1 00:00:00,959 --> 00:00:05,379 [MUSIC] 2 00:00:06,923 --> 00:00:10,676 ERIC, YOU'VE HARDLY TOUCHED YOUR BREAKFAST. 3 00:00:10,719 --> 00:00:14,304 THAT'S BECAUSE I DON'T KNOW WHAT IT IS. 4 00:00:14,347 --> 00:00:18,183 WELL, IT'S JUST... IT'S EGGS AND HASH AND SOME... 5 00:00:18,226 --> 00:00:22,021 SURPRISES. 6 00:00:22,063 --> 00:00:23,689 MOM, WHY AREN'T YOU EATING IT? 7 00:00:23,732 --> 00:00:27,943 WELL, I JUST, I HAVE NEVER BEEN A BREAKFAST PERSON. 8 00:00:27,986 --> 00:00:30,404 IS THIS RABBIT? 9 00:00:30,447 --> 00:00:32,239 NO. 10 00:00:32,282 --> 00:00:33,490 MOM, IF DADDY GETS A JOB, 11 00:00:33,533 --> 00:00:36,243 CAN WE STOP EATING DOG FOOD? 12 00:00:36,286 --> 00:00:38,120 LAURIE, IT IS NOT DOG FOOD, 13 00:00:38,163 --> 00:00:41,457 AND GOD, I HOPE SO. 14 00:00:41,499 --> 00:00:43,333 SO, 15 00:00:43,376 --> 00:00:45,002 WOULD YOU HIRE ME? 16 00:00:45,045 --> 00:00:46,378 I'D HIRE YOU, DADDY. 17 00:00:46,421 --> 00:00:47,713 ESPECIALLY IF THE POSITION 18 00:00:47,756 --> 00:00:51,133 WAS WORLD'S BEST FATHER. 19 00:00:51,176 --> 00:00:54,511 AW, YOU MAKE ME SICK. 20 00:00:54,554 --> 00:00:57,347 IS IT HORSE? 21 00:00:57,390 --> 00:01:01,894 NO, IT IS NOT HORSE. 22 00:01:01,936 --> 00:01:04,688 HONEY, NOW I KNOW, I KNOW YOU'VE BEEN 23 00:01:04,731 --> 00:01:06,315 JUST A LITTLE BIT BLUE 24 00:01:06,357 --> 00:01:07,816 SINCE THE PLANT CLOSED, 25 00:01:07,859 --> 00:01:12,112 SO I GOT YOU A PRESENT. HA HA HA. 26 00:01:13,031 --> 00:01:15,574 ♪ TA-DA! ♪ 27 00:01:16,409 --> 00:01:18,660 YOU'RE HIRED. 28 00:01:18,703 --> 00:01:21,580 THE ESSENTIAL GUIDE FOR JOB HUNTING. 29 00:01:21,623 --> 00:01:23,123 KITTY... 30 00:01:23,166 --> 00:01:24,875 I DON'T NEED THAT. 31 00:01:24,918 --> 00:01:26,710 I'VE BEEN WORKING SINCE I WAS 16, 32 00:01:26,753 --> 00:01:28,378 I FOUGHT IN 2 WARS, 33 00:01:28,421 --> 00:01:31,340 HELL, I KILLED PEOPLE. 34 00:01:31,382 --> 00:01:34,718 I'M NOT SAYING THAT I DIDN'T ENJOY IT. 35 00:01:34,761 --> 00:01:36,095 NO, NO, NO, NO. I JUST, YOU KNOW, 36 00:01:36,137 --> 00:01:37,805 I JUST THOUGHT I'D GIVE YOU A LITTLE EDGE. 37 00:01:37,847 --> 00:01:39,306 I DON'T NEED AN EDGE. 38 00:01:39,349 --> 00:01:40,599 I'M RED FORMAN. 39 00:01:40,642 --> 00:01:43,936 I'M EXPERIENCED, LOYAL, HARD-WORKING. 40 00:01:43,978 --> 00:01:46,313 THAT'S THE TRIFECTA OF EMPLOYABILITY. 41 00:01:46,356 --> 00:01:49,233 WELL, THANKS, SWEETIE. 42 00:01:50,026 --> 00:01:51,485 GOOD LUCK, HONEY. 43 00:01:51,528 --> 00:01:52,694 BYE, DADDY. 44 00:01:52,737 --> 00:01:53,904 Red: OKAY. 45 00:01:53,947 --> 00:01:57,950 I'VE GOT IT. IT'S TONGUE. 46 00:01:57,992 --> 00:02:00,702 [WHISPERING] It's tongue. 47 00:02:02,831 --> 00:02:06,625 ♪ HANGIN' OUT ♪ 48 00:02:06,668 --> 00:02:10,254 ♪ DOWN THE STREET ♪ 49 00:02:10,296 --> 00:02:13,882 ♪ THE SAME OLD THING ♪ 50 00:02:13,925 --> 00:02:17,177 ♪ WE DID LAST WEEK ♪ 51 00:02:17,220 --> 00:02:21,348 ♪ NOT A THING TO DO ♪ 52 00:02:21,391 --> 00:02:25,018 ♪ BUT TALK TO YOU ♪ 53 00:02:25,061 --> 00:02:29,356 ♪ WE ALL ALRIGHT ♪ ♪ WE ALL ALRIGHT ♪♪ 54 00:02:29,399 --> 00:02:32,526 HELLO, WISCONSIN! 55 00:02:40,827 --> 00:02:42,536 ALL RIGHT, IT'S OFFICIAL. 56 00:02:42,579 --> 00:02:45,873 MY PARENTS ARE FREAKS. 57 00:02:45,915 --> 00:02:49,793 WHICH ONE OF YOU IS MY BOYFRIEND AGAIN? 58 00:02:49,836 --> 00:02:51,378 RIGHT. IT'S YOU. 59 00:02:51,421 --> 00:02:54,089 YOU'RE TAKING ME OUT OF THIS STINKIN' TOWN TONIGHT. 60 00:02:54,132 --> 00:02:55,507 W-W-WAIT, DONNA, 61 00:02:55,550 --> 00:02:59,511 DON'T YOU WANNA KNOW WHY FEZ IS IN HIS UNDIES? 62 00:02:59,554 --> 00:03:01,597 NO. 63 00:03:01,639 --> 00:03:04,391 IT IS A REALLY CRAZY STORY. 64 00:03:04,434 --> 00:03:06,435 OH, OH, YOU KNOW WHAT? 65 00:03:06,477 --> 00:03:08,020 I'LL TELL YOU A CRAZY STORY. 66 00:03:08,062 --> 00:03:11,857 IT ALL STARTED LIKE 4 MINUTES AGO... 67 00:03:11,900 --> 00:03:15,944 Both: OOM. 68 00:03:18,364 --> 00:03:21,283 OH, GOOD GOD. WHAT ARE YOU GUYS DOING NOW? 69 00:03:21,326 --> 00:03:24,828 YOGA. I'M TRYING TO ALIGN YOUR FATHER'S CHAKRAS. 70 00:03:24,871 --> 00:03:29,124 I DIDN'T EVEN KNOW THE DAMN THINGS WERE OUT OF WHACK. 71 00:03:29,167 --> 00:03:31,835 WHY CAN'T YOU GUYS BE NORMAL? 72 00:03:31,878 --> 00:03:35,380 DONNA, YOUR NEGATIVITY IS BRUISING OUR AURAS. 73 00:03:35,423 --> 00:03:37,007 PLEASE LEAVE. 74 00:03:37,050 --> 00:03:38,175 GLADLY. 75 00:03:38,218 --> 00:03:39,384 OH, AND HONEY, 76 00:03:39,427 --> 00:03:41,136 WE'RE ALSO EXPLORING TANTRIC SEX. 77 00:03:41,179 --> 00:03:42,638 SO, IF YOU HEAR ANY STRANGE NOISES 78 00:03:42,680 --> 00:03:44,181 COMING FROM MOMMY AND DADDY'S BEDROOM... 79 00:03:44,224 --> 00:03:46,016 EWW! 80 00:03:46,059 --> 00:03:49,144 WHY MUST YOU GUYS FREAK ME OUT ON A DAILY BASIS? 81 00:03:49,187 --> 00:03:51,063 I DON'T WANT TO PICTURE YOU NAKED, 82 00:03:51,105 --> 00:03:54,900 AND I'M LEAVING NOW. FOREVER. 83 00:03:54,943 --> 00:03:58,403 Both: OOM. 84 00:03:58,446 --> 00:04:01,031 OUCH. OKAY, DONNA, 85 00:04:01,074 --> 00:04:02,366 I THINK WE NEED TO TAKE YOU OUT 86 00:04:02,408 --> 00:04:05,494 FOR SOME DIRTY BAD FUN. 87 00:04:05,536 --> 00:04:07,204 THANK YOU, ERIC. 88 00:04:07,247 --> 00:04:08,622 OH, YOU WANT DIRTY BAD FUN? 89 00:04:08,665 --> 00:04:10,999 LISTEN TO THIS. 90 00:04:11,042 --> 00:04:13,919 I CAME HERE FULLY CLOTHED. 91 00:04:13,962 --> 00:04:15,921 OH! NO, NO, I KNOW. 92 00:04:15,964 --> 00:04:17,965 THERE'S THIS NEW CLUB THAT OPENED IN CHICAGO. 93 00:04:18,007 --> 00:04:19,258 IT'S SUPPOSED TO BE LIKE, 94 00:04:19,300 --> 00:04:21,677 LIKE, THE HOTTEST SPOT THIS SIDE OF STUDIO 54. 95 00:04:21,719 --> 00:04:23,720 GOD, YOU GUYS, THAT'S PERFECT. 96 00:04:23,763 --> 00:04:26,139 NO, NO, MICHAEL, WE CAN'T GO. 97 00:04:26,182 --> 00:04:28,141 MY PARENTS ARE GONNA BE OUT LATE TONIGHT, 98 00:04:28,184 --> 00:04:33,438 AND WE HAVE TO STUDY. 99 00:04:33,481 --> 00:04:38,193 STUDY? AH, WHAT A GYP. I'M GOING TO THE CLUB. 100 00:04:38,236 --> 00:04:39,945 NO. NO... NO, MICHAEL, 101 00:04:39,988 --> 00:04:41,863 YOU'RE COMING OVER TO MY HOUSE TONIGHT 102 00:04:41,906 --> 00:04:43,824 AND WE'RE GONNA... 103 00:04:43,866 --> 00:04:47,744 STUDY. 104 00:04:47,787 --> 00:04:50,497 FINE. 105 00:04:50,540 --> 00:04:54,167 I NEVER GET TO DO ANYTHING FUN. 106 00:04:54,210 --> 00:04:57,379 GOD, YOU'RE DUMB. 107 00:04:57,422 --> 00:05:01,174 I GUESS THAT'S WHY I'VE GOTTA GO STUDY. 108 00:05:05,680 --> 00:05:07,347 [THINKING] HI. RED FORMAN. 109 00:05:07,390 --> 00:05:10,517 EXPERIENCED, LOYAL, HARD-WORKING. 110 00:05:10,560 --> 00:05:13,478 YEAH. 111 00:05:13,521 --> 00:05:16,690 All: HEY! THAT'S RED! 112 00:05:16,733 --> 00:05:18,608 SO, ALL YOU GUYS FROM THE, UH, 113 00:05:18,651 --> 00:05:21,153 FROM THE PLANT, HUH? 114 00:05:21,195 --> 00:05:24,948 SO, WE'RE ALL GOING AFTER THE SAME JOB. 115 00:05:24,991 --> 00:05:28,827 WELL. THAT'S, UH, THAT'S TERRIFIC. 116 00:05:28,870 --> 00:05:31,038 BOY, I WISH I HAD YOUR CONFIDENCE, RED. 117 00:05:31,080 --> 00:05:32,622 I GOT NOTHING. 118 00:05:32,665 --> 00:05:34,041 ALL I CAN THINK TO DO IS TELL THIS GUY 119 00:05:34,083 --> 00:05:38,378 I'M EXPERIENCED, LOYAL, AND HARD-WORKING. 120 00:05:38,421 --> 00:05:43,300 [THINKING] SON OF A BITCH. 121 00:05:49,057 --> 00:05:54,811 SO, I BROUGHT MY BOOKS. 122 00:05:54,854 --> 00:05:58,023 MICHAEL, WE'RE NOT GONNA STUDY. 123 00:05:58,066 --> 00:06:00,442 WE'RE NOT? 124 00:06:00,485 --> 00:06:03,070 NO. 125 00:06:03,112 --> 00:06:09,326 MY PARENTS ARE GONNA BE GONE FOR HOURS. 126 00:06:09,369 --> 00:06:13,789 OH! 127 00:06:13,831 --> 00:06:18,919 SO, WHAT DO YOU WANT TO DO? 128 00:06:49,367 --> 00:06:52,744 OH, CHECK IT OUT. BOWIE. 129 00:06:52,787 --> 00:06:54,746 MAN, HE'S COOL. 130 00:06:54,789 --> 00:07:02,212 YEAH. ANDROGYNOUS GUYS ARE SO MANLY. 131 00:07:02,255 --> 00:07:03,630 MICHAEL? 132 00:07:03,673 --> 00:07:06,633 DO YOU KNOW WHO WOULD LOOK TOTALLY, TOTALLY SEXY, 133 00:07:06,676 --> 00:07:09,177 GLAMMED UP LIKE BOWIE? 134 00:07:09,220 --> 00:07:10,512 WHO? 135 00:07:10,555 --> 00:07:12,472 YOU, MICHAEL. 136 00:07:12,515 --> 00:07:15,851 YOU'RE CRAZY. 137 00:07:15,893 --> 00:07:18,103 NO, I'M NOT GLAMMED. 138 00:07:18,146 --> 00:07:20,063 N-N-NO, COME ON, MICHAEL. 139 00:07:20,106 --> 00:07:22,107 YOU HAVE SUCH PRETTY EYES. 140 00:07:22,150 --> 00:07:25,318 WELL, MY LASHES DO GO OUT LIKE A MILE. 141 00:07:25,361 --> 00:07:26,653 AND WITH THIS, 142 00:07:26,696 --> 00:07:28,530 I CAN FLIP 'EM UP. 143 00:07:28,573 --> 00:07:30,198 NO WAY! 144 00:07:30,241 --> 00:07:33,368 YEAH, YEAH. 145 00:07:33,411 --> 00:07:39,124 [THE BEE GEE'S STAYIN'ALIVE PLAYING] 146 00:07:59,395 --> 00:08:01,021 Donna: ERIC, YOU HERE? 147 00:08:01,063 --> 00:08:05,317 YEAH, I'M IN THE LIVING ROOM, BABY. 148 00:08:11,991 --> 00:08:13,825 WHAT ARE YOU STARING AT? 149 00:08:13,868 --> 00:08:15,535 YOU'RE REALLY... 150 00:08:15,578 --> 00:08:17,871 BRICK HOUSE. 151 00:08:17,914 --> 00:08:19,206 THANKS, YOU WANNA... 152 00:08:19,248 --> 00:08:20,415 SHH. 153 00:08:20,458 --> 00:08:21,750 LET ME JUST STARE AT YOU FOR A SECOND. 154 00:08:21,792 --> 00:08:22,959 CAN WE JUST... 155 00:08:23,002 --> 00:08:24,461 IP. 156 00:08:24,504 --> 00:08:27,964 OKAY, I'M READY. 157 00:08:34,847 --> 00:08:36,306 GOD, THIS IS STUPID. 158 00:08:36,349 --> 00:08:38,600 SHUT UP, MICHAEL. I'M ALMOST DONE. 159 00:08:38,643 --> 00:08:42,312 I CAN'T BELIEVE I LET YOU TALK ME INTO THIS. 160 00:08:42,355 --> 00:08:46,399 OKAY. HERE, TAKE A LOOK. 161 00:08:47,068 --> 00:08:48,276 FINE. 162 00:08:48,319 --> 00:08:50,820 OKAY, YEAH. MY EYES ARE GORGEOUS. 163 00:08:50,863 --> 00:08:53,865 SEE? SEE, I TOLD YOU. 164 00:08:53,908 --> 00:08:56,785 MICHAEL, DO YOU KNOW WHAT YOU NEED NOW? 165 00:08:56,827 --> 00:08:59,204 SOME BLUSH. 166 00:08:59,247 --> 00:09:02,207 W-W-WHOA, WHOA, WHOA, JACKIE. 167 00:09:02,250 --> 00:09:03,833 ALL RIGHT, GLAM IS ONE THING, 168 00:09:03,876 --> 00:09:07,420 BUT I THINK WE'RE CROSSING OVER INTO WEIRD. 169 00:09:07,463 --> 00:09:09,965 NO, NO, TRUST ME, MICHAEL. WE'RE NOT. 170 00:09:10,007 --> 00:09:11,758 WITH CHEEKBONES LIKE THAT? 171 00:09:11,801 --> 00:09:15,971 BLUSH IS YOUR BEST FRIEND. 172 00:09:16,013 --> 00:09:19,224 YEAH, I DO HAVE BITCHIN' CHEEKBONES. 173 00:09:19,267 --> 00:09:22,269 OKAY, LET'S BLUSH. 174 00:09:32,488 --> 00:09:34,656 PEOPLE ARE SO FRIENDLY AROUND HERE. 175 00:09:34,699 --> 00:09:36,116 2 WOMEN ON THE CORNER 176 00:09:36,158 --> 00:09:39,160 JUST OFFERED TO HAVE SEX WITH ME. 177 00:09:39,203 --> 00:09:42,205 YEAH, FOR MONEY, FEZ. 178 00:09:42,248 --> 00:09:46,251 I COULD NOT ASK THEM FOR MONEY. 179 00:09:46,294 --> 00:09:48,920 OR COULD I? 180 00:09:48,963 --> 00:09:50,630 WOW, GUYS, CHECK OUT THIS CROWD. 181 00:09:50,673 --> 00:09:52,173 I KNOW. THIS IS GONNA BE SO GREAT. 182 00:09:52,216 --> 00:09:54,509 LET'S GO SEE HOW LONG THE WAIT IS. 183 00:09:54,552 --> 00:09:55,885 EXCUSE ME, HOW LONG... 184 00:09:55,928 --> 00:09:57,095 YOU'RE IN. 185 00:09:57,138 --> 00:09:58,388 OH, MAN. I'M SO UP FOR THIS. 186 00:09:58,431 --> 00:10:01,057 NOT YOU. 187 00:10:01,100 --> 00:10:02,392 WELL, THAT'S FINE. 188 00:10:02,435 --> 00:10:03,768 I'LL JUST WAIT WITH YOU GUYS. 189 00:10:03,811 --> 00:10:05,562 NO, WE'RE NEXT. GO IN. 190 00:10:05,605 --> 00:10:09,441 YEAH? ALL RIGHT. I'LL SEE YOU GUYS INSIDE. 191 00:10:09,942 --> 00:10:11,151 YOU KNOW WHAT? 192 00:10:11,193 --> 00:10:15,071 THIS IS PROBABLY JUST SOME KIND OF FIRE CODE THING. 193 00:10:15,823 --> 00:10:17,198 YEAH, OKAY, WAIT. WHAT'S GOING ON? 194 00:10:17,241 --> 00:10:18,617 WE'RE NEXT. 195 00:10:18,659 --> 00:10:21,286 NO, YOU'RE NOT. 196 00:10:21,329 --> 00:10:23,413 WHAT ARE YOU TALKING ABOUT? 197 00:10:23,456 --> 00:10:26,916 WELL, ARCHIE. 198 00:10:26,959 --> 00:10:29,002 I'M HERE TO LET THE COOL PEOPLE IN 199 00:10:29,045 --> 00:10:31,588 AND KEEP THE GEEKS OUT. 200 00:10:31,631 --> 00:10:36,301 THOSE POOR STUPID GEEKS. 201 00:10:38,554 --> 00:10:42,140 OH, MY GOD, WE ARE GEEKS! 202 00:10:51,025 --> 00:10:52,317 HEY. 203 00:10:52,360 --> 00:10:54,027 DID SLIPPING THE BOUNCER A 10 WORK? 204 00:10:54,070 --> 00:10:55,403 YES, IT DID, HYDE. 205 00:10:55,446 --> 00:10:59,532 THAT'S WHY I'M INSIDE THE CLUB. 206 00:10:59,575 --> 00:11:01,076 THERE YOU ARE. 207 00:11:01,118 --> 00:11:03,578 THIS PLACE IS AWESOME. WHY AREN'T YOU INSIDE? 208 00:11:03,621 --> 00:11:07,457 OH, WE WERE IN. WE WERE ON THE INSIDE. 209 00:11:07,500 --> 00:11:08,958 I DIDN'T SEE YOU. 210 00:11:09,001 --> 00:11:10,293 OH, YEAH. WE WAVED AT YOU, 211 00:11:10,336 --> 00:11:12,420 BUT YOU WERE, UH... 212 00:11:12,463 --> 00:11:13,838 DANCING. 213 00:11:13,881 --> 00:11:15,131 EXCELLENT. 214 00:11:15,174 --> 00:11:16,549 UH, YOU WERE DANCING, 215 00:11:16,592 --> 00:11:18,093 AND THEN WE WENT THROUGH THIS... 216 00:11:18,135 --> 00:11:19,469 DOOR. 217 00:11:19,512 --> 00:11:21,012 YES. WE WENT THROUGH THIS DOOR, 218 00:11:21,055 --> 00:11:22,681 AND WE WERE LOCKED OUT. 219 00:11:22,723 --> 00:11:24,099 UH, AND THEN WE HAD TO GET 220 00:11:24,141 --> 00:11:25,433 IN THE BACK OF THE LINE, SO... 221 00:11:25,476 --> 00:11:28,603 ALL RIGHT, WELL, WHEN YOU GET BACK INSIDE, FIND ME. 222 00:11:28,646 --> 00:11:30,230 GO, YEAH. 223 00:11:30,272 --> 00:11:31,773 YEAH, GO. YEAH, GO. 224 00:11:31,816 --> 00:11:33,024 WE'LL MEET ON THE INSIDE. 225 00:11:33,067 --> 00:11:34,317 OKAY. 226 00:11:34,360 --> 00:11:35,985 All: YEAH, GO. 227 00:11:36,028 --> 00:11:37,987 THAT WAS REALLY SMOOTH. 228 00:11:38,030 --> 00:11:39,906 SMOOTH ENOUGH TO GET US IN? 229 00:11:39,949 --> 00:11:42,867 NO. 230 00:11:42,910 --> 00:11:45,578 OKAY, THAT'S IT. YOU MUST LET ME IN. 231 00:11:45,621 --> 00:11:47,080 WHY? 232 00:11:47,123 --> 00:11:48,957 BECAUSE I FEEL THE HOT RHYTHM OF DISCO 233 00:11:48,999 --> 00:11:53,002 BURNING IN MY LOINS. 234 00:11:55,589 --> 00:11:58,341 WATCH. 235 00:12:13,357 --> 00:12:17,569 OKAY. YOU'RE IN. 236 00:12:17,611 --> 00:12:21,030 SO LONG, LOSERS. 237 00:12:23,075 --> 00:12:25,910 SO, YOU'RE SAYING THAT THIS STUFF WON'T COME OFF? 238 00:12:25,953 --> 00:12:28,955 LIKE, EVEN IF I CRY? 239 00:12:28,998 --> 00:12:31,249 MAN, THAT'S GREAT. 240 00:12:31,292 --> 00:12:36,045 OH, MICHAEL, YOU ARE THE BEST DOLL I HAVE EVER HAD. 241 00:12:36,088 --> 00:12:37,213 YOU KNOW WHAT? 242 00:12:37,256 --> 00:12:38,496 I HAVE THE PERFECT GOWN FOR YOU. 243 00:12:38,507 --> 00:12:41,593 A-ALL RIGHT, JACKIE, SLOW DOWN. 244 00:12:41,635 --> 00:12:43,928 OKAY, WEARING LIPSTICK IS ONE THING, 245 00:12:43,971 --> 00:12:48,308 BUT A GOWN? THAT'S KIND OF FRUITY. 246 00:12:48,350 --> 00:12:50,477 NO, NO, IT'S NOT, MICHAEL. 247 00:12:50,519 --> 00:12:52,103 BOWIE WEARS DRESSES. 248 00:12:52,146 --> 00:12:54,022 JOE NAMATH WEARS PANTYHOSE. 249 00:12:54,064 --> 00:12:56,232 JACKIE. NO. 250 00:12:56,275 --> 00:12:57,859 I'LL BE RIGHT BACK. 251 00:12:57,902 --> 00:13:01,029 JACKIE, I SAID NO. 252 00:13:01,822 --> 00:13:05,575 ALL RIGHT. NOTHING TOO GIRLY, AND I MEAN IT! 253 00:13:14,418 --> 00:13:17,170 [GRUNTS] 254 00:13:18,214 --> 00:13:22,550 WELL, SO MUCH FOR YOUR "HE CAN'T STOP BOTH OF US" THEORY. 255 00:13:22,593 --> 00:13:24,302 THIS BITES, MAN. 256 00:13:24,345 --> 00:13:26,095 HE CAN'T KEEP US OUT OF THERE. I MEAN, WHAT? 257 00:13:26,138 --> 00:13:29,098 DID WE WAKE UP IN RUSSIA THIS MORNING? 258 00:13:29,141 --> 00:13:31,643 NO. WE DID NOT, IN FACT, 259 00:13:31,685 --> 00:13:34,103 WAKE UP IN RUSSIA THIS MORNING. 260 00:13:34,146 --> 00:13:36,606 I DIDN'T THINK SO. 261 00:13:36,649 --> 00:13:38,733 HEY, LET ME TELL YOU SOMETHING, PAL. 262 00:13:38,776 --> 00:13:41,194 YOU'RE PROPPING UP A DYING SYSTEM, MAN. 263 00:13:41,237 --> 00:13:43,696 YOU SEE, SOMEDAY SOON, PEOPLE ARE GONNA WAKE UP, 264 00:13:43,739 --> 00:13:46,324 AND THEY'RE GONNA REALIZE THAT MOST OF US DON'T FIT INTO YOUR 265 00:13:46,367 --> 00:13:48,993 HOLLYWOOD, MADISON AVENUE, CANDY-COATED IDEAL 266 00:13:49,036 --> 00:13:50,411 OF WHAT'S COOL. 267 00:13:50,454 --> 00:13:52,664 AND WHEN WE DO, WE'RE GONNA RISE UP, 268 00:13:52,706 --> 00:13:54,457 WE'RE GONNA PUT YOU ON TRIAL, 269 00:13:54,500 --> 00:13:56,000 THEN PARADE THROUGH THE STREETS 270 00:13:56,043 --> 00:13:59,879 WITH YOUR HEAD ON A STICK. 271 00:14:01,257 --> 00:14:04,259 RIGHTEOUS POLITICAL OUTRAGE. YOU'RE IN. 272 00:14:09,390 --> 00:14:12,642 ALL RIGHT. I'LL SEE YOU LATER, FORMAN. 273 00:14:17,314 --> 00:14:23,695 YEAH, WELL, WHEN THE REVOLUTION COMES, MAN, 274 00:14:23,737 --> 00:14:27,949 YOUR BACKS COULD BE UP AGAINST THE WALL, 275 00:14:27,992 --> 00:14:30,994 DAMN IT, LET ME IN! MY GIRLFRIEND'S IN THERE! 276 00:14:31,036 --> 00:14:32,871 THE FOXY REDHEAD? 277 00:14:32,913 --> 00:14:36,124 I THOUGHT THAT WAS YOUR SISTER. 278 00:14:36,166 --> 00:14:39,961 WHAT DOES SHE SEE IN YOU? 279 00:14:40,004 --> 00:14:41,838 YOU KNOW WHAT SHE SEES, BUDDY? 280 00:14:41,881 --> 00:14:46,217 YOU KNOW WHAT SHE SEES? 281 00:14:49,388 --> 00:14:50,889 WELL, LET ME TELL YOU SOMETHING, 282 00:14:50,931 --> 00:14:52,140 IF SHE WAS THE BOUNCER, 283 00:14:52,182 --> 00:14:54,058 I'D BE IN THAT STUPID CLUB RIGHT NOW, 284 00:14:54,101 --> 00:14:56,019 YOU BIG ASS. 285 00:14:56,061 --> 00:14:58,813 YEAH. I SAID IT. 286 00:15:03,944 --> 00:15:06,654 HI, HONEY. 287 00:15:09,325 --> 00:15:12,410 UH-OH. 288 00:15:13,579 --> 00:15:15,288 I DIDN'T GET THE JOB. 289 00:15:15,331 --> 00:15:19,042 OKAY, WELL, YOU WILL GET THEM NEXT TIME. 290 00:15:19,084 --> 00:15:21,252 AH, KITTY. 291 00:15:21,295 --> 00:15:23,713 THE WORLD'S CHANGING. 292 00:15:23,756 --> 00:15:24,923 THINGS AREN'T TURNING OUT 293 00:15:24,965 --> 00:15:29,260 THE WAY I EXPECTED. 294 00:15:29,303 --> 00:15:31,054 WELL, RED, 295 00:15:31,096 --> 00:15:34,974 WHAT DID YOU EXPECT? 296 00:15:35,017 --> 00:15:38,186 WELL... 297 00:15:38,228 --> 00:15:41,022 I DON'T KNOW, I... 298 00:15:42,483 --> 00:15:44,734 Announcer: TAKE THAT, HIROHITO. 299 00:15:44,777 --> 00:15:46,486 AND THAT. 300 00:15:46,528 --> 00:15:48,780 YES, WITH AMERICA'S VICTORY OVERSEAS NOW COMPLETE, 301 00:15:48,822 --> 00:15:50,740 OUR FIGHTING BOYS RETURN HOME, 302 00:15:50,783 --> 00:15:52,158 WHERE THE AMERICAN WORKING MAN 303 00:15:52,201 --> 00:15:55,328 TAKES HIS RIGHTFUL PLACE ON THE THRONE. 304 00:15:55,371 --> 00:15:58,206 "HI, HONEY. HOW WAS YOUR DAY?" 305 00:15:58,248 --> 00:16:01,209 "THEY GAVE ME ANOTHER RAISE." 306 00:16:01,251 --> 00:16:03,169 "OH, HONEY, WITH ALL THE MONEY YOU MAKE, 307 00:16:03,212 --> 00:16:06,047 IT'S NO WONDER I DON'T HAVE TO WORK." 308 00:16:06,090 --> 00:16:08,216 DAUGHTER LAURIE HAS A QUESTION. 309 00:16:08,258 --> 00:16:10,134 "DADDY, WHY IS THE AMERICAN ECONOMY 310 00:16:10,177 --> 00:16:12,095 THE ENVY OF THE WORLD?" 311 00:16:12,137 --> 00:16:14,263 "WELL," SAYS DAD, 312 00:16:14,306 --> 00:16:15,807 "IT'S BECAUSE THE AMERICAN WORKER 313 00:16:15,849 --> 00:16:21,437 IS EXPERIENCED, LOYAL, AND HARD-WORKING." 314 00:16:21,480 --> 00:16:24,732 LOOKS LIKE JUNIOR HAS SOME GOOD NEWS. 315 00:16:24,775 --> 00:16:27,527 "SAY, DAD, YOU CAN STOP GIVING ME MONEY NOW. 316 00:16:27,569 --> 00:16:30,655 I JUST GOT A FOOTBALL SCHOLARSHIP TO NOTRE DAME." 317 00:16:30,698 --> 00:16:34,283 I GUESS EXPERIENCE, LOYALTY, AND HARD WORK 318 00:16:34,326 --> 00:16:37,328 "REALLY DO PAY OFF." 319 00:16:37,371 --> 00:16:39,580 DAUGHTER LAURIE HAS ANOTHER QUESTION. 320 00:16:39,623 --> 00:16:41,207 "DADDY, CAN YOU TELL ME 321 00:16:41,250 --> 00:16:44,585 WHY GERMANY AND JAPAN'S ECONOMIES NEVER RECOVERED?" 322 00:16:44,628 --> 00:16:48,339 "IT'S SIMPLE. THEY ARE NOT EXPERIENCED, 323 00:16:48,382 --> 00:16:50,425 "THEY ARE NOT HARD-WORKING, 324 00:16:50,467 --> 00:16:52,427 "THEY ARE NOT LOYAL, 325 00:16:52,469 --> 00:16:55,221 AND THEY DO NOT SPEAK ENGLISH." 326 00:16:55,264 --> 00:16:58,349 SPEAKING OF WORK, MOM HAS TO GO GROCERY SHOPPING. 327 00:16:58,392 --> 00:17:00,518 "CAN I HAVE THE KEYS TO THE CADILLAC?" 328 00:17:00,561 --> 00:17:05,064 "HA HA. FORGET THE CADILLAC. TAKE THE HOVERCRAFT." 329 00:17:05,107 --> 00:17:12,864 THE HOVERCRAFT? 330 00:17:12,906 --> 00:17:17,869 WHAT? THEY PROMISED US HOVERCRAFTS. 331 00:17:17,911 --> 00:17:22,206 JUST ANOTHER DAMN BROKEN PROMISE. 332 00:17:26,295 --> 00:17:30,006 OKAY, CREAM AND 2 SUGARS. 333 00:17:31,008 --> 00:17:32,216 WELL, YOU JUST DRINK UP, 334 00:17:32,259 --> 00:17:35,261 AND I'LL JUST... I DON'T KNOW, HEAD INSIDE. 335 00:17:35,304 --> 00:17:36,888 YEAH. NO. 336 00:17:36,930 --> 00:17:39,515 OH, COME ON. YOU SUCK. 337 00:17:39,558 --> 00:17:41,309 MR. BIG SHOT BOUNCER, 338 00:17:41,351 --> 00:17:43,227 MR. "I OPEN AND CLOSE THE ROPE," 339 00:17:43,270 --> 00:17:48,483 MR. BOAT MAN ON THE RIVER STYX, 340 00:17:48,525 --> 00:17:50,693 JUST, GOD, I BET YOU'VE NEVER BEEN EXCLUDED 341 00:17:50,736 --> 00:17:52,403 FROM ANYTHING IN YOUR WHOLE LIFE. 342 00:17:52,446 --> 00:17:54,072 HEY, THAT'S NOT FAIR. 343 00:17:54,114 --> 00:17:55,907 I'VE BEEN EXCLUDED FROM LOTS OF THINGS. 344 00:17:55,949 --> 00:17:59,827 YEAH? LIKE WHAT? 345 00:18:02,539 --> 00:18:04,207 OH, NO, OKAY. 346 00:18:04,249 --> 00:18:05,750 UH, WHEN I WAS IN KINDERGARTEN, 347 00:18:05,793 --> 00:18:08,377 WE USED TO PLAY DUCK, DUCK, GOOSE, 348 00:18:08,420 --> 00:18:12,882 AND NOBODY EVER PICKED ME TO BE THE GOOSE. 349 00:18:12,925 --> 00:18:16,844 OH, WOW. THAT MUST HAVE REALLY HURT. 350 00:18:16,887 --> 00:18:19,806 I DIDN'T CARE. 351 00:18:19,848 --> 00:18:22,350 YOU DIDN'T CARE, UH-HUH? 352 00:18:22,392 --> 00:18:23,768 SO, YOU'RE JUST SITTING THERE, 353 00:18:23,811 --> 00:18:25,603 WATCHING THIS KID GO AROUND THE CIRCLE, 354 00:18:25,646 --> 00:18:27,021 DUCK, DUCK, DUCK. 355 00:18:27,064 --> 00:18:28,606 HE'D GET CLOSER AND CLOSER. 356 00:18:28,649 --> 00:18:30,108 DUCK. YOU'D BE SHAKING WITH ANTICIPATION. 357 00:18:30,150 --> 00:18:31,692 DUCK. MAYBE HE'LL PICK ME. 358 00:18:31,735 --> 00:18:33,236 DUCK. MAYBE I'LL GET TO RUN AND LAUGH 359 00:18:33,278 --> 00:18:34,612 WITH THE JOY OF BEING THE GOOSE. 360 00:18:34,655 --> 00:18:35,822 AND THEN HE'D COME TO YOU, 361 00:18:35,864 --> 00:18:37,073 PLACE HIS HAND ON YOUR HEAD AND SAY "DUCK," 362 00:18:37,116 --> 00:18:38,699 AND YOU'RE TELLING ME YOU DIDN'T CARE? 363 00:18:38,742 --> 00:18:40,034 OKAY, YEAH, IT HURTS. 364 00:18:40,077 --> 00:18:42,286 YES, THANK YOU. THAT'S WHAT I'M SAYING. 365 00:18:42,329 --> 00:18:43,871 AND NOW YOU... 366 00:18:43,914 --> 00:18:46,541 HAVE MADE ME... 367 00:18:46,583 --> 00:18:50,002 THE DUCK! 368 00:18:50,045 --> 00:18:52,213 WOW. 369 00:18:52,256 --> 00:18:54,799 OH, MAN. I DIDN'T REALIZE. 370 00:18:54,842 --> 00:18:56,801 DANCE, GOOSE. 371 00:18:56,844 --> 00:19:00,638 DANCE. 372 00:19:20,701 --> 00:19:21,993 OH, GOD, MICHAEL. 373 00:19:22,035 --> 00:19:23,828 IN THAT DRESS, YOU ARE WAY PRETTIER THAN BOWIE. 374 00:19:23,871 --> 00:19:27,790 HELL, I'M PRETTIER THAN YOU. 375 00:19:28,959 --> 00:19:31,460 THAT'S NOT FUNNY, MICHAEL. 376 00:19:34,840 --> 00:19:37,466 DID YOU JUST HEAR A CAR PULL UP? 377 00:19:37,509 --> 00:19:39,093 NO, NOT YET. 378 00:19:39,136 --> 00:19:40,511 YOUR PARENTS AREN'T SUPPOSED TO BE HOME 379 00:19:40,554 --> 00:19:42,555 FOR LIKE, ANOTHER HOUR. 380 00:19:42,598 --> 00:19:45,474 HEH. SPIN. 381 00:19:51,607 --> 00:19:53,107 HI, DADDY. 382 00:19:53,150 --> 00:19:55,109 WE'RE STUDYING. 383 00:19:55,152 --> 00:19:56,819 AAH! 384 00:19:56,862 --> 00:19:58,321 DADDY, NO! DADDY, I LOVE HIM! 385 00:19:58,363 --> 00:20:00,740 AAH! 386 00:20:03,076 --> 00:20:04,785 WOW. WHAT A NIGHT, RIGHT? 387 00:20:04,828 --> 00:20:08,164 OH, PHEW, EXACTLY. 388 00:20:12,252 --> 00:20:15,922 DONNA, WHY ARE YOU WITH ME? 389 00:20:15,964 --> 00:20:20,801 UM, THE BOUNCER WANTED TO KNOW. 390 00:20:21,595 --> 00:20:24,055 WHAT DID YOU TELL HIM? 391 00:20:25,098 --> 00:20:28,226 YOU KNOW, I COULDN'T THINK OF A REASON. 392 00:20:28,894 --> 00:20:31,687 HMM. 393 00:20:31,730 --> 00:20:35,608 YOU KNOW, COME TO THINK OF IT, I CAN'T EITHER. 394 00:20:35,651 --> 00:20:37,235 WHAT I NEED TO DO IS FIND A GUY 395 00:20:37,277 --> 00:20:39,237 WHO'S LIKE, TOTALLY DIFFERENT FROM YOU. 396 00:20:39,279 --> 00:20:43,407 MAYBE BIG AND DUMB AND, YOU KNOW, NOT NICE TO ME. 397 00:20:43,450 --> 00:20:44,825 OH, AND NO SENSE OF HUMOR, 398 00:20:44,868 --> 00:20:46,244 SO WHEN I TELL A JOKE, HE DOESN'T GET IT. 399 00:20:46,286 --> 00:20:47,578 THAT'S A REAL TURN ON. 400 00:20:47,621 --> 00:20:48,746 OKAY, ENOUGH. 401 00:20:48,789 --> 00:20:50,456 NO. NO, NO, NO, SERIOUSLY. THANK YOU. 402 00:20:50,499 --> 00:20:52,500 I MEAN, IF YOU HADN'T HAVE POINTED THIS OUT TO ME, 403 00:20:52,542 --> 00:20:54,669 I MIGHT HAVE WASTED YEARS WITH YOU. 404 00:20:54,711 --> 00:20:58,172 I MEAN, I ALMOST HAD SEX WITH YOU. 405 00:20:58,215 --> 00:21:00,883 WHOO! THANK YOU. 406 00:21:01,551 --> 00:21:03,010 OKAY, I THINK THE QUESTION HAS BECOME 407 00:21:03,053 --> 00:21:05,930 WHY AM I WITH YOU? 408 00:21:10,435 --> 00:21:13,312 OH, RIGHT, OKAY. 409 00:21:14,982 --> 00:21:17,692 I HAD A GREAT TIME. 410 00:21:18,694 --> 00:21:21,320 GOOD NIGHT. 411 00:21:25,492 --> 00:21:30,413 [THE BEE GEE'S STAYING ALIVE PLAYING] 412 00:21:39,965 --> 00:21:41,757 Kelso: YEAH. 413 00:21:41,800 --> 00:21:44,593 LAST NIGHT, I WAS WITH JACKIE, 414 00:21:44,636 --> 00:21:48,472 TONIGHT, I'LL BE WITH LAURIE. 415 00:21:48,515 --> 00:21:55,646 IT'S JUST THE KIND OF LIFE A STUD LIKE ME LEADS. 416 00:21:55,689 --> 00:21:57,231 WHAT? 417 00:21:57,274 --> 00:22:01,235 Er¡c: KELSO, YOUR MASCARA'S RUNNING. 418 00:22:01,278 --> 00:22:03,404 DAMN. 419 00:22:03,447 --> 00:22:06,073 SHE TOLD ME IT WAS WATERPROOF. 420 00:22:06,116 --> 00:22:09,827 CAPTIONING MADE POSSIBLE BY CARSEY-WERNER AND FOX BROADCASTING