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♪♪ [MADONNA'S "LUCKY STAR"]
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FIVE, SIX, SEVEN, EIGHT.
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♪ YOU MUST BE MY LUCKY STAR ♪
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♪ 'CAUSE YOU SHINE ON ME ♪
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I JUST WANT YOU TO KNOW I NEVER
COULD'VE MADE IT WITHOUT YA.
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♪ AND I START TO GLOW ♪
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♪ AND I NEED YOUR LIGHT
AND, BABY, YOU KNOW ♪
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IT MEANS SO MUCH TO ME THAT
YOU GUYS ARE COOL WITH THIS,
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AND I WANT YOU
TO KNOW ONE MORE THING:
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JUST BECAUSE I GOT THE DREAM
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DOESN'T MEAN
I'M GONNA SELL OUT.
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YOU GUYS WILL BE MY PRIORITY
AND MY BEST FRIENDS... FOREVER.
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OKAY, SO...
HOW DO I LOOK?
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AMAZING.
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SASSY AND SEXY.
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HUG IT.
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I LOVE YOU GUYS.
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ALL RIGHT. ENOUGH WITH THE
BONDING. I'M LATE FOR PRACTICE.
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[CARMEN SQUEALS]
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PRACTICE.
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I COULD SO TOTALLY
PINCH MYSELF.
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[SCOFFS] I CAN'T BELIEVE
SHE'S A CHEERLEADER NOW.
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IS IT TOO LATE
TO DO AN INTERVENTION?
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♪ SHINE YOUR
HEAVENLY BODY TONIGHT ♪
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♪ 'CAUSE I KNOW YOU'RE GONNA
MAKE EVERYTHING ALL RIGHT ♪
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♪ THINK IT OVER ONCE OR TWICE ♪
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♪ WHAT LASTS
THE LONGEST IN THIS LIFE ♪
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♪ CHARACTER
OR ROCK-HARD THIGHS ♪
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♪ IN THE END DO YOU BELIEVE ♪
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♪ THAT BEAUTY LIES
IN WHAT YOU SEE ♪
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♪ 'CAUSE IF YOU DO,
THEN, BABY ♪
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♪ YOU'VE BEEN DECEIVED ♪
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♪ WELL, ME AND B ♪
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♪ WE HATE SUPERMODELS ♪
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♪ IT'S JUST THAT I'M TIRED
OF BEING COMPARED ♪
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OH!
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MORNING, MOM.
GOOD MORNING.
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HOW ABOUT SOME
ORANGE JUICE. HUH?
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MOM, WATCH THE DO.
OH, SORRY.
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SO, ARE YOU GETTING EXCITED?
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ONLY FOUR MORE DAYS
TO OPENING NIGHT.
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I'M FREAKED. I'M NOWHERE NEAR
OFF-BOOK AND IT'S NEARLY FRIDAY.
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OH, YOU'RE GONNA DO GREAT.
I KNOW IT.
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HAVE YOU TOLD
YOUR FATHER YET?
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THAT I'M STILL
NOT OFF-BOOK?
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YOU CAN'T HIDE THE FACT
THAT YOU'RE DOING THIS PLAY
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FROM HIM FOREVER.
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HE DOESN'T HAVE TO KNOW.
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EVER.
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MORNING, SON.
MORNIN', DAD.
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JEAN, COFFEE.
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SO, JOSH, GOOD NEWS.
I JUST SPOKE TO RON BARBA,
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MY NOSEGUARD FROM MICHIGAN.
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MM.
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ANYWAY, HE STARTED COACHING
THE OFFENSE OVER THERE
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AND AS A FAVOR TO ME HE'S COMING
TO FRIDAY'S RECRUITMENT DINNER.
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COULD BE A BIG INTRO FOR YOU.
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YOU'RE GOING TO A RECRUITMENT
DINNER FRIDAY NIGHT?
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HE'S NOT GONNA MAKE THE OLD MAN
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LOOK BAD IN FRONT
OF AN EX-TEAMMATE.
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ACTUALLY, DAD, UH...
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I'M ONLY A SOPHOMORE,
SO I WAS THINKING...
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I DON'T HAVE TO DEAL
WITH COLLEGE STUFF
FOR A COUPLE OF YEARS...
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WHAT'S THE MATTER WITH YOU?
WE'RE TALKING MICHIGAN.
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DON'T LET THE FACT YOU HAD
A BETTER-THAN-AVERAGE SEASON
GO TO YOUR HEAD.
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I WANT YOU AT
THAT DINNER ON FRIDAY.
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THAT'S ALL THERE IS TO IT.
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RIGHT.
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GOOD.
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JEAN, BREAKFAST, PLEASE.
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YOU KNOW THE BEST PART
OF BEING A CHEERLEADER,
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OTHER THAN THE SPRING BREAK
TRIP TO PRAGUE THAT THE SQUAD
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IS GOING ON COMPLIMENTS OF MARY
CHERRY AND HER MOTHER'S LEARJET?
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THE ALL-YOU-CAN-EAT
ENSURE BUFFET?
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SAM, COME ON.
I'M BEING SERIOUS NOW.
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THIS MAY SOUND WEIRD.
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BUT I FINALLY FEEL LIKE
I CAN RELAX. YOU KNOW?
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IT'S LIKE GETTING ON THE SQUAD
RELEASED SOME SORT OF...
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SELF-ESTEEM HORMONE,
LIKE A NATURAL PROZAC.
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I JUST... I FEEL AWESOME.
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I'M REALLY HAPPY FOR YOU.
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THANKS.
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SAM McPHERSON?
WHAT?
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PRINCIPAL HALL WANTS TO SEE
YOU IN HER OFFICE. RIGHT NOW.
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UH-OH. WHAT'D YOU DO THIS TIME?
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I HAVE NO IDEA.
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IF I DON'T COME BACK,
REMEMBER ME FONDLY.
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BYE.
BYE.
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HI, CARMEN FERRARA.
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HI, APRIL.
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I HEARD YOU MADE CHEERLEADERS.
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WAY TO GO. THAT'S AWESOME.
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YEAH. THANKS.
I'M PRETTY PSYCHED.
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WHAT'S YOUR FAVORITE COLOR?
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UM, GREEN.
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WHY?
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ME, TOO.
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OKAY.
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I HAVE TO GO TO CLASS NOW.
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THANKS FOR TALKIN' TO ME.
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OKAY.
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WHAT'D SHE SAY?
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WHAT DID SHE SMELL LIKE?
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LIKE TEEN SPIRIT.
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[WHIMPERS]
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PRINCIPAL HALL,
YOU WANTED TO SEE ME?
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YES, I DID.
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SAM McPHERSON,
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I WANT YOU TO MEET JAMIE GUNN,
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A PRODUCER
FOR ENTERTEENMENT TODAY.
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THE TV SHOW. HI.
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- IT'S NICE TO MEET YOU.
- LIKEWISE.
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I WAS JUST TELLING PRINCIPAL
HALL HOW IMPRESSED I WAS
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WITH THE DOCUMENTARY YOU DID
FOR YOUR... JOURNALISM CLASS.
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THE ONE ON POPULARITY.
YEAH.
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I HOPE YOU DON'T MIND
I SENT IT IN.
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JAMIE WAS
A STUDENT OF MINE.
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TWO YEARS AGO. BUT LET'S NOT
COUNT THE RINGS AROUND
THIS TREE TRUNK.
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OH, I'M... I'M JUST...
I'M REALLY GLAD YOU LIKED IT.
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I LOVED IT.
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SUCH IMMEDIACY. SUCH PASSION.
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THAT SECTION ON
THAT CARMEN GAL. WOW.
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VERY TOUCHING.
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AND THE GORGEOUS CHEERLEADER WHO
JUST REFUSED TO BE PIGEONHOLED.
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WHAT WAS HER NAME?
BROOKE McQUEEN.
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YEAH. WELL, IT GOT TO ME.
WHAT CAN I SAY?
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OUR SHOW HASN'T HAD MATERIAL
THAT QUOTE-UNQUOTE REAL
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IN A LONG TIME.
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- AND THAT'S WHERE
YOU COME IN.
- PARDON?
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JAMIE WANTS YOU TO PRODUCE A
SEGMENT FOR HER TELEVISION SHOW.
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LISTEN UP.
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I AM OFFERING YOU
TEN MINUTES OF AIRTIME.
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YOUR CREW,
YOUR CONCEPT, YOUR CALL.
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SUBJECT TO MY FINAL
APPROVAL, OF COURSE.
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UM...
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UH, THAT...
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WOW. WOW. WOW.
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I TAKE THAT THAT'S A YES.
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THAT IS... MORE THAN A YES.
THAT IS... WHEN DO WE START?
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GREAT!
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OH. UM, I'M SORRY.
AM I INTERRUPTING?
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NO, NO. BROOKE, COME.
COME IN. COME IN.
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I-I-I WANT TO INTRODUCE
YOU TO JAMIE GUNN,
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ENTERTEENMENT TODAY.
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WOW.
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YOU'RE RIGHT.
SHE SMELLS LIKE VANILLA.
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BROOKE,
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JAMIE HAS JUST
ASKED SAM TO PRODUCE
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A SEGMENT FOR
HER TELEVISION SHOW.
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OH. CONGRATULATIONS, SAM.
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THANK YOU.
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I WANT BROOKE... TO BE
THE ON-AIR INTERVIEWER.
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- [BOTH] WHAT?
- YOU HAVE GOT PRESENCE.
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UM, WOW. THAT-THAT'S...
THAT'S SO FLATTERING. THANK YOU.
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GREAT. IT'S A CHANCE
TO REACH A NATIONAL AUDIENCE,
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KICK-START A CAREER IN
BROADCASTING, AND MAYBE EVEN
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MAKE A QUOTE-UNQUOTE DIFFERENCE
IN PEOPLE'S LIVES, WHATEVER.
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IT SOUNDS GREAT.
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FANTASTIC. GREAT. SAM?
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[SAM] SO, SOME DAYS,
YOU WANT A DIFFERENT LABEL?
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YEAH.
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DON'T YOU?
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IT'S NOT FAIR.
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THIS IS MY VIDEO. WHY SHOULD
SHE GET TO BE ON CAMERA?
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SINCE WHEN DO YOU CARE
WHO'S ON CAMERA, SAM?
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YOU WANNA BE
A SERIOUS JOURNALIST,
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NOT SOME BLOW-DRIED,
ON-AIR AUTOMATON, REMEMBER?
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LOOK, WE BUSTED OUR BUTTS
FILMING THOSE INTERVIEWS.
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AND THEN BROOKE SHOWS UP FOR
FIVE PRESENCE-FILLED MINUTES
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AND SUDDENLY SHE'S A STAR?
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DON'T BURN ME AT THE STAKE,
BUT MAYBE IT WON'T BE THAT BAD.
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THIS IS A DISASTER.
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HOW AM I SUPPOSED TO PITCH
REAL JOURNALISM IDEAS
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TO JAMIE
WITH BROOKE IN THE ROOM?
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I-I'M JUST GONNA BLOW
THIS WHOLE THING OFF.
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WHAT? OH. O-OKAY.
FINE. BAIL.
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THROW AWAY A GOLDEN OPPORTUNITY
TO SHOW OFF YOUR VISION
178
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BECAUSE YOU'RE TOO FILLED
WITH YOUR BROOKE RIVALRY
179
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TO SEE THE BIG PICTURE.
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THIS IS HUGE, BROOKY.
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YOUR CONNIE CHUNG DREAMS
ARE COMIN' TRUE.
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I JUST HOPE THAT
I CAN PULL IT OFF.
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MY ONLY
ON-CAMERA EXPERIENCE
184
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IS A BIRTHDAY VIDEO
I DID FOR MY DAD.
185
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YOU'RE BLESSED WITH DAZZLING
LOOKS AND A COME-HITHER VOICE.
186
00:09:34,708 --> 00:09:36,741
YOU DON'T
NEED EXPERIENCE.
187
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I DON'T WANNA
LOOK LIKE AN IDIOT.
188
00:09:38,979 --> 00:09:41,279
I'M GONNA RENT
BROADCAST NEWS AND PREPARE.
189
00:09:41,347 --> 00:09:43,948
HONEY, IS THIS INSECURITY
HAVE TO DO WITH THAT RODEO...
190
00:09:44,017 --> 00:09:46,250
NO! ZIP! ZIP IT.
191
00:09:46,319 --> 00:09:47,919
YOU PROMISED
NOT TO TELL.
192
00:09:47,988 --> 00:09:49,820
WELL, BROOKE, DON'T BE SHY.
193
00:09:49,890 --> 00:09:52,156
THERE'S NO SECRETS
AMONG FRIENDS WHO WAX.
194
00:09:52,225 --> 00:09:53,624
YEAH.
195
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PROMISE NOT TO TELL?
196
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YES.
197
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OKAY.
OKAY.
198
00:10:02,535 --> 00:10:03,969
LAST MONTH, DURING CAREER WEEK,
199
00:10:04,037 --> 00:10:05,937
BROOKY TOOK
THIS CAREER-GUIDE TEST
200
00:10:06,006 --> 00:10:09,440
AND THE COMPUTER SAID, BASED
ON HER SKILLS AND INTERESTS,
201
00:10:09,509 --> 00:10:11,842
THE CAREER BEST SUITED
FOR HER... WAS RODEO CLOWN.
202
00:10:11,912 --> 00:10:13,344
[ALL] NO!
203
00:10:16,516 --> 00:10:18,682
I WANTED TO DIE, YOU GUYS.
204
00:10:18,751 --> 00:10:21,385
OH, DON'T WORRY ABOUT IT.
THESE THINGS ARE RANDOM.
205
00:10:21,454 --> 00:10:23,054
I TOOK THE VERY SAME TEST,
206
00:10:23,123 --> 00:10:25,256
AND MY CAREER MATCHUP
SAID, "MARY CHERRY,
207
00:10:25,325 --> 00:10:28,026
THE CAREER THAT'S BEST SUITED
FOR YOU IS SERIAL KILLER."
208
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I MEAN, OH, MY GOD!
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IT'S CRAZY!
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DUDE.
211
00:10:36,469 --> 00:10:38,402
OUT OF ALL THIS TIME,
212
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YOU STILL HAVEN'T TOLD YOUR
DAD THAT YOU'RE IN THE PLAY?
213
00:10:41,441 --> 00:10:42,774
WHAT ARE YOU, HIGH?
214
00:10:42,843 --> 00:10:45,309
[SIGHS] I WISH I COULD
TALK TO BROOKE ABOUT THIS.
215
00:10:45,378 --> 00:10:47,345
SHE WAS GOOD AT GETTING
MY HEAD STRAIGHT.
216
00:10:47,413 --> 00:10:49,313
SO, WHY DON'T YOU?
NAH.
217
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WE HAVEN'T SPOKEN
IN THREE WEEKS,
218
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IF YOU CAN BELIEVE THAT.
219
00:10:52,786 --> 00:10:55,386
GOD! I CAN'T BELIEVE
I GOT MYSELF INTO THIS MESS.
220
00:10:55,455 --> 00:10:56,721
WHAT AM I GONNA SAY?
221
00:10:56,790 --> 00:10:59,490
"SORRY, DAD. GOTTA MISS
THE RECRUITMENT DINNER.
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00:10:59,559 --> 00:11:01,159
GOTTA SING! GOTTA DANCE!"
223
00:11:01,227 --> 00:11:04,495
LOOK. EITHER WAY, YOU GOTTA
COME CLEAN WITH YOUR POPS.
224
00:11:04,564 --> 00:11:06,998
HE'LL RESPECT THE GUTS
IT TOOK TO STEP UP.
225
00:11:07,067 --> 00:11:08,899
HOW PISSED CAN THE GUY BE?
226
00:11:08,969 --> 00:11:10,401
THE FACT IS,
227
00:11:10,470 --> 00:11:13,337
YOU'VE PASSED FOR MORE YARDAGE
THAN YOUR BROTHERS EVER DID.
228
00:11:13,406 --> 00:11:15,639
AND YOUR GRADES, MAN,
THEY'RE OUTSTANDING.
229
00:11:15,708 --> 00:11:17,909
WELL, I APPRECIATE
THE PROPS, S.D.
230
00:11:17,978 --> 00:11:19,844
MY DAD'S GOT
SOME MESSED-UP IDEAS.
231
00:11:19,913 --> 00:11:21,712
HE'S NOT
LIKE YOU AND ME.
232
00:11:21,781 --> 00:11:24,916
I THINK IF YOU TALK TO HIM,
HE MIGHT SURPRISE YOU.
233
00:11:26,419 --> 00:11:29,720
YEAH. IF HE DOESN'T
KICK MY ASS.
234
00:11:29,790 --> 00:11:30,889
HEY.
HEY.
235
00:11:30,957 --> 00:11:33,291
THOUGHT YOU WERE OUTTA HERE.
YOU AND ME BOTH.
236
00:11:33,359 --> 00:11:36,460
I AM SICK OF WAITING FOR
MY MOTHER TO CART ME AROUND.
237
00:11:36,529 --> 00:11:39,530
DO YOU WANT TO GO TO
THE DMV AND GET OUR LICENSES?
238
00:11:39,599 --> 00:11:42,333
YES! LET'S GO THURSDAY. THEY
CANCELED CHEERLEADING PRACTICE.
239
00:11:42,402 --> 00:11:44,035
OKAY. YEAH.
THURSDAY'S FINE.
GOOD.
240
00:11:44,104 --> 00:11:45,369
FANTASTIQUE.
FANTASTIQUE.
241
00:11:46,472 --> 00:11:48,072
HI, CARMEN FERRARA.
242
00:11:48,141 --> 00:11:50,641
CAN I HAVE YOUR...
243
00:11:50,710 --> 00:11:52,676
AUTOGRAPH, PLEASE?
244
00:11:53,814 --> 00:11:54,845
REALLY?
245
00:11:54,915 --> 00:11:57,315
MY SISTER'S SELLING
THEM ON THE WEB SITE.
246
00:11:57,383 --> 00:11:58,782
SHE IS?
247
00:11:58,851 --> 00:12:00,118
THERE'S A WEB SITE?
248
00:12:00,186 --> 00:12:03,254
SO PEOPLE CAN
LEARN MORE ABOUT YOU.
249
00:12:04,357 --> 00:12:06,224
OKAY.
250
00:12:12,632 --> 00:12:14,799
- THANKS, CARMEN FERRARA.
- SURE.
251
00:12:16,569 --> 00:12:17,769
YEAH. OKAY.
252
00:12:17,838 --> 00:12:21,439
TRY NOT TO LET THE STATUS GO
TO YOUR HEAD TOO MUCH. OKAY?
253
00:12:21,507 --> 00:12:23,441
[SNORTS]
254
00:12:27,747 --> 00:12:29,713
[BELL RINGS]
255
00:12:29,782 --> 00:12:32,550
OKAY, TUNED-IN TEENS,
LET IT ALL HANG OUT.
256
00:12:32,618 --> 00:12:34,552
I AM DYING TO HEAR YOUR IDEAS,
257
00:12:34,620 --> 00:12:38,322
AND NOT JUST THE ONES
YOU THINK I'M DYING TO HEAR.
258
00:12:38,391 --> 00:12:41,525
RIGHT. OKAY.
WELL, HERE GOES.
YEAH.
259
00:12:41,594 --> 00:12:43,927
WE LIVE IN BOOM TIMES, RIGHT?
260
00:12:43,996 --> 00:12:47,298
THE INTERNET, THE STOCK MARKET.
EVERYONE IS DOING WELL.
261
00:12:47,367 --> 00:12:49,567
- DO YOU WEAR TOE RINGS?
- I'M SORRY?
262
00:12:49,635 --> 00:12:52,470
JUST "TRENDING" OUT LOUD. GO ON.
263
00:12:52,538 --> 00:12:57,208
UM, MY IDEA IS,
IN THESE TIMES OF PROSPERITY,
264
00:12:57,277 --> 00:12:59,377
WHAT ABOUT THOSE TEENS
DOWN ON THEIR LUCK?
265
00:12:59,445 --> 00:13:02,513
I PROPOSE AN IN-DEPTH
PIECE ON TEEN RUNAWAYS.
266
00:13:02,582 --> 00:13:05,883
WE'VE GOT HUNDREDS OF THEM
SQUATTING IN CONDEMNED HOUSES
267
00:13:05,951 --> 00:13:07,919
ONLY TWO BLOCKS
FROM THE SCHOOL...
268
00:13:07,988 --> 00:13:09,154
GRITTY.
269
00:13:09,222 --> 00:13:10,822
WHAT ELSE HAVE YOU GOT
270
00:13:10,891 --> 00:13:12,490
THAT DOESN'T INVOLVE
CLOSE-UPS OF LICE?
271
00:13:12,558 --> 00:13:14,492
UM... WELL, I'VE...
UM...
272
00:13:14,560 --> 00:13:17,228
WELL, I-I HAVE AN IDEA.
273
00:13:17,297 --> 00:13:21,232
HEY. WE PRODUCERS ARE ALWAYS
EAGER FOR INPUT FROM THE TALENT.
274
00:13:21,301 --> 00:13:22,366
RIGHT, SAM?
275
00:13:22,435 --> 00:13:23,801
YEAH.
276
00:13:23,869 --> 00:13:26,170
UM, WELL, IT SEEMS
TO ME THAT NOW,
277
00:13:26,239 --> 00:13:29,941
MORE THAN EVER, WE LIVE
IN THE AGE OF THE TEEN STAR.
278
00:13:30,010 --> 00:13:33,144
EVERYWHERE YOU LOOK, YOUNG
PEOPLE ARE BECOMING CELEBRITIES,
279
00:13:33,213 --> 00:13:35,313
FROM THE BACKSTREET BOYS
TO CHRISTINA AGUILERA,
280
00:13:35,381 --> 00:13:38,282
AND THOSE WHO AREN'T FAMOUS...
WANT TO BE.
281
00:13:38,351 --> 00:13:40,084
SO WHAT I WONDER IS,
282
00:13:40,153 --> 00:13:43,321
WHAT KIND OF EFFECT DOES
THIS OBSESSION WITH FAME--
283
00:13:43,389 --> 00:13:47,558
AND, MORE IMPORTANTLY, THIS NEED
FOR INSTANT ATTENTION--
284
00:13:47,627 --> 00:13:50,128
HAVE ON YOUNG PEOPLE TODAY?
285
00:13:52,398 --> 00:13:53,797
- YES.
- YES?
286
00:13:53,866 --> 00:13:54,798
- YES!
- YES!
287
00:13:54,867 --> 00:13:56,100
I LIKE IT.
288
00:13:56,169 --> 00:13:58,869
I LIKE IT. TELL ME MORE.
W-WHAT AM I SEEING?
289
00:13:58,939 --> 00:14:01,840
OKAY, JAMIE. YOU'RE SEEING...
HOW ABOUT THIS?
290
00:14:01,908 --> 00:14:04,975
HOW ABOUT WE TALK
TO ACTUAL CELEBRITIES
291
00:14:05,045 --> 00:14:06,910
ABOUT WHAT THEY THINK
ABOUT BEING FAMOUS?
292
00:14:06,979 --> 00:14:08,246
OH, YEAH. YEAH.
293
00:14:08,314 --> 00:14:11,282
LIKE JOHNNY DEPP REALLY
WANTS TO TALK TO A STUDENT?
294
00:14:11,351 --> 00:14:13,784
NOTHING VENTURED,
NOTHING GAINED, SAM.
295
00:14:13,854 --> 00:14:15,086
RIGHT, JAMIE?
296
00:14:15,155 --> 00:14:17,788
[SCREECHES]
LOVE THE CREATIVE FERMENT.
297
00:14:17,858 --> 00:14:20,391
THE CLASH OF IDEAS.
THAT BLOOD'S RUNNING HIGH. SAM.
298
00:14:20,460 --> 00:14:22,960
BROOKE'S IDEA
IS A LITTLE BROKEN.
299
00:14:23,029 --> 00:14:25,363
HELP HER FIX IT.
YEAH, SAM.
300
00:14:25,432 --> 00:14:27,098
UM...
301
00:14:28,668 --> 00:14:31,535
OKAY. OKAY.
302
00:14:31,604 --> 00:14:34,905
HOW ABOUT WE FOCUS ON
SOMEONE RIGHT HERE AT KENNEDY?
303
00:14:34,974 --> 00:14:37,541
SOMEONE WITH STAR QUALITY
304
00:14:37,610 --> 00:14:40,378
WHO FITS THAT MOLD
OF FUTURE CELEBRITY.
305
00:14:41,381 --> 00:14:42,981
WHOM DO YOU HAVE IN MIND?
306
00:14:43,049 --> 00:14:44,248
JOSH FORD.
307
00:14:44,317 --> 00:14:47,518
HE'S, UM, QUARTERBACK
OF OUR FOOTBALL TEAM,
308
00:14:47,587 --> 00:14:51,256
THE STAR OF OUR SCHOOL PLAY,
ALL-AROUND MR. POPULARITY.
309
00:14:51,324 --> 00:14:55,193
JOSH FORD IS EXACTLY THE KIND
OF GUY WHO GOES ON TO GLORY.
310
00:14:55,262 --> 00:14:56,527
RIGHT?
311
00:14:56,596 --> 00:14:58,329
OH, YEAH. HE SOUNDS PERFECT.
312
00:14:58,398 --> 00:15:00,198
UH, NO. HE ISN'T. UM...
313
00:15:00,266 --> 00:15:05,002
WOW. OKAY. UM, JAMIE, ACTUALLY,
THIS IS A BIT AWKWARD FOR ME
314
00:15:05,070 --> 00:15:07,938
BECAUSE JOSH AND I WENT OUT.
315
00:15:08,008 --> 00:15:09,440
AW.
316
00:15:09,509 --> 00:15:11,442
[CACKLING]
317
00:15:13,846 --> 00:15:16,614
BROOKE...
[INHALES DEEPLY]
318
00:15:16,682 --> 00:15:19,550
I AM SURE, AS A JOURNALIST,
[CLEARS THROAT]
319
00:15:19,619 --> 00:15:22,553
YOU WILL HAVE NO TROUBLE PUTTING
ASIDE YOUR PERSONAL FEELINGS
320
00:15:22,622 --> 00:15:24,355
AND BEING OBJECTIVE.
321
00:15:24,424 --> 00:15:25,790
- RIGHT?
- RIGHT?
322
00:15:25,858 --> 00:15:28,426
[CLEARS THROAT]
RIGHT.
323
00:15:28,494 --> 00:15:29,627
[WHISPERS]
FABULOUS.
324
00:15:29,695 --> 00:15:32,463
RIGHT. YES.
325
00:15:32,532 --> 00:15:34,865
I'VE TYPED UP
A PRODUCTION SCHEDULE
326
00:15:34,935 --> 00:15:36,400
FOR OUR FIRST
COUPLE OF DAYS.
327
00:15:36,469 --> 00:15:39,103
WE START WITH SOME STAND-UPS
OF JOSH'S PLAY REHEARSAL,
328
00:15:39,172 --> 00:15:41,772
THEN WE SHOOT ATMOSPHERE
OF KEY PLACES IN HIS LIFE,
329
00:15:41,841 --> 00:15:43,942
THEN WE SIT DOWN
FOR AN IN-DEPTH TALKER.
330
00:15:44,010 --> 00:15:46,810
GREAT. CAN HARDLY WAIT.
331
00:15:46,879 --> 00:15:50,314
OH, DO NOT LOOK AT ME. YOU'RE
THE ONE WHO PITCHED THIS DOOZY.
332
00:15:50,383 --> 00:15:51,815
I JUST MADE IT ACCESSIBLE.
333
00:15:51,884 --> 00:15:53,684
YOU'RE NOT A PRODUCER.
YOU'RE A SADIST.
334
00:15:53,753 --> 00:15:56,154
OKAY. COME ON, GUYS.
335
00:15:56,222 --> 00:15:59,223
WE CANNOT HAVE A SMACKDOWN
EVERY TIME WE GET TOGETHER.
336
00:15:59,292 --> 00:16:00,558
IT'S NOT PROFESSIONAL.
337
00:16:02,128 --> 00:16:03,261
FINE.
338
00:16:03,329 --> 00:16:05,195
NOW...
[SIGHS]
339
00:16:05,265 --> 00:16:07,798
CAN I ASK A REALLY
DUMB QUESTION?
MM-HMM.
340
00:16:07,867 --> 00:16:10,000
THIS JOSH DOCUMENTARY...
341
00:16:10,070 --> 00:16:13,771
DOES JOSH EVEN KNOW
WE'RE DOING IT?
342
00:16:13,839 --> 00:16:16,039
UM...
343
00:16:22,915 --> 00:16:26,584
"I AM A SERIOUS COLLECTOR
OF CARMEN FERRARA MEMORABILIA.
344
00:16:26,652 --> 00:16:29,920
WILL PAY TOP DOLLAR."
345
00:16:32,325 --> 00:16:36,260
SO, ON THURSDAY AND FRIDAY, WEAR
YOUR UNIFORM AND THE SHOES...
346
00:16:42,568 --> 00:16:44,135
OH! LISTEN UP, Y'ALL.
347
00:16:44,204 --> 00:16:47,338
MAMA CHERRY CAME THROUGH
FOR HER LITTLE GIRL.
348
00:16:47,407 --> 00:16:49,340
MEPHISTO'S GONNA DO IT!
349
00:16:51,043 --> 00:16:52,376
WHOO!
WHOO!
350
00:16:52,445 --> 00:16:53,711
WHAT'S GOING ON?
351
00:16:53,779 --> 00:16:55,779
WE'RE GOING TOMORROW
TO GET OUR LICENSES.
352
00:16:55,848 --> 00:16:59,617
AND THANKS TO MY
MOTHER'S PREFERRED STATUS
AT LE SALON OF BEVERLY HILLS,
353
00:16:59,685 --> 00:17:03,053
MEPHISTO ROHAS,
SUPER STYLIST TO THE STARS,
354
00:17:03,122 --> 00:17:06,524
HAS AGREED TO STYLE OUR
DRIVER'S LICENSE PHOTO SHOOT!
355
00:17:06,592 --> 00:17:09,860
YOU'RE BRINGING A PERSONAL
STYLIST TO THE DMV?
356
00:17:09,929 --> 00:17:12,730
OF COURSE.
YOU BEEN SITTING TOO
CLOSE TO THE MICROWAVE?
357
00:17:12,798 --> 00:17:14,432
THESE PHOTOS
ARE CRITICAL, CARMIE.
358
00:17:14,500 --> 00:17:16,266
MMM. NIC'S RIGHT, CARMEN.
359
00:17:16,336 --> 00:17:19,270
LET'S SAY YOU WERE TO BECOME
TRAGICALLY DECEASED, LIKE...
360
00:17:19,339 --> 00:17:21,372
IF A CRAZED,
PSYCHOTIC, SERIAL KILLER
361
00:17:21,441 --> 00:17:23,174
GOT YA IN
THE DEAD OF NIGHT
362
00:17:23,243 --> 00:17:26,210
AND CUT YOUR HEAD OFF
LIKE POOR GWYNETH IN SEVEN.
363
00:17:26,279 --> 00:17:29,280
WELL, YOUR DMV PICTURE'S THE ONE
THEY'D RUN IN THE PAPERS.
364
00:17:29,349 --> 00:17:31,815
RIGHT. IMAGE IS EVERYTHING
WHEN YOU'RE A GLAMAZON.
365
00:17:31,884 --> 00:17:34,852
DO YOU WANNA COME WITH US
TO THE DMV TOMORROW, CARMEN?
366
00:17:34,920 --> 00:17:35,853
UH...
367
00:17:37,290 --> 00:17:39,490
YEAH. YEAH.
368
00:17:39,559 --> 00:17:40,891
YEAH. SURE.
369
00:17:40,960 --> 00:17:45,195
MEPHISTO'S GONNA LOVE HER HAIR.
MAYBE HE CAN RAZOR-BLADE IT.
370
00:17:45,265 --> 00:17:47,531
BASICALLY, I MEAN,
THAT'S OUR VISION.
371
00:17:47,600 --> 00:17:49,267
IT'S PRETTY COOL, HUH?
372
00:17:49,335 --> 00:17:52,737
YOU SING YOUR SOLO, 20 MILLION
PEOPLE WATCH FROM HOME.
373
00:17:52,805 --> 00:17:54,271
TALK ABOUT EXPOSURE.
374
00:17:54,340 --> 00:17:57,542
WOW. SAM, I'VE GOT TO SAY
THAT'S REALLY FLATTERING,
375
00:17:57,610 --> 00:18:00,177
BUT I DON'T WANT THAT
KIND OF PRESS RIGHT NOW.
376
00:18:00,245 --> 00:18:02,312
IT'S KIND OF A TENSE TIME.
377
00:18:02,382 --> 00:18:05,316
I HOPE THIS DOESN'T
SCREW THINGS UP FOR YOU.
378
00:18:05,385 --> 00:18:06,650
NOT AT ALL.
379
00:18:06,719 --> 00:18:08,251
OKAY.
380
00:18:08,321 --> 00:18:11,555
I JUST HOPE BROOKE
WON'T BE TOO DISAPPOINTED.
381
00:18:12,658 --> 00:18:14,257
BROOKE?
382
00:18:14,327 --> 00:18:16,794
WHY WOULD SHE BE DISAPPOINTED?
383
00:18:16,862 --> 00:18:20,263
OH, WELL... I MEAN, SHE'S...
DOING THE INTERVIEWS.
384
00:18:20,332 --> 00:18:22,866
DIDN'T I MENTION THAT?
385
00:18:22,935 --> 00:18:24,702
NO.
386
00:18:24,771 --> 00:18:26,370
NO, YOU DIDN'T.
387
00:18:29,309 --> 00:18:32,175
WELL...
WHERE THE HELL IS SHE?
388
00:18:32,244 --> 00:18:35,546
I DON'T KNOW. SHE WENT INTO THE
NOVAK TO CHANGE AN HOUR AGO.
389
00:18:35,615 --> 00:18:37,181
I DON'T MEAN
TO BE DIFFICULT,
390
00:18:37,250 --> 00:18:39,016
BUT I HAVE
A COSTUME FITTING.
391
00:18:39,085 --> 00:18:42,920
I TOTALLY UNDERSTAND.
IT'LL JUST BE ANOTHER MINUTE.
392
00:18:42,988 --> 00:18:46,924
SO, JOSH, WHEN WOULD BE A GOOD
TIME TO INTERVIEW YOU AT HOME?
393
00:18:46,992 --> 00:18:48,559
AT HOME?
MM-HMM.
394
00:18:48,628 --> 00:18:50,194
I DON'T THINK
THAT'S GONNA HAPPEN.
395
00:18:50,263 --> 00:18:54,932
LOOK, PEOPLE ARE GONNA WANNA
KNOW WHAT IT'S LIKE TO BE YOU.
396
00:18:55,001 --> 00:18:57,301
FIND OUT WHERE YOU CAME FROM,
WHO YOUR INSPIRATIONS...
397
00:18:57,370 --> 00:18:59,203
I DON'T WANT TO DO THAT.
398
00:18:59,272 --> 00:19:02,773
YOU GUYS, I AM SO SORRY,
BUT I COULDN'T DECIDE.
399
00:19:02,842 --> 00:19:04,408
WHICH ONE SEEMS
MORE "BROADCASTY"?
400
00:19:04,477 --> 00:19:06,710
WHAT DO YOU THINK?
I DON'T BELIEVE THIS.
401
00:19:06,779 --> 00:19:09,680
BROOKE, IT DOESN'T MATTER.
PICK ONE AND LET'S GO.
402
00:19:09,749 --> 00:19:13,151
HI, JOSH.
HI, BROOKE.
403
00:19:13,219 --> 00:19:14,552
SORRY TO KEEP YOU WAITING.
404
00:19:14,620 --> 00:19:15,953
OH, NO, THAT'S OKAY.
OKAY.
405
00:19:16,021 --> 00:19:18,022
IT'S NOT OKAY.
I NEED MY STAR BACK.
406
00:19:18,090 --> 00:19:20,323
JUST FIVE MORE MINUTES.
PLEASE. WE'RE ALMOST READY.
407
00:19:20,392 --> 00:19:23,193
YOU TOLD ME THAT 45 MINUTES AGO.
COME ON, COKIE.
408
00:19:23,263 --> 00:19:25,363
IF YOU PRODUCE,
YOU GOTTA WATCH THE CLOCK.
409
00:19:25,431 --> 00:19:29,367
JOSH, I NEED YOU IN WARDROBE,
AND MAKE IT SNAPPY, MISTER.
410
00:19:29,435 --> 00:19:33,871
DON'T JUST SIT THERE LOOKI''
PRETTY. COME ON. LET'S GO.
411
00:19:33,939 --> 00:19:35,906
SORRY.
412
00:19:35,975 --> 00:19:39,243
WAY TO GO, DIVA. YOU JUST WASTED
OUR FIRST HOUR.
EXCUSE ME.
413
00:19:39,312 --> 00:19:42,012
JOSH WOULDN'T BE HERE
IF IT WEREN'T FOR ME.
414
00:19:42,081 --> 00:19:45,916
HARRISON, CAN YOU GET HER OFF MY
BACK? SHE'S MAKING ME NERVOUS.
415
00:19:45,985 --> 00:19:48,719
HARRISON, WHY DON'T YOU BUY
A PUPPET TO REPLACE BROOKE?
416
00:19:48,788 --> 00:19:51,689
I CANNOT WORK THIS WAY.
QUIT. GO BACK TO CHEERLEADING.
417
00:19:51,757 --> 00:19:55,493
DON'T EVEN GET YOUR HOPES UP.
I WOULD FIRE YOU BEFORE I QUIT.
418
00:19:55,562 --> 00:19:56,894
WHICH DO YOU LIKE?
419
00:19:56,962 --> 00:19:59,197
YOU CAN'T FIRE ME, BROOKE,
'CAUSE YOU'RE FIRED.
420
00:19:59,265 --> 00:20:00,364
SAM.
421
00:20:00,433 --> 00:20:02,466
YOU CAN'T FIRE ME.
I QUIT.
422
00:20:02,535 --> 00:20:05,503
SHH. ONE MORE THING.
SAM, YOU'RE FIRED.
423
00:20:05,572 --> 00:20:07,871
BROOKE. SAM!
424
00:20:07,940 --> 00:20:09,640
PERPLEXED?
TOTALLY.
425
00:20:09,709 --> 00:20:14,344
DON'T BE. WHEN WOMEN LIVE
TOGETHER, THEIR CYCLES COINCIDE.
426
00:20:14,414 --> 00:20:16,346
WHAT?
427
00:20:21,186 --> 00:20:22,486
HEY, DAD.
428
00:20:22,555 --> 00:20:24,488
HANG ON, SON.
429
00:20:28,327 --> 00:20:31,061
[SIGHS] DAMN.
WHERE DOES THE MONEY GO?
430
00:20:31,130 --> 00:20:35,098
ONE DAY I HOPE YOU'LL LEARN WHAT
IT'S LIKE TO SUPPORT A FAMILY.
431
00:20:35,167 --> 00:20:36,734
HUH.
432
00:20:36,802 --> 00:20:39,103
WHAT'S UP?
433
00:20:39,171 --> 00:20:42,873
I DON'T MEAN TO BE DIFFICULT
ABOUT THIS DINNER FRIDAY NIGHT,
434
00:20:42,942 --> 00:20:45,375
BUT I KIND OF HAVE THIS
PREEXISTING COMMITMENT.
435
00:20:45,444 --> 00:20:46,711
YOU GOT A DATE?
436
00:20:46,779 --> 00:20:48,579
YOU'RE GOING OUT
WITH BROOKE McQUEEN?
437
00:20:48,648 --> 00:20:50,448
YOU'LL MEET
HER AFTERWARDS.
438
00:20:50,516 --> 00:20:52,283
I'LL EXTEND YOUR CURFEW.
439
00:20:52,352 --> 00:20:55,118
DAD, BROOKE AND I BROKE UP
ABOUT A MONTH AGO.
440
00:20:55,187 --> 00:20:57,220
OH.
441
00:21:00,092 --> 00:21:02,827
BUT IT DOES SORT OF
HAVE TO DO WITH HER.
442
00:21:02,895 --> 00:21:05,630
SHE AND SAM McPHERSON,
THEY WANT ME TO BE IN
443
00:21:05,698 --> 00:21:08,298
THIS DOCUMENTARY THEY'RE DOIN'
FOR ENTERTEENMENT TODAY.
444
00:21:08,367 --> 00:21:11,068
YOU KNOW, THE TV SHOW?
MM-HMM.
445
00:21:11,136 --> 00:21:14,838
THEY'RE FOLLOWING AROUND SOMEONE
WHO COULD BE FAMOUS ONE DAY.
446
00:21:14,907 --> 00:21:16,173
AND THEY CHOSE YOU.
447
00:21:16,241 --> 00:21:18,776
[LAUGHS] THAT'S VERY
IMPRESSIVE, SON.
448
00:21:18,844 --> 00:21:21,078
WHY DON'T YOU BRING 'EM
OUT TO THE DINNER?
449
00:21:21,146 --> 00:21:24,147
THAT OUGHTA REALLY BLOW
RON BARBA'S SKIRT UP. HUH?
450
00:21:24,216 --> 00:21:26,216
I... I CAN'T.
451
00:21:27,820 --> 00:21:31,822
SEE, ONE OF THE MAIN REASONS
THEY WANNA DO THE VIDEO ON ME...
452
00:21:31,891 --> 00:21:35,493
IS I'M STARRING IN THE SCHOOL
PLAY WHICH OPENS THIS FRIDAY.
453
00:21:35,561 --> 00:21:38,429
WELL, NOW, THAT IS IMPOSSIBLE...
454
00:21:38,498 --> 00:21:41,599
BECAUSE YOU SWORE TO ME
YOU WERE GONNA QUIT THAT PLAY.
455
00:21:41,667 --> 00:21:44,602
YOU DIDN'T WANT IT TO INTERFERE
WITH FOOTBALL, BUT IT DIDN'T.
456
00:21:44,670 --> 00:21:46,170
YOU'VE BEEN LYING
THIS WHOLE TIME?
457
00:21:46,238 --> 00:21:48,672
I HAD NO CHOICE. YOU
WOULDN'T SUPPORT MY DECISION
458
00:21:48,741 --> 00:21:51,208
TO BE IN THE PLAY.
WHAT IS WRONG WITH YOU?
459
00:21:51,276 --> 00:21:53,577
WE MAKE IMPORTANT
DECISIONS AS A FAMILY.
460
00:21:53,646 --> 00:21:56,179
THIS IS IMPORTANT. TO ME.
461
00:21:56,248 --> 00:21:58,181
YOU WOULDN'T LISTEN, DAD, SO...
462
00:21:58,250 --> 00:22:00,217
SO YOU LIED TO ME, JOSH!
463
00:22:00,285 --> 00:22:01,319
YOU LIED TO ME!
464
00:22:01,387 --> 00:22:02,385
JAMES, STOP IT.
465
00:22:02,455 --> 00:22:04,822
DID YOU KNOW HE WAS
STILL DOING THAT PLAY?
466
00:22:07,092 --> 00:22:08,959
IT'S A DAMN CONSPIRACY!
467
00:22:09,028 --> 00:22:11,795
I WILL NOT BE LIED TO.
NOT IN MY OWN HOUSE.
468
00:22:11,864 --> 00:22:14,131
AND YOU ARE NOT
DOING THAT PLAY.
469
00:22:14,199 --> 00:22:16,567
WASH THE STARSHINE
OUTTA YOUR EYES, MISTER,
470
00:22:16,636 --> 00:22:19,236
BECAUSE IT'S NOT
GOING TO HAPPEN.
471
00:22:26,545 --> 00:22:28,478
[DOOR SHUTS]
472
00:22:33,853 --> 00:22:37,355
I'M SORRY HE YELLED AT YOU
LAST NIGHT, MOM. IT'S MY FAULT.
473
00:22:37,423 --> 00:22:40,591
I HATE IT WHEN HE'S
MEAN TO YOU. I HATE IT.
474
00:22:40,660 --> 00:22:43,160
HEY, YOU WERE TERRIFIC
STANDING UP TO HIM.
475
00:22:45,064 --> 00:22:47,931
YOU WANT TO DO SOMETHING FOR ME?
476
00:22:48,000 --> 00:22:52,069
YOU STAY IN THIS PLAY AND YOU
DO THE BEST DAMN JOB YOU CAN.
477
00:22:52,137 --> 00:22:54,572
AND YOU BE PROUD ABOUT IT.
478
00:22:54,640 --> 00:22:57,675
DON'T HIDE. NOT LIKE
I HAVE FOR YEARS.
479
00:22:57,743 --> 00:23:01,645
THIS IS YOUR CHOICE,
NOT HIS. OKAY?
480
00:23:04,349 --> 00:23:07,417
HARRISON, PLEASE ASK HER
HOW MUCH LONGER
481
00:23:07,487 --> 00:23:09,887
SHE EXPECTS ME TO WAIT
BEFORE WE START SHOOTING.
482
00:23:09,955 --> 00:23:11,755
SAM, BROOKE WANTS TO KNOW...
483
00:23:11,824 --> 00:23:16,393
HARRISON, WHY DON'T YOU TELL
HER THAT SHE'S GOT TWO MINUTES.
484
00:23:16,461 --> 00:23:18,862
UNLESS JOSH DECIDES
TO BLOW HIS APPOINTMENT,
485
00:23:18,931 --> 00:23:20,263
WHICH IS ENTIRELY POSSIBLE.
486
00:23:20,332 --> 00:23:22,299
I DON'T THINK
HE WANTS TO DO THIS,
487
00:23:22,367 --> 00:23:24,902
SO DON'T BE
SURPRISED IF HE BAILS.
488
00:23:24,970 --> 00:23:26,403
LATER.
489
00:23:26,472 --> 00:23:29,673
I'VE GOTTA MOSEY DOWN
TO THE DMV AND GET MY LICENSE
490
00:23:29,742 --> 00:23:33,777
AND FIND A NEW BEST FRIEND SINCE
CHEERLEADERS HAVE TAKEN MINE.
491
00:23:33,846 --> 00:23:34,778
OUCH.
492
00:23:37,049 --> 00:23:38,982
[LILY] HEY.
493
00:23:40,853 --> 00:23:42,787
[CLEARS THROAT]
494
00:23:44,824 --> 00:23:49,359
SO, UM, I JUST CAME BACK HERE
TO TELL YOU GUYS THAT, UM...
495
00:23:52,297 --> 00:23:54,097
I'M READY.
496
00:23:54,166 --> 00:23:56,100
LET'S DO IT.
497
00:24:09,982 --> 00:24:11,915
DID YOU BRING THE MONEY?
498
00:24:11,984 --> 00:24:13,116
IT'S YOU?
499
00:24:13,185 --> 00:24:15,185
YOU'RE THE CARMEN FERRARA
PANTY-STEALER?
500
00:24:15,254 --> 00:24:17,220
[TOILET FLUSHES]
SHUSH UP!
501
00:24:17,289 --> 00:24:19,557
ACT LIKE YOU'RE CHECKIN' OUT
502
00:24:19,625 --> 00:24:22,425
ONE OF THOSE GROSS LITTLE
BLACKHEADS OF YOURS.
503
00:24:24,163 --> 00:24:25,596
HI, HON.
504
00:24:27,399 --> 00:24:28,799
GOOD.
505
00:24:28,868 --> 00:24:32,102
NOW, GIVE ME THE MONEY.
506
00:24:32,171 --> 00:24:34,939
I NEED TO SEE
THE GOODS FIRST, CHERRY.
507
00:24:35,007 --> 00:24:37,607
I WANNA SEE
THOSE BY-PRODUCTS OF FAME.
508
00:24:40,780 --> 00:24:44,214
MARY CHERRY,
MEPHISTO'S HERE! AH!
509
00:24:44,283 --> 00:24:47,350
WE NEED TO GET TO THE DMV
BEFORE MAGIC-HOUR LIGHTING.
510
00:24:47,419 --> 00:24:51,188
OKAY, HON. JUST ONE MORE TUNA
INSULT FOR THE ROAD. OKAY?
511
00:24:51,256 --> 00:24:53,958
MY BUTT'S PRETTIER THAN YOU!
512
00:24:54,026 --> 00:24:56,794
OKAY. SEE YOU IN
A SECOND, HON. BYE.
513
00:25:00,566 --> 00:25:03,000
[GASPS]
514
00:25:03,068 --> 00:25:06,604
OKAY, JOSH. NOW THAT YOU'RE IN
THE HOMESTRETCH OF THE PLAY,
515
00:25:06,672 --> 00:25:08,005
HOW DOES IT FEEL?
516
00:25:08,073 --> 00:25:10,540
ACTUALLY, IT'S BEEN
A ROUGH COUPLE OF WEEKS.
517
00:25:10,610 --> 00:25:11,842
REALLY? WHY'S THAT?
518
00:25:11,911 --> 00:25:15,278
WELL, I WAS DOIN' OKAY
JUGGLING EVERYTHING--
519
00:25:15,347 --> 00:25:17,280
SPORTS AND THE PLAY--
520
00:25:17,349 --> 00:25:19,783
AND THEN MY GIRLFRIEND
BROKE UP WITH ME.
521
00:25:21,453 --> 00:25:24,288
I'M SORRY.
THIS IS WEIRD FOR ME.
522
00:25:24,356 --> 00:25:27,858
IT'S OUR FIRST REAL
CONVERSATION IN... THREE WEEKS?
523
00:25:27,927 --> 00:25:30,961
AND IT'S
IN FRONT OF A CAMERA?
524
00:25:31,030 --> 00:25:32,462
JOSH.
525
00:25:33,933 --> 00:25:37,167
I KNOW IT'S BEEN
A TOUGH TIME FOR YOU.
526
00:25:37,236 --> 00:25:39,837
[SIGHS] IT'S JUST...
527
00:25:39,905 --> 00:25:42,072
TOO MUCH TO JUGGLE.
528
00:25:42,141 --> 00:25:44,107
AND THEN THERE'S THIS
529
00:25:44,176 --> 00:25:47,344
FEELING LIKE SOMETHING'S
MISSING IN YOUR LIFE,
530
00:25:47,412 --> 00:25:51,181
EVEN THOUGH YOU DO
YOUR BEST TO FILL IT UP
531
00:25:51,250 --> 00:25:53,283
SO THAT YOU DON'T HAVE
TO FEEL EMPTY.
532
00:25:53,352 --> 00:25:55,285
THAT'S RIGHT.
THAT'S HOW I FEEL.
533
00:25:55,354 --> 00:25:57,687
I'M SORRY. I DIDN'T
MEAN TO DUMP ON YOU.
534
00:25:57,757 --> 00:25:59,122
NO. YOU...
535
00:25:59,191 --> 00:26:01,458
I'M HAVIN' TROUBLE
AT HOME WITH MY DAD.
536
00:26:01,526 --> 00:26:02,960
NOW WE'RE GETTIN' SOMEWHERE.
537
00:26:03,028 --> 00:26:06,029
YOUR FATHER ISN'T SUPPORTIVE OF
YOUR CHOICE TO PURSUE ACTING?
538
00:26:06,098 --> 00:26:08,032
MY FATHER
DOESN'T UNDERSTAND ME.
539
00:26:08,100 --> 00:26:10,367
FUNNY THING IS,
I DON'T UNDERSTAND MYSELF.
540
00:26:10,436 --> 00:26:12,436
THEN WHY ARE YOU
DOING THE MUSICAL?
541
00:26:12,504 --> 00:26:15,839
I, UM... I DON'T KNOW WHY.
542
00:26:15,908 --> 00:26:19,009
PART OF ME WONDERS IF IT ISN'T
JUST SOME STUPID REBELLION,
543
00:26:19,078 --> 00:26:21,678
ME WANTING TO GET
BUSTED BY MY DAD
544
00:26:21,747 --> 00:26:23,981
SO HE'LL PAY
ATTENTION TO ME.
545
00:26:24,049 --> 00:26:25,648
SO...
546
00:26:25,717 --> 00:26:27,550
YOU'RE DOING THIS...
547
00:26:27,619 --> 00:26:30,888
STRICTLY FOR ATTENTION YOU FEEL
YOU'RE LACKING IN YOUR LIFE?
548
00:26:30,956 --> 00:26:33,523
ISN'T THAT WHAT FAME IS ABOUT?
549
00:26:33,592 --> 00:26:36,460
I MEAN, IT'S JUST
TEMPORARY MEDICATION. RIGHT?
550
00:26:36,528 --> 00:26:38,295
TO NUMB THE HURT OR SOMETHING.
551
00:26:38,363 --> 00:26:41,131
EVERYONE THINKS
IT'S SO COOL TO BE POPULAR
552
00:26:41,200 --> 00:26:43,600
AND BE THE CENTER
OF ATTENTION.
553
00:26:43,669 --> 00:26:45,635
IT CAN BE AMAZING.
DON'T GET ME WRONG.
554
00:26:45,705 --> 00:26:49,439
IT CAN BE GREAT TO PASS
FOR A WINNING TOUCHDOWN
555
00:26:49,508 --> 00:26:52,109
OR BE THE STAR
OF A SHOW, OR WHATEVER.
556
00:26:52,177 --> 00:26:55,846
BUT IF YOU
DO THOSE THINGS
557
00:26:55,915 --> 00:26:58,148
AND YOU'RE NEVER SATISFIED
558
00:26:58,217 --> 00:27:01,819
AND YOU CAN'T
FIGURE OUT WHAT DRIVES YOU
559
00:27:01,887 --> 00:27:05,889
AND NO PRAISE
IS EVER GOOD ENOUGH
560
00:27:05,958 --> 00:27:07,891
AND YOU FEEL LIKE YOUR DECISION
561
00:27:07,960 --> 00:27:10,794
IS POSSIBLY BREAKING UP
YOUR PARENTS' MARRIAGE...
562
00:27:13,365 --> 00:27:17,634
YOU WIN, BUT YOU LOSE,
IS ALL I'M SAYING.
563
00:27:30,249 --> 00:27:33,550
[SIGHS] PLEASE,
CAN I TAKE ANOTHER ONE?
564
00:27:33,618 --> 00:27:35,752
SORRY. THIS ISN'T
VOGUE MAGAZINE.
565
00:27:35,821 --> 00:27:37,154
[SCOFFS]
566
00:27:37,222 --> 00:27:40,023
YOU'RE TRYING TO GET BACK AT ME,
GODFREY, 'CAUSE I CALLED
567
00:27:40,092 --> 00:27:41,558
THE NATIONAL OFFICE
FOR MR. CLUCKS
568
00:27:41,626 --> 00:27:43,860
AND TOLD THEM THAT YOU
WERE SNEEZING PURPOSEFULLY
569
00:27:43,929 --> 00:27:46,030
AND REPEATEDLY
INTO THE SALAD BAR.
570
00:27:46,098 --> 00:27:48,198
I HOLD NO GRUDGE, LILY.
571
00:27:48,267 --> 00:27:50,034
AU CONTRAIRE. IN FACT,
572
00:27:50,102 --> 00:27:52,735
I CONSIDER MY FIRING
TO BE A BLESSING.
573
00:27:52,805 --> 00:27:54,304
I AM NOW FREE TO BE,
574
00:27:54,373 --> 00:27:56,639
AS MY FAVORITE GROUP,
2 LIVE CREW, WOULD SAY,
575
00:27:56,708 --> 00:27:58,876
AS NASTY AS I WANNA BE.
576
00:27:58,944 --> 00:28:03,480
AND I CAN NEVER BE FIRED.
I'M A GOVERNMENT EMPLOYEE NOW.
577
00:28:03,548 --> 00:28:05,682
NEXT.
578
00:28:16,095 --> 00:28:17,695
LILY.
579
00:28:17,763 --> 00:28:19,162
HEY. H-HOW'D IT GO?
580
00:28:21,700 --> 00:28:23,233
GREAT, CARM.
581
00:28:23,302 --> 00:28:25,402
TOOK A BAD PHOTO
LIKE MOST NORMAL PEOPLE.
582
00:28:25,471 --> 00:28:28,872
[SCOFFS] JEALOUS MUCH,
FAST-FOOD HAGATHA?
583
00:28:28,941 --> 00:28:30,207
FYI, LI'L LILY,
584
00:28:30,275 --> 00:28:33,110
YOU SMELL LIKE BAC-Os FROM
SCRUBBIN' OUT THOSE FRYERS.
585
00:28:33,179 --> 00:28:35,545
NOT EVEN A STYLIST
AND A BOTTLE OF CHARLIE
586
00:28:35,614 --> 00:28:37,447
COULD CLEANSE YOU
OF THAT STENCH.
587
00:28:37,516 --> 00:28:38,882
RIGHT, NIC?
588
00:28:38,951 --> 00:28:42,719
OH, FABULOUS. I LOVE WHAT YOU'VE
DONE WITH THAT FRONT CURL.
589
00:28:42,788 --> 00:28:45,288
MEPHISTO REALLY
IS GENIUS.
590
00:28:45,357 --> 00:28:47,957
I LOOK LIKE SELENA.
591
00:28:48,027 --> 00:28:50,027
TAKE YOUR SEATS, LADIES.
592
00:28:50,095 --> 00:28:52,062
TIME FOR THE WRITTEN EXAM.
593
00:28:52,131 --> 00:28:55,165
THEN WE'LL HIT THE PARKING
LOT FOR THE DRIVING TEST.
594
00:29:11,884 --> 00:29:14,917
...AND YOU FEEL
LIKE YOUR DECISION
595
00:29:14,986 --> 00:29:17,955
IS POSSIBLY BREAKING UP
YOUR PARENTS' MARRIAGE...
596
00:29:19,925 --> 00:29:22,092
THAT IS WHERE OUR STORY LIVES.
597
00:29:22,161 --> 00:29:23,861
WE NEED TO TALK
TO HIS PARENTS,
598
00:29:23,929 --> 00:29:26,530
OTHERWISE ALL WE HAVE
IS A SHALLOW PUFF PIECE.
599
00:29:26,598 --> 00:29:28,798
THIS STORY NEEDS
TO HAVE FOCUS, POWER,
600
00:29:28,868 --> 00:29:30,533
OR ELSE IT'LL
NEVER GET ON THE AIR
601
00:29:30,602 --> 00:29:32,836
AND THERE GOES OUR SHOT
AT THE BIG TIME.
602
00:29:32,905 --> 00:29:35,572
EXCUSE ME. ARE YOU SAYING
THAT MY QUESTIONS WERE SHALLOW?
603
00:29:35,640 --> 00:29:38,441
OH, GOD.
HARRISON, THAT'S
WHAT SHE JUST SAID.
604
00:29:38,510 --> 00:29:39,476
BROOKE...
605
00:29:39,544 --> 00:29:42,145
NO. OKAY? I'M JUST...
606
00:29:42,214 --> 00:29:43,313
I JUST...
607
00:29:43,382 --> 00:29:47,350
THINK THAT YOU REALLY
GOT TO SOMETHING DEEP THERE.
608
00:29:47,419 --> 00:29:48,986
YEAH?
609
00:29:49,054 --> 00:29:50,253
YEAH.
610
00:29:50,322 --> 00:29:53,022
JOSH DID NOT GIVE US
PERMISSION TO DO THIS.
611
00:29:53,092 --> 00:29:54,258
YOU KNOW WHAT?
612
00:29:54,326 --> 00:29:57,760
I KNOW HIS MOM WELL.
I CAN SET UP AN INTERVIEW.
613
00:29:57,829 --> 00:29:59,262
- REALLY?
- TOTALLY.
614
00:29:59,331 --> 00:30:00,930
- GREAT.
- THIS'LL BE GREAT.
615
00:30:24,824 --> 00:30:27,690
VERY GOOD, MISS FRESH.
CONGRATULATIONS.
616
00:30:27,759 --> 00:30:30,027
WELCOME TO
THE WORLD OF ROAD RAGE.
617
00:30:30,095 --> 00:30:31,528
[SCREAMS]
618
00:30:31,596 --> 00:30:32,996
YAY!
619
00:30:34,066 --> 00:30:35,732
ALL RIGHT, MISS CHERRY.
620
00:30:35,800 --> 00:30:37,667
THE OBSTACLE COURSE.
621
00:30:37,736 --> 00:30:39,902
SHOW ME WHAT YOU GOT.
622
00:30:39,971 --> 00:30:42,305
[REVVING]
623
00:31:03,128 --> 00:31:04,994
OH.
624
00:31:12,037 --> 00:31:13,803
HOT.
625
00:31:22,114 --> 00:31:25,248
SHE BETTER NOT
MAKE US LOOK BAD.
626
00:31:25,317 --> 00:31:26,649
[APRIL]
HERE SHE COMES.
627
00:31:28,687 --> 00:31:30,220
I'M SO PROUD OF YOU,
CARMEN FERRARA.
628
00:31:30,289 --> 00:31:32,389
HEY. ISN'T THAT TUNA?
629
00:31:35,961 --> 00:31:38,328
THIS IS BETTER THAN ROAD RULES.
630
00:31:40,599 --> 00:31:43,366
YOU'RE DOIN' GREAT,
CARMEN FERRARA!
631
00:31:47,506 --> 00:31:49,272
[THUD]
632
00:31:49,341 --> 00:31:50,807
OH, MY GOD.
OH, MY GOD.
633
00:31:50,875 --> 00:31:52,475
OH, MY GOD. OH, MY GOD.
634
00:31:52,544 --> 00:31:54,777
I THINK YOU JUST KILLED A GIRL.
635
00:31:54,846 --> 00:31:58,615
THAT'S GONNA
COST YOU SOME POINTS.
636
00:31:58,683 --> 00:32:02,685
ACTUALLY, I... I FEEL I COULD'VE
HELPED HIM MORE IN THAT AREA.
637
00:32:02,754 --> 00:32:05,055
[DOOR OPENING, CLOSING]
HOW?
638
00:32:05,124 --> 00:32:07,590
THAT-THAT MUST BE JOSH'S DAD.
639
00:32:08,927 --> 00:32:11,128
[MRS. FORD] JOSH.
WHAT'S GOING ON IN HERE?
640
00:32:11,196 --> 00:32:13,563
UH... [STAMMERS]
YOU WERE SUPPOSED TO BE
641
00:32:13,632 --> 00:32:15,732
AT A RUN THROUGH
FOR THE PLAY...
WHERE'S DAD?
642
00:32:15,800 --> 00:32:19,702
HE'LL BE HOME ANY MINUTE. THIS
WILL BE GOOD FOR HIM TO SEE.
643
00:32:19,771 --> 00:32:21,371
IT COULD START A DISCUSSION...
644
00:32:21,440 --> 00:32:23,506
BROOKE, WHY ARE YOU DOING THIS?
645
00:32:23,575 --> 00:32:27,009
IN MY HOUSE? WITHOUT MY
PERMISSION? AND WITH MY MOTHER?
646
00:32:27,078 --> 00:32:29,980
AND, MOM, YOU TOLD ME
WHAT I DID IS MY CHOICE,
647
00:32:30,049 --> 00:32:31,648
AND I DIDN'T CHOOSE
THIS INVASION.
648
00:32:31,717 --> 00:32:34,751
JOSH, YOU NEED TO FACE YOUR
FATHER. YOU CAN'T KEEP RUNNING.
649
00:32:34,819 --> 00:32:38,522
WHO NEEDS TO KEEP RUNNING
WHEN I'VE GOT EVERYBODY CHASING
ME WITH THEIR OWN AGENDAS?
650
00:32:38,590 --> 00:32:40,757
YOU ARE USING ME.
I DON'T LIKE IT!
651
00:32:40,825 --> 00:32:43,560
JOSH, YOU ARE OVERREACTING.
NO, I'M NOT!
652
00:32:43,628 --> 00:32:47,197
I'M UPSET ABOUT SOMETHING
THAT I DON'T NEED TO BE!
653
00:32:47,266 --> 00:32:50,233
THERE'S NO STORY ANYMORE, GUYS.
I'M NOT GOING ON TONIGHT.
654
00:32:50,302 --> 00:32:51,934
I'M QUITTING
THIS STUPID MUSICAL,
655
00:32:52,003 --> 00:32:54,371
AND I'M QUITTING THIS
STUPID INTERVIEW SEGMENT.
656
00:32:54,439 --> 00:32:56,373
TURN THAT DAMN CAMERA OFF!
[THUD]
657
00:33:07,186 --> 00:33:09,352
HEY, CARMEN.
OH.
658
00:33:09,421 --> 00:33:11,354
KUDOS AGAIN, CARM.
659
00:33:11,423 --> 00:33:14,657
THE WAY YOU DEALT WITH THAT
FANATIC GOON WAS MASSIVE.
660
00:33:14,726 --> 00:33:17,995
YOUR WILL TO POWER
IS AN IMPRESSIVE
REFLECTION UPON US ALL.
661
00:33:18,063 --> 00:33:21,565
YOU DIDN'T QUITE KILL HER,
BUT STILL... CONGRATS, HON!
662
00:33:21,633 --> 00:33:25,368
YOU GUYS, IT REALLY
WAS AN ACCIDENT.
663
00:33:25,437 --> 00:33:27,604
[REVVING]
664
00:33:27,672 --> 00:33:29,606
HI, CARMEN FERRARA.
665
00:33:33,645 --> 00:33:35,345
APRIL,
666
00:33:35,414 --> 00:33:37,347
WE NEED TO TALK.
667
00:33:37,416 --> 00:33:40,217
WE ARE DOCUMENTING A SHOW
THAT IS NOT GOING TO HAPPEN.
668
00:33:40,285 --> 00:33:42,619
THIS IS SO STUPID.
THIS IS NOT GOOD.
669
00:33:42,687 --> 00:33:44,921
WE HAVE TO TELL
SOMEBODY ABOUT JOSH.
670
00:33:44,990 --> 00:33:47,257
IF WE DO, WE BECOME
PART OF THE STORY.
671
00:33:47,326 --> 00:33:50,893
IT'S A LITTLE LATE TO START
WORRYING ABOUT THAT NOW,
WOODWARD AND BERNSTEIN.
672
00:33:50,962 --> 00:33:52,629
LOOK, HE SEEMED
REALLY UPSET.
673
00:33:52,698 --> 00:33:55,298
MAYBE YOU CAN FIND HIM
AND SEE IF HE'S OKAY.
674
00:33:55,367 --> 00:33:57,100
YOU DON'T THINK I WANT TO, SAM?
675
00:33:57,169 --> 00:33:59,469
I BROKE UP WITH HIM
FOR A REASON. OKAY?
676
00:33:59,538 --> 00:34:02,605
IF I GO TO HIM, I'M SCARED
THAT I WILL CONFUSE HIM
677
00:34:02,674 --> 00:34:04,140
AND MAKE HIM FEEL WORSE.
678
00:34:04,209 --> 00:34:05,342
LADIES.
679
00:34:05,410 --> 00:34:08,778
HAVE YOU SEEN JOSH? HE WAS
SUPPOSED TO BE IN MAKEUP.
680
00:34:08,847 --> 00:34:10,580
UM...
681
00:34:10,649 --> 00:34:13,115
MS. ROSS, I'M AFRAID
WE HAVE SOME BAD NEWS.
682
00:34:13,184 --> 00:34:15,785
JOSH WON'T BE
GOING ON TONIGHT.
WHAT?
683
00:34:15,854 --> 00:34:17,287
YES, I WILL.
684
00:34:17,356 --> 00:34:18,388
DAMN IT, MR. FORD.
685
00:34:18,457 --> 00:34:20,157
YOU NEARLY GAVE ME
A HEART ATTACK.
686
00:34:20,225 --> 00:34:21,858
GET INTO YOUR COSTUME NOW.
687
00:34:21,926 --> 00:34:24,994
WAIT. JOSH, ONE QUESTION.
UM, WHY'D YOU CHANGE YOUR MIND?
688
00:34:25,064 --> 00:34:27,230
UH, I GUESS...
689
00:34:27,299 --> 00:34:31,535
A WHILE BACK I TOLD YOU I DIDN'T
KNOW WHY I WAS DOING THIS.
690
00:34:31,603 --> 00:34:34,171
TONIGHT,
IT BECAME CLEAR TO ME.
691
00:34:34,239 --> 00:34:36,639
I JUST REALIZED...
692
00:34:36,708 --> 00:34:40,410
I WANNA DO THIS,
SO I'M DOIN' IT.
693
00:34:40,479 --> 00:34:43,813
[GIRL] FIVE MINUTES, EVERYBODY.
FIVE-MINUTE CALL.
694
00:34:49,321 --> 00:34:51,888
THIS IS KILLER.
THE WHOLE SCHOOL
695
00:34:51,956 --> 00:34:55,592
JUST SAW ME BEING WHEELED
AROUND BY CARMEN FERRARA.
696
00:34:56,761 --> 00:34:57,860
APRIL...
697
00:34:57,929 --> 00:34:59,562
YOU'RE MAD ABOUT THE DMV, HUH?
698
00:34:59,631 --> 00:35:01,498
YOU WOULD'VE PASSED
IF NOT FOR ME.
699
00:35:01,566 --> 00:35:03,165
OH, STUPID!
700
00:35:03,234 --> 00:35:04,701
STUPID! STUPID!
APRIL! APRIL!
701
00:35:04,769 --> 00:35:08,171
STUPID!
STOP IT! GOD!
YOU'RE FREAKIN' ME OUT!
702
00:35:08,240 --> 00:35:10,973
YOU HAVE TO QUIT...
703
00:35:11,042 --> 00:35:12,842
WORSHIPING ME.
704
00:35:12,911 --> 00:35:15,077
I MEAN,
I'M AN ORDINARY PERSON.
705
00:35:15,146 --> 00:35:16,413
JUST LIKE YOU.
706
00:35:16,482 --> 00:35:18,047
YOU'RE NOT LIKE ME.
707
00:35:18,117 --> 00:35:21,418
YOU ROSE UP FROM THE REJECT
SWAMP TO BECOME SOMEBODY.
708
00:35:23,155 --> 00:35:26,656
I AM NOTHING BUT A SICK JOKE.
709
00:35:26,725 --> 00:35:30,760
THEY MAKE FUN OF ME EVERY DAY
AT THIS SCHOOL. YOU KNOW?
710
00:35:30,829 --> 00:35:33,596
I KNOW I'M A BAD
DRESSER AND ALL, BUT...
711
00:35:33,665 --> 00:35:37,133
I DON'T HAVE THE MONEY
FOR BETTER CLOTHES, SO...
712
00:35:37,202 --> 00:35:39,869
I TRY AND DO
THE VINTAGE THING.
713
00:35:41,106 --> 00:35:43,273
IT DOESN'T WORK.
714
00:35:44,709 --> 00:35:47,276
I SAY AWKWARD THINGS
'CAUSE I GET NERVOUS.
715
00:35:47,346 --> 00:35:50,012
AND I...
716
00:35:50,081 --> 00:35:52,215
JUST HATE...
717
00:35:52,284 --> 00:35:55,384
WHAT? WHAT DO YOU HATE?
718
00:35:57,255 --> 00:35:59,188
BEING ME.
719
00:36:04,062 --> 00:36:08,832
YOU KNOW, UM, APRIL,
I USED TO FEEL JUST LIKE YOU.
720
00:36:08,900 --> 00:36:11,834
EVERYBODY MADE FUN
OF ME, AND...
721
00:36:11,903 --> 00:36:15,972
I PRETTY MUCH HATED
EVERYTHING ABOUT MYSELF.
722
00:36:18,343 --> 00:36:20,943
BUT THE WAY I GOT OVER IT
723
00:36:21,012 --> 00:36:23,780
WAS BY CONCENTRATING
ON WHAT WAS GOOD ABOUT ME.
724
00:36:23,848 --> 00:36:26,183
I LOVE...
725
00:36:26,251 --> 00:36:28,050
DANCING.
726
00:36:28,119 --> 00:36:31,153
AND I WORKED REALLY HARD.
727
00:36:31,222 --> 00:36:33,089
I CONCENTRATED ON THE POSITIVE.
728
00:36:33,157 --> 00:36:34,924
YOU KNOW?
729
00:36:36,328 --> 00:36:40,096
COME ON. WE ARE NOT LEAVING HERE
UNTIL YOU THINK OF ONE THING
730
00:36:40,164 --> 00:36:43,433
THAT YOU REALLY LIKE
ABOUT YOURSELF.
731
00:36:48,039 --> 00:36:52,509
WELL, I AM A GENIUS AT MACRAMÉ.
732
00:36:52,577 --> 00:36:54,744
THERE YA GO.
733
00:36:56,748 --> 00:36:58,347
AND, UM...
734
00:36:58,417 --> 00:37:01,851
APRIL, AS NICE AS YOU HAVE BEEN,
735
00:37:01,920 --> 00:37:03,620
I DON'T WANT A FAN CLUB.
736
00:37:03,688 --> 00:37:06,823
AND I DON'T WANT A WEB SITE.
737
00:37:06,891 --> 00:37:09,593
I JUST WANNA BE ME.
738
00:37:10,796 --> 00:37:12,762
OKAY?
739
00:37:12,831 --> 00:37:15,198
DEAL.
740
00:37:15,267 --> 00:37:17,200
CARMEN,
741
00:37:17,269 --> 00:37:20,069
YOU REALLY ARE AN INSPIRATION.
742
00:37:21,773 --> 00:37:24,206
[CLICK, REVVING]
743
00:37:25,844 --> 00:37:27,610
[TOILET FLUSHES]
744
00:37:29,581 --> 00:37:31,848
I'M WITH APRIL ON THIS ONE.
745
00:37:31,917 --> 00:37:34,016
YOU'RE MY INSPIRATION, TOO.
746
00:37:37,155 --> 00:37:40,022
YOU SEEM AMAZINGLY CALM.
HOW DO YOU DO IT?
747
00:37:40,091 --> 00:37:41,858
IT'S BECAUSE
I HAVE FAITH.
UH-HUH.
748
00:37:41,926 --> 00:37:45,562
AND I BELIEVE IN THE LORD...
OH! THERE'S JOSH. LET'S GO.
749
00:37:45,630 --> 00:37:47,864
SORRY.
BEEN HAPPENIN' ALL WEEK.
WHATEVER.
750
00:37:47,932 --> 00:37:48,865
JOSH.
751
00:37:48,933 --> 00:37:51,268
TELL US HOW YOU'RE FEELING.
752
00:37:51,336 --> 00:37:53,870
THE TENSION
IS SO THICK BACK HERE.
753
00:37:53,938 --> 00:37:57,607
THANKS, BROOKE.
THAT'S REALLY RELAXING.
754
00:38:00,879 --> 00:38:04,046
UM, JOSH,
YOUR DAD'S HERE.
755
00:38:05,216 --> 00:38:07,784
MY DAD? YOU'RE KIDDING.
756
00:38:10,054 --> 00:38:13,590
YOU STUCK TO YOUR GUNS
AND YOU MADE HIM COME AROUND.
757
00:38:13,658 --> 00:38:15,725
I'M HAPPY FOR YOU.
CONGRATULATIONS.
758
00:38:15,794 --> 00:38:18,528
THE KENNEDY HIGH SCHOOL
PRESENTATION OF SOUTH PACIFIC.
759
00:38:19,864 --> 00:38:25,001
♪ ONE DREAM IN MY HEART ♪
760
00:38:25,069 --> 00:38:31,441
♪ ONE LOVE TO BE LIVING FOR ♪
761
00:38:31,510 --> 00:38:37,280
♪ ONE LOVE TO BE LIVING FOR ♪
762
00:38:37,349 --> 00:38:43,286
♪ THIS NEARLY WAS MINE ♪
763
00:38:43,355 --> 00:38:49,326
♪ ONE GIRL FOR MY DREAMS ♪
764
00:38:49,394 --> 00:38:55,264
♪ ONE PARTNER IN PARADISE ♪
765
00:38:55,334 --> 00:39:00,637
♪ THIS PROMISE OF PARADISE ♪
766
00:39:00,705 --> 00:39:07,143
♪ THIS NEARLY WAS MINE ♪
767
00:39:13,284 --> 00:39:15,284
GO. GO. GO. GO.
768
00:39:17,255 --> 00:39:20,256
DON'T WALK OUT ON ME, DAD.
769
00:39:21,860 --> 00:39:23,459
YOU KNOW, JOSH,
770
00:39:23,527 --> 00:39:26,663
IT WOULD BE JUST GREAT
IF I COULD STAY.
771
00:39:26,731 --> 00:39:30,533
BUT I CAN'T WATCH THIS.
IT'S NOT WHAT I WANT FOR YOU.
772
00:39:30,602 --> 00:39:33,335
IT'S NOT THAT KIND OF PERSON
I WANT YOU TO BE.
773
00:39:33,405 --> 00:39:36,139
DAD, I HAVE TO BE
WHO I WANNA BE.
774
00:39:36,207 --> 00:39:40,142
JOSH, YOU'RE 16 YEARS OLD.
YOU DON'T KNOW WHAT YOU WANT.
775
00:39:40,211 --> 00:39:43,580
I'M TRYIN' TO FIGURE IT OUT,
DAD. THAT'S WHY I'M DOING THIS.
776
00:39:43,648 --> 00:39:45,247
WHY CAN'T YOU
JUST UNDERSTAND...
777
00:39:45,316 --> 00:39:48,217
WHY CAN'T YOU JUST BE
MORE LIKE YOUR BROTHERS?
778
00:39:48,286 --> 00:39:51,488
JOHN AND RICKY NEVER PUT ME
THROUGH ANYTHING LIKE THIS.
779
00:39:51,556 --> 00:39:54,323
- WHY CAN'T I BE
LIKE MY BROTHERS?
- YES.
780
00:39:54,393 --> 00:39:56,859
YOU DON'T EVEN
KNOW MY BROTHERS, DAD.
781
00:39:56,928 --> 00:39:59,729
YOU DON'T KNOW YOUR OWN SONS.
782
00:39:59,798 --> 00:40:03,032
DO YOU KNOW RICKY HATES
THE COLLEGE YOU MADE HIM GO TO?
783
00:40:03,101 --> 00:40:05,501
DO YOU KNOW HE CALLS ME
EVERY SATURDAY NIGHT,
784
00:40:05,569 --> 00:40:08,304
DRUNK OUT OF HIS MIND
AND COMPLETELY FREAKED OUT,
785
00:40:08,373 --> 00:40:10,373
BECAUSE YOU MADE HIM
JOIN A FRATERNITY
786
00:40:10,442 --> 00:40:12,074
AND HE HATES IT THERE?
787
00:40:12,143 --> 00:40:14,677
DO YOU KNOW JOHN'S
IN A BAD MARRIAGE?
788
00:40:14,746 --> 00:40:16,846
AND HE KNEW
IT WASN'T GONNA WORK.
789
00:40:16,915 --> 00:40:19,315
BUT HE WAS TOO AFRAID
TO CALL IT OFF
790
00:40:19,383 --> 00:40:22,685
BECAUSE HE DIDN'T WANT
YOU TO THINK HE FAILED.
791
00:40:22,754 --> 00:40:25,822
AND NOW HE'S GOT TWO KIDS,
AND HE'S STUCK.
792
00:40:27,425 --> 00:40:29,458
JOHN AND RICKY HATE YOU, DAD.
793
00:40:29,528 --> 00:40:31,193
YOU KNOW THAT?
794
00:40:31,262 --> 00:40:32,862
THEY HATE YOU.
795
00:40:34,433 --> 00:40:37,634
AND I DON'T WANNA
BE LIKE THEM, DAD,
796
00:40:37,702 --> 00:40:39,936
BECAUSE I DON'T WANNA HATE YOU.
797
00:40:40,005 --> 00:40:43,206
BUT RIGHT NOW, I DO.
798
00:40:43,274 --> 00:40:45,074
I DO.
799
00:40:45,143 --> 00:40:47,210
I GOT A SHOW TO FINISH.
800
00:40:51,683 --> 00:40:56,085
♪ YOU DON'T KNOW HOW ♪
801
00:40:56,154 --> 00:40:58,888
♪ IT FEELS TO BE ♪
802
00:40:58,957 --> 00:41:00,456
JANE, WE'RE GOING HOME.
803
00:41:03,361 --> 00:41:06,863
NO, JAMES.
YOU'RE ON YOUR OWN NOW.
804
00:41:08,232 --> 00:41:14,336
♪ TOLD YOU THAT HE
WOULD ALWAYS BE THERE ♪
805
00:41:14,405 --> 00:41:17,840
♪ FOR YOU ♪
806
00:41:22,180 --> 00:41:26,783
♪ IT IS BETTER SOMETIMES ♪
807
00:41:26,852 --> 00:41:29,786
[BROOKE] ARE WE ON YET?
[SAM] YES.
808
00:41:29,854 --> 00:41:32,822
[HARRISON] VIDEO MESSAGE TO
ENTERTEENMENT TODAY, TAKE ONE.
809
00:41:34,893 --> 00:41:37,827
HI. I'M BROOKE McQUEEN
FOR ENTERTEENMENT TODAY.
810
00:41:37,896 --> 00:41:39,962
AND I'M SAM McPHERSON.
811
00:41:40,031 --> 00:41:42,031
HEY. UM, JAMIE, HI.
812
00:41:42,100 --> 00:41:45,434
UM, THE STORY ON JOSH
AND FAME TURNED OUT REALLY,
813
00:41:45,504 --> 00:41:47,136
REALLY GOOD.
814
00:41:47,205 --> 00:41:49,205
WE GOT IT ALL
DOWN ON TAPE.
815
00:41:49,273 --> 00:41:51,474
HARRISON DID
A GREAT JOB EDITING IT.
816
00:41:51,543 --> 00:41:52,675
IT LOOKS AMAZING.
817
00:41:52,744 --> 00:41:56,746
THE THING IS, HOWEVER,
AFTER WE WATCHED THE TAPE,
818
00:41:56,815 --> 00:41:59,816
WE BOTH GOT UNCOMFORTABLE
FOR SEVERAL REASONS.
819
00:41:59,885 --> 00:42:03,219
FIRST IS, WE REALIZED
WE WERE BAD FRIENDS.
820
00:42:03,287 --> 00:42:07,323
AND THE SECOND...
IS WE USED OUR SUBJECT.
821
00:42:07,391 --> 00:42:09,525
WE WENT STRAIGHT FOR
HIS VULNERABILITY JUGULAR
822
00:42:09,593 --> 00:42:10,993
TO SERVE OUR OWN NEEDS.
823
00:42:11,062 --> 00:42:14,563
JOSH NEEDED ME AS A FRIEND,
AND I WASN'T THERE FOR HIM
824
00:42:14,633 --> 00:42:16,398
BECAUSE I WANTED TO BE AS FAMOUS
825
00:42:16,467 --> 00:42:18,300
AS THE PERSON
I WAS COVERING.
826
00:42:18,369 --> 00:42:19,368
SAM DID, TOO.
827
00:42:19,437 --> 00:42:21,538
NOT REALLY. SHE EXAGGERATES.
SAM?
828
00:42:21,606 --> 00:42:23,205
OKAY. OKAY.
[CLEARS THROAT]
829
00:42:23,274 --> 00:42:24,673
I DID.
830
00:42:24,743 --> 00:42:27,510
TO WRAP THINGS UP,
WHAT WE REALIZED IS,
831
00:42:27,579 --> 00:42:30,313
FAME IS ULTIMATELY
ABOUT CORRUPTION
832
00:42:30,381 --> 00:42:33,315
OF YOUR LIFE,
YOUR DREAMS, YOUR NORMALCY,
833
00:42:33,384 --> 00:42:34,717
ALL FOR SOME ATTENTION
834
00:42:34,786 --> 00:42:36,986
THAT'S NOT REALLY
REAL TO BEGIN WITH.
835
00:42:37,055 --> 00:42:39,455
AND IF YOU WANT
TO MAKE THAT SACRIFICE,
836
00:42:39,524 --> 00:42:41,758
THEN THAT'S COOL
AND FINE, BUT...
837
00:42:41,826 --> 00:42:44,894
BUT IT HAS TO BE YOUR DECISION.
838
00:42:44,963 --> 00:42:48,164
JOSH NEVER GOT A CHANCE TO MAKE
THAT DECISION BECAUSE WE...
839
00:42:48,232 --> 00:42:50,032
MADE IT FOR HIM.
840
00:42:52,170 --> 00:42:54,336
SO WE ERASED THE TAPE.
841
00:42:54,405 --> 00:42:57,039
MAYBE WE WON'T GET
TO WALK DOWN THAT RED CARPET
842
00:42:57,108 --> 00:43:00,409
OR GET BETTER RESERVATIONS
AT RESTAURANTS AND STUFF,
843
00:43:00,478 --> 00:43:03,746
BUT AT LEAST WE'LL BE ABLE
TO SLEEP AT NIGHT.
YEAH.
844
00:43:03,815 --> 00:43:07,616
WELL, MOSTLY. SAM SNORES.
MY DOORFRAME LITERALLY RATTLES.
845
00:43:07,686 --> 00:43:09,852
BROOKE TALKS IN HER SLEEP--
THESE LURID FANTASIES
846
00:43:09,921 --> 00:43:11,587
THAT WOULD
STRAIGHTEN YOUR HAIR.
847
00:43:11,656 --> 00:43:14,057
ANYWAY,
I'M BROOKE McQUEEN...
848
00:43:14,125 --> 00:43:15,992
AND I'M SAM McPHERSON...
849
00:43:16,061 --> 00:43:17,994
SIGNING OFF.
SIGNING OFF.
850
00:43:27,171 --> 00:43:30,772
♪ TO BEND AND NOT TO BREAK ♪
851
00:43:30,841 --> 00:43:34,643
♪ CHIN UP, TRY NOT TO QUAKE ♪
852
00:43:34,712 --> 00:43:38,147
♪ I'M GRINNING ON THE OUTSIDE ♪
853
00:43:38,216 --> 00:43:42,051
♪ BUT I'M A WRECK INTERNALLY ♪
854
00:43:44,122 --> 00:43:47,689
♪ OOH, LA LA LA LA ♪
855
00:43:51,529 --> 00:43:55,631
♪ OOH, LA LA LA LA ♪