1 00:00:05,239 --> 00:00:09,710 Captions made possible by HOME BOX OFFICE, INC. 2 00:01:43,304 --> 00:01:45,206 OKAY, ASHLEY, YOUR TURN. 3 00:01:45,306 --> 00:01:47,074 PICK SOMEONE. 4 00:01:47,175 --> 00:01:48,642 GUPTA, SANDEEP. 5 00:01:48,742 --> 00:01:50,010 NO INDIAN PEOPLE. 6 00:01:50,110 --> 00:01:52,213 WE'RE GONNA GET IN TROUBLE, YOU GUYS. 7 00:01:52,313 --> 00:01:53,481 WE SHOULD STOP DOING THIS. 8 00:01:53,581 --> 00:01:56,083 HOW ABOUT MR. AND MRS. GERALD GURVITZ ? 9 00:01:56,184 --> 00:01:57,985 YES, DO THEM. 10 00:01:58,085 --> 00:01:59,453 OKAY. 11 00:01:59,553 --> 00:02:03,491 ( dialing ) 12 00:02:03,591 --> 00:02:07,828 ( phone ringing ) 13 00:02:11,532 --> 00:02:12,466 HELLO ? 14 00:02:12,566 --> 00:02:14,402 ( female ) Hi, is Gerald there ? 15 00:02:14,502 --> 00:02:16,069 WHAT TIME IS IT, WHO IS THIS ? 16 00:02:16,170 --> 00:02:18,206 UM, HE'LL KNOW. 17 00:02:18,306 --> 00:02:20,741 Honey, wake up. 18 00:02:20,841 --> 00:02:22,109 SOMETHING'S WRONG. 19 00:02:22,210 --> 00:02:25,446 MAY I ASK WHAT THIS IS REGARDING ? 20 00:02:25,546 --> 00:02:27,215 Tell him... 21 00:02:27,315 --> 00:02:29,116 HE LEFT HIS UNDERWEAR HERE. 22 00:02:29,217 --> 00:02:31,919 EXCUSE ME ? 23 00:02:32,019 --> 00:02:33,153 WHAT IS IT, HONEY ? 24 00:02:33,254 --> 00:02:34,655 HANG UP ! 25 00:02:34,755 --> 00:02:35,989 PUT IT ON SPEAKER ! 26 00:02:36,089 --> 00:02:37,591 There's a woman on the phone 27 00:02:37,691 --> 00:02:42,029 AND SHE SAYS THAT YOU LEFT YOUR UNDERWEAR AT HER HOUSE ? 28 00:02:42,129 --> 00:02:43,931 THAT'S NOT POSSIBLE. 29 00:02:44,031 --> 00:02:45,299 GODDAMN IT, GERALD ! 30 00:02:45,399 --> 00:02:48,236 I COULD KILL YOU, GERRY, WHAT DID YOU DO ? 31 00:02:48,336 --> 00:02:49,770 ( laughing ) 32 00:02:49,870 --> 00:02:51,705 HANG UP, ASHLEY, I'M DYING ! 33 00:02:51,805 --> 00:02:54,808 OH, JESUS. 34 00:02:54,908 --> 00:02:56,143 WHAT IS IT ? 35 00:02:56,244 --> 00:02:57,611 IT'S JUST KIDS. 36 00:02:57,711 --> 00:03:00,013 I'M GONNA CALL THE POLICE, I'VE GOT CALLER I.D., 37 00:03:00,113 --> 00:03:01,615 YOU LITTLE IDIOTS ! 38 00:03:01,715 --> 00:03:04,352 ( laughing ) 39 00:03:06,820 --> 00:03:08,756 KAITLIN. 40 00:03:11,925 --> 00:03:13,861 OH MY GOD ! 41 00:03:13,961 --> 00:03:16,264 KAITLIN, ARE YOU OKAY ? 42 00:03:16,364 --> 00:03:19,633 OH MY GOD, MRS. STOLTE ! 43 00:03:19,733 --> 00:03:21,569 KAITLIN, KAITLIN ! 44 00:03:21,669 --> 00:03:23,304 MRS. STOLTE ! 45 00:03:23,404 --> 00:03:25,739 MRS. STOLTE ! 46 00:03:25,839 --> 00:03:29,610 I AM SO, SO SORRY. 47 00:03:34,114 --> 00:03:35,416 CANCER ? 48 00:03:35,516 --> 00:03:36,584 YES. 49 00:03:37,117 --> 00:03:38,952 YES, CANCER. 50 00:03:42,055 --> 00:03:43,824 I'M HERE. 51 00:03:43,924 --> 00:03:46,660 I'M HERE FOR YOU. 52 00:03:46,760 --> 00:03:48,629 OKAY, BETTER. 53 00:03:48,729 --> 00:03:50,831 BUT USE "WE'RE HERE" NOT "I'M HERE." 54 00:03:50,931 --> 00:03:51,899 YOU'RE NOT THEIR FRIEND. 55 00:03:51,999 --> 00:03:53,534 AND EASY ON THE TOUCHING. 56 00:03:53,634 --> 00:03:56,136 EVEN FUNERAL DIRECTORS HAVE TO BEWARE OF TRANSFERENCE. 57 00:03:56,236 --> 00:03:58,506 DAVID, YOU ARE, QUITE SIMPLY PUT, 58 00:03:58,606 --> 00:04:00,908 THE BEST I'VE EVER WORKED WITH. 59 00:04:01,008 --> 00:04:04,912 ARTHUR, I'M THE ONLY ONE YOU'VE EVER WORKED WITH. 60 00:04:05,012 --> 00:04:06,947 ( doorbell ) 61 00:04:07,047 --> 00:04:09,350 OKAY. 62 00:04:11,051 --> 00:04:12,853 THIS ONE'S ALL YOU. 63 00:04:13,621 --> 00:04:15,323 YES, SIR. 64 00:04:20,728 --> 00:04:23,664 SOMETHING YOUTHFUL, SOMETHING WHITE. 65 00:04:23,764 --> 00:04:27,134 PERHAPS WHITE WITH HER FAVORITE COLOR. 66 00:04:27,234 --> 00:04:29,537 HER FAVORITE COLOR IS LIGHT BLUE. 67 00:04:29,637 --> 00:04:31,138 I THOUGHT IT WAS PURPLE. 68 00:04:31,238 --> 00:04:33,106 IT USED TO BE PURPLE. 69 00:04:33,206 --> 00:04:35,343 THIS YEAR IT CHANGED TO LIGHT BLUE. 70 00:04:35,909 --> 00:04:37,645 SKY BLUE. 71 00:04:40,147 --> 00:04:42,750 SHE'S ONLY 14. 72 00:04:43,784 --> 00:04:45,453 THAT IS SO YOUNG. 73 00:04:46,119 --> 00:04:47,187 IT IS. 74 00:04:47,287 --> 00:04:49,423 IT IS SO YOUNG. 75 00:04:50,724 --> 00:04:53,627 MIGHT I SUGGEST WHITE WITH A PERIWINKLE SILK LINING ? 76 00:04:53,727 --> 00:04:57,264 PERIWINKLE IS RT OF IN BETWEEN PURPLE AND LIGHT BLUE. 77 00:04:57,365 --> 00:04:59,232 I THINK SHE MIGHT LIKE THAT. 78 00:04:59,333 --> 00:05:01,034 SHE WOULD LIKE THAT. 79 00:05:01,134 --> 00:05:02,570 THAT'S GOOD. 80 00:05:02,670 --> 00:05:03,871 OKAY. 81 00:05:03,971 --> 00:05:05,238 THAT'S ALL WE NEED FOR NOW. 82 00:05:05,339 --> 00:05:06,874 I'LL SEND PHOTOS OVER LATER. 83 00:05:06,974 --> 00:05:09,276 WE DIDN'T KNOW WE WERE SUPPOSED TO BRING PHOTOS. 84 00:05:09,377 --> 00:05:11,879 OF COURSE NOT, HOW COULD YOU. 85 00:05:11,979 --> 00:05:14,448 I'LL SEE YOU OUT. 86 00:05:15,983 --> 00:05:17,951 ( sobbing ) 87 00:05:25,158 --> 00:05:27,828 CLAIRE, COULD YOU COME GET THIS ? 88 00:05:33,066 --> 00:05:33,934 NICE. 89 00:05:34,034 --> 00:05:35,302 PEOPLE COLLECT THOSE. 90 00:05:35,403 --> 00:05:36,804 IT'S KIND OF RACIST. 91 00:05:36,904 --> 00:05:39,172 THAT'S WHY I PUT IT WAY UP THERE BACK IN THE '60s. 92 00:05:39,272 --> 00:05:43,911 JUST PUT IT WITH ALL THE OTHER THINGS IN THAT PILE OVER THERE. 93 00:05:44,011 --> 00:05:45,879 DID YOU START MAKING PILES IN YOUR ROOM YET ? 94 00:05:45,979 --> 00:05:48,716 UM, I STILL HAVE TO GO THROUGH SOME OLD PILES, 95 00:05:48,816 --> 00:05:50,584 THEN I'LL START MAKING SOME NEW ONES. 96 00:05:50,684 --> 00:05:52,820 I'VE MADE A SCHEDULE FOR THE GARAGE SALE. 97 00:05:52,920 --> 00:05:55,255 I THOUGHT, IF WE PUT A PLAN IN PLACE, 98 00:05:55,355 --> 00:05:57,558 WE'LL BE FREE TO DEVIATE. 99 00:05:57,658 --> 00:05:59,860 AS LONG AS WE'RE FREE TO DEVIATE. 100 00:06:04,965 --> 00:06:08,869 SO, ARE WE JUST SELLING OUR STUFF TO MAKE ROOM FOR GEORGE ? 101 00:06:08,969 --> 00:06:10,938 OR IS HE GONNA GET RID OF SOME OF HIS STUFF TOO ? 102 00:06:11,038 --> 00:06:14,141 LIKE PERHAPS HIS TUPPERWARE THING FULL OF SHIT ? 103 00:06:14,241 --> 00:06:16,343 SORRY, WHAT ARE WE CALLING IT ? 104 00:06:16,444 --> 00:06:17,778 WE'RE NOT CALLING IT ANYTHING. 105 00:06:17,878 --> 00:06:18,912 IT'S LONG GONE. 106 00:06:19,012 --> 00:06:20,514 THERE ARE A LOT OF THINGS IN THIS HOUSE 107 00:06:20,614 --> 00:06:21,715 THAT AREN'T EVEN MINE. 108 00:06:21,815 --> 00:06:23,784 LIKE THAT MAMMY COOKIE JAR. 109 00:06:23,884 --> 00:06:25,252 THAT COMES FROM YOUR FATHER'S SIDE. 110 00:06:25,352 --> 00:06:27,588 A LOT OF STUFF NEEDS TO JUST GO. 111 00:06:27,688 --> 00:06:30,591 I'D PERSONALLY PREFER IT IF PEOPLE COULD JUST 112 00:06:30,691 --> 00:06:33,060 COME UPSTAIRS AND LIKE, BID ON MY ENTIRE ROOM. 113 00:06:33,160 --> 00:06:36,029 AND I'M SURE NATE HAS A FEW THINGS HE PROBABLY DOESN'T NEED 114 00:06:36,129 --> 00:06:39,166 TO HAVE AROUND. 115 00:06:40,367 --> 00:06:41,502 HMM. 116 00:06:41,969 --> 00:06:42,736 AH. 117 00:06:42,836 --> 00:06:44,104 AH. 118 00:06:44,204 --> 00:06:45,739 MONKEY. MONKEY. 119 00:06:45,839 --> 00:06:48,576 I HAVE TO SAY, I'M CRAZY ABOUT THE NEW RANGE ROVERS. 120 00:06:48,676 --> 00:06:51,679 YOU CAN'T DRIVE AN SUV THESE DAYS WITH A STRAIGHT FACE. 121 00:06:51,779 --> 00:06:52,713 EXACTLY. 122 00:06:52,813 --> 00:06:54,181 I DON'T SEE ANOTHER WAY THOUGH. 123 00:06:54,281 --> 00:06:55,148 CERTAINLY NOT A MINIVAN-- 124 00:06:55,248 --> 00:06:57,050 OH NO, FUCK THAT. 125 00:06:57,150 --> 00:06:59,319 ( laughing ) 126 00:06:59,419 --> 00:07:03,190 HEY, THERE'S THAT POOR GUY WHOSE WIFE DROWNED. 127 00:07:03,290 --> 00:07:05,893 I KNOW, THAT IS SO SAD. 128 00:07:05,993 --> 00:07:08,629 HE'S HOT THOUGH, HUH ? 129 00:07:08,729 --> 00:07:10,263 SHHH. 130 00:07:10,363 --> 00:07:12,065 HEY. 131 00:07:12,165 --> 00:07:13,767 HI. 132 00:07:13,867 --> 00:07:15,068 HI. 133 00:07:15,168 --> 00:07:16,470 HOW ARE YOU TWO ? 134 00:07:16,570 --> 00:07:18,105 WE ARE FINE, THANK YOU. 135 00:07:18,205 --> 00:07:20,073 YOU'RE NATE, RIGHT ? 136 00:07:20,173 --> 00:07:21,141 RIGHT. 137 00:07:21,241 --> 00:07:22,342 I'M MADELINE. MADELINE, HI. 138 00:07:22,442 --> 00:07:24,177 THIS IS LINDA. 139 00:07:24,277 --> 00:07:26,046 HI. HI, HOW ARE YOU ? 140 00:07:26,146 --> 00:07:27,915 AND I KNOW MAYA... 141 00:07:28,015 --> 00:07:30,250 HELLO, MAYA... 142 00:07:30,350 --> 00:07:33,386 YOU WANT TO GET DOWN AND PLAY ? 143 00:07:33,487 --> 00:07:36,289 ALRIGHT. 144 00:07:36,389 --> 00:07:38,626 THERE YOU GO. 145 00:07:43,063 --> 00:07:43,864 ALRIGHT. 146 00:07:43,964 --> 00:07:45,032 ( laughing ) 147 00:07:49,136 --> 00:07:51,138 HEY, YOU GUYS GOING TO JIMMY'S THING TONIGHT ? 148 00:07:51,238 --> 00:07:52,806 I'M SO SICK OF JIMMY'S THINGS. 149 00:07:52,906 --> 00:07:55,943 I ACTUALLY THINK WE'RE NOT GOING. 150 00:07:56,043 --> 00:07:58,546 WELL, WE'RE ALL GOING. 151 00:07:58,646 --> 00:08:01,248 IT'S NOT LIKE THERE'S ANYTHING BETTER TO DO. 152 00:08:01,348 --> 00:08:02,650 WHAT TIME ARE YOU GUYS GETTING THERE ? 153 00:08:02,750 --> 00:08:04,384 DON'T FORGET ABOUT THAT THING... 154 00:08:04,484 --> 00:08:05,586 IN CHINATOWN. 155 00:08:05,686 --> 00:08:07,220 WE SHOULD GO TO THAT. 156 00:08:07,320 --> 00:08:08,756 MAYBE WE CAN GO THERE FIRST 157 00:08:08,856 --> 00:08:10,824 AND THEN GET TO JIMMY'S AT LIKE 10. 158 00:08:10,924 --> 00:08:11,625 EXCELLENT, GOOD. 159 00:08:11,725 --> 00:08:13,393 I WILL SEE YOU THERE. 160 00:08:13,493 --> 00:08:14,928 NOT GOING. 161 00:08:17,798 --> 00:08:20,400 GOD, THAT MOUSTACHE IS REPULSIVE. 162 00:08:20,500 --> 00:08:22,836 I CAN'T BELIEVE I LOVED HIM. 163 00:08:22,936 --> 00:08:26,406 I THOUGHT YOU GUYS WERE JUST FRIENDS. 164 00:08:26,506 --> 00:08:29,209 NO, HE WAS LIKE MY SERIOUS BOYFRIEND 165 00:08:29,309 --> 00:08:31,211 LIKE ALL OF FRESHMAN YEAR. 166 00:08:31,311 --> 00:08:33,046 I COULD HAVE SWORN HE WAS GAY. 167 00:08:33,146 --> 00:08:35,182 HE'S KNITTING. 168 00:08:35,282 --> 00:08:36,550 HAVEN'T YOU NOTICED ? 169 00:08:36,650 --> 00:08:38,118 A LOT OF STRAIGHT GUYS KNIT THESE DAYS. 170 00:08:38,218 --> 00:08:40,721 IT'S LIKE A MACHO THING, LIKE, I'M SO STRAIGHT I CAN EVEN KNIT. 171 00:08:40,821 --> 00:08:44,291 OH, OKAY, SO HE'S ACTUALLY NOT GAY ? 172 00:08:44,391 --> 00:08:46,760 DON'T EVEN ASK ME. 173 00:08:46,860 --> 00:08:48,662 AT THE TIME HE HAD LIKE, SEVERE BI-CURIOUS ISSUES. 174 00:08:48,762 --> 00:08:52,432 WHY DON'T YOU WANT TO GO TO JIMMY'S THING ? 175 00:08:52,532 --> 00:08:55,102 HE'S LIKE THE MATTHEW BARNEY OF LAC-ARTS. 176 00:08:55,202 --> 00:08:57,437 OH, RIGHT, HE WISHES. 177 00:08:57,537 --> 00:09:00,173 I ALREADY TOLD EDIE WE WERE GOING. 178 00:09:00,273 --> 00:09:02,542 SHE'S GOING ? 179 00:09:02,643 --> 00:09:04,778 OH YEAH, SHE'S ALWAYS AT HIS THINGS. 180 00:09:04,878 --> 00:09:06,780 HMM. 181 00:09:06,880 --> 00:09:10,350 * THE WHEELS ON THE BUS GO ROUND AND ROUND * 182 00:09:10,450 --> 00:09:13,854 * ROUND AND ROUND ROUND AND ROUND * 183 00:09:13,954 --> 00:09:17,224 * THE WHEELS ON THE BUS GO ROUND AND ROUND * 184 00:09:17,324 --> 00:09:20,694 * ALL THROUGH THE TOWN 185 00:09:20,794 --> 00:09:24,231 * THE DRIVER ON THE BUS GOES MOVE ON BACK * 186 00:09:24,331 --> 00:09:27,868 ( music ) 187 00:09:27,968 --> 00:09:30,103 NOT BAD. 188 00:09:30,203 --> 00:09:34,241 OKAY, IF JESSICA SIMPSON IS THE POOR MAN'S BRITNEY, 189 00:09:34,341 --> 00:09:35,442 WHAT'S CELESTE ? 190 00:09:35,542 --> 00:09:37,210 MAYBE A THINKING MAN'S BRITNEY. 191 00:09:37,310 --> 00:09:40,013 HER MUSIC IS SUPPOSED TO BE INSPIRATIONAL TO YOUNG GIRLS, 192 00:09:40,113 --> 00:09:42,215 I'M NOT JUST AN OBJECT, I AM SOMEBODY. 193 00:09:42,315 --> 00:09:43,617 OH, LIKE CHRISTINA. 194 00:09:43,717 --> 00:09:45,318 YEAH, LIKE CHRISTINA, BUT WITHOUT THE ASS 195 00:09:45,418 --> 00:09:47,120 HANGING OUT OF THE CHAPS. 196 00:09:47,220 --> 00:09:48,555 GOT IT. 197 00:09:48,656 --> 00:09:50,958 I'D LIKE TO SEE YOUR ASS HANGING OUT OF SOME CHAPS. 198 00:09:51,058 --> 00:09:52,693 OKAY, NEVER. 199 00:09:52,793 --> 00:09:54,127 YOU KNOW I HATE THAT SHIT. 200 00:09:54,227 --> 00:09:57,364 SO DO YOU GET TO MEET CELESTE TOMORROW ? 201 00:09:57,464 --> 00:09:58,999 NAH, I'M LIKE THIRD LINE OF DEFENSE. 202 00:09:59,099 --> 00:10:00,768 YOU DON'T GET TO MEET THE BIG STARS 203 00:10:00,868 --> 00:10:02,169 UNTIL YOU'VE PROVEN YOU'RE NOT A FREAK. 204 00:10:02,269 --> 00:10:04,004 REMEMBER CAMERON DIAZ ? 205 00:10:04,104 --> 00:10:08,341 DEFINITELY DO NOT DO THAT IN FRONT OF CELESTE. 206 00:10:08,441 --> 00:10:10,510 OR ANY OF CELESTE'S PEOPLE. 207 00:10:10,610 --> 00:10:11,679 OKAY, FREAK. 208 00:10:11,779 --> 00:10:14,948 ( singing along ) 209 00:10:15,048 --> 00:10:18,218 * YOU COULD BE THE ONE SHAVE MY LEGS FOR FREE * 210 00:10:18,318 --> 00:10:19,552 "SHAVE MY LEGS FOR FREE ?" 211 00:10:19,653 --> 00:10:21,221 I DON'T THINK THOSE ARE THE WORDS. 212 00:10:21,321 --> 00:10:25,258 * ... YOU COULD BE THE ONE TO SHAVE MY LEGS FOR FREE * 213 00:10:25,358 --> 00:10:28,796 ( singing ) 214 00:10:34,001 --> 00:10:35,368 CONDOM. 215 00:10:39,106 --> 00:10:40,841 ( laughing ) 216 00:10:44,044 --> 00:10:46,113 C'MON, C'MON. 217 00:10:47,580 --> 00:10:48,882 YOU GOT IT ? 218 00:10:51,651 --> 00:10:52,519 OKAY ? 219 00:10:52,619 --> 00:10:56,023 ALMOST, ALMOST-- 220 00:10:59,526 --> 00:11:02,395 WAIT A SECOND. 221 00:11:05,933 --> 00:11:07,634 I'LL TAKE CARE OF IT... 222 00:11:07,735 --> 00:11:09,703 I HATE THESE THINGS. 223 00:11:23,416 --> 00:11:24,417 LET'S JUST... DO SOMETHING ELSE. 224 00:11:24,517 --> 00:11:25,552 LET ME JUST MAKE YOU COME-- 225 00:11:25,652 --> 00:11:27,554 NO, I WANT TO MAKE YOU COME. 226 00:11:27,654 --> 00:11:29,356 NO, AND THEN THERE'S THIS EXPECTATION, 227 00:11:29,456 --> 00:11:31,058 AND I HATE EXPECTATIONS. 228 00:11:31,825 --> 00:11:34,427 JUST LET ME TRY. 229 00:11:34,527 --> 00:11:37,397 I DON'T WANT TO TRY. 230 00:11:37,497 --> 00:11:39,532 NOW, HERE... 231 00:11:39,632 --> 00:11:43,170 JUST LAY DOWN... 232 00:11:43,270 --> 00:11:44,571 YEAH. 233 00:11:44,671 --> 00:11:47,140 LAY BACK... 234 00:11:49,109 --> 00:11:50,944 AND SHUSH. 235 00:11:56,449 --> 00:11:58,185 ( laughing ) 236 00:12:07,060 --> 00:12:09,362 I CAN'T GET RID OF THIS GOOFY SMILE. 237 00:12:09,462 --> 00:12:13,133 BUT IF I CAN GET THIS RIGHT I THINK I CAN BRING HER LIPS 238 00:12:13,233 --> 00:12:14,301 DOWN A LITTLE BIT. 239 00:12:14,401 --> 00:12:16,536 MAY I ASK WHAT TECHNIQUE YOU'LL BE EMPLOYING ? 240 00:12:16,636 --> 00:12:17,838 YES. 241 00:12:17,938 --> 00:12:19,339 IT'S CALLED A FULL-MACKEW. 242 00:12:19,439 --> 00:12:21,809 AS YOU CAN SEE, I'VE ALREADY THREADED LIGATURE THROUGH HER 243 00:12:21,909 --> 00:12:23,143 NASAL CARTILAGE. 244 00:12:23,243 --> 00:12:25,145 I THOUGHT THAT WAS CALLED A HALF-MACKEW ? 245 00:12:25,245 --> 00:12:27,580 IF I'D STOPPED THERE, IT WOULD HAVE BEEN A HALF-MACKEW. 246 00:12:27,680 --> 00:12:29,182 BUT WATCH. 247 00:12:29,282 --> 00:12:33,286 I'M GOING DOWNWARD THROUGH HER GUM LINE HERE, 248 00:12:33,386 --> 00:12:37,257 AND USING THE JAWBONE TO ANCHOR THE THREAD BEFORE I TIE IT OFF. 249 00:12:37,357 --> 00:12:40,560 FASCINATING. 250 00:12:40,660 --> 00:12:42,362 MMM-HMM. 251 00:12:42,462 --> 00:12:44,097 ARTHUR, YOU READY TO GO ? 252 00:12:44,197 --> 00:12:46,566 FEDERICO, IF IT'S ALRIGHT WITH YOU, 253 00:12:46,666 --> 00:12:49,236 I'LL RETURN IN APPROXIMATELY ONE AND ONE HALF HOURS. 254 00:12:49,336 --> 00:12:52,139 MAYBE A LITTLE WHILE LONGER IF WE DECIDE TO GET LUNCH AFTER. 255 00:12:52,239 --> 00:12:55,408 I'LL WASH UP, AND MEET YOU IN THE FOYER. 256 00:12:58,045 --> 00:13:00,313 YOU GUYS ARE GETTING LUNCH ? 257 00:13:00,413 --> 00:13:01,815 SHOPPING, THEN LUNCH. 258 00:13:01,915 --> 00:13:04,417 WOW, SHOPPING ? 259 00:13:04,517 --> 00:13:05,953 WOULD YOU LIKE TO JOIN US ? 260 00:13:06,053 --> 00:13:08,021 NO, NO, I HAVE WORK TO DO. 261 00:13:08,121 --> 00:13:10,891 THIS ONE WON'T STOP SMILING. 262 00:13:12,259 --> 00:13:14,928 I WISH I KNEW WHAT THE FUCK WAS SO FUNNY. 263 00:13:23,470 --> 00:13:25,005 HELLO ? 264 00:13:26,139 --> 00:13:28,275 OH, HEY. 265 00:13:28,375 --> 00:13:30,177 HI, COME ON IN. 266 00:13:30,277 --> 00:13:31,544 LOOK, JADEN. 267 00:13:31,644 --> 00:13:32,712 SU AMIGA IS HERE ! 268 00:13:32,812 --> 00:13:34,547 HEY, MAYA, HI. 269 00:13:34,647 --> 00:13:37,384 HEY, IF SHE WANTS TO GO AND PLAY, YOU CAN JUST LET HER GO. 270 00:13:37,484 --> 00:13:39,119 OH, I-- 271 00:13:39,219 --> 00:13:40,854 SHE HASN'T REALLY PLAYED WITH THAT MANY KIDS YET. 272 00:13:40,954 --> 00:13:42,990 OH, WELL, AT THIS AGE, THEY PLAY NEXT TO EACH OTHER. 273 00:13:43,090 --> 00:13:44,491 NOT WITH EACH OTHER. 274 00:13:44,591 --> 00:13:45,926 IT'S CALLED PARALLEL PLAY. 275 00:13:46,026 --> 00:13:47,494 YOU WANT TO GET DOWN ? 276 00:13:47,594 --> 00:13:48,761 YOU WANNA GO PLAY ? 277 00:13:48,862 --> 00:13:51,598 THERE YOU GO, GO AHEAD. 278 00:13:51,698 --> 00:13:53,600 OH, HERE, I'LL TAKE THAT. 279 00:13:53,700 --> 00:13:55,202 UM, GLADYS ! 280 00:13:55,302 --> 00:13:58,305 VAMOS A ESTAR ALLA PARA UN MOMENTITO, OKAY ? 281 00:13:58,405 --> 00:13:59,506 OKAY, MRS. MADELINE. 282 00:13:59,606 --> 00:14:00,908 COME, MIJA. 283 00:14:01,008 --> 00:14:02,876 SU MOMMY VAS A JUGAR CON SU AMIGO 284 00:14:02,976 --> 00:14:04,878 DONDE TU JUGAR CON SU AMIGA. 285 00:14:04,978 --> 00:14:07,114 SO, UM, YOU WANT A SMOOTHIE ? 286 00:14:07,714 --> 00:14:10,717 UH, SURE, SURE. 287 00:14:10,817 --> 00:14:13,887 ( Gladys ) YOU WANT TO PLAY WITH THE MONKEY ? 288 00:14:31,271 --> 00:14:33,306 MUST BE A LATE WEDDING PRESENT. 289 00:14:34,007 --> 00:14:35,142 THE CARD SAYS, 290 00:14:35,242 --> 00:14:37,277 "TO MR. AND MRS. GEORGE SIBLEY !" 291 00:14:37,377 --> 00:14:39,812 I LIKE THE SOUND OF THAT, MRS. GEORGE-- 292 00:14:39,913 --> 00:14:41,915 OH, DEAR. 293 00:14:42,015 --> 00:14:43,650 WHAT DID WE GET ? 294 00:14:43,750 --> 00:14:46,286 EW, WHAT'S THAT SMELL ? 295 00:14:46,386 --> 00:14:49,456 IT APPEARS TO BE EXCREMENT AGAIN. 296 00:14:49,556 --> 00:14:51,424 NO WAY. 297 00:14:51,524 --> 00:14:53,393 EXCEPT THIS TIME SOMEONE WENT TO THE TROUBLE 298 00:14:53,493 --> 00:14:55,628 TO PLACE ONE INSIDE A DECORATIVE TIN. 299 00:14:57,064 --> 00:14:59,532 "TO MR. AND MRS. GEORGE SIBLEY." 300 00:14:59,632 --> 00:15:02,835 HMM, NO SIGNATURE, IMAGINE THAT. 301 00:15:02,936 --> 00:15:05,105 THIS IS A CATASTROPHE OF THE HIGHEST ORDER. 302 00:15:05,205 --> 00:15:07,740 THIS INVOLVES BOTH OF US NOW ! 303 00:15:07,840 --> 00:15:10,277 WHO KNOWS YOU LIVE HERE ? 304 00:15:11,344 --> 00:15:13,446 WHY DON'T YOU CARE ABOUT THIS ? 305 00:15:13,546 --> 00:15:16,183 I'VE MADE A LOT OF ENEMIES THROUGH THE YEARS, RUTH. 306 00:15:16,283 --> 00:15:18,285 YOU TAKE THE BACK-STABBING WORLD OF ACADEMIA, 307 00:15:18,385 --> 00:15:20,553 THROW IN A CONTROVERSIAL FIELD LIKE GEOLOGY, 308 00:15:20,653 --> 00:15:22,222 YOU'VE GOT REAL TROUBLE. 309 00:15:22,322 --> 00:15:24,591 GEOLOGY IS CONTROVERSIAL ? 310 00:15:24,691 --> 00:15:25,825 OIL, CLAIRE. 311 00:15:25,925 --> 00:15:27,360 OIL. 312 00:15:27,460 --> 00:15:28,528 LOOK. 313 00:15:28,628 --> 00:15:30,563 THIS IS FROM A PERSON WHO QUITE OBVIOUSLY 314 00:15:30,663 --> 00:15:32,165 IS LOOKING FOR A REACTION. 315 00:15:32,265 --> 00:15:34,067 SOMEBODY WHO NEEDS ATTENTION, LET'S NOT GIVE IT TO HIM. 316 00:15:34,167 --> 00:15:35,268 THAT PERSON ISN'T IN THE ROOM. 317 00:15:35,368 --> 00:15:37,804 HE CAN'T SEE MY REACTION. 318 00:15:37,904 --> 00:15:39,072 THAT'S A GOOD POINT, MOM. 319 00:15:39,172 --> 00:15:41,508 MAYBE IT'S ONE OF YOUR MOTHER'S OLD LOVERS. 320 00:15:41,608 --> 00:15:42,542 MY LOVERS ? 321 00:15:42,642 --> 00:15:44,544 THE GREEK ONE. 322 00:15:44,644 --> 00:15:46,379 HE WAS RUSSIAN. 323 00:15:49,049 --> 00:15:50,483 ARE YOU LEAVING, CLAIRE ? 324 00:15:50,583 --> 00:15:51,884 YEAH. 325 00:15:51,985 --> 00:15:53,086 TOSS THIS IN THE DUMPSTER, THEN, WOULD YOU ? 326 00:15:53,186 --> 00:15:56,990 OH, I THINK I'LL LET YOU DO THAT, GEORGE. 327 00:16:04,564 --> 00:16:06,699 OH, LORD. 328 00:16:06,799 --> 00:16:08,635 PUT BACK TO ME. 329 00:16:08,735 --> 00:16:10,203 I LIKE YOU IN BROWN. 330 00:16:10,303 --> 00:16:13,240 IS THIS BROWN OR IS THIS GRAY ? 331 00:16:13,340 --> 00:16:14,974 SHARCA. 332 00:16:15,075 --> 00:16:16,276 SEE, CHOCOLATE. 333 00:16:16,376 --> 00:16:18,545 I THOUGHT HE SAID CHARCOAL. 334 00:16:18,645 --> 00:16:20,547 SHARCA. 335 00:16:20,647 --> 00:16:23,583 OKAY, TAKE OFF NOW. 336 00:16:28,055 --> 00:16:29,289 WHAT'D YOU FIND ? 337 00:16:29,389 --> 00:16:31,224 NORMALLY I'D NEVER SHOP IN THE VALLEY, 338 00:16:31,324 --> 00:16:32,692 BUT THIS PLACE AIN'T TOO BAD. 339 00:16:32,792 --> 00:16:34,661 THERE'S A WHOLE RACK OF MARKED DOWN JIL SANDER. 340 00:16:34,761 --> 00:16:36,196 PLUS SOME JOHN VARVATOS, 341 00:16:36,296 --> 00:16:38,598 HUGO BOSS AND A PAIR OF PRADA SHOES FOR LIKE, $100. 342 00:16:39,899 --> 00:16:41,668 WHERE'S ARTHUR ? 343 00:16:41,768 --> 00:16:43,603 CHANGING. 344 00:16:43,703 --> 00:16:46,806 MAYBE WE SHOULD BUY HIM A WHOLE NEW WARDROBE. 345 00:16:46,906 --> 00:16:47,940 DO THEY EVER DO THAT ? 346 00:16:48,041 --> 00:16:50,009 QUEER EYE FOR THE GAY GUY ? 347 00:16:50,110 --> 00:16:53,446 I DON'T THINK ARTHUR'S GAY, I THINK HE'S "A". 348 00:16:53,546 --> 00:16:56,116 I DON'T KNOW, I THINK ASEXUAL PEOPLE ARE ASEXUAL 349 00:16:56,216 --> 00:16:58,151 BECAUSE THEY DON'T WANNA COME OUT OF THE CLOSET. 350 00:16:59,352 --> 00:17:01,521 YOU REALLY THINK ARTHUR MIGHT BE GAY ? 351 00:17:01,621 --> 00:17:02,855 UH, YEAH. 352 00:17:02,955 --> 00:17:04,691 AW. 353 00:17:04,791 --> 00:17:06,326 THAT BREAKS MY HEART. 354 00:17:06,426 --> 00:17:09,262 I'M GONNA GO TRY A COUPLE OF THESE ON. 355 00:17:09,362 --> 00:17:12,199 YOU'D LOOK GOOD IN THIS. 356 00:17:12,299 --> 00:17:14,234 DAVID, I NEED NEW CLOTHES FOR WORK, 357 00:17:14,334 --> 00:17:16,336 NOT GAY SKI WEEKEND AT MAMMOTH. 358 00:17:25,178 --> 00:17:27,046 I'M GONNA BUY YOU THE SUIT, OKAY ? 359 00:17:27,147 --> 00:17:28,315 OH, NO. 360 00:17:28,415 --> 00:17:29,616 I COULDN'T POSSIBLY LET YOU DO THAT. 361 00:17:29,716 --> 00:17:30,917 I WANT TO. 362 00:17:31,017 --> 00:17:32,719 BESIDES, IT'S A BUSINESS EXPENSE. 363 00:17:34,921 --> 00:17:36,523 IF I HAD A FATHER, 364 00:17:36,623 --> 00:17:39,426 THIS IS THE KIND OF THING HE'D DO FOR ME. 365 00:17:40,527 --> 00:17:42,762 OR EVEN AN ELDER SIBLING. 366 00:17:42,862 --> 00:17:44,697 IT'S JUST A SUIT. 367 00:17:46,633 --> 00:17:47,567 HEY, NICOLE. 368 00:17:47,667 --> 00:17:49,669 YOU LIKE THE WAY THIS SOUNDS, HUH ? 369 00:17:49,769 --> 00:17:52,239 BUT THE GUY GOES IF I WANTED MY FOOD STAMPS 370 00:17:52,339 --> 00:17:53,506 I SHOULD HAVE BEEN ON TIME, 371 00:17:53,606 --> 00:17:55,275 SO HE SAID I HAD TO CALL THE SOCIAL WORKER, 372 00:17:55,375 --> 00:17:56,709 BUT SHE'S OUT ALL WEEK. 373 00:17:56,809 --> 00:17:59,912 ANYWAY MY FRIEND'S HERE, SO I'M GONNA GO RIGHT NOW. 374 00:18:00,012 --> 00:18:01,281 'BYE. 375 00:18:04,083 --> 00:18:06,219 WE SHOULD GET NICOLE SOME TOYS. 376 00:18:06,319 --> 00:18:08,388 THAT TOP IS KID SAFE. 377 00:18:08,488 --> 00:18:12,492 BUT YEAH, SHE NEEDS SOME NEW TOYS. 378 00:18:12,592 --> 00:18:14,694 I DIDN'T KNOW YOU GOT FOOD STAMPS. 379 00:18:15,428 --> 00:18:16,429 YEAH. 380 00:18:16,529 --> 00:18:18,565 THEY'RE FROM BEFORE I WAS WORKING AT THE CLUB. 381 00:18:20,367 --> 00:18:22,169 I CAN AFFORD FOOD OF COURSE-- 382 00:18:22,269 --> 00:18:23,503 IT'S JUST IF I GET THE FOOD STAMPS 383 00:18:23,603 --> 00:18:26,606 THEN I CAN SAVE THE CASH FOR SOMETHING ELSE. 384 00:18:29,542 --> 00:18:31,944 HEY, YOU OKAY ? 385 00:18:32,044 --> 00:18:34,581 I DON'T WANT NICOLE TO SEE ME CRY. 386 00:18:41,754 --> 00:18:44,191 IT'S JUST I'M A LITTLE FREAKED OUT LATELY 387 00:18:44,291 --> 00:18:46,626 BECAUSE I'M COMPLETELY EXHAUSTED, 388 00:18:46,726 --> 00:18:50,197 I THINK IT'S BECAUSE I HAVE LUPUS. 389 00:18:50,297 --> 00:18:52,365 OH, SHIT, ARE YOU SERIOUS ? 390 00:18:52,465 --> 00:18:55,535 IT'S CAUSED BY LEAKING IMPLANTS. 391 00:18:55,635 --> 00:18:57,937 SERIOUSLY, I FEEL LIKE ONE OF 'EM RUPTURED 392 00:18:58,037 --> 00:19:01,574 AND NOW THERE'S LIKE POISON SILICONE ROAMING AROUND MY BODY. 393 00:19:02,742 --> 00:19:05,512 OH JEEZ. 394 00:19:07,414 --> 00:19:09,982 DID YOU SEE A DOCTOR ? 395 00:19:10,082 --> 00:19:12,652 NOT YET, NOT YET. 396 00:19:12,752 --> 00:19:16,556 OH MY GOD, SOPHIA, HEY, LISTEN, IT'S GONNA BE OKAY. 397 00:19:16,656 --> 00:19:17,724 ALRIGHT ? 398 00:19:19,091 --> 00:19:21,594 MAYBE WE SHOULD, MAYBE WE SHOULD PRAY ? 399 00:19:21,694 --> 00:19:24,063 RICO, I DON'T NEED PRAYER, I NEED SURGERY ! 400 00:19:24,163 --> 00:19:25,465 MEDICAL SURGERY ! 401 00:19:25,565 --> 00:19:27,066 PLUS IF I GET ONE BOOB DONE, THEY'RE NOT GONNA MATCH 402 00:19:27,166 --> 00:19:28,535 SO I HAVE TO GET THEM BOTH RE-DONE, 403 00:19:28,635 --> 00:19:31,037 WHICH IS LIKE FIVE GRAND... 404 00:19:31,137 --> 00:19:33,373 ( crying ) 405 00:19:33,473 --> 00:19:38,177 UNLESS YOU PUT THE PAYMENT PLAN, WHICH IS LIKE $1,500 DEPOSIT. 406 00:19:46,085 --> 00:19:48,154 I'M NOT ASKING YOU FOR THE MONEY. 407 00:19:48,255 --> 00:19:49,922 GOD, I SHOULD HAVE NEVER TOLD YOU ! 408 00:20:05,838 --> 00:20:08,641 IF I WERE TO GIVE YOU THE $1,500 FOR THE DEPOSIT, 409 00:20:08,741 --> 00:20:13,480 DO YOU THINK THAT MAYBE YOU CAN, YOU KNOW, PAY ME BACK ? 410 00:20:15,782 --> 00:20:20,653 I DON'T KNOW WHERE I COULD GET $1,500 IN A CHUNK LIKE THAT. 411 00:20:20,753 --> 00:20:22,922 WELL, YOU COULD PAY ME BACK WHATEVER YOU HAVE, 412 00:20:23,022 --> 00:20:24,591 WHENEVER YOU HAVE IT... 413 00:20:30,397 --> 00:20:32,499 I'LL JUST GIVE YOU THE MONEY. 414 00:20:33,500 --> 00:20:37,904 OH MY GOD, ARE YOU SERIOUS ? 415 00:20:39,205 --> 00:20:40,673 ( laughing ) 416 00:20:43,075 --> 00:20:45,512 MY ANGEL. 417 00:20:45,612 --> 00:20:48,615 NICOLE, GOD SENT US AN ANGEL. 418 00:21:08,535 --> 00:21:10,437 YOU HAVE A GREAT LIFE. 419 00:21:11,671 --> 00:21:13,139 THANKS. 420 00:21:13,239 --> 00:21:15,408 DO I NEED A COASTER ? 421 00:21:15,508 --> 00:21:18,044 NO, YOU CAN PUT IT ANYWHERE. 422 00:21:18,144 --> 00:21:22,882 AH, OKAY, SO, THIS IS THE BOOK I WAS TELLING YOU ABOUT. 423 00:21:22,982 --> 00:21:24,851 HIS NAME IS THICH NHAT HAHN. 424 00:21:24,951 --> 00:21:30,757 AND HE SAYS THAT IT ALL STARTS WITH LEARNING HOW TO BREATHE. 425 00:21:30,857 --> 00:21:34,994 SO, IF I READ THIS BOOK, I'LL BE HAPPY ? 426 00:21:36,596 --> 00:21:38,297 IT'S NOT THAT SIMPLE. 427 00:21:38,398 --> 00:21:40,066 ( laughing ) 428 00:21:42,068 --> 00:21:43,302 SO WHAT IS IT ? 429 00:21:43,403 --> 00:21:47,006 YOU SEEM TO BE HAPPY, YOU OUGHTTA KNOW. 430 00:21:47,106 --> 00:21:49,442 OH, GOD, WELL... 431 00:21:50,510 --> 00:21:52,345 UM, I DON'T KNOW I GUESS FOR ME, 432 00:21:52,445 --> 00:21:56,449 IT ALL STARTED WITH MY DIVORCE, ACTUALLY. 433 00:21:56,549 --> 00:22:00,653 AND THEN, MAKING THE DECISION TO BE A STAY-AT-HOME MOM. 434 00:22:00,753 --> 00:22:03,222 I MEAN IT'S HARD, NOT WORKING. 435 00:22:03,322 --> 00:22:06,493 BUT I LOVE BEING WITH JADEN, SO... 436 00:22:06,593 --> 00:22:09,562 WHEN SHE'S NOT WITH HER NANNIES ? 437 00:22:09,662 --> 00:22:13,600 OKAY, ONE IS A NANNY AND THE OTHER IS A HOUSEKEEPER. 438 00:22:13,700 --> 00:22:14,667 OKAY. 439 00:22:21,908 --> 00:22:26,779 SO THIS, IS THIS WHAT YOU WANTED YOUR LIFE TO BE ? 440 00:22:26,879 --> 00:22:29,782 THIS IS ACTUALLY BETTER THAN I EXPECTED. 441 00:22:32,619 --> 00:22:34,821 IT SMELLS SO GOOD IN HERE. 442 00:22:38,991 --> 00:22:39,992 THICH NHAT HAHN. 443 00:22:40,092 --> 00:22:41,227 ( laughing ) 444 00:22:41,327 --> 00:22:42,629 RIGHT. 445 00:22:52,639 --> 00:22:54,441 THAT FIREPLACE WORK ? 446 00:22:58,210 --> 00:22:59,779 YEAH. 447 00:23:17,997 --> 00:23:19,165 IT'S OKAY... 448 00:23:22,034 --> 00:23:23,169 WHAT'S OKAY ? 449 00:23:38,718 --> 00:23:40,520 ( male ) ALRIGHT, LET'S DO THIS. 450 00:23:41,954 --> 00:23:44,190 ( buzzer ) 451 00:23:51,330 --> 00:23:53,666 WELL, ABOUT FUCKING TIME ! 452 00:23:53,766 --> 00:23:55,334 EVERYBODY KEPT ASKING ME, 453 00:23:55,434 --> 00:23:56,536 WHEN ARE CLAIRE AND ANITA GETTING HERE ? 454 00:23:56,636 --> 00:23:58,905 AND I SAID, HOW THE FUCK DID I KNOW ? 455 00:24:01,273 --> 00:24:02,775 HOW 'BOUT IT, MY LADIES ? 456 00:24:05,411 --> 00:24:06,879 YOU'RE QUITE THE HOST. 457 00:24:06,979 --> 00:24:11,183 EVERYTHING I DO, I DO FOR YOU. 458 00:24:11,283 --> 00:24:12,785 DOES HE HAVE A LIGHTER ? 459 00:24:12,885 --> 00:24:13,753 I'VE GOT FIRE. 460 00:24:13,853 --> 00:24:16,756 GO, YOUR SERENE HOTNESS. 461 00:24:16,856 --> 00:24:18,825 ( laughing ) 462 00:24:23,029 --> 00:24:24,463 ( coughing ) 463 00:24:24,564 --> 00:24:26,432 BETTER NOW. 464 00:24:26,533 --> 00:24:28,467 ME, ME. 465 00:24:31,504 --> 00:24:33,372 BETTER NOT BE YOU, RUSSELL. 466 00:24:33,472 --> 00:24:34,607 HEY YOU. 467 00:24:34,707 --> 00:24:36,175 HEY, HOW LONG HAVE YOU BEEN HERE ? 468 00:24:36,275 --> 00:24:37,409 TOO LONG. 469 00:24:37,510 --> 00:24:39,612 HEY, I LIKE YOUR SKIRT, DID YOU MAKE IT ? 470 00:24:40,212 --> 00:24:41,313 MAYBE I DID. 471 00:24:41,413 --> 00:24:43,049 YOU ARE SO TALENTED. 472 00:24:45,351 --> 00:24:47,019 GIMME SOME OF THAT. 473 00:24:48,087 --> 00:24:52,725 ( rap music ) 474 00:24:55,061 --> 00:24:59,799 * OH, FROGGY WENT A COURTIN' AND HE DID RIDE * 475 00:24:59,899 --> 00:25:04,436 * OH, FROGGY WENT A COURTIN' AND HE DID RIDE * 476 00:25:04,537 --> 00:25:08,975 * FROGGY WENT A COURTIN' AND HE DID RIDE * 477 00:25:09,075 --> 00:25:14,681 * WITH A SWORD AND PISTOL BY HIS SIDE * 478 00:25:17,950 --> 00:25:19,518 UGH, THIS ALWAYS HAPPENS, 479 00:25:19,619 --> 00:25:21,253 I GET STONED AND THEN I'M LOCKED IN THIS PRISON. 480 00:25:22,755 --> 00:25:24,757 WHAT, YOU'RE PARANOID ? 481 00:25:24,857 --> 00:25:27,927 PLEASE, NO ONE THINKS ANYTHING BAD. 482 00:25:28,027 --> 00:25:30,963 YOU'RE LIKE THE BEAUTIFUL FAIR-SKINNED UNTOUCHABLE 483 00:25:31,063 --> 00:25:32,464 ART PRINCESS. 484 00:25:32,565 --> 00:25:34,400 MISS MOUSY ! 485 00:25:34,500 --> 00:25:37,069 NO, NOT SO MUCH PARANOID, 486 00:25:37,169 --> 00:25:40,239 BUT MORE LIKE I'D RATHER CHOOSE TO JUST BE THIS OBSERVER. 487 00:25:40,339 --> 00:25:44,677 BECAUSE FOR ONE, I KNOW THAT IF I FEEL ANY VIBE ABOUT ANY GUY 488 00:25:44,777 --> 00:25:47,880 I SHOULD KNOW IT MEANS RED FLAG, RED FLAG ! 489 00:25:47,980 --> 00:25:52,451 AND BEYOND THAT I BASICALLY HATE EVERYONE, 490 00:25:52,551 --> 00:25:54,854 I HATE HER. 491 00:25:54,954 --> 00:25:57,123 AND HER. 492 00:25:57,223 --> 00:26:00,392 AND THAT GUY WITH THE FUCKING BOY SCOUT JACKET, 493 00:26:00,492 --> 00:26:01,894 LIKE, IS THAT SUPPOSED TO BE IRONIC ? 494 00:26:01,994 --> 00:26:05,965 YEAH, I WOULD SAY MORE MISANTHROPE THAN PARANOID. 495 00:26:06,065 --> 00:26:11,137 YEAH, BUT I AM ALSO SO TIRED OF HATING EVERYTHING, YOU KNOW ? 496 00:26:11,237 --> 00:26:12,538 I MEAN, TRULY. 497 00:26:12,639 --> 00:26:16,475 * OH, FROGGY WENT A COURTIN' AND HE DID RIDE * 498 00:26:16,575 --> 00:26:20,446 * WITH A SWORD AND PISTOL * 499 00:26:20,546 --> 00:26:25,685 * WITH A SWORD AND PISTOL * 500 00:26:28,054 --> 00:26:30,589 CHECK ONE, TWO. 501 00:26:30,690 --> 00:26:32,524 PEOPLE, FOCUS ! 502 00:26:32,625 --> 00:26:35,461 THE PERSON ON STAGE NEEDS TO BE LOOKED AT. 503 00:26:35,561 --> 00:26:36,729 HEY. 504 00:26:38,698 --> 00:26:40,199 ARE YOU INCREDIBLY STONED ? 505 00:26:40,299 --> 00:26:41,500 NO. 506 00:26:41,600 --> 00:26:43,135 DOES SHE DO THIS KIND OF THING A LOT ? 507 00:26:43,235 --> 00:26:44,971 ALL THE TIME. 508 00:26:47,006 --> 00:26:48,941 I MISS YOU. 509 00:26:49,041 --> 00:26:50,609 SHUT IT. 510 00:26:50,710 --> 00:26:52,611 ... THE GREAT AMERICAN ART SCHOOL POSEUR 511 00:26:52,712 --> 00:26:54,714 JERK-OFF EXTRAVAGANZA. 512 00:26:55,247 --> 00:26:56,683 ( laughing ) 513 00:26:56,783 --> 00:26:59,051 ANYONE NEAR THE STAGE, WE CALL THAT THE SPLASH ZONE, 514 00:26:59,151 --> 00:27:00,753 SO YOU MAY WANT TO STAND BACK. 515 00:27:00,853 --> 00:27:03,089 I'M NOT RESPONSIBLE FOR DRY CLEANING BILLS. 516 00:27:04,056 --> 00:27:05,324 YEAH, BABY. 517 00:27:05,424 --> 00:27:07,093 ( male ) YEAH, BABY. 518 00:27:07,193 --> 00:27:08,260 JESUS CHRIST. 519 00:27:08,360 --> 00:27:10,429 GOD, THIS GIRL'S DING-DONG OUT OF HER MIND. 520 00:27:10,529 --> 00:27:11,731 YEAH, BABY ! 521 00:27:11,831 --> 00:27:15,401 YOU'RE THE ONLY GIRL HERE. 522 00:27:15,501 --> 00:27:18,738 YEAH, BABY, YEAH, BABY ! 523 00:27:18,838 --> 00:27:21,841 I WISH I HAD MY CAMERA. 524 00:27:21,941 --> 00:27:28,280 YEAH BABY, YEAH BABY, YEAH BABY, YEAH BABY, YEAH BABY... 525 00:27:28,380 --> 00:27:30,883 YES, YES, YES, YEAH ! 526 00:27:32,184 --> 00:27:33,686 ( knocking ) 527 00:27:35,121 --> 00:27:36,789 PLEASE ENTER. 528 00:27:39,058 --> 00:27:40,426 WELL. 529 00:27:40,526 --> 00:27:41,894 HELLO. 530 00:27:41,994 --> 00:27:42,995 MRS... 531 00:27:43,095 --> 00:27:44,130 RUTH. 532 00:27:44,230 --> 00:27:46,065 ARTHUR, I HAVE SOMETHING TO SAY TO YOU. 533 00:27:46,165 --> 00:27:47,266 PLEASE. 534 00:27:47,366 --> 00:27:50,436 WHAT WE HAD WAS VERY SPECIAL, BUT IT'S IN THE PAST. 535 00:27:50,536 --> 00:27:52,772 WE CAN'T CONTINUE TO HOLD GRUDGES 536 00:27:52,872 --> 00:27:54,440 AND BE ANGRY WITH ONE ANOTHER. 537 00:27:54,540 --> 00:27:56,508 I HOLD NO GRUDGES WITH YOU. 538 00:27:56,608 --> 00:27:59,946 I'M HAPPY THAT YOU... APPEAR SO HAPPY. 539 00:28:00,046 --> 00:28:02,181 ARTHUR, THIS HAS TO STOP ! 540 00:28:02,281 --> 00:28:04,350 I KNOW THAT YOU SENT US THE FECES BOX 541 00:28:04,450 --> 00:28:06,886 AND THE FECES GIFT BASKET ! 542 00:28:06,986 --> 00:28:07,987 RUTH ! 543 00:28:08,087 --> 00:28:12,725 DO YOU KNOW HOW HORRIFIED I AM THAT YOU THINK 544 00:28:12,825 --> 00:28:16,095 I COULD COMMIT AN ACT SO HEINOUS ? 545 00:28:18,097 --> 00:28:20,800 YOU DON'T KNOW ME AT ALL, DO YOU ? 546 00:28:20,900 --> 00:28:23,269 I KNOW THAT YOU'RE FRUSTRATED, ARTHUR, 547 00:28:23,369 --> 00:28:26,472 SITTING IDLY BY AS GEORGE AND I FALL DEEPER AND DEEPER 548 00:28:26,572 --> 00:28:27,940 IN LOVE EACH DAY. 549 00:28:28,040 --> 00:28:30,609 BUT WE HAD OUR CHANCE, WE HAD OUR TIME-- 550 00:28:30,709 --> 00:28:31,878 WE NEVER HAD A CHANCE ! 551 00:28:31,978 --> 00:28:34,947 SO YOU ARE HARBORING FEELINGS ! 552 00:28:35,047 --> 00:28:38,450 I DO HARBOR FEELINGS. 553 00:28:38,550 --> 00:28:41,553 I'M HUMAN. 554 00:28:41,653 --> 00:28:44,924 AND I'M A MAN. 555 00:28:45,024 --> 00:28:48,060 YOU OF ALL PEOPLE SHOULD KNOW THAT. 556 00:28:48,160 --> 00:28:51,063 BUT I WOULD NEVER SEND THOSE THINGS TO YOU. 557 00:28:51,163 --> 00:28:53,399 I COULD NEVER SEND YOU... 558 00:28:53,499 --> 00:28:55,334 POO. 559 00:28:55,434 --> 00:28:57,736 EVER ! 560 00:28:57,837 --> 00:29:01,908 I WISH I COULD BELIEVE YOU. 561 00:29:03,475 --> 00:29:05,177 I WISH YOU COULD TOO. 562 00:29:07,914 --> 00:29:10,216 NOW I'M GOING TO HAVE TO ASK YOU TO LEAVE. 563 00:29:28,300 --> 00:29:29,869 ( frogs croaking ) 564 00:29:35,808 --> 00:29:39,445 * I KEEP MY BUTTERFLY CLOSE WHEN YOU DON'T WANNA BE BOTHERED * 565 00:29:39,545 --> 00:29:43,749 * DON'T COME WAKING ME UP, 'CAUSE I AIN'T GIVING YOU NADA * 566 00:29:43,850 --> 00:29:47,920 * 'CAUSE I GOT ME A TOY AND IT WORKS FOR ME * 567 00:29:48,020 --> 00:29:51,457 * AND IT LASTS LONGER THAN THE BATTERY * 568 00:29:51,557 --> 00:29:53,192 * SO YOU BEST BELIEVE THAT * 569 00:29:53,292 --> 00:29:56,228 * A TOY, EVERY GIRL MUST HAVE A TOY * 570 00:29:56,328 --> 00:29:58,730 * THE WAY IT MAKE YOU FEEL * 571 00:29:58,831 --> 00:30:02,168 * EVERY GIRL MUST HAVE A TOY * 572 00:30:02,268 --> 00:30:05,838 * A TOY, EVERY GIRL MUST HAVE A TOY * 573 00:30:05,938 --> 00:30:07,573 THIS THE LINE ? 574 00:30:07,673 --> 00:30:09,108 YEAH. 575 00:30:09,208 --> 00:30:13,645 ( moaning ) 576 00:30:13,745 --> 00:30:16,182 * I USED TO WISH THAT YOU WOULD LOVE ME * 577 00:30:16,282 --> 00:30:20,419 * AND FANTASIZE ON HOW WE USED TO BE * 578 00:30:20,519 --> 00:30:25,557 * UNTIL I DISCOVERED SOMETHING BETTER THAN YOU * 579 00:30:25,657 --> 00:30:30,562 * I DON'T NEED, NO NEED... * 580 00:30:30,662 --> 00:30:32,731 SO, THIS COURSE I'M TAKING, RECOVERY FROM MADNESS ? 581 00:30:32,831 --> 00:30:35,167 THE WOMAN WHO TEACHES IT WAS ACTUALLY, 582 00:30:35,267 --> 00:30:36,768 OR IS BIPOLAR. 583 00:30:36,869 --> 00:30:39,371 DO YOU HAVE TO BE BIPOLAR TO GET IN ? 584 00:30:39,471 --> 00:30:41,040 YEAH, IT HELPS. 585 00:30:41,140 --> 00:30:42,942 ANYWAY, SHE WROTE THIS INCREDIBLE BOOK, 586 00:30:43,042 --> 00:30:46,078 EXPLAINING WHAT IT FEELS LIKE, SHE'S KIND OF A PIONEER. 587 00:30:47,646 --> 00:30:49,148 OH. 588 00:30:49,248 --> 00:30:51,150 OH, HERE. 589 00:30:53,319 --> 00:30:54,553 THANK YOU. 590 00:30:54,653 --> 00:30:56,822 DON'T THANK ME. 591 00:30:56,923 --> 00:30:59,458 I COULD WAIT ON YOU HAND AND FOOT ALL DAY. 592 00:30:59,558 --> 00:31:00,826 I'M SERIOUS. 593 00:31:00,927 --> 00:31:04,630 IT WOULD MAKE ME A VERY HAPPY MAN. 594 00:31:04,730 --> 00:31:08,634 SO, YOU KNOW, LAST NIGHT WHEN I WAS PUTTING ON THAT CONDOM-- 595 00:31:08,734 --> 00:31:11,137 OH LISTEN, YOU DON'T HAVE TO EXPLAIN. 596 00:31:11,237 --> 00:31:13,239 I SHOULD JUST GO BACK ON THE PILL AND IT WON'T BE A PROBLEM. 597 00:31:13,339 --> 00:31:16,342 NO, NO, NO, NO, YOU KNOW, I USED TO THINK THAT 598 00:31:16,442 --> 00:31:18,978 I HAD, LIKE, A PROBLEM STAYING HARD OR WHATEVER. 599 00:31:19,078 --> 00:31:20,947 HEY, NO, IT'S OKAY, REALLY. 600 00:31:21,047 --> 00:31:26,252 NO, THEN I REALIZED THAT I'M TOTALLY HARD WHEN I-- 601 00:31:26,352 --> 00:31:30,889 YOU KNOW LIKE WHEN PEOPLE ROLE-- 602 00:31:32,391 --> 00:31:35,361 I REALLY LIKE THAT DYNAMIC WHEN LIKE ONE PERSON IS BOSS, 603 00:31:35,461 --> 00:31:39,131 AND THE OTHER PERSON IS SORT OF LIKE MORE DOMINANT 604 00:31:39,231 --> 00:31:42,101 OR THE OTHER PERSON IS A LITTLE MORE SUB-- 605 00:31:42,201 --> 00:31:44,870 I'M NOT EXPLAINING THIS VERY WELL. 606 00:31:44,971 --> 00:31:48,840 NO, YOU'RE EXPLAINING IT FINE. 607 00:31:48,941 --> 00:31:50,376 IT'S ACTUALLY-- 608 00:31:50,476 --> 00:31:52,011 YOU DON'T NEED TO EXPLAIN IT ANYMORE. 609 00:31:52,111 --> 00:31:53,445 YOU KNOW, LOOK, I KNOW EVERYONE HAS THEIR THING. 610 00:31:53,545 --> 00:31:56,448 I'VE KNOWN PROSTITUTES AND DOMINATRIXES. 611 00:31:56,548 --> 00:31:58,317 I'VE BEEN TO SEX CLUBS AND LEATHER CLUBS 612 00:31:58,417 --> 00:32:00,452 AND I'VE HEARD OF GUYS WHO CAN ONLY CUM IF A GIRL IS, 613 00:32:00,552 --> 00:32:02,955 I DON'T KNOW, SITTING ON A BALLOON, 614 00:32:03,055 --> 00:32:06,225 I WROTE THIS WHOLE EROTIC NOVELLA ABOUT A GIRL WHO-- 615 00:32:06,325 --> 00:32:11,763 I WAS HOPING THAT WE COULD BE-- 616 00:32:11,863 --> 00:32:12,831 WE CAN BE ANYTHING-- 617 00:32:12,931 --> 00:32:15,134 I WAS HOPING THAT... 618 00:32:15,234 --> 00:32:18,170 WE... 619 00:32:18,270 --> 00:32:21,807 COULD HAVE NORMAL SEX. 620 00:32:21,907 --> 00:32:25,011 LIKE NORMAL SEX ? 621 00:32:25,111 --> 00:32:27,113 YEAH, NORMAL SEX. 622 00:32:27,213 --> 00:32:29,481 THE WAY NORMAL PEOPLE DO IT. 623 00:32:29,581 --> 00:32:31,883 I MEAN, NORMAL PEOPLE HAVE SEX, RIGHT ? 624 00:32:31,984 --> 00:32:33,352 YEAH. YEAH, I PRESUME SO. 625 00:32:33,452 --> 00:32:34,920 THEY DON'T TURN IT ALL INTO SOME FANTASY, 626 00:32:35,021 --> 00:32:37,156 OR GET DRUNK OR SMOKE POT TO MAKE IT INTERESTING. 627 00:32:37,256 --> 00:32:39,258 WE CAN SMOKE POT, I CAN GET POT-- 628 00:32:39,358 --> 00:32:41,293 NO, I DON'T WANT TO SMOKE POT. 629 00:32:41,393 --> 00:32:43,729 I SMOKED SO MUCH POT IT WAS... 630 00:32:43,829 --> 00:32:47,299 IT MADE ME... ME. 631 00:32:47,399 --> 00:32:51,970 NOW ALL THOSE THINGS JUST SEEM LIKE AN ESCAPE FROM SEX. 632 00:32:52,071 --> 00:32:57,576 ALRIGHT WELL, I'LL PUT SOME THOUGHT INTO EXPLORING 633 00:32:57,676 --> 00:32:59,378 MY NORMAL SIDE. 634 00:32:59,478 --> 00:33:02,414 OH, THAT'S NOT WHAT I WAS SAYING. 635 00:33:02,514 --> 00:33:06,052 BUT ANYWAY, LOOK, I SHOULD GO TO BED. 636 00:33:06,152 --> 00:33:09,321 I'VE GOT CLASS TOMORROW. 637 00:33:10,922 --> 00:33:12,091 SO, I'M GOING HOME ? 638 00:33:12,191 --> 00:33:14,360 IF YOU NEED TO. 639 00:33:15,927 --> 00:33:17,663 YEAH. 640 00:33:24,002 --> 00:33:27,273 ( door opening and closing ) 641 00:33:31,310 --> 00:33:32,811 YUCK. 642 00:33:32,911 --> 00:33:34,846 SPINNIES. 643 00:33:34,946 --> 00:33:36,882 ARE YOU GONNA BARF IN MY BED ? 644 00:33:36,982 --> 00:33:38,984 NAH. 645 00:33:39,085 --> 00:33:41,153 'CAUSE I CAN GET A GARBAGE CAN 646 00:33:41,253 --> 00:33:42,821 AND PUT IT NEXT TO YOU IF YOU WANT. 647 00:33:42,921 --> 00:33:44,423 NAH. 648 00:33:49,995 --> 00:33:53,299 I CAN'T BELIEVE I DRANK SO MUCH AND I DIDN'T EVEN HAVE FUN. 649 00:33:53,399 --> 00:33:58,070 I CAN'T BELIEVE I MADE OUT WITH RUSSELL. 650 00:33:58,170 --> 00:34:03,175 HE'S A REALLY GOOD KISSER. 651 00:34:05,544 --> 00:34:06,778 YEAH. 652 00:34:15,254 --> 00:34:18,990 SO, IS EDIE, LIKE, FULL-TIME LESBIAN 653 00:34:19,091 --> 00:34:21,527 OR IS SHE JUST LIKE ART SCHOOL BI-GIRL ? 654 00:34:21,627 --> 00:34:23,195 NOPE. 655 00:34:23,295 --> 00:34:27,166 HARD CORE LIKE, TOTALLY LESBIAN FEMINIST. 656 00:34:33,205 --> 00:34:34,640 IS SHE GOING OUT WITH THAT GIRL ? 657 00:34:34,740 --> 00:34:37,576 THAT RED-HAIRED GIRL WITH THE WIFE BEATER ? 658 00:34:40,912 --> 00:34:42,781 YOU OKAY, ANITA ? 659 00:34:42,881 --> 00:34:46,718 MAYBE I COULD USE THAT GARBAGE CAN. 660 00:34:46,818 --> 00:34:51,190 ( moaning ) 661 00:35:15,080 --> 00:35:19,551 ( music ) 662 00:35:31,863 --> 00:35:33,299 ( dog barking ) 663 00:35:38,270 --> 00:35:39,871 ( baby crying ) 664 00:36:28,954 --> 00:36:30,489 ( knocking ) 665 00:36:32,090 --> 00:36:33,592 ARTHUR ? 666 00:36:49,341 --> 00:36:50,942 "TO THE WONDERFUL FISHER FAMILY. 667 00:36:51,042 --> 00:36:54,613 "I AM SORRY TO INFORM YOU THAT, EFFECTIVE IMMEDIATELY, 668 00:36:54,713 --> 00:36:56,815 "I AM RESIGNING FROM FISHER AND DIAZ 669 00:36:56,915 --> 00:36:59,651 "AS WELL AS RELEASING TENANCY OF MY ROOM IN THE FISHER RESIDENCE. 670 00:36:59,751 --> 00:37:03,021 "I NO LONGER FEEL COMFORTABLE IN THESE SURROUNDINGS. 671 00:37:03,121 --> 00:37:05,090 BEST, ARTHUR." 672 00:37:05,190 --> 00:37:06,292 WHO'S ARTHUR ? 673 00:37:06,392 --> 00:37:07,826 WHO ARE YOU ? 674 00:37:07,926 --> 00:37:10,061 THIS IS MY FRIEND, ANITA. 675 00:37:10,161 --> 00:37:12,398 THAT'S MY BROTHER, DAVID. 676 00:37:12,498 --> 00:37:14,933 AND THIS IS MY BROTHER, NATE. 677 00:37:15,033 --> 00:37:17,168 HI. 678 00:37:17,269 --> 00:37:19,037 HEY. 679 00:37:19,137 --> 00:37:21,172 ARTHUR QUIT. 680 00:37:21,273 --> 00:37:24,376 OH, THAT'S TOO BAD. 681 00:37:24,476 --> 00:37:26,278 WHAT THE HELL HAPPENED ? 682 00:37:26,378 --> 00:37:27,245 I JUST BOUGHT HIM A SUIT. 683 00:37:27,346 --> 00:37:28,914 WELL, I GOTTA GO. 684 00:37:29,014 --> 00:37:31,082 I HAVE TO TAKE MAYA OVER TO HER NEW FRIEND JADEN'S HOUSE... 685 00:37:31,182 --> 00:37:33,018 FOR A PLAY DATE. 686 00:37:33,118 --> 00:37:34,320 OH, COOL. 687 00:37:34,420 --> 00:37:37,689 NO, LEAVE, MAYA HAS PLACES TO BE, I'LL BE FINE. 688 00:37:37,789 --> 00:37:39,891 I DIDN'T KNOW TWO-YEAR-OLDS HAD LIKE, ACTUAL FRIENDSHIPS. 689 00:37:39,991 --> 00:37:42,461 YEAH, THEY MET AT MOMMY N' ME, THEY REALLY HIT IT OFF. 690 00:37:42,561 --> 00:37:45,831 OH, WHERE'S ALL YOUR GARAGE SALE STUFF ? 691 00:37:45,931 --> 00:37:48,834 I DON'T HAVE ANY. 692 00:37:50,135 --> 00:37:52,438 LOOK, EVERYTHING I HAVE, I NEED. 693 00:37:59,010 --> 00:38:00,646 DON'T ASK. 694 00:38:00,746 --> 00:38:03,014 I WONDER IF ARTHUR LEFT BECAUSE HE FELT PRESSURED, 695 00:38:03,114 --> 00:38:06,251 LIKE KEITH AND I WERE TRYING TO WELCOME-WAGON HIM INTO GAYLAND. 696 00:38:06,352 --> 00:38:08,420 GAYLAND ? 697 00:38:08,520 --> 00:38:10,522 PLEASE, ARTHUR HAD A THING WITH MOM. 698 00:38:10,622 --> 00:38:13,224 IN FACT I'M PRETTY SURE THEY WERE FUCKBUDDIES. 699 00:38:13,325 --> 00:38:14,760 WHOA. 700 00:38:14,860 --> 00:38:16,495 ARTHUR AND MOM ? 701 00:38:16,595 --> 00:38:18,530 YEAH, SHE WAS VERY VAGUE ABOUT IT, 702 00:38:18,630 --> 00:38:21,066 BUT I KNOW SOMETHING WENT ON. 703 00:38:21,166 --> 00:38:22,968 UGH ! 704 00:38:23,068 --> 00:38:24,703 OKAY, SCOTT, I'M PUTTING YOU OUT IN THE AUDIENCE, 705 00:38:24,803 --> 00:38:26,505 IN CASE SOME FREAK HAS GOTTEN IN. 706 00:38:26,605 --> 00:38:28,306 KEITH, I'M MAKING YOU THE DESIGNATED FOR CELESTE. 707 00:38:28,407 --> 00:38:30,308 GOT IT. 708 00:38:30,409 --> 00:38:32,611 I WANT YOU TO PARK IT OUTSIDE OF HER DRESSING ROOM, 709 00:38:32,711 --> 00:38:34,880 AND DO NOT LET ANYBODY IN EXCEPT FOR THE RABBI AND LAWYER. 710 00:38:34,980 --> 00:38:36,281 JUST THOSE TWO GUYS, CHECK. 711 00:38:36,382 --> 00:38:38,817 NO, THEY'RE THE SAME GUY. 712 00:38:38,917 --> 00:38:41,620 COPY THAT. 713 00:38:41,720 --> 00:38:44,022 FRED, I THINK I'VE ALREADY MADE THIS PERFECTLY CLEAR. 714 00:38:44,122 --> 00:38:45,256 YES. 715 00:38:45,357 --> 00:38:48,994 YES. 716 00:38:49,094 --> 00:38:51,663 NO, I'M FINE DOING THE CRAPPY KID'S CHOICE AWARDS, 717 00:38:51,763 --> 00:38:53,699 BUT I WILL NOT PRESENT WITH HILLARY FUCKING DUFF. 718 00:38:53,799 --> 00:38:56,535 THERE HAS TO BE SOMEONE ELSE. 719 00:38:56,635 --> 00:38:59,170 C'MON, THINK A LITTLE HARDER THAN THAT. 720 00:38:59,270 --> 00:39:01,139 THE OLSEN TWINS ? 721 00:39:01,239 --> 00:39:03,809 WHAT, IS THAT SUPPOSED TO BE FUNNY ? 722 00:39:18,289 --> 00:39:20,992 ( phone ringing ) 723 00:39:21,092 --> 00:39:22,594 ( beep ) 724 00:39:24,162 --> 00:39:25,931 HI, IT'S ME... 725 00:39:26,031 --> 00:39:27,098 I MISS YOU. 726 00:39:27,198 --> 00:39:29,635 WHERE ARE YOU ? 727 00:39:40,011 --> 00:39:40,679 HI. 728 00:39:40,779 --> 00:39:41,279 HELLO. 729 00:39:41,379 --> 00:39:41,913 HOW YOU DOING ? 730 00:39:42,013 --> 00:39:42,814 GOOD. 731 00:39:42,914 --> 00:39:43,749 SHE IN THERE ? 732 00:39:43,849 --> 00:39:44,783 I BELIEVE SO. 733 00:39:44,883 --> 00:39:45,551 OKAY. 734 00:39:45,651 --> 00:39:46,485 UH... 735 00:39:46,585 --> 00:39:47,753 I'M NOT SUPPOSED TO ALLOW ANYBODY IN. 736 00:39:47,853 --> 00:39:49,521 OH, I UNDERSTAND, BUT I'M ELLEN. 737 00:39:49,621 --> 00:39:52,057 IT'S MY SHOW, SO-- 738 00:39:52,157 --> 00:39:53,459 RIGHT. 739 00:39:53,559 --> 00:39:55,994 I'M NOT A THREAT. 740 00:39:56,094 --> 00:39:57,429 THAT'S A PRETTY BLOUSE. 741 00:39:57,529 --> 00:39:59,731 THAT DOESN'T SOUND MANLY. 742 00:39:59,831 --> 00:40:00,666 NICE SHIRT. 743 00:40:00,766 --> 00:40:02,701 IS THAT MAUVE OR MAUVE ? 744 00:40:02,801 --> 00:40:04,169 YEAH. 745 00:40:04,269 --> 00:40:05,003 PRETTY. 746 00:40:05,103 --> 00:40:06,371 THANK YOU.EXCUSE. 747 00:40:06,472 --> 00:40:08,339 CELESTE. 748 00:40:08,440 --> 00:40:09,941 HI, I'M ELLEN. 749 00:40:10,041 --> 00:40:11,109 I KNOW THAT ! 750 00:40:11,209 --> 00:40:12,778 WELL... 751 00:40:18,550 --> 00:40:21,820 IT'S LIKE MY BRAIN IS ENCASED IN THIS FLUID 752 00:40:21,920 --> 00:40:25,491 AND IF I MOVE THEN THE FLUID MOVES AND MY BRAIN KILLS. 753 00:40:25,591 --> 00:40:28,293 OR IT COULD BE ENCEPHALITIS. 754 00:40:28,393 --> 00:40:30,962 HERE, TRY MY SODA. 755 00:40:31,062 --> 00:40:32,598 LOOKS LIKE YOU SOLD MY TV. 756 00:40:32,698 --> 00:40:35,433 OH, YEAH, I GOT 50 ! 757 00:40:35,534 --> 00:40:38,504 YOUR LITTLE BOYS ARE SO CUTE ! 758 00:40:38,604 --> 00:40:40,371 THE BIG ONE LOOKS EXACTLY LIKE HIS DADDY ! 759 00:40:40,472 --> 00:40:41,707 YEAH, HIS DADDY'S JUST GONNA BUY SOME MORE JUNK 760 00:40:41,807 --> 00:40:44,442 AND WE'RE GONNA SPEND THE 50 WE JUST MADE. 761 00:40:47,513 --> 00:40:48,780 ... Control Freaks is the movie. 762 00:40:48,880 --> 00:40:50,849 And Colin Farrell who she's just friends with. 763 00:40:50,949 --> 00:40:54,452 I am, we're just friends, he's really sweet though. 764 00:40:54,553 --> 00:40:55,854 Whatever you say. 765 00:40:55,954 --> 00:40:59,057 And so let's talk a little bit about the CD. 766 00:40:59,157 --> 00:41:00,792 "Me Here Now". 767 00:41:00,892 --> 00:41:01,860 "Me Here Now". 768 00:41:01,960 --> 00:41:02,961 "Me Here Now". 769 00:41:03,061 --> 00:41:04,830 And is it Me comma, Here comma, Now ? 770 00:41:04,930 --> 00:41:08,166 No, Me period, Here period, Now. 771 00:41:08,266 --> 00:41:09,434 Exclamation. 772 00:41:09,535 --> 00:41:11,537 Exclamation, it is strong. 773 00:41:11,637 --> 00:41:13,705 It's about me being here right now. 774 00:41:13,805 --> 00:41:16,074 I mean, I want all my fans, all the girls out there 775 00:41:16,174 --> 00:41:18,510 to know that the most important thing is to be yourself 776 00:41:18,610 --> 00:41:20,378 and to be here... 777 00:41:20,478 --> 00:41:21,847 Now. 778 00:41:23,381 --> 00:41:24,550 That's right. 779 00:41:24,650 --> 00:41:26,484 And this is who you are in the now. 780 00:41:26,585 --> 00:41:29,054 But if you were someone different say yesterday 781 00:41:29,154 --> 00:41:32,323 or even tomorrow that's still who you are, it's now. 782 00:41:32,423 --> 00:41:35,561 Although it was before or maybe later, 783 00:41:35,661 --> 00:41:38,630 but it's you in the then. 784 00:41:38,730 --> 00:41:41,399 Uh-huh, and it comes out in two weeks. 785 00:41:41,499 --> 00:41:45,003 ( moaning ) 786 00:41:57,182 --> 00:42:00,586 ( laughing ) 787 00:42:04,155 --> 00:42:07,158 ( heavy breathing ) 788 00:42:08,994 --> 00:42:12,397 OH MY GOD, CREEPY COLIN FARRELL 789 00:42:12,497 --> 00:42:13,665 JUST LEFT ME ANOTHER CREEPY MESSAGE, 790 00:42:13,765 --> 00:42:16,501 CAN'T WE DO SOMETHING ABOUT THAT ? 791 00:42:16,602 --> 00:42:18,469 YOU KNOW, LEGALLY ? 792 00:42:18,570 --> 00:42:20,138 WELL, I GUESS-- 793 00:42:20,238 --> 00:42:21,773 KEITH, DID YOU USE THE BATHROOM IN CELESTE'S DRESSING ROOM ? 794 00:42:21,873 --> 00:42:25,443 YEAH, BUT THAT'S WHEN SHE WAS DOING THE SHOW. 795 00:42:25,543 --> 00:42:27,412 NO ONE WAS AROUND SO I THOUGHT-- 796 00:42:27,512 --> 00:42:29,480 YEAH, DUDE, IT'S NOT COOL, OKAY ? 797 00:42:29,581 --> 00:42:31,349 OKAY, I'M SORRY. 798 00:42:31,449 --> 00:42:34,152 YOU DO NOT USE THE CLIENT'S CAN EVER. 799 00:42:34,252 --> 00:42:35,721 GOT IT. 800 00:42:40,025 --> 00:42:43,061 I THINK I KNOW WHO SENT US THE, THE-- 801 00:42:43,161 --> 00:42:44,996 THE SHIT ? 802 00:42:45,096 --> 00:42:46,097 YES, THE SHIT. 803 00:42:46,197 --> 00:42:47,866 I BELIEVE IT WAS ARTHUR. 804 00:42:49,200 --> 00:42:50,268 ARTHUR ? 805 00:42:50,368 --> 00:42:54,272 GEORGE, ARTHUR QUIT TODAY AFTER I CONFRONTED HIM. 806 00:42:54,372 --> 00:42:57,042 AND, YOU SHOULD PROBABLY KNOW THAT ARTHUR AND I ONCE HAD... 807 00:42:57,142 --> 00:42:58,409 SOMETHING. 808 00:42:58,509 --> 00:43:00,578 I DON'T KNOW WHY I DIDN'T TELL YOU. 809 00:43:02,147 --> 00:43:02,914 NO NEED. 810 00:43:03,014 --> 00:43:05,617 IT'S NONE OF MY BUSINESS. 811 00:43:05,717 --> 00:43:08,654 BUT HE DOESN'T SEEM LIKE SOMEONE YOU'D BE ATTRACTED TO. 812 00:43:08,754 --> 00:43:10,789 WELL, IT WASN'T... 813 00:43:10,889 --> 00:43:12,991 IT WASN'T A RELATIONSHIP. 814 00:43:13,091 --> 00:43:16,161 BUT WE DID CARE DEEPLY FOR ONE ANOTHER, 815 00:43:16,261 --> 00:43:19,330 WE UNDERSTOOD ONE ANOTHER, WE HAD SIMILAR INTERESTS. 816 00:43:19,430 --> 00:43:20,498 SIMILAR INTERESTS ? 817 00:43:20,598 --> 00:43:22,701 LIKE SEX ? 818 00:43:22,801 --> 00:43:24,736 NO, NO, IT WASN'T LIKE THAT. 819 00:43:24,836 --> 00:43:27,238 WE HAD OUR OWN LANGUAGE. 820 00:43:28,173 --> 00:43:29,607 WE NUZZLED. 821 00:43:29,708 --> 00:43:31,643 I DON'T KNOW WHAT YOU MEAN. 822 00:43:31,743 --> 00:43:34,079 THE WAY HORSES NUZZLE. 823 00:43:34,179 --> 00:43:36,414 LIKE A HEAD... RUBBING. 824 00:43:36,514 --> 00:43:37,983 A HEAD BUTTING. 825 00:43:40,118 --> 00:43:41,687 YOU BUTTED HEADS ? 826 00:43:41,787 --> 00:43:43,755 OH, YOU MAKE IT SOUND SO SORDID ! 827 00:43:43,855 --> 00:43:46,858 LOOK, WE DID THIS... 828 00:43:48,526 --> 00:43:50,328 ( laughing ) 829 00:43:50,428 --> 00:43:52,363 STOP IT, IT WAS QUITE LOVELY. 830 00:43:52,463 --> 00:43:54,933 IT WASN'T FUNNY. 831 00:43:57,568 --> 00:43:59,404 YES, MAYBE WE WERE A LITTLE CRAZY. 832 00:43:59,504 --> 00:44:04,009 IT'S CALLED A FOLIE A DEUX. 833 00:44:04,109 --> 00:44:08,479 TWO PEOPLE CONFUSING A MOMENTARY INSANITY FOR LOVE. 834 00:44:08,579 --> 00:44:10,882 IS THAT WHAT IT'S CALLED ? 835 00:44:10,982 --> 00:44:12,050 MMM-HMM. 836 00:44:12,150 --> 00:44:14,185 ( laughing ) 837 00:44:28,734 --> 00:44:30,301 ( sighing ) 838 00:44:43,014 --> 00:44:44,149 OH-- 839 00:44:44,249 --> 00:44:47,886 OH, I'M SORRY, JADEN AND I HAVE TO GO MEET SOME PEOPLE 840 00:44:47,986 --> 00:44:49,755 AT THE GROVE IN A FEW MINUTES. 841 00:44:49,855 --> 00:44:51,389 NO, IT'S FINE, I JUST THOUGHT-- 842 00:44:51,489 --> 00:44:53,258 HEY... 843 00:44:53,358 --> 00:44:54,760 DID YOU GET MY BED ALL WET ? 844 00:44:54,860 --> 00:44:56,594 I THOUGHT YOU WERE COMING BACK. 845 00:44:56,694 --> 00:44:58,529 I WISH. 846 00:44:58,629 --> 00:45:01,332 WELL, IF YOU WANT, MAYA AND I COULD STAY HERE WITH THE NANNY. 847 00:45:01,432 --> 00:45:02,768 I COULD POP IN A MOVIE FOR HER 848 00:45:02,868 --> 00:45:04,135 AND WE COULD BE WAITING WHEN YOU GET BACK. 849 00:45:04,235 --> 00:45:07,472 ( laughing ) 850 00:45:07,572 --> 00:45:09,574 YOU'RE FUNNY. 851 00:45:09,674 --> 00:45:15,046 GOD, THESE SHEETS FEEL SO GOOD. 852 00:45:17,282 --> 00:45:18,683 I'VE NEVER FELT ANYTHING LIKE THEM. 853 00:45:18,784 --> 00:45:20,151 WHERE ARE THEY FROM ? 854 00:45:22,788 --> 00:45:24,189 UM... 855 00:45:25,423 --> 00:45:27,358 I NEED YOU TO LEAVE. 856 00:45:33,231 --> 00:45:34,732 RIGHT. 857 00:45:41,773 --> 00:45:44,109 SO IT'S THAT EASY ? 858 00:45:44,209 --> 00:45:45,443 WHAT IS ? 859 00:45:45,543 --> 00:45:48,113 I MEAN, HOW ARE PEOPLE SUPPOSED TO DO THIS, EXACTLY ? 860 00:45:50,481 --> 00:45:52,784 SO NOW WHAT, I'M SUPPOSED TO JUST AVOID THAT PARTICULAR 861 00:45:52,884 --> 00:45:54,385 MOMMY AND ME CLASS ? 862 00:45:54,485 --> 00:45:55,787 OR WHAT, YOU'RE JUST GONNA SEND YOUR NANNY 863 00:45:55,887 --> 00:45:57,222 SO YOU CAN AVOID LOOKING AT ME ? 864 00:45:57,322 --> 00:45:58,223 AND SEEING ME ? 865 00:45:58,323 --> 00:45:59,791 AND SEEING WHAT I THOUGHT I SAW IN YOU ? 866 00:46:00,892 --> 00:46:02,994 AND SO I JUST CEASE TO EXIST. 867 00:46:05,496 --> 00:46:06,965 AND SO DO YOU. 868 00:46:10,135 --> 00:46:11,870 NATE ? 869 00:46:11,970 --> 00:46:13,771 ARE YOU OKAY ? 870 00:46:14,973 --> 00:46:17,142 I'M SORRY, I DON'T KNOW WHY I'M DOING THIS. 871 00:46:19,077 --> 00:46:22,047 YOU HAVE TO LEAVE, WE'LL GO. 872 00:46:25,783 --> 00:46:28,019 OKAY, I'LL WAIT FOR YOU DOWNSTAIRS. 873 00:46:36,194 --> 00:46:37,528 ( sighing ) 874 00:46:43,902 --> 00:46:45,971 OH GOD. 875 00:47:13,598 --> 00:47:15,266 YOU GOT IN TROUBLE ? 876 00:47:15,366 --> 00:47:17,802 WHAT, DID YOU ASK FOR HER AUTOGRAPH OR SOMETHING ? 877 00:47:17,903 --> 00:47:19,237 OR LOOK HER IN THE EYE ? 878 00:47:19,337 --> 00:47:20,638 NO, WORSE. 879 00:47:20,738 --> 00:47:22,874 I PEED IN HER JOHN. 880 00:47:22,974 --> 00:47:25,110 WHAT, YOU MEAN LIKE ON THE TOILET SEAT ? 881 00:47:25,210 --> 00:47:26,511 NO. 882 00:47:26,611 --> 00:47:27,913 I LIFTED THE TOILET SEAT. 883 00:47:28,013 --> 00:47:29,714 I JUST USED THE SAME TOILET SHE DID. 884 00:47:29,814 --> 00:47:31,782 WHICH APPARENTLY IS A MAJOR FAUX PAS. 885 00:47:31,883 --> 00:47:35,286 WELL, IF IT HELPS, MY DAY SUCKED, TOO. 886 00:47:35,386 --> 00:47:36,621 ARTHUR QUIT. 887 00:47:36,721 --> 00:47:38,389 YEAH, I'M IN HELL 888 00:47:38,489 --> 00:47:41,592 AND I'LL PROBABLY NEVER BE HOME IN TIME FOR DINNER AGAIN. 889 00:47:41,692 --> 00:47:44,462 SO WHERE'S YOUR OTHER BROTHER ? 890 00:47:44,562 --> 00:47:48,133 WHAT'S YOUR PROBLEM, YOU'RE IN LOVE WITH MY BROTHER NOW ? 891 00:47:48,233 --> 00:47:50,801 I JUST ASKED WHERE HE WAS. 892 00:47:50,902 --> 00:47:53,804 GOD, IF NO ONE BUYS THIS STUFF 893 00:47:53,905 --> 00:47:56,107 I AM NOT DRAGGING IT BACK UPSTAIRS. 894 00:47:56,207 --> 00:47:58,944 I'M JUST NOT FEELING THIS 895 00:47:59,044 --> 00:48:01,112 LIKE HIPPY DIPPY PAISLEY CRAP ANYMORE, YOU KNOW ? 896 00:48:01,212 --> 00:48:05,083 IT'S LIKE, SUDDENLY I JUST FEEL MODERN AND SIMPLE 897 00:48:05,183 --> 00:48:08,186 AND I JUST WANT LIKE WHITE PLASTIC FURNITURE. 898 00:48:12,757 --> 00:48:14,892 SO WHY DON'T YOU JUST TRASH ALL THE SHIT YOU DON'T WANT ? 899 00:48:14,993 --> 00:48:15,961 OR TAKE IT TO THE THRIFT STORE. 900 00:48:16,061 --> 00:48:18,663 YEAH, OR BURN IT. 901 00:48:18,763 --> 00:48:19,830 ( laughing ) 902 00:48:19,931 --> 00:48:22,500 YEAH. 903 00:48:24,769 --> 00:48:26,437 YEAH. 904 00:48:27,038 --> 00:48:28,473 HEY, MOM ! 905 00:48:28,573 --> 00:48:31,009 HEY, MOM, WHY DON'T WE JUST BURN WHAT'S LEFT OVER ? 906 00:48:31,109 --> 00:48:34,579 WE CAN'T, SOME OF THIS STUFF IS VALUABLE. 907 00:48:34,679 --> 00:48:36,214 SURE YOU WANNA SAVE THIS ? 908 00:48:37,082 --> 00:48:39,617 THAT WAS ARTHUR'S POUCH. 909 00:48:39,717 --> 00:48:41,386 A COUPLE PENNIES IN IT. 910 00:48:43,921 --> 00:48:45,156 I THINK YOU'RE RIGHT, CLAIRE. 911 00:48:45,256 --> 00:48:47,325 LET'S BURN IT, LET'S BURN IT ALL. 912 00:48:51,429 --> 00:48:53,398 I MISSED YOU. 913 00:48:53,498 --> 00:48:55,333 YOU WERE SO FAR AWAY. 914 00:48:55,433 --> 00:48:58,236 ALL THE WAY ACROSS THE COURTYARD. 915 00:49:01,206 --> 00:49:03,074 IT WAS NICE KNOWING WHERE YOU WERE 916 00:49:03,174 --> 00:49:04,942 EVEN WHEN WE WEREN'T TALKING. 917 00:49:05,043 --> 00:49:07,145 WERE WE NOT TALKING ? 918 00:49:08,813 --> 00:49:10,715 NOT OFFICIALLY, I GUESS. 919 00:49:15,320 --> 00:49:17,788 SO THIS QUESTION OF NORMAL SEX. 920 00:49:17,888 --> 00:49:19,257 I KNOW, IT IS SO SILLY. 921 00:49:19,357 --> 00:49:22,127 I DON'T KNOW WHY I SAID IT. 922 00:49:22,227 --> 00:49:23,594 I DON'T EVEN KNOW WHAT I MEANT. 923 00:49:23,694 --> 00:49:27,832 I THINK I JUST WANTED SO MUCH TO DO IT RIGHT THIS TIME, 924 00:49:27,932 --> 00:49:29,200 AND I THOUGHT-- 925 00:49:29,300 --> 00:49:31,169 FUNNY, 'CAUSE THE MORE I THOUGHT ABOUT IT, 926 00:49:31,269 --> 00:49:33,871 THE MORE NORMAL SEX JUST KINDA SEEMED LIKE... 927 00:49:33,971 --> 00:49:37,408 YOU KNOW, BAD SEX. 928 00:49:37,508 --> 00:49:40,011 I KNOW. 929 00:49:42,313 --> 00:49:46,117 I THINK IDEALLY SEX FOR ME SHOULD BE THIS... 930 00:49:46,217 --> 00:49:48,386 REVEALING, OF MYSELF... 931 00:49:49,854 --> 00:49:52,023 OURSELVES, MAYBE. 932 00:49:56,094 --> 00:49:58,396 I THINK THAT COULD BE A LOVING THING, TOO. 933 00:50:00,531 --> 00:50:01,366 RIGHT ? 934 00:50:01,466 --> 00:50:03,000 MMM. 935 00:50:04,869 --> 00:50:10,708 DON'T TAKE BRENDA APART AND JUST SORT OF HAND ME THE GOOD STUFF. 936 00:50:13,078 --> 00:50:16,181 I WANT ALL THE STUFF, EVEN THE BAD STUFF. 937 00:50:18,749 --> 00:50:21,419 ( laughing ) 938 00:50:22,953 --> 00:50:24,789 OH... 939 00:50:27,392 --> 00:50:29,594 MMM... 940 00:50:38,569 --> 00:50:39,504 SO... 941 00:50:40,871 --> 00:50:42,840 WHAT WAS IT... 942 00:50:42,940 --> 00:50:45,176 THAT YOU WANTED TO SAY ? 943 00:50:48,613 --> 00:50:50,448 WELL... 944 00:50:53,551 --> 00:50:55,486 REMEMBER WHEN I SAID I COULD WAIT ON YOU 945 00:50:55,586 --> 00:50:57,188 HAND AND FOOT ? 946 00:51:51,176 --> 00:51:55,079 * I'M ON A ROLL 947 00:51:55,180 --> 00:52:02,587 * I'M ON A ROLL THIS TIME... * 948 00:52:25,676 --> 00:52:27,212 WHAT'S THIS ? 949 00:52:34,585 --> 00:52:35,853 YOU LOOK WEIRD. 950 00:52:40,157 --> 00:52:42,560 HEY, CAN YOU HOLD HER ? 951 00:52:42,660 --> 00:52:45,730 DON'T LET HER GET TOO CLOSE TO THE FIRE. 952 00:52:45,830 --> 00:52:47,632 OKAY. 953 00:53:38,015 --> 00:53:39,284 MOM... 954 00:53:39,384 --> 00:53:42,152 I'M MOVING BACK INTO THE HOUSE. 955 00:53:42,253 --> 00:53:43,454 OKAY. 956 00:53:43,554 --> 00:53:45,590 YOU CAN HAVE ARTHUR'S ROOM. 957 00:53:47,157 --> 00:53:49,026 CAN I HAVE THE COACH HOUSE THEN ? 958 00:53:49,126 --> 00:53:51,362 WELL... 959 00:53:51,462 --> 00:53:53,498 I DON'T SEE WHY NOT. 960 00:53:55,032 --> 00:53:58,469 ( music continues ) 961 00:54:42,947 --> 00:54:46,784 Captions Copyright 2004 HOME BOX OFFICE, INC. 962 00:54:46,884 --> 00:54:51,456 Captioned by HBO COMMUNICATIONS CENTER 963 00:55:06,937 --> 00:55:11,642 * STANDING ON THE EDGE