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[♪]

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[REPORTER]:HURRICANE KATRINA

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HAS NOW BEEN OFFICIALLY CLASSIFIED

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BY THE NATIONAL WEATHER SERVICE

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AS A CATEGORY 5 HURRICANE,

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AND INITIAL ESTIMATES OF DAMAGE HERE ARE STAGGERING.

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NUMBERS RELEASED THIS MORNING

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AND INITIAL ESTIMATES OF DAMAGE HERE ARE STAGGERING. BY THE FEDERAL EMERGENCY MANAGEMENT AGENCY

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SAY THE DEATH TOLL MAY REACH AS HIGH AS 1500,

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WITH A MISSING PERSONS LIST EXCEEDING 700,

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AND TENS OF THOUSANDS

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OF DISPLACED AND HOMELESS VICTIMS

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PREPARING TO LEAVE BEHIND

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EVERYTHING THEY LOVED ABOUT THE BIG EASY,

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TO BEGIN A NEW LIFE SOMEWHERE DOWN THE ROAD

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THAT WILL BE ANYTHING BUT EASY.

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TO BEGIN A NEW LIFE[WOMAN]: I'LL TAKE ANOTHER ONE.

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THEY TELL ME TO "GO HERE,"THAT WSO I GO HERE,NG BUT EASY.

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THEN THEY SAY, "GO THERE,"AND I GO THERE.

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NOW I'M BACK HERE.

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SO I'M SITTING DOWN,IS THAT OKAY?

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YES, MA'AM.

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I'M VIOLET ROUSSARD.

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I THINK I KNOW YOU.

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YOU'RE THAT HANDYMANFROM THE SEVENTEENTH.

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YES, MA'AM.

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YOU'RE THAT HANDYMANYOU FIXED THE RAILINGEVENTEENTH.

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IN THE CHOIR LOFTAT SAINT AMBOYS.

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HOW'D IT DO FOR YOU?

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IT DID US FINE,UNTIL THIS UNNATURAL DISASTER.

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[ORGANIZER CALLS]:ALL RIGHT, FOLKS!OR YOU?

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I'M GONNA BE PASSING OUTA DISPLACED-PERSONS FACT SHEET,

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AND THAT'SFOR EVERYBODY READY

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TO GET ON THE NEXT BUS!

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WHERE'S IT GOING?

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UM... MAYBE HOUSTON,TO GET ON OR COLORADO,!

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SOMEWHERE WEST, MAN,

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I'M NOT EXACTLY SURE,

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BUT WE'LL GET YOUOUTTA HERE.

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ALL RIGHT, IF YOU'RE STILLWAITING TO MEET UP

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WITH MISSING FAMILY MEMBERS,

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YOU'VE GOTTA PUT YOUR NAMEON THAT BOARD OVER THERE.

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THE BUS IS LEAVINGIN FIVE MINUTES!

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YOU'VE GOTTA PUT YOUR NAMEON THAT YOU LOSE ANYBODY?

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I DIDN'T HAVE ANYBODY TO LOSE.

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[♪]

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THANKS, SWEETHEART.

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I'VE NEVER SEENANYTHING LIFE THIS IN MY LIFE.

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[♪]

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♪ GONNA MAKE MY WORLDA BETTER PLACE ♪

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♪ I'M GONNA KEEP THAT SMILEON MY FACE ♪

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♪ I'M GONNA TEACH MYSELFHOW TO UNDERSTAND... ♪

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[GABE WRITES]:"DEAR HATTIE,

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"THIS IS GABE.

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"I TOLD YOU I DON'T TALK MUCH,

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"AND I SURE DON'T WRITE MUCH,

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"BUT I WANT YOU TO KNOW I'M OKAY,

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" "AND I HOPE YOU ARE, TOO.H,

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"THEY PUT ME ON A BUS TO SOMEWHERE,

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"AND I DON'T KNOW WHERE I'M GONNA END UP,

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BUT I KNOW WHAT'S GONNA KEEP ME GOING..."

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♪ ...MAKE MYSELFA BETTER MAN... ♪

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"...MY MUSIC, WHA AND REMEMBERING YOU."G..."

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♪ ...A BETTER MAN ♪

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[♪]

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♪ HEY, HEY! ♪

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♪ OH, YEAH, BABY ♪

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♪ LIKE A FOOLI WENT AND STAYED TOO LONG ♪

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♪ NOW I'M WONDERINGIF YOUR LOVE'S STILL STRONG ♪

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♪ OOH, BABY, HERE I AM ♪

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♪ SIGNED, SEALED, DELIVEREDI'M YOURS... ♪

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[♪]

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LAST WEEK,SHE WAS ALIVE AND WELL.

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AND NOW SHE'S GONE.

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IT'S HARD TO BELIEVE

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ELEANOR HAS STAMPEDHER LAST PASSPORT.

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NORMAN, ARE YOU OKAY?

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EVERYWHEREI LOOK,

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I SEE ELEANOR.

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ELEANOR'SCOFFEE CUP,

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ELEANOR'SBLENDER,

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ELEANOR'SPOTATO.

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ELEANOR'S POTATO?

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OH, YEAH,SHE ALWAYS WANTED A PET.

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WHAT DO YOU SAY

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WE KEEP THE BLENDER IN THE DLO?SHE ALWAYS WANTED A PET.

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OH, AND IF ANYBODYFINDS HER RECIPE

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FOR HER KOMBUCHA SMOOTHIE,

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PLEASE LET ME KNOW.

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NORMAN, WOULD YOU ORGANIZETHE INBOX

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FOR THE INCOMINGSUPERVISOR,

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AND RITA,

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WOULD YOU DISTRIBUTETHE CONTENTS OF THE OUTBOX?

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MS. MCINERNEY,

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PLEASE PACKTHE PERSONAL ITEMS,

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AND, UH, I SHALL--

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OH, LOOK, THE KOMBUCHASMOOTHIE RECIPE!

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OOH, LET ME SEE!

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"ONE PART BEE POLLEN,HONEY, AND SOME..."

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OLIVER!

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THIS HASYOUR NAME ON IT.

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HUH...

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WELL, HELLO THERE.

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"OLIVER, THIS FOUND ITS WAYTO MY INBOX,

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"OBVIOUSLY INTENDED FOR THE DLO.

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"CHECK OUT THE POSTMARKAND RETURN ADDRESS.

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"CAN'T WAIT TO HEARTHE STORY BEHIND THIS.

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"CHESPEAKING OF WHICH, I HOPEAYOUR DATE ON SATURDAY GOES..."

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[ANNOUNCEMENT OVER P.A.]:OUTGOING...

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IT SAYS,"TO THE ONE AND ONLY HATTIE."

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THE ADDRESS IS OBSCUREDBY MULTIPLE ATTEMPTS TO DELIVER.

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IT SAYS, "NO SUCH ADDRESS,""RETURN TO SENDER,"

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"ADDRESS UNKNOWN."

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WELL, I CAN TRYTO REMOVE THE INK,

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BUT WE RISK LOSINGTHE ADDRESS IN THE PROCESS.

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ELEANOR MENTIONEDA RETURN ADDRESS?

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WELL, IT'S NOT REALLYA RETURN ADDRESS.

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IT'S JUST"GABE, A MILE HIGH."

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CUTE AND CLEVERT REALLYRETURN ADDRESSES.SS.

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WILL THEY NEVER LEARN?"GABE, A MILE HIGH."

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"FROM GABE,A MILE HIGH."

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WELL, THAT'S OBVIOUSLYA REFERENCE TO DENVER,

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THE MILE HIGH CITY,

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WWHICH NARROWS IT DOWNA REFETO... RITA?NVER,

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OOH, 760,000 PEOPLE.

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WE COULD ALWAYS JUST LOOK FOR"THE ONE AND ONLY HATTIE."

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IT'S ALREADY BEENMARKED FOR RETURN.

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WE ARE BOUNDTO BEGIN THERE.

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UM...

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WELL...

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THANK YOU.

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"MANDATORYEVACUATION REGULATIONS

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"REQUIRE ALL DISPLACED PERSONS

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TO LIMITPERSONAL BELONGINGS TO..."

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RITA, THE POSTMARK WAS...

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SEPTEMBER 5TH, 2005.PERSONAL BELONGINGS TO..."

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THAT'S RIGHT AROUND.

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HURRICANE KATRINA.

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1.5 MILLION PEOPLE WEREEVACUATED FROM LOUISIANA,

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AND 6,000 PEOPLENE KATRINA.

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WERE EVACUATEDTO COLORADO.

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GABE DIDN'T WRITE A RETURNADDRESS ON THAT ENVELOPE.

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WERE EVACUATEDTO COLORADO.BECAUSE HE DIDN'T HAVE ONE.

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"DEAR HATTIE,

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"THIS IS GABE.

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""I TOLD YOU I DON'T TALK MUCH,

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"AND I SURE DON'T WRITE MUCH,

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"BUT I WANT YOU TO KNOWI'M OKAY,

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AND I HOPE YOU ARE, TOO..."

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[♪]

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[♪]

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[SONG ENDS]

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[APPLAUSE]

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WELCOME TO HATTIE'S BACKSTREET.

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I'M HATTIE.WHAT CAN I GET YOU?

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MAY I PLEASEHAVE A GINGER ALE?

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MAY YOU PLEASE HAVEA GINGER ALE?

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[CHUCKLES]

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YES, YOU MAY PLEASE HAVEA GINGER ALE.

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ARE YOU HUNGRY?

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LIKE SUNDAY AFTER CHURCH.

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I HEAR YOU.

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YOU LEAVE THAT TO HATTIE.

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NOW, THAT'S A TOOLBOX?

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YOU GOT A MUSICAL SAWIN THAT TOOL BOX?

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I'M SORRY? WH--OOLBOX?

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EVERYBODY SINGS FOR THEIRSUPPER ON TUESDAYS, BABY.

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YOU'VE GOTTA SINGOR PLAY SOMETHING.

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YOU'RE NOT SHY, NOW, ARE YOU?

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MOST OF THE TIME.

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MM-HMM.

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I THINK... I THINKYOU'RE HOLDIN' OUT ON ME.

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SO, WHEN I GET BACK

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WITH YOUR CHICKEN, YOUR GRITS,YOU'AND YOUR OYSTERS, ME.

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YOU'D BETTER BE UP THEREDOIN' WHAT YOU DO,

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WITH YOUBECAUSE I KNOWR GRITS,YOU'YOU DO SOMETHING. ME.

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I USED TO SING A LITTLEBACK IN THE DAY.

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I HAD A FEELING.

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HOW ABOUT YOU, MISS HATTIE,BADO YOU SING?Y.

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I SING A LITTLE.

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BUT IF THE MUSIC'S GOOD,I DANCE.

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I SA TOOLBOX.LE.

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MAYBE HE'S A CARPENTER.

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A CARPENTERWHO'S A MUSICIAN.

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OR A MUSICIANWHO'S A CARPENTER.

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SEE, THAT'S WHAT MAKESNEW ORLEANS SO SPECIAL.

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OR A IT'S... IT'S NOT ABOUTWHO'WHAT YOU DO FOR A LIVING.

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IT'S ABOUTTHE LIVING YOU DO,

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THE MUSIC YOU MAKE,

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THE FOOD YOU LOVE.

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MY COUSIN, VERNON,MOVED THERE LAST YEAR

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SO HE COULD BE IN A BANDAND BE A PASTRY CHEF.

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OH, REALLY?MY COUSIN, VERNON,I DIDN'T KNOW THAT.ERE LAST YEAR

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WHAT DOES HE PLAY?

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OH, REALLY?MY COUSIN, VERNON,I DIDN'T KNOW THAT.ERTHE SPOONS.

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WHAT DOES PRESSING ON.

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OH, REALLY?MY COUSIN, VERNON,I DIDN'T KNOW UH...ERTHE SPOONS.

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"I WAS SO TIRED THAT NIGHT.

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"I'D JUST BUILTSOME PORCH STEPS

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"FOR A MANIN THE LOWER NINTH,

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"AND ALL I WANTED TO DO WAS SITAND REST MYSELF A WHILE.

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BUT, WELL, YOU'VE GOTA WAY WITH FOLKS, HATTIE..."

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[GABE SINGING]♪ WHEN THE MUSIC ♪

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♪ STARTS TO PLAYIN' ♪

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♪ SHE SLIDES OUT ON THE FLOOR ♪

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♪ STARTS[♪] PLAYIN' ♪

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♪ DANCIN' WITHOUT A PARTNER ♪

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♪ SWAYIN' ON THE TWO AND FOUR ♪

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♪ THERE'S A RHYTHMIN HER FOOTSTEPS ♪

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♪ AND A FLOWER IN HER HAIR ♪

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♪ A SMILE ON HER FACE'CAUSE SHE'S IN A PLACE ♪

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♪ YOU KNOWSHE DON'T HAVE A CARE ♪

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♪ SHE AIN'T LOOKINGFOR NO LOVER ♪

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♪ SHE AIN'T LOOKINGFOR ROMANCE ♪

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♪ SHE JUST WANTS TO DANCE ♪

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[♪]

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♪ SHE JUST WANTS TO DANCE ♪

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[♪]

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♪ GO ON AND LET THE GIRL DANCE ♪

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♪ BABY, SHE JUST WANTSTO DANCE... ♪

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[OLIVER READS]:"AN HOUR BEFORE

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"I WAS THE LONELIEST MAN IN LOUISIANA,

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"BUT STANDING UP THERE AND SINGING...

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IT WAS LIKE I'D ALWAYSHAD THE MUSIC IN ME--"

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[INDISTINCT P.A. ANNOUNCEMENT]

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OH, MY GOODNESS,I'D FORGOTTEN.

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I'M SUPPOSED TO MEETMY FATHER AT NOON.

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WHY DON'T WE FINISHPACKING UP HERE

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AND REGROUP AFTER LUNCH?

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UM...

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WHAT ARE WE GOING TO DOAND RWITH ELEANOR'S POTATO?

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OH, WELL--

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CAN I KEEP IT?

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NORMAN, WE WERESIMPLY TASKED

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WITH CLEARING AND RETAININGPOSTAL-RELATED ITEMS.

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NORMAN, WE WERESIMPLY TASKESHANE GOT A BLENDER.

237
00:09:51,063 --> 00:09:53,481
WELL, YES, BUT THAT'S NOT...

238
00:09:53,481 --> 00:09:55,233
WE'LL TAKEVERY GOOD CARE OF IT.

239
00:09:55,275 --> 00:09:56,901
THOSE THINGS ARE

240
00:09:56,943 --> 00:09:58,153
SO UNTIDY,

241
00:09:58,153 --> 00:10:02,073
AND, UH, IF LEFT UNTENDED,THEY PRODUCE AN ODOR,

242
00:10:02,073 --> 00:10:04,492
THAT REGULATIONS CLEARLY STATE--

243
00:10:04,492 --> 00:10:06,994
AND, UI WILL CHANGE THE WATERTHEEVERY DAY, I PROMISE.

244
00:10:06,994 --> 00:10:08,162
PLEASE?GULATIONS CLEARLY STATE--

245
00:10:08,204 --> 00:10:12,249
AND, UI WILJUST LOOK AT THESETHEEVERYLITTLE FACES.SE.

246
00:10:23,177 --> 00:10:25,012
[RITA]: WHAT DO YOU THINK?

247
00:10:25,054 --> 00:10:26,347
OH, DEAR.

248
00:10:26,388 --> 00:10:28,850
YOU THINK THERE'SENOUGH LIGHT HERE?

249
00:10:29,766 --> 00:10:31,227
JUST THINK OF IT AS A PET ROCK

250
00:10:31,268 --> 00:10:33,062
WITH THE POTENTIALTO BE A SIDE DISH.

251
00:10:33,104 --> 00:10:36,398
THEY'VE ALREADYNAMED IT CHARLENE.

252
00:10:36,398 --> 00:10:37,358
OH.

253
00:10:37,358 --> 00:10:38,275
THEY'VE ALREADYWHAT ABOUT OVER HERE?T CHARLENE.

254
00:10:38,275 --> 00:10:40,277
THAT'S A GOOD SIGN,ACTUALLY.

255
00:10:40,319 --> 00:10:41,653
THEYHOW SO,EADYWHAT ABOUT OVER HEMS. MCINERNEY?

256
00:10:41,695 --> 00:10:43,029
[QUIETLY] WELL...

257
00:10:43,029 --> 00:10:44,240
THEY'RE NOT READYTO FORMALLY TAKE

258
00:10:44,281 --> 00:10:46,117
THE NEXT STEPIN THEIR RELATIONSHIP,

259
00:10:46,158 --> 00:10:47,201
SO THEY'VE FOUND A WAY

260
00:10:47,201 --> 00:10:50,871
TO CREATE A SORT OF FAMILYWITH A SURROGATE...

261
00:10:50,912 --> 00:10:53,081
SO POTATO. FOUND A WAY

262
00:10:53,123 --> 00:10:54,416
I REALLY NEED TO LEAVE NOW.

263
00:10:54,458 --> 00:10:56,292
OKAY, SAY HITO YOUR DAD FOR ME.

264
00:10:56,335 --> 00:10:59,796
OH, AND, UM... OLIVER?

265
00:11:00,672 --> 00:11:04,801
I SEE THAT WE'RE BACKTO SAYING "MS. MCINERNEY."

266
00:11:04,843 --> 00:11:06,511
YES, UH, WELL...

267
00:11:08,138 --> 00:11:11,099
I THINK IT MIGHT BEMORE IMPORTANT THAN EVER

268
00:11:11,141 --> 00:11:13,518
TO KEEP THINGS... PROFESSIONAL

269
00:11:13,559 --> 00:11:14,519
AT WORK.

270
00:11:14,560 --> 00:11:15,436
BUT COMETOMORROW NIGHT,

271
00:11:15,478 --> 00:11:19,732
I FULLY INTENDTO CALL YOU SHANE...

272
00:11:19,732 --> 00:11:22,110
MS. MCINERNEY.

273
00:11:38,834 --> 00:11:39,752
I FULLY INTENDTO CALL DAD!SHANE...

274
00:11:39,794 --> 00:11:40,670
HEY!

275
00:11:40,711 --> 00:11:43,339
WELCOME TO MY RETIREMENT!

276
00:11:44,256 --> 00:11:45,716
OH, UH...

277
00:11:45,758 --> 00:11:47,176
[LAUGHS]

278
00:11:48,886 --> 00:11:50,262
I WANTED TO TALKABOUT SOMETHING.

279
00:11:50,304 --> 00:11:51,305
YOU KNOW, I WROTE THAT LIST

280
00:11:51,305 --> 00:11:53,348
OF THINGS I WANTED TO DOWHEN I RETIRED.

281
00:11:53,390 --> 00:11:55,350
TRAVEL,YOU KNOW, I WROLEARN ITALIAN,

282
00:11:55,392 --> 00:11:57,102
WORK IN A GARDEN.

283
00:11:57,102 --> 00:11:59,104
UH...

284
00:11:59,104 --> 00:12:00,314
AND THEN I REALIZED

285
00:12:00,314 --> 00:12:01,982
THAT THOSE THINGS WOULD BEA LOT MORE FUN

286
00:12:02,024 --> 00:12:04,944
IF I DIDN'T DO THEM BY MYSELF.

287
00:12:04,944 --> 00:12:06,278
OH, WELL, NATURALLY.

288
00:12:06,278 --> 00:12:08,823
I'M NOT MUCH OF A GARDENER,IT'S VERY MESSY,

289
00:12:08,864 --> 00:12:10,490
BUT I DO LOVE TO TRAVEL,OH, WOF COURSE--LLY.

290
00:12:10,490 --> 00:12:14,619
I'M TALKING ABOUTNEEDING SOME... COMPANY.

291
00:12:14,661 --> 00:12:16,080
BUT I DO LOVE TO TRAVEL,OH, WOFMM-HMM.--LLY.

292
00:12:16,121 --> 00:12:17,331
FEMALE COMPANY.

293
00:12:18,665 --> 00:12:19,791
OH.

294
00:12:19,833 --> 00:12:23,295
I-I DATED A LITTLE, YOU KNOW,AFTER YOUR MOTHER LEFT US,

295
00:12:23,295 --> 00:12:24,671
BUT NOTHING SERIOUS.

296
00:12:24,713 --> 00:12:27,799
BUT NOW I'M SETTLED HERE,AND, UH...

297
00:12:27,841 --> 00:12:29,384
I MAY NOT BE OLD YET,

298
00:12:29,426 --> 00:12:31,135
BUT I WILL BE SOMEDAY.

299
00:12:31,177 --> 00:12:32,846
I DON'T WANT TO DO IT ALONE.

300
00:12:32,887 --> 00:12:33,805
I SEE.

301
00:12:33,847 --> 00:12:37,559
WELL, UH, THERE IS A BOOK CLUBAT MY CHURCH,

302
00:12:37,559 --> 00:12:38,977
OR WE COULD FINDA SENIORS' GROUP--

303
00:12:38,977 --> 00:12:40,937
WELL, UH, THERE IS A BOOK CLUBOR I COULD JUST...

304
00:12:40,979 --> 00:12:44,273
WALK OVER TO KATEAND ASK HER OUT RIGHT NOW.

305
00:12:46,568 --> 00:12:47,485
KATE.

306
00:12:47,485 --> 00:12:49,070
SHE'S, UH...

307
00:12:49,070 --> 00:12:50,363
IN CHARGEOF THE BUTTERFLY GARDEN,

308
00:12:50,404 --> 00:12:51,364
AND I'M HANDLING THE VEGETABLES.

309
00:12:51,364 --> 00:12:53,867
AND YOU ARETELLING ME THIS BECAUSE...

310
00:12:53,908 --> 00:12:56,119
AND I'WELL, LET'S FACE IT,ABLES.

311
00:12:56,119 --> 00:12:57,328
WE'RE DIFFERENT PEOPLE.

312
00:12:57,370 --> 00:12:58,579
AND I'WELL, LMM-HMM.CE IT,ABLES.

313
00:12:58,621 --> 00:13:01,707
WHEN I MAKE A DECISION, I ACT.

314
00:13:03,876 --> 00:13:05,169
AND I KNOW YOU DON'T LIKETO RUSH THINGS,

315
00:13:05,211 --> 00:13:08,172
AND IT'S TAKEN YOU A WHILETO GET THINGS GOING WITH SHANE,

316
00:13:08,172 --> 00:13:09,090
AND SO I JUST,

317
00:13:09,090 --> 00:13:11,342
AND IT'S TAKEI DON'T WANT YOUTO GET THINGS GTO FEEL AWKWARD,

318
00:13:11,342 --> 00:13:12,760
IF I ACTUALLY...

319
00:13:12,760 --> 00:13:14,887
AND IT'S TAKEMOVE A LITTLEYOUTO GET THINGS GFASTER THAN YOU.

320
00:13:14,928 --> 00:13:16,680
[LAUGHING] WELL...ALLY...

321
00:13:16,722 --> 00:13:21,685
DAD, SHANE AND IARE GOING OUT TOMORROW, SO...

322
00:13:21,685 --> 00:13:22,853
WELL, THERE YOU GO.

323
00:13:22,853 --> 00:13:24,104
THAT'S GREAT.

324
00:13:25,147 --> 00:13:27,065
WELL, THERE YOYEAH. OKAY.

325
00:13:27,107 --> 00:13:29,359
NOTHIN' TO WORRYABOUT THEN.

326
00:13:29,401 --> 00:13:31,111
[CHUCKLES]

327
00:13:32,112 --> 00:13:34,072
WELL, SHE COULD BEAN "IRISH COBBLER,"

328
00:13:34,072 --> 00:13:36,449
OR A "CHIEFTAIN"--OOH, OR A "VIKING."

329
00:13:36,491 --> 00:13:39,995
SHE'S DEFINITELY SOME SORTOF EARLY VARIETY OF HEIRLOOM.

330
00:13:40,037 --> 00:13:42,497
SHE'S DEFINITELY NOTYOUR AVERAGE POTATO.

331
00:13:42,497 --> 00:13:44,082
-NOPE.-LISTEN TO THIS.

332
00:13:44,124 --> 00:13:45,208
SHE'S DEFINITELY NOTALMOST 400,000 PEOPLETATO.

333
00:13:45,250 --> 00:13:47,878
EVACUATED NEW ORLEANSWHEN THE LEVEES BROKE.

334
00:13:47,878 --> 00:13:49,379
AND A LOT OF THEMARE STILL LIVING IN COLORADO,

335
00:13:49,379 --> 00:13:51,548
BECAUSE THEY CAN'T AFFORDTO MOVE BACK HOME.

336
00:13:51,548 --> 00:13:53,175
OR THEY DIDN'T HAVEA HOME TO GO BACK TO.

337
00:13:53,216 --> 00:13:55,718
BECAUSI WONDER IF THAT'SDTO WHAT HAPPENED TO GABE.

338
00:13:55,718 --> 00:13:57,470
[DOOR OPENS]I'M BACK, EVERYONE.

339
00:13:57,512 --> 00:13:58,680
SORRY TO KEEP YOU WAITING.

340
00:13:58,721 --> 00:14:00,390
HEY, HOW'SYOUR DAD?

341
00:14:00,390 --> 00:14:01,308
HE'S FINE.

342
00:14:01,349 --> 00:14:03,518
DOING SOME VOLUNTEER WORK.

343
00:14:03,560 --> 00:14:06,563
MAKING NEW, UH, FRIENDS.

344
00:14:06,563 --> 00:14:09,774
I THOUGHT WE MIGHT GET BACKTO, UH, THAT LETTER.

345
00:14:09,816 --> 00:14:10,942
OH, SHANE'S ALREADYGOT STARTED ON GABE,FRIENDS.

346
00:14:10,983 --> 00:14:12,068
AND WE'VE BEENWORKING ON HATTIE.

347
00:14:12,068 --> 00:14:14,236
YEAH, I CAN'T LIFTTHE INK FROM THE ENVELOPE

348
00:14:14,278 --> 00:14:15,780
WITHOUT ERASINGHATTIE'S ADDRESS.

349
00:14:15,822 --> 00:14:17,907
WE EVEN TRIED "NORMAN DORMAN'SREVELATION SOLUTION."

350
00:14:17,949 --> 00:14:19,033
WE MIGHTWANT TO START

351
00:14:19,075 --> 00:14:20,618
GOING BACK THROUGHSOME OLD PHONE BOOKS.

352
00:14:20,618 --> 00:14:21,703
OKAY.

353
00:14:22,620 --> 00:14:23,621
GOING BACK THROUGHSOMMS. MCINERNEY?OKS.

354
00:14:23,663 --> 00:14:24,997
IT'S NOT LOOKING GOOD.

355
00:14:25,039 --> 00:14:26,958
ALL WE'VE GOTIS SOME GUY NAMED GABE,

356
00:14:26,958 --> 00:14:29,251
WHO WALKED INTO SOME SORTOF ESTABLISHMENT,

357
00:14:29,251 --> 00:14:30,586
ALL WE'VE GOTISLIKE A BLUES CLUB,BE,

358
00:14:30,627 --> 00:14:32,254
AND SANG A SONG,AND HAD A GOOD MEAL.

359
00:14:32,254 --> 00:14:33,589
AND FELL IN LOVE.

360
00:14:33,589 --> 00:14:34,506
AND SANG A SONG,AND YOU THINK SO?AL.

361
00:14:34,506 --> 00:14:36,675
OH, WELL, UH,AND FELL IWHERE WERE WE?

362
00:14:36,717 --> 00:14:37,551
AND SANG A SONG,AND YOU THINK SO?AL.OH--

363
00:14:37,593 --> 00:14:39,095
"I'D ALWAYS HADTHE MUSIC IN ME,

364
00:14:39,136 --> 00:14:41,513
BUT I'D FORGOTTENWHAT IT WAS FOR UNTIL YOU."

365
00:14:41,513 --> 00:14:43,099
HE'S OBVIOUSLYFALLING IN LOVE.

366
00:14:43,140 --> 00:14:45,017
BUT I'D FORGOTTENWHWELL, NOT NECESSARILY.U."

367
00:14:45,017 --> 00:14:46,060
I MEAN, MAYBE HE JUST THOUGHT

368
00:14:46,102 --> 00:14:47,519
BUSHE WAS BEINGENWHWEREALLY ENCOURAGING..U."

369
00:14:47,561 --> 00:14:49,271
WELL, I DISAGREE.

370
00:14:49,271 --> 00:14:50,147
UH...

371
00:14:50,189 --> 00:14:52,233
"I KNOW WHAT WILL KEEP ME GOING.

372
00:14:52,274 --> 00:14:53,525
REMEMBERING YOU."

373
00:14:54,651 --> 00:14:56,778
IF GABE WROTE ONE LOVE LETTER,MAYBE HE WROTE MORE,

374
00:14:56,778 --> 00:14:58,405
HOPING ONE OF THEMMIGHT GET THROUGH

375
00:14:58,447 --> 00:14:59,906
ALL THE CHAOS AFTER KATRINA.

376
00:14:59,948 --> 00:15:02,325
AND IF HATTIE RECEIVEDJUST ONE OF THOSE LETTERS,

377
00:15:02,325 --> 00:15:04,536
THEN PERHAPS THEYFOUND EACH OTHER.

378
00:15:04,536 --> 00:15:07,623
AND IF HATTIE RECEIVEDERGO, FIND HATTIE, FIND GABE.

379
00:15:07,664 --> 00:15:10,291
OF COURSE,N PERHAPS THEYIF THEY'RE NOT TOGETHER...OTHER.

380
00:15:10,333 --> 00:15:12,543
HATTIE MIGHT STILLHAVE INFORMATION--

381
00:15:12,586 --> 00:15:13,837
GOT SOMETHING!

382
00:15:13,837 --> 00:15:16,172
NEW ORLEANS YELLOW PAGES2004 TO 2005,

383
00:15:16,214 --> 00:15:18,800
THERE'S A CLUB CALLEDHATTIE'S BACKSTREET BLUES,

384
00:15:18,800 --> 00:15:20,927
45 ST. JAMES STREET.

385
00:15:20,969 --> 00:15:23,054
THERE'S A CLUB CALLED"TRY OUR FAMOUS OYSTERS.LUES,

386
00:15:23,054 --> 00:15:25,223
OPEN MIC NIGHTEVERY TUESDAY."

387
00:15:26,182 --> 00:15:27,600
THERE'S A CLUB CALLED"TRY ONOTHING'S COMING UP.ES,

388
00:15:27,642 --> 00:15:29,102
ALL RIGHT,GIVE ME A SECOND.

389
00:15:31,229 --> 00:15:32,897
UM...

390
00:15:32,938 --> 00:15:36,109
YELLOW PAGES 2006, 2007...

391
00:15:37,777 --> 00:15:39,237
UM... YEAH,

392
00:15:39,279 --> 00:15:42,198
THERE'S NOTHING LISTED AT ALLAFTER HURRICANE KATRINA.

393
00:15:43,949 --> 00:15:46,661
BECAUSE IT'S GONE.

394
00:15:51,624 --> 00:15:52,542
IT'S NOT HOPELESS.

395
00:15:52,583 --> 00:15:54,960
IF HATTIE'S PLACE WAS DESTROYED,

396
00:15:55,002 --> 00:15:57,379
THEN SHE MAY HAVE APPLIEDFOR A FEDERAL RELIEF LOAN.

397
00:15:57,421 --> 00:15:58,798
AND IF THAT'S THE CASE,

398
00:15:58,839 --> 00:16:01,258
THEN I CAN HACK INTO ANY NUMBEROF GOVERNMENT RECORDS--

399
00:16:01,258 --> 00:16:02,384
[CLEARS THROAT]MS. MCINERNEY,

400
00:16:02,426 --> 00:16:03,844
THEN I CAN HACK INTO ANY NUMBEROF GOVERNMENI AM QUITE CONFIDENT

401
00:16:03,844 --> 00:16:06,346
THAT YOU AND YOUR COMPUTERCOULD INFILTRATE

402
00:16:06,346 --> 00:16:08,057
THE DEEPEST GALAXIESOF CYBERSPACE,

403
00:16:08,098 --> 00:16:09,141
BUT PLEASE,

404
00:16:09,183 --> 00:16:12,352
DON'T SAY ANYTHING WE MIGHTHAVE TO REPEAT IN COURT.

405
00:16:12,352 --> 00:16:13,353
FAIR ENOUGH,

406
00:16:13,395 --> 00:16:15,605
DBUT WE STILL HAVE TO FINDTHHER LAST NAME SOMEHOW..

407
00:16:15,647 --> 00:16:16,523
ANY IDEAS?

408
00:16:16,565 --> 00:16:18,358
I ONCE GOT MY NAMEIN THE NEWSPAPER,

409
00:16:18,400 --> 00:16:19,276
SORT OF.

410
00:16:19,318 --> 00:16:21,278
YOU DID?I DIDN'T KNOW THAT.

411
00:16:21,320 --> 00:16:22,362
I DON'T TALKABOUT IT MUCH.

412
00:16:22,404 --> 00:16:23,530
AND THE CHARGESWERE DROPPED.

413
00:16:23,530 --> 00:16:25,282
YOU WERE ARRESTED?

414
00:16:25,324 --> 00:16:27,242
IT WAS JUSTA MISUNDERSTANDING AT THE ZOO.

415
00:16:27,284 --> 00:16:29,744
I WAS ACTUALLY TRYINGTO RETURN THE PENGUIN.

416
00:16:29,786 --> 00:16:30,870
WAIT, I REMEMBERTHAT STORY.

417
00:16:30,870 --> 00:16:31,871
THAT WAS YOU?

418
00:16:31,871 --> 00:16:35,166
YEAH, "MAN CLEAREDIT, I REMEMBERIN RUNAWAY PENGUIN ESCAPADE."

419
00:16:35,166 --> 00:16:36,335
I WAS THE UNIDENTIFIED MAN.

420
00:16:37,126 --> 00:16:39,045
YEAH, "MAN CLEAREDIT, I REMEMBERIN RNORMAN, YOU'RE A GENIUS."

421
00:16:39,045 --> 00:16:39,963
HERE WE GO,

422
00:16:39,963 --> 00:16:41,047
FROM THE NEW ORLEANS, I REMEMBERTIMES PICAYUNE,'RE A GENIUS."

423
00:16:41,047 --> 00:16:43,049
AUGUST 10TH, 2002.

424
00:16:43,091 --> 00:16:44,759
"...ALSO PETITIONING, I REMEMBERTHE CITY COUNCILRE A GENIUS."

425
00:16:44,801 --> 00:16:46,260
"IN SUPPORT OFTHE PROPOSED TRAFFIC LIGHT

426
00:16:46,302 --> 00:16:47,846
"WAS LOCAL BUSINESS OWNER

427
00:16:47,887 --> 00:16:49,556
"AMELIA GREY HATFIELD,

428
00:16:49,556 --> 00:16:51,808
PROPRIETOR OF HATTIE'SBACKSTREET BLUES CLUB."

429
00:16:51,850 --> 00:16:53,601
OF COURSE, HATFIELD!

430
00:16:53,643 --> 00:16:55,478
HATTIE IS HER NICKNAME!

431
00:16:55,478 --> 00:16:57,021
OOH, I WISHI HAD A NICKNAME.

432
00:16:57,063 --> 00:16:57,897
I'LL THINK OF ONE. NICKNAME!

433
00:16:57,897 --> 00:16:59,607
EXCELLENT WORK,MS. MCINERNEY.

434
00:16:59,648 --> 00:17:01,567
WELL, NOW THE FUN STARTS.

435
00:17:01,609 --> 00:17:02,693
I'VE GOT A SEARCH PROGRAM HERE

436
00:17:02,735 --> 00:17:05,279
THAT I CAN ADAPTTO FILTER FOR OLD RECORDS,

437
00:17:05,321 --> 00:17:07,698
OR RELIEF APPLICATIONS,OR EVACUEE LISTS,

438
00:17:07,740 --> 00:17:09,033
ANYTHING KATRINA-RELATED

439
00:17:09,075 --> 00:17:10,284
THAT MIGHT HELP US SEE

440
00:17:10,326 --> 00:17:12,911
WHERE HATTIEMAY HAVE ENDED UP.

441
00:17:12,911 --> 00:17:14,122
START.

442
00:17:14,163 --> 00:17:16,415
WHERE HATTIEMAY NOW WE JUST HAVE TO WAIT.

443
00:17:24,423 --> 00:17:25,341
NO...

444
00:17:25,383 --> 00:17:26,384
NO, NO, NO, NO...

445
00:17:26,425 --> 00:17:27,968
NO...

446
00:17:29,177 --> 00:17:30,638
ELEANOR'S KOMBUCHA RECIPE.

447
00:17:30,679 --> 00:17:32,222
I THINK I LEFT ITIN THE BOX

448
00:17:32,264 --> 00:17:35,726
OF OLD READER'S DIGESTSTHAT I HAD NORMAN THROW OUT.

449
00:17:35,768 --> 00:17:37,019
I'M SORRY.WHAT DID I DO?

450
00:17:37,060 --> 00:17:37,978
I'M SORRY.

451
00:17:38,020 --> 00:17:38,979
NO, IT'S NOTYOUR FAULT.

452
00:17:39,021 --> 00:17:41,231
NOW I'LL NEVER MAKE ONEAS GOOD AS HERS.

453
00:17:41,273 --> 00:17:42,816
I'M SORRY,MS. MCINERNEY.

454
00:17:42,816 --> 00:17:45,610
I KNOW HOW MUCHTHAT "KUMBACHA" RECIPE

455
00:17:45,610 --> 00:17:46,653
I'M SORRY,MMEANT TO YOU.

456
00:17:46,695 --> 00:17:47,946
I KNOW HOW MUCHT"KOMBUCHA."HA" RECIPE

457
00:17:47,946 --> 00:17:49,114
"KUM-BAH-CHA."

458
00:17:49,114 --> 00:17:50,198
"KOM-BU-CHA."

459
00:17:50,240 --> 00:17:51,574
"KUM-BAH-CHA."

460
00:17:51,616 --> 00:17:52,534
FORGET IT.

461
00:17:52,575 --> 00:17:54,202
I NEED CHOCOLATE.

462
00:17:56,914 --> 00:17:59,582
SERIOUS...SERIOUS CHOCOLATE.

463
00:18:01,834 --> 00:18:03,628
IT FEELS SO DECADENTTO BE HAVING DESSERT

464
00:18:03,628 --> 00:18:05,380
IN THE MIDDLEOF THE AFTERNOON.

465
00:18:05,422 --> 00:18:06,298
WELL, REETS,

466
00:18:06,298 --> 00:18:07,632
SOMEWHERE IN THE WORLD,IT'S DINNERTIME.

467
00:18:07,674 --> 00:18:08,508
"REETS?"

468
00:18:08,550 --> 00:18:09,926
YEAH, I'M WORKINGON YOUR NICKNAME.

469
00:18:09,967 --> 00:18:11,928
OH. LET'S KEEPWORKING ON IT.

470
00:18:11,969 --> 00:18:12,804
[CHUCKLES AWKWARDLY]

471
00:18:12,804 --> 00:18:13,971
UH... REETSTER?

472
00:18:13,971 --> 00:18:15,973
UH... REETY-REETY?Y]

473
00:18:15,973 --> 00:18:17,308
UH... REETS-MEETS?

474
00:18:17,308 --> 00:18:18,184
[GROANING] NO...

475
00:18:18,225 --> 00:18:19,519
UH... RTHAT'S BAD.

476
00:18:19,561 --> 00:18:20,770
IT'S RUNNING EVERY NAME

477
00:18:20,812 --> 00:18:22,564
REGISTERED WITHTHE CITY OF NEW ORLEANS

478
00:18:22,605 --> 00:18:23,898
DURING THE WEEKSAFTER KATRINA,

479
00:18:23,940 --> 00:18:24,941
AND IF THAT DOESN'T WORK,

480
00:18:24,982 --> 00:18:27,777
I'LL MOVE ON TO STATEAND FEDERAL RECORDS.

481
00:18:27,819 --> 00:18:29,070
REMARKABLE.

482
00:18:31,656 --> 00:18:33,365
I THINK...

483
00:18:33,407 --> 00:18:36,869
WE SHOULD READ ON A BITWHILE WE WAIT.

484
00:18:36,869 --> 00:18:38,996
WOW.

485
00:18:38,996 --> 00:18:40,957
WE SHOULD READOLIVER O'TOOLEWHILE WE WAIT.BREAKING PROTOCOL.

486
00:18:40,957 --> 00:18:42,666
WHAT IS THATALL ABOUT?

487
00:18:42,666 --> 00:18:45,002
WE SHOULD READOLIVER O'TOOLEWHILE WE WAI'M, UM...G PROTOCOL.

488
00:18:45,044 --> 00:18:46,087
NOT SURE.

489
00:18:46,128 --> 00:18:47,004
[CHUCKLES]

490
00:18:47,004 --> 00:18:48,672
OVILEAR!

491
00:18:48,672 --> 00:18:49,590
RAMON!CHUCKLES]

492
00:18:49,590 --> 00:18:51,508
RAMON, WHAT ARE YOUDOING HERE?OVILEAR!

493
00:18:51,508 --> 00:18:52,384
YEAH, WHATRAMONARE YOU DOING HERE?

494
00:18:52,426 --> 00:18:54,052
WELL, I HAVEGREAT NEWS!

495
00:18:54,052 --> 00:18:57,139
I AM THE NEW OWNEROF THE MAILBOX GRILLE.

496
00:18:57,181 --> 00:18:58,098
WELL, I HAVE[LAUGHING IN DELIGHT]EWS!

497
00:18:58,139 --> 00:18:59,015
ARE YOU KIDDING ME?

498
00:18:59,015 --> 00:19:00,976
WHY? WHY?

499
00:19:01,017 --> 00:19:02,519
IT ISAA MARVELOUS VENUE!

500
00:19:02,561 --> 00:19:04,355
AND I HAVE GREAT PLANS FOR IT.

501
00:19:04,355 --> 00:19:05,522
I SEE...

502
00:19:05,522 --> 00:19:07,358
AND I HA SUNDAY BRUNCH.FOR IT.

503
00:19:07,399 --> 00:19:08,734
PERHAPS...

504
00:19:08,775 --> 00:19:10,276
A MAILBOX MARTINI MENU,

505
00:19:10,318 --> 00:19:13,864
AND, OF COURSE, WE MUSTIMPROVE ON THE JUKEBOX, EH?

506
00:19:13,864 --> 00:19:15,824
OH, THAT'S RIGHT,YOU KNOW A LOT ABOUT MUSIC.

507
00:19:15,866 --> 00:19:16,742
OLIVER,

508
00:19:16,783 --> 00:19:18,660
CAN RAMON LISTENTO THE REST OF LETTER?

509
00:19:18,702 --> 00:19:20,996
HE MIGHT BE ABLE TO HEARSOMETHING THAT WE DON'T.

510
00:19:21,037 --> 00:19:22,413
OH, I DON'T...

511
00:19:22,413 --> 00:19:23,331
AH!

512
00:19:27,168 --> 00:19:30,546
"I KNOW YOU COULD'VE GOTTENSOMEBODY ELSE TO FIX THE BAR,

513
00:19:30,546 --> 00:19:33,133
"BUT MAYBE YOU COULD TELLI NEEDED THE WORK,

514
00:19:33,174 --> 00:19:35,218
AND THE COMPANY..."

515
00:19:35,260 --> 00:19:38,054
[♪]

516
00:19:38,054 --> 00:19:39,389
DARN THIS THING.

517
00:19:39,430 --> 00:19:41,641
I CAN COME BACKAND FIX THAT TOMORROW.

518
00:19:41,682 --> 00:19:44,144
THAT'D BE FINE BY ME.

519
00:19:44,185 --> 00:19:45,395
BUT IT NEEDS A SPECIAL HINGE,

520
00:19:45,436 --> 00:19:47,522
AND THE GOOD ONESARE HARD TO FIND.

521
00:19:47,563 --> 00:19:49,064
I KNOW.

522
00:19:49,106 --> 00:19:51,984
[♪]

523
00:19:54,904 --> 00:19:57,532
♪ PEOPLE COME ♪

524
00:19:57,573 --> 00:20:01,243
♪ AND PEOPLE GO ♪

525
00:20:01,285 --> 00:20:05,080
♪ THEY TAKE AND THEY GIVE ♪

526
00:20:05,122 --> 00:20:12,296
♪ AND THEY BUILD YOU UPJUST TO LET YOU DOWN ♪

527
00:20:12,337 --> 00:20:16,633
♪ THAT'S JUST THE WAY IT IS... ♪

528
00:20:16,633 --> 00:20:20,470
♪ 'CAUSE ALL I NEEDIS ONE FRIEND ♪

529
00:20:20,512 --> 00:20:23,307
♪ ♪ TO GET ME THROUGH THE DAY ♪♪

530
00:20:23,307 --> 00:20:28,520
♪ ONE FRIENDWHO NEVER GOES AWAY ♪

531
00:20:28,520 --> 00:20:34,943
♪ ONLY ONE FRIEND♪ ♪ TO GETO UNDERSTAND ♪E DAY ♪♪

532
00:20:34,984 --> 00:20:40,282
♪ ONE FRIEND♪ AND NEVER LET ME DOWN... ♪

533
00:20:40,324 --> 00:20:43,452
[♪]

534
00:20:44,786 --> 00:20:47,121
[OLIVER READS]:"...AND I HAVE A CONFESSION TO MAKE.

535
00:20:47,121 --> 00:20:49,207
"I COULD HAVE FIXED THAT GATEIN ONE TRY.

536
00:20:49,248 --> 00:20:51,918
[O"BUT THE TRUTH IS, THAT WASETHE FIRST TIME I'D SUNG,

537
00:20:51,960 --> 00:20:54,253
"OR EVEN SMILED THAT MUCHIN A LONG TIME,

538
00:20:54,295 --> 00:20:56,047
"AND IT FELT SO GOOD,

539
00:20:56,047 --> 00:20:58,091
"I JUST DIDN'T WANT TO LEAVE.

540
00:20:58,132 --> 00:21:00,301
"A"SO, I PRETENDEDD,

541
00:21:00,301 --> 00:21:02,470
"I COULDN'T FIND THE RIGHT PARTS TO THE HINGE.

542
00:21:02,470 --> 00:21:06,390
BUT NOTHING EVER GETS"ABY YOU, HATTIE."D,

543
00:21:06,390 --> 00:21:08,935
♪ ...IT'S YOU I APPRECIATE ♪

544
00:21:08,935 --> 00:21:11,312
BUT NOTHING EVER GETS♪ SEND ME ON MY WAY... ♪

545
00:21:11,312 --> 00:21:15,149
♪ KISSED ME ON THE LIPSAND SAID "HAVE A NICE DAY" ♪

546
00:21:15,149 --> 00:21:18,694
♪ SHE HAD MERIGHT WHERE SHE WANTED ME ♪

547
00:21:18,694 --> 00:21:22,281
♪ YOU KNOW WHATI WAS IN A TRANCE ♪

548
00:21:22,323 --> 00:21:24,492
♪ SHE HAD MERIGHT WHE♪ WHEW ♪ANTED ME ♪

549
00:21:24,533 --> 00:21:27,328
♪ SHE SAID, "AIN'T NOTHIN'WRONG WITH TEXAS ♪

550
00:21:27,370 --> 00:21:31,332
♪ BUT I'D REALLY LOVETO GO TO FRANCE..." ♪

551
00:21:31,332 --> 00:21:34,585
[♪]

552
00:21:42,843 --> 00:21:45,053
♪ IT'S NO SECRETI DON'T CARE ♪

553
00:21:45,095 --> 00:21:46,639
♪ GONNA SHOUT IT OUTEVERYWHERE ♪

554
00:21:46,680 --> 00:21:51,852
♪ LOVE MY BABYHOT, COLD, FAST, OR SLOW ♪

555
00:21:51,894 --> 00:21:53,353
♪ LOVE MY-- ♪UH-OH.

556
00:21:53,353 --> 00:21:57,482
[LAUGHTER]

557
00:21:58,400 --> 00:22:00,944
♪ IN THE EVENINGIN MY BED ♪

558
00:22:00,944 --> 00:22:02,612
♪ I HEAR VOICESIN MY HEAD ♪

559
00:22:04,197 --> 00:22:05,865
♪ IN THE EVENINGINTHERE YOU GO.

560
00:22:05,865 --> 00:22:07,825
GOOD AS NEW.

561
00:22:09,244 --> 00:22:10,870
BETTER.

562
00:22:13,206 --> 00:22:14,207
[KNOCK ON DOOR]

563
00:22:14,207 --> 00:22:16,959
WE'RE CLOSED!

564
00:22:19,379 --> 00:22:21,673
HURRICANE'S COMING.

565
00:22:21,673 --> 00:22:23,841
IT'S GONNA BE A BIG ONE.

566
00:22:25,552 --> 00:22:27,429
I LIVED THROUGH CAMILLE.

567
00:22:28,429 --> 00:22:30,557
I CAN GET THROUGH THIS ONE.

568
00:22:30,557 --> 00:22:32,516
I'M SURE YOU CAN.

569
00:22:33,810 --> 00:22:34,894
BUT...AN GET THROUGH THIS ONE.

570
00:22:34,894 --> 00:22:38,605
I WAS THINKING MAYBE YOU MIGHTLIKE A LITTLE COMPANY.

571
00:22:41,275 --> 00:22:42,609
WELL...

572
00:22:42,651 --> 00:22:45,071
I COULDCLOSE UP EARLY,

573
00:22:45,071 --> 00:22:46,238
AND...

574
00:22:50,034 --> 00:22:52,703
WE COULDWEATHER IT OUT TOGETHER.

575
00:22:52,703 --> 00:22:55,122
I HAVE LOTS OF FOOD...

576
00:22:55,164 --> 00:22:57,874
WE COULDWAND LOTS OF GINGER ALE.

577
00:22:58,625 --> 00:23:00,794
WELL, I'LL SEE YOU TOMORROW.

578
00:23:07,759 --> 00:23:10,387
[OLIVER READS]:"THE NEXT DAY THEY MADE US EVACUATE,

579
00:23:10,429 --> 00:23:12,931
"AND THEN THE LEVEES BROKE,

580
00:23:12,931 --> 00:23:15,934
"AND HATTIE, I TRIED EVERYTHING I COULD

581
00:23:15,934 --> 00:23:17,393
"TO GET BACK TO YOU,

582
00:23:17,435 --> 00:23:19,437
"BUT I COULDN'T EVEN GET CLOSE.

583
00:23:19,437 --> 00:23:23,274
"I LOST MY HOME, I LOST MY TOOLBOX,

584
00:23:23,316 --> 00:23:26,737
"I LOST EVERYTHING BUT MY GUITAR.

585
00:23:26,778 --> 00:23:29,405
"BUT MY ONLY REGRET IS WAITING TOO LONG

586
00:23:29,405 --> 00:23:31,742
"TO TELL YOU HOW I FEEL.

587
00:23:31,783 --> 00:23:34,870
" "I KEPT THINKINGT I HAD TOMORROW...G

588
00:23:34,911 --> 00:23:37,038
"SOMEBODY ON THIS BUS THINKSIT'S GOING TO DENVER,

589
00:23:37,080 --> 00:23:37,998
"AND IF THAT'S TRUE,

590
00:23:38,039 --> 00:23:39,790
"THEN YOU'LL KNOWHOW TO FIND ME

591
00:23:39,790 --> 00:23:41,626
"IF YOU WANT TO,

592
00:23:41,626 --> 00:23:44,087
"THEN Y'CAUSE I'M GONNA DOHOWWHAT YOU TAUGHT ME TO DO."

593
00:23:44,129 --> 00:23:46,339
WHAT DID SHE"IF YOU WANT TO,TEACH HIM TO DO?

594
00:23:46,381 --> 00:23:47,673
YEAH! WHAT DIDSHE TEACH HIM TO DO?

595
00:23:47,715 --> 00:23:49,634
I DON'T THINK THAT'SMENTIONED ANYWHERE.

596
00:23:49,634 --> 00:23:50,760
NEITHER DO I.

597
00:23:51,677 --> 00:23:54,389
I DON'T "I'M GOING TO DOMENTWHAT YOU TAUGHT ME TO DO.

598
00:23:54,389 --> 00:23:56,599
"I'M GONNA FINDMY HIGHER GROUND,

599
00:23:56,641 --> 00:23:59,560
I DON'T"AND I'LL BE THEREMENTWHEVERY SUNDAY MORNING,O.

600
00:23:59,560 --> 00:24:01,729
"WAITINGFOR THE REST OF MY LIFE.

601
00:24:01,771 --> 00:24:02,563
I DON'T"AND I'LL BE THERE"AND I PROMISE,DAY MORNING,O.

602
00:24:02,563 --> 00:24:04,064
"IF THERE'SANOTHER BUS TO DENVER,

603
00:24:04,064 --> 00:24:05,775
"AND YOU GET ON ITE THEREAND FIND ME,SE,DAY MORNING,O.

604
00:24:05,816 --> 00:24:08,318
"IF THERE'SANO"I'LL NEVER LOSE YOU AGAIN.

605
00:24:08,318 --> 00:24:11,446
ALWAYS, GABE."

606
00:24:11,488 --> 00:24:12,573
YOU WERE RIGHT.

607
00:24:12,615 --> 00:24:15,743
HE WAS IN LOVE.

608
00:24:15,743 --> 00:24:16,994
NO MATTERHOW MANY LETTERS HE SENT,

609
00:24:16,994 --> 00:24:20,580
THEY ALL WENT TO A PLACETHAT DOESN'T EXIST ANYMORE.E.

610
00:24:20,622 --> 00:24:21,874
12 YEARS,

611
00:24:21,916 --> 00:24:24,543
AND SO MANY HEARTSARE STILL BROKEN.

612
00:24:26,503 --> 00:24:29,506
WELL, WE'RE TRYING TO MENDAT LEAST ONE OF THEM.

613
00:24:29,506 --> 00:24:30,840
I FOUND HER.

614
00:24:30,840 --> 00:24:32,342
WELL, WE'RE TRYING TO MENDAT LEAST ONE OF THEM.GREAT!

615
00:24:32,342 --> 00:24:35,345
AMELIA GREY HATFIELDIS LISTED AS...ND HER.

616
00:24:35,345 --> 00:24:36,888
MISSING

617
00:24:36,930 --> 00:24:38,848
AND PRESUMED DEAD.

618
00:24:51,361 --> 00:24:52,987
[RITA]: POOR GABE...

619
00:24:53,029 --> 00:24:54,072
POOR HATTIE.

620
00:24:54,113 --> 00:24:55,824
SHE WASWAITING FOR HIM,

621
00:24:55,865 --> 00:24:56,700
BUT HE NEVER CAME.

622
00:24:56,741 --> 00:24:59,452
AND HE'S OUT THEREWAITING FOR HER,

623
00:24:59,493 --> 00:25:01,663
BUT SHE'S NEVERGOING TO COME.

624
00:25:01,705 --> 00:25:03,372
PERHAPS HE'SGIVEN UP BY NOW.

625
00:25:03,372 --> 00:25:05,208
NEVER.

626
00:25:05,249 --> 00:25:07,711
TRUE LOVEPERHAPS HE'SNEVER GIVES UP.GIVEN UP BY NOW.

627
00:25:07,752 --> 00:25:10,546
YOU MUST FINDTHIS GABRIEL.

628
00:25:10,588 --> 00:25:12,006
THIS IS...

629
00:25:12,048 --> 00:25:14,092
THIS ISVERY UPSETTING.

630
00:25:14,133 --> 00:25:17,053
AT TIMES LIKE THIS,ALL I CAN DO IS PRAY,

631
00:25:17,053 --> 00:25:19,888
AND, OF COURSE, EATMY MOTHER'S FAMOUS POZOLE.

632
00:25:20,723 --> 00:25:22,891
"PRIORITY MAIL POZOLE"...?

633
00:25:24,268 --> 00:25:25,353
EXCUSE ME.

634
00:25:26,562 --> 00:25:29,398
LEAVE IT TO RAMONTO TAKE LEMONS AND MAKE...

635
00:25:29,398 --> 00:25:31,024
SOUP.

636
00:25:31,024 --> 00:25:32,610
WELL, I HATE TO SAY IT,

637
00:25:32,651 --> 00:25:35,571
I MEAN, I REALLYHATE TO SAY IT, BUT...

638
00:25:35,571 --> 00:25:37,906
RAMON'S GOT A POINT.

639
00:25:37,948 --> 00:25:40,576
YOU DON'T JUSTSTOP LOVING SOMEBODY,

640
00:25:40,576 --> 00:25:43,954
ESPECIALLY IF YOU'VE BEENLONELY YOUR WHOLE LIFE,

641
00:25:43,996 --> 00:25:45,080
AND THEN, ONE DAY,YOU WALK IN,SOMEBODY,

642
00:25:45,122 --> 00:25:47,415
AND YOU MEET SOMEBODYWHO MAKES YOU LAUGH,

643
00:25:47,415 --> 00:25:50,377
AND SEES ALLTHE GOOD THINGS ABOUT YOU,

644
00:25:50,418 --> 00:25:52,087
MAKES YOU FEEL SPECIAL...

645
00:25:52,087 --> 00:25:52,921
HEY...

646
00:25:52,963 --> 00:25:55,423
WE THOUGHT HATTIEWOULD LEAD US TO GABE.

647
00:25:55,423 --> 00:25:57,425
NOW WE JUST HAVETO FIND ANOTHER WAY.

648
00:25:57,467 --> 00:25:59,762
WE ARE THE POSTABLES.

649
00:25:59,803 --> 00:26:01,679
WE HAVE WIDE POWERSOF POSTAL DISCRETION

650
00:26:01,679 --> 00:26:04,516
THAT WE HAVEN'TEVEN USED YET,

651
00:26:04,557 --> 00:26:05,683
WE HAVE WIDE POWERSOFRIGHT, NORMAN?TION

652
00:26:05,725 --> 00:26:07,727
THEN THAT'S WHAT WE'LL DO.

653
00:26:07,769 --> 00:26:10,605
AND WE'LL START FIRST THINGMONDAY MORNING.

654
00:26:10,647 --> 00:26:12,732
MONDAY.

655
00:26:29,666 --> 00:26:31,208
[RINGS DOORBELL]

656
00:26:40,551 --> 00:26:41,552
HI.

657
00:26:42,261 --> 00:26:44,305
GOOD EVENING, MS--UH, SHANE.

658
00:26:44,305 --> 00:26:45,431
[CHUCKLES]

659
00:26:45,431 --> 00:26:46,891
GOOD EVENING, OLIVER.

660
00:26:46,933 --> 00:26:48,309
YOU LOOK BEAUTIFUL.

661
00:26:48,309 --> 00:26:50,352
THANK YOU.

662
00:26:51,562 --> 00:26:52,855
OUR CONVERSATION YESTERDAY

663
00:26:52,897 --> 00:26:54,982
PUT ME IN MINDOF A SMALL JAZZ CLUB

664
00:26:54,982 --> 00:26:56,108
ON PEARL STREET.

665
00:26:56,150 --> 00:26:59,486
I THOUGHT WE MIGHTOF START THERE FOR DRINKS,

666
00:26:59,486 --> 00:27:02,906
THEN WE HAVE A TABLEAT MONTALDO'S AT 7:00.

667
00:27:02,948 --> 00:27:04,283
I THOUGHT WE MIGHTWELL, THAT SOUNDS JUST...INKS,

668
00:27:05,201 --> 00:27:06,493
THAT'S FUNNY.

669
00:27:06,493 --> 00:27:07,494
WHAT?

670
00:27:07,536 --> 00:27:08,620
YOUR TIE.

671
00:27:08,662 --> 00:27:10,247
YOU TIED IT IN A WINDSOR.

672
00:27:10,289 --> 00:27:14,835
BUT YOU ONLY WEARA WINDSOR ON WEDNESDAYS.

673
00:27:14,835 --> 00:27:16,503
HUH...

674
00:27:18,380 --> 00:27:21,174
IT'S A BEAUTIFUL NIGHT.WOULD YOU LIKE TO WALK?

675
00:27:21,174 --> 00:27:22,801
I'D LOVE TO.

676
00:27:22,843 --> 00:27:24,928
[THUNDER RUMBLES]

677
00:27:28,181 --> 00:27:29,057
HAVE YOU EVER NOTICED

678
00:27:29,057 --> 00:27:30,350
EVERY TIME WE TRY AND HAVEA NICE EVENING,

679
00:27:30,350 --> 00:27:31,392
SOMETHING HAPPENS?CED

680
00:27:31,434 --> 00:27:34,229
EVERY TIME MAYBE GOD'S TRYINGA NICE EVENTO TELL US SOMETHING.

681
00:27:34,270 --> 00:27:35,480
AND THAT WOULD BE--

682
00:27:35,521 --> 00:27:36,522
TABLE FOR TWO?

683
00:27:36,522 --> 00:27:37,565
OH, HI.

684
00:27:40,693 --> 00:27:41,569
[LAUGHING TOGETHER]

685
00:27:41,611 --> 00:27:42,612
...YES!YOU DON'T AGREE?

686
00:27:42,653 --> 00:27:44,572
NO, IT'S APPLESAND ORANGES.

687
00:27:44,614 --> 00:27:46,866
JAZZ IS NOT ABOUTTHE NOTES THAT YOU HEAR,

688
00:27:46,907 --> 00:27:49,619
IT'S ABOUT THE NOTESTHAT YOU DON'T HEAR,

689
00:27:49,660 --> 00:27:51,912
AND WITH THE BLUES,IT'S NOT ABOUT WHAT YOU HEAR,

690
00:27:51,954 --> 00:27:53,998
IT'S WHAT YOU FEEL.

691
00:27:53,998 --> 00:27:57,335
IT'S RHYTHM AND TRUTH.

692
00:27:57,377 --> 00:28:00,546
IT'S PAIN, SET TO MUSIC.

693
00:28:00,546 --> 00:28:02,214
THAT'S VERY PROFOUND

694
00:28:02,214 --> 00:28:03,383
COMING FROM A WOMAN

695
00:28:03,424 --> 00:28:05,050
WHO DRINKS "KAMBACHA"IN THE AFTERNOON

696
00:28:05,092 --> 00:28:06,719
AND MARTINIS AT NIGHT.

697
00:28:06,719 --> 00:28:07,678
[LAUGHS]

698
00:28:07,720 --> 00:28:09,263
GIVE ME YOUR PEN.

699
00:28:13,518 --> 00:28:14,434
OOH.

700
00:28:14,476 --> 00:28:15,728
IT WASMY GRANDFATHER'S.

701
00:28:15,728 --> 00:28:17,479
IT'S PERFECT.

702
00:28:17,521 --> 00:28:20,650
IT WASMY GRANOW, WATCH AND LEARN.

703
00:28:20,691 --> 00:28:21,942
[CHUCKLES]

704
00:28:21,984 --> 00:28:23,527
YOU'RE GONNA HAVETO OPEN YOUR MIND

705
00:28:23,568 --> 00:28:25,487
AND USE YOURIMAGINATION.

706
00:28:25,529 --> 00:28:27,406
I CAN DO THAT.

707
00:28:27,447 --> 00:28:30,534
WHEN I CLOSE MY EYES,AND I LISTEN TO JAZZ,

708
00:28:30,575 --> 00:28:31,869
THIS IS WHAT I SEE...

709
00:28:33,745 --> 00:28:36,290
SURPRISE,AND LIGHT,

710
00:28:36,331 --> 00:28:37,916
CRAZY POSSIBILITY.

711
00:28:42,045 --> 00:28:43,255
BUT WHEN I CLOSE MY EYES,

712
00:28:43,297 --> 00:28:45,257
AND I LISTEN TO THE BLUES,I DON'T...

713
00:28:46,090 --> 00:28:47,884
I DON'T SEE IT...

714
00:28:49,553 --> 00:28:52,347
I JUST FEEL IT.

715
00:28:53,598 --> 00:28:55,058
AND SOMETIMES,IT'S FULL,

716
00:28:55,058 --> 00:28:57,977
SOMETIMES, IT'S EMPTY,

717
00:28:58,019 --> 00:29:00,730
AND SOMETIMES,SOMETIMES, IT'S BROKEN.

718
00:29:00,772 --> 00:29:02,816
BUT IT'S ALWAYS...

719
00:29:02,857 --> 00:29:04,025
IT JUST ALWAYS FEELS SO--

720
00:29:04,067 --> 00:29:07,361
PAINFULLY BUT EXQUISITELY TRUE.

721
00:29:07,403 --> 00:29:08,446
I IMAGINE.

722
00:29:10,740 --> 00:29:12,450
YES.

723
00:29:12,450 --> 00:29:13,910
VERY GOOD.

724
00:29:13,910 --> 00:29:17,288
DID I PASS THE COURSE?

725
00:29:17,288 --> 00:29:18,873
VEMM-HMM..

726
00:29:20,333 --> 00:29:22,376
MAY I HAVE MY PEN BACK NOW?

727
00:29:22,418 --> 00:29:23,920
NO.

728
00:29:23,920 --> 00:29:25,838
THERE MAY BE A TEST LATER.

729
00:29:29,092 --> 00:29:33,011
I'M AFRAID WE MISSEDOUR RESERVATION.

730
00:29:33,053 --> 00:29:34,430
I HAVE NO DOUBTWE'LL MAKE IT BACK

731
00:29:34,472 --> 00:29:35,889
TO MONTALDO'S SOMEDAY,

732
00:29:35,931 --> 00:29:37,475
AT SOME POINT.

733
00:29:37,475 --> 00:29:39,310
[LAUGHING]

734
00:29:45,315 --> 00:29:47,317
YOU KNOW THE PORCH SWINGYOU GAVE ME?OME POINT.

735
00:29:47,359 --> 00:29:48,652
OF COURSE.

736
00:29:48,694 --> 00:29:51,238
WELL, REMEMBER IT WASA LITTLE OFF-BALANCE?

737
00:29:51,279 --> 00:29:54,116
I THOUGHT I'D FIXED THAT.IS IT STILL OFF?

738
00:29:54,157 --> 00:29:54,992
NO.

739
00:29:55,033 --> 00:29:58,996
IT JUST HAS A LITTLE...SQUEAK NOW.

740
00:29:58,996 --> 00:30:02,707
MAYBE I SHOULDTAKE A LOOK AT IT.

741
00:30:02,750 --> 00:30:05,502
THAT WOULD BE NICE.

742
00:30:13,676 --> 00:30:15,012
EARLIER ON,

743
00:30:15,053 --> 00:30:16,846
YOU SAID SOMETHINGABOUT, UM...

744
00:30:16,846 --> 00:30:18,014
ABOUT?

745
00:30:18,014 --> 00:30:20,350
WELL, YOU SAIDSOMETHING ABOUT GOD.

746
00:30:20,392 --> 00:30:21,184
OH.

747
00:30:21,226 --> 00:30:22,852
WELL, IT'S LIKEYOU SAID,

748
00:30:22,852 --> 00:30:25,355
JUST THAT EVERY TIMEWE TRY TO GO OUT,

749
00:30:25,397 --> 00:30:27,565
SOMETHING SEEMS TO HAPPEN.

750
00:30:27,607 --> 00:30:31,528
MAYBE... GOD'S TRYINGTO TELL US SOMETHING.

751
00:30:31,528 --> 00:30:33,863
HMM, INTERESTING,

752
00:30:33,863 --> 00:30:36,533
AND, UM, WHAT DO YOU THINKHE MIGHT BE SAYING?

753
00:30:36,574 --> 00:30:40,369
MAYBE HE'S SAYINGTHAT THIS IS CRAZY,

754
00:30:40,411 --> 00:30:41,203
YOU AND--

755
00:30:41,203 --> 00:30:41,996
OH, MY GOODNESS!

756
00:30:42,038 --> 00:30:43,539
OH, I'M OKAY.I'M OKAY.YOU AND--

757
00:30:43,539 --> 00:30:44,749
ARE YOU ALL RIGHT?

758
00:30:44,791 --> 00:30:45,875
YES.

759
00:30:45,875 --> 00:30:47,168
SHALL WE CALL A CAB?

760
00:30:47,209 --> 00:30:49,336
WE COULD...

761
00:30:49,378 --> 00:30:52,840
BUT THEN I'D HAVE TO LET GO.

762
00:30:56,427 --> 00:30:58,429
[♪]

763
00:31:01,723 --> 00:31:04,726
[CAR HORN HONKS]

764
00:31:04,726 --> 00:31:06,895
SHALL WE WALK?

765
00:31:08,605 --> 00:31:11,608
[CAR H[♪] HONKS]

766
00:31:43,098 --> 00:31:46,601
WHAT ARE YOUTHINKING ABOUT?

767
00:31:46,601 --> 00:31:48,603
I WAS JUST THINKING

768
00:31:48,644 --> 00:31:51,982
WHAT ARE YOUABOUT HOW I ALMOSTTHINKING ABOUTQUIT THE DLO.

769
00:31:52,023 --> 00:31:53,941
YOU DID QUIT,MORE THAN TWICE.

770
00:31:53,941 --> 00:31:55,401
[LAUGHS]

771
00:31:55,443 --> 00:31:57,695
BUT I DIDN'T, BECAUSE...

772
00:31:57,737 --> 00:32:00,698
BECAUSE..?

773
00:32:02,408 --> 00:32:04,369
[PORCH SWING SQUEAKS]

774
00:32:05,536 --> 00:32:06,496
STEVE?

775
00:32:08,498 --> 00:32:10,583
YOU GOT A SQUEAKIN THIS THING.

776
00:32:12,292 --> 00:32:13,794
WHAT ARE YOUDOING HERE?

777
00:32:13,794 --> 00:32:14,712
OLIVER.

778
00:32:14,754 --> 00:32:16,547
WHAT ARE YOUDOING HERE?MR. MAREK.

779
00:32:16,589 --> 00:32:17,798
SORRY TO DROP INLIKE THIS,

780
00:32:17,798 --> 00:32:18,841
BUT COULD WE...

781
00:32:18,883 --> 00:32:20,300
COULD WE SPEAK PRIVATELY?

782
00:32:21,218 --> 00:32:22,386
NO.

783
00:32:22,386 --> 00:32:26,015
THIS ISN'TA PERSONAL VISIT, SHANE.

784
00:32:26,056 --> 00:32:28,392
THERE'S A CRISIS IN D.C.,AND I NEED YOU THERE NOW.

785
00:32:28,433 --> 00:32:29,601
WELL, TONIGHT.

786
00:32:29,643 --> 00:32:32,104
WHAT?ARE YOU CRAZY?

787
00:32:32,104 --> 00:32:34,023
IT'S A CRISIS SITUATION,

788
00:32:34,023 --> 00:32:35,524
I NEED THE BEST HACKERSIN THE BUSINESS,

789
00:32:35,524 --> 00:32:37,484
AND I NEED SOMEBODYIT'WHO KNOWS THE USPS.N,

790
00:32:37,526 --> 00:32:39,278
I NEED THE HAS OUR SECURITYIN THE BBEEN BREACHED?

791
00:32:39,319 --> 00:32:40,070
I CAN...

792
00:32:40,112 --> 00:32:41,571
--NEITHER CONFIRMNOR DENY,

793
00:32:41,613 --> 00:32:42,489
YES, I REMEMBER.

794
00:32:42,489 --> 00:32:44,491
LOOK, YOU GOTTATRUST ME ON THIS.

795
00:32:44,491 --> 00:32:47,619
YOU NEED TO GO INSIDE,PACK A BAG,

796
00:32:47,661 --> 00:32:48,745
GRAB YOUR PASSPORT.

797
00:32:48,745 --> 00:32:49,663
WE'VE GOT A PLANEWAITING FOR US

798
00:32:49,663 --> 00:32:51,165
AT BUCKLEY AIR FIELD.

799
00:32:51,206 --> 00:32:53,292
WE'VE GOT A PLANEWAITIHOW LONG WILL THIS...?

800
00:32:53,333 --> 00:32:54,334
I DON'T KNOW,

801
00:32:54,334 --> 00:32:56,503
MAYBE A FEW WEEKS?

802
00:33:01,383 --> 00:33:04,844
YOU ARE THE BESTAT WHAT YOU DO, MS. MCINERNEY.

803
00:33:06,513 --> 00:33:08,014
[SIGHS]

804
00:33:08,014 --> 00:33:10,016
RITA HAS A KEY.

805
00:33:10,016 --> 00:33:10,892
AND THE ROSE BUSH,

806
00:33:10,892 --> 00:33:12,310
IT NEEDS TO BETRIMMED BACK, OR ELSE--

807
00:33:12,310 --> 00:33:13,394
AND I WILL HANDLE THINGS.

808
00:33:13,436 --> 00:33:15,438
IT NEEDS I WILLTRIMMED BACK,HANDLE THINGS.

809
00:33:15,438 --> 00:33:16,898
JUST CALL USWITH YOUR ADDRESS

810
00:33:16,940 --> 00:33:18,149
ITAND I'LL FORWARDTRIMMEYOUR MAIL UNTIL YOU--

811
00:33:18,191 --> 00:33:19,067
OLIVER...

812
00:33:19,067 --> 00:33:20,484
WE'RE GONNA HAVE TO GORADIO SILENCE ON THIS.

813
00:33:20,484 --> 00:33:23,696
THAT MEANS NO CALLS, NO TEXTS,OLNO EMAILS, NO REGULAR MAIL...

814
00:33:23,696 --> 00:33:24,572
WE'RE GONNA HAVE TO GORADIO SILENCE OYES, BUT SURELY--

815
00:33:24,613 --> 00:33:25,698
ONCE THEY'RE BROKEN UPINTO THEIR TEAMS,

816
00:33:25,739 --> 00:33:26,824
THEY'RE GONNA BEINCOMMUNICADO

817
00:33:26,865 --> 00:33:27,825
FOR THE DURATION.

818
00:33:27,825 --> 00:33:30,661
NOW, WE REALLYGOTTA ROLL.

819
00:33:33,706 --> 00:33:34,915
FOR THE D[CLEARS THROAT]

820
00:33:39,253 --> 00:33:40,879
I'LL BE BACK.

821
00:33:40,879 --> 00:33:43,006
OF COURSE.

822
00:33:44,258 --> 00:33:45,718
I'LLI...BACK.

823
00:33:45,759 --> 00:33:47,428
I REALLY ENJOYED OUR WALK.

824
00:33:50,556 --> 00:33:52,558
SO DID I.

825
00:33:54,518 --> 00:33:56,394
PROMISE METHAT YOU'LL FIND GABE.

826
00:33:56,394 --> 00:33:59,773
BUT TELL HIM NOT TO BETOO HARD ON HIMSELF.

827
00:33:59,815 --> 00:34:02,693
HE DIDN'T HAVE TO SAY IT.

828
00:34:02,735 --> 00:34:06,404
SHE KNEW THAT HE LOVED HER.

829
00:34:06,404 --> 00:34:08,323
SHE KNEW.

830
00:34:10,450 --> 00:34:12,911
I WILL TELL HIM.

831
00:34:30,470 --> 00:34:31,388
HER PASSPORT?

832
00:34:32,930 --> 00:34:35,725
WILL SHE BE SAFE?

833
00:34:37,143 --> 00:34:41,105
I'D DIE BEFORE I LETANYTHING HAPPEN TO HER.

834
00:34:53,910 --> 00:34:57,163
[PORCH SWING SQUEAKING]

835
00:35:05,296 --> 00:35:07,173
I DON'T KNOW WHAT'S WORSE.

836
00:35:07,214 --> 00:35:08,382
HAVING YOUR DATE HIJACKED

837
00:35:08,424 --> 00:35:10,967
BY AN INCREDIBLY HANDSOME MANFROM THE CLANDESTINE SERVICES,

838
00:35:10,967 --> 00:35:12,969
OR HAVING HIM BEHER EX BOYFRIEND.

839
00:35:13,011 --> 00:35:15,681
OH, THE WAITING FOR HERTO COME BACK, NORMAN,

840
00:35:15,722 --> 00:35:17,891
THAT'S GOT TO BE THE WORST.

841
00:35:17,933 --> 00:35:18,767
AND WITHOUTTECH SUPPORT,

842
00:35:18,809 --> 00:35:19,810
HOW ARE WE SUPPOSEDTO FIND GABE?

843
00:35:19,851 --> 00:35:21,019
WE DON'T HAVE ANYTHINGLEFT TO GO ON.

844
00:35:21,061 --> 00:35:22,563
WELL, WE STILLHAVE US.

845
00:35:22,604 --> 00:35:23,647
HMM.

846
00:35:23,689 --> 00:35:26,400
WE'LL THINK OF SOMETHINGTHEN, REE-REE.

847
00:35:26,442 --> 00:35:28,068
"REE-REE?"

848
00:35:28,109 --> 00:35:30,195
[CHUCKLES DOUBTFULLY]UH-UH.

849
00:35:30,236 --> 00:35:31,196
WELL, THAT'S A NEW ONE.

850
00:35:31,237 --> 00:35:35,408
"HOMELAND SECURITYSTOLE MY GIRL."

851
00:35:35,408 --> 00:35:38,536
OR DID YOU...LET HER GO?

852
00:35:38,579 --> 00:35:41,581
"HOMELAND SECURITYIT WAS HER DECISION.MY GIRL."

853
00:35:41,622 --> 00:35:43,416
QUESTION,

854
00:35:43,416 --> 00:35:45,085
DOES SHE KNOWHOW YOU FEEL?

855
00:35:45,085 --> 00:35:49,172
SHOOT, DO YOU KNOWHOW YOU FEEL?,

856
00:35:49,172 --> 00:35:52,175
WHEN WE WERE LOSTDOES SHE KNOWUP ON THAT MOUNTAINHOW YOU FEEL?

857
00:35:52,175 --> 00:35:53,384
LAST MONTH,

858
00:35:53,426 --> 00:35:57,305
AND I ALMOST LOST, UH,EVERYTHING...

859
00:35:58,431 --> 00:36:00,641
AFTER THAT,I TOLD HER HOW I FELT.

860
00:36:00,683 --> 00:36:02,518
ACTUALLY, I TOLD HER HOW I FELT

861
00:36:02,560 --> 00:36:04,812
ABOUT BEING READYTO FEEL SOMETHING

862
00:36:04,854 --> 00:36:06,021
ABOUT HOW I FEEL.

863
00:36:07,106 --> 00:36:09,400
AND SHE FOLLOWED THAT?

864
00:36:09,400 --> 00:36:11,736
WELL, I WAS AS CLEARAS I KNOW HOW TO BE.

865
00:36:11,777 --> 00:36:13,195
AND SHE FHMM.WED THAT?

866
00:36:13,195 --> 00:36:15,531
AND I KISSED HER.

867
00:36:17,282 --> 00:36:20,327
IT WAS BRIEF, BUT, UH...

868
00:36:20,369 --> 00:36:22,037
VERY, UH...

869
00:36:22,037 --> 00:36:25,415
IF YOU GET ANOTHER CHANCETO KISS HER, SON...

870
00:36:27,209 --> 00:36:29,461
TAKE YOUR TIME.

871
00:36:34,508 --> 00:36:36,385
[♪]

872
00:36:45,060 --> 00:36:48,522
♪ NONE OF BUSINESS ♪

873
00:36:48,563 --> 00:36:51,816
♪ GETTIN' ALL OF MY CONCERN ♪

874
00:36:51,816 --> 00:36:54,903
♪ TRIED TO PUT OUT THE FIRE ♪

875
00:36:54,944 --> 00:36:57,406
♪ GETT♪ BUT THE FLAME'SCERN ♪STILL BURNING ♪

876
00:36:57,447 --> 00:37:01,117
♪ OH, AND AS SHE PLEASESSHE COMES AND GOES ♪

877
00:37:01,117 --> 00:37:04,704
♪ SHE'S GOT THE WINDIN HER HAIR ♪

878
00:37:04,746 --> 00:37:07,832
♪♪ OH, SHE NEVER CEASESSSHETO HURT ME SO ♪ ♪

879
00:37:07,874 --> 00:37:11,586
♪ DOES SHE REALLY CARE? ♪

880
00:37:11,628 --> 00:37:15,006
♪ IS SHE EVER COMIN' HOME? ♪

881
00:37:15,048 --> 00:37:20,428
♪ IS SHE EVER GONNA PHONE? ♪

882
00:37:20,469 --> 00:37:22,847
♪ ANOTHER NIGHT ALONE ♪

883
00:37:22,889 --> 00:37:31,064
♪ HAS ANYBODY SEEN MY GIRL? ♪

884
00:37:31,105 --> 00:37:35,859
♪ HAS ANYBODY SEEN MY WOMAN? ♪

885
00:37:35,859 --> 00:37:41,990
♪ CALIFORNIA TO TENNESSEE ♪

886
00:37:42,032 --> 00:37:48,289
♪ ♪ SEND MY BABY HOME TO ME ♪♪

887
00:37:48,289 --> 00:37:51,625
♪ HOME TO ME... ♪

888
00:37:51,625 --> 00:37:53,502
[♪]

889
00:37:53,544 --> 00:37:55,379
♪ WHERE AM I GOING? ♪

890
00:37:55,421 --> 00:37:59,592
♪ OH, WHAT AM I GONNA DO? ♪

891
00:37:59,633 --> 00:38:03,804
♪ I KNOW I'M NOT CRAZYNO, NO, I'M JUST HOOKED YOU ♪

892
00:38:03,804 --> 00:38:08,726
♪ SO GO ON AND USE MEENDLESSLY ♪

893
00:38:08,767 --> 00:38:11,854
♪ BUT COULD YOU LET ME KNOW ♪

894
00:38:11,854 --> 00:38:15,398
♪ WHEN YOU NEED MEHOLD ME CLOSE ♪

895
00:38:15,440 --> 00:38:18,986
♪ AND BABY, DON'T LET GO... ♪

896
00:38:18,986 --> 00:38:22,739
[♪]

897
00:38:22,739 --> 00:38:24,824
NORMAN, COME HERE,COME HERE!

898
00:38:24,824 --> 00:38:26,326
WHAT?[♪]

899
00:38:27,994 --> 00:38:29,454
LOOK...

900
00:38:29,496 --> 00:38:31,623
THERE'SLITTLE SPROUTS.

901
00:38:31,623 --> 00:38:33,250
AW, THEY GROW UPSO FAST.

902
00:38:34,167 --> 00:38:35,418
THERE'SLITTLE OH, DEAR.

903
00:38:41,508 --> 00:38:42,967
OLIVER?

904
00:38:43,843 --> 00:38:45,219
-HOW'S IT GOING?-ANY LUCK?

905
00:38:45,261 --> 00:38:47,972
I'M SORRY TO SAY,

906
00:38:48,014 --> 00:38:51,768
BUT WITHOUT MS. MCINERNEY'SADVANCE SEARCH PROTOCOLS,

907
00:38:51,809 --> 00:38:53,019
IT'S TAKEN US FOUR WEEKS

908
00:38:53,019 --> 00:38:55,688
WHAT SHE MIGHT HAVEACCOMPLISHED IN A DAY.

909
00:38:55,688 --> 00:38:57,439
YEAH, I'M STILL FILLING OUTREQUEST FORMS

910
00:38:57,481 --> 00:38:59,776
FOR EVACUATION ROLLS FROM 2005.

911
00:38:59,817 --> 00:39:05,406
MAYBE... WE SHOULD TRYALL THE CHURCHES IN DENVER?

912
00:39:05,447 --> 00:39:08,409
REMEMBER HE SAID SOMETHINGABOUT "EVERY SUNDAY MORNING"?

913
00:39:08,450 --> 00:39:11,287
THAT'S 1057CHURCHES, THOUGH.

914
00:39:11,287 --> 00:39:12,788
NO, I KNOW IT'SA LOT TO ASK,

915
00:39:12,829 --> 00:39:14,540
THAT'S 1057CHUBUT I MADE A PROMISE TO...

916
00:39:16,750 --> 00:39:17,876
UH... MYSELF.

917
00:39:17,918 --> 00:39:20,296
I-I CAN'T GIVE UP ON THIS.

918
00:39:21,422 --> 00:39:28,637
♪ ...HAS ANYBODY SEEN MY WOMAN ♪

919
00:39:28,679 --> 00:39:31,848
♪ FROM CALIFORNIA ♪

920
00:39:31,890 --> 00:39:34,643
♪ TO TENNESSEE ♪

921
00:39:34,685 --> 00:39:40,231
♪ SEND MY BABY HOME TO ME ♪

922
00:39:40,231 --> 00:39:42,317
♪ HOME TO ME... ♪

923
00:39:46,863 --> 00:39:47,572
MY FRIENDS,

924
00:39:47,613 --> 00:39:50,075
MARIA GLORIA PATRICIA'SPOZOLE...

925
00:39:50,075 --> 00:39:52,077
KATE AND I CAME HERE LAST WEEKAND HAD IT. IT WAS GREAT.

926
00:39:52,077 --> 00:39:52,994
"PO--"

927
00:39:53,036 --> 00:39:54,120
"PO-THO-LAY."

928
00:39:56,873 --> 00:39:59,918
OOH...OOH, IT IS SPICY.

929
00:40:00,751 --> 00:40:01,627
IT KIND OFGIVES YOU A...

930
00:40:01,669 --> 00:40:04,422
A LIFT, SORT OF A ZIP.

931
00:40:04,464 --> 00:40:05,840
[LAUGHING]

932
00:40:05,881 --> 00:40:06,882
OLIVER COULD USE

933
00:40:06,924 --> 00:40:08,468
SOME OF THAT.

934
00:40:08,509 --> 00:40:11,304
HE MUST BE MISSINGTHE BEAUTIFUL SHANE.

935
00:40:12,263 --> 00:40:14,349
UH... IF WE'REBEING HONEST,

936
00:40:14,390 --> 00:40:15,933
WE'RE A LITTLEWORRIED ABOUT HIM.

937
00:40:15,975 --> 00:40:17,393
I AM, TOO.

938
00:40:17,435 --> 00:40:18,478
EVERY NIGHTWE LEAVE THE OFFICE,

939
00:40:18,478 --> 00:40:20,229
HE'S STILL THERE,SITTING AT HIS DESK,

940
00:40:20,229 --> 00:40:21,271
EVERY NIGHTWE LESTARING AT HER BLENDER.

941
00:40:21,271 --> 00:40:24,400
[SIGHS] THE BLENDERSHE NEVER GOT TO USE.

942
00:40:25,443 --> 00:40:27,236
IN MY FAMILY,WE HAVE A TRADITION.

943
00:40:29,029 --> 00:40:29,989
IF A FRIEND IS IN TROUBLE,

944
00:40:29,989 --> 00:40:33,158
WE SURROUND HIMWITH "THE THREE PS."

945
00:40:33,200 --> 00:40:34,744
IF A FR"PASSION..."ROUBLE,

946
00:40:35,661 --> 00:40:36,704
"POZOLE..."

947
00:40:37,747 --> 00:40:39,874
...AND "POKER."

948
00:40:40,875 --> 00:40:42,042
POKER?

949
00:40:42,084 --> 00:40:44,128
I LOVE POKER.

950
00:40:44,128 --> 00:40:45,629
[♪]

951
00:40:52,636 --> 00:40:53,845
...AND IF EVERYBODY FOLDS,

952
00:40:53,887 --> 00:40:55,805
THEN THE LAST MAN HOLDINGGETS THE POT,

953
00:40:55,847 --> 00:40:58,142
AND HE DOESN'T EVENHAVE TO SHOW HIS CARDS.

954
00:40:58,183 --> 00:41:01,019
HOW IS IT THAT YOU KNOWSO MUCH ABOUT POKER?

955
00:41:01,060 --> 00:41:02,979
WELL, I'M ACTUALLYA BLACKJACK GIRL,

956
00:41:03,021 --> 00:41:05,148
BUT I'M PRETTY MUCH BANNEDFROM EVERY CASINO.

957
00:41:05,148 --> 00:41:06,358
YOU KNOW,

958
00:41:06,400 --> 00:41:08,693
PHOTOGRAPHIC MEMORY,COUNTING CARDS... [CHUCKLES]

959
00:41:11,237 --> 00:41:12,489
YOU LOOK LIKEA GENERAL HERE.

960
00:41:12,489 --> 00:41:14,198
I WAS.BRIEFLY.

961
00:41:14,240 --> 00:41:16,159
YOU LOOK LIKEA SMALL,A GENERAL HEREOBSOLETE REPUBLIC.

962
00:41:16,159 --> 00:41:18,202
YOU WERE A MATADOR?

963
00:41:18,244 --> 00:41:19,871
JUST TO PAY MY WAYTHROUGH SCHOOL.

964
00:41:21,039 --> 00:41:22,040
OH, NORMAN,

965
00:41:22,081 --> 00:41:23,082
CAN YOU GRABTHE CHEESE WHEEL

966
00:41:23,124 --> 00:41:25,168
FROM THE COUNTER,PLEASE?

967
00:41:25,168 --> 00:41:27,712
YOU ARE A VERYFORTUNATE MAN, NORMANDO.

968
00:41:27,754 --> 00:41:30,214
HOW LONG HAVE YOU TWOBEEN TOGETHER NOW?

969
00:41:30,256 --> 00:41:32,633
OH, UH... JUST OVERA YEAR, I GUESS.

970
00:41:32,675 --> 00:41:33,467
AH.

971
00:41:33,509 --> 00:41:34,343
YOU KNOW, IN MY COUNTRY,

972
00:41:34,343 --> 00:41:36,554
YOU'D BE MARRIEDWITH TWINS BY NOW.

973
00:41:36,595 --> 00:41:37,888
EVERYONE HAD TWINS THERE.

974
00:41:37,931 --> 00:41:41,475
WELL, UH...WE DO HAVE, UM...

975
00:41:41,517 --> 00:41:42,435
A POTATO.

976
00:41:42,476 --> 00:41:44,437
HMM.

977
00:41:49,608 --> 00:41:50,693
HOW IS OVILEAR DOING?

978
00:41:50,693 --> 00:41:52,236
HE SEEMS A BIT LOST.

979
00:41:52,236 --> 00:41:54,405
WELL, I THINKYOUR MONEY'S SAFE TONIGHT.

980
00:41:55,906 --> 00:41:58,033
BUT AT LEASTHE'S GETTING OUT A LITTLE.ST.

981
00:42:01,579 --> 00:42:02,663
THIS IS NICE.

982
00:42:02,705 --> 00:42:03,789
AH...

983
00:42:03,831 --> 00:42:07,292
THE GLORY DAYS OF ALTERNATIVELATIN GARAGE PUNK GRUNGE.

984
00:42:07,334 --> 00:42:10,879
I'M A BLUES MAN, MYSELF.

985
00:42:12,380 --> 00:42:15,718
WHATEVER HAPPENEDTO THAT FELLOW IN THE LETTER?

986
00:42:15,759 --> 00:42:16,885
THE MANFROM THE HURRICANE?

987
00:42:16,885 --> 00:42:20,222
OH, WE TRIED EVERYTHING,BUT WE NEVER FOUND HIM.

988
00:42:21,181 --> 00:42:22,265
DID YOU TRY MUSIC?

989
00:42:23,558 --> 00:42:25,227
HOW DO YOU MEAN?

990
00:42:25,227 --> 00:42:27,562
MUSICIANS ARE MAGNETSFOR OTHER MUSICIANS,

991
00:42:27,562 --> 00:42:28,896
AND AS YOU KNOW,

992
00:42:28,939 --> 00:42:31,441
I'M BRINGING LIVE MUSICTO THE MAILBOX GRILLE.

993
00:42:31,483 --> 00:42:34,402
THURSDAYSWILL BE JAZZ NIGHT,

994
00:42:34,402 --> 00:42:36,738
FRIDAYS ARE ALTERNATIVE LATINGARAGE PUNK GRUNGE NIGHT,

995
00:42:36,779 --> 00:42:37,655
OF COURSE.

996
00:42:37,697 --> 00:42:38,823
BUT SATURDAYS...

997
00:42:38,865 --> 00:42:40,367
ARE BLUES NIGHT!

998
00:42:40,408 --> 00:42:41,368
NOW...

999
00:42:41,409 --> 00:42:44,036
IF GABRIEL IS IN THIS TOWN,

1000
00:42:44,078 --> 00:42:44,871
TRUST ME,

1001
00:42:44,912 --> 00:42:47,248
IF WE PLAY IT, HE WILL COME!

1002
00:42:49,376 --> 00:42:51,919
[♪]

1003
00:43:07,476 --> 00:43:09,020
[SONG ENDS]

1004
00:43:09,061 --> 00:43:12,648
[APPLAUSE]

1005
00:43:17,278 --> 00:43:18,154
WE'VE ASKED EVERYONE

1006
00:43:18,154 --> 00:43:20,031
IF THEY KNOWA BLUES MUSICIAN NAMED GABE,

1007
00:43:20,072 --> 00:43:21,282
WEBUT NOBODY DOES.NE

1008
00:43:21,282 --> 00:43:23,534
YEAH, RAMON WAS SO SURETHAT THE WORD WOULD GET OUT,

1009
00:43:23,575 --> 00:43:24,868
AND GABEWEBUT NOBODY WOULD SHOW UP

1010
00:43:24,910 --> 00:43:26,120
AS LONG ASTHE MUSIC WAS GOOD,

1011
00:43:26,162 --> 00:43:27,454
WELL, THIS IS ONLYTHE FIRST NIGHT,

1012
00:43:27,496 --> 00:43:29,122
AND THE BANDWAS EXCELLENT.

1013
00:43:29,122 --> 00:43:30,291
OVILEAR!

1014
00:43:30,332 --> 00:43:31,292
MY FRIENDS...

1015
00:43:31,292 --> 00:43:34,586
I WANT YOU TO MEETBIG JOE HOPKINS,

1016
00:43:34,628 --> 00:43:35,587
DENVER LEGEND.

1017
00:43:35,629 --> 00:43:37,339
HE MIGHT BE ABLETO HELP YOU IN YOUR SEARCH.

1018
00:43:37,339 --> 00:43:38,298
OH.

1019
00:43:38,298 --> 00:43:39,800
HEOH, THANK YOU.TOWE LOVE YOUR MUSIC.EARCH.

1020
00:43:39,800 --> 00:43:41,885
THIS IS A GREAT SPOT.WE NEED A PLACE LIKE THIS.

1021
00:43:41,927 --> 00:43:43,136
HEOH, THANK YOU.TOWE LOVE YOUR MUSIC.ERAMON SAYS

1022
00:43:43,136 --> 00:43:44,345
YOU KNOW EVERYBLUES PLAYER IN TOWN.

1023
00:43:44,387 --> 00:43:45,931
WE ALL KINDAKNOW EACH OTHER.

1024
00:43:45,972 --> 00:43:47,515
YOU WOULDN'T HAPPENTO KNOW A GENTLEMAN

1025
00:43:47,558 --> 00:43:49,810
BY THE NAME OF GABEFROM NEW ORLEANS?

1026
00:43:49,851 --> 00:43:51,144
GABE...

1027
00:43:51,186 --> 00:43:52,353
WHAT'S HIS LAST NAME?

1028
00:43:52,353 --> 00:43:54,480
WELL, THAT'S ALLWE HAVE, JUST GABE.

1029
00:43:54,480 --> 00:43:56,649
DOESN'T RING A BELL.?

1030
00:43:56,691 --> 00:43:58,734
WELL, TBUT EPHRAIM BEALSWE HAVIS FROM LOUISIANA.

1031
00:43:58,734 --> 00:44:00,611
HE PLAYSOVER AT THE E-FLAT LOUNGE.

1032
00:44:00,653 --> 00:44:02,780
WELL, TBUT EPHRAIM BEALSWE HAOH, YES, WE'VE, UM...

1033
00:44:02,822 --> 00:44:04,950
UH, I'VE BEEN THERE.

1034
00:44:08,911 --> 00:44:10,621
OH, I HAVEN'T BEENBACK TO NEW ORLEANS

1035
00:44:10,663 --> 00:44:13,166
SINCE KATRINA.

1036
00:44:13,166 --> 00:44:15,668
HAVEN'T GOT THE MONEY,DON'T HAVE THE HEART.

1037
00:44:15,668 --> 00:44:16,794
RIGHT.

1038
00:44:16,836 --> 00:44:18,546
I'M VERY SORRY.

1039
00:44:18,588 --> 00:44:19,964
SO, WHO IS ITYOU'RE LOOKING FOR?

1040
00:44:20,005 --> 00:44:21,799
A MAN NAMED GABE,HE PLAYS A GUITAR AND SINGS.

1041
00:44:21,799 --> 00:44:23,343
HE WAS EVACUATEDTO DENVER,

1042
00:44:23,343 --> 00:44:24,259
A MAN NAMED GABE,HE PLAYS A GUITSO WE WERE HOPING

1043
00:44:24,302 --> 00:44:27,012
HE STILL PLAYSAT A CLUB SOMEWHERE HERE.

1044
00:44:27,012 --> 00:44:28,389
GABE....

1045
00:44:28,389 --> 00:44:31,266
'COURSE, FOLKS DON'T USETHEIR REAL NAMES.SOMEWHERE HERE.

1046
00:44:31,308 --> 00:44:32,351
LIKE SUNNY JACK,

1047
00:44:32,351 --> 00:44:33,853
BAD BOY BAKER,

1048
00:44:33,853 --> 00:44:35,688
LIKE SAND THE 52-80 MAN...

1049
00:44:35,688 --> 00:44:38,315
FOLKS JUST DON'T KNOWWHO THEY REALLY ARE.

1050
00:44:38,357 --> 00:44:40,109
WELL, UH...

1051
00:44:40,150 --> 00:44:42,444
THANK YOU VERY MUCH FOR TRYING.

1052
00:44:42,444 --> 00:44:44,947
IT WAS A PLEASURETO MEET YOU.

1053
00:44:44,989 --> 00:44:46,531
I REALLY LIKETHANK YOU VERY MUCYOUR MUSIC.G.

1054
00:44:46,531 --> 00:44:47,616
IT'S VERY POSITIVE,

1055
00:44:47,616 --> 00:44:49,409
CONSIDERINGIKETHANK YOU VERY MUHOW SAD IT IS.

1056
00:44:49,451 --> 00:44:50,369
[CHUCKLES AWKWARDLY]

1057
00:44:50,369 --> 00:44:52,621
WELL, HERE, TAKEONE OF MY CDS HOME WITH YOU.

1058
00:44:52,662 --> 00:44:53,622
[CHUCKOH, THANK YOU.

1059
00:44:53,622 --> 00:44:56,458
OH, "WALK A MILEIN MY BLUES."

1060
00:44:56,500 --> 00:44:58,043
[THAT'S VERY CLEVER.

1061
00:44:58,043 --> 00:44:59,378
"WALK A MILE IN--"

1062
00:44:59,378 --> 00:45:00,879
IN MY...

1063
00:45:00,920 --> 00:45:04,508
WAIT, WHAT WAS THAT YOU SAIDABOUT THE 52 MAN?E IN--"

1064
00:45:05,425 --> 00:45:07,219
THE 52-80 MAN?

1065
00:45:07,261 --> 00:45:09,554
CAT'S A REAL MYSTERY.

1066
00:45:09,554 --> 00:45:10,930
ONLY PLAYS HIS GUITAR

1067
00:45:10,972 --> 00:45:12,807
ON THE STEPSOF THE STATE CAPITOL,

1068
00:45:12,849 --> 00:45:13,767
ONE DAY A WEEK.

1069
00:45:13,808 --> 00:45:16,645
WOULD THAT DAY BE SUNDAY?

1070
00:45:16,686 --> 00:45:17,521
EVERY SUNDAY.

1071
00:45:17,562 --> 00:45:19,856
FOLKS CALL HIM "52-80"'CAUSE OF THE--

1072
00:45:19,898 --> 00:45:21,816
BECAUSE THE ALTITUDEOF THE STATE CAPITOL IS--

1073
00:45:21,858 --> 00:45:23,026
--EXACTLY 5,280 FEET,

1074
00:45:23,067 --> 00:45:24,443
-WHICH IS---A MILE!

1075
00:45:26,571 --> 00:45:27,656
[GASPING IN DELIGHT]

1076
00:45:36,289 --> 00:45:37,748
HERE...

1077
00:45:41,585 --> 00:45:43,421
[GASPS]FOUND IT!

1078
00:45:43,421 --> 00:45:45,048
RETURN ADDRESS IS...

1079
00:45:45,089 --> 00:45:48,426
"GABE,A MILE HIGH."

1080
00:45:48,426 --> 00:45:49,677
WHAT TIME IS IT?

1081
00:45:49,718 --> 00:45:52,930
"GABE,UM... 1:15 A.M.A MILE HIGH."

1082
00:45:52,930 --> 00:45:55,266
IT'S SUNDAY MORNING.

1083
00:46:03,190 --> 00:46:05,776
"GOH, I HOPEUM... 1:15 A.M.A HE'S THERE.

1084
00:46:05,776 --> 00:46:06,902
SHH...

1085
00:46:06,944 --> 00:46:08,529
DO YOU HEAR THAT?

1086
00:46:08,571 --> 00:46:12,115
[DISTANT SINGING]

1087
00:46:14,201 --> 00:46:15,160
♪ ...ONE WAY OR ANOTHER ♪

1088
00:46:15,202 --> 00:46:17,663
♪ WE'RE GONNA FINDHIGHER GROUND ♪

1089
00:46:17,705 --> 00:46:21,792
♪ WELL, YOU MIGHT BE DEAFOR YOU MIGHT BE BLIND ♪

1090
00:46:21,792 --> 00:46:27,089
♪ BUT YOU PUT THE MESSAGERIGHT IN YOUR MIND ♪

1091
00:46:27,130 --> 00:46:29,549
♪ WELL, YOU MIGHT BE DEAF♪ MIGHT LOOK LIKE A PLAN ♪

1092
00:46:29,591 --> 00:46:31,801
♪ OR A COALITION ♪

1093
00:46:31,801 --> 00:46:36,639
♪ OR IT MIGHT BE GODTRYING TO GET YOUR ATTENTION ♪

1094
00:46:36,639 --> 00:46:42,312
♪ MIGHT BE GOD TRYINGTO GET YOUR ATTENTION ♪

1095
00:46:42,312 --> 00:46:43,563
♪ OH, YEAH ♪

1096
00:46:44,564 --> 00:46:47,024
♪ MIGHT BE GOD TRYINGTO GET YOGABE?TENTION ♪

1097
00:46:53,823 --> 00:46:54,699
MAN, OH, MAN,

1098
00:46:54,741 --> 00:46:55,783
YOU ALL SPENTALL THIS TIME

1099
00:46:55,825 --> 00:46:57,284
LOOKING FOR ME?

1100
00:46:57,326 --> 00:46:58,495
YUP.

1101
00:46:58,495 --> 00:46:59,496
THAT'S OUR JOB.

1102
00:47:00,830 --> 00:47:02,039
I'M AFRAIDIT WAS NECESSARYP.

1103
00:47:02,081 --> 00:47:03,207
TO READ THE LETTER

1104
00:47:03,249 --> 00:47:04,458
IN ORDER TO LOCATE YOU.

1105
00:47:04,500 --> 00:47:06,460
THEN YOU KNOWABOUT HATTIE.

1106
00:47:06,502 --> 00:47:07,795
NOT MUCH.

1107
00:47:07,837 --> 00:47:10,006
WE WERE ABLETO ASCERTAIN

1108
00:47:10,006 --> 00:47:12,133
THAT THE BACKSTREETBLUES CLUB IS--

1109
00:47:12,174 --> 00:47:13,467
GONE.

1110
00:47:14,969 --> 00:47:17,638
I TRIED TO CALLA FEW TIMES,

1111
00:47:17,679 --> 00:47:20,641
BUT I FINALLY FIGUREDIT GOT WIPED OUT.

1112
00:47:22,684 --> 00:47:24,311
BUT I DID WRITEA FEW MORE LETTERS,

1113
00:47:24,353 --> 00:47:27,356
HOPING THAT MAYBE HATTIE HADA FORWARDING ADDRESS

1114
00:47:27,356 --> 00:47:30,109
OR SOMETHING.

1115
00:47:30,151 --> 00:47:31,568
HOPING THAT MAYBE HATTIE HADI'VE STILL GOT HOPE.

1116
00:47:33,237 --> 00:47:34,196
I FIGURED

1117
00:47:34,196 --> 00:47:36,740
YOU GOTTA HAVE HOPE.

1118
00:47:36,782 --> 00:47:38,992
WAIT, SO YOU'VE BEENWAITING ALL THIS TIME

1119
00:47:39,034 --> 00:47:41,202
FOR HATTIE TO FIND YOU?

1120
00:47:41,244 --> 00:47:43,539
12 YEARS IS A LONG TIME.

1121
00:47:45,248 --> 00:47:48,209
THERE WAS SOMETHING REALLYPOWERFUL ABOUT THAT LADY.

1122
00:47:48,209 --> 00:47:50,003
YOU KNOW, WHEN SHE PUTHER MIND TO SOMETHING,

1123
00:47:50,045 --> 00:47:53,715
NOTHING COULDSTOP HER,

1124
00:47:53,715 --> 00:47:55,591
AND THAT'SWHAT I'M COUNTING ON.

1125
00:47:56,384 --> 00:47:57,844
WHAT DO YOU MEAN?

1126
00:47:59,637 --> 00:48:02,098
ONE NIGHT WE STAYED UPALL NIGHT LONG,

1127
00:48:02,140 --> 00:48:03,474
AND WE TALKED, AND WE TALKED,

1128
00:48:03,516 --> 00:48:04,725
WE TALKEDABOUT EVERYTHING.

1129
00:48:04,767 --> 00:48:06,686
SHE GOT ME TALKINGMORE THAT NIGHT

1130
00:48:06,727 --> 00:48:08,396
THAN I'VE TALKEDMY WHOLE LIFE PUT TOGETHER.

1131
00:48:08,396 --> 00:48:10,398
[CHUCKLING]

1132
00:48:10,398 --> 00:48:13,401
THAI TOLD HERKEDMYHOW I HAD A GOOD LIFE,ER.

1133
00:48:13,443 --> 00:48:15,070
AND I HAD A GOOD WIFE,

1134
00:48:15,070 --> 00:48:17,697
AND A BABY GIRL,

1135
00:48:17,738 --> 00:48:21,534
AND HOW A GREASE FIRE STARTEDIN OUR APARTMENT BUILDING

1136
00:48:21,576 --> 00:48:22,827
AND TOOK IT ALL AWAY,

1137
00:48:22,827 --> 00:48:24,245
WHILE I WAS SINGINGAND PLAYING

1138
00:48:24,287 --> 00:48:26,121
DOWN IN THE QUARTER...

1139
00:48:26,163 --> 00:48:27,998
THEY WERE KILLED IN A FIREIN OUR APARTMENT.

1140
00:48:28,040 --> 00:48:29,584
I'M SO SORRY.

1141
00:48:29,584 --> 00:48:31,043
I EVEN HEARD THE SIRENSON THEIR WAY

1142
00:48:31,085 --> 00:48:32,420
FAINTLY IN THE DISTANCE.

1143
00:48:32,420 --> 00:48:34,630
YOU KNOW,I DIDN'T PUT IT TOGETHER.

1144
00:48:34,630 --> 00:48:36,507
OF COURSE, YOU DON'T THINKIT'S YOUR HOUSE.

1145
00:48:37,382 --> 00:48:40,427
BUT IT WAS,YOU KNOW,AND I JUST LOST IT. TOGETHER.

1146
00:48:40,469 --> 00:48:44,014
I HAVEN'T PLAYEDANOTHER NOTE SINCE.

1147
00:48:44,056 --> 00:48:46,266
I HAVEN'T PLAYED AT ALL...

1148
00:48:46,266 --> 00:48:47,267
TILL I CAME IN HERE.

1149
00:48:47,267 --> 00:48:50,855
YOU'RE GONNA SEE THEM AGAINI HAVESOMEDAY, BABY,ALL...

1150
00:48:50,896 --> 00:48:52,606
YOU KNOW THAT.

1151
00:48:52,606 --> 00:48:53,983
BUT FOR NOW,

1152
00:48:54,024 --> 00:48:56,235
YOU GOTTA HAND ALL THAT OVERYTO THE LORD,.

1153
00:48:56,276 --> 00:48:57,694
AND YOU GOTTA KEEP SINGING.

1154
00:48:58,695 --> 00:49:02,782
THAT'S WHATYOU WERE BORN TO DO.

1155
00:49:02,824 --> 00:49:05,035
WHAT YOU NEED IS VISION.

1156
00:49:05,077 --> 00:49:09,623
AND IT IS HARD TO GET VISIONDOWN HERE IN THE NINTH WARD.

1157
00:49:09,623 --> 00:49:12,125
SO YOU GOTTA GETTO HIGHER GROUND.

1158
00:49:15,629 --> 00:49:18,715
YOU KNOW THAT FUNNY LITTLE HILLUP IN COUTURIE PARK?

1159
00:49:18,757 --> 00:49:20,925
THE ONE WITH THE LITTLEWOODEN LOOKOUT

1160
00:49:20,925 --> 00:49:22,135
YOU GOTTA CLIMB UP TO?

1161
00:49:22,135 --> 00:49:23,094
THE ONE WITH THE LITTLEWOODEBELIEVE IT OR NOT,

1162
00:49:23,136 --> 00:49:25,930
THAT IS THE HIGHEST POINTIN NEW ORLEANS.

1163
00:49:25,972 --> 00:49:28,808
53 FEET ABOVE SEA LEVEL.

1164
00:49:28,808 --> 00:49:30,143
[LAUGHS]

1165
00:49:30,184 --> 00:49:31,686
EVERY SUNDAY MORNING,

1166
00:49:31,728 --> 00:49:35,857
I STAND UP THERE,AND I WATCH THE SUNRISE,

1167
00:49:35,899 --> 00:49:39,527
AND I COUNT MY BLESSINGS,

1168
00:49:39,568 --> 00:49:40,528
AND BEFORE YOU KNOW IT,

1169
00:49:40,528 --> 00:49:43,072
I FEEL LIKEI AM STANDING A MILE HIGH.

1170
00:49:44,240 --> 00:49:45,783
AND WHEN YOU FEELAND BEFOREA MILE HIGH,,

1171
00:49:45,824 --> 00:49:48,202
ANYTHING IS POSSIBLE.

1172
00:49:51,414 --> 00:49:52,790
WHEN THAT BUSBROUGHT ME TO DENVER,

1173
00:49:52,831 --> 00:49:54,833
I REALLY HAD A HARD TIMEGETTING ON MY FEET.

1174
00:49:54,833 --> 00:49:56,669
IT TOOK A WHILE.

1175
00:49:56,669 --> 00:50:00,923
YOU KNOW, SO I COMEUP HERE EVERY SUNDAY,

1176
00:50:00,964 --> 00:50:01,965
IT TA MILE HIGH,

1177
00:50:02,007 --> 00:50:03,509
ON THESE STEPS,

1178
00:50:03,551 --> 00:50:05,553
AND I COUNTMY BLESSINGS,

1179
00:50:05,594 --> 00:50:07,930
AND I WAIT.

1180
00:50:07,971 --> 00:50:11,349
DID YOU EVER THINK ABOUTGOING BACK TO NEW ORLEANS?

1181
00:50:11,349 --> 00:50:14,895
THIS IS WHEREI TOLD HER I'D BE,

1182
00:50:14,937 --> 00:50:16,980
AND I'M A MAN OF MY WORD.

1183
00:50:18,231 --> 00:50:19,858
YOU KNOW, WHAT IFSHE GOT ONE OF MY LETTERS,

1184
00:50:19,858 --> 00:50:21,860
WHAT IF SOMEHOW, ONE OF THEMGOT FORWARDED TO HER?

1185
00:50:21,902 --> 00:50:22,861
YOU KNOW, WHAT IFSHE GOT ONE OF MYYOU KNOW,

1186
00:50:22,861 --> 00:50:25,363
WHAT IF IT CAME LATE,LIKE THIS ONE?

1187
00:50:25,405 --> 00:50:29,827
WHAT IF SHE COMES,AND I'M GONE?

1188
00:50:31,203 --> 00:50:33,830
UH... GABE, UM...

1189
00:50:33,872 --> 00:50:35,916
THE TRUTH IS...

1190
00:50:39,211 --> 00:50:43,798
I'M NOT SURE HOWTO TELL YOU THIS, BUT...

1191
00:50:43,840 --> 00:50:46,593
THE TRUTH ABOUTHATTIE IS...

1192
00:50:49,095 --> 00:50:50,763
THE TRUTH IS,

1193
00:50:50,805 --> 00:50:53,850
EVERY LETTERTHAT COMES TO OUR OFFICE

1194
00:50:53,891 --> 00:50:55,935
IS A SACRED TRUST,

1195
00:50:55,977 --> 00:50:57,562
AND WE WILL NOT REST

1196
00:50:57,562 --> 00:51:01,733
UNTIL WE HAVE USEDEVERY MEANS AT OUR DISPOSAL

1197
00:51:01,774 --> 00:51:02,817
TO TRY AND DELIVER IT

1198
00:51:02,817 --> 00:51:06,403
TO ITS INTENDEDRECIPIENT, OR, UH...

1199
00:51:06,445 --> 00:51:08,197
OR WE'VE DETERMINEDTHE WHEREABOUTSRY AND DELIVER IT

1200
00:51:08,239 --> 00:51:09,574
OF THAT RECIPIENT.

1201
00:51:09,616 --> 00:51:12,159
WITH YOUR PERMISSION,OF COURSE.

1202
00:51:13,369 --> 00:51:15,329
YOU GOT IT.

1203
00:51:16,205 --> 00:51:18,249
I CAN'T PROMISE ANYTHING,

1204
00:51:18,290 --> 00:51:20,292
BUT THEN AGAIN, UH...

1205
00:51:20,334 --> 00:51:22,086
WE ARE A MILE HIGH,

1206
00:51:22,128 --> 00:51:24,255
SO ANYTHING IS POSSIBLE.

1207
00:51:24,255 --> 00:51:26,007
[♪]

1208
00:51:26,048 --> 00:51:27,508
GOOD AFTERNOON,MAY I SPEAK TO SOMEONE

1209
00:51:27,549 --> 00:51:29,593
REGARDINGDISASTER RELIEF PAYMENTS

1210
00:51:29,635 --> 00:51:32,429
TO VICTIMSOF HURRICANE KATRINA?

1211
00:51:32,429 --> 00:51:34,140
KATRINA.

1212
00:51:34,181 --> 00:51:35,974
TO VICTIMSOF HURRIYES. KATRINA?

1213
00:51:35,974 --> 00:51:38,143
WELL, MIGHT YOU BE ABLETO DIRECT ME

1214
00:51:38,185 --> 00:51:39,270
TO VICTIMSOTO SOMEONE WHO CAN??

1215
00:51:39,270 --> 00:51:43,399
NO, NO, SHE WAS LISTEDAS MISSING AND PRESUMED DEAD,

1216
00:51:43,440 --> 00:51:45,609
WE CANNOT FINDA DEATH CERTIFICATE RECORDED

1217
00:51:45,651 --> 00:51:47,569
WITH THE CLERKOF ORLEANS PARISH...

1218
00:51:47,611 --> 00:51:51,448
♪ WHEN I'M WITH YOUFEELS LIKE HEAVEN... ♪

1219
00:51:51,448 --> 00:51:56,787
♪ YOU'RE AN ANGELHOLDING ME ♪

1220
00:51:56,828 --> 00:52:03,251
♪ SWEET, SWEET LOVIN'SETS ME FREE... ♪

1221
00:52:04,920 --> 00:52:12,010
♪ AND IN MY WILDESTIMAGINATION ♪

1222
00:52:12,010 --> 00:52:17,182
♪ I COULD NEVERNEVER, NEVER IMAGINE ♪

1223
00:52:17,182 --> 00:52:24,314
♪ LOVING ME AS MUCHAS I DO YOU... ♪

1224
00:52:25,190 --> 00:52:28,193
♪ I SO, UH, STILLNEVER, NNO WORD FROM SHANE?

1225
00:52:28,193 --> 00:52:32,488
NOT UNTIL SHE'S RELEASEDFROM HER ASSIGNMENT.

1226
00:52:32,530 --> 00:52:34,865
♪ WHAT IF...STILLNEVER,MR. NATIONAL SECURITY

1227
00:52:34,907 --> 00:52:36,742
ISN'T INTERESTEDIN RELEASING HER?

1228
00:52:36,784 --> 00:52:38,160
WELL, CONSIDERINGOUR LAST DATE,

1229
00:52:38,160 --> 00:52:39,995
I BELIEVE,IF SHE COULD COME BACK,

1230
00:52:40,037 --> 00:52:41,747
SHE WOULD.

1231
00:52:41,789 --> 00:52:43,373
YOU KNOW, SON,

1232
00:52:43,415 --> 00:52:46,669
ONE KISS DOESN'TMAKE A CONTRACT.

1233
00:52:47,587 --> 00:52:50,172
BUT, HEY, WHAT DO I KNOW?

1234
00:52:50,172 --> 00:52:51,674
KATE AND I BROKE UP.

1235
00:52:51,674 --> 00:52:53,675
OH, NO.

1236
00:52:53,675 --> 00:52:55,010
KI'M SORRY.BROKE UP.

1237
00:52:55,052 --> 00:52:58,347
SHE TOOK UP WITHTHE FERTILIZER SALESMAN,

1238
00:52:58,347 --> 00:53:00,265
MOVED TO DURANGO.

1239
00:53:00,265 --> 00:53:05,354
THERE IS...NO ACCOUNTING FOR TASTE.

1240
00:53:05,395 --> 00:53:07,022
[CHUCKLING]O DURANGO.

1241
00:53:07,064 --> 00:53:08,273
OR WHATEVER.

1242
00:53:08,315 --> 00:53:10,359
[LAUGHING]

1243
00:53:10,359 --> 00:53:11,776
[♪]

1244
00:53:11,776 --> 00:53:13,237
RIGHT THERE.YOU SEE THAT?

1245
00:53:16,865 --> 00:53:18,283
[EXPLOSION RUMBLES]

1246
00:53:18,325 --> 00:53:21,119
[WARNING SIRENS WAIL]

1247
00:53:22,996 --> 00:53:26,249
[♪]

1248
00:53:29,711 --> 00:53:31,087
YES, HELLO.MY NAME IS OLIVER--

1249
00:53:31,129 --> 00:53:32,672
DUE TO THE HIGH VOLUME OF CALLS AT THE PRESENT TIME,

1250
00:53:32,672 --> 00:53:35,842
YOUR WAITING TIME IS APPROXIMATELY 26 MINUTES.

1251
00:53:35,884 --> 00:53:36,885
DUE TO THE HIGH VOLUME OF  THANK YOU FOR HOLDING.ME,

1252
00:53:36,926 --> 00:53:38,094
DUE TO THE HIGH VOLUME OF CALLS--

1253
00:53:41,765 --> 00:53:44,893
♪ WELL, IT MAY BE WINTER ♪

1254
00:53:44,893 --> 00:53:47,770
♪ IT MAY BE FALL ♪

1255
00:53:47,812 --> 00:53:50,857
♪ AND I MIGHT HAVE PLENTY ♪

1256
00:53:50,857 --> 00:53:53,817
♪ OR NOTHING AT ALL ♪

1257
00:53:53,859 --> 00:53:56,945
♪ BABY, I'M GONNA BE THERE ♪

1258
00:53:56,988 --> 00:53:59,407
♪ WHENEVER YOU CALL ♪

1259
00:53:59,407 --> 00:54:01,950
[♪]

1260
00:54:01,992 --> 00:54:06,079
♪ AND EVERY MORNING ♪

1261
00:54:06,079 --> 00:54:09,792
♪ EVERY EVENING ♪

1262
00:54:09,833 --> 00:54:13,421
♪ EVERY DAY I THINK OF YOU ♪

1263
00:54:13,421 --> 00:54:15,589
[♪]

1264
00:54:15,589 --> 00:54:20,093
♪ THE WAY YOU LOVED ME♪ EVTHROUGH AND THROUGH ♪U ♪

1265
00:54:20,093 --> 00:54:23,681
[♪]

1266
00:54:23,681 --> 00:54:25,473
♪ THE WAY YOU LOVED ME... ♪

1267
00:54:25,515 --> 00:54:26,474
LET US TOAST

1268
00:54:26,474 --> 00:54:28,185
NEXT SATURDAY'SBLUES NIGHT HEADLINER,

1269
00:54:28,226 --> 00:54:32,314
THE MAILBOX GRILLE PRESENTSTHE 5280 MAN HIMSELF.

1270
00:54:33,481 --> 00:54:35,275
TO GABRIEL.

1271
00:54:35,275 --> 00:54:36,109
TO GABE.

1272
00:54:36,109 --> 00:54:38,195
[EVERYONE]: TO GABE.

1273
00:54:40,405 --> 00:54:42,074
YOU GUYS STILLTO GABE.LOOKING FOR HATTIE?

1274
00:54:42,074 --> 00:54:43,700
WE'VE LOOKED EVERYWHERE.

1275
00:54:43,741 --> 00:54:45,994
VOLUNTEERS OF AMERICA,TO GABE.THE AMERICAN RED CROSS,

1276
00:54:46,036 --> 00:54:48,621
THE FEDERALEMERGENCY AGENCY.

1277
00:54:48,621 --> 00:54:49,664
IT'S VERY FRUSTRATING,

1278
00:54:49,706 --> 00:54:51,458
ESPECIALLY SINCE WE DON'TEVEN KNOW IF SHE'S ALIVE.

1279
00:54:51,458 --> 00:54:53,501
"PRESUMED DEAD"IS ONLY A PRESUMPTION.

1280
00:54:53,543 --> 00:54:55,837
NOBODY KNOWS EXACTLY HOW MANYWERE LOST IN KATRINA,

1281
00:54:55,878 --> 00:54:58,756
OR EVEN WHEREALL THE SURVIVORS ENDED UP.

1282
00:54:58,798 --> 00:55:01,343
SHANE WOULD HAVE FOUND A WAY.

1283
00:55:03,511 --> 00:55:04,804
YOU KNOW, I'M STARTINGTO FEEL REALLY GUILTY

1284
00:55:04,846 --> 00:55:06,514
ABOUT NOT TELLING GABEWHAT WE KNOW ABOUT HATTIE.

1285
00:55:06,556 --> 00:55:07,974
BUT YOU DON'T KNOWANYTHING, RIGHT?

1286
00:55:08,015 --> 00:55:11,018
PERHAPS IT'S TIMEWE TOLD HIM THAT.

1287
00:55:11,060 --> 00:55:12,687
NO MAN SHOULDHAVE TO WAIT FOREVER

1288
00:55:12,729 --> 00:55:14,856
FOR SOMEONEWHO'S NEVER GOING TO COME.

1289
00:55:21,445 --> 00:55:24,115
UH, EXCUSE ME, I'M OUT.SORRY.

1290
00:55:29,453 --> 00:55:31,872
I'M OUT, TOO.

1291
00:55:44,635 --> 00:55:47,513
[SIGHS HEAVILY]

1292
00:55:52,726 --> 00:55:54,978
I HAVEA CONFESSION TO MAKE,

1293
00:55:55,020 --> 00:55:56,396
AND YOU CANFIRE ME FOR IT,

1294
00:55:56,438 --> 00:55:58,231
AND I'LL UNDERSTAND.

1295
00:55:58,273 --> 00:56:00,275
WHAT ARE YOUTALKING ABOUT, NORMAN?

1296
00:56:02,193 --> 00:56:05,405
I'M NOT VERY GOODAT KEEPING SECRETS.

1297
00:56:05,446 --> 00:56:07,699
THE BAD ONES HURT MY HEART.

1298
00:56:07,699 --> 00:56:09,492
SO...

1299
00:56:09,534 --> 00:56:11,953
THE A FEW SUNDAYS AGO,EART.

1300
00:56:11,995 --> 00:56:13,955
I WENT TO THE CAPITOL STEPSTO SEE GABE, AND--

1301
00:56:13,955 --> 00:56:15,832
AND YOU TOLD HIM ABOUT HATTIE?

1302
00:56:15,832 --> 00:56:16,917
I DIDN'TT TO THE CAPITOL STEPSHAVE TO TELL HIM.E, AND--

1303
00:56:16,958 --> 00:56:18,877
HE KINDA FIGURED IT OUTWHEN HE SAW MY FACE.OUT HATTIE?

1304
00:56:18,877 --> 00:56:19,794
NORMAN...

1305
00:56:19,835 --> 00:56:22,213
HE SAID THATURED IT OUTDEEP DOWN INSIDE,CE.OUT HATTIE?

1306
00:56:22,213 --> 00:56:23,214
HE ALWAYS SUSPECTED

1307
00:56:23,256 --> 00:56:25,550
THAT IF HATTIE'S CLUB WAS GONE,

1308
00:56:25,550 --> 00:56:28,261
THAT PROBABLY MEANTSHE WAS, TOO.

1309
00:56:28,261 --> 00:56:31,389
BUT THAT WASN'T GOINGTO STOP HIM FROM...

1310
00:56:31,389 --> 00:56:35,059
"KEEPING THE FAITH,"HE CALLED IT.

1311
00:56:35,059 --> 00:56:37,061
AND WHEN I LEFT,HE PICKED UP HIS GUITAR,

1312
00:56:37,102 --> 00:56:40,690
AND HE STARTEDSINGING AGAIN.

1313
00:56:42,483 --> 00:56:46,904
YOU DO KNOW,THE DEFINITION OF INSANITY

1314
00:56:46,904 --> 00:56:49,657
IS DOING THE SAME THINGOVER AND OVER AGAIN

1315
00:56:49,657 --> 00:56:53,410
AND EXPECTINGA DIFFERENT OUTCOME?

1316
00:56:53,452 --> 00:56:55,495
IS DOING THE SAME THINGOVERLIKE...ER AGAIN

1317
00:56:55,537 --> 00:56:58,874
WAITING FOR YOUR MOTHERTO COME BACK,

1318
00:56:58,916 --> 00:57:00,417
AND WAITINGFOR YOUR WIFE TO COME BACK,

1319
00:57:00,417 --> 00:57:02,294
AND...

1320
00:57:02,336 --> 00:57:05,089
AND WAITINGWAITING FOR SHANE TO COME BACK?

1321
00:57:09,676 --> 00:57:12,137
MAYBE STANDINGON THOSE STEPS IS INSANE.

1322
00:57:12,179 --> 00:57:14,139
MAYBE IT'S THE ONLY WAYTHAT GABE KNOWS

1323
00:57:14,181 --> 00:57:17,559
HOW TO KEEP HATTIE ALIVE.

1324
00:57:17,601 --> 00:57:19,769
ALL I KNOW IS,

1325
00:57:19,769 --> 00:57:21,020
WHEN I WALKED AWAY,

1326
00:57:21,062 --> 00:57:22,481
HE WAS ALREADYSINGING A NEW SONG,

1327
00:57:22,522 --> 00:57:23,940
AND IT HIT ME.

1328
00:57:27,026 --> 00:57:28,570
WHAT?

1329
00:57:28,612 --> 00:57:31,030
WELL, YOU AND I, OLIVER,

1330
00:57:31,072 --> 00:57:35,869
WE HAVE A LOT MORE TO HOPE FORTHAN GABE DOES NOW,

1331
00:57:35,869 --> 00:57:38,037
BUT HE'S THE ONEOUT THERE SINGING.

1332
00:57:47,463 --> 00:57:49,382
WE HAVE A LOT MORE TO HOPE FORTHAN GABE DO[SIGHS]

1333
00:57:50,466 --> 00:57:53,136
I DON'T KNOW WHAT TO DO.

1334
00:57:58,724 --> 00:58:00,934
WELL, I KNOW WHAT I'M GONNA DO.

1335
00:58:01,852 --> 00:58:03,812
CAN YOU KEEP A SECRET?

1336
00:58:03,812 --> 00:58:06,107
A GOOD ONE?

1337
00:58:12,488 --> 00:58:15,741
CAN YOU KEEP A[♪]CRET?

1338
00:58:15,741 --> 00:58:18,869
♪ I'M LOOKING OUT MY WINDOW ♪

1339
00:58:18,911 --> 00:58:21,539
CAN Y♪ FEELIN' KINDA BLUE ♪

1340
00:58:21,580 --> 00:58:23,916
♪ I AIN'T HEARD FROM MY BABY ♪

1341
00:58:23,957 --> 00:58:26,877
♪ DID SHE FIND SOMEBODY NEW? ♪

1342
00:58:26,919 --> 00:58:29,004
♪ SO I CALLED UP HER NUMBER ♪

1343
00:58:29,046 --> 00:58:33,300
♪ BUT HER NUMBERHAD CHANGED... ♪

1344
00:58:33,341 --> 00:58:35,928
HI. I'M OLIVER O'TOOLETO SEE STEVE MAREK.

1345
00:58:35,928 --> 00:58:37,470
♪ AND I SCREAMED OUT HER NAME ♪

1346
00:58:37,470 --> 00:58:38,972
HI. I'M OLIVER O'TOOLE♪ AND I SAID "HEY" ♪

1347
00:58:39,014 --> 00:58:43,143
♪♪ "HEY, HEY, HEY, OH, MY... ♪♪

1348
00:58:43,185 --> 00:58:44,686
HE'S OUT OF THE COUNTRY.

1349
00:58:44,686 --> 00:58:47,564
THANK YOU.

1350
00:58:49,524 --> 00:58:50,984
HE'S OLIVER!THE COUNTRY.

1351
00:58:55,072 --> 00:58:57,407
I WAS TOLDYOU WERE OUT OF THE COUNTRY.

1352
00:58:57,407 --> 00:58:59,492
WHEN YOU SHOW UPWITHOUT AN APPOINTMENT,

1353
00:58:59,492 --> 00:59:00,827
I WAS TOLDYOUI'M OUT OF THE COUNTRY.Y.

1354
00:59:02,370 --> 00:59:03,413
WHEN YOU SHOW UPWITHWHERE IS SHANE?ENT,

1355
00:59:03,455 --> 00:59:04,831
SHE'S OUT OF THE COUNTRY.

1356
00:59:06,791 --> 00:59:08,376
YOU TOLD ME YOU WOULDKEEP HER SAFE.

1357
00:59:08,418 --> 00:59:09,377
SHE'S SAFE.

1358
00:59:09,377 --> 00:59:10,336
HOW DO YOU KNOW,

1359
00:59:10,378 --> 00:59:12,714
IF SHE'S OUT OF THE COUNTRY?

1360
00:59:12,755 --> 00:59:13,881
OR YOU ARE.

1361
00:59:13,923 --> 00:59:16,008
WHO EXACTLY ISIN THE COUNTRY RIGHT NOW?

1362
00:59:16,050 --> 00:59:17,885
OKAY, LOOK--

1363
00:59:17,885 --> 00:59:19,220
MR. MAREK...

1364
00:59:19,220 --> 00:59:20,346
I HAVE AN EMPLOYEE

1365
00:59:20,387 --> 00:59:23,099
WHO HASN'T REPORTEDTO WORK FOR THREE MONTHS

1366
00:59:23,140 --> 00:59:26,560
WITH NO PAPERWORKTO SUPPORT HER ABSENCE.

1367
00:59:26,602 --> 00:59:29,146
UNLESS YOU CAN PROVIDECOMPELLING REASONS

1368
00:59:29,188 --> 00:59:30,106
TO THE CONTRARY,

1369
00:59:30,147 --> 00:59:31,398
I WOULD LIKEMY EMPLOYEE BACK NOW.

1370
00:59:31,398 --> 00:59:33,150
YOU CAN'T HAVE HER BACK,SHE'S CRITICAL TO THE MISSION.

1371
00:59:33,192 --> 00:59:34,735
I WOULD LIKEOH, I'LL BET SHE IS..

1372
00:59:34,735 --> 00:59:36,988
LISTEN, OLIVER,I UNDERSTAND YOUR SITUATION--

1373
00:59:37,029 --> 00:59:38,030
NO, YOU DON'T.

1374
00:59:40,407 --> 00:59:43,744
AND THAT SITUATIONHAS CHANGED.

1375
00:59:59,342 --> 01:00:01,094
WE WEREOUT OF THE COUNTRY.

1376
01:00:01,094 --> 01:00:03,639
WE HAD TO TURN INOUR LAPTOPS,

1377
01:00:03,680 --> 01:00:05,098
AND TABLETS,AND PHONES.

1378
01:00:05,140 --> 01:00:06,141
WE COULDN'TCARRY ANYTHING

1379
01:00:06,182 --> 01:00:07,267
THAT COULD BETRACKED, OR HACKED,

1380
01:00:07,267 --> 01:00:09,102
OR COMPROMISED.

1381
01:00:09,102 --> 01:00:10,812
THAT COULD BETRACTHERE ARE MEANS

1382
01:00:10,854 --> 01:00:13,857
BY WHICH YOU COULDHAVE CONTACTED US.

1383
01:00:13,857 --> 01:00:16,359
WHILE STILLMAINTAINING PRIVACY.

1384
01:00:16,401 --> 01:00:17,443
BY WHICA POSTCARD.HAVE COA LETTER.S.

1385
01:00:17,443 --> 01:00:18,361
A BURNER PHONE--

1386
01:00:18,403 --> 01:00:19,279
THE POINT IS THAT

1387
01:00:19,320 --> 01:00:21,239
I STILL WOULD HAVEBEEN BREAKING THE RULES,

1388
01:00:21,281 --> 01:00:22,657
AND YOU, OF ALL PEOPLE,SHOULD--

1389
01:00:22,698 --> 01:00:26,327
WAIT, HOW DO YOU KNOWABOUT BURNER PHONES?

1390
01:00:26,369 --> 01:00:29,872
SOMETIMES, WE WATCHACTION MOVIES

1391
01:00:29,914 --> 01:00:31,291
ON POKER NIGHT.

1392
01:00:31,291 --> 01:00:33,126
POKER NIGHT?

1393
01:00:33,126 --> 01:00:34,960
ACTION--WHO'S "WE"?

1394
01:00:34,960 --> 01:00:36,129
POKER NIGHT?NORMAN, RITA,

1395
01:00:36,171 --> 01:00:37,922
MY DAD,

1396
01:00:37,963 --> 01:00:39,340
RAMON.

1397
01:00:39,340 --> 01:00:43,260
[LAUGHS] I WOULD GIVEANYTHING TO SEE THAT.

1398
01:00:43,303 --> 01:00:44,929
APPARENTLY NOT.

1399
01:00:48,641 --> 01:00:49,809
OLIVER,

1400
01:00:49,850 --> 01:00:53,187
WHAT I AM DOING HERERIGHT NOW

1401
01:00:53,228 --> 01:00:55,105
IS REALLY IMPORTANT.

1402
01:00:55,147 --> 01:00:57,650
AND THERE'S STILL WORKTHAT NEEDS TO BE DONE.

1403
01:00:57,650 --> 01:00:58,651
ARE YOU SURE?

1404
01:00:58,693 --> 01:01:00,444
THAT'S WHAT STEVE SAYS.

1405
01:01:00,444 --> 01:01:03,655
WELL, THENIT MUST BE TRUE.

1406
01:01:05,991 --> 01:01:06,909
DO YOU REALLY THINKAYS.

1407
01:01:06,951 --> 01:01:08,243
THAT IF I COULDGO BACK TO DENVER,

1408
01:01:08,243 --> 01:01:11,538
I WOULD SPENDONE MORE MINUTE HERE?

1409
01:01:11,580 --> 01:01:13,540
THAT IF I I DON'T KNOWGO BACK TOABOUT HAVING A CHANCE,

1410
01:01:13,582 --> 01:01:17,836
BUT I KNOWYOU HAVE A CHOICE.

1411
01:01:21,256 --> 01:01:23,175
CAN WE CHANGETHE SUBJECT, PLEASE?

1412
01:01:23,217 --> 01:01:25,177
[SIGHS]

1413
01:01:26,178 --> 01:01:29,013
DID YOU FIND GABE?

1414
01:01:29,013 --> 01:01:30,265
I PROMISED I WOULD,

1415
01:01:30,307 --> 01:01:31,600
AND WE DID.

1416
01:01:31,641 --> 01:01:32,517
THAT'S GREAT,

1417
01:01:32,517 --> 01:01:34,185
BECAUSE I HAVE NEWSABOUT HATTIE.

1418
01:01:34,227 --> 01:01:36,521
I COULDN'T STOPTHINKING ABOUT HER,

1419
01:01:36,563 --> 01:01:38,189
SO EVERY CHANCE I HAD,

1420
01:01:38,189 --> 01:01:40,609
I WOULD RUN A NEW SEARCHFOR OLD TAX RECORDS,

1421
01:01:40,650 --> 01:01:42,026
OR OLD EMPLOYMENT RECORDS,

1422
01:01:42,026 --> 01:01:44,863
ANYTHING THATI COULD THINK OF, REALLY, AND...

1423
01:01:44,863 --> 01:01:46,823
I FOUND SOMETHING.

1424
01:01:46,865 --> 01:01:47,741
AND...?

1425
01:01:47,782 --> 01:01:49,701
I THINK SHE'S ALIVE.

1426
01:01:49,701 --> 01:01:50,827
AN A.G. HATFIELD

1427
01:01:50,869 --> 01:01:52,620
SPENT THREE DAYSITRAPPED IN THE SUPERDOME,

1428
01:01:52,661 --> 01:01:53,955
AND THENEVACUATED TO HOUSTON,

1429
01:01:53,997 --> 01:01:55,248
WHICH IS PROBABLY WHY

1430
01:01:55,289 --> 01:01:57,000
SHE DROPPED OFF THE ROLLSIN LOUISIANA.

1431
01:01:57,000 --> 01:01:58,626
NOW, FROM WHAT I CAN TELL,

1432
01:01:58,667 --> 01:02:00,378
SHE DROPPED OFF THE ROLLSIF IT IS HER,

1433
01:02:00,378 --> 01:02:03,131
IT SEEMS THAT SHE STARTEDOVER AGAIN IN AUSTIN.

1434
01:02:04,673 --> 01:02:06,467
SHE DROPPEDI ONLY HAVELLSIF ITA STREET ADDRESS,

1435
01:02:06,509 --> 01:02:08,719
BUT NO NUMBER.

1436
01:02:08,719 --> 01:02:12,181
I WAS GONNA FOLLOW UPWHEN THIS WAS ALL OVER,

1437
01:02:12,223 --> 01:02:15,643
BUT NOW THAT YOU'RE HERE...R.

1438
01:02:18,061 --> 01:02:21,857
I HOPE SHE WASWORTH WAITING FOR.

1439
01:02:23,567 --> 01:02:26,445
SO DO I.

1440
01:02:32,951 --> 01:02:34,494
[CELL PHONE RINGTONE CHIMES]

1441
01:02:40,083 --> 01:02:41,168
NO CELLPHONES,

1442
01:02:41,209 --> 01:02:43,921
NO CONTACT, HMM.

1443
01:02:43,921 --> 01:02:46,423
OLIVER, IT'SA DEDICATED PHONE JUST FOR...

1444
01:02:46,423 --> 01:02:47,465
NO I'M SORRY.MM.

1445
01:02:53,513 --> 01:02:56,433
I HAVE TO GET BACK.

1446
01:02:56,474 --> 01:02:57,600
OF COURSE.

1447
01:02:57,600 --> 01:02:59,727
YOU HAVE NO CHOICE.

1448
01:02:59,769 --> 01:03:01,688
OLIVER...

1449
01:03:01,688 --> 01:03:03,773
I WOULD LIKEMY PEN BACK, PLEASE.

1450
01:03:05,942 --> 01:03:06,984
OLIVER...OF COURSE.

1451
01:03:07,026 --> 01:03:08,445
I MEAN, I WAS GOINGTO GIVE IT BACK

1452
01:03:08,445 --> 01:03:09,404
WHEN I CAME--

1453
01:03:09,446 --> 01:03:12,073
GOODBYE, MS. MCINERNEY.

1454
01:03:19,288 --> 01:03:21,165
WHAT WOULD YOU SAY

1455
01:03:21,165 --> 01:03:23,543
IF I HAD A FRIEND,HERE IN WASHINGTON,

1456
01:03:23,585 --> 01:03:24,669
A HIGHLY-PLACED OFFICIAL

1457
01:03:24,711 --> 01:03:27,338
WITH THE USPS DIVISIONOF CYBER SECURITY

1458
01:03:27,379 --> 01:03:30,967
WHO INFORMED ME THAT THE CRISISWHICH OCCURRED THREE MONTHS AGO

1459
01:03:30,967 --> 01:03:33,010
WAS RESOLVEDOVER THREE WEEKS AGO,

1460
01:03:33,052 --> 01:03:34,220
AND THAT THE RELEASE

1461
01:03:34,220 --> 01:03:37,306
OF ALL EMERGENCYCONSULTING ASSETS,

1462
01:03:37,306 --> 01:03:38,975
AND THATSUCH AS YOURSELF

1463
01:03:39,016 --> 01:03:43,562
WAS AT THE SOLE DISCRETIONOF YOUR TEAM LEADER?

1464
01:03:44,521 --> 01:03:49,401
IF THAT WERE TRUE,STEVE WOULD LET ME GO HOME.

1465
01:03:49,443 --> 01:03:50,694
WHY WOULD A MAN

1466
01:03:50,694 --> 01:03:54,240
WHO OBVIOUSLY CARESSO MUCH ABOUT YOU

1467
01:03:54,240 --> 01:03:57,284
LET YOU GOIF HE DIDN'T HAVE TO?

1468
01:03:58,910 --> 01:04:03,874
WI ASK MYSELF THATSSOALL THE TIME.OU

1469
01:04:07,210 --> 01:04:11,673
I MADE THAT PART UP,

1470
01:04:11,715 --> 01:04:13,675
ABOUT THE HIGHLY-PLACEDOFFICIAL.

1471
01:04:13,675 --> 01:04:15,593
I KNOW.

1472
01:04:18,638 --> 01:04:21,808
IT WAS A PRETTY GOODBLUFF, THOUGH.

1473
01:04:21,850 --> 01:04:23,852
I LEARNED IT PLAYING POKER.

1474
01:04:23,852 --> 01:04:24,936
[CHUCKLES]

1475
01:04:27,313 --> 01:04:30,483
BUT I CAN'T LIE TO YOU.

1476
01:04:32,068 --> 01:04:34,195
I KNOW.

1477
01:04:36,156 --> 01:04:39,284
I'M JUST WONDERINGIF STEVE CAN.

1478
01:04:52,672 --> 01:04:54,507
TELL ME THE TRUTH.

1479
01:04:54,549 --> 01:04:57,217
AM I HERE BECAUSE YOU NEED ME,OR BECAUSE YOU WANT ME?

1480
01:04:57,217 --> 01:04:58,761
WHAT KIND OF A GUYFLIES ALL THE WAY DOWN HERE,

1481
01:04:58,803 --> 01:05:00,555
AND THEN LEAVES WITHOUTGETTING WHAT HE CAME FOR?

1482
01:05:00,555 --> 01:05:03,849
THE KIND OF MAN THAT LETS MEMAKE UP MY OWN MIND,

1483
01:05:03,891 --> 01:05:06,894
ANBUT I CAN'T DO THATUTUNLESS I HAVE ALL THE FACTS.

1484
01:05:06,894 --> 01:05:08,312
OKAY.

1485
01:05:08,353 --> 01:05:09,897
ANBUT I CAN'T DO THATUTUNLESTHE CRISIS IS OVER.CTS.

1486
01:05:09,939 --> 01:05:12,232
I COULD SHUT DOWNYOUR PART OF THE OPERATION,

1487
01:05:12,232 --> 01:05:14,734
BUT I DON'T WANT TO.

1488
01:05:14,776 --> 01:05:18,030
FOR SECURITY REASONSAND FOR PERSONAL REASONS.

1489
01:05:19,489 --> 01:05:20,865
WHAT?

1490
01:05:20,907 --> 01:05:22,367
DO YOU REALLY THINK

1491
01:05:22,409 --> 01:05:24,036
THAT DELIVERING OLD LETTERS

1492
01:05:24,078 --> 01:05:27,164
IS AS IMPORTANT AS SOMEOF THE WORLD-CHANGING STUFF

1493
01:05:27,206 --> 01:05:29,374
THAT WE DO HERE EVERY DAY?

1494
01:05:29,416 --> 01:05:30,959
ARE YOU REALLYTELLING ME

1495
01:05:31,000 --> 01:05:32,294
YOU WANT TO THROWALL THAT AWAY

1496
01:05:32,336 --> 01:05:35,046
FOR A SQUEAKY PORCH SWINGIN DENVER?

1497
01:05:37,424 --> 01:05:38,967
[SIGHS HEAVILY]

1498
01:05:39,008 --> 01:05:40,760
YOU WANNA KNOWTHE TRUTH?

1499
01:05:40,802 --> 01:05:41,886
PLEASE.

1500
01:05:47,391 --> 01:05:50,228
I'M STILL IN LOVE WITH YOU.

1501
01:06:00,071 --> 01:06:01,906
WELCOME TO TEXAS.

1502
01:06:09,288 --> 01:06:11,457
PARDON ME, IS THIS, UH, HATTIE'SPLACE?

1503
01:06:11,457 --> 01:06:13,167
WELL, THAT DEPENDS.

1504
01:06:13,209 --> 01:06:15,294
I'M HATTIE,AND THIS IS MY PLACE.

1505
01:06:15,336 --> 01:06:16,545
[SIGHS]

1506
01:06:16,587 --> 01:06:17,630
I'M OLIVER O'TOOLE,

1507
01:06:17,630 --> 01:06:19,757
AND I'M FROM THE UNITED STATESPOSTAL SERVICE,

1508
01:06:19,798 --> 01:06:21,509
AND I HAVE A LETTER FOR YOU

1509
01:06:21,550 --> 01:06:24,011
THAT'S TAKENA LONG TIME TO DELIVER,

1510
01:06:24,052 --> 01:06:26,138
I'M AFRAID.

1511
01:06:27,014 --> 01:06:28,056
I HOPEYOU REMEMBER HIM,

1512
01:06:28,098 --> 01:06:29,975
BECAUSE HE CERTAINLYREMEMBERS YOU.

1513
01:06:30,017 --> 01:06:32,352
OH, MY LORD.

1514
01:06:32,394 --> 01:06:34,146
NOW...

1515
01:06:34,187 --> 01:06:36,899
ARE YOU TELLING MEHE'S STILL ALIVE?

1516
01:06:39,777 --> 01:06:43,280
[♪]

1517
01:06:44,531 --> 01:06:49,036
♪ IF YOUR PROBLEMSWON'T GO AWAY ♪

1518
01:06:49,036 --> 01:06:53,790
♪ AND YOU'RE WORRIEDNIGHT AND DAY ♪

1519
01:06:53,831 --> 01:06:56,876
♪ IF YOUR PROBLEMS♪ HAND IT OVER ♪

1520
01:06:56,919 --> 01:06:59,504
♪ GET ON YOUR KNEESAND PRAY... ♪

1521
01:06:59,504 --> 01:07:01,256
[♪]

1522
01:07:02,549 --> 01:07:04,217
ARE YOU OKAY, NORMAN?

1523
01:07:04,259 --> 01:07:06,719
UH, OLIVER SHOULDBE HERE BY NOW.

1524
01:07:06,719 --> 01:07:08,471
WELL, HE SAID HE WASBRINGING US A SURPRISE,

1525
01:07:08,513 --> 01:07:10,056
UH, OLIVER SHOULDAND IT'S GOT TO BE SHANE, NOW.

1526
01:07:10,056 --> 01:07:12,809
AND YOU KNOW HOWSOMETIMES SHE CAN BE LATE.

1527
01:07:14,519 --> 01:07:16,103
UH, OLIVER SHOULDAND IOH, LOOK, THERE HE IS!OW.

1528
01:07:17,689 --> 01:07:19,231
OH, AND THERE'S, UH...

1529
01:07:19,273 --> 01:07:21,609
SOMEBODYTHAT'S NOT SHANE.

1530
01:07:21,609 --> 01:07:23,360
WELL, THAT ISA SURPRISE.

1531
01:07:23,360 --> 01:07:26,113
SOMEBODY♪ HAND IT OVER ♪T SHANE.

1532
01:07:26,155 --> 01:07:28,490
♪ GIVE IT UPWELL, THAT ISGIVE IT OVER ♪A SURPRISE.

1533
01:07:28,532 --> 01:07:31,577
♪ HAND IT OVER ♪

1534
01:07:31,619 --> 01:07:34,956
♪ GET ON YOUR KNEESAND PRAY... ♪

1535
01:07:38,542 --> 01:07:43,380
♪ AIN'T NO MOUNTAINYOU CAN'T CLIMB ♪

1536
01:07:43,380 --> 01:07:46,467
♪ NO ANSWERTHAT YOU CAN'T FIND ♪

1537
01:07:46,508 --> 01:07:47,718
[HATTIE SINGING ALONG]♪ ...YOU CAN'T FIND ♪

1538
01:07:47,718 --> 01:07:50,762
♪ ALL YOU NEEDIS A HAND TO HOLD ♪

1539
01:07:50,804 --> 01:07:51,805
♪ ...IS A HAND TO HOLD ♪

1540
01:07:51,847 --> 01:07:53,224
♪ IT'LL HEALYOUR BODY ♪

1541
01:07:53,224 --> 01:07:54,225
♪ HEAL YOUR BODY ♪

1542
01:07:54,225 --> 01:07:55,184
♪ IT'LL HEAL♪ FEED YOUR SOUL ♪

1543
01:07:55,226 --> 01:07:56,352
♪ FEED YOUR SOUL! ♪

1544
01:08:05,569 --> 01:08:07,529
HATTIE?

1545
01:08:08,655 --> 01:08:09,948
YEAH.

1546
01:08:16,371 --> 01:08:22,085
[♪]

1547
01:08:22,127 --> 01:08:23,795
I KNEW YOU WERE COMING.

1548
01:08:29,550 --> 01:08:30,343
[LAUGHING IN DELIGHT]

1549
01:08:30,343 --> 01:08:31,928
-COME SING WITH ME.-WHAT?

1550
01:08:31,928 --> 01:08:33,972
COME SING WITH ME. DELIGHT]

1551
01:08:34,014 --> 01:08:36,099
-COMWE THOUGHTH ME.THE SURPRISE WAS SHANE,

1552
01:08:36,099 --> 01:08:40,270
BUT THIS IS...ALMOST AS GOOD.

1553
01:08:40,311 --> 01:08:41,771
ALMOST.

1554
01:08:41,771 --> 01:08:44,565
[HATTIE AND GABESINGING TOGETHER]

1555
01:08:44,607 --> 01:08:46,526
♪ HAND IT OVER ♪

1556
01:08:46,567 --> 01:08:47,443
♪ HAND IT OVER ♪

1557
01:08:47,443 --> 01:08:48,569
♪ HAND IT OVER ♪

1558
01:08:48,611 --> 01:08:49,654
♪ HAND IT OVER... ♪

1559
01:08:49,695 --> 01:08:52,114
♪ GIVE IT UPGIVE IT OVER ♪

1560
01:08:52,156 --> 01:08:53,408
♪ GIVE IT OVER... ♪

1561
01:08:53,449 --> 01:08:54,617
♪ HAND IT OVER ♪

1562
01:08:54,617 --> 01:08:55,785
♪ HAND IT OVER ♪

1563
01:08:55,785 --> 01:08:58,287
♪ GET ON YOUR KNEES♪ HAND IT AND PRAY... ♪

1564
01:08:58,287 --> 01:08:59,246
THAT'S IT?

1565
01:08:59,246 --> 01:09:01,957
SHE JUSTGAVE YOU YOUR PEN,

1566
01:09:01,999 --> 01:09:02,875
YOU LEFT,T?

1567
01:09:02,917 --> 01:09:05,210
AND SHE WENTBACK TO STEVE?

1568
01:09:05,210 --> 01:09:06,336
WELL, IT COULD HAVEBEEN WORSE.

1569
01:09:06,378 --> 01:09:08,338
AND SHE WEHE COULD HAVE BEENBACK TO STA FERTILIZER SALESMAN.

1570
01:09:08,380 --> 01:09:11,133
OH, I THINK,IN A WAY, HE IS.

1571
01:09:11,133 --> 01:09:13,052
[CHUCKLING]

1572
01:09:14,469 --> 01:09:16,013
OH, I THINK,IN A WAYYOU NEED A RIDE?

1573
01:09:16,013 --> 01:09:16,931
NO.

1574
01:09:16,972 --> 01:09:20,600
OH, I THINK,IN I THINK I'LL WALK A LITTLE.

1575
01:09:20,642 --> 01:09:21,560
WELL, BE CAREFUL.

1576
01:09:21,601 --> 01:09:23,562
STAY ON THE MAIN STREETS.

1577
01:09:23,603 --> 01:09:24,479
I KNOW, DAD...

1578
01:09:24,479 --> 01:09:25,355
I KNOW YOU KNOW,

1579
01:09:25,397 --> 01:09:26,356
BUT YOU'RE STILLMY KID.

1580
01:09:26,398 --> 01:09:29,943
I JUST DON'T WANTTO SEE YOU GET HURT.

1581
01:09:31,153 --> 01:09:33,155
AND WHAT ABOUT YOU, HMM?

1582
01:09:33,155 --> 01:09:35,240
YOU HEARD THE SONG.

1583
01:09:35,282 --> 01:09:36,741
"HAND IT OVER."

1584
01:09:36,783 --> 01:09:37,784
[CHUCKLING]

1585
01:09:37,826 --> 01:09:40,245
DAD?

1586
01:09:43,289 --> 01:09:45,667
I LOVE YOU.

1587
01:09:47,210 --> 01:09:48,753
I LOVE YOU, TOO.

1588
01:09:57,971 --> 01:09:59,388
A TRIUMPHANTNIGHT, NO?

1589
01:09:59,430 --> 01:10:02,391
AND IT'S NOT OVER.

1590
01:10:02,433 --> 01:10:04,853
AH, YES, THE FINALE.

1591
01:10:06,896 --> 01:10:08,898
YOU ARE LEAVING?

1592
01:10:10,399 --> 01:10:12,193
HE'LL DO JUST FINE.

1593
01:10:25,539 --> 01:10:27,666
YOU READY TO GO?

1594
01:10:27,708 --> 01:10:29,627
UM...

1595
01:10:29,627 --> 01:10:31,962
YOU REMEMBERTHE FIRST TIME WE MET?

1596
01:10:32,004 --> 01:10:33,005
UM...OF COURSE I DO.

1597
01:10:33,046 --> 01:10:34,840
AT THE TERMINAL ANNEXDURING THE CHRISTMAS RUSH.

1598
01:10:34,882 --> 01:10:38,135
YEAH, BUT THE FIRST TIMETHAT I SAW YOU WAS HERE.

1599
01:10:38,176 --> 01:10:39,052
OH.

1600
01:10:39,052 --> 01:10:42,806
YEAH, I WAS STANDINGRIGHT HERE, A-AND, UM,

1601
01:10:42,848 --> 01:10:44,016
YOU WALKED IN,

1602
01:10:44,057 --> 01:10:45,558
WELL, YOU... TRIPPED...

1603
01:10:45,558 --> 01:10:46,602
[LAUGHS]

1604
01:10:46,644 --> 01:10:49,396
AND I SAID TO MYSELF, I SAID,

1605
01:10:49,396 --> 01:10:50,563
"NORMAN,

1606
01:10:50,605 --> 01:10:52,941
THERE'S THE GIRL YOU'RE GOINGTO SORT A LOT OF MAIL WITH.",

1607
01:10:52,983 --> 01:10:55,610
AW, THAT'S SO SWEET, NORMAN.

1608
01:10:56,569 --> 01:10:59,531
THAT'S WHY I THOUGHT THISWOULD BE A GOOD PLACE TO...

1609
01:10:59,572 --> 01:11:00,490
UM...

1610
01:11:03,660 --> 01:11:04,911
UH...

1611
01:11:04,952 --> 01:11:07,622
I-I THINK I FINALLY CAME UPWITH A NICKNAME FOR YOU.

1612
01:11:07,622 --> 01:11:10,083
OH, NORMAN,I'VE BEEN THINKING ABOUT IT.

1613
01:11:10,125 --> 01:11:12,627
I-I THMAYBE I'M JUST MEANTPWITH A NICKTO BE RITA.U.

1614
01:11:12,669 --> 01:11:15,087
RITA MOONRIVER HAYWITH.

1615
01:11:15,087 --> 01:11:16,130
MOONRIVER?

1616
01:11:16,172 --> 01:11:17,924
I-I DIDN'T KNOW THAT.

1617
01:11:17,924 --> 01:11:19,426
OH, WELL, YOU KNOW,MY PARENTS.

1618
01:11:19,426 --> 01:11:22,094
HIPPIES. RIGHT.

1619
01:11:22,094 --> 01:11:24,597
OH, WELL, YOU KNOW,ANYWAYS, HOW ABOUT...TS.

1620
01:11:25,473 --> 01:11:26,933
RITA...

1621
01:11:26,974 --> 01:11:28,601
MOONRIVER...

1622
01:11:28,643 --> 01:11:30,687
HAYWITH...

1623
01:11:32,647 --> 01:11:34,816
DORMAN?

1624
01:11:37,109 --> 01:11:38,110
WHAT?

1625
01:11:38,110 --> 01:11:40,697
RITA...

1626
01:11:48,245 --> 01:11:49,956
WILL YOU MARRY ME?

1627
01:11:49,956 --> 01:11:51,665
[GASPS]

1628
01:11:52,541 --> 01:11:53,625
WHAT?

1629
01:11:53,625 --> 01:11:57,546
YEAH, I WANT US TO GET MARRIEDAND BE TOGETHER FOREVER,

1630
01:11:57,588 --> 01:11:59,923
AND HAVE MORE THAN...

1631
01:11:59,965 --> 01:12:00,799
POTATOES.

1632
01:12:00,841 --> 01:12:01,967
AND HAVE A PLACEFOR THEM TO GROW--

1633
01:12:01,967 --> 01:12:03,134
I'M TALKING ABOUT KIDS NOW,NOT POTATOES.

1634
01:12:03,134 --> 01:12:04,803
I GOT THAT.

1635
01:12:04,803 --> 01:12:05,721
I'M TALKING ABOUT KIDS NOW,AND, UM...NOT POTATOES.

1636
01:12:05,762 --> 01:12:08,265
I HAVE A-A RING.

1637
01:12:08,307 --> 01:12:09,558
UH...

1638
01:12:11,893 --> 01:12:14,020
I MUST HAVE LEFT ITIN MY OTHER PANTS.

1639
01:12:14,062 --> 01:12:15,063
I-I CHANGED MY PANTS

1640
01:12:15,105 --> 01:12:18,650
SO I'D LOOK NICE WHEN I, UM,GAVE YOU THE RING.

1641
01:12:18,650 --> 01:12:19,943
ANYWAYS,

1642
01:12:19,943 --> 01:12:22,362
IT HAS A GOLD OWL ON IT,

1643
01:12:22,403 --> 01:12:24,239
AND IT'S GOT SMALL...

1644
01:12:24,239 --> 01:12:27,242
WELL, TINY DIAMOND EYES, AND--

1645
01:12:28,284 --> 01:12:29,870
AND IT'S GOT SYES....

1646
01:12:33,081 --> 01:12:35,208
YES, NORMAN.

1647
01:12:35,250 --> 01:12:37,668
YES, I'LL MARRY YOU.

1648
01:12:37,668 --> 01:12:39,004
THANK YOU.

1649
01:12:41,506 --> 01:12:43,841
I-I DON'T THINK...

1650
01:12:43,883 --> 01:12:47,053
THAT I'LL MAKE YOU AS HAPPYAS YOU MAKE ME,

1651
01:12:47,053 --> 01:12:49,180
BUT...

1652
01:12:49,222 --> 01:12:51,641
I'M GOING TO TRY EVERY DAYYFOR THE REST OF MY LIFE.

1653
01:12:51,682 --> 01:12:54,352
OH, NORMAN,YOU'RE GOING TO MAKE ME CRY.

1654
01:12:54,352 --> 01:12:56,186
THAT'S OKAY,

1655
01:12:56,229 --> 01:12:57,938
OH, NORMAN,YOUJUST THIS ONCE, RIGHT?RY.

1656
01:12:57,980 --> 01:12:59,649
YES.

1657
01:12:59,690 --> 01:13:00,650
JUST THIS ONCE.

1658
01:13:03,569 --> 01:13:04,529
I LOVE YOU.

1659
01:13:04,529 --> 01:13:06,113
I LOVE YOU SO MUCH.

1660
01:13:13,704 --> 01:13:15,873
DO YOU WANT TO STAND UP NOW?

1661
01:13:15,915 --> 01:13:16,874
YEAH, OKAY.

1662
01:13:19,919 --> 01:13:22,254
[LAUGHING]

1663
01:13:23,630 --> 01:13:26,758
[EXCITED LAUGHTERAND CHEERS FROM INSIDE]

1664
01:13:26,800 --> 01:13:28,385
-WE'RE GONNA GET MARRIED!-WE'RE GETTING MARRIED!

1665
01:13:28,427 --> 01:13:30,679
-TO EACH OTHER!-YES!

1666
01:13:33,390 --> 01:13:37,561
[♪]

1667
01:13:40,897 --> 01:13:45,235
[♪]

1668
01:13:51,950 --> 01:13:58,081
♪ NONE OF MY BUSINESSGETTIN' ALL OF MY CONCERN ♪

1669
01:13:58,081 --> 01:14:03,419
♪ TRIED TO PUT OUT THE FIREBUT THE FLAME STILL BURNS ♪

1670
01:14:03,461 --> 01:14:07,465
♪ OH, AND AS SHE PLEASESGETSHE COMES AND GOES ♪RN ♪

1671
01:14:07,506 --> 01:14:10,134
♪ SHE'S GOT THE WINDIN HER HAIR ♪

1672
01:14:10,176 --> 01:14:13,096
♪ OH, SHE NEVER CEASES ♪

1673
01:14:13,096 --> 01:14:14,680
♪ TO HURT ME SO ♪

1674
01:14:14,722 --> 01:14:18,017
♪ DOES SHE REALLY CARE? ♪

1675
01:14:18,059 --> 01:14:21,437
♪ IS SHE EVER COMIN' HOME? ♪

1676
01:14:21,479 --> 01:14:26,317
♪ IS SHE EVER GONNA PHONE? ♪

1677
01:14:26,359 --> 01:14:29,570
♪ ANOTHER NIGHT ALONE... ♪

1678
01:14:29,612 --> 01:14:35,409
♪ HAS ANYBODY SEEN MY GIRL? ♪

1679
01:14:35,451 --> 01:14:43,208
♪ HAS ANYBODY SEEN MY WOMAN? ♪

1680
01:14:43,250 --> 01:14:46,378
♪ CALIFORNIA ♪

1681
01:14:46,419 --> 01:14:49,464
♪ TENNESSEE ♪

1682
01:14:49,464 --> 01:14:52,885
♪ SEND MY BABY ♪

1683
01:14:52,926 --> 01:14:55,721
♪ HOME TO ME, HOME TO ME... ♪

1684
01:15:00,017 --> 01:15:03,728
[♪]

1685
01:15:16,116 --> 01:15:20,578
[♪]

1686
01:15:33,466 --> 01:15:37,929
[♪]

1687
01:15:54,195 --> 01:15:56,447
"ONE PART KOMBUCHA,

1688
01:15:56,488 --> 01:15:58,074
"TWO TABLESPOONS OF BEE POLLEN,

1689
01:15:58,074 --> 01:16:02,286
ONE HALF TEASPOONFRESH CHOPPED GINGER."

1690
01:16:04,121 --> 01:16:07,249
"TWO PARTS KOMBUCHA,"TWO ONE PART GINGER ALE?OLLEN,

1691
01:16:07,291 --> 01:16:09,251
ONE OUNCE RAW HONEYCOMB."

1692
01:16:09,293 --> 01:16:10,377
GINGER ALE?

1693
01:16:12,254 --> 01:16:14,506
IT... ADDED

1694
01:16:14,548 --> 01:16:17,217
A CERTAIN EFFERVESCENCE

1695
01:16:17,217 --> 01:16:20,053
THAT BALANCED THE...

1696
01:16:20,053 --> 01:16:22,681
SUBTLE EARTHY TONESOF THE HONEYCOMB.

1697
01:16:24,057 --> 01:16:25,183
I'M STILL EXPERIMENTING,

1698
01:16:25,225 --> 01:16:27,185
BUT I'M GETTING CLOSER,I THINK.

1699
01:16:29,229 --> 01:16:32,023
HOW ARE MY ROSES?

1700
01:16:32,023 --> 01:16:34,109
I HAD TO CUT THEM BACK.

1701
01:16:35,235 --> 01:16:36,319
YOU HAVE TO DO THAT

1702
01:16:36,361 --> 01:16:40,656
IF YOU WANT THEM TO BLOOMTO THEIR FULL POTENTIAL.

1703
01:16:42,075 --> 01:16:43,868
YOU MOVED MY DESK.

1704
01:16:43,910 --> 01:16:46,662
IT WAS TEMPORARY.

1705
01:16:46,704 --> 01:16:49,540
I MEAN, UH, IT WAS...

1706
01:16:49,582 --> 01:16:51,792
WELL, I MEAN, IT, UH, WAS...

1707
01:16:52,918 --> 01:16:56,381
STEVE SAYS YOU NEVER REALLYSAY WHAT YOU MEAN.

1708
01:16:56,422 --> 01:16:57,257
REALLY?

1709
01:16:57,298 --> 01:16:58,883
MM-HMM.

1710
01:16:58,883 --> 01:17:01,886
WELL, I HAVE QUITE A FEW

1711
01:17:01,927 --> 01:17:05,848
VERY SINCERE THINGSTO SAY ABOUT STEVE.

1712
01:17:06,891 --> 01:17:10,227
YOU WERE RIGHT ABOUT HIM.

1713
01:17:10,269 --> 01:17:13,939
HE'S NOT A BAD GUY,BUT HE'S... [SIGHS]

1714
01:17:13,939 --> 01:17:15,149
COMPETITIVE.

1715
01:17:17,610 --> 01:17:20,946
I WON THE HIGH SCHOOLREGIONAL CHESS CHAMPIONSHIPS

1716
01:17:20,988 --> 01:17:23,282
THREE YEARS IN A ROW.

1717
01:17:25,575 --> 01:17:28,662
SO, YOU MEANYOU'RE COMPETITIVE, TOO.

1718
01:17:30,622 --> 01:17:32,582
DIDN'T I JUST SAY THAT?

1719
01:17:32,624 --> 01:17:34,584
ALMOST.

1720
01:17:34,626 --> 01:17:36,461
ALMOST.

1721
01:17:40,965 --> 01:17:44,261
AND TELL ME AGAIN

1722
01:17:44,261 --> 01:17:46,805
WHY YOU MOVED MY DESK?

1723
01:17:52,436 --> 01:17:55,522
IT WAS HARD TO LOOK ATANDEVERY DAY.GAIN

1724
01:18:02,028 --> 01:18:04,906
SO, YOU MEAN, YOU MISSED ME.

1725
01:18:04,948 --> 01:18:06,991
I MEAN WHAT I SAYWHEN I SAY IT.

1726
01:18:07,033 --> 01:18:10,119
ALTHOUGH I DON'T ALWAYSSAY WHAT I MEAN

1727
01:18:10,161 --> 01:18:12,496
WHEN I DO SAY IT,

1728
01:18:12,496 --> 01:18:14,165
I MEAN IT.

1729
01:18:15,624 --> 01:18:17,085
WHFOR EXAMPLE,IT,

1730
01:18:17,126 --> 01:18:18,294
WHEN I ONCE SAID

1731
01:18:18,336 --> 01:18:22,715
I HOPED OUR FIRST DATEWOULDN'T BE OUR LAST,

1732
01:18:22,715 --> 01:18:26,219
THAT WAS A TRUEAND TRANSPARENT STATEMENT

1733
01:18:26,260 --> 01:18:28,596
I HOPED OUR FIRST DATETHAT, IF WE HAD HAVE EVERT,

1734
01:18:28,596 --> 01:18:30,764
ACTUALLYCOMPLETED A FIRST DATE,

1735
01:18:30,806 --> 01:18:34,017
I WOULD SUBSEQUENTLYTETHAT, IHAVE BEEN BORNE OUT,

1736
01:18:34,017 --> 01:18:35,394
IN ACTION.

1737
01:18:35,436 --> 01:18:38,856
ASSUMING YOU WEREEQUENTLYTEIN AGREEMENT,EEN BORNE OUT,

1738
01:18:38,856 --> 01:18:42,401
WHICH, GIVENYOUR EXTENDED ABSENCE,

1739
01:18:42,443 --> 01:18:44,111
YOU MIGHT UNDERSTANDMY ASSUMPTION

1740
01:18:44,152 --> 01:18:48,991
THAT YOUR INTENTIONS AND MINEWERE NOT IN CONCERT.

1741
01:18:49,032 --> 01:18:54,079
IF YOU ARE SUGGESTINGTHAT I DIDN'T MISS YOU--

1742
01:18:54,121 --> 01:18:56,874
AND I MIGHT BETHE ONLY PERSON ON EARTH

1743
01:18:56,915 --> 01:18:59,001
WHO UNDERSTANDSWHAT YOU JUST SAID...

1744
01:19:02,545 --> 01:19:05,215
I WROTE THIS ONEON THE PLANE,

1745
01:19:05,215 --> 01:19:07,384
WITH YOUR PEN,

1746
01:19:07,425 --> 01:19:08,635
I WROTE THIS ONEONAND TALKED ABOUT KISSING YOU

1747
01:19:08,676 --> 01:19:10,303
ON THE STEP,

1748
01:19:10,345 --> 01:19:11,721
AND THE SECOND ONEI WROTE,

1749
01:19:11,721 --> 01:19:13,140
WITH YOUR PEN,

1750
01:19:13,181 --> 01:19:15,642
AFTER WE LANDED,

1751
01:19:15,683 --> 01:19:19,020
AND TOLD YOU THAT I...

1752
01:19:19,020 --> 01:19:20,980
I WISH I'D NEVER LEFT.

1753
01:19:22,524 --> 01:19:24,066
[VOICE BREAKING]AND THE THIRD ONE...AT I...

1754
01:19:26,569 --> 01:19:30,823
THE THIRD ONE IS ABOUTHOW AFRAID I AM

1755
01:19:30,865 --> 01:19:34,118
THAT I CAN'T DOWHAT THEY NEED ME TO DO.

1756
01:19:35,369 --> 01:19:37,914
AND THE FOURTH ONE

1757
01:19:37,914 --> 01:19:41,208
IS ABOUT HOW I'M...I'M AFRAID I'M GONNA DIE

1758
01:19:41,250 --> 01:19:42,835
BEFORE I CAN SEE YOU AGAIN.

1759
01:19:45,755 --> 01:19:47,173
AND THE FIFTH ONE

1760
01:19:47,173 --> 01:19:50,342
IS ABOUT DECIDINGTO SURVIVE IT ALL

1761
01:19:50,384 --> 01:19:54,471
SO THAT I CAN COME BACKTO THIS CRAZY, STUPID PLACE.

1762
01:19:54,513 --> 01:19:57,683
AND NOW YOU'VE MOVEDMY DESK, AND YOU--

1763
01:20:18,454 --> 01:20:22,290
[♪]

1764
01:20:33,802 --> 01:20:36,930
I THOUGHT OF YOUEVERY DAY.

1765
01:20:36,972 --> 01:20:41,517
I KNOW THAT MIGHT BE HARDFOR YOU TO BELIEVE, BUT...

1766
01:20:41,559 --> 01:20:43,895
YOU'D BE SURPRISED.

1767
01:20:57,867 --> 01:20:59,744
[GASPS]

1768
01:21:14,509 --> 01:21:16,135
HOW HAVE YOU BEEN?

1769
01:21:17,512 --> 01:21:18,888
LONELY.

1770
01:21:23,350 --> 01:21:25,853
NORMAN AND RITA ARE ENGAGED.

1771
01:21:25,853 --> 01:21:27,396
NO...

1772
01:21:27,437 --> 01:21:29,231
[LAUGHS IN DELIGHT]RE ENGAGED.

1773
01:21:30,190 --> 01:21:33,318
AND, UH, MY FATHER FELL IN LOVEWITH A LEPIDOPTERIST

1774
01:21:33,360 --> 01:21:36,989
WHO RAN AWAYWITH A FERTILIZER SALESMAN.

1775
01:21:38,240 --> 01:21:41,243
SOME PEOPLE JUST DON'T KNOWWHAT THEY HAVE.

1776
01:21:43,245 --> 01:21:45,997
THAT IS TRUE.

1777
01:21:51,127 --> 01:21:53,672
SO, WHAT DO WE DO NOW?

1778
01:22:03,264 --> 01:22:07,268
I AM GOING TO MAKE YOUTHE PERFECT "KUMBAHCHA..."

1779
01:22:08,687 --> 01:22:10,063
[TOGETHER]: KOM-BU-CHA--

1780
01:22:10,063 --> 01:22:12,231
--SMOOTHIE, AND...

1781
01:22:12,273 --> 01:22:16,277
AND YOU ARE GOING TO READ MEALL OF YOUR LETTERS.

1782
01:22:19,989 --> 01:22:22,741
THAT COULD TAKE ALL NIGHT.

1783
01:22:33,169 --> 01:22:35,046
GOOD.

1784
01:22:42,261 --> 01:22:45,264
SO, YOU THINKYOU'VE FOUND

1785
01:22:45,264 --> 01:22:46,932
THE PERFECT...

1786
01:22:46,974 --> 01:22:50,102
SO, YOU THINKKOMBUCHA SMOOTHIE RECIPE, HUH?D

1787
01:22:50,143 --> 01:22:52,104
OH, WELL, IT'S, UH...

1788
01:22:52,145 --> 01:22:54,272
IT'S ABOUTTHE SECRET INGREDIENT.

1789
01:22:56,024 --> 01:22:58,443
[LAUGHING]

1790
01:22:58,443 --> 01:23:01,655
♪ WELL, I'M GONNAMAKE MY WORLD ♪

1791
01:23:01,697 --> 01:23:04,616
♪ A BETTER PLACE... ♪

1792
01:23:04,616 --> 01:23:05,951
"DEAR OLIVER,

1793
01:23:05,951 --> 01:23:08,161
"WHEN WE LIFTED OFFAND FLEW INTO THE CLOUDS,

1794
01:23:08,203 --> 01:23:12,332
"I REALIZED THAT YOU HAVE MADEA BELIEVER OUT OF ME.

1795
01:23:12,374 --> 01:23:15,085
"IT WAS NO MISTAKETHAT I WAS TRANSFERRED

1796
01:23:15,085 --> 01:23:16,544
"TO THE DEAD LETTER OFFICE

1797
01:23:16,586 --> 01:23:19,589
"IT WINSTEAD OF DIRECT LINETHAT OPERATIONS." [CHUCKLES]

1798
01:23:21,008 --> 01:23:24,677
"WE COULD NOT HAVE BEGUNDANCING TOGETHER SO LONG AGO

1799
01:23:24,719 --> 01:23:27,555
"WITHOUT LEARNINGTHE STEPS WE NEEDED

1800
01:23:27,597 --> 01:23:30,016
TO FIND OUR WAYBACK TO EACH OTHER..."

1801
01:23:33,144 --> 01:23:37,148
[♪]