1 00:00:01,469 --> 00:00:04,238 male announcer: IN NEW YORK CITY'S WAR ON CRIME 2 00:00:04,272 --> 00:00:06,740 THE WORST CRIMINAL OFFENDERS ARE PURSUED 3 00:00:06,774 --> 00:00:09,277 BY THE DETECTIVES OF THE MAJOR CASE SQUAD. 4 00:00:09,310 --> 00:00:12,346 THESE ARE THEIR STORIES. 5 00:00:12,380 --> 00:00:15,349 [light string music] 6 00:00:15,383 --> 00:00:23,391 * 7 00:00:31,299 --> 00:00:32,800 - HAVING PROBLEMS WITH THAT FOOT AGAIN? 8 00:00:32,833 --> 00:00:35,069 - WHAT? - OH, I'M SORRY. 9 00:00:35,103 --> 00:00:37,738 YOUR ALIGNMENT'S ALL OFF-- I JUST ASSUMED.... 10 00:00:37,771 --> 00:00:39,273 NEVER MIND. 11 00:00:39,307 --> 00:00:41,342 THANKS, BACKGROUND. 12 00:00:41,375 --> 00:00:44,512 - I TOLD YOU NOT TO CALL ME THAT. 13 00:00:44,545 --> 00:00:46,180 - BUT THAT'S WHAT YOU ARE. 14 00:00:46,214 --> 00:00:47,581 - [claps] 15 00:00:47,615 --> 00:00:50,584 ALL RIGHT, PLACES. 16 00:00:50,618 --> 00:00:54,688 TEN DAYS TILL CURTAIN. LOTS OF WORK TO DO. 17 00:00:54,722 --> 00:00:58,259 I'D LIKE TO SEE JESSALYN UP FIRST. 18 00:01:01,129 --> 00:01:03,597 ARE YOU READY? AND... [snaps fingers] 19 00:01:03,631 --> 00:01:04,565 [dramatic ballet music] 20 00:01:04,598 --> 00:01:06,800 - REACH UP. GOOD. 21 00:01:06,834 --> 00:01:09,270 FORWARD AND BACK TO JETE. 22 00:01:09,303 --> 00:01:12,440 NICE. ONE, TWO, DOWN, GO. 23 00:01:12,473 --> 00:01:14,842 - [groans] - STOP. YOU SEE THAT? 24 00:01:14,875 --> 00:01:16,244 [music stops] SEE HOW SHE HESITATED? 25 00:01:16,277 --> 00:01:17,778 - BUT MY FOOT-- I-- 26 00:01:17,811 --> 00:01:20,581 - JESSALYN, NO EXCUSES. FALL BACK. YOU'RE NOT READY. 27 00:01:20,614 --> 00:01:21,882 - PLEASE, LET ME TRY AGAIN. 28 00:01:21,915 --> 00:01:27,755 - YOU'RE...NOT...READY. 29 00:01:32,560 --> 00:01:33,827 TAKE OVER. 30 00:01:35,663 --> 00:01:37,798 [snaps fingers] AND... 31 00:01:37,831 --> 00:01:39,733 [music plays] GOOD. 32 00:01:39,767 --> 00:01:41,769 [voice on tape] YES. BEAUTIFUL. 33 00:01:41,802 --> 00:01:45,906 SEE HOW SHE'S CENTERED AND ALMOST FLOATING MIDAIR? 34 00:01:45,939 --> 00:01:48,876 [music paused] IT'S DELICATE AND POWERFUL 35 00:01:48,909 --> 00:01:50,578 ALL AT THE SAME TIME. 36 00:01:50,611 --> 00:01:52,913 NOW, LET'S LEARN FROM EACH OTHER. 37 00:01:52,946 --> 00:01:56,184 [music plays] RILEY, ASSESS JESSALYN. 38 00:01:56,217 --> 00:01:58,152 - WELL, HER LEGS ARE STRAINING. 39 00:01:58,186 --> 00:01:59,753 - FAIR. WHAT ELSE? 40 00:01:59,787 --> 00:02:02,190 - AND HER HEAD'S NOT CENTERED, SO... 41 00:02:02,223 --> 00:02:04,225 - HER PROBLEM IS THAT SHE'S TERRIFIED. 42 00:02:04,258 --> 00:02:05,659 I MEAN, LOOK AT THOSE EYES. 43 00:02:05,693 --> 00:02:06,827 SHE'S TOTALLY HOLDING BACK. 44 00:02:06,860 --> 00:02:09,697 - OKAY, AND WHY DO YOU THINK THAT IS? 45 00:02:09,730 --> 00:02:14,835 - SHE BLAMES EVERYTHING-- HER FOOT, ALL OF US. 46 00:02:14,868 --> 00:02:17,338 SHE NEEDS TO JUST SUCK IT UP AND DO THE WORK HERSELF. 47 00:02:25,646 --> 00:02:27,681 [Jessalyn breathing erratically] 48 00:02:27,715 --> 00:02:29,817 - JESSALYN, IT'S OKAY. 49 00:02:29,850 --> 00:02:32,586 - IT'S BAD ENOUGH MY PARENTS DISS ME ALL THE TIME. 50 00:02:32,620 --> 00:02:34,488 NOW HER! 51 00:02:34,522 --> 00:02:36,790 - NO, NO, IT WILL GET BETTER. YOU'LL SEE. 52 00:02:36,824 --> 00:02:39,860 - NO... NOT WHILE THAT BITCH IS HERE. 53 00:02:42,363 --> 00:02:43,797 [passionate breathing] - YOU'RE SO GOOD. 54 00:02:43,831 --> 00:02:44,832 YOU'RE SO GOOD. 55 00:02:44,865 --> 00:02:46,800 - YEAH, I KNOW. - YOU'RE SO GOOD. 56 00:02:46,834 --> 00:02:47,968 YOU'RE SO GOOD. - I KNOW. 57 00:02:48,001 --> 00:02:50,871 - YOU'RE SO GOOD. [moaning] 58 00:02:50,904 --> 00:02:53,674 [catching breath] 59 00:02:55,909 --> 00:02:57,878 STAY WITH ME. - I CAN'T. 60 00:03:00,781 --> 00:03:02,750 - WHO-- WHO IS IT THIS TIME? 61 00:03:02,783 --> 00:03:04,952 THAT WANNABE DJ KID? 62 00:03:04,985 --> 00:03:07,921 - YOU DON'T OWN ME. 63 00:03:07,955 --> 00:03:10,758 - OH, I'M SORRY. AM I UPSETTING YOU? 64 00:03:10,791 --> 00:03:15,263 - IT'S JUST THAT I'D HATE FOR THIS TO END BADLY. 65 00:03:20,901 --> 00:03:23,871 [dance music] 66 00:03:23,904 --> 00:03:29,877 * 67 00:03:29,910 --> 00:03:36,384 [cell phone ringing] 68 00:03:36,417 --> 00:03:39,787 * 69 00:03:39,820 --> 00:03:43,557 - WHO IS THIS? HUH? WHO IS THIS? 70 00:03:43,591 --> 00:03:45,793 DO YOU THINK I'M AN IDIOT? LET'S GO. 71 00:03:45,826 --> 00:03:47,561 - LET GO OF ME. - LET'S GO! 72 00:03:47,595 --> 00:03:48,796 - LET GO OF ME! 73 00:03:48,829 --> 00:03:50,498 - LET'S GO. 74 00:03:50,531 --> 00:03:51,732 - COLE, LET GO OF ME! 75 00:03:51,765 --> 00:03:53,901 - AAH! GET IN THE CAR. 76 00:03:53,934 --> 00:03:56,370 - LET GO OF ME. 77 00:03:56,404 --> 00:03:57,405 [chuckles] 78 00:03:57,438 --> 00:03:59,273 DON'T EVER GRAB ME LIKE THAT AGAIN. 79 00:03:59,307 --> 00:04:01,309 - WHO THE HELL IS THIS "E" CALLING YOU? 80 00:04:01,342 --> 00:04:03,344 - IT DOESN'T MATTER. 81 00:04:03,377 --> 00:04:04,612 - LONG AS WE'RE TOGETHER, IT DOES! 82 00:04:04,645 --> 00:04:06,514 - WE'RE DONE. 83 00:04:06,547 --> 00:04:07,781 - WHAT DO YOU MEAN WE'RE DONE? COME HERE. 84 00:04:07,815 --> 00:04:11,785 [laughing] COME AND CATCH ME. 85 00:04:11,819 --> 00:04:13,854 - AAH! 86 00:04:13,887 --> 00:04:14,788 - [laughing] 87 00:04:14,822 --> 00:04:18,726 - [grunts] ALONA. ALONA! 88 00:04:33,006 --> 00:04:35,376 [clatter] 89 00:04:41,482 --> 00:04:42,916 - WHAT NOW? 90 00:04:42,950 --> 00:04:45,586 [screams] 91 00:04:47,721 --> 00:04:49,723 [groans] 92 00:04:57,030 --> 00:04:59,299 [gasps] 93 00:05:00,934 --> 00:05:03,804 [thuds] 94 00:06:00,160 --> 00:06:02,496 - CUSTODIANS FOUND HER AROUND 7:00 A.M. 95 00:06:02,530 --> 00:06:03,764 SHE'S A STUDENT HERE AT THE SCHUMAN. 96 00:06:03,797 --> 00:06:05,933 HER NAME'S ALONA LANDAU. 97 00:06:05,966 --> 00:06:08,001 - [sniffing] HMM. 98 00:06:08,035 --> 00:06:10,871 SHE WAS DOING SOME HEAVY DRINKING LAST NIGHT. 99 00:06:10,904 --> 00:06:14,508 YEAH, SHE REEKS OF ALCOHOL. 100 00:06:14,542 --> 00:06:16,844 - THERE'S AN OBVIOUS BLOW FROM SOMETHING WITH AN EDGE. 101 00:06:16,877 --> 00:06:19,980 - MM-HMM. - HER CLOTHES ARE INTACT. 102 00:06:20,013 --> 00:06:21,181 SLIGHT BRUISING ON THE PELVIC BONE, 103 00:06:21,214 --> 00:06:22,883 BUT NO BLOOD, NO OBVIOUS SIGNS OF RAPE. 104 00:06:22,916 --> 00:06:24,785 - ALL RIGHT, LOOK AT THESE LEGS. 105 00:06:24,818 --> 00:06:28,021 VERY WELL-TONED AND MUSCULAR. 106 00:06:28,055 --> 00:06:29,690 LOOKS LIKE A DANCER. 107 00:06:29,723 --> 00:06:30,924 T.O.D.? 108 00:06:30,958 --> 00:06:32,926 - WELL, BY RIGOR AND LIVIDITY, 109 00:06:32,960 --> 00:06:34,027 I WOULD GUESS BETWEEN 1:00 AND 4:00 A.M. 110 00:06:34,061 --> 00:06:38,065 LOOK HOW SHE'S FLAT ON HER BACK, BODY ALMOST CONCAVE. 111 00:06:38,098 --> 00:06:40,634 LANDED WITH THE VELOCITY OF-- 112 00:06:40,668 --> 00:06:43,837 - OF SOMEBODY WHO WAS PUSHED. 113 00:06:43,871 --> 00:06:44,938 - I'M GUESSING SHE KNEW THEM. 114 00:06:44,972 --> 00:06:46,206 - YEAH, SHE MUST HAVE KNOWN A WHOLE BUNCH OF PEOPLE 115 00:06:46,239 --> 00:06:49,176 RIGHT HERE AT THE SCHUMAN. 116 00:06:49,209 --> 00:06:51,211 A GOOD PLACE TO START. 117 00:06:51,244 --> 00:06:53,481 - GET IT DONE. GO. DO IT NOW. 118 00:06:53,514 --> 00:06:55,683 - EXCUSE ME, IS THIS YOUR CLASS? 119 00:06:55,716 --> 00:06:57,785 - ETHAN JOHNS, DEPARTMENT HEAD. 120 00:06:57,818 --> 00:06:59,887 I'M PRETTY BUSY. WHAT'S UP? 121 00:06:59,920 --> 00:07:03,924 - YOUR STUDENT, ALONA LANDAU, WAS MURDERED 122 00:07:03,957 --> 00:07:06,527 ON CAMPUS LAST NIGHT. 123 00:07:08,996 --> 00:07:10,931 - LET'S, UH, TALK SOMEWHERE PRIVATE. 124 00:07:10,964 --> 00:07:11,965 - SHALL WE? 125 00:07:16,637 --> 00:07:19,206 - SO GIFTED. 126 00:07:19,239 --> 00:07:22,009 I CAN'T BELIEVE THIS. 127 00:07:22,042 --> 00:07:24,945 - SOME PEOPLE MIGHT HAVE ENVIED HER...GIFT. 128 00:07:24,978 --> 00:07:27,681 ANYBODY THAT YOU'D DESCRIBE AS HER ENEMY? 129 00:07:27,715 --> 00:07:30,651 - PEOPLE COME HERE TO PERFECT THEIR ART. 130 00:07:30,684 --> 00:07:32,953 AND STUDENTS CLASH AS PART OF THE PROCESS. 131 00:07:32,986 --> 00:07:36,056 - I SEE. WAS CLASHING PART OF YESTERDAY'S PROCESS? 132 00:07:36,089 --> 00:07:38,926 - WE HAD EVALUATIONS, REHEARSALS... 133 00:07:38,959 --> 00:07:40,961 EVERYTHING WAS FINE. ARE WE ABOUT DONE? 134 00:07:40,994 --> 00:07:43,731 I HAVE A ROOMFUL OF STUDENTS I HAVE TO DEAL WITH. 135 00:07:43,764 --> 00:07:46,266 - WE'LL BE DONE WHEN YOU TELL US WHAT YOU DID LAST NIGHT. 136 00:07:46,299 --> 00:07:48,902 - [chuckles] 137 00:07:48,936 --> 00:07:53,641 I'M DONE WHEN I DECIDE TO STOP SPEAKING. 138 00:07:53,674 --> 00:07:54,875 BUT IN THE INTEREST OF COOPERATION, 139 00:07:54,908 --> 00:07:57,811 I WAS HERE, AS I AM EVERY NIGHT, 140 00:07:57,845 --> 00:07:59,913 HONING OUR PERFORMANCE. 141 00:07:59,947 --> 00:08:01,882 - WAS THERE ANYBODY WITH YOU? - YES. 142 00:08:01,915 --> 00:08:04,552 MY SET DESIGNER, TILL ABOUT 2:00 A.M. 143 00:08:07,187 --> 00:08:09,790 NOW, I HAVE A ROOMFUL OF DANCERS 144 00:08:09,823 --> 00:08:11,959 WHO NEED ME MORE THAN YOU DO. 145 00:08:17,297 --> 00:08:20,000 - "PEOPLE COME HERE TO PERFECT THEIR ART." 146 00:08:20,033 --> 00:08:21,735 WHAT A POMPOUS IDIOT. 147 00:08:21,769 --> 00:08:25,105 - YEAH, LET'S, LET'S GO SEE HOW ALONA LIVED 148 00:08:25,138 --> 00:08:28,008 WHILE PERFECTING HER ART. 149 00:08:33,280 --> 00:08:35,916 - WELL, I OWE MY DAUGHTER AN APOLOGY. 150 00:08:35,949 --> 00:08:39,052 HER ROOM IS PRISTINE NEXT TO THIS. 151 00:08:39,086 --> 00:08:40,120 WHAT'S THAT SMELL? 152 00:08:40,153 --> 00:08:42,289 THERE'S A SICKLY SWEET SMELL, LIKE ROTTEN FRUIT. 153 00:08:42,322 --> 00:08:43,757 - YEAH, IT'S SOMETHING-- WHAT IS THAT? 154 00:08:43,791 --> 00:08:45,859 IT'S LIKE, UH... IS IT CHEAP PERFUME? 155 00:08:45,893 --> 00:08:48,796 - I DON'T THINK SO. SHE SHOPPED LIKE AN HEIRESS, 156 00:08:48,829 --> 00:08:49,963 NOT A STUDENT. 157 00:08:49,997 --> 00:08:52,132 YOU GOT CHANEL, HERMES, LA MER. 158 00:08:52,165 --> 00:08:54,001 - HUH... 159 00:08:54,034 --> 00:08:58,071 - HMM...WHAT'S THIS? 160 00:08:58,105 --> 00:09:00,107 SOMEONE WAS STROKING THIS GIRL'S 161 00:09:00,140 --> 00:09:01,709 ALREADY HEALTHY SELF-ESTEEM. 162 00:09:01,742 --> 00:09:03,276 CLEARLY, SHE THOUGHT A LOT OF HERSELF. 163 00:09:03,310 --> 00:09:06,113 - WELL, YOU HAVE TO, GETTING INTO A SCHOOL LIKE THIS. 164 00:09:06,146 --> 00:09:07,648 - I ALMOST WENT HERE MYSELF. 165 00:09:07,681 --> 00:09:09,182 MY PARENTS CONSIDERED ME A PIANO PRODIGY. 166 00:09:09,216 --> 00:09:11,251 - MUST'VE BEEN FUN. 167 00:09:11,284 --> 00:09:13,053 - UH, IT WAS TOLERABLE, 168 00:09:13,086 --> 00:09:14,354 IF YOU EXCLUDE COMMAND PERFORMANCES 169 00:09:14,387 --> 00:09:16,089 AT ALL THEIR COCKTAIL PARTIES. 170 00:09:16,123 --> 00:09:18,191 - OOH. 171 00:09:20,093 --> 00:09:22,062 - [sniffs] 172 00:09:22,095 --> 00:09:25,032 WHAT IS THAT-- A VOMIT STAIN. 173 00:09:27,067 --> 00:09:28,035 WHAT'S ALL THIS? WHAT, IS SHE FIGHTING 174 00:09:28,068 --> 00:09:30,303 A FLU OR A STOMACH THING? 175 00:09:30,337 --> 00:09:32,272 - I'D GUESS PURGING. I HAD A GOOD FRIEND WHO DANCED. 176 00:09:32,305 --> 00:09:33,974 WHAT THEY DO TO THEIR BODIES, 177 00:09:34,007 --> 00:09:35,876 THEY PRACTICALLY TORTURE THEMSELVES. 178 00:09:35,909 --> 00:09:39,647 - YEAH? WELL, NOT TORTURED ENOUGH 179 00:09:39,680 --> 00:09:41,782 TO SKIP A PARTY. 180 00:09:44,084 --> 00:09:47,688 SO, COLE...COLE? 181 00:09:47,721 --> 00:09:52,059 WE UNDERSTAND THAT YOU WERE AT THIS CLUB LAST NIGHT WITH ALONA, 182 00:09:52,092 --> 00:09:54,762 AND THE BOUNCER THERE TOLD US THAT 183 00:09:54,795 --> 00:09:56,396 YOU GOT A LITTLE BIT, UH, ROUGH. 184 00:09:56,429 --> 00:09:58,298 - HE SAID SHE WAS KICKING AND SCREAMING, 185 00:09:58,331 --> 00:10:00,801 TRYING TO GET AWAY FROM YOU. - I DON'T CARE WHAT HE SAID. 186 00:10:00,834 --> 00:10:02,836 I LOVED ALONA. - YOUR LOVE DO THAT? 187 00:10:02,870 --> 00:10:04,304 LOOKS PRETTY FRESH. 188 00:10:04,337 --> 00:10:07,074 - WHAT WE HAD TOGETHER WAS HOT. 189 00:10:07,107 --> 00:10:10,778 - HMM, SO IF WE FIND YOUR DNA, NO SURPRISE. 190 00:10:10,811 --> 00:10:13,747 - LOOK, THERE WAS SOME GUY NAMED "E" 191 00:10:13,781 --> 00:10:16,049 THAT KEPT CALLING HER OVER AT THE CLUB. 192 00:10:16,083 --> 00:10:17,384 THAT'S WHY WE FOUGHT. 193 00:10:17,417 --> 00:10:20,087 - OH, THAT'S A NICE JACKET, EH? 194 00:10:20,120 --> 00:10:24,091 JEEZ, IT LOOKS LIKE A TEAR. 195 00:10:24,124 --> 00:10:25,959 A LITTLE SCRAPE. THIS HAPPEN DURING THE FIGHT? 196 00:10:25,993 --> 00:10:27,961 - TORE IT WHEN I FELL OVER A CURB. 197 00:10:27,995 --> 00:10:29,229 - RIGHT. 198 00:10:29,262 --> 00:10:31,832 - BEFORE I CAME HOME, I WENT TO IL VENTO'S. 199 00:10:31,865 --> 00:10:34,067 THEY KNOW ME AT THE BAR. I WAS THERE FOR A WHILE. 200 00:10:34,101 --> 00:10:36,269 - WE'RE GOING TO TAKE THIS. OKAY? THANK YOU. 201 00:10:36,303 --> 00:10:38,906 - LOOK, I DIDN'T DO THIS. 202 00:10:38,939 --> 00:10:40,741 ALL RIGHT? 203 00:10:40,774 --> 00:10:41,942 I CARED ABOUT ALONA. 204 00:10:41,975 --> 00:10:43,410 I GAVE HER SOMETHING THAT NO ONE 205 00:10:43,443 --> 00:10:45,145 AT THAT SCHOOL EVER COULD. 206 00:10:45,178 --> 00:10:47,014 - OH, YEAH? WHAT'S THAT? 207 00:10:49,149 --> 00:10:50,951 - I GAVE HER FREEDOM. 208 00:10:56,156 --> 00:10:59,259 - C.O.D. WAS A PUNCTURE WOUND TO THE SKULL. 209 00:10:59,292 --> 00:11:01,061 BRAIN HEMORRHAGING WAS SO SEVERE 210 00:11:01,094 --> 00:11:03,396 THAT THE IMPACT WITH THE GROUND JUST FINISHED THE JOB. 211 00:11:03,430 --> 00:11:05,999 - THOUGHTS ON THE WOUND PATTERN? 212 00:11:06,033 --> 00:11:09,102 - WELL, IT'S A DEEP FRACTURE CONSISTENT WITH A SHARP BLOW. 213 00:11:09,136 --> 00:11:10,704 TOOLS AND DEBRIS LEFT AT THE SCENE 214 00:11:10,738 --> 00:11:12,172 WOULD HAVE LEFT A LARGER BRUISE. 215 00:11:12,205 --> 00:11:14,007 - RIGHT. THIS HAS A DIRECT-- 216 00:11:14,041 --> 00:11:15,943 DIRECT POINT OF ENTRY. 217 00:11:15,976 --> 00:11:18,311 WHY IS THAT? IT'S LIKE IT'S THE-- 218 00:11:18,345 --> 00:11:21,081 IT WAS JUST THE TIP-- THE TIP OF SOMETHING. 219 00:11:21,114 --> 00:11:23,083 - MM-HMM. SOMETHING METAL AND VERY HEAVY. 220 00:11:23,116 --> 00:11:24,985 - WHAT DID THE TOX SCREEN SAY? 221 00:11:25,018 --> 00:11:27,154 - LARGE QUANTITIES OF ALCOHOL, NO DRUGS. 222 00:11:27,187 --> 00:11:30,023 BUT SHE'D BEEN VOMITING FOR A FEW WEEKS. 223 00:11:30,057 --> 00:11:31,491 THE STOMACH LINING'S INFLAMED, 224 00:11:31,524 --> 00:11:33,026 AND THERE ARE ACID STAINS ON HER TEETH. 225 00:11:33,060 --> 00:11:35,028 - HAVE YOU DONE A FULL PANEL? 226 00:11:35,062 --> 00:11:37,998 - YEAH, IT'S IN THE WORKS. COULD TAKE A FEW DAYS. 227 00:11:38,031 --> 00:11:44,204 BUT I DID MANAGED TO PULL TWO SEMEN SAMPLES. 228 00:11:44,237 --> 00:11:46,006 - SO YOU DON'T LIKE THE BOYFRIEND AS THE KILLER. 229 00:11:46,039 --> 00:11:46,940 - IL VENTO'S GIVES HIM AN ALIBI 230 00:11:46,974 --> 00:11:48,942 THAT PRETTY MUCH COVERS THE TIME OF DEATH. 231 00:11:48,976 --> 00:11:51,411 - COLE TALKED ABOUT CALLS SHE GOT FROM SOMEONE NAMED "E." 232 00:11:51,444 --> 00:11:54,081 NOW, ALONA LANDAU'S PHONE RECORDS SHOW SIX CALLS 233 00:11:54,114 --> 00:11:55,749 FROM ETHAN JOHNS LAST NIGHT-- 234 00:11:55,783 --> 00:11:57,450 ONE CLOSE TO THE TIME OF HER DEATH. 235 00:11:57,484 --> 00:11:58,752 - DID HE OFFER AN ALIBI? 236 00:11:58,786 --> 00:11:59,987 - WELL, HE SAID HE WORKED TILL 2:00 237 00:12:00,020 --> 00:12:00,988 "HONING A PERFORMANCE." 238 00:12:01,021 --> 00:12:02,923 SET DESIGNER CONFIRMS IT. 239 00:12:02,956 --> 00:12:04,992 - I STILL THINK WE SHOULD GET A DNA SAMPLE FROM HIM. 240 00:12:05,025 --> 00:12:05,993 - IT'S NOT GONNA BE VOLUNTARY. 241 00:12:06,026 --> 00:12:06,994 LAST TIME WE TALKED TO HIM, 242 00:12:07,027 --> 00:12:08,762 HE WAS ABOUT HALF AN INCH FROM LAWYERING UP. 243 00:12:08,796 --> 00:12:11,431 - SO? YOU MUST KNOW A FRIENDLY JUDGE. 244 00:12:11,464 --> 00:12:14,401 - OH, YEAH, A DANCE INSTRUCTOR WHO HITS ON HIS STUDENTS... 245 00:12:14,434 --> 00:12:17,838 WE'LL GET A SUBPOENA. 246 00:12:36,456 --> 00:12:39,426 [dramatic piano music] 247 00:12:39,459 --> 00:12:43,063 * 248 00:12:43,096 --> 00:12:45,966 - [sighs] MY FOOT! 249 00:12:45,999 --> 00:12:47,968 I STILL GET SCARED. 250 00:12:48,001 --> 00:12:49,402 - THERE'S NOTHING TO BE AFRAID OF, OKAY? 251 00:12:49,436 --> 00:12:51,271 YOU CAN HIT THAT WITHOUT AN EXTRA STEP. 252 00:12:51,304 --> 00:12:53,173 - YOU'RE SO CONFIDENT. 253 00:12:53,206 --> 00:12:57,177 - HEY, COME HERE. COME HERE. 254 00:12:57,210 --> 00:13:01,048 ALL MY CONFIDENCE, OKAY? IT'S YOURS. 255 00:13:01,081 --> 00:13:02,916 I'M GIVING IT TO YOU RIGHT NOW. 256 00:13:02,950 --> 00:13:05,919 RIGHT NOW. CAN YOU FEEL THAT? 257 00:13:05,953 --> 00:13:08,021 OKAY? OKAY? 258 00:13:08,055 --> 00:13:10,523 AND NOW, TAKE IT. GO ON. GO ON. 259 00:13:10,557 --> 00:13:13,927 STARTING FROM THE PREVIOUS MEASURE, ALL RIGHT? 260 00:13:13,961 --> 00:13:16,930 OKAY. 261 00:13:16,964 --> 00:13:19,933 [dramatic piano music] 262 00:13:19,967 --> 00:13:27,540 * 263 00:13:27,574 --> 00:13:29,076 [music stops] - [laughing] 264 00:13:29,109 --> 00:13:30,944 - YES. YES! LOOK AT YOU! 265 00:13:30,978 --> 00:13:34,982 [laughing and chattering] 266 00:13:44,224 --> 00:13:45,893 - HE MIGHT BE DEMANDING, 267 00:13:45,926 --> 00:13:48,628 BUT MR. JOHNS IS GENEROUS WITH HIS TIME. 268 00:13:48,661 --> 00:13:50,263 HIS DOOR IS ALWAYS OPEN. 269 00:13:50,297 --> 00:13:51,464 - AND HIS TIME IS ONLY ABOUT DANCE? 270 00:13:51,498 --> 00:13:53,533 - YES. 271 00:13:53,566 --> 00:13:56,069 - WHAT IS THAT, FOR THE-- THE TUMMY? 272 00:13:56,103 --> 00:13:58,371 YOU OKAY? - I'M FINE. 273 00:13:58,405 --> 00:14:00,207 - RILEY, WE NEED THE TRUE PICTURE HERE. 274 00:14:00,240 --> 00:14:01,574 - LOOK, I'VE SAID WHAT I KNOW. 275 00:14:01,608 --> 00:14:03,376 I CAN'T GET INVOLVED. 276 00:14:03,410 --> 00:14:05,578 - OH, RILEY, YOU'RE ALREADY INVOLVED. 277 00:14:05,612 --> 00:14:07,647 EVERYBODY KNOWS YOU'RE TALKING TO US. 278 00:14:07,680 --> 00:14:13,386 WHAT DO YOU SUPPOSE THEY IMAGINE THAT YOU'RE SAYING? 279 00:14:13,420 --> 00:14:15,155 - THERE WAS A BAD SCENE THE DAY ALONA WAS KILLED. 280 00:14:15,188 --> 00:14:17,590 IT'S VERY COMPETITIVE. 281 00:14:17,624 --> 00:14:20,193 ONLY WITH ALONA AND JESSALYN, IT WAS MORE THAN THAT. 282 00:14:20,227 --> 00:14:23,563 - JESSALYN... - JESSALYN KERR. 283 00:14:23,596 --> 00:14:24,597 - KERR? WHAT, THE TWO OF THEM, UH-- 284 00:14:24,631 --> 00:14:27,968 THERE WAS TENSION? - THEY WERE ALWAYS FIGHTING. 285 00:14:28,001 --> 00:14:29,436 TRYING TO ONE-UP EACH OTHER. 286 00:14:29,469 --> 00:14:32,439 JESSALYN STARTED GETTING REALLY PARANOID. 287 00:14:32,472 --> 00:14:34,641 - ABOUT WHAT? 288 00:14:34,674 --> 00:14:36,009 - SHE HURT HER FOOT A WHILE BACK-- 289 00:14:36,043 --> 00:14:37,444 CUT IT REAL BAD ON SOMETHING, 290 00:14:37,477 --> 00:14:39,579 AND STARTED SAYING ALONA DID IT. 291 00:14:39,612 --> 00:14:44,051 MAYBE RIGGED HER SHOES. 292 00:14:44,084 --> 00:14:47,554 [mellow piano music] 293 00:14:47,587 --> 00:14:55,595 * 294 00:15:00,133 --> 00:15:02,135 - BRAVO. 295 00:15:02,169 --> 00:15:05,172 [music stops] 296 00:15:05,205 --> 00:15:08,575 MM...MM... 297 00:15:08,608 --> 00:15:10,944 AN EPIC TALE OF UNREQUITED LOVE. 298 00:15:10,978 --> 00:15:12,980 BRAHMS' SYMPHONY NO. 3. 299 00:15:13,013 --> 00:15:15,515 - NOT BRAHMS. I WROTE IT. 300 00:15:15,548 --> 00:15:17,517 - YOU WROTE THAT? [chuckles] 301 00:15:17,550 --> 00:15:21,321 WELL, YOU KNOW, YOU MAY HAVE ALTERED IT SLIGHTLY. 302 00:15:21,354 --> 00:15:23,690 HERE, TAKE MR. BRAHMS' OPENING PHRASE-- 303 00:15:23,723 --> 00:15:24,958 IT GOES LIKE THIS. 304 00:15:24,992 --> 00:15:27,660 [humming and playing notes] 305 00:15:27,694 --> 00:15:28,528 AND I THINK YOU DID THIS. 306 00:15:28,561 --> 00:15:34,601 [hums, plays slightly altered version] 307 00:15:34,634 --> 00:15:39,172 SO WHAT IS THAT, WRITING OR APPROPRIATION? 308 00:15:39,206 --> 00:15:40,340 WHAT DO YOU THINK, PEANUT? 309 00:15:40,373 --> 00:15:42,509 - I'LL FIND MR. JOHNS. 310 00:15:42,542 --> 00:15:46,379 - NO, WE'RE ACTUALLY HERE TO SEE JESSALYN. 311 00:15:46,413 --> 00:15:47,514 - ME? WHY? 312 00:15:47,547 --> 00:15:50,717 - I'LL BE RIGHT OUTSIDE. 313 00:15:56,323 --> 00:15:57,324 - SO, JESSALYN KERR, 314 00:15:57,357 --> 00:16:01,161 WE HEARD THAT YOU AND ALONA LANDAU WERE, UH-- 315 00:16:01,194 --> 00:16:02,529 WERE FIGHTIN'. 316 00:16:02,562 --> 00:16:04,031 - IT WASN'T A FIGHT. 317 00:16:04,064 --> 00:16:06,299 SHE CROSSED A LINE DURING TRUTH CIRCLE. 318 00:16:06,333 --> 00:16:07,434 - TRUTH CIRCLE? 319 00:16:07,467 --> 00:16:10,537 - WHEN WE WATCH REHEARSAL TAPES AND CRITIQUE EACH OTHER. 320 00:16:10,570 --> 00:16:14,641 - OH, THAT SOUNDS, UH, COLD. 321 00:16:14,674 --> 00:16:17,044 - IT'S JUST A PART OF THE CREATIVE PROCESS. 322 00:16:17,077 --> 00:16:20,280 BUT ALONA MADE IT PERSONAL. 323 00:16:20,313 --> 00:16:21,514 ESPECIALLY WITH ME. 324 00:16:21,548 --> 00:16:24,517 - SO YOU DON'T DENY THAT YOU TWO WERE RIVALS? 325 00:16:24,551 --> 00:16:26,019 - ALONA WAS EVERYONE'S RIVAL. 326 00:16:26,053 --> 00:16:27,054 BUT THAT'S THE WAY SHE WANTED IT. 327 00:16:27,087 --> 00:16:29,522 LOOK, I WAS IN MY DORM ROOM 328 00:16:29,556 --> 00:16:30,590 ALL NIGHT THAT NIGHT. 329 00:16:30,623 --> 00:16:33,126 YOU CAN CHECK WITH MY R.A., OKAY? 330 00:16:33,160 --> 00:16:35,562 - [claps hands] JESS, YOU'RE LATE FOR STRETCH. 331 00:16:41,634 --> 00:16:43,436 I'LL TOLERATE THE DISRUPTIVE EFFORTS 332 00:16:43,470 --> 00:16:44,604 AIMED AT MY PERSON, 333 00:16:44,637 --> 00:16:46,639 BUT TRY NOT TO IMPACT THESE YOUNG PEOPLE 334 00:16:46,673 --> 00:16:50,377 AND THEIR DEDICATION TO ART. 335 00:16:52,645 --> 00:16:56,549 - THAT DOESN'T MAKE HIM GUILTY. 336 00:16:56,583 --> 00:16:59,119 - A FIRST-RATE ATHLETE SMASHED ON THE HEAD 337 00:16:59,152 --> 00:17:00,487 AND TOSSED TWO STORIES TO THE GROUND? 338 00:17:00,520 --> 00:17:01,488 - ALL RIGHT. 339 00:17:01,521 --> 00:17:03,323 - EASY TASK FOR A WELL-TONED DANCE INSTRUCTOR. 340 00:17:03,356 --> 00:17:06,459 - OR--OR ANOTHER FIRST-RATE ATHLETE. 341 00:17:06,493 --> 00:17:09,096 THE SCHUMAN IS INTENSELY COMPETITIVE, RIGHT? 342 00:17:09,129 --> 00:17:11,231 THESE GIRLS ARE UNDER A LOT OF PRESSURE. 343 00:17:11,264 --> 00:17:14,701 IT'S NOT A STRETCH TO IMAGINE THAT ONE OF THEM JUST CRACKED. 344 00:17:14,734 --> 00:17:15,435 - I'M NOT DENYING THAT. 345 00:17:15,468 --> 00:17:17,170 I KNOW HOW TEENAGE GIRLS CAN BE. 346 00:17:17,204 --> 00:17:19,272 ALL THE WILD EMOTIONS, THE CRAZY INSECURITIES. 347 00:17:19,306 --> 00:17:21,341 - THAT'S RIGHT. AND THIS MURDER WAS IMPETUOUS 348 00:17:21,374 --> 00:17:22,609 AND PASSIONATE. 349 00:17:22,642 --> 00:17:25,478 ETHAN JOHNS, HE'S LIKE THE CHOREOGRAPHER TYPE. 350 00:17:25,512 --> 00:17:27,314 YOU KNOW, THOSE GUYS ARE INTO ORDER AND CONTROL. 351 00:17:27,347 --> 00:17:29,682 - RIGHT. WHICH GIVES HIM ALL THE POWER. 352 00:17:29,716 --> 00:17:32,119 I THINK HE COULDN'T CONTROL ALONA, SO HE SNAPPED. 353 00:17:32,152 --> 00:17:35,422 - WHY ARE YOU SO CERTAIN ABOUT THIS GUY'S GUILT? 354 00:17:35,455 --> 00:17:37,557 - IN MY FIRST YEAR OF COLLEGE, 355 00:17:37,590 --> 00:17:41,128 I THOUGHT I COULD DO ANYTHING, BE WITH ANYONE. 356 00:17:41,161 --> 00:17:43,596 I WAS DUMB ENOUGH TO GET INVOLVED WITH SOMEONE 357 00:17:43,630 --> 00:17:48,568 WHO WAS TALENTED AND CHARMING AND... 358 00:17:48,601 --> 00:17:52,239 ANYWAY, I'LL GO TALK TO CALLAS. 359 00:17:52,272 --> 00:17:53,673 WE SHOULD GET THE REHEARSAL TAPES AND RECORDS 360 00:17:53,706 --> 00:17:56,343 ON ALL THE STUDENTS FROM THE SCHUMAN. 361 00:17:56,376 --> 00:17:58,178 AND I'M CHECKING PRIORS. 362 00:17:58,211 --> 00:18:00,680 I'M BETTING ETHAN JOHNS HAS A HISTORY. 363 00:18:04,717 --> 00:18:10,123 - YOU SEEM THE LEAST DISTURBED BY RECENT EVENTS. 364 00:18:10,157 --> 00:18:12,259 THAT'S A TRIBUTE TO YOUR DEDICATION. 365 00:18:21,601 --> 00:18:23,570 YOU'LL TAKE ALONA'S ROLE NEXT WEEK. 366 00:18:23,603 --> 00:18:25,538 - [gasps] 367 00:18:25,572 --> 00:18:26,739 [chuckles] 368 00:18:26,773 --> 00:18:28,408 REALLY? 369 00:18:28,441 --> 00:18:31,611 - YOU'RE READY, JESSALYN. IT'S TIME. 370 00:18:31,644 --> 00:18:32,745 - YEAH. 371 00:18:37,617 --> 00:18:39,452 - ALONA'S MOVEMENT WAS SUPERIOR, 372 00:18:39,486 --> 00:18:44,224 BUT YOU'RE FAR MORE BEAUTIFUL. 373 00:18:44,257 --> 00:18:46,626 AND WITH MY HELP... 374 00:18:46,659 --> 00:18:49,829 YOU'LL BE A STAR. 375 00:18:52,232 --> 00:18:54,167 - I WON'T DISAPPOINT YOU. 376 00:18:54,201 --> 00:18:56,403 I SWEAR. 377 00:19:04,944 --> 00:19:08,681 I SENT YOU MY FEELINGS WHEN HE TOLD ME I WAS DANCING LEAD. 378 00:19:08,715 --> 00:19:10,617 - I FELT HIM COMING ON TO YOU, 379 00:19:10,650 --> 00:19:12,619 LIKE I KNEW JUST WHAT YOU WERE GOING THROUGH 380 00:19:12,652 --> 00:19:13,486 RIGHT AT THAT MOMENT. 381 00:19:13,520 --> 00:19:15,788 - I KNEW YOU WERE THINKING OF ME TOO. 382 00:19:15,822 --> 00:19:18,358 - NOBODY HAS WHAT WE HAVE. 383 00:19:18,391 --> 00:19:20,960 - WE'RE SO CLOSE. SOMETIMES IT'S LIKE... 384 00:19:20,993 --> 00:19:22,695 both: WE'RE THE SAME PERSON. 385 00:19:22,729 --> 00:19:26,433 - YES. 386 00:19:26,466 --> 00:19:28,701 [laughter] 387 00:19:28,735 --> 00:19:31,938 - OH, THIS IS SO AMAZING! WE HAVE TO CELEBRATE. 388 00:19:31,971 --> 00:19:35,375 - MM. UGH...I FORGOT! 389 00:19:35,408 --> 00:19:37,344 I HAVE THIS STUPID DINNER THING WITH MY PARENTS. 390 00:19:37,377 --> 00:19:39,746 - I THOUGHT YOU HATED YOUR PARENTS. 391 00:19:39,779 --> 00:19:41,314 - I DO, BUT THEY PAY FOR ALL THIS, 392 00:19:41,348 --> 00:19:43,883 SO I HAVE TO PLAY NICE ONCE IN A WHILE. 393 00:19:43,916 --> 00:19:47,720 - OH, UM... YEAH, ALL RIGHT. 394 00:19:47,754 --> 00:19:51,491 WELL, OKAY, WE'LL JUST CELEBRATE SOME OTHER TIME. 395 00:19:51,524 --> 00:19:53,360 - WHAT ARE YOU TALKING ABOUT? 396 00:19:53,393 --> 00:19:56,796 IF I'M STUCK WITH THEM, SO ARE YOU. 397 00:19:56,829 --> 00:19:59,198 [giggles] 398 00:20:16,516 --> 00:20:17,650 - PRIORS? 399 00:20:17,684 --> 00:20:19,619 - NOTHING. 400 00:20:19,652 --> 00:20:21,688 - YOU KNOW, SOMETIMES WE HATE THE INNOCENT 401 00:20:21,721 --> 00:20:22,955 AND LIKE THE GUILTY. 402 00:20:22,989 --> 00:20:25,525 - HE'S A BAD GUY. 403 00:20:25,558 --> 00:20:27,494 - BUT HERE-- 404 00:20:27,527 --> 00:20:29,662 HERE, I FOUND THIS STUDENT WITH HISTORY-- 405 00:20:29,696 --> 00:20:31,464 PAULETTE BARTOL. 406 00:20:31,498 --> 00:20:34,601 WE MET HER WITH JESSALYN. 407 00:20:34,634 --> 00:20:38,538 THIS SAYS, BASICALLY, THAT SHE HAS BEEN TROUBLED. 408 00:20:38,571 --> 00:20:42,309 - NOT BAD TROUBLE IF THE SCHUMAN STILL LET HER IN. 409 00:20:42,342 --> 00:20:43,410 - WELL, SHE COULD HAVE-- 410 00:20:43,443 --> 00:20:45,044 ON THE APPLICATION, SHE COULD HAVE CONCEALED THAT. 411 00:20:45,077 --> 00:20:46,813 - BUT I REVIEWED THE DORM FILES. 412 00:20:46,846 --> 00:20:49,015 BOTH WERE CHECKED IN BY 10:30 THAT NIGHT. 413 00:20:49,048 --> 00:20:50,650 - OH, YEAH, BUT SNEAKING OUT OF YOUR COLLEGE DORM-- 414 00:20:50,683 --> 00:20:52,051 [cell phone ringing] 415 00:20:52,084 --> 00:20:53,753 FOR CREATIVE STUDENTS, THAT'S, UH-- 416 00:20:53,786 --> 00:20:55,788 THAT'S NO HOUDINI MOVE, YOU KNOW. 417 00:20:55,822 --> 00:20:58,958 - ETHAN JOHNS' MITOCHONDRIAL DNA MATCHES ONE 418 00:20:58,991 --> 00:21:01,060 OF THE TWO SEMEN SAMPLES. 419 00:21:01,093 --> 00:21:03,430 HE DOESN'T NEED PRIORS. 420 00:21:03,463 --> 00:21:04,631 WE HAVE PHYSICAL EVIDENCE, 421 00:21:04,664 --> 00:21:06,599 WITNESS TESTIMONY, PHONE RECORDS. 422 00:21:06,633 --> 00:21:09,369 IT'S ALL HERE. 423 00:21:13,072 --> 00:21:16,809 - OKAY. LET'S RUN IT BY THE D.A. 424 00:21:16,843 --> 00:21:21,648 AND SEE IF WE CAN GET AN ARREST WARRANT. 425 00:21:24,684 --> 00:21:26,686 [door slams shut] 426 00:21:28,755 --> 00:21:29,956 - YOUR ALIBI CHECKS OUT. 427 00:21:29,989 --> 00:21:31,591 - OF COURSE. 428 00:21:31,624 --> 00:21:33,059 I WAS WORKING ON FINISHING THE SETS 429 00:21:33,092 --> 00:21:34,661 UNTIL 2:00 IN THE MORNING. 430 00:21:34,694 --> 00:21:36,963 - RIGHT, AND THEN YOU WERE WORKING ON... 431 00:21:36,996 --> 00:21:40,500 MISS CYNTHIA TUSSLEY... TILL WELL AFTER 7:30. 432 00:21:40,533 --> 00:21:42,935 YOU KNOW, YOU HAVE AN AFFAIR WITH A RICH SOCIALITE, 433 00:21:42,969 --> 00:21:45,772 AND THEN WORD GETS OUT THAT YOU'RE BEING QUESTIONED... 434 00:21:45,805 --> 00:21:49,609 - SUDDENLY HER ATTORNEY CALLS WANTING TO PROTECT HIS CLIENT. 435 00:21:49,642 --> 00:21:50,943 HUMILIATING. 436 00:21:50,977 --> 00:21:53,646 - [chuckling] 437 00:21:53,680 --> 00:21:56,549 - I CAN SEE WHY YOU'D LIKE TO KEEP IT A SECRET. 438 00:21:56,583 --> 00:21:58,885 - IT DOESN'T MATTER. 439 00:21:58,918 --> 00:22:01,488 IT'S NOT A CRIME. 440 00:22:01,521 --> 00:22:03,790 YOU CAN'T HOLD ME. 441 00:22:06,493 --> 00:22:11,431 - I KNOW IT'S ONE ROLE, BUT THINGS ARE CHANGING. 442 00:22:11,464 --> 00:22:14,634 I'LL PROBABLY BE DANCING LEAD FROM NOW ON. 443 00:22:14,667 --> 00:22:16,603 - JUST DON'T GET AHEAD OF YOURSELF. 444 00:22:16,636 --> 00:22:18,137 YOU KNOW HOW DRAMATIC YOU CAN BE. 445 00:22:18,170 --> 00:22:21,774 - STILL A LONG ROAD BEFORE ABT. 446 00:22:21,808 --> 00:22:23,142 - MM. THERE'S MORE FOIE GRAS, PAULETTE. 447 00:22:23,175 --> 00:22:24,977 - UM, I'M FINE, THANK YOU. 448 00:22:25,011 --> 00:22:27,380 - YOU KNOW WE CAN'T EAT THIS CRAP! 449 00:22:27,414 --> 00:22:28,815 - EXCUSE ME? 450 00:22:28,848 --> 00:22:30,750 - I'M TWO POUNDS OVER. 451 00:22:30,783 --> 00:22:33,820 MAYBE IF YOU CARED AT ALL, YOU'D KNOW THAT. 452 00:22:33,853 --> 00:22:35,855 - THIS IS NOT THE TIME OR THE PLACE. 453 00:22:35,888 --> 00:22:38,124 - SINCE I WAS FIVE, I'VE DREAMED OF BEING A DANCER. 454 00:22:38,157 --> 00:22:40,560 THAT'S ALL I'VE WANTED. 455 00:22:40,593 --> 00:22:42,729 ALL YOU DO IS RUIN IT AND MAKE IT UGLY. 456 00:22:42,762 --> 00:22:46,699 BUT ETHAN JOHNS BELIEVES IN ME, EVEN IF YOU DON'T. 457 00:22:46,733 --> 00:22:48,367 THAT'S ALL THAT MATTERS. 458 00:22:55,542 --> 00:23:00,580 PAULETTE, I'LL WAIT HERE ALL NIGHT IF I HAVE TO. 459 00:23:03,683 --> 00:23:05,452 - [crying] I DID IT ALL FOR YOU. 460 00:23:05,485 --> 00:23:06,753 I DID IT ALL FOR YOU! 461 00:23:06,786 --> 00:23:10,156 - SLOW DOWN. JUST TALK TO ME. 462 00:23:10,189 --> 00:23:13,560 - YOU WERE SUPPOSED TO BE HAPPY! 463 00:23:13,593 --> 00:23:15,462 I JUST WANTED TO MAKE YOU HAPPY! 464 00:23:15,495 --> 00:23:17,830 BECAUSE I THOUGHT THAT IF YOU WERE HAPPY, 465 00:23:17,864 --> 00:23:20,833 THEN WE COULD BE HAPPY TOGETHER. 466 00:23:20,867 --> 00:23:24,136 BUT IT'S ALL WRONG! 467 00:23:24,170 --> 00:23:27,840 EVERYTHING'S WRONG! 468 00:23:27,874 --> 00:23:29,909 NOW YOU'RE GONNA GO WITH ETHAN, 469 00:23:29,942 --> 00:23:31,711 AND I'M GONNA BE ALONE AGAIN! 470 00:23:35,815 --> 00:23:41,654 I'M GONNA BE ALONE AGAIN. 471 00:23:41,688 --> 00:23:43,956 BUT I DID IT FOR YOU, JESSALYN. 472 00:23:43,990 --> 00:23:47,527 I DID IT FOR YOU. 473 00:23:47,560 --> 00:23:50,129 PLEASE SAY SOMETHING. 474 00:23:50,162 --> 00:23:52,765 - I DON'T HAVE TO. 475 00:23:52,799 --> 00:23:57,670 YOU KNOW WHAT I'M FEELING. 476 00:23:57,704 --> 00:24:01,073 [weak laughter] 477 00:24:08,548 --> 00:24:09,982 - THAT WAS BEAUTIFUL. BEAUTIFUL. 478 00:24:10,016 --> 00:24:12,685 VERY GOOD. 479 00:24:12,719 --> 00:24:15,154 - SO WE'VE GOT PHYSICAL EVIDENCE, PHONE RECORDS, 480 00:24:15,187 --> 00:24:17,223 A DOMINATING PERSONALITY, 481 00:24:17,256 --> 00:24:19,959 BUT A WITNESS WHO PLACES HIM SOMEWHERE ELSE. 482 00:24:19,992 --> 00:24:21,794 - THE DNA MAY NOT GET HIM INDICTED, 483 00:24:21,828 --> 00:24:22,929 BUT IT COULD SERVE ANOTHER PURPOSE. 484 00:24:22,962 --> 00:24:24,631 - A GUY LIKE HIM, 485 00:24:24,664 --> 00:24:25,632 FEELING EMPOWERED, AS HE DOES, 486 00:24:25,665 --> 00:24:28,200 THERE COULD BE MORE THAN ONE STUDENT IN HIS PAST. 487 00:24:28,234 --> 00:24:31,504 RILEY THORSON GOT A LITTLE JUMPY 488 00:24:31,538 --> 00:24:33,573 WHEN WE BROUGHT UP HIS NAME. 489 00:24:33,606 --> 00:24:35,041 - YEAH, DON'T RELEASE HIM JUST YET. 490 00:24:35,074 --> 00:24:38,645 AND SEE IF SHE'S WILLING TO TALK. 491 00:24:38,678 --> 00:24:42,582 - LET'S SKIP RIGHT TO IT. WERE YOU SLEEPING WITH HIM? 492 00:24:42,615 --> 00:24:44,917 - IT WAS SIX MONTHS AGO. 493 00:24:44,951 --> 00:24:48,254 BEFORE HE TOOK UP WITH ALONA. 494 00:24:48,287 --> 00:24:50,089 I'M SO EMBARRASSED. 495 00:24:50,122 --> 00:24:52,559 [gasps] 496 00:24:52,592 --> 00:24:54,561 - UH, WHAT'S THE MATTER? YOU OKAY? 497 00:24:54,594 --> 00:24:55,728 - JUST THIS STOMACH THING. 498 00:24:55,762 --> 00:24:57,930 IT COMES AND GOES. EVERYONE'S GOT IT. 499 00:24:57,964 --> 00:25:01,768 - MAYBE FOOD POISONING? - THAT'S WHAT MY DOCTOR SAID. 500 00:25:01,801 --> 00:25:04,103 BUT I DON'T KNOW... IT FEELS DIFFERENT. 501 00:25:04,136 --> 00:25:05,772 - DIFFERENT LIKE WHAT? 502 00:25:05,805 --> 00:25:08,007 - I'M WHEEZING ALL THE TIME. 503 00:25:08,040 --> 00:25:11,944 AND I CAN'T GET RID OF THIS REALLY WEIRD TASTE. 504 00:25:11,978 --> 00:25:13,980 - STRANGE. LET ME SMELL YOUR BREATH. 505 00:25:15,815 --> 00:25:17,249 - OKAY, I GUESS. 506 00:25:17,283 --> 00:25:18,084 - DO, LIKE, A... [exhales quickly]. 507 00:25:18,117 --> 00:25:21,020 - BREATHE OUT FOR ME. - [exhales] 508 00:25:25,357 --> 00:25:27,994 - SMELL HER BREATH. SMELL HER BREATH. 509 00:25:28,027 --> 00:25:30,697 - [exhales] - [sniffs] 510 00:25:32,599 --> 00:25:34,734 YEAH, I KNOW THAT SMELL. 511 00:25:34,767 --> 00:25:37,269 - IT'S FROM ALONA'S ROOM. 512 00:25:37,303 --> 00:25:39,639 - WHAT IS IT? 513 00:25:39,672 --> 00:25:42,208 - ETHYLENE GLYCOL IS A DIHYDROXY ALCOHOL DERIVATIVE. 514 00:25:42,241 --> 00:25:43,643 - IT'S ANTIFREEZE. 515 00:25:43,676 --> 00:25:45,077 - IT WAS MASKED IN THE FIRST TOX SCREEN 516 00:25:45,111 --> 00:25:46,278 BECAUSE SHE'D BEEN DRINKING. 517 00:25:46,312 --> 00:25:48,715 - MM. - JUST HOW ELEVATED WAS SHE? 518 00:25:48,748 --> 00:25:49,782 - WELL, TRACE AMOUNTS. 519 00:25:49,816 --> 00:25:53,252 BUT EVEN A SMALL MOUTHFUL CAN THROW THE BODY OFF. 520 00:25:53,285 --> 00:25:56,222 SKIN GOES PALE, BREATH RATE INCREASES. 521 00:25:56,255 --> 00:25:58,124 - PALE SKIN, BREATH-- RILEY THORSON. 522 00:25:58,157 --> 00:26:01,861 AND, ACCORDING TO HER, EVERYONE ELSE. 523 00:26:01,894 --> 00:26:07,033 JESSALYN KERR AND PAULETTE BARTOL... 524 00:26:07,066 --> 00:26:09,335 THEY DIDN'T MENTION IT. 525 00:26:09,368 --> 00:26:13,039 - [laughing] THIS IS SO CRAZY! 526 00:26:13,072 --> 00:26:16,108 IN ONE WEEK, I'LL BE DANCING LEAD. 527 00:26:16,142 --> 00:26:18,244 [giggles] 528 00:26:18,277 --> 00:26:19,245 CAN YOU BELIEVE IT? 529 00:26:19,278 --> 00:26:21,313 - THE WORLD IS YOURS. 530 00:26:21,347 --> 00:26:25,351 - NO, OURS. THE WORLD IS OURS. 531 00:26:29,121 --> 00:26:31,023 WHAT'S IN THERE, ANYWAY? 532 00:26:31,057 --> 00:26:33,192 CAN I SEE? 533 00:26:33,225 --> 00:26:35,928 - WELL, I'LL SHOW YOU A FEW THINGS. 534 00:26:35,962 --> 00:26:37,029 - [chuckles] 535 00:26:37,063 --> 00:26:39,598 HMM. 536 00:26:43,102 --> 00:26:46,138 "TODAY IS THE DAY. I'VE NEVER FELT MORE FREE. 537 00:26:46,172 --> 00:26:49,275 BECAUSE I KNOW NOW WHAT I MUST DO." 538 00:26:52,879 --> 00:26:57,784 UH, IS THIS THE DAY YOU... 539 00:27:00,452 --> 00:27:02,254 WHAT IF SOMEONE FINDS OUT? 540 00:27:02,288 --> 00:27:05,257 - HEY, COME HERE. 541 00:27:05,291 --> 00:27:08,761 NOBODY KNOWS ANYTHING, OKAY? SHE'S GONE. 542 00:27:08,795 --> 00:27:12,398 GONE. 543 00:27:12,431 --> 00:27:16,803 [laughter] 544 00:27:18,437 --> 00:27:20,072 - PAULETTE BARTOL MAY BE TALENTED, 545 00:27:20,106 --> 00:27:21,908 BUT SHE'S ALSO EMOTIONALLY UNSTABLE. 546 00:27:21,941 --> 00:27:23,275 - SHE WAS KICKED OUT OF HIGH SCHOOL 547 00:27:23,309 --> 00:27:25,244 FOR STALKING ANOTHER STUDENT. 548 00:27:25,277 --> 00:27:27,346 - AND HER LATEST OBSESSION, JESSALYN KERR, 549 00:27:27,379 --> 00:27:28,347 WAS THE VICTIM'S RIVAL. 550 00:27:28,380 --> 00:27:30,016 - I THOUGHT THE SCHOOL BACKED THEIR ALIBIS. 551 00:27:30,049 --> 00:27:32,184 - BED CHECK HAD THEM IN THEIR ROOMS. 552 00:27:32,218 --> 00:27:33,920 - WE'RE NOT HAPPY WITH THAT. 553 00:27:33,953 --> 00:27:35,722 - WELL, JESSALYN HAS A PAST DRUG PROBLEM. 554 00:27:35,755 --> 00:27:37,990 SHE REQUIRES A SECOND BED CHECK FROM THE RESIDENT ADVISORS. 555 00:27:38,024 --> 00:27:40,126 THEY CONFIRM SHE WAS IN ALL NIGHT. 556 00:27:40,159 --> 00:27:40,993 - YEAH, SHE WAS IN. 557 00:27:41,027 --> 00:27:43,963 BUT PAULETTE BARTOL... DIFFERENT STORY. 558 00:27:43,996 --> 00:27:46,766 LOOK AT THIS. LOOK AT THE TV. 559 00:27:46,799 --> 00:27:49,268 WATCH THIS. OKAY, TEACHER ETHAN. 560 00:27:49,301 --> 00:27:51,270 PAULETTE BARTOL, SHE HAS THAT TRAY OF DRINKS. 561 00:27:51,303 --> 00:27:54,273 SHE GIVES ONE TO POOR ALONA, TO THIS OTHER GIRL IN THE PINK. 562 00:27:54,306 --> 00:27:57,376 AND NOW SHE GIVES ONE TO JESSALYN, AND NO-- 563 00:27:57,409 --> 00:28:00,279 SHE GIVES HER WATER. WATER, OKAY? 564 00:28:00,312 --> 00:28:03,315 THOSE SWEET, SUGARY SPORTS DRINKS 565 00:28:03,349 --> 00:28:06,118 COULD COVER THE SWEET TASTE OF ETHYLENE GLYCOL, 566 00:28:06,152 --> 00:28:08,387 BUT YOU CAN'T HIDE THAT IN WATER. 567 00:28:08,420 --> 00:28:12,491 - SHE POISONED EVERYONE BUT JESSALYN. 568 00:28:12,524 --> 00:28:15,327 GOOD. THAT'S VERY GOOD. 569 00:28:15,361 --> 00:28:16,896 - SO GO ON. 570 00:28:16,929 --> 00:28:18,931 GO SEE WHAT ELSE SHE MIGHT BE HIDING. 571 00:28:21,100 --> 00:28:22,034 - SO IT WAS AROUND 11:45. 572 00:28:22,068 --> 00:28:26,405 OKAY, SO IT TURNS OUT PAULETTE'S A NO-SHOW 573 00:28:26,438 --> 00:28:28,240 AT CLASSES TODAY, 574 00:28:28,274 --> 00:28:32,244 AND JESSALYN'S FATHER PULLED HER OUT OF SCHOOL. 575 00:28:37,549 --> 00:28:41,788 - WHAT'S THIS? 576 00:28:41,821 --> 00:28:45,324 WHAT'S IN HERE? 577 00:28:45,357 --> 00:28:48,494 YOU SEE ALL THAT? 578 00:28:48,527 --> 00:28:50,863 PAULETTE HAS NO IDEA THAT SHE'S BEING SO HELPFUL. 579 00:28:50,897 --> 00:28:53,800 - YOU THINK? I'M GONNA CHECK THE BATHROOM. 580 00:29:27,466 --> 00:29:29,902 HEY, YOU SHOULD GET IN HERE. 581 00:29:32,404 --> 00:29:34,941 - WHAT'S UP? - WASTEBASKET. 582 00:29:34,974 --> 00:29:37,509 HAD RECEIPTS FOR ANTIFREEZE. 583 00:29:55,294 --> 00:29:59,431 - I DON'T THINK THAT'S ALL WE'VE GOT. 584 00:29:59,465 --> 00:30:01,600 - YOU CAN'T DO THIS. 585 00:30:01,633 --> 00:30:03,936 I WILL KILL MYSELF IF YOU KEEP ME FROM PAULETTE. 586 00:30:03,970 --> 00:30:07,373 - YOU WILL NOT BE SEEING HER ANYMORE! 587 00:30:07,406 --> 00:30:10,977 - HONEY, IT'S FOR YOUR OWN GOOD. 588 00:30:11,010 --> 00:30:13,612 [gasps] OH, GOD! 589 00:30:13,645 --> 00:30:16,048 - I CAN'T BELIEVE YOU JUST DID THAT. 590 00:30:16,082 --> 00:30:17,950 I'M CALLING PAULETTE. THIS IS-- 591 00:30:17,984 --> 00:30:19,852 - NO CONTACT. DO YOU HEAR ME? 592 00:30:19,886 --> 00:30:22,388 NONE! 593 00:30:25,457 --> 00:30:28,961 - OH, I HATE YOU! 594 00:30:55,621 --> 00:30:57,456 [knock on window] 595 00:31:01,693 --> 00:31:04,163 HOW DID YOU GET HERE? - HI. 596 00:31:08,334 --> 00:31:09,936 - I WAS THINKING ABOUT YOU. 597 00:31:09,969 --> 00:31:11,437 I'D HOPED YOU'D COME AND GET ME. 598 00:31:11,470 --> 00:31:13,339 - I KNEW YOU NEEDED ME. - LET'S RUN AWAY SOMEWHERE. 599 00:31:13,372 --> 00:31:15,674 - ANYWHERE YOU WANT TO GO. - I HAVE A TRUST. 600 00:31:15,707 --> 00:31:17,443 I CAN GET MONEY. - NO, NO, IT'S OKAY. 601 00:31:17,476 --> 00:31:20,346 AS LONG AS WE'RE TOGETHER... - NOTHING CAN STOP US. 602 00:31:22,314 --> 00:31:25,217 - OKAY, GO GET YOUR COAT. 603 00:31:25,251 --> 00:31:26,552 NO. 604 00:31:26,585 --> 00:31:29,588 - LET'S GO. HEY, YOU TWO, COME ON. LET'S GO. 605 00:31:29,621 --> 00:31:31,357 - NO! - DON'T LEAVE ME, PLEASE! 606 00:31:31,390 --> 00:31:35,361 [girls screaming] 607 00:31:35,394 --> 00:31:37,396 - QUIET DOWN. - QUIET DOWN. 608 00:31:37,429 --> 00:31:39,331 - JESS, WAIT! NO! STOP! 609 00:31:39,365 --> 00:31:41,367 - LET GO! LET GO! [girls screaming] 610 00:31:41,400 --> 00:31:43,936 - LET ME GO! 611 00:32:02,321 --> 00:32:03,655 - YOU ARE CRAZY. 612 00:32:03,689 --> 00:32:06,358 FIRST THE DRUGS, NOW THIS. 613 00:32:06,392 --> 00:32:08,995 DO YOU REALIZE THE TROUBLE THAT YOU ARE IN? 614 00:32:09,028 --> 00:32:10,229 - GALEN, PLEASE. 615 00:32:10,262 --> 00:32:12,498 - NO, THIS IS OVER! 616 00:32:12,531 --> 00:32:15,634 I WILL NOT LET YOU DO THIS. 617 00:32:15,667 --> 00:32:17,736 YOU WILL NOT RUIN THE HOPES AND DREAMS 618 00:32:17,769 --> 00:32:20,672 THAT WE HAVE BUILT FOR YOU. 619 00:32:20,706 --> 00:32:22,608 OUR LAWYER IS ON HIS WAY. 620 00:32:22,641 --> 00:32:24,110 WE'LL DISCUSS SOME DEAL. 621 00:32:24,143 --> 00:32:26,445 WHATEVER YOU WANT. - THERE'S NO DEAL, MR. KERR, 622 00:32:26,478 --> 00:32:29,982 UNTIL JESSALYN TELLS US EVERYTHING SHE KNOWS. 623 00:32:30,016 --> 00:32:33,219 - I DON'T HAVE TO SAY ANYTHING. 624 00:32:33,252 --> 00:32:35,554 - WE'VE GOT PHYSICAL EVIDENCE, PAULETTE. 625 00:32:35,587 --> 00:32:36,989 - IT DOESN'T MATTER. 626 00:32:37,023 --> 00:32:41,393 ONLY JESSALYN AND I KNOW THE TRUTH. 627 00:32:41,427 --> 00:32:44,463 AND WE'LL NEVER TELL. 628 00:32:46,765 --> 00:32:48,567 I'M SHARING THAT WITH HER RIGHT NOW. 629 00:32:51,170 --> 00:32:54,106 [door opens] 630 00:32:54,140 --> 00:32:56,142 - WHAT? 631 00:32:56,175 --> 00:32:57,476 WHAT DID YOU DO? 632 00:32:57,509 --> 00:33:00,412 - GET HER OUT OF HERE. 633 00:33:00,446 --> 00:33:02,114 - NO. NO, I CAME TO HELP YOU. 634 00:33:02,148 --> 00:33:05,217 - GET HER OUT! GET HER OUT! 635 00:33:05,251 --> 00:33:09,155 NOW! GO! 636 00:33:13,825 --> 00:33:14,760 - THIS WHOLE THING IS MY FAULT. 637 00:33:14,793 --> 00:33:18,530 I SHOULD HAVE KEPT HER AWAY FROM ALL THIS. 638 00:33:18,564 --> 00:33:24,070 THIS IS NOT GOOD FOR SOMEONE AS SENSITIVE AS PAULETTE. 639 00:33:24,103 --> 00:33:27,039 - YOU WERE A DANCER ONCE TOO? 640 00:33:27,073 --> 00:33:29,141 - YEAH. 641 00:33:29,175 --> 00:33:30,742 BUT I COULDN'T AFFORD A SITTER, 642 00:33:30,776 --> 00:33:33,545 SO I WOULD TAKE HER WITH ME TO THE THEATER, 643 00:33:33,579 --> 00:33:37,816 AND SHE WOULD WATCH FOR HOURS. 644 00:33:37,849 --> 00:33:44,123 BUT CAN'T PAY THE BILLS AS BACKGROUND, SO I STOPPED. 645 00:33:44,156 --> 00:33:48,127 - YOU HAD A CHILD TO RAISE. 646 00:33:51,663 --> 00:33:54,166 - SO WHAT'S GONNA HAPPEN NEXT? 647 00:33:54,200 --> 00:33:55,667 - WE ARE GONNA USE JESSALYN KERR'S TESTIMONY 648 00:33:55,701 --> 00:33:56,768 TO BUILD A CASE AGAINST PAULETTE. 649 00:33:56,802 --> 00:33:59,805 - THAT MAY BE TOUGH. - WHY? 650 00:33:59,838 --> 00:34:01,173 - AT THIS POINT, SHE'S COMMITTED 651 00:34:01,207 --> 00:34:02,174 TO BEING PART OF THE MURDER ITSELF. 652 00:34:02,208 --> 00:34:04,076 - YEAH, BUT THE EVIDENCE WILL PROVE OTHERWISE. 653 00:34:04,110 --> 00:34:05,477 - THESE GIRLS DON'T CARE ABOUT EVIDENCE... 654 00:34:05,511 --> 00:34:07,246 OR REALITY. 655 00:34:07,279 --> 00:34:09,781 WHAT'S GOING ON BETWEEN THEM IS ALL THAT REALLY MATTERS. 656 00:34:09,815 --> 00:34:10,849 - THAT'S RIGHT. 657 00:34:10,882 --> 00:34:12,618 THEY'VE ESCAPED INTO THIS WHOLE WORLD OF FANTASY. 658 00:34:12,651 --> 00:34:14,720 - THEY'RE BONDED BEYOND ALL REASON. 659 00:34:14,753 --> 00:34:15,821 - THEY'RE IN LOVE, YOU MEAN? 660 00:34:15,854 --> 00:34:17,456 THEY'RE IN LOVE, 661 00:34:17,489 --> 00:34:19,358 BUT I THINK IT'S MORE THAN THAT. 662 00:34:19,391 --> 00:34:22,228 - WELL, I DON'T KNOW WHAT THAT IS, 663 00:34:22,261 --> 00:34:25,364 BUT WE HAND OVER TWO DEFENDANTS WHERE ONLY ONE IS GUILTY, 664 00:34:25,397 --> 00:34:27,199 AND PAULETTE'S LAWYER IS GONNA USE THAT 665 00:34:27,233 --> 00:34:29,201 TO CONFUSE THE HELL OUT OF THE JURY. 666 00:34:29,235 --> 00:34:31,237 IT IS A PERFECT SETUP FOR ENDLESS MISTRIALS. 667 00:34:31,270 --> 00:34:33,139 - LOOK, MORE THAN ANYTHING, THEY WANT TO BE TOGETHER. 668 00:34:33,172 --> 00:34:34,240 I THINK WE SHOULD ALLOW IT, 669 00:34:34,273 --> 00:34:37,443 AND THEN LAND ON THEM WITH REALITY. 670 00:34:37,476 --> 00:34:39,145 [knock on door] - YEAH. COME ON. 671 00:34:39,178 --> 00:34:42,548 GOOD. USE THAT. 672 00:34:42,581 --> 00:34:44,250 - IT'S OKAY. WE'RE GONNA GO TO PARIS. 673 00:34:44,283 --> 00:34:46,452 - [whispering] AH, PARIS. THIS IS JUST A TEST. 674 00:34:46,485 --> 00:34:47,686 - YES. 675 00:34:47,719 --> 00:34:50,256 - NOTHING IS EVER GOING TO TEAR US APART. 676 00:34:50,289 --> 00:34:54,260 WE JUST HAVE TO GET THROUGH THIS. 677 00:34:57,529 --> 00:34:59,598 - I TELL YOU, I'VE BEEN GOING THROUGH THIS BOOK. 678 00:34:59,631 --> 00:35:02,901 WOW, IT'S REALLY INSPIRING. 679 00:35:02,934 --> 00:35:07,139 IT'S OBVIOUS YOU GOT A LOT OF TALENT. 680 00:35:07,173 --> 00:35:09,675 - WE KNOW. 681 00:35:09,708 --> 00:35:11,410 - OH, I WAS TALKING ABOUT PAULETTE. 682 00:35:11,443 --> 00:35:14,246 I MEANT PAULETTE. 683 00:35:18,550 --> 00:35:21,187 THIS IS YOURS, ISN'T IT? 684 00:35:21,220 --> 00:35:23,755 - IT'S OURS. 685 00:35:23,789 --> 00:35:25,491 JESSALYN'S A PART OF EVERYTHING I DO. 686 00:35:25,524 --> 00:35:28,860 - OH, YEAH, I CAN SEE YOU'RE VERY CLOSE. 687 00:35:31,363 --> 00:35:35,167 - WE CAN COMMUNICATE IN WAYS OTHERS CAN'T UNDERSTAND. 688 00:35:35,201 --> 00:35:38,770 - WELL, NOW, WHAT DOES THAT MEAN, EXACTLY? 689 00:35:40,472 --> 00:35:42,941 - WE CAN FEEL EACH OTHER'S ENERGY, 690 00:35:42,974 --> 00:35:47,279 AND SEND THOUGHTS BACK AND FORTH. 691 00:35:47,313 --> 00:35:48,580 - OH, WHAT IS IT, LIKE MIND-READING? 692 00:35:48,614 --> 00:35:52,918 SORT OF? YES? REALLY? 693 00:35:52,951 --> 00:35:55,321 CAN YOU READ MY MIND? 694 00:35:55,354 --> 00:35:57,923 - THERE HAS TO BE AN EMOTIONAL BOND. 695 00:36:01,393 --> 00:36:03,829 - WELL, IT'S JUST SO AMAZING THAT YOU TWO HAVE FOUND IT. 696 00:36:03,862 --> 00:36:07,866 - NOTHING WILL EVER TAKE IT AWAY. 697 00:36:10,236 --> 00:36:11,937 - BUT YOU NEED TO GUARD AGAINST JEALOUSY. 698 00:36:11,970 --> 00:36:15,874 I MEANT YOUR JEALOUSY OF ALONA. 699 00:36:15,907 --> 00:36:18,244 WHAT WAS IT SHE CALLED HER? 700 00:36:18,277 --> 00:36:19,678 IT'S IN THE JOURNAL THERE SOMEWHERE. 701 00:36:19,711 --> 00:36:20,979 - "THE DARK QUEEN." HERE IT IS: 702 00:36:21,012 --> 00:36:23,715 "TODAY IS THE DAY. I'VE NEVER FELT MORE FREE. 703 00:36:23,749 --> 00:36:25,917 "BECAUSE I NOW KNOW WHAT I MUST DO. 704 00:36:25,951 --> 00:36:31,223 THE DARK QUEEN HAS STRUCK FOR THE LAST TIME." 705 00:36:31,257 --> 00:36:33,359 THAT'S THE DAY THAT ALONA WAS MURDERED. 706 00:36:33,392 --> 00:36:36,562 - AND WHAT HAPPENED, PAULETTE? 707 00:36:36,595 --> 00:36:40,266 THE ANTIFREEZE DIDN'T MAKE HER SICK ENOUGH? 708 00:36:40,299 --> 00:36:41,867 - ANTIFREEZE? 709 00:36:41,900 --> 00:36:45,904 - PAULETTE WAS POISONING THE OTHER DANCERS, JESSALYN. 710 00:36:45,937 --> 00:36:50,709 GIVING THEM JUST ENOUGH TO WEAKEN THEIR SKILLS. 711 00:36:50,742 --> 00:36:55,347 - EVERYBODY...BUT YOU. 712 00:36:57,916 --> 00:37:01,887 - SO SHE DID IT FOR ME, AND I LOVE HER. 713 00:37:01,920 --> 00:37:06,292 - PAULETTE DOESN'T FEEL THE SAME WAY. 714 00:37:10,829 --> 00:37:15,701 - THIS IS SO SMALL... 715 00:37:30,048 --> 00:37:35,954 YET IT'S SO... POWERFUL. 716 00:37:35,987 --> 00:37:39,458 - WE FOUND THIS IN YOUR ROOM, PAULETTE. 717 00:37:39,491 --> 00:37:41,760 THE IMPRINTS AND BLOOD SAMPLES MATCH THE WOUND 718 00:37:41,793 --> 00:37:43,562 ON ALONA'S HEAD. 719 00:37:43,595 --> 00:37:45,531 [loud bang] 720 00:37:45,564 --> 00:37:46,932 WE KNOW YOU HAD A SECOND BED CHECK. 721 00:37:46,965 --> 00:37:49,034 YOU WEREN'T THERE. 722 00:37:49,067 --> 00:37:52,804 - IT'S CRUEL, PAULETTE, LETTING JESSALYN GO DOWN 723 00:37:52,838 --> 00:37:55,641 FOR SOMETHING THAT SHE DIDN'T DO. 724 00:37:58,810 --> 00:38:00,912 - THIS IS NOT THE FIRST TIME YOU'VE HURT HER, 725 00:38:00,946 --> 00:38:02,814 IS IT? 726 00:38:02,848 --> 00:38:05,317 - I LOVE JESSALYN. 727 00:38:05,351 --> 00:38:07,586 - WELL, MAYBE YOU LOVE WHAT SHE IS. 728 00:38:07,619 --> 00:38:11,323 WHAT YOU KNOW YOU CAN NEVER BE. 729 00:38:11,357 --> 00:38:13,959 - [sighs] I DON'T UNDERSTAND. 730 00:38:13,992 --> 00:38:16,595 WHAT ARE THEY TALKING ABOUT? 731 00:38:16,628 --> 00:38:18,730 - THAT DAY FOUR MONTHS AGO. 732 00:38:18,764 --> 00:38:19,565 YOU KNEW THERE WAS SOMETHING WRONG 733 00:38:19,598 --> 00:38:20,899 AS SOON AS YOU CAME DOWN ON YOUR TOE. 734 00:38:20,932 --> 00:38:22,501 - WHEN YOU FOUND THAT SHARD OF GLASS, 735 00:38:22,534 --> 00:38:24,102 YOU MUST HAVE BEEN HORRIFIED. 736 00:38:24,135 --> 00:38:26,572 - THAT WAS ALONA! SHE DID THAT. 737 00:38:26,605 --> 00:38:27,939 - WELL, LOOK AT HERE. OH, THERE IT IS. 738 00:38:27,973 --> 00:38:31,977 "ALONA WANTS TO TAKE JESSALYN DOWN. 739 00:38:32,010 --> 00:38:33,379 "SHE'S THREATENED BY HER. 740 00:38:33,412 --> 00:38:35,481 "I TOLD ALONA I'D DO ANYTHING TO HELP. 741 00:38:35,514 --> 00:38:39,451 "SO I BROKE UP A BOTTLE, AND I TOOK ONE OF THE PIECES--" 742 00:38:39,485 --> 00:38:40,986 - NO, NO. THAT'S--THAT'S WRONG. 743 00:38:41,019 --> 00:38:43,989 THAT'S A LIE. 744 00:38:44,022 --> 00:38:46,358 THEY'RE TRYING TO TEAR US APART. CAN YOU FEEL THAT? 745 00:38:46,392 --> 00:38:51,763 JUST TELL THEM THAT IT'S NOT TRUE. 746 00:38:51,797 --> 00:38:54,933 - YOU CAN NEVER UNDERSTAND. 747 00:38:54,966 --> 00:38:58,970 - ALL RIGHT. 748 00:38:59,004 --> 00:39:02,140 WELL, THEN, HELP US. 749 00:39:02,173 --> 00:39:06,011 HELP US TO UNDERSTAND, PAULETTE. 750 00:39:06,044 --> 00:39:10,048 - IT FEELS SO LONELY WHEN YOU WALK INTO A ROOM 751 00:39:10,081 --> 00:39:12,851 AND NO ONE TURNS AROUND. 752 00:39:12,884 --> 00:39:15,387 BUT WITH THEM-- 753 00:39:15,421 --> 00:39:19,024 WITH THEM, IT'S LIKE THE WORLD SHIFTS. 754 00:39:19,057 --> 00:39:21,393 I WANTED TO FEEL THAT, JUST ONCE. 755 00:39:21,427 --> 00:39:22,928 TO KNOW THAT I WAS REALLY SPECIAL. 756 00:39:22,961 --> 00:39:26,031 - THAT'S THE ONLY THING YOU'VE EVER WANTED... 757 00:39:26,064 --> 00:39:26,898 SINCE YOU WERE A LITTLE GIRL, 758 00:39:26,932 --> 00:39:28,934 AND YOU SAW YOUR MOTHER UP ON THE STAGE. 759 00:39:28,967 --> 00:39:31,870 - BUT YOUR MOTHER NEVER HAD THE LEAD PART, 760 00:39:31,903 --> 00:39:33,439 DID SHE? 761 00:39:33,472 --> 00:39:36,908 SHE NEVER HAD THAT GLORY, AND THAT'S WHAT YOU WANT-- 762 00:39:36,942 --> 00:39:39,144 TO BE, UH, UP IN THE FRONT. 763 00:39:39,177 --> 00:39:42,147 - YOUR MOTHER'S DREAMS DIED. 764 00:39:42,180 --> 00:39:44,650 YOU WOULDN'T LET THAT HAPPEN TO YOU. 765 00:39:44,683 --> 00:39:46,718 - SO YOU ATTACHED YOURSELF TO JESSALYN, 766 00:39:46,752 --> 00:39:50,922 YOU ATTACHED YOURSELF TO ALONA--THE REAL STARS. 767 00:39:50,956 --> 00:39:55,126 - SHE WAS UNGRATEFUL. 768 00:39:55,160 --> 00:39:57,529 - ALONA? 769 00:39:57,563 --> 00:40:01,032 - I RISKED EVERYTHING. 770 00:40:01,066 --> 00:40:02,634 I COULD HAVE BEEN EXPELLED. 771 00:40:02,668 --> 00:40:04,202 AND THEN SHE TURNED ON ME! 772 00:40:04,235 --> 00:40:06,505 - SHE HUMILIATED YOU. 773 00:40:06,538 --> 00:40:09,174 - SHE TOLD ME I WENT TOO FAR. 774 00:40:09,207 --> 00:40:11,610 SHE KEPT SCREAMING, "WHAT KIND OF CRAZY FREAK 775 00:40:11,643 --> 00:40:13,078 PUTS GLASS IN SOMEONE'S SHOES?" 776 00:40:13,111 --> 00:40:14,480 I'M NOT A FREAK. 777 00:40:14,513 --> 00:40:17,048 - AND AFTER THAT SHE DUMPED YOU FOR ETHAN, 778 00:40:17,082 --> 00:40:19,084 AND YOU MOVED ON TO JESSALYN. 779 00:40:19,117 --> 00:40:20,452 - [crying] 780 00:40:20,486 --> 00:40:22,988 ALL THIS TIME-- 781 00:40:23,021 --> 00:40:26,024 ALL THIS TIME, YOU HAVE BEEN USING ME. 782 00:40:26,057 --> 00:40:29,094 - NO, JESSALYN, NO. I WAS FINALLY HAPPY. 783 00:40:29,127 --> 00:40:30,729 I DIDN'T NEED TO BE GREAT ANYMORE. 784 00:40:30,762 --> 00:40:32,731 I JUST WANTED TO BE WITH YOU. 785 00:40:32,764 --> 00:40:37,002 I COULDN'T LET HER HURT YOU... OR US. 786 00:40:37,035 --> 00:40:41,740 - I THOUGHT I KNEW EVERYTHING ABOUT YOU. 787 00:40:41,773 --> 00:40:44,242 WE WERE THE SAME PERSON. 788 00:40:44,275 --> 00:40:47,779 - NO... NO, WE STILL ARE. 789 00:40:47,813 --> 00:40:49,247 - NO, NOT NOW. 790 00:40:49,280 --> 00:40:50,716 NOT AFTER EVERYTHING YOU'VE DONE. 791 00:40:50,749 --> 00:40:55,120 - NO, NO, NO. 792 00:40:55,153 --> 00:40:57,489 [whispering] I CAN FEEL YOU LEAVING ME. 793 00:40:57,523 --> 00:41:02,060 - I'M SORRY. I HAVE TO. 794 00:41:02,093 --> 00:41:04,963 - [crying] NO. 795 00:41:04,996 --> 00:41:08,099 - I--I THINK-- 796 00:41:08,133 --> 00:41:09,801 CAN I GO NOW? 797 00:41:13,805 --> 00:41:16,241 - JESSALYN? JESSALYN! 798 00:41:20,712 --> 00:41:22,280 [shouting] JESSALYN! 799 00:41:22,313 --> 00:41:25,984 [door shuts] 800 00:41:39,064 --> 00:41:40,031 - WE'RE GONNA WAIT HERE A MINUTE. 801 00:41:40,065 --> 00:41:42,668 SOMEONE'S COMING DOWN FOR YOU. 802 00:41:47,739 --> 00:41:48,974 - PLEASE. 803 00:41:49,007 --> 00:41:51,743 - OKAY, GIVE THEM A MINUTE. 804 00:42:04,990 --> 00:42:06,658 - [whispering] I'M SO SORRY. 805 00:42:06,692 --> 00:42:10,128 [sobbing] I'M SO SORRY. I'M SO SORRY. 806 00:42:23,842 --> 00:42:25,844 - YOU ALL RIGHT?