1 00:00:01,169 --> 00:00:03,137 >> male announcer: IN THE CRIMINAL JUSTICE SYSTEM, 2 00:00:03,171 --> 00:00:06,074 SEXUALLY BASED OFFENSES ARE CONSIDERED ESPECIALLY HEINOUS. 3 00:00:06,107 --> 00:00:08,209 IN NEW YORK CITY, THE DEDICATED DETECTIVES 4 00:00:08,242 --> 00:00:10,044 WHO INVESTIGATE THESE VICIOUS FELONIES 5 00:00:10,078 --> 00:00:11,512 ARE MEMBERS OF AN ELITE SQUAD 6 00:00:11,545 --> 00:00:13,614 KNOWN AS THE SPECIAL VICTIMS UNIT. 7 00:00:13,647 --> 00:00:17,385 THESE ARE THEIR STORIES. 8 00:00:17,418 --> 00:00:20,688 >> YOU ARE SO HOT. >> HOW DO YOU KNOW? 9 00:00:20,721 --> 00:00:24,358 WE JUST MET. >> I HAVE EYES, DON'T I? 10 00:00:24,392 --> 00:00:26,160 >> WELL, WHAT ELSE DO YOU HAVE? 11 00:00:26,194 --> 00:00:29,063 >> OHO, EVERYTHING YOU NEED. OH. TAKE YOUR CLOTHES OFF. 12 00:00:29,097 --> 00:00:30,798 >> KEVIN. 'SUP? 13 00:00:30,831 --> 00:00:33,634 >> 'SUP IS SHOW'S OVER. >> HEY, THAT'S MY PAY-PER-VIEW. 14 00:00:33,667 --> 00:00:36,537 >> NO, STAN, THAT'S MY PAY-PER-VIEW AND MY TV 15 00:00:36,570 --> 00:00:38,072 AND MY FRIGGIN' COUCH. 16 00:00:38,106 --> 00:00:40,808 >> FINE. HERE'S 20 BUCKS. 17 00:00:40,841 --> 00:00:42,810 >> KEEP IT. YOU'RE MOVING OUT...NOW. 18 00:00:42,843 --> 00:00:46,214 >> YOU WANT ME OUT OF HERE, ASS WAD? 19 00:00:46,247 --> 00:00:48,816 MAKE ME. 20 00:00:48,849 --> 00:00:52,520 [scoffs] THOUGHT SO. 21 00:00:52,553 --> 00:00:54,288 >> GET YOUR ASS OUT THAT DOOR, STAN, 22 00:00:54,322 --> 00:00:55,623 WHOLE OR IN PIECES, IT'S YOUR CHOICE. 23 00:00:55,656 --> 00:00:59,727 >> I SAID I AIN'T GOIN'-- [gunshot] 24 00:01:02,130 --> 00:01:06,200 YOU SHOT ME? >> HOW? 25 00:01:06,234 --> 00:01:08,769 >> HEY, CLEAR A PATH, PEOPLE! SVU'S ON THE SCENE. 26 00:01:08,802 --> 00:01:10,571 >> AND YOU ARE? >> SORRY, DALE STUCKEY. 27 00:01:10,604 --> 00:01:11,572 UH, NEW CSU TECH. 28 00:01:11,605 --> 00:01:13,407 NOT THAT I WANT TO BE CSU FOREVER, YOU KNOW. 29 00:01:13,441 --> 00:01:15,143 BUT, UH, HEY, DON'T WORRY, 30 00:01:15,176 --> 00:01:17,378 NOT GUNNING FOR EITHER OF YOUR JOBS...YET. 31 00:01:17,411 --> 00:01:20,181 >> ALL RIGHT, WHY--WHY DON'T WE JUST START WITH THE CRIME SCENE. 32 00:01:20,214 --> 00:01:21,749 >> YEAH, APARTMENT 110 RIGHT HERE. 33 00:01:21,782 --> 00:01:23,617 >> UH, DIDN'T DISPATCH SAY THAT THE CALL CAME 34 00:01:23,651 --> 00:01:25,219 FROM APARTMENT 112? 35 00:01:25,253 --> 00:01:26,086 >> THAT'S JUST COLLATERAL DAMAGE. 36 00:01:26,120 --> 00:01:28,222 THE, UH, BULLET WENT THROUGH THE WALL. 37 00:01:28,256 --> 00:01:30,391 KILLED THE GUY NEXT DOOR. COOL, HUH? 38 00:01:30,424 --> 00:01:32,426 ANYWAYS, SLUG CAME FROM IN THERE 39 00:01:32,460 --> 00:01:36,430 WHERE THE, UH, REAL ACTION IS. 40 00:01:36,464 --> 00:01:38,832 >> SO I SEE YOU'VE MET OUR NEW TECH. 41 00:01:38,866 --> 00:01:39,833 >> AND HOW. 42 00:01:39,867 --> 00:01:41,535 >> ALL PRETTY OBVIOUS WHAT HAPPENED, RIGHT? 43 00:01:41,569 --> 00:01:44,172 I MEAN, RAPE, MURDER, SUICIDE. BING, BANG, BONG. 44 00:01:44,205 --> 00:01:45,406 >> DALE, THANKS. I THINK WE GOT IT FROM HERE. 45 00:01:45,439 --> 00:01:46,640 >> YEAH, YEAH, YEAH, YEAH. 46 00:01:46,674 --> 00:01:48,776 SO I OVERHEARD THE NEIGHBOR SAYING THAT HE SAW MR. REYES-- 47 00:01:48,809 --> 00:01:50,344 THAT'S OUR MALE DECEASED-- AND MS. FLORES-- 48 00:01:50,378 --> 00:01:52,213 THE ONE ON THE BED-- COMING HOME EARLIER. 49 00:01:52,246 --> 00:01:53,647 SO, UH, I'M THINKING THAT THEY WENT OUT, 50 00:01:53,681 --> 00:01:55,849 HAD A FEW TOO MANY, CAME HOME, ARGUED. 51 00:01:55,883 --> 00:01:57,618 HE ATTACKED HER, KILLED HER, 52 00:01:57,651 --> 00:02:00,388 REALIZED WHAT HE'S DONE, [clicks tongue] OFFED HIMSELF. 53 00:02:00,421 --> 00:02:02,190 >> YOU GOT IT ALL FIGURED OUT, DON'T YOU? 54 00:02:02,223 --> 00:02:04,558 >> SOME CASES SOLVE THEMSELVES, RIGHT? 55 00:02:04,592 --> 00:02:06,160 HEY, WHAT NOW, WE ALL GOING TO DISNEYLAND? 56 00:02:06,194 --> 00:02:09,163 >> HEY, LET'S NOT PACK OUR BAGS JUST YET. 57 00:02:09,197 --> 00:02:11,399 DALE, HOW TALL WOULD YOU SAY THAT OUR VICTIMS ARE? 58 00:02:11,432 --> 00:02:14,368 >> WELL, JUST EYEBALLING, I'D SAYING SHE'S ABOUT 5'1". 59 00:02:14,402 --> 00:02:16,237 HE'S 5'6", TOPS. 60 00:02:16,270 --> 00:02:18,872 >> SO WHICH ONE'S HEAD MADE THIS HOLE IN THE WALL 61 00:02:18,906 --> 00:02:21,375 ALL THE WAY UP HERE AT 5'11"? 62 00:02:21,409 --> 00:02:23,244 >> OH. 63 00:02:23,277 --> 00:02:24,412 >> AND THE GUN, DALE-- 64 00:02:24,445 --> 00:02:25,913 WHAT HAND DOES OUR DEAD GUY HAVE IT IN? 65 00:02:25,946 --> 00:02:27,381 >> HIS RIGHT HAND. 66 00:02:27,415 --> 00:02:29,283 >> NOW CHECK OUT THE BELT IN HIS PANTS. 67 00:02:29,317 --> 00:02:31,219 WHAT SIDE DOES HE HAVE HIS CELL PHONE CLIPPED TO? 68 00:02:31,252 --> 00:02:35,689 >> LEFT SIDE. CONSISTENT WITH A LEFT-HANDED PERSON. 69 00:02:35,723 --> 00:02:37,525 >> AS IS THE DIRECTION THAT HE BUCKLES HIS BELT. 70 00:02:37,558 --> 00:02:39,293 >> WAIT, YOU GUYS THINK SOMEONE ELSE MURDERED THEM 71 00:02:39,327 --> 00:02:40,428 AND MADE IT LOOK LIKE A SUICIDE? 72 00:02:40,461 --> 00:02:43,197 >> BING, BANG, BONG. >> CHECK THIS OUT. 73 00:02:43,231 --> 00:02:44,198 IF THERE WAS A THIRD PERSON, 74 00:02:44,232 --> 00:02:46,967 I'D SAY HE WAITED FOR THESE TWO INSIDE HERE. 75 00:02:47,000 --> 00:02:50,338 LEFT A NICE EAR PRINT. 76 00:02:50,371 --> 00:02:53,307 >> I GUESS THAT KILLER DIDN'T LIKE WHAT HE HEARD. 77 00:03:45,025 --> 00:03:46,594 >> WE'RE TRYING TO MATCH AN EAR PRINT? 78 00:03:46,627 --> 00:03:48,462 >> O'HALLORAN SAYS EVERY EAR IS PHYSICALLY UNIQUE. 79 00:03:48,496 --> 00:03:49,730 THEY'RE KINDA LIKE FINGERPRINTS. 80 00:03:49,763 --> 00:03:51,432 >> EUROPE HAS LED THE WAY IN STANDARDIZING 81 00:03:51,465 --> 00:03:52,900 EAR PRINT IDENTIFICATION. 82 00:03:52,933 --> 00:03:54,935 JUST A MATTER OF TIME BEFORE THE U.S. CATCHES UP. 83 00:03:54,968 --> 00:03:56,637 >> AND YOU BETTER HOPE WE DON'T, 84 00:03:56,670 --> 00:03:58,639 'CAUSE THOSE DUMBOS OF YOURS WILL PROBABLY CONTAMINATE 85 00:03:58,672 --> 00:04:00,308 EVERY CRIME SCENE WE STEP ON. 86 00:04:00,341 --> 00:04:02,576 >> STILL, WE HAVE NO DATABASE TO COMPARE IT TO, 87 00:04:02,610 --> 00:04:03,977 SO IT DOESN'T GET US VERY FAR. 88 00:04:04,011 --> 00:04:05,012 >> GOOD NEWS. 89 00:04:05,045 --> 00:04:07,881 WARNER GOT EPITHELIAL DNA FROM THE EAR PRINT, 90 00:04:07,915 --> 00:04:10,351 MATCHED IT TO THE SEMEN FOUND IN TISA. 91 00:04:10,384 --> 00:04:11,352 >> PERP IN THE SYSTEM? 92 00:04:11,385 --> 00:04:12,486 >> THERE'S NO HITS, 93 00:04:12,520 --> 00:04:13,687 BUT IT CONFIRMS OUR THIRD PARTY THEORY. 94 00:04:13,721 --> 00:04:15,623 OKAY, SO WE KNOW THE PERP WAS LYING IN WAIT 95 00:04:15,656 --> 00:04:16,624 IN THE CLOSET. 96 00:04:16,657 --> 00:04:17,758 DID HE BRING ALONG THE .45? 97 00:04:17,791 --> 00:04:20,294 >> WE FOUND A CASE AND RECEIPT IN THE BEDSIDE TABLE. 98 00:04:20,328 --> 00:04:21,329 GUN BELONGED TO TISA. 99 00:04:21,362 --> 00:04:23,063 >> WE GOT THE SCAN STATION IMAGES. 100 00:04:23,096 --> 00:04:26,534 MY GUESS IS THAT SHE AND ALEJANDRO 101 00:04:26,567 --> 00:04:27,735 WERE ABOUT TO GET BUSY 102 00:04:27,768 --> 00:04:29,603 WHEN THE PERP JUMPS OUT OF THE CLOSET. 103 00:04:29,637 --> 00:04:31,605 FIGHT ENSUES. ALEJANDRO GETS KNOCKED OUT. 104 00:04:31,639 --> 00:04:35,709 NOW TISA GRABS THE GUN, BUT SHE'S DISARMED, RAPED. 105 00:04:35,743 --> 00:04:38,011 PERP SHOOTS HER, SHOOTS ALEJANDRO 106 00:04:38,045 --> 00:04:40,614 TO MAKE IT LOOK LIKE A MURDER-SUICIDE. 107 00:04:40,648 --> 00:04:42,616 >> SO NOW THE QUESTION IS, WHICH VICTIM 108 00:04:42,650 --> 00:04:44,017 WAS OUR MYSTERY MALE'S TARGET? 109 00:04:44,051 --> 00:04:46,019 >> WELL, PROBABLY NOT ALEJANDRO. 110 00:04:46,053 --> 00:04:47,788 HE'S AN ENGINEERING STUDENT. NO PRIORS. 111 00:04:47,821 --> 00:04:48,989 >> TISA'S NOT SO CLEAN. 112 00:04:49,022 --> 00:04:50,591 SHE WORKS AT A TAXI DANCE JOINT 113 00:04:50,624 --> 00:04:52,960 ON 215TH AND BROADWAY. 114 00:04:52,993 --> 00:04:55,896 VICE BUSTED IT TWICE FOR PROSTITUTION. 115 00:04:55,929 --> 00:04:59,500 >> THE EMPIRE DANCE ACADEMY? >> THAT'S WHAT IT USED TO BE. 116 00:04:59,533 --> 00:05:01,769 IT SOLD IN '07. SO NO MORE TUTUS. 117 00:05:01,802 --> 00:05:03,537 NOW IT'S TEQUILA AND TONGUE JOBS. 118 00:05:03,571 --> 00:05:05,706 >> ANY IDEA WHO OWNS THIS DUMP? 119 00:05:05,739 --> 00:05:08,075 >> BRIDGET SULLOWAY. 822 PARK AVENUE. 120 00:05:08,108 --> 00:05:09,710 >> SOUNDS LIKE A NEW MAYFLOWER MADAM 121 00:05:09,743 --> 00:05:11,078 SAILED INTO TOWN. 122 00:05:13,547 --> 00:05:14,682 [knock at door] 123 00:05:14,715 --> 00:05:17,017 [door opens] 124 00:05:17,050 --> 00:05:18,486 >> CAN I HELP YOU? 125 00:05:18,519 --> 00:05:20,988 >> WE'RE LOOKING FOR BRIDGET SULLOWAY. 126 00:05:21,021 --> 00:05:22,756 >> THERE'S NO SOLICITING IN THIS BUILDING. 127 00:05:22,790 --> 00:05:25,693 >> GOOD. THEY'RE A PAIN IN THE ASS. 128 00:05:25,726 --> 00:05:27,628 >> THE POLICE. [clears throat] 129 00:05:27,661 --> 00:05:30,898 I'LL SEE IF SHE'S AVAILABLE. >> HELLO. 130 00:05:30,931 --> 00:05:33,033 >> BIRDIE. >> YES, OF COURSE. 131 00:05:33,066 --> 00:05:36,637 I'M ALWAYS AVAILABLE FOR NEW YORK'S FINEST. 132 00:05:36,670 --> 00:05:38,939 SCOOT, CHET, SCOOT. PLEASE, COME IN. 133 00:05:38,972 --> 00:05:40,541 COME IN. COME IN. COME IN. 134 00:05:40,574 --> 00:05:41,809 OH, AND CALL ME BIRDIE. 135 00:05:41,842 --> 00:05:43,811 >> BIRDIE, I'M DETECTIVE STABLER. 136 00:05:43,844 --> 00:05:45,579 MY PARTNER, DETECTIVE BENSON. 137 00:05:45,613 --> 00:05:47,748 >> HELLO. >> THIS IS A LOVELY APARTMENT. 138 00:05:47,781 --> 00:05:50,050 >> OH, THANK YOU, DEAR. 139 00:05:50,083 --> 00:05:53,687 IT'S OUR LITTLE PIECE OF HEAVEN, ISN'T IT, CHET? 140 00:05:53,721 --> 00:05:56,023 >> HMM. I'LL GET THE MARTINIS. 141 00:05:56,056 --> 00:05:59,560 >> DON'T MIND MY NEPHEW. HE'S VERY PROTECTIVE OF ME. 142 00:05:59,593 --> 00:06:01,695 MAKES A MEAN MARTINI, THOUGH. 143 00:06:01,729 --> 00:06:04,097 WOULD YOU CARE FOR ONE? >> NO, THANK YOU. 144 00:06:04,131 --> 00:06:05,866 BUT YOU COULD TELL US ABOUT THE PROPERTY YOU OWNED 145 00:06:05,899 --> 00:06:07,835 AT 215TH AND BROADWAY. 146 00:06:07,868 --> 00:06:10,638 >> OH, THAT'S MY OLD BALLET STUDIO. 147 00:06:10,671 --> 00:06:12,606 >> YOU WERE A DANCER. >> YES, I WAS. 148 00:06:12,640 --> 00:06:14,708 THANK YOU, DEAR. >> YOU'RE WELCOME. 149 00:06:14,742 --> 00:06:18,612 >> WAS A DANCER, A SINGER, A LITTLE CABARET HERE AND THERE. 150 00:06:18,646 --> 00:06:20,781 AND THEN WHEN I FOUND OUT THAT THEY WERE GOING TO SELL 151 00:06:20,814 --> 00:06:24,685 MY OLD BUILDING, I ASKED MY HUSBAND TO BUY IT FOR ME 152 00:06:24,718 --> 00:06:25,986 SO THAT THEY WOULDN'T GO OUT OF BUSINESS. 153 00:06:26,019 --> 00:06:27,655 MARV'S THE OWNER. 154 00:06:27,688 --> 00:06:29,757 >> NO, BIRDIE, YOU'RE THE OWNER. 155 00:06:29,790 --> 00:06:31,759 MY ACCOUNTANT HAD ME PUT THE DEED IN YOUR NAME. 156 00:06:31,792 --> 00:06:33,894 LIABILITY. AND WHO ARE YOU TWO? 157 00:06:33,927 --> 00:06:36,764 >> NYPD. WE WERE WONDERING WHAT KIND OF BUSINESS IT IS 158 00:06:36,797 --> 00:06:37,898 THAT YOU RUN IN THAT BUILDING. 159 00:06:37,931 --> 00:06:40,000 >> I TOLD 'EM IT WAS A BALLET STUDIO. 160 00:06:40,033 --> 00:06:42,102 >> ACTUALLY, THAT PLACE IS GONE. 161 00:06:42,135 --> 00:06:43,837 >> WHAT DO YOU MEAN IT'S GONE? 162 00:06:43,871 --> 00:06:45,839 YOU PROMISED ME THAT YOU'D TAKE CARE OF IT. 163 00:06:45,873 --> 00:06:48,175 >> OH, THE OLD QUEEN WHO RAN IT COULDN'T PAY THE RENT. 164 00:06:48,208 --> 00:06:49,643 I MEAN, I'M NOT RUNNING A DAMN CHARITY. 165 00:06:49,677 --> 00:06:51,812 KICKED 'EM OUT. FOUND SOMEBODY WHO COULD PAY. 166 00:06:51,845 --> 00:06:53,947 >> WHO'S THE CURRENT TENANT? >> THE BAILARINA ROOM. 167 00:06:53,981 --> 00:06:54,782 SOME CRAPPY CLUB. 168 00:06:54,815 --> 00:06:56,484 FILLS UP WITH MOSTLY BORDER JUMPERS. 169 00:06:56,517 --> 00:06:59,119 >> MARV. >> WELL, LATINO, HISPANIC. 170 00:06:59,152 --> 00:07:01,955 THE GUY WHO RUNS IT CAN HARDLY SPEAK ENGLISH. 171 00:07:01,989 --> 00:07:03,691 AND WHAT HAS THIS GOT TO DO WITH ANYTHING? 172 00:07:03,724 --> 00:07:05,726 >> IT'S GOTTA DO WITH A RAPE AND DOUBLE HOMICIDE. 173 00:07:05,759 --> 00:07:08,161 ONE OF THE VICTIMS MAY BE CONNECTED 174 00:07:08,195 --> 00:07:09,229 TO YOUR PROPERTY. 175 00:07:09,262 --> 00:07:11,465 TISA FLORES. >> DON'T KNOW HER. 176 00:07:11,499 --> 00:07:12,766 >> HOW ABOUT ALEJANDRO REYES? 177 00:07:12,800 --> 00:07:14,735 >> YOU KNOW, I GOT 30 BUILDINGS IN THE CITY. 178 00:07:14,768 --> 00:07:15,703 I DON'T KNOW WHO WORKS IN THEM. 179 00:07:15,736 --> 00:07:18,639 ALL I KNOW IS THAT, UH, THIS BAILARINA ROOM 180 00:07:18,672 --> 00:07:19,940 DOESN'T OPEN TILL AFTER 9:00. 181 00:07:19,973 --> 00:07:22,643 YOU WANNA KNOW ABOUT SOMEBODY WHO GOT KILLED, 182 00:07:22,676 --> 00:07:24,812 I'D GO ASK THEM. 183 00:07:26,880 --> 00:07:28,582 >> HOW LONG HAVE YOU KNOWN TISA? 184 00:07:28,616 --> 00:07:29,683 >> SIX MONTHS. 185 00:07:29,717 --> 00:07:31,519 SHE'S IN SCHOOL, BUT HER MOM GOT SICK, 186 00:07:31,552 --> 00:07:33,153 SO SHE STARTED HERE NIGHTS TO MAKE EXTRA MONEY. 187 00:07:33,186 --> 00:07:35,556 >> BY DANCING WITH MEN. >> AND SITTING WITH 'EM. 188 00:07:35,589 --> 00:07:36,657 TALKING WITH 'EM. 189 00:07:36,690 --> 00:07:38,826 A LOT OF OUR CUSTOMERS AREN'T TOO GOOD WITH GIRLS. 190 00:07:38,859 --> 00:07:41,194 I MEAN, THEY PAY BY THE MINUTE JUST TO HANG OUT. 191 00:07:41,228 --> 00:07:44,264 >> IS THAT THE ONLY THING THAT THEY, UH, PAY FOR? 192 00:07:44,297 --> 00:07:47,801 >> SOME GIRLS TAKE CUSTOMERS BACK THERE AND, UH, DO MORE. 193 00:07:47,835 --> 00:07:51,004 BUT I AIN'T NO CORNER GIRL. TISA WASN'T NEITHER. 194 00:07:51,038 --> 00:07:53,006 >> ANY OF THE CUSTOMERS GET OUT OF LINE? 195 00:07:53,040 --> 00:07:56,677 >> ALL THE TIME. GUYS WANT MORE OR GET JEALOUS. 196 00:07:56,710 --> 00:07:58,846 TISA KEPT HAVING PROBLEMS WITH THIS ONE PINGUINITO. 197 00:07:58,879 --> 00:08:00,848 >> LITTLE PENGUIN? >> THE JEWS. 198 00:08:00,881 --> 00:08:03,183 BLACK PANTS. WHITE SHIRT. >> ORTHODOX. GOTCHA. 199 00:08:03,216 --> 00:08:05,919 >> WE CALL OVER THERE THE "SOUTH POLE" 200 00:08:05,953 --> 00:08:08,288 'CAUSE THAT'S WHERE THE PINGUINITOS HANG OUT. 201 00:08:08,321 --> 00:08:10,758 >> YOU SEE TISA'S PINGUINITO OVER THERE? 202 00:08:10,791 --> 00:08:13,093 >> NO. I HAVEN'T SEEN HIM ALL NIGHT. 203 00:08:13,126 --> 00:08:16,764 LOOK, I-I GOTTA GET TO WORK. 204 00:08:16,797 --> 00:08:20,233 >> THANKS ANYWAY. 205 00:08:20,267 --> 00:08:22,870 >> THAT'S HIM. 206 00:08:30,944 --> 00:08:33,080 >> HEY, YOU WANNA BUY A DANCE? 207 00:08:33,113 --> 00:08:34,782 >> I ONLY DANCE WITH ONE GIRL. 208 00:08:34,815 --> 00:08:36,650 >> TISA, RIGHT? >> YEAH. 209 00:08:36,684 --> 00:08:38,051 SHE'S MY GIRLFRIEND. 210 00:08:38,085 --> 00:08:39,953 >> SO I GUESS YOU'RE NOT GONNA DANCE WITH ME THEN. 211 00:08:39,987 --> 00:08:42,022 >> WHO THE HELL ARE YOU? >> POLICE. 212 00:08:42,055 --> 00:08:43,824 TURN YOUR HEAD AROUND. >> WHAT? WHAT IS THAT? 213 00:08:43,857 --> 00:08:45,793 DON'T TOUCH ME! >> SHH, SHH. ALL RIGHT. 214 00:08:45,826 --> 00:08:46,927 DON'T WANT TO SHOW US YOUR EAR, 215 00:08:46,960 --> 00:08:48,061 WE'LL TAKE IT DOWNTOWN. 216 00:08:48,095 --> 00:08:51,298 COME ON. 217 00:08:54,602 --> 00:08:57,705 >> I DIDN'T KILL TISA. I LOVED HER. 218 00:08:57,738 --> 00:08:59,773 >> WELL, THEY--THEY'RE NOT MUTUALLY EXCLUSIVE. 219 00:08:59,807 --> 00:09:02,843 >> BESIDES, SHE DIDN'T LOVE YOU. 220 00:09:02,876 --> 00:09:05,846 >> SHE WOULD'VE. SHE JUST NEEDED TIME. 221 00:09:05,879 --> 00:09:07,781 >> EFRAIM, FACE IT, 222 00:09:07,815 --> 00:09:09,817 YOU'RE JUST ANOTHER CHECK ON HER DANCE CARD. 223 00:09:09,850 --> 00:09:11,251 >> I WASN'T LIKE THOSE LOSERS. 224 00:09:11,284 --> 00:09:12,920 I-I MADE A PICNIC FOR HER ONCE. 225 00:09:12,953 --> 00:09:14,588 >> GREAT. I'M GLAD YOU HAD FUN. 226 00:09:14,622 --> 00:09:17,224 BUT THEN WHERE DID SHE GO? 227 00:09:17,257 --> 00:09:19,760 HMM? HOME WITH YOU? 228 00:09:19,793 --> 00:09:21,161 OH, DIDN'T THINK SO. 229 00:09:21,194 --> 00:09:25,866 SHE WENT HOME TO HER BOYFRIEND. 230 00:09:25,899 --> 00:09:27,868 YOU KNEW SHE HAD A BOYFRIEND, RIGHT? 231 00:09:27,901 --> 00:09:28,802 A REAL ONE. 232 00:09:28,836 --> 00:09:31,371 >> SHE WAS GONNA BREAK UP WITH ALEJANDRO. 233 00:09:31,404 --> 00:09:32,873 >> HEY, HE KNOWS HIM BY NAME. 234 00:09:32,906 --> 00:09:34,808 >> OH, I BET EFRAIM KNOWS A LOT. 235 00:09:34,842 --> 00:09:36,977 WHERE TISA LIVES, HOW TO BREAK INTO HER PLACE. 236 00:09:37,010 --> 00:09:37,845 HE DID THAT TWO NIGHTS AGO. 237 00:09:37,878 --> 00:09:40,848 >> I WAS AT HOME TWO NIGHTS AGO, I SWEAR. 238 00:09:40,881 --> 00:09:42,983 >> HE KNOWS THE THRILL OF WAITING FOR HER, 239 00:09:43,016 --> 00:09:47,921 KNOWING HOW HAPPY SHE'LL BE WHEN-- 240 00:09:47,955 --> 00:09:50,924 BUT THEN SHE CAME HOME WITH HIM. 241 00:09:50,958 --> 00:09:51,992 YOU GOT SCARED. 242 00:09:52,025 --> 00:09:54,227 DUCKED INTO THE CLOSET, LISTENING. 243 00:09:54,261 --> 00:09:58,031 WAITING FOR HIM TO LEAVE, BUT HE DIDN'T. 244 00:09:58,065 --> 00:10:00,233 I MEAN, MAYBE YOU EVEN HEARD 'EM STARTING TO HAVE SEX. 245 00:10:00,267 --> 00:10:02,903 IS THAT WHEN YOU SNAPPED? >> NO! 246 00:10:02,936 --> 00:10:06,339 I NEVER DID ANYTHING MEAN TO TISA. 247 00:10:06,373 --> 00:10:08,008 EVERYBODY ELSE DID. 248 00:10:08,041 --> 00:10:11,278 ALEJANDRO CRITICIZED HER. 249 00:10:11,311 --> 00:10:14,882 CUSTOMERS TRIED TO MAKE HER GO BACK TO THE CORNER. 250 00:10:14,915 --> 00:10:17,217 BUT SHE COULDN'T EVEN COMPLAIN BECAUSE THE HEAD GUY 251 00:10:17,250 --> 00:10:18,418 WAS THE WORST OF ALL. 252 00:10:18,451 --> 00:10:20,921 HE'S THE ONE WHO WAS ALWAYS AFTER TISA. 253 00:10:20,954 --> 00:10:22,790 >> OKAY, THIS HEAD GUY, WAS HE THE CLUB'S MANAGER? 254 00:10:22,823 --> 00:10:25,859 >> HIGHER UP. I THINK HE OWNS THE BUILDING. 255 00:10:25,893 --> 00:10:28,929 [scoffs] GUY'S A STALKER. 256 00:10:28,962 --> 00:10:31,965 >> LET ME GUESS. HIS NAME IS MARV. 257 00:10:31,999 --> 00:10:36,670 >> YEAH. HE'S IN THERE ALL THE TIME. 258 00:10:36,704 --> 00:10:39,406 YOU CAN'T MISS HIM. WEARS A BIG DIAMOND WATCH. 259 00:10:39,439 --> 00:10:42,409 >> I UNDERSTAND YOU NABBED OUR L'CHAIM LOVER BOY. 260 00:10:42,442 --> 00:10:43,944 >> YEAH. WRONG GUY. 261 00:10:43,977 --> 00:10:45,979 HE FINALLY LET US TAKE AN EAR PRINT. 262 00:10:46,013 --> 00:10:47,815 DIDN'T MATCH. >> SO WE'RE NOWHERE. 263 00:10:47,848 --> 00:10:48,949 >> WELL, NOT REALLY. 264 00:10:48,982 --> 00:10:51,752 EFRAIM POINTED US BACK TO SOMEBODY VERY INTERESTING. 265 00:10:51,785 --> 00:10:53,186 MARV SULLOWAY. >> THE LANDLORD. 266 00:10:53,220 --> 00:10:55,689 >> AND BROKE, ACCORDING TO HIS TAXES. 267 00:10:55,723 --> 00:10:58,959 HE CLAIMS $27,000 ANNUAL INCOME. 268 00:10:58,992 --> 00:11:01,161 AND THIS IS A GUY WHO LIVES IN A PENTHOUSE ON PARK AVE. 269 00:11:01,194 --> 00:11:02,930 GOTTA BE COOKING THE BOOKS. 270 00:11:02,963 --> 00:11:05,265 >> IRS THOUGHT SO TOO. AUDITED HIM THREE TIMES. 271 00:11:05,298 --> 00:11:06,900 NEVER NAILED HIM. 272 00:11:06,934 --> 00:11:08,268 >> WELL, MEANS HE'S SMART AND HE'S GOT LAWYERS. 273 00:11:08,301 --> 00:11:09,970 SO BEFORE WE TAKE A RUN AT HIM... 274 00:11:10,003 --> 00:11:11,772 >> MAKE SURE WE GOT ALL OUR DUCKS IN A ROW. 275 00:11:11,805 --> 00:11:14,041 >> DETECTIVE BENSON. >> BIRDIE. 276 00:11:14,074 --> 00:11:17,077 >> CAN WE TALK? IT'S ABOUT MY HUSBAND. 277 00:11:17,110 --> 00:11:18,846 >> YES, OF COURSE. 278 00:11:18,879 --> 00:11:21,181 LET'S, UM, WHY DON'T WE GO OFF TO THE LOUNGE. 279 00:11:21,214 --> 00:11:23,050 JUST THIS WAY. 280 00:11:23,083 --> 00:11:27,220 I'M SORRY, I MEAN, MARV USUALLY ISN'T SUCH A BOORISH MAN. 281 00:11:27,254 --> 00:11:32,325 >> [snorts] >> WHAT'D I TELL YOU, DETECTIVE? 282 00:11:32,359 --> 00:11:34,361 >> HE EVER HAVE TO PROTECT YOU FROM MARV? 283 00:11:34,394 --> 00:11:36,096 >> PHYSICALLY? OH, NO. 284 00:11:36,129 --> 00:11:37,765 >> BIRDIE. 285 00:11:37,798 --> 00:11:40,067 >> WELL, MAYBE MARV DRINKS A LITTLE BIT TOO MUCH, 286 00:11:40,100 --> 00:11:41,401 BUT I CAN HOLD MY OWN. 287 00:11:41,434 --> 00:11:44,337 AFTER ALL, I WAS MARRIED TO FOUR MEN BEFORE HIM. 288 00:11:44,371 --> 00:11:48,341 AND WHEN MY FATHER DIED, I HAD TO FEND FOR MYSELF. 289 00:11:48,375 --> 00:11:50,043 >> THAT COULDN'T HAVE BEEN EASY IN THIS CITY. 290 00:11:50,077 --> 00:11:53,013 >> ESPECIALLY AS A DANCER. LOT OF GRABBY PRODUCERS. 291 00:11:53,046 --> 00:11:56,283 WHICH IS ANOTHER REASON I CAME TODAY. 292 00:11:56,316 --> 00:11:59,820 I UNDERSTAND THAT POOR GIRL WHO DIED WAS A DANCER. 293 00:11:59,853 --> 00:12:01,021 >> SHE WAS. 294 00:12:01,054 --> 00:12:02,355 >> I WANT TO PAY FOR HER FUNERAL. 295 00:12:02,389 --> 00:12:04,858 >> UH, BIRDIE, THAT REALLY ISN'T NECESSARY. 296 00:12:04,892 --> 00:12:09,229 >> OH, YES, IT IS, TO MAKE UP FOR MY HUSBAND'S CALLOUSNESS. 297 00:12:09,262 --> 00:12:11,531 YECCH, MARV AND HIS PEN CHEWING. 298 00:12:11,564 --> 00:12:14,134 DID I MENTION HE WAS A PIG? 299 00:12:14,167 --> 00:12:16,770 >> UH, HERE YOU GO. >> THANK YOU. 300 00:12:16,804 --> 00:12:19,039 YOU KNOW, I HAVE A GOOD MIND TO MARCH STRAIGHT DOWN 301 00:12:19,072 --> 00:12:21,975 TO CITY HALL AND FILE DIVORCE PAPERS 302 00:12:22,009 --> 00:12:23,376 ON THAT JACKASS. 303 00:12:23,410 --> 00:12:25,045 >> FINALLY. 304 00:12:25,078 --> 00:12:27,447 >> THIS IS INCREDIBLY GENEROUS OF YOU. 305 00:12:27,480 --> 00:12:29,549 AND ON THE BRIGHT SIDE, AT LEAST YOUR NEPHEW 306 00:12:29,582 --> 00:12:32,185 WILL ALWAYS BE THERE FOR YOU. 307 00:12:32,219 --> 00:12:36,289 >> UM, CHET, BE A POODLE AND GO GET ME A CUP OF TEA. 308 00:12:36,323 --> 00:12:38,992 I SAW A TEAPOT DOWNSTAIRS. 309 00:12:39,026 --> 00:12:42,395 >> TEA. 310 00:12:42,429 --> 00:12:45,232 >> TO BE PERFECTLY HONEST WITH YOU, 311 00:12:45,265 --> 00:12:47,067 HE'S NOT MY NEPHEW. 312 00:12:47,100 --> 00:12:49,002 IT'S A LITTLE GAME WE PLAY. 313 00:12:49,036 --> 00:12:51,004 SOME YEARS AGO, I HAD A GIRLFRIEND. 314 00:12:51,038 --> 00:12:52,305 SHE WAS A ROCKETTE. 315 00:12:52,339 --> 00:12:55,475 AND SHE GAVE BIRTH TO CHET OUT OF WEDLOCK. 316 00:12:55,508 --> 00:12:58,145 SHE DIED WHEN HE WAS SIX, AND I TOOK HIM IN. 317 00:12:58,178 --> 00:12:59,947 AND HE'S BEEN WITH ME EVER SINCE. 318 00:12:59,980 --> 00:13:01,348 >> WELL, HE'S A VERY LUCKY MAN. 319 00:13:01,381 --> 00:13:03,483 >> I'M THE LUCKY ONE. 320 00:13:03,516 --> 00:13:08,088 CHET'S THE ONLY PERSON WHO'S EVER REALLY LOVED ME. 321 00:13:08,121 --> 00:13:09,823 SOMETIMES I THINK MY REAL TALENT 322 00:13:09,857 --> 00:13:12,192 IS IN ATTRACTING BAD MEN. 323 00:13:12,225 --> 00:13:15,395 >> GOOD ONES ARE HARD TO FIND. >> I PICKED SOME DOOZIES THOUGH. 324 00:13:15,428 --> 00:13:19,066 THE FIRST ONE WAS A DRUG DEALER. 325 00:13:19,099 --> 00:13:22,102 THE SECOND ONE LIKED LITTLE BOYS. 326 00:13:22,135 --> 00:13:24,404 MY THIRD HUSBAND, PHILIP, HE-- 327 00:13:24,437 --> 00:13:26,339 HE MAY HAVE BEEN NICE, I DON'T KNOW. 328 00:13:26,373 --> 00:13:30,410 >> SHORT MARRIAGE? >> ALL OF FOUR DAYS. 329 00:13:30,443 --> 00:13:34,114 WE WERE SAILING TO BERMUDA FOR OUR HONEYMOON. 330 00:13:34,147 --> 00:13:38,952 A FREAK STORM CAME UP, AND HE WAS SWEPT OVERBOARD. 331 00:13:38,986 --> 00:13:43,356 AND THE ONE AFTER PHILIP WAS A WOMANIZER. 332 00:13:43,390 --> 00:13:46,159 AND NOW HERE'S MARV. 333 00:13:46,193 --> 00:13:49,229 BUT I SWEAR, HE WAS FUNNY AND CHARMING 334 00:13:49,262 --> 00:13:52,565 WHEN I FIRST MET HIM. 335 00:13:52,599 --> 00:13:55,302 THEN LAST NIGHT, AFTER HE WENT TO BED, 336 00:13:55,335 --> 00:13:59,106 I SNEAKED INTO HIS OFFICE AND I LOOKED THROUGH HIS FILES. 337 00:13:59,139 --> 00:14:02,109 I FOUND OUT THAT THE PROPERTIES HE OWNED 338 00:14:02,142 --> 00:14:05,145 WERE ALL STRIP CLUBS AND PEEP JOINTS 339 00:14:05,178 --> 00:14:07,080 AND HORRIBLE PLACES. 340 00:14:07,114 --> 00:14:09,082 >> YOU HAD NO IDEA THAT HE'D BEEN LYING TO YOU? 341 00:14:09,116 --> 00:14:12,485 THERE WAS NO OTHER SUSPICIOUS BEHAVIOR? 342 00:14:12,519 --> 00:14:15,255 >> NONE WHATSOEVER. 343 00:14:15,288 --> 00:14:18,091 >> HERE'S YOUR TEA, BIRDIE. 344 00:14:18,125 --> 00:14:20,593 >> OH, THANK YOU, CHET. THANK YOU. 345 00:14:20,627 --> 00:14:22,129 OH, LET ME GET RID OF THAT THING. 346 00:14:22,162 --> 00:14:24,231 >> DON'T WORRY ABOUT IT. I'LL DISPOSE OF IT. 347 00:14:24,264 --> 00:14:26,533 >> THANKS AGAIN. 348 00:14:26,566 --> 00:14:28,068 >> YOU'RE KIDDING. 349 00:14:28,101 --> 00:14:30,437 YOU'RE REALLY TELLING ME THAT MARV SULLOWAY'S DNA 350 00:14:30,470 --> 00:14:31,604 IS ON THIS? 351 00:14:31,638 --> 00:14:33,206 >> LURKING IN A CRUSTY COAT OF SLOBBER. 352 00:14:33,240 --> 00:14:34,474 >> SO IF WARNER RUNS IT AND SAYS IT'S A MATCH 353 00:14:34,507 --> 00:14:36,309 FOR THE SEMEN FOUND INSIDE TISA? 354 00:14:36,343 --> 00:14:39,146 >> YOU HAVE MY BLESSINGS TO NAIL THE SON OF A BITCH. 355 00:14:42,615 --> 00:14:45,118 >> I CAN'T WAIT TO SEE THE LOOK ON THIS A-HOLE'S FACE. 356 00:14:45,152 --> 00:14:46,653 >> DO ME A FAVOR. LET ME CUFF HIM. 357 00:14:46,686 --> 00:14:49,156 >> BETTER YET, LET BIRDIE DO IT. 358 00:14:49,189 --> 00:14:51,558 >> [screams] 359 00:14:51,591 --> 00:14:55,262 [car alarm blaring, horn honking] 360 00:14:59,232 --> 00:15:01,468 >> IT'S MARV. >> OH, MY GOD. 361 00:15:01,501 --> 00:15:04,304 I LOOKED UP JUST AS HE JUMPED. 362 00:15:04,337 --> 00:15:05,572 [knocking at door] 363 00:15:05,605 --> 00:15:09,142 >> OH, DETECTIVES, DID YOU DECIDE TO TRY 364 00:15:09,176 --> 00:15:11,278 THE MARTINIS AFTER ALL? 365 00:15:11,311 --> 00:15:13,313 >> WHERE ARE MR. AND MRS. SULLOWAY? 366 00:15:13,346 --> 00:15:15,148 >> MARV IS IN THE STUDY AND BIRDIE HAS RETIRED 367 00:15:15,182 --> 00:15:16,283 FOR THE EVENING, WHY? 368 00:15:16,316 --> 00:15:20,087 >> ALL RIGHT, CHET, YOU AND I ARE GONNA TALK IN THERE. 369 00:15:24,424 --> 00:15:27,394 [accordion muisc playing] 370 00:15:27,427 --> 00:15:35,435 * 371 00:15:39,639 --> 00:15:42,175 >> BIRDIE. 372 00:15:42,209 --> 00:15:46,146 >> YOU RECOGNIZE HER? 373 00:15:51,351 --> 00:15:55,188 SHE'S WHO I USED TO BE. 374 00:16:06,399 --> 00:16:09,369 >> DID YOU FIND ANYTHING? DID YOU FIND A NOTE? 375 00:16:09,402 --> 00:16:12,139 >> NOTHING ON PAPER OR HIS COMPUTER. 376 00:16:12,172 --> 00:16:14,607 >> DID MARV SAY ANYTHING UNUSUAL EARLIER 377 00:16:14,641 --> 00:16:16,676 OR--OR SEEM DESPONDENT? 378 00:16:16,709 --> 00:16:20,380 >> NO. NO. I DIDN'T EVEN SPEAK TO HIM. 379 00:16:20,413 --> 00:16:25,218 I WAS GOING TO CALL A DIVORCE LAWYER IN THE MORNING. 380 00:16:25,252 --> 00:16:28,121 >> HE SEEMED NORMAL TO ME. HE CAME HOME. 381 00:16:28,155 --> 00:16:30,257 HE TOOK HIS MARTINI AND HE WENT INTO THE OFFICE. 382 00:16:30,290 --> 00:16:34,727 AND I ASSUME THAT HE WAS DOING WHAT HE ALWAYS DOES. 383 00:16:34,761 --> 00:16:36,729 SURF PORN. 384 00:16:36,763 --> 00:16:39,132 >> UH, DETECTIVES. 385 00:16:39,166 --> 00:16:42,235 >> OHH. WILL YOU EXCUSE US FOR A MOMENT? 386 00:16:42,269 --> 00:16:43,703 >> WHAT DO YOU GOT, DALE? 387 00:16:43,736 --> 00:16:45,305 >> WELL, I WANTED TO BE MORE THOROUGH 388 00:16:45,338 --> 00:16:46,506 LIKE YOU SHOWED ME THE OTHER DAY, 389 00:16:46,539 --> 00:16:48,608 SO I DUSTED THE OPEN WINDOW. 390 00:16:48,641 --> 00:16:51,411 NOW, ODDS ARE A JUMPER WOULD'VE FACED IT, 391 00:16:51,444 --> 00:16:54,247 GRABBED THE SIDES, STEPPED UP ONTO THE SILL 392 00:16:54,281 --> 00:16:58,285 SO HIS THUMBPRINTS WOULD BE FACING UPWARDS IN THE FRAME. 393 00:16:58,318 --> 00:17:00,253 >> EXCEPT THAT THEY'RE POINTING DOWNWARD 394 00:17:00,287 --> 00:17:01,421 LIKE HE HAD HIS BACK AGAINST THE WINDOW. 395 00:17:01,454 --> 00:17:03,690 >> TRYING NOT TO GO OUT. 396 00:17:03,723 --> 00:17:06,793 >> I THINK OUR CASE JUST WENT FROM SUICIDE TO MURDER. 397 00:17:06,826 --> 00:17:08,528 BING, BANG, BONG. 398 00:17:14,467 --> 00:17:15,402 >> WHY DO WE NEED TO COME IN? 399 00:17:15,435 --> 00:17:16,703 >> SO OUR CSU TECHS CAN FINISH THEIR WORK. 400 00:17:16,736 --> 00:17:18,071 BESIDES, WE HAVE A FEW QUESTIONS 401 00:17:18,105 --> 00:17:19,306 SO WE UNDERSTAND THE SEQUENCE OF EVENTS. 402 00:17:19,339 --> 00:17:20,773 >> IN OTHER WORDS, THE USUAL PAPERWORK. 403 00:17:20,807 --> 00:17:23,710 >> MRS. SULLOWAY, I'M CAPTAIN CRAGEN. 404 00:17:23,743 --> 00:17:25,145 I'M VERY SORRY FOR YOUR LOSS. 405 00:17:25,178 --> 00:17:26,813 >> THANK YOU. 406 00:17:26,846 --> 00:17:29,149 >> JOHN, WHY DON'T YOU ESCORT HER TO THE INTERVIEW ROOM. 407 00:17:29,182 --> 00:17:30,783 AND, FIN, TAKE CHET TO MY OFFICE. 408 00:17:30,817 --> 00:17:33,253 >> YOU--YOU'RE SPLITTING US UP? >> OH, IT'S NOT FOR LONG. 409 00:17:33,286 --> 00:17:35,222 SHE JUST NEEDS TO SIGN SOME FORMS 410 00:17:35,255 --> 00:17:37,124 FOR THE RELEASE OF MR. SULLOWAY'S BODY. 411 00:17:37,157 --> 00:17:38,558 >> DEAR, DON'T MAKE A FUSS. 412 00:17:38,591 --> 00:17:41,761 >> OKAY. >> AFTER YOU, JOHN. 413 00:17:41,794 --> 00:17:46,766 >> RIGHT THIS WAY. 414 00:17:46,799 --> 00:17:48,501 >> WARNER CALLED. 415 00:17:48,535 --> 00:17:51,504 MARV'S EAR PRINT MATCHES THE ONE INSIDE TISA'S CLOSET. 416 00:17:51,538 --> 00:17:53,340 >> OKAY, SO HE'S OUR KILLER. CASE CLOSED. 417 00:17:53,373 --> 00:17:55,142 >> NOW WE HAVE TO FIGURE OUT WHICH ONE OF THEM 418 00:17:55,175 --> 00:17:56,343 IS OUR KILLER'S KILLER. 419 00:17:56,376 --> 00:17:58,345 >> WELL, THAT'S IF MARV WAS PUSHED. 420 00:17:58,378 --> 00:18:01,414 >> CAPTAIN, HIS HANDPRINTS WERE GOING THE WRONG WAY 421 00:18:01,448 --> 00:18:02,849 ON THE WINDOW. 422 00:18:02,882 --> 00:18:04,517 >> WARNER ALSO FOUND EXCESSIVE AMOUNT 423 00:18:04,551 --> 00:18:07,187 OF TRICYCLIC ANTIDEPRESSANT IN MARV'S BLOODSTREAM. 424 00:18:07,220 --> 00:18:09,789 >> SO HE WAS DRUGGED. >> OR HE DRUGGED HIMSELF. 425 00:18:09,822 --> 00:18:13,126 IF WE'RE WRONG AND MARV STUMBLED AND FELL OUT OF THE WINDOW, 426 00:18:13,160 --> 00:18:15,495 WE DON'T WANT TO TRAUMATIZE AN ALREADY GRIEVING WIDOW. 427 00:18:15,528 --> 00:18:18,665 >> AGAIN, THANK YOU FOR COMING IN. 428 00:18:18,698 --> 00:18:20,400 I KNOW THIS IS A DIFFICULT TIME. 429 00:18:20,433 --> 00:18:22,802 >> [sighs] WELL, IT HASN'T QUITE HIT ME YET. 430 00:18:22,835 --> 00:18:25,372 >> I UNDERSTAND. MAY I? >> OH, THANK YOU. 431 00:18:25,405 --> 00:18:26,439 >> MM-HMM. 432 00:18:26,473 --> 00:18:30,643 >> THERE ARE SO FEW GENTLEMEN LEFT IN THE WORLD. 433 00:18:30,677 --> 00:18:34,681 >> MRS. SULLOWAY, DO YOU HAVE ANY IDEA 434 00:18:34,714 --> 00:18:36,483 WHY YOUR HUSBAND WANTED TO TAKE HIS OWN LIFE? 435 00:18:36,516 --> 00:18:38,351 >> I HAVE NO IDEA. 436 00:18:38,385 --> 00:18:41,254 >> HE HADN'T MENTIONED SUICIDE OR BEING DEPRESSED LATELY? 437 00:18:41,288 --> 00:18:43,623 >> NO. NO, NOT AT ALL. 438 00:18:43,656 --> 00:18:49,329 BUT THEN AGAIN, MARV WAS NEVER THE MOST EXPRESSIVE MAN. 439 00:18:49,362 --> 00:18:51,531 USED TO BE WHEN WE FIRST MET. 440 00:18:51,564 --> 00:18:54,367 HE EVEN WROTE ME POETRY. 441 00:18:54,401 --> 00:18:56,303 BUT, WELL, THE LAST FEW YEARS, 442 00:18:56,336 --> 00:18:58,505 WE HAVEN'T BEEN EXACTLY CONFIDANTS. 443 00:18:58,538 --> 00:19:00,473 >> MM-HMM. LIKE YOU AND CHET ARE. 444 00:19:00,507 --> 00:19:05,678 >> CHET AND I ARE SPECIAL. >> THINK MARV WAS JEALOUS? 445 00:19:05,712 --> 00:19:08,548 >> JEALOUS WAS ONLY ONE OF HIS MANY DELIGHTFUL QUALITIES. 446 00:19:08,581 --> 00:19:11,918 JEALOUS, IRRATIONAL, UM, ALCOHOLIC, 447 00:19:11,951 --> 00:19:14,321 RAGE-AHOLIC, PORN ADDICT. 448 00:19:14,354 --> 00:19:15,555 >> WHAT ABOUT DRUGS? 449 00:19:15,588 --> 00:19:17,890 >> I WAS, UH, I WAS JUST HIS BARTENDER. 450 00:19:17,924 --> 00:19:20,960 BUT BIRDIE MIGHT KNOW IF HE WAS POPPING PILLS. 451 00:19:20,993 --> 00:19:24,364 >> LIPITOR, ZANTAC, AND, UM, THERE WAS ANOTHER ONE. 452 00:19:24,397 --> 00:19:27,600 I THINK, UM, UH, DOXEPIN. DOXEPIN? 453 00:19:27,634 --> 00:19:31,271 >> THAT'S AN ANTIDEPRESSANT. >> IS IT? 454 00:19:31,304 --> 00:19:32,505 WELL, I JUST REMEMBER CHET 455 00:19:32,539 --> 00:19:35,508 GOING THROUGH MARV'S MEDICINE CABINET ONE DAY 456 00:19:35,542 --> 00:19:39,546 AND LAUGHING LIKE HELL OVER ALL THE NAMES 457 00:19:39,579 --> 00:19:43,316 AND COUNTING OUT ALL THE POISONS THAT THE OLD MAN HAD TO TAKE. 458 00:19:43,350 --> 00:19:47,687 >> POISONS. >> IT'S WHAT I CALL 'EM. 459 00:19:47,720 --> 00:19:52,492 WHEN I WAS NINE, MY FATHER WAS TAKEN TO THE HOSPITAL. 460 00:19:52,525 --> 00:19:55,295 THEY SAID IT WAS NOTHING SERIOUS. 461 00:19:55,328 --> 00:19:59,466 A KIDNEY STONE. SAID HE'D BE HOME THE NEXT DAY. 462 00:19:59,499 --> 00:20:04,304 ONLY HE WASN'T. THEY KILLED HIM. 463 00:20:04,337 --> 00:20:07,574 AND I WAS LEFT ALL ALONE. 464 00:20:07,607 --> 00:20:08,908 [sniffs] 465 00:20:08,941 --> 00:20:12,512 >> I'M SORRY. 466 00:20:12,545 --> 00:20:16,349 >> THANK YOU. [sniffs] OH. 467 00:20:16,383 --> 00:20:19,986 LOOK, I'M NOT SAYING THAT MY FATHER WAS A VERY NICE MAN. 468 00:20:20,019 --> 00:20:23,623 SOME WAYS, HE WAS A LOT LIKE MARV, THE BASTARD. 469 00:20:23,656 --> 00:20:25,792 >> STILL, NO CHILD DESERVES TO BE AN ORPHAN. 470 00:20:25,825 --> 00:20:28,795 >> NO. YOU'RE RIGHT. 471 00:20:28,828 --> 00:20:32,632 AND THAT'S WHEN I DECIDED THEN AND THERE 472 00:20:32,665 --> 00:20:36,803 THAT ALL DOCTORS ARE NOTHING BUT WELL-PAID MURDERERS. 473 00:20:36,836 --> 00:20:39,506 TO HELL WITH 'EM. 474 00:20:39,539 --> 00:20:41,808 YOU KNOW, I HAVEN'T BEEN TO ONE OR TOUCHED A PILL BOTTLE 475 00:20:41,841 --> 00:20:43,743 IN 60 YEARS. 476 00:20:43,776 --> 00:20:47,547 >> SO YOU DON'T KNOW IF MARV WAS REGULARLY TAKING TRICYCLICS. 477 00:20:47,580 --> 00:20:49,616 >> WHAT DID I JUST SAY? 478 00:20:49,649 --> 00:20:54,487 I DON'T KNOW ANYTHING MORE THAN WHAT I'VE BEEN TELLING YOU. 479 00:20:54,521 --> 00:20:56,389 >> [laughs] I KNOW EVERYTHING ABOUT HER. 480 00:20:56,423 --> 00:20:57,724 I AM HER SOUL MATE. 481 00:20:57,757 --> 00:20:59,559 >> THAT'S WHY YOU'RE SO PROTECTIVE OF HER. 482 00:20:59,592 --> 00:21:00,627 >> EXACTLY. 483 00:21:00,660 --> 00:21:01,661 >> SO WHEN IS THE LAST TIME 484 00:21:01,694 --> 00:21:02,729 THAT YOU HAD TO PROTECT HER? 485 00:21:02,762 --> 00:21:04,364 >> OH, THAT WOULD BE TWO DAYS AGO 486 00:21:04,397 --> 00:21:05,998 WHEN YOU AND YOUR PARTNER CAME BY. 487 00:21:06,032 --> 00:21:07,600 MARV WENT MENTAL. 488 00:21:07,634 --> 00:21:09,402 HE WAS SLAMMING DOORS 489 00:21:09,436 --> 00:21:11,338 AND HE WAS SWEATING THROUGH HIS SHIRT. 490 00:21:11,371 --> 00:21:13,506 AND BIRDIE ASKED HIM-- SHE SAID, "WHAT IS WRONG?" 491 00:21:13,540 --> 00:21:14,674 AND HE STARTED TO SCREAM AT HER. 492 00:21:14,707 --> 00:21:18,010 SO I SAID TO HIM, "YOU LEAVE HER ALONE!" 493 00:21:18,044 --> 00:21:22,482 AND HE LUNGED AT ME LIKE THIS CRAZY ANIMAL. 494 00:21:22,515 --> 00:21:23,983 AND THEN HE--HE BOLTED FOR THE DOOR. 495 00:21:24,016 --> 00:21:26,085 THAT MAN WAS IN TROUBLE. 496 00:21:26,118 --> 00:21:28,455 >> CHET, WHAT IF I TOLD YOU THAT MARV SULLOWAY 497 00:21:28,488 --> 00:21:30,757 WAS UNDER INVESTIGATION FOR MURDER? 498 00:21:30,790 --> 00:21:34,694 >> [laughs] YOU'RE JOKING. 499 00:21:34,727 --> 00:21:36,629 >> THE DANCER THAT HE CLAIMED NOT TO KNOW, 500 00:21:36,663 --> 00:21:38,898 HE MURDERED HER AND HER BOYFRIEND. 501 00:21:38,931 --> 00:21:43,770 >> I CAN'T BELIEVE IT. 502 00:21:43,803 --> 00:21:45,672 AND TO THINK THAT BIRDIE WAS MARRIED TO THE MAN FOR... 503 00:21:45,705 --> 00:21:48,741 >> FOR 11 YEARS. >> GOOD ONES? 504 00:21:48,775 --> 00:21:50,443 >> HA. 505 00:21:50,477 --> 00:21:53,112 WELL, I SEE YOU'RE MARRIED. 506 00:21:53,145 --> 00:21:56,048 SO YOU MUST KNOW THEY'RE NOT ALL GOOD. 507 00:21:56,082 --> 00:21:58,585 >> RIGHT. DO YOU THINK MARV WAS HAPPY? 508 00:21:58,618 --> 00:22:01,688 >> WELL, I-I DON'T THINK HE KNEW 509 00:22:01,721 --> 00:22:03,623 THAT I WAS CONTEMPLATING DIVORCE. 510 00:22:03,656 --> 00:22:05,558 >> BUT YOU HAD SEPARATE BEDROOMS. 511 00:22:05,592 --> 00:22:07,760 >> MARV WAS A SNORER. 512 00:22:07,794 --> 00:22:10,497 >> AND CHET? 513 00:22:10,530 --> 00:22:16,636 >> CHET? CHET SLEEPS LIKE A BABY. 514 00:22:16,669 --> 00:22:19,506 >> I MEANT, HOW DID HE FEEL ABOUT YOUR HUSBAND? 515 00:22:19,539 --> 00:22:21,708 >> I HATED THE MAN EVEN MORE THAN HE HATED ME. 516 00:22:21,741 --> 00:22:23,142 >> DO YOU THINK HE WAS THREATENED BY YOU? 517 00:22:23,175 --> 00:22:24,511 >> WHAT DO YOU MEAN? 518 00:22:24,544 --> 00:22:26,613 >> BY YOUR RELATIONSHIP WITH BIRDIE. 519 00:22:26,646 --> 00:22:28,080 YOU JUST SAID THAT THE TWO OF YOU WERE SOUL MATES. 520 00:22:28,114 --> 00:22:31,083 >> I'VE BEEN BY HER SIDE MY ENTIRE LIFE. 521 00:22:31,117 --> 00:22:32,885 >> RIGHT. SO IT COULDN'T HAVE THRILLED MARV TOO MUCH 522 00:22:32,919 --> 00:22:35,488 TO ALWAYS HAVE THE NEPHEW TAGGING ALONG. 523 00:22:35,522 --> 00:22:37,790 >> I-I-I DON'T CARE WHAT HE THINKS, 524 00:22:37,824 --> 00:22:42,795 ESPECIALLY AFTER YOU SAID WHAT HE DID TO THOSE PEOPLE. 525 00:22:42,829 --> 00:22:45,698 I MEAN, I ALWAYS THOUGHT HE WAS HAVING AFFAIRS, 526 00:22:45,732 --> 00:22:48,735 THOUGH GOD KNOWS WHAT WOMAN COULD TOLERATE THAT MAN. 527 00:22:48,768 --> 00:22:51,404 >> BIRDIE DID. >> BLESS HER HEART. 528 00:22:51,438 --> 00:22:53,706 SHE'S A VERY SPECIAL PERSON. 529 00:22:53,740 --> 00:22:57,644 >> AND YOU TWO HAVE A VERY SPECIAL RELATIONSHIP. 530 00:22:57,677 --> 00:22:59,646 >> YES. >> MM-HMM. 531 00:22:59,679 --> 00:23:01,180 HOW SPECIAL, CHET? 532 00:23:01,213 --> 00:23:02,682 >> EXCUSE ME? >> COME ON. 533 00:23:02,715 --> 00:23:05,084 YOU'RE A GROWN MAN. YOU HAVE NEEDS. 534 00:23:05,117 --> 00:23:08,020 >> [chuckles] I'M NOT SURE THAT'S ANY OF YOUR BUSINESS. 535 00:23:08,054 --> 00:23:09,422 >> AND BIRDIE ISN'T REALLY YOUR AUNT. 536 00:23:09,456 --> 00:23:13,460 SO HOW SPECIAL IS IT? 537 00:23:13,493 --> 00:23:16,796 >> CHET WAS 18 WHEN WE FIRST MADE LOVE. 538 00:23:16,829 --> 00:23:18,898 I SUPPOSE YOU FIND THAT SHOCKING. 539 00:23:18,931 --> 00:23:23,102 BUT OUR RELATIONSHIP HAS ALWAYS BEEN VERY INTIMATE. 540 00:23:23,135 --> 00:23:24,704 >> SO BEING PHYSICAL JUST MADE SENSE. 541 00:23:24,737 --> 00:23:27,740 >> WELL, YES. HE WAS A SENSITIVE YOUNG MAN. 542 00:23:27,774 --> 00:23:30,843 HE NEEDED GUIDANCE. 543 00:23:30,877 --> 00:23:33,179 AND I LOVE HIM. 544 00:23:33,212 --> 00:23:35,848 I LOVE HIM MORE THAN ANYONE I'VE EVER KNOWN. 545 00:23:35,882 --> 00:23:39,852 >> SO WHY NOT GET MARRIED? 546 00:23:39,886 --> 00:23:42,622 >> WELL, I THINK OUR AGE DIFFERENCE 547 00:23:42,655 --> 00:23:47,894 MIGHT STRIKE SOME PEOPLE AS, UH, UNSEEMLY. 548 00:23:47,927 --> 00:23:50,797 BUT I DID LOVE MY HUSBANDS. 549 00:23:50,830 --> 00:23:52,999 TILL I FOUND OUT WHAT KIND OF MEN THEY REALLY WERE. 550 00:23:53,032 --> 00:23:54,667 >> AND THEN IT WAS BACK TO CHET. 551 00:23:54,701 --> 00:23:56,803 >> I'D DO ANYTHING FOR HIM 552 00:23:56,836 --> 00:23:58,871 AND HE'D DO ANYTHING FOR ME. 553 00:23:58,905 --> 00:24:01,474 >> LIKE KILL YOUR HUSBAND? >> WHAT? 554 00:24:01,508 --> 00:24:03,576 >> WELL, YOU KNOW, MARV WAS A DANGEROUS MAN. 555 00:24:03,610 --> 00:24:04,977 WE JUST GOT PROOF THAT HE MURDERED 556 00:24:05,011 --> 00:24:08,080 THOSE TWO PEOPLE FROM HIS CLUB. 557 00:24:08,114 --> 00:24:12,151 >> OH. OH. 558 00:24:12,184 --> 00:24:14,120 >> YOU DON'T SEEM SURPRISED. 559 00:24:14,153 --> 00:24:16,756 >> NOTHING SURPRISES ME ABOUT THAT MAN. 560 00:24:16,789 --> 00:24:18,725 >> ALL THE MORE REASON THAT CHET WOULD DO ANYTHING 561 00:24:18,758 --> 00:24:20,560 TO PROTECT YOU FROM HIM. 562 00:24:20,593 --> 00:24:24,230 >> UN-UH. MY CHET IS VERY KIND. 563 00:24:24,263 --> 00:24:28,801 VERY GENTLE. HE COULD NEVER HURT ANYONE. 564 00:24:28,835 --> 00:24:32,071 >> MARV SULLOWAY IS A DISGUSTING, 565 00:24:32,104 --> 00:24:34,173 EGOTISTICAL PIECE OF CRAP, BUT I DID NOT KILL HIM. 566 00:24:34,206 --> 00:24:35,775 >> WELL, I THINK YOU DID. >> MM-HMM. 567 00:24:35,808 --> 00:24:36,843 IS THAT WHY YOU BROUGHT ME IN HERE? 568 00:24:36,876 --> 00:24:39,546 >> I THINK THAT YOU SPIKED HIS MARTINI LAST NIGHT, 569 00:24:39,579 --> 00:24:40,913 YOU GOT HIM WOOZY, 570 00:24:40,947 --> 00:24:42,181 AND YOU PUSHED HIM OUT THAT WINDOW. 571 00:24:42,214 --> 00:24:44,083 >> I GAVE HIM HIS DRINK, YES. 572 00:24:44,116 --> 00:24:45,985 BUT AFTER THAT, I TOLD YOU, HE WENT INTO HIS OFFICE 573 00:24:46,018 --> 00:24:47,654 TO SURF PORN. 574 00:24:47,687 --> 00:24:48,888 >> OKAY, CHET, YOU SURE THAT THAT'S WHAT HAPPENED? 575 00:24:48,921 --> 00:24:50,557 >> YES. 576 00:24:50,590 --> 00:24:52,725 >> BECAUSE WE HAVE PEOPLE AT YOUR APARTMENT RIGHT NOW 577 00:24:52,759 --> 00:24:54,060 COLLECTING EVIDENCE. 578 00:24:54,093 --> 00:24:56,596 EVERY GLASS. EVERY BOTTLE OF BOOZE. 579 00:24:56,629 --> 00:24:58,230 EVERY PILL BOTTLE. 580 00:24:58,264 --> 00:25:00,867 AND GUESS WHO'S FINGERPRINTS ARE GONNA BE ON 'EM, CHET. 581 00:25:00,900 --> 00:25:02,969 >> OF COURSE MY PRINTS ARE ALL OVER THOSE BOTTLES. 582 00:25:03,002 --> 00:25:04,904 I'M THEIR BARTENDER! 583 00:25:04,937 --> 00:25:07,807 >> SO THAT'S YOUR STORY, HMM? 584 00:25:07,840 --> 00:25:09,976 NOTHING ELSE HAPPENED AFTER MARV GOT HOME? 585 00:25:10,009 --> 00:25:11,678 >> I HEARD HIM COME IN, BUT I DIDN'T SEE HIM. 586 00:25:11,711 --> 00:25:12,779 I WAS IN MY ROOM. 587 00:25:12,812 --> 00:25:14,714 >> AND YOU AND CHET DIDN'T HAVE ANY CONVERSATIONS 588 00:25:14,747 --> 00:25:15,715 ABOUT MARV BEFORE THEN? 589 00:25:15,748 --> 00:25:16,883 >> ABOUT WHAT? 590 00:25:16,916 --> 00:25:20,286 >> MM, PLANS TO DIVORCE. >> YES. 591 00:25:20,319 --> 00:25:21,621 I DON'T KNOW. PERHAPS. 592 00:25:21,654 --> 00:25:23,823 I-I--YOU KNOW, I REALLY DON'T KNOW. 593 00:25:23,856 --> 00:25:26,659 I DON'T REMEMBER, UH, IF--IF I TOLD HIM 594 00:25:26,693 --> 00:25:28,127 ABOUT SEEING THE LAWYER IN THE MORNING OR NOT. 595 00:25:28,160 --> 00:25:31,731 >> OKAY, BUT--BUT CHET KNEW HOW MUCH YOU HATED MARV. 596 00:25:31,764 --> 00:25:33,666 AND SINCE HE WAS THE ONE POURING THE DRINKS, 597 00:25:33,700 --> 00:25:35,201 HE COULD'VE VERY EASILY HAVE DRUGGED HIM 598 00:25:35,234 --> 00:25:37,904 WITH ONE OF THOSE, UH, POISONS. 599 00:25:37,937 --> 00:25:39,572 >> I DON'T KNOW. 600 00:25:39,606 --> 00:25:41,841 I MEAN, I DON'T EVEN KNOW IF MARV DRANK LAST NIGHT. 601 00:25:41,874 --> 00:25:43,876 >> OF COURSE MARV DRANK LAST NIGHT! 602 00:25:43,910 --> 00:25:46,012 MARV DRANK EVERY NIGHT! 603 00:25:46,045 --> 00:25:48,748 >> LAST NIGHT, YOU LACED HIS GLASS WITH TRICYCLICS. 604 00:25:48,781 --> 00:25:50,082 >> I DID NOT. 605 00:25:50,116 --> 00:25:51,884 >> BUT HE HAD A HUGE AMOUNT IN HIS SYSTEM. 606 00:25:51,918 --> 00:25:53,252 >> I DON'T, I-- >> 'CAUSE YOU GAVE IT TO HIM. 607 00:25:53,285 --> 00:25:54,587 >> NO, I DIDN'T! 608 00:25:54,621 --> 00:25:55,822 >> WELL, THEN, WHO DID? 609 00:25:55,855 --> 00:25:57,957 >> I DON'T--I DON'T KNOW. 610 00:25:57,990 --> 00:25:58,991 >> YOU DO. >> NO. 611 00:25:59,025 --> 00:25:59,826 >> YEAH, YOU DO. >> NO. 612 00:25:59,859 --> 00:26:01,027 >> YOU DID. >> NO. 613 00:26:01,060 --> 00:26:02,795 >> YES, YOU DID, 'CAUSE YOU GAVE IT TO HIM! 614 00:26:02,829 --> 00:26:03,830 JUST ADMIT IT! 615 00:26:03,863 --> 00:26:04,931 YOU KILLED MARV! 616 00:26:04,964 --> 00:26:05,965 >> NO, HE DIDN'T! 617 00:26:05,998 --> 00:26:07,033 >> HE KILLED HIM, BIRDIE, FOR YOU. 618 00:26:07,066 --> 00:26:08,935 >> MY CHET DIDN'T. HE COULDN'T. 619 00:26:08,968 --> 00:26:09,836 >> HE COULD AND HE DID. 620 00:26:09,869 --> 00:26:11,237 >> I DID NOT! 621 00:26:11,270 --> 00:26:12,939 >> CHET, MARV DIDN'T KILL HIMSELF! 622 00:26:12,972 --> 00:26:13,806 YOU SAID IT YOURSELF. 623 00:26:13,840 --> 00:26:16,042 HE WAS AN EGOTISTICAL PIECE OF CRAP. 624 00:26:16,075 --> 00:26:19,912 HE WOULD HAVE KILLED YOU OR BIRDIE BEFORE HE KILLED HIMSELF. 625 00:26:19,946 --> 00:26:22,348 FOR GOD SAKES, THE MAN MURDERED TWO PEOPLE. 626 00:26:22,381 --> 00:26:24,050 AND THAT'S WHY YOU HAD TO STOP HIM. 627 00:26:24,083 --> 00:26:25,384 >> I WANNA TALK TO BIRDIE. 628 00:26:25,417 --> 00:26:26,986 I NEED TO GO SEE HER, RIGHT NOW. 629 00:26:27,019 --> 00:26:29,255 >> CHET, CHET, CHET. 630 00:26:29,288 --> 00:26:30,690 BIRDIE IS BUSY. 631 00:26:30,723 --> 00:26:32,091 SHE'S BUSY TELLING US ALL ABOUT YOU. 632 00:26:32,124 --> 00:26:33,893 >> NO, SHE'S NOT! >> DO YOU WANNA BET! 633 00:26:33,926 --> 00:26:37,997 >> YES! 634 00:26:38,030 --> 00:26:39,899 >> COME HERE, CHET. 635 00:26:39,932 --> 00:26:42,001 LOOK AT HER. 636 00:26:42,034 --> 00:26:42,969 LOOK AT HER. 637 00:26:43,002 --> 00:26:45,872 LOOK AT HER TALKING TO DETECTIVE STABLER. 638 00:26:45,905 --> 00:26:48,407 COME OVER HERE... AND LOOK AT HER. 639 00:26:48,440 --> 00:26:50,843 BECAUSE SHE'S TELLING US EVERYTHING. 640 00:26:50,877 --> 00:26:54,213 SHE'S TELLING US HOW MUCH YOU LOVE HER. 641 00:26:54,246 --> 00:26:56,983 SHE'S TELLING US HOW MUCH YOU PROTECT HER. 642 00:26:57,016 --> 00:26:58,084 >> NO! 643 00:26:58,117 --> 00:27:00,687 >> AND SHE IS TELLING US HOW FREAKED OUT YOU WERE... 644 00:27:00,720 --> 00:27:01,921 >> I WANNA GO! >> WHEN MARV LOST HER. 645 00:27:01,954 --> 00:27:04,724 >> CAN I GO NOW? I WANNA GO! PLEASE LET ME GO! 646 00:27:04,757 --> 00:27:07,026 >> I KNOW YOU WANNA GO, BUT YOU HAD TO KILL MARV, 647 00:27:07,059 --> 00:27:09,829 OR HE WAS GONNA HURT YOUR SOUL MATE. 648 00:27:09,862 --> 00:27:11,363 AND THAT'S WHY YOU DRUGGED MARV'S DRINK. 649 00:27:11,397 --> 00:27:13,866 THAT'S WHY YOU PUSHED HIM OUT THE WINDOW. 650 00:27:13,900 --> 00:27:16,936 LOOK AT HER--BIRDIE'S TELLING US THE WHOLE STORY. 651 00:27:16,969 --> 00:27:19,972 EVERY SINGLE DETAIL. 652 00:27:20,006 --> 00:27:23,075 >> NO! I DIDN'T DO IT! I DIDN'T KILL HIM. 653 00:27:23,109 --> 00:27:27,446 SHE--SHE--SHE KILLED HIM. SHE DID. 654 00:27:27,479 --> 00:27:30,016 >> CHET...CHET, IT'S OKAY. 655 00:27:30,049 --> 00:27:31,283 IT'S OKAY, CALM DOWN. 656 00:27:31,317 --> 00:27:32,985 TRY TO RELAX. 657 00:27:33,019 --> 00:27:35,254 CHET, SHH, SHH. STOP IT, STOP IT. 658 00:27:35,287 --> 00:27:37,690 CALM DOWN. SHH, SHH. 659 00:27:37,724 --> 00:27:39,992 CHET, LOOK AT ME. JUST TELL ME WHAT HAPPENED. 660 00:27:40,026 --> 00:27:42,094 >> [crying] I HAD ALREADY MADE THE MARTINIS 661 00:27:42,128 --> 00:27:43,896 WHEN MARV CAME HOME. 662 00:27:43,930 --> 00:27:46,465 AND I ALWAYS GIVE BIRDIE HER MARTINI FIRST. 663 00:27:46,498 --> 00:27:50,036 SO I--I BROUGHT IT INTO HER. 664 00:27:50,069 --> 00:27:53,039 AND SHE ASKED ME TO GO TO THE CLOSET TO GET BACK DOWN 665 00:27:53,072 --> 00:27:55,908 HER OLD MOVIES 'CAUSE SHE LIKES TO WATCH 'EM 666 00:27:55,942 --> 00:27:57,143 WHEN SHE'S SAD. 667 00:27:57,176 --> 00:27:59,779 >> UH-HUH. AND WHEN YOU CAME BACK... 668 00:27:59,812 --> 00:28:01,848 >> AND THAT'S WHEN I SAW IT. 669 00:28:01,881 --> 00:28:04,951 >> THERE WAS A PILL BOTTLE BY THE MARTINIS, 670 00:28:04,984 --> 00:28:06,819 BUT I HAD NO IDEA WHAT SHE WAS GONNA DO. 671 00:28:06,853 --> 00:28:10,089 SO I GAVE HER HER MARTINI... 672 00:28:10,122 --> 00:28:12,058 AND THEN I WENT TO HIS ROOM, AND I GAVE HIM HIS. 673 00:28:12,091 --> 00:28:13,893 AND THAT'S WHEN HE WENT INTO THE OFFICE. 674 00:28:13,926 --> 00:28:14,894 >> TO SURF PORN. 675 00:28:14,927 --> 00:28:16,328 >> NO, I LIED ABOUT THAT. 676 00:28:16,362 --> 00:28:18,364 HE WAS GETTING MONEY OUT OF HIS SAFE, 677 00:28:18,397 --> 00:28:20,332 AND HE WAS GETTING THESE DOCUMENTS 678 00:28:20,366 --> 00:28:22,301 AND STUFFING THEM INTO A DUFFEL BAG. 679 00:28:22,334 --> 00:28:24,170 SO I TOLD BIRDIE THAT HE WAS GONNA LEAVE, 680 00:28:24,203 --> 00:28:27,106 AND THEN THEY STARTED ARGUING, LIKE REALLY BAD ARGUING. 681 00:28:27,139 --> 00:28:29,075 >> AND WHERE WERE YOU? 682 00:28:29,108 --> 00:28:30,977 >> I WAS IN MY ROOM, AND I COULD--I COULD-- 683 00:28:31,010 --> 00:28:34,213 I COULD HEAR 'EM YELLING. 684 00:28:34,246 --> 00:28:36,048 AND THEN MARV JUST STOPPED. 685 00:28:36,082 --> 00:28:39,318 HE STOPPED YELLING. 686 00:28:39,351 --> 00:28:42,154 AND I CAME OUT, AND THE WINDOW WAS WIDE OPEN. 687 00:28:42,188 --> 00:28:45,758 [sobbing] 688 00:28:45,792 --> 00:28:48,160 BUT I DIDN'T...DO IT. 689 00:28:48,194 --> 00:28:49,896 SHE DID IT. 690 00:28:54,033 --> 00:28:56,068 BIRDIE DID IT. 691 00:28:57,269 --> 00:28:58,938 >> WHAT? 692 00:28:58,971 --> 00:29:01,040 I NEVER TOUCHED MARV'S DRINK. 693 00:29:01,073 --> 00:29:03,242 >> WELL, CHET SAYS YOU DID. 694 00:29:03,275 --> 00:29:07,880 AND YOUR FINGERPRINTS ARE ON HIS MARTINI GLASS... 695 00:29:07,914 --> 00:29:10,016 AND HIS PILL BOTTLE. 696 00:29:10,049 --> 00:29:12,018 >> HE WOULD NEVER SAY ANYTHING LIKE THAT. 697 00:29:12,051 --> 00:29:14,553 MY CHET WOULD NOT CROSS HIS AUNT BIRDIE. 698 00:29:14,586 --> 00:29:15,855 >> BRIDGET SULLOWAY, 699 00:29:15,888 --> 00:29:18,057 YOU HAVE THE RIGHT TO REMAIN SILENT. 700 00:29:18,090 --> 00:29:20,026 NOW, IF YOU GIVE UP THAT RIGHT, ANYTHING YOU SAY... 701 00:29:20,059 --> 00:29:22,862 >> WHERE'S CHET? BRING HIM TO ME. 702 00:29:22,895 --> 00:29:25,097 CHET! 703 00:29:29,135 --> 00:29:31,137 >> I DIDN'T WANNA TELL 'EM. 704 00:29:31,170 --> 00:29:32,972 THEY MADE ME DO IT. 705 00:29:33,005 --> 00:29:36,208 >> WE ALL DO WHAT HAVE TO, DEAR. 706 00:29:44,583 --> 00:29:46,485 >> DOCKET ENDING 6126. 707 00:29:46,518 --> 00:29:49,088 PEOPLE OF THE STATE OF NEW YORK VERSUS BRIDGET SULLOWAY. 708 00:29:49,121 --> 00:29:50,990 ONE COUNT MURDER IN THE SECOND DEGREE. 709 00:29:51,023 --> 00:29:52,324 >> HOW DOES THE DEFENDANT PLEAD? 710 00:29:52,358 --> 00:29:54,861 >> NOT GUILTY, YOUR HONOR. 711 00:29:54,894 --> 00:29:55,928 >> REQUEST FOR REMAND, MS. CABOT? 712 00:29:55,962 --> 00:29:57,063 >> $500,000. 713 00:29:57,096 --> 00:30:00,066 >> $50,000--MY CLIENT IS AN ELDERLY WOMAN WHO POSES-- 714 00:30:00,099 --> 00:30:02,468 >> JUST A MINUTE. I AM NOT ELDERLY. 715 00:30:02,501 --> 00:30:03,702 AND I WILL PAY IT. 716 00:30:03,735 --> 00:30:07,606 >> MA'AM, ANY COMMENTS MUST BE MADE THROUGH YOUR ATTORNEY. 717 00:30:07,639 --> 00:30:11,410 >> I WILL NOT HAVE HIM ARGUE OVER MONEY--IT'S VULGAR. 718 00:30:11,443 --> 00:30:13,379 CHET, HAND ME MY CHECKBOOK. 719 00:30:25,424 --> 00:30:28,394 I'LL GET IT. EVERY PENNY. 720 00:30:28,427 --> 00:30:30,529 >> WE'LL PURSUE AN AFFIRMATIVE DEFENSE, YOUR HONOR. 721 00:30:30,562 --> 00:30:33,432 EXTREME EMOTIONAL DISTURBANCE. 722 00:30:33,465 --> 00:30:35,868 IN ADDITION TO MURDERING TWO PEOPLE, 723 00:30:35,902 --> 00:30:37,469 MRS. SULLOWAY'S HUSBAND 724 00:30:37,503 --> 00:30:40,372 TORMENTED HER PHYSICALLY AND MENTALLY. 725 00:30:40,406 --> 00:30:41,540 >> DO YOU HAVE ANY MORE THAN JUST HER SAY-SO? 726 00:30:41,573 --> 00:30:44,143 MEDICAL REPORTS, PICTURES OF BRUISES? 727 00:30:44,176 --> 00:30:46,112 >> NO, BUT SHE DID DESCRIBE THE ABUSE 728 00:30:46,145 --> 00:30:49,515 TO DETECTIVE BENSON JUST PRIOR TO MR. SULLOWAY'S DEMISE. 729 00:30:49,548 --> 00:30:51,550 >> IT SOUNDS LIKE SHE WAS TEEING UP HER EXCUSE 730 00:30:51,583 --> 00:30:53,185 BEFORE OFFING THE POOR GUY. 731 00:30:53,219 --> 00:30:56,222 >> THE SAME POOR GUY THE POLICE SAID STALKED AND MURDERED 732 00:30:56,255 --> 00:30:57,356 TISA FLORES? 733 00:30:57,389 --> 00:30:58,490 MY CLIENT WAS IN MORTAL TERROR. 734 00:30:58,524 --> 00:31:01,660 >> CONVINCE THE JURY, MR. STANICH, NOT THIS COURTROOM. 735 00:31:01,693 --> 00:31:03,395 I'LL ALLOW THE DEFENSE. 736 00:31:03,429 --> 00:31:06,966 [pounds gavel] MS. CABOT, FIRE UP YOUR SHRINK. 737 00:31:06,999 --> 00:31:08,935 >> HELLO, MRS. SULLOWAY. 738 00:31:08,968 --> 00:31:10,102 I'M DR. HUANG. 739 00:31:10,136 --> 00:31:11,437 >> I KNOW. 740 00:31:11,470 --> 00:31:13,305 >> THAT'S RIGHT-- YOU DON'T LIKE DOCTORS. 741 00:31:13,339 --> 00:31:15,074 >> IT'S NOT THAT I DON'T LIKE THEM. 742 00:31:15,107 --> 00:31:16,642 I JUST FIND YOU USELESS. 743 00:31:16,675 --> 00:31:19,245 YOU KNOW, IT'S VERY COLD IN HERE. 744 00:31:19,278 --> 00:31:20,279 IT MAKES MY BONES HURT. 745 00:31:20,312 --> 00:31:22,348 DO YOU THINK MAYBE YOU COULD TURN UP THE HEAT, 746 00:31:22,381 --> 00:31:25,317 OR IS ALL THIS PART OF YOUR LITTLE INTERROGATION? 747 00:31:25,351 --> 00:31:26,986 >> IT'S NOT AN INTERROGATION. 748 00:31:27,019 --> 00:31:29,521 IT'S A PSYCHIATRIC ASSESSMENT. 749 00:31:29,555 --> 00:31:31,991 >> OOH. ASSESS. 750 00:31:32,024 --> 00:31:34,326 >> TELL ME ABOUT YOUR HUSBAND. 751 00:31:34,360 --> 00:31:37,196 >> WHAT'S THERE TO SAY? HE'S DEAD. 752 00:31:37,229 --> 00:31:38,630 >> WELL, YOU DON'T SEEM VERY UPSET ABOUT THAT. 753 00:31:38,664 --> 00:31:40,532 >> MARV WAS A BASTARD. 754 00:31:40,566 --> 00:31:41,633 I'VE KNOWN A FEW. 755 00:31:41,667 --> 00:31:43,535 >> WERE YOU SCARED OF HIM? 756 00:31:43,569 --> 00:31:45,604 >> WELL, OF COURSE. HE MURDERED A GIRL. 757 00:31:45,637 --> 00:31:48,407 >> BUT YOU DIDN'T KNOW ABOUT THAT UNTIL AFTERWARDS. 758 00:31:48,440 --> 00:31:51,243 >> NO, WHAT I MEAN IS IT DIDN'T SURPRISE ME. 759 00:31:51,277 --> 00:31:52,544 MARV WAS A HATEFUL MAN. 760 00:31:52,578 --> 00:31:53,679 HE WAS ALWAYS PUSHING ME AROUND. 761 00:31:53,712 --> 00:31:56,215 >> BUT YOU NEVER TRIED TO LEAVE HIM. 762 00:31:56,248 --> 00:31:58,584 >> NO, NO. CHET WAS WITH ME. 763 00:31:58,617 --> 00:32:01,553 HE WAS ALWAYS VERY PROTECTIVE. 764 00:32:01,587 --> 00:32:03,990 >> WHERE'S CHET NOW? 765 00:32:06,325 --> 00:32:09,962 >> [crying] CHET AND I ARE ESTRANGED. 766 00:32:09,996 --> 00:32:13,032 >> AND WASN'T IT CHET WHO TOLD THE POLICE 767 00:32:13,065 --> 00:32:14,600 THAT YOU DRUGGED MR. SULLOWAY? 768 00:32:14,633 --> 00:32:16,702 >> HE WAS SCARED. >> OF MR. SULLOWAY? 769 00:32:16,735 --> 00:32:20,672 >> [scoffs] WELL, WHO ELSE ARE WE TALKING ABOUT? 770 00:32:20,706 --> 00:32:22,508 IS THERE ANOTHER CHAIR AROUND HERE? 771 00:32:22,541 --> 00:32:26,512 OUT THERE SOMEWHERE? THIS IS HORRIBLE. 772 00:32:26,545 --> 00:32:27,579 >> OKAY, LET'S TALK ABOUT 773 00:32:27,613 --> 00:32:28,714 THE NIGHT THAT YOUR HUSBAND DIED. 774 00:32:28,747 --> 00:32:31,483 >> YOU KNOW WHAT? LET'S NOT. 775 00:32:31,517 --> 00:32:33,652 [sighs] LOOK, WE-- 776 00:32:33,685 --> 00:32:36,322 WE BOTH KNOW WHERE THIS IS SUPPOSED TO GO. 777 00:32:36,355 --> 00:32:39,491 YOU COME IN HERE, PLAYING THE GOOD DOCTOR 778 00:32:39,525 --> 00:32:42,494 WITH YOUR--YOUR TESTS AND YOUR QUESTIONS 779 00:32:42,528 --> 00:32:44,663 AND YOUR FAKE CONCERN. 780 00:32:44,696 --> 00:32:47,633 AND I PLAY THE TERRIFIED WIFE. 781 00:32:47,666 --> 00:32:49,535 COWERING IN THE CORNER, 782 00:32:49,568 --> 00:32:51,370 SAYING SHE JUST COULDN'T TAKE IT ANYMORE. 783 00:32:51,403 --> 00:32:53,072 >> AND THAT'S NOT WHO YOU ARE? 784 00:32:53,105 --> 00:32:54,540 >> NO. 785 00:32:54,573 --> 00:32:57,009 I WAS TERRIFIED. 786 00:32:57,043 --> 00:33:00,512 MARV WOULD HAVE MURDERED ME IF I HADN'T DONE WHAT I DID. 787 00:33:00,546 --> 00:33:04,116 BUT BIRDIE SULLOWAY DOES NOT COWER. 788 00:33:04,150 --> 00:33:07,019 SO...WHY DON'T YOU TAKE YOUR LITTLE ASSESSMENT 789 00:33:07,053 --> 00:33:10,156 BACK TO YOUR BOSSES 790 00:33:10,189 --> 00:33:14,093 AND GET ME THE HELL OUT OF THIS AWFUL ROOM. 791 00:33:16,562 --> 00:33:18,197 >> NICE WORK. 792 00:33:18,230 --> 00:33:20,632 SHE ALL BUT ADMITTED THE E.E.D. WAS A SHAM. 793 00:33:20,666 --> 00:33:22,434 >> TECHNICALLY, YES. 794 00:33:22,468 --> 00:33:24,536 BUT I THINK SHE HAS SOME SERIOUS PROBLEMS. 795 00:33:24,570 --> 00:33:25,671 >> MENTAL ONES? 796 00:33:25,704 --> 00:33:27,673 >> ENOUGH TO DERAIL YOUR CASE. 797 00:33:27,706 --> 00:33:29,575 >> SHE SHOWS SIGNS OF A NEUROLOGICAL DISORDER. 798 00:33:29,608 --> 00:33:32,078 THE BODY STIFFNESS, THE TWITCHING OF THE EYE, 799 00:33:32,111 --> 00:33:34,580 THE LOSS OF FINE MOTOR CONTROL IN THE HANDS. 800 00:33:34,613 --> 00:33:36,148 >> SINCE WHEN DO YOU WORK FOR THE DEFENSE? 801 00:33:36,182 --> 00:33:39,218 >> I HAVE A RESPONSIBILITY AS A PHYSICIAN. 802 00:33:39,251 --> 00:33:41,720 THE WOMAN NEEDS TO BE TESTED, IMMEDIATELY. 803 00:33:41,753 --> 00:33:43,055 >> WELL, GOOD LUCK CONVINCING HER. 804 00:33:43,089 --> 00:33:44,556 SHE HATES DOCTORS. 805 00:33:44,590 --> 00:33:45,791 >> A LOT OF PEOPLE DO. 806 00:33:45,824 --> 00:33:47,726 UNTIL THEY TRULY NEED ONE. 807 00:33:47,759 --> 00:33:51,630 ESPECIALLY IF IT'S A CHOICE BETWEEN A NON-INVASIVE PET SCAN 808 00:33:51,663 --> 00:33:54,066 AND BEING CONVICTED AT TRIAL. 809 00:33:54,100 --> 00:33:56,735 [faint whirring] 810 00:33:56,768 --> 00:34:00,139 >> AS I SUSPECTED: PARANEOPLASTIC SYNDROME. 811 00:34:00,172 --> 00:34:01,840 THE CANCER PROBABLY STARTED IN HER RIGHT LUNG 812 00:34:01,873 --> 00:34:03,809 AND THEN MOVED TO HER OTHER ORGANS. 813 00:34:03,842 --> 00:34:06,678 >> CANCER? HOW IS THAT NEUROLOGICAL? 814 00:34:06,712 --> 00:34:08,714 >> CERTAIN TUMORS SECRETE HORMONES 815 00:34:08,747 --> 00:34:10,616 THAT CAN CAUSE UNBALANCED BEHAVIOR. 816 00:34:10,649 --> 00:34:12,251 >> PROGNOSIS? 817 00:34:12,284 --> 00:34:13,852 >> EVEN WITH AGGRESSIVE CHEMOTHERAPY, 818 00:34:13,885 --> 00:34:16,188 FOUR OR FIVE MONTHS AT THE MOST. 819 00:34:16,222 --> 00:34:18,490 >> WHICH DWIGHT STANICH WILL FILL WITH MOTIONS 820 00:34:18,524 --> 00:34:21,593 AND CONTINUANCES, AND BIRDIE WILL NEVER SEE TRIAL. 821 00:34:21,627 --> 00:34:23,662 CASE DIES WITH HER. 822 00:34:23,695 --> 00:34:25,497 >> GOD GAVE HER THE DEATH PENALTY, 823 00:34:25,531 --> 00:34:27,633 EVEN IF THE STATE OF NEW YORK COULDN'T. 824 00:34:31,203 --> 00:34:33,372 >> HOW MANY? 825 00:34:33,405 --> 00:34:35,407 >> OVER A DOZEN MALIGNANT TUMORS. 826 00:34:35,441 --> 00:34:38,110 >> [scoffs] 827 00:34:38,144 --> 00:34:40,112 WELL, I GUESS IT'S TOO LATE, THEN. 828 00:34:40,146 --> 00:34:44,316 >> AT THIS POINT, THE TREATMENT OPTIONS... 829 00:34:44,350 --> 00:34:45,517 ARE LIMITED. 830 00:34:45,551 --> 00:34:46,752 >> [chuckles weakly] 831 00:34:46,785 --> 00:34:49,155 WELL, NOW YOU KNOW WHY I NEVER LIKED DOCTORS. 832 00:34:49,188 --> 00:34:51,357 HEH. 833 00:34:51,390 --> 00:34:53,359 >> I'M SORRY. 834 00:34:53,392 --> 00:34:54,793 >> OH, WELL. 835 00:34:54,826 --> 00:34:58,764 NO ONE EVER SAID LIFE WAS FAIR. ONLY EVENTFUL. 836 00:34:58,797 --> 00:35:01,533 >> MRS. SULLOWAY... 837 00:35:01,567 --> 00:35:03,769 IF YOU EVER NEED ANYTHING... 838 00:35:07,706 --> 00:35:09,741 >> CAN I ASK YOU SOMETHING? 839 00:35:09,775 --> 00:35:11,143 >> OF COURSE. 840 00:35:11,177 --> 00:35:12,578 >> WHAT DO YOU THINK HAPPENS 841 00:35:12,611 --> 00:35:15,381 WHEN THIS OLD CIRCUS FOLDS ITS TENTS AND-- 842 00:35:15,414 --> 00:35:16,848 AND MOVES ON? 843 00:35:16,882 --> 00:35:19,418 IS THERE ANOTHER TOWN ON THE OTHER SIDE, 844 00:35:19,451 --> 00:35:22,821 OR IS IT ALL JUST A LOT OF NOTHIN'? 845 00:35:22,854 --> 00:35:27,193 >> THOSE KINDS OF QUESTIONS AREN'T EXACTLY MY SPECIALTY. 846 00:35:27,226 --> 00:35:28,694 >> [sniffles] 847 00:35:28,727 --> 00:35:30,729 YEAH, I'VE JUST BEEN WONDERING, 848 00:35:30,762 --> 00:35:35,267 EVER SINCE MY THIRD HUSBAND PASSED AWAY--PHILIP. 849 00:35:35,301 --> 00:35:37,869 HE DIED IN MY ARMS AND, UH, 850 00:35:37,903 --> 00:35:42,508 YOU KNOW, I--I SAW THE LIGHT GO OUT IN HIS EYES. 851 00:35:42,541 --> 00:35:44,910 IT MADE ME CURIOUS 852 00:35:44,943 --> 00:35:49,181 AS TO...WHAT IT WAS HE WAS SEEING. 853 00:35:49,215 --> 00:35:53,619 YOU KNOW? 854 00:35:53,652 --> 00:35:56,888 >> YOU'RE NOT BUYING THIS, ARE YOU? 855 00:35:56,922 --> 00:36:01,493 >> BIRDIE TOLD ME THAT PHILIP WAS SWEPT OFF THEIR YACHT. 856 00:36:01,527 --> 00:36:03,829 SO HOW COULD SHE HAVE SEEN THE LIGHT GO OUT IN HIS EYES? 857 00:36:03,862 --> 00:36:06,198 >> HUANG SAYS THE CANCER'S MADE HER CUCKOO. 858 00:36:06,232 --> 00:36:07,466 MAYBE SHE WAS CONFUSED. 859 00:36:07,499 --> 00:36:11,470 >> OR MAYBE...MARV WASN'T HER FIRST VICTIM. 860 00:36:11,503 --> 00:36:13,772 >> PHILIP GOLDBERG, LOST AT SEA. 861 00:36:13,805 --> 00:36:16,575 ONLY WITNESS TO THE INCIDENT: HIS NEW BRIDE, BIRDIE. 862 00:36:16,608 --> 00:36:18,844 >> "ACCIDENTAL" OVERDOSE. 863 00:36:18,877 --> 00:36:21,247 "SLIPPED" AND FELL DOWN THE STAIRS. 864 00:36:21,280 --> 00:36:24,350 BRAKE FAILURE, AND OF COURSE MARV WAS A SUICIDE. 865 00:36:24,383 --> 00:36:25,951 >> NOW, YOU ADD THESE UP, YOU GOT A KILLING SPREE 866 00:36:25,984 --> 00:36:27,886 THAT SPREADS OUT OVER 40 YEARS. 867 00:36:27,919 --> 00:36:29,588 >> THAT'S WHY NO ONE EVER PUT IT TOGETHER. 868 00:36:29,621 --> 00:36:31,590 >> BIRDIE SAID THAT SHE ONLY HAD A TALENT 869 00:36:31,623 --> 00:36:32,858 FOR ATTRACTING BAD MEN. 870 00:36:32,891 --> 00:36:34,426 WELL, LOOKS LIKE SHE HAD ANOTHER ONE. 871 00:36:34,460 --> 00:36:35,527 GETTING RID OF 'EM. 872 00:36:35,561 --> 00:36:37,796 >> SO WE'RE THINKING BLACK WIDOW. 873 00:36:37,829 --> 00:36:40,666 >> NO, INSURANCE COMPANIES MADE PAYOUTS ON THE FIRST FOUR, 874 00:36:40,699 --> 00:36:41,900 BUT THEY WERE MODEST. 875 00:36:41,933 --> 00:36:43,134 >> WELL, I THINK THE REAL STORY HERE 876 00:36:43,168 --> 00:36:44,770 IS THAT EACH ONE OF HER HUSBANDS HAD SOME KIND OF RAP SHEET, 877 00:36:44,803 --> 00:36:47,973 FROM COCAINE TRAFFICKING, CHILD PORNOGRAPHY, 878 00:36:48,006 --> 00:36:50,842 UH, EMBEZZLING, RAPE, AND MURDER. 879 00:36:50,876 --> 00:36:53,245 >> FROM LITTLE ORPHAN BALLERINA TO DIRTY HARRIET 880 00:36:53,279 --> 00:36:55,414 IN FIVE EASY STEPS. 881 00:36:55,447 --> 00:36:58,850 >> YES, I KILLED ALL OF 'EM. 882 00:36:58,884 --> 00:37:00,952 >> BIRDIE, NOT ANOTHER WORD. 883 00:37:00,986 --> 00:37:04,990 DETECTIVES, WE ALL KNOW MY CLIENT IS IN FAILING HEALTH. 884 00:37:05,023 --> 00:37:07,259 AND THIS INCLUDES HER MENTAL FACULTIES. 885 00:37:07,293 --> 00:37:09,795 >> DWIGHT, PLEASE, I ALREADY HAVE A DEATH SENTENCE. 886 00:37:09,828 --> 00:37:11,863 AND BESIDES, I'M HAPPY WITH WHAT I'VE ACHIEVED. 887 00:37:11,897 --> 00:37:13,565 >> MURDER IS AN ACHIEVEMENT? 888 00:37:13,599 --> 00:37:15,901 >> I RID THE WORLD OF FIVE HORRIBLE MEN. 889 00:37:15,934 --> 00:37:17,936 WOULD YOU RATHER THEY STILL BE ALIVE? 890 00:37:17,969 --> 00:37:18,870 >> WELL, WHAT ABOUT DUE PROCESS? 891 00:37:18,904 --> 00:37:20,706 >> I PREFER JUSTICE. 892 00:37:20,739 --> 00:37:22,274 >> WELL, IN YOUR CASE, IT'S BEEN SERVED. 893 00:37:22,308 --> 00:37:23,942 >> HAS IT? 894 00:37:23,975 --> 00:37:25,944 OR IS THERE ANOTHER MURDERER OUT THERE, 895 00:37:25,977 --> 00:37:27,313 FREE AS A BIRD? 896 00:37:27,346 --> 00:37:30,716 >> YOU'RE LYING. 897 00:37:30,749 --> 00:37:34,820 >> WHY DON'T YOU GO BACK AND CHECK THOSE INSURANCE REPORTS? 898 00:37:34,853 --> 00:37:39,425 I WAS TWO STATES AWAY WHEN RAY FELL DOWN THOSE STAIRS. 899 00:37:39,458 --> 00:37:41,660 AND DO YOU REALLY THINK A LITTLE OLD LADY 900 00:37:41,693 --> 00:37:46,665 WOULD KNOW WHICH CABLE TO CUT UNDER WALTER'S CAR? 901 00:37:46,698 --> 00:37:48,767 OR COULD IT HAVE BEEN A YOUNG MAN 902 00:37:48,800 --> 00:37:50,469 WHO WOULD DO ANYTHING IN THE WORLD 903 00:37:50,502 --> 00:37:53,372 HIS AUNT ASKED HIM TO? 904 00:38:04,049 --> 00:38:08,487 >> AUNT BIRDIE? 905 00:38:08,520 --> 00:38:10,589 >> [weakly] CHET. 906 00:38:10,622 --> 00:38:12,558 YOU CAME. 907 00:38:12,591 --> 00:38:14,826 >> OF COURSE I CAME. 908 00:38:14,860 --> 00:38:19,931 THE MINUTE YOU LEFT THE MESSAGE. 909 00:38:19,965 --> 00:38:21,967 YOU'RE GONNA BE OKAY, RIGHT? 910 00:38:22,000 --> 00:38:23,569 PLEASE TELL ME YOU'RE GONNA BE OKAY? 911 00:38:23,602 --> 00:38:26,037 >> NOT THIS TIME, SWEETHEART, NO. 912 00:38:26,071 --> 00:38:29,608 BUT...I'M BETTER NOW. 913 00:38:33,645 --> 00:38:34,813 >> OHH. 914 00:38:34,846 --> 00:38:36,915 >> OH, I'M SO SORRY I TOLD THE POLICE. 915 00:38:36,948 --> 00:38:38,884 AND THEN I RAN AWAY. 916 00:38:38,917 --> 00:38:40,786 >> SHH, SHH. YOU'RE HERE NOW. 917 00:38:40,819 --> 00:38:45,591 AND YOU'RE SAFE. 918 00:38:45,624 --> 00:38:47,493 >> WHAT ABOUT THE COURT CASE? 919 00:38:47,526 --> 00:38:50,796 >> IT'S TOO LATE FOR THAT. 920 00:38:50,829 --> 00:38:55,133 IT'S TOO LATE FOR EVERYTHING, EXCEPT US. 921 00:38:55,166 --> 00:38:57,669 >> I WAS SO SCARED YOU WERE GONNA BE MAD AT ME. 922 00:38:57,703 --> 00:39:00,105 >> WHAT, YOU? OH, IMPOSSIBLE. 923 00:39:00,138 --> 00:39:01,907 [chuckles] NO, NO. 924 00:39:01,940 --> 00:39:06,011 I'M JUST HAPPY YOU'RE NOT MAD AT YOUR OLD BIRDIE. 925 00:39:10,716 --> 00:39:11,950 >> WHY? 926 00:39:11,983 --> 00:39:16,054 >> FOR WHAT I MADE YOU DO. 927 00:39:16,087 --> 00:39:19,425 HELPING ME WITH MARV. AND ALL THE OTHERS. 928 00:39:19,458 --> 00:39:22,461 >> YOU DIDN'T MAKE ME DO THOSE THINGS. 929 00:39:22,494 --> 00:39:24,129 I WANTED TO HELP. I WOULD DO IT AGAIN. 930 00:39:24,162 --> 00:39:27,966 >> DON'T SAY THAT. >> BUT I WOULD. 931 00:39:27,999 --> 00:39:30,736 I'D PUSH TEN MORE OF THOSE BASTARDS OUT THE WINDOW 932 00:39:30,769 --> 00:39:32,938 IF YOU ASKED ME TO. 933 00:39:32,971 --> 00:39:34,906 >> THAT'S MY CHET. 934 00:39:34,940 --> 00:39:37,643 THE ONLY ONE WHO EVER REALLY LOVED ME. 935 00:39:37,676 --> 00:39:43,849 I ONLY WISH WE HAD THE CHANCE TO BE TOGETHER. 936 00:39:43,882 --> 00:39:45,951 ONE LAST TIME. 937 00:39:48,620 --> 00:39:50,722 >> WHAT DO YOU MEAN? 938 00:39:50,756 --> 00:39:52,157 THERE'S STILL TIME. 939 00:39:52,190 --> 00:39:53,759 >> NO, NO. NO, NO, DARLING. 940 00:39:53,792 --> 00:39:55,861 THERE'S NOT. 941 00:39:55,894 --> 00:39:59,097 YOU SEE, YOU'RE GOING ON A LITTLE TRIP. 942 00:39:59,130 --> 00:40:00,999 [door opens] 943 00:40:07,606 --> 00:40:09,040 >> WHY? WHY? 944 00:40:09,074 --> 00:40:13,011 >> 30 YEARS AT YOUR AUNT BIRDIE'S SIDE... 945 00:40:13,044 --> 00:40:16,848 AND YOU NEVER LEARNED NOT TO CROSS HER. 946 00:40:19,250 --> 00:40:21,553 >> YOU--NO, NO. 947 00:40:21,587 --> 00:40:23,021 NO. 948 00:40:30,128 --> 00:40:32,430 >> WE ALL DO WHAT WE HAVE TO. 949 00:40:43,542 --> 00:40:46,545 Captioning by CaptionMax www.captionmax.com