1
00:00:02,669 --> 00:00:05,204
[SAM'S VOICE] I'M VERY SORRY
FOR THE CHURCH DEBACLE
2
00:00:05,272 --> 00:00:07,071
AND I HOPE EVERYONE
CAN FORGIVE ME.
3
00:00:07,140 --> 00:00:08,673
STILL I CANNOT
PARTICIPATE IN SOMETHING
4
00:00:08,742 --> 00:00:11,042
I KNOW IN MY HEART
IS THE WRONG CHOICE.
5
00:00:11,111 --> 00:00:13,312
IN THE NOVEL
CRIME AND PUNISHMENT,
6
00:00:13,380 --> 00:00:15,414
THE PROTAGONIST, RASKOLNIKOV,
7
00:00:15,482 --> 00:00:17,916
PROPOSES THERE ARE
TWO TYPES OF MEN,
8
00:00:17,985 --> 00:00:20,552
THE ORDINARY AND
THE EXTRAORDINARY.
9
00:00:20,621 --> 00:00:24,456
RASKOLNIKOV'S THEORY WAS THAT
IF ONE WERE EXTRAORDINARY,
10
00:00:24,525 --> 00:00:28,560
AS HE SAW HIMSELF, THEN ONE
WAS EXEMPT FROM PUNISHMENT.
11
00:00:28,629 --> 00:00:33,465
SO, WHAT CONCLUSION CAN WE DRAW
FROM HIS ULTIMATE INCARCERATION?
12
00:00:33,534 --> 00:00:34,633
MISS JULIAN.
13
00:00:34,701 --> 00:00:35,967
HE WAS WEAK.
14
00:00:36,036 --> 00:00:37,469
HAD HE HELD OUT LONGER,
15
00:00:37,538 --> 00:00:39,904
HE AND HIS LITTLE HARLOT
COULD HAVE LIVED BLISSFULLY
16
00:00:39,973 --> 00:00:42,073
IN A HOMEY DACHA
BY THE BLACK SEA.
17
00:00:42,143 --> 00:00:45,143
BELIEVE ME,
PRISON WAS AVOIDABLE.
18
00:00:45,211 --> 00:00:46,811
THAT'S ONE PERSPECTIVE,
MISS JULIAN.
19
00:00:46,880 --> 00:00:48,380
THANK YOU.
20
00:00:48,449 --> 00:00:49,748
BUT CONSIDER THIS:
21
00:00:49,816 --> 00:00:52,284
THROUGHOUT THE NOVEL,
AS RASKOLNIKOV
22
00:00:52,353 --> 00:00:55,554
ATTEMPTS TO COVER UP HIS TRACKS,
23
00:00:55,622 --> 00:00:58,122
ONE LIE LEADS TO ANOTHER
24
00:00:58,191 --> 00:01:01,527
UNTIL THE EMOTIONAL BURDEN
IS TOO MUCH TO BEAR.
25
00:01:01,595 --> 00:01:03,762
HE IS LEFT NO RECOURSE
26
00:01:03,830 --> 00:01:07,366
BUT TO CONFESS HIS CRIME
AND THUS DISPROVE HIS THEORY.
27
00:01:07,434 --> 00:01:10,101
DOSTOYEVSKY IS SAYING
28
00:01:10,170 --> 00:01:14,906
THAT ULTIMATELY WE ALL
MUST PAY FOR OUR CRIMES.
29
00:01:14,975 --> 00:01:18,643
NOTHING IN LIFE
GOES UNPUNISHED, BABIES.
30
00:01:18,712 --> 00:01:19,945
[BELL RINGS]
31
00:01:26,086 --> 00:01:28,187
OKAY. WHERE IS SHE?
DROP THE CHARADE.
32
00:01:28,255 --> 00:01:30,322
I KNOW ONE OF YOU
IS HIDING SAM.
33
00:01:30,391 --> 00:01:32,591
WHAT ARE YOU
BABBLING ABOUT, BROOKE?
34
00:01:34,194 --> 00:01:37,829
YOU REALLY DON'T HAVE ANY IDEA
WHAT I'M TALKING ABOUT, DO YOU?
35
00:01:39,433 --> 00:01:41,466
SAM'S MISSING.
[CARMEN] MISSING?
36
00:01:41,535 --> 00:01:44,135
BROOKE, I THINK SHE JUST
SKIPPED FIRST PERIOD.
37
00:01:44,204 --> 00:01:48,239
YEAH, I THINK IT'S A LITTLE SOON
TO SEND OUT A SEARCH PARTY.
MAYBE NOT.
38
00:01:48,309 --> 00:01:51,943
UM, JANE AND MY DAD
DON'T KNOW YET, BUT...
39
00:01:53,514 --> 00:01:57,416
SAM'S RUN AWAY. DO YOU HAVE
ANY IDEA WHERE SHE MIGHT BE?
40
00:01:57,484 --> 00:01:58,917
NO.
41
00:01:58,986 --> 00:02:00,385
OH, MY GOD.
42
00:02:14,435 --> 00:02:16,568
YEAH, THAT'S GOOD
RIGHT THERE.
OKAY.
43
00:02:16,637 --> 00:02:20,038
JUST TILT IT DOWN
A LITTLE BIT TO THE LEFT.
MM-HMM.
44
00:02:20,106 --> 00:02:21,873
JUST A LITTLE BIT MORE.
45
00:02:21,942 --> 00:02:25,910
BRING THIS POINT DOWN
A LITTLE BIT LIKE THAT. YEAH.
46
00:02:25,979 --> 00:02:29,247
JUST BRING THIS PART UP.
JUST A LITTLE BIT.
47
00:02:29,315 --> 00:02:32,517
EXCUSE ME.
ARE YOU BROOKE McQUEEN'S MOTHER?
48
00:02:41,928 --> 00:02:43,895
♪ THINK IT OVER ONCE OR TWICE ♪
49
00:02:43,964 --> 00:02:46,398
♪ WHAT LASTS
THE LONGEST IN THIS LIFE ♪
50
00:02:46,467 --> 00:02:50,669
♪ CHARACTER
OR ROCK-HARD THIGHS ♪
51
00:02:50,737 --> 00:02:53,171
♪ IN THE END DO YOU BELIEVE ♪
52
00:02:53,240 --> 00:02:55,574
♪ THAT BEAUTY LIES
IN WHAT YOU SEE ♪
53
00:02:55,642 --> 00:02:57,642
♪ 'CAUSE IF YOU DO,
THEN, BABY ♪
54
00:02:57,711 --> 00:02:59,678
♪ YOU'VE BEEN DECEIVED ♪
55
00:02:59,746 --> 00:03:02,346
♪ WELL, ME AND B ♪
56
00:03:02,416 --> 00:03:06,351
♪ WE HATE SUPERMODELS ♪
57
00:03:10,424 --> 00:03:15,661
♪ IT'S JUST THAT I'M TIRED
OF BEING COMPARED ♪
58
00:03:24,538 --> 00:03:25,904
EXCUSE ME?
59
00:03:25,973 --> 00:03:27,206
ARE YOU BROOKE McQUEEN'S MOTHER?
60
00:03:27,274 --> 00:03:29,241
I HAVE NO IDEA WHAT
YOU'RE TALKING ABOUT.
61
00:03:41,187 --> 00:03:44,389
BROOKE McQUEEN, DAUGHTER OF
MIKE AND KELLY McQUEEN.
62
00:03:44,458 --> 00:03:48,627
I'VE DONE MY HOMEWORK,
MISS FOSTER, SO DON'T DENY IT.
63
00:03:48,695 --> 00:03:50,562
YOUNG LADY, JUST WHO ARE YOU?
64
00:03:50,631 --> 00:03:52,897
I'M ABOUT TO BECOME UNWILLINGLY
HITCHED TO YOUR DAUGHTER.
65
00:03:52,966 --> 00:03:55,834
YOU'RE THE ONLY ONE
CAPABLE OF STOPPING IT.
66
00:03:55,902 --> 00:03:58,437
IN THAT CASE,
LET ME HELP YOU.
67
00:03:59,873 --> 00:04:01,573
WHERE ARE YOU TAKING ME?
68
00:04:01,642 --> 00:04:03,174
TO THE METHADONE CLINIC.
69
00:04:03,244 --> 00:04:05,611
LOOK, I'M NOT ON DRUGS.
70
00:04:05,679 --> 00:04:08,613
I KNOW YOU'RE BROOKE'S MOTHER.
I'VE DONE INTERNET RESEARCH.
71
00:04:08,682 --> 00:04:11,015
AT LAST, A Y2K GLITCH.
72
00:04:11,084 --> 00:04:14,453
ALL I KNOW IS THAT KELLY,
A PHOTOGRAPHER,
73
00:04:14,521 --> 00:04:16,821
LEFT MIKE AND BROOKE IN L.A.
74
00:04:16,890 --> 00:04:19,591
AND RAN OFF WITH
HER RICH BOSS, RON FOSTER,
75
00:04:19,660 --> 00:04:21,360
TO NORTHERN CALIFORNIA.
76
00:04:21,428 --> 00:04:24,930
YOU'RE THE ONLY PHOTO GALLERY
OWNER LIVING IN THE BAY AREA
77
00:04:24,998 --> 00:04:28,166
WHO HAPPENS TO BE
NAMED KELLY FOSTER.
78
00:04:28,234 --> 00:04:32,270
HMM. GOOD JOB.
COUPLE OF HOLES.
79
00:04:32,338 --> 00:04:33,605
SUCH AS?
80
00:04:33,674 --> 00:04:34,606
I'M SINGLE.
81
00:04:34,675 --> 00:04:37,108
UP UNTIL LAST YEAR,
I LIVED IN NEW YORK.
82
00:04:37,177 --> 00:04:39,511
I'VE NEVER DATED
ANYONE NAMED RON,
83
00:04:39,580 --> 00:04:40,845
LET ALONE MARRIED THEM.
84
00:04:40,914 --> 00:04:43,848
FOSTER IS MY MAIDEN NAME,
AND UNLESS I WAS VERY DRUNK,
85
00:04:43,917 --> 00:04:46,217
I'VE NEVER SLEPT WITH ANYONE
NAMED MIKE McCAFFERTY.
86
00:04:46,286 --> 00:04:48,887
IT'S McQUEEN.
87
00:04:50,591 --> 00:04:52,323
SO YOU DON'T HAVE ANY KIDS?
88
00:04:52,392 --> 00:04:54,325
I'M NOT THE MOTHER TYPE.
89
00:04:54,394 --> 00:04:56,527
ANYTHING ELSE?
90
00:04:56,597 --> 00:04:58,964
I WAS SO SURE YOU WERE IT.
91
00:05:01,134 --> 00:05:02,667
SORRY.
92
00:05:05,539 --> 00:05:08,006
AND I'M SORRY THAT
I CAN'T HELP YOU.
93
00:05:13,947 --> 00:05:17,616
JOSH, I GOTS US THE PERFECT
CRIME. IT NEEDS NO PUNISHMENT.
94
00:05:17,685 --> 00:05:20,251
YOU KNOW CAESAR CROUTON'S
BREASTS AND THIGHS?
95
00:05:20,320 --> 00:05:23,822
YEAH, IT'S THAT TRASHY STRIP
CLUB WITH THE FULL-ON LAP DANCE.
96
00:05:23,890 --> 00:05:26,424
AND A TASTY THREE-PIECE
ROTISSERIE CHICKEN COMBO.
97
00:05:26,493 --> 00:05:28,527
YEAH. WELL, I'M DOWN
WITH THE BOUNCER, MAN.
98
00:05:28,595 --> 00:05:30,562
MY BOY GOT MOVED
TO THE DAY SHIFT.
99
00:05:30,631 --> 00:05:33,832
ALL WE NEED'S A COUPLE
FAKE I.D.s AND WE ARE IN.
100
00:05:33,900 --> 00:05:34,833
NICE!
101
00:05:34,902 --> 00:05:36,134
DID YOU HEAR THAT?
102
00:05:36,202 --> 00:05:39,103
A LAP DANCE AND A DELICIOUS
CHICKEN LUNCH TO BOOT.
103
00:05:39,172 --> 00:05:41,707
I PROPOSE WE CROSS
THE SOCIAL DIVIDE AND JOIN THEM.
104
00:05:41,775 --> 00:05:44,008
ARE YOU CRAZY? EMORY,
WE'LL GET BUSTED FOR SKIPPING.
105
00:05:44,077 --> 00:05:47,045
EASILY AVOIDABLE WITH ONE
OF MY PATENTED EXCUSE NOTES.
106
00:05:47,113 --> 00:05:50,749
UM, SORRY,
BUT I THINK I'M JUST CURSED
TO BE THE ORDINARY MAN.
107
00:05:50,817 --> 00:05:52,784
POPPYCOCK, CAPTAIN!
108
00:05:52,853 --> 00:05:55,354
A LITTLE OF
DOSTOYEVSKY'S UBER-MENSCH
EXISTS WITHIN US ALL.
109
00:05:55,422 --> 00:05:57,255
YOU JUST NEED
YOUR FLAME FANNED.
110
00:05:57,324 --> 00:05:58,757
LOOK. YOU HEARD MISS ROSS.
111
00:05:58,825 --> 00:06:01,192
EVEN THAT RASTA-LA-LA-LA GUY
COULDN'T CUT IT.
112
00:06:01,261 --> 00:06:04,162
THAT CENTURIES OLD TOME
NO LONGER HAS ANY RELEVANCE.
113
00:06:04,231 --> 00:06:06,931
ONE NEED ONLY EXAMINE,
UH, WOODY ALLEN'S
114
00:06:07,000 --> 00:06:08,933
MUCH APPRECIATED
20TH-CENTURY REMAKE
115
00:06:09,002 --> 00:06:10,268
CRIMES AND MISDEMEANORS.
116
00:06:10,336 --> 00:06:12,303
WELL, IN THE FILM,
117
00:06:12,372 --> 00:06:15,106
MARTIN LANDAU PLAYS A VERY
SUCCESSFUL OPHTHALMOLOGIST
118
00:06:15,175 --> 00:06:16,941
WHO MURDERS A FORMER FLAME
119
00:06:17,010 --> 00:06:21,412
AND THEN GOES ON TO LEAD A
COMPLETELY GUILT-FREE EXISTENCE.
120
00:06:23,283 --> 00:06:24,683
TRUST ME, CAPTAIN.
121
00:06:24,751 --> 00:06:28,086
YOU TOO CAN BE THAT
SUCCESSFUL OPHTHALMOLOGIST.
122
00:06:28,154 --> 00:06:30,755
MR. DADDY,
I HAVE A PROPOSAL.
123
00:06:32,192 --> 00:06:35,193
[BROOKE] BUT YOU'RE THE ONE
THAT SHE WENT TO.
124
00:06:35,261 --> 00:06:38,629
SHE DIDN'T GIVE YOU ANY CLUE
AS TO WHERE SHE WOULD GO?
125
00:06:38,699 --> 00:06:41,466
CAN'T YOU SEE WHAT'S
GOING ON HERE? SHE'S BLUFFING.
126
00:06:41,535 --> 00:06:43,234
WHAT IF SHE ISN'T?
127
00:06:43,303 --> 00:06:46,337
I CAN'T RISK IT.
I HAVE TO TELL MY PARENTS.
128
00:06:46,407 --> 00:06:47,672
[SIGHS]
129
00:06:47,741 --> 00:06:50,409
OKAY. YOU'RE RIGHT.
YOU'RE RIGHT.
130
00:06:50,477 --> 00:06:53,544
AND WHILE YOU'RE AT IT, YOU'D
BETTER CALL OFF THE SHOWER.
131
00:06:53,614 --> 00:06:55,981
MAYBE EVEN BRING
THE POLICE INTO IT.
132
00:06:56,049 --> 00:06:58,417
START THIS IRREVERSIBLE
TIDE OF PANIC. RUIN THE WEDDING.
133
00:06:58,485 --> 00:07:02,754
AND PLAY RIGHT INTO SPAM'S
COLD, UNMOISTURIZED HANDS.
134
00:07:02,823 --> 00:07:05,524
IF YOU WANT
THE WEDDING TO GO ON,
135
00:07:05,592 --> 00:07:07,692
YOU JUST ACT LIKE
NOTHING'S HAPPENED.
136
00:07:07,761 --> 00:07:10,161
YOU REALLY JUST THINK
THAT SHE'S BLUFFING?
137
00:07:11,798 --> 00:07:14,232
HONEY, BY SUNDOWN,
HER AND HER HEINOUS '80S BANGS
138
00:07:14,301 --> 00:07:16,567
ARE GONNA BE HOME
DIGGIN' IN HAAGEN-DAZS
139
00:07:16,636 --> 00:07:19,170
WHILE HER LITHIUM PRESCRIPTION'S
BEING FILLED.
140
00:07:19,239 --> 00:07:20,905
WHAT ABOUT JANE'S SHOWER?
141
00:07:20,974 --> 00:07:23,274
JUST MAKE SURE
THE PREPARATIONS
GO SMOOTHLY. OKAY?
142
00:07:23,343 --> 00:07:25,910
NOTHING'S GONNA GET
TO SAM MORE THAN COMING HOME
143
00:07:25,979 --> 00:07:29,147
TO A MARTHA STEWARTESQUE
BRIDAL SHOWER AND FINDING
SHE HASN'T BEEN MISSED.
144
00:07:29,216 --> 00:07:31,683
AND JUST REMEMBER, B,
YOU CAN'T LET HER WIN.
145
00:07:31,752 --> 00:07:33,918
YOU'VE GOT
TOO MUCH AT STAKE.
YEAH.
146
00:07:33,987 --> 00:07:35,220
GENTLEMEN,
147
00:07:35,288 --> 00:07:36,988
ANOTHER ADOLESCENT MILESTONE
HAS BEEN REACHED.
148
00:07:37,057 --> 00:07:39,357
I AM PROUD TO PRESENT YOU
WITH YOUR FIRST
149
00:07:39,425 --> 00:07:41,793
FALSE IDENTIFICATION CARD,
CRAFTED TODAY
150
00:07:41,862 --> 00:07:43,327
IN SECOND PERIOD
COMPUTER LAB.
151
00:07:43,396 --> 00:07:44,896
HERE YOU ARE.
152
00:07:44,965 --> 00:07:46,697
YEAH!
YEAH.
153
00:07:49,002 --> 00:07:50,869
HEY. HARRISON.
154
00:07:50,937 --> 00:07:52,337
- HAVE YOU SEEN SAM?
- TODAY?
155
00:07:52,405 --> 00:07:54,072
NO. NO.
IS SOMETHING WRONG?
156
00:07:54,140 --> 00:07:56,374
WELL...
SHH!
157
00:07:56,442 --> 00:07:57,676
NO. NOTHING'S WRONG.
158
00:07:57,744 --> 00:07:58,676
GOOD.
159
00:08:02,983 --> 00:08:04,348
YO, HE'S THE BOMB!
160
00:08:04,417 --> 00:08:05,884
I AM IMPRESSED, EMORY.
161
00:08:05,952 --> 00:08:07,886
DO I LOOK LIKE A PHIL GOLDFARB?
162
00:08:07,954 --> 00:08:09,921
- OH, YEAH.
- OKAY. THEN LET'S DO IT.
163
00:08:09,990 --> 00:08:14,592
REMEMBER, THE SECRET TO
UNDERAGE PASSING IS BEING COOL.
164
00:08:16,429 --> 00:08:17,361
SO BE...
165
00:08:17,430 --> 00:08:18,863
COOL.
166
00:08:18,932 --> 00:08:20,031
♪ HORNY, HORNY ♪
167
00:08:20,100 --> 00:08:22,033
♪ GEE, I'M HORNY ♪
168
00:08:22,102 --> 00:08:25,236
♪ HORNY COOL BOYS ♪
169
00:08:25,305 --> 00:08:28,539
♪ I NEED A STRIPPER
OR I'LL POP MY ZIPPER ♪
170
00:08:28,608 --> 00:08:32,110
♪ WACKY, HORNY COOL BOYS ♪
171
00:08:38,484 --> 00:08:40,719
[MAN]
I.D.s, GENTLEMEN.
172
00:08:43,323 --> 00:08:47,526
AH. OKAY.
LET'S SEE WHO WE GOT HERE.
173
00:08:47,594 --> 00:08:49,360
MR. RYAN MURPHY.
174
00:08:49,429 --> 00:08:52,163
AH, PHIL GOLDFARB.
175
00:08:53,266 --> 00:08:54,365
MR. ROBIN.
176
00:08:54,434 --> 00:08:57,769
THAT'S DR. ROBIN, D.D.S.
177
00:08:57,838 --> 00:08:59,170
DOCTOR? HUH.
178
00:08:59,239 --> 00:09:00,872
AND, UH, MR. SHATNER.
179
00:09:00,941 --> 00:09:03,107
CAPTAIN SHATNER.
180
00:09:03,176 --> 00:09:05,043
WELL, CAPTAIN,
YOU AND YOUR CREW,
181
00:09:05,112 --> 00:09:06,645
YOU CAN JUST GO HOME.
182
00:09:06,713 --> 00:09:07,711
WHAT?
183
00:09:07,781 --> 00:09:09,113
[JOSH]
LOOK, WE'RE JUST HERE
184
00:09:09,182 --> 00:09:10,481
FOR THE CHICKEN, ALL RIGHT?
185
00:09:10,550 --> 00:09:12,450
OKAY, I DON'T
NEED THIS BUSINESS,
186
00:09:12,518 --> 00:09:14,418
SO I'M GONNA CALL THE COPS.
187
00:09:14,487 --> 00:09:16,120
WHY YOU GOTTA BE LIKE THAT?
188
00:09:16,189 --> 00:09:19,323
YOU BEEN HANGIN' OUT
AT THIS DOOR SINCE YOU WERE 12.
189
00:09:19,392 --> 00:09:21,760
I KNOW HOW OLD YOU ARE.
190
00:09:21,828 --> 00:09:24,428
HOW YOU GONNA TRY
TO PLAY ME LIKE THAT?
191
00:09:24,497 --> 00:09:25,463
ARE YOU RETARDED?
192
00:09:25,531 --> 00:09:27,198
NO.
193
00:09:27,267 --> 00:09:28,399
I'M A DENTIST.
194
00:09:28,468 --> 00:09:30,635
I HAVE PROOF.
ISN'T THIS GOOD ENOUGH?
195
00:09:30,704 --> 00:09:32,771
NO, BABY.
THIS IS HOW IT GOES DOWN.
196
00:09:32,839 --> 00:09:35,506
YOU GET BUSTED,
THEN IT'S MY ASS.
197
00:09:35,575 --> 00:09:39,643
MAN, NOBODY'S GONNA BUST A STRIP
CLUB IN THE MIDDLE OF THE DAY.
198
00:09:39,713 --> 00:09:41,379
AH, TELL YOU WHAT.
199
00:09:41,447 --> 00:09:45,149
YOU COME BACK WITH AN ADULT
WITH A REAL I.D.
200
00:09:45,218 --> 00:09:48,286
WHO DOESN'T MIND
PUTTING HIS ASS ON THE LINE.
201
00:09:48,354 --> 00:09:50,989
THEN, HEY, FINE.
I'LL LET YOU ALL IN.
202
00:09:51,057 --> 00:09:53,657
WHERE WE GONNA FIND
SOMEONE LIKE THAT?
WELL, SUG,
203
00:09:53,727 --> 00:09:56,660
WHY DON'T YOU TRY
ONE OF YOUR DADDIES?
204
00:09:56,730 --> 00:09:58,396
[CHUCKLES]
205
00:09:58,464 --> 00:09:59,931
IN ADDITION TO ANNOUNCING
206
00:10:00,000 --> 00:10:01,600
THAT A PRENUPTIAL AGREEMENT
HAS BEEN REACHED,
207
00:10:01,668 --> 00:10:03,601
CHERRY CHERRY SAID
IN A STATEMENT TODAY
208
00:10:03,669 --> 00:10:06,504
THAT SHE IS PLEASED THAT
ERIK ESTRADA IS, HER WORDS,
209
00:10:06,572 --> 00:10:09,040
"POTENT AND VIRILE,"
AND THAT SHE EXPECTS,
210
00:10:09,109 --> 00:10:11,742
AFTER YEARS OF EMPTINESS,
TO REAR HER FIRST CHILD.
211
00:10:14,848 --> 00:10:16,414
WELL, IT'S OFFICIAL.
212
00:10:16,482 --> 00:10:18,783
THAT HOLLYWOOD PHONY
HAS BRAINWASHED MY MAMA.
213
00:10:18,852 --> 00:10:21,052
I'M NOTHIN' BUT
A FAINT MEMORY.
214
00:10:21,121 --> 00:10:24,355
FAINT? YOU'RE MORE
LIKE THAT KENNEDY KID
THEY STUCK IN THE ATTIC.
215
00:10:24,424 --> 00:10:27,558
TO THE WORLD,
YOU DON'T EVEN EXIST.
216
00:10:27,628 --> 00:10:31,362
THIS IS A CRIME.
LIKE THAT "RASTAKOLINSTINE."
217
00:10:31,431 --> 00:10:33,331
WELL, IF THAT'S THE CASE,
MARY CHERRY,
218
00:10:33,400 --> 00:10:35,566
THEN YOUR COURSE OF ACTION
IS QUITE CLEAR.
219
00:10:37,570 --> 00:10:40,138
THAT CRIME
NEEDS TO BE PUNISHED.
220
00:10:42,776 --> 00:10:45,343
HMM.
221
00:10:54,221 --> 00:10:56,888
[CHATTERING]
222
00:11:29,622 --> 00:11:30,821
[DOOR SHUTS]
223
00:11:32,625 --> 00:11:34,725
WHAT DO YOU THINK YOU'RE DOING?
224
00:11:41,767 --> 00:11:42,901
WHAT ARE YOU DOING?
225
00:11:42,969 --> 00:11:44,035
I'M LOOKING FOR PROOF.
226
00:11:44,104 --> 00:11:46,838
YOU MAY NOT ADMIT IT,
BUT I KNOW WHO YOU ARE,
227
00:11:46,907 --> 00:11:49,741
EVEN IF YOU HAVE MANAGED
TO ERADICATE ALL THE EVIDENCE.
228
00:11:49,810 --> 00:11:52,343
I WANT YOU OUT,
OR I'M GONNA HAVE YOU ARRESTED.
229
00:11:53,446 --> 00:11:55,513
NO. THIS IS YOUR LIFE.
230
00:11:55,581 --> 00:11:57,082
THIS IS THE DAUGHTER
YOU ABANDONED.
231
00:11:57,150 --> 00:11:59,783
THE DAUGHTER
YOU'RE ABOUT TO LOSE AGAIN
232
00:11:59,853 --> 00:12:01,386
IF THIS MARRIAGE HAPPENS.
233
00:12:01,454 --> 00:12:03,054
TAKE A GOOD LOOK.
234
00:12:04,624 --> 00:12:07,192
YOU TWO DEFINITELY SWIM
IN THE SAME GENE POOL.
235
00:12:08,428 --> 00:12:10,794
I HAVE NO IDEA
WHO THIS PERSON IS.
236
00:12:10,864 --> 00:12:13,631
AND I'M CALLING THE COPS
IF YOU DON'T LEAVE.
237
00:12:13,699 --> 00:12:15,366
WOW.
238
00:12:15,435 --> 00:12:17,535
NOW, THERE'S REALLY
NO DENYING IT.
239
00:12:17,603 --> 00:12:20,404
THAT COOL AND CONTROLLED
ICY THING YOU JUST DID?
240
00:12:20,473 --> 00:12:23,074
YOUR DAUGHTER'S
GOT THAT DOWN IN SPADES.
241
00:12:27,913 --> 00:12:29,948
HEY.
242
00:12:30,016 --> 00:12:31,315
YOUR PICTURE.
243
00:12:31,384 --> 00:12:33,517
KEEP IT.
244
00:12:41,294 --> 00:12:44,328
NO ONE HAS SEEN HER ALL DAY.
WE HAVE CHECKED EVERYWHERE.
245
00:12:44,397 --> 00:12:47,332
CRANKY'S, MR. CLUCK'S,
EVEN HER FATHER'S GRAVE.
246
00:12:47,400 --> 00:12:51,169
I SEE.
WELL, I WOULDN'T WORRY.
247
00:12:51,237 --> 00:12:54,638
NIC SEEMS TO THINK THAT SAM'S
TRYING TO MAKE SOME STATEMENT.
248
00:12:54,707 --> 00:12:58,442
BASED ON MY OWN EXPERIENCE,
I'D HAVE TO AGREE.
249
00:12:58,511 --> 00:13:01,245
SHE'S BEEN GONE,
LIKE, TEN HOURS ALREADY.
250
00:13:01,314 --> 00:13:04,782
ISN'T IT A POLICE THING THAT
YOU HAVE TO BE MISSING 48 HOURS
251
00:13:04,850 --> 00:13:06,284
BEFORE THEY START A SEARCH?
252
00:13:06,352 --> 00:13:09,753
BROOKE, DO YOU REALLY
THINK IT IS A GOOD IDEA
253
00:13:09,822 --> 00:13:11,755
TO JUST KEEP
WATCHING THE CLOCK?
254
00:13:11,824 --> 00:13:13,257
SHOULDN'T WE TELL SOMEONE?
255
00:13:13,326 --> 00:13:16,294
NO. I WILL NOT LET SAM
RUIN THIS WEDDING.
256
00:13:16,362 --> 00:13:19,630
WE ARE GOING TO CARRY ON
LIKE NOTHING HAS HAPPENED
257
00:13:19,699 --> 00:13:22,266
AND MAKE THIS THE BEST
BRIDAL SHOWER IN HISTORY.
258
00:13:22,335 --> 00:13:25,336
OKAY? THAT WAY, WHEN SHE SHOWS
UP, TAIL BETWEEN HER LEGS,
259
00:13:25,405 --> 00:13:27,671
NO ONE IS THE WISER.
260
00:13:27,740 --> 00:13:31,142
YOU KNOW WHAT?
I THINK BROOKE MIGHT BE RIGHT.
261
00:13:31,211 --> 00:13:32,944
IF WE GO SPOUTING OFF,
262
00:13:33,013 --> 00:13:35,980
SHE'S GONNA GET IN MORE TROUBLE
WHEN SHE DOES COME HOME.
263
00:13:36,049 --> 00:13:37,381
[BROOKE] RIGHT.
264
00:13:37,450 --> 00:13:38,482
SHE'LL THANK US.
265
00:13:39,585 --> 00:13:40,718
HEY, GIRLS.
266
00:13:40,786 --> 00:13:44,956
OH, EVERYTHING LOOKS BEAUTIFUL.
267
00:13:45,025 --> 00:13:46,424
WHERE'S SAM?
268
00:13:49,095 --> 00:13:50,394
SOMETHING WRONG?
269
00:13:50,463 --> 00:13:51,495
[CARMEN]
MS. McPHERSON,
270
00:13:51,564 --> 00:13:53,731
WE HAVE SOMETHING
WE NEED TO TELL YOU.
271
00:13:53,799 --> 00:13:55,366
SAM...
DECIDED
272
00:13:55,435 --> 00:13:57,702
TO SPEND THE NIGHT
AT HARRISON'S,
273
00:13:57,770 --> 00:13:59,537
AND SHE WANTED US
TO TELL YOU.
274
00:13:59,605 --> 00:14:01,005
THAT'S ALL.
275
00:14:03,043 --> 00:14:07,478
DON'T WORRY.
SHE'LL SHOW UP FOR THE SHOWER,
AND EVERYTHING WILL BE PERFECT.
276
00:14:09,615 --> 00:14:11,014
GOOD.
277
00:14:11,083 --> 00:14:13,517
THANK YOU, GIRLS,
FOR EVERYTHING.
278
00:14:13,586 --> 00:14:15,153
I REALLY APPRECIATE THE HELP.
279
00:14:15,222 --> 00:14:16,287
OUR PLEASURE.
NO PROBLEM.
280
00:14:34,674 --> 00:14:35,940
[LINE RINGS]
281
00:14:36,009 --> 00:14:39,143
HEY, IT'S LILY.
PLEASE LEAVE A MESSAGE. [BEEPS]
282
00:14:39,212 --> 00:14:41,145
HEY, LIL, IT'S SAM.
283
00:14:41,214 --> 00:14:44,882
LOOK, I'M OKAY. I JUST
WANTED TO HEAR A FRIENDLY VOICE.
284
00:14:44,950 --> 00:14:47,385
PLEASE DON'T SAY ANYTHING
TO MY MOM.
285
00:14:47,453 --> 00:14:52,156
I DON'T WANT HER TO WORRY
ANY MORE THAN SHE NEEDS TO.
286
00:14:52,225 --> 00:14:55,493
HEY, EVERY GIRL NEEDS AN
ADVENTURE NOW AND THEN, RIGHT?
287
00:14:57,263 --> 00:14:59,330
I'LL CALL YOU SOON.
288
00:14:59,399 --> 00:15:02,066
I'M OKAY.
SORT OF.
289
00:15:15,147 --> 00:15:17,147
YO, WE CAN'T BE GIVIN' UP NOW.
290
00:15:17,217 --> 00:15:20,251
I'M A HORNY TEENAGE BOY.
291
00:15:20,320 --> 00:15:21,652
AND I HAVE NEEDS!
292
00:15:21,721 --> 00:15:24,655
PERHAPS THERE'S A FACULTY MEMBER
WE COULD APPROACH.
293
00:15:24,724 --> 00:15:27,090
YEAH, I'M SURE BOBBI GLASS
IS JUST ITCHIN'
294
00:15:27,159 --> 00:15:29,827
TO TAKE FOUR TEENAGE BOYS
TO A STRIP CLUB.
295
00:15:29,895 --> 00:15:32,263
NO, SEE,
THAT WON'T WORK.
296
00:15:32,332 --> 00:15:34,632
TROY TOLD ME
SHE'S BANNED... FOR LIFE.
297
00:15:34,701 --> 00:15:36,166
[LAUGHING]
298
00:15:36,236 --> 00:15:37,601
[BROOKE]
JOSH.
299
00:15:37,670 --> 00:15:40,271
HI. LOOK,
I NEED TO ASK YOU A FAVOR.
300
00:15:40,340 --> 00:15:44,742
I NEED TO GET MY DAD OUT OF
THE HOUSE FOR THE BRIDAL SHOWER.
301
00:15:44,810 --> 00:15:49,080
I THOUGHT MAYBE YOU GUYS COULD
THROW HIM A BACHELOR PARTY.
302
00:15:49,149 --> 00:15:50,481
TONIGHT.
303
00:15:50,550 --> 00:15:53,917
I'M ONLY 16, I DON'T KNOW
HOW TO THROW A BACHELOR PARTY.
304
00:15:53,987 --> 00:15:55,686
LUCKILY I DO.
305
00:15:55,755 --> 00:15:56,687
[HARRISON]
THAT'S RIGHT.
306
00:15:56,756 --> 00:15:57,788
THAT'S RIGHT. THAT'S RIGHT.
307
00:15:57,857 --> 00:16:00,325
COME ON, MR. GOLDFARB.
308
00:16:00,393 --> 00:16:04,195
ENTERTAINING A BACHELOR, A FULLY
GROWN ADULT MALE BACHELOR
309
00:16:04,264 --> 00:16:05,363
SHOULDN'T BE SO DIFFICULT.
310
00:16:05,431 --> 00:16:07,498
- YEAH.
- [SUGAR] YOU KNOW, HE'S RIGHT.
311
00:16:07,567 --> 00:16:08,932
WE CAN HANDLE IT, BOO.
312
00:16:09,001 --> 00:16:14,339
WE'RE GONNA SHOW YOUR POPS
A NIGHT TO REMEMBER.
313
00:16:14,407 --> 00:16:17,175
BROOKE.
THERE'S BEEN
A DEVELOPMENT.
314
00:16:18,278 --> 00:16:19,210
THANK YOU.
315
00:16:22,348 --> 00:16:23,314
YEAH!
WHOO!
316
00:16:24,717 --> 00:16:27,418
[SAM] I'LL CALL YOU SOON.
I'M OKAY. SORT OF.
317
00:16:27,487 --> 00:16:28,987
OKAY, THIS IS GOOD.
318
00:16:29,055 --> 00:16:32,390
SHE SAID, "I'M OKAY, DON'T SAY
ANYTHING TO MY MOM." SEE?
319
00:16:32,458 --> 00:16:34,592
NO, SHE SAID, "I'M OKAY, SORTA."
320
00:16:34,660 --> 00:16:36,627
IT'S THE "SORTA"
THAT GIVES ME PAUSE.
321
00:16:36,696 --> 00:16:40,364
OH, MY GOD, THIS IS NOT GOOD.
THIS IS NOT GOOD AT ALL.
322
00:16:40,433 --> 00:16:41,532
CARMEN, WHAT'S WRONG?
323
00:16:41,601 --> 00:16:43,801
DON'T YOU SEE?
THE "SORTA" IS A SIGN
324
00:16:43,869 --> 00:16:47,705
TO LET US KNOW THAT SHE CAN HEAR
THAT SEWING MACHINE WORKING.
325
00:16:47,773 --> 00:16:50,674
WHAT? WHY IS SHE NEAR
A SEWING MACHINE?
326
00:16:50,743 --> 00:16:53,544
HER PSYCHO KIDNAPPER WANTS
TO TURN HER INTO A MAN VEST.
327
00:16:53,613 --> 00:16:55,513
OH, SWEET MOTHER
328
00:16:55,581 --> 00:16:59,183
OF HANNIBAL LECTER,
I CAN SEE IT SO CLEARLY NOW.
329
00:16:59,252 --> 00:17:00,518
WHAT ARE YOU SEEING?
330
00:17:00,586 --> 00:17:02,553
SAM...
331
00:17:04,657 --> 00:17:06,524
MOISTURIZING.
332
00:17:06,592 --> 00:17:08,592
[THUNDERCLAP]
333
00:17:10,063 --> 00:17:11,762
I WANT MY MOMMY.
334
00:17:11,831 --> 00:17:14,098
[SOBBING]
335
00:17:14,167 --> 00:17:17,701
IT'S NOT EVEN THE KIND
WITH THE SUNSCREEN ADDITIVE.
336
00:17:17,770 --> 00:17:19,770
IT PUTS THE LOTION
IN THE BASKET.
337
00:17:21,774 --> 00:17:22,973
NO.
338
00:17:23,043 --> 00:17:24,975
NO, I WANT OUT OF HERE!
339
00:17:25,045 --> 00:17:28,613
I WANNA HAVE LUNCH AT
THE CAFETERIA WITH MY FRIENDS.
340
00:17:28,681 --> 00:17:30,348
I WANT A FRUIT ROLL-UP.
341
00:17:30,416 --> 00:17:34,418
IT PUTS THE LOTION
IN THE BASKET.
[BARKING]
342
00:17:34,487 --> 00:17:37,521
SHUT UP, PRECIOUS,
YOU STUPID BITCH!
343
00:17:37,590 --> 00:17:38,522
SHUT...
344
00:17:38,591 --> 00:17:40,891
GOOD. GOOD.
345
00:17:40,960 --> 00:17:43,461
[SOBBING]
346
00:17:46,632 --> 00:17:49,299
I WAS WITH YOU UNTIL
THE FRUIT ROLL-UPS PART.
347
00:17:49,369 --> 00:17:52,636
[BROOKE]
OKAY, GUYS. ENOUGH WITH
THE DOOM AND FREAK-OUT GLOOM.
348
00:17:52,705 --> 00:17:56,440
WE GO ON AND WAIT
FOR HER TO CALL,
WHICH SHE SAID SHE'D DO.
349
00:17:56,509 --> 00:18:00,177
WE DEMAND THAT
SHE SHOW UP FOR THE SHOWER,
OR WE THREATEN TO BUST HER.
350
00:18:00,246 --> 00:18:02,212
SHE'LL HAVE
NO CHOICE BUT TO SHOW UP.
351
00:18:02,282 --> 00:18:04,047
I KNOW IT.
352
00:18:08,821 --> 00:18:10,588
I CANNOT BELIEVE THIS CRAP.
353
00:18:10,656 --> 00:18:13,624
I THOUGHT FOR SURE MY TATTOO
OF THE NOTORIOUS B.I.G.
354
00:18:13,693 --> 00:18:15,293
WOULD GET ME SOME ATTENTION.
355
00:18:15,361 --> 00:18:16,560
LOOK AT IT.
356
00:18:16,629 --> 00:18:18,329
SHOCKING.
357
00:18:18,398 --> 00:18:21,099
I KNOW. GUESS WHAT MY MAMA SAID
WHEN SHE SAW IT.
358
00:18:21,167 --> 00:18:22,900
SHE SAID,
"HERE'S ONE FOR MY HOMIES."
359
00:18:22,968 --> 00:18:26,504
THEN DUMPED A SIP OF HER COLT
.45 MALT LIQUOR ON THE GROUND.
360
00:18:26,572 --> 00:18:29,873
SO MUCH FOR MY DEVIOUS SCHEME OF
BECOMING A LADY GANGSTER BITCH
361
00:18:29,942 --> 00:18:31,575
LIKE FOXY BROWN
OR MISSY MISDEMEANOR
362
00:18:31,644 --> 00:18:33,577
TO GET SOME ATTENTION
AROUND THAT HOUSE.
363
00:18:33,646 --> 00:18:35,946
YOU'RE TRYING TO PUNISH
YOUR MOTHER, NOT YOURSELF.
364
00:18:36,015 --> 00:18:37,815
SO WHAT?
365
00:18:37,883 --> 00:18:39,149
I'LL JUST BECOME ENGAGED
366
00:18:39,218 --> 00:18:42,186
TO AN EVEN BIGGER STAR
THAN ERIK ESTRADA
367
00:18:42,255 --> 00:18:43,688
AND DENY MAMA'S EXISTENCE.
368
00:18:45,391 --> 00:18:47,458
LEE MAJORS, THE FALL GUY.
369
00:18:47,527 --> 00:18:48,826
OOH!
370
00:18:48,895 --> 00:18:50,228
[BELCH]
371
00:19:00,673 --> 00:19:02,373
WANDA RICKETS,
WHAT ARE YOU DOING?
372
00:19:02,442 --> 00:19:04,442
CLEANIN' MY PITS.
373
00:19:04,510 --> 00:19:07,978
YOU DO REALIZE
YOU'RE NOT ENROLLED
AT THIS SCHOOL, DON'T YOU?
374
00:19:08,047 --> 00:19:12,550
I BEEN LIVIN' HERE
EVER SINCE I RAN AWAY
FROM HOME AND THE SANITARIUM.
375
00:19:12,618 --> 00:19:14,118
I LIKE BATHROOM SUPPLIES.
376
00:19:14,187 --> 00:19:16,354
OKAY, WELL,
PERSONAL HYGIENE ASIDE, WANDA,
377
00:19:16,422 --> 00:19:18,722
THIS CAN'T BE VERY SANITARY
FOR US, OKAY?
378
00:19:18,791 --> 00:19:22,693
SO WE'RE GONNA HAVE TO
ASK THAT YOU GO, HON.
I CAN'T. NOT NOW.
379
00:19:22,762 --> 00:19:26,196
I'M ADDICTED TO THAT BLUE TOILET
BOWL CLEANER SANITIZER STUFF,
380
00:19:26,266 --> 00:19:28,065
MR. FRESH BOWL.
381
00:19:28,133 --> 00:19:31,669
I'M A JOHN JUNKIE
AND PROUD OF IT.
382
00:19:44,283 --> 00:19:46,650
HOW DID YOU AFFORD ALL OF THIS?
383
00:19:46,719 --> 00:19:48,819
[WANDA]
MY JOB.
384
00:19:48,888 --> 00:19:50,253
A SHAMEFUL JOB.
385
00:19:50,323 --> 00:19:52,923
ONE SO SHAMEFUL,
MY PARENTS AND THE ENTIRE
386
00:19:52,992 --> 00:19:55,993
TUPELO CITY GOVERNMENT HAVE
BANNED ME FROM EVER RETURNING.
387
00:19:56,061 --> 00:19:58,228
HOW SHAMEFUL?
I LIVE IN EXILE.
388
00:19:58,297 --> 00:19:59,897
ONE FOOT IN THE GUTTER
389
00:19:59,965 --> 00:20:02,866
AND THE OTHER TRAMPLIN' ALL OVER
MY PARENTS' BROKEN HEARTS.
390
00:20:02,935 --> 00:20:04,101
I'M FILTHY.
391
00:20:04,169 --> 00:20:06,303
FILTHY RICH.
392
00:20:08,107 --> 00:20:09,940
WHAT IS IT EXACTLY YOU DO?
393
00:20:10,009 --> 00:20:11,275
I'M TEEN TRASH.
394
00:20:11,344 --> 00:20:13,076
[GASPS]
395
00:20:15,114 --> 00:20:17,314
IS THERE ANY WAY THAT I,
MARY CHERRY,
396
00:20:17,382 --> 00:20:19,650
COULD ALSO BECOME FILTHY
TEEN TRASH LIKE YOURSELF
397
00:20:19,719 --> 00:20:20,751
AND PUNISH MY MAMA?
398
00:20:20,820 --> 00:20:22,252
I'LL TELL YOU WHAT.
399
00:20:22,322 --> 00:20:24,588
GIVE ME A CAKE
OF MR. FRESH BOWL
400
00:20:24,657 --> 00:20:26,290
BEFORE I START
GETTING WITHDRAWALS,
401
00:20:26,359 --> 00:20:29,627
AND MAYBE THIS BIRDIE HERE
WILL SING HER PRETTY WHORE TUNE.
402
00:20:48,014 --> 00:20:49,380
HEY.
403
00:20:50,516 --> 00:20:53,016
WAKE UP.
404
00:20:55,521 --> 00:20:56,854
BAD NIGHT, HUH?
405
00:20:59,392 --> 00:21:00,424
ME, TOO.
406
00:21:06,799 --> 00:21:08,632
LOOK, WHY DON'T YOU
COME INSIDE.
407
00:21:08,701 --> 00:21:12,470
WE'LL SPLIT SOME LUNCH
OVER GIRL TALK.
408
00:21:15,908 --> 00:21:17,841
WHAT IS THERE
TO TALK ABOUT ANYMORE?
409
00:21:20,312 --> 00:21:21,912
ACTUALLY, A LOT.
410
00:21:23,916 --> 00:21:25,383
I AM BROOKE'S MOTHER.
411
00:21:38,764 --> 00:21:41,999
LET ME SHOW YOU GUYS THE HOUSE.
IT'S REALLY TERRIFIC.
412
00:21:44,170 --> 00:21:45,969
HI.
413
00:21:46,038 --> 00:21:47,905
OKAY, GUYS.
DON'T PANIC.
414
00:21:47,973 --> 00:21:50,440
WE JUST HAVE TO THINK
THIS THING THROUGH CLEARLY.
415
00:21:50,509 --> 00:21:54,377
I DON'T KNOW, BROOKE. SEEMS LIKE
THE PERFECT TIME TO PANIC TO ME.
416
00:21:54,446 --> 00:21:56,213
THE SHOWER'S
ALREADY STARTED.
417
00:21:56,281 --> 00:21:58,682
SAM HASN'T CALLED YET,
WHICH LEADS ME TO BELIEVE
418
00:21:58,751 --> 00:22:01,151
SHE'S ON HER WAY
TO BECOMING A MAN VEST.
419
00:22:01,220 --> 00:22:03,754
DON'T YOU THINK IT'S TIME
WE THROW OURSELVES
420
00:22:03,823 --> 00:22:05,656
ON THE MERCY OF THE COURT?
421
00:22:05,725 --> 00:22:06,757
NO.
422
00:22:06,826 --> 00:22:08,692
GUYS, REMEMBER,
IF RASKOLNIKOV--
423
00:22:08,761 --> 00:22:12,496
HI-- HELD OUT A BIT LONGER,
HE WOULD HAVE BEEN FINE.
424
00:22:12,565 --> 00:22:15,365
BUT NO, HE DID NOT STICK
TO HIS CONVICTIONS
425
00:22:15,434 --> 00:22:18,101
AND THUS SPENT THE REST
OF HIS LIFE IN PRISON.
426
00:22:18,170 --> 00:22:21,204
TRUST ME.
WE CANNOT TURN BACK NOW.
427
00:22:21,273 --> 00:22:24,374
THIS IS WHAT WE DO.
WE HAVE TO STALL.
428
00:22:24,444 --> 00:22:27,211
WE HAVE TO FIND A WAY
TO GET THROUGH THE SHOWER
429
00:22:27,279 --> 00:22:29,446
WITHOUT JANE EVER REALIZING
THAT SAM ISN'T HERE.
430
00:22:33,185 --> 00:22:34,352
SAM'S A JOURNALIST, RIGHT?
431
00:22:34,420 --> 00:22:36,354
YEAH.
432
00:22:36,422 --> 00:22:37,888
DOES SHE TAPE HER INTERVIEWS?
433
00:22:39,125 --> 00:22:41,458
YEAH.
434
00:22:41,527 --> 00:22:43,060
HMM.
435
00:22:48,100 --> 00:22:49,567
WHO TOOK THIS PICTURE?
436
00:22:49,635 --> 00:22:50,868
[KELLY]
IT'S ANONYMOUS.
437
00:22:50,936 --> 00:22:54,572
I BOUGHT IT AT AN AUCTION.
ONLY THING I KNOW IS ITS TITLE.
438
00:22:54,640 --> 00:22:56,306
"MOTHER AND CHILD."
439
00:22:56,376 --> 00:22:57,908
I GUESS YOU'RE
ALWAYS DRAWN
440
00:22:57,977 --> 00:23:00,944
TO THINGS
THAT ARE A MYSTERY TO YOU.
441
00:23:09,154 --> 00:23:10,087
THANKS.
442
00:23:11,724 --> 00:23:13,758
SAM, I'M SORRY I LIED TO YOU.
443
00:23:15,961 --> 00:23:18,896
CAN'T RUN AWAY FOREVER
AND NOT EXPECT TO BE CAUGHT.
444
00:23:18,964 --> 00:23:20,598
YOU'RE ABOUT
TO LOSE YOUR DAUGHTER.
445
00:23:20,666 --> 00:23:22,532
AGAIN.
YOU CAN CHANGE THAT.
446
00:23:22,602 --> 00:23:24,168
YOU HAVE TO.
447
00:23:28,608 --> 00:23:31,241
IT WOULDN'T DO BROOKE ANY GOOD.
448
00:23:35,648 --> 00:23:38,215
THERE WAS A REASON
WHY I LEFT.
449
00:23:39,585 --> 00:23:42,119
I'D HAD A VERY
UNHAPPY CHILDHOOD.
450
00:23:43,723 --> 00:23:48,058
WHEN BROOKE WAS BORN,
I REALLY THOUGHT THAT
I COULD BE DIFFERENT.
451
00:23:49,495 --> 00:23:52,662
I WAS VERY UNHAPPY
IN MY MARRIAGE.
452
00:23:52,732 --> 00:23:54,664
I WAS SAYING THINGS
AND DOING THINGS
453
00:23:54,734 --> 00:23:57,467
THAT MY MOTHER
USED TO SAY AND DO TO ME.
454
00:23:57,537 --> 00:24:00,103
SO YOU RAN AWAY.
455
00:24:00,172 --> 00:24:02,372
IF I STAYED
IT WOULD HAVE GOTTEN WORSE.
456
00:24:02,441 --> 00:24:05,108
I WOULD HAVE HURT BROOKE MORE,
DAMAGED HER MORE.
457
00:24:05,177 --> 00:24:06,444
DON'T YOU SEE?
458
00:24:06,512 --> 00:24:09,447
THAT'S WHAT YOU'RE DOING NOW,
HURTING HER.
459
00:24:09,515 --> 00:24:12,716
YOU CAN GO BACK.
YOU CAN ALWAYS CORRECT MISTAKES.
460
00:24:14,286 --> 00:24:16,319
BROOKE TALKS ABOUT YOU
ALL THE TIME.
461
00:24:16,388 --> 00:24:19,222
GIRLS OUR AGE NEED
THEIR MOMS, YOU KNOW?
462
00:24:23,863 --> 00:24:24,995
TELL ME, SAM.
463
00:24:26,331 --> 00:24:27,364
IS SHE HAPPY?
464
00:24:29,234 --> 00:24:30,801
I SUPPOSE.
465
00:24:30,870 --> 00:24:32,470
BUT I THINK,
466
00:24:32,538 --> 00:24:35,839
LIKE ME, THIS WHOLE
JUMBLED FAMILY THING'S
467
00:24:35,908 --> 00:24:37,741
GOT HER A LITTLE DISORIENTED.
468
00:24:41,647 --> 00:24:44,748
SOUNDS LIKE SHE REALLY NEEDS
SOMEONE TO HELP HER.
469
00:24:44,817 --> 00:24:46,683
YEAH.
470
00:24:56,829 --> 00:24:58,562
[MAN] HI, DARLING.
HI.
471
00:25:01,701 --> 00:25:03,366
CONGRATULATIONS
ON A SPECTACULAR OPENING
472
00:25:03,435 --> 00:25:05,769
AND AN EVEN BETTER
EVENING TO BE.
473
00:25:05,838 --> 00:25:07,104
HI.
474
00:25:07,172 --> 00:25:09,339
HI.
475
00:25:09,408 --> 00:25:11,174
I'M SAM McPHERSON. I'M...
476
00:25:11,243 --> 00:25:12,776
A PHOTO STUDENT FROM BERKELEY.
477
00:25:12,845 --> 00:25:14,978
I'M ASSISTING HER
WITH SOME RESEARCH.
478
00:25:15,047 --> 00:25:16,446
THIS IS MY HUSBAND, BARTON.
479
00:25:16,516 --> 00:25:17,647
HOW NICE.
480
00:25:17,717 --> 00:25:20,651
YEAH. WE WERE
JUST FINISHING UP.
481
00:25:20,720 --> 00:25:22,886
WHY DON'T I MEET YOU
AT THE RESTAURANT.
482
00:25:22,955 --> 00:25:25,022
ALL RIGHT, DARLING.
PLEASURE.
483
00:25:25,090 --> 00:25:26,523
BYE.
484
00:25:31,763 --> 00:25:35,498
WOW, YOUR NEW HUSBAND HAS NO
IDEA YOU EVEN HAVE A DAUGHTER,
485
00:25:35,568 --> 00:25:37,467
DOES HE?
486
00:25:42,574 --> 00:25:44,708
YEP, IT'S LEGIT.
487
00:25:44,777 --> 00:25:46,810
AND THIS SHOULD COVER THE COVER.
488
00:25:46,879 --> 00:25:48,578
BUT I STILL CAN'T LET YOU IN.
489
00:25:48,648 --> 00:25:51,015
MAN, THAT AIN'T RIGHT!
490
00:25:51,083 --> 00:25:54,317
I CAN'T HELP YOU. I DIDN'T THINK
YOU'D ACTUALLY GET YOUR DAD.
491
00:25:54,386 --> 00:25:57,521
MAN, CAN'T A BROTHER
GET A WHAT-WHAT UP IN HERE?
492
00:25:57,590 --> 00:25:58,856
SORRY, SUG.
493
00:25:58,924 --> 00:26:01,225
YO, MAN, IT AIN'T HAPPENING.
494
00:26:05,564 --> 00:26:07,397
WHAT ARE YOU LOOKIN' AT ME FOR?
495
00:26:07,466 --> 00:26:10,567
COME ON, HARRISON,
I'VE SEEN YOU IN CLASS.
YOU'RE A THINKER.
496
00:26:10,635 --> 00:26:12,836
FIGURE SOMETHING OUT.
AN IMPASSIONED DEFENSE.
497
00:26:12,905 --> 00:26:15,005
NEED TO SEE THOSE
BREASTS AND THIGHS, CAPTAIN.
498
00:26:17,742 --> 00:26:19,309
HEY... MAN.
499
00:26:19,378 --> 00:26:22,079
UM... WE UPHELD
OUR END OF THE BARGAIN.
500
00:26:22,147 --> 00:26:24,848
NOW I THINK
IT'S YOUR TURN.
HMM.
501
00:26:24,917 --> 00:26:27,918
HAVE YOU FORGOTTEN
WHAT IT'S LIKE TO BE YOUNG?
502
00:26:27,987 --> 00:26:30,120
SHOW US SOME MERCY, MAN.
503
00:26:30,189 --> 00:26:31,855
LOOK AT US.
504
00:26:31,924 --> 00:26:35,392
A VIRGIN WITH NO CHANCE
OF SATISFACTION
505
00:26:35,460 --> 00:26:38,028
UNTIL VIRTUAL REALITY TECHNOLOGY
CAN BE PERFECTED.
506
00:26:38,097 --> 00:26:39,529
A SIMPLETON
507
00:26:39,599 --> 00:26:41,098
WHO SIMPLY WANTS ONE
508
00:26:41,166 --> 00:26:42,866
SWEET TASTE OF FORBIDDEN FRUIT
509
00:26:42,935 --> 00:26:44,802
AND A THREE-PIECE COMBO.
510
00:26:44,870 --> 00:26:48,305
ANOTHER SIMPLETON WHO REALLY IS
ONLY HERE FOR THE CHICKEN.
511
00:26:48,373 --> 00:26:51,609
AND A 40-YEAR-OLD MAN ABOUT TO
EMBARK ON HIS SECOND MARRIAGE,
512
00:26:51,677 --> 00:26:54,378
WHOSE LIFE IS SO PITIFUL,
HIS BACHELOR PARTY'S
513
00:26:54,446 --> 00:26:57,648
BEING THROWN BY A BUNCH
OF 16-YEAR-OLDS HE BARELY KNOWS.
514
00:26:57,717 --> 00:27:00,117
HEY, DO I SMELL HONEY MUSTARD?
515
00:27:00,185 --> 00:27:01,218
YOU SEE?
516
00:27:01,286 --> 00:27:03,320
NOW, THE WAY I SEE IT,
517
00:27:03,388 --> 00:27:05,488
THERE'S TWO KINDS OF TEENAGERS.
518
00:27:05,557 --> 00:27:06,589
THE ORDINARY
519
00:27:06,658 --> 00:27:07,657
AND THE EXTRAORDINARY.
520
00:27:07,727 --> 00:27:08,959
THE ORDINARY BY NOW
521
00:27:09,028 --> 00:27:11,895
IS AT HOME IN BED WATCHING
CHRISTINA AGUILERA VIDEOS.
522
00:27:11,964 --> 00:27:15,398
THE EXTRAORDINARY
TAKES WHAT IS RIGHTFULLY HIS
523
00:27:15,467 --> 00:27:16,634
WITHOUT FEAR OF RECRIMINATION.
524
00:27:16,702 --> 00:27:19,602
NOW I, BEING
AN EXTRAORDINARY TEEN MALE,
525
00:27:19,671 --> 00:27:22,506
PITY THE INDIVIDUAL
WHO TRIES AND STOPS ME.
526
00:27:22,574 --> 00:27:24,474
WHOA!
527
00:27:24,543 --> 00:27:27,244
YOU REALLY SCARE ME,
SO STEP ON IN THERE.
528
00:27:27,312 --> 00:27:28,646
BEFORE SOMEBODY
SEES YOU, HUH?
529
00:27:28,714 --> 00:27:29,947
THIS WAY, MR. McQUEEN.
530
00:27:31,984 --> 00:27:33,750
THANK YOU.
531
00:27:33,818 --> 00:27:34,918
JANE.
532
00:27:34,987 --> 00:27:36,253
SAM JUST GOT HERE,
533
00:27:36,322 --> 00:27:38,789
BUT I DON'T THINK
SHE'S FEELING VERY WELL.
534
00:27:38,858 --> 00:27:40,557
OH, HOW DID I MISS HER?
535
00:27:40,625 --> 00:27:43,160
YOU WERE IN THE OTHER ROOM.
SERVING HORS D'OEUVRES.
536
00:27:43,228 --> 00:27:46,263
OH. WELL, WHERE IS SHE?
IS SHE ALL RIGHT?
537
00:27:49,334 --> 00:27:50,267
SAM, HONEY?
538
00:27:50,335 --> 00:27:52,369
ARE YOU OKAY?
539
00:27:53,738 --> 00:27:54,872
[SAM'S VOICE] NO.
540
00:27:57,376 --> 00:27:58,308
SAM?
541
00:27:59,511 --> 00:28:02,279
I DON'T FEEL GOOD.
542
00:28:02,347 --> 00:28:04,314
IS IT SERIOUS?
SHOULD I CALL DR. MICHAELS?
543
00:28:05,718 --> 00:28:09,853
OR ARE YOU STILL MAD, AND THIS
IS YOUR WAY OF MAKING ME PAY?
544
00:28:09,922 --> 00:28:10,888
NO.
545
00:28:12,124 --> 00:28:14,825
THEN I'D LIKE YOU TO
COME DOWN TO THE SHOWER.
546
00:28:14,894 --> 00:28:16,493
NO.
547
00:28:17,997 --> 00:28:19,329
I DON'T FEEL GOOD.
548
00:28:19,398 --> 00:28:21,899
MY STOMACH HURTS
FROM ALL THIS TENSION
549
00:28:21,967 --> 00:28:23,667
AND THOUGHTS OF MAN VESTS.
550
00:28:23,736 --> 00:28:26,503
I THOUGHT YOU SAID
THAT IT WASN'T SERIOUS.
551
00:28:30,609 --> 00:28:32,309
YES.
552
00:28:32,377 --> 00:28:34,677
WHICH IS IT? ARE YOU
SERIOUSLY ILL OR NOT?
553
00:28:37,583 --> 00:28:40,884
I DON'T FEEL GOOD ABOUT HOW
THE GLAMAZONS USE SCHOOL FUNDS.
554
00:28:40,953 --> 00:28:43,653
WE SHOULD...
SAM.
555
00:28:43,723 --> 00:28:46,090
WHAT'S GOING ON?
556
00:28:46,158 --> 00:28:47,657
I'M COMING IN.
557
00:28:51,997 --> 00:28:53,964
I'VE GOT A KEY.
558
00:29:06,478 --> 00:29:09,012
ALL RIGHT YOUNG LA...
[SHOWER RUNNING]
559
00:29:09,081 --> 00:29:12,015
YOUNG LADY, I UNDERSTAND
THAT YOU ARE STILL MAD AT ME,
560
00:29:12,084 --> 00:29:14,517
BUT THIS IS GETTING TO BE
DOWNRIGHT DISRESPECTFUL.
561
00:29:14,586 --> 00:29:17,821
NOW GET DRIED OFF AND
BE DOWNSTAIRS IN FIVE MINUTES.
562
00:29:20,025 --> 00:29:21,891
I'M TIRED OF THIS, SAM.
563
00:29:27,699 --> 00:29:29,766
OH...
564
00:29:36,776 --> 00:29:39,977
♪♪ [DANCE MUSIC]
565
00:30:00,565 --> 00:30:04,334
ARE YOU GUYS GONNA TELL ME
WHERE WE ARE ANYTIME SOON?
566
00:30:10,242 --> 00:30:12,675
[MAN] OW! BABY!
567
00:30:14,847 --> 00:30:16,880
[MAN] WHOO!
568
00:30:20,085 --> 00:30:21,084
WHAT?
569
00:30:21,153 --> 00:30:22,619
SHUT UP.
HE MAY HEAR YOU!
570
00:30:22,687 --> 00:30:25,855
[TROY]
GENTLEMEN, CAESAR CROUTONS
571
00:30:25,924 --> 00:30:27,424
IS PROUD TO PRESENT TONIGHT'S
572
00:30:27,492 --> 00:30:29,492
MAIN EVENT.
573
00:30:29,561 --> 00:30:30,693
REMEMBER, TIP GENEROUSLY.
574
00:30:30,762 --> 00:30:32,930
THESE WOMEN DO WORK HARD.
575
00:30:32,998 --> 00:30:35,098
ON CENTER STAGE,
PUT YOUR HANDS TOGETHER
576
00:30:35,167 --> 00:30:39,102
FOR A TRIO OF NAUGHTY AMATEURS.
577
00:30:41,907 --> 00:30:42,872
WHOO!
578
00:30:42,942 --> 00:30:44,508
PLEASE, WELCOME TO THE STAGE
579
00:30:44,576 --> 00:30:48,145
MISS ERIKA ESTRADA.
580
00:30:48,213 --> 00:30:49,446
[SIREN BLARING]
581
00:30:49,514 --> 00:30:51,781
MOTHER OF GOD, HELP ME.
582
00:30:51,851 --> 00:30:53,683
I THINK I MIGHT GO BLIND.
583
00:30:53,752 --> 00:30:56,053
[TROY]
MISS LOLA.
584
00:30:56,121 --> 00:30:59,356
AND MISS BROOKE McQUEEN.
585
00:30:59,424 --> 00:31:01,191
- HELL...
- LADIES,
586
00:31:01,260 --> 00:31:03,326
GIVE IT UP FOR THE MENS.
587
00:31:03,395 --> 00:31:04,794
THANK YOU!
588
00:31:05,898 --> 00:31:07,164
[MAN]
ALL RIGHT!
589
00:31:07,232 --> 00:31:08,731
WHOO!
YEAH, BABY!
590
00:31:09,902 --> 00:31:11,000
ALL RIGHT! WHOO!
591
00:31:24,649 --> 00:31:25,582
[MOANING]
592
00:31:28,053 --> 00:31:29,018
[MARY]
MAMA CHERRY,
593
00:31:29,087 --> 00:31:31,288
YOU JUST TRY AND DENY THIS.
594
00:31:31,356 --> 00:31:32,922
TROY'S GETTING IT ALL
595
00:31:32,992 --> 00:31:36,793
ON TAPE, AND I'M SENDING IT
TO MELISSA RIVERS AT E!
596
00:31:39,331 --> 00:31:41,664
[MAN]
SMOKIN!
WHOA!
597
00:31:43,135 --> 00:31:44,167
OH, NO, NO, NO.
598
00:31:45,604 --> 00:31:48,205
THAT'S IT! THIS IS ABSURD.
WHAT ARE YOU DOIN', MAN?
599
00:31:48,273 --> 00:31:51,841
- I AM COVERING THAT GIRL.
- YOU CAN'T TOUCH THE GIRLS.
600
00:31:51,911 --> 00:31:55,345
THAT COSTS EXTRA.
THAT'S LIKE HAVIN' SLAW WITH
YOUR CHICKEN. NOW SIT DOWN!
601
00:31:55,414 --> 00:31:58,181
- MAKE IT STOP, PLEASE.
- THESE CHICKENS FRESH?
602
00:31:58,250 --> 00:32:01,218
YES, YES.
THEY'RE UNDERAGE.
603
00:32:01,286 --> 00:32:03,653
THOUGHT SO.
I'M AN UNDERCOVER COP.
604
00:32:03,722 --> 00:32:05,655
THIS IS A BUST.
605
00:32:11,930 --> 00:32:13,930
[SIGHS]
606
00:32:13,998 --> 00:32:15,299
UM, EXCUSE ME.
607
00:32:15,367 --> 00:32:16,799
SAM SHOULD BE DOWN
MOMENTARILY
608
00:32:16,868 --> 00:32:18,668
FOR THE OPENING
OF THE PRESENTS.
609
00:32:18,737 --> 00:32:20,703
THANK YOU SO MUCH
FOR YOUR PATIENCE.
610
00:32:25,910 --> 00:32:27,310
UM, JANE,
SAM INSISTS THAT
611
00:32:27,379 --> 00:32:29,646
SHE'S NOT FEELING
WELL ENOUGH TO COME DOWN.
612
00:32:29,714 --> 00:32:31,981
SO LET'S JUST BARGE AHEAD
WITH THE GIFTS
613
00:32:32,050 --> 00:32:34,351
AND SEE IF YOU GOT
EDIBLE PANTIES.
614
00:32:34,419 --> 00:32:36,986
THAT IS NOT ACCEPTABLE, BROOKE.
615
00:32:37,056 --> 00:32:38,421
WHERE IS SHE?
616
00:32:38,490 --> 00:32:40,923
SAM REALLY CAN'T MAKE IT.
I SWEAR.
617
00:32:40,992 --> 00:32:43,627
- DID YOU SEE HER UPSTAIRS?
- UH...
618
00:32:45,230 --> 00:32:47,096
YEAH.
619
00:32:47,166 --> 00:32:49,699
WERE ALL HER LIMBS INTACT?
620
00:32:49,768 --> 00:32:52,602
DEAR GOD, I HOPE SO.
I WANT YOU TO
621
00:32:52,671 --> 00:32:54,971
MARCH UP THERE
AND BRING HER DOWN NOW.
622
00:32:55,039 --> 00:32:56,606
I CAN'T DO THAT.
623
00:32:56,675 --> 00:32:57,774
WHY NOT?
624
00:32:57,842 --> 00:32:59,076
OH, UM...
625
00:33:00,579 --> 00:33:02,379
BECAUSE...
626
00:33:02,447 --> 00:33:03,480
SPIT IT OUT, CARMEN.
627
00:33:05,684 --> 00:33:06,616
OH!
628
00:33:10,122 --> 00:33:11,220
OH...
629
00:33:16,228 --> 00:33:18,228
SAM'S BEEN KIDNAPPED.
630
00:33:20,899 --> 00:33:22,932
SORRY.
631
00:33:32,444 --> 00:33:33,710
SHOULDN'T YOU BE GOING?
632
00:33:33,779 --> 00:33:36,846
DON'T WANT YOUR DINNER
TO GET COLD.
633
00:33:36,915 --> 00:33:38,515
RIGHT.
634
00:33:40,051 --> 00:33:41,751
SHE'S VERY BEAUTIFUL.
635
00:33:41,820 --> 00:33:44,721
SHE WOULD LOVE
TO HEAR YOU SAY THAT.
636
00:33:46,125 --> 00:33:48,958
YOU THINK ABOUT HER
EVERY DAY, DON'T YOU?
637
00:33:52,164 --> 00:33:54,898
WHEN A PERSON'S
DONE SOMETHING LIKE I HAVE,
638
00:33:57,168 --> 00:34:01,304
THE ONLY WAY THEY CAN LIVE WITH
IT IS PRETEND IT DIDN'T HAPPEN.
639
00:34:03,675 --> 00:34:05,875
BUT YOU REMEMBER
THE SMALL THINGS.
640
00:34:08,046 --> 00:34:10,914
AND THAT'S THE PUNISHMENT.
THAT'S THE PRISON.
641
00:34:10,982 --> 00:34:12,749
LIKE WHAT?
642
00:34:12,817 --> 00:34:15,752
HOW SHE LAUGHED
WHEN SHE PLAYED AND...
643
00:34:17,756 --> 00:34:20,357
THE WAY HER SKIN SMELLED
WHEN I HELD HER.
644
00:34:21,560 --> 00:34:24,294
YOU DON'T HAVE TO
GIVE ALL THOSE THINGS UP.
645
00:34:24,363 --> 00:34:25,895
I'M SORRY,
BUT GOING BACK
646
00:34:25,964 --> 00:34:28,097
IS NOT AN OPTION FOR ME.
647
00:34:29,301 --> 00:34:31,067
IT IS FOR YOU, THOUGH.
648
00:34:32,804 --> 00:34:35,138
YOU'RE LUCKY, SAM.
649
00:34:35,207 --> 00:34:37,874
YOU STILL HAVE TIME TO...
650
00:34:37,943 --> 00:34:39,209
UNDO YOUR MISTAKES.
651
00:34:40,845 --> 00:34:42,345
YEAH.
652
00:34:43,582 --> 00:34:45,415
HERE.
653
00:34:45,484 --> 00:34:47,917
THANKS FOR
INTRODUCING HER TO ME.
654
00:34:49,488 --> 00:34:50,920
YOU CAN KEEP IT.
655
00:34:53,292 --> 00:34:54,891
I'D LIKE THAT.
656
00:34:54,959 --> 00:34:58,095
BUT ONLY IF YOU TAKE
SOMETHING WITH YOU.
657
00:35:13,912 --> 00:35:14,878
THANK YOU.
658
00:35:21,085 --> 00:35:23,220
WELL, I SHOULD GO.
659
00:35:48,780 --> 00:35:50,647
YOU'D BETTER NOT SAY
ANYTHING ABOUT THIS,
660
00:35:50,716 --> 00:35:53,015
OR I'LL SEE THAT
EVERY ONE OF YOU BURNS
661
00:35:53,084 --> 00:35:55,685
IN THE HELL PIT OF MY WRATH
FOR ALL ETERNITY.
662
00:35:55,754 --> 00:35:59,322
SHUT UP! TEEN DEVIANTS.
THIS IS SERIOUS BUSINESS.
663
00:35:59,391 --> 00:36:01,991
UNDERAGE GIRLS STRIPPING.
664
00:36:02,060 --> 00:36:04,727
UNDERAGE BOYS WATCHING THE
STRIPPING AND EATING BAD SLAW.
665
00:36:04,796 --> 00:36:07,364
IT'S AN OUTRAGE
TO THE COMMUNITY.
666
00:36:07,432 --> 00:36:08,631
OFFICER FRIENDLY, IS IT?
667
00:36:08,700 --> 00:36:10,199
JEROME FRIENDLY.
668
00:36:10,269 --> 00:36:12,402
THANKS FOR ASKING.
PEDOPHILE.
669
00:36:12,471 --> 00:36:13,536
I'M NOT A PEDOPHILE.
670
00:36:13,605 --> 00:36:15,472
THERE HAS BEEN
A HUGE MISTAKE HERE.
671
00:36:15,540 --> 00:36:17,040
THERE HAS,
672
00:36:17,108 --> 00:36:21,243
OFFICER FRIENDLY,
AND I AM TOTALLY TO BLAME.
673
00:36:21,313 --> 00:36:23,280
I AM A RESPONSIBLE,
EXTRAORDINARY TEEN,
674
00:36:23,348 --> 00:36:26,550
AND I BLINDFOLDED MR. McQUEEN
AND MADE HIM COME HERE.
675
00:36:26,618 --> 00:36:29,352
OKAY. WHAT ABOUT THE GIRLS?
676
00:36:29,421 --> 00:36:31,654
OH. THEY'RE JUST WHORES?
677
00:36:31,723 --> 00:36:33,390
[MIKE] FINE.
678
00:36:33,458 --> 00:36:36,226
FINE. ARREST ME
FOR MY CRIMES.
679
00:36:36,295 --> 00:36:38,495
I SHOULD HAVE KNOWN.
I SHOULD HAVE STOPPED THIS
680
00:36:38,563 --> 00:36:40,930
AS SOON AS I SMELLED
THE RANCID SLAW.
681
00:36:40,999 --> 00:36:42,599
COME ON, ROB LOWE WANNABE.
682
00:36:42,667 --> 00:36:44,467
YOU'RE OFF TO THE BIG HOUSE.
683
00:36:47,439 --> 00:36:48,505
BEHIND YOUR BACK.
684
00:36:48,574 --> 00:36:50,039
[HANDCUFFS CLICK]
685
00:36:50,108 --> 00:36:52,475
LET'S GO.
686
00:36:54,879 --> 00:36:57,680
BUT WE WERE JUST HERE
FOR THE CHICKEN.
687
00:36:59,318 --> 00:37:01,884
THANK YOU FOR A LOVELY
BRIDAL SHOWER, GIRLS.
688
00:37:01,953 --> 00:37:03,286
[LILY]
WE'RE REALLY SORRY.
689
00:37:03,355 --> 00:37:04,787
YOU SHOULD BE.
690
00:37:04,856 --> 00:37:07,690
I'M SORRY. I THOUGHT
I WAS HELPING HER.
691
00:37:07,759 --> 00:37:10,059
SPARE ME THE RATIONALIZATIONS.
YOU WERE HELPING YOURSELF.
692
00:37:10,128 --> 00:37:12,028
THIS IS DANGEROUS STUFF.
IT WAS STUPID.
693
00:37:12,096 --> 00:37:13,363
IT'S JUST THE LIES.
694
00:37:13,432 --> 00:37:18,134
THEY RAN AWAY FROM ME
AND THEY KIND OF SNOWBALLED.
695
00:37:18,202 --> 00:37:19,936
I SHOULD BE GROUNDED.
696
00:37:20,004 --> 00:37:21,604
MS. McPHERSON,
IT'S AFTER MIDNIGHT.
697
00:37:21,673 --> 00:37:24,306
YOU CAN CALL THE POLICE
AND REPORT SAM MISSING NOW.
698
00:37:24,375 --> 00:37:26,375
WHAT KIND OF WORLD DO WE LIVE IN
699
00:37:26,445 --> 00:37:29,011
WHERE YOU HAVE TO WAIT TO REPORT
A CHILD'S DISAPPEARANCE?
700
00:37:29,080 --> 00:37:30,380
YES, YES, I WILL HOLD.
701
00:37:30,449 --> 00:37:32,114
WHAT OTHER CHOICE DO I HAVE?
702
00:37:32,183 --> 00:37:34,116
BROOKE, WILL YOU DO ME A FAVOR?
703
00:37:34,185 --> 00:37:36,586
DON'T EVER
LIE TO ME AGAIN.
704
00:37:36,655 --> 00:37:38,121
I KNOW.
I'M SORRY.
705
00:37:38,189 --> 00:37:39,822
THAT IS NOT GONNA CUT IT.
706
00:37:39,891 --> 00:37:42,825
YOU ARE IN VERY BIG TROUBLE,
AND WHEN MIKE GETS HOME...
707
00:37:42,894 --> 00:37:45,628
[HARRISON] MS. McPHERSON,
ABOUT MR. McQUEEN...
708
00:37:45,697 --> 00:37:48,130
WELL, HE'S SORT OF...
709
00:37:48,199 --> 00:37:50,332
[EMORY]
HE'S DOWNTOWN.
710
00:37:50,401 --> 00:37:53,636
AT THE PRECINCT, MS. McPHERSON,
COOLING HIS HEELS IN THE TANK.
711
00:37:53,705 --> 00:37:55,438
WE... WE GOT BUSTED.
712
00:37:55,507 --> 00:37:56,839
WHAT ARE YOU TALKING ABOUT?
713
00:37:56,908 --> 00:37:59,909
WELL, BROOKE THOUGHT
IT WOULD BE FUN TO TAKE HIM OUT.
714
00:37:59,978 --> 00:38:02,512
YOU KNOW, FOR A BACHELOR PARTY.
715
00:38:02,581 --> 00:38:04,246
[BROOKE]
OH, MY GOD.
716
00:38:04,316 --> 00:38:07,116
I AM RASKOLNIKOV.
717
00:38:07,185 --> 00:38:09,318
AND WE WERE
AT THIS STRIP CLUB,
718
00:38:09,387 --> 00:38:12,789
AND, UH, THINGS GOT OUT OF HAND
WITH SOME WHORES.
719
00:38:12,857 --> 00:38:15,858
- WHAT?
- WE ALL CHIPPED IN...
720
00:38:15,927 --> 00:38:17,026
FOR BAIL MONEY.
721
00:38:17,095 --> 00:38:19,696
- AND SOME WHITE MEAT.
- MMM.
722
00:38:19,764 --> 00:38:21,363
HOW THE HELL DID THIS HAPPEN?
723
00:38:23,234 --> 00:38:24,601
UM...
HEY, GUYS.
724
00:38:24,669 --> 00:38:26,302
[SAM]
WHAT'S GOIN' ON?
725
00:38:27,906 --> 00:38:29,138
SAM.
726
00:38:30,375 --> 00:38:31,908
ARE YOU ALL RIGHT?
727
00:38:31,977 --> 00:38:33,142
YEAH, MOM, I'M FINE.
728
00:38:33,211 --> 00:38:35,211
REALLY, I'M FINE.
OH, GOOD.
729
00:38:35,279 --> 00:38:37,981
BECAUSE I AM
GOING TO KILL YOU!
730
00:38:46,391 --> 00:38:48,625
SO WHERE'D YOU GO?
731
00:38:48,693 --> 00:38:50,493
MM. NOWHERE REALLY.
732
00:38:50,562 --> 00:38:52,562
JUST TRYING
TO FIGURE SOME THINGS OUT.
733
00:38:54,866 --> 00:38:56,498
I FEEL HORRIBLE.
734
00:38:56,568 --> 00:38:59,235
I KNOW, BUT AT LEAST
BY USING ALL THE MONEY
735
00:38:59,304 --> 00:39:01,438
SET ASIDE FOR THE WEDDING
AND THE HONEYMOON,
736
00:39:01,506 --> 00:39:04,173
MOM WAS ABLE TO BAIL MIKE
OUT OF COUNTY LOCKUP.
737
00:39:04,242 --> 00:39:05,342
HOW GREAT IS IT
738
00:39:05,410 --> 00:39:07,444
THAT CHERRY CHERRY,
WHEN SHE HEARD WHAT HAPPENED,
739
00:39:07,512 --> 00:39:11,714
OFFERED TO PAY FOR EVERYTHING,
AS LONG AS IT COULD BE
A DOUBLE WEDDING.
740
00:39:11,783 --> 00:39:15,485
THUS SORT OF ERADICATING US
OF OUR CRIMES.
741
00:39:15,554 --> 00:39:17,887
ALTHOUGH,
WHY SHE DID IT
742
00:39:17,956 --> 00:39:21,057
MAKES ABSOLUTELY
NO SENSE TO ME AT ALL.
743
00:39:21,125 --> 00:39:23,660
SHE DID IT BECAUSE SHE'S
EMBARRASSED OF MARY CHERRY.
744
00:39:23,728 --> 00:39:25,728
SHE FIGURES, MAYBE,
IN A LARGE SETTING,
745
00:39:25,797 --> 00:39:27,930
NO ONE WILL NOTICE
IT'S HER DAUGHTER.
746
00:39:29,300 --> 00:39:32,468
EVEN THOUGH MARY CHERRY'S
PSYCHOTIC, I FEEL FOR HER.
747
00:39:33,572 --> 00:39:35,372
AT LEAST SHE HAS A MOTHER.
748
00:39:41,580 --> 00:39:42,845
SO DO YOU, BROOKE.
749
00:39:47,285 --> 00:39:48,885
HER NAME'S JANE McPHERSON.
750
00:39:48,954 --> 00:39:51,354
SOON TO BE McQUEEN.
751
00:39:51,423 --> 00:39:54,290
AND SHE LOVES YOU VERY MUCH.
752
00:39:56,661 --> 00:39:59,395
I KNOW I HAVEN'T BEEN
753
00:39:59,463 --> 00:40:02,231
TOO GOOD AT SHARING
UP UNTIL THIS POINT.
754
00:40:04,202 --> 00:40:06,135
BUT I'D LIKE TO START TRYING.
755
00:40:08,673 --> 00:40:10,339
I'D LIKE THAT.
756
00:40:16,314 --> 00:40:17,714
I NEVER...
757
00:40:18,850 --> 00:40:20,784
THOUGHT I'D SAY THIS.
758
00:40:22,987 --> 00:40:25,054
BUT I'M REALLY GLAD
THAT YOU'RE BACK.
759
00:40:41,339 --> 00:40:42,605
MOM.
760
00:40:43,909 --> 00:40:45,842
I KNOW
I'M NOT SUPPOSED TO
761
00:40:45,910 --> 00:40:47,910
LEAVE MY ROOM
UNTIL AFTER PROM,
762
00:40:47,979 --> 00:40:50,279
BUT I WANTED
TO GIVE YOU MY PRESENT.
763
00:40:56,054 --> 00:40:58,888
AND SAY I AM SO SORRY.
764
00:41:00,759 --> 00:41:03,392
I KNOW I PUT YOU THROUGH HELL.
765
00:41:05,163 --> 00:41:09,131
I WAS JUST AFRAID THIS WEDDING
766
00:41:09,200 --> 00:41:12,869
AND BRINGING MIKE AND
BROOKE INTO THE FAMILY
WOULD BREAK US APART.
767
00:41:15,106 --> 00:41:19,008
THE PAST FEW MONTHS, I'VE BEEN
FEELING LIKE I'M LOSING YOU.
768
00:41:24,082 --> 00:41:25,414
YOU'RE NOT.
769
00:41:26,885 --> 00:41:28,384
I KNOW THIS IS STRANGE
770
00:41:28,452 --> 00:41:31,287
AND SCARY AND YOU PROBABLY HAVE
771
00:41:31,355 --> 00:41:33,389
ALL THESE INTENSE FEELINGS
GOING THROUGH YOU,
772
00:41:33,457 --> 00:41:35,557
BUT...
773
00:41:35,627 --> 00:41:38,861
BROOKE AND MIKE
WON'T BREAK US APART.
774
00:41:38,930 --> 00:41:39,963
NOTHIN' WILL.
775
00:41:40,031 --> 00:41:42,064
EVER.
776
00:41:43,234 --> 00:41:45,001
WE'RE A TEAM, NO MATTER WHAT.
777
00:41:49,107 --> 00:41:50,172
SAM.
778
00:41:51,275 --> 00:41:52,809
OH.
779
00:41:54,112 --> 00:41:55,645
[SNIFFLES]
780
00:41:55,714 --> 00:41:57,847
THAT'S ALL THE PRESENT I NEED.
781
00:41:57,916 --> 00:42:00,750
BUT, YOU KNOW, SINCE YOU
DID GO TO THE TROUBLE...
782
00:42:00,819 --> 00:42:03,285
JUST GO AHEAD. OPEN IT.
[LAUGHS]
783
00:42:13,297 --> 00:42:14,997
[GASPS]
784
00:42:15,066 --> 00:42:17,466
OH, SAM.
785
00:42:20,839 --> 00:42:22,438
OH, SAM, THAT'S BEAUTIFUL.
786
00:42:22,506 --> 00:42:24,306
THANK YOU.
787
00:42:48,499 --> 00:42:52,068
♪ TO BEND AND NOT TO BREAK ♪
788
00:42:52,136 --> 00:42:55,838
♪ CHIN UP, TRY NOT TO QUAKE ♪
789
00:42:55,907 --> 00:42:59,341
♪ I'M GRINNING ON THE OUTSIDE ♪
790
00:42:59,410 --> 00:43:03,279
♪ BUT I'M A WRECK INTERNALLY ♪
791
00:43:05,349 --> 00:43:08,817
♪ OOH, LA LA LA LA ♪
792
00:43:12,791 --> 00:43:16,759
♪ OOH, LA LA LA LA ♪