ?
HMM ? WHAT DO YOU DO ?
UH, WHAT DO I DO ? I, UM-- I DO A LOT OF THINGS. I'’M A--
I, UH-- I WORK WITH, UH, OLD CARS.
I'’M A-- I, UH-- YOU KNOW, I-I, UH-- HEH-HEH.
I REBUILD AND DETAIL, GREAT.
UH, ANTIQUE, UH, CARS.
RECONDITION. MM-HMM. REALLY.
OH, I LOVE OLD CARS. OH, REALLY ?
MM-HMM. MY DAD HAS A '’61 T-BIRD.
WOW ! THAT'’S A GREAT CAR. YEAH, RED AND BLACK.
MMM. HMM. YEAH. NICE.
SO, WHAT-- LET ME BUY YOU A COUPLE DRINKS.
UM-- MM. WELL, NO. ACTUALLY, WE WERE JUST LEAVING.
OH, REALLY ? YEAH, WE HAVE TO BE UP IN THE MORNING.
YEAH. OH, THAT'’S TOO BAD.
OKAY. WELL, YA KNOW, I'’LL WALK YA OUT. OKAY ?
OKAY. I'’LL BE YOUR, UH, ESCORT.
[ Marcy Laughs ] ALL RIGHT ?
ANY GUYS THAT COME ALONG, YOU'’LL BEAT 'EM UP. OH, YEAH.
♪ MIGHT HAVE KNOWN WHAT YOU WOULD FIND ♪
SO WHAT STREET DO YOU LIVE ON ? I, UM,
I LIVE ON THE OTHER SIDE OF THE SQUARE, ACTUALLY.
OH. FRIEND OF MINE HAD HER CAR STOLEN FROM THE SQUARE LAST WEEK.
REALLY. MM-HMM.
YEAH, I HEARD THAT'’S BEEN HAPPENIN' A LOT LATELY.
IF YOU HAVE ONE OF THESE STICKERS IN YOUR CAR WINDOW...
THAT SAYS "TOWNIES"-- I DON'’T KNOW IF YOU'VE NOTICED THOSE--
THEN THEY DON'’T STEAL YOUR CAR, BECAUSE THAT MEANS THAT YOU'’RE FROM--
YOU CAN ONLY GET ONE IF YOU'’RE FROM HERE, OR IF YOU KNOW SOMEBODY.
NO. REALLY ? YEAH. BUT, HEY, NOW YOU KNOW SOMEBODY.
YEAH. YA KNOW, I'’M GONNA GET YOU ONE OF THOSE STICKERS.
YOU PUT IT IN YOUR CAR WINDOW. THANKS.
I MEAN, THE NEIGHBORHOOD'’S GETTING BETTER. IT'’S DEFINITELY GETTING MUCH--
HEY ! O'’GRADY ! WHAT THE FUCK IS THIS ?
WHAT ARE YOU DOIN'’ ? I'’M SORRY.
SHUT THE FUCK UP ! WHAT ARE YOU DOIN'’ ?
WHAT THE HELL'’S GOIN' ON HERE ? FUCK YOU ! IT'’S NOTHING.
GO BACK IN THE BAR. NO ! I NEED TO TALK TO YOU.
KEEP YOUR VOICE DOWN AND GO BACK IN. ANNIE, WAIT ! I NEED TO TALK--
ANNIE, WAIT UP. ANNIE ! I DON'’T FUCKIN'’ BELIEVE THIS !
BOBBY--
[ Bobby ]
ANNIE ? NO, I HAVE TO GO !
PLEASE-- I DON'’T WANT TO GET INVOLVED IN THIS. LET ME EXPLAIN.
I MEAN, THIS IS LIKE HIGH SCHOOL.
IT'’S OKAY, IT'S OKAY. IT'’S ALL RIGHT. SHE'S GONE BACK IN THE BAR.
IT'’S OKAY. YOU ALL RIGHT ? OKAY ?
OKAY. SHE'’S NOT COMIN'’ BACK OUT.
[ Sighs ] LOOK, YOU SEEM LIKE A REALLY NICE GUY, BUT I DON'’T--
I AM A NICE GUY. I JUST SAVED YOUR LIFE, RIGHT ?
OH, THAT WAS INSANE. I KNOW. I KNOW. SHE'’S JUST--
SHE'’S A TOTAL ALKY AND A COKEHEAD. IT'’S JUST--
EVERYBODY KNOWS SHE'’S NUTS, YA KNOW ? YEAH.
[ Car Horn Honking ]
OH, THESE ASSHOLES.
OH ! THEY DO THIS ALL OF THE TIME.
[ Honking ] BOBBY !
- COME ON. LET'’S JUST SPLIT. - WHO'’S THE BROAD ?
WE'’LL WAIT FOR YOU RIGHT HERE.
COME ON, BOBBY ! TALK TO YOU LATER, GUYS.
HEY, COME ON ! [ All Shouting ]
ANNIE, HEY. HEY,
ANNIE. SHE'’S DITCHED YOU. COME ON.
GODDAMN IT ! FUCKIN'’ ASSHOLES ! [ Laughing ]
WHAT'’S HER NAME ? HEY, COME ON. NO SECRETS BETWEEN US.
[ Laughing ] COME ON !
HEY ! WHAT THE FUCK !
[ Laughing ] [ Digger ] WHAT'’RE YOU LAUGHIN'’ ABOUT ?
[ Red ] HEY, DON'’T GO ! WE'’LL GIVE YOU A LIFT !
GET IN. SHE'’S GONE.
YEAH, GOOD NIGHT.
[ Indistinct Comment ] NICE GOIN'’, BOBBY.
FUCK. WHERE WE GOIN'’ ?
PATTY BROWN'’S HAVIN'’ A PARTY. PATTY BROWN ?
FUCK ! SLOW FUCKIN'’ NIGHT, YOU'’RE THINKIN' OF GOIN'’ TO PATTY BROWN'’S.
I HATE THAT PRICK. YOU HATE EVERY-FUCKIN'’-BODY.
GIMME THE BLOW. SURE.
PATTY BROWN. FUCK HIM.
FAT ASS. HIS WHOLE FAMILY'’S FAT ASSES.
- YOU SEEN HIS SISTER LATELY ? - CRAZY MARY ?
ASS THE SIZE OF MAINE ON HER, I SWEAR TO FUCKIN'’ GOD.
HOLY SHIT. LOOK AT THAT.
- [ Bobby ] WHAT ? - A FUCKIN'’ NIGGER.
- RIGHT IN OUR FUCKIN'’ NEIGHBORHOOD. - HOLY SHIT.
- A FUCKIN'’ NIGGER. - UN-FUCKIN'’-BELIEVABLE. YOU BELIEVE THIS SHIT ?
YOU KNOW WHAT WE SHOULD DO ? WE SHOULD BEAT THE FUCKIN'’ SHIT OUT OF HIM, HUH ?
WE SHOULD JUST BEAT THE LIVIN'’ PISS OUTTA HIS BLACK FUCKIN'’ ASS.
FUCKIN'’ SMOKES COMIN' OVER HERE. I TOLD YA.
YA TOLD ME. YA TOLD ME. YEAH, YEAH, YEAH. DIG-- HEY, DIG.
- TURN THE CAR AROUND. GO BACK. - HE'’S NOT DOIN' ANYTHIN'’.
HE'’S FUCKIN' HERE, AIN'’T HE ? WHAT'’S HE DOIN' HERE ? HE'’S NOT DOIN' ANYTHIN'’.
[ Red ] LET'’S MAKE PASS AND STARE AT HIM. GOD-FUCKIN'’-DAMN IT ! JUNGLE BUNNY--
HEY, DIGGER. TURN THE CAB AROUND.
- WHAT ? - TURN THE CAB AROUND.
YOU PACKIN'’ ? YEAH.
GIMME THE GUN. JUST GIMME THE FUCKIN'’ GUN, ASSHOLE. WHY ?
WHAT'’RE YOU DOIN', BOBBY ?
- BOB, WHAT THE FUCK ? - WHAT THE FUCK IS THIS FOR ?
- PUT THE GUN AWAY, WILL YA ? - PULL OVER.
[ Digger ] WHAT ? PULL OVER.
[ Seamus ] FUCK'’S SAKE. [ Red ] JESUS.
[ Cocking Pistol ]
NOW WHAT ? YO, WHAT THE FUCK ? YO !
[ Shouting ] [ Digger ] I CAN LOSE MY LICENSE HERE !
MOTHERFUCKER ! GET IN THE FUCKIN'’ CAR, MAN ! COME ON !
[ Digger ] GET HIM IN, QUICK ! JESUS ! COME ON !
[ Red ] GET OUTTA HERE ! FUCKIN'’ GET OUTTA HERE !
[ Shuddering ]
WHAT THE FUCK YOU LOOKIN'’ AT ?
[ Sniffling ]
BOB, THIS IS FUCKIN'’ BULLSHIT, MAN ! DIGGER, STOP THE CAR !
- DON'’T STOP THE CAR. - MAYBE MOUSE IS RIGHT.
- DIGGER, STOP THE FUCKIN'’ CAR-- - STOP THE FUCKIN'’ CAR, OKAY ?
PUT THE GUN DOWN ! SHUT THE FUCK UP ! SHUT UP ! JUST SHUT THE FUCK UP ! OKAY ?
FUCK BOY ! HUH ? BIG MOUTH ! FUCKIN'’ HOTSHOT ! HUH ?
FUCK YOU ! HUH ?
ALL FUCKIN'’ TALK, NO ACTION, RIGHT ?
COCKSUCKER ! YOU WANNA FUCK AROUND ? WE'’RE GONNA FUCK AROUND !
WHAT THE FUCK-- DIGGER, LET ME OUT OF HERE !
- [ All Shouting ] - SHUT THE FUCK UP ! SHUT THE FUCK UP !
[ Seamus ] STOP THE FUCKIN'’ CAR !
- TAKE A RIGHT UP HERE. - HUH ?
- TAKE A RIGHT. - OKAY, OKAY. FUCK !
- WHERE WE GOING ? - SHUT UP !
DON'’T SPEAK TILL FUCKIN'’ SPOKEN TO.
GET OUTTA THE CAR.
I'’M SORRY ! I GOT OFF AT THE WRONG STOP ON THE SUBWAY !
GET THE FUCK UP !
WHAT DO YOU THINK, RED ? WHAT DO YOU THINK ? I SHOOT HIM ?
HUH ? LET'’S SHOOT THE JUNGLE BUNNY, HUH ? WHAT DO YOU SAY ?
LET'’S SHOOT HIM ! LET'’S SHOOT HIM, THE FUCKIN'’ RAISIN-HEAD.
THE FUCKIN'’ JUNGLE BUNNY, HUH ? THE FUCKIN'’ MOOLIE, THE SPOOK. THE FUCKIN'’ NIGGER, HUH ?
WHAT DO YOU WANNA DO ? LET'’S FUCKIN' SHOOT HIM RIGHT NOW. WHAT DO YOU SAY ?
TELL ME WHEN.
[ Sniffling ]
FUCKIN'’ PUSSY. [ Sniffling ]
- [ Sniffling ] HYAH ! - [ Gun Clicks ]
- [ Screaming ] - JESUS.
NO BULLETS, ASSHOLE.
- HAPPY NOW ? - YEAH.
GET UP. [ Sniffling ] GET UP.
"T" STATION RIGHT THERE. ASK AROUND YOUR SCHOOL.
THEY'’LL TELL YOU WHAT'’S SAFE AND WHAT'’S NOT. SCREW.
HERE. [ Grunting ]
COME ON.
[ Bobby ] CAR. [ Digger ] GET IN THE FUCKIN'’ CAR, MAN.
[ Bobby ] GIMME THE BOTTLE OF WHISKEY. WHERE'’S THE REST OF THAT BLOW ?
[ Bobby ] HEY, GO DOWN BROS'’S, GET A POP ?
NO. NO. HUH ?
[ Bobby Sniffling ]
COME ON. GO DOWN AND WATCH THE FIRST QUARTER.
WE'’LL GO DOWN GALLIE'S, WATCH THE REST OF THE GAME.
NO, BOBBY, I WANNA GO HOME.
WELL, LET'’S WATCH THE FIRST QUARTER, AND WE'’LL GO BACK--
I WANT TO GO HOME. I WANNA GO BACK HOME.
TO DUBLIN ? YEAH, I THINK, I THINK SO. MAYBE.
I DON'’T-- I GOT REALLY SCARED LAST NIGHT. WHY ?
AW, MAN, THAT FUCKIN'’-- THAT SHIT WAS JUST REALLY FUCKIN'’ SPEED, THAT'S ALL.
I DON'’T KNOW WHAT HE CUT IT WITH. MY FUCKIN'’ HEART'S PUMPIN'’ LIKE A RACEHORSE.
IT'’S NOT JUST LAST NIGHT. IT'’S THE WHOLE THING.
I DON'’T-- WHAT ?
IT'’S FUCKED UP !
LOOK-- NO, I MEAN-- JESUS !
I FUCKIN'’-- THE NIGHT WITH THE POLICE AND TEDDY ?
I FUCKIN'’ EXPLAINED THAT TO YA. LAST NIGHT AS WELL.
I MEAN, JESUS, IT JUST NEVER STOPS !
I DON'’T GET IT. I DON'’T GET YOU.
WHAT ? YOU'’VE TURNED ME INTO A WRECK !
YOU'’VE TURNED ME INTO AN ABSOLUTE MESS !
I'’VE TURNED YOU> INTO A WRECK ? THAT'’S FUCKIN' FUNNY. YEAH, YOU HAVE.
IT'’S NOT FUNNY. NO, IT'’S NOT FUNNY.
YOU FUCKIN'’ CALLED ME. YOU ASKED ME IF YOU COME OVER HERE, IF I COULD SET YOU UP.
I FUCKIN'’ SET YOU UP. I WANTED TO WORK !
I GOT YOU A FUCKIN'’ JOB. YOU'’RE NOT WORKIN'.
YOU'’RE ALONG FOR THE LAUGHS ON MOST OF THESE JOBS. YOU DON'’T KNOW WHAT THE FUCK YOU'’RE DOIN'.
YOU'’RE SUPPOSED TO BE FUCKIN'’ LEARNIN' SHIT. YOU'’RE NOT LEARNIN' ANYTHING.
LEARNIN'’ SHIT. I'’M SUPPOSED TO BE LEARNING SHIT.
HEY, FUCK YOU, MAN. FUCK !
GO BACK TO FUCKIN'’ DUBLIN, THEN. WORK AT A FUCKIN'’ BURGER KING.
OKAY, I WILL. FUCKIN'’ MAKE THREE FUCKIN' BUCKS AN HOUR IF YOU WANT.
FUCK YOU !
I DID YOU A FUCKIN'’ FAVOR. WHAT IS YOUR PROBLEM ?
MY FUCKIN'’ PROBLEM ?
ALL RIGHT, SCREW !
[ Katy ] I'’M SICK AND TIRED OF SITTIN'’ IN THIS BAR.
IT'’S A GOOD BAR. WHAT ARE YOU TALKIN'’ ABOUT ?
WE ONLY SIT HERE EVERY FUCKIN'’ DAY. HEY, BOBBY.
[ Jackie ] LOOK WHO'’S HERE. GREAT GAME, HUH ?
HUH ? [ Crowd Cheering On TV ]
[ Katy ] HEY. CAN WE GO ? HANG ON.
LITTLE HAIR O'’ THE DOG, HUH ? YEAH.
[ Jackie ] CAN'’T BUY A FUCKIN'’ WINNER, CAN YA ? [ Yawning ]
HEY, BROS, LET ME GET HIS DRINKS.
GONNA WORK OUT SOME KIND OF FINANCE THING.
FUCKIN'’ MICK, YA. FOR WHAT, THE DRINKS ?
[ Jackie Laughs ] FUCKIN'’ DRINKS, EH ?
I LOVE THIS GUY. B.C. LOSES BY 18. YOU'’RE BURNIN' MY BALLS, BOB.
- FUCK YOU TALKIN'’ ABOUT ? - THE BET. THE BET !
- WHAT BET ? - HEY, JACKIE, COME ON. LET'’S GO, HUH ?
WILL YA FUCKIN'’ HANG ON.
FIVE THIS MORNIN'’. PHONE CALL TO SHANG.
HEY, SHANG, HE DON'’T REMEMBER. THAT FIGURES.
DOUBLE OR NOTHIN'’ ON THE HOCKEY BET. YOU TOOK B.C.
YOU'’RE DOWN FOUR GRAND. YOU'’RE BACK IN THE HOLE.
NEVER BET WITH YOUR HEART, PAL.
ALL YOU GUYS. WHO GIVES A SHIT ABOUT B.C., HUH ?
ANYBODY HERE GO TO B.C. ? HEY, JACKIE.
WHAT ? IF YOU WANNA SPEND SO MUCH TIME WITH THESE GUYS,
WHY DON'’T YOU JUST FUCK THEM, '’CAUSE YOU SURE AIN'’T FUCKIN' ME.
JESUS, JACKIE-- YOU MIND YOUR FUCKIN'’ BUSINESS, O'’GRADY !
CALM DOWN. I CAN'’T FUCKIN' TAKE IT ANYMORE !
YOU GOT YOUR OWN FUCKIN'’ PROBLEMS TO THINK ABOUT.
I'’M FLOATIN' YOU FOR FOUR FUCKIN'’ GRAND,
AND YOU'’RE PLACIN' BETS DURIN'’ BLACKOUTS ?
JUST LAY OFF THE FUCKIN'’ SAUCE.
AND ANOTHER THING:
YOU'’RE DOING THAT DEALERSHIP JOB MONDAY NIGHT. DON'’T FORGET.
I CUT YOU OFF, YOU'’RE BACK WORKIN' DOWN IN THE WIRE FACTORY...
QUICKER THAN YOU CAN WIPE YOUR ASS.
END UP JUST LIKE YOUR DAD. GOT ME ?
BUY YOURSELF A FUCKIN'’ DRINK.
TAKE CARE, BOB.
[ Sighs ]
[ Hanlon ] SON, I WANNA TALK TO YA. GET IN THE CAR.
WHERE YOU GOIN'’ ? COME ON. I'’M NOT GETTIN' IN THE CAR.
LISTEN TO ME. I'’M ON YOUR SIDE. I'’M IRISH TOO.
I DON'’T KNOW THE SIGHTS YET. MY MOTHER'’S FROM RUSH SPRING.
GREAT. LISTEN, I CAN HELP YOU WITH YOUR GREEN CARD.
I GOT FRIENDS DOWN AT THE I.N.S. HOLD ON A SECOND.
GIVE IT OVER, WILL YA ? COME ON, GIMME A BREAK. GET IN THE CAR.
I WANNA TALK TO YOU ABOUT SOMETHING. I GOT NOTHIN'’ TO SAY.
YOU GOT A LOT OF THINGS TO SAY. COME ON, KID, GET IN THERE. COME ON, COME ON, LET'’S GO.
COME ON. WATCH YOUR HEAD. THERE YOU GO. GOOD BOY. WATCH YOUR LEGS. LET'’S GO !
AREN'’T YOU ON OUR SIDE ?
[ Chattering ]
HEY.
YOU OKAY ? LET ME SEE. YEAH, I'’M FINE.
DOES HE HIT YOU A LOT ? NO.
IT'’S JUST-- HE'S PISSED OFF ABOUT THE DEALERSHIP AND A BUNCH OF OTHER BULLSHIT.
FUCKIN'’ ASSHOLE.
YEAH, FUCKIN'’ ASSHOLE.
[ Dog Barking ] ARE YOU OKAY, KATY ?
- YEAH, I'’M FINE, MRS. TURBODY. - ARE YOU SURE ? CAN I GET YOU ANYTHING ?
NO, SHEILA'’S ON HER WAY. THANKS THOUGH.
I KNOW YOU DIDN'’T FUCK HER.
WHO ? THE YUPPIE CHICK.
I ALWAYS THOUGHT SHEILA.
[ Sighing ] LOOK.
KATE, WHY DON'’T WE JUST GET AWAY FOR A COUPLE OF DAYS, YOU KNOW WHAT I MEAN ?
IT'’S SO FUCKED UP.
GO TO-- GO SOMEPLACE.
YOU SHOULD JUST FUCKIN'’ LEAVE, BOBBY.
- GET THE FUCK OUT WHILE YOU STILL CAN. - WHAT DO YOU MEAN ?
NOTHING'’S GONNA CHANGE, OKAY ? JACKIE'’D GO NUTS IF HE FOUND OUT ABOUT US.
MIGHT AS WELL FACE THE FACTS AND GET IT OVER WITH.
I MEAN-- JUST STANDIN'’ STILL HERE.
WHAT ARE YOU GONNA DO ?
STEAL CARS AND KEEP SECRETS FROM JACKIE FOR THE REST OF YOUR LIFE ?
NO.
FUCKIN'’ GO.
HEY, BOBBY. WHAT'’S HAPPENIN' ?
HEY, SHEILA.
I GOT HER NOW. SHE'’S GONNA BE FINE. HERE.
THANKS. GOT YOU SOME ICE.
OKAY.
SEE YOU LATER, I GUESS. RIGHT ?
YEAH. SEE YOU LATER.
HEY, HE GONNA BE ALL RIGHT ?
YEAH. HE'’S ALL RIGHT.
COME ON. YOU GONNA BE ALL RIGHT ? YEAH.
NO. [ Crying ] COME HERE.
IT'’S GONNA BE OKAY, KATY. I KNOW.
NO, THANKS.
HOW HARD YOU COME DOWN ON HIM ?
BOTH HUNGOVER. I JUST TOLD HIM-- I LAID IT OUT FOR HIM.
JESUS, I HOPE HE DIDN'’T GO BACK TO DUBLIN.
BACK TO DUBLIN ? WITH WHAT ? HIS LOOKS ?
HE COULDN'’T GET ACROSS THE FUCKIN'’ BRIDGE WITH THOSE. WANNA PUT THE BLOW AWAY ?
WHAT, YOU ON THE WAGON ? JUST KEEP YOUR EYES ON THE ROAD, DIGGER.
OKAY, THEY'’RE GONNA LOCK THE SHOP UP TONIGHT AT 9:00.
THE ALARM'’S GONNA BE ON, SO THAT'’S GONNA GUARANTEE THE INSURANCE COVERAGE.
THE FERRARI'’S GONNA BE PARKED AT THE TOP OF THE RAMP AT THE THIRD FLOOR.
THE PLACE IS GONNA BE DESERTED, SO GET IN THERE QUICK AND DON'’T DRAW ATTENTION TO YOURSELVES.
ALL RIGHT.
TAKE THE GOGGLES OFF. TAKE THE FUCKIN'’ GOGGLES OFF.
WHAT I WANT YOU GUYS TO DO IS BREAK THE WINDOW ON THE GROUND-LEVEL FLOOR,
REACH IN THERE AND HIT THAT BUTTON.
HURRY UP. COME ON. GO, GO, GO, GO. GO, GO, GO.
ONCE THE GLASS IS BROKEN, YOU ACTIVATE THE ALARM.
THIS GIVES YOU TWO MINUTES-- I REPEAT, EXACTLY TWO MINUTES-- BEFORE THE COPS SHOW UP,
SO DON'’T BE DICKIN' AROUND.
GET TO THE THIRD FLOOR. THE FERRARI'’S GONNA BE PARKED IN THE FAR CORNER.
YOU GOTTA HOT-WIRE THE CAR TO MAKE IT LOOK REAL. WHY NOT LET AIR OUT THE TIRES ?
MOUSE, WE'’RE TALKIN' ABOUT A FUCKIN'’ FERRARI HERE.
IF THE ALARM ISN'’T ON, THERE'’S NO INSURANCE MONEY, AND NONE OF US GET A DIME.
QUIT BREAKIN'’ MY BALLS AND CUT THE BULLSHIT ! SKUNK, SKUNK.
YOU GUYS BRING THE CAR BACK HERE.
AS SOON AS SKUNK HEARS FROM THE BUYER, YOU GUYS GET YOUR MONEY.
TWENTY-FUCKIN'’-GRAND. BUY A LOT OF BLOW FOR THAT.
YEAH, A LOT OF STEPPED-ON BLOW FROM YOU, JACKIE. YOU WATCH YOURSELF.
SHIT. STAY DOWN.
WHAT-WHAT HAPPENED NEXT ? I PULLED A SWEENEY.
A SWEENEY ? WHAT THE HELL'’S A SWEENEY ? YEP.
REMEMBER THAT TIME WHEN SWEENEY AND I STOLE A BUS ? YEAH.
WE WERE BEIN'’ CHASED BY THE COPS, AND WE JUMPED ON THE "T" ?
YEAH. WE PULLED A SWEENEY.
HI, HOW ARE YA ? HOW THE FUCK YA BEEN ?
PULLED A SWEENEY IN THE MIDDLE OF A JOB ? YEAH, IT WAS CLASSIC.
THAT'’S GREAT. LET'’S GO HAVE SOME BLOW, HUH ?
YEAH, RIGHT. NO. COME ON, BOBBY, OPEN UP HERE.
WHAT THE FUCK ? WHAT THE FUCK'’S GOIN'’ ON OVER HERE ?
JESUS. THAT'’S DIGGER'S CAR.
EASY, BUDDY. SHUT UP ! HEY, HEY.
EASY ! EASY ! FUCK !
I'’M SORRY, BOBBY. I'’M SORRY. LISTEN TO ME.
I JUST WANTED TO FUCKIN'’ GET A SANDWICH.
[ Police Dispatcher Chattering On Radio ]
[ Police Dispatcher, Garbled ]
HE NEVER SAID A WORD.
WHAT'’D YOU SAY ?
I SAID, HE NEVER SAID A WORD.
DEAF, DUMB AND BLIND. YOU PICKED HIM UP ?
DAMN RIGHT, I PICKED HIM UP. HE WAS EYEWITNESS TO A MURDER.
JUST A FUCKIN'’ KID FOR CHRIST'’S SAKE.
YEAH, THAT'’S RIGHT. HE WAS JUST A KID FOR CHRIST'’S SAKE.
TEDDY TIMMONS HAD IT COMIN'’. PROBABLY WOULD'’VE ENDED UP BACK IN THE JOINT IF HE'’D HAVE LIVED.
BUT THIS KID. THIS KID JUST GOT OFF THE BOAT ! HE HAD HIS WHOLE LIFE IN FRONT OF HIM !
THEN YOU GOT AHOLD OF HIM, AND YOU TAUGHT HIM THE RULES ! NOW THIS !
SO IF YOU'’RE LOOKIN' FOR SOMEBODY TO BLAME, DON'’T LOOK AT ME !
TAKE A GOOD LOOK IN THE FUCKIN'’ MIRROR !
YOU'’RE A FUCKIN'-- YOU WANT SOME OF ME ? HUH ?
GET HIM OUT OF HERE !
COME ON, FUCK ! COME ON.
COME ON, TOUGH GUY. YOU WANT ME ?
YOU GUYS KEEP KILLIN'’ EACH OTHER OVER HERE, THEN WE'’LL KEEP COMIN'’ OVER THE BRIDGE...
TILL ONE OF YOU OPENS YOUR MOUTH AND DECIDES TO TALK !
HEY, BOB !
HEY, BOBBY !
WHERE IS SHE ?
SHE'’S IN THE BATHROOM.
SHE'’S BEEN AT THE BOTTLE BAD. WHERE'’VE YOU BEEN ?
I WAS OUT.
SHE PUT THROUGH THE CALL TO DUBLIN. AFTER THAT, FORGET IT.
SHOULD'’VE BEEN HERE.
[ Toilet Flushing ]
MA, YOU OKAY ?
I TOLD BRIDY YOU'’D CALL IRELAND LATER...
AND EXPLAIN WHY HER BOY'’S COMIN'’ HOME IN A BOX.
YOU HAVE TO TAKE $2,300 DOWN TO THE FUNERAL HOME AND GIVE IT TO MR. KELSEY.
OKAY. IT'’LL PAY FOR THE PLANE TOO.
MARY McLAUGHLIN SAYS...
JACKIE O'’HARA WAS UP DRINKIN'’ AT THE A.O.H. ALL NIGHT...
WHILE SEAMUS WAS LAYIN'’ IN THE FRONT SEAT OF THAT CAB.
OH, YOU GODDAMN DISGRACE. MA !
I'’M SORRY. I'’M SORRY. THE WAY YOU WAS RAISED.
CALM DOWN. TAKE IT EASY. HE'’S DEAD !
CALM DOWN, CALM DOWN. TAKE THAT GUN OUT OF THIS HOUSE !
YOU HEAR THAT ? GET IT OUT OF THIS HOUSE ! [ Crying ]
HELP ME HERE.
I LEFT THE EGG SALAD ON THE KITCHEN COUNTER.
MAKE SURE YOU PUT IT AWAY BEFORE IT GOES BAD.
OKAY.
YOU KNOW WHAT, MA, I WAS THINKIN'’--
I WAS THINKIN'’ MAYBE I MIGHT, UH--
MIGHT LEAVE FOR A WHILE, YOU KNOW ?
THAT'’D BE A GOOD IDEA.
WHERE YOU GOIN'’ ? OVER TO MOUSE'’S ?
NO. I MEAN--
I DON'’T--
MAYBE, YOU KNOW, GO OUT TO THE CAPE OR SOMETHING FOR A WHILE TO GET AWAY.
WHO'’S AFTER YA ? NOBODY.
HONEY, CAN WE TALK ABOUT THIS LATER ?
WELL-- [ Clears Throat ]
THING IS, I HAVE-- I HAVE SOME MONEY I CAN LEAVE YA, YA KNOW ?
IT'’S NOT A LOT, BUT IT'’LL--
IT'’LL HELP, YOU KNOW ?
I DON'’T KNOW.
[ Sighing ] I JUST FEEL LIKE I-I JUST GOTTA GET AWAY...
JUST TO CLEAR MY HEAD, YOU KNOW WHAT I MEAN ?
I DON'’T KNOW.
I JUST FEEL LIKE-- I DON'’T KNOW--
I CAN'’T-- I CAN'’T THINK STRAIGHT. I CAN'’T--
I JUST NEED TO START OVER,
YA KNOW ?
MA ?
TWENTY-ONE, TWENTY-TWO, TWENTY-THREE.
LET ME GET YOUR RECEIPT. OKAY.
FUCKIN'’ PRICK.
MADE US PAY CASH WHEN MY OLD MAN DIED TOO. FUCKIN'’ ASSHOLE.
WELL, LISTEN, I'’M TAPPED OUT.
DON'’T WORRY ABOUT IT. I TOLD YOU IT'’S ALL SET. OKAY.
[ Clock Chiming ]
WE'’RE LEAVING FOR THE AIRPORT IN A FEW MINUTES. WANNA PAY YOUR LAST RESPECTS ?
NAH, WE'’RE FINE. WE REALLY NEED TO SAY GOOD-BYE TO HIM.
WHATEVER. YOU KNOW WHERE HE IS.
THAT GUY.
WE SHOULD SAY GOOD-BYE TO HIM.
I DON'’T KNOW. I DON'’T KNOW, DIGGER.
THIS IS SEAMUS.
HE'’S A COUSIN.
I WANNA SAY GOOD-BYE TO HIM.
JESUS, BOBBY, HE'’S WEARIN' YOUR SUIT.
I'’M SORRY, KID.
I SHOULDN'’T HAVE LEFT HIM IN THE CAR.
I SHOULD'’VE TAKEN YOU RIGHT HOME.
IT'’S A FUCKIN' TRAGEDY.
YOU GOT YOUR WHOLE LIFE OUT IN FRONT OF YA.
[ Women Whooping ] ♪ [ Irish ]
[ Whooping Continues ]
♪ [ Continues ]
[ Whooping Continues ]
YOU KNOW WHAT THIS IS ?
HUH ?
A FUCKING BUG. YOU KNOW WHERE I FOUND IT ?
NO.
MY MOTHER'’S PHONE. YOU BELIEVE THAT SHIT ?
YEAH.
SHE HEARS THESE WEIRD SOUNDS AND THINGS ON THE LINE.
CHECK IT OUT AND THERE IT IS. HUH ?
UN-FUCKIN'’-BELIEVABLE.
IN MY MOTHER'’S HOUSE.
SEE WHAT I'’M SAYIN' ?
FUCKIN'’ TEDDY. YOU WANT A BUMP ?
NO, THANKS.
THIS IS THE KIND OF SHIT I GOTTA PUT UP WITH.
I JUST WANT MY MONEY, JACK. I KNOW, I KNOW.
I JUST WANNA MAKE SURE YOU UNDERSTAND WHAT I'’M SAYIN' HERE.
I UNDERSTAND. SHANG, GIVE ME THE PACKAGE.
I CAN LIST 20 GUYS WHO FUCKED ME OVER THE YEARS.
JAY MONROE, McLAUGHLIN,
CLARK BROTHERS.
ONLY GUYS I CAN TRUST ARE RIGHT HERE IN THIS ROOM.
AND KATY, OF COURSE.
YEAH ?
YEAH.
HERE YOU GO, BROTHER. DON'’T WORRY ABOUT WHAT YOU OWE ME. IT'’S ON THE HOUSE.
YOU'’RE OUT OF THE FUCKIN' HOLE. GIVE ME THAT. THANKS.
OH, AND DON'’T THINK I DON'’T APPRECIATE HOW YOU HANDLED THE SEAMUS THING.
I DO. [ Snorting ]
YOU'’RE DOIN' THE RIGHT THING, BOBBY. I'’LL TAKE CARE OF YOU FOR IT.
FROM NOW ON, YOU WORK WITH ME.
I WANT YOU RIGHT BESIDE ME FROM HERE ON IN.
HAVE A NICE CAR, STEADY BROAD.
GET YOUR MOTHER SOMETHING, HUH ?
GONNA MAKE A LOT OF MONEY, BOBBY.
OH, SHIT. A LOT OF FUCKIN'’ MONEY.
DON'’T.
COME ON. COME ON, BOBBY.
DON'’T.
♪ [ Continues ] [ Whooping Continues ]
HEY, BOBBY ! HEY, WHAT'’S UP WITH THAT ? WHERE YOU GOIN'’ ?
HEY, BOBBY, HOW'’S IT GOIN' ?
OVER HERE. ON THE HOOD. COME ON.
SPREAD OUT.
HE'’S CLEAN, LEE. I GOT HIM.
TURN AROUND, SON.
I HEAR THERE WAS A BIG DANCE UP AT THE A.O.H. TONIGHT.
DID YOU GO UP THERE, BOBBY ?
HUH ?
I'’LL TELL YOU HOW WE'’RE GONNA HANDLE THIS.
WE'’LL PLAY IT YOUR WAY THIS TIME, ALL RIGHT ?
SHH.
SEE YA AROUND, KID.
LET'’S GO.
YOU DID IT, MAN. FUCKIN'’ DID IT, MAN.
JESUS. WAY TO GO, BOBBY.
HAPPY FOR YA.
HEY, LET'’S GET SOME SHOTS HERE, HUH ?
BOBBY, BY THE WAY, I'’M HOLDIN'.
ALL RIGHT.
HERE WE GO. HERE WE GO. THIS ROUND'’S ON ME.
THANKS.
YOU AND KATY ARE ALL SET, HUH ?
TO JACKIE O. AND THE PINE FUCKIN'’ BOX HE'’S LEAVIN' IN.
FUCK THAT. HERE'’S TO BOBBY O'GRADY. SLANCHA.
[ All ] SLANCHA> !
[ Chattering, Garbled ]
[ Man ] ♪ YEAH, YEAH
♪ [ Man Vocalizing ]
♪ [ Vocalizing Continues ]
♪ AT 3:15
♪ I HEARD YOU LEAVE
♪ WHERE DID YOU GO
♪ ARE YOU ALONE
♪ AM I THE ONLY
♪ ONE FOR YOU
♪ SO TELL ME TRUE
♪ I'’D KILL FOR YOU ♪
♪ IT'’S SICK, I KNOW ♪
♪ BUT AFTER ALL
♪ BY DEFINITION
♪ OF THE WORD
♪ LOVE IS BLIND
♪ LOVE IS GOOD
♪ I WOKE AT DAWN
♪ STILL YOU WERE GONE
♪ I DIDN'’T PHONE ♪
♪ ARE YOU ALONE
♪ AM I THE ONLY
♪ ONE FOR YOU
♪ SO TELL ME TRUE
♪ I'’D KILL FOR YOU ♪
♪ IT'’S SICK, I KNOW ♪
♪ BUT AFTER ALL
♪ BY DEFINITION
♪ OF THE WORD
♪ LOVE IS BLIND
♪ LOVE IS GOOD
♪ AT 3:15
♪ I HEARD YOU LEAVE
♪ WHERE DID YOU GO
♪ ARE YOU ALONE
♪ AM I THE ONLY
♪ ONE FOR YOU
♪ SO TELL ME TRUE
♪ I'’D KILL FOR YOU ♪
♪ IT'’S SICK, I KNOW ♪
♪ BUT AFTER ALL
♪ BY DEFINITION
♪ OF THE WORD
♪ LOVE IS BLIND
♪ LOVE IS GOOD ♪