1 00:00:01,505 --> 00:00:04,338 ♪ ♪ 2 00:00:06,271 --> 00:00:11,271 TALITHIA WILLIAMS: We live our lives surrounded by numbers. 3 00:00:11,271 --> 00:00:14,138 REPORTER: Tipping the scales at a whopping 14 pounds... 4 00:00:14,138 --> 00:00:15,805 The price? $400. 5 00:00:15,805 --> 00:00:17,671 ... at 145,000 new infections... 6 00:00:17,671 --> 00:00:20,638 WILLIAMS: But they didn't all arrive at once. 7 00:00:20,638 --> 00:00:22,405 Why did it take so long... 8 00:00:22,405 --> 00:00:25,471 PATRICK KIMANI: Its utility in mathematics is undisputed. 9 00:00:25,471 --> 00:00:27,838 WILLIAMS: ...for one number in particular... 10 00:00:27,838 --> 00:00:29,305 It's more like a concept than a number. 11 00:00:29,305 --> 00:00:32,071 WILLIAMS: ...to gain full "numberhood"? 12 00:00:32,071 --> 00:00:34,238 I'd call it a very significant number. 13 00:00:34,238 --> 00:00:35,571 WILLIAMS: What's so scary... 14 00:00:35,571 --> 00:00:36,705 VINODH CHELLAMUTHU: You divide a number by it, 15 00:00:36,705 --> 00:00:37,938 you blow up. 16 00:00:37,938 --> 00:00:41,138 WILLIAMS: ...about zero? 17 00:00:41,138 --> 00:00:42,438 In science and mathematics, 18 00:00:42,438 --> 00:00:44,138 the simplest ideas end up 19 00:00:44,138 --> 00:00:47,338 the most influential, the most profound. 20 00:00:47,338 --> 00:00:51,071 WILLIAMS: From zero, where do numbers lead? 21 00:00:51,071 --> 00:00:52,271 Can we follow them 22 00:00:52,271 --> 00:00:53,971 all the way to infinity? 23 00:00:53,971 --> 00:00:55,405 AISHA ARROYO: Infinity and zero 24 00:00:55,405 --> 00:00:56,871 are two sides to the same coin. 25 00:00:56,871 --> 00:01:01,038 WILLIAMS: Can one infinity be bigger than another? 26 00:01:01,038 --> 00:01:02,105 EUGENIA CHENG: How much there is 27 00:01:02,105 --> 00:01:04,405 to understand, that's where 28 00:01:04,405 --> 00:01:06,405 all the amazingness of infinity is! 29 00:01:06,405 --> 00:01:10,038 WILLIAMS: What happens when mathematicians mix 30 00:01:10,038 --> 00:01:13,305 the clout of zero with the power of infinity? 31 00:01:13,305 --> 00:01:15,738 STEVE STROGATZ: It's all one big principle. 32 00:01:15,738 --> 00:01:20,605 WILLIAMS: Nothing less than our modern world. 33 00:01:20,605 --> 00:01:23,905 Come join me, Talithia Williams, 34 00:01:23,905 --> 00:01:27,005 as we dance with two of the strangest beasts 35 00:01:27,005 --> 00:01:29,938 in all of mathematics. 36 00:01:29,938 --> 00:01:33,805 It's nothing... and everything. 37 00:01:33,805 --> 00:01:35,405 "Zero to Infinity," 38 00:01:35,405 --> 00:01:38,805 right now, on "NOVA." 39 00:01:38,805 --> 00:01:43,071 ♪ ♪ 40 00:01:43,071 --> 00:01:58,838 ANNOUNCER: Major funding for "NOVA" is provided by the following: 41 00:02:08,538 --> 00:02:14,705 ♪ ♪ 42 00:02:14,705 --> 00:02:19,438 WILLIAMS: Imagine if you had to explain how we keep track of time 43 00:02:19,438 --> 00:02:22,838 to an alien. 44 00:02:22,838 --> 00:02:26,338 ♪ ♪ 45 00:02:27,938 --> 00:02:29,105 Since they are an alien, 46 00:02:29,105 --> 00:02:32,938 you start with how long it takes for Earth 47 00:02:32,938 --> 00:02:35,205 to travel around the sun. 48 00:02:35,205 --> 00:02:37,671 One year. 49 00:02:37,671 --> 00:02:38,738 So far, so good. 50 00:02:38,738 --> 00:02:42,038 Then you explain we break a year 51 00:02:42,038 --> 00:02:44,605 down into 12 months, 52 00:02:44,605 --> 00:02:47,971 though they don't fit exactly. 53 00:02:47,971 --> 00:02:52,605 And we break months into four weeks. 54 00:02:52,605 --> 00:02:54,938 Though that's not an exact fit, either. 55 00:02:54,938 --> 00:03:00,638 At this point, the alien might think, "One, 12, four. 56 00:03:00,638 --> 00:03:02,505 Is there a pattern forming?" 57 00:03:02,505 --> 00:03:05,105 But then you go on and explain 58 00:03:05,105 --> 00:03:07,538 a week is made up of seven days. 59 00:03:07,538 --> 00:03:12,705 And that a day is made of 24 hours. 60 00:03:12,705 --> 00:03:16,971 And an hour is made up of 60 minutes. 61 00:03:16,971 --> 00:03:20,971 So that's groups of one, 12, four, seven, 24, and 60. 62 00:03:20,971 --> 00:03:23,138 That's the "system." 63 00:03:23,138 --> 00:03:27,605 Even the alien's buddies can't figure it out. 64 00:03:27,605 --> 00:03:32,471 Maybe they can wrap their heads around another number-- 65 00:03:32,471 --> 00:03:34,338 a dance number! 66 00:03:34,338 --> 00:03:38,905 ♪ ♪ 67 00:03:38,905 --> 00:03:40,338 It's easy to imagine 68 00:03:40,338 --> 00:03:43,205 that the real universal language 69 00:03:43,205 --> 00:03:45,205 should be mathematics. 70 00:03:45,205 --> 00:03:48,005 And maybe it is. 71 00:03:48,005 --> 00:03:50,005 Though on Earth, 72 00:03:50,005 --> 00:03:52,805 over the course of our history, 73 00:03:52,805 --> 00:03:57,005 how we represent numbers has been anything but universal. 74 00:03:57,005 --> 00:03:58,305 Over thousands of years, 75 00:03:58,305 --> 00:04:01,538 we humans have tried out a lot of systems, 76 00:04:01,538 --> 00:04:04,871 but there is one that many of us use today. 77 00:04:04,871 --> 00:04:07,705 With just ten numerals-- 78 00:04:07,705 --> 00:04:09,471 zero through nine-- 79 00:04:09,471 --> 00:04:14,205 we can, in principle, write out any number we want, 80 00:04:14,205 --> 00:04:15,938 however large or small. 81 00:04:15,938 --> 00:04:17,271 Though writing out some 82 00:04:17,271 --> 00:04:22,305 may require an eternity-- I'm looking at you, pi! 83 00:04:22,305 --> 00:04:24,205 ♪ ♪ 84 00:04:24,205 --> 00:04:27,571 So where did all these numbers come from? 85 00:04:27,571 --> 00:04:30,638 And do they really go on forever? 86 00:04:30,638 --> 00:04:33,171 My name is Talithia Williams. 87 00:04:33,171 --> 00:04:36,138 And when I'm not on an alien planet, 88 00:04:36,138 --> 00:04:37,805 you can find me... 89 00:04:37,805 --> 00:04:40,438 ♪ ♪ 90 00:04:40,438 --> 00:04:45,371 ...here, at Harvey Mudd College in Claremont, California, 91 00:04:45,371 --> 00:04:50,171 where I'm a professor of mathematics and a statistician. 92 00:04:50,171 --> 00:04:51,971 (speaking indistinctly) 93 00:04:51,971 --> 00:04:54,771 WILLIAMS: Statistics is a mathematical science 94 00:04:54,771 --> 00:04:57,305 that looks for patterns in data... 95 00:04:57,305 --> 00:04:59,138 So it is really key here that our data... 96 00:04:59,138 --> 00:05:01,805 WILLIAMS: ...information that researchers can gather from anywhere, 97 00:05:01,805 --> 00:05:06,505 but all of which is ultimately translated into numbers 98 00:05:06,505 --> 00:05:10,205 using the very digits we learn by counting, 99 00:05:10,205 --> 00:05:12,605 well, our digits. 100 00:05:14,271 --> 00:05:18,671 One, two, three, four, five, and so on. 101 00:05:18,671 --> 00:05:20,705 They can be arranged as whole steps 102 00:05:20,705 --> 00:05:25,071 on a number line that extends off into the distance, 103 00:05:25,071 --> 00:05:28,838 heading toward something we learned to call "infinity," 104 00:05:28,838 --> 00:05:33,338 which we shall see can be a very strange place, indeed. 105 00:05:33,338 --> 00:05:37,905 Though there is one number that tends to be overlooked-- 106 00:05:37,905 --> 00:05:39,238 at least at first. 107 00:05:39,238 --> 00:05:43,571 Most of us learn to count starting with one. 108 00:05:43,571 --> 00:05:46,471 But is that really the beginning? 109 00:05:46,471 --> 00:05:53,338 Or is the start a number that isn't there at all-- zero? 110 00:05:53,338 --> 00:05:56,938 ♪ ♪ 111 00:05:56,938 --> 00:06:00,505 When we talk about zero, 112 00:06:00,505 --> 00:06:02,338 we're talking about nothing. 113 00:06:04,738 --> 00:06:07,405 So we start, you know, teaching children, here's one apple, 114 00:06:07,405 --> 00:06:09,538 two apples, three apples, and we don't think about, 115 00:06:09,538 --> 00:06:12,538 well, what about everywhere else where there are no apples? 116 00:06:12,538 --> 00:06:14,638 ♪ ♪ 117 00:06:14,638 --> 00:06:16,471 Zero is a special number, 118 00:06:16,471 --> 00:06:20,705 which makes every other number meaningful. 119 00:06:21,471 --> 00:06:25,605 WILLIAMS: These days, most of us take zero for granted. 120 00:06:25,605 --> 00:06:29,871 But as it turns out, unlike the counting numbers-- 121 00:06:29,871 --> 00:06:32,238 one, two, three, and so on-- 122 00:06:32,238 --> 00:06:35,105 zero was late to the party. 123 00:06:35,105 --> 00:06:38,271 Maybe that's understandable. 124 00:06:38,271 --> 00:06:40,971 Numbers help us keep track of things, 125 00:06:40,971 --> 00:06:43,505 like the number of sheep you have, 126 00:06:43,505 --> 00:06:46,738 or chickens, or cows. 127 00:06:46,738 --> 00:06:51,205 So why keep track of zero goats? 128 00:06:51,205 --> 00:06:52,871 LAURIE KEATTS: Then there would be an infinite number 129 00:06:52,871 --> 00:06:55,938 of things that we're not counting. 130 00:06:55,938 --> 00:07:00,738 The number zero may seem like it's been with us forever, 131 00:07:00,738 --> 00:07:04,538 but ancient civilizations had numbers and mathematics 132 00:07:04,538 --> 00:07:07,938 for thousands of years without it. 133 00:07:07,938 --> 00:07:10,838 For example, those of Mesopotamia. 134 00:07:10,838 --> 00:07:15,038 That's the historical name for an area that includes 135 00:07:15,038 --> 00:07:20,271 parts of modern Iraq, Iran, Syria, and Turkey. 136 00:07:20,271 --> 00:07:23,138 It was home to some of the earliest cities 137 00:07:23,138 --> 00:07:25,771 and the earliest civilizations in the world, 138 00:07:25,771 --> 00:07:28,238 as well as an influential numeral system 139 00:07:28,238 --> 00:07:30,871 based on the number 60. 140 00:07:30,871 --> 00:07:33,305 First invented by the Sumerians, 141 00:07:33,305 --> 00:07:36,105 and later developed by the Babylonians, 142 00:07:36,105 --> 00:07:40,238 it survived for thousands of years, 143 00:07:40,238 --> 00:07:42,438 and its legacy is with us today 144 00:07:42,438 --> 00:07:45,638 in the 60 minutes in an hour. 145 00:07:46,771 --> 00:07:49,638 Nearby, and at about the same time, 146 00:07:49,638 --> 00:07:51,471 were the Ancient Egyptians. 147 00:07:51,471 --> 00:07:55,605 They developed sophisticated mathematics, 148 00:07:55,605 --> 00:07:58,771 geometry, and astronomy. 149 00:07:58,771 --> 00:08:02,871 They also had their own hieroglyphic numeral system 150 00:08:02,871 --> 00:08:04,538 that evolved over time. 151 00:08:04,538 --> 00:08:07,138 And just like the Mesopotamians, 152 00:08:07,138 --> 00:08:11,605 the Ancient Egyptians didn't use the number zero. 153 00:08:11,605 --> 00:08:14,471 Neither did the Greeks 154 00:08:14,471 --> 00:08:17,071 nor the Romans. 155 00:08:17,071 --> 00:08:21,938 Now remember, we're talking about zero as a number. 156 00:08:21,938 --> 00:08:25,671 For us, zero also acts as a placeholder, 157 00:08:25,671 --> 00:08:32,038 a way to distinguish 44 from 404. 158 00:08:32,038 --> 00:08:36,571 Some ancient numeral systems had placeholders, as well, 159 00:08:36,571 --> 00:08:38,305 filling in blank spots. 160 00:08:38,305 --> 00:08:41,438 But they weren't seen as a number. 161 00:08:41,438 --> 00:08:44,071 They were just a way to keep things organized. 162 00:08:44,071 --> 00:08:49,338 In fact, as far as historians can tell, 163 00:08:49,338 --> 00:08:54,138 using zero as a number has only turned up twice. 164 00:08:54,138 --> 00:08:55,905 The Mayans had the idea. 165 00:08:55,905 --> 00:09:00,605 They represented the number zero with a shell. 166 00:09:00,605 --> 00:09:03,238 But the zero that we commonly use today 167 00:09:03,238 --> 00:09:06,005 came from another part of the world. 168 00:09:06,005 --> 00:09:11,038 ♪ ♪ 169 00:09:11,038 --> 00:09:12,438 The Indian subcontinent 170 00:09:12,438 --> 00:09:17,938 has been home to many societies, cultures, and traditions, 171 00:09:17,938 --> 00:09:21,471 some dating back hundreds, if not thousands, of years. 172 00:09:21,471 --> 00:09:26,671 For example, the colorful festival of Holi, 173 00:09:26,671 --> 00:09:31,071 which celebrates the divine love of Radha and Krishna. 174 00:09:31,071 --> 00:09:36,638 And it was here in India about 1,700 years ago 175 00:09:36,638 --> 00:09:40,405 that one of the most powerful ideas in all of mathematics 176 00:09:40,405 --> 00:09:46,038 is thought by some to have taken hold-- zero. 177 00:09:46,038 --> 00:09:51,305 ♪ ♪ 178 00:09:51,305 --> 00:09:54,071 To learn more about India's critical role 179 00:09:54,071 --> 00:09:56,971 in zero's history, I've traveled 180 00:09:56,971 --> 00:10:00,405 to Princeton University to speak with one of the most 181 00:10:00,405 --> 00:10:04,238 highly regarded mathematicians in the world, 182 00:10:04,238 --> 00:10:08,338 Manjul Bhargava, also an accomplished player 183 00:10:08,338 --> 00:10:11,105 of the primary percussion instrument 184 00:10:11,105 --> 00:10:14,538 in Indian classical music, the tabla. 185 00:10:14,538 --> 00:10:17,305 (playing rapid rhythm) 186 00:10:25,871 --> 00:10:28,205 Manjul, we've had number systems for thousands of years, 187 00:10:28,205 --> 00:10:30,738 from the Egyptians to the Babylonians, 188 00:10:30,738 --> 00:10:33,105 uh, but they didn't seem to have a need for zero. 189 00:10:33,105 --> 00:10:36,771 Why do you think it started in India at this time? 190 00:10:36,771 --> 00:10:41,271 The concept of zero started off in philosophical works. 191 00:10:41,271 --> 00:10:44,005 The state of zero-ness. Mm-hmm. 192 00:10:44,005 --> 00:10:47,571 The state that we all try to achieve when we meditate. 193 00:10:47,571 --> 00:10:50,205 ♪ ♪ 194 00:10:50,205 --> 00:10:52,805 WILLIAMS: In the Hindu and Buddhist traditions, 195 00:10:52,805 --> 00:10:56,538 both with deep roots on the Indian subcontinent, 196 00:10:56,538 --> 00:11:03,105 the concept of emptiness plays a key role. 197 00:11:03,105 --> 00:11:04,905 BHARGAVA: Emptying the mind 198 00:11:04,905 --> 00:11:06,971 of all sensations, of all temptations, 199 00:11:06,971 --> 00:11:09,238 of ego, of thoughts, of emotions. 200 00:11:09,238 --> 00:11:11,205 And so that really 201 00:11:11,205 --> 00:11:13,971 put zero in the air as, as an important concept. 202 00:11:13,971 --> 00:11:16,871 But the first symbolic representation of a zero 203 00:11:16,871 --> 00:11:18,838 actually happened in the field of linguistics. 204 00:11:18,838 --> 00:11:25,538 WILLIAMS: In about the fifth century BCE, an Indian scholar, Panini, 205 00:11:25,538 --> 00:11:28,705 laid out the linguistic rules of what came to be called 206 00:11:28,705 --> 00:11:31,605 Classical Sanskrit. 207 00:11:31,605 --> 00:11:33,838 BHARGAVA: Sometimes, when you're pronouncing things, 208 00:11:33,838 --> 00:11:35,205 you like to leave out 209 00:11:35,205 --> 00:11:37,438 a sound when you're, when you're pronouncing quickly. 210 00:11:39,238 --> 00:11:42,038 So Panini, who is one of the great grammarians of India, 211 00:11:42,038 --> 00:11:46,471 had a special symbol when a sound gets deleted. 212 00:11:46,471 --> 00:11:48,338 That was called a lopa. 213 00:11:48,338 --> 00:11:49,571 And that's like a linguistic zero. 214 00:11:49,571 --> 00:11:50,971 Very parallel to the modern 215 00:11:50,971 --> 00:11:52,771 apostrophe in the English language. Yeah. 216 00:11:52,771 --> 00:11:57,638 (tabla playing) 217 00:11:57,638 --> 00:12:01,638 WILLIAMS: Traditional Indian music of the type Manjul plays 218 00:12:01,638 --> 00:12:06,271 is greatly influenced by the poetic traditions of Sanskrit. 219 00:12:06,271 --> 00:12:12,138 It too will sometimes omit sounds. 220 00:12:12,138 --> 00:12:13,705 BHARGAVA: So, when the lopa came to music, 221 00:12:13,705 --> 00:12:18,871 that void is considered just as important as an actual sound 222 00:12:18,871 --> 00:12:21,071 and can be just as powerful. 223 00:12:21,071 --> 00:12:24,105 So, occasionally, to emphasize the downbeat, you won't play it. 224 00:12:24,105 --> 00:12:25,105 So it'll go... 225 00:12:25,105 --> 00:12:28,071 (vocalizing beats) 226 00:12:38,371 --> 00:12:41,438 And so that's how a musical zero came about. 227 00:12:41,438 --> 00:12:42,438 And a musical zero can be very powerful. 228 00:12:42,438 --> 00:12:45,638 A zero is like any other note, 229 00:12:45,638 --> 00:12:47,038 that you can use it in very important moments 230 00:12:47,038 --> 00:12:48,705 and just put the void there. 231 00:12:48,705 --> 00:12:51,371 ♪ ♪ 232 00:12:51,371 --> 00:12:53,405 WILLIAMS: The centrality of emptiness 233 00:12:53,405 --> 00:12:56,005 in Indian philosophical traditions, 234 00:12:56,005 --> 00:12:58,705 and the symbolic linguistic zero, 235 00:12:58,705 --> 00:13:02,905 may have set the stage for the number zero. 236 00:13:02,905 --> 00:13:06,305 Many scholars date its development to sometime 237 00:13:06,305 --> 00:13:09,038 in the first half of the first millennium, 238 00:13:09,038 --> 00:13:11,405 between the third and fifth centuries. 239 00:13:11,405 --> 00:13:15,905 But that opinion was originally based on indirect evidence 240 00:13:15,905 --> 00:13:19,105 because no hard physical proof had ever been found. 241 00:13:19,105 --> 00:13:21,605 ♪ ♪ 242 00:13:21,605 --> 00:13:24,738 Some believe that changed in 2017, 243 00:13:24,738 --> 00:13:27,871 when Oxford University's Bodleian Libraries 244 00:13:27,871 --> 00:13:33,405 made a surprising announcement about one of their treasures. 245 00:13:33,405 --> 00:13:35,305 Now scientists from the University of Oxford 246 00:13:35,305 --> 00:13:38,105 have found a manuscript that originated in India 247 00:13:38,105 --> 00:13:40,771 and pushes back the discovery of the concept of zero 248 00:13:40,771 --> 00:13:42,638 by at least 500 years. 249 00:13:42,638 --> 00:13:47,805 WILLIAMS: The Bakhshali manuscript, about 70 birch bark pages 250 00:13:47,805 --> 00:13:50,571 of mathematical writings in Sanskrit, 251 00:13:50,571 --> 00:13:54,138 had been dated to around 800 C.E. 252 00:13:54,138 --> 00:13:57,571 But new carbon dating of one of its pages 253 00:13:57,571 --> 00:14:01,305 pushed that back about 500 years. 254 00:14:01,305 --> 00:14:03,438 The page shows a dot, which has been interpreted 255 00:14:03,438 --> 00:14:05,671 to represent zero. 256 00:14:05,671 --> 00:14:06,671 BHARGAVA: There we see the zero 257 00:14:06,671 --> 00:14:09,205 used in the Indian number system 258 00:14:09,205 --> 00:14:11,805 just the way that we write them today. 259 00:14:11,805 --> 00:14:15,671 With one difference, is that the zero is written as a dot. 260 00:14:15,671 --> 00:14:19,971 WILLIAMS: If the dating is correct, the manuscript is now 261 00:14:19,971 --> 00:14:24,705 the earliest evidence of zero's use as a number. 262 00:14:24,705 --> 00:14:27,571 Not all scholars agree, however, 263 00:14:27,571 --> 00:14:30,605 and the assertion that the writing is that old 264 00:14:30,605 --> 00:14:33,538 is hotly contested. 265 00:14:33,538 --> 00:14:36,838 However, there's little question 266 00:14:36,838 --> 00:14:39,838 that zero was in use in mathematics in India 267 00:14:39,838 --> 00:14:41,638 by the seventh century, 268 00:14:41,638 --> 00:14:46,305 in the time of the great astronomer and mathematician 269 00:14:46,305 --> 00:14:48,338 Brahmagupta. 270 00:14:48,338 --> 00:14:50,105 BHARGAVA: Brahmagupta came around, 271 00:14:50,105 --> 00:14:52,705 and he said, "Well, zero is a number just like any other." 272 00:14:52,705 --> 00:14:54,105 So, he actually goes 273 00:14:54,105 --> 00:14:57,305 and writes down rules for multiplication 274 00:14:57,305 --> 00:14:58,671 and addition and subtraction of zero. 275 00:14:58,671 --> 00:15:00,305 WILLIAMS: So he's the first person to have, like, 276 00:15:00,305 --> 00:15:03,038 thought of how we work with zero today. 277 00:15:03,038 --> 00:15:04,038 Thought of zero's... Right, right. Yeah. 278 00:15:04,038 --> 00:15:07,438 WILLIAMS: Along with zero, 279 00:15:07,438 --> 00:15:11,471 Brahmagupta also investigated negative numbers. 280 00:15:11,471 --> 00:15:15,471 Today, when we place zero at the center of the number line, 281 00:15:15,471 --> 00:15:18,571 between positive and negative numbers, 282 00:15:18,571 --> 00:15:21,738 that is a legacy of his work. 283 00:15:21,738 --> 00:15:23,105 BHARGAVA: So, when we talk about the history of the zero, 284 00:15:23,105 --> 00:15:25,171 from a mathematician's point of view, 285 00:15:25,171 --> 00:15:26,405 this was the grand moment 286 00:15:26,405 --> 00:15:29,071 where zero became a full-fledged number 287 00:15:29,071 --> 00:15:31,705 as part of our mathematics, and that really, 288 00:15:31,705 --> 00:15:33,371 that really changed mathematics. 289 00:15:33,371 --> 00:15:37,971 Do you think it's the, it's the best idea ever in mathematics? 290 00:15:37,971 --> 00:15:39,505 In science and mathematics, it's often 291 00:15:39,505 --> 00:15:45,638 the simplest and the most basic ideas that end up becoming 292 00:15:45,638 --> 00:15:46,838 the most influent... Revolutionizing the... 293 00:15:46,838 --> 00:15:47,971 Yeah, the most influential, 294 00:15:47,971 --> 00:15:49,005 the most profound. 295 00:15:49,005 --> 00:15:50,871 Like the wheel. 296 00:15:50,871 --> 00:15:52,705 And it really did 297 00:15:52,705 --> 00:15:55,371 change mathematics and science. Yeah. 298 00:15:55,371 --> 00:16:01,171 ♪ ♪ 299 00:16:01,171 --> 00:16:04,771 Before the Indian system became widely adopted, 300 00:16:04,771 --> 00:16:06,871 the main purpose of written numerals 301 00:16:06,871 --> 00:16:10,571 was for recording numbers, not calculating with them. 302 00:16:10,571 --> 00:16:13,771 Instead, calculations were done with a variety 303 00:16:13,771 --> 00:16:15,171 of techniques and devices-- 304 00:16:15,171 --> 00:16:21,738 such as abacuses or counting boards that used pebbles. 305 00:16:21,738 --> 00:16:25,471 Numerals were only for storing the results. 306 00:16:25,471 --> 00:16:29,005 But the Indian system uses the same numerals 307 00:16:29,005 --> 00:16:32,338 for calculation and storage. 308 00:16:32,338 --> 00:16:35,538 Like the number zero, that's a fundamental breakthrough 309 00:16:35,538 --> 00:16:37,938 we all just take for granted. 310 00:16:37,938 --> 00:16:42,005 The innovative Indian system would eventually become 311 00:16:42,005 --> 00:16:45,171 the most popular in the world, 312 00:16:45,171 --> 00:16:47,138 but not immediately. 313 00:16:47,138 --> 00:16:50,538 A crucial step in that journey 314 00:16:50,538 --> 00:16:55,005 came out of the remarkable rise of the Islamic Empire. 315 00:16:55,005 --> 00:16:57,171 Originating in the Arabian Peninsula 316 00:16:57,171 --> 00:16:59,138 in the seventh century, 317 00:16:59,138 --> 00:17:01,605 after only about a hundred years, 318 00:17:01,605 --> 00:17:05,905 it had reached India in the east and Spain in the west. 319 00:17:05,905 --> 00:17:09,738 To learn more about the key role of Islam 320 00:17:09,738 --> 00:17:12,105 in the spread of Indian numerals and zero, 321 00:17:12,105 --> 00:17:14,805 I'm visiting the Hispanic Society of America 322 00:17:14,805 --> 00:17:16,605 in New York City, 323 00:17:16,605 --> 00:17:20,271 which houses perhaps the most influential work 324 00:17:20,271 --> 00:17:23,638 in that journey. 325 00:17:23,638 --> 00:17:26,938 I'm joined by Waleed el-Ansary. 326 00:17:26,938 --> 00:17:29,805 He's an expert in Islamic studies 327 00:17:29,805 --> 00:17:33,105 and the intersection of religion, science, 328 00:17:33,105 --> 00:17:36,171 and economics, and like me, eager to see 329 00:17:36,171 --> 00:17:39,038 the rare manuscript. 330 00:17:39,038 --> 00:17:40,638 Its roots go back to what was then 331 00:17:40,638 --> 00:17:42,771 a recently constructed city 332 00:17:42,771 --> 00:17:46,771 and a new political and cultural center of Islam: 333 00:17:46,771 --> 00:17:49,605 Baghdad. 334 00:17:49,605 --> 00:17:52,471 EL-ANSARY: So, Baghdad was designed in a circular shape, 335 00:17:52,471 --> 00:17:55,338 after Euclid's writings. 336 00:17:55,338 --> 00:17:59,205 And the circle is viewed as the perfect shape, 337 00:17:59,205 --> 00:18:03,238 and therefore it's a symbol, in a sense, of God. 338 00:18:03,238 --> 00:18:06,838 WILLIAMS: Strategically located at the crossroads 339 00:18:06,838 --> 00:18:11,338 of several trade routes, the city quickly grew. 340 00:18:11,338 --> 00:18:13,005 And it became the largest city in the world. 341 00:18:13,005 --> 00:18:15,405 It's really quite amazing. 342 00:18:15,405 --> 00:18:20,371 This center for trade on one hand, 343 00:18:20,371 --> 00:18:22,105 as well as intellectual trade. Hm. 344 00:18:22,105 --> 00:18:26,371 The transfer and transmission of ideas. 345 00:18:26,371 --> 00:18:29,238 WILLIAMS: Scholars translated texts that had been gathered 346 00:18:29,238 --> 00:18:34,305 from across the Islamic world and beyond, 347 00:18:34,305 --> 00:18:37,505 including those about Indian mathematics. 348 00:18:37,505 --> 00:18:40,505 EL-ANSARY: They viewed all knowledge coming from these 349 00:18:40,505 --> 00:18:43,438 other civilizations that was consistent with 350 00:18:43,438 --> 00:18:45,005 the unity of God 351 00:18:45,005 --> 00:18:47,638 as being Islamic in the deepest sense of the word. Mm. 352 00:18:47,638 --> 00:18:51,171 And so it was very easy for the Muslims to integrate that 353 00:18:51,171 --> 00:18:52,838 into their worldview. 354 00:18:52,838 --> 00:18:57,038 Sounds like they were also the curators of this knowledge. 355 00:18:57,038 --> 00:18:59,071 And, and once they sort of brought it together, 356 00:18:59,071 --> 00:19:00,738 they then built on it, as well. 357 00:19:00,738 --> 00:19:04,871 That's right, it wasn't just Aristotle in Arabic. That's right. 358 00:19:04,871 --> 00:19:06,938 Yeah. It was more than that. 359 00:19:06,938 --> 00:19:13,305 ♪ ♪ 360 00:19:13,305 --> 00:19:15,805 WILLIAMS: In the early part of the ninth century, 361 00:19:15,805 --> 00:19:19,305 Muhammad ibn Musa al-Khwarizmi, 362 00:19:19,305 --> 00:19:22,471 a Persian scholar in a variety of subjects, 363 00:19:22,471 --> 00:19:26,771 wrote several hugely influential books. 364 00:19:26,771 --> 00:19:32,338 Two had a powerful impact on mathematics. 365 00:19:32,338 --> 00:19:36,971 In one, he laid out the foundations of algebra. 366 00:19:36,971 --> 00:19:39,571 In fact, part of the title of the book would give 367 00:19:39,571 --> 00:19:42,471 the subject its name. 368 00:19:42,471 --> 00:19:45,805 Another of his key works in mathematics, 369 00:19:45,805 --> 00:19:50,405 which only survives today in a 13th-century Latin translation, 370 00:19:50,405 --> 00:19:53,838 is what's brought us to the Hispanic Society of America, 371 00:19:53,838 --> 00:19:59,071 home to one of the oldest and the most complete version. 372 00:19:59,071 --> 00:20:00,738 EL-ANSARY: This is a gem. 373 00:20:00,738 --> 00:20:04,638 And so you can see here the Indian Arabic 374 00:20:04,638 --> 00:20:07,138 numeral system. Yeah. 375 00:20:07,138 --> 00:20:10,605 With zero, one, two, three, four, five, 376 00:20:10,605 --> 00:20:13,571 six, seven, eight, nine. 377 00:20:13,571 --> 00:20:18,338 And some of them are shaped very similar 378 00:20:18,338 --> 00:20:20,938 to what we have today, some of them are not. WILLIAMS: Mm-hmm. 379 00:20:20,938 --> 00:20:22,438 Mathematics today, the foundation 380 00:20:22,438 --> 00:20:24,705 is right here in front of us. 381 00:20:24,705 --> 00:20:25,705 That's right. WILLIAMS: Yeah. 382 00:20:25,705 --> 00:20:28,205 Which is unbelievable. 383 00:20:28,205 --> 00:20:29,638 (laughs) 384 00:20:29,638 --> 00:20:33,705 WILLIAMS: The purpose of the book was to promote 385 00:20:33,705 --> 00:20:38,405 the Indian numeral system and explain its key innovations, 386 00:20:38,405 --> 00:20:42,905 zero and the use of the numerals for arithmetic. 387 00:20:42,905 --> 00:20:45,671 ♪ ♪ 388 00:20:45,671 --> 00:20:49,571 The book also included procedures for computation 389 00:20:49,571 --> 00:20:53,305 that would come to be known as algorithms, 390 00:20:53,305 --> 00:20:56,471 a corruption of al-Khwarizmi's name. 391 00:20:56,471 --> 00:21:01,038 EL-ANSARY: So it's a little manual to show people 392 00:21:01,038 --> 00:21:02,971 how to operate with these. 393 00:21:02,971 --> 00:21:05,738 And we learn this as, as kids, so in some ways, 394 00:21:05,738 --> 00:21:07,438 we take it for granted, but you're right, it's, 395 00:21:07,438 --> 00:21:09,838 someone had to say, "This is the process 396 00:21:09,838 --> 00:21:11,338 "that we're going to use 397 00:21:11,338 --> 00:21:13,638 in order to build this mathematical knowledge." 398 00:21:13,638 --> 00:21:15,105 And here it is. That's right. 399 00:21:15,105 --> 00:21:17,638 Wow, wow. That's right, so this is very foundational. 400 00:21:17,638 --> 00:21:21,405 WILLIAMS: Al-Khwarizmi's work, 401 00:21:21,405 --> 00:21:24,605 along with that of other Islamic mathematicians, 402 00:21:24,605 --> 00:21:26,871 helped spread the Indian numeral system 403 00:21:26,871 --> 00:21:31,105 throughout the Islamic world, and eventually beyond. 404 00:21:31,105 --> 00:21:34,471 The Islamic promotion of the Indian numeral system 405 00:21:34,471 --> 00:21:38,405 was so successful, the numbers would even come to be known 406 00:21:38,405 --> 00:21:43,505 as Arabic numerals, somewhat obscuring their Indian origins. 407 00:21:43,505 --> 00:21:47,271 So what we're looking at here is something that is now 408 00:21:47,271 --> 00:21:48,538 not only used 409 00:21:48,538 --> 00:21:51,038 in the Islamic world and the West, 410 00:21:51,038 --> 00:21:54,071 but really is the most important numeral system 411 00:21:54,071 --> 00:21:55,838 for the entire world. Yeah. 412 00:21:55,838 --> 00:21:58,538 And so I can hardly overemphasize 413 00:21:58,538 --> 00:22:00,971 the significance of this text. 414 00:22:00,971 --> 00:22:05,505 ♪ ♪ 415 00:22:05,505 --> 00:22:08,271 WILLIAMS: In Europe, the Indian-Arabic numeral system, 416 00:22:08,271 --> 00:22:10,938 with its revolutionary zero, 417 00:22:10,938 --> 00:22:14,271 would eventually have a powerful role 418 00:22:14,271 --> 00:22:17,738 in the advancement of science. 419 00:22:17,738 --> 00:22:21,571 But the earliest users were Italian merchants 420 00:22:21,571 --> 00:22:24,038 who saw its immediate advantages 421 00:22:24,038 --> 00:22:27,138 for calculations and business records. 422 00:22:27,138 --> 00:22:32,005 In fact, in 1202, the son of a merchant, 423 00:22:32,005 --> 00:22:36,738 Leonardo of Pisa-- better known today as Fibonacci-- 424 00:22:36,738 --> 00:22:41,571 wrote "Liber abaci," an influential book 425 00:22:41,571 --> 00:22:44,771 about the new numerals advocating for their use. 426 00:22:44,771 --> 00:22:49,071 Ultimately, it would take hundreds of years 427 00:22:49,071 --> 00:22:53,271 for the new numerals to displace both the existing systems 428 00:22:53,271 --> 00:22:55,138 for recording numbers, 429 00:22:55,138 --> 00:23:00,005 such as Roman numerals, and the various devices 430 00:23:00,005 --> 00:23:03,505 and techniques used for calculating. 431 00:23:03,505 --> 00:23:06,338 But by the late 16th century, 432 00:23:06,338 --> 00:23:09,271 in part aided by the advent of the printing press 433 00:23:09,271 --> 00:23:11,471 and growing literacy, 434 00:23:11,471 --> 00:23:14,938 the new system had been widely adopted in Europe. 435 00:23:14,938 --> 00:23:17,971 ♪ ♪ 436 00:23:17,971 --> 00:23:19,371 BHARGAVA: Because of the European Renaissance, 437 00:23:19,371 --> 00:23:22,838 it started becoming impossible to really make those 438 00:23:22,838 --> 00:23:26,238 huge scientific leaps without switching over to zero 439 00:23:26,238 --> 00:23:28,738 and the Indian system of enumeration, 440 00:23:28,738 --> 00:23:30,471 the system that allowed you to really 441 00:23:30,471 --> 00:23:33,005 do computations easily. 442 00:23:33,005 --> 00:23:35,871 And so it started becoming impossible not to use them. 443 00:23:35,871 --> 00:23:39,805 And so by the 17th century, they started becoming in regular use 444 00:23:39,805 --> 00:23:41,438 in Europe and then around the world, 445 00:23:41,438 --> 00:23:44,305 and the rest is history. 446 00:23:44,305 --> 00:23:49,338 ♪ ♪ 447 00:23:54,738 --> 00:23:58,038 Treating zero as a number transformed mathematics, 448 00:23:58,038 --> 00:24:00,771 but it did take some getting used to. 449 00:24:00,771 --> 00:24:05,371 Because, in some ways, zero isn't like any other number. 450 00:24:05,371 --> 00:24:07,405 First of all, it, it has unique properties. 451 00:24:07,405 --> 00:24:10,471 Zero has some properties of number, 452 00:24:10,471 --> 00:24:12,205 but also some properties that make it more 453 00:24:12,205 --> 00:24:13,938 like a concept than a number. 454 00:24:15,438 --> 00:24:18,438 WILLIAMS: In addition, subtraction, and multiplication, 455 00:24:18,438 --> 00:24:20,905 zero behaves differently 456 00:24:20,905 --> 00:24:23,405 than every other number. 457 00:24:23,405 --> 00:24:27,938 But where zero really creates havoc is in division. 458 00:24:27,938 --> 00:24:30,405 You get to division, and all of a sudden, it's the first time 459 00:24:30,405 --> 00:24:32,538 that you're sort of told, like, "Well, that's impossible." 460 00:24:32,538 --> 00:24:37,105 WILLIAMS: You can divide any number by every other number 461 00:24:37,105 --> 00:24:39,005 except zero. 462 00:24:39,005 --> 00:24:42,805 When you divide a number by zero, for example, you blow up. 463 00:24:42,805 --> 00:24:45,438 ANNOUNCER: Three, two, one, zero. 464 00:24:45,438 --> 00:24:49,505 I have no apples, and I share that among six students, 465 00:24:49,505 --> 00:24:52,138 wouldn't everybody get zero apples? 466 00:24:52,138 --> 00:24:54,705 There are no apples to share. 467 00:24:54,705 --> 00:24:57,238 But if I have six apples and they are shared 468 00:24:57,238 --> 00:25:02,171 among zero students, I, the, the concept becomes messy now. 469 00:25:02,171 --> 00:25:04,538 How do we make sense of that? 470 00:25:04,538 --> 00:25:07,171 The problem is, you can't. 471 00:25:07,171 --> 00:25:08,938 Think of it this way: 472 00:25:08,938 --> 00:25:14,405 dividing six by zero is the same thing as asking what number 473 00:25:14,405 --> 00:25:19,071 multiplied by zero will give you six? 474 00:25:19,071 --> 00:25:22,805 Since everything multiplied by zero always equals zero, 475 00:25:22,805 --> 00:25:24,971 there's no solution. 476 00:25:24,971 --> 00:25:27,771 So mathematicians officially consider the answer 477 00:25:27,771 --> 00:25:30,705 as undefined. 478 00:25:30,705 --> 00:25:33,905 Now, you might wonder, is that sort of 479 00:25:33,905 --> 00:25:37,105 hole in the bucket of division a problem? 480 00:25:37,105 --> 00:25:39,405 Does it get you into trouble? 481 00:25:39,405 --> 00:25:44,538 Turns out it certainly does, under the right circumstances. 482 00:25:44,538 --> 00:25:47,771 In fact, a Greek philosopher 483 00:25:47,771 --> 00:25:49,538 who lived thousands of years ago, 484 00:25:49,538 --> 00:25:52,071 before zero even came to be, 485 00:25:52,071 --> 00:25:55,871 invented a paradox that captures the problem. 486 00:25:55,871 --> 00:25:58,705 His name was Zeno of Elea. 487 00:25:58,705 --> 00:26:02,905 And the paradox was about an arrow. 488 00:26:02,905 --> 00:26:06,871 ♪ ♪ 489 00:26:06,871 --> 00:26:10,538 To help me demonstrate Zeno's Paradox, 490 00:26:10,538 --> 00:26:13,671 I've turned to Eric Bennett from Surprise, Arizona. 491 00:26:13,671 --> 00:26:17,705 VF is what we're looking for. 492 00:26:17,705 --> 00:26:20,871 WILLIAMS: He's a physics and engineering teacher at a local high school. 493 00:26:20,871 --> 00:26:22,638 And he's a Paralympian in archery, 494 00:26:22,638 --> 00:26:25,605 four times over. 495 00:26:25,605 --> 00:26:27,671 So Eric, what does it feel like 496 00:26:27,671 --> 00:26:29,138 to have participated in the Paralympics 497 00:26:29,138 --> 00:26:30,971 four times? 498 00:26:30,971 --> 00:26:32,871 Um, it makes me feel old a little bit. 499 00:26:32,871 --> 00:26:34,371 (both laugh) 500 00:26:34,371 --> 00:26:35,805 But, um, it's, it's amazing. 501 00:26:35,805 --> 00:26:38,271 I've been competing at a really high level for 15 years. 502 00:26:38,271 --> 00:26:40,171 Wow, wow. 503 00:26:40,171 --> 00:26:42,438 So how far away is the target here? 504 00:26:42,438 --> 00:26:44,138 The target is the standard Olympic 505 00:26:44,138 --> 00:26:47,138 competition distance of 70, meters, 506 00:26:47,138 --> 00:26:49,238 which is about three-quarters of a football field. 507 00:26:49,238 --> 00:26:50,538 No way! Yes, 508 00:26:50,538 --> 00:26:52,805 actually, it's pretty far. (both laugh) 509 00:26:52,805 --> 00:26:54,905 Okay, all right, I want to see you shoot this. 510 00:26:56,605 --> 00:26:58,105 WILLIAMS: At 15 years old, 511 00:26:58,105 --> 00:27:01,805 Eric lost an arm in an automobile accident. 512 00:27:01,805 --> 00:27:05,905 So he draws the bowstring back with his teeth. 513 00:27:07,538 --> 00:27:08,705 (arrow hits target) 514 00:27:08,705 --> 00:27:11,171 The arrow finds its mark. 515 00:27:11,171 --> 00:27:14,471 (laughs): Wow, that's awesome. 516 00:27:14,471 --> 00:27:17,438 All right, so you're going to show me how to use one of these? 517 00:27:17,438 --> 00:27:18,471 Absolutely, yup. 518 00:27:18,471 --> 00:27:20,738 Okay, from, from 70 meters? 519 00:27:20,738 --> 00:27:22,438 No, and that's okay. I can try! 520 00:27:22,438 --> 00:27:23,938 Are you trying to say I can't hit it 521 00:27:23,938 --> 00:27:25,405 from this distance? No, I just want to make sure 522 00:27:25,405 --> 00:27:27,005 that you're super-successful on your first try. 523 00:27:27,005 --> 00:27:28,705 Okay, I appreciate that-- I appreciate it. Yeah. 524 00:27:30,338 --> 00:27:33,871 WILLIAMS: Eric offers me a try with a beginner's bow 525 00:27:33,871 --> 00:27:37,705 and a target about 20 yards away. 526 00:27:37,705 --> 00:27:40,538 Let it go and it will go right into the bullseye. 527 00:27:40,538 --> 00:27:43,005 (both laugh) 528 00:27:44,638 --> 00:27:47,538 So, I channel my inner Katniss Everdeen 529 00:27:47,538 --> 00:27:49,771 from "The Hunger Games." 530 00:27:49,771 --> 00:27:54,871 ♪ ♪ 531 00:27:54,871 --> 00:27:57,538 And as a statistician, 532 00:27:57,538 --> 00:28:01,505 "May the odds be ever in my favor." 533 00:28:04,438 --> 00:28:05,738 (arrow misses) 534 00:28:05,738 --> 00:28:07,471 Whoa! What, I don't know-- where'd it go? 535 00:28:07,471 --> 00:28:09,138 (laughs) 536 00:28:09,138 --> 00:28:11,705 That is, like, a hundred yards down the road we'll find it. 537 00:28:11,705 --> 00:28:13,005 (laughs) 538 00:28:13,005 --> 00:28:15,638 Got a lot of work to do, Eric, come on. Yeah. 539 00:28:15,638 --> 00:28:18,171 WILLIAMS: Well, I think it's going to be a while 540 00:28:18,171 --> 00:28:20,838 before I'm ready to compete. 541 00:28:20,838 --> 00:28:22,605 I had a lot of power you know? 542 00:28:22,605 --> 00:28:23,838 Yeah! And so, um... 543 00:28:23,838 --> 00:28:27,505 WILLIAMS: But back to Zeno and that paradox. 544 00:28:29,771 --> 00:28:34,005 All of Zeno's original writings have been lost, 545 00:28:34,005 --> 00:28:36,271 but according to a later Greek philosopher, 546 00:28:36,271 --> 00:28:38,271 Zeno suggested 547 00:28:38,271 --> 00:28:42,038 that we consider an arrow in flight 548 00:28:42,038 --> 00:28:44,438 at any instant in time. 549 00:28:44,438 --> 00:28:45,638 And at that instant, 550 00:28:45,638 --> 00:28:49,905 that "now" moment, 551 00:28:49,905 --> 00:28:55,071 the arrow is frozen in space, motionless. 552 00:28:55,071 --> 00:28:58,471 It's neither arriving nor leaving. 553 00:28:58,471 --> 00:29:01,405 And if you consider the entire flight... 554 00:29:03,471 --> 00:29:08,038 ...there's an infinity of those motionless, frozen moments 555 00:29:08,038 --> 00:29:10,205 in time and space. 556 00:29:10,205 --> 00:29:14,105 So, Zeno asked, is the flight of the arrow, 557 00:29:14,105 --> 00:29:18,271 and all motion, really just an illusion? 558 00:29:22,571 --> 00:29:25,371 STEVEN STROGATZ: His radical conclusion is that motion is impossible. 559 00:29:25,371 --> 00:29:29,938 At a given instant, that arrow is someplace. 560 00:29:29,938 --> 00:29:33,605 And then click time forward. 561 00:29:33,605 --> 00:29:37,305 (chuckles): It's at some other place, but at no moment was it moving. 562 00:29:37,305 --> 00:29:40,538 Okay. BENNETT: And when you're ready, let go. 563 00:29:40,538 --> 00:29:42,205 (arrow hits target) 564 00:29:42,205 --> 00:29:44,771 What? Did you hear that? Did you hear that? 565 00:29:46,005 --> 00:29:50,205 WILLIAMS: Well, the motion of an arrow looks real enough for me. 566 00:29:50,205 --> 00:29:52,638 That's right, Katniss-- got nothing on me. 567 00:29:54,105 --> 00:29:55,705 WILLIAMS: But you can see why Zeno's 568 00:29:55,705 --> 00:29:59,705 timeless frozen moments are so problematic. 569 00:29:59,705 --> 00:30:04,705 Our whole notion of speed depends on time. 570 00:30:04,705 --> 00:30:08,005 Here's the formula: 571 00:30:08,005 --> 00:30:10,971 distance traveled divided by length of time 572 00:30:10,971 --> 00:30:13,105 equals speed. 573 00:30:13,105 --> 00:30:19,305 But Zeno's frozen moment has a length of time of zero. 574 00:30:19,305 --> 00:30:22,538 That means trying to divide by zero, 575 00:30:22,538 --> 00:30:24,838 which is against the rules of division. 576 00:30:26,005 --> 00:30:27,438 But at the same time, 577 00:30:27,438 --> 00:30:29,605 we often want to know the speed of something 578 00:30:29,605 --> 00:30:32,038 in motion at a particular instant. 579 00:30:33,338 --> 00:30:37,305 One solution to the problem of instantaneous speed 580 00:30:37,305 --> 00:30:39,138 is a concept called 581 00:30:39,138 --> 00:30:42,171 a limit. 582 00:30:42,171 --> 00:30:44,471 Let's consider a stick figure 583 00:30:44,471 --> 00:30:48,438 who walks half the distance to a wall, 584 00:30:48,438 --> 00:30:53,338 and does that again, and again, and again. 585 00:30:53,338 --> 00:30:56,771 If the stick figure keeps going half the distance to the wall, 586 00:30:56,771 --> 00:31:00,005 they'll get closer and closer, 587 00:31:00,005 --> 00:31:03,338 but the steps will get smaller and smaller, 588 00:31:03,338 --> 00:31:06,005 and they'll never reach the wall. 589 00:31:06,005 --> 00:31:08,771 The wall is an example of a limit. 590 00:31:08,771 --> 00:31:11,605 As the number of steps heads to infinity, 591 00:31:11,605 --> 00:31:15,305 the distance to the wall decreases towards zero, 592 00:31:15,305 --> 00:31:19,438 but the figure will never reach the wall. 593 00:31:19,438 --> 00:31:21,505 You're getting infinitely close to a limit, 594 00:31:21,505 --> 00:31:24,638 as far as you're gonna get, but you never actually get there. 595 00:31:24,638 --> 00:31:26,038 Which, yeah, it's one of those concepts 596 00:31:26,038 --> 00:31:27,438 that bothers a lot of people. 597 00:31:27,438 --> 00:31:29,705 Even mathematicians it bothers, I think. 598 00:31:29,705 --> 00:31:31,405 I can never start with a whole number 599 00:31:31,405 --> 00:31:34,471 and divide it by something to get zero. 600 00:31:34,471 --> 00:31:37,638 There is nothing-- there is no way for me to ever get to zero. 601 00:31:37,638 --> 00:31:39,671 Even if you have an itty-bitty bit 602 00:31:39,671 --> 00:31:43,838 and you divide it in half, you still don't have zero. 603 00:31:45,405 --> 00:31:48,805 WILLIAMS: Harnessing the power of infinity through limits 604 00:31:48,805 --> 00:31:51,305 gives mathematicians a work-around 605 00:31:51,305 --> 00:31:53,638 to the problem of dividing by zero, 606 00:31:53,638 --> 00:31:57,905 and in turn opens the door to a world of solutions 607 00:31:57,905 --> 00:32:01,438 to some extremely difficult problems. 608 00:32:01,438 --> 00:32:06,605 It helped create a new field of mathematics: calculus. 609 00:32:06,605 --> 00:32:09,071 And that's really the big idea at the heart of calculus 610 00:32:09,071 --> 00:32:12,005 as understood in modern terms, this idea of a limit. 611 00:32:12,005 --> 00:32:13,805 That you're supposed to think, 612 00:32:13,805 --> 00:32:18,371 how far did I go over a microsecond? 613 00:32:18,371 --> 00:32:21,105 That gives me an approximation to my instantaneous velocity, 614 00:32:21,105 --> 00:32:23,705 you know, the distance traveled divided by that duration, 615 00:32:23,705 --> 00:32:25,805 but that's not yet an instant. 616 00:32:25,805 --> 00:32:28,338 So rather than a microsecond, I think now a nanosecond-- 617 00:32:28,338 --> 00:32:31,438 a thousand times shorter-- how far did I travel then? 618 00:32:31,438 --> 00:32:33,805 That gives me a better approximation. 619 00:32:33,805 --> 00:32:36,271 And then this limit, as the duration of time goes to zero, 620 00:32:36,271 --> 00:32:38,071 you often find 621 00:32:38,071 --> 00:32:41,638 you'll get a well-defined limiting answer for the, 622 00:32:41,638 --> 00:32:43,705 for the speed, and that limit is what's called 623 00:32:43,705 --> 00:32:45,405 the instantaneous velocity. 624 00:32:47,605 --> 00:32:50,005 WILLIAMS: It sounds like a clever trick, 625 00:32:50,005 --> 00:32:52,438 but does it get the job done? 626 00:32:52,438 --> 00:32:55,538 To find out, I travel to New York City 627 00:32:55,538 --> 00:33:00,471 to the National Museum of Mathematics, MoMath. 628 00:33:00,471 --> 00:33:02,205 STROGATZ: May I? WILLIAMS: Please, thank you. 629 00:33:02,205 --> 00:33:03,838 STROGATZ: Take your pick. 630 00:33:03,838 --> 00:33:06,771 WILLIAMS: Here, Cornell University mathematician 631 00:33:06,771 --> 00:33:09,371 Steve Strogatz is enjoying a year 632 00:33:09,371 --> 00:33:11,705 as a distinguished visiting professor. 633 00:33:11,705 --> 00:33:14,138 13 points, thank you very much! (laughs) 634 00:33:14,138 --> 00:33:15,971 WILLIAMS: He shows me around. 635 00:33:15,971 --> 00:33:17,538 Ooh. 636 00:33:17,538 --> 00:33:19,605 WILLIAMS: But I'm here for a specific reason. 637 00:33:19,605 --> 00:33:21,571 Steve is going to demonstrate 638 00:33:21,571 --> 00:33:25,238 the problem-solving power of limits and infinity, 639 00:33:25,238 --> 00:33:26,938 though, as it turns out... 640 00:33:26,938 --> 00:33:28,238 Whoa! 641 00:33:28,238 --> 00:33:30,238 WILLIAMS: ...we're missing the key component. 642 00:33:30,238 --> 00:33:31,271 (squeals, laughs) 643 00:33:31,271 --> 00:33:33,671 (crew exclaiming) 644 00:33:33,671 --> 00:33:36,338 If you want to understand what infinity can do, 645 00:33:36,338 --> 00:33:38,905 we're gonna need pizza. 646 00:33:38,905 --> 00:33:40,305 Pizza? 647 00:33:40,305 --> 00:33:41,805 WILLIAMS: Yes! 648 00:33:41,805 --> 00:33:44,038 There's a science to making pizza. 649 00:33:44,038 --> 00:33:45,138 WILLIAMS: We don't typically associate 650 00:33:45,138 --> 00:33:47,805 pizza with infinity. 651 00:33:47,805 --> 00:33:48,905 Ay-yi-yi! 652 00:33:48,905 --> 00:33:51,038 WILLIAMS: So how can New York City's 653 00:33:51,038 --> 00:33:52,305 most famous food... 654 00:33:52,305 --> 00:33:53,438 (Strogatz chortles) 655 00:33:53,438 --> 00:33:54,838 WILLIAMS: ...help solve one of 656 00:33:54,838 --> 00:33:57,505 the most elusive mysteries of early mathematics? 657 00:33:59,305 --> 00:34:00,938 (both laugh) 658 00:34:05,038 --> 00:34:06,838 WILLIAMS: So Steve, 659 00:34:06,838 --> 00:34:10,405 how is this pizza going to help us understand infinity? 660 00:34:10,405 --> 00:34:12,371 Huh, I would say it the other way. 661 00:34:12,371 --> 00:34:15,738 Infinity and the pizza are gonna help us understand 662 00:34:15,738 --> 00:34:18,238 one of the oldest problems in math. 663 00:34:18,238 --> 00:34:20,305 Mm-hmm? What's the area of a circle? 664 00:34:20,305 --> 00:34:22,305 Which is not intuitive. No! 665 00:34:22,305 --> 00:34:23,771 You know, what's hard about it, 666 00:34:23,771 --> 00:34:25,905 you might think a circle is a beautiful, simple shape. 667 00:34:25,905 --> 00:34:28,071 But actually, it's got this nasty property 668 00:34:28,071 --> 00:34:30,571 that it doesn't have any straight lines in it. Right. 669 00:34:30,571 --> 00:34:32,905 Ancient civilizations didn't know how to find 670 00:34:32,905 --> 00:34:36,838 the area of a shape like that. 671 00:34:37,838 --> 00:34:42,905 WILLIAMS: How to find the exact area of a circle isn't obvious. 672 00:34:42,905 --> 00:34:44,905 For a square or rectangle, 673 00:34:44,905 --> 00:34:48,071 you just multiply the sides. 674 00:34:48,071 --> 00:34:50,705 But what do you do with a circle? 675 00:34:50,705 --> 00:34:52,205 So what did they do? 676 00:34:52,205 --> 00:34:55,071 Well, they came up with an argument that you can convert 677 00:34:55,071 --> 00:34:58,305 a round shape into a rectangle if you use infinity. 678 00:34:58,305 --> 00:35:00,671 So we're basically gonna kind of deconstruct this pizza, 679 00:35:00,671 --> 00:35:02,105 make it into a rectangle... Beautiful. 680 00:35:02,105 --> 00:35:03,771 And then we're gonna know the area. That's it. 681 00:35:03,771 --> 00:35:06,405 So I'm gonna start with four pieces. Okay. 682 00:35:06,405 --> 00:35:10,971 STROGATZ: To do that, I'm gonna go one point up and one point down. 683 00:35:10,971 --> 00:35:12,405 WILLIAMS: Mm-hmm. 684 00:35:12,405 --> 00:35:16,071 And then one point up and one point down, and... 685 00:35:16,071 --> 00:35:17,571 Yeah, like that. 686 00:35:17,571 --> 00:35:19,105 Uh, how'd you do in geometry? 687 00:35:19,105 --> 00:35:22,205 STROGATZ (laughs): You don't think that looks like a rectangle? 688 00:35:22,205 --> 00:35:23,705 That is not close to a rectangle. 689 00:35:23,705 --> 00:35:24,905 No, no. No, it's not, it's not. 690 00:35:24,905 --> 00:35:27,038 But come on, I'm only using four pieces. 691 00:35:27,038 --> 00:35:29,471 If I use more, I can get closer. Okay, all right. 692 00:35:29,471 --> 00:35:31,705 So we gotta cut these babies in half. Let's cut 'em. 693 00:35:34,205 --> 00:35:36,338 Let's rearrange them, same trick. 694 00:35:36,338 --> 00:35:38,571 Alternating point up and point down. 695 00:35:40,471 --> 00:35:42,338 One up and one down. 696 00:35:43,638 --> 00:35:45,638 And one up and one down. 697 00:35:45,638 --> 00:35:47,071 Now we are ready! 698 00:35:47,071 --> 00:35:49,638 That is looking a lot better! Aw! 699 00:35:49,638 --> 00:35:51,238 What do you think, is that a rectangle? 700 00:35:51,238 --> 00:35:54,071 Um, it's, it's not quite a rectangle, 701 00:35:54,071 --> 00:35:55,471 but it's getting closer. It is, right? 702 00:35:55,471 --> 00:35:57,105 Yeah! 703 00:35:57,105 --> 00:35:59,838 WILLIAMS: In both the four-piece and eight-piece versions, 704 00:35:59,838 --> 00:36:04,638 half the crust sits at the top and half at the bottom. 705 00:36:04,638 --> 00:36:08,505 But with eight pieces, the edge becomes less scalloped, 706 00:36:08,505 --> 00:36:10,705 closer to a straight line. 707 00:36:10,705 --> 00:36:12,505 So we need to go at least a step further. 708 00:36:12,505 --> 00:36:14,138 STROGATZ: Let's go more-- we gotta do 16. 709 00:36:16,705 --> 00:36:18,871 So we have to just change 710 00:36:18,871 --> 00:36:20,605 every other one-- am I going to mess this up? 711 00:36:20,605 --> 00:36:22,271 I mean, that's... Wow. 712 00:36:22,271 --> 00:36:23,871 That's a parallelogram 713 00:36:23,871 --> 00:36:26,705 that's aspiring to be a rectangle. (laughs) 714 00:36:26,705 --> 00:36:27,705 That's got aspirations! Yeah, it's got high hopes. 715 00:36:27,705 --> 00:36:29,705 It's got high hopes, I tell you. 716 00:36:29,705 --> 00:36:33,338 WILLIAMS: From four slices, 717 00:36:33,338 --> 00:36:37,371 to eight slices, 718 00:36:37,371 --> 00:36:40,305 to 16 slices, 719 00:36:40,305 --> 00:36:42,771 and even 32 slices, 720 00:36:42,771 --> 00:36:46,238 there's a clear progression towards a rectangle. 721 00:36:46,238 --> 00:36:50,571 With one piece out of 32 cut in half to create vertical sides, 722 00:36:50,571 --> 00:36:53,471 the rectangle is almost complete, 723 00:36:53,471 --> 00:36:56,638 except for the wavy top and bottom. 724 00:36:56,638 --> 00:36:59,838 But as the number of slices increases, 725 00:36:59,838 --> 00:37:03,971 the straighter and straighter those edges would become. 726 00:37:03,971 --> 00:37:06,938 And the argument here is that if we could keep doing this 727 00:37:06,938 --> 00:37:08,571 all the way out to infinity... Mm-hmm. 728 00:37:08,571 --> 00:37:10,805 ...so that this would be infinitely many slices, 729 00:37:10,805 --> 00:37:12,405 infinitesimally thin, 730 00:37:12,405 --> 00:37:14,638 this really would become a rectangle. Yeah. 731 00:37:14,638 --> 00:37:17,138 STROGATZ: And we can read off the area. 732 00:37:17,138 --> 00:37:18,605 WILLIAMS: That's right. STROGATZ: It's this radius, 733 00:37:18,605 --> 00:37:21,271 that's the distance from the center out to the crust... 734 00:37:21,271 --> 00:37:24,105 WILLIAMS: Mm-hmm... STROGATZ: ...times half the circumference, 735 00:37:24,105 --> 00:37:26,805 which is half the crust, half the curvy stuff. 736 00:37:26,805 --> 00:37:28,671 And that's a famous formula. 737 00:37:28,671 --> 00:37:30,405 Half the crust times the radius. Yeah! 738 00:37:30,405 --> 00:37:31,638 (One-half C)R. 739 00:37:31,638 --> 00:37:33,238 That's what the C is for? 740 00:37:33,238 --> 00:37:35,671 Usually, C for circumference, but you could see it's crust. 741 00:37:35,671 --> 00:37:38,605 So, at the limit, once we got all the way out there, 742 00:37:38,605 --> 00:37:40,005 it's going to look like a rectangle. 743 00:37:40,005 --> 00:37:40,971 It would be a rectangle, 744 00:37:40,971 --> 00:37:42,238 and that is actually 745 00:37:42,238 --> 00:37:44,338 the first calculus argument in history... 746 00:37:44,338 --> 00:37:46,171 Yeah? ...like, 250 B.C., 747 00:37:46,171 --> 00:37:48,038 to find the area of a circle. 748 00:37:48,038 --> 00:37:49,838 Who knew you could learn so much from pizza? 749 00:37:49,838 --> 00:37:51,138 (laughs) 750 00:37:51,138 --> 00:37:53,138 Infinity is your friend in math. 751 00:37:53,138 --> 00:37:56,038 And that's the great insight of calculus, that you can, 752 00:37:56,038 --> 00:37:58,638 you can rebuild the world out of much simpler objects, 753 00:37:58,638 --> 00:38:01,971 as long as you're willing to use infinitely many of them. 754 00:38:01,971 --> 00:38:07,005 ♪ ♪ 755 00:38:08,338 --> 00:38:11,138 WILLIAMS: By embracing infinity through calculus, 756 00:38:11,138 --> 00:38:17,171 mathematicians created one of their most powerful tools. 757 00:38:19,471 --> 00:38:22,471 For this professor of applied mathematics, 758 00:38:22,471 --> 00:38:24,838 it is part of how he sees the world. 759 00:38:27,738 --> 00:38:29,538 STROGATZ: Do you remember that movie "The Sixth Sense," 760 00:38:29,538 --> 00:38:30,638 where the kid says... 761 00:38:30,638 --> 00:38:33,238 I want to tell you my secret now. 762 00:38:33,238 --> 00:38:34,471 Okay. 763 00:38:34,471 --> 00:38:37,071 STROGATZ: ..."I see dead people"? 764 00:38:38,705 --> 00:38:41,971 That's sort of what I feel like, except I see math. 765 00:38:46,638 --> 00:38:50,771 When I go out and see the New York skyline, 766 00:38:50,771 --> 00:38:54,638 I see all the rectangles and pyramids in the skyscrapers. 767 00:38:57,171 --> 00:38:59,838 I see the patterns of geometry, 768 00:38:59,838 --> 00:39:03,371 I see hidden algebraic relationships. 769 00:39:03,371 --> 00:39:07,571 There's traffic flow, and the cars look like corpuscles, 770 00:39:07,571 --> 00:39:09,671 which makes me think about blood flow in arteries, 771 00:39:09,671 --> 00:39:13,671 laws of fluid dynamics and aerodynamics. 772 00:39:17,071 --> 00:39:19,338 Patterns of cylinders, and the 773 00:39:19,338 --> 00:39:22,305 rings on the cylinders are spaced unevenly 774 00:39:22,305 --> 00:39:25,571 because of the way hydrostatic pressure works. 775 00:39:27,405 --> 00:39:29,038 There's so much math in the real world, 776 00:39:29,038 --> 00:39:31,005 and it's all one big principle. 777 00:39:31,005 --> 00:39:32,905 ♪ ♪ 778 00:39:32,905 --> 00:39:35,005 The whole world runs on calculus, 779 00:39:35,005 --> 00:39:37,771 and math is everywhere-- I just can't help but notice it. 780 00:39:41,805 --> 00:39:43,671 I see math. 781 00:39:43,671 --> 00:39:45,371 Actually, I see dead people, too. 782 00:39:45,371 --> 00:39:48,838 (laughs) 783 00:39:50,305 --> 00:39:53,605 WILLIAMS: Calculus is applied everywhere. 784 00:39:53,605 --> 00:39:55,971 And if you're looking for how infinity 785 00:39:55,971 --> 00:39:58,305 comes into play in the modern world, 786 00:39:58,305 --> 00:40:01,705 you need search no further. 787 00:40:01,705 --> 00:40:04,171 But even with the advent of calculus, 788 00:40:04,171 --> 00:40:09,338 infinity itself in mathematics remained poorly understood. 789 00:40:09,338 --> 00:40:12,238 It was only in the late 19th century 790 00:40:12,238 --> 00:40:14,905 that new mind-bending ideas 791 00:40:14,905 --> 00:40:19,471 helped tame that strange beast infinity. 792 00:40:19,471 --> 00:40:21,805 ♪ ♪ 793 00:40:21,805 --> 00:40:27,505 When I asked my friend, author and mathematician Eugenia Cheng, 794 00:40:27,505 --> 00:40:30,205 to discuss her thoughts on infinity, 795 00:40:30,205 --> 00:40:34,505 she suggested that we visit the imaginary Hilbert's Hotel, 796 00:40:34,505 --> 00:40:37,771 a thought experiment first proposed 797 00:40:37,771 --> 00:40:40,838 by mathematician David Hilbert in the 1920s... 798 00:40:40,838 --> 00:40:42,705 ♪ ♪ 799 00:40:42,705 --> 00:40:47,871 ...to demonstrate some of the odd properties of infinity. 800 00:40:47,871 --> 00:40:51,571 And this hotel is definitely an odd property. 801 00:40:51,571 --> 00:40:55,138 ♪ ♪ 802 00:40:55,138 --> 00:40:57,171 Well, the Hilbert Hotel is a pretty amazing hotel. 803 00:40:57,171 --> 00:41:00,405 CHENG: It has an infinite number of rooms. 804 00:41:00,405 --> 00:41:02,005 Wouldn't that be great? 805 00:41:02,005 --> 00:41:04,205 You might think that you could always fit more people in. 806 00:41:04,205 --> 00:41:06,671 But what if an infinite number of people showed up? 807 00:41:06,671 --> 00:41:09,371 WILLIAMS: Mm. CHENG: And then the hotel would be full. 808 00:41:09,371 --> 00:41:10,805 Oh, dear! 809 00:41:10,805 --> 00:41:12,071 Then, if another person came along, 810 00:41:12,071 --> 00:41:13,605 what would you do? 811 00:41:13,605 --> 00:41:15,238 Well, if you weren't very astute, 812 00:41:15,238 --> 00:41:16,871 then you might just say, "Sorry, we're full." 813 00:41:18,071 --> 00:41:20,271 WILLIAMS: That's one solution. 814 00:41:20,271 --> 00:41:21,905 Or you might think, 815 00:41:21,905 --> 00:41:25,971 given there are an infinite number of rooms, 816 00:41:25,971 --> 00:41:28,338 you can just assign the late guest 817 00:41:28,338 --> 00:41:30,871 the room that comes after the one given 818 00:41:30,871 --> 00:41:32,738 to the last guest that checked in, 819 00:41:32,738 --> 00:41:35,471 you know, just farther down the hall. 820 00:41:35,471 --> 00:41:37,471 Just put this person at the end of the line. 821 00:41:37,471 --> 00:41:38,538 Why can't we do that? 822 00:41:38,538 --> 00:41:40,771 Where is the end of the line? 823 00:41:40,771 --> 00:41:43,371 Sounds like a philosophical question, but the thing is, 824 00:41:43,371 --> 00:41:45,171 you can't just tell them to go to the end. 825 00:41:45,171 --> 00:41:46,171 You have to give them a room number. 826 00:41:46,171 --> 00:41:47,405 And all the rooms are full. 827 00:41:48,838 --> 00:41:52,505 WILLIAMS: Hm, seems unsolvable. 828 00:41:52,505 --> 00:41:55,938 But luckily, any manager of a hotel 829 00:41:55,938 --> 00:41:58,538 with an infinite number of rooms, 830 00:41:58,538 --> 00:42:01,605 and an infinite number of guests, 831 00:42:01,605 --> 00:42:05,705 has to have an infinite number of tricks up their sleeve. 832 00:42:05,705 --> 00:42:10,671 CHENG: Okay, how about the person in room one moves into room two, 833 00:42:10,671 --> 00:42:13,471 and the person in room two moves into room three, 834 00:42:13,471 --> 00:42:17,571 and the person in room three moves into room four, and so on? 835 00:42:18,671 --> 00:42:21,138 Everybody has another room they can move into, 836 00:42:21,138 --> 00:42:23,571 because everyone just adds one to their room number. 837 00:42:23,571 --> 00:42:25,438 And that will leave room one empty. 838 00:42:25,438 --> 00:42:26,871 WILLIAMS: So, a new person comes. CHENG: Mm-hmm. 839 00:42:26,871 --> 00:42:28,271 Welcome-- you know what? 840 00:42:28,271 --> 00:42:30,338 We're just going to have everybody scoot over for you. 841 00:42:30,338 --> 00:42:32,371 Just scoot, goes in room one. Mm-hmm. 842 00:42:32,371 --> 00:42:34,505 And then what if two people showed up? 843 00:42:34,505 --> 00:42:35,538 Mm. That's fine. 844 00:42:35,538 --> 00:42:37,838 Everyone moves up two rooms. 845 00:42:39,705 --> 00:42:41,505 What if five people show up? That's fine. 846 00:42:43,105 --> 00:42:45,638 WILLIAMS: But what if an infinite number showed up? 847 00:42:45,638 --> 00:42:47,271 (bell ringing) 848 00:42:47,271 --> 00:42:49,538 Say, because of a fire 849 00:42:49,538 --> 00:42:53,771 at a second, nearby, completely full Hilbert's Hotel? 850 00:42:56,238 --> 00:43:00,271 Is there room for a second infinity of guests? 851 00:43:02,738 --> 00:43:05,571 You've now got an infinite number of people. 852 00:43:05,571 --> 00:43:07,271 You can't just get everyone to move up 853 00:43:07,271 --> 00:43:09,505 an infinite number of rooms, because where would they go? 854 00:43:09,505 --> 00:43:12,571 WILLIAMS: There is a solution: 855 00:43:12,571 --> 00:43:15,638 the manager asks each person checked into a room 856 00:43:15,638 --> 00:43:19,971 to multiply their room number by two, and move there. 857 00:43:19,971 --> 00:43:22,871 So one goes to two, two goes to four, 858 00:43:22,871 --> 00:43:27,471 three goes to six, and so on. 859 00:43:27,471 --> 00:43:29,471 Which means they will all move into an even-numbered room, 860 00:43:29,471 --> 00:43:31,738 and that will leave all the odd-numbered rooms, 861 00:43:31,738 --> 00:43:33,538 and that's an infinite number of rooms. 862 00:43:33,538 --> 00:43:35,638 And so all the new infinite 863 00:43:35,638 --> 00:43:37,771 number of people can move into the odd-numbered rooms. 864 00:43:39,838 --> 00:43:41,438 WILLIAMS: So then it feels like we've got 865 00:43:41,438 --> 00:43:43,038 twice the number of rooms, 866 00:43:43,038 --> 00:43:44,105 although we're still at infinity. 867 00:43:44,105 --> 00:43:45,705 Mm-hmm! 868 00:43:45,705 --> 00:43:50,505 WILLIAMS: In fact, the hotel can accommodate all the guests 869 00:43:50,505 --> 00:43:54,038 from an infinite number of infinite hotels. 870 00:43:54,038 --> 00:43:58,538 But you'll have to stop in to learn how. 871 00:43:58,538 --> 00:44:02,971 I guess here at Hilbert's Hotel, there's always room 872 00:44:02,971 --> 00:44:05,571 for one more! 873 00:44:06,571 --> 00:44:08,938 While Hilbert's Hotel is named 874 00:44:08,938 --> 00:44:10,905 for the person who conceived of it, 875 00:44:10,905 --> 00:44:15,338 the ideas it plays with came from Georg Cantor, 876 00:44:15,338 --> 00:44:19,771 a German mathematician who, in the late 19th century, 877 00:44:19,771 --> 00:44:24,805 introduced a radically new understanding of infinity. 878 00:44:24,805 --> 00:44:26,571 He built that understanding 879 00:44:26,571 --> 00:44:29,771 based on another area of mathematics he created: 880 00:44:29,771 --> 00:44:31,738 set theory. 881 00:44:31,738 --> 00:44:35,171 A set is a well-defined collection of things, 882 00:44:35,171 --> 00:44:38,471 like all the bright red shoes you own, 883 00:44:38,471 --> 00:44:40,571 or all the possible outcomes 884 00:44:40,571 --> 00:44:44,171 from rolling a typical six-sided die. 885 00:44:44,171 --> 00:44:48,538 Cantor used sets as a way of comparing quantity. 886 00:44:48,538 --> 00:44:51,338 If you can match up the die roll possibilities 887 00:44:51,338 --> 00:44:54,305 in a one-to-one correspondence with your shoes, 888 00:44:54,305 --> 00:44:56,638 with none left over in either set, 889 00:44:56,638 --> 00:44:59,605 then you know they have the same quantity. 890 00:44:59,605 --> 00:45:02,405 All of this may seem elementary, 891 00:45:02,405 --> 00:45:04,371 like counting with your fingers, 892 00:45:04,371 --> 00:45:06,371 but they are ideas 893 00:45:06,371 --> 00:45:10,438 that will carry you to some strange places. 894 00:45:10,438 --> 00:45:12,238 Counting in pure math is very profound, 895 00:45:12,238 --> 00:45:13,705 and it doesn't just mean 896 00:45:13,705 --> 00:45:15,971 that, list everything and label them one, two, three. 897 00:45:15,971 --> 00:45:18,438 It often means, find some 898 00:45:18,438 --> 00:45:20,905 perfect correspondence... Mm-hmm. 899 00:45:20,905 --> 00:45:22,071 ...in the ideas 900 00:45:22,071 --> 00:45:24,305 so that you don't have to list them all, 901 00:45:24,305 --> 00:45:27,971 but you can know that they match up perfectly 902 00:45:27,971 --> 00:45:30,438 without listing them all, and so, there are some 903 00:45:30,438 --> 00:45:32,938 really counterintuitive things we can do. 904 00:45:32,938 --> 00:45:37,871 WILLIAMS: Consider this: which infinity is bigger, 905 00:45:37,871 --> 00:45:40,405 the set of counting numbers-- 906 00:45:40,405 --> 00:45:42,871 one, two, three, four, et cetera-- 907 00:45:42,871 --> 00:45:46,271 or the set of just the even numbers-- 908 00:45:46,271 --> 00:45:49,638 two, four, six, and so on? 909 00:45:49,638 --> 00:45:51,771 And intuitively we might go, "Well, that's half of them." 910 00:45:51,771 --> 00:45:54,238 That's half, right, yeah. Right? 911 00:45:54,238 --> 00:45:56,505 But we could still perfectly match them up 912 00:45:56,505 --> 00:45:59,938 with all the numbers, because all we have to do is 913 00:45:59,938 --> 00:46:04,071 multiply each of the ordinary numbers by two. 914 00:46:04,071 --> 00:46:07,871 And that will make a perfect correspondence. 915 00:46:07,871 --> 00:46:10,071 WILLIAMS: So, the set of counting numbers 916 00:46:10,071 --> 00:46:13,471 and the set of even numbers are both infinite 917 00:46:13,471 --> 00:46:17,605 and both the same size. 918 00:46:17,605 --> 00:46:20,005 Cantor called these kinds of infinities, 919 00:46:20,005 --> 00:46:23,571 with a one-to-one correspondence to the counting numbers, 920 00:46:23,571 --> 00:46:26,105 countable. 921 00:46:26,105 --> 00:46:28,971 And he investigated other kinds of infinities, 922 00:46:28,971 --> 00:46:32,438 like that of the prime numbers, 923 00:46:32,438 --> 00:46:34,005 whole numbers greater than one 924 00:46:34,005 --> 00:46:38,671 that can only be evenly divided by themselves or one. 925 00:46:38,671 --> 00:46:40,971 Cantor found the infinity of the prime numbers 926 00:46:40,971 --> 00:46:44,805 was also countable. 927 00:46:44,805 --> 00:46:48,105 And even the infinity of the rational numbers-- 928 00:46:48,105 --> 00:46:51,005 all the negative and all the positive integers, 929 00:46:51,005 --> 00:46:54,338 plus all the fractions that can be made up from them-- 930 00:46:54,338 --> 00:46:57,205 even that infinity was countable 931 00:46:57,205 --> 00:47:00,738 and the same size as the others. 932 00:47:04,838 --> 00:47:10,238 ♪ ♪ 933 00:47:13,005 --> 00:47:15,471 But now for the ultimate challenge. 934 00:47:18,471 --> 00:47:21,971 If you take all the rational numbers 935 00:47:21,971 --> 00:47:24,971 and add in the irrational numbers, 936 00:47:24,971 --> 00:47:29,405 like pi or the square root of 2-- 937 00:47:29,405 --> 00:47:33,171 numbers you can't represent as fractions using integers. 938 00:47:34,171 --> 00:47:36,371 You know, the ones that have decimals 939 00:47:36,371 --> 00:47:39,471 that go on forever without repeating. 940 00:47:39,471 --> 00:47:44,971 Then you have the real numbers, the complete number line. 941 00:47:46,538 --> 00:47:51,571 Every possible number in decimal notation. 942 00:47:51,571 --> 00:47:54,938 So is the infinity of the real numbers, 943 00:47:54,938 --> 00:47:59,005 just like the others, countable? 944 00:47:59,005 --> 00:48:00,805 Well, since the other sets of numbers are, 945 00:48:00,805 --> 00:48:03,138 this one has to be, too, right? 946 00:48:04,471 --> 00:48:07,771 In Cantor's work, for an infinity to be countable, 947 00:48:07,771 --> 00:48:10,605 it has to have a one-to-one correspondence 948 00:48:10,605 --> 00:48:12,571 with the counting numbers, 949 00:48:12,571 --> 00:48:16,438 like we saw with the infinity of the even numbers. 950 00:48:16,438 --> 00:48:19,138 So to do that, you need to be able 951 00:48:19,138 --> 00:48:22,971 to list the infinity's members-- not literally. 952 00:48:22,971 --> 00:48:24,405 It's infinite and would take forever. 953 00:48:24,405 --> 00:48:28,705 But just the way the list of all the counting numbers 954 00:48:28,705 --> 00:48:32,805 marches off toward infinity, adding one with each step, 955 00:48:32,805 --> 00:48:35,438 is there a way to list all the real numbers 956 00:48:35,438 --> 00:48:37,638 to prove that they're countable? 957 00:48:37,638 --> 00:48:41,938 Cantor demonstrated the answer is no 958 00:48:41,938 --> 00:48:45,438 with an ingenious argument. 959 00:48:45,438 --> 00:48:48,505 Imagine you presented Cantor with what you think 960 00:48:48,505 --> 00:48:52,438 is complete list of all the real numbers. 961 00:48:52,438 --> 00:48:55,105 To keep it simple, we will only do the ones 962 00:48:55,105 --> 00:48:56,971 between zero and one. 963 00:48:56,971 --> 00:49:00,805 And for consistency, a number that terminates exactly, 964 00:49:00,805 --> 00:49:04,805 like .5, will receive an endless series of zeroes 965 00:49:04,805 --> 00:49:08,138 after the last digit. 966 00:49:08,138 --> 00:49:11,471 The list, of course, goes down the page infinitely, 967 00:49:11,471 --> 00:49:13,838 and off the page to the right, 968 00:49:13,838 --> 00:49:16,305 because the numbers are infinitely long. 969 00:49:16,305 --> 00:49:17,938 Cantor looks at your list, 970 00:49:17,938 --> 00:49:20,838 and starts to construct a new number. 971 00:49:20,838 --> 00:49:24,238 He takes the first digit of the number in the first row, 972 00:49:24,238 --> 00:49:25,971 and adds one to it. 973 00:49:25,971 --> 00:49:29,138 If it's a nine, it becomes a zero. 974 00:49:29,138 --> 00:49:31,838 Now he knows his new number won't match 975 00:49:31,838 --> 00:49:34,238 the one in the first row. 976 00:49:34,238 --> 00:49:38,138 Next, he takes the second digit of the second row's number, 977 00:49:38,138 --> 00:49:40,371 and does the same. 978 00:49:40,371 --> 00:49:42,071 Now he knows his new number 979 00:49:42,071 --> 00:49:46,571 won't match the one in the second row. 980 00:49:46,571 --> 00:49:51,171 And he does the same thing with the third row's number. 981 00:49:51,171 --> 00:49:54,738 He continues down the list, moving diagonally, 982 00:49:54,738 --> 00:49:56,938 building the new number, 983 00:49:56,938 --> 00:49:59,838 making sure that in at least one position, 984 00:49:59,838 --> 00:50:02,571 a digit will be different when compared 985 00:50:02,571 --> 00:50:05,471 to any other number on the list. 986 00:50:05,471 --> 00:50:09,171 This famous diagonal proof shows that any attempt 987 00:50:09,171 --> 00:50:14,305 to list all the real numbers will always be incomplete. 988 00:50:14,305 --> 00:50:17,538 And if you can't create a complete list 989 00:50:17,538 --> 00:50:21,571 of the real numbers, they can't be counted. 990 00:50:22,871 --> 00:50:28,038 Cantor called the infinity of the real numbers uncountable, 991 00:50:28,038 --> 00:50:32,838 a bigger-size infinity than all those countable infinities. 992 00:50:33,838 --> 00:50:36,571 Well, the idea of infinity had been around for a long time, 993 00:50:36,571 --> 00:50:38,305 but the idea 994 00:50:38,305 --> 00:50:41,205 that some infinities could bigger than others, 995 00:50:41,205 --> 00:50:43,371 that's what Cantor's diagonalization argument 996 00:50:43,371 --> 00:50:46,538 demonstrated, and his argument is so simple. 997 00:50:46,538 --> 00:50:47,938 It's one, again, one of those simple ideas 998 00:50:47,938 --> 00:50:50,738 that is just so profound. 999 00:50:50,738 --> 00:50:52,338 It's one of the most ingenious, 1000 00:50:52,338 --> 00:50:56,405 innovative ideas ever inserted into the study of numbers. 1001 00:50:56,405 --> 00:50:58,605 And our understanding of infinity is forever changed 1002 00:50:58,605 --> 00:51:01,305 because of Cantor's incredible work. 1003 00:51:04,371 --> 00:51:08,138 WILLIAMS: For humankind, the journey from zero to infinity 1004 00:51:08,138 --> 00:51:10,505 has been extraordinary. 1005 00:51:10,505 --> 00:51:12,905 Zero, introduced thousands of years 1006 00:51:12,905 --> 00:51:14,771 after the birth of mathematics, 1007 00:51:14,771 --> 00:51:16,505 revolutionized it, 1008 00:51:16,505 --> 00:51:19,871 enabling a new means of calculation 1009 00:51:19,871 --> 00:51:23,205 that helped the advancement of science. 1010 00:51:23,205 --> 00:51:27,438 Harnessing the power of zero and infinity 1011 00:51:27,438 --> 00:51:28,738 together through calculus 1012 00:51:28,738 --> 00:51:32,005 made many of the technological breakthroughs 1013 00:51:32,005 --> 00:51:34,605 that we take for granted possible. 1014 00:51:34,605 --> 00:51:37,505 And Cantor's work on infinity? 1015 00:51:37,505 --> 00:51:42,271 He unveiled a new strange vision of it for all to see. 1016 00:51:42,271 --> 00:51:45,771 His ideas and methods laid a foundation 1017 00:51:45,771 --> 00:51:47,371 for the development of mathematics 1018 00:51:47,371 --> 00:51:50,038 in the 20th and the 21st centuries. 1019 00:51:50,038 --> 00:51:52,238 But for me personally, 1020 00:51:52,238 --> 00:51:55,805 I think his imagination helps us appreciate 1021 00:51:55,805 --> 00:51:59,805 that we live in a universe of infinite possibilities. 1022 00:51:59,805 --> 00:52:03,105 No doubt new wonders still await us 1023 00:52:03,105 --> 00:52:06,838 on the road from zero to infinity. 1024 00:52:32,805 --> 00:52:40,338 ♪ ♪ 1025 00:52:47,571 --> 00:52:52,438 ANNOUNCER: To order this program on DVD, visit ShopPBS. 1026 00:52:52,438 --> 00:52:55,171 Or call 1-800-PLAY-PBS. 1027 00:52:55,171 --> 00:52:58,038 Episodes of "NOVA" are available with Passport. 1028 00:52:58,038 --> 00:53:01,838 "NOVA" is also available on Amazon Prime Video. 1029 00:53:01,838 --> 00:53:07,038 ♪ ♪ 1030 00:53:15,838 --> 00:53:23,005 ♪ ♪