1 00:00:02,335 --> 00:00:05,671 ♪ WORKIN' ON THE NIGHT MOVES ♪ 2 00:00:05,839 --> 00:00:09,717 ♪ TRYIN' TO LOSE THEM AWKWARD TEENAGE BLUES ♪ 3 00:00:09,884 --> 00:00:13,554 ♪ WORKIN' ON THE NIGHT MOVES ♪ 4 00:00:13,722 --> 00:00:17,307 ♪ MMM-MMM ♪ 5 00:00:17,475 --> 00:00:19,727 ♪ IT WAS SUMMERTIME ♪ 6 00:00:21,980 --> 00:00:23,939 WHAT ARE YOU DOING? 7 00:00:24,107 --> 00:00:26,066 NOTHING. 8 00:00:33,908 --> 00:00:41,908 ♪♪♪ 9 00:00:43,001 --> 00:00:45,169 HOW'S IT GOING BACK THERE? 10 00:00:47,088 --> 00:00:48,797 OKAY, DONNA, JUST FOR THAT, 11 00:00:48,965 --> 00:00:51,592 I'M NOT TAKING YOUR BRA OFF. 12 00:00:51,760 --> 00:00:54,094 WELL, YOU WEREN'T TAKING IT OFF ANYWAY. 13 00:00:56,056 --> 00:00:58,766 HELLO, HOUSE OF CHICKEN? 14 00:01:00,226 --> 00:01:04,021 HOW BIG ARE YOUR WINGS? 15 00:01:05,231 --> 00:01:06,815 BREASTS. 16 00:01:06,983 --> 00:01:09,318 OH. 17 00:01:09,486 --> 00:01:13,072 HOW BIG ARE YOUR BREASTS? 18 00:01:14,657 --> 00:01:17,576 THIS IS FEZ, WHO IS THIS? 19 00:01:18,995 --> 00:01:20,746 OH, WHEW. 20 00:01:20,914 --> 00:01:24,249 MY FIRST PRANK CALL. 21 00:01:24,417 --> 00:01:27,419 EVERY NIGHT WITH YOU IS AN ADVENTURE. 22 00:01:27,587 --> 00:01:29,546 YEAH, FEZ, IT'S A REAL ROLLER COASTER, 23 00:01:29,714 --> 00:01:32,174 AIN'T IT? 24 00:01:32,342 --> 00:01:35,260 HYDE, HOW COME YOU DON'T HAVE A GIRLFRIEND? 25 00:01:36,096 --> 00:01:38,931 MAYBE IF YOU DID SOMETHING WITH YOUR HAIR, LIKE... 26 00:01:46,272 --> 00:01:47,648 HEY, YOU. 27 00:01:47,816 --> 00:01:51,985 IS THERE A MOTEL IN THIS PUKE HOLE? 28 00:01:52,153 --> 00:01:55,572 THERE'S A SLEEPY TIME LODGE THREE PUKE HOLES OVER. 29 00:01:56,658 --> 00:01:59,118 THANKS. I'M CHRISSY. 30 00:01:59,285 --> 00:02:00,369 I'M HYDE. 31 00:02:00,537 --> 00:02:02,287 WHO CARES? 32 00:02:02,455 --> 00:02:05,290 YOU WANT TO HOP ON MY VESPA AND, UH, 33 00:02:05,458 --> 00:02:08,919 SHOW ME WHERE IT IS? 34 00:02:12,841 --> 00:02:16,135 MOTHER OF GOD, I THINK I LOVE YOU. 35 00:02:16,970 --> 00:02:19,179 LOVE IS AN OUTDATED CONCEPT 36 00:02:19,347 --> 00:02:23,851 USED BY INDUSTRIALISTS TO KEEP WOMEN SUBSERVIENT. 37 00:02:25,645 --> 00:02:28,981 ♪ I AM AN ANTICHRIST ♪ 38 00:02:29,149 --> 00:02:32,276 ♪ I AM AN ANARCHIST ♪ 39 00:02:32,443 --> 00:02:34,111 ♪ DON'T KNOW WHAT I WANT ♪ 40 00:02:34,279 --> 00:02:36,029 ♪ BUT I KNOW HOW TO GET IT ♪ 41 00:02:36,197 --> 00:02:38,824 ♪ I WANT TO DESTROY... ♪ 42 00:02:38,992 --> 00:02:42,452 MOTHER OF GOD, I DO LOVE YOU. 43 00:02:44,330 --> 00:02:48,041 ♪ HANGIN' OUT ♪ 44 00:02:48,209 --> 00:02:51,503 ♪ DOWN THE STREET ♪ 45 00:02:51,671 --> 00:02:55,424 ♪ THE SAME OLD THING ♪ 46 00:02:55,592 --> 00:02:58,677 ♪ WE DID LAST WEEK ♪ 47 00:02:58,845 --> 00:03:02,681 ♪ NOT A THING TO DO ♪ 48 00:03:02,849 --> 00:03:05,976 ♪ BUT TALK TO YOU ♪ 49 00:03:06,144 --> 00:03:08,645 ♪ WHOA, YEAH ♪ 50 00:03:08,813 --> 00:03:10,772 CAPTIONING MADE POSSIBLE BY CARSEY-WERNER AND FOX BROADCASTING 51 00:03:10,940 --> 00:03:13,817 HELLO, WISCONSIN! 52 00:03:16,654 --> 00:03:20,115 [BEEPING] BLEEP! BLEEP! 53 00:03:21,701 --> 00:03:24,328 DAMN. 54 00:03:24,495 --> 00:03:27,623 DAMN! 55 00:03:27,790 --> 00:03:30,709 DAMN!! 56 00:03:31,753 --> 00:03:33,503 WHAT HAPPENED? 57 00:03:33,671 --> 00:03:34,713 WHAT HAP... 58 00:03:34,881 --> 00:03:37,633 YOU JUST BEAT ME 15-NOTHING. 59 00:03:39,052 --> 00:03:40,385 SO WHAT? 60 00:03:40,553 --> 00:03:44,598 I MEAN, HITTING A BALL WITH 2 PADDLES IS SO BORING. 61 00:03:44,766 --> 00:03:47,100 I NEED A NEW CHALLENGE. SOMETHING TOTALLY DIFFERENT. 62 00:03:47,268 --> 00:03:50,729 I NEED TO HIT THE BALL WITH... 63 00:03:51,439 --> 00:03:54,107 WITH SMALLER PADDLES. 64 00:03:54,609 --> 00:03:55,984 WHERE'S RED KEEP HIS TOOLS? 65 00:03:56,152 --> 00:03:57,569 OH, NO, NOT RED'S PONG. 66 00:03:57,737 --> 00:03:59,238 I DON'T THINK YOU SHOULD BE GOING UP THERE... 67 00:03:59,405 --> 00:04:01,114 THE GARAGE. OF COURSE. 68 00:04:01,282 --> 00:04:02,722 OKAY, YOU KNOW, IF YOU SCREW THAT UP, 69 00:04:02,742 --> 00:04:04,076 HE'S GONNA BLAME ME. 70 00:04:04,244 --> 00:04:06,870 I KNOW. 71 00:04:07,538 --> 00:04:12,501 ♪♪♪ 72 00:04:32,105 --> 00:04:34,345 WHO WOULD HAVE THOUGHT I'D MEET A RADICAL NUMBER LIKE YOU 73 00:04:34,440 --> 00:04:37,901 IN A SLAG-HEAP TOWN LIKE THIS. 74 00:04:38,695 --> 00:04:41,446 I CAN'T BELIEVE YOU'RE JUST PASSIN' THROUGH, MAN. 75 00:04:41,614 --> 00:04:44,783 YOU'RE DARK, YOU'RE OBNOXIOUS, 76 00:04:44,951 --> 00:04:48,328 YOU'RE DANGEROUSLY PARANOID. 77 00:04:48,496 --> 00:04:52,165 UNTIL TONIGHT, I DIDN'T EVEN KNOW A GIRL LIKE YOU EXISTED. 78 00:04:52,333 --> 00:04:55,794 HAS IT OCCURRED TO YOU THAT WE'RE ON A BED. 79 00:04:55,962 --> 00:04:59,673 OH, MAN, THIS IS SO PERFECT. 80 00:04:59,841 --> 00:05:04,052 YOU'RE EASY TOO? 81 00:05:04,220 --> 00:05:06,471 YEAH. 82 00:05:06,639 --> 00:05:09,558 SEE, THE ESTABLISHMENT DOESN'T WANT US HAVING SEX 83 00:05:09,726 --> 00:05:11,601 BECAUSE THEY KNOW IT MAKES US FEEL GOOD, RIGHT? 84 00:05:11,769 --> 00:05:12,769 YEAH. 85 00:05:12,854 --> 00:05:14,354 SO, IF WE CAN FEEL GOOD ON OUR OWN, 86 00:05:14,522 --> 00:05:16,690 WHAT DO WE NEED THE ESTABLISHMENT FOR? 87 00:05:16,858 --> 00:05:22,779 SO EVERY TIME WE HAVE SEX, IT'S A HUGE PROTEST. 88 00:05:22,947 --> 00:05:24,698 YOU KNOW WHAT? 89 00:05:24,866 --> 00:05:29,453 I THINK I FEEL A HUGE PROTEST COMING ON. 90 00:05:32,999 --> 00:05:34,333 THANK YOU SO MUCH FOR HELPING 91 00:05:34,500 --> 00:05:36,209 WITH MY HOME-EC PROJECT, MRS. FORMAN. 92 00:05:36,377 --> 00:05:37,669 WELL, YOU'RE WELCOME, HONEY. 93 00:05:37,837 --> 00:05:41,131 NOW, JACKIE, HAVE YOU EVER MADE A PIE BEFORE? 94 00:05:41,299 --> 00:05:42,799 NO, I DON'T REALLY COOK MUCH. 95 00:05:42,967 --> 00:05:46,136 I JUST PLAN ON GETTING BY ON MY LOOKS. 96 00:05:47,013 --> 00:05:49,473 OKAY, THEN. 97 00:05:55,104 --> 00:05:57,064 MICHAEL. 98 00:05:57,231 --> 00:06:00,442 JACKIE. 99 00:06:00,610 --> 00:06:02,152 WHAT ARE YOU DOING HERE? 100 00:06:02,320 --> 00:06:04,488 I'M BAKING A PIE. 101 00:06:04,655 --> 00:06:07,574 I'M MAKING SMALL PADDLES. 102 00:06:10,411 --> 00:06:14,414 FINE. 103 00:06:20,213 --> 00:06:23,840 SO, DONNA, WHAT SAY YOU AND I TAKE A LITTLE DRIVE TONIGHT? 104 00:06:24,967 --> 00:06:26,176 I DON'T KNOW. 105 00:06:26,344 --> 00:06:30,180 DO YOU THINK YOU CAN UNLOCK THE CAR? 106 00:06:33,518 --> 00:06:35,602 HMM, WHERE SHOULD THE THREE OF US GO 107 00:06:35,770 --> 00:06:39,481 ON OUR DRIVE? 108 00:06:40,233 --> 00:06:43,693 ACTUALLY, FEZ, JUST DONNA AND I ARE GONNA... 109 00:06:44,570 --> 00:06:47,864 OH, I SEE. 110 00:06:50,493 --> 00:06:55,956 SO YOU ARE GOING TO DITCH ME. JUST LIKE HYDE. 111 00:06:59,210 --> 00:07:00,585 EVERY DAY... 112 00:07:00,753 --> 00:07:04,464 I AM HERE WITH MY HEART ON MY SLEEVE. 113 00:07:04,632 --> 00:07:10,011 HOPING ONLY FOR FRIENDSHIP... AND ACCEPTANCE. 114 00:07:10,179 --> 00:07:12,848 AND WHAT DO I GET? 115 00:07:13,015 --> 00:07:21,015 ABANDONMENT. LONELINESS. 116 00:07:22,483 --> 00:07:27,237 WHEN IS IT FEZ'S TURN? 117 00:07:27,405 --> 00:07:31,491 WHERE IS MY WHORE? 118 00:07:41,711 --> 00:07:42,919 DAMN YOU, HYDE. 119 00:07:43,087 --> 00:07:46,339 DID YOU GO HORSEBACK RIDING WITHOUT ME? 120 00:07:48,634 --> 00:07:50,886 NO. 121 00:07:51,137 --> 00:07:53,680 I JUST MET THE MOST AMAZING WOMAN... 122 00:07:53,848 --> 00:07:55,015 CHRISSY. 123 00:07:55,183 --> 00:07:56,600 AND SHE JUST DITCHED HER ENTIRE LIFE 124 00:07:56,767 --> 00:07:58,643 TO START OVER IN NEW YORK, MAN. 125 00:07:58,811 --> 00:08:01,062 WAIT. W-W-W-WAIT. 126 00:08:01,230 --> 00:08:03,190 WHY IS SHE... WHY IS SHE GOING TO NEW YORK? 127 00:08:03,357 --> 00:08:04,816 SHE'S GONNA START A PUNK BAND. 128 00:08:04,984 --> 00:08:07,527 A PUNK BAND! HEH-HEH. 129 00:08:07,695 --> 00:08:12,491 COOL. WHAT IS PUNK ANYWAYS? 130 00:08:12,658 --> 00:08:15,827 PUNK IS THE NIHILISTIC OUTCRY AGAINST THE CORPORATE 131 00:08:15,995 --> 00:08:17,287 ROCK 'N' ROLL TAKEOVER. 132 00:08:17,455 --> 00:08:19,956 IT'S THE SOUNDTRACK TO THE REVOLUTION, MAN. 133 00:08:20,124 --> 00:08:21,484 I THOUGHT YOU SAID BLUE OYSTER CULT 134 00:08:21,501 --> 00:08:23,877 WAS THE SOUNDTRACK TO THE REVOLUTION. 135 00:08:24,045 --> 00:08:25,045 YEAH. 136 00:08:25,171 --> 00:08:26,755 LOOK, THE POINT IS IS THAT... 137 00:08:26,923 --> 00:08:28,673 SHE ASKED ME TO GO WITH HER. 138 00:08:28,841 --> 00:08:32,385 WHOA, WHOA, WHY WOULD YOU WANT TO GO TO NEW YORK? 139 00:08:32,553 --> 00:08:33,845 WELL, IT'S A BIG CITY, MAN. 140 00:08:34,013 --> 00:08:35,430 THE BARS ARE OPEN 'TIL 4:00. 141 00:08:35,598 --> 00:08:37,057 IT'S WHERE ALL THE MUSIC'S HAPPENING. 142 00:08:37,225 --> 00:08:39,684 HEY, IF I CAN MAKE IT THERE... 143 00:08:39,852 --> 00:08:42,771 YOU CAN'T MAKE IT THERE. 144 00:08:42,939 --> 00:08:44,523 BUT IF I CAN MAKE IT THERE... 145 00:08:44,690 --> 00:08:46,525 BUT YOU WON'T MAKE IT THERE! 146 00:08:46,692 --> 00:08:49,736 WOULD YOU JUST LISTEN? 147 00:08:49,904 --> 00:08:52,322 IF I CAN MAKE IT THERE... 148 00:08:52,490 --> 00:08:56,493 DAMN IT, FORMAN, NOW I LOST MY TRAIN OF THOUGHT! 149 00:09:01,874 --> 00:09:03,083 KELSO, YOU HAVE 10 SECONDS TO TELL ME 150 00:09:03,251 --> 00:09:04,251 WHAT YOU'RE DOING. 151 00:09:04,335 --> 00:09:05,335 I CAN EXPLAIN. 152 00:09:05,378 --> 00:09:06,378 NINE SECONDS. 153 00:09:06,379 --> 00:09:07,379 EIGHT. 154 00:09:07,547 --> 00:09:08,547 SEE... 155 00:09:08,548 --> 00:09:09,381 OKAY, BUT THIS COUNTING IS... 156 00:09:09,549 --> 00:09:10,549 THREE. 157 00:09:10,633 --> 00:09:11,633 WHAT?! NO! 158 00:09:11,676 --> 00:09:12,717 THERE'S NO WAY THAT WAS 5 SECONDS. 159 00:09:12,885 --> 00:09:13,885 IT IS NOW. THREE. 160 00:09:13,970 --> 00:09:14,970 I JUST WANTED... 161 00:09:15,096 --> 00:09:16,096 TWO. 162 00:09:16,097 --> 00:09:17,097 SMALLER PADDLES! 163 00:09:17,265 --> 00:09:18,306 TIME! 164 00:09:18,474 --> 00:09:19,724 DON'T HURT ME! 165 00:09:19,892 --> 00:09:21,393 SMALLER PADDLES? IS IT BROKEN? 166 00:09:21,561 --> 00:09:23,061 OKAY, I'M TOO GOOD AT PONG. 167 00:09:23,229 --> 00:09:25,146 IT'S A CURSE. 168 00:09:25,314 --> 00:09:26,314 I KNOW WHAT YOU MEAN. 169 00:09:26,482 --> 00:09:27,482 IT'S BORING. 170 00:09:27,567 --> 00:09:28,942 I HAVEN'T PLAYED THIS THING IN OVER A MONTH. 171 00:09:29,110 --> 00:09:30,193 RIGHT, RIGHT, EXACTLY. 172 00:09:30,361 --> 00:09:32,571 OKAY, NOW, STAY WITH ME HERE. 173 00:09:32,738 --> 00:09:34,239 THAT'S WHY I TOOK IT APART. 174 00:09:34,407 --> 00:09:37,534 SEE, SMALLER PADDLES EQUAL BIGGER FUN. 175 00:09:38,953 --> 00:09:41,162 YOU MAY HAVE SOMETHING THERE. 176 00:09:41,330 --> 00:09:42,622 WE'LL GIVE IT A TRY. 177 00:09:42,790 --> 00:09:45,000 SEEING AS YOU ALREADY OPENED IT. 178 00:09:45,710 --> 00:09:46,960 GREAT. 179 00:09:47,128 --> 00:09:49,087 AND HEY, IF WE CAN'T PUT IT BACK TOGETHER, 180 00:09:49,255 --> 00:09:52,173 YOU OWE ME 118 BUCKS! 181 00:09:53,301 --> 00:09:55,635 I DON'T HAVE 118 BUCKS. 182 00:09:55,803 --> 00:09:59,180 WELL, THEN, I'LL HAVE TO KILL YA. 183 00:09:59,348 --> 00:10:01,474 HEH-HEH-HEH HEH-HEH-HEH! 184 00:10:01,642 --> 00:10:03,935 HEH-HEH-HEH. 185 00:10:04,103 --> 00:10:05,604 [COUGHING] 186 00:10:05,771 --> 00:10:07,689 OKAY, OKAY. 187 00:10:07,857 --> 00:10:09,274 JACKIE, ALL RIGHT, HONEY, 188 00:10:09,442 --> 00:10:11,568 LET'S... LET'S JUST REVIEW. 189 00:10:11,736 --> 00:10:15,655 WHAT DO YOU THINK WENT WRONG WITH THIS PIE? 190 00:10:15,823 --> 00:10:16,823 TOO MANY EGGS? 191 00:10:16,991 --> 00:10:18,783 NO. 192 00:10:18,951 --> 00:10:20,201 THE PAN WAS TOO SMALL? 193 00:10:20,369 --> 00:10:22,787 NOT EVEN CLOSE. 194 00:10:22,955 --> 00:10:25,457 IS IT BECAUSE MICHAEL DOESN'T LOVE ME ANYMORE? 195 00:10:25,625 --> 00:10:27,167 ALMOST. HEH. 196 00:10:27,335 --> 00:10:29,753 IT'S BECAUSE YOU WERE TALKING ON THE PHONE ABOUT MICHAEL 197 00:10:29,920 --> 00:10:31,963 INSTEAD OF WATCHING THE PIE LIKE YOU PROMISED ME 198 00:10:32,131 --> 00:10:34,466 YOU WOULD THIS TIME. 199 00:10:34,634 --> 00:10:37,469 AGAIN! 200 00:10:37,637 --> 00:10:40,930 YOU LIAR. HA-HA-HA-HA-HA. 201 00:10:43,100 --> 00:10:44,142 I DON'T KNOW, HYDE. 202 00:10:44,310 --> 00:10:46,186 I MEAN, HERE YOU'RE THE COOL GUY, 203 00:10:46,354 --> 00:10:48,855 BUT DO YOU KNOW HOW MANY COOL GUYS LIVE IN NEW YORK? 204 00:10:49,023 --> 00:10:53,735 THERE'S LIKE... LOU REED, MAN. 205 00:10:53,903 --> 00:10:57,197 DO YOU WANT TO MESS WITH THAT? 206 00:10:57,365 --> 00:10:59,157 WHY DO YOU WANT TO LEAVE POINT PLACE? 207 00:10:59,325 --> 00:11:01,868 IT IS FUN. 208 00:11:02,036 --> 00:11:03,995 YEAH, IT IS FUN, MAN. 209 00:11:04,163 --> 00:11:07,582 AND I'M GONNA MISS THE HELL OUT OF YOU GUYS, 210 00:11:07,750 --> 00:11:09,668 BUT CHRISSY'S COOL. 211 00:11:09,835 --> 00:11:12,629 AND IT'S THE BIG APPLE, MAN! 212 00:11:12,797 --> 00:11:15,215 HEY, DO YOU THINK LOU REED'S IN THE PHONE BOOK? 213 00:11:15,383 --> 00:11:18,510 BECAUSE I BET HE'D REALLY LIKE ME. 214 00:11:18,678 --> 00:11:21,638 LOU REED. 215 00:11:21,806 --> 00:11:23,848 WHERE ARE YOU GOIN'? 216 00:11:24,016 --> 00:11:27,560 WHO'S CHRISSY? 217 00:11:27,728 --> 00:11:29,104 IT'S NOT SO BAD HERE, MAN. 218 00:11:29,271 --> 00:11:31,856 WE GOT THE TV AND... PEANUT BUTTER, 219 00:11:32,024 --> 00:11:35,527 AND I GOT THIS THING. 220 00:11:35,695 --> 00:11:39,489 WELL, THE BALL PART ROLLED UNDER THE DRYER. 221 00:11:39,657 --> 00:11:42,367 HYDE, YOU CANNOT LEAVE. 222 00:11:42,535 --> 00:11:45,328 YOU GAVE ME MY FIRST BEER, REMEMBER? 223 00:11:45,496 --> 00:11:49,916 AND THEN I THREW UP ON THAT COP. 224 00:11:50,084 --> 00:11:53,503 THAT WAS A GOOD TIME, MAN. 225 00:11:53,671 --> 00:11:54,879 WAIT A MINUTE. 226 00:11:55,047 --> 00:11:56,881 BACK UP! 227 00:11:57,049 --> 00:11:59,467 NOBODY TELLS ME ANYTHING. 228 00:11:59,635 --> 00:12:03,680 WHAT'S THE BALL DOIN' UNDER THE DRYER? 229 00:12:11,897 --> 00:12:15,692 SO, HYDE'S LIKE... HYDE'S LIKE REALLY LEAVING. 230 00:12:15,860 --> 00:12:18,820 YEAH. 231 00:12:23,200 --> 00:12:29,080 IT'S LIKE... TIME'S JUST PASSING US BY. 232 00:12:29,248 --> 00:12:30,665 YOU KNOW? 233 00:12:30,833 --> 00:12:33,668 YOU'VE GOT TO LIKE... SEIZE THE DAY. 234 00:12:33,836 --> 00:12:35,795 YOU ARE SO RIGHT. YEAH. 235 00:12:40,426 --> 00:12:43,344 [LAUGHS] 236 00:12:44,096 --> 00:12:45,096 OKAY, WHAT'S SO FUNNY? 237 00:12:45,264 --> 00:12:46,765 NOTHING. NOTHING. 238 00:12:46,932 --> 00:12:48,933 NO, TELL ME. 239 00:12:49,101 --> 00:12:51,936 I KNOW YOU'RE GOING FOR THE BRA. 240 00:12:53,272 --> 00:12:55,690 HOW... HOW DID YOU KNOW? 241 00:12:55,858 --> 00:12:57,378 IT'S JUST EVERY TIME YOU GO FOR MY BRA, 242 00:12:57,443 --> 00:13:01,780 YOUR LIPS STOP MOVING. 243 00:13:04,116 --> 00:13:09,162 SO, UM, YOU'RE REALLY NOT HAVING ANY... ANY FUN? 244 00:13:09,330 --> 00:13:12,832 NO, I'M HAVING A GOOD TIME. 245 00:13:13,000 --> 00:13:14,400 I WOULD JUST LIKE A LITTLE ATTENTION 246 00:13:14,502 --> 00:13:18,129 WHILE YOU'RE STRUGGLING WITH MY UNDERWEAR. 247 00:13:18,798 --> 00:13:21,299 I'M HERE TOO. 248 00:13:21,467 --> 00:13:24,093 IT DOESN'T ALWAYS HAVE TO BE ABOUT THE TWINS. 249 00:13:29,308 --> 00:13:31,476 THE TWINS? HA-HA. 250 00:13:31,644 --> 00:13:36,981 IS THAT WHAT YOU CALL THEM? THAT IS SO VERY HOT. 251 00:13:40,569 --> 00:13:42,153 OKAY. 252 00:13:42,321 --> 00:13:44,405 [GROANS] 253 00:13:45,407 --> 00:13:48,243 TAKE ME HOME. 254 00:13:48,410 --> 00:13:50,328 YEAH. 255 00:13:50,496 --> 00:13:55,291 JACKIE, JUST TAKE THE MONEY AND BUY A PIE. 256 00:13:57,753 --> 00:14:03,550 MRS. FORMAN, IF I BUY A PIE, THAT'S CHEATING, AND I'LL FAIL. 257 00:14:03,717 --> 00:14:08,137 TRUST ME, IF YOU BAKE IT, YOU'LL FAIL TOO. 258 00:14:09,390 --> 00:14:11,558 WHAT'S THIS ABOUT HYDE MOVING TO NEW YORK? 259 00:14:11,725 --> 00:14:13,518 NO, NO, HE'S ONLY 17. 260 00:14:13,686 --> 00:14:15,937 HIS MOTHER WOULD NEVER LET HIM DO THAT. 261 00:14:16,105 --> 00:14:18,857 ACTUALLY, MICHAEL TOLD ME THAT HYDE'S MOM DRINKS A LOT, 262 00:14:19,024 --> 00:14:20,567 SO SHE PROBABLY WON'T EVEN CARE. 263 00:14:20,734 --> 00:14:23,152 YOU KNOW, DRUNK PEOPLE ARE LIKE THAT. 264 00:14:27,157 --> 00:14:30,243 OKAY... LET'S MAKE ANOTHER PIE. 265 00:14:30,411 --> 00:14:32,704 I WILL MAKE THE FILLING, 266 00:14:32,872 --> 00:14:36,165 AND I WILL MAKE THE CRUST. 267 00:14:36,333 --> 00:14:39,210 BUT WHAT WILL I MAKE? 268 00:14:39,378 --> 00:14:40,920 YOU WILL GO INTO THE LIVING ROOM 269 00:14:41,088 --> 00:14:44,257 AND MAKE ME A DRINK. 270 00:14:47,052 --> 00:14:49,429 HE CAN'T JUST DROP OUT OF HIGH SCHOOL, 271 00:14:49,597 --> 00:14:53,266 AND NEW YORK CITY IS NO PLACE FOR A 17-YEAR-OLD KID. 272 00:14:53,434 --> 00:14:57,604 IT'S SODOM AND GOMORRAH... WITH A SUBWAY. 273 00:14:57,771 --> 00:14:59,439 WE'LL HAVE TO HAVE A TALK WITH HIM. 274 00:14:59,607 --> 00:15:01,774 HIS MOM SURE AS HELL WON'T DO IT... 275 00:15:01,942 --> 00:15:07,030 AND SOMEBODY'S GOT TO BEAT SOME SENSE INTO THAT IDIOT. 276 00:15:07,197 --> 00:15:10,408 OH, RED, YOU DO CARE. 277 00:15:12,286 --> 00:15:15,371 ARE YOU READY TO ROCK AND ROLL? 278 00:15:16,206 --> 00:15:17,916 WE DON'T THINK THAT YOU SHOULD GO. 279 00:15:18,083 --> 00:15:19,792 NEW YORK IS A DANGEROUS PLACE. 280 00:15:19,960 --> 00:15:22,754 A YOUNG MAN TODAY NEEDS A HIGH SCHOOL DIPLOMA. 281 00:15:22,922 --> 00:15:25,340 IN NEW YORK, YOU GET MUGGED FOR NO GOOD REASON. 282 00:15:25,507 --> 00:15:27,427 DO YOU HAVE ANY IDEA WHAT THE JOB MARKET IS LIKE? 283 00:15:27,593 --> 00:15:31,512 THE PEOPLE ARE RUDE... AND YOU HAVE FEELINGS. 284 00:15:31,680 --> 00:15:34,599 WITHOUT THAT SHEEPSKIN, YOU ARE NOTHING... 285 00:15:34,767 --> 00:15:38,645 AND NOT THE KIND OF NOTHING THAT YOU ARE NOW. 286 00:15:38,812 --> 00:15:41,648 AN EVEN LOWER, MORE PATHETIC NOTHING. 287 00:15:41,815 --> 00:15:44,150 THEY SPIT. THAT'S RIGHT, THEY SPIT. 288 00:15:44,318 --> 00:15:45,918 WHAT ARE YOU GOING TO PUT ON YOUR RESUME? 289 00:15:45,945 --> 00:15:49,113 DUMB ASS? 290 00:15:52,618 --> 00:15:55,828 I'M NOT AFRAID OF ANYTHING, AND I'M GOING! 291 00:16:01,543 --> 00:16:04,545 WELL, THAT DIDN'T GO THAT GREAT. 292 00:16:04,713 --> 00:16:07,590 WAY TO GO, KITTY. 293 00:16:14,974 --> 00:16:16,516 HEY, HEY, HEY, DON'T TOUCH. 294 00:16:16,684 --> 00:16:20,353 I'M ABOUT TO TAKE OFF THE DOOHICKEY. 295 00:16:20,521 --> 00:16:21,980 OKAY. 296 00:16:22,147 --> 00:16:23,523 RED! 297 00:16:23,691 --> 00:16:25,817 DON'T YOU THINK WE SHOULD DISCONNECT THE TRANSISTOR 298 00:16:25,985 --> 00:16:30,947 FROM THE SECONDARY CIRCUIT BOARD FIRST? 299 00:16:32,783 --> 00:16:34,826 WELL, SURE. 300 00:16:34,994 --> 00:16:39,872 AND THEN WE'LL, UH, WORK ON THE, UH... 301 00:16:40,040 --> 00:16:41,666 DOOHICKEY. 302 00:16:41,834 --> 00:16:44,836 BITCHIN'. 303 00:16:47,339 --> 00:16:48,673 (STEVE) IT IS TOO MY SUITCASE! 304 00:16:48,841 --> 00:16:50,925 (EDNA) NOTHING IN THIS HOUSE IS YOURS! 305 00:16:51,093 --> 00:16:53,720 SHUT UP! 306 00:16:53,887 --> 00:16:56,014 [MUTTERS] BITCH! 307 00:16:59,226 --> 00:17:01,561 SO YOUR MOM'S TAKING IT PRETTY HARD, HUH? 308 00:17:01,729 --> 00:17:05,565 OH, I HAVEN'T TOLD HER YET. 309 00:17:06,692 --> 00:17:11,320 SO, HYDE, YOU'RE, LIKE, REALLY GOING THROUGH WITH THIS. 310 00:17:11,488 --> 00:17:13,614 YEAH, MAN. 311 00:17:15,826 --> 00:17:18,411 I MEAN, YOU KNOW, I KNOW PEOPLE SPIT ON YOU THERE, 312 00:17:18,579 --> 00:17:23,041 AND THE RAT'S ARE AS BIG AS YOUR HEAD OR WHATEVER. 313 00:17:23,208 --> 00:17:24,542 BUT THIS MIGHT BE 314 00:17:24,710 --> 00:17:27,628 MY ONLY CHANCE TO ESCAPE, FORMAN. 315 00:17:27,796 --> 00:17:30,131 HEY, YOU CAN'T LEAVE NOW. 316 00:17:30,299 --> 00:17:31,779 HYDE, WE'RE FINALLY GETTING OLD ENOUGH 317 00:17:31,842 --> 00:17:34,677 TO DO SOME SERIOUS DAMAGE TO THIS TOWN. 318 00:17:34,845 --> 00:17:36,262 REMEMBER, WE WERE GOING TO PAINT THAT POT LEAF 319 00:17:36,430 --> 00:17:38,765 ON THE WATER TOWER? 320 00:17:38,932 --> 00:17:42,643 VANDALISM, WHILE TEMPTING, IS NOT ENOUGH REASON 321 00:17:42,811 --> 00:17:45,229 FOR ME TO STAY. 322 00:17:45,397 --> 00:17:47,940 PLUS, YOU CAN DO THAT WITHOUT ME. 323 00:17:48,108 --> 00:17:51,110 BUT WE WON'T DO THAT WITHOUT YOU. 324 00:17:51,278 --> 00:17:52,862 HYDE, YOU'RE THE REASON WE DO SO MANY STUPID, 325 00:17:53,030 --> 00:17:56,032 SENSELESS THINGS. 326 00:17:56,200 --> 00:18:00,286 YEAH, THAT IS TRUE. 327 00:18:00,454 --> 00:18:03,164 HYDE, I'VE NEVER TOLD THIS TO ANOTHER HUMAN BEING, 328 00:18:03,332 --> 00:18:10,671 BUT I... I... CANNOT GET DONNA'S BRA OFF. 329 00:18:18,597 --> 00:18:19,806 HOOKS OR SNAPS? 330 00:18:19,973 --> 00:18:23,101 BOTH, SHE KEEPS THROWING ME CHANGE-UPS. 331 00:18:23,268 --> 00:18:25,144 ALL RIGHT, HERE'S WHAT YOU DO, OKAY? 332 00:18:25,312 --> 00:18:29,023 YOU BUY A BRA, THEN YOU PRACTICE ON IT AT HOME. 333 00:18:29,191 --> 00:18:33,027 THEN YOU GIVE IT TO DONNA AS A GIFT. 334 00:18:33,195 --> 00:18:37,281 SEE?! THAT'S BRILLIANT! 335 00:18:37,449 --> 00:18:41,244 YOU'RE LIKE AN EVIL GENIUS, MAN. 336 00:18:42,621 --> 00:18:45,790 ♪ ALLISON ♪ 337 00:18:45,958 --> 00:18:50,962 ♪ I KNOW THIS WORLD IS KILLING YOU ♪ 338 00:18:51,130 --> 00:18:55,383 ♪ OH, OH, ALLISON... ♪ 339 00:18:55,551 --> 00:18:57,718 WHERE'S YOUR BAG? 340 00:18:59,054 --> 00:19:01,889 YOU'RE NOT GOING. 341 00:19:02,057 --> 00:19:04,600 NO. 342 00:19:06,812 --> 00:19:10,773 BUT I'D LIKE TO MOUNT ANOTHER PROTEST IF YOU HAVE THE TIME. 343 00:19:26,415 --> 00:19:27,582 HERE'S MY, UH... 344 00:19:27,749 --> 00:19:30,042 MY FRIEND'S NUMBER IN NEW YORK. 345 00:19:30,210 --> 00:19:32,170 DON'T CALL ME! 346 00:19:33,422 --> 00:19:36,007 YEAH, I WON'T. 347 00:19:36,800 --> 00:19:40,845 HEY, CHRISSY, DO YOU MIND IF I STEAL THE TOWELS? 348 00:19:41,013 --> 00:19:44,307 SORRY. I ALREADY GOT 'EM. 349 00:19:46,768 --> 00:19:51,522 ♪ ALLISON ♪ 350 00:19:51,690 --> 00:19:56,444 ♪ I KNOW THIS WORLD IS KILLING YOU ♪ 351 00:19:56,612 --> 00:20:01,532 ♪ OH, ALLISON... ♪ 352 00:20:01,700 --> 00:20:03,868 WELL, KELSO, GOOD LUCK. 353 00:20:04,036 --> 00:20:06,412 YEAH, SHE'S BEEN A GREAT RIDE, MAN. 354 00:20:08,707 --> 00:20:09,832 IT WORKS! 355 00:20:10,000 --> 00:20:11,751 SMALLER PADDLES! 356 00:20:11,919 --> 00:20:13,252 (TOGETHER) YEAH! 357 00:20:13,420 --> 00:20:16,839 CONGRATULATIONS, SON. YOU HAVE SEEN THE FUTURE. 358 00:20:17,007 --> 00:20:18,287 YEAH, YEAH, YOU'RE SO RIGHT, RED. 359 00:20:18,383 --> 00:20:21,219 HOME COMPUTERS, THAT IS THE FUTURE! 360 00:20:21,386 --> 00:20:23,262 NO, NO, NO, NO, NOT COMPUTERS... 361 00:20:23,430 --> 00:20:25,890 SOLDERING! 362 00:20:26,058 --> 00:20:28,559 THE FUTURE IS SOLDERING. 363 00:20:28,727 --> 00:20:31,145 [SCOFFS] COMPUTERS. 364 00:20:32,189 --> 00:20:35,316 WELL, WHAT DO YOU KNOW? WE'RE PARKED AGAIN. 365 00:20:36,860 --> 00:20:40,321 RIGHT, BUT THIS TIME I JUST WANT TO TALK. 366 00:20:41,865 --> 00:20:44,033 DONNA, I AM REALLY SORRY IF I DID ANYTHING 367 00:20:44,201 --> 00:20:46,786 TO MAKE YOU FEEL UNCOMFORTABLE. 368 00:20:46,954 --> 00:20:49,580 OH, THANKS. 369 00:20:49,748 --> 00:20:52,917 I GUESS PART OF THAT'S MY FAULT. 370 00:20:53,085 --> 00:20:56,754 BUT I THINK I KNOW SOMETHING THAT'LL MAKE YOU FEEL BETTER. 371 00:20:56,922 --> 00:20:57,964 OKAY. 372 00:20:58,131 --> 00:21:00,007 [CLEARS THROAT] 373 00:21:00,175 --> 00:21:03,427 WELL, YOU KNOW, I'VE BEEN HAVING A ROUGH TIME LATELY. 374 00:21:03,595 --> 00:21:04,762 BECAUSE NOW THAT WE'RE BOYFRIEND AND GIRLFRIEND 375 00:21:04,930 --> 00:21:06,410 AND NOW THAT YOU KNOW I'M ON THE PILL, 376 00:21:06,473 --> 00:21:07,913 IT'S LIKE YOU'RE ALWAYS PAWING AT ME. 377 00:21:07,933 --> 00:21:09,613 AND I WANT TO FOOL AROUND, BUT THEN I THINK 378 00:21:09,685 --> 00:21:11,269 IF YOU GET TO SECOND BASE, FROM THERE YOU'LL HAVE 379 00:21:11,436 --> 00:21:12,516 A PRETTY GOOD VIEW OF HOME. 380 00:21:12,646 --> 00:21:14,105 AND IF THAT HAPPENS, WHO KNOWS WHAT WILL HAPPEN 381 00:21:14,273 --> 00:21:14,939 TO YOU AND ME? 382 00:21:15,107 --> 00:21:16,440 BECAUSE LOOK WHAT HAPPENED TO JACKIE AND KELSO, 383 00:21:16,608 --> 00:21:17,775 AND SEX CHANGES EVERYTHING, 384 00:21:17,943 --> 00:21:19,735 AND THAT REALLY, REALLY SUCKS. 385 00:21:19,903 --> 00:21:23,281 [SIGHS] 386 00:21:23,448 --> 00:21:25,908 OKAY. 387 00:21:26,535 --> 00:21:27,975 UM, SO WHAT PART OF THAT WAS SUPPOSED 388 00:21:27,995 --> 00:21:29,537 TO MAKE ME FEEL BETTER? 389 00:21:29,705 --> 00:21:31,080 OH... 390 00:21:31,248 --> 00:21:37,670 UM... 391 00:21:37,838 --> 00:21:40,840 I'M NOT WEARING A BRA. 392 00:21:46,638 --> 00:21:49,098 YOU ARE THE BEST GIRLFRIEND EVER. 393 00:21:49,266 --> 00:21:50,975 CAPTIONING MADE POSSIBLE BY CARSEY-WERNER AND FOX BROADCASTING 394 00:21:51,143 --> 00:21:54,061 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 395 00:22:04,865 --> 00:22:06,365 YOU SURPRISED TO SEE ME? 396 00:22:06,533 --> 00:22:09,994 NAH, I KNEW YOU'D STAY. 397 00:22:10,162 --> 00:22:12,747 YEAH, WE'VE BEEN FRIENDS WAY TOO LONG. 398 00:22:12,914 --> 00:22:14,165 NO, CHRISSY JUST DROVE BY WITH SOME GUY 399 00:22:14,333 --> 00:22:17,793 ON THE BACK OF HER BIKE. 400 00:22:20,547 --> 00:22:23,299 POOR KID. 401 00:22:23,467 --> 00:22:25,051 SHE'S GRIEVING. 402 00:22:25,218 --> 00:22:28,898 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE