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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

3
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[upbeat music playing]

4
00:01:29,427 --> 00:01:32,430
[crowd chattering indistinctly]

5
00:02:28,861 --> 00:02:30,863
[music fades]

6
00:02:32,031 --> 00:02:35,034
[band playing
"The Mighty Blues" distantly]

7
00:02:36,118 --> 00:02:37,495
[Jackson groaning]

8
00:02:37,578 --> 00:02:38,621
[Sande grunts]

9
00:02:44,210 --> 00:02:45,670
[Jackson groaning]

10
00:02:45,753 --> 00:02:48,464
[Jackson]
Who's the greatest drummer in the world?

11
00:02:48,547 --> 00:02:49,924
[grunts, then groans]

12
00:02:50,466 --> 00:02:51,300
Huh?

13
00:02:53,678 --> 00:02:55,763
- Krupa.
- [both laugh]

14
00:02:56,180 --> 00:02:58,099
- [Sande] You got it.
- That guy cooks.

15
00:02:58,182 --> 00:02:59,850
You're damn right, I got it.

16
00:03:03,437 --> 00:03:04,605
Fuck Picasso.

17
00:03:05,439 --> 00:03:06,816
That fucking guy.

18
00:03:08,025 --> 00:03:11,987
- Fuck Picasso! Fuck Picasso--
- Shh!

19
00:03:12,697 --> 00:03:14,699
[both laughing]

20
00:03:15,449 --> 00:03:20,037
[groans] Fucking guy.
Fucking guy's done it all.

21
00:03:22,623 --> 00:03:24,291
- Okay.
- You're doing good work.

22
00:03:24,375 --> 00:03:28,129
- No, I'm not. I'm not worth shit.
- [door opens]

23
00:03:28,587 --> 00:03:30,589
[Sande shushing]

24
00:03:30,673 --> 00:03:33,592
- It's not worth shit, Sande.
- [Sande] Get on your feet.

25
00:03:33,676 --> 00:03:34,593
[Sande grunts]

26
00:03:36,554 --> 00:03:38,013
[Jackson mumbles] I love you, Sande]

27
00:03:38,514 --> 00:03:40,349
[Jackson laughs]

28
00:03:41,475 --> 00:03:43,477
[both laugh]

29
00:03:48,399 --> 00:03:50,735
[Arloie] We're having a child, Sande.

30
00:03:50,818 --> 00:03:52,862
[spatula clacking]

31
00:03:52,945 --> 00:03:54,155
[Sande] He's my brother.

32
00:03:54,238 --> 00:03:56,157
[Arloie]
I'm not going to put up with it anymore.

33
00:03:59,326 --> 00:04:00,202
[radio clicks]

34
00:04:00,286 --> 00:04:02,872
[man on radio] <i>The United States
government stated yesterday</i>

35
00:04:02,955 --> 00:04:05,791
<i>that its patience with Japan
was nearing exhaustion.</i>

36
00:04:05,875 --> 00:04:08,461
<i>After nearly two weeks of negotiations
in Washington</i>

37
00:04:08,544 --> 00:04:10,755
<i>between Japanese and American officials,</i>

38
00:04:10,838 --> 00:04:14,300
<i>Secretary of State Hull declared
that another Japanese military move</i>

39
00:04:14,383 --> 00:04:16,927
<i>into Thailand or elsewhere
would not be tolerated.</i>

40
00:04:17,011 --> 00:04:19,555
<i>The effect of the statement
seemed to be that war in the Pacific...</i>

41
00:04:19,638 --> 00:04:20,473
It's hot.

42
00:04:20,556 --> 00:04:22,808
<i>...is closer than at any previous time.</i>

43
00:04:22,892 --> 00:04:24,894
<i>- In other news, the first complete--</i>
- [radio clicks]

44
00:05:05,726 --> 00:05:08,729
[poignant music playing]

45
00:05:21,492 --> 00:05:24,495
[poignant music continues]

46
00:05:31,460 --> 00:05:32,837
[knocking on door]

47
00:05:38,133 --> 00:05:40,135
[footsteps fading down hallway]

48
00:05:43,180 --> 00:05:45,182
[knocking on door distantly]

49
00:05:55,734 --> 00:05:57,736
[footsteps approaching]

50
00:06:01,907 --> 00:06:03,117
Jackson Pollock?

51
00:06:04,368 --> 00:06:05,744
I'm Lee Krasner.

52
00:06:06,537 --> 00:06:08,539
We're in John Graham's show together.

53
00:06:09,707 --> 00:06:10,666
You're working?

54
00:06:14,336 --> 00:06:18,048
It's pretty big-time stuff to be hanging
with Picasso and Braque and that kind.

55
00:06:24,013 --> 00:06:26,140
I thought I knew
all the abstract artists in New York,

56
00:06:26,223 --> 00:06:27,892
and I don't know Jackson Pollock.

57
00:06:28,726 --> 00:06:30,477
Here's a name I've never heard of.

58
00:06:32,479 --> 00:06:35,232
So, being cheeky,
I just hoofed it over here.

59
00:06:35,316 --> 00:06:36,901
I could come back another time.

60
00:06:37,443 --> 00:06:38,277
Cou--?

61
00:06:38,903 --> 00:06:41,906
- No, it's--
- Could I see your work?

62
00:06:47,745 --> 00:06:48,579
[door closes]

63
00:07:00,257 --> 00:07:02,801
I don't know what I expected,
but my God...

64
00:07:04,261 --> 00:07:06,597
- Who do you study with?
- Nobody.

65
00:07:06,680 --> 00:07:07,681
Did you ever?

66
00:07:08,557 --> 00:07:09,475
Thom Benton.

67
00:07:10,142 --> 00:07:11,018
Benton?

68
00:07:11,810 --> 00:07:13,479
You don't paint anything like Benton.

69
00:07:13,562 --> 00:07:16,857
Carl Jung and John Graham
helped me get over Benton.

70
00:07:19,568 --> 00:07:21,278
Which one are you showing?

71
00:07:24,239 --> 00:07:25,324
That one.

72
00:07:28,869 --> 00:07:32,081
- I'm not sure I'm finished with it.
- I don't think you should touch it.

73
00:07:40,756 --> 00:07:43,550
I'd like it if you would come
to my studio. Would you?

74
00:07:45,594 --> 00:07:46,845
Yeah. Sure.

75
00:07:46,929 --> 00:07:52,309
- I'm just around the corner. Would you?
- Yeah. Thanks.

76
00:07:54,311 --> 00:07:55,479
It's 23.

77
00:07:59,441 --> 00:08:02,820
- Twenty-three East Ninth.
- [pen scratching]

78
00:08:05,239 --> 00:08:09,535
Really, yes. You don't have to
give me a "when." Just pop on over.

79
00:08:13,288 --> 00:08:17,042
[door opens, then closes]

80
00:08:21,630 --> 00:08:24,633
[pensive music playing]

81
00:08:38,188 --> 00:08:41,191
[pedestrians chattering]

82
00:08:57,291 --> 00:09:00,002
When you said you'd come by,
I didn't think it would take three weeks.

83
00:09:00,085 --> 00:09:01,045
[music fades]

84
00:09:01,128 --> 00:09:04,631
- It hasn't been three weeks.
- To the day.

85
00:09:14,600 --> 00:09:17,561
It's not mine.
I didn't do it. EX-lover.

86
00:09:21,273 --> 00:09:23,901
That one I did 10 years ago.

87
00:09:40,542 --> 00:09:41,543
Interesting.

88
00:09:50,094 --> 00:09:54,056
<i>To whom shall I hire myself out?
What beast must I adore?</i>

89
00:09:54,598 --> 00:09:58,060
<i>What holy image is attacked?
What hearts must I break?</i>

90
00:09:58,811 --> 00:10:01,438
<i>What lie must I maintain?
In what blood tread?</i>

91
00:10:02,147 --> 00:10:04,108
Part of Rimbaud's <i>Season in Hell.</i>

92
00:10:07,861 --> 00:10:10,823
That's the one
I'm putting in the Graham show.

93
00:10:10,906 --> 00:10:12,366
[Jackson] That's a damn good picture.

94
00:10:14,076 --> 00:10:17,913
That works.
You're a damn good woman painter.

95
00:10:22,334 --> 00:10:24,962
- You want coffee?
- Yeah, sure. Thanks.

96
00:10:25,045 --> 00:10:26,964
- Well, let's go.
- What?

97
00:10:28,006 --> 00:10:29,591
You don't think I make it here?

98
00:10:33,345 --> 00:10:35,055
I met you before, you know.

99
00:10:37,683 --> 00:10:41,937
It was maybe five years ago.
A loft dance.

100
00:10:43,438 --> 00:10:45,524
You were six sheets to the wind.

101
00:10:46,191 --> 00:10:48,819
You cut in
and you stepped all over my feet.

102
00:10:48,902 --> 00:10:51,822
Yeah. Got it. Right.

103
00:10:51,905 --> 00:10:55,617
- You were falling all over me.
- I'm sorry.

104
00:10:59,705 --> 00:11:02,708
You were overseas, you know.
It's kind of vivid in my memory.

105
00:11:03,250 --> 00:11:04,084
God.

106
00:11:04,168 --> 00:11:06,170
[man speaking indistinctly on radio]

107
00:11:06,253 --> 00:11:10,549
I thought, if you remembered,
to let you know it was okay.

108
00:11:11,550 --> 00:11:12,676
Thanks.

109
00:11:14,011 --> 00:11:17,556
<i>...Duke Ellington and his men
playing "It's Sad But True."</i>

110
00:11:17,639 --> 00:11:18,807
Really.

111
00:11:18,891 --> 00:11:21,894
["It's Sad But True" playing on radio]

112
00:11:30,986 --> 00:11:32,821
When did you study with Benton?

113
00:11:37,159 --> 00:11:38,368
'31.

114
00:11:41,538 --> 00:11:43,457
The Art Students League?

115
00:11:44,082 --> 00:11:48,170
My brother Charles
was studying with Benton,

116
00:11:49,213 --> 00:11:50,797
and so I came out and...

117
00:11:53,550 --> 00:11:54,593
joined him.

118
00:12:00,891 --> 00:12:02,184
Where are you from?

119
00:12:03,268 --> 00:12:05,812
Arizona. Actually, California.

120
00:12:12,736 --> 00:12:14,029
I'm from Brooklyn.

121
00:12:14,112 --> 00:12:16,114
I was just gonna ask you
where you were from.

122
00:12:17,032 --> 00:12:20,160
My parents came over from Russia.
I'm from right here.

123
00:12:22,663 --> 00:12:23,997
Russia.

124
00:14:45,806 --> 00:14:48,809
["Sing, Sing, Sing (With a Swing)"
playing on radio]

125
00:15:10,831 --> 00:15:12,040
Potatoes.

126
00:15:13,750 --> 00:15:14,918
Thanks.

127
00:15:33,728 --> 00:15:36,231
Did you people eat like this all the time?

128
00:15:47,159 --> 00:15:49,327
How long will you be in the city,
Mrs. Pollock?

129
00:15:51,163 --> 00:15:52,289
For a spell.

130
00:15:52,998 --> 00:15:56,585
Oh. We've asked Mother
to come live with us in Connecticut.

131
00:15:58,879 --> 00:16:02,757
Sande found out they're thinking
of drafting married men with children

132
00:16:02,841 --> 00:16:04,759
who aren't involved in war production.

133
00:16:07,304 --> 00:16:11,141
I took a job in Connecticut.
Deep River.

134
00:16:12,642 --> 00:16:14,519
Making gliders for the Army.

135
00:16:16,438 --> 00:16:19,316
Ah, gee, that's great, Sande.

136
00:16:22,402 --> 00:16:24,696
That's swell. Congratulations.

137
00:16:24,779 --> 00:16:26,656
Not everyone can arrange to be 4-F, Jack.

138
00:16:26,740 --> 00:16:28,992
[radio volume increases]

139
00:16:31,036 --> 00:16:33,955
Benny Goodman, Gene Krupa.
No one greater.

140
00:16:34,039 --> 00:16:37,125
- Harry James on trumpet.
- The apartment will be all yours, Jack.

141
00:16:37,209 --> 00:16:39,169
You'll have lots of space.

142
00:16:44,090 --> 00:16:46,301
[utensils and glasses clinking]

143
00:17:08,698 --> 00:17:10,700
[light buzzing]

144
00:17:20,043 --> 00:17:21,920
[Lee]
Is this the best hotel you could find?

145
00:17:22,003 --> 00:17:24,881
- What's she doing here?
- Lee's gonna take you home.

146
00:17:24,965 --> 00:17:29,094
- What's she doing here?
- You need to get cleaned up.

147
00:17:31,888 --> 00:17:33,557
[sobbing]

148
00:17:36,142 --> 00:17:39,187
[yelling]

149
00:17:39,271 --> 00:17:41,273
[sobbing and yelling continue]

150
00:17:50,073 --> 00:17:52,033
[Sande] Feed him some milk and some eggs.

151
00:17:56,788 --> 00:17:57,831
[sobbing stops]

152
00:17:58,957 --> 00:18:00,041
[Jackson] Don't go.

153
00:18:03,962 --> 00:18:05,797
- Okay.
- Come on.

154
00:18:06,381 --> 00:18:08,508
It's okay. It's okay.

155
00:18:55,889 --> 00:18:57,098
Thank you.

156
00:19:10,987 --> 00:19:15,450
You've gotta see his work.
No one is doing what Pollock is doing.

157
00:19:15,533 --> 00:19:17,702
["The Hut-Sut Song" playing on radio]

158
00:19:17,786 --> 00:19:21,456
Yes, of course. It would be just great
if you could stop by.

159
00:19:22,082 --> 00:19:25,377
Wonderful.
We'll look forward to it. Bye.

160
00:19:32,300 --> 00:19:33,301
[song ends]

161
00:19:33,385 --> 00:19:35,970
[woman on radio] <i>Are you doing
all that you can for the war effort?</i>

162
00:19:36,054 --> 00:19:39,099
<i>To support our brave men and women
in all corners of the globe</i>

163
00:19:39,182 --> 00:19:42,644
<i>defending our freedom?
Well, here's another way you can help.</i>

164
00:19:42,727 --> 00:19:45,188
<i>Next time you go out to shop...</i>

165
00:19:45,271 --> 00:19:48,108
Jackson, breakfast is on the table.

166
00:19:53,947 --> 00:19:55,156
[man] Lee.

167
00:19:57,283 --> 00:19:58,410
Reuben.

168
00:19:59,994 --> 00:20:00,912
Hello.

169
00:20:00,995 --> 00:20:05,083
- Lee Krasner, Howard Putzel.
- How nice to meet you.

170
00:20:05,166 --> 00:20:08,002
Howard's been working
with Peggy Guggenheim.

171
00:20:09,462 --> 00:20:12,465
Howard, of course.

172
00:20:12,549 --> 00:20:16,302
Reuben's here with Howard Putzel.
He works with Peggy Guggenheim.

173
00:20:17,095 --> 00:20:17,929
Reub!

174
00:20:22,600 --> 00:20:24,018
When did you get back?

175
00:20:25,937 --> 00:20:28,398
What the hell?
I thought you were in Los Angeles.

176
00:20:28,481 --> 00:20:30,608
- They got me stationed me in Brooklyn.
- Look at you!

177
00:20:30,692 --> 00:20:34,404
- Jackson, this is Howard Putzel.
- I am so very pleased to meet you.

178
00:20:34,487 --> 00:20:37,282
- I've known this guy since school.
- I met Howard in Los Angeles

179
00:20:37,365 --> 00:20:39,659
- before he hooked up with Peggy in Paris.
- Please, this way.

180
00:20:39,743 --> 00:20:41,035
We ran into each other yesterday.

181
00:20:41,119 --> 00:20:44,122
- How are Barbara and the kids?
- Good. They're coming in a couple weeks.

182
00:20:45,206 --> 00:20:47,959
- How long you here for?
- [Reuben] They're gonna ship me to India.

183
00:20:48,042 --> 00:20:50,378
- Who knows. What about you?
- [Jackson] 4-F.

184
00:20:50,462 --> 00:20:51,796
[Reuben] Mm.

185
00:20:51,880 --> 00:20:54,549
- [Jackson] Too neurotic.
- You dog.

186
00:20:58,887 --> 00:21:00,722
[Jackson]
Here, move, so he can see this one.

187
00:21:17,989 --> 00:21:19,449
Genius.

188
00:21:21,618 --> 00:21:23,703
Peggy must see this.

189
00:21:23,787 --> 00:21:26,790
- [piano playing classical music]
- [indistinct chatter]

190
00:21:32,545 --> 00:21:33,671
[speaks indistinctly]

191
00:21:34,589 --> 00:21:37,383
- Hi, how are you?
- Hello, Lee.

192
00:21:38,301 --> 00:21:39,469
[Lee] Come on, Jackson.

193
00:21:45,475 --> 00:21:47,352
Come here, Jackson.
Peggy Guggenheim.

194
00:21:49,312 --> 00:21:50,897
I'm so glad you made it.

195
00:21:50,980 --> 00:21:53,608
Uh, Lee Krasner, Jackson Pollock,

196
00:21:53,691 --> 00:21:55,777
James Johnson Sweeney
from the Modern.

197
00:21:55,860 --> 00:21:57,946
- Nice to meet you.
- Miss Peggy Guggenheim.

198
00:21:58,029 --> 00:21:59,572
Hello.

199
00:21:59,656 --> 00:22:02,992
Mr. Pollock,
Howard has been talking about you.

200
00:22:03,076 --> 00:22:05,787
[Lee] Thank you, Howard.
You must see Jackson's work.

201
00:22:05,870 --> 00:22:07,413
Yes. Well, enjoy yourself.

202
00:22:08,832 --> 00:22:11,709
- I like those earrings.
- [Peggy] Thank you.

203
00:22:14,963 --> 00:22:16,422
[Lee] It's great, Howard.

204
00:22:16,506 --> 00:22:20,051
But there's not one American painter
in the whole goddamn show.

205
00:23:33,499 --> 00:23:34,500
What's this?

206
00:23:38,046 --> 00:23:41,382
I see the head, the body...

207
00:23:44,218 --> 00:23:45,887
This isn't cubism, Jackson.

208
00:23:45,970 --> 00:23:49,474
Because you're not really breaking
down the figure into multiple views.

209
00:23:49,557 --> 00:23:51,684
You're just showing us one side.

210
00:23:53,394 --> 00:23:57,357
Well, what is this?
Free association? Automatism?

211
00:23:58,399 --> 00:24:02,779
- I'm just painting, Lee.
- But what are you doing, Jackson?

212
00:24:02,862 --> 00:24:05,198
Don't tell me you don't know
what you're doing.

213
00:24:08,117 --> 00:24:10,453
Are you experimenting with surrealism?

214
00:24:12,872 --> 00:24:14,248
Is this a dream?

215
00:24:16,918 --> 00:24:20,588
Even if it's a dream,
it's still what you see. It's life.

216
00:24:21,214 --> 00:24:24,050
You're not just randomly
putting paint on the canvas.

217
00:24:24,133 --> 00:24:26,260
You're painting something.

218
00:24:26,344 --> 00:24:30,348
You can't abstract from nothing.
You can only abstract from life.

219
00:24:30,932 --> 00:24:33,226
- From nature.
- I am nature.

220
00:24:34,018 --> 00:24:37,063
If you only work from inside yourself,
you'll repeat yourself.

221
00:24:37,981 --> 00:24:39,899
Why don't you paint the fucking thing.

222
00:24:41,150 --> 00:24:44,320
- ["Joseph, Joseph" playing on radio]
- [men laughing]

223
00:24:44,404 --> 00:24:48,324
<i>O the moon shone bright on Mrs. Porter
And on her daughter</i>

224
00:24:49,200 --> 00:24:51,202
<i>They wash their feet in soda water</i>

225
00:24:51,285 --> 00:24:53,037
What the hell's that?

226
00:24:53,121 --> 00:24:54,706
Eliot. T.S. Eliot.

227
00:24:55,999 --> 00:24:58,501
Gentlemen, T.S. Eliot.

228
00:24:59,627 --> 00:25:01,004
T.S. Eliot.

229
00:25:03,464 --> 00:25:05,508
Did you hear Gorky sold to the Modern?

230
00:25:06,092 --> 00:25:07,677
Gorky's a cow.

231
00:25:08,469 --> 00:25:12,015
They forage and eat, and they come back
to the stable and they're still chewing.

232
00:25:12,974 --> 00:25:17,103
He'll go look at a Picasso for hours,
go back to his studio and spit it out.

233
00:25:17,186 --> 00:25:20,023
- Fuck him.
- But he's so good at it.

234
00:25:20,106 --> 00:25:22,984
Yeah, he's good at it.
But we gotta break through this shit.

235
00:25:23,067 --> 00:25:25,361
- What do you think of Kline?
- Kline's a whore.

236
00:25:25,445 --> 00:25:26,446
[laughing]

237
00:25:28,239 --> 00:25:30,116
- Picasso?
- A has-been.

238
00:25:31,200 --> 00:25:32,285
De Kooning?

239
00:25:35,079 --> 00:25:38,124
- He's all right. He's learning.
- [all laughing]

240
00:25:40,168 --> 00:25:42,045
What do you think of Jackson Pollock?

241
00:25:46,591 --> 00:25:47,675
That's what we think.

242
00:25:47,759 --> 00:25:49,761
[all laughing]

243
00:25:54,182 --> 00:25:55,683
[car horn honks]

244
00:25:55,767 --> 00:25:57,935
- [man] Watch it.
- Jackson!

245
00:26:01,856 --> 00:26:03,107
Come on.

246
00:26:07,111 --> 00:26:07,945
[yelps]

247
00:26:08,029 --> 00:26:09,655
- Honey...
- [huffs]

248
00:26:12,950 --> 00:26:17,080
I've just climbed up and down five
flights of stairs. I'm Peggy Guggenheim.

249
00:26:17,163 --> 00:26:22,168
I do not climb up five flights of stairs
to nobody home. Not I.

250
00:26:22,251 --> 00:26:26,422
- I do not climb up five flights of stairs.
- We're sorry.

251
00:26:26,506 --> 00:26:29,967
"Sorry" is not the word for it.
I have weak ankles.

252
00:26:30,051 --> 00:26:33,471
- My fault.
- My God, and you're drunk.

253
00:26:35,264 --> 00:26:36,933
You're drunk. Are you drunk?

254
00:26:37,016 --> 00:26:37,934
- No.
- No.

255
00:26:43,356 --> 00:26:44,190
[dog yelps]

256
00:26:44,273 --> 00:26:46,275
[Peggy panting]

257
00:26:46,901 --> 00:26:48,069
[Jackson panting] Whoo.

258
00:26:54,242 --> 00:26:55,952
Peg-- Peggy.

259
00:27:01,624 --> 00:27:06,295
"L.K."? Who the hell is L.K.?
I didn't come here to look at L.K.

260
00:27:06,379 --> 00:27:08,381
Peggy, this way.

261
00:27:25,982 --> 00:27:29,318
Now, these show something.
This is better.

262
00:27:29,402 --> 00:27:31,946
The most powerful work
to come around the pike.

263
00:27:32,029 --> 00:27:33,614
There's no three ways about it.

264
00:27:34,866 --> 00:27:40,496
You're not really a surrealist and,
well, my few Americans are.

265
00:27:40,580 --> 00:27:43,875
What's most impressed Jackson
about the European moderns

266
00:27:43,958 --> 00:27:49,630
is their concept that the source of art
comes from the unconscious.

267
00:27:49,714 --> 00:27:51,257
Yes, yes. I'm sure.

268
00:27:55,511 --> 00:27:56,512
[knocking on door]

269
00:28:01,017 --> 00:28:04,770
Howard. Jackson, Howard's here.

270
00:28:05,646 --> 00:28:06,981
Do you want coffee?

271
00:28:10,651 --> 00:28:12,486
- Jackson?
- [Jackson] Yeah.

272
00:28:12,570 --> 00:28:13,654
Howard's here.

273
00:28:15,072 --> 00:28:16,699
Hi, Howard.

274
00:28:16,782 --> 00:28:18,784
You've got your first one-man show.

275
00:28:18,868 --> 00:28:21,913
- Art of This Century, November 7th.
- Oh, ho! Bravo, Jackson.

276
00:28:21,996 --> 00:28:24,540
- [Howard] Congratulations.
- Here, have a seat.

277
00:28:24,624 --> 00:28:27,627
[upbeat music playing]

278
00:28:27,710 --> 00:28:32,465
Peggy will give you a stipend
of $150 a month.

279
00:28:32,548 --> 00:28:36,636
"If at year's end the artist does not
sell equivalent to the advance

280
00:28:36,719 --> 00:28:39,805
plus one-third commission, he will
make up the difference in paintings."

281
00:28:39,889 --> 00:28:41,140
In other words, my dears,

282
00:28:41,224 --> 00:28:45,770
if you don't sell $2400 worth,
Peggy owns all the work. So sell.

283
00:28:45,853 --> 00:28:47,396
In addition,

284
00:28:47,480 --> 00:28:50,441
Peggy has commissioned you
to paint a mural

285
00:28:50,524 --> 00:28:55,029
for the entrance hall to her new townhouse
on 61st and Lexington.

286
00:28:55,112 --> 00:28:58,324
And it's big, Jackson.
Eight feet by 20 feet.

287
00:28:58,407 --> 00:29:02,411
You have total artistic license.
You can paint anything you like.

288
00:29:02,495 --> 00:29:05,831
You will be the sensation of the season.

289
00:29:16,133 --> 00:29:18,719
[Peggy]
This is my new painter, Jackson Pollock.

290
00:29:18,803 --> 00:29:21,389
They just donated one of their paintings
to the Whitney Museum.

291
00:29:21,472 --> 00:29:23,432
And of course you know James Johnson.

292
00:29:24,183 --> 00:29:27,228
Tony, you know Peggy Guggenheim,
don't you?

293
00:29:27,311 --> 00:29:30,398
- Tony Smith. He's a wonderful architect.
- Hello. Oh.

294
00:29:33,359 --> 00:29:35,278
- [Jackson] Will.
- Hi.

295
00:29:35,361 --> 00:29:36,570
Mr. de Kooning.

296
00:29:36,654 --> 00:29:37,780
- [Stella] Jackson.
- Mom.

297
00:29:37,863 --> 00:29:42,493
[Stella] Oh, my, my, my. God is good.

298
00:29:45,037 --> 00:29:46,580
How are you, Mom?

299
00:29:46,664 --> 00:29:48,833
- I'm fine.
- Who is this?

300
00:29:48,916 --> 00:29:50,584
I want to introduce you
to Peggy Guggenheim.

301
00:29:50,668 --> 00:29:51,502
This is my mother.

302
00:29:51,585 --> 00:29:53,421
- [Stella] How do you do?
- So lovely to meet you.

303
00:29:53,504 --> 00:29:56,841
- This is James Johnson Sweeney.
- Mrs. Pollock, you must be very proud.

304
00:29:56,924 --> 00:29:58,426
Of all my boys.

305
00:29:58,509 --> 00:30:01,512
Jack, it looks great.

306
00:30:01,595 --> 00:30:02,722
- Well, enjoy.
- Well, Mom.

307
00:30:02,805 --> 00:30:05,266
- Look around, okay?
- Yes, I will. Thank you all.

308
00:30:05,349 --> 00:30:08,352
- [crowd chattering indistinctly]
- [Stella] Hm...

309
00:30:15,818 --> 00:30:18,779
I don't know what he's trying to achieve.

310
00:30:20,948 --> 00:30:22,575
This isn't painting.

311
00:30:26,579 --> 00:30:27,830
[Lee] Are you leaving?

312
00:30:27,913 --> 00:30:29,874
Yes, I don't think it's so hot.

313
00:30:29,957 --> 00:30:31,667
Well, go back and look again.

314
00:30:31,751 --> 00:30:37,590
Oh, Lee, he's original. He's ambitious.
But there's a lot of mud,

315
00:30:37,673 --> 00:30:44,597
and the titles are, uh, pretentious.
Muddiness. Mud abounds.

316
00:30:44,680 --> 00:30:47,266
[Lee] Go back, Clem, and look again.

317
00:30:52,480 --> 00:30:53,898
Five and six.

318
00:30:53,981 --> 00:30:56,317
- Read it. Read it.
- Wait a minute. Okay.

319
00:30:56,400 --> 00:30:59,695
"Jackson Pollock is participating
in his first one-man show

320
00:30:59,779 --> 00:31:01,864
at the Art of This Century Gallery.

321
00:31:01,947 --> 00:31:05,451
Being young and full of energy,
he takes orders he can't fill."

322
00:31:05,534 --> 00:31:06,660
[groans]

323
00:31:06,744 --> 00:31:08,537
- Thanks a lot, Clem.
- Listen.

324
00:31:08,621 --> 00:31:12,416
"Pollock has gone through
the influences of Miró, Picasso,

325
00:31:12,500 --> 00:31:16,629
Mexican painting and whatnot,
and has come out on the other side

326
00:31:16,712 --> 00:31:19,382
painting mostly with his own brush."

327
00:31:19,465 --> 00:31:22,176
- Not bad.
- "Mostly with his own brush"?

328
00:31:22,259 --> 00:31:24,929
- Man is saying you're an original.
- Not one sale.

329
00:31:25,012 --> 00:31:26,972
Rome wasn't built in one day.

330
00:31:46,242 --> 00:31:49,245
[pensive music playing]

331
00:32:10,641 --> 00:32:11,767
[knocking on door]

332
00:32:13,978 --> 00:32:14,979
[door opens]

333
00:32:19,275 --> 00:32:21,402
[Lee] What do you see there, Pollock?

334
00:32:24,071 --> 00:32:26,615
You've been looking at it for weeks.

335
00:32:28,659 --> 00:32:30,995
Peggy's threatening to reconsider.

336
00:32:34,457 --> 00:32:37,460
[pensive music continues]

337
00:32:59,607 --> 00:33:02,943
[music turns lively]

338
00:34:29,572 --> 00:34:32,575
[music intensifies]

339
00:35:02,187 --> 00:35:05,190
[gentle, pensive music playing]

340
00:35:38,182 --> 00:35:39,183
[music fades]

341
00:35:40,309 --> 00:35:41,769
[Lee coughs]

342
00:35:57,618 --> 00:35:59,411
[Lee] Oh, my God.

343
00:36:12,049 --> 00:36:12,883
[Lee gasps]

344
00:36:17,262 --> 00:36:20,891
- [jazz music playing on radio]
- [people chattering and laughing nearby]

345
00:36:27,022 --> 00:36:28,649
[woman] No, stop! [laughs]

346
00:36:30,359 --> 00:36:32,027
[man] No, no, I wouldn't...

347
00:36:32,986 --> 00:36:34,071
[zipper clacks]

348
00:36:42,913 --> 00:36:43,747
[gasps]

349
00:36:45,249 --> 00:36:47,960
[man] Is he doing what I think he's doing?

350
00:36:52,840 --> 00:36:54,842
- [Jackson] Whoa!
- [woman yelps, then laughs]

351
00:36:55,843 --> 00:36:57,052
Sorry.

352
00:36:58,721 --> 00:37:01,014
Happy New Year, everyone.

353
00:37:01,098 --> 00:37:03,016
[all cheer indistinctly]

354
00:37:12,484 --> 00:37:15,487
[poignant music playing]

355
00:37:46,143 --> 00:37:51,190
[Peggy] That the mural goes on and on,
Clem says, is what makes it so good.

356
00:37:52,065 --> 00:37:54,109
He thinks it's a great painting.

357
00:37:54,651 --> 00:37:57,321
I think you've found yourself a champion.

358
00:37:58,489 --> 00:38:00,491
It's all bullshit anyway.

359
00:38:01,867 --> 00:38:03,285
Do you like it?

360
00:38:03,827 --> 00:38:04,745
I love it.

361
00:38:07,539 --> 00:38:09,333
You've had a lot of lovers.

362
00:38:09,416 --> 00:38:13,420
[laughs] My share.
You want to talk about that?

363
00:38:13,504 --> 00:38:15,088
You want to go to bed.

364
00:38:15,172 --> 00:38:18,383
- I had something like that in mind.
- I'll take you up on it.

365
00:38:18,467 --> 00:38:23,430
I don't think you realize how hard I work
to get people interested in you,

366
00:38:23,514 --> 00:38:27,601
to get you into the right hands,
and then you act so badly.

367
00:38:27,684 --> 00:38:29,645
You remind me of a trapped animal.

368
00:38:29,728 --> 00:38:32,940
Now, you have to promise me,
do not rip up my bedroom.

369
00:38:33,023 --> 00:38:35,025
[laughing]

370
00:38:35,734 --> 00:38:36,568
Oh!

371
00:38:37,402 --> 00:38:39,279
All right, wait a minute.

372
00:38:39,363 --> 00:38:41,698
Wait. No, wait!

373
00:38:43,158 --> 00:38:44,743
Shit.

374
00:38:47,371 --> 00:38:50,123
Shit. Shit.

375
00:39:24,074 --> 00:39:25,492
[Lee] I went out looking for you.

376
00:39:29,246 --> 00:39:31,915
- What are you doing to yourself?
- Nothing.

377
00:39:32,708 --> 00:39:34,626
You're doing more than that.

378
00:39:35,711 --> 00:39:40,048
It's like a storm. It'll pass.

379
00:39:50,267 --> 00:39:52,936
- You hear about Howard?
- Putzel?

380
00:39:53,020 --> 00:39:54,396
Yeah, he's dead.

381
00:39:56,940 --> 00:39:58,066
Heart attack.

382
00:40:00,193 --> 00:40:01,445
I liked Howard.

383
00:40:07,242 --> 00:40:09,953
- To Howard.
- Yeah.

384
00:40:10,954 --> 00:40:12,623
Here's to you, Howard.

385
00:40:22,549 --> 00:40:25,260
Barb and I and the kids,

386
00:40:25,344 --> 00:40:28,639
we're gonna rent a house
on Long Island this summer.

387
00:40:30,515 --> 00:40:32,643
We want you and Lee
to come out there with us.

388
00:40:35,270 --> 00:40:37,898
You gotta get out of the city for a while.

389
00:40:38,649 --> 00:40:40,525
I ain't doing no harm here.

390
00:40:41,777 --> 00:40:43,528
[poignant music playing]

391
00:40:44,863 --> 00:40:46,740
Come on, Jack, let me take you home.

392
00:40:51,119 --> 00:40:54,748
- Lee's gonna be worried sick.
- I'm doing no harm.

393
00:41:01,630 --> 00:41:02,881
Take it easy.

394
00:41:09,930 --> 00:41:11,932
[children laughing and chattering]

395
00:41:28,573 --> 00:41:30,575
[music fades]

396
00:41:35,205 --> 00:41:36,039
[groans]

397
00:42:15,328 --> 00:42:16,747
I've had enough.

398
00:42:18,665 --> 00:42:19,916
Take me in.

399
00:42:32,971 --> 00:42:34,014
[Jackson whimpers]

400
00:42:48,111 --> 00:42:49,321
Deck of cards.

401
00:42:54,618 --> 00:42:56,036
Binoculars.

402
00:42:58,955 --> 00:42:59,998
I got it.

403
00:43:01,792 --> 00:43:03,585
I want to get married, Pollock.

404
00:43:05,796 --> 00:43:07,464
I suddenly want to.

405
00:43:08,298 --> 00:43:12,052
So either we marry or we split, I think.

406
00:43:17,432 --> 00:43:20,477
I love you.
I think you're a great artist.

407
00:43:21,103 --> 00:43:22,479
I want you to paint.

408
00:43:25,107 --> 00:43:29,653
I want very much to keep living with you,

409
00:43:31,321 --> 00:43:33,657
but I want that commitment from you too.

410
00:43:43,834 --> 00:43:45,627
You'll have to make the decision.

411
00:43:52,634 --> 00:43:56,346
Who's that girl you were so gaga over?
You know, the one that played the banjo?

412
00:43:56,429 --> 00:43:58,140
- [seagulls cawing]
- Oh, Becky.

413
00:43:58,223 --> 00:44:00,183
[both] Becky Tarwater.

414
00:44:00,267 --> 00:44:05,981
- God, you were so crazy for her.
- I asked her to marry me.

415
00:44:06,064 --> 00:44:08,525
- What did she say?
- No.

416
00:44:08,608 --> 00:44:10,610
[both chuckle]

417
00:44:12,821 --> 00:44:17,534
You know that part of our lives
that's supposed to be so special,

418
00:44:17,617 --> 00:44:20,829
that growing up part?
It was damn hell for me.

419
00:44:22,956 --> 00:44:26,001
I think it's supposed to be lousy
so the rest is gonna seem easier.

420
00:44:26,084 --> 00:44:27,878
Yeah, only it isn't.

421
00:44:31,631 --> 00:44:34,009
- Oh!
- [girl] Daddy, Uncle Jackson, come play.

422
00:44:34,092 --> 00:44:36,178
- What are you doing?
- Where are you going?

423
00:44:36,261 --> 00:44:38,680
- [Jackson grunting]
- [girl screaming]

424
00:44:38,763 --> 00:44:40,765
[Jackson and Reuben laughing]

425
00:44:42,767 --> 00:44:45,020
Oh, my God. Oh!

426
00:44:45,979 --> 00:44:48,982
- [Barbara] Be careful, Jackson.
- [children giggling]

427
00:44:58,742 --> 00:45:00,452
[Barbara] Jackson, you want a sandwich?

428
00:45:05,582 --> 00:45:07,375
[Lee] We could move out here.

429
00:45:08,293 --> 00:45:09,794
Leave New York?

430
00:45:10,712 --> 00:45:12,339
It would be good for us.

431
00:45:20,555 --> 00:45:21,890
Church wedding.

432
00:45:29,231 --> 00:45:32,776
- Jackson, there's no need--
- Church wedding or nothing.

433
00:45:34,819 --> 00:45:38,031
- No family, please.
- No family.

434
00:45:43,578 --> 00:45:44,996
We'll need a witness.

435
00:45:46,081 --> 00:45:47,791
May Rosenberg.

436
00:45:47,874 --> 00:45:50,210
- And Harold.
- No Harold.

437
00:45:57,342 --> 00:45:59,719
- What church?
- [both laugh]

438
00:45:59,803 --> 00:46:01,513
That's a good question.

439
00:46:02,639 --> 00:46:05,642
[upbeat music playing]

440
00:46:17,821 --> 00:46:20,615
[upbeat music continues]

441
00:46:42,262 --> 00:46:44,222
- [Jackson] Come here.
- [Lee] I'm coming. [squeals]

442
00:46:44,306 --> 00:46:46,266
- [Jackson grunts, then laughs]
- [laughing]

443
00:46:46,349 --> 00:46:49,394
- You're gonna break your back, Jackson.
- [grunting]

444
00:46:52,314 --> 00:46:53,982
[Jackson] Here, hold this for me.

445
00:46:54,649 --> 00:46:56,651
[Lee shivering]

446
00:47:03,199 --> 00:47:04,993
[Lee] You can't find the keys?

447
00:47:05,535 --> 00:47:07,454
[laughs] Come on.

448
00:47:08,038 --> 00:47:09,164
[Jackson] Uh... hm.

449
00:47:10,165 --> 00:47:11,875
- [Lee] Be careful.
- [music stops]

450
00:47:23,219 --> 00:47:24,846
- [Lee gasps]
- [Jackson chuckles]

451
00:47:25,638 --> 00:47:27,640
[birds singing]

452
00:47:59,464 --> 00:48:00,465
Jackson.

453
00:48:01,132 --> 00:48:02,592
Look at that.

454
00:48:03,676 --> 00:48:04,636
[Jackson] Hm.

455
00:48:09,015 --> 00:48:10,183
This is good.

456
00:48:12,018 --> 00:48:13,019
Come on.

457
00:48:21,403 --> 00:48:24,114
[Lee]
I don't think I've ever seen a fox before.

458
00:48:24,197 --> 00:48:28,618
- [Jackson] He was beautiful, wasn't he?
- [Lee] His coat was gorgeous.

459
00:48:28,701 --> 00:48:30,912
[Jackson]
I bet there's deer around here too.

460
00:49:25,758 --> 00:49:27,802
I guess I'll paint in the house.

461
00:49:49,240 --> 00:49:52,494
- You're all set. See you next time.
- Okay. Thank you.

462
00:49:52,577 --> 00:49:54,579
[man speaking indistinctly on radio]

463
00:50:00,502 --> 00:50:01,336
Howdy.

464
00:50:03,671 --> 00:50:06,674
["Honey Song" playing on radio]

465
00:50:07,258 --> 00:50:09,928
♪ <i>Honey, I'm in love with you</i> ♪

466
00:50:10,011 --> 00:50:13,139
♪ <i>Drowning in your eyes so blue...</i> ♪

467
00:50:13,223 --> 00:50:16,017
You're the fella moved
into the old Quinn place.

468
00:50:17,060 --> 00:50:19,229
♪ <i>I don't want to be rescued</i> ♪

469
00:50:20,313 --> 00:50:22,565
♪ <i>Honey, let me hold your hand</i> ♪

470
00:50:22,649 --> 00:50:23,483
[woman] Morning.

471
00:50:23,566 --> 00:50:26,152
♪ <i>'Til I make you understand</i> ♪

472
00:50:26,819 --> 00:50:29,614
♪ <i>That you're mine for evermore</i> ♪

473
00:50:30,240 --> 00:50:33,117
♪ <i>Honey, I'm in love with you</i> ♪

474
00:50:33,201 --> 00:50:36,829
♪ <i>I'm forever building dreams</i> ♪

475
00:50:36,913 --> 00:50:40,333
♪ <i>'Round your pretty head, it seems</i> ♪

476
00:50:40,416 --> 00:50:43,127
♪ <i>Do you want to spoil my steam</i> ♪

477
00:50:43,211 --> 00:50:46,548
♪ <i>By saying you'll never be mine?</i> ♪

478
00:50:47,215 --> 00:50:50,051
♪ <i>I would make an ocean trip</i> ♪

479
00:50:50,134 --> 00:50:53,596
♪ <i>if I could kiss your dear sweet lips</i> ♪

480
00:50:53,680 --> 00:50:56,891
♪ <i>I would walk a million miles</i> ♪

481
00:50:56,975 --> 00:50:59,727
♪ <i>To hear you say you love me too...</i> ♪

482
00:51:01,437 --> 00:51:03,314
You moved out from the city?

483
00:51:04,732 --> 00:51:08,528
I don't blame you. In a world
where they can split a tiny atom

484
00:51:08,611 --> 00:51:11,573
and blow up hundreds
of thousands of people,

485
00:51:11,656 --> 00:51:14,075
there's no telling
where it's all gonna lead.

486
00:51:14,659 --> 00:51:17,287
Best to find a quiet place,

487
00:51:18,621 --> 00:51:20,164
do what you have to do.

488
00:51:22,166 --> 00:51:24,711
Oh, you don't have to pay me now.
What's your name?

489
00:51:24,794 --> 00:51:27,672
- Jackson Pollock.
- Jackson Pollock.

490
00:51:27,755 --> 00:51:29,924
♪ <i>I'm forever building dreams...</i> ♪

491
00:51:30,008 --> 00:51:31,259
Yeah.

492
00:51:32,010 --> 00:51:34,012
[wind blowing softly]

493
00:51:37,849 --> 00:51:39,851
[stream burbling gently]

494
00:51:43,438 --> 00:51:45,440
[bird calling]

495
00:52:18,389 --> 00:52:22,393
[Reuben] We finally made it.
How are you braving the winter?

496
00:52:22,477 --> 00:52:24,937
No coal, no hot water, no bathroom.

497
00:52:25,021 --> 00:52:27,398
[Reuben laughs]
Jack wants others to share the misery.

498
00:52:27,482 --> 00:52:29,859
- He loves it.
- [Reuben] How's he doing?

499
00:52:32,236 --> 00:52:35,031
It's good for him
to be away from the city.

500
00:52:36,449 --> 00:52:39,285
I guess you're here
to get Jackson drunk again.

501
00:52:39,369 --> 00:52:40,203
Lee.

502
00:52:41,663 --> 00:52:43,122
[Reuben laughs] Let me think.

503
00:52:43,831 --> 00:52:46,167
I never actually got Jack drunk.

504
00:52:46,250 --> 00:52:48,294
I mean, he never really needed any help.

505
00:52:51,756 --> 00:52:54,258
- He wrote us to spend the weekend.
- Rueb--

506
00:52:54,342 --> 00:52:55,843
I'm sure you understand.

507
00:52:57,720 --> 00:52:58,846
Reuben.

508
00:53:12,235 --> 00:53:15,238
[tranquil music playing]

509
00:53:45,393 --> 00:53:46,394
Come on.

510
00:53:49,856 --> 00:53:50,898
Come on.

511
00:53:54,360 --> 00:53:55,653
Okay.

512
00:53:58,990 --> 00:54:00,324
[dog whines]

513
00:54:00,408 --> 00:54:03,578
Hey, how you doing, fella?
Are you lost?

514
00:55:11,938 --> 00:55:13,940
[music fades]

515
00:55:14,023 --> 00:55:16,150
I'm gonna have to find me more space.

516
00:55:32,750 --> 00:55:34,544
[Lee] How did it go in there today?

517
00:55:36,879 --> 00:55:39,382
I thought you, uh,
might make a table or something.

518
00:55:41,133 --> 00:55:41,968
Look.

519
00:55:43,386 --> 00:55:44,971
Get yourself working again.

520
00:55:50,393 --> 00:55:52,395
[crickets chirping]

521
00:56:18,170 --> 00:56:21,173
["He's Funny That Way"
playing on record player]

522
00:56:28,431 --> 00:56:32,935
♪ <i>Never had nothing
No one to care</i> ♪

523
00:56:33,019 --> 00:56:37,690
♪ <i>That's why I seem to have
More than my share</i> ♪

524
00:56:37,773 --> 00:56:42,570
♪ <i>I've got a man crazy for me</i> ♪

525
00:56:42,653 --> 00:56:46,115
♪ <i>He's funny that way</i> ♪

526
00:56:46,198 --> 00:56:51,412
♪ <i>When I hurt his feelings
Once in a while</i> ♪

527
00:56:51,495 --> 00:56:55,958
♪ <i>His only answer is one little smile</i> ♪

528
00:56:56,042 --> 00:57:01,047
♪ <i>I've got that man crazy for me</i> ♪

529
00:57:01,130 --> 00:57:04,091
♪ <i>He's funny that way</i> ♪

530
00:57:04,926 --> 00:57:09,305
♪ <i>I can see no other way</i> ♪

531
00:57:09,388 --> 00:57:13,267
♪ <i>And no better plan</i> ♪

532
00:57:14,018 --> 00:57:18,940
♪ <i>End it all and let him</i> go... ♪

533
00:57:19,023 --> 00:57:20,232
Hello, bub.

534
00:57:24,111 --> 00:57:26,906
- Let's make a baby.
- No.

535
00:57:29,367 --> 00:57:30,368
No?

536
00:57:34,622 --> 00:57:36,248
Am I missing something here?

537
00:57:37,750 --> 00:57:39,377
Are you missing something?

538
00:57:40,169 --> 00:57:42,922
- We can't.
- We can't?

539
00:57:43,714 --> 00:57:46,258
My life is full enough with you, Jackson.

540
00:57:47,051 --> 00:57:49,011
Wait, where are you going?
Don't walk away from me.

541
00:57:49,095 --> 00:57:50,388
We're husband and wife.

542
00:57:50,471 --> 00:57:52,932
I want to have a baby, our baby.

543
00:57:53,683 --> 00:57:55,851
That's what the progression
of things is about.

544
00:57:55,935 --> 00:58:00,064
- That's what the union is about.
- That's not what the union is about.

545
00:58:00,147 --> 00:58:03,025
- What else is there?
- That's not what it's about.

546
00:58:03,109 --> 00:58:05,987
- For me!
- The vows don't stipulate "baby."

547
00:58:06,070 --> 00:58:07,488
- [crashing]
- [record stops]

548
00:58:08,572 --> 00:58:11,283
I am not going to bring
another life into that.

549
00:58:11,367 --> 00:58:13,744
[record player whirring]

550
00:58:16,122 --> 00:58:17,206
[whirring stops]

551
00:58:19,500 --> 00:58:22,003
We are painters, Jackson.

552
00:58:23,295 --> 00:58:27,425
We don't have any money.
We don't get by. We struggle.

553
00:58:28,259 --> 00:58:31,387
You are a great artist.

554
00:58:31,470 --> 00:58:34,140
I believe in Jackson Pollock.

555
00:58:34,890 --> 00:58:40,938
There's you and there's the painting,
and you need! You need! You need!

556
00:58:47,069 --> 00:58:50,448
And I don't want to be anywhere else.
I don't want to be with...

557
00:58:51,407 --> 00:58:52,742
anyone else.

558
00:58:56,370 --> 00:58:59,707
But that's all I can handle.

559
00:59:11,719 --> 00:59:13,721
[vehicle approaching]

560
00:59:14,764 --> 00:59:16,766
[engine stops, then doors open]

561
00:59:16,849 --> 00:59:19,351
- This is it?
- Please.

562
00:59:19,435 --> 00:59:22,438
- Come on. Let's go inside for lunch.
- Golly, it's beautiful here.

563
00:59:22,521 --> 00:59:26,025
- No, I want to see the paintings.
- Let's go see the paintings.

564
00:59:26,108 --> 00:59:28,360
Let's go. We just moved out to the barn.

565
00:59:29,278 --> 00:59:30,946
- [Lee] Jackson?
- [Jackson] Hm?

566
00:59:31,030 --> 00:59:33,449
- [Lee] They're here. Can we come in?
- Sure.

567
00:59:34,408 --> 00:59:36,035
[Peggy laughing]

568
00:59:36,118 --> 00:59:38,454
- [Clem] Jackson.
- [Lee] Now be careful.

569
00:59:38,537 --> 00:59:42,750
- [Peggy] Jackson! Hi.
- Hi, Peggy.

570
00:59:42,833 --> 00:59:47,296
I want you to meet Alfonso Ossorio.
This is Jackson Pollock.

571
00:59:47,379 --> 00:59:49,840
- And, oh, you know him. Ted?
- [Clem] Hello.

572
00:59:49,924 --> 00:59:51,300
Ted, come on in.

573
00:59:51,884 --> 00:59:53,969
Ted Dragon, this is Jackson Pollock.

574
00:59:54,053 --> 00:59:58,557
They came up for a preview of the show,
and I expect them to buy something.

575
00:59:58,641 --> 01:00:02,978
- It's beautiful. You must be happy.
- Damn near. The country's wonderful.

576
01:00:03,771 --> 01:00:07,775
Really, just enjoy.
Now this one I like very much.

577
01:00:07,858 --> 01:00:10,945
This was in the, uh...
my last fall show...

578
01:00:11,028 --> 01:00:13,864
[Clem] You're retreating into
imagery again, Jackson.

579
01:00:14,824 --> 01:00:18,744
Paint is paint, surface is surface.
That's all they should be.

580
01:00:18,828 --> 01:00:20,830
[Peggy speaking indistinctly]

581
01:00:23,374 --> 01:00:25,376
[Clem] Now this is, um...

582
01:00:27,545 --> 01:00:28,504
This is first-rate.

583
01:00:30,714 --> 01:00:32,800
Why don't you do eight or 10 of those?

584
01:00:34,802 --> 01:00:37,888
- Paint is paint, surface is surface.
- [jazz music playing on radio]

585
01:00:37,972 --> 01:00:39,306
That's all they should be.

586
01:00:39,390 --> 01:00:42,643
The surrealists confuse
literature with painting.

587
01:00:42,726 --> 01:00:46,355
I can't stand that.
They will not have their way.

588
01:00:46,438 --> 01:00:48,440
What you're doing out there, Jackson,

589
01:00:48,524 --> 01:00:51,902
is better than anything I've seen from you
in a year or more.

590
01:00:51,986 --> 01:00:54,613
No, I gotta backtrack. Peggy's mural.

591
01:00:54,697 --> 01:00:58,075
That's when I thought,
"Here's a great painter."

592
01:00:58,159 --> 01:01:02,288
And people saying to me,
"It's wallpaper. It repeats itself."

593
01:01:02,371 --> 01:01:04,582
It's always been my plan
to return to Europe.

594
01:01:04,665 --> 01:01:07,126
I don't have the energy for it
since Howard died.

595
01:01:07,209 --> 01:01:10,504
- But Jackson needs a gallery.
- Well...

596
01:01:20,139 --> 01:01:23,475
What was the one that missed?
The one that wasn't so good?

597
01:01:23,559 --> 01:01:25,186
[Clem] I don't think you have color yet.

598
01:01:25,269 --> 01:01:28,272
Like Picasso, I think you're better off
when you keep your color quiet.

599
01:01:28,355 --> 01:01:30,399
- Which one was it? I'll fix it.
- I'll say goodnight.

600
01:01:30,482 --> 01:01:32,860
The one with all the blue.
It's predominantly blue.

601
01:01:32,943 --> 01:01:34,653
The wrong blue? Too much blue?

602
01:01:34,737 --> 01:01:38,157
All I want art to be is good, Jackson.
The picture misses.

603
01:01:38,240 --> 01:01:42,453
- What do you think, Ted?
- I think it's interesting. I like blue.

604
01:01:42,536 --> 01:01:45,539
- What do you think, Alfonso?
- I think it's your painting.

605
01:01:45,623 --> 01:01:49,335
- You think it misses.
- Clem may have a point, and he may not.

606
01:01:49,418 --> 01:01:52,504
You think it misses?
You think it might miss?

607
01:01:52,588 --> 01:01:55,382
- Alfonso, you think it might miss?
- It might.

608
01:01:55,466 --> 01:01:57,760
It might.
Well, I'll just go fix it for you.

609
01:01:58,344 --> 01:01:59,678
Is he all right, Lee?

610
01:01:59,762 --> 01:02:01,639
- He's fine.
- He's fine.

611
01:02:01,722 --> 01:02:03,724
[crickets chirping]

612
01:02:17,655 --> 01:02:20,574
[Jackson]
So it's all the blue that's bothering you?

613
01:02:20,658 --> 01:02:22,743
What else?
You want the color quiet?

614
01:02:23,410 --> 01:02:26,664
- It could be a little quieter, Jackson.
- Let's just quiet the color then.

615
01:02:26,747 --> 01:02:29,750
[jazz music continues over radio]

616
01:02:48,811 --> 01:02:50,521
[Clem] Now this is something.

617
01:02:54,441 --> 01:02:57,236
- No matter how drunk you are--
- I'm not drunk.

618
01:02:57,903 --> 01:02:59,571
One thing's sacred for you.

619
01:02:59,655 --> 01:03:00,698
[music stops]

620
01:03:00,781 --> 01:03:04,076
Not anybody's feelings
or anything like that.

621
01:03:05,703 --> 01:03:06,745
It's your art.

622
01:03:08,205 --> 01:03:10,416
You're not gonna destroy your art.

623
01:03:13,585 --> 01:03:15,254
This is something.

624
01:03:39,111 --> 01:03:43,073
[Lee] He's had four shows with you, Peggy.
He can't suddenly not have a gallery.

625
01:03:43,157 --> 01:03:44,158
You owe him.

626
01:03:45,451 --> 01:03:49,413
Sam won't take him.
What did Betty Parsons say?

627
01:03:51,874 --> 01:03:55,252
Oh, everyone drinks.
He's not the only one.

628
01:03:56,920 --> 01:03:59,548
I know, but he's a great painter.

629
01:04:01,258 --> 01:04:03,427
Of course. Of course.
I'll call you back.

630
01:05:27,469 --> 01:05:29,304
[exhales, then sniffles]

631
01:06:43,712 --> 01:06:46,715
[auspicious music playing]

632
01:07:14,743 --> 01:07:17,412
Oh. I'll have supper ready in a jiffy.

633
01:07:18,497 --> 01:07:20,999
Looks like Betty Parsons may take you in.

634
01:07:21,083 --> 01:07:24,628
Peggy's willing to continue
the monthly allowance through next year.

635
01:07:24,711 --> 01:07:27,422
She'll still own
all your unsold paintings,

636
01:07:27,506 --> 01:07:30,217
but Betty will get a commission
on new work that sells.

637
01:07:31,718 --> 01:07:34,721
[auspicious music continues]

638
01:08:06,712 --> 01:08:08,380
You've done it, Pollock.

639
01:08:10,090 --> 01:08:11,883
You've cracked it wide open.

640
01:09:01,183 --> 01:09:04,186
- ["Old Dan Tucker" playing on radio]
- Pass.

641
01:09:05,270 --> 01:09:06,355
A nickel.

642
01:09:06,938 --> 01:09:09,274
♪ <i>Old Dan Tucker, he got drunk...</i> ♪

643
01:09:09,358 --> 01:09:10,817
I'll see your nickel,

644
01:09:11,443 --> 01:09:14,988
and I'll raise you... a quarter.

645
01:09:15,489 --> 01:09:17,199
Ah! [laughs]

646
01:09:17,282 --> 01:09:18,825
I don't like the look of that smile.

647
01:09:19,409 --> 01:09:23,538
There is a smile of love
and there is a smile of deceit. I'm out.

648
01:09:23,622 --> 01:09:24,790
I'm out.

649
01:09:26,458 --> 01:09:29,044
- Too rich for my blood.
- Two twos.

650
01:09:29,127 --> 01:09:30,712
- Whoo!
- [laughing]

651
01:09:30,796 --> 01:09:34,424
There is a smile of smiles
in which these two smiles meet.

652
01:09:34,508 --> 01:09:36,927
- William Blake.
- Such a bluffer.

653
01:09:37,010 --> 01:09:40,972
[William] Jackson, did you hear
de Kooning sold to the Modern?

654
01:09:43,684 --> 01:09:44,518
Want me to deal?

655
01:09:44,601 --> 01:09:47,479
"A singular concentration
of passion and technique,

656
01:09:47,562 --> 01:09:50,524
fierce energy, virtuosity."

657
01:09:50,607 --> 01:09:53,151
I guess it doesn't hurt
that his wife is fucking the critic.

658
01:09:53,235 --> 01:09:55,237
- [Jackson] Who you talking about?
- De Kooning.

659
01:09:55,320 --> 01:09:57,155
I don't know
if I'd agree with "virtuosity,"

660
01:09:57,239 --> 01:09:58,365
but it was a hell of a show.

661
01:09:58,448 --> 01:09:59,825
[Jackson] Blah, blah, blah.

662
01:09:59,908 --> 01:10:02,744
- Did you see the show?
- [Lee] We're not in Siberia, Clem.

663
01:10:02,828 --> 01:10:06,456
- [Jackson babbling]
- [Clem] Oh! So you're the critic now.

664
01:10:06,540 --> 01:10:09,251
No one knows I fucking exist.
Who the hell's talking about me?

665
01:10:09,334 --> 01:10:12,713
- I write about every show you have.
- You're the only one, Clem.

666
01:10:12,796 --> 01:10:17,175
- What good does your praise do me?
- Jackson, it's new stuff. Give it time.

667
01:10:17,259 --> 01:10:18,677
We're broke!

668
01:10:20,053 --> 01:10:23,598
I'm digging clams out of the bay.
I don't see de Kooning digging.

669
01:10:23,682 --> 01:10:26,727
[Clem] Everyone is struggling.
It'll break for you soon.

670
01:10:26,810 --> 01:10:27,936
When?

671
01:10:28,019 --> 01:10:31,732
Jackson, I just took part in a roundtable
on modern art

672
01:10:31,815 --> 01:10:35,652
held by <i>LIFE</i> magazine,
for God's sakes.

673
01:10:35,736 --> 01:10:38,947
America has become the center
of Western civilization.

674
01:10:39,030 --> 01:10:43,201
What you're doing is the most original
and vigorous art in the country.

675
01:10:43,285 --> 01:10:45,328
The rest of the critics will catch on.

676
01:10:45,412 --> 01:10:48,331
- You just keep at it.
- I am. Don't tell me to keep at it.

677
01:10:49,082 --> 01:10:50,625
I'm keeping at it!

678
01:10:51,293 --> 01:10:53,712
- [William] Ante up.
- [woman] All right, I'm in.

679
01:10:54,421 --> 01:10:55,839
- [squeals]
- [Jackson laughs]

680
01:10:56,923 --> 01:10:59,259
Did old Clem ruffle your feathers?

681
01:11:01,094 --> 01:11:04,097
- I love all women.
- You get off him!

682
01:11:04,181 --> 01:11:07,350
[screams] Get off me!
He can take care of himself!

683
01:11:07,434 --> 01:11:10,604
- This is my house, do you understand?
- Crazy bitch.

684
01:11:11,271 --> 01:11:12,773
[Lee] This is my house.

685
01:11:19,070 --> 01:11:20,280
Okay.

686
01:11:21,114 --> 01:11:22,407
[door closes]

687
01:11:22,491 --> 01:11:24,826
Well, it's over.
Okay. I'm glad that's over.

688
01:11:28,121 --> 01:11:29,164
Jackson.

689
01:11:31,416 --> 01:11:32,751
Jackson.

690
01:11:56,775 --> 01:11:58,109
[man] I'll be right there.

691
01:12:02,989 --> 01:12:06,159
- Hey, Jackson.
- We owe you $56?

692
01:12:07,744 --> 01:12:09,788
That sounds about right.

693
01:12:46,366 --> 01:12:47,576
Hey there, Jackson.

694
01:12:47,659 --> 01:12:49,244
- [yells]
- [bottles shatter]

695
01:13:08,305 --> 01:13:12,142
You ought to mind
your own fucking business, bub.

696
01:13:16,479 --> 01:13:19,566
[Jackson] I'm telling you, Sande,
if I can do it, you can too.

697
01:13:19,649 --> 01:13:22,569
It's been three weeks now.
Not a drop.

698
01:13:23,320 --> 01:13:24,988
Hell, I quit for good.

699
01:13:26,031 --> 01:13:29,409
Well, we're still struggling,
but Alfonso and Ted bought a painting.

700
01:13:29,492 --> 01:13:33,121
We won't see any of the money till
I sell a bunch more, but guess what.

701
01:13:33,830 --> 01:13:37,626
Demarest Fund came through.
Fifteen hundred bucks.

702
01:13:38,418 --> 01:13:41,880
[chuckles] I bought a Model A.
Ninety bucks.

703
01:13:41,963 --> 01:13:44,257
No, I'm not kidding.
It's just like we used to have.

704
01:13:45,342 --> 01:13:46,176
Oh.

705
01:13:46,676 --> 01:13:49,888
Okay, um, would you put Mom back on?
I'd like to say good night.

706
01:13:51,723 --> 01:13:54,726
Okay, then. Well, tell them
good night from Uncle Jack.

707
01:13:54,809 --> 01:13:56,186
Bye.

708
01:14:53,284 --> 01:14:56,287
- I think the Macys are going to buy.
- Good.

709
01:14:57,539 --> 01:14:58,873
[telephone ringing]

710
01:14:58,957 --> 01:15:01,918
- Are you here?
- Well, that depends.

711
01:15:03,670 --> 01:15:05,672
[ringing continues]

712
01:15:06,464 --> 01:15:07,632
Hello.

713
01:15:08,883 --> 01:15:12,971
I'm sorry, he's painting right now.
This is Lee Krasner, his wife.

714
01:15:15,932 --> 01:15:17,100
Yes.

715
01:15:22,480 --> 01:15:25,734
Of course. I'll let him know.

716
01:15:27,986 --> 01:15:29,029
Okay, bye.

717
01:15:32,991 --> 01:15:36,911
<i>LIFE</i> magazine.
They want to do an article on you.

718
01:15:39,122 --> 01:15:40,290
Damn.

719
01:15:43,877 --> 01:15:46,755
I don't let the image carry the painting.

720
01:15:47,380 --> 01:15:50,925
If it creeps in, I try to do away with it,

721
01:15:51,009 --> 01:15:53,845
to let the painting come through.

722
01:15:53,928 --> 01:15:55,764
Hold it a minute there, please.

723
01:15:56,806 --> 01:15:59,059
[Lee] <i>"Pollock spends hours
contemplating a painting.</i>

724
01:15:59,142 --> 01:15:59,976
[camera clicking]

725
01:16:00,060 --> 01:16:03,480
<i>It may be days or even months
before he tackles it again."</i>

726
01:16:03,563 --> 01:16:05,356
[Dorothy] <i>Who are your favorite artists?</i>

727
01:16:06,066 --> 01:16:09,694
De Kooning, Kandinsky...

728
01:16:13,907 --> 01:16:17,368
El Greco, Goya, Rembrandt.

729
01:16:17,452 --> 01:16:19,954
How do you respond
to some of your critics?

730
01:16:20,038 --> 01:16:22,415
They have said, "A mop of tangled hair."

731
01:16:22,499 --> 01:16:25,627
"A child's contour map
of the Battle of Gettysburg."

732
01:16:25,710 --> 01:16:28,797
"Cathartic disintegration." "Degenerate"
What do you say to that?

733
01:16:28,880 --> 01:16:31,341
- You forgot, "Baked macaroni."
- [Dorothy] Well?

734
01:16:32,008 --> 01:16:34,344
Well, if people would just

735
01:16:35,095 --> 01:16:39,182
leave most of their stuff at home
and just look at the paintings,

736
01:16:39,265 --> 01:16:41,351
I don't think they'd have
any trouble enjoying them.

737
01:16:41,434 --> 01:16:44,646
It's like... looking at a bed of flowers.

738
01:16:44,729 --> 01:16:47,565
You don't tear your hair out
over what it means.

739
01:16:48,858 --> 01:16:51,611
How do you know
when you're finished with a painting?

740
01:16:53,613 --> 01:16:56,282
How do you know
when you're finished making love?

741
01:17:05,083 --> 01:17:08,086
[auspicious music playing]

742
01:17:09,921 --> 01:17:10,964
That's better.

743
01:17:14,717 --> 01:17:15,552
Okay.

744
01:17:16,845 --> 01:17:18,304
[Jackson sighs]

745
01:17:22,767 --> 01:17:24,185
Just be yourself.

746
01:17:33,695 --> 01:17:35,697
[clicking and whirring]

747
01:17:47,125 --> 01:17:48,418
Delivery.

748
01:18:11,149 --> 01:18:14,152
[music intensifies]

749
01:18:21,951 --> 01:18:25,830
- You saw this <i>LIFE</i> magazine article?
- [indistinct chatter]

750
01:18:25,914 --> 01:18:28,041
Well, I have plenty here
if you want another one.

751
01:18:28,124 --> 01:18:29,250
Enjoy the show.

752
01:18:34,214 --> 01:18:37,217
[chattering continues]

753
01:18:40,595 --> 01:18:42,597
[music fades]

754
01:18:50,855 --> 01:18:52,440
- [woman laughs]
- [speaking indistinctly]

755
01:18:52,523 --> 01:18:55,360
- I'm gonna go sell the painting.
- [both laugh]

756
01:18:55,443 --> 01:18:57,195
Take a look around, fellas.

757
01:18:58,404 --> 01:19:02,158
These are the big shots.
Jackson broke the ice.

758
01:19:02,742 --> 01:19:04,410
- Hi, how are you?
- [woman] Beautiful.

759
01:19:04,494 --> 01:19:06,496
[indistinct chatter]

760
01:19:08,790 --> 01:19:10,875
- [Jackson] Do you know the Petersons?
- No.

761
01:19:11,668 --> 01:19:15,296
- This is Betty Parsons. Thanks.
- Thank you.

762
01:19:16,673 --> 01:19:18,091
Thanks.

763
01:19:18,174 --> 01:19:19,259
Sande.

764
01:19:21,302 --> 01:19:23,680
How do you do, sir? Hi, Mom.

765
01:19:24,347 --> 01:19:26,724
- Thank you. Beautiful work.
- Oh. Thanks.

766
01:19:28,393 --> 01:19:32,438
Pollock showed 30 pictures last fall
and sold all but five,

767
01:19:32,522 --> 01:19:34,607
and his collectors are nibbling at those.

768
01:19:34,691 --> 01:19:39,153
Mr. Pollock, in your opinion,
what is the meaning of modern art?

769
01:19:44,033 --> 01:19:46,411
Modern art, to me,

770
01:19:47,287 --> 01:19:53,042
is nothing more than the expression
of the contemporary aims

771
01:19:53,126 --> 01:19:55,461
of the age we're living in.

772
01:19:57,630 --> 01:20:01,551
Did the classical artists
have any means of expressing their age?

773
01:20:02,593 --> 01:20:04,762
Yes, and they did it very well.

774
01:20:06,180 --> 01:20:12,812
All cultures have had means
and techniques of expressing their

775
01:20:14,063 --> 01:20:17,317
immediate aims.

776
01:20:19,527 --> 01:20:23,948
The thing that interests me is that today,

777
01:20:24,032 --> 01:20:28,870
painters do not have to go to
a subject matter outside of themselves.

778
01:20:31,914 --> 01:20:35,918
They work from a different source.
They work from within.

779
01:20:38,046 --> 01:20:43,301
<i>It seems to me that the modern artist
cannot express this age,</i>

780
01:20:43,384 --> 01:20:48,348
<i>the airplane, the atom bomb, the radio,</i>

781
01:20:48,431 --> 01:20:53,394
<i>in the old forms of the Renaissance
or any other past culture.</i>

782
01:20:54,562 --> 01:20:56,856
Well, how do you go about
getting the paint on the canvas?

783
01:20:56,939 --> 01:20:59,942
I understand you don't use brushes
or anything of that sort.

784
01:21:01,235 --> 01:21:03,029
[Jackson] <i>I paint on the floor.</i>

785
01:21:05,198 --> 01:21:08,785
<i>That's not unusual.
The Orientals did that.</i>

786
01:21:11,162 --> 01:21:15,083
Most of the paint I use is a liquid,
flowing kind of paint.

787
01:21:16,209 --> 01:21:20,713
The brushes I use
are used more as sticks.

788
01:21:20,797 --> 01:21:24,092
The brush doesn't actually
touch the canvas,

789
01:21:24,175 --> 01:21:25,593
<i>but just above it.</i>

790
01:21:30,973 --> 01:21:33,601
[William]
<i>Well, isn't it more difficult to control?</i>

791
01:21:33,684 --> 01:21:35,228
<i>Isn't there more of a possibility</i>

792
01:21:35,311 --> 01:21:39,148
of getting too much paint,
or splattering, or any number of things?

793
01:21:40,733 --> 01:21:42,360
No, I don't think so.

794
01:21:45,571 --> 01:21:50,118
With experience,
it seems possible to control

795
01:21:50,201 --> 01:21:55,164
<i>the flow of the paint to a great extent,
and I don't use...</i>

796
01:21:57,375 --> 01:22:01,879
I don't use the accident
'cause I deny the accident.

797
01:22:02,839 --> 01:22:05,133
Did you see the <i>Magazine of Art</i> review?

798
01:22:05,216 --> 01:22:09,137
It was a public recant,
a complete switcheroo.

799
01:22:09,220 --> 01:22:12,974
Five years ago, he called
Pollock's work "baked macaroni."

800
01:22:13,057 --> 01:22:17,103
Now he says,
"An impregnable language of image,

801
01:22:17,186 --> 01:22:21,691
beautiful and subtle patterns
of pure form."

802
01:22:22,316 --> 01:22:24,360
[Jay] Come on. Hold it, Mom.

803
01:22:24,444 --> 01:22:25,486
[Jeremy] We're here.

804
01:22:26,320 --> 01:22:28,322
[dog barks]

805
01:22:28,406 --> 01:22:30,616
[Sande laughing]

806
01:22:30,700 --> 01:22:32,952
- [Jackson] You all made it.
- [Sande] Yeah, we made it.

807
01:22:33,035 --> 01:22:34,162
[Jackson] How was it?

808
01:22:34,745 --> 01:22:36,164
- Hi, Elizabeth.
- [Elizabeth] Hi.

809
01:22:36,247 --> 01:22:38,249
- Good to see you. You must be Jeremy.
- That's Jeremy.

810
01:22:38,332 --> 01:22:40,960
[Jeremy] Dad drove 100 miles an hour
all the way from L.A.

811
01:22:41,043 --> 01:22:42,503
[Jackson] You're kidding. Wow.

812
01:22:42,587 --> 01:22:45,631
- Hi. How are you?
- How you doing? It's nice to see you.

813
01:22:45,715 --> 01:22:48,092
- Hi, Charles.
- Hi, Jack.

814
01:22:48,176 --> 01:22:50,178
- [Karen] Hi.
- [Jackson] Hi.

815
01:22:50,261 --> 01:22:54,182
- [laughs] How are you, Karen?
- [Lee] Nice to meet you. Yes.

816
01:22:54,265 --> 01:22:56,392
[all chattering excitedly]

817
01:23:00,563 --> 01:23:01,981
Hi, Mom.

818
01:23:02,064 --> 01:23:05,151
[Stella]
It's so nice to have all my boys together.

819
01:23:06,110 --> 01:23:08,362
I'm so glad everybody's here.

820
01:23:08,446 --> 01:23:11,491
- How you doing? How was the trip?
- Good.

821
01:23:11,574 --> 01:23:15,286
He's so heavy. He's so heavy.
Thank you, here you go.

822
01:23:15,369 --> 01:23:18,539
[excited chatter continues]

823
01:23:25,588 --> 01:23:29,967
I miss you, you son of a bitch.
I miss you. It's just not the same.

824
01:23:31,093 --> 01:23:33,513
Nothing was ever the same to begin with.

825
01:23:34,430 --> 01:23:36,849
- What do you think?
- Shangri-La.

826
01:23:37,642 --> 01:23:39,477
[Charles] Everybody okay down there?

827
01:23:39,560 --> 01:23:41,979
- [Karen] We're fine, Daddy.
- You hit the big time, Jack.

828
01:23:42,063 --> 01:23:44,148
How many did you sell
from that November show?

829
01:23:44,232 --> 01:23:46,651
- Mother wrote, 18.
- It was the best show I ever had.

830
01:23:46,734 --> 01:23:48,528
It all gets poured back into the house.

831
01:23:48,611 --> 01:23:50,488
I'm thinking of buying
the acreage next door,

832
01:23:50,571 --> 01:23:52,615
put up a studio for Lee maybe.

833
01:23:52,698 --> 01:23:55,076
Free up the upstairs bedroom,
give her more space.

834
01:23:55,159 --> 01:23:58,788
[Lee] I think he probably articulated
the profundity of Jackson's art

835
01:23:58,871 --> 01:24:01,165
more eloquently than anyone has.

836
01:24:01,249 --> 01:24:02,083
How are they?

837
01:24:02,166 --> 01:24:04,126
Everyone's fine.
Mother's reading <i>Peter Pan.</i>

838
01:24:04,210 --> 01:24:07,380
This one here,
this is from the most recent <i>Art News.</i>

839
01:24:07,463 --> 01:24:10,466
- Story about a boy who never grew up.
- Another rave.

840
01:24:10,550 --> 01:24:13,594
I can't wait to see what he's gonna say
about Jackson's next show.

841
01:24:14,345 --> 01:24:16,681
I'm not sure I always get it, Jack.

842
01:24:16,764 --> 01:24:20,768
I'm the only painter worth looking at
in America. There isn't anyone else.

843
01:24:20,851 --> 01:24:24,188
- I expect that's true, Jack.
- This guy wants to make a film on me.

844
01:24:24,272 --> 01:24:27,567
- Why?
- Well, they made one on Calder.

845
01:24:28,317 --> 01:24:30,903
I have a show coming up
at the Circle Gallery.

846
01:24:30,987 --> 01:24:33,656
I'm exhibiting under the name of Pima,
Charles Pima.

847
01:24:33,739 --> 01:24:36,701
What the hell you doing that for?
This is priced at 4000.

848
01:24:36,784 --> 01:24:39,662
Buy it for 1500.
It'll be worth 100,000 someday.

849
01:24:40,496 --> 01:24:43,040
["Mahogany Hall Stomp" playing on radio]

850
01:24:43,124 --> 01:24:45,585
- Just any kind for me.
- I'll have a cherry.

851
01:24:46,085 --> 01:24:50,047
Does anybody speak Italian?
I need somebody who speaks Italian.

852
01:24:54,010 --> 01:24:55,928
- Do you speak Italian?
- No.

853
01:24:58,431 --> 01:25:00,600
Here it is. <i>Arte Moderna.</i>

854
01:25:00,683 --> 01:25:04,061
We figured out that much: "Modern Art."
There's an article about me.

855
01:25:04,145 --> 01:25:07,148
- [indistinct chatter]
- [reading in Italian]

856
01:25:15,281 --> 01:25:17,033
Does anybody know what that means?

857
01:25:17,116 --> 01:25:20,578
- Does anybody wanna play anagrams?
- [Charles] I do.

858
01:25:20,661 --> 01:25:25,458
- Here's something about "povro Picasso."
- "Povro Picasso." Did you hear that?

859
01:25:26,626 --> 01:25:28,961
What do you think that means?
"povro Picasso"?

860
01:25:29,045 --> 01:25:31,714
Well, I think it means "poor Picasso."

861
01:25:31,797 --> 01:25:35,009
"Poor Picasso"? Like, poor Pic--?
Did you guys hear that?

862
01:25:35,092 --> 01:25:37,178
Poor Picasso. Poor Picasso!

863
01:25:37,261 --> 01:25:39,764
Is Picasso more important
than your family?

864
01:25:47,146 --> 01:25:48,564
[camera whirs, then clicks]

865
01:25:57,114 --> 01:25:58,324
I had this dream.

866
01:25:58,908 --> 01:26:01,035
I'm at the edge of a cliff,
and my brothers are there,

867
01:26:01,118 --> 01:26:02,703
they're all there, all four of them,

868
01:26:02,787 --> 01:26:04,497
and they're trying
to push me off the cliff.

869
01:26:05,915 --> 01:26:07,750
Goddamn fucking nightmare.

870
01:26:16,258 --> 01:26:18,427
[man] Okay, we're rolling.
Now come back in.

871
01:26:18,511 --> 01:26:19,929
[camera whirring]

872
01:26:20,012 --> 01:26:21,305
Don't stop.

873
01:26:23,182 --> 01:26:24,475
That's good.

874
01:26:24,558 --> 01:26:28,187
Stop, stop.
Go to the chair, sit down.

875
01:26:29,730 --> 01:26:31,023
Put your shoes on.

876
01:26:37,071 --> 01:26:39,156
Your head's too low. Lift it up.

877
01:26:39,240 --> 01:26:40,533
[inaudible dialogue]

878
01:26:40,616 --> 01:26:43,744
Don't talk. We see your mouth moving.
You're supposed to be alone.

879
01:26:44,620 --> 01:26:45,579
Cut.

880
01:26:48,040 --> 01:26:50,668
We gotta do it again. You can't talk.

881
01:26:57,341 --> 01:26:59,343
[camera whirring]

882
01:27:01,178 --> 01:27:04,098
Now sit down. Don't look at camera.

883
01:27:07,852 --> 01:27:09,687
That's good. Shoes.

884
01:27:13,941 --> 01:27:14,984
Yeah.

885
01:27:18,904 --> 01:27:20,740
That's better. That looks good.

886
01:27:25,870 --> 01:27:29,206
Cut. Cut.
Uh, you need to take more time looking.

887
01:27:29,290 --> 01:27:33,419
Like-- I don't know.
Like you're thinking or wondering or...

888
01:27:47,641 --> 01:27:49,643
[camera whirring]

889
01:28:18,339 --> 01:28:19,215
Cut.

890
01:28:22,510 --> 01:28:24,011
Jackson, cut.

891
01:28:25,888 --> 01:28:27,890
Cut. We ran out of film.

892
01:28:27,973 --> 01:28:29,975
[ducks quacking distantly]

893
01:28:48,410 --> 01:28:50,579
[Lee] <i>Just tell him you don't wanna do it.</i>

894
01:28:52,373 --> 01:28:53,207
I can't.

895
01:28:55,292 --> 01:28:56,377
Not polite.

896
01:28:57,336 --> 01:28:58,546
It's been a month.

897
01:29:00,005 --> 01:29:01,757
He wants to get it right.

898
01:29:07,888 --> 01:29:09,640
It's not just that, anyway.

899
01:29:15,688 --> 01:29:17,314
I feel like a phony.

900
01:29:19,275 --> 01:29:21,193
You're a great painter, Pollock.

901
01:29:21,986 --> 01:29:23,320
Just paint.

902
01:29:28,909 --> 01:29:31,912
[poignant, pensive music playing]

903
01:29:55,477 --> 01:29:58,606
He wants to shoot through glass
so he can see my face.

904
01:30:01,525 --> 01:30:02,693
You're the star.

905
01:30:04,778 --> 01:30:07,156
I feel like a clam without a shell.

906
01:30:09,617 --> 01:30:10,701
Fuck him.

907
01:30:12,411 --> 01:30:14,079
Fuck him. It's not for you.

908
01:30:16,498 --> 01:30:18,500
[music fades]

909
01:30:18,584 --> 01:30:20,920
I think it's gonna be
your best show ever, Jackson.

910
01:30:22,630 --> 01:30:24,048
Everything works.

911
01:30:25,090 --> 01:30:26,258
The big pictures.

912
01:30:27,426 --> 01:30:30,262
The smaller ones. It's phenomenal.

913
01:30:36,226 --> 01:30:38,103
I don't think it's going to sell, though.

914
01:30:50,741 --> 01:30:52,660
- Take care of yourself.
- Will do.

915
01:30:58,916 --> 01:31:00,334
[engine starts]

916
01:31:22,189 --> 01:31:24,191
[camera whirring]

917
01:31:30,990 --> 01:31:34,118
I can't believe they're still out there.
He's gotta be frozen.

918
01:31:34,201 --> 01:31:36,078
[indistinct chatter]

919
01:31:36,161 --> 01:31:40,165
- Hello.
- [Charles] Hello. Happy Thanksgiving.

920
01:31:41,959 --> 01:31:43,961
[camera whirring]

921
01:31:51,260 --> 01:31:52,261
[whirring stops]

922
01:31:54,888 --> 01:31:57,182
Yeah. The light's gone.

923
01:31:58,475 --> 01:32:00,060
That's it, Jackson.

924
01:32:02,730 --> 01:32:05,816
[laughs] We're done.
It's great. It's marvelous.

925
01:32:08,235 --> 01:32:11,238
["Vine Street Breakdown"
playing on record player]

926
01:32:12,906 --> 01:32:15,951
- [Frank] Jackson.
- [Charles] Jackson, where have you been?

927
01:32:30,382 --> 01:32:32,301
Jackson, please.

928
01:32:43,395 --> 01:32:44,480
[door opens]

929
01:32:48,567 --> 01:32:50,319
[Jackson] Damn it, Hans, we need this.

930
01:32:52,613 --> 01:32:53,947
Come in here.

931
01:32:58,577 --> 01:33:00,329
Here, this one's for you.

932
01:33:01,622 --> 01:33:03,749
First drink I've had in two years.

933
01:33:04,875 --> 01:33:07,377
Don't be a fool, Jackson.

934
01:33:14,676 --> 01:33:16,678
[song stops, then record player clicks]

935
01:33:20,516 --> 01:33:22,518
[knife and sharpener scraping]

936
01:33:23,102 --> 01:33:25,104
[soft indistinct chatter]

937
01:33:49,211 --> 01:33:50,754
[Ted] Can I do something else?

938
01:33:52,089 --> 01:33:54,299
Carve the turkey for me.

939
01:34:00,806 --> 01:34:03,600
- The gravy.
- [Jackson] Anybody wanna eat?

940
01:34:03,684 --> 01:34:06,145
- [Lee] The turkey will be served.
- [cow bell clanking]

941
01:34:06,228 --> 01:34:08,230
I'm not the phony, you're the phony.

942
01:34:08,313 --> 01:34:10,774
- [Ted] Let's eat.
- Let's eat.

943
01:34:10,858 --> 01:34:14,736
- I'm not the phony, you're the phony.
- Jackson, enough. Okay?

944
01:34:14,820 --> 01:34:18,740
I'm not the phony, you're the phony.
I'm not the phony, you're the phony.

945
01:34:18,824 --> 01:34:21,201
- No, I want you sitting next to me.
- [indistinct chatter]

946
01:34:21,285 --> 01:34:23,954
Come on, sit next to me. Here you go.

947
01:34:24,037 --> 01:34:26,248
No, Herbert,
I'm sitting next to my buddy.

948
01:34:29,501 --> 01:34:32,462
- [clanking]
- [chatter continues]

949
01:34:32,546 --> 01:34:34,590
I'm not the phony, you're the phony.

950
01:34:34,673 --> 01:34:36,508
How about a toast to our hostess?

951
01:34:36,592 --> 01:34:38,719
I'm not the phony, you're the phony.

952
01:34:40,262 --> 01:34:42,890
- Should I do it now, Hans?
- Here we go.

953
01:34:42,973 --> 01:34:44,266
- Now?
- Stop it.

954
01:34:44,349 --> 01:34:46,059
Now, Hans?

955
01:34:46,143 --> 01:34:47,561
Now?

956
01:34:47,644 --> 01:34:48,729
Now!

957
01:34:48,812 --> 01:34:50,480
[yells]

958
01:34:50,564 --> 01:34:53,400
[dramatic music playing]

959
01:34:56,195 --> 01:34:59,198
[dramatic music continues]

960
01:36:06,348 --> 01:36:09,351
[indistinct chatter]

961
01:36:40,757 --> 01:36:43,760
[poignant music playing]

962
01:36:43,844 --> 01:36:45,846
[inaudible dialogue]

963
01:37:14,666 --> 01:37:16,668
[car approaching]

964
01:37:16,752 --> 01:37:19,755
["Get With The Beat" playing on car radio]

965
01:37:25,886 --> 01:37:27,054
[engine and song stop]

966
01:37:38,982 --> 01:37:40,984
[footsteps approaching]

967
01:37:48,492 --> 01:37:51,995
[Clem] I understand there was a ruckus
over my <i>Partisan Review</i> article.

968
01:37:53,038 --> 01:37:54,206
Go find it, Lee.

969
01:37:55,749 --> 01:37:58,001
- Jackson.
- [Jackson] Jewish cunt.

970
01:37:58,085 --> 01:38:00,087
Lee's the one who wants you here.

971
01:38:01,380 --> 01:38:04,674
I call them the way I see them.
You want it any other way?

972
01:38:04,758 --> 01:38:09,304
You call them the way you see them?
I'm traded in for Clyfford Still.

973
01:38:09,388 --> 01:38:11,598
Jackson, that's not what Clem's saying.

974
01:38:11,681 --> 01:38:14,893
Clyfford Still is one of the most
original painters around.

975
01:38:14,976 --> 01:38:17,646
- If not the best?
- [Clem] if not the best.

976
01:38:17,729 --> 01:38:20,190
- Did you read the article?
- I read the whole goddamn thing.

977
01:38:20,273 --> 01:38:22,859
- Clem wasn't trading you for Still.
- Then what was he doing?

978
01:38:22,943 --> 01:38:25,737
The article was about
the direction of modern art, Jackson,

979
01:38:25,821 --> 01:38:26,822
it's not just about you.

980
01:38:26,905 --> 01:38:28,573
I'm not talking to you,
I'm talking to him.

981
01:38:28,657 --> 01:38:31,034
- If you--
- I'm not talking to you! Shut up!

982
01:38:35,330 --> 01:38:39,584
You didn't review '52, the '54 show
was "forced" and "pumped." Is that right?

983
01:38:39,668 --> 01:38:43,004
- As I saw it, yes.
- Have I lost my stuff, Clem?

984
01:38:43,088 --> 01:38:47,175
Everybody loses their stuff, Jackson.
You had a good 10-year run.

985
01:38:47,759 --> 01:38:49,219
Everything's gorgeous.

986
01:38:50,929 --> 01:38:52,639
Gorgeous isn't good enough.

987
01:38:54,182 --> 01:38:55,559
What do you want from me?

988
01:38:56,435 --> 01:38:58,603
I like <i>Easter and the Totem.</i>

989
01:39:00,063 --> 01:39:03,733
Is it as good as the Peterson
it was next to at the Carnegie exhibit?

990
01:39:04,401 --> 01:39:05,944
The Peterson was better.

991
01:39:08,613 --> 01:39:11,158
Well, I had something going
in that picture, but it missed.

992
01:39:13,952 --> 01:39:16,788
I had something going
in <i>The Deep</i> too, but it just missed.

993
01:39:16,872 --> 01:39:18,623
<i>The Deep</i> was a kiss-ass to Clyfford Still.

994
01:39:18,707 --> 01:39:19,708
No one asked you!

995
01:39:19,791 --> 01:39:22,002
Still couldn't polish Jackson's shoes.

996
01:39:22,085 --> 01:39:24,254
Look what you were painting when sober.

997
01:39:24,337 --> 01:39:26,715
But now that you're back on booze,
do you paint real pictures?

998
01:39:26,798 --> 01:39:28,967
- Climb off my back, bitch!
- [Lee] You're a bum!

999
01:39:29,050 --> 01:39:32,137
- Open that mouth again, I'll kill you!
- You are killing me!

1000
01:39:32,220 --> 01:39:34,055
You are killing me! You are!

1001
01:39:34,139 --> 01:39:35,974
Bitch! Bitch! Bitch! Bitch! Bitch!

1002
01:39:36,975 --> 01:39:39,394
You wouldn't have a child,
you fucking cunt whore!

1003
01:39:39,478 --> 01:39:41,188
That would have really fixed everything!

1004
01:39:41,271 --> 01:39:43,857
I never loved you! Go fuck yourself!

1005
01:39:43,940 --> 01:39:45,817
I don't even wanna touch you,
you fucking whore!

1006
01:39:45,901 --> 01:39:48,111
Your sex life, if any,
is of no concern to me.

1007
01:39:48,195 --> 01:39:51,239
Weekly trips to your therapist.
What a joke.

1008
01:39:51,323 --> 01:39:55,494
Whatever trash you pick up at
the Cedar afterwards, I could care less!

1009
01:39:55,577 --> 01:39:57,954
You don't wanna stay here.
You won't be able to stand it.

1010
01:39:58,038 --> 01:40:01,291
This is morning to night.
This happens over taking out the garbage!

1011
01:40:01,374 --> 01:40:04,920
What are you looking for?
What are you pushing me for?

1012
01:40:05,003 --> 01:40:06,880
Stop crying about it and paint!

1013
01:40:06,963 --> 01:40:09,883
You're Jackson Pollock,
and you don't paint!

1014
01:40:09,966 --> 01:40:12,511
It's a tragedy, and I can't stand it.

1015
01:40:12,594 --> 01:40:13,887
Paint!

1016
01:40:30,153 --> 01:40:33,156
["Don't Be Angry" playing over car radio]

1017
01:40:36,493 --> 01:40:40,163
♪ <i>If you will forgive</i> me... ♪

1018
01:40:40,247 --> 01:40:41,456
- Hi.
- Hi.

1019
01:40:41,540 --> 01:40:44,960
♪ <i>I promise you, my darling</i> ♪

1020
01:40:45,043 --> 01:40:47,712
♪ <i>I won't hurt you again</i> ♪

1021
01:40:47,796 --> 01:40:50,674
♪ <i>So la-la-la-la-la-la-la-la-la</i> ♪

1022
01:40:50,757 --> 01:40:52,217
♪ <i>Don't you be angry</i> ♪

1023
01:40:53,093 --> 01:40:56,721
♪ <i>Please hear what I say
Well, give me a chance...</i> ♪

1024
01:40:56,805 --> 01:40:58,890
- You look great.
- Thanks. I missed you.

1025
01:41:10,819 --> 01:41:12,237
[door opens]

1026
01:41:20,287 --> 01:41:23,331
- Don't look at me that way.
- I'm not looking at you.

1027
01:41:28,795 --> 01:41:33,592
I was thinking we could visit Peggy
in Venice, see the Biennale.

1028
01:41:33,675 --> 01:41:37,637
Time to go to Europe is when
you're very young or very old.

1029
01:41:38,430 --> 01:41:39,681
But you should go.

1030
01:41:40,724 --> 01:41:42,767
Everybody should do
what the hell they wanna do.

1031
01:41:54,321 --> 01:41:58,116
She left it in the car.
I'm surprised she hasn't missed it.

1032
01:41:59,492 --> 01:42:01,578
You take her where our friends are.

1033
01:42:02,287 --> 01:42:04,623
They have the good grace not to tell me.

1034
01:42:06,166 --> 01:42:09,002
If you don't stop seeing her,
I'm going to leave you.

1035
01:42:09,085 --> 01:42:10,920
- I love her.
- You don't.

1036
01:42:16,217 --> 01:42:17,927
She's my last chance.

1037
01:42:22,057 --> 01:42:24,684
[Lee]
I am not going to give you a divorce.

1038
01:42:33,693 --> 01:42:34,819
[door closes]

1039
01:42:34,903 --> 01:42:36,905
[birds singing outside]

1040
01:42:48,291 --> 01:42:50,502
If you could be anybody...

1041
01:42:52,879 --> 01:42:57,342
who ever lived
in the history of the whole world...

1042
01:42:58,927 --> 01:43:00,220
who would you be?

1043
01:43:04,557 --> 01:43:05,642
You.

1044
01:43:07,769 --> 01:43:09,771
- [telephone ringing]
- [both chuckle]

1045
01:43:24,202 --> 01:43:25,787
I'd better get that.

1046
01:43:38,133 --> 01:43:40,135
[ringing continues]

1047
01:43:54,899 --> 01:43:57,444
- Hello?
- [Lee] <i>I'm ridiculous.</i>

1048
01:43:57,527 --> 01:43:59,946
<i>I think I left my passport at the house.</i>

1049
01:44:00,989 --> 01:44:04,492
<i>I suppose I'll have to wait
till the next sailing.</i>

1050
01:44:07,704 --> 01:44:09,038
<i>Jackson?</i>

1051
01:44:12,417 --> 01:44:13,752
<i>Pollock.</i>

1052
01:44:16,755 --> 01:44:20,425
<i>Oh, here it is.
I found it buried in my purse.</i>

1053
01:44:48,578 --> 01:44:50,622
I owe the woman something.

1054
01:44:53,750 --> 01:44:55,460
I'd be dead without her.

1055
01:44:57,796 --> 01:45:00,256
But I'm the one who loves you, Jackson.

1056
01:45:03,968 --> 01:45:06,971
[poignant music playing]

1057
01:45:42,173 --> 01:45:45,176
[poignant music continues]

1058
01:45:57,397 --> 01:45:59,148
[Lee] <i>The roses were</i>

1059
01:45:59,732 --> 01:46:02,944
<i>the most beautiful, deep red.</i>

1060
01:46:05,947 --> 01:46:08,867
<i>I miss you and wish
you were sharing this with me.</i>

1061
01:46:09,576 --> 01:46:12,203
<i>It would be wonderful
to get a note from you.</i>

1062
01:46:13,788 --> 01:46:16,541
<i>The painting here is unbelievably bad.</i>

1063
01:46:19,085 --> 01:46:20,837
<i>How are you, Jackson?</i>

1064
01:46:22,839 --> 01:46:25,800
<i>Kiss Gyp for me. Love, Lee.</i>

1065
01:46:39,606 --> 01:46:41,608
[music fades]

1066
01:48:29,549 --> 01:48:30,800
It's okay, buddy.

1067
01:48:38,433 --> 01:48:40,309
What have you got there, Mr. Pollock?

1068
01:48:41,644 --> 01:48:43,312
I found him hit on the road.

1069
01:48:45,064 --> 01:48:46,733
He's a beautiful dog.

1070
01:48:48,609 --> 01:48:49,986
You gotta save him.

1071
01:48:51,195 --> 01:48:52,822
He's a beautiful dog.

1072
01:49:10,089 --> 01:49:12,050
Keep a girl waiting, why don't you.

1073
01:49:16,054 --> 01:49:17,972
This is my friend Edith Metzger.

1074
01:49:23,519 --> 01:49:24,437
Hey.

1075
01:49:29,525 --> 01:49:30,359
Okay.

1076
01:49:42,455 --> 01:49:46,042
Just throw your stuff in the back.
We can all fit in the front, I think.

1077
01:49:46,125 --> 01:49:48,044
Ah! [laughs]

1078
01:49:50,671 --> 01:49:52,048
Thanks.

1079
01:49:54,383 --> 01:49:56,260
Edith wants to go to the beach today.

1080
01:50:07,522 --> 01:50:08,356
[sniffles]

1081
01:50:10,942 --> 01:50:12,944
[knocking on door]

1082
01:50:18,324 --> 01:50:19,951
We're all set and ready to go.

1083
01:50:23,287 --> 01:50:24,413
You go.

1084
01:50:31,671 --> 01:50:33,047
We'll wait for you.

1085
01:50:39,470 --> 01:50:40,471
Okay?

1086
01:50:57,655 --> 01:50:58,823
Are we going?

1087
01:50:59,740 --> 01:51:02,994
He's taking a little nap.
He'll be down in a little bit.

1088
01:51:04,495 --> 01:51:07,206
- Is he sick?
- No, he's fine. Come on.

1089
01:51:07,290 --> 01:51:08,624
Let's go see the studio.

1090
01:51:35,234 --> 01:51:36,569
[Ruth] What's doing for tonight?

1091
01:51:37,361 --> 01:51:39,614
I'm invited to Ossorio's

1092
01:51:40,156 --> 01:51:43,034
for a musicale
or something or other benefit.

1093
01:51:43,701 --> 01:51:45,411
That could be fun. Let's go.

1094
01:51:46,162 --> 01:51:47,997
I don't want to see all those people.

1095
01:51:49,165 --> 01:51:50,917
Come on, I wanna take a picture with you.

1096
01:51:52,418 --> 01:51:54,879
Edith, take our picture.

1097
01:52:05,723 --> 01:52:06,849
Good.

1098
01:52:13,856 --> 01:52:15,191
Okay, here we go.

1099
01:52:18,152 --> 01:52:19,612
Leave the dishes.

1100
01:52:21,072 --> 01:52:24,492
- Get dressed.
- We don't have to go, Jackson.

1101
01:52:24,575 --> 01:52:28,871
- Really, you don't have to amuse me.
- Leave the dishes. Get dressed.

1102
01:52:50,101 --> 01:52:51,936
[Ruth] What's the matter, Jackson?

1103
01:52:57,525 --> 01:52:58,776
Are you all right?

1104
01:53:30,599 --> 01:53:32,601
[indistinct chatter]

1105
01:53:35,229 --> 01:53:38,482
- I'm gonna call for help.
- Don't go in there.

1106
01:53:38,566 --> 01:53:41,610
- I don't wanna drive with him.
- Get her back in the car.

1107
01:53:41,694 --> 01:53:45,072
[Ruth] Edith, come on, he's fine.
I promise. We're gonna go home.

1108
01:53:45,698 --> 01:53:49,493
- [Edith] I don't wanna drive with him.
- Get her back in the car!

1109
01:54:21,859 --> 01:54:23,861
[tires screeching]

1110
01:54:30,534 --> 01:54:33,245
You need to get him to slow down.

1111
01:54:33,329 --> 01:54:34,413
Slow down.

1112
01:54:35,247 --> 01:54:37,875
Jackson, please.

1113
01:54:42,004 --> 01:54:45,383
Ruth, tell him he has got to
slow down this car!

1114
01:54:45,466 --> 01:54:48,219
Jackson, slow down.

1115
01:54:48,302 --> 01:54:51,931
- Let me out of your car!
- [Ruth] Edith, shut up!

1116
01:54:52,014 --> 01:54:55,101
- [Edith] Let me out!
- Shut up! Jackson!

1117
01:54:55,184 --> 01:54:57,144
[Edith screaming] No!

1118
01:54:57,228 --> 01:55:00,064
- [Ruth] Jackson!
- [Edith] Let me out of this car!

1119
01:55:00,147 --> 01:55:05,194
Get back in the car! Jackson,
you stop this car right now, Jackson!

1120
01:55:05,277 --> 01:55:07,154
- Stop, Jackson.
- Stop this car!

1121
01:55:07,238 --> 01:55:08,447
[voices fade]

1122
01:55:15,204 --> 01:55:17,206
[inaudible screaming]

1123
01:55:31,137 --> 01:55:33,013
[screams] No!

1124
01:55:36,183 --> 01:55:38,227
[Ruth and Edith screaming]

1125
01:55:59,165 --> 01:56:02,168
["The World Keeps Turning" playing]

1126
01:56:17,725 --> 01:56:21,145
♪ <i>On our anniversary</i> ♪

1127
01:56:22,897 --> 01:56:28,110
♪ <i>There'll be someone else
Where you used to be</i> ♪

1128
01:56:29,403 --> 01:56:35,993
♪ <i>The world don't care
And yet it clings to me</i> ♪

1129
01:56:38,078 --> 01:56:43,125
♪ <i>And the moon is gold and silvery</i> ♪

1130
01:56:43,209 --> 01:56:48,339
♪ <i>Who knows where the sidewalk ends?</i> ♪

1131
01:56:49,882 --> 01:56:55,346
♪ <i>Well, the road will turn
And the road will bend</i> ♪

1132
01:56:56,013 --> 01:56:58,807
♪ <i>They always say</i> ♪

1133
01:56:58,891 --> 01:57:04,730
♪ <i>He marks the sparrow's fall</i> ♪

1134
01:57:05,397 --> 01:57:11,779
♪ <i>How can anyone believe it all?</i> ♪

1135
01:57:11,862 --> 01:57:16,700
♪ <i>Well, the band has stopped playing</i> ♪

1136
01:57:16,784 --> 01:57:19,787
♪ <i>But we keep dancing</i> ♪

1137
01:57:21,080 --> 01:57:23,958
♪ <i>The world keeps turning</i> ♪

1138
01:57:25,334 --> 01:57:29,296
♪ <i>The world keeps turning</i> ♪

1139
01:57:29,964 --> 01:57:36,929
♪ <i>On his hand
He wore the ring of another</i> ♪

1140
01:57:38,430 --> 01:57:42,184
♪ <i>And the world keeps turning</i> ♪

1141
01:57:43,102 --> 01:57:46,939
♪ <i>The world keeps turning</i> ♪

1142
01:57:49,108 --> 01:57:55,489
♪ <i>We broke the bank
And we tore up the place</i> ♪

1143
01:57:57,324 --> 01:58:02,538
♪ <i>And we disappeared
Oh, without a trace</i> ♪

1144
01:58:04,164 --> 01:58:06,125
♪ <i>Now the sun</i> ♪

1145
01:58:06,208 --> 01:58:12,089
♪ <i>It falls into the sea</i> ♪

1146
01:58:12,673 --> 01:58:18,095
♪ <i>And around the only one for me</i> ♪

1147
01:58:19,013 --> 01:58:26,020
♪ <i>I was so green
And the dress you wore was yellow</i> ♪

1148
01:58:27,688 --> 01:58:30,858
♪ <i>And the world keeps turning</i> ♪

1149
01:58:32,151 --> 01:58:36,113
♪ <i>The world keeps turning</i> ♪

1150
01:58:36,739 --> 01:58:43,746
♪ <i>The sun is down
And the moon is in the meadow</i> ♪

1151
01:58:45,080 --> 01:58:49,168
♪ <i>And the world keeps turning</i> ♪

1152
01:58:49,793 --> 01:58:53,672
♪ <i>The world keeps turning</i> ♪

1153
01:58:55,758 --> 01:59:00,929
♪ <i>Put a hat on your head</i> ♪

1154
01:59:03,182 --> 01:59:05,476
♪ <i>Will you paint</i> ♪

1155
01:59:05,559 --> 01:59:11,106
♪ <i>The whole damned town red with me?</i> ♪

1156
01:59:11,815 --> 01:59:18,197
♪ <i>Well, the band has stopped playing
But we keep dancing</i> ♪

1157
01:59:19,782 --> 01:59:23,661
♪ <i>The world keeps turning</i> ♪

1158
01:59:24,286 --> 01:59:27,456
♪ <i>The world keeps turning</i> ♪

1159
01:59:28,248 --> 01:59:34,963
♪ <i>On his hand
He wore the ring of another</i> ♪

1160
01:59:36,465 --> 01:59:39,760
♪ <i>The world keeps turning</i> ♪

1161
01:59:40,803 --> 01:59:44,932
♪ <i>The world keeps turning</i> ♪

1162
01:59:45,015 --> 01:59:49,311
♪ <i>The world keeps turning</i> ♪

1163
01:59:49,395 --> 01:59:53,774
♪ <i>The world keeps turning</i> ♪

1164
01:59:53,857 --> 01:59:58,028
♪ <i>The world keeps turning</i> ♪

1165
01:59:58,112 --> 02:00:03,951
♪ <i>The world keeps turning</i> ♪

1166
02:00:08,414 --> 02:00:10,416
[song fades]

1167
02:00:11,792 --> 02:00:14,795
[poignant music playing]