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SALAAM.

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SHE HAS BEEN IN LABOR15 HOURS.

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YOU SPEAK ENGLISH.

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WE HAVE A TELEVISION

5
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IN OUR VILLAGE.

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I KNOW WHO YOU ARE.

7
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YOU BROUGHT MEDICINETO OUR VILLAGE ONCE.

8
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HOLD ON TIGHT.

9
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WHAT'S HER NAME?

10
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MY DAUGHTER IS NILOFER.

11
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I AM ASAD.

12
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AND HER HUSBAND?

13
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THE FATHER WANTS A SON.

14
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A GIRL CAN ACCOMPLISHGREAT THINGS

15
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WHEN SHE'S FREE TO DO THEM.

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FREEDOM...

17
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IS NOT IMPOSSIBLE...

18
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BUT IT MAY TAKE TIME

19
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AND YOU DO NOT HAVE MUCH.

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OOH

21
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ALL RISE.

22
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THIS BETTER BE GOOD.

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MADAME CHAIRMAN, THIS COMMITTEEIS CALLED INTO EMERGENCY SESSION

24
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IN LIGHT OF NEWAND TIME-SENSITIVE INFORMATION

25
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MADAME THAT MAY INVOLVEOMMITTEEIS CALLEMILITARY ACTION. SESSION

26
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THANK YOU, SENATOR.

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BEFORE WE BEGIN,

28
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LET ME REITERATE

29
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THAT THIS IS A CLOSED SESSIONREGARDING NATIONAL SECURITY,

30
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AND ALL TESTIMONYGIVEN HERE TODAY IS SEALED.

31
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LET'S SEE...

32
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AND ALL TESTIMONYGIVEN MR... O'TOOLE?SEALED.

33
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YES. I'M OLIVER O'TOOLE.

34
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THESE ARE MY COLLEAGUES,YMS. McINERNEY, O'TOOLE?SEALED.

35
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MS. HAYWITH,MR. DORMAN.

36
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AND I UNDERSTAND YOU COMPRISEA TASK FORCE FROM...

37
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THE D.L.O.?

38
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THAT IS CORRECT.

39
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IS THIS C.I.A., F.B.I.,OR N.S.A.?

40
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U.S.P.S.

41
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WE WORK AT THE POST OFFICE.

42
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THAT'S RIGHT, BOB.

43
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THIS WAS THE IMAGE WE SAW NEARLY TWO YEARS AGO,

44
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WHEN 12-YEAR-OLD PHOEBE AMIDON TIED A YELLOW RIBBON

45
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AROUND THE TREE IN HER GRANDFATHER'S YARD,

46
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AWAITING NEWS OF HER MOTHER.

47
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LIEUTENANT RANDILYNN AMIDON IN HER WENT MISSINGS YARD,

48
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AWAITI WHILE SERVING MOTHER. WITH AMERICAN TROOPS

49
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IN AFGHANISTAN, NEAR THE PAKISTAN BORDER.

50
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BUT NOW, 22 MONTHS LATER,

51
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WITH AMIDON STILL MISSING

52
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AND THE CIRCUMSTANCES OF HER DISAPPEARANCE STILL SKETCHY,

53
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AND NO ANSWERS IN SIGHT,

54
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THIS "WELCOME BACK" RIBBON

55
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IS A SAD REMINDER OF THE REPUTATION

56
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LIEUTENANT AMIDON MAY NEVER RETURN HOME TO DEFEND.

57
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I WOULD LIKETO KNOW WHAT BEARING

58
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FOUR POSTAL EMPLOYEESFROM DENVER

59
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HAVE ON THE STATUS

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OF A MISSING AMERICAN SOLDIERIN AFGHANISTAN.

61
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YES, WELL.

62
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SEVERAL MONTHS AGO,

63
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IN THE COURSE OFPERFORMING OUR DUTIES

64
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AS POSTAL DETECTIVESIN THE DEAD LETTER OFFICE,

65
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WE BECAME ACQUAINTED

66
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WITH A PHOEBE AMIDON,

67
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THE 14-YEAR-OLD DAUGHTEROF LIEUTENANT RANDILYNN AMIDON,

68
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AS WELL AS HER GRANDFATHER,MR. HARPER FERGUSON.

69
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WE CAME TO BELIEVE

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THAT LIEUTENANT AMIDONDID NOT ABANDON HER DUTIES

71
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THE NIGHT SHE WENT MISSING,

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AND, IN FACT,SHE CONDUCTED HERSELF HEROICALLY

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AND YET, UH, SADLY,

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MOST LIKELY,WAS, UH, PROBABLY NOT LIVING.

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AND TO THAT, OF COURSE,WE HAVE NO COMMENT.

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OF COURSE.

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HOWEVER, WE NOW HAVEINFORMATION TO SUGGEST

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THAT LIEUTENANT AMIDONMAY WELL BE ALIVE

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AND URGENTLY IN NEEDOF YOUR ASSISTANCE.

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AND THAT IS BASEDON THE CONTENTS

81
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OF THE LETTERENTLY IN NEEDWE HAVE HERE?R ASSISTANCE.

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YES.

83
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AND YOU CAME TO THIS CONCLUSIONLAST NIGHT?

84
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YES, AND IF I MAY,I NEED TO GO BACK A FEW DAYS.

85
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PLEASE.

86
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YES, AND IF I MAY,I NEED LAST THURSDAY,EW DAYS.

87
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WE WERE PREPARING TO TRAVELTO WASHINGTON, D.C.,

88
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FOR THE NATIONALMISS SPECIAL DELIVERY PAGEANT.

89
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IS THATA REAL THING?

90
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I WAS FINALIZING SOME PAPERWORKBEFORE OUR TRIP...

91
00:07:04,769 --> 00:07:06,855
I UNDERSTAND YOU HAVESOMETHING VERY UNIQUE

92
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PLANNED FOR THE PAGEANT.

93
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OH, WELL, THIS YEAR'S THEMEIS "DELIVERING INSPIRATION."

94
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PLANNED FOAND FOR MY TALENT,

95
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I WILL BE DOINGA DRAMATIC READING

96
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FROM MY UNPUBLISHEDHISTORICAL ROMANCE NOVEL

97
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FRONTIER DUCHESS.

98
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A DRAMATIC NOVELIST!

99
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AMAZING!BRILLIANT.

100
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NO ONE CANCOMPETE WITH THAT.

101
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WE'LL ALL BECROSSING OUR FINGERS

102
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FOR YOU THIS SATURDAY.

103
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THANK YOU, RAMON.

104
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THAT WAS VERY NICE,

105
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MISS RITA.

106
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-THAT WAS VE-THANK YOU.

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TIME FOR US TO GOON OUR TRIP TO WASHINGTON, D.C.,

108
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TOGETHER.

109
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-OH, YEAH, OKAY.-GOODBYE!

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AS ALWAYS, MISS RITA...A PLEASURE.

111
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OH, IT MUST BEVERY HARD TO SAY GOODBYE.

112
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OH, NOT REALLY.

113
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NO, NOT TO ME, MY FRIEND.

114
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GOODBYE TO MISS RITA.

115
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SHE WILL WIN,OF COURSE,T TO ME, MY FRIEND.

116
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AND THEN SHE'S OFFTRAVELING THE WORLD

117
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ON HER TRIUMPHANTGOODWILL TOUR.

118
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JUST IMAGINE ALL THE PLACESSHE WILL GO...

119
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ALL THE PEOPLESHE WILL MEET...

120
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TSK, TSK, TSK.

121
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JUST A COUPLE MORE THINGS TO SIGN,

122
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THEN IT'S ALL YOURS.

123
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I AM SORRY FOR YOUR LOSS.

124
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BUT AT LEASTYOUR FATHER MADE SURE

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THAT YOU'D BE WELLTAKEN CARE OF.

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MY BIOLOGICAL FATHER.

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THAT YOU'D BE WELLTAKEN CAI NEVER KNEW HIM.

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I HAVE YOUR SKINNY CARAMELMY STEAMER COMING,ER.

129
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JUST THE WAY YOU LIKE IT.

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OH, THAT'SSO SWEET, NORMAN.

131
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WHO'S OLIVERTALKING TO?

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HIS LAWYER.

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HE INHERITED SO MUCH MONEY,SHE COMES TO SEE HIM NOW.

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WITH ALLOF THIS MONEY,

135
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I SUPPOSE YOU WILL WANT TO STARTTALKING ABOUT EARLY RETIREMENT.

136
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AND QUIT THE POST OFFICE?

137
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WELL, WHY NOT?

138
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YOU'RE YOUNG, YOU'RE SINGLE,AND AND YOU'RE RICH.FICE?

139
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MS. BULLOCK,

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THE ONLY THINGHARVEY SCHMIDTZ GAVE ME,

141
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BESIDES THIS INHERITANCE,CK,

142
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WAS A PIECE OF ADVICE.

143
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"YOU NEVER HAVE ENOUGH MONEYIF ALL YOU HAVE IS MONEY."

144
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WHAT DOES THAT MEAN, ANYWAY?

145
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IT MEANS...

146
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IT'S TIMETO GET BACK TO WORK.

147
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HAVE YOU SEEN YOUR ITINERARY,MS. McINERNEY?

148
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I'M SORRY. WHAT?

149
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WELL, I MADECOPIES FOR ALL OF US

150
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AND HIGHLIGHTED

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[THE EVENTS PERTINENTECOPITO EACH OF US US

152
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IN CORRESPONDING COLORS.

153
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YOU'RE YELLOW.

154
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YELLOW! HUH.

155
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WE ARRIVE AT 3:56.

156
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CHECK IN THE HOTEL AT 5:10,

157
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ARRIVE AT THE CAPITOL GRILLAT 6:45 FOR A QUIET DINNER

158
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BEFORE CURFEW AT 10:30.

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AND TOMORROW MORNING, RITA--RIGHT HERE IN PINK--

160
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REGISTERS FOR THE PAGEANTBEFORE AT 9:00,T 10:30.

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AND YOU AND I AND NORMANLEAVE AT 9:30

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TO TAKE A TOUROF THE LIBRARY OF CONGRESS,

163
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FORD'S THEATER, AND, UH,THE NATIONAL POSTAL MUSEUM.

164
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POSTAL MUSEUM?

165
00:10:09,546 --> 00:10:11,882
UH, THINK YOU'RE READYTO GO BACK THERE?

166
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IT'S TIME.

167
00:10:13,091 --> 00:10:15,385
I'D LIKE TO GET IT OVER WITH.

168
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OF COURSE.

169
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AND THEN I CAN SHOW YOUAROUND MY OLD STOMPING GROUNDS.

170
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OH. I-IS THERE A MUSEUMYOU'D LIKE TO ADD?

171
00:10:22,643 --> 00:10:27,105
OR-- OR... WOULD YOU LIKEATO VISIT OLD POSTAL FRIENDS?S.

172
00:10:27,105 --> 00:10:28,982
WELL, REBECCA STARKWELL

173
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OR-WAS MY ONLY FRIENDLIKEATO VIAT THE D.C. OFFICE,NDS?S.

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AND SHE'S ON HER HONEYMOON.

175
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OH. IS THERE AN OLD BOYFRIEND

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TO VISITAT THE POST OFFICE?

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I'M NOT IN THE HABITOF CALLING UP OLD BOYFRIENDS.

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00:10:42,163 --> 00:10:43,414
AND EVEN IF I WERE,

179
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HIS WORK IS...

180
00:10:45,917 --> 00:10:48,002
WELL, HE'S HARDLY EVER IN TOWN.

181
00:10:48,002 --> 00:10:49,045
HIS WORK IS...GREAT!

182
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WELL, HE'S HAIT'S SETTLED THEN.

183
00:10:51,673 --> 00:10:54,593
TAXI SHOULD BE ARRIVINGANY MINUTE.

184
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ALMOST FORGOT!

185
00:10:56,678 --> 00:10:58,222
WHAT?

186
00:10:58,263 --> 00:11:00,474
DON'T ASK. CAN'T TELL.IT'S A SURPRISE.

187
00:11:00,515 --> 00:11:01,516
AHH!

188
00:11:01,516 --> 00:11:02,601
FIELD KIT!

189
00:11:02,601 --> 00:11:04,269
NORMAN! WE'REGOING ON HOLIDAY.

190
00:11:04,269 --> 00:11:06,230
ALL YOU NEED IS YOUR SUITCASE.

191
00:11:07,773 --> 00:11:09,442
NORMAN! WE'REUH-OH.GOING ON HOLIDAY.

192
00:11:12,653 --> 00:11:14,780
I KNOWIT'S A HORRIBLE THOUGHT,

193
00:11:14,822 --> 00:11:18,368
VEERING OFF YOUR BLUE ITINERARYINTO MY YELLOW ITINERARY,

194
00:11:18,368 --> 00:11:19,494
BUT I WAS WONDERING

195
00:11:19,535 --> 00:11:24,207
IF WE COULD MAKE A TINY DETOURYON OUR WAY TO THE HOTEL?,

196
00:11:24,249 --> 00:11:27,002
A DETOUR?

197
00:11:27,043 --> 00:11:28,545
I WANTED TO...

198
00:11:28,545 --> 00:11:30,547
DRIVE BY THE HOUSEWHERE I GREW UP,

199
00:11:30,547 --> 00:11:32,383
FOR OLD TIME'S SAKE.

200
00:11:32,424 --> 00:11:33,884
DRIVE BY THE HOUSEWHERE I GREW PLEASE?

201
00:11:36,512 --> 00:11:37,471
OKAY!

202
00:11:37,513 --> 00:11:39,931
ALL SET.LET'S DO D.C.

203
00:11:39,973 --> 00:11:42,726
HAS ANYONESEEN MY CROWN?

204
00:11:42,726 --> 00:11:45,229
OH! AH.

205
00:12:08,670 --> 00:12:12,257
WHERE'S YOUR HOUSE?

206
00:12:12,257 --> 00:12:14,426
IT'S GONE.

207
00:12:14,468 --> 00:12:17,262
ARE YOU SURE THISIS THE RIGHT STREET?

208
00:12:17,262 --> 00:12:20,098
OF COURSE I'M SURE.

209
00:12:20,098 --> 00:12:22,935
THAT'S THE TREEI USED TO CLIMB.

210
00:12:23,977 --> 00:12:27,106
THE GARDENWHERE WE PLANTED THE...

211
00:12:31,277 --> 00:12:32,361
THOSE BRICKS WERE

212
00:12:32,403 --> 00:12:35,782
THE FIREPLACE WHERE MY MOTHERAND I ALWAYS...

213
00:12:39,619 --> 00:12:41,455
18 YEARS...

214
00:12:41,455 --> 00:12:44,583
AND NOW IT'S LIKEWE WERE NEVER HERE.

215
00:12:47,461 --> 00:12:50,089
DID YOUPLANT THOSE?

216
00:12:50,089 --> 00:12:52,382
FOR MOTHER'S DAY.

217
00:12:52,424 --> 00:12:54,301
DID YOUPLANT THOSE?

218
00:12:54,301 --> 00:12:57,304
EVERY FALL, AFTER ALLTHE OTHER BLOOMS WOULD DIE,

219
00:12:57,346 --> 00:13:00,766
MY MOM... MY MOMYOU[QUIWOULD TAKE THE LAST ONE,OSE?

220
00:13:00,766 --> 00:13:03,143
AND PUT IN A VASE AND SAY,

221
00:13:03,143 --> 00:13:06,314
MY MO"LOOK.Y MOMYOU[QIT'S THE LAST ROSE OF SUMMER.?

222
00:13:06,314 --> 00:13:08,191
STILL HOLDING ON."

223
00:13:09,984 --> 00:13:13,488
THEN, EVERY FALL...

224
00:13:13,529 --> 00:13:16,199
EVEN AFTERI WENT AWAY TO COLLEGE,TLY]

225
00:13:16,241 --> 00:13:19,995
AND EVERY SEPTEMBER AFTER THAT,UNTIL SHE MOVED AWAY,

226
00:13:20,036 --> 00:13:22,539
I WOULD GETAN ENVELOPE IN THE MAIL

227
00:13:22,581 --> 00:13:25,667
WITH THE LAST ROSE OF SUMMER

228
00:13:25,709 --> 00:13:30,256
WRAPPED IN WET PAPER TOWELS,IN A PLASTIC BAG.

229
00:13:32,633 --> 00:13:35,011
SHE WAS SENDINGYOU A MESSAGE.

230
00:13:36,846 --> 00:13:37,889
"PAY ATTENTION

231
00:13:37,889 --> 00:13:42,309
"TO THE SIMPLE, LITTLE THINGSRIGHT IN FRONT OF YOU...

232
00:13:43,519 --> 00:13:46,481
...OR THEY COULD BE GONEBEFORE YOU KNOW IT."

233
00:13:50,527 --> 00:13:52,111
FORGIVE ME, MR. O'TOOLE,

234
00:13:52,153 --> 00:13:55,407
BUT OTHER THAN THE SAD TRUTHTHAT WE CAN'T GO HOME AGAIN,

235
00:13:55,448 --> 00:13:58,243
WE'VE STILL HEARD NOTHINGTO SHED ANY LIGHT

236
00:13:58,285 --> 00:14:00,245
ON THE LETTER THAT I HOLD HERE,

237
00:14:00,287 --> 00:14:02,455
ADDRESSED TOTHE SECRETARY OF DEFENSE

238
00:14:02,455 --> 00:14:05,292
OF THE UNITED STATES OF AMERICA.

239
00:14:05,333 --> 00:14:07,085
ADDRESWITH RESPECT,THE SECRETARMADAME CHAIRMAN,

240
00:14:07,127 --> 00:14:09,505
UH, IT WAS STOPPING

241
00:14:09,547 --> 00:14:11,632
AT THE SITE OFMS. McINERNEY'S FORMER HOME

242
00:14:11,674 --> 00:14:14,427
THAT PUT US IN THE LOBBYOF THE FRANKLIN ADAMS HOTEL

243
00:14:14,468 --> 00:14:16,262
AT THE EXACT MOMENTWE CROSSED PATHS

244
00:14:16,304 --> 00:14:17,971
WITH PHOEBE AMIDONAND HER GRANDFATHER.

245
00:14:18,013 --> 00:14:20,183
IF THAT LETTERIS WHAT WE THINK IT IS,

246
00:14:20,224 --> 00:14:24,145
THEN IT'S COMPELLING USTO PAY ATTENTION TO THE DETAILS,

247
00:14:24,187 --> 00:14:26,605
OR THE CHANCE TO BRINGLIEUTENANT AMIDON HOME AGAIN

248
00:14:26,648 --> 00:14:28,567
WILL ALSO BE GONEBEFORE WE KNOW IT.

249
00:14:28,608 --> 00:14:32,111
SO YOUR PRESENCEHERE TODAY, MR. O'TOOLE,

250
00:14:32,153 --> 00:14:34,489
IS THE RESULT OFA PRIOR RELATIONSHIP

251
00:14:34,531 --> 00:14:37,201
WITH PHOEBE AMIDONAND HER GRANDFATHER?

252
00:14:37,242 --> 00:14:38,618
WELL, THAT,

253
00:14:38,660 --> 00:14:41,871
AND THE PRIOR RELATIONSHIPOF MS. McINERNEY WITH, UH...

254
00:14:41,913 --> 00:14:46,001
ACTUALLY, I'D LIKE TO TURNTHIS PART OVER TO HER NOW.

255
00:14:46,919 --> 00:14:48,628
MY NAME IS SHANE McINERNEY.

256
00:14:48,670 --> 00:14:49,922
I PROVIDE I.T. SERVICES

257
00:14:49,964 --> 00:14:52,174
FOR THE DEAD LETTER OFFICEIN DENVER.

258
00:14:52,216 --> 00:14:54,885
I USED TO WORK RIGHT HEREIN WASHINGTON

259
00:14:54,885 --> 00:14:56,554
IN DIRECT LINE OPERATIONS.

260
00:14:56,596 --> 00:14:59,432
WHEN WE ARRIVED AT THE HOTELON THURSDAY,N

261
00:14:59,474 --> 00:15:00,850
WE WERE CHECKING IN AND...

262
00:15:00,891 --> 00:15:01,934
RITA WAS REGISTERING

263
00:15:01,934 --> 00:15:03,936
FOR THE MISS SPECIAL DELIVERY PAGEANT.

264
00:15:03,978 --> 00:15:06,231
RITA OH, WAIT.TERING

265
00:15:11,987 --> 00:15:13,029
MS. McINERNEY.

266
00:15:13,071 --> 00:15:15,115
MM?

267
00:15:15,115 --> 00:15:16,533
UH, I WAS THINKING,

268
00:15:16,575 --> 00:15:17,701
PERHAPS THIS WEEK

269
00:15:17,701 --> 00:15:19,828
MIGHT PRESENTAN OPPORTUNITY FOR...

270
00:15:19,870 --> 00:15:23,249
FOR... FOR AN EVENING OUT.

271
00:15:24,666 --> 00:15:26,960
WE'RE IN WASHINGTON, D.C.,OLIVER.

272
00:15:26,960 --> 00:15:29,255
WE'RE ALREADY SPENDINGTHE WHOLE WEEK OUT.

273
00:15:29,255 --> 00:15:31,298
YES, BUT I WAS THINKING,

274
00:15:31,298 --> 00:15:34,468
WEUM, YOU AND I MIGHTGHAVE DINNER TOGETHER,

275
00:15:34,468 --> 00:15:35,803
JUST US, TO--

276
00:15:35,845 --> 00:15:38,305
TO TALK AND...

277
00:15:38,305 --> 00:15:40,517
PERHAPS I CAN OFFERSOME PERSPECTIVE

278
00:15:40,558 --> 00:15:43,770
ON THE RECENT LOSSOF YOUR CHILDHOOD HOME.

279
00:15:45,146 --> 00:15:47,482
YOU'RE ASKING ME...

280
00:15:47,482 --> 00:15:49,317
OUT...

281
00:15:49,317 --> 00:15:52,029
FOR DINNER?

282
00:15:52,070 --> 00:15:53,363
YES.OUT...

283
00:15:53,363 --> 00:15:55,157
YES!

284
00:15:56,283 --> 00:15:58,827
I'LL PUT ITIN THE SCHEDULE.OUT...

285
00:15:58,827 --> 00:15:59,828
DO THAT.

286
00:15:59,828 --> 00:16:01,830
IN YELLOW.

287
00:16:02,831 --> 00:16:04,750
OF COURSE.DO THAT.

288
00:16:07,378 --> 00:16:10,173
NEXT... MISS OKLAHOMA!

289
00:16:11,465 --> 00:16:13,842
OH, NO, NO, NO, NO, NO, NO, NO!

290
00:16:15,178 --> 00:16:16,345
ARE YOU OKAY?

291
00:16:16,345 --> 00:16:18,389
WELL, THEY'VE GOT ME SCHEDULEDFOR MY TALENT REHEARSAL

292
00:16:18,431 --> 00:16:19,683
AT THE SAME TIME I'M SUPPOSED TOGET MY NAILS DONE,

293
00:16:19,683 --> 00:16:21,726
BUT IF I MOVE THE NAILS,THEN THERE'S NO TIME

294
00:16:21,768 --> 00:16:23,728
FOR SOME FITTINGTHEY'VE GOT ME DOWN FOR.

295
00:16:23,770 --> 00:16:25,188
OR MAYBEI SHOULDN'T DO MY NAILS.

296
00:16:25,188 --> 00:16:27,231
MAYBE I SHOULDN'T REHEARSE,BUT IF I DON'T, THEN... OH!

297
00:16:27,273 --> 00:16:29,609
THIS IS WORSETHAN A STAMPEDE ON SUNDAY.

298
00:16:29,651 --> 00:16:32,404
NO. NO! THISIS WONDERFUL.

299
00:16:32,446 --> 00:16:33,530
YOU'RE MISS...

300
00:16:33,530 --> 00:16:34,531
WYOMING.

301
00:16:34,531 --> 00:16:36,200
YOU'RE MISS WYOMING!

302
00:16:36,241 --> 00:16:37,659
AND LOOK WHERE YOU ARE.

303
00:16:37,701 --> 00:16:39,036
WELL, THAT'STHE PROBLEM!

304
00:16:39,036 --> 00:16:40,913
THERE ARE MOREPEOPLE IN THIS HOTEL

305
00:16:40,955 --> 00:16:42,039
THAN THERE AREIN BIG PINEY.

306
00:16:42,039 --> 00:16:44,333
OH, BIG PINEY, WYOMING.POPULATION 576.

307
00:16:44,333 --> 00:16:46,001
HOW DO YOU KNOW THAT?

308
00:16:46,043 --> 00:16:48,170
OH, I HAVENEY, WYOMING.A PHOTOGRAPHIC MEMORY.

309
00:16:48,212 --> 00:16:49,755
I REMEMBEREVERYTHING I READ.

310
00:16:49,797 --> 00:16:52,132
WELL, AS LONG ASI REMEMBER TO REMEMBER.

311
00:16:52,132 --> 00:16:53,551
IT'S HARD TO REMEMBER

312
00:16:53,593 --> 00:16:55,553
ANYTHING INNG ASA PLACE LIKE THIS.MBER.

313
00:16:55,595 --> 00:16:56,929
I'M AFRAID,WHEN I GET UP TO SING,

314
00:16:56,929 --> 00:16:58,348
THERE'LL BE SO MANYPEOPLE IN THE ROOM,

315
00:16:58,389 --> 00:17:00,058
I'M AFRAID,I'LL FORGET THE WORDS.

316
00:17:00,058 --> 00:17:01,809
AND THE NOTES.

317
00:17:01,852 --> 00:17:03,311
AND THE SONG.

318
00:17:03,353 --> 00:17:04,229
LOOK.

319
00:17:04,229 --> 00:17:05,856
I DON'T HAVE TOREHEARSE TOMORROW.

320
00:17:05,897 --> 00:17:07,733
WHY DON'T YOUTAKE MY TIME?

321
00:17:07,733 --> 00:17:08,692
I DON'T MIND.

322
00:17:08,734 --> 00:17:10,235
-REALLY?-YEAH!

323
00:17:10,276 --> 00:17:12,070
MISS COLORADO.

324
00:17:12,112 --> 00:17:15,574
WE'RE PRACTICALLYNEIGHBORS, RIGHT?

325
00:17:15,616 --> 00:17:17,909
OKAY, MS. McINERNEY,YOU ARE ON THE EIGHTH FLOOR.

326
00:17:17,909 --> 00:17:18,785
THANK YOU.

327
00:17:18,827 --> 00:17:21,663
NORMAN, YOU ARE ON THE SIXTH.

328
00:17:22,623 --> 00:17:24,959
OH, MY GOODNESS.

329
00:17:25,918 --> 00:17:26,919
THANK YOUVERY MUCH.

330
00:17:26,961 --> 00:17:28,254
OH!

331
00:17:28,254 --> 00:17:29,922
IT'S PHOEBE.

332
00:17:29,964 --> 00:17:31,508
HEY! WHATOH!A SURPRISE.

333
00:17:31,549 --> 00:17:32,467
I CAN'T BELIEVE IT!

334
00:17:32,509 --> 00:17:33,468
-FOR HEAVEN'S SAKE.-HI!

335
00:17:33,510 --> 00:17:36,095
HARPER.OLIVER O'TOOLE.

336
00:17:36,095 --> 00:17:37,054
FOR HEAVEN'S SAKE,

337
00:17:37,096 --> 00:17:38,180
WHAT ARE YOUGUYS DOING HERE?

338
00:17:38,180 --> 00:17:40,099
-ARE YOU STAYING HERE?-YEAH.

339
00:17:40,099 --> 00:17:42,394
WHAT ARE YOUWHERE'S RITA?ING HERE?

340
00:17:42,435 --> 00:17:43,645
OH, SHE'S IN THE PAGEANT.

341
00:17:43,686 --> 00:17:44,646
WE CAMETO CHEER HER ON.

342
00:17:44,646 --> 00:17:46,106
AND WHAT BRINGS YOUTO THE CAPITOL?

343
00:17:46,106 --> 00:17:48,984
WE CAOH, WE'RE TRYING TO GETTOSOME ANSWERS ABOUT RANDILYNN.

344
00:17:49,026 --> 00:17:51,111
SEE IF THERE'SANY...

345
00:17:51,153 --> 00:17:52,445
RESOLUTION.

346
00:17:52,487 --> 00:17:54,031
WE HAD AN APPOINTMENT

347
00:17:54,072 --> 00:17:55,949
WITH SOMEONE FROMTHE STATE DEPARTMENT TOMORROW,

348
00:17:55,991 --> 00:17:59,287
BUT IT LOOKS LIKETHEY'VE HAD TO POSTPONE.

349
00:17:59,287 --> 00:18:00,579
NOT AGAIN.

350
00:18:00,621 --> 00:18:02,290
WELL, THAT'S A SHAME.

351
00:18:02,290 --> 00:18:04,083
WELL, THAT'S WASHINGTON.

352
00:18:04,125 --> 00:18:06,460
WE'VE SPENT TWO YEARS,

353
00:18:06,460 --> 00:18:07,962
BUT WE ALWAYS SEEM TO KNOCKON THE WRONG DOORS.

354
00:18:08,004 --> 00:18:11,090
ISN'T THERE ANYONE ELSETHAT YOU CAN MEET WITH?

355
00:18:11,132 --> 00:18:13,259
MM, WE'VE RUN OUT OF IDEAS.

356
00:18:13,301 --> 00:18:15,469
I'VE GOT A STANDING APPOINTMENT

357
00:18:15,511 --> 00:18:17,263
WITH A DIALYSIS MACHINEBACK HOME,

358
00:18:17,305 --> 00:18:18,807
SO WE CAN'T EXTEND THE TRIP.

359
00:18:18,807 --> 00:18:20,349
OF COURSE.

360
00:18:20,349 --> 00:18:23,144
WOULD YOU EXCUSE MEFOR JUST A MINUTE?

361
00:18:23,186 --> 00:18:25,605
F COURSE.

362
00:18:25,647 --> 00:18:27,023
SO, WE HAVEYOU PENCILED IN

363
00:18:27,066 --> 00:18:28,900
TO JOIN USAT 9:30 TOMORROW.

364
00:18:28,942 --> 00:18:29,818
EXCELLENT.

365
00:18:29,859 --> 00:18:31,236
CAN'T HAVE YOUHEADING BACK

366
00:18:31,278 --> 00:18:32,404
WITHOUT HAVINGAT LEAST

367
00:18:32,404 --> 00:18:34,489
SOME GOOD MEMORIESIN WASHINGTON.

368
00:18:34,489 --> 00:18:35,490
WITHOUT HAVINGSOUNDS LIKE A PLAN!T LEAST

369
00:18:35,490 --> 00:18:38,118
OKAY, WELL, WE'LL SEEYOU GUYS TOMORROW, THEN.

370
00:18:38,160 --> 00:18:39,704
-OKAY, GREAT.-BYE.

371
00:18:39,704 --> 00:18:41,288
BYE.

372
00:18:44,542 --> 00:18:45,501
-OKAY, GREAT.WOW.-BYE.

373
00:18:45,543 --> 00:18:47,545
WHAT A COINCIDENCE, HUH?

374
00:18:47,587 --> 00:18:50,131
I DON'T REALLYBELIEVE IN THEM, NORMAN.

375
00:18:52,133 --> 00:18:53,634
IS THATI DON'T REALLYWHO I THINK IT IS?M, NORMAN.

376
00:18:53,634 --> 00:18:55,345
[CHUYEAH! IT'S PHOEBE AMIDON.

377
00:18:55,345 --> 00:18:56,346
IS THATI DON'T REALLYNO WAY!HINK IT IS?M, NORMAN.

378
00:18:56,346 --> 00:18:57,848
YOU'VE CHECKED IN?

379
00:18:57,889 --> 00:18:59,515
OH, YEAH,I'VE GOT MY ROOM KEY

380
00:18:59,515 --> 00:19:00,934
AND MY ROOMMATE--MISS LOUISIANA.

381
00:19:00,976 --> 00:19:04,354
IT SOUNDS LIKE YOU HAVESOME PRETTY SERIOUS COMPETITION.

382
00:19:04,354 --> 00:19:05,689
OH, I DON'T MIND.

383
00:19:05,731 --> 00:19:07,608
THERE'S MORE TO LIFEAVETHAN WINNING, RIGHT?COMPETITION.

384
00:19:07,649 --> 00:19:10,026
RIGHT. UM, SPEAKING OF WHICH,

385
00:19:10,068 --> 00:19:11,695
I WAS THINKING THAT,BEFORE DINNER,

386
00:19:11,737 --> 00:19:13,447
UM, YOU AND ICOULD--

387
00:19:13,489 --> 00:19:14,406
RITA!

388
00:19:14,448 --> 00:19:16,200
WE'RE GOING OUT FOR YOGURT.YOU WANNA COME?

389
00:19:16,200 --> 00:19:17,952
OH! UM...

390
00:19:17,994 --> 00:19:19,536
WE'RE GOING OUT FOR YOGURT.YEAH! NNA COME?

391
00:19:19,578 --> 00:19:20,662
BYE, GUYS!

392
00:19:23,708 --> 00:19:25,376
SHE SEEMS HAPPY.

393
00:19:25,376 --> 00:19:26,377
YES. SHE DOES.

394
00:19:26,418 --> 00:19:29,213
I SUPPOSE IT'S JUSTTHE THREE OF US FOR DINNER.APPY.

395
00:19:29,213 --> 00:19:30,465
YEAH. YEAH.

396
00:19:30,507 --> 00:19:33,760
WHERE ISE IT'S JUSTMS. McINERNEY?S FOR DINNER.APPY.

397
00:19:38,723 --> 00:19:41,101
HI. IT'S SHANE.

398
00:19:41,143 --> 00:19:44,813
I'M IN TOWNAT THE FRANKLIN ADAMS AND...

399
00:19:46,398 --> 00:19:49,276
STEVE, I-I NEED TO SEE YOU.

400
00:19:59,328 --> 00:20:01,080
I'D LIKE ANOTHER ARNOLD PALMER.

401
00:20:01,122 --> 00:20:04,708
A LITTLE MORE ARNOLD THAN PALMERTHIS TIME, PLEASE.

402
00:20:04,750 --> 00:20:06,460
WHY DO THEY PUTTINY UMBRELLAS IN DRINKS?

403
00:20:06,502 --> 00:20:08,504
WHY NOT TINY CARS?

404
00:20:08,546 --> 00:20:09,714
OR TINY CATS?

405
00:20:09,756 --> 00:20:12,133
SOMETHING ON YOUR MIND?

406
00:20:12,175 --> 00:20:15,929
I JUST KEEP THINKING ABOUTPHOEBE COMING ALL THE WAY HERE

407
00:20:15,929 --> 00:20:19,808
TO FIND OUT IF ANYONE KNOWSWHAT HAPPENED TO HER MOTHER.

408
00:20:20,767 --> 00:20:25,272
EVERYTHING ELSE JUST SEEMS SO...TRIVIAL COMPARED TO THAT.

409
00:20:25,272 --> 00:20:28,317
THE MISS SPECIAL DELIVERYPAGEANT

410
00:20:28,317 --> 00:20:31,779
IS PERHAPS NOT AN EVENTOF GREAT IMPORT

411
00:20:31,821 --> 00:20:33,948
THE MISS SPECIAL DELIVERYTO THE WORLD AT LARGE, NORMAN,

412
00:20:33,989 --> 00:20:36,867
BUT THE WORLDIS A TERRIBLY COMPLICATED PLACE,

413
00:20:36,909 --> 00:20:38,494
AND SO MUCH OF IT CAN BE UGLY.

414
00:20:38,494 --> 00:20:42,415
THAT'S WHY WHAT IS GENTLEAND BEAUTIFUL

415
00:20:42,457 --> 00:20:46,336
AND JOYFULIS WORTH FIGHTING TO PRESERVE.

416
00:20:46,336 --> 00:20:50,131
AND IT'S ALSO WHY WE HONORTHOSE WHO FIGHT.

417
00:20:50,131 --> 00:20:51,257
AND JOYFULIS WORTH FIGHTING TO PRESEYEAH.

418
00:20:55,345 --> 00:20:57,347
AND IT'S ALSO WHY WE HONORSO, NORMAN... WHO FIGHT.

419
00:20:58,974 --> 00:21:00,892
WHAT'S INTHE ENVELOPE? HMM?

420
00:21:00,934 --> 00:21:02,811
WELL, IT'S A SURPRISE F--

421
00:21:04,521 --> 00:21:06,565
WELL, I A SURPRISE F--

422
00:21:06,607 --> 00:21:08,609
MS. McINERNEY.

423
00:21:09,485 --> 00:21:11,112
HELLO, BEAUTIFUL!

424
00:21:13,447 --> 00:21:14,907
-OOH!-OH--

425
00:21:18,202 --> 00:21:19,662
LOOK AT YOU!

426
00:21:19,662 --> 00:21:21,247
WHOO. LOOK AT YOU...

427
00:21:21,288 --> 00:21:22,540
LOOK AI GOT YOUR CALL.

428
00:21:22,540 --> 00:21:24,334
YES, AND I THOUGHTYOU WERE GOING TO

429
00:21:24,334 --> 00:21:26,002
LOOK AI GCALL ME BACK.

430
00:21:26,002 --> 00:21:27,170
I WAS JUSTHOUGHTRIGHT AROUND THE CORNER. TO

431
00:21:27,170 --> 00:21:28,838
I COULDN'T WAIT,SO I STAKED OUT YOUR HOTEL,

432
00:21:28,838 --> 00:21:30,507
FIGURED YOU'D SHOW UPOUGHTRIGHSOONER OR LATER.NER. TO

433
00:21:30,507 --> 00:21:32,842
YES, WELL, GOOD TIMING.

434
00:21:32,842 --> 00:21:34,219
UH, STEVE MAREK,

435
00:21:34,261 --> 00:21:36,346
THESE ARE MY CO-WORKERS--

436
00:21:36,346 --> 00:21:37,681
MY BOSS, ACTUALLY...

437
00:21:37,681 --> 00:21:39,642
OLIVER O'TOOLE

438
00:21:39,683 --> 00:21:41,101
AND NORMAN DORMAN.

439
00:21:42,019 --> 00:21:43,311
DENVER D.L.O., RIGHT?

440
00:21:43,353 --> 00:21:44,688
YES.

441
00:21:44,688 --> 00:21:47,024
I HEARD ABOUT YOU GUYS.YOU DO GREAT WORK.

442
00:21:47,024 --> 00:21:48,025
OH, THANK YOU.

443
00:21:48,025 --> 00:21:50,611
I HEAND WHAT IS ITGUYS.YOU DO FOR THE POST OFFICE?

444
00:21:50,653 --> 00:21:52,863
OLIVER, NORMAN,WOULD IT BE OKAY

445
00:21:52,905 --> 00:21:56,200
IF I BEGGED OFFOF DINNER TONIGHT? UM...

446
00:21:56,200 --> 00:21:58,912
STEVE AND I HAVE...

447
00:21:58,953 --> 00:22:00,621
IF I BEGGED OFFOSOME CATCHING UP TO DO.

448
00:22:01,539 --> 00:22:03,374
I CAN SEE THAT.

449
00:22:03,416 --> 00:22:06,420
BUT PERHAPSWE COULD MEET LATER?

450
00:22:06,420 --> 00:22:07,796
LATER?

451
00:22:10,382 --> 00:22:12,133
TONIGHT?BUT PERHAPSA-AFTER MR. MAREK?T LATER?

452
00:22:13,218 --> 00:22:16,680
FOR A NIGHTCAP?IN THE LOUNGE?

453
00:22:16,721 --> 00:22:19,058
YES. ALL RIGHT.

454
00:22:21,936 --> 00:22:23,729
NORMAN.

455
00:22:23,729 --> 00:22:25,940
SHALL WE DINE?

456
00:22:26,941 --> 00:22:28,067
NORMAN.YES. DINING.

457
00:22:28,108 --> 00:22:29,193
STARVING.

458
00:22:33,072 --> 00:22:34,199
MR. MAREK.

459
00:22:44,918 --> 00:22:47,462
SO THATWAS OLIVER O'TOOLE?

460
00:22:47,462 --> 00:22:49,089
YES.

461
00:22:50,090 --> 00:22:51,550
SO THATWAS DOES HE KNOW?E?

462
00:22:51,592 --> 00:22:53,051
NO.

463
00:22:53,093 --> 00:22:55,220
BUT AFTER TONIGHT...

464
00:22:55,220 --> 00:22:58,349
WE MAY HAVE TO TELL HIM.

465
00:23:00,226 --> 00:23:02,686
BUFTER TONIGHT...

466
00:23:02,728 --> 00:23:04,438
AND ONE, TWO, THREE...

467
00:23:11,278 --> 00:23:12,572
OH! THE PIZZA!

468
00:23:17,410 --> 00:23:18,620
OH!

469
00:23:18,661 --> 00:23:19,954
HI.

470
00:23:19,954 --> 00:23:21,373
HI. IT'S NORMAN.

471
00:23:21,414 --> 00:23:23,458
HI, NORMAN!

472
00:23:23,458 --> 00:23:24,626
HE'S CUTE.

473
00:23:24,626 --> 00:23:26,044
THANK YOU!

474
00:23:26,086 --> 00:23:28,588
UH, RITA,SORRY TO INTERRUPT.

475
00:23:28,630 --> 00:23:31,383
OH, YOU'RE NOT! WE WERE JUSTSITTING AROUND AND STUFF.

476
00:23:31,424 --> 00:23:33,636
I-I DIDN'T KNOWTHAT YOU PLAYED THAT.

477
00:23:33,636 --> 00:23:36,805
WELL, MY PARENTSWERE FLOWER CHILDREN.

478
00:23:36,805 --> 00:23:37,765
RIGHT.

479
00:23:37,806 --> 00:23:39,808
I WAS BORNUNDER THE PEPSI CHALLENGE TENT

480
00:23:39,808 --> 00:23:42,060
IN SEDONA, REMEMBER?

481
00:23:49,152 --> 00:23:51,487
WAS THERESOMETHING YOU NEEDED?

482
00:23:51,487 --> 00:23:53,907
OH. UH...

483
00:23:53,948 --> 00:23:55,199
NO.

484
00:23:55,241 --> 00:23:57,076
AWW.

485
00:23:58,828 --> 00:24:00,497
SEE YA TOMORROW.

486
00:24:00,497 --> 00:24:01,540
OKAY.

487
00:24:04,000 --> 00:24:05,794
SLEEP TIGHT!

488
00:24:05,835 --> 00:24:07,421
BYE, NORMAN!

489
00:24:12,051 --> 00:24:14,053
AW, HE LOOKS LIKEA TEDDY BEAR!

490
00:24:22,186 --> 00:24:24,564
I THINKTHAT WAS OUR SONG.

491
00:24:24,605 --> 00:24:27,024
WE NEVER HAD A SONG.

492
00:24:27,066 --> 00:24:29,068
WE SHOULD HAVE HAD ONE.

493
00:24:30,027 --> 00:24:32,697
SO WHY'DYOU LEAVE D.C.?

494
00:24:32,738 --> 00:24:34,365
TO GET AWAY FROM YOU.

495
00:24:34,365 --> 00:24:35,867
MM. OUCH.

496
00:24:35,867 --> 00:24:38,578
I ALWAYS KNOW WHEREI STAND WITH YOU.

497
00:24:40,038 --> 00:24:44,626
BUT I NEVER KNEWWHERE I STOOD WITH YOU, STEVE.

498
00:24:46,712 --> 00:24:50,757
AND THEN I FINALLY REALIZEDTHAT'S BAD FOR RELATIONSHIPS.

499
00:24:51,925 --> 00:24:55,512
BUT IT'S WHAT MAKES YOUSO GOOD AT YOUR JOB.

500
00:24:56,430 --> 00:24:59,350
BETRAYED BY MY OWN EXCELLENCE.

501
00:24:59,391 --> 00:25:01,352
AND YOUR HUMILITY.

502
00:25:01,393 --> 00:25:03,020
BUT YOU CAME BACK.

503
00:25:03,062 --> 00:25:05,523
ON VACATION.

504
00:25:05,565 --> 00:25:08,192
I WASN'T GOING TO CALL YOU.

505
00:25:09,318 --> 00:25:11,488
BUT NOW...

506
00:25:11,529 --> 00:25:13,656
I GUESS I NEED YOU.

507
00:25:13,698 --> 00:25:15,742
GOOD.

508
00:25:17,535 --> 00:25:20,873
I'LL SEE WHAT I CAN DO.

509
00:25:22,415 --> 00:25:25,418
AM I... EARLY?

510
00:25:28,421 --> 00:25:31,008
NO. NO, I WAS JUST LEAVING.

511
00:25:31,049 --> 00:25:32,676
HOW WAS DINNER?

512
00:25:33,636 --> 00:25:36,054
FINE, THANK YOU.

513
00:25:36,096 --> 00:25:38,599
OKAY.

514
00:25:40,601 --> 00:25:42,770
I'LL SEE YOU TOMORROW?

515
00:25:42,770 --> 00:25:44,772
OKAY.

516
00:25:48,777 --> 00:25:50,111
TOMORROW?

517
00:25:50,111 --> 00:25:50,945
OLIVER.

518
00:25:50,987 --> 00:25:53,615
I WILL JUSTADJUST MY ITINERARY

519
00:25:53,657 --> 00:25:55,325
TO REFLECTTHAT YOU WILL NOT

520
00:25:55,367 --> 00:25:56,785
BE JOINING US

521
00:25:56,826 --> 00:25:59,246
FOR OUR TOURIN THE MORNING.

522
00:25:59,288 --> 00:26:01,206
NO, I WILL.I'M COMING.

523
00:26:01,248 --> 00:26:05,419
WE JUST HAVE TO ADJUSTOUR PLANS FOR THE AFTERNOON.

524
00:26:06,753 --> 00:26:07,838
I COULDN'T BEAR

525
00:26:07,880 --> 00:26:11,425
TO SEE HOW DISAPPOINTED PHOEBEAND HER GRANDFATHER WERE.

526
00:26:11,466 --> 00:26:14,011
SHE'S LOST HER MOTHER,

527
00:26:14,053 --> 00:26:16,055
HE'S LOST A DAUGHTER...

528
00:26:16,096 --> 00:26:18,474
AND I GUESS...

529
00:26:18,474 --> 00:26:20,560
AFTER SEEING--

530
00:26:20,601 --> 00:26:24,147
OR NOT SEEING MY HOUSE TODAY--

531
00:26:25,231 --> 00:26:27,943
I JUST FELT LIKE,AT LEAST-- AT LEAST, WITH THEM,

532
00:26:27,984 --> 00:26:28,860
MAYBE--

533
00:26:28,902 --> 00:26:30,904
MAYBE THEREWAS SOMETHING THAT I COULD DO,

534
00:26:30,946 --> 00:26:33,448
MAYBE I COULD...

535
00:26:33,489 --> 00:26:35,450
HELP THEMIN SOME WAY.

536
00:26:35,450 --> 00:26:37,661
WELL, THAT'S ADMIRABLE,

537
00:26:37,703 --> 00:26:40,246
BUT I'M AFRAIDP THEMLIEUTENANT AMIDON'S SITUATION.

538
00:26:40,246 --> 00:26:41,373
DOES NOT FALL UNDER THE PURVIEW

539
00:26:41,415 --> 00:26:43,750
OF THE UNITED STATESHEMLIEUTENPOSTAL SYSTEM.ITUATION.

540
00:26:43,792 --> 00:26:46,170
I DON'T SEE HOW YOU OR I

541
00:26:46,170 --> 00:26:48,672
OR YOUR FRIEND, STEVE,CAN HOPE TO MAKE A DIFFERENCE.

542
00:26:48,714 --> 00:26:50,799
I DON'T SWELL...YOU OR I

543
00:26:51,758 --> 00:26:54,678
YOU OR I CAN'T, BUT...

544
00:26:57,014 --> 00:26:59,016
OLIVER, I HAVEN'T BEEN

545
00:26:59,058 --> 00:27:02,144
COMPLETELY HONEST WITH YOUABOUT STEVE.

546
00:27:03,396 --> 00:27:05,607
HE'S NOT EXACTLY

547
00:27:05,648 --> 00:27:07,900
WITH THE POST OFFICE.

548
00:27:09,527 --> 00:27:10,695
SO, MS. McINERNEY,

549
00:27:10,695 --> 00:27:13,448
IT WAS YOU WHO MADE THE INITIALCONTACT WITH AGENT MAREK?

550
00:27:13,490 --> 00:27:14,699
YES.EY,

551
00:27:14,699 --> 00:27:16,994
AND IT'S NOT SOMETHINGTHAT I DID LIGHTLY,

552
00:27:17,035 --> 00:27:18,954
BUT NOW I'M GLAD THAT I DID.

553
00:27:20,122 --> 00:27:24,167
SIR, CAN I ASSUMETHAT YOU ARE AGENT MAREK?

554
00:27:25,378 --> 00:27:26,712
YES, I AM, SENATOR.

555
00:27:26,754 --> 00:27:27,713
AND HASTHE TESTIMONY

556
00:27:27,755 --> 00:27:30,132
YOU'VE HEARD SO FARBEEN ACCURATE?

557
00:27:30,174 --> 00:27:31,759
YES, MA'AM.

558
00:27:32,885 --> 00:27:35,554
ALL RIGHT.CONTINUE, MS. McINERNEY.

559
00:27:35,554 --> 00:27:36,890
THANK YOU.

560
00:27:36,931 --> 00:27:38,391
WELL, NEEDLESS TO SAY,

561
00:27:38,432 --> 00:27:40,601
THIS WAS ALL NEWSTO MR. O'TOOLE.

562
00:27:43,730 --> 00:27:45,231
THE CLANDESTINESERVICES?

563
00:27:45,231 --> 00:27:47,484
ONE OF THEM. YES.

564
00:27:47,526 --> 00:27:50,487
YOU... YOU DATED A SPY?

565
00:27:50,529 --> 00:27:53,740
AN INTELLIGENCE ANALYST.

566
00:27:53,782 --> 00:27:56,243
OFFICER.

567
00:27:56,243 --> 00:27:58,578
AGENT.

568
00:27:58,578 --> 00:28:00,080
KIND OF A SPY, YEAH.

569
00:28:00,080 --> 00:28:01,415
YOU LIED TO ME.

570
00:28:01,415 --> 00:28:02,332
I DIDN'T LIE TO YOU.

571
00:28:02,332 --> 00:28:03,583
I LIKE TO THINKTHAT YOU WERE ON

572
00:28:03,583 --> 00:28:06,253
A NEED-TO-KNOW BASIS,AND NOW YOU NEED TO KNOW.OU.

573
00:28:06,295 --> 00:28:09,757
AND WHAT ELSEDO I NEED TO KNOW, HMM?

574
00:28:09,757 --> 00:28:13,218
THAT STEVE HAS AGREEDTO MEET WITH HARPER AND PHOEBE

575
00:28:13,261 --> 00:28:15,388
IF WE TAKE THEMTO THE PENTAGON TOMORROW.

576
00:28:15,430 --> 00:28:17,432
IT SEEMS HE'DAGREE TO ANYTHING

577
00:28:17,432 --> 00:28:20,977
IF IT MEANT RE-IGNITINGTHE FLAMES OF...

578
00:28:21,019 --> 00:28:22,938
YOU KNOW, WHATEVER,WITH YOU.

579
00:28:23,939 --> 00:28:26,149
FIRST OF ALL, OLIVER,

580
00:28:26,191 --> 00:28:28,276
MY FLAMESARE NONE OF YOUR BUSINESS.

581
00:28:29,861 --> 00:28:32,322
AND SECOND,YOU DON'T HAVE TO LIKE HIM,

582
00:28:32,363 --> 00:28:33,449
BUT HE'S A GOOD MAN,

583
00:28:33,490 --> 00:28:36,743
AND WHATEVER HE MAY HAVEMEANT TO ME IN THE PAST,

584
00:28:36,785 --> 00:28:40,706
ALL HE MEANS NOWIS A CHANCE TO HELP PHOEBE.

585
00:28:43,334 --> 00:28:45,377
REALLY.

586
00:28:50,341 --> 00:28:51,676
REALLY.

587
00:28:59,392 --> 00:29:00,477
MR. O'TOOLE,

588
00:29:00,477 --> 00:29:03,646
I AM DUE AT THE SENATEWAYS AND MEANS COMMITTEE

589
00:29:03,646 --> 00:29:04,606
IN AN HOUR.

590
00:29:04,606 --> 00:29:06,149
I AM DUE AT THE SENATENOW, CAN I BEGIN TO HOPE

591
00:29:06,149 --> 00:29:10,362
THAT THERE IS A WAY OR A MEANINGWITH THIS STORY OF YOURS?

592
00:29:10,403 --> 00:29:11,404
HMM?

593
00:29:11,446 --> 00:29:13,490
OH, ABSOLUTELY.

594
00:29:14,491 --> 00:29:15,492
-THE NEXT DAY---HI!

595
00:29:15,492 --> 00:29:16,785
...WE TOOK PHOEBE

596
00:29:16,785 --> 00:29:18,203
AND HER GRANDFATHER TO THE NATIONAL POSTAL MUSEUM,

597
00:29:18,245 --> 00:29:19,538
WHERE RITA AND THE OTHER CONTESTANTS

598
00:29:19,580 --> 00:29:21,206
WERE MAKING AN APPEARANCE

599
00:29:21,248 --> 00:29:22,500
AND I WAS...

600
00:29:22,500 --> 00:29:25,211
WELL, I WAS ON SOMETHING OF A SENTIMENTAL JOURNEY.

601
00:29:40,519 --> 00:29:41,603
YOU SEEM...

602
00:29:41,645 --> 00:29:44,689
DEEP IN THOUGHT.

603
00:29:46,691 --> 00:29:47,859
THREE YEARS AGO,

604
00:29:47,859 --> 00:29:51,446
I, UH, STOOD ON THIS VERY SPOTWITH MY WIFE...

605
00:29:52,572 --> 00:29:57,995
EXPOUNDING ON THE EARLY DAYSOF THE PONY EXPRESS.

606
00:29:59,955 --> 00:30:02,667
I TURNED AROUND AND, UH...

607
00:30:02,708 --> 00:30:04,544
SHE WASN'T THERE.

608
00:30:04,585 --> 00:30:09,048
I STOOD HERE WAITING AND WAITINGUNTIL THEY CLOSED,

609
00:30:09,048 --> 00:30:10,383
BUT, BY THEN,

610
00:30:10,383 --> 00:30:14,387
I STOOSHE'D ALREADY LEFT MEITINGAND CAUGHT A PLANE TO PARIS.

611
00:30:14,387 --> 00:30:16,973
THAT MUST HAVE BEENVERY PAINFUL.

612
00:30:19,017 --> 00:30:21,645
WHY DID YOU COME BACK HERETODAY?

613
00:30:25,941 --> 00:30:28,276
CLOSURE.

614
00:30:29,611 --> 00:30:32,656
YOU REMIND ME OF RANDILYNN.

615
00:30:33,532 --> 00:30:36,202
WHEN SHE WAS...NOT EVEN TWO,

616
00:30:36,243 --> 00:30:38,913
SHE COULD BARELY TALK,BUT SHE COULD WALK.

617
00:30:38,955 --> 00:30:41,332
WE COULDN'T KEEP UP WITH HER.

618
00:30:41,373 --> 00:30:44,085
ONE DAY, I TURNED AROUNDAND SHE WAS GONE,

619
00:30:44,126 --> 00:30:47,254
THEN I HEARD THIS HUGE BANG.

620
00:30:47,296 --> 00:30:50,174
I WENT RUNNING INTO THE BEDROOMAND THERE SHE IS,

621
00:30:50,216 --> 00:30:51,593
ON THE FLOOR, SOBBING.

622
00:30:51,634 --> 00:30:53,761
I SAID,"HONEY, WHAT HAPPENED?"

623
00:30:53,761 --> 00:30:56,806
WELL, SHE WAS CRYING SO HARD,SHE COULDN'T TELL ME,

624
00:30:56,848 --> 00:30:58,475
SO SHE-- SHE CLIMBED UP"HONEYON THE BEDPENED?"

625
00:30:58,516 --> 00:31:01,228
AND ROLLED OFF AGAINJUST TO SHOW ME.

626
00:31:02,813 --> 00:31:03,814
THAT KID...

627
00:31:03,856 --> 00:31:05,816
SHE WAS ALWAYS GOING BACK

628
00:31:05,816 --> 00:31:08,777
TO THE MOST PAINFUL PLACESIN HER LIFE

629
00:31:08,777 --> 00:31:11,489
TO MAKE SOME SENSESHE WAS ALOF THE PAIN.ACK

630
00:31:14,658 --> 00:31:16,660
ALL FOUR VERSES?

631
00:31:16,702 --> 00:31:18,787
YEAH. AND IFTHAT DIDN'T WORK,

632
00:31:18,787 --> 00:31:19,788
SHE'D DO EVERY VERSE

633
00:31:19,788 --> 00:31:21,040
OF THE STAR-SPANGLED BANNER, TOO.

634
00:31:21,082 --> 00:31:23,292
WOW. THATIS PRETTY PATRIOTIC.

635
00:31:23,292 --> 00:31:26,254
SHE WAS.

636
00:31:26,295 --> 00:31:29,048
HEY! PHOEBE!HOW ARE YOU?

637
00:31:29,090 --> 00:31:30,091
-I'M GOOD.-HOW'S LIB?

638
00:31:30,133 --> 00:31:31,134
-SHE'S GETTING FAT.-OH!

639
00:31:31,175 --> 00:31:33,052
I MADE THE NEIGHBORSPROMISE TO WALK HER

640
00:31:33,094 --> 00:31:34,429
TWICE A DAYWHILE WE WERE GONE.

641
00:31:35,304 --> 00:31:36,305
I LOVE YOUR CROWN.

642
00:31:36,305 --> 00:31:37,307
OH, THANK YOU!

643
00:31:37,349 --> 00:31:39,017
I HAVE TOWEAR IT EVERYWHERE.E YOUR CROWN.

644
00:31:39,058 --> 00:31:40,352
PHOTO SHOOTS, INTERVIEWS,

645
00:31:40,394 --> 00:31:43,147
EVEN A LECTUREON SPORTSMANSHIP

646
00:31:43,188 --> 00:31:45,024
BY LAST YEAR'SMISS SPECIAL HANDLING...

647
00:31:45,065 --> 00:31:46,316
WHAT'S THAT?

648
00:31:46,358 --> 00:31:49,236
OH, IT'S LIKEMISS CONGENIALITY, ONLY POSTAL.

649
00:31:49,278 --> 00:31:50,279
ANYWAYS,

650
00:31:50,320 --> 00:31:53,198
I AM FREE AS A BIRDFOR THE REST OF THE DAY.

651
00:31:53,240 --> 00:31:54,158
GREAT, UH, BECAUSE

652
00:31:54,158 --> 00:31:55,993
I HAVE SOMETHING BACKAT THE HOTEL THAT--

653
00:31:55,993 --> 00:31:56,994
PHOEBE! BECAUSE

654
00:31:56,994 --> 00:31:58,037
I HAVE SOMETHING BACKHAT--

655
00:31:58,078 --> 00:31:59,497
[SAFTER LUNCH,E! BECAUSE

656
00:31:59,497 --> 00:32:01,707
I WOULD LIKE TO TAKE YOUAND YOUR GRANDFATHER

657
00:32:01,749 --> 00:32:02,750
TO MEET A FRIEND OF MINE.

658
00:32:02,792 --> 00:32:05,753
I CAN'T PROMISE ANYTHING, BUT...

659
00:32:05,795 --> 00:32:07,297
MS. McINERNEY.

660
00:32:08,548 --> 00:32:11,217
GRANDPA!ARE YOU ALL RIGHT?

661
00:32:12,427 --> 00:32:14,054
GRANDPA?

662
00:32:16,890 --> 00:32:18,475
I THINK HE JUSTOVERDID IT A BIT,

663
00:32:18,517 --> 00:32:20,268
BUT WE'LL HAVE HIMCHECKED OUT JUST IN CASE.

664
00:32:20,310 --> 00:32:22,479
THANKS, NORMAN.

665
00:32:24,356 --> 00:32:26,775
GET SOME REST, HARPER.

666
00:32:27,901 --> 00:32:30,279
WELL, I GUESSIT'S UP TO US

667
00:32:30,321 --> 00:32:31,405
TO KEEPTHAT APPOINTMENT.

668
00:32:31,447 --> 00:32:33,240
WHAT APPOINTMENT?

669
00:32:33,240 --> 00:32:36,368
SO YOU ATTENDEDTHIS MEETING YESTERDAY

670
00:32:36,410 --> 00:32:38,204
AS WELL, MS. HAYWORTH?MENT?

671
00:32:38,245 --> 00:32:41,708
UH, IT'S "HAYWITH,"WITH AN "I".

672
00:32:42,667 --> 00:32:44,377
OH.

673
00:32:44,377 --> 00:32:46,045
YES, I DID.

674
00:32:46,045 --> 00:32:48,756
I HAD A FREE AFTERNOON OFF,SO I WENT ALONG.

675
00:32:48,798 --> 00:32:50,883
AND I AM VERY GLAD THAT I DID.

676
00:32:52,552 --> 00:32:55,388
I THINK.

677
00:32:55,388 --> 00:32:57,725
AM I IN TROUBLE?

678
00:32:57,725 --> 00:33:00,227
JUST GIVE US THE FACTS,MS. HAYWITH.

679
00:33:00,268 --> 00:33:01,311
OH, OKAY.

680
00:33:01,353 --> 00:33:02,605
WELL, FIRST OF ALL,

681
00:33:02,646 --> 00:33:04,857
I HAD TO LEAVE MY CROWNAT THE DOOR.

682
00:33:05,816 --> 00:33:07,443
OH...

683
00:33:07,485 --> 00:33:09,987
I FEEL SO NAKEDWITHOUT IT.

684
00:33:13,282 --> 00:33:14,700
HERE HE COMES.

685
00:33:14,742 --> 00:33:16,702
OH.

686
00:33:20,749 --> 00:33:21,958
OHI DID SOME DIGGING.

687
00:33:22,000 --> 00:33:24,002
I GOT AHOLD OF THE FILE--

688
00:33:24,043 --> 00:33:26,254
IT'S AN ACTIVE, WORKING CASE.

689
00:33:26,295 --> 00:33:27,631
NOW, WE NEVER GIVE UPON OUR OWN,

690
00:33:27,672 --> 00:33:28,923
NO MATTER HOW LONG IT TAKES,

691
00:33:28,923 --> 00:33:32,761
BUT, AFTER READING THROUGH THIS,WE MIGHT BE RUNNING OUT OF TIME.

692
00:33:32,761 --> 00:33:36,306
SO YOU DON'T BELIEVESHE WAS KILLED IN THE MISSION?

693
00:33:38,767 --> 00:33:41,436
LOOK, I CAN'T READ YOUINTO THE FILE,

694
00:33:41,436 --> 00:33:43,773
BUT I CAN SAY THAT,AS OF SIX MONTHS AGO,

695
00:33:43,814 --> 00:33:46,275
I PERSONALLY BELIEVELIEUTENANT AMIDON WAS ALIVE

696
00:33:46,275 --> 00:33:49,487
AND BEING HELDSOMEWHERE NEAR PAKISTAN.

697
00:33:50,613 --> 00:33:53,032
LIKELY BY THE INSURGENTSTHAT ATTACKED HER TEAM

698
00:33:53,073 --> 00:33:54,950
WHEN SHE DISAPPEARED.

699
00:33:54,950 --> 00:33:56,911
THEN YOU THINKSHE WAS CAPTURED?

700
00:33:56,952 --> 00:33:58,621
OFF THE RECORD?

701
00:33:58,663 --> 00:34:01,416
GO ON, PLEASE.

702
00:34:02,333 --> 00:34:04,961
WELL,LIEUTENANT AMIDON WAS A MEDIC.

703
00:34:04,961 --> 00:34:07,756
SHE TRAINED FORTHE CULTURAL SUPPORT TEAMS,

704
00:34:07,798 --> 00:34:09,675
WHO INTERFACE WITH THE AFGHANS,

705
00:34:09,716 --> 00:34:10,759
COLLECTED INTELLIGENCE.

706
00:34:10,801 --> 00:34:11,718
SEE, THE MALE SOLDIERS

707
00:34:11,718 --> 00:34:13,136
COULDN'T TALK TO AFGHAN WOMEN,

708
00:34:13,178 --> 00:34:14,971
BUT THE FEMALE SOLDIERS COULD.

709
00:34:15,013 --> 00:34:17,266
WHAT SEEMED LIKE SUSPICIOUS ACTIVITY--

710
00:34:17,308 --> 00:34:19,351
GOING OFF-BASE, CONSORTING WITH THE LOCALS--

711
00:34:19,393 --> 00:34:22,563
HAD ACTUALLY BEEN COVERTLY SANCTIONED BY THE ARMY.

712
00:34:22,604 --> 00:34:25,942
SEE, WE CAN'T ALWAYSANSWER ALLEGATIONS

713
00:34:25,983 --> 00:34:27,651
WITHOUT PUTTINGOTHER PEOPLE IN DANGER,

714
00:34:27,651 --> 00:34:29,946
SO THE WHOLE TRUTHABOUT LIEUTENANT AMIDON

715
00:34:29,987 --> 00:34:31,864
IS, REALLY, YET TO BE TOLD.

716
00:34:31,906 --> 00:34:35,076
IS SHE ALIVE, STEVE?

717
00:34:38,204 --> 00:34:40,498
SHE WENT BACKFOR TWO OF OUR OWN,

718
00:34:40,540 --> 00:34:42,209
WHO WERE CUT DOWNIN A FIREFIGHT.

719
00:34:42,250 --> 00:34:45,128
NOW, THE INSURGENTSHAD WITHDRAWN,

720
00:34:45,170 --> 00:34:46,338
BUT THEY WAITED, AS THEY DO,

721
00:34:46,338 --> 00:34:48,215
FOR THE RESCUE TEAMTO COME BACK FOR THE WOUNDED.

722
00:34:48,256 --> 00:34:50,508
AND THENTHEY AMBUSHED THEM?

723
00:34:53,386 --> 00:34:54,680
HANG IN THERE, COSTAS!YOU HEAR ME?

724
00:34:54,722 --> 00:34:56,974
WE'RE GONNA GET YOU OUT OF HERE!

725
00:34:58,016 --> 00:34:59,101
EVAC!

726
00:35:06,024 --> 00:35:07,693
MOVE OUT! MOVE OUT!

727
00:35:30,634 --> 00:35:33,220
RANDI!

728
00:35:33,220 --> 00:35:34,596
RANDI!

729
00:35:34,638 --> 00:35:37,057
GET UP! RANDILYNN!

730
00:35:41,854 --> 00:35:43,981
AND THEN SHE WAS WOUNDED?

731
00:35:44,023 --> 00:35:45,400
AND CAPTURED.

732
00:35:45,441 --> 00:35:47,360
BUT NOT BY ANY CENTRAL GROUP,

733
00:35:47,402 --> 00:35:49,445
OTHERWISE WE WOULD'VEKNOWN MORE BY NOW.

734
00:35:50,946 --> 00:35:54,200
THERE WAS A RESCUE ATTEMPTLAST YEAR.

735
00:35:55,451 --> 00:35:56,494
AFTER THAT,

736
00:35:56,536 --> 00:35:57,871
IT APPEARSTHAT SHE WAS MOVED.

737
00:35:57,913 --> 00:35:59,873
THE DRONES HAVEN'T BEEN ABLETO FIND HER.

738
00:35:59,915 --> 00:36:02,751
WE FOLLOWED UP ON A SIGHTING,BUT THAT DIDN'T PAN OUT.

739
00:36:02,793 --> 00:36:04,628
THEN THERE'S THIS LETTER,WHICH MAY OR MAY NOT

740
00:36:04,628 --> 00:36:06,087
HAVE BEEN WRITTENBY LIEUTENANT AMIDON,

741
00:36:06,129 --> 00:36:07,923
THBUT THAT'S GONNA TAKER,SOME TIME TO CONFIRM.

742
00:36:07,964 --> 00:36:10,426
I'M SORRY,DID YOU SAY A LETTER?

743
00:36:11,760 --> 00:36:13,304
A LETTER. YEAH.

744
00:36:21,062 --> 00:36:22,897
A POINT OFCLARIFICATION,

745
00:36:22,939 --> 00:36:24,231
PLEASE, MADAME CHAIRMAN.

746
00:36:24,273 --> 00:36:26,400
MS. HAYWITH,HAVE WE FINALLY

747
00:36:26,442 --> 00:36:29,153
COME TO THE REASON FORTHIS HEARING THIS MORNING?

748
00:36:29,195 --> 00:36:30,488
YOU MEAN THE LETTER?

749
00:36:30,488 --> 00:36:32,574
YES.

750
00:36:32,615 --> 00:36:34,617
OH, YES. THAT'S WHENYMR. MAREK SHOWED US THE LETTER.

751
00:36:34,617 --> 00:36:35,910
WELL, HE ACTUALLYDIDN'T SHOW US THE LETTER,

752
00:36:35,952 --> 00:36:37,036
THAT WAS THE PROBLEM.

753
00:36:38,580 --> 00:36:40,623
THAT'S WHENI DID THE BAD THING.

754
00:36:40,623 --> 00:36:43,460
GO ON.

755
00:36:48,256 --> 00:36:50,593
THIS ARRIVEDALMOST TWO WEEKS AGO

756
00:36:50,634 --> 00:36:51,677
FROM AFGHANISTAN,

757
00:36:51,719 --> 00:36:53,053
MADE ITS WAY TO US.

758
00:36:53,095 --> 00:36:54,012
IT'S NOT IN AN ENVELOPE.

759
00:36:54,012 --> 00:36:55,138
IT'S ALL JERRY-RIGGED TOGETHERWITH TAPE,

760
00:36:55,138 --> 00:36:56,307
IT'S IT'S ADDRESSEDLOPE.

761
00:36:56,349 --> 00:36:58,100
IT'S ALL JERRY-RIGGED TOGETHER"F-E-E-B."

762
00:36:58,142 --> 00:37:00,603
"BY THE AMERICAN SECRETARYOF THE MILITARY EMBASSY,

763
00:37:00,603 --> 00:37:01,645
"WASHINGTON, D.C., U.S.A.,

764
00:37:01,687 --> 00:37:03,022
"BY THE AMERICAN SECRETARYOFFROM SOLDIER FEMALE.",

765
00:37:03,064 --> 00:37:05,649
NOW, THE HANDWRITINGON THE OUTSIDE IS DIFFERENT

766
00:37:05,649 --> 00:37:06,985
FROM THE INSIDE.

767
00:37:07,026 --> 00:37:08,402
NOLIEUTENANT AMIDONGONMAY HAVE WRITTEN THIS,ENT

768
00:37:08,444 --> 00:37:10,947
BUT SOMEBODY ELSE MAILED ITAND ROUTED IT THROUGH KABUL.

769
00:37:10,989 --> 00:37:12,699
KABUL HAS MAIL?

770
00:37:12,741 --> 00:37:14,117
AH. YOU'D BE SURPRISED.

771
00:37:14,117 --> 00:37:17,329
THEY HAVE QUITE AN EFFICIENTPOSTAL SYSTEM IN AFGHANISTAN.

772
00:37:17,329 --> 00:37:18,455
AH. YOU'D BE SUR: OH.

773
00:37:18,497 --> 00:37:20,999
TAND WITH ALL THE CELLPHONESPOSTAL SYAND LAPTOPSHANISTAN.

774
00:37:21,040 --> 00:37:22,542
BEING HACKED SO OFTENOUT THERE,

775
00:37:22,584 --> 00:37:24,336
THIS MAY HAVE BEEN A GOOD WAY

776
00:37:24,336 --> 00:37:26,588
TO GET A MESSAGE THROUGHUNMONITORED.

777
00:37:26,630 --> 00:37:27,840
I HAVE ALWAYS MAINTAINED THAT

778
00:37:27,840 --> 00:37:32,219
MAIL IS STILL THE GOLD STANDARDOF HUMAN COMMUNICATION.

779
00:37:33,512 --> 00:37:35,014
I HAVE ALWARIGHT.NTAINED THAT

780
00:37:35,014 --> 00:37:36,015
THE PROBLEM IS,

781
00:37:36,056 --> 00:37:37,391
I MEAN,EXCEPT FOR SOMETHING IN HERET

782
00:37:37,433 --> 00:37:38,643
ABOUT THE FOURTH OF JULY,

783
00:37:38,684 --> 00:37:40,686
IT ALL REALLY JUST APPEARSTO BE GIBBERISH.

784
00:37:40,686 --> 00:37:42,688
BUT THAT'S WHAT WE DOEVERY DAY--

785
00:37:42,730 --> 00:37:45,858
WE FIGURE OUT LETTERSTHAT DON'T MAKE SENSE.

786
00:37:45,858 --> 00:37:46,859
LET'S SEE.

787
00:37:46,901 --> 00:37:48,653
OH, I-I CAN'T LET YOUTHAT LOOK AT THAT.NSE.

788
00:37:48,653 --> 00:37:52,866
OH, FOR HEAVEN'S SAKE, STEVE.WE'RE ALL ON THE SAME SIDE!

789
00:37:52,908 --> 00:37:55,702
OHIT'S CLASSIFIED.YOUI'VE SHOWN YOU TOO MUCH ALREADY.

790
00:37:55,702 --> 00:37:57,538
WELL, NOT TO PUTTOO FINE A POINT ON THIS,

791
00:37:57,579 --> 00:37:58,580
THAT WAS NOT ADDRESSED

792
00:37:58,622 --> 00:38:02,167
TO THE SECRETARY,BUT SOMEONE NAMED "F-E-E-B,"

793
00:38:02,208 --> 00:38:04,545
WHICH I SUBMIT IS SOMEONE'SIDEA OF HOW TO SPELL "PHOEBE,"

794
00:38:04,545 --> 00:38:06,963
AND, THEREFORE,STILL HAS YET TO BE DELIVERED

795
00:38:07,005 --> 00:38:08,424
WHICH I SUBMIT IS SOMEONE'SIDTO ITS INTENDED RECIPIENT,,"

796
00:38:08,465 --> 00:38:09,716
AND, THEREFORE,FALLS CLEARLY UNDER

797
00:38:09,716 --> 00:38:12,469
THE JURISDICTION OF THE UNITEDSTATES POSTAL SERVICE.

798
00:38:13,554 --> 00:38:15,056
AND, THEREFORE,FAIS HE KIDDING?DER

799
00:38:15,056 --> 00:38:17,558
I'M SORRY, HE'S NOT.

800
00:38:18,475 --> 00:38:20,562
WELL, THAT'SJUST NOT GONNA HAPPEN.

801
00:38:20,603 --> 00:38:22,605
THERE'S TOO MUCH ANALYSIS AHEAD.

802
00:38:22,647 --> 00:38:24,816
THERE'S HANDWRITING,DNA, CRYPTOGRAPHY.

803
00:38:24,816 --> 00:38:26,401
YOU THINKIT'S A CODED MESSAGE?

804
00:38:26,443 --> 00:38:28,278
I HOPE SO,OTHERWISE, LIKE I SAID,

805
00:38:28,320 --> 00:38:30,071
IT JUST DOESN'T MAKE ANY SENSE.

806
00:38:30,113 --> 00:38:31,156
I KNOW.

807
00:38:31,198 --> 00:38:34,284
I MEAN... I BET!

808
00:38:35,911 --> 00:38:37,745
WE SHOULD GO!

809
00:38:37,745 --> 00:38:39,748
I HAVE A BIG TAP DANCE[RITNUMBER TO LEARN TONIGHT.

810
00:38:43,586 --> 00:38:44,795
STEVE...

811
00:38:44,837 --> 00:38:48,591
I THINK I SHOULD TELL YOU THATRITA HAS A PHOTOGRAPHIC MEMORY

812
00:38:48,591 --> 00:38:50,008
AND THERE'SA PRETTY GOOD CHANCE

813
00:38:50,050 --> 00:38:52,303
THAT SHE CAN REMEMBER EVERYTHINGTHAT LETTER SAID.

814
00:38:52,345 --> 00:38:54,012
AH, GIVE OR TAKE A FEWWORDS HERE AND THERE.

815
00:38:54,055 --> 00:38:56,057
YOUR THUMB WASCOVERING SOME OF IT.

816
00:38:56,099 --> 00:38:56,975
SORRY.

817
00:38:57,016 --> 00:38:58,935
WELL, LET'S JUST PRETENDI DIDN'T HEAR THAT.

818
00:38:58,977 --> 00:39:00,895
FAIR ENOUGH.

819
00:39:00,937 --> 00:39:01,855
IF YOU COME UPWITH ANYTHING,

820
00:39:01,896 --> 00:39:03,189
I'D LIKETO HEAR ABOUT IT.

821
00:39:03,231 --> 00:39:06,109
I DIDN'T KNOWTHE "DEPARTMENT OF AGRICULTURE"

822
00:39:06,109 --> 00:39:07,777
WAS SO CLANDESTINE.

823
00:39:07,777 --> 00:39:09,738
YOU'D BE SURPRISED.

824
00:39:17,621 --> 00:39:18,705
DON'T FORGET YOUR CROWN.

825
00:39:18,747 --> 00:39:20,624
OH, RIGHT.

826
00:39:22,417 --> 00:39:25,254
WOW.A REAL SPY. STEVE?

827
00:39:25,295 --> 00:39:27,339
ANALYST.

828
00:39:27,381 --> 00:39:29,634
A MINOR COG IN THE WHEEL.

829
00:39:29,634 --> 00:39:31,260
HOW IS HARPER?

830
00:39:31,301 --> 00:39:33,971
OH, WELL, I WANTEDTO TAKE HIM TO SEE A DOCTOR,

831
00:39:33,971 --> 00:39:36,807
BUT HE INSISTED ON GOING BACKTO THE HOTEL WITH PHOEBE.

832
00:39:36,807 --> 00:39:40,686
HARPER'S A TOUGH GUY,BUT HE COULD USE SOME GOOD NEWS.

833
00:39:40,686 --> 00:39:43,814
BUT HE INSITHEN WE NEED TOACKTO THE HOFIND HIM SOME, HMM?

834
00:39:43,814 --> 00:39:44,774
HARPER'S A TOUGH GUY,BUT HE COULWELL, HOW? GOOD NEWS.

835
00:39:44,816 --> 00:39:47,068
WE ONLY HAD ONE... COG.

836
00:39:47,861 --> 00:39:50,321
WE ARE AN ELITE POSTALTASK FORCE, NORMAN.

837
00:39:50,363 --> 00:39:52,491
WIDE POWERSOF POSTAL DISCRETION.

838
00:39:52,491 --> 00:39:55,494
I THINK IT'S TIMEWE USED THEM.

839
00:39:56,870 --> 00:39:58,664
OKAY, THERE WASONLY SIX LINES.

840
00:39:58,664 --> 00:40:02,334
THE FIRST ONE WAS, UM,"THE DAY WILL END FAST."

841
00:40:02,376 --> 00:40:03,710
AND THEN"THE BIRTHDAY OF LIBERTY,"

842
00:40:03,752 --> 00:40:07,840
WHICH IS THE FOURTH OF JULY CLUETHAT STEVE WAS TALKING ABOUT.

843
00:40:07,840 --> 00:40:09,759
GO ON.

844
00:40:09,759 --> 00:40:11,510
WHICH IS THEN THERE WASJULY CLUETHAT THIS WEIRD THING--ABOUT.

845
00:40:11,552 --> 00:40:13,012
"RETURN TO THE FOUR-POSTER."

846
00:40:13,012 --> 00:40:15,014
WHAT?

847
00:40:15,973 --> 00:40:18,059
SOME KIND OFARMY POST, MAYBE?

848
00:40:18,100 --> 00:40:20,312
HMM.

849
00:40:20,353 --> 00:40:22,272
THEN THERE WAS, LET ME SEE,

850
00:40:22,314 --> 00:40:24,232
"SONG 5-9-1-6"

851
00:40:24,274 --> 00:40:27,194
AND "PROVERBIAL 1-8-1-0."

852
00:40:28,862 --> 00:40:30,072
ANYTHING ELSE?

853
00:40:30,113 --> 00:40:32,700
NO, JUST HALF A WORD OR TWO.

854
00:40:32,700 --> 00:40:34,868
"GRIM FEET."

855
00:40:34,910 --> 00:40:35,869
NO, JUST HALF A GRIM FEET?O.

856
00:40:35,869 --> 00:40:36,870
THAT'S WHAT IT SAID.

857
00:40:36,870 --> 00:40:40,332
THAT'S THE PART WHEREHIS THUMB WAS COVERING IT.

858
00:40:40,374 --> 00:40:44,086
STEVE'S RIGHT.NONE OF THIS MAKES ANY SENSE.

859
00:40:44,086 --> 00:40:47,256
EVERYTHING SEEMS LIKESOME SORT OF CLUE,

860
00:40:47,256 --> 00:40:50,343
SO IT MUST MEAN SOMETHINGNONE OF TTO SOMEONE.NY SENSE.

861
00:40:50,384 --> 00:40:52,095
EVERYTHING SEEMS LIKESOME SMM-HMM.CLUE,

862
00:40:52,136 --> 00:40:53,888
WELL, IF IT WASADDRESSED TO PHOEBE,

863
00:40:53,930 --> 00:40:55,682
SHOULDN'T SHE KNOWWHAT IT MEANS?

864
00:40:55,724 --> 00:40:57,809
SOMEONE ELSEWROTE THAT ON THE ENVELOPE,

865
00:40:57,851 --> 00:40:59,936
AND I WOULD HATETO GIVE PHOEBE FALSE HOPE

866
00:40:59,978 --> 00:41:01,270
IF WE DON'T HAVE TO.

867
00:41:01,312 --> 00:41:03,231
WE ARE PROFESSIONALS.

868
00:41:03,231 --> 00:41:06,568
WE SHOULD BE ABLETO BREAK THIS CODE.

869
00:41:22,459 --> 00:41:23,628
I HATE TO SAY THIS,

870
00:41:23,669 --> 00:41:25,045
BUT I REALLY DO NEED

871
00:41:25,087 --> 00:41:26,922
TO LEARN TO TAP DANCE,BUT I PROMISE YOU,

872
00:41:26,922 --> 00:41:29,717
WHILE MY FEET ARE TAPPING,MY MIND WILL BE THINKING.

873
00:41:29,717 --> 00:41:31,261
DO YOU WANNA COME, NORMAN?

874
00:41:32,262 --> 00:41:33,263
WHILE MY FEET ARE TAPPING,MY MIND OH, SURE!HINKING.

875
00:41:33,263 --> 00:41:34,930
OKAY.

876
00:41:34,930 --> 00:41:38,351
UM, WHAT WASTHAT LAST CLUE AGAIN?

877
00:41:38,351 --> 00:41:39,936
IT WAS A PARTIAL."GRIM FEET."

878
00:41:39,936 --> 00:41:41,271
UM, WHAT WASTHAT LAST CLUE AGAIN?

879
00:41:41,271 --> 00:41:44,775
WE MAY BE IN OVERRTIAL.OUR HEADS HERE, OLIVER.

880
00:41:44,816 --> 00:41:45,942
I MEAN,

881
00:41:45,984 --> 00:41:49,279
THE ONLY THING THAT WE HAVEIS THE FOURTH OF JULY CLUE.

882
00:41:49,321 --> 00:41:50,572
THE FOURTH HAS COME AND GONE.

883
00:41:50,614 --> 00:41:56,662
IF THAT DAY IS IMPORTANT,THEN THIS COULD ALL BE TOO LATE.

884
00:42:22,981 --> 00:42:24,232
YEAH!

885
00:42:28,028 --> 00:42:30,447
MISS LOUISIANA,SLIDE YOU OVER HERE...

886
00:42:33,992 --> 00:42:35,661
SO MUCH HARDERTHAN YOU'D THINK!

887
00:42:35,661 --> 00:42:38,747
YEAH. EVERYBODY'SOUT OF STEP BUT YOU.

888
00:42:40,333 --> 00:42:42,251
HOW MANY PEOPLE DO YOUTHINK ARE GONNA BE THERE?

889
00:42:42,293 --> 00:42:43,544
OH, LIKE 500.

890
00:42:43,544 --> 00:42:47,131
I CAN'T SINGIN FRONT OF 500 PEOPLE!

891
00:42:47,173 --> 00:42:48,132
OH, YOU'LL BE OKAY.OH, LIKE 500.

892
00:42:48,174 --> 00:42:49,217
IN RITA'S BOOK,

893
00:42:49,258 --> 00:42:50,969
FRONTIER DUCHESS,

894
00:42:51,010 --> 00:42:53,012
RENITA HAS TO SING "MOON RIVER"

895
00:42:53,012 --> 00:42:55,056
WHILE SITTINGON TOP OF A WURLITZER ORGAN

896
00:42:55,098 --> 00:42:56,057
RENIN THE LAST CHANCE SALOONER"

897
00:42:56,099 --> 00:42:58,352
WHILE A BUNCH OF COWBOYSEAT PISTACHIOS.

898
00:42:58,393 --> 00:43:00,562
BUT SHE KNOWSTHAT IT'LL INSPIRE MR. D'LORMAN

899
00:43:00,604 --> 00:43:02,147
BEFORE THE BIG SHOOT-OUT,

900
00:43:02,189 --> 00:43:03,815
SO SHE DOES IT.

901
00:43:03,857 --> 00:43:06,318
WOW! I WANNAREAD THAT BOOK.

902
00:43:06,360 --> 00:43:09,363
OKAY, LADIES,LET'S GO BACK TO FIFTH POSITION.

903
00:43:09,363 --> 00:43:10,280
FIFTH?

904
00:43:10,280 --> 00:43:11,448
MY DOGS AREBARKIN' SO BAD,

905
00:43:11,490 --> 00:43:12,700
I CAN'T GET BACKTO FIRST.FIFTH?

906
00:43:12,742 --> 00:43:15,327
"MY DOGS ARE BARKING."

907
00:43:15,327 --> 00:43:17,079
DON'T YOU JUST LOVE HER?

908
00:43:17,121 --> 00:43:19,374
-"MY DOGS-YEAH.ARKING."

909
00:43:20,875 --> 00:43:23,043
FIVE, SIX, SEVEN, EIGHT...

910
00:43:28,591 --> 00:43:29,634
"MY DOGS"?

911
00:43:32,303 --> 00:43:33,722
"DOG.OGS"?

912
00:43:33,722 --> 00:43:35,265
DOGS? DOGS!

913
00:43:35,306 --> 00:43:36,892
LIBERTY! LET'S GO!

914
00:43:39,394 --> 00:43:43,064
S GO!

915
00:43:43,106 --> 00:43:44,608
"LIBERTY"?

916
00:43:44,650 --> 00:43:45,651
YES, MA'AM.

917
00:43:45,692 --> 00:43:48,154
RANDILYNN WASN'T TALKINGABOUT THE FOURTH OF JULY.

918
00:43:48,195 --> 00:43:50,489
SHE WAS TALKING ABOUT LIB.

919
00:43:50,531 --> 00:43:52,366
THEIR DOG'S NAMEIS "LIBERTY."

920
00:43:52,408 --> 00:43:53,910
ARE YOU TELLING ME

921
00:43:53,910 --> 00:43:57,163
THAT THIS COMMITTEE CONVENEDA SPECIAL EMERGENCY SESSION

922
00:43:57,204 --> 00:44:01,918
BECAUSE OF THE BIRTHDATEARE YOU OF SOMEONE'S PET?

923
00:44:01,918 --> 00:44:05,087
THE BIRTHDATE OFPHOEBE AMIDON'S GERMAN SHEPHERD

924
00:44:05,087 --> 00:44:07,757
IS OF UTMOST IMPORTANCE,ARE YOU MADAME CHAIRMAN.?

925
00:44:07,757 --> 00:44:09,842
IT TURNED OUT TO BETHE CODE-BREAKER,

926
00:44:09,884 --> 00:44:10,927
THE ROSETTA STONE...

927
00:44:11,803 --> 00:44:16,558
AND THE KEY TO SAVINGRANDILYNN AMIDON'S LIFE.

928
00:44:20,771 --> 00:44:22,522
"THE DAY WILL END FAST,"

929
00:44:22,564 --> 00:44:23,566
"THE BIRTHDAY OF LIBERTY,"

930
00:44:23,607 --> 00:44:25,400
"RETURN TO THE FOUR-POSTER,"

931
00:44:25,443 --> 00:44:26,777
"SONG 5-9-1-6."

932
00:44:26,819 --> 00:44:29,863
"PROVERBIAL 1-8-1-0,"

933
00:44:29,905 --> 00:44:31,699
AND "GRIM FEET."

934
00:44:31,740 --> 00:44:35,036
GRIM... FEET.

935
00:44:36,120 --> 00:44:38,331
ABRAHAM LINCOLNSLEPT IN THIS HOTEL

936
00:44:38,372 --> 00:44:39,415
AFTER HIS ELECTION,

937
00:44:39,457 --> 00:44:40,959
BEFORE HE MOVED INTOTHE WHITE HOUSE IN 1860.

938
00:44:40,959 --> 00:44:43,127
I WONDER WHAT THEY CALLEDTHE LINCOLN BEDROOM

939
00:44:43,127 --> 00:44:46,172
BEFORE IT WASTHE LINCOLN BEDROOM.

940
00:44:52,637 --> 00:44:53,722
HUH.

941
00:44:54,639 --> 00:44:56,558
MAY I USE THIS?

942
00:44:57,809 --> 00:44:59,603
GUESS WHAT!

943
00:44:59,644 --> 00:45:01,771
ROOM 1201, PLEASE.

944
00:45:01,813 --> 00:45:03,023
OLIVER.

945
00:45:03,065 --> 00:45:05,067
HARPER.OLIVER O'TOOLE.

946
00:45:05,109 --> 00:45:06,485
WHEN YOU TOLD METHAT STORY

947
00:45:06,485 --> 00:45:08,320
ABOUT YOUR DAUGHTERFALLING OFF THE BED.

948
00:45:08,362 --> 00:45:10,531
UH, WAS ITA FOUR-POSTER BED?

949
00:45:10,573 --> 00:45:13,200
AND ASK HIM WHENLIBERTY'S BIRTHDAY IS!

950
00:45:14,910 --> 00:45:18,123
HARPER, UH, I BELIEVEWE NEED TO TALK.

951
00:45:23,962 --> 00:45:25,839
WELL, I'M GLAD

952
00:45:25,881 --> 00:45:27,673
SOMEBODY'S GOING TOSLEEP TONIGHT.

953
00:45:28,759 --> 00:45:30,051
SOMEBODY'S GOING TOSLEEP TONIGHWELL, SO...

954
00:45:30,093 --> 00:45:31,803
HARPER,WHEN RANDILYNN FELL OUT

955
00:45:31,803 --> 00:45:32,846
OF THAT FOUR-POSTER BED,

956
00:45:32,846 --> 00:45:33,764
HARPER,WHEN SHE WAS TWO.LL OUT

957
00:45:33,764 --> 00:45:36,517
DO YOU THINKOF SHE REMEMBERS THAT?D,

958
00:45:36,558 --> 00:45:38,184
HARPER,IT WAS A FAMILY JOKE, YES.

959
00:45:38,184 --> 00:45:39,144
AND YOU'RE SURE

960
00:45:39,185 --> 00:45:41,647
[OTHAT PHOEBE'S PUPPYIT WAS WAS BORN ON JULY 21st?

961
00:45:41,647 --> 00:45:43,732
YEAH, CAN'T FORGET THAT.

962
00:45:44,942 --> 00:45:48,695
DO THE WORDS "GRIM FEET"PUPPYMEAN ANYTHING TO YOU? JULY 21st?

963
00:45:48,695 --> 00:45:51,157
GRIM FEET?

964
00:45:51,198 --> 00:45:52,033
DO THE WORDS "GRIM FEET"PUPPYMEAN ANYTHING TNO.OU? JULY 21st?

965
00:45:52,074 --> 00:45:54,911
AND HOW ABOUT"THE DAY WILL END FAST"?

966
00:45:54,952 --> 00:45:56,037
FAST,"IN A HURRY,"

967
00:45:56,078 --> 00:45:58,039
OR FAST AS IN "NOT EATING"?

968
00:45:58,039 --> 00:46:00,958
HMM! GOOD POINT.

969
00:46:02,126 --> 00:46:05,463
UM, "PROVERBIAL SONG"?

970
00:46:05,505 --> 00:46:07,465
PROVERBIAL...

971
00:46:07,507 --> 00:46:09,217
OH, MY GOODNESS.

972
00:46:09,259 --> 00:46:10,928
RITA, WE NEED A BIBLE.

973
00:46:10,969 --> 00:46:12,054
THERE'S ONEIN THE DRAWER THERE.

974
00:46:12,054 --> 00:46:15,390
PROVERBS AND SONG--"SONG" IS THE MODERN VERSION

975
00:46:15,390 --> 00:46:16,391
THERE'S ONEOF THE WORD "PSALM."THERE.

976
00:46:16,433 --> 00:46:17,267
THANK YOU.

977
00:46:17,309 --> 00:46:19,728
SIR, IS YOUR DAUGHTERA WOMAN OF FAITH?

978
00:46:19,728 --> 00:46:20,896
OH, YES.

979
00:46:20,896 --> 00:46:22,981
SIR, IS YSHE EVEN TAUGHTA SOME BIBLE STUDY AT THE BASE.

980
00:46:23,023 --> 00:46:24,149
SO SHE KNOWSHER BIBLE? YES.

981
00:46:24,191 --> 00:46:25,401
OH, CHAPTER AND VERSE.

982
00:46:25,443 --> 00:46:29,322
PROVERBS,CHAPTER 18, VERSE 10.

983
00:46:29,363 --> 00:46:32,491
PSALMS 59:16...

984
00:46:33,910 --> 00:46:35,703
THEY BOTH TALK ABOUT...

985
00:46:35,745 --> 00:46:36,663
OH, WOW!

986
00:46:36,705 --> 00:46:38,582
OLIVER--"THE DAY WILL END FAST."

987
00:46:38,623 --> 00:46:39,874
I THINK I KNOW WHAT IT MEANS.

988
00:46:39,874 --> 00:46:41,084
OH! HERE WE GO.

989
00:46:41,084 --> 00:46:44,421
"THE NAME OF THE LORDI THINIS A HIGH TOWER. MEANS.

990
00:46:44,463 --> 00:46:47,674
THE JUST RUN TO IT,AND ARE SAFE."

991
00:46:47,716 --> 00:46:49,926
I NEED TO CALL STEVE.

992
00:46:51,010 --> 00:46:52,262
WHO'S STEVE?

993
00:46:52,262 --> 00:46:53,138
WELL, HE'S NOT

994
00:46:53,138 --> 00:46:54,932
WITH THE DEPARTMENTOF AGRICULTURE.EVE?

995
00:46:54,932 --> 00:46:58,685
MR. O'TOOLE AND HIS TEAMCONTACTED ME LAST NIGHT, NOT

996
00:46:58,728 --> 00:46:59,812
THEY SUGGESTED

997
00:46:59,812 --> 00:47:02,481
THE LETTERWAS SOME FORM OF ESCAPE PLAN

998
00:47:02,481 --> 00:47:05,150
AND THEY MADEA RATHER PERSUASIVE CASE.

999
00:47:05,192 --> 00:47:07,570
THBUT NOTRWAS SOA CONCLUSIVE ONE. PLAN

1000
00:47:07,612 --> 00:47:09,947
NO. BUT I FELT THERE WASENOUGH INFORMATION

1001
00:47:09,989 --> 00:47:10,990
TO BRING IT TO YOUR ATTENTION,

1002
00:47:10,990 --> 00:47:14,160
ESPECIALLY CONSIDERINGTHE DEADLINE.

1003
00:47:14,202 --> 00:47:17,580
TWELL, GO AHEAD, MR. O'TOOLE.,

1004
00:47:17,622 --> 00:47:19,124
MAKE YOUR CASE.

1005
00:47:19,124 --> 00:47:21,042
ACTUALLY, I'D LIKE TOTURN THAT OVER

1006
00:47:21,042 --> 00:47:22,711
TO MY COLLEAGUE,MR. DORMAN.

1007
00:47:27,924 --> 00:47:30,886
ACTUALLY, I'D LIKE TOTHANK YOU, MR. O'TOOLE.

1008
00:47:31,803 --> 00:47:35,141
UH, AS MS. HAYWITH EXPLAINED,THE SECOND CLUE,

1009
00:47:35,141 --> 00:47:40,646
"THE BIRTHDAY OF LIBERTY"IS IN REFERENCE TO JULY 21st,

1010
00:47:40,646 --> 00:47:43,149
WHICH HAPPENS TO BE TOMORROWAND, NOT COINCIDENTALLY,

1011
00:47:43,149 --> 00:47:46,611
IS ALSO THE BIRTHDATEOF THE AMIDON FAMILY DOG.

1012
00:47:46,653 --> 00:47:51,032
AND THAT DATE IS SOME SORT OF"KEY" TO THE CODE, YOU SAY?

1013
00:47:51,073 --> 00:47:53,785
YES, WHEN PAIREDWITH THE FIRST CLUE--

1014
00:47:53,785 --> 00:47:55,703
"THE DAY WILL END FAST."

1015
00:47:55,745 --> 00:47:57,372
YIN AFGHANISTAN,AND AROUND THE WORLD,

1016
00:47:57,414 --> 00:48:01,126
THE HOLY MONTH OF RAMADANIS OBSERVED, UH,

1017
00:48:01,168 --> 00:48:04,546
WITH PRAYER, ACTS OF CHARITY,AND FASTING.

1018
00:48:04,587 --> 00:48:06,799
THIS YEAR, THOSE 30 DAYSOF FASTING ENDED

1019
00:48:06,799 --> 00:48:09,885
WITH A TRADITIONAL FESTIVALOF FAST-BREAKING FOUR DAYS AGO,

1020
00:48:09,927 --> 00:48:11,679
THIAND WE SUGGEST THATYSOTHAT IS THE DAY

1021
00:48:11,679 --> 00:48:14,139
THAT LIEUTENANT AMIDONCHOSE TO ESCAPE.

1022
00:48:40,834 --> 00:48:42,669
IT IS TIME.

1023
00:49:41,606 --> 00:49:42,815
IF SHE'S ACTUALLY ESCAPED,

1024
00:49:42,815 --> 00:49:44,817
IT'S LIKELY SHE HAD HELPFROM A LOCAL,

1025
00:49:44,817 --> 00:49:46,986
SOMEONE WILLINGIF STO RISK THEIR LIFE,ED,

1026
00:49:47,028 --> 00:49:48,571
IT'S LIKELY SHE HAD HELPMOST LIKELY A PASHTUN--

1027
00:49:48,613 --> 00:49:50,072
THEY HAVE A GREAT RESPECT

1028
00:49:50,114 --> 00:49:52,950
FOR THEIR TRADITIONSAND HOSPITALITY AND CHARITY.

1029
00:49:52,950 --> 00:49:54,244
EVEN SO,

1030
00:49:54,244 --> 00:49:55,453
IT'S HARD TO IMAGINE,

1031
00:49:55,453 --> 00:49:58,081
BECAUSE THE PUNISHMENTFOR HELPING AN AMERICAN

1032
00:49:58,123 --> 00:49:59,124
IT'S HIS DEATH.AGINE,

1033
00:49:59,124 --> 00:50:01,334
ASSUMING SHE DIDESCAPE FOUR DAYS AGO,

1034
00:50:01,376 --> 00:50:02,961
WHERE IS SHE GOING?

1035
00:50:02,961 --> 00:50:05,798
WELL, THAT'S THE THIRD CLUE."RETURN TO THE FOUR-POSTER."

1036
00:50:05,798 --> 00:50:08,592
A REFERENCETO AN AMIDON FAMILY JOKE--

1037
00:50:08,634 --> 00:50:11,512
WELL, A FOUR-POSTER BEDCLUE."RWHERE SHE FELL AS A CHILD"

1038
00:50:11,554 --> 00:50:13,764
AND RETURNEDTO RE-ENACT HER FALL.

1039
00:50:13,806 --> 00:50:16,517
WHICH WOULD SUGGESTTHE VILLAGE OF DARAKHT,

1040
00:50:16,559 --> 00:50:18,769
IT WAS THE SITEOF THE ORIGINAL FIREFIGHT

1041
00:50:18,811 --> 00:50:21,105
AND THE LOCATION WHERELIEUTENANT AMIDON WAS SEEN LAST,

1042
00:50:21,147 --> 00:50:22,606
FALLING OUT OF A HELICOPTER.

1043
00:50:22,648 --> 00:50:23,817
ACCORDINGTO MR. MAREK,

1044
00:50:23,858 --> 00:50:26,485
DARAKHT ALSO HASA DISTINCTIVE HIGH TOWER,

1045
00:50:26,485 --> 00:50:29,322
AND TWICE IN HER LETTER,IN CLUES FOUR AND FIVE,

1046
00:50:29,363 --> 00:50:32,326
RANDILYNN REFERSTO A BIBLICAL TOWER OR FORTRESS

1047
00:50:32,326 --> 00:50:36,663
AS A PLACE OF SAFETYAND REFUGE.

1048
00:50:36,663 --> 00:50:37,789
WHEREVER SHE IS,

1049
00:50:37,831 --> 00:50:40,125
WE KNOW SHE WASN'T TRAINEDIN NAVIGATION

1050
00:50:40,167 --> 00:50:42,419
OR ADVANCED SURVIVAL.

1051
00:50:42,461 --> 00:50:45,422
HOW CAN SHE POSSIBLYMAKE HER WAY BACK TO DARAKHT?

1052
00:50:45,464 --> 00:50:47,007
LIEUTENANT AMIDON

1053
00:50:47,049 --> 00:50:49,176
IS THE DAUGHTEROF AN AIR FORCE CAPTAIN.

1054
00:50:49,176 --> 00:50:51,345
HER HUSBANDWAS KILLED IN ACTION IN KABUL.

1055
00:50:51,386 --> 00:50:53,681
SHE IS AN AMERICAN SOLDIER,

1056
00:50:53,723 --> 00:50:55,808
BUT SHE IS ALSOAN AMERICAN MOTHER,

1057
00:50:55,850 --> 00:50:59,145
AND NOTHING IS GONNA KEEPA WOMAN LIKE THAT

1058
00:50:59,187 --> 00:51:00,730
FROM DOING WHATEVER IT TAKES

1059
00:51:00,730 --> 00:51:03,984
TO FIND HER WAY BACKTO HER LITTLE GIRL.

1060
00:51:05,026 --> 00:51:07,403
FROM DOING WEVER IT TAKES

1061
00:51:43,566 --> 00:51:45,152
WE CANNOT GO ON.

1062
00:51:45,193 --> 00:51:46,819
THERE ISA ROADBLOCK AHEAD.

1063
00:51:46,861 --> 00:51:48,238
COME.

1064
00:51:49,239 --> 00:51:50,157
IT'S TOO DANGEROUS

1065
00:51:50,157 --> 00:51:51,741
FOR YOU TO STAYIN THE TRUCK.

1066
00:51:51,741 --> 00:51:53,911
I MUST GO ONIT'S TBEFORE THEY FIND YOU.

1067
00:51:53,911 --> 00:51:55,871
IT'S OKAY.

1068
00:51:55,913 --> 00:51:56,955
I MUST GO ONIT'S TBWAIT FOR ME THERE.U.

1069
00:51:56,997 --> 00:52:00,626
I WILL TRY AND RETURN TOMORROWAND TAKE YOU TO DARAKHT.

1070
00:52:01,627 --> 00:52:02,920
I AM SORRY.

1071
00:52:02,920 --> 00:52:05,256
I HAVE ONLY A LITTLE FOODTO LEAVE WITH YOU.

1072
00:52:05,256 --> 00:52:06,257
PLEASE, NO.

1073
00:52:06,257 --> 00:52:07,383
I HAVE ONLY A LITTLE FOODYOU TAKE IT.AVE WITH YOU.

1074
00:52:07,425 --> 00:52:09,343
YOU'VE DONESO MUCH ALREADY.

1075
00:52:09,385 --> 00:52:10,886
NO. THE FAST IS OVER.

1076
00:52:10,928 --> 00:52:12,596
WE MUST ALL CELEBRATE.

1077
00:52:12,596 --> 00:52:14,640
THANK YOU.

1078
00:52:14,682 --> 00:52:17,601
IF I AM NOT BACK IN TWO DAYS,

1079
00:52:17,643 --> 00:52:19,646
PLEASE KNOW THAT I HAVE TRIED,BUT I COULD NOT,

1080
00:52:19,688 --> 00:52:22,816
THEN YOU MUST WALKTHE REST OF THE WAY.

1081
00:52:22,857 --> 00:52:24,943
ALWAYS KEEP THE MOUNTAINSON YOUR RIGHT,

1082
00:52:24,943 --> 00:52:25,819
AND AT NIGHT,

1083
00:52:25,860 --> 00:52:29,281
ALWAYS KEETHE BRIGHTEST STARON YOOVER THAT PEAK.

1084
00:52:31,366 --> 00:52:34,661
IT IS VERY DANGEROUS...BUT GOD IS GOOD.

1085
00:52:34,703 --> 00:52:36,746
YES.

1086
00:52:36,746 --> 00:52:39,124
BUT PEOPLE, NOT ALWAYS.

1087
00:52:39,124 --> 00:52:41,126
I THINK WE ARE.

1088
00:52:41,126 --> 00:52:42,962
BUT YOU... AND ME.WAYS.

1089
00:52:44,171 --> 00:52:46,716
I THIWE ARE.

1090
00:52:50,678 --> 00:52:52,930
HOLD ON TIGHT.

1091
00:53:16,247 --> 00:53:18,124
AH!

1092
00:53:18,165 --> 00:53:20,459
OH!

1093
00:54:20,897 --> 00:54:23,733
THE LETTERWRITTEN BY LIEUTENANT AMIDON

1094
00:54:23,733 --> 00:54:26,195
IS, IN FACT, A ROADMAPFOR A RESCUE MISSION

1095
00:54:26,236 --> 00:54:27,529
THE LETTERWRTHAT BEGAN FOUR DAYS AGO,N

1096
00:54:27,571 --> 00:54:29,949
AND WE HOPEWILL END TOMORROW

1097
00:54:29,949 --> 00:54:31,366
IN A RENDEZVOUSWITH AMERICAN TROOPS

1098
00:54:31,408 --> 00:54:34,954
IN THE VERY SAME PLACEWHERE SHE WAS FIRST CAPTURED--

1099
00:54:34,995 --> 00:54:37,915
THE "HIGH TOWER"IN THE VILLAGE OF DARAKHT,

1100
00:54:37,957 --> 00:54:40,167
AS INDICATED BY THE CLUESSHE GAVE US.

1101
00:54:40,209 --> 00:54:43,003
FIVE OUT OF SIXSO-CALLED CLUES, MR. O'TOOLE.

1102
00:54:43,045 --> 00:54:44,630
YES, WELL, UH,

1103
00:54:44,630 --> 00:54:46,299
THE LAST CLUEWAS PARTIALLY OBSCURED

1104
00:54:46,341 --> 00:54:47,925
WHEN MS. HAYWITH[GLANCED AT THE LETTER,,

1105
00:54:47,925 --> 00:54:50,803
BUT SHE WAS ABLE TO MAKE OUTTHE WORDS "GRIM FEET."

1106
00:54:50,803 --> 00:54:54,140
WE RESPECTFULLY REQUEST[GLANTHE OPPORTUNITYER,,

1107
00:54:54,182 --> 00:54:55,976
BUT SHE WTO INSPECT MAKE OUTTHETHE ACTUAL LETTER."

1108
00:54:56,017 --> 00:54:58,519
IN ORDER TO DECODETHE FINAL CLUE.

1109
00:54:58,561 --> 00:54:59,688
MS. HAYWITH IS FORTUNATE

1110
00:54:59,730 --> 00:55:02,357
SHE HASN'T BEEN INDICTEDFOR READING AND DISSEMINATING

1111
00:55:02,399 --> 00:55:04,610
THE INFORMATIONSHE HAS ALREADY SEEN.

1112
00:55:04,651 --> 00:55:07,696
AND MR. MAREK MAY VERY WELLBE DISCIPLINED FOR ALLOWING HER,

1113
00:55:07,738 --> 00:55:08,655
OR ANY OF YOU,

1114
00:55:08,697 --> 00:55:11,367
TO EVEN BECOME AWAREOF ITS EXISTENCE.

1115
00:55:11,408 --> 00:55:13,119
WHATEVER "GRIM FEET" MAY MEAN,

1116
00:55:13,119 --> 00:55:14,078
THAT IS A MATTER

1117
00:55:14,120 --> 00:55:16,622
FOR OUR OWN INTELLIGENCE SERVICETO DETERMINE.

1118
00:55:16,622 --> 00:55:17,957
BUT THERE ISN'T TIME!

1119
00:55:17,957 --> 00:55:20,126
SHE TOOK A HUGE CHANCESENDING THAT LETTER.

1120
00:55:20,167 --> 00:55:21,586
AND HERE WE ARE,MAYBE THE ONLY PEOPLE

1121
00:55:21,628 --> 00:55:23,671
WHO COULD SOLVE THAT MESSAGEIN TIME TO SAVE HER.

1122
00:55:23,671 --> 00:55:26,799
WHY WOULD A SOLDIERHOPING FOR RESCUE

1123
00:55:26,799 --> 00:55:29,302
WHO COUPURPOSELY WRITEESSAGEINSOMETHING OBSCURE.

1124
00:55:29,344 --> 00:55:31,846
AND RUN THE CHANCETHAT IT WOULDN'T BE DECODED?

1125
00:55:31,846 --> 00:55:34,641
TO PROTECT ANYONECOMING TO HELP HER.

1126
00:55:34,641 --> 00:55:37,227
HAVING SPENT QUITE A BITEOF TIME IN THE MILITARY,CODED?

1127
00:55:37,269 --> 00:55:38,270
MADAME CHAIRMAN,

1128
00:55:38,311 --> 00:55:39,813
I CAN ATTEST

1129
00:55:39,813 --> 00:55:42,149
THAT LIEUTENANT AMIDONWOULD KNOW

1130
00:55:42,149 --> 00:55:45,277
THAT SHOULD SOMEONE INTERCEPTA MORE SPECIFIC LETTER,

1131
00:55:45,318 --> 00:55:49,490
THAT THEY COULD SIMPLY ALLOW HERTO REACH HER RENDEZVOUS POINT

1132
00:55:49,532 --> 00:55:52,493
AND THEN WAIT TO AMBUSHTHE ENTIRE RESCUE PARTY.

1133
00:55:52,493 --> 00:55:54,995
IT'S WHAT HAPPENEDTHE NIGHT SHE WAS CAPTURED.

1134
00:55:55,037 --> 00:55:57,456
SHE WOULDN'TALLOW IT TO HAPPEN AGAIN.

1135
00:55:59,583 --> 00:56:02,670
WE'LL TAKEA FIVE-MINUTE BREAK.

1136
00:56:03,922 --> 00:56:05,882
I CAN'T GOTO PRISON, NORMAN.

1137
00:56:05,924 --> 00:56:07,300
I THINK SHE WAS JUSTSAYING THAT YOU COULD,

1138
00:56:07,341 --> 00:56:08,843
BUT YOU WON'T.

1139
00:56:08,885 --> 00:56:10,595
THAT'S WHAT I GOTOUT OF IT, ANYWAYS.

1140
00:56:10,637 --> 00:56:11,596
I MEAN, IFANYONE'S IN TROUBLE,

1141
00:56:11,638 --> 00:56:13,973
IT'S PROBABLYTHAT STEVE GUY.

1142
00:56:14,015 --> 00:56:16,017
I HAD YOU VETTED.

1143
00:56:16,059 --> 00:56:18,353
IT'S WHAT WE DOAROUND HERE.

1144
00:56:18,353 --> 00:56:19,854
AS IT TURNS OUT,

1145
00:56:19,854 --> 00:56:22,066
YOU'RE WHAT WE CALL"A SOLID CITIZEN."

1146
00:56:22,107 --> 00:56:25,778
OH, WELL, I TAKE THATAS A COMPLIMENT.

1147
00:56:25,820 --> 00:56:27,612
I'M COMING TO SUSPECT

1148
00:56:27,612 --> 00:56:29,949
THAT PERHAPS YOU ARE ONE,AS WELL.

1149
00:56:31,408 --> 00:56:34,161
MAYBE SHANE HAS GOOD TASTE.

1150
00:56:35,204 --> 00:56:36,914
HMM.

1151
00:56:36,914 --> 00:56:40,042
I MUST CONFESS, AT FIRST,I WAS, UM...

1152
00:56:40,042 --> 00:56:43,504
SUSPICIOUS OF YOUR MOTIVESFOR HELPING US.

1153
00:56:45,423 --> 00:56:47,092
I MUSTLOOK, I KNOW FIRST,IT SOUNDS KIND OF CORNY,

1154
00:56:47,133 --> 00:56:48,551
BUT I STILL BELIEVEIN ALL THAT STUFF

1155
00:56:48,551 --> 00:56:50,053
WE USED TO SINGWHEN WE WERE KIDS--

1156
00:56:50,053 --> 00:56:52,681
THE GRAND OLD FLAG,AMBER WAVES OF GRAIN,

1157
00:56:52,681 --> 00:56:54,140
"THE HALLS OF MONTEZUMA."

1158
00:56:54,140 --> 00:56:56,393
THE GRAND OLD FLAG,: EXCUSE ME, GENTLEMEN.

1159
00:56:56,393 --> 00:56:59,062
HATE TO INTERRUPT,BUT THEY'RE GOING BACK IN.

1160
00:56:59,104 --> 00:57:03,234
WE WERE JUST, UH,DISCUSSING PATRIOTISM.

1161
00:57:04,276 --> 00:57:06,028
PHOEBE WASTELLING ME YESTERDAY

1162
00:57:06,070 --> 00:57:08,364
HER MOM WAS SO PATRIOTIC THAT,INSTEAD OF LULLABIES,

1163
00:57:08,405 --> 00:57:10,867
SHE'D SING ALL THE VERSESTO "THE STAR-SPANGLED BANNER"

1164
00:57:10,908 --> 00:57:13,077
AND "AMERICA THE BEAUTIFUL"EVERY NIGHT.

1165
00:57:14,411 --> 00:57:16,413
ALL THE VERSES?

1166
00:57:20,835 --> 00:57:22,295
IT IS THE CONCLUSIONOF THIS COMMITTEE,

1167
00:57:22,337 --> 00:57:23,630
THAT ALTHOUGH YOU FOLKS

1168
00:57:23,671 --> 00:57:25,965
HAVE PAINTEDA VERY ENTERTAINING STORY,

1169
00:57:26,007 --> 00:57:28,176
WE ARE UNWILLINGTO SEE AMERICAN TROOPS

1170
00:57:28,218 --> 00:57:30,470
PUT IN HARM'S WAY AT THIS TIME

1171
00:57:30,512 --> 00:57:31,804
FOR A RESCUE MISSION

1172
00:57:31,847 --> 00:57:33,766
BASED ON A LOOSE INTERPRETATION

1173
00:57:33,807 --> 00:57:36,393
OF FIVE SO-CALLED CLUESIN A LETTER.

1174
00:57:36,434 --> 00:57:37,811
MADAME CHAIRMAN--

1175
00:57:37,853 --> 00:57:40,397
IF YOU CAN'T TELL USWHAT "GRIM FEET" MEANS,

1176
00:57:40,439 --> 00:57:41,440
MR. O'TOOLE,

1177
00:57:41,440 --> 00:57:43,859
IT RENDERS THE RESTOF YOUR CONJECTURES USELESS.

1178
00:57:43,901 --> 00:57:48,947
A FEW DATES AND A REFERENCETO AN OLD OUTPOST WITH A TOWER

1179
00:57:48,947 --> 00:57:51,700
IS NO INDICATIONOF INTENT TO ESCAPE.

1180
00:57:51,742 --> 00:57:53,036
-BUT WE HAVE IT!-MR. O'TOOLE--

1181
00:57:53,077 --> 00:57:54,662
IF MR. MAREKWOULD JUST CONFIRM

1182
00:57:54,703 --> 00:57:56,164
THE COMPLETE PHRASEIN THAT LETTER--

1183
00:57:56,205 --> 00:57:58,374
THE WORDS ENDING IN GRIM FEET--WE CAN GIVE YOU

1184
00:57:58,416 --> 00:58:00,418
LIEUTENANT AMIDON'SPROMISE TO ESCAPE.

1185
00:58:00,459 --> 00:58:02,546
YOU'VE SHARED ENOUGH ALREADY,MR. MAREK.

1186
00:58:02,587 --> 00:58:04,255
DO NOT RESPOND.

1187
00:58:04,297 --> 00:58:07,091
STEVE, THE CLUETHAT RITA COULDN'T READ--

1188
00:58:07,133 --> 00:58:10,011
WAS IT "PILGRIM FEET?"

1189
00:58:10,053 --> 00:58:11,763
THE TRUTH, NOW, PLEASE.

1190
00:58:11,763 --> 00:58:13,390
ANSWER THAT,MR. MAREK...

1191
00:58:13,432 --> 00:58:15,976
AND YOU MAY LIVE TO REGRET IT.

1192
00:58:22,942 --> 00:58:26,529
ONLY IF HE'S WRONG,MADAME CHAIRMAN.

1193
00:58:28,364 --> 00:58:30,616
MR. MAREK... THAT LAST CLUE--

1194
00:58:32,785 --> 00:58:35,580
WAS IT "PILGRIM FEET?"

1195
00:58:43,463 --> 00:58:44,505
YES.

1196
00:58:44,505 --> 00:58:47,050
RANDILYNN AMIDON...

1197
00:58:48,552 --> 00:58:51,096
RANDILYNN AMIDONSANG EVERY VERSE

1198
00:58:51,137 --> 00:58:52,931
OF "AMERICA THE BEAUTIFUL"EVERY NIGHT

1199
00:58:52,931 --> 00:58:55,392
AS A LULLABYTO HER LITTLE GIRL.

1200
00:58:55,434 --> 00:58:56,602
OF "AMERICA THE BEAUTIFUL"EVERY VERSE, INCLUDING,

1201
00:58:56,602 --> 00:58:58,937
"OH, BEAUTIFULFOR PILGRIM FEET

1202
00:58:58,980 --> 00:59:02,733
"WHOSE STERN IMPASSIONED STRESSA THOROUGHFARE FOR FREEDOM

1203
00:59:02,774 --> 00:59:04,110
BEAT CROSS THE WILDERNESS."

1204
00:59:04,151 --> 00:59:05,695
LADIES AND GENTLEMEN,

1205
00:59:05,695 --> 00:59:09,532
RANDILYNN AMIDON IS SOMEWHEREIN AFGHANISTAN TONIGHT,

1206
00:59:09,574 --> 00:59:11,868
BEATING A THOROUGHFAREACROSS THE WILDERNESS

1207
00:59:11,909 --> 00:59:13,620
IN SEARCH OF THAT TOWER,

1208
00:59:13,661 --> 00:59:15,622
IN SEARCH OF EVERYTHINGWE STAND FOR,

1209
00:59:15,663 --> 00:59:16,664
IN SEARCH-- IN SEARCH OF

1210
00:59:16,706 --> 00:59:20,918
THE FREEDOMTHAT SHE WAS WILLING TO DIE FOR.

1211
00:59:20,960 --> 00:59:24,256
AND SOMEWHERENEAR THAT SAME WILDERNESS

1212
00:59:24,297 --> 00:59:25,715
IS A BAND OF HER BROTHERS

1213
00:59:25,757 --> 00:59:28,301
WITH THE COURAGETO DIE FOR HER, FOR US,

1214
00:59:28,343 --> 00:59:29,803
TO BRING RANDILYNN HOME...

1215
00:59:36,226 --> 00:59:40,606
IF YOU WILL JUSTHAVE THE COURAGE TO SEND THEM.

1216
01:00:06,883 --> 01:00:08,385
HAVE YOU HEARDANYTHING?

1217
01:00:08,427 --> 01:00:09,887
NOTHING.

1218
01:00:09,929 --> 01:00:10,804
I WISH WE COULD

1219
01:00:10,804 --> 01:00:13,640
TELL HARPER AND PHOEBEWHAT WAS GOING ON.

1220
01:00:13,682 --> 01:00:16,561
YOU KNOWWE'RE SWORN TO SECRECY, NORMAN.

1221
01:00:16,602 --> 01:00:18,103
HOW IS HE?

1222
01:00:18,145 --> 01:00:19,104
HE'S FINE.

1223
01:00:19,104 --> 01:00:21,607
WE'LL ALL BE ONTHE SAME FLIGHT TOMORROW.

1224
01:00:21,607 --> 01:00:23,734
WE EVEN MADE PLANS TOGET TOGETHER IN DENVER.

1225
01:00:23,776 --> 01:00:26,446
THINK WE'LL HAVE ANYTHINGTO TELL THEM BY THEN?

1226
01:00:26,487 --> 01:00:28,448
I DON'T IMAGINEWE'LL EVER HEAR

1227
01:00:28,489 --> 01:00:30,450
WHAT THE COMMITTEEDECIDES TO DO--

1228
01:00:30,450 --> 01:00:33,786
UNLESS, UH...UNLESS THE NEWS IS GOOD.

1229
01:00:33,829 --> 01:00:36,456
BUT FOR NOW, HOWEVER,

1230
01:00:36,497 --> 01:00:39,209
WE MUST TURN TO THE PRESENT.

1231
01:00:39,250 --> 01:00:40,919
VERY BEST OF LUCK, RITA.

1232
01:00:40,961 --> 01:00:42,463
OH, THANK YOU.

1233
01:00:42,463 --> 01:00:43,964
YES, AND HAVE FUN!

1234
01:00:43,964 --> 01:00:45,299
I WILL.

1235
01:00:45,341 --> 01:00:47,092
I THINK...

1236
01:00:47,092 --> 01:00:48,635
YOU MIGHT HAVE A FRIEND

1237
01:00:48,677 --> 01:00:50,762
THAT NEEDS TO BEI THREMINDED OF THAT.

1238
01:00:50,804 --> 01:00:53,390
OH! OH, MY GOODNESS.

1239
01:00:53,390 --> 01:00:56,102
OKAY. I BETTER GET GOING, GUYS.

1240
01:00:56,143 --> 01:00:57,603
UH, I'LL SEE: OH! OH, MYYOU LATER.

1241
01:00:57,644 --> 01:00:59,021
UM... RITA?

1242
01:00:59,063 --> 01:01:01,398
I'LL BE RIGHT BACK.

1243
01:01:05,778 --> 01:01:08,698
NORMAN?YOU ALL RIGHT?

1244
01:01:09,824 --> 01:01:12,910
I HAVE A PRESENTFOR RITA.

1245
01:01:12,910 --> 01:01:15,830
I JUST WANTED HERTO KNOW...

1246
01:01:16,999 --> 01:01:17,916
I HAVE A PRESENTFOR IF SHE WINS,

1247
01:01:17,916 --> 01:01:20,335
SHE'LL BE GONEFOR A WHOLE YEAR,

1248
01:01:20,377 --> 01:01:23,213
TRAVELING AROUND,PRESENTGIVING SPEECHES...E WINS,

1249
01:01:24,339 --> 01:01:27,425
SHAKING HANDS WITH PEOPLE,

1250
01:01:27,468 --> 01:01:29,595
OTHER PEOPLE...

1251
01:01:29,595 --> 01:01:32,390
ARE YOU AFRAIDSHE'LL FORGET...

1252
01:01:32,431 --> 01:01:33,641
US?HER PEOPLE...

1253
01:01:35,601 --> 01:01:38,062
THERE ARE A LOT MORE THINGSON THIS EARTH

1254
01:01:38,062 --> 01:01:40,814
THAN BEINGMISS SPECIAL DELIVERY, YOU KNOW.

1255
01:01:40,814 --> 01:01:42,275
I THINK, ARE A LOT MORE THINGSAFTER THIS WEEK,S EARTH

1256
01:01:42,316 --> 01:01:45,194
WE ALL KNOW THAT,EINGNORMAN.ECIAL DELIVERY, YOU KNOW.

1257
01:01:59,334 --> 01:02:02,087
OH, NORMAN,THANK GOODNESS!

1258
01:02:02,129 --> 01:02:03,964
WE'VE MISSED THE BUS

1259
01:02:04,006 --> 01:02:07,677
AND MINDY'S HAVINGA LITTLE TROUBLE WALKING...

1260
01:02:08,969 --> 01:02:10,763
FORWARD.

1261
01:02:12,640 --> 01:02:13,641
OH!

1262
01:02:18,979 --> 01:02:22,650
SO ARE THEY GOING TOCHARGE YOU WITH ANYTHING?

1263
01:02:22,692 --> 01:02:23,901
PROBABLY NOT.

1264
01:02:23,901 --> 01:02:25,820
BUT IF I DO GET ARRESTED,YOU'LL BAIL ME OUT, RIGHT?

1265
01:02:25,861 --> 01:02:28,865
I HEARD THAT OLIVERCAME INTO A GOOD SUM OF MONEY.

1266
01:02:28,907 --> 01:02:30,909
HOW DO YOU KNOW THAT?

1267
01:02:30,909 --> 01:02:32,535
OH, NEVER MIND.

1268
01:02:32,578 --> 01:02:35,914
I DON'T THINK ALL THAT MONEY'SGONNA CHANGE HIM, THOUGH.

1269
01:02:35,956 --> 01:02:37,082
WELL, THAT'S TOO BAD.

1270
01:02:37,123 --> 01:02:39,293
I WAS HOPING YOU WERE GOING TOGIVE ME ANOTHER CHANCE.

1271
01:02:39,335 --> 01:02:40,627
AH.

1272
01:02:40,669 --> 01:02:43,880
WELL, THERE'SNOTHING ACTUALLY OFFICIAL

1273
01:02:43,922 --> 01:02:46,175
BETWEEN--

1274
01:02:53,599 --> 01:02:56,644
...BETWEENOLIVER AND ME.

1275
01:02:58,438 --> 01:02:59,606
BUT UNOFFICIALLY?

1276
01:02:59,647 --> 01:03:01,941
STEVE, WE'RE FRIENDS.

1277
01:03:02,942 --> 01:03:04,902
AND A SOLID FRIENDSHIPIS A GOOD WAY

1278
01:03:04,944 --> 01:03:07,864
TO START ANYTHING.

1279
01:03:09,074 --> 01:03:12,244
YOU WERE ALWAYSSO UNAVAILABLE,

1280
01:03:12,285 --> 01:03:15,622
FOR THAT-- WITH ALL THAT"AGRICULTURAL" WORK

1281
01:03:15,622 --> 01:03:17,582
THAT TOOK YOU AWAYALL THE TIME.

1282
01:03:17,582 --> 01:03:19,793
I'M BACK.I LIVE HERE NOW.

1283
01:03:19,793 --> 01:03:23,255
IT'S NOT ABOUTWHERE YOU LIVE, STEVE.

1284
01:03:24,214 --> 01:03:26,467
HOME IS MORE THANJUST AN ADDRESS.

1285
01:03:26,467 --> 01:03:28,302
IT'S...

1286
01:03:28,302 --> 01:03:31,805
IT'S ROSES THAT YOU STICK AROUNDTO WATCH GROW.

1287
01:03:33,474 --> 01:03:36,477
IT'S A PORCH SWING...

1288
01:03:36,477 --> 01:03:37,854
AND...

1289
01:03:37,896 --> 01:03:40,106
TAKING THE TIME TO SWING ON IT.

1290
01:03:40,148 --> 01:03:41,983
I CAN GET YOU A PORCH SWING.

1291
01:03:43,818 --> 01:03:45,820
I CAN GET YO PORCH SWING.

1292
01:03:47,155 --> 01:03:50,033
I'VE ALREADY GOT ONE.

1293
01:03:51,535 --> 01:03:53,870
MR. MAREK.

1294
01:03:54,913 --> 01:03:56,748
YEAH.HEY, OLIVER.

1295
01:03:56,790 --> 01:03:59,168
YOU, UH...HEARD ANY NEWS?

1296
01:04:02,504 --> 01:04:03,673
WELL...

1297
01:04:03,714 --> 01:04:05,090
OF COURSE.

1298
01:04:05,132 --> 01:04:07,092
YOU CAN NEITHERCONFIRM NOR DENY.

1299
01:04:07,092 --> 01:04:08,469
I CAN NEITHERCONFIRM NOR DENY

1300
01:04:08,511 --> 01:04:09,679
YOU CAN NTHAT, BASED ONCONFIRM A RECOMMENDATION

1301
01:04:09,679 --> 01:04:12,765
FROM THE SENATE SUBCOMMITTEEFOR MILITARY ACTIONS,

1302
01:04:12,807 --> 01:04:14,392
YOU CAN NTHAT, BASED ONCONTHE PRESIDENT HAS APPROVED

1303
01:04:14,434 --> 01:04:16,519
A PLAN FORA SPECIAL OPERATIONS MISSION

1304
01:04:16,561 --> 01:04:19,355
THAT COMMENCED AT 1600 HOURSWASHINGTON TIME

1305
01:04:19,355 --> 01:04:20,648
WITH THE OBJECTIVE

1306
01:04:20,690 --> 01:04:23,860
OF RECOVERINGA LIEUTENANT RANDILYNN AMIDON.

1307
01:04:23,860 --> 01:04:26,863
SO IT'S A GO?

1308
01:04:35,163 --> 01:04:36,415
THAT'S RIGHT, JENNIFER.

1309
01:04:36,457 --> 01:04:38,834
WE ARE HEREIN THE NATION'S CAPITOL

1310
01:04:38,875 --> 01:04:42,004
AS HISTORY IS BEING MADEBY DENVER'S OWN RITA HAYWITH,

1311
01:04:42,046 --> 01:04:43,881
THE FIRST COLORADOMISS SPECIAL DELIVERY

1312
01:04:43,881 --> 01:04:46,258
TO MAKE ITTO THE FINAL TALENT COMPETITION

1313
01:04:46,300 --> 01:04:47,551
THE FIRST COLORADOFOR THE NATIONAL CROWN.

1314
01:04:47,593 --> 01:04:51,556
TAKE A DEEP BREATHAND TRUST ME, MINDY.

1315
01:04:51,556 --> 01:04:55,310
I SWEAR, THERE ARE NOT500 PEOPLE OUT THERE

1316
01:04:55,310 --> 01:04:57,979
DEEP BREATHHOW... MANY...ME, MINDY.

1317
01:04:58,020 --> 01:05:00,190
I SWEAR, THERE ARE NOTARE... THERE?UT THERE

1318
01:05:01,399 --> 01:05:04,194
473?

1319
01:05:04,236 --> 01:05:06,154
OH! IT'S OKAY, MINDY!

1320
01:05:06,196 --> 01:05:08,490
JUST THINKABOUT BIG PINEY.

1321
01:05:08,490 --> 01:05:10,075
JUST PRETENDYOU'RE SINGING

1322
01:05:10,075 --> 01:05:11,827
JUST THINKTO YOUR FRIENDS,

1323
01:05:11,827 --> 01:05:14,079
AND YOUR NEIGHBORS,AND, UH...E SINGING

1324
01:05:14,079 --> 01:05:16,457
JUST THINKAND YOUR LIVESTOCK.

1325
01:05:19,042 --> 01:05:21,170
WE SHOULD TAKE OUR SEATS.

1326
01:05:21,212 --> 01:05:22,755
I CAN'T SIT.

1327
01:05:22,796 --> 01:05:25,258
I KEEP THINKINGABOUT THE MISSION.

1328
01:05:25,258 --> 01:05:26,759
WHAT TIME IS IT?

1329
01:05:26,759 --> 01:05:28,094
EIGHT.

1330
01:05:28,094 --> 01:05:30,304
IT'S HAPPENING.

1331
01:05:31,765 --> 01:05:34,726
NOW, IN JUST A FEW MINUTES,

1332
01:05:34,768 --> 01:05:36,603
SHE WILL STEP OUT

1333
01:05:36,603 --> 01:05:38,104
ONTO THAT STAGE

1334
01:05:38,104 --> 01:05:40,148
AND HOPEFULLY INTOTHE HEARTS OF THE JUDGES,

1335
01:05:40,189 --> 01:05:42,317
AND THEN PERHAPS, TOMORROW,INTO THE HEADLINES.

1336
01:05:42,359 --> 01:05:44,569
WE'LL HAVE THOSE FINAL RESULTSFOR YOU

1337
01:05:44,611 --> 01:05:46,071
TONIGHT AT 11:00.

1338
01:05:46,071 --> 01:05:47,281
AND WE'RE BACK.

1339
01:05:47,322 --> 01:05:49,783
AND NEXT,IN THE TALENT COMPETITION,

1340
01:05:49,783 --> 01:05:53,078
MISS LOUISIANA,PEGGY RHODES.

1341
01:06:07,718 --> 01:06:09,470
RITA?

1342
01:06:09,512 --> 01:06:11,097
NORMAN!

1343
01:06:11,097 --> 01:06:12,974
I JUST WANTED TO SAY--

1344
01:06:12,974 --> 01:06:15,560
WELL, I, UM, WANTEDNTO GIVE YOU SOMETHING

1345
01:06:15,601 --> 01:06:17,270
BEFORE YOU GO ON.

1346
01:06:17,312 --> 01:06:19,898
TSK! OH!THANK YOU, NORMAN.

1347
01:06:21,525 --> 01:06:24,570
I SENT CHAPTER 14OFRENITA HAYWEATHER

1348
01:06:24,611 --> 01:06:26,154
INTO THEPOSTAL LIVING QUARTERLY

1349
01:06:26,154 --> 01:06:28,699
AND THEY PRINTED IT!

1350
01:06:28,740 --> 01:06:32,703
THIS IS A COPYOF THEIR NEXT EDITION.

1351
01:06:35,164 --> 01:06:37,083
YOU'RE A PUBLISHEDWRITER, RITA!

1352
01:06:37,124 --> 01:06:39,711
SEE? UM, THEY WANTED A PHOTO,

1353
01:06:39,752 --> 01:06:41,170
SO I SENT THAT PICTURETHAT I TOOK

1354
01:06:41,212 --> 01:06:43,214
AT LAST YEAR'SSAFETY INSPECTION.

1355
01:06:43,255 --> 01:06:47,009
I HAD TO PHOTOSHOP ITA LITTLE. OH!

1356
01:06:47,009 --> 01:06:48,470
AND YOU GETA YEAR'S SUBSCRIPTION

1357
01:06:48,511 --> 01:06:51,348
AND A CHECK FOR $500!

1358
01:06:51,348 --> 01:06:54,726
NORMAN...WH-WHAT HAVE YOU DONE?

1359
01:06:54,767 --> 01:06:57,104
OH, I JUST THOUGHT,IN CASE YOU WIN,

1360
01:06:57,104 --> 01:06:59,439
I DIDN'T WANTYOU TO FORGET

1361
01:06:59,439 --> 01:07:02,317
OH, I JUSTTHAT YOU'REIN CASE YA GREAT WRITER,

1362
01:07:02,359 --> 01:07:03,276
I DIDN'T WANTAND A POSTABLE.O FORGET

1363
01:07:03,318 --> 01:07:05,445
AND YOU'RE MY, UM...

1364
01:07:06,404 --> 01:07:07,573
YOU'RE MY--

1365
01:07:07,615 --> 01:07:09,032
BUT I CAN'T WIN NOW.

1366
01:07:09,032 --> 01:07:11,201
I CAN'T COMPETEWITHOUT A TALENT,

1367
01:07:11,243 --> 01:07:14,372
AND Y-Y-YOU JUST GOTMY TALENT DISQUALIFIED.

1368
01:07:14,372 --> 01:07:15,414
WHAT?

1369
01:07:15,456 --> 01:07:16,665
"NO CONTESTANTSHALL PERFORM

1370
01:07:16,707 --> 01:07:17,875
"USING A TALENT

1371
01:07:17,875 --> 01:07:20,628
FOR WHICH SHE HAS RECEIVEDPREVIOUS COMPENSATION."

1372
01:07:20,669 --> 01:07:21,963
BUT--

1373
01:07:22,005 --> 01:07:23,714
I'M IN PRINT!

1374
01:07:23,714 --> 01:07:25,591
AND THEY'VE PAID ME.

1375
01:07:25,633 --> 01:07:27,719
I'M NOT AN AMATEUR ANYMORE.

1376
01:07:27,761 --> 01:07:30,472
NORMAN...WHAT WERE YOU THINKING?

1377
01:07:38,397 --> 01:07:40,315
NORMAN, THIS IS A DISASTER.

1378
01:07:40,357 --> 01:07:41,275
CAN'T YOU SEE?

1379
01:07:43,027 --> 01:07:45,195
ARE WE HAVINGOUR FIRST FIGHT?

1380
01:07:46,238 --> 01:07:49,116
MISS WYOMING-- MINDY MALONEY!

1381
01:07:50,200 --> 01:07:51,911
GO ON, MINDY!

1382
01:07:51,911 --> 01:07:54,038
YOU CAN DO IT! GO!

1383
01:08:21,692 --> 01:08:22,734
NO, NO, NO, NO!

1384
01:08:22,776 --> 01:08:25,362
EVERYTHING IS FALLING APART.

1385
01:08:25,362 --> 01:08:26,989
I'M SORRY, RITA.I'M SO SORRY.

1386
01:08:27,031 --> 01:08:29,450
N-- IT'S OKAY, NORMAN.EVERYTHINNEVER MIND.G APART.

1387
01:08:38,501 --> 01:08:40,753
IT'S OKAY. IT'S OKAY.

1388
01:08:40,795 --> 01:08:41,754
UM, UH...

1389
01:08:43,465 --> 01:08:45,467
LADIES AND GENTLEMEN-- HEH.

1390
01:08:45,467 --> 01:08:48,845
MY FRIENDAND CO-CONTESTANT, MINDY,

1391
01:08:48,845 --> 01:08:51,514
JUST NEEDS...SHE JUST NEEDS A MOMENT.

1392
01:08:52,682 --> 01:08:56,019
THIS YEAR'S THEMEIS "DELIVERING INSPIRATION"

1393
01:08:56,061 --> 01:08:58,313
AND... WELL, LET'S FACE IT,

1394
01:08:58,313 --> 01:09:03,444
SOMETIMES, INSPIRATIONTAKES A LITTLE... TIME.

1395
01:09:03,486 --> 01:09:04,445
AND... WELLSO...'S FACE IT,

1396
01:09:04,487 --> 01:09:07,781
I THOUGHTI WOULD GO FIRST.

1397
01:09:07,823 --> 01:09:10,284
YOU KNOW, FOR MY TALENT,

1398
01:09:10,326 --> 01:09:11,452
I WAS GOING TO DO

1399
01:09:11,494 --> 01:09:14,830
A DRAMATIC READINGFROM MY UNPUBLISHED NOVEL,

1400
01:09:14,873 --> 01:09:17,250
FRONTIER DUCHESS,

1401
01:09:17,291 --> 01:09:21,379
BUT IT TURNS OUTTHAT I'M...

1402
01:09:21,420 --> 01:09:23,507
WELL, I'M PUBLISHED AFTER ALL...

1403
01:09:24,883 --> 01:09:26,217
WHICH IS REALLY TOO BAD,

1404
01:09:26,259 --> 01:09:27,844
BECAUSE I REALLY LIKE THE PART

1405
01:09:27,844 --> 01:09:31,097
WHERE A MYSTERIOUSCATTLE-BEARING MR. D'LORMAN

1406
01:09:31,097 --> 01:09:33,892
GIVES HERBECHIS TRUSTY STEED, ZEPHYR,RT

1407
01:09:33,933 --> 01:09:34,851
WHERE A MYSTERIOUSCATTTO PULL HER WAGON!ORMAN

1408
01:09:34,851 --> 01:09:36,811
YOU KNOW, AT FIRST,SHE DOESN'T UNDERSTAND

1409
01:09:36,853 --> 01:09:39,148
WHY HE WOULD GIVE AWAYHIS FAVORITE HORSE LIKE THAT,

1410
01:09:39,189 --> 01:09:42,401
BUT THEN SHE REALIZESHE DID IT BECAUSE,

1411
01:09:42,442 --> 01:09:44,737
NO MATTER WHERE SHE WENT,

1412
01:09:44,779 --> 01:09:47,364
ZEPHYR WOULD ALWAYSFIND THE WAY HOME.

1413
01:09:47,364 --> 01:09:51,411
WHICH IS REALLY HIS WAYOF SAYING

1414
01:09:51,452 --> 01:09:53,454
THAT HE IS IN LOVE WITH HER!

1415
01:09:56,791 --> 01:09:59,002
OH...

1416
01:10:04,549 --> 01:10:06,176
HE'S IN LOVE WITH HER?

1417
01:10:09,220 --> 01:10:10,722
OH!

1418
01:10:15,311 --> 01:10:16,520
OH, THAT'S SO COOL!

1419
01:10:17,813 --> 01:10:20,316
SO COOL!

1420
01:10:20,357 --> 01:10:23,194
OH! YOU READY? OKAY.

1421
01:10:23,235 --> 01:10:25,905
LADIES AND GENTLEMEN...

1422
01:10:25,905 --> 01:10:28,032
MISS WYOMING

1423
01:10:28,074 --> 01:10:30,577
LIS READY TO SING NOW..

1424
01:10:30,618 --> 01:10:33,746
AND FOR MY NEW TALENT,I...

1425
01:10:33,746 --> 01:10:38,585
WELL, I GUESS WE'RE JUST GONNAHAVE TO DO THIS TOGETHER.

1426
01:10:39,544 --> 01:10:41,879
PEGGY, CAN I BORROWYOUR GUITAR?

1427
01:10:43,423 --> 01:10:44,424
THANKS.

1428
01:10:47,845 --> 01:10:50,472
YOU STILLHAVE A SHOT, MINDY.

1429
01:10:50,513 --> 01:10:52,265
TAKE IT.

1430
01:12:45,050 --> 01:12:48,804
AND THE WORLD

1431
01:13:54,289 --> 01:13:55,123
THERE SHE IS!

1432
01:13:55,165 --> 01:13:56,374
MISS SPECIAL DELIVERY!

1433
01:13:56,416 --> 01:13:58,960
ONLY BECAUSE OFTHIS LADY RIGHT HERE.

1434
01:13:59,002 --> 01:14:00,421
MISS SPECIAL HANDLING!

1435
01:14:00,462 --> 01:14:01,547
OH! NO.

1436
01:14:01,588 --> 01:14:02,756
THANK YOU, RITA.

1437
01:14:02,756 --> 01:14:04,300
OH, MINDY.YOU DESERVE IT!

1438
01:14:04,300 --> 01:14:06,635
THE WAY YOU SANG...RITA.

1439
01:14:06,635 --> 01:14:07,970
WELL...

1440
01:14:07,970 --> 01:14:09,221
THE WAY YOU'LL NEVER KNOW

1441
01:14:09,263 --> 01:14:12,433
HOW MUCH SOME OF USWELNEEDED TO HEAR IT TONIGHT.

1442
01:14:13,935 --> 01:14:16,395
WELL, I GUESSI'LL BE SEEING YOU.

1443
01:14:16,437 --> 01:14:20,107
YOU REALLY ARE "SPECIAL,"RITA.

1444
01:14:21,150 --> 01:14:23,695
OH, THANK YOU.

1445
01:14:29,367 --> 01:14:31,203
I'M SO SORRYFOR EVERYTHING.

1446
01:14:31,203 --> 01:14:33,663
I REALLY DON'T KNOWWHAT I WAS THINKING.

1447
01:14:33,663 --> 01:14:35,958
I'M SO SORRYOH...FOR EVERYTHING.

1448
01:14:35,999 --> 01:14:37,793
WELL, I THINK

1449
01:14:37,835 --> 01:14:40,378
YOU WERE THINKING THAT...

1450
01:14:40,420 --> 01:14:42,422
YOU LOVE ME?

1451
01:14:43,507 --> 01:14:46,510
YEAH. I WAS DEFINITELYTHINKING THAT!

1452
01:14:51,849 --> 01:14:53,059
YEAH. I WAS DEFINITELYOH--

1453
01:14:54,268 --> 01:14:55,478
AWW.

1454
01:14:55,519 --> 01:14:57,188
-I'LL---MM-HMM.

1455
01:14:57,188 --> 01:14:58,606
OKAY.

1456
01:15:07,782 --> 01:15:09,242
YEAH.

1457
01:15:09,284 --> 01:15:12,204
WE'LL GET IT.

1458
01:15:13,205 --> 01:15:14,248
WHEN YOU ASKED ME

1459
01:15:14,289 --> 01:15:15,790
TO HAVE DINNER WITH YOUIN WASHINGTON,

1460
01:15:15,832 --> 01:15:20,129
I WAS HOPING FORA LITTLE MORE.

1461
01:15:20,129 --> 01:15:23,548
YOU KNOW, CHIPSAND POTATO SALAD

1462
01:15:23,590 --> 01:15:25,718
I WAS HOPING FORA LITO GO WITH THE SANDWICH.

1463
01:15:27,386 --> 01:15:28,971
I WAS HOPING FORA LITO GO WITH THEI OWE YOU ONE.

1464
01:15:29,013 --> 01:15:31,265
YOU OWE MENOTHING, OLIVER.

1465
01:15:32,558 --> 01:15:34,394
WHATEVER HAPPENS NOW,

1466
01:15:34,394 --> 01:15:38,606
YOU GAVE ME SOMETHING TODAYTHAT I'LL NEVER FORGET.

1467
01:15:40,025 --> 01:15:41,902
WHATEVER HAPPENOW,

1468
01:15:41,943 --> 01:15:44,654
A LITTLE HOPEFOR THIS WORLD AGAIN.

1469
01:15:50,410 --> 01:15:51,453
BELIEVE IT OR NOT,

1470
01:15:51,495 --> 01:15:55,832
I USED TO KNOW ALL THE VERSESTO THAT SONG, TOO.

1471
01:15:55,874 --> 01:15:57,168
MM.

1472
01:15:57,209 --> 01:16:00,879
"THINE ALABASTER CITIES GLEAM,

1473
01:16:00,921 --> 01:16:04,466
UNDIMMED BY HUMAN TEARS."

1474
01:16:08,304 --> 01:16:09,305
HARPER TOLD ME

1475
01:16:09,346 --> 01:16:11,933
THAT PHOEBE PUTS UPA GOOD FRONT,

1476
01:16:11,933 --> 01:16:13,851
BUT...

1477
01:16:13,851 --> 01:16:18,523
SHE STILL CRIES HERSELFTO SLEEP

1478
01:16:18,565 --> 01:16:21,067
ALMOST EVERY NIGHT.

1479
01:16:25,863 --> 01:16:26,907
OLIVER, WHEN I THINK

1480
01:16:26,949 --> 01:16:28,366
ABOUT WHAT'S HAPPENINGOVER THERE RIGHT NOW,

1481
01:16:28,366 --> 01:16:30,994
I JUST HOPE WE DIDTHE RIGHT THING.

1482
01:16:31,036 --> 01:16:33,121
ABOUT WHAT'S HAPPENINGOVER THERE RIOH, I THINK WE DID.

1483
01:16:33,121 --> 01:16:35,123
I THINK...

1484
01:16:35,123 --> 01:16:36,917
WE WERE CALLED

1485
01:16:36,959 --> 01:16:39,962
TO BE A PART OF...

1486
01:16:40,003 --> 01:16:41,672
A LOT OF LITTLE MIRACLES

1487
01:16:41,714 --> 01:16:44,342
THAT HAD TO HAPPENTO GET THIS FAR.

1488
01:16:46,385 --> 01:16:49,555
WELL, NOW WE JUSTNEED ONE MORE.

1489
01:16:59,608 --> 01:17:01,401
"IN THE MORNING,

1490
01:17:01,401 --> 01:17:04,028
I WILL SING OF YOUR MERCY..."

1491
01:17:04,070 --> 01:17:06,490
"FOR YOU ARE MY FORTRESS,

1492
01:17:06,490 --> 01:17:09,243
"MY REFUGE,

1493
01:17:09,284 --> 01:17:11,661
"FOR "MY HIGH TOWERTRESS,

1494
01:17:11,703 --> 01:17:13,413
IN TIMES OF TROUBLE."

1495
01:17:27,470 --> 01:17:29,930
DELTA BRAVO, WE HAVE EYES ON SOUL SISTER.

1496
01:17:29,972 --> 01:17:31,682
I REPEAT. WE HAVE SOUL SISTER.

1497
01:19:00,859 --> 01:19:02,902
WHERE'S OUR TAXI GOING?

1498
01:19:02,944 --> 01:19:05,865
OH, YOU WON'TBE NEEDING IT.

1499
01:19:09,284 --> 01:19:10,410
YOU MUST BE PHOEBE.

1500
01:19:10,452 --> 01:19:11,328
YEAH.

1501
01:19:11,370 --> 01:19:12,622
HELLO, SIR.

1502
01:19:12,622 --> 01:19:13,914
STEVEN MAREK.

1503
01:19:13,956 --> 01:19:15,666
DEPARTMENT OF DEFENSE.

1504
01:19:17,418 --> 01:19:18,419
FORMER AIR FORCE?

1505
01:19:18,461 --> 01:19:20,004
-YEAH. THAT'S RIGHT.-I THOUGHT YOU AND PHOEBE--

1506
01:19:20,004 --> 01:19:21,797
...WOULD LIKE TO SEEWHAT ARMY RANGERS

1507
01:19:21,839 --> 01:19:23,466
ARE FLYING AROUND IN-I THOUGTHESE DAYS.PHOEBE--

1508
01:19:32,893 --> 01:19:34,310
MOM!

1509
01:19:35,311 --> 01:19:36,271
MOMMY!

1510
01:19:36,312 --> 01:19:38,273
OH, MAMA!

1511
01:19:42,986 --> 01:19:45,281
OHAMA!

1512
01:20:03,090 --> 01:20:06,511
-HI, DADDY!-OH! OH...

1513
01:20:43,883 --> 01:20:45,677
WE'RE HEADINGTO THE AIRPORT,

1514
01:20:45,677 --> 01:20:47,929
WITH ONE STOPON THE WAY.

1515
01:20:48,930 --> 01:20:52,184
WE'RE HEADINGTO THE AIRPORT

1516
01:21:08,408 --> 01:21:10,828
WHAT'S THIS?

1517
01:21:11,829 --> 01:21:12,913
UH...

1518
01:21:12,913 --> 01:21:16,209
THIS ISTHE FIRST ACQUISITION

1519
01:21:16,251 --> 01:21:19,504
BY THE NEWLY-FORMEDO'TOOLE FOUNDATION.

1520
01:21:20,463 --> 01:21:22,298
YOU BOUGHT THIS LOT?

1521
01:21:22,298 --> 01:21:23,967
I DID.

1522
01:21:23,967 --> 01:21:25,927
AND YOU'RE BUILDINGYOU BOURETIREMENT HOMES?

1523
01:21:25,969 --> 01:21:28,555
OH... ALL SORTSOF THINGS.

1524
01:21:28,597 --> 01:21:31,057
MAYBE A... SCHOOL

1525
01:21:31,099 --> 01:21:33,309
OR A LIBRARYIN AFGHANISTAN.

1526
01:21:33,352 --> 01:21:35,271
WE'RE STARTING SMALL.

1527
01:21:35,312 --> 01:21:37,689
I ASSUME YOU CAN USEYOUR COMPUTER TO TRACK DOWN

1528
01:21:37,731 --> 01:21:40,401
THE ORIGINAL BLUEPRINTSFOR YOUR ANCESTRAL HOME?

1529
01:21:45,447 --> 01:21:46,615
PROBABLY!

1530
01:21:46,657 --> 01:21:49,035
IT WAS A PRETTY SMALL HOUSE,THOUGH.

1531
01:21:49,076 --> 01:21:50,411
OH.

1532
01:21:50,452 --> 01:21:53,956
WELL, WE'LL JUSTMAKE IT BIGGER.

1533
01:21:53,956 --> 01:21:55,667
THERE'LL BE A PORCH...

1534
01:21:55,708 --> 01:21:59,170
UH, AND A SWING,TOF COURSE.IGGER.

1535
01:22:00,713 --> 01:22:01,756
ROSES.

1536
01:22:01,798 --> 01:22:04,634
OH, THAT REMINDS ME.

1537
01:22:04,634 --> 01:22:06,136
AHEM.

1538
01:22:06,178 --> 01:22:08,263
OH, THAT REMINDS ME.WHAT'S THIS?

1539
01:22:11,058 --> 01:22:12,475
IS IT...

1540
01:22:12,475 --> 01:22:15,729
I TOOK A CUTTING FROMYOUR ROSEBUSH OVER THERE.

1541
01:22:16,814 --> 01:22:18,315
IF YOU TAKE IT HOME,PLANT IT,

1542
01:22:18,356 --> 01:22:20,108
NEXT YEAR,YOU'LL HAVE THE...

1543
01:22:20,150 --> 01:22:22,445
FIRST ROSE OF SUMMER.

1544
01:22:23,904 --> 01:22:26,657
YES.

1545
01:22:29,035 --> 01:22:31,620
ARE WE ALLSUPPOSED TO MOVE HERE?

1546
01:22:32,496 --> 01:22:34,040
NOT FOR A LONG TIMEYET, NORMAN.

1547
01:22:34,040 --> 01:22:36,167
WE ALL HAVE A LOT LEFT TO DO.BESIDES...

1548
01:22:36,167 --> 01:22:39,087
IT'S NICE TO HAVE SOMETHINGTO LOOK FORWARD TO, HMM?

1549
01:22:39,128 --> 01:22:40,672
WOW, SHANE! IT'S SO COOL--

1550
01:22:40,672 --> 01:22:43,592
YOUR FIRST HOUSEWILL BE YOUR LAST HOUSE.

1551
01:22:43,633 --> 01:22:46,178
AH, THE GREAT CIRCLE OF LIFE.

1552
01:22:47,929 --> 01:22:49,639
CAN I HAVE A WORKSHOP?AND A LABORATORY?

1553
01:22:49,681 --> 01:22:50,557
MAYBE A LITTLE...

1554
01:22:50,557 --> 01:22:53,018
MINI-ANTI-MATTER CYCLOTRONIN THE GARAGE?

1555
01:22:53,018 --> 01:22:54,269
NO, NORMAN.BE A LITTLE...

1556
01:22:54,311 --> 01:22:55,437
NO CYCLOTRON.

1557
01:22:55,479 --> 01:22:56,689
IT'S TIME TO GO.

1558
01:23:02,570 --> 01:23:04,780
WHAT A FAMILY.

1559
01:23:05,740 --> 01:23:07,367
THE FEW...

1560
01:23:07,367 --> 01:23:08,868
THE PROUD...

1561
01:23:08,909 --> 01:23:10,077
THE POSTAL.