1 00:00:02,303 --> 00:00:05,870 OH, I'M SO BLOATED TODAY. I CAN'T EVEN ZIP MY PANTS UP. 2 00:00:05,939 --> 00:00:07,038 ME NEITHER. 3 00:00:07,107 --> 00:00:08,907 I'M RETAINING SO MUCH WATER, 4 00:00:08,975 --> 00:00:11,009 I FEEL LIKE I'M CARRYING AN AQUARIUM IN MY POCKET. 5 00:00:11,077 --> 00:00:13,044 OH, WELL, HEY, CHECK THIS OUT. WHAT? 6 00:00:13,113 --> 00:00:15,614 I WAS AT THE HEALTH FOOD STORE WITH LILY THIS WEEKEND, 7 00:00:15,682 --> 00:00:17,649 BUYING CRUELTY-FREE EYELINER, 8 00:00:17,718 --> 00:00:20,018 AND I FOUND THIS NEW HERBAL REMEDY. 9 00:00:20,086 --> 00:00:21,253 "LADY TIME." 10 00:00:21,322 --> 00:00:23,054 "ALL-NATURAL. ALL-HERBAL. 11 00:00:23,123 --> 00:00:25,857 STOPS YOUR OUT-OF-CONTROL OVULATION RANTINGS." 12 00:00:25,926 --> 00:00:28,560 HMM. THANKS. I'LL TRY IT OUT. 13 00:00:28,629 --> 00:00:30,895 HEY, IS IT ME, 14 00:00:30,964 --> 00:00:33,732 OR HAS THE WHOLE HATRED THING BETWEEN OUR TWO GROUPS 15 00:00:33,800 --> 00:00:35,300 REACHED AN ALL-TIME HIGH? 16 00:00:35,369 --> 00:00:37,636 SEEMS LIKE, UNTIL RECENTLY, WE STIRRED THINGS UP, 17 00:00:37,705 --> 00:00:39,638 AND THEY JUST FOLLOWED OUR HIDEOUS EXAMPLES. 18 00:00:39,706 --> 00:00:41,340 WELL, SIS, 19 00:00:41,408 --> 00:00:43,842 I THINK TODAY WE SHOULD LET THE GIRLS KNOW 20 00:00:43,910 --> 00:00:45,844 THAT IT'S THE DAWNING OF A NEW ERA 21 00:00:45,912 --> 00:00:47,479 AND CALL A TOTAL DETENTE. 22 00:00:47,548 --> 00:00:49,615 YEAH. YOU KNOW, ACTUALLY, 23 00:00:49,683 --> 00:00:53,385 I THINK THAT IF WE JUST GOT THEM ALL INTO ONE ROOM AND COMMUNICATED, 24 00:00:53,454 --> 00:00:55,387 WE COULD ALL BE GREAT FRIENDS. 25 00:00:55,456 --> 00:00:57,121 DON'T YOU THINK? 26 00:00:58,225 --> 00:01:00,759 [SCREAMING] 27 00:01:00,827 --> 00:01:03,929 MARY CHERRY, YOU ARE A TOTAL LIAR! 28 00:01:03,997 --> 00:01:06,097 [BROOKE] OKAY, THAT'S IT! NO! 29 00:01:06,167 --> 00:01:07,499 LILY! LILY! 30 00:01:07,568 --> 00:01:10,702 NO! NOOO! 31 00:01:10,771 --> 00:01:12,837 ALL RIGHT! STOP IT! 32 00:01:12,906 --> 00:01:15,840 OKAY. WE OBVIOUSLY NEED TO TAKE ANOTHER LADY TIME! 33 00:01:15,909 --> 00:01:18,043 OH, MY GOD, WE'RE OUT. THANKS, BROOKE, YOU HOG! 34 00:01:18,112 --> 00:01:21,246 THAT'S IT! I'M TAKING YOU TO THE MAT! 35 00:01:21,315 --> 00:01:23,649 [YELLING] 36 00:01:23,717 --> 00:01:26,118 OH, MY GOD! THIS IS HOW IT ENDS. 37 00:01:26,187 --> 00:01:29,621 TRAPPED IN THIS HELLHOLE RESTROOM, OUT OF FOOD, 38 00:01:29,690 --> 00:01:31,222 OUT OF OXYGEN! 39 00:01:31,292 --> 00:01:34,559 WE'RE GONNA DIE IN HERE. WE'RE GONNA DIE! 40 00:01:34,628 --> 00:01:36,995 [YELLING] 41 00:01:44,871 --> 00:01:47,038 ♪ THINK IT OVER ONCE OR TWICE ♪ 42 00:01:47,107 --> 00:01:49,040 ♪ WHAT LASTS THE LONGEST IN THIS LIFE ♪ 43 00:01:49,109 --> 00:01:53,678 ♪ CHARACTER OR ROCK-HARD THIGHS ♪ 44 00:01:53,747 --> 00:01:56,014 ♪ IN THE END DO YOU BELIEVE ♪ 45 00:01:56,082 --> 00:01:58,717 ♪ THAT BEAUTY LIES IN WHAT YOU SEE ♪ 46 00:01:58,785 --> 00:02:00,752 ♪ 'CAUSE IF YOU DO, THEN, BABY ♪ 47 00:02:00,821 --> 00:02:02,687 ♪ YOU'VE BEEN DECEIVED ♪ 48 00:02:02,756 --> 00:02:05,357 ♪ WELL, ME AND B ♪ 49 00:02:05,426 --> 00:02:09,127 ♪ WE HATE SUPERMODELS ♪ 50 00:02:13,434 --> 00:02:18,670 ♪ IT'S JUST THAT I'M TIRED OF BEING COMPARED ♪ 51 00:02:29,716 --> 00:02:32,116 IN THE SCARLET LETTER, THE FIRST BOOK WE'RE GONNA DIVE INTO 52 00:02:32,186 --> 00:02:34,453 THIS SEMESTER IN FEMINIST LIT, 53 00:02:34,521 --> 00:02:37,422 THE HEROINE OF HESTER PRYNNE 54 00:02:37,491 --> 00:02:40,659 IS FORCED TO WEAR A SHAMEFUL "A" FOR "ADULTERY"... 55 00:02:40,727 --> 00:02:41,993 ON HER CHEST. 56 00:02:42,062 --> 00:02:44,663 NOW, SHE'S FORCED TO DO THIS 57 00:02:44,731 --> 00:02:47,298 BECAUSE SHE REFUSED TO IDENTIFY 58 00:02:47,367 --> 00:02:49,468 THE FATHER OF THE CHILD SHE CONCEIVED OUT OF WEDLOCK. 59 00:02:49,536 --> 00:02:50,602 HEY, CARM. 60 00:02:50,671 --> 00:02:52,070 I THINK YOU SHOULD SEW 61 00:02:52,138 --> 00:02:53,672 A BIG "L" ON YOUR CHEST. 62 00:02:53,740 --> 00:02:55,907 YOU KNOW, FOR "LOSER." 63 00:02:58,512 --> 00:03:00,845 YES, MARY CHERRY. MR. BENNET, 64 00:03:00,914 --> 00:03:02,948 DO I HAVE TO SIT NEXT TO HER? 65 00:03:03,016 --> 00:03:05,584 SHE STINKS. NO, YOU ARE THE ONE 66 00:03:05,652 --> 00:03:08,687 WHO SMELLS, MARY CHERRY-- LIKE ROADKILL. 67 00:03:08,755 --> 00:03:10,689 COME ON, GUYS. LET'S CONCENTRATE. 68 00:03:10,757 --> 00:03:13,024 AS WE DIG INTO HAWTHORNE'S BOOK, 69 00:03:13,093 --> 00:03:16,361 I REALLY WANT YOU TO PUT YOURSELVES INTO HESTER'S CLOGS. 70 00:03:16,430 --> 00:03:21,200 TO ME, THIS BOOK IS FEMINIST AND HUMANIST 71 00:03:21,268 --> 00:03:23,935 BECAUSE IT'S ABOUT EVENTUAL VICTORY FROM SHAME, 72 00:03:24,004 --> 00:03:27,138 FROM THE SECRETS THAT DESTROY US. 73 00:03:27,207 --> 00:03:29,974 I GUESS MAYBE I FEEL SO PASSIONATELY ABOUT THIS BOOK 74 00:03:30,043 --> 00:03:33,212 BECAUSE, FOR YEARS, I LIVED IN SHAME. 75 00:03:33,280 --> 00:03:36,815 BUT I'M GLAD TO SAY I CAME OUT OF THE CLOSET FIVE YEARS AGO, 76 00:03:36,883 --> 00:03:39,017 AND I'M DOING MUCH BETTER. 77 00:03:39,085 --> 00:03:41,220 YEAH. MR. BENNET, 78 00:03:41,288 --> 00:03:43,522 LET ME JUST SAY, ON THE RECORD, 79 00:03:43,591 --> 00:03:45,657 THAT I LOVE THE GAYS. 80 00:03:45,726 --> 00:03:48,026 THANKS, MARY CHERRY. WE LOVE YOU, TOO. 81 00:03:48,094 --> 00:03:50,028 OKAY! [LAUGHS] 82 00:03:51,765 --> 00:03:53,898 OKAY, GUYS, HERE'S THE LESSON DU JOUR. 83 00:03:53,967 --> 00:03:57,569 WE ARE ALL OF US HESTERS TO A CERTAIN DEGREE, 84 00:03:57,638 --> 00:03:59,671 WITH FESTERING SECRETS. 85 00:03:59,740 --> 00:04:02,406 AND I THINK WHAT THIS BOOK ULTIMATELY TEACHES US 86 00:04:02,475 --> 00:04:07,479 IS THAT THE TRUTH IS THE ONLY REAL FREEDOM. 87 00:04:07,548 --> 00:04:09,581 OKAY, SO WHAT I WANT YOU TO DO 88 00:04:09,650 --> 00:04:11,850 IS I WANT YOU TO WRITE DOWN... 89 00:04:11,919 --> 00:04:13,252 YOUR DEEPEST, 90 00:04:13,320 --> 00:04:16,755 DARKEST, MOST SHAMEFUL SECRET. 91 00:04:16,824 --> 00:04:19,924 DON'T SIGN YOUR NAME. PUT IT IN THE ENVELOPE. 92 00:04:19,993 --> 00:04:21,960 WE'RE GONNA THROW THEM AWAY LATER. 93 00:04:22,029 --> 00:04:25,163 AND AS WE READ, I WANT YOU TO IMAGINE 94 00:04:25,232 --> 00:04:27,031 BEING HELD CAPTIVE 95 00:04:27,100 --> 00:04:28,767 BY THAT SECRET, 96 00:04:28,835 --> 00:04:30,769 AS SADLY SO MANY OF US ARE. 97 00:04:30,837 --> 00:04:34,105 HOPEFULLY, BY THE END OF THE BOOK, A BIT OF HESTER WILL HAVE RUBBED OFF. 98 00:04:34,174 --> 00:04:36,575 AND, HOPEFULLY, SOME OF THE SHAME. 99 00:04:48,689 --> 00:04:50,689 [CARMEN] MR. BENNET SAID TO THROW THESE AWAY, RIGHT? 100 00:04:50,758 --> 00:04:52,691 GET RID OF THE SHAME? [LILY] RIGHT. 101 00:04:52,760 --> 00:04:55,326 [LILY] I HATE THIS TIME OF THE MONTH. I ALWAYS BREAK OUT. 102 00:04:55,395 --> 00:04:57,461 [CARMEN] HAVE YOU TRIED THE NEW... 103 00:05:07,641 --> 00:05:09,908 HEY, YOU GUYS. HOW WAS THE NEW LIT CLASS? 104 00:05:09,976 --> 00:05:11,943 I'VE DECIDED I REALLY HATE THAT MARY CHERRY. 105 00:05:12,012 --> 00:05:14,112 WHAT IS SHE DOING IN A FEMINIST STUDIES CLASS? 106 00:05:14,180 --> 00:05:16,715 SHE SHOULD BE IN FASCIST STUDIES, AND HER HAIR IS TOO BLONDE. 107 00:05:16,784 --> 00:05:18,917 YOU KNOW WHO I HATE MORE? NICOLE! 108 00:05:18,985 --> 00:05:21,653 EVER SINCE I QUIT THE GLAMAZONS, SHE HAS BEEN MEANER TO ME THAN EVER. 109 00:05:21,722 --> 00:05:23,322 ONE MORE INSULT, I'M GONNA SNAP. 110 00:05:23,390 --> 00:05:25,990 OW! OH, MY GOD. CRAMP. 111 00:05:26,059 --> 00:05:28,292 CRAMP! HERE, HOLD. BREATHE. 112 00:05:29,963 --> 00:05:31,763 BREATHE. 113 00:05:31,832 --> 00:05:32,964 I HATE MEN. 114 00:05:35,536 --> 00:05:37,068 [SHRIEKING] 115 00:05:39,873 --> 00:05:41,272 [SHRIEKING] 116 00:05:43,243 --> 00:05:45,109 BYE, HARRISON! 117 00:05:49,082 --> 00:05:53,952 OKAY. I HAVE GOT TO START HANGING OUT WITH GUYS AT LEAST ONE WEEK A MONTH. 118 00:05:54,020 --> 00:05:56,355 NIC, ARE YOU TENDER? 119 00:05:56,423 --> 00:06:00,625 YES, LIKE TWO RARE LAMB CHOPS ON A SPIT-FIRE GRILL. 120 00:06:00,694 --> 00:06:03,027 WHAT ARE YOU LOOKING AT? HUH? 121 00:06:03,096 --> 00:06:05,096 HUH? UH, NOTHING. 122 00:06:05,165 --> 00:06:07,132 JUST EXISTING. IS THAT CHOCOLATE ON YOUR BREATH? 123 00:06:07,200 --> 00:06:10,334 ARE YOU TRYIN' TO HUMILIATE ME 'CAUSE YOU KNOW I'M CRAVIN' IT? 124 00:06:10,404 --> 00:06:11,469 ANSWER ME! 125 00:06:13,941 --> 00:06:16,040 [CRYING] 126 00:06:16,109 --> 00:06:17,308 NICE. 127 00:06:17,378 --> 00:06:19,444 [NICOLE] VERY NICE. 128 00:06:23,016 --> 00:06:24,616 [SHRIEKING] 129 00:06:27,521 --> 00:06:28,653 [SHRIEKING] 130 00:06:28,722 --> 00:06:31,355 [SNARLING] 131 00:06:31,425 --> 00:06:32,624 [GROWLING] 132 00:06:32,693 --> 00:06:34,693 [SNARLING] 133 00:06:34,761 --> 00:06:37,596 [ROARING] [SCREECHING] 134 00:06:41,167 --> 00:06:42,366 [SCREECHING] 135 00:06:43,904 --> 00:06:46,004 OKAY, GUYS. BYE. SEE YOU AT LUNCH. 136 00:06:50,410 --> 00:06:51,743 WHOA! 137 00:06:51,812 --> 00:06:53,778 DUDE! [WHISTLES] 138 00:06:53,847 --> 00:06:55,079 HEY. 139 00:06:55,148 --> 00:06:57,315 LISTEN, CAN I, UH, SIT WITH YOU GUYS TODAY? 140 00:06:57,383 --> 00:07:00,752 THE GANG I SIT WITH, THEY'RE ALL SIMULTANEOUSLY GREETING AUNT FLO. 141 00:07:00,821 --> 00:07:02,320 WHY DIDN'T YOU SAY SO EARLIER? 142 00:07:02,388 --> 00:07:03,688 [CHAIR SCRAPING] 143 00:07:03,757 --> 00:07:06,558 [SIGHS] WE'RE SUFFERING OURSELVES. 144 00:07:06,627 --> 00:07:09,060 DID YOU GUYS KNOW THAT IN INDIAN CULTURES, 145 00:07:09,129 --> 00:07:11,830 THE CHIEFS WOULD MAKE ALL THE WOMEN 146 00:07:11,898 --> 00:07:14,132 LIVE OUTSIDE THE TEPEES WHEN THEIR LADY TIME CAME? 147 00:07:14,201 --> 00:07:15,199 GOOD IDEA. 148 00:07:15,268 --> 00:07:17,736 OH. WHAT WAS THAT, SUGAR? 149 00:07:17,804 --> 00:07:20,338 OH, UM, NOTHING, BROOKE. 150 00:07:20,406 --> 00:07:22,273 UM... 151 00:07:22,342 --> 00:07:24,843 THAT'S A REALLY NICE VEST YOU GOT ON THERE. 152 00:07:24,911 --> 00:07:27,579 WHAT'S UP, HARRISON? WHY YOU SITTING OVER HERE? 153 00:07:27,648 --> 00:07:31,616 IT SEEMS THAT THE BOYS ARE AFRAID OF US BECAUSE WE'RE MENSTRUATING. 154 00:07:31,685 --> 00:07:34,385 THUS, IN THEIR SEXIST LITTLE EYES, WE COULDN'T POSSIBLY 155 00:07:34,455 --> 00:07:36,187 HAVE A RATIONAL, CALM LUNCH HOUR. 156 00:07:36,256 --> 00:07:39,190 WE'RE JUST GONNA HAVE TO PROVE THEM WRONG, RIGHT? 157 00:07:39,259 --> 00:07:41,525 YES, WE WILL. [CHUCKLES] 158 00:07:47,267 --> 00:07:50,234 IS THAT MY BRACELET? OH... 159 00:07:51,705 --> 00:07:54,639 THAT'S MY BRACELET, SAM. THAT'S MY FAVORITE BRACELET. 160 00:07:54,708 --> 00:07:58,943 MY MOTHER GAVE ME THAT BRACELET. YOU DIDN'T ASK ME IF YOU COULD WEAR THAT BRACELET! 161 00:07:59,012 --> 00:08:00,812 DEAR MOTHER OF GOD, PLEASE LET THIS END! 162 00:08:00,881 --> 00:08:02,581 JUST CHILL OUT, OKAY? 163 00:08:02,649 --> 00:08:05,717 IT WAS IN THE DRAWER, I PUT IT ON. IT'S NO BIG DEAL. 164 00:08:05,786 --> 00:08:11,055 NO WONDER YOU STOLE IT. IT IS THE EXACT SAME COLOR OF THE HULA SKIRT OF YOUR DREAMS. 165 00:08:11,124 --> 00:08:13,224 RIGHT, SAMMIE? 166 00:08:13,293 --> 00:08:15,293 UH-HUH. YOU READ MY DIARY? 167 00:08:15,361 --> 00:08:17,395 YEP. SO MUCH FOR BOUNDARIES, HUH, BROOKE? 168 00:08:17,463 --> 00:08:19,563 YOU'RE UNBELIEVABLE. 169 00:08:22,135 --> 00:08:24,402 UM, BROOKE, 170 00:08:24,470 --> 00:08:28,439 IF YOU COULD MAKE IT WITH ANY OF THE BACKSTREET BOYS, WHO WOULD IT BE? 171 00:08:29,810 --> 00:08:33,577 OH... YOU HAD NO RIGHT TO RIFLE THROUGH MY SECRETS! 172 00:08:33,647 --> 00:08:36,615 WHAT'D SHE DO NOW? STOLE MY DIARY. 173 00:08:36,683 --> 00:08:38,950 SHE STOLE MY DIARY. UH-HUH. 174 00:08:41,187 --> 00:08:44,022 NICE FUR, MARY CHERRY. YOU FREAK. 175 00:08:44,090 --> 00:08:47,859 YEAH, UH, LI'L LILY, I'D BE GLAD TO STOP WEARING ANALLY ELECTROCUTED MINK 176 00:08:47,928 --> 00:08:50,628 IF ONLY YOU'D BE SO KIND AS TO SKIN YOUR LEGS 177 00:08:50,697 --> 00:08:53,131 AND PRESENT THEM TO ME AS A GIFT. 178 00:08:53,199 --> 00:08:55,133 YEAH, SPEAKING OF, UH, GROOMING, CARMEN, 179 00:08:55,201 --> 00:08:57,636 THERE'S THIS NEW INVENTION CALLED LEAVE-IN CONDITIONER. 180 00:08:57,704 --> 00:08:59,771 JUST A SMALL DOLLOP IN YOUR PALM, RUB IT IN. 181 00:08:59,840 --> 00:09:01,305 IT'S REAL SIMPLE, HON. 182 00:09:01,374 --> 00:09:02,340 [GIGGLES] 183 00:09:05,211 --> 00:09:06,277 [MARY GASPS] 184 00:09:12,753 --> 00:09:14,319 GOOD FOR YOU! 185 00:09:14,387 --> 00:09:16,187 [SNARLING] 186 00:09:18,759 --> 00:09:20,692 THAT'S IT! 187 00:09:20,761 --> 00:09:22,827 IT'S TIME TO RUMBLE! 188 00:09:22,896 --> 00:09:24,528 FINE. THREE O'CLOCK? 189 00:09:24,598 --> 00:09:25,730 PARKING LOT! 190 00:09:25,799 --> 00:09:27,866 YOU DON'T HAVE THE NERVE, FUR FREAK! 191 00:09:27,934 --> 00:09:31,636 OH, BRING IT ON, LILY. BRING IT ON. I KNOW TAE BO. 192 00:09:31,705 --> 00:09:35,006 WE'VE BEEN WAITING FOR THIS DATE SINCE THE BEGINNING. HUH, SISTER? 193 00:09:35,075 --> 00:09:38,242 YOU KNOW WHAT, BROOKE? I BET YOU FIGHT LIKE A GIRL. 194 00:09:38,311 --> 00:09:40,344 YOU WANT A PIECE OF THIS? COME ON! 195 00:09:40,413 --> 00:09:42,581 BRING IT ON, BROOKE! I'LL BRING IT ON! 196 00:09:42,649 --> 00:09:44,248 LET'S GO. LET'S GO. [NICOLE] STARBURST! 197 00:09:44,317 --> 00:09:45,950 I'M GONNA GET YOU! 198 00:09:47,821 --> 00:09:49,587 THEY'RE GONNA KILL EACH OTHER. 199 00:09:49,655 --> 00:09:51,155 [SUGAR] OH, MY! 200 00:09:53,393 --> 00:09:55,994 UM, MISS GLASS, SIR? 201 00:09:56,062 --> 00:09:58,263 WE HAVE A QUESTION. A BIOLOGICAL QUESTION. 202 00:09:58,331 --> 00:10:01,432 IT'S ABOUT GIRLS A-AND THEIR, UM, PERIODS-- 203 00:10:01,501 --> 00:10:03,735 WH-WHILE THEY'RE, UM, MENSTRUATING. 204 00:10:03,804 --> 00:10:07,505 YES, THEY'RE CAPABLE OF MURDER AND OTHER ACTS OF UNSPEAKABLE HORROR. NEXT QUESTION. 205 00:10:07,573 --> 00:10:09,673 WAIT. IS THAT REALLY TRUE? 206 00:10:09,743 --> 00:10:11,743 IS DINAH SHORE A NATIONAL TREASURE? 207 00:10:11,812 --> 00:10:14,946 FOR VERIFICATION, WE NEED TO LOOK NO FURTHER 208 00:10:15,015 --> 00:10:17,682 THAN THE EXOTIC, LIVELY FIRE ANTS OF MADAGASCAR. 209 00:10:17,751 --> 00:10:20,684 THE TWO MILLION LADY ANTS OVULATE 210 00:10:20,754 --> 00:10:22,586 ON THE SAME DAY. 211 00:10:22,655 --> 00:10:25,957 I REFER TO WHAT HAPPENS NEXT AS THE "CRANKY, LADY MADAGASCAR ANT SMACK-DOWN." 212 00:10:26,026 --> 00:10:28,226 WORD? THE LADY ANTS WRESTLE? 213 00:10:28,294 --> 00:10:29,693 YES, THEY WRESTLE. 214 00:10:29,762 --> 00:10:32,096 AFTER WHICH THE OVULATING LADY ANTS ATTACK, 215 00:10:32,165 --> 00:10:36,034 THEN ROUTINELY TEAR EACH OTHER LIMB FROM LIMB. 216 00:10:36,102 --> 00:10:37,836 WELL, HERE. 217 00:10:37,904 --> 00:10:42,106 IF YOU LIKE, I CAN LOAN YOU MY OWN PERSONAL COPY OF THE MADAGASCAR ANTS. 218 00:10:42,175 --> 00:10:44,608 LOTS OF INTERESTING TIDBITS ABOUT OVULATION. 219 00:10:44,677 --> 00:10:46,710 ENJOY. 220 00:10:46,780 --> 00:10:48,713 IS THERE ANY WAY TO, UM, 221 00:10:48,782 --> 00:10:51,049 STOP THE LADY ANTS FROM KILLING EACH OTHER 222 00:10:51,118 --> 00:10:53,051 ONCE THEY DECIDE TO RUMBLE? NO. 223 00:10:53,119 --> 00:10:55,453 NATURE HAS TO RUN ITS COURSE. 224 00:11:01,094 --> 00:11:05,463 GIRLS, IT'S TIME TO KICK SOME UNPOPULAR ASS AND TAKE SOME PRISONERS! 225 00:11:05,531 --> 00:11:09,433 THIS FEUD HAS LASTED OVER SIX MONTHS NOW, AND I'M ALL OUT OF TALK. 226 00:11:09,502 --> 00:11:12,636 I SKIPPED FOURTH PERIOD AND GOT US GIRL GANG LEATHER JACKETS. 227 00:11:12,705 --> 00:11:15,974 MY PERSONAL TAILOR, EDUARDO, STITCHED OUR NAMES ON THE BACK 228 00:11:16,043 --> 00:11:18,009 FOR STYLE-SLASH-UNITY PURPOSES. 229 00:11:18,078 --> 00:11:20,078 CHOLA NUMBER ONE? THAT'S YOU. 230 00:11:20,146 --> 00:11:24,182 NIC, YOU'RE NUMBER TWO, AND I'M CHOLA NUMBER THREE. 231 00:11:24,250 --> 00:11:26,851 GIRLS. 232 00:11:26,920 --> 00:11:31,089 IT'S TIME TO LADLE UP A BIG STEAMIN' CUP OF WHUP-ASS. 233 00:11:31,158 --> 00:11:34,592 IN THE WORDS OF PUBLIC ENEMY, IT'S TIME TO FIGHT THE POWER. 234 00:11:34,660 --> 00:11:36,660 THOSE BITCHES ARE GOIN' DOWN. 235 00:12:24,778 --> 00:12:28,012 OUT OF OUR WAY, GILLIGAN. WE GOT CLOCKS TO CLEAN. 236 00:12:28,081 --> 00:12:32,250 NO, YOU DON'T HAVE TO DO THAT. THE POPULAR GIRLS, THEY'RE THROWING UP THE WHITE FLAG. 237 00:12:32,318 --> 00:12:34,252 JOSH JUST TOLD ME. 238 00:12:34,320 --> 00:12:36,154 CUT TO THE CHASE, AND GET ME SOME CHOCOLATE. 239 00:12:36,222 --> 00:12:39,724 RIGHT. THEY WANT TO MEET YOU IN THE NOVAK, TO APOLOGIZE. 240 00:12:39,793 --> 00:12:42,660 THEY'RE ADMITTING THEY'RE WRONG ABOUT EVERYTHING. 241 00:12:42,728 --> 00:12:44,728 HMM. OKAY. 242 00:12:50,270 --> 00:12:52,503 OKAY. SO, THROW DOWN YOUR WHITE FLAG. 243 00:12:52,572 --> 00:12:54,738 OR IN YOUR CASE, MARY CHERRY, YOUR WHITE HOOD. 244 00:12:54,808 --> 00:12:58,009 AHA! WELL, WE ACCEPT YOUR APOLOGY, LI'L LILY. 245 00:12:58,078 --> 00:13:01,179 APOLOGY? YOU'RE SUPPOSED TO APOLOGIZE TO US. 246 00:13:01,247 --> 00:13:02,781 SO DO IT. [ALL] HUH! 247 00:13:02,849 --> 00:13:05,984 UH, OKAY, THEN. WAIT A MINUTE. WHY ARE WE HE... 248 00:13:07,420 --> 00:13:09,254 THE BOYS. OHH... 249 00:13:09,322 --> 00:13:10,588 THEY TRICKED US, 250 00:13:10,656 --> 00:13:14,092 NO DOUBT TO FOSTER A HEALING CONVERSATION. 251 00:13:14,160 --> 00:13:17,228 WELL, I SAY IT'S TIME TO THROW A LITTLE SALT ON THE WOUNDS. 252 00:13:17,297 --> 00:13:19,930 WHAT DO YOU SAY, SAMMIE? YOU UP FOR A LITTLE PARKING LOT PAYBACK? 253 00:13:20,000 --> 00:13:24,502 [LOCK CLICKING] 254 00:13:34,680 --> 00:13:37,615 IT'S LOCKED. OH, YOU ARE SUCH A WIMP. 255 00:13:37,683 --> 00:13:38,782 IT'S NOT LOCKED. 256 00:13:45,558 --> 00:13:48,459 OKAY, IT'S LOCKED. OKAY, NO. WAIT. 257 00:13:49,729 --> 00:13:50,995 [SNIFFING] 258 00:13:51,064 --> 00:13:53,397 IS THAT CHOCOLATE I SMELL? 259 00:13:53,466 --> 00:13:55,934 SUGAR DADDY, ARE YOU OUT THERE? 260 00:13:56,002 --> 00:13:58,837 YOU LET ME OUT, OR I WILL KILL YOU! 261 00:13:58,905 --> 00:14:00,704 HARRISON, ARE YOU THERE, TOO? 262 00:14:00,773 --> 00:14:03,007 COME ON. LET US OUT. THIS REALLY ISN'T FUNNY. 263 00:14:03,076 --> 00:14:05,176 DON'T YOU PUSH ME! I CAN. 264 00:14:05,245 --> 00:14:07,578 OHHH! 265 00:14:10,216 --> 00:14:12,250 OH, MY GOD, Y'ALL! 266 00:14:12,318 --> 00:14:15,353 WE'RE CAGED! ♪♪ [SUSPENSEFUL MUSIC] 267 00:14:18,625 --> 00:14:20,491 YOU GUYS, CHECK YOUR CELL PHONES AGAIN. 268 00:14:23,496 --> 00:14:24,895 THE BATTERIES ARE DEAD. 269 00:14:24,965 --> 00:14:26,664 SWEET GOD ALMIGHTY. 270 00:14:26,732 --> 00:14:30,334 IF WORD GETS AROUND THAT I WAS IN A ROOM THIS LONG WITH YOU UNPOPULAR HAGS, 271 00:14:30,403 --> 00:14:32,436 MY SOCIAL REP WILL NEVER RECOVER. 272 00:14:32,505 --> 00:14:36,875 NICOLE, WHY DON'T YOU JUST ADMIT THAT YOU HAD IMPLANTS, SIT DOWN AND SHUT UP. 273 00:14:36,943 --> 00:14:41,079 STOP FIGHTING. WE HAVE MORE IMPORTANT THINGS TO DISCUSS. LIKE OXYGEN DEPRIVATION. 274 00:14:41,147 --> 00:14:44,115 WHAT? NO. DON'T JOKE ABOUT THAT. I FEEL CLAUSTROPHOBIC. 275 00:14:44,184 --> 00:14:45,450 I'M NOT JOKING. 276 00:14:45,518 --> 00:14:48,519 BY 6:00, WE'LL PRETTY MUCH RUN OUT OF O2 AND SUFFOCATE. 277 00:14:48,588 --> 00:14:50,654 OH, MY GOD. OH, MY GOD. OH, MY GOD. 278 00:14:50,723 --> 00:14:51,890 SOMEBODY'S GONNA COME. 279 00:14:51,958 --> 00:14:53,424 GUYS, COME ON. OH, MY GOD. 280 00:14:53,493 --> 00:14:55,693 THIS IS JUST LIKE THAT MOVIE ALIVE!, 281 00:14:55,761 --> 00:14:57,095 WHERE RATIONAL PEOPLE 282 00:14:57,163 --> 00:14:59,563 ABANDONED IN NATURE GO MAD WITH HUNGER 283 00:14:59,632 --> 00:15:02,866 AND EAT EACH OTHER LIKE LUST-CRAZED CANNIBALS! 284 00:15:02,935 --> 00:15:05,736 AND MY BLOOD SUGAR'S PLUMMETIN' BY THE MINUTE. 285 00:15:05,805 --> 00:15:08,772 IF I GOTTA MUNCH A BUNCH ON ANY OF THESE BIRKENSTOCK WEARERS, 286 00:15:08,841 --> 00:15:11,075 I'M GONNA NEED A LOT OF TABASCO, WHICH WE DON'T HAVE. 287 00:15:11,144 --> 00:15:13,578 HOW YOU DOING, CARM? 288 00:15:13,646 --> 00:15:15,846 ♪♪ [SUSPENSEFUL MUSIC] 289 00:15:15,915 --> 00:15:18,116 OH, MY GOD! DON'T LET THEM DO THIS! 290 00:15:18,184 --> 00:15:20,451 OKAY, NOBODY'S GONNA EAT ANYBODY. 291 00:15:20,520 --> 00:15:22,153 OKAY? OKAY? 292 00:15:22,222 --> 00:15:25,156 GUYS, COME ON. PULL IT TOGETHER. LOOK. 293 00:15:25,225 --> 00:15:27,792 GEEZ! GUYS, COME ON. OKAY, LOOK. 294 00:15:27,860 --> 00:15:29,727 DOES ANYBODY HAVE ANY NOSH? 295 00:15:29,796 --> 00:15:31,729 FRUIT? FROZEN YOGURT? TUNA PACKED IN WATER? 296 00:15:31,797 --> 00:15:34,398 WHO CARRIES TUNA PACKED IN WATER? 297 00:15:34,467 --> 00:15:38,569 WAIT. I JUST HAVE A THING. IT'S A... IT'S A CERT, COVERED IN LINT. 298 00:15:38,638 --> 00:15:39,670 GIVE IT TO ME! 299 00:15:39,739 --> 00:15:41,005 I'M THE THINNEST. 300 00:15:41,074 --> 00:15:42,507 I NEED THE NOURISHMENT. 301 00:15:42,575 --> 00:15:45,276 I WOULD RATHER DIE THAN GIVE YOU ANYTHING, MARY CHERRY. 302 00:15:45,345 --> 00:15:48,045 [CARMEN CHUCKLES] OKAY. FINE. 303 00:15:50,016 --> 00:15:52,150 OW! GIVE IT TO ME! 304 00:15:52,218 --> 00:15:53,651 GET OFF OF ME! 305 00:15:53,719 --> 00:15:56,954 MARY CHERRY, STOP IT! YOU'RE KILLING HER! 306 00:15:57,022 --> 00:15:58,089 STOP IT! 307 00:15:58,158 --> 00:16:01,425 SEE? I KNEW YOU WERE INSANE, MARY CHERRY! 308 00:16:01,494 --> 00:16:03,861 OKAY, YOU GUYS. HEY, LOOK, RELAX. 309 00:16:03,930 --> 00:16:05,996 HERE. HAVE A LADY TIME. 310 00:16:08,368 --> 00:16:09,400 HERE. 311 00:16:11,171 --> 00:16:12,836 [SIGHS] OKAY. 312 00:16:12,905 --> 00:16:15,273 OKAY, OKAY, THINK. 313 00:16:15,341 --> 00:16:18,776 IF WE HAD A SHOVEL, WE COULD DIG OUR WAY OUT, RIGHT? 314 00:16:18,844 --> 00:16:19,777 [SCOFFS] 315 00:16:20,980 --> 00:16:22,413 [MOUTHING WORDS] 316 00:16:27,453 --> 00:16:30,288 [CLANGING] 317 00:16:30,357 --> 00:16:33,023 NO, WE GOT SOLID CONCRETE HERE, KIDS. 318 00:16:33,092 --> 00:16:35,159 [LILY] THERE'S GOT TO BE A WAY OUT OF HERE. 319 00:16:38,931 --> 00:16:41,899 ♪♪ [CREEPY THEME] 320 00:16:45,638 --> 00:16:47,638 [WOMAN NARRATOR] THE FEMALE FIRE ANT IS USUALLY 321 00:16:47,707 --> 00:16:50,608 A DOCILE, COOPERATIVE CREATURE. 322 00:16:52,078 --> 00:16:54,345 BUT IN THIS MOMENT OF OVULATION, 323 00:16:54,414 --> 00:16:56,014 MADNESS TAKES OVER. 324 00:16:56,082 --> 00:16:58,549 THESE LADY ANTS ARE BAD MAMMA JAMMAS. 325 00:16:58,618 --> 00:17:02,052 [SUGAR] THE VIOLENCE SCARES YET EXCITES ME. 326 00:17:02,122 --> 00:17:04,288 THEY'VE BEEN IN THERE AN HOUR, AND NOTHING YET. 327 00:17:04,357 --> 00:17:07,591 WE DID A GOOD THING. THE "LOOK THE OTHER WAY" APPROACH DIDN'T WASH ANYMORE. 328 00:17:07,660 --> 00:17:10,761 WE'RE FORCING THEM TO DEAL WITH THE BUILT-UP TENSIONS. 329 00:17:10,830 --> 00:17:13,764 ISN'T LOCKING THEM IN THE PEN THE WORST THING WE COULD HAVE DONE? 330 00:17:13,833 --> 00:17:15,599 GIVING THEM ACCESS TO A PARKING LOT 331 00:17:15,668 --> 00:17:17,768 WITH SPEEDING CARS THAT CAN BE USED AS WEAPONS, YES. 332 00:17:17,837 --> 00:17:21,039 MAKING THEM TALK IT OUT, NO. STOP WATCHING THIS! 333 00:17:21,107 --> 00:17:23,441 NO! [JOSH] HOW CAN MISS GLASS WATCH THIS? 334 00:17:23,509 --> 00:17:25,576 SHE MUST BE THE MOST BORING WOMAN-MAN ON THE PLANET. 335 00:17:25,645 --> 00:17:28,346 [STATIC] 336 00:17:30,183 --> 00:17:31,615 W-W-WHAT? 337 00:17:31,684 --> 00:17:33,384 I'M VERONICA PAIN, 338 00:17:33,453 --> 00:17:35,519 AND YOU'RE WATCHING PAIN TV! 339 00:17:35,588 --> 00:17:38,021 OH, MY GOD. IT'S MISS GLASS. 340 00:17:44,530 --> 00:17:46,597 MARY CHERRY, WHAT ARE YOU DOING? 341 00:17:46,666 --> 00:17:48,599 YO, IT'S OUR ONLY HOPE. 342 00:17:48,668 --> 00:17:51,302 IF A GOVERNMENT SPY PLANE WITH X-RAY SPY VISION SHOULD FLY OVERHEAD 343 00:17:51,371 --> 00:17:54,372 AND SEE OUR PLEA, THEY MIGHT COME SAVE US. 344 00:17:54,441 --> 00:17:57,140 OTHERWISE, WE'RE GONNA DIE IN HERE! 345 00:17:57,209 --> 00:18:00,078 THE ONLY THING WE'RE GONNA DIE FROM IS BOREDOM. 346 00:18:00,146 --> 00:18:03,113 WELL, IS ANYBODY UP FOR A GAME OF TRUTH OR DARE? 347 00:18:03,182 --> 00:18:05,249 OH! HOW ABOUT JUST TRUTH? 348 00:18:05,318 --> 00:18:09,353 I MEAN, I FORGOT I'VE GOT A SECRET BURNING A HOLE IN MY POCKET. 349 00:18:10,790 --> 00:18:12,423 SIX SECRETS, TO BE EXACT. 350 00:18:12,492 --> 00:18:14,658 YOU STOLE THE HESTER PRYNNE SECRET SLIPS? 351 00:18:14,727 --> 00:18:17,160 NICOLE, THAT'S TOTALLY OUT OF LINE. 352 00:18:17,230 --> 00:18:20,330 OH, SHUT UP, COMPLAINER! THIS IS A REASON TO GO ON LIVIN'! 353 00:18:20,400 --> 00:18:21,899 ANYBODY GAME? 354 00:18:21,968 --> 00:18:24,067 AS LONG AS WE'RE GONNA DIE IN HERE, 355 00:18:24,136 --> 00:18:26,771 WE MAY AS WELL GO TO THE GRAVE WITH A CLEAR CONSCIENCE. 356 00:18:35,080 --> 00:18:37,080 LET'S REVIEW, SHALL WE? 357 00:18:37,149 --> 00:18:39,383 THE SECRETS ARE, IN ORDER: 358 00:18:39,452 --> 00:18:42,353 "THEY CALL ME QUACK!" 359 00:18:42,422 --> 00:18:44,522 "I'VE QUESTIONED MY SEXUALITY!" 360 00:18:46,058 --> 00:18:47,991 "I DID IT AGAIN!" 361 00:18:49,161 --> 00:18:51,194 "I MADE OUT WITH JOSH FORD!" 362 00:18:52,898 --> 00:18:55,032 "I'M DATING JOSH FORD!" 363 00:18:55,100 --> 00:18:58,536 AND, UM, LAST BUT NOT LEAST, "I WENT SHOPPING WITH GWYNETH!" 364 00:18:58,604 --> 00:19:01,505 WAIT. TWO PEOPLE IN HERE ARE INVOLVED WITH JOSH? 365 00:19:01,574 --> 00:19:02,973 SINCE WHEN? 366 00:19:03,042 --> 00:19:05,008 WHAT DO YOU CARE, FRIGID ONE? YOU DUMPED HIM. 367 00:19:05,077 --> 00:19:08,178 OKAY, HUSH. NOW, WE DO THIS IN ORDER. 368 00:19:09,782 --> 00:19:12,283 WHO'S BRAVE ENOUGH TO ADMIT... 369 00:19:12,352 --> 00:19:14,452 "THEY CALL ME QUACK!" 370 00:19:14,520 --> 00:19:16,821 STEP FORWARD AND FACE THE MUSIC. 371 00:19:19,292 --> 00:19:21,158 ALL RIGHT. 372 00:19:22,795 --> 00:19:24,762 I ADMIT IT. 373 00:19:24,831 --> 00:19:27,197 MY SCARLET LETTER IS "D." 374 00:19:28,300 --> 00:19:30,067 "D" FOR "DUCK." 375 00:19:30,135 --> 00:19:33,571 [MARY] MY DEEPEST SECRET IS AS OLD AS I. I WAS BORN WITH IT. 376 00:19:33,640 --> 00:19:35,406 A HIDEOUS, FRIGHTENING AFFLICTION 377 00:19:35,475 --> 00:19:37,975 COMMON IN SOUTHERNERS WITH TOO MUCH INBREEDING. 378 00:19:38,044 --> 00:19:40,911 DR. KISKI, I'VE COME HERE 'CAUSE I HEAR YOU'RE THE BEST PLASTIC SURGEON IN THE WORLD. 379 00:19:40,980 --> 00:19:42,813 THANK GOD YOU'RE IN SWITZERLAND. 380 00:19:42,882 --> 00:19:46,083 I COULDN'T HOLD MY HAIR UP HIGH IF I HAD TO DEAL WITH THIS EMBARRASSMENT IN THE STATES. 381 00:19:46,151 --> 00:19:48,486 HOPE YOU HAVEN'T HAD LUNCH. MARY CHERRY. 382 00:19:49,889 --> 00:19:52,490 MY DAUGHTER'S A FREAK, AND I NEED YOU TO FIX IT. 383 00:19:52,558 --> 00:19:55,158 [MARY] I WAS BORN WITH WEBBED HANDS AND FEET, 384 00:19:55,227 --> 00:19:57,160 A GREAT AND TERRIBLE SHAME. 385 00:19:57,230 --> 00:19:59,330 DR. KISKI, AS YOU CAN SEE, 386 00:19:59,399 --> 00:20:02,966 SO MUCH FOR MY DREAMS OF MY DAUGHTER BEING A HAND MODEL. 387 00:20:03,035 --> 00:20:06,103 TWELVE PAINFUL OPERATIONS LATER, 388 00:20:06,171 --> 00:20:08,906 AND MY HANDS WERE PERFECT AND SATINY SMOOTH. 389 00:20:08,974 --> 00:20:11,442 WHAT ABOUT YOUR FEET? 390 00:20:11,511 --> 00:20:14,545 THEY REMAIN A REMINDER OF A HAUNTIN' GENETIC FLAW. 391 00:20:14,614 --> 00:20:18,415 DESPITE YEARS OF PAIN AND EXPERIMENTAL TECHNIQUES, 392 00:20:20,953 --> 00:20:22,420 THEY'RE STILL WEBBED. 393 00:20:22,488 --> 00:20:25,422 ♪♪ [SUSPENSEFUL MUSIC] 394 00:20:29,995 --> 00:20:31,929 SORRY. 395 00:20:31,997 --> 00:20:34,197 OKAY, THEN. MOVING ON. 396 00:20:35,435 --> 00:20:39,036 UM, "I'VE QUESTIONED MY SEXUALITY!" 397 00:20:39,104 --> 00:20:42,706 THIS SECRET IS SO SHOCKING AND DIRTY BIRDY. 398 00:20:42,775 --> 00:20:46,410 IS IT YOU, SPAM? ARE YOU THE ONE ASKING YOUR SUBCONSCIOUS IF YOU'RE CONFUSED? 399 00:20:46,479 --> 00:20:49,046 I SAW YOU WEARING FLANNEL JUST YESTERDAY. 400 00:20:49,114 --> 00:20:50,548 WAIT A MINUTE. 401 00:20:52,585 --> 00:20:54,017 LEAVE HER ALONE. 402 00:20:58,224 --> 00:20:59,890 IT'S ME. 403 00:21:03,495 --> 00:21:05,462 [NICOLE] "I'VE QUESTIONED MY SEXUALITY!" 404 00:21:05,531 --> 00:21:06,997 LILY, FESS UP. 405 00:21:10,670 --> 00:21:13,170 MY SCARLET LETTER IS "C." 406 00:21:14,740 --> 00:21:17,140 "C" FOR "CONFUSED." 407 00:21:17,209 --> 00:21:20,243 [LILY] IT BEGAN ABOUT FOUR MONTHS AGO. 408 00:21:20,312 --> 00:21:21,745 [LILY CRYING] 409 00:21:21,814 --> 00:21:24,582 I HAD A CHANCE TO LOSE MY VIRGINITY, 410 00:21:24,650 --> 00:21:27,484 AND I FAILED. 411 00:21:27,553 --> 00:21:30,320 DID HARRISON HAVE BAD BREATH, OR... 412 00:21:30,390 --> 00:21:32,423 [CHUCKLES] 413 00:21:32,492 --> 00:21:35,225 [SNIFFLING, CHUCKLING] 414 00:21:35,294 --> 00:21:37,027 NO. 415 00:21:37,096 --> 00:21:39,062 HE WAS MINTY-FRESH. 416 00:21:42,401 --> 00:21:44,201 I JUST CHICKENED OUT. 417 00:21:44,269 --> 00:21:45,569 YOU WERE NERVOUS. 418 00:21:45,638 --> 00:21:47,805 I WASN'T, THOUGH. 419 00:21:49,308 --> 00:21:51,241 I JUST WASN'T INTERESTED. 420 00:21:53,613 --> 00:21:55,078 WHAT'S WRONG WITH ME? 421 00:21:55,147 --> 00:21:56,580 NOTHING. 422 00:21:57,783 --> 00:22:01,485 NOTHING. IT... [SNIFFLING] 423 00:22:01,554 --> 00:22:04,655 MAYBE YOU JUST DON'T HAVE IT IN YOU. 424 00:22:04,724 --> 00:22:06,123 I MEAN... 425 00:22:07,960 --> 00:22:10,761 MAYBE YOU LIKE GIRLS OR SOMETHING. 426 00:22:10,830 --> 00:22:12,730 WHAT? 427 00:22:12,798 --> 00:22:14,765 WHY WOULD YOU SAY THAT? 428 00:22:14,834 --> 00:22:16,366 I DON'T KNOW. 429 00:22:19,138 --> 00:22:22,139 YEAH, WELL, YOU KNOW, MAYBE THERE'S THAT SEXUALITY SCALE, 430 00:22:22,207 --> 00:22:25,909 WITH 10 BEING K.D. LANG 431 00:22:25,978 --> 00:22:27,978 AND 1 BEING GWYNETH OR... 432 00:22:28,047 --> 00:22:30,748 [CHUCKLES] I'M NO K.D., OKAY? 433 00:22:36,389 --> 00:22:40,257 BUT IF... I TURN OUT TO BE, 434 00:22:40,326 --> 00:22:42,426 WHEN I GET OLDER, 435 00:22:43,996 --> 00:22:45,930 WOULD YOU THINK I WAS WEIRD? 436 00:22:47,266 --> 00:22:48,466 NO. 437 00:22:48,534 --> 00:22:50,067 I WOULDN'T. 438 00:22:50,135 --> 00:22:52,503 [SIGHS, SNIFFLES] 439 00:22:52,572 --> 00:22:56,206 AND YOU DON'T HAVE TO DECIDE THIS TONIGHT, LIL. 440 00:22:56,275 --> 00:22:58,809 I KNOW. 441 00:22:58,878 --> 00:23:01,011 I JUST... 442 00:23:01,080 --> 00:23:04,114 I DON'T WANT TO KEEP HURTING PEOPLE... 443 00:23:04,183 --> 00:23:05,816 OR MYSELF. 444 00:23:08,187 --> 00:23:11,054 I JUST... I FEEL KIND OF ALONE HERE, YOU KNOW? 445 00:23:13,059 --> 00:23:14,992 YOU'RE NEVER ALONE WHEN I'M AROUND. 446 00:23:16,962 --> 00:23:18,228 YOU KNOW THAT. 447 00:23:27,072 --> 00:23:29,072 [NICOLE] THEN WHAT HAPPENED? 448 00:23:29,141 --> 00:23:33,343 NOTHING. IT WAS INNOCENT. WE DIDN'T GO ANY FURTHER. 449 00:23:33,413 --> 00:23:35,780 I'M STILL TRYING TO FIGURE IT OUT, 450 00:23:35,848 --> 00:23:38,115 AND THE THING IS, THE OTHER DAY 451 00:23:38,184 --> 00:23:41,184 I SAW THIS GUY, AND HE WAS REALLY HOT, 452 00:23:41,253 --> 00:23:43,353 AND I WOULD TOTALLY MAKE OUT WITH HIM. 453 00:23:43,423 --> 00:23:46,090 SO... I DON'T KNOW. 454 00:23:47,760 --> 00:23:49,893 I HAVE TO SAY I'VE THOUGHT ABOUT IT. 455 00:23:49,962 --> 00:23:51,629 [SNICKERING] 456 00:23:55,234 --> 00:23:57,501 CARMEN, WHAT? JUST DON'T TALK TO ME. 457 00:23:57,570 --> 00:23:58,969 OKAY? JUST DON'T. 458 00:24:02,241 --> 00:24:04,241 NO, YOU KNOW WHAT? I'M SAYING THIS. 459 00:24:04,309 --> 00:24:08,078 THIS WAS MY SECRET, TOO, AND YOU HAD NO RIGHT TO OPEN YOUR BIG FAT MOUTH ABOUT IT! 460 00:24:08,147 --> 00:24:10,080 CARMEN, IT HAPPENED. 461 00:24:10,149 --> 00:24:12,716 I AM NOT LIKE YOU. 462 00:24:12,785 --> 00:24:15,919 I KNOW WHAT I WANT, AND IT'S CERTAINLY NOT WOMEN. 463 00:24:15,988 --> 00:24:18,922 BOY, YOU GUYS HAVE SHARED A LOT LATELY, HAVEN'T YOU? 464 00:24:18,991 --> 00:24:21,024 I GUESS I WASN'T A GOOD ENOUGH FRIEND 465 00:24:21,093 --> 00:24:24,428 TO TALK TO ABOUT SOMETHING THAT INFORMS YOUR VERY IDENTITY. 466 00:24:24,497 --> 00:24:27,998 SAM, IT'S NOT LIKE YOU'VE BEEN REAL AVAILABLE LATELY. 467 00:24:28,067 --> 00:24:30,200 UP UNTIL RECENTLY, THE GREAT BROOKE WAR 468 00:24:30,269 --> 00:24:32,102 PRETTY MUCH CONSUMED ALL YOUR TIME, SO... 469 00:24:32,171 --> 00:24:35,372 OKAY, WAIT. BACK TO THE LESBIAN PART. WERE THERE TONGUES INVOLVED HERE? 470 00:24:35,440 --> 00:24:37,207 I AM REALLY HURT. 471 00:24:37,276 --> 00:24:38,341 I AM. 472 00:24:38,410 --> 00:24:40,343 HOW DID THIS BECOME ABOUT YOU? 473 00:24:40,412 --> 00:24:43,180 I FEEL BETRAYED, OKAY? 474 00:24:43,248 --> 00:24:45,182 I FEEL SO... 475 00:24:45,250 --> 00:24:46,784 BETRAYED. 476 00:24:46,852 --> 00:24:48,786 TERRIBLY, DEEPLY BETRAYED. 477 00:24:48,854 --> 00:24:51,521 SO, FOR THE LAST TIME, 478 00:24:51,591 --> 00:24:53,591 WHERE DID YOU GET THAT TAPE? 479 00:24:53,659 --> 00:24:55,859 MISS GLASS, WE TOLD YOU. YOU GAVE US THE TAPE. 480 00:24:55,928 --> 00:24:57,595 IT'S THE LADY ANT TAPE. 481 00:24:57,663 --> 00:25:00,397 THAT'S A LIE! YOU'RE OUT TO GET ME! 482 00:25:00,465 --> 00:25:02,833 I'M SORRY. 483 00:25:04,870 --> 00:25:07,137 I'M A LITTLE EMOTIONAL. 484 00:25:07,206 --> 00:25:10,173 YOU THINK I'M A SICK JOKE, DON'T YOU? A FOLLY. 485 00:25:11,376 --> 00:25:14,244 I FEEL, TOO, YOU KNOW. 486 00:25:14,313 --> 00:25:17,715 I MAY HAVE THE SHOES OF A MAN, BUT I CRY LIKE A LITTLE GIRL. 487 00:25:17,783 --> 00:25:18,816 MISS GLASS? 488 00:25:18,884 --> 00:25:22,119 SIR, IF WE PROMISE NOT TO TELL ANYONE ABOUT 489 00:25:22,187 --> 00:25:23,486 YOUR SECRET, COULD WE LEAVE? 490 00:25:23,556 --> 00:25:25,255 YOU CAN TRUST US. 491 00:25:25,324 --> 00:25:27,257 I TRUST NO ONE. 492 00:25:28,460 --> 00:25:29,559 I... 493 00:25:29,629 --> 00:25:31,762 NEED TO THINK ABOUT WHAT TO DO HERE. 494 00:25:36,635 --> 00:25:38,068 OKAY, GUYS... 495 00:25:41,006 --> 00:25:42,840 WHAT IS GOING ON HERE? 496 00:25:42,908 --> 00:25:45,575 BROOKE, I'M REALLY BEGINNING TO SEE YOUR SIDE IN ALL THIS. 497 00:25:45,645 --> 00:25:48,278 MUST BE REALLY DIFFICULT LIVING WITH SOMEONE 498 00:25:48,347 --> 00:25:51,348 WHO'S SO COMPLETELY SELF-ABSORBED. 499 00:25:51,416 --> 00:25:54,318 IT IS. LILY, THAT IS NOT WHAT THIS IS ABOUT. 500 00:25:54,386 --> 00:25:56,286 FEELING LEFT OUT, SAM? INTERESTING... 501 00:25:56,355 --> 00:25:58,655 HOW THE REVEALED SECRETS HAVE COMPLETELY POLARIZED 502 00:25:58,724 --> 00:26:00,858 YOUR POSSE ONTO OUR SIDE OF THE FENCE. 503 00:26:00,926 --> 00:26:04,394 HMM. MAYBE THAT MEANS THE GRASS IS LESS "JUDGY" 504 00:26:04,463 --> 00:26:07,231 ON OUR SIDE. 505 00:26:07,299 --> 00:26:10,433 LET'S SEE IF WE CAN'T TEAR APART YOUR GROUP SOME MORE. 506 00:26:10,502 --> 00:26:14,437 TWO SECRETS DOWN, FOUR TO GO. IT'S ONLY FAIR. 507 00:26:14,506 --> 00:26:15,906 "I DID IT AGAIN!" 508 00:26:15,975 --> 00:26:16,974 CARMEN, 509 00:26:17,042 --> 00:26:18,709 WOULD THAT BE A PAINFUL REFERENCE 510 00:26:18,778 --> 00:26:21,478 TO YOUR BACK-TO-SCHOOL SHOPPING AT WAL-MART? 511 00:26:21,546 --> 00:26:23,280 IT'S ME. 512 00:26:25,551 --> 00:26:27,618 IT'S... 513 00:26:27,687 --> 00:26:29,687 IT'S MY SECRET. 514 00:26:32,391 --> 00:26:34,358 MY SCARLET LETTER IS... 515 00:26:34,426 --> 00:26:36,059 "R." 516 00:26:36,128 --> 00:26:38,061 "R" FOR "REBOUND." 517 00:26:39,632 --> 00:26:41,632 [BROOKE] JOSH HAD COME OVER TO MY HOUSE 518 00:26:41,701 --> 00:26:43,767 AFTER THE SADIE HAWKINS DANCE. 519 00:26:43,836 --> 00:26:46,303 HE WAS UPSET; HE JUST WANTED TO TALK. 520 00:26:46,372 --> 00:26:49,472 MM. I'M SO GLAD WE'RE GETTING BACK TOGETHER. 521 00:26:49,541 --> 00:26:51,474 WHAT DID YOU JUST SAY? 522 00:26:52,577 --> 00:26:54,144 NOTHING. 523 00:26:56,048 --> 00:26:59,116 NO. JOSH, WE ARE NOT... 524 00:26:59,185 --> 00:27:00,617 BACK TOGETHER. 525 00:27:05,891 --> 00:27:07,524 WHY DID I DO THIS? 526 00:27:07,593 --> 00:27:09,193 THIS IS WRONG. 527 00:27:09,261 --> 00:27:10,493 THIS IS SO... 528 00:27:10,562 --> 00:27:12,162 WRONG. 529 00:27:13,933 --> 00:27:16,433 THIS IS NOT WHAT I WANT ANYMORE. 530 00:27:16,502 --> 00:27:17,768 THIS IS... 531 00:27:17,837 --> 00:27:19,770 HOW CAN I EXPECT TO GET ANYWHERE 532 00:27:19,839 --> 00:27:22,672 IF I JUST KEEP TAKING TWO STEPS BACKWARDS? 533 00:27:22,742 --> 00:27:25,042 BROOKE, I LOVE YOU. 534 00:27:26,746 --> 00:27:30,613 I... I KNOW YOU DO, JOSH. 535 00:27:30,683 --> 00:27:33,616 THIS IS WHY I FEEL SO BAD RIGHT NOW. 536 00:27:35,087 --> 00:27:37,087 WE'VE GOT TO STOP THIS. 537 00:27:37,156 --> 00:27:39,389 I NEED TO MOVE ON. 538 00:27:39,458 --> 00:27:42,359 I... I THINK YOU SHOULD LEAVE. 539 00:27:44,063 --> 00:27:47,698 UM, WHAT NIGHT DID YOU SAY THIS HAPPENED ON AGAIN? 540 00:27:47,767 --> 00:27:49,466 AFTER SADIE HAWKINS. 541 00:27:49,534 --> 00:27:51,068 I DON'T BELIEVE THIS. 542 00:27:51,136 --> 00:27:52,602 WHAT? 543 00:27:56,709 --> 00:27:58,809 UM... 544 00:27:58,878 --> 00:28:00,844 THE NIGHT THAT YOU WERE WITH JOSH, 545 00:28:00,913 --> 00:28:02,045 YEAH? 546 00:28:02,114 --> 00:28:03,713 I WAS WITH HIM, TOO. 547 00:28:05,985 --> 00:28:09,119 MISS GLASS, HOW DID YOU GET CAUGHT UP IN SOMETHING SO SORDID? 548 00:28:09,188 --> 00:28:11,421 I ASK MYSELF THAT QUESTION EVERY DAY. 549 00:28:11,490 --> 00:28:14,124 MAYBE I SHOULD TRY ANSWERING IT. 550 00:28:17,496 --> 00:28:19,563 MY SCARLET LETTER IS "L." 551 00:28:19,631 --> 00:28:21,565 "L" FOR "LONELY LADY." 552 00:28:23,569 --> 00:28:26,003 [MISS GLASS] FOR YEARS I'D ACHED FOR COMPANIONSHIP, 553 00:28:26,071 --> 00:28:27,670 FOR TOUCH. 554 00:28:27,739 --> 00:28:30,673 BUT THAT WAS A SHIP THAT HAD NEVER COME IN FOR ME. 555 00:28:30,742 --> 00:28:32,376 SOMETIMES ON SATURDAY NIGHTS, 556 00:28:32,444 --> 00:28:34,611 I'D HEAD OVER TO MY FAVORITE RESTAURANT, CROUTONS, 557 00:28:34,679 --> 00:28:36,980 FOR A SOLITARY LO-CAL BITE. 558 00:28:38,183 --> 00:28:40,283 LOVE, OR WHAT I THOUGHT WAS LOVE 559 00:28:40,352 --> 00:28:42,285 CAME UNEXPECTEDLY. 560 00:28:42,354 --> 00:28:43,987 AHHH. 561 00:28:49,461 --> 00:28:51,428 RRRR. 562 00:28:55,601 --> 00:28:57,567 [MISS GLASS] I WAS BUT A FLY, 563 00:28:57,636 --> 00:28:59,769 AND HE WAS BOTH SPIDER... 564 00:28:59,838 --> 00:29:01,138 AND WEB. 565 00:29:01,207 --> 00:29:04,741 [♪♪ TANGO] 566 00:29:11,283 --> 00:29:12,983 RRRR! 567 00:29:14,119 --> 00:29:16,053 [GULPING] 568 00:29:17,289 --> 00:29:20,690 ♪♪ [TANGO CONTINUES] 569 00:29:45,184 --> 00:29:48,151 [MISS GLASS] AT FIRST WE CUDDLED AND WATCHED THE DISCOVERY CHANNEL. 570 00:29:49,688 --> 00:29:53,356 BUT I SOON LEARNED HE WAS JUST USING ME FOR HIS PERVERSIONS. 571 00:29:53,425 --> 00:29:56,426 GODFREY DIDN'T LOVE ME. HE COULDN'T LOVE ME. 572 00:29:56,495 --> 00:29:58,528 HE ONLY WANTED CRUELTY. 573 00:29:59,664 --> 00:30:02,532 AND CRUELTY IS WHAT HE GOT. 574 00:30:02,601 --> 00:30:04,767 I TRIED TO BREAK AWAY. 575 00:30:04,836 --> 00:30:06,269 COULDN'T. 576 00:30:07,672 --> 00:30:10,207 HE THREATENED TO TURN ME IN, 577 00:30:10,275 --> 00:30:12,842 SHOW THE TAPES TO THE P.T.A., HAVE ME FIRED. 578 00:30:14,346 --> 00:30:16,813 I'M SORRY YOU BOYS HAD TO SEE THIS. 579 00:30:16,881 --> 00:30:18,815 SO AM I, BOBBI GLASS. 580 00:30:19,918 --> 00:30:21,384 DADDY'S HOME. 581 00:30:23,422 --> 00:30:26,389 [BROOKE] YOU COULDN'T HAVE BEEN WITH JOSH. I DON'T BELIEVE YOU. 582 00:30:30,762 --> 00:30:33,296 MY SCARLET LETTER IS "B." 583 00:30:33,365 --> 00:30:35,965 "B" FOR "BETRAYER." 584 00:30:36,035 --> 00:30:38,435 [SAM] JOSH SAID HE WAS UPSTAIRS RETURNING CDs, 585 00:30:38,503 --> 00:30:40,971 THE FINAL BREAKUP EXCHANGE. 586 00:30:41,040 --> 00:30:44,507 WE TALKED FOR AN HOUR, THEN ONE THING LED TO ANOTHER, AND... 587 00:30:44,576 --> 00:30:46,743 OKAY, OKAY, WAIT, WAIT, WAIT. JOSH, STOP. 588 00:30:46,812 --> 00:30:49,045 I CAN'T DO THIS WITH YOU. 589 00:30:50,649 --> 00:30:51,915 THIS IS WRONG, JOSH. 590 00:30:54,153 --> 00:30:57,420 LOOK, I MAY NOT LIKE BROOKE SOMETIMES, 591 00:30:57,489 --> 00:31:00,257 BUT SHE DOESN'T DESERVE THIS, AND NEITHER DO I. 592 00:31:02,094 --> 00:31:04,394 I... I DIDN'T MEAN FOR THINGS TO GET OUT OF HAND. 593 00:31:04,463 --> 00:31:06,396 IT'S JUST BEEN A ROUGH NIGHT. 594 00:31:07,999 --> 00:31:09,799 THE TRUTH OF THE MATTER IS, 595 00:31:09,869 --> 00:31:13,970 I REALIZE WE DON'T HAVE A HECK OF A LOT IN COMMON, DO WE? 596 00:31:16,208 --> 00:31:18,308 SO... WHAT? YOU'RE SAYING IT'S JUST... 597 00:31:18,377 --> 00:31:20,510 CHEMICAL. YEAH. 598 00:31:21,813 --> 00:31:24,314 AND... I WANT MORE THAN THAT. 599 00:31:24,383 --> 00:31:26,383 I THINK YOU DO, TOO. 600 00:31:26,451 --> 00:31:29,152 WELL, I CAN'T HAVE WHAT I WANT. 601 00:31:37,529 --> 00:31:39,896 THANK YOU FOR NOT GOING OVER THE LINE. 602 00:31:41,033 --> 00:31:43,333 LORD, I'VE GOT THE VAPORS. 603 00:31:43,402 --> 00:31:46,703 THAT JOSH IS JUST A GIGOLO! 604 00:31:46,771 --> 00:31:49,439 NO, HE ISN'T. HE'S PROBABLY JUST IN A LOT OF PAIN, 605 00:31:49,508 --> 00:31:52,475 TRYING TO GET COMFORT WHEREVER HE CAN. 606 00:31:52,544 --> 00:31:54,477 SAM, LOOK AT THE MIRROR. 607 00:31:54,546 --> 00:31:56,213 IF YOU'RE "I MADE OUT WITH JOSH FORD"... 608 00:31:56,281 --> 00:31:58,915 THEN WHO'S "I'M DATING JOSH FORD"? 609 00:32:01,520 --> 00:32:04,154 ♪♪ [SUSPENSEFUL MUSIC] 610 00:32:04,223 --> 00:32:07,156 YOU DIRTY LITTLE HOME WRECKER! NICOLE, HOW COULD YOU? 611 00:32:07,226 --> 00:32:11,294 FORGET ABOUT CARMEN. LET'S EAT HER FIRST FOR PUNISHMENT! 612 00:32:11,363 --> 00:32:13,496 "FORGET ABOUT CARMEN"? 613 00:32:13,565 --> 00:32:15,498 BOY, THAT WOULD BE TYPICAL. 614 00:32:16,668 --> 00:32:18,601 AND VERY WRONG. 615 00:32:21,373 --> 00:32:23,506 I'M THE ONE WHO'S DATING JOSH FORD NOW. 616 00:32:32,684 --> 00:32:34,384 WAIT A BIG FAT MINUTE. 617 00:32:34,453 --> 00:32:37,487 YOU, CARMEN FERRARA, SOCIAL POND SCUM, ARE DATING 618 00:32:37,556 --> 00:32:39,656 JOSH FORD, THE MOST POPULAR GUY IN THE SCHOOL? 619 00:32:39,725 --> 00:32:41,658 GO AHEAD. DOUBT ME. 620 00:32:41,727 --> 00:32:43,426 I DOUBT MYSELF. 621 00:32:43,495 --> 00:32:45,628 AND I'M EMBARRASSED ABOUT IT. 622 00:32:48,700 --> 00:32:50,633 MY SCARLET LETTER IS "U." 623 00:32:52,837 --> 00:32:55,905 "U" FOR "UNWORTHY." 624 00:32:55,975 --> 00:32:58,541 [CARMEN] IT STARTED AFTER SADIE HAWKINS. 625 00:32:58,610 --> 00:33:01,077 WE DANCED AND HAD A REALLY GREAT TIME. 626 00:33:01,146 --> 00:33:03,146 THE NEXT DAY, WE WERE TALKING, AND... 627 00:33:03,215 --> 00:33:05,582 I'M GLAD AT THE DANCE WE DECIDED TO GET TOGETHER 628 00:33:05,650 --> 00:33:07,584 AND PRACTICE FOR THIS PUBLIC SPEAKING COURSE. 629 00:33:07,652 --> 00:33:10,487 I DON'T EVEN KNOW WHY I SIGNED UP FOR THIS CLASS. 630 00:33:10,555 --> 00:33:13,390 I JUST FEEL SO LAME AND DUMB SOMETIMES. 631 00:33:14,493 --> 00:33:15,925 PLEASE. YOU'RE REALLY GOOD. 632 00:33:15,995 --> 00:33:19,329 IT'S PEOPLE THAT MAKE ME FEEL DUMB SOMETIMES. 633 00:33:19,398 --> 00:33:21,464 LIKE BROOKE AND SAM. 634 00:33:21,533 --> 00:33:24,134 MY DAD. ALWAYS MY DAD. 635 00:33:24,203 --> 00:33:25,935 YEAH, WELL, YOU KNOW, UM, 636 00:33:26,005 --> 00:33:29,005 PEOPLE USED TO MAKE ME FEEL GROSS ABOUT MYSELF, TOO. 637 00:33:29,073 --> 00:33:32,942 UNTIL I JUST DECIDED TO STOP CARING WHAT THEY THOUGHT. 638 00:33:34,346 --> 00:33:36,213 THANK YOU, CARMEN. 639 00:33:36,281 --> 00:33:37,447 FOR WHAT? 640 00:33:37,516 --> 00:33:40,016 FOR BEING THE FIRST PERSON 641 00:33:40,084 --> 00:33:42,652 TO MAKE ME FEEL OKAY ABOUT MYSELF. 642 00:33:42,721 --> 00:33:45,488 [CARMEN] FROM THAT MOMENT ON, WE WERE LIKE THIS TEAM. 643 00:33:45,557 --> 00:33:48,991 US AGAINST PEOPLE WHO DIDN'T GET US. 644 00:33:49,060 --> 00:33:51,428 HE TOLD ME STUFF HE'D NEVER TOLD ANYBODY. 645 00:33:51,496 --> 00:33:53,997 I SWEAR, IT'S LIKE WE WERE [SIGHS] 646 00:33:54,066 --> 00:33:55,131 INSTANT SOUL MATES. 647 00:33:55,200 --> 00:33:57,234 CARMEN? 648 00:33:57,302 --> 00:34:00,203 DO YOU WANT TO GO OUT SOMETIME? 649 00:34:08,814 --> 00:34:11,080 [BROOKE] WHEN WAS THIS DATE SUPPOSED TO HAPPEN? 650 00:34:12,884 --> 00:34:15,585 TONIGHT. [NICOLE SCOFFS] INTERESTING. 651 00:34:15,654 --> 00:34:18,888 IF THAT'S TRUE, CUPCAKE, THEN WHY WOULD JOSH LOCK YOU IN HERE TODAY? 652 00:34:18,957 --> 00:34:21,991 FOR ONCE IN YOUR LIFE, YOU'RE RIGHT, CARMEN. YOU ARE UNWORTHY. 653 00:34:22,061 --> 00:34:25,928 JOSH WOULD NEVER GO OUT WITH ANYONE LIKE YOU. OKAY. 654 00:34:25,997 --> 00:34:28,165 SHE MADE THAT UP. ON TO MY SECRET. 655 00:34:28,233 --> 00:34:30,733 NO BIG SURPRISE HERE. I WENT SHOPPING WITH GWYNETH. 656 00:34:30,802 --> 00:34:32,201 IT'S NOT FAIR! 657 00:34:32,270 --> 00:34:34,871 HOW COME EVERYONE ELSE'S SECRETS ARE SO MUCH SEXIER THAN MINE? 658 00:34:34,939 --> 00:34:38,841 NICOLE, YOU PATHETIC LITTLE LIAR. 659 00:34:38,910 --> 00:34:40,877 [CARMEN LAUGHS] GWYNETH IS NOT 660 00:34:40,945 --> 00:34:42,879 YOUR SECRET. 661 00:34:42,947 --> 00:34:45,415 I KNOW WHAT YOUR SECRET IS. 662 00:34:48,887 --> 00:34:51,721 I REPEAT: I WENT SHOPPING WITH GWYNETH. 663 00:34:51,790 --> 00:34:54,957 I BUMPED INTO HER AT JIMMY CHOO'S, AND WE FOUGHT OVER THE LAST SLING BAG, 664 00:34:55,026 --> 00:34:56,960 AND I SAID TO HER, "TAKE IT, HON. 665 00:34:57,028 --> 00:35:00,062 I SAW HUSH LAST NIGHT, AND CONSIDER THIS A GESTURE OF PITY." 666 00:35:00,131 --> 00:35:01,664 IT'S YOU I PITY. 667 00:35:01,733 --> 00:35:04,233 JOSH TALKS TO ME. 'MEMBER? 668 00:35:05,604 --> 00:35:09,372 HE TELLS ME HIS HOPES AND MISTAKES. 669 00:35:09,441 --> 00:35:14,611 SO THE WAY I SEE IT IS, YOU'VE GOT TWO OPTIONS, HON. 670 00:35:14,679 --> 00:35:16,446 EITHER YOU SPILL, 671 00:35:16,515 --> 00:35:18,381 OR I'M GONNA DO IT FOR YOU. 672 00:35:21,820 --> 00:35:23,786 OKAY. 673 00:35:23,855 --> 00:35:25,555 I SLEPT WITH JOSH. 674 00:35:31,230 --> 00:35:34,531 I'M SORRY I TIED YOU BOYS UP. 675 00:35:34,599 --> 00:35:37,367 YEAH, WELL, NOW YOU KNOW HOW IT FEELS. 676 00:35:37,436 --> 00:35:39,502 JUST KEEP PICKING AT THE KNOTS. 677 00:35:39,571 --> 00:35:42,605 WHAT DO YOU THINK HE'S GONNA DO WITH US? 678 00:35:42,674 --> 00:35:44,808 YEAH, THAT'S RIGHT. I GOT FOUR OF THEM HERE. 679 00:35:44,876 --> 00:35:48,778 FOUR FIT SPECIMENS FOR YOUR UNDERGROUND WHITE SLAVERY OPERATION. YOU DIG? 680 00:35:48,847 --> 00:35:50,980 YES, I'LL HOLD. 681 00:35:52,751 --> 00:35:56,519 HOLD IT RIGHT THERE, MR. MAN! YOU'RE GOIN' DOWN! 682 00:35:56,588 --> 00:35:59,856 ONE OF YOU BOYS, QUICK LIKE A BUNNY, RUN FOR HELP. 683 00:35:59,924 --> 00:36:02,258 [NICOLE] I SLEPT WITH JOSH. 684 00:36:02,326 --> 00:36:03,926 JOSH. 685 00:36:03,995 --> 00:36:05,928 MY SCARLET LETTER IS "J." 686 00:36:05,997 --> 00:36:08,064 "J" FOR "JEALOUS." THANK YOU. 687 00:36:09,768 --> 00:36:12,402 [NICOLE] IT ALL BEGAN WHEN I WENT TO COMFORT JOSH 688 00:36:12,471 --> 00:36:15,071 AFTER BROOKE RUTHLESSLY BROKE UP WITH HIM. 689 00:36:15,139 --> 00:36:17,139 JOSH, HONEY, WHAT'S WRONG? 690 00:36:17,208 --> 00:36:19,075 SHE BROKE UP WITH ME. 691 00:36:19,143 --> 00:36:21,711 OHHH. SHH. 692 00:36:21,780 --> 00:36:24,614 IT'S GONNA BE OKAY. SHE DOESN'T KNOW WHAT SHE'S GIVING UP. 693 00:36:24,683 --> 00:36:26,115 BROOKE! 694 00:36:26,185 --> 00:36:28,552 MMM. I'M HERE. 695 00:36:33,224 --> 00:36:36,826 HOW COULD YOU DO THIS TO ME? YOU WERE SUPPOSED TO BE MY BEST FRIEND! 696 00:36:36,895 --> 00:36:38,528 YOU WANT TO KNOW THE TRUTH? 697 00:36:38,597 --> 00:36:41,063 OH, YEAH, I DO. COME ON. BRING IT ON, BACKSTABBER! 698 00:36:41,132 --> 00:36:44,567 I DIDN'T BECAUSE I'M TIRED OF BEING SECOND PLACE 699 00:36:44,636 --> 00:36:46,836 IN YOUR SWEEPSTAKES SWEEP ALL THE TIME. 700 00:36:46,905 --> 00:36:50,407 I DID IT BECAUSE, FOR ONCE, IT DIDN'T HAVE TO BE ALL ABOUT BROOKY. 701 00:36:50,475 --> 00:36:53,743 I'M NOT GONNA APOLOGIZE FOR STEPPING OUT OF YOUR SHADOW. 702 00:36:53,812 --> 00:36:56,546 AND YOU KNOW WHAT ELSE? 703 00:36:56,615 --> 00:36:58,648 IT WAS GOOD. 704 00:36:58,717 --> 00:37:00,550 YOU BITCH! 705 00:37:00,619 --> 00:37:01,818 YOU GUYS, STOP IT! 706 00:37:01,886 --> 00:37:04,421 STOP IT. STOP IT! STOP IT! 707 00:37:04,489 --> 00:37:05,922 LISTEN TO YOURSELVES! 708 00:37:05,991 --> 00:37:08,525 WHY DON'T YOU TURN YOUR RAGE TOWARDS THE REAL PROBLEM, 709 00:37:08,593 --> 00:37:11,160 THE PERSON THAT CAUSED ALL OF THIS? YOU GUYS. 710 00:37:11,230 --> 00:37:12,595 I NEED YOUR HELP. 711 00:37:12,664 --> 00:37:15,232 REALLY. WELL, JOSH, WE NEED SOME ANSWERS. 712 00:37:15,300 --> 00:37:19,436 ♪♪ [SUSPENSEFUL MUSIC] 713 00:37:19,504 --> 00:37:21,438 [GRUNTING] 714 00:37:21,506 --> 00:37:24,240 WHAT DO YOU WANT US TO DO, TEACH? SLAP HIM AROUND A BIT? 715 00:37:24,308 --> 00:37:26,308 LET HIM GO. WHAT? 716 00:37:26,377 --> 00:37:28,377 BUT THEN HE'LL GET AWAY. 717 00:37:28,447 --> 00:37:32,148 I AM TIRED OF HIDING IN MY OWN PRISON OF SHAME. 718 00:37:32,216 --> 00:37:33,983 LET HIM GO. 719 00:37:37,088 --> 00:37:38,621 UM, HI. 720 00:37:38,690 --> 00:37:41,958 MAYBE YOU'D LIKE TO RECONSIDER THIS OPTION. 721 00:37:42,026 --> 00:37:46,128 NO. GO AHEAD. TURN THE TAPES IN TO THE SCHOOL BOARD. GET ME FIRED. 722 00:37:46,197 --> 00:37:48,097 I DON'T CARE. 723 00:37:48,166 --> 00:37:51,468 THE FUN IS GIVING YOU SLEEPLESS NIGHTS. 724 00:37:51,536 --> 00:37:55,037 IF YOU DON'T CARE, THERE'S NO POINT IN RATTING YOU OUT. 725 00:37:56,340 --> 00:37:59,942 GUESS I'LL STAY SILENT FOR NOW. AND LURKING. 726 00:38:00,011 --> 00:38:02,445 YOU'RE SICK, YOU KNOW THAT? THANK YOU. 727 00:38:08,119 --> 00:38:10,152 MISS BOBBI GLASS? SIR? 728 00:38:10,221 --> 00:38:12,722 WE'LL ALWAYS HAVE CROUTONS. 729 00:38:16,527 --> 00:38:18,060 MM! 730 00:38:19,163 --> 00:38:20,396 WHAT NOW, MISS GLASS? 731 00:38:20,464 --> 00:38:23,866 WELL, FIRST THING ON MY TO DO LIST 732 00:38:23,935 --> 00:38:26,569 IS TO GIVE YOU THREE BRAVE BOYS AN AUTOMATIC "A" 733 00:38:26,638 --> 00:38:28,004 FOR THE SEMESTER. 734 00:38:28,072 --> 00:38:31,941 IF, THAT IS, YOU CAN KEEP A LITTLE SECRET. 735 00:38:33,044 --> 00:38:34,544 [CHUCKLES] YEAH. 736 00:38:36,848 --> 00:38:38,247 WHAT HAPPENED TO JOSH? 737 00:38:38,316 --> 00:38:41,684 GET OUT OF THERE! I'M SORRY! I DIDN'T MEAN TO BE A HO! 738 00:38:41,753 --> 00:38:44,020 [ALL SHOUTING] 739 00:38:44,089 --> 00:38:45,322 GET OUT OF THERE! 740 00:38:45,390 --> 00:38:48,224 [SHOUTING CONTINUES] 741 00:38:50,362 --> 00:38:52,595 STOP IT! STOP IT! LEAVE HIM ALONE! 742 00:38:52,664 --> 00:38:54,497 OH, STOP PROTECTING HIM, DARLING! 743 00:38:54,566 --> 00:38:57,567 YOU'RE NOT THE ONLY ONE WHO'S NIBBLED OFF THAT TIRED OLD SNACK. 744 00:38:57,636 --> 00:38:59,802 WE'VE ALL HAD OUR SHARE. 745 00:38:59,871 --> 00:39:02,372 MARY CHERRY, WHAT ARE YOU BABBLING ABOUT? OH. 746 00:39:02,441 --> 00:39:05,007 I'M NO BABBLIN' BROOKE, HON. 747 00:39:05,076 --> 00:39:07,376 JUST A LADY WHO NEEDS TO FESS UP. 748 00:39:07,445 --> 00:39:10,513 I LIED ABOUT MY SECRET. 749 00:39:10,582 --> 00:39:13,783 IT'S ACTUALLY MORE SHOCKIN' AND SCANDALOUS 750 00:39:13,852 --> 00:39:16,452 THAN ALL YOURS COMBINED. 751 00:39:16,521 --> 00:39:18,821 I SLEPT WITH JOSH, TOO. 752 00:39:18,890 --> 00:39:20,222 ♪♪ [SUSPENSEFUL MUSIC] AND JOE. 753 00:39:20,291 --> 00:39:22,024 ♪♪ [SUSPENSEFUL MUSIC] 754 00:39:22,093 --> 00:39:24,627 AT THE SAME TIME. [JOSH] HEY! I'M NOT LIKE THAT! 755 00:39:24,696 --> 00:39:26,996 SHUT YOUR DIRTY WHORE MOUTH, PLAYER PLAYER! 756 00:39:27,065 --> 00:39:29,331 OKAY. WAIT A MINUTE. WHO THE HELL IS JOE? 757 00:39:29,400 --> 00:39:33,302 BUT TWO MENFOLK COULD NOT SATISFY MY CARNAL CRAVINGS. 758 00:39:33,372 --> 00:39:36,072 THAT'S WHY LILY... ♪♪ [SUSPENSEFUL MUSIC] 759 00:39:36,141 --> 00:39:37,907 SLEPT WITH US, TOO. 760 00:39:37,976 --> 00:39:40,576 I DID NOT! 761 00:39:40,645 --> 00:39:42,712 STOP LYIN', LI'L LILY! 762 00:39:42,781 --> 00:39:44,046 YOU LOVED IT! 763 00:39:44,115 --> 00:39:45,381 [SCREAMING] 764 00:39:46,718 --> 00:39:49,819 MARY CHERRY, YOU ARE A TOTAL LIAR! 765 00:39:49,888 --> 00:39:52,388 I HATE LIES, AND I HATE YOU! 766 00:39:52,456 --> 00:39:55,191 OH, GIVE ME... JUST GIVE ME A MINUTE! 767 00:39:55,259 --> 00:39:56,726 WHAT? 768 00:39:56,795 --> 00:39:58,728 STOP TRYIN' TO KISS ME, LILY. 769 00:39:58,797 --> 00:40:00,597 [SCREECHING] 770 00:40:00,665 --> 00:40:02,732 [BROOKE] OKAY, THAT'S IT! NO! 771 00:40:02,801 --> 00:40:04,100 LILY! LILY! 772 00:40:04,168 --> 00:40:07,136 NO! NOOO! 773 00:40:07,205 --> 00:40:09,371 ALL RIGHT! STOP IT! 774 00:40:09,440 --> 00:40:12,508 OKAY. WE OBVIOUSLY NEED TO TAKE ANOTHER LADY TIME! 775 00:40:12,576 --> 00:40:15,678 OH, MY GOD. WE'RE OUT. THANKS, BROOKE, YOU HOG! 776 00:40:15,747 --> 00:40:18,214 THAT'S IT! I'M TAKING YOU TO THE MAT! 777 00:40:18,283 --> 00:40:20,283 [YELLING] 778 00:40:20,351 --> 00:40:22,752 OH, MY GOD! THIS IS HOW IT ENDS. 779 00:40:22,821 --> 00:40:26,255 TRAPPED IN THIS HELLHOLE RESTROOM, OUT OF FOOD, 780 00:40:26,324 --> 00:40:27,891 OUT OF OXYGEN! 781 00:40:27,959 --> 00:40:31,227 WE'RE GONNA DIE IN HERE. WE'RE GONNA DIE! 782 00:40:31,295 --> 00:40:34,697 [YELLING] 783 00:40:34,766 --> 00:40:36,866 WHAT THE HELL IS GOING ON IN HERE? 784 00:40:36,935 --> 00:40:39,101 IS THAT BLOOD ON THE MIRROR? 785 00:40:39,170 --> 00:40:41,438 [HARRISON] WHERE'S JOSH? 786 00:40:41,506 --> 00:40:44,373 WAIT... WE TOOK CARE OF HIM ONCE AND FOR ALL. 787 00:40:44,442 --> 00:40:46,443 UH-HUH. YEAH, COME ON, PAL. 788 00:40:46,511 --> 00:40:49,746 [HARRISON] HOLD ON. WAIT A MINUTE. 789 00:40:49,814 --> 00:40:51,814 I... WE... THE GUYS. WE JUST WANTED TO HELP. 790 00:40:51,883 --> 00:40:53,816 [MARY] WE MADE A MEAL OUT OF JOSH. 791 00:40:53,885 --> 00:40:55,818 NOW IT'S YOUR TURN! 792 00:40:57,188 --> 00:40:58,921 [HARRISON] THAT'S IT. 793 00:40:58,990 --> 00:41:02,625 JUST... JUST HELPING. THAT'S ALL. OKAY? 794 00:41:02,694 --> 00:41:05,928 YOU GUYS, BEFORE WE HURT HARRISON, 795 00:41:05,997 --> 00:41:07,096 LOOK. 796 00:41:10,936 --> 00:41:12,501 WE'RE FREE. 797 00:41:12,571 --> 00:41:14,837 I FEEL LIKE WE WENT THROUGH A WAR. 798 00:41:14,906 --> 00:41:17,173 Y'ALL, CALL ME CRAZY... 799 00:41:17,241 --> 00:41:20,276 CRAZY. BUT I DON'T WANT TO GO. 800 00:41:20,344 --> 00:41:23,345 I JUST... FEEL SO SAFE WITH Y'ALL IN HERE. 801 00:41:23,414 --> 00:41:26,215 IT'S WEIRD, HUH? EVEN THOUGH WE KIND OF FREAKED OUT, 802 00:41:26,284 --> 00:41:27,784 THE WHOLE EXPERIENCE WAS... 803 00:41:27,852 --> 00:41:29,886 CATHARTIC. YEAH. 804 00:41:29,955 --> 00:41:32,621 I FEEL LIKE WE RIPPED THOSE SCARLET LETTERS OFF OUR CHESTS AND FLUSHED THEM. 805 00:41:32,690 --> 00:41:37,494 THANK YOU, JOE, FOR MAKING THIS LADY TIME SHARE-IN POSSIBLE. 806 00:41:37,562 --> 00:41:39,195 [JOSH] NO PROBLEM. 807 00:41:39,263 --> 00:41:40,596 YOU KNOW WHAT? 808 00:41:40,665 --> 00:41:43,733 IT WAS A REAL REFRESHING COURSE IN BOUNDARIES 101. 809 00:41:43,802 --> 00:41:45,935 THANK YOU. HEY, WHAT TIME IS IT? 810 00:41:46,004 --> 00:41:47,804 IT'S ALMOST 8:00. 811 00:41:47,873 --> 00:41:50,673 WE STILL HAVE TIME TO CALL OUR PARENTS 812 00:41:50,742 --> 00:41:53,509 AND TELL THEM WE'RE OKAY AND GO OUT FOR SOME PIZZA. 813 00:41:53,577 --> 00:41:54,944 FORGET THE SLICES. 814 00:41:55,013 --> 00:41:57,179 LET'S MOSEY ON OVER TO CROUTONS. 815 00:41:57,248 --> 00:41:59,315 THEY'VE GOT AN AMBROSIA SALAD I'D KILL FOR. 816 00:41:59,383 --> 00:42:00,316 UGH. 817 00:42:00,384 --> 00:42:02,251 COME ON, LI'L LILY. 818 00:42:02,320 --> 00:42:06,255 UM, JOSH, I THINK WE'RE GONNA NEED TO RESCHEDULE THAT DATE. QUACK, WAIT UP. 819 00:42:06,324 --> 00:42:08,124 YOU KNOW WHAT? WHAT? 820 00:42:08,192 --> 00:42:11,627 YOU WERE RIGHT WHEN YOU SAID THAT IF WE ALL GOT INTO A ROOM AND COMMUNICATED, 821 00:42:11,696 --> 00:42:13,462 WE CAN BE FRIENDS. YEAH. 822 00:42:13,531 --> 00:42:14,531 OH, NIC. 823 00:42:14,599 --> 00:42:16,566 ONE MORE THING. 824 00:42:16,635 --> 00:42:18,935 I NEVER WANT TO TALK TO YOU AGAIN. 825 00:42:22,841 --> 00:42:26,843 ♪ ALL WE HAVE TO SEE ♪ 826 00:42:26,911 --> 00:42:28,978 ♪ IS THAT I DON'T BELONG TO YOU ♪ 827 00:42:29,047 --> 00:42:30,680 [JOSH] ARE THEY GONE? 828 00:42:30,749 --> 00:42:33,215 [HARRISON] LET'S GIVE IT A MINUTE, JUST TO BE SAFE. 829 00:42:33,284 --> 00:42:34,984 ♪ FREEDOM ♪ 830 00:42:35,053 --> 00:42:37,619 ♪ OH, OH, FREEDOM ♪ 831 00:42:37,688 --> 00:42:39,721 ♪ MY FREEDOM ♪ 832 00:42:39,790 --> 00:42:41,123 NO FOOD? 833 00:42:41,192 --> 00:42:43,292 NO OXYGEN? WE'RE GONNA DIE HERE. 834 00:42:43,361 --> 00:42:44,727 WE'RE GONNA DIE! 835 00:42:44,796 --> 00:42:46,329 [POUNDING] COME ON! 836 00:42:46,397 --> 00:42:48,564 LET'S US OUT OF HERE! THIS ISN'T FUNNY! 837 00:42:48,632 --> 00:42:50,833 ♪ FREEDOM ♪ 838 00:42:50,902 --> 00:42:52,935 ♪ YOU'VE GOT TO GIVE FOR WHAT YOU TAKE ♪ 839 00:42:53,004 --> 00:42:56,138 ♪ GIVE FOR WHAT YOU TAKE ♪ 840 00:42:56,207 --> 00:42:57,740 ♪ YEAH ♪ 841 00:43:00,678 --> 00:43:04,313 ♪ TO BEND AND NOT TO BREAK ♪ 842 00:43:04,382 --> 00:43:07,917 ♪ CHIN UP, TRY NOT TO QUAKE ♪ 843 00:43:07,986 --> 00:43:11,554 ♪ I'M GRINNING ON THE OUTSIDE ♪ 844 00:43:11,623 --> 00:43:14,690 ♪ BUT I'M A WRECK INTERNALLY ♪ 845 00:43:17,461 --> 00:43:20,997 ♪ OOH, LA LA LA LA ♪ 846 00:43:25,103 --> 00:43:28,938 ♪ OOH, LA LA LA LA ♪