1 00:00:01,469 --> 00:00:04,238 - IN NEW YORK CITY'S WAR ON CRIME, 2 00:00:04,272 --> 00:00:05,773 THE WORST CRIMINAL OFFENDERS 3 00:00:05,806 --> 00:00:07,408 ARE PURSUED BY THE DETECTIVES 4 00:00:07,441 --> 00:00:09,143 OF THE MAJOR CASE SQUAD. 5 00:00:09,177 --> 00:00:11,579 THESE ARE THEIR STORIES. 6 00:00:14,748 --> 00:00:17,418 - THAT WAS RIVETING. 7 00:00:17,451 --> 00:00:20,321 - YEAH, BUT I'M STILL A FACT-CHECKER. 8 00:00:20,354 --> 00:00:22,623 - HEY, THAT WAS YOUR MOTHER'S IDEA. 9 00:00:22,656 --> 00:00:26,460 - TO TORTURE ME. - [chuckles] 10 00:00:26,494 --> 00:00:29,197 - YOU'VE READ MY LATEST, BUT YOU HAVEN'T SAID ANYTHING. 11 00:00:29,230 --> 00:00:30,531 - MM. 12 00:00:30,564 --> 00:00:33,134 CULTURE OF YOUTUBE. 13 00:00:33,167 --> 00:00:36,137 - AND? 14 00:00:36,170 --> 00:00:39,773 - YOU WRITE FAR TOO WELL FOR SUCH A CRAPPY TITLE. 15 00:00:44,678 --> 00:00:47,315 - I WANT TO KNOW EVERYTHING ABOUT YOU. 16 00:00:47,348 --> 00:00:48,316 - UH-OH. EVERYTHING? 17 00:00:48,349 --> 00:00:51,152 - YEAH, UM, YOUR FIRST JOB. 18 00:00:51,185 --> 00:00:53,787 - SHINING SHOES. 19 00:00:53,821 --> 00:00:56,324 - UM, FIRST THING YOU EVER GOT PUBLISHED. 20 00:00:56,357 --> 00:00:59,360 - UH, A PENTHOUSE LETTER? 21 00:00:59,393 --> 00:01:02,130 WELL, NOW I HAVE SOME ROTTEN BUSINESS 22 00:01:02,163 --> 00:01:03,397 WAITING FOR ME AT THE OFFICE, 23 00:01:03,431 --> 00:01:06,500 BUT WE'LL SEE EACH OTHER LATER AT THE PARTY. 24 00:01:06,534 --> 00:01:09,237 YOU ARE COMING. 25 00:01:09,270 --> 00:01:10,538 - I CAN'T. 26 00:01:10,571 --> 00:01:12,706 - OH. COME ON. 27 00:01:12,740 --> 00:01:15,276 - AND SPEND THE WHOLE NIGHT STARING AT YOU? 28 00:01:15,309 --> 00:01:17,278 SHE'LL SEE AND SHE'LL KNOW. 29 00:01:23,217 --> 00:01:24,352 - PUERILE? 30 00:01:24,385 --> 00:01:26,387 - FRANKIE, IT'S A COVER. 31 00:01:26,420 --> 00:01:29,490 - THE C-- A PHOTO MONTAGE IS PUERILE? 32 00:01:29,523 --> 00:01:32,126 ARE WE LOOKING AT THE SAME THING HERE? 33 00:01:32,160 --> 00:01:34,328 - FRANK, YOUR COVERS WIN AWARDS. 34 00:01:34,362 --> 00:01:36,130 YOU DON'T WANT THAT OUT THERE. 35 00:01:36,164 --> 00:01:36,997 - UH-HUH. OKAY. 36 00:01:37,030 --> 00:01:38,432 SO--SO TELL ME WHAT DO YOU WANT TO DO? 37 00:01:38,466 --> 00:01:39,867 YOU WANT TO-- YOU WANT TO JUST CHUCK IT? 38 00:01:39,900 --> 00:01:42,570 JUST--JUST THROW IT AWAY? 39 00:01:42,603 --> 00:01:45,273 - YOU CAN DO BETTER. 40 00:01:49,210 --> 00:01:51,445 - IS THAT FABULOUS? 41 00:01:55,216 --> 00:01:56,184 - YOU'RE LATE. 42 00:01:56,217 --> 00:01:57,551 I HAVE TO GO. 43 00:01:57,585 --> 00:01:59,520 YOU'RE GONNA HAVE TO CALL FOR ANOTHER CAR. 44 00:01:59,553 --> 00:02:01,189 - I'M NOT GOING. 45 00:02:01,222 --> 00:02:04,658 - I TOLD YOU WE HAD TO LEAVE BY 8:00. 46 00:02:04,692 --> 00:02:07,461 - I'M NOT GOING. 47 00:02:07,495 --> 00:02:08,829 - STUCK AT THE OFFICE? 48 00:02:08,862 --> 00:02:12,400 NOT QUITE THE GLAMOROUS LINE OF WORK YOU THOUGHT, HUH? 49 00:02:12,433 --> 00:02:13,701 - I DON'T FEEL WELL. 50 00:02:13,734 --> 00:02:15,736 - DO YOU WANT ME TO CALL DR. HARRIS? 51 00:02:18,406 --> 00:02:21,475 - SHOWING YOURSELF TO THE BOYS. 52 00:02:21,509 --> 00:02:23,711 WHAT WERE YOU BEING? 53 00:02:23,744 --> 00:02:25,746 - I WAS BEING BAD. 54 00:02:25,779 --> 00:02:28,582 - SHOW ME WHAT YOU DID. 55 00:02:34,222 --> 00:02:35,456 - OH. 56 00:02:35,489 --> 00:02:37,191 THAT'S SO NAUGHTY. 57 00:02:37,225 --> 00:02:38,626 YOU WANT A SPANKING, DON'T YOU? 58 00:02:38,659 --> 00:02:41,462 - UH-HUH. I DESERVE IT. 59 00:02:48,936 --> 00:02:50,738 - HE LIKES YOU, THE DOCTOR. 60 00:02:50,771 --> 00:02:52,740 - YES, HE'LL BE A REGULAR. 61 00:02:52,773 --> 00:02:56,477 - THAT'S GOOD. 62 00:02:56,510 --> 00:03:00,614 - SOFIA, PAULINA, THIS IS DMITRY. 63 00:03:00,648 --> 00:03:04,718 - LOOK AT THESE SWEET GIRLS. 64 00:03:04,752 --> 00:03:07,721 MM. 65 00:03:07,755 --> 00:03:11,325 WHEN THEY SEE YOU, ALL THE MEN WILL WANT TO MARRY YOU. 66 00:03:13,794 --> 00:03:16,530 [soft jazz music] 67 00:03:16,564 --> 00:03:17,965 - I READ YOUR BLOG. 68 00:03:17,998 --> 00:03:18,899 YOU'RE EXPANDING YOUR SINGLE 69 00:03:18,932 --> 00:03:21,602 INTO A SEVEN-PARTER ON THE RUSSIAN MOB. 70 00:03:21,635 --> 00:03:23,404 THAT'S DAUNTING. 71 00:03:23,437 --> 00:03:26,974 - YEAH, LIKE TRYING TO DECIDE WHAT TO WEAR WITH A FLAK VEST. 72 00:03:27,007 --> 00:03:29,310 [laughter] 73 00:03:33,981 --> 00:03:36,016 - TIME TO MAKE UP, AMIGO. 74 00:03:36,049 --> 00:03:40,020 FRANKIE, HEY, I'M YOUR BIGGEST SUPPORTER. 75 00:03:40,053 --> 00:03:42,390 - RIGHT. 76 00:03:46,294 --> 00:03:49,397 OH, UM, I'M GONNA PASS 77 00:03:49,430 --> 00:03:51,999 ON MY PARTY PLANS FOR TOMORROW NIGHT. 78 00:03:56,304 --> 00:03:58,706 TRISHA... 79 00:03:58,739 --> 00:04:01,775 I'VE CONSIDERED YOUR SERIALIZED PIECE. 80 00:04:01,809 --> 00:04:03,977 WON'T HAPPEN. 81 00:04:04,011 --> 00:04:05,413 - NOT FUNNY, CONNOR. 82 00:04:05,446 --> 00:04:06,780 - IT'S NOT A JOKE. I'M SORRY. 83 00:04:06,814 --> 00:04:08,048 ONE AND DONE. 84 00:04:08,081 --> 00:04:11,319 - ONE AND DONE? 85 00:04:11,352 --> 00:04:12,986 IT'S--IT'S THE RUSSIAN MOB. 86 00:04:13,020 --> 00:04:14,054 IT'S GONNA BE HOT. 87 00:04:14,087 --> 00:04:16,324 - SERIALIZED ISN'T WORKING. 88 00:04:16,357 --> 00:04:17,525 AD PAGES ARE DOWN. 89 00:04:17,558 --> 00:04:18,892 - NOT FOR MY STUFF. 90 00:04:18,926 --> 00:04:20,060 DON'T SHUT ME DOWN 91 00:04:20,093 --> 00:04:21,662 BECAUSE NO ONE IN THE CHECKOUT LINE 92 00:04:21,695 --> 00:04:24,698 BOUGHT YOUR 9,000 WORDS ON THE ART OF MYANMAR. 93 00:04:24,732 --> 00:04:27,968 - LOOK, PATRICIA... 94 00:04:28,001 --> 00:04:29,737 WHEN YOU'RE RUNNING THINGS, 95 00:04:29,770 --> 00:04:31,572 PUBLISH WHATEVER THE HELL YOU WANT. 96 00:04:31,605 --> 00:04:34,041 UNTIL THEN, SUCK IT UP. 97 00:04:38,612 --> 00:04:40,681 [applause] 98 00:04:40,714 --> 00:04:42,450 - WHOO! 99 00:04:42,483 --> 00:04:44,017 - THANK YOU. THANK YOU, THANK YOU. 100 00:04:44,051 --> 00:04:46,854 THANK YOU. 101 00:04:46,887 --> 00:04:48,956 OH, AND THANK YOU. 102 00:04:48,989 --> 00:04:50,891 PLEASE, EVERYBODY COME IN. 103 00:04:50,924 --> 00:04:51,892 COME ON, COME ON, COME ON. 104 00:04:51,925 --> 00:04:53,661 YOU BEAUTIFUL PEOPLE, YOU. 105 00:04:53,694 --> 00:04:55,062 THANK YOU ALL FOR COMING. [cell phone rings] 106 00:04:55,095 --> 00:04:56,430 YOU LOOK ABSOLUTELY FABULOUS, 107 00:04:56,464 --> 00:04:57,798 EVERY SINGLE ONE OF YOU. 108 00:04:57,831 --> 00:04:59,367 I COULDN'T BE HAPPIER THAT YOU'RE ALL HERE 109 00:04:59,400 --> 00:05:01,469 TO SHARE IN THIS AMAZING CELEBRATION. 110 00:05:01,502 --> 00:05:02,970 NOW, OVER THE LAST YEAR, 111 00:05:03,003 --> 00:05:04,438 WE'VE LOST SOME BRETHREN-- 112 00:05:04,472 --> 00:05:08,976 GOURMET, VIBE, PC, JANE, 113 00:05:09,009 --> 00:05:10,811 PLAYGIRL WENT BOTTOMS UP. 114 00:05:10,844 --> 00:05:13,080 COME ON. EVERYONE, RAISE A GLASS. 115 00:05:13,113 --> 00:05:14,415 TAKE A LOOK AROUND YOU. 116 00:05:14,448 --> 00:05:17,651 AFTER 50 YEARS, INSET LIVES. 117 00:05:17,685 --> 00:05:20,087 WE'RE STILL HERE. HUH? 118 00:05:20,120 --> 00:05:22,490 [applause] WE'RE STILL HERE. 119 00:05:22,523 --> 00:05:25,058 - OH. 120 00:05:25,092 --> 00:05:27,428 MM. 121 00:05:29,397 --> 00:05:32,833 OKAY. 122 00:05:32,866 --> 00:05:33,867 CONNOR? 123 00:05:33,901 --> 00:05:36,637 I'M SORRY, OKAY? 124 00:05:39,106 --> 00:05:40,741 OH, MY GOD. 125 00:05:40,774 --> 00:05:42,776 CONNOR? 126 00:06:37,698 --> 00:06:38,666 - I HAD A LOT TO DRINK, OKAY? 127 00:06:38,699 --> 00:06:40,734 I MUST HAVE BLACKED OUT. 128 00:06:40,768 --> 00:06:43,671 I DON'T--I DON'T REMEMBER ANYTHING AFTER THE PARTY. 129 00:06:43,704 --> 00:06:45,706 JUST SEEING HIM. 130 00:06:45,739 --> 00:06:46,640 - MASTER BEDROOM'S CLEAN. 131 00:06:46,674 --> 00:06:48,108 - WELL, I ASSUME THE MAIDS 132 00:06:48,141 --> 00:06:50,143 CAME AND CLEANED UP BEFORE THE PARTY. 133 00:06:50,177 --> 00:06:51,979 - SO YOU WOKE UP IN... 134 00:06:52,012 --> 00:06:53,947 - IN THE GUEST BEDROOM UPSTAIRS. 135 00:06:53,981 --> 00:06:55,883 - AND WAS THERE ANYBODY ELSE IN THE HOUSE? 136 00:06:55,916 --> 00:06:58,952 - I DON'T KNOW. 137 00:06:58,986 --> 00:07:01,221 NO. 138 00:07:01,254 --> 00:07:03,591 - SO...YOU WOKE UP, 139 00:07:03,624 --> 00:07:05,092 AND THEN YOU FOUND HIM, 140 00:07:05,125 --> 00:07:08,662 AND YOU CALLED 911. 141 00:07:08,696 --> 00:07:12,165 MR. BOLLINGER, WHAT IS THAT ON YOUR SHIRT? 142 00:07:12,199 --> 00:07:14,735 IS THAT BLOOD? 143 00:07:14,768 --> 00:07:17,538 - I HUGGED HIM. 144 00:07:17,571 --> 00:07:20,073 BUT HE WAS DEAD. 145 00:07:23,243 --> 00:07:26,714 - "I WAS DRUNK. I BLACKED OUT. 146 00:07:26,747 --> 00:07:28,682 I HAVE BLOOD ON MY SHIRT." 147 00:07:28,716 --> 00:07:30,651 GEE, I COULD HAVE DONE MUCH BETTER THAN THAT. 148 00:07:30,684 --> 00:07:33,554 - YOU'RE NOT AN AMATEUR. 149 00:07:33,587 --> 00:07:36,256 - UH, DEAD MAYBE 5 1/2 HOURS. 150 00:07:36,289 --> 00:07:38,926 TWO BLOWS TO THE HEAD. 151 00:07:38,959 --> 00:07:44,164 PROBABLY STRUCK FIRST BY A BLUNT, HEAVY OBJECT 152 00:07:44,197 --> 00:07:45,265 ON THE LEFT TEMPLE. 153 00:07:45,298 --> 00:07:48,536 - MM-HMM. 154 00:07:48,569 --> 00:07:51,672 - THEN... 155 00:07:51,705 --> 00:07:53,741 - OH, SECOND BLOW'S DIFFERENT. 156 00:07:53,774 --> 00:07:55,676 - YEAH. BLUNT FORCE TRAUMA TO THE BACK OF THE HEAD. 157 00:07:55,709 --> 00:07:58,679 POSSIBLY A FALL AFTER THE FIRST BLOW, OR... 158 00:07:58,712 --> 00:08:01,715 - OR THE KILLER SMASHED HIS HEAD INTO THE FLOOR. 159 00:08:01,749 --> 00:08:05,586 - MM-HMM. 160 00:08:05,619 --> 00:08:06,987 - WOW. 161 00:08:07,020 --> 00:08:10,958 OOH, WHAT ARE THESE? 162 00:08:10,991 --> 00:08:12,726 - MINOR LACERATIONS. 163 00:08:12,760 --> 00:08:13,927 SOMETHING HE GRABBED AND HELD. 164 00:08:13,961 --> 00:08:16,196 - YEAH. LET'S GET PHOTOS OF THAT. 165 00:08:16,229 --> 00:08:18,799 - CSU SHOULD CHECK THIS FOR PRINTS. 166 00:08:18,832 --> 00:08:19,600 IT'S OUT OF PLACE. 167 00:08:19,633 --> 00:08:21,835 THE AWARDS ARE ALL ON THAT SHELF. 168 00:08:21,869 --> 00:08:25,906 THE SCOTT ISON AWARD FOR PUBLISHING. 169 00:08:25,939 --> 00:08:27,808 THIS MIGHT BE DRIED BLOOD AT THE BASE. 170 00:08:30,611 --> 00:08:32,079 - HMM. 171 00:08:35,148 --> 00:08:37,918 - MOM, HAVE YOU SEEN MY PHONE? 172 00:08:37,951 --> 00:08:40,654 DAD, WHAT ARE YOU DOING HERE? 173 00:08:43,791 --> 00:08:44,725 WHAT'S GOING ON? 174 00:08:44,758 --> 00:08:46,960 - HEY, SWEETHEART. 175 00:08:46,994 --> 00:08:48,996 - WHAT? 176 00:08:49,029 --> 00:08:53,734 - HONEY, CONNOR WAS MURDERED LAST NIGHT. 177 00:08:53,767 --> 00:08:56,737 - WHAT? - WE ARE ALL IN SHOCK. 178 00:08:56,770 --> 00:08:58,872 - NO! - HONEY, I KNOW-- 179 00:08:58,906 --> 00:09:00,774 - NO! 180 00:09:02,876 --> 00:09:04,277 - LOUSY TIME FOR MAGAZINES. 181 00:09:04,311 --> 00:09:06,179 - MY FATHER READ INSET. 182 00:09:06,213 --> 00:09:08,816 I REMEMBER THIS PICTURE OF URSULA ANDRESS. 183 00:09:08,849 --> 00:09:10,684 SHE HAD THIS BRASSIERE THAT SHOT BULLETS. 184 00:09:10,718 --> 00:09:12,786 - YOUR FATHER READ IT. 185 00:09:12,820 --> 00:09:15,255 - IT WAS, UH, SHARED. 186 00:09:15,288 --> 00:09:17,891 WE FOUGHT OVER THE CROSSWORD PUZZLES. 187 00:09:17,925 --> 00:09:19,793 - CONNOR JAMES' FINAL EDITORIAL-- 188 00:09:19,827 --> 00:09:21,261 EVERYTHING MUST DIE. 189 00:09:21,294 --> 00:09:22,863 NO KIDDING. 190 00:09:22,896 --> 00:09:25,298 - HIS ART DIRECTOR'S A GUY NAMED FRANK BOLLINGER. 191 00:09:25,332 --> 00:09:27,334 DISCOVERED THE BODY JUST AFTER 5:00 a.m., 192 00:09:27,367 --> 00:09:28,736 CALLED 911. 193 00:09:28,769 --> 00:09:29,903 - BOLLINGER SPENT THE NIGHT? 194 00:09:29,937 --> 00:09:31,872 CAN WE TAKE SOMETHING FROM THAT? 195 00:09:31,905 --> 00:09:34,307 - MY TAKE IS THAT FRANK'S GAY. 196 00:09:34,341 --> 00:09:36,777 - HMM. WELL, HE DIDN'T TELL US THAT, BUT, UH... 197 00:09:36,810 --> 00:09:40,681 - BUT WOMEN KNOW THESE THINGS. 198 00:09:40,714 --> 00:09:42,215 - SO MAYBE IT WAS A LOVER'S SPAT. 199 00:09:42,249 --> 00:09:45,385 - WELL, BOLLINGER SEEMED SINCERELY DISTRAUGHT, 200 00:09:45,418 --> 00:09:47,921 AND HE DIDN'T TRY TO HIDE THE BLOOD ON HIS SHIRT, 201 00:09:47,955 --> 00:09:50,758 AND HUNG AROUND, CALLED 911, SO... 202 00:09:50,791 --> 00:09:52,626 - PEOPLE NEVER MURDER AND THEN FEEL BAD ABOUT IT. 203 00:09:52,660 --> 00:09:54,628 ANYWAY, THE KING IS DEAD. 204 00:09:54,662 --> 00:09:57,264 SO WHO'S MOVING ON THE THRONE? 205 00:10:00,133 --> 00:10:02,002 - THE STOCKHOLDERS ASKED ME TO TAKE OVER 206 00:10:02,035 --> 00:10:03,804 AS EDITOR PRO TEM. 207 00:10:03,837 --> 00:10:05,272 I COULDN'T REFUSE. 208 00:10:05,305 --> 00:10:06,807 - NO, NO, SURE YOU COULDN'T. 209 00:10:06,840 --> 00:10:09,677 CONTINUITY OF LEADERSHIP IS, UH--IT'S CRUCIAL, HUH? 210 00:10:09,710 --> 00:10:12,746 - STILL, IT'S HARD TO WALK PAST CONNOR'S EMPTY OFFICE. 211 00:10:12,780 --> 00:10:16,016 - WE NEED TO GET IN THERE BEFORE ANYTHING'S PACKED UP. 212 00:10:16,049 --> 00:10:18,752 - YOU'RE GONNA HEAR THAT I WANTED THIS POSITION, 213 00:10:18,786 --> 00:10:20,888 AND I DID, BUT NOT LIKE THIS. 214 00:10:20,921 --> 00:10:24,291 - SO, UM, YOUR-- YOUR WORKING RELATIONSHIP 215 00:10:24,324 --> 00:10:26,126 WAS, UH, PRETTY GOOD? 216 00:10:26,159 --> 00:10:28,929 - CONNOR WAS CAUTIOUS AND I LEAD WITH MY CHIN, 217 00:10:28,962 --> 00:10:29,930 BUT EVERY MONTH, 218 00:10:29,963 --> 00:10:32,700 WE GOT THE BOOK TO THE PRINTERS WITHOUT A HITCH. 219 00:10:32,733 --> 00:10:33,667 - BOOK? 220 00:10:33,701 --> 00:10:38,038 - OH, IN THE TRADE, WE NEVER SAY "MAGAZINE." 221 00:10:38,071 --> 00:10:40,808 - WHAT ABOUT CONNOR AND FRANK BOLLINGER? 222 00:10:40,841 --> 00:10:43,010 - OH, CONNOR WAS FRANK'S MENTOR. 223 00:10:43,043 --> 00:10:46,814 - HMM. SLEEPOVERS USUALLY IMPLY SOMETHING MORE. 224 00:10:46,847 --> 00:10:48,682 - OH, OF COURSE. 225 00:10:48,716 --> 00:10:50,884 NO, CONNOR WAS STRAIGHT. 226 00:10:50,918 --> 00:10:55,022 HE WAS FOND OF FRANK, AND FRANK WORSHIPPED CONNOR. 227 00:10:55,055 --> 00:10:57,290 BUT... 228 00:10:57,324 --> 00:10:58,859 - BUT WHAT? 229 00:10:58,892 --> 00:11:01,762 - FRANK WAS SENSITIVE ABOUT HIS WORK. 230 00:11:01,795 --> 00:11:03,897 BUT SO AM I, SO-- 231 00:11:03,931 --> 00:11:08,702 - SO WHEN THEY ARGUED, YOU UNDERSTOOD. 232 00:11:08,736 --> 00:11:10,037 WHAT'D THEY ARGUE ABOUT? 233 00:11:10,070 --> 00:11:12,806 - CONNOR TRASHED FRANK'S COVER DESIGN 234 00:11:12,840 --> 00:11:14,141 FOR THE NEXT ISSUE. 235 00:11:14,174 --> 00:11:15,475 HE SAID FRANK LOST IT. 236 00:11:15,508 --> 00:11:18,445 HE RANTED. HE THREW ALL OF HIS WORK IN HIS FACE. 237 00:11:18,478 --> 00:11:20,480 - RAGE ISSUES. 238 00:11:20,513 --> 00:11:24,184 - I HAVE A LOT ON MY PLATE. 239 00:11:24,217 --> 00:11:27,354 GRIEVING STAFF. 240 00:11:27,387 --> 00:11:30,357 - SURE. 241 00:11:30,390 --> 00:11:32,893 FRANK BOLLINGER HAS AN ASSAULT RECORD. 242 00:11:32,926 --> 00:11:34,361 HE WAS ARRESTED AT A BAR. 243 00:11:34,394 --> 00:11:36,196 - SO HE DRINKS AND GETS VIOLENT. 244 00:11:36,229 --> 00:11:38,766 - AND WHEN CONNOR JAMES NIXED HIS COVER DESIGN... 245 00:11:38,799 --> 00:11:40,868 - DOESN'T SEEM LIKE A REASON TO KILL HIM. 246 00:11:40,901 --> 00:11:43,837 - OH, THIS QUALIFIES HIM. 247 00:11:43,871 --> 00:11:48,075 HIS PRINTS MATCH THOSE FOUND ON THE MURDER WEAPON. 248 00:11:48,108 --> 00:11:52,112 - I'M HERE BECAUSE CONNOR AND I HAD AN ARGUMENT? 249 00:11:52,145 --> 00:11:53,246 I COULD HAVE BEEN HERE A LOT 250 00:11:53,280 --> 00:11:54,748 DURING THE PAST SEVEN YEARS. 251 00:11:54,782 --> 00:11:57,317 - EXCEPT CONNOR HADN'T BEEN MURDERED. 252 00:11:57,350 --> 00:12:00,754 WAS KICKING AND THROWING YOUR WORK IN HIS FACE YOUR TRADEMARK? 253 00:12:00,788 --> 00:12:02,923 - COME ON. I, UH, ACTED OUT. 254 00:12:02,956 --> 00:12:05,358 - ALONG WITH A D.U.I., YOU HAVE A PAST ASSAULT CHARGE. 255 00:12:05,392 --> 00:12:06,226 - DETECTIVES. 256 00:12:06,259 --> 00:12:07,795 - NO, WAIT, I WANT THEM TO HEAR THIS. 257 00:12:07,828 --> 00:12:08,796 I WAS OUT WITH MY BOYFRIEND 258 00:12:08,829 --> 00:12:10,130 AND SOME REDNECK WAS HASSLING US. 259 00:12:10,163 --> 00:12:11,298 I DON'T TAKE THAT CRAP. 260 00:12:11,331 --> 00:12:14,534 - BUT, SEE, FRANK, THIS IS OUR PROBLEM. 261 00:12:14,567 --> 00:12:18,405 YOUR PRINTS ARE ON--ON THIS MURDER WEAPON. 262 00:12:23,811 --> 00:12:24,644 - I DON'T KNOW. 263 00:12:24,677 --> 00:12:26,413 I WAS RECOVERING FROM BEING REALLY DRUNK, 264 00:12:26,446 --> 00:12:28,181 AND I--I MIGHT HAVE PICKED... 265 00:12:28,215 --> 00:12:30,283 - DON'T SPECULATE. 266 00:12:30,317 --> 00:12:32,352 - FRANK, LOOK, YOU KNOW, 267 00:12:32,385 --> 00:12:36,824 NOTHING ABOUT THIS SEEMS PREMEDITATED. 268 00:12:36,857 --> 00:12:37,991 WHAT HAPPENED? 269 00:12:38,025 --> 00:12:39,793 A QUARREL ACCELERATED BEYOND WORDS, 270 00:12:39,827 --> 00:12:42,830 AND, YOU KNOW, GOT PHYSICAL? 271 00:12:42,863 --> 00:12:44,231 TELL US WHAT HAPPENED. 272 00:12:44,264 --> 00:12:45,465 MAYBE WE CAN TALK ABOUT A DEAL. 273 00:12:45,498 --> 00:12:48,201 - WE DON'T TALK BASED ON RAMPANT SPECULATION. 274 00:12:48,235 --> 00:12:51,238 - DON'T YOU GET IT? 275 00:12:51,271 --> 00:12:53,473 I HAVE NO FUTURE WITHOUT CONNOR. 276 00:12:53,506 --> 00:12:56,043 I'M NOT EASY, AND, UM, 277 00:12:56,076 --> 00:12:58,879 AND HE PUT UP WITH ME. 278 00:12:58,912 --> 00:13:00,480 I LOVED HIM. 279 00:13:00,513 --> 00:13:01,581 - WE HEAR THAT A LOT. 280 00:13:01,614 --> 00:13:02,582 - REALLY? 281 00:13:02,615 --> 00:13:05,452 OKAY. I'M DESTROYED. 282 00:13:05,485 --> 00:13:07,220 I'M AS DEAD AS HE IS? 283 00:13:07,254 --> 00:13:10,157 - YOU LOOK PRETTY ALIVE TO ME. 284 00:13:10,190 --> 00:13:12,192 - YEAH, WELL, PATRICIA CARUSO HATES ME. 285 00:13:12,225 --> 00:13:13,894 AND MY WORK. 286 00:13:13,927 --> 00:13:17,998 SHE'LL REPLACE ME WITH SOME STEFAN SAGMEISTER WANNABE. 287 00:13:18,031 --> 00:13:22,202 I'M GONE. OKAY? 288 00:13:22,235 --> 00:13:24,872 I'M A GHOST. 289 00:13:24,905 --> 00:13:27,274 WHILE THAT BITCH GODDESS PREVAILS. 290 00:13:34,114 --> 00:13:37,184 [laughter] 291 00:13:37,217 --> 00:13:38,818 - [speaking Russian] 292 00:13:41,488 --> 00:13:43,490 [speaking Russian] 293 00:13:43,523 --> 00:13:46,226 - FRANK IS ARRESTED. NOT JUST PERSON OF INTEREST. 294 00:13:46,259 --> 00:13:48,528 - FRANK BOLLINGER? NOT GOOD. 295 00:13:48,561 --> 00:13:50,530 - IF HE TALKS, DISTURBS BUSINESS, 296 00:13:50,563 --> 00:13:53,166 HE UPSETS PEOPLE WHO MUST NOT BE UPSET. 297 00:13:53,200 --> 00:13:56,136 - NOBODY WANTS THIS. 298 00:14:03,911 --> 00:14:04,744 - "VILE, SNOUTED FACES, 299 00:14:04,777 --> 00:14:07,147 "PIG-LIKE, WITH TINY, PORCINE EYES, 300 00:14:07,180 --> 00:14:09,216 DEAD TO MERCY OR CONSIDERATION." 301 00:14:09,249 --> 00:14:11,885 PATRICIA HITS HARD IN THIS ARTICLE ON THE RUSSIAN MOB. 302 00:14:11,919 --> 00:14:14,287 - HMM, PIG-LIKE AND PORCINE? 303 00:14:14,321 --> 00:14:16,056 THAT'S THE SAME THING. 304 00:14:16,089 --> 00:14:17,257 THAT'S KIND OF CHEESY WRITING. 305 00:14:17,290 --> 00:14:19,259 - OH, THERE'S A NOTE AT THE END. 306 00:14:19,292 --> 00:14:21,161 SAYS SHE PLANNED SIX MORE. 307 00:14:21,194 --> 00:14:24,331 THE MOB'S ROLE IN DRUGS, EXTORTION, SHYLOCKING. 308 00:14:24,364 --> 00:14:28,068 - WELL, HE HATED THAT, BUT LOOK AT THIS. 309 00:14:28,101 --> 00:14:29,469 HE--HE LIKED THIS. 310 00:14:29,502 --> 00:14:31,338 NOTHING BUT ACCOLADES. 311 00:14:31,371 --> 00:14:32,639 "ORIGINAL VOICE. 312 00:14:32,672 --> 00:14:34,975 "FRESH TAKE. 313 00:14:35,008 --> 00:14:36,609 GREAT WORK, MIA." 314 00:14:36,643 --> 00:14:38,045 HUH. 315 00:14:38,078 --> 00:14:40,613 WONDER WHO'S MIA. 316 00:14:40,647 --> 00:14:43,416 - CONNOR HAD SOME ADDITIONAL FILES IN STORAGE, 317 00:14:43,450 --> 00:14:45,452 SO I SENT FOR THEM. 318 00:14:45,485 --> 00:14:47,487 UH, THAT WAS MY FIRST PASS. 319 00:14:47,520 --> 00:14:50,657 - YEAH, OH, RUSSIAN GANGSTERS? 320 00:14:50,690 --> 00:14:53,526 GEE, THAT'S, UH-- THAT'S STRONG STUFF. 321 00:14:53,560 --> 00:14:56,463 - CONNOR DIDN'T QUITE SHARE YOUR ENTHUSIASM. 322 00:14:56,496 --> 00:14:59,566 HE REDUCED THAT SERIES TO A ONE AND DONE. 323 00:14:59,599 --> 00:15:02,302 I THINK CONNOR WAS AFRAID OF THE RUSSIANS. 324 00:15:02,335 --> 00:15:04,237 - HMM. BUT NOT YOU. 325 00:15:04,271 --> 00:15:06,139 NOT WRITING STUFF LIKE THAT. 326 00:15:06,173 --> 00:15:09,442 - MY EX-HUSBAND IS FORREST CARUSO. 327 00:15:09,476 --> 00:15:11,979 - GREAT, GREAT DEFENSE ATTORNEY. 328 00:15:12,012 --> 00:15:15,282 UH, HE "CARUSO-FIED" THE PROSECUTION WITNESSES 329 00:15:15,315 --> 00:15:17,184 FOR THE ITALIANS. 330 00:15:17,217 --> 00:15:20,320 OH, WAIT. DID HE-- DID HE DEFEND THE RUSSIANS? 331 00:15:20,353 --> 00:15:21,588 GEE, THAT COULD GET, UH... 332 00:15:21,621 --> 00:15:22,990 - NO. 333 00:15:23,023 --> 00:15:25,558 FORREST SAID THAT IS A LINE HE WON'T CROSS. 334 00:15:25,592 --> 00:15:28,695 - SO YOUR WORK WAS CUT FROM SEVEN TO ONE? 335 00:15:28,728 --> 00:15:29,696 MUST'VE HURT. 336 00:15:29,729 --> 00:15:32,032 - WELL, LUCKILY, I JUST STARTED. 337 00:15:32,065 --> 00:15:34,467 SO I PICKED MYSELF UP, AND I PARTIED. 338 00:15:34,501 --> 00:15:36,436 I GOT HOME AROUND 1:00. 339 00:15:36,469 --> 00:15:39,439 THAT IS WHAT YOU WANTED TO ASK ME, RIGHT? 340 00:15:39,472 --> 00:15:41,241 - FORREST MUST HAVE WARNED YOU. 341 00:15:41,274 --> 00:15:42,309 NOBODY'S IMMUNE. 342 00:15:42,342 --> 00:15:45,578 - MY DAUGHTER MIA AND FORREST WERE BOTH AT HOME. 343 00:15:45,612 --> 00:15:47,380 - MIA, YEAH. 344 00:15:47,414 --> 00:15:49,482 HEY, WHAT, UH... 345 00:15:49,516 --> 00:15:51,384 WHAT'S MIA-- DOES SHE WORK HERE? 346 00:15:51,418 --> 00:15:54,354 - SHE INTERNS TWO DAYS A WEEK. FACT CHECKING. 347 00:15:54,387 --> 00:15:57,257 THE REST OF THE TIME SHE'S AT NYU MAJORING IN JOURNALISM. 348 00:15:57,290 --> 00:15:58,491 - WANTS TO BE LIKE MOM. 349 00:15:58,525 --> 00:16:00,093 - WE'LL SEE. 350 00:16:00,127 --> 00:16:01,561 - UH-HUH. 351 00:16:01,594 --> 00:16:03,396 YOU KNOW, IT'S SO FUNNY. 352 00:16:03,430 --> 00:16:05,665 MY FATHER, HE'S A PSYCHIATRIST. 353 00:16:05,698 --> 00:16:08,468 HE WANTED ME, YOU KNOW, 354 00:16:08,501 --> 00:16:12,339 TAKING NOTES WHILE OTHER PEOPLE WERE RELAXED ON A COUCH. 355 00:16:12,372 --> 00:16:16,043 BUT, WHAT DO YOU KNOW, HERE I AM A COP. 356 00:16:16,076 --> 00:16:18,011 - OBSERVING BEHAVIOR? 357 00:16:18,045 --> 00:16:20,313 IT'S NOT THAT FAR OFF THE MARK. 358 00:16:24,484 --> 00:16:26,419 - THIS YOUTUBE ESSAY BY MIA, 359 00:16:26,453 --> 00:16:28,455 A VERY DISTINCTIVE VOICE. 360 00:16:28,488 --> 00:16:30,790 - SHE'S DEVELOPING QUITE A FAN BASE. 361 00:16:30,823 --> 00:16:33,660 - NO, CONNOR'S PRAISE WAS WELL DESERVED. 362 00:16:33,693 --> 00:16:35,595 - MM-HMM. NOT JUST THE KINDER, GENTLER TREATMENT 363 00:16:35,628 --> 00:16:37,530 OF A YOUNG JOURNALISM INTERN? 364 00:16:37,564 --> 00:16:40,033 WHO MIGHT BE VERY ATTRACTIVE? 365 00:16:40,067 --> 00:16:41,468 - YOU THINK SO? 366 00:16:41,501 --> 00:16:43,370 - WELL, IT'S OBVIOUS YOU THINK HER MOTHER, PATRICIA, 367 00:16:43,403 --> 00:16:46,306 IS A BIT OF A KNOCKOUT. 368 00:16:46,339 --> 00:16:48,308 - WAS I THAT OBVIOUS? 369 00:16:48,341 --> 00:16:50,410 - SO IF MIA'S LOOKS WERE IN THE GENES, 370 00:16:50,443 --> 00:16:52,812 ALONG WITH A SUPERIOR TALENT... 371 00:16:52,845 --> 00:16:55,115 - YOU HAVE A WICKED IMAGINATION. 372 00:16:55,148 --> 00:16:56,583 I LIKE THAT IN A PARTNER. 373 00:16:56,616 --> 00:16:59,252 - THE DOMINANT, OLDER MAN CODDLES A YOUNG INTERN? 374 00:16:59,286 --> 00:17:01,188 NOT WITHOUT PRECEDENT. 375 00:17:01,221 --> 00:17:02,655 I'D LIKE TO MEET THIS MIA. 376 00:17:02,689 --> 00:17:05,125 - AT CONNOR'S MEMORIAL SERVICE, 377 00:17:05,158 --> 00:17:07,294 WE CAN SEE ALL OF 'EM. 378 00:17:09,562 --> 00:17:11,564 [church bells ringing] 379 00:17:14,467 --> 00:17:16,503 - WOW. LOOKING AT PATRICIA AND FORREST, 380 00:17:16,536 --> 00:17:18,105 YOU'D NEVER KNOW IT WAS A BITTER DIVORCE. 381 00:17:18,138 --> 00:17:19,506 - YEAH, COZY. 382 00:17:19,539 --> 00:17:21,074 - WELL, I'LL BET IT WAS TOUGH FOR HIM 383 00:17:21,108 --> 00:17:23,210 WALKING OUT ON HER. 384 00:17:23,243 --> 00:17:25,378 - I'M GUESSING SHE GAVE THE MARCHING ORDERS, 385 00:17:25,412 --> 00:17:28,115 AND NOW, AS IS OFTEN THE CASE, HE WANTS BACK IN. 386 00:17:28,148 --> 00:17:29,749 - MM-HMM. AND HOW ABOUT MIA? 387 00:17:29,782 --> 00:17:34,121 I THINK YOU WERE RIGHT. SHE GOT THE MOM'S GOOD LOOKS. 388 00:17:34,154 --> 00:17:36,256 MR. CARUSO. 389 00:17:36,289 --> 00:17:37,824 DETECTIVE NICHOLS. 390 00:17:37,857 --> 00:17:40,727 THIS IS MY PARTNER, DETECTIVE STEVENS. 391 00:17:40,760 --> 00:17:42,362 - THIS IS HARDLY THE TIME. 392 00:17:42,395 --> 00:17:44,431 - WE HAVE A MURDER. YOU KNOW HOW IT WORKS. 393 00:17:44,464 --> 00:17:46,566 - OH, PATTY SAID YOU STOPPED BY THE OFFICE. 394 00:17:46,599 --> 00:17:47,800 - YEAH, REALLY? 395 00:17:47,834 --> 00:17:49,236 SHE WAS, UH, BUSY. 396 00:17:49,269 --> 00:17:50,503 I'M SURPRISED SHE NOTICED. 397 00:17:50,537 --> 00:17:52,739 HEY, DID YOU HAPPEN TO READ THAT STUFF 398 00:17:52,772 --> 00:17:55,375 SHE WROTE ABOUT THE RUSSIAN MOB? 399 00:17:55,408 --> 00:17:57,244 - I HATE READING ABOUT CRIME. 400 00:17:57,277 --> 00:17:59,412 - YOU TWO SEEM VERY CLOSE. 401 00:17:59,446 --> 00:18:01,348 - MEANING? 402 00:18:01,381 --> 00:18:03,350 - ACRIMONIOUS TABLOID DIVORCE. 403 00:18:03,383 --> 00:18:04,251 SEEING YOU TOGETHER, 404 00:18:04,284 --> 00:18:06,219 LOOKS LIKE YOU'RE WORKING THINGS OUT. 405 00:18:06,253 --> 00:18:07,687 - WELL, PATTY AND I HAVE A DAUGHTER, 406 00:18:07,720 --> 00:18:10,590 SO ABOVE ALL ELSE, WE'RE MINDFUL OF THAT. 407 00:18:10,623 --> 00:18:12,592 - YOU, UH, WERE WITH PATRICIA 408 00:18:12,625 --> 00:18:13,860 THE NIGHT OF THE MURDER, 409 00:18:13,893 --> 00:18:15,462 BUT YOU DIDN'T GO TO THE PARTY. 410 00:18:15,495 --> 00:18:16,596 IS THAT RIGHT? 411 00:18:16,629 --> 00:18:18,165 - WELL, IT'S HER SCENE, NOT MINE. 412 00:18:18,198 --> 00:18:19,799 BUT, YEAH, WE SPENT THE NIGHT AT HER PLACE. 413 00:18:19,832 --> 00:18:22,502 - SO BEING SO CLOSE TO PATRICIA, 414 00:18:22,535 --> 00:18:24,337 DID SHE HAPPEN TO CONFIDE IN YOU 415 00:18:24,371 --> 00:18:26,506 ABOUT CONNOR CUTTING BACK HER ARTICLE? 416 00:18:26,539 --> 00:18:29,476 - WHAT SHE CONFIDED IS IRRELEVANT, DETECTIVE. 417 00:18:29,509 --> 00:18:31,478 I HAVE CORROBORATED PATTY'S ALIBI, 418 00:18:31,511 --> 00:18:32,645 AND THAT'S ALL YOU NEED. 419 00:18:32,679 --> 00:18:36,183 SO HAVE A NICE DAY. 420 00:18:36,216 --> 00:18:37,517 - HE'S GOOD. 421 00:18:37,550 --> 00:18:39,252 VERY SLICK. 422 00:18:39,286 --> 00:18:40,487 - YEAH. 423 00:18:40,520 --> 00:18:43,490 MOB DIDN'T PAY HIM 800 AN HOUR FOR NOTHING. 424 00:18:53,266 --> 00:18:56,436 - I KNOW WHO YOU ARE. 425 00:18:56,469 --> 00:18:58,571 I'VE SEEN YOUR FACE IN MAGAZINES. 426 00:19:14,354 --> 00:19:15,588 - YEAH, OKAY. 427 00:19:15,622 --> 00:19:16,589 WE'RE COMING OUT. 428 00:19:16,623 --> 00:19:18,558 THAT WAS RIKERS. 429 00:19:18,591 --> 00:19:22,562 FRANK BOLLINGER WAS STABBED TO DEATH. 430 00:19:22,595 --> 00:19:25,398 HE LIVED LONG ENOUGH TO I.D. HIS KILLER. 431 00:19:27,367 --> 00:19:29,202 - WE KNOW THAT YOU FOLLOWED FRANK BOLLINGER 432 00:19:29,236 --> 00:19:30,503 INTO THE BATHING AREA. 433 00:19:30,537 --> 00:19:32,639 VIDEO SURVEILLANCE PICKED YOU UP. 434 00:19:32,672 --> 00:19:35,208 - BUT NO CAMERAS IN SHOWERS. 435 00:19:35,242 --> 00:19:36,209 YOU HAVE NOTHING. 436 00:19:36,243 --> 00:19:37,910 - WE HAVE FRANK'S DESCRIPTION. 437 00:19:37,944 --> 00:19:41,448 PLUS THE COs FOUND THIS UNDER YOUR BUNK. 438 00:19:43,383 --> 00:19:44,817 - EVERYONE HAS SHANK. 439 00:19:44,851 --> 00:19:45,685 PROTECTION. 440 00:19:45,718 --> 00:19:48,488 - WHY DID YOU KILL FRANK BOLLINGER? 441 00:19:48,521 --> 00:19:51,991 - IT WAS SOMEBODY WHO HATES QUEERS, NOT ME. 442 00:19:52,024 --> 00:19:53,626 I DON'T HATE ANYBODY. 443 00:19:53,660 --> 00:19:56,896 - IN RUSSIA, YOU'RE WANTED ON MULTIPLE MURDER CHARGES, 444 00:19:56,929 --> 00:19:58,398 IVANKOV. 445 00:19:58,431 --> 00:20:00,333 YOU'RE A HIRED GUN. 446 00:20:00,367 --> 00:20:01,968 - NO, YOU'RE MISTAKEN. 447 00:20:02,001 --> 00:20:06,273 I'M A PEST EXTERMINATOR. 448 00:20:06,306 --> 00:20:08,241 - SO THE MURDER OF CONNOR JAMES 449 00:20:08,275 --> 00:20:10,277 MADE FRANK BOLLINGER A PEST? 450 00:20:10,310 --> 00:20:11,544 - WHO? 451 00:20:11,578 --> 00:20:12,612 - YOU EXPECT US TO BELIEVE 452 00:20:12,645 --> 00:20:14,013 YOU DIDN'T KNOW FRANK WAS A SUSPECT 453 00:20:14,046 --> 00:20:14,981 IN CONNOR JAMES' MURDER? 454 00:20:15,014 --> 00:20:18,318 - I ONLY KNOW I WENT TO SHOWER TO GET CLEAN. 455 00:20:18,351 --> 00:20:20,553 TO NOT SMELL. 456 00:20:20,587 --> 00:20:21,554 - [sniffs] 457 00:20:21,588 --> 00:20:25,525 DOESN'T ALWAYS WORK. 458 00:20:25,558 --> 00:20:27,727 - IVANKOV... 459 00:20:27,760 --> 00:20:31,598 YOU TELL US WHO ORDERED THE HIT ON FRANK BOLLINGER, 460 00:20:31,631 --> 00:20:34,567 YOU MIGHT NOT END UP IN THE SUPERMAX. 461 00:20:34,601 --> 00:20:37,370 - YOU HAVE JUST SUSPICION. 462 00:20:37,404 --> 00:20:38,838 NO EVIDENCE. 463 00:20:38,871 --> 00:20:41,541 I'VE BEEN EXTRADITED, 464 00:20:41,574 --> 00:20:45,345 AND YOU CANNOT STOP IT. 465 00:20:45,378 --> 00:20:47,447 - HE'S RIGHT. 466 00:20:47,480 --> 00:20:49,316 - MR. IVANKOV DOES HAVE SOME FREQUENT FLYER MILES 467 00:20:49,349 --> 00:20:50,917 COMING HIS WAY. 468 00:20:50,950 --> 00:20:55,422 STATE DEPARTMENT IS HONORING MOSCOW'S PETITION TO EXTRADITE. 469 00:20:55,455 --> 00:20:57,690 SO LET'S RUN THIS THING AGAIN FROM THE TOP. 470 00:20:57,724 --> 00:20:59,659 WE HAVE A PROFESSIONAL HIT 471 00:20:59,692 --> 00:21:03,430 POSSIBLY RELATED TO PATRICIA'S PIECE ON THE RUSSIAN MOB. 472 00:21:03,463 --> 00:21:06,699 - WELL, SHE SAID THAT CONNOR WAS AFRAID OF THE RUSSIANS. 473 00:21:06,733 --> 00:21:08,501 - I DON'T THINK HE WAS THAT AFRAID. 474 00:21:08,535 --> 00:21:09,902 I NOTICED HE ONLY EDITED THINGS 475 00:21:09,936 --> 00:21:11,971 THAT RELATED TO THE MOB'S SEX RINGS. 476 00:21:12,004 --> 00:21:14,006 THE REST, THE NAMES OF MOBSTERS, THEIR CONNECTIONS, 477 00:21:14,040 --> 00:21:15,442 IT'S ALL IN HERE. 478 00:21:15,475 --> 00:21:17,410 - SO ALL WE REALLY KNOW ABOUT FRANK BOLLINGER 479 00:21:17,444 --> 00:21:18,711 IS THAT HE DESIGNED A LOUSY COVER 480 00:21:18,745 --> 00:21:20,313 AND ENDED UP DEAD. 481 00:21:20,347 --> 00:21:22,549 - NO, OBVIOUSLY HE DID MORE. 482 00:21:22,582 --> 00:21:25,418 I GOT TO GET O.C.C.B. IN ON THIS. 483 00:21:25,452 --> 00:21:28,955 BOLLINGER AND CONNOR'S MURDER ARE SOMEHOW CONNECTED. 484 00:21:28,988 --> 00:21:30,523 AND ARE WE AGREED? 485 00:21:30,557 --> 00:21:33,426 CONNOR WAS STRAIGHT? 486 00:21:33,460 --> 00:21:36,396 - WOMEN KNOW ABOUT THESE THINGS. 487 00:21:36,429 --> 00:21:39,532 - I SAY WE GO TALK TO ANOTHER WOMAN WHO'S CLOSE TO HIM. 488 00:21:39,566 --> 00:21:42,635 - NO, MR. CONNOR? NO, NOT GAY. 489 00:21:42,669 --> 00:21:44,337 AT ALL. 490 00:21:44,371 --> 00:21:45,204 - YOU SOUND PRETTY SURE. 491 00:21:45,237 --> 00:21:48,641 - MR. CONNOR WAS ALWAYS WITH THE GIRLS. 492 00:21:48,675 --> 00:21:51,711 ALWAYS. 493 00:21:51,744 --> 00:21:54,481 - SAY, THIS CHEST... 494 00:21:54,514 --> 00:21:57,417 THIS WAS NOT HERE WHEN WE SEARCHED. 495 00:21:57,450 --> 00:21:59,018 - MR. CONNOR PUT ALL THIS IN THE BASEMENT, 496 00:21:59,051 --> 00:22:00,853 MAKE ROOM FOR THE PARTY. 497 00:22:05,525 --> 00:22:09,662 - HE DEFINITELY WASN'T INTO GUYS. 498 00:22:09,696 --> 00:22:11,431 "LOVE, LAURA." 499 00:22:11,464 --> 00:22:15,502 THEY AUTOGRAPHED THE BACKS. 500 00:22:15,535 --> 00:22:18,004 - HMM. 501 00:22:18,037 --> 00:22:19,772 ZEN YOGA. 502 00:22:19,806 --> 00:22:21,841 THE ART OF FLY FISHING. 503 00:22:21,874 --> 00:22:24,877 TEN WAYS TO A STRONGER MARRIAGE. 504 00:22:30,450 --> 00:22:32,652 OH. 505 00:22:32,685 --> 00:22:33,786 MM-HMM. 506 00:22:33,820 --> 00:22:35,488 MM-HMM. 507 00:22:35,522 --> 00:22:37,490 HOME SEX VIDEOS? 508 00:22:39,826 --> 00:22:42,462 - MORE GIRLS. ALL YOUNG. 509 00:22:42,495 --> 00:22:46,566 - YEAH, THEY LOOK LIKE PROSTITUTES. 510 00:22:46,599 --> 00:22:49,168 HOW'D HE FIND 'EM? 511 00:22:49,201 --> 00:22:51,438 - MAYBE BY TAKING RISKS. 512 00:22:51,471 --> 00:22:55,508 - MORE PEOPLE WITH A MOTIVE TO KILL HIM. 513 00:22:55,542 --> 00:22:58,478 - HERE'S CONNOR PLAYING THE AGING LOTHARIO. 514 00:22:58,511 --> 00:23:00,613 - AND HE TAPES ALL THIS. 515 00:23:00,647 --> 00:23:02,549 SLEAZE BAG. 516 00:23:02,582 --> 00:23:04,484 - WAIT, HOW OLD ARE YOU? 517 00:23:04,517 --> 00:23:05,552 - WHAT? 518 00:23:05,585 --> 00:23:07,587 - I'M PAYING TOP DOLLAR FOR YOUTH. 519 00:23:07,620 --> 00:23:09,556 SORRY, SWEETHEART. YOU DON'T QUALIFY. 520 00:23:09,589 --> 00:23:11,591 - PLEASE, MY BOSS WILL BE MAD. 521 00:23:11,624 --> 00:23:15,828 - MM-HMM. WHAT DO YOU GET? 5,000? 522 00:23:15,862 --> 00:23:17,930 - THIS GUY WAS ALL HEART. 523 00:23:17,964 --> 00:23:19,899 - COME ON, COME ON. COME ON, I'M A BUSY MAN. 524 00:23:19,932 --> 00:23:21,568 LET'S GO, GET OUT. GET OUT! 525 00:23:21,601 --> 00:23:23,002 RIGHT, BYE-BYE. [door slams] 526 00:23:23,035 --> 00:23:25,472 FRANKIE! FRANKIE, YOU JUST COST ME FIVE GRAND! 527 00:23:25,505 --> 00:23:27,674 YEAH, I NEED ANOTHER GIRL. 528 00:23:27,707 --> 00:23:30,577 FRANK--FRANK, NOT NOW WITH THE ART LAYOUT. 529 00:23:32,479 --> 00:23:34,514 [beep] 530 00:23:34,547 --> 00:23:37,617 - FRANK BOLLINGER WAS HIS CONDUIT TO HOOKERS. 531 00:23:37,650 --> 00:23:38,451 - GIRLS WITH ACCENTS. 532 00:23:38,485 --> 00:23:40,520 PROBABLY VICTIMS OF HUMAN TRAFFICKING 533 00:23:40,553 --> 00:23:42,154 BROUGHT IN BY THE RUSSIAN MOB. 534 00:23:42,188 --> 00:23:44,056 MAYBE HE DID THE HEAVY EDIT ON PATRICIA'S PIECE 535 00:23:44,090 --> 00:23:46,125 'CAUSE HE WAS AFRAID HIS NAME WOULD SHOW UP. 536 00:23:46,158 --> 00:23:48,895 - SO DID THE MOB, THOUGH, DO THE HEAVY EDIT ON HIM, 537 00:23:48,928 --> 00:23:50,963 OR WAS IT ENOUGH JUST TO KILL FRANK BOLLINGER 538 00:23:50,997 --> 00:23:53,733 WHO HOOKED CONNOR UP? 539 00:23:53,766 --> 00:23:57,537 - I THINK HE HOOKED UP WITH THIS ONE ON HIS OWN. 540 00:23:57,570 --> 00:24:00,873 - MIA. 541 00:24:00,907 --> 00:24:03,209 I WONDER IF MOM KNOWS THAT HER DAUGHTER 542 00:24:03,242 --> 00:24:05,712 WAS DOING MORE THAN JUST FACT CHECKING. 543 00:24:09,148 --> 00:24:10,717 - YES? 544 00:24:10,750 --> 00:24:12,552 - MRS. CARUSO, CAN WE COME IN? 545 00:24:12,585 --> 00:24:14,487 IT'S ABOUT YOUR DAUGHTER. 546 00:24:14,521 --> 00:24:15,788 WE WANT TO SPEAK TO HER. 547 00:24:15,822 --> 00:24:17,223 - IT'S IMPORTANT. 548 00:24:17,256 --> 00:24:19,258 - I WAS JUST ABOUT TO LEAVE. 549 00:24:19,291 --> 00:24:21,594 I HAVE A PEN DINNER IN MIDTOWN, 550 00:24:21,628 --> 00:24:26,232 AND MIA IS STILL STRUGGLING WITH CONNOR'S DEATH. 551 00:24:26,265 --> 00:24:28,067 - SO ARE WE. 552 00:24:28,100 --> 00:24:29,802 YOU'RE AWARE YOUR DAUGHTER 553 00:24:29,836 --> 00:24:32,038 WAS SEXUALLY INVOLVED WITH CONNOR? 554 00:24:32,071 --> 00:24:34,574 - WHAT? HOW DARE YOU? 555 00:24:34,607 --> 00:24:35,675 - PATRICIA, COME ON. 556 00:24:35,708 --> 00:24:39,846 CONNOR JAMES, ALSO A BIG FAN OF YOUNG PROSTITUTES. 557 00:24:39,879 --> 00:24:41,781 GONNA TELL ME THAT THAT WAS A BIG SECRET? 558 00:24:41,814 --> 00:24:44,851 YEAH. AND THE RUSSIAN MOB WAS SUPPLYING 'EM. 559 00:24:44,884 --> 00:24:47,119 YOU DIDN'T UNCOVER THAT IN YOUR JOURNALISTIC ENDEAVORS? 560 00:24:47,153 --> 00:24:48,821 HI, COUNSELOR. 561 00:24:48,855 --> 00:24:52,559 - WELL, MAYBE THAT EXPLAINS WHY HE BUTCHERED YOUR PIECE, 562 00:24:52,592 --> 00:24:53,492 PATRICIA. 563 00:24:53,526 --> 00:24:56,262 - HE ALSO RECORDED HIS EXPLOITS ON DVDs. 564 00:24:56,295 --> 00:24:57,697 QUITE A COLLECTION. 565 00:24:57,730 --> 00:25:00,199 - THAT SICK SON OF A BITCH. 566 00:25:00,232 --> 00:25:02,234 DON'T TELL ME OUR DAUGHTER... 567 00:25:02,268 --> 00:25:04,571 - YOU'RE REALLY SAYING THAT YOU WEREN'T AWARE 568 00:25:04,604 --> 00:25:07,239 OF MIA'S INVOLVEMENT WITH HIM? 569 00:25:07,273 --> 00:25:10,142 - WE'RE NOT ANSWERING ANYMORE QUESTIONS. 570 00:25:10,176 --> 00:25:12,078 - OKAY. 571 00:25:12,111 --> 00:25:14,146 SO WE SHOULD TALK TO MIA. 572 00:25:14,180 --> 00:25:16,883 - IS SHE UNDER ARREST? 573 00:25:16,916 --> 00:25:18,250 - NO. 574 00:25:18,284 --> 00:25:19,919 - THEN YOU KNOW THE DRILL. 575 00:25:19,952 --> 00:25:21,721 THIS IS A FAMILY THING. 576 00:25:21,754 --> 00:25:24,123 LEAVE US ALONE. 577 00:25:31,130 --> 00:25:32,799 - NOT AN ARREST. I CAN'T ENDORSE THAT. 578 00:25:32,832 --> 00:25:34,266 YOU WANT FORREST CARUSO BROUGHT IN, 579 00:25:34,300 --> 00:25:36,168 YOU DO IT ON A MATERIAL WITNESS WARRANT. 580 00:25:36,202 --> 00:25:37,704 - BUT AN ARREST IS THE ONLY WAY 581 00:25:37,737 --> 00:25:40,139 WE ISOLATE HIM FROM PATRICIA AND MIA 582 00:25:40,172 --> 00:25:42,642 WHILE WE QUESTION THEM. 583 00:25:42,675 --> 00:25:43,576 - PROBABLE CAUSE? 584 00:25:43,610 --> 00:25:46,278 - THESE PHONE RECORDS COVER US ON THAT. 585 00:25:46,312 --> 00:25:48,581 - MIA'S PHONE IS IN HER FATHER'S NAME. 586 00:25:48,615 --> 00:25:50,817 - ERGO HER RECORDS ARE HIS RECORDS. 587 00:25:50,850 --> 00:25:52,885 HERE'S A TEXT WE DOWNLOADED FROM CONNOR'S PHONE, 588 00:25:52,919 --> 00:25:54,887 SENT TO MIA DURING THE PARTY. 589 00:25:54,921 --> 00:25:56,589 - THAT'S INTERESTING, 590 00:25:56,623 --> 00:25:58,658 BUT IT DOESN'T PROVE FORREST KNEW ABOUT THE AFFAIR. 591 00:25:58,691 --> 00:26:00,359 UNLESS HE SCANNED HIS DAUGHTER'S PHONE. 592 00:26:00,392 --> 00:26:02,094 - NOT SOMETHING I HAVEN'T DONE. 593 00:26:02,128 --> 00:26:04,096 - YOUR KID'S EIGHT. 594 00:26:04,130 --> 00:26:06,098 BY THE TIME SHE'S 18, YOU MIGHT WANT TO BACK OFF ON THAT. 595 00:26:06,132 --> 00:26:07,967 - THERE'S MORE. 596 00:26:08,000 --> 00:26:09,268 - OH, YEAH, THIS. 597 00:26:09,301 --> 00:26:11,070 YEAH, YEAH, YEAH, 2:13 a.m., 598 00:26:11,103 --> 00:26:13,272 MIA CALLED HER FATHER. 599 00:26:13,305 --> 00:26:15,307 THAT'S THE SAME TIME CONNOR WAS MURDERED. 600 00:26:15,341 --> 00:26:16,643 - TIME WHEN PATRICIA AND FORREST 601 00:26:16,676 --> 00:26:18,678 CLAIM THEY WERE HOME WITH MIA. 602 00:26:18,711 --> 00:26:20,847 - IN THE SAME HOUSE, SO WHY CALL? 603 00:26:20,880 --> 00:26:22,048 - WHAT IF THEY WEREN'T IN THE SAME HOUSE? 604 00:26:22,081 --> 00:26:26,919 WHAT IF MIA WENT TO CONNOR'S AFTER THE PARTY, 605 00:26:26,953 --> 00:26:29,656 FINDS OUT ABOUT THE OTHER GIRLS... 606 00:26:29,689 --> 00:26:30,990 COMPLETELY LOSES IT. 607 00:26:31,023 --> 00:26:32,625 - PANICS AND CALLS HER DAD? 608 00:26:32,659 --> 00:26:34,661 - FORREST COMES TO COVER IT UP. 609 00:26:34,694 --> 00:26:36,696 FRAMES FRANK BOLLINGER, WHO'S THERE, PASSED OUT. 610 00:26:36,729 --> 00:26:39,298 [cell phone rings] - OH, I DON'T KNOW. 611 00:26:39,331 --> 00:26:42,935 OH. ROGERS HAS SOMETHING. 612 00:26:42,969 --> 00:26:45,672 - REMEMBER THE LACERATIONS ON HIS HANDS? 613 00:26:45,705 --> 00:26:46,673 THEY FORM A RADIATING PATTERN, 614 00:26:46,706 --> 00:26:50,209 SOMETHING HE CLENCHED AT THE INSTANT OF DEATH. 615 00:26:50,242 --> 00:26:52,144 - OH, LOOK AT THAT. 616 00:26:52,178 --> 00:26:53,713 DO YOU HAVE ANY IDEA WHAT THAT IS? 617 00:26:53,746 --> 00:26:55,047 - OH, IT'S SOMETHING SQUARE AND SHARP. 618 00:26:55,081 --> 00:26:56,983 THE CUTS ARE CLEAN. 619 00:26:57,016 --> 00:26:59,752 AND HE HAD IT IN HIS HAND 620 00:26:59,786 --> 00:27:04,156 FOR 25 TO 30 MINUTES AFTER HE DIED. 621 00:27:04,190 --> 00:27:05,925 - YOU SURE ABOUT THAT? 622 00:27:05,958 --> 00:27:07,660 - SOMETIMES THE VICTIM'S HAND 623 00:27:07,694 --> 00:27:09,762 HAS TO BE LITERALLY PRIED OPEN. 624 00:27:09,796 --> 00:27:11,297 - WHY KILL HIM AND WAIT 25 MINUTES 625 00:27:11,330 --> 00:27:13,866 BEFORE REMOVING WHATEVER IT WAS? 626 00:27:19,471 --> 00:27:21,240 WHAT ARE YOU DOING? 627 00:27:21,273 --> 00:27:24,977 - I'M, UH, SEEING WHAT THIS LOOKS LIKE. 628 00:27:25,011 --> 00:27:27,814 TRYING TO CONNECT THE DOTS. 629 00:27:27,847 --> 00:27:30,049 - ODD SHAPE. DISTINCTIVE. 630 00:27:30,082 --> 00:27:30,983 - YEAH, WHAT DO YOU THINK? 631 00:27:31,017 --> 00:27:34,954 WARRANTS FOR FORREST, PATRICIA, AND MIA? 632 00:27:34,987 --> 00:27:37,223 - MIA? THIS BETTER BE GOOD. 633 00:27:37,256 --> 00:27:38,224 FORREST CARUSO EATS RED MEAT. 634 00:27:38,257 --> 00:27:40,326 YOU ARREST HIS DAUGHTER, HE'LL BE OUT TO EAT US. 635 00:27:40,359 --> 00:27:42,194 - NO, NO, NO, WE'LL BE OKAY. 636 00:27:42,228 --> 00:27:44,663 SERENA LIT A CANDLE. 637 00:27:49,802 --> 00:27:51,270 - WHY CAN'T MY DAD BE HERE? 638 00:27:51,303 --> 00:27:53,973 - WE'RE SAYING NOTHING UNTIL HE GETS HERE. 639 00:27:54,006 --> 00:27:58,310 - YOUR FATHER IS, UH, IN CUSTODY. 640 00:27:58,344 --> 00:28:00,880 - FORREST HAS BEEN ARRESTED? 641 00:28:00,913 --> 00:28:03,049 WHAT THE HELL IS THIS ABOUT? 642 00:28:03,082 --> 00:28:05,217 - POSSIBLE ACCESSORY AFTER THE FACT. 643 00:28:05,251 --> 00:28:06,318 - WHAT? 644 00:28:06,352 --> 00:28:07,754 - WE BELIEVE HE HELPED YOUR DAUGHTER 645 00:28:07,787 --> 00:28:09,188 COVER UP THE MURDER OF CONNOR JAMES. 646 00:28:09,221 --> 00:28:12,324 - UH, NO. I DIDN'T KILL CONNOR. 647 00:28:12,358 --> 00:28:14,093 - YOU CALLED YOUR FATHER FROM CONNOR'S 648 00:28:14,126 --> 00:28:15,795 AT 2:00 a.m. ON THE NIGHT OF THE MURDER. 649 00:28:15,828 --> 00:28:17,463 - NO, I WASN'T THERE. 650 00:28:17,496 --> 00:28:19,866 - SHE WAS AT HOME WITH HER FATHER AND MYSELF. 651 00:28:19,899 --> 00:28:23,870 - MRS. CARUSO, MIA'S CELL PHONE RECORDS AND GPS 652 00:28:23,903 --> 00:28:25,237 TRACKS HER TO CONNOR'S. 653 00:28:25,271 --> 00:28:27,006 - IT'S NOT TRUE. 654 00:28:27,039 --> 00:28:31,143 HOW CAN THEY HAVE THIS? 655 00:28:31,177 --> 00:28:32,378 - SWEETHEART, WE WILL-- 656 00:28:32,411 --> 00:28:34,380 - NO! I WANT MY FATHER. 657 00:28:34,413 --> 00:28:36,215 I DON'T WANT YOU HANDLING ANYTHING. 658 00:28:36,248 --> 00:28:38,217 HE WAS MURDERED BECAUSE OF THAT CRAP THAT YOU WROTE. 659 00:28:38,250 --> 00:28:39,451 - WHAT? 660 00:28:39,485 --> 00:28:41,087 - SHE MADE HIM A TARGET FOR MOBSTERS. 661 00:28:41,120 --> 00:28:42,955 - MIA, WE'RE GOING TO HOLD YOU PENDING ARRAIGNMENT. 662 00:28:42,989 --> 00:28:44,356 [door opens] 663 00:28:47,359 --> 00:28:51,030 - W--WHAT'S GOING ON? 664 00:28:51,063 --> 00:28:53,365 I'M TELLING THE TRUTH. - HANDS BEHIND YOUR BACK. 665 00:28:53,399 --> 00:28:55,334 - PLEASE! [handcuffs clinking] 666 00:28:56,502 --> 00:28:58,470 - DON'T DO THIS. 667 00:28:58,504 --> 00:29:00,206 - BUT I DIDN'T HURT ANYONE. PLEASE. 668 00:29:00,239 --> 00:29:02,474 THIS IS ALL WRONG. MOM. MOM! 669 00:29:02,508 --> 00:29:04,343 - MISS CARUSO. 670 00:29:08,380 --> 00:29:09,949 - YOU KNOW MY FEELINGS ABOUT THIS. 671 00:29:09,982 --> 00:29:11,017 - UH, YES, BUT-- 672 00:29:11,050 --> 00:29:12,118 - IT VERGES ON BREAKING RULES, 673 00:29:12,151 --> 00:29:13,452 SO WHETHER IT WORKS OR DOESN'T WORK, 674 00:29:13,485 --> 00:29:14,453 YOU MAKE IT FAST. 675 00:29:14,486 --> 00:29:18,124 - MY HUSBAND IS GONNA TEAR YOUR THROAT OUT. 676 00:29:18,157 --> 00:29:20,292 TREATING OUR BABY LIKE A CRIMINAL. 677 00:29:20,326 --> 00:29:22,795 - WE'RE AWARE OF THE MITIGATING FACTORS. 678 00:29:22,829 --> 00:29:24,496 CONNOR'S AGE, HER AGE, 679 00:29:24,530 --> 00:29:27,033 IT COULD QUALIFY AS VOLUNTARY MANSLAUGHTER. 680 00:29:27,066 --> 00:29:28,334 - AND, UM, YOU KNOW, 681 00:29:28,367 --> 00:29:31,370 IT COULD EVEN PLEAD DOWN TO NEGLIGENT HOMICIDE. 682 00:29:31,403 --> 00:29:33,906 YOU KNOW, SHE DOES A SUSPENDED SENTENCE. 683 00:29:33,940 --> 00:29:34,974 NO TIME AT ALL. 684 00:29:35,007 --> 00:29:40,212 - I SUPPOSE YOU HAVE PROOF BEYOND... 685 00:29:40,246 --> 00:29:42,114 MY POOR BABY. 686 00:29:42,148 --> 00:29:44,851 - WELL, YOU KNOW, SHE'S ONLY 17 YEARS OLD, 687 00:29:44,884 --> 00:29:48,187 AND SHE COMES FROM A GOOD HOME 688 00:29:48,220 --> 00:29:50,823 AND RESPONSIBLE, LOVING PARENTS. 689 00:29:50,857 --> 00:29:52,491 - THAT BASTARD, CONNOR! 690 00:29:52,524 --> 00:29:54,560 I TRIED TO WARN HER AWAY FROM HIM, 691 00:29:54,593 --> 00:29:58,597 AND SHE JUST WOULDN'T LISTEN. 692 00:29:58,630 --> 00:30:01,367 - YOU WEREN'T AWARE OF THE ACTUAL AFFAIR. 693 00:30:01,400 --> 00:30:04,570 - OF COURSE NOT. 694 00:30:04,603 --> 00:30:06,405 I SAW A CRUSH DEVELOPING, 695 00:30:06,438 --> 00:30:08,374 BUT I NEVER THOUGHT IT WOULD COME TO THIS. 696 00:30:08,407 --> 00:30:11,577 - TO MIA'S KILLING HIM. 697 00:30:11,610 --> 00:30:15,081 - WHEN I HEARD ABOUT HIS DEATH, 698 00:30:15,114 --> 00:30:17,116 AND SHE WASN'T IN OUR HOME THAT NIGHT, 699 00:30:17,149 --> 00:30:21,087 I THOUGHT, "OH, GOD, PLEASE DON'T LET IT BE TRUE." 700 00:30:26,492 --> 00:30:30,029 WHATEVER SHE DID, SHE IS REALLY NOT TO BLAME. 701 00:30:32,598 --> 00:30:37,436 - YOU'VE BEEN VERY...HELPFUL. 702 00:30:42,474 --> 00:30:44,443 - DETECTIVES, THEY'VE BROUGHT MR. CARUSO. 703 00:30:49,381 --> 00:30:53,152 - THIS IS TO VERIFY THAT HE GOT THE CALL FROM MIA. 704 00:30:53,185 --> 00:30:55,021 - HE WON'T ACCEPT IT. 705 00:30:55,054 --> 00:30:57,356 HE IS NOT READY. 706 00:31:01,427 --> 00:31:03,629 - WE'RE GONNA HAVE TO CUE PATRICIA'S TESTIMONY 707 00:31:03,662 --> 00:31:05,898 TO THE EXACT RIGHT SPOT. 708 00:31:05,932 --> 00:31:07,466 IF FORREST GETS EVEN A WHIFF-- 709 00:31:07,499 --> 00:31:09,969 - OF HOW WE WORKED HER, WORKED HER DAUGHTER. 710 00:31:10,002 --> 00:31:12,471 WE'VE DESTROYED A RELATIONSHIP BETWEEN A MOTHER AND DAUGHTER. 711 00:31:12,504 --> 00:31:14,573 THIS ISN'T EASY FOR ME. 712 00:31:14,606 --> 00:31:18,177 - OKAY. I CAN GO IT ALONE. 713 00:31:18,210 --> 00:31:20,379 - YOU'RE BEING NOBLE, WHICH MEANS EVEN YOU THINK 714 00:31:20,412 --> 00:31:22,148 THIS COULD REALLY GO WRONG. 715 00:31:22,181 --> 00:31:24,917 - LIKE A POSSIBLE CAREER-ENDER? 716 00:31:24,951 --> 00:31:27,686 - TELL HER. IT'S ONLY FAIR. 717 00:31:27,719 --> 00:31:29,355 - THE CAPTAIN'S RIGHT. 718 00:31:29,388 --> 00:31:31,958 - L-LET'S TALK. 719 00:31:35,561 --> 00:31:37,496 - YOU HEARD PATRICIA'S TESTIMONY. 720 00:31:37,529 --> 00:31:40,366 WE FOLLOW THROUGH ON THAT, THIS CAN ALL BE PUT TO REST. 721 00:31:40,399 --> 00:31:42,434 - NOT SO LONG AGO, I HEARD TESTIMONY 722 00:31:42,468 --> 00:31:44,303 POSSIBLY INVOLVING THE RUSSIAN MOB. 723 00:31:44,336 --> 00:31:45,437 - BUT THAT'S GONE AWAY. 724 00:31:45,471 --> 00:31:47,006 NOW WE HAVE AN ABSOLUTE ADMISSION. 725 00:31:47,039 --> 00:31:49,075 - NO, DON'T CALL IT AN ADMISSION. 726 00:31:49,108 --> 00:31:50,476 IT'S AN ACCUSATION. 727 00:31:50,509 --> 00:31:51,643 - IN THE D.A.'s HANDS, 728 00:31:51,677 --> 00:31:53,179 WHAT PATRICIA JUST SAID IN THERE 729 00:31:53,212 --> 00:31:54,413 COULD GET AN INNOCENT GIRL CONVICTED OF MURDER. 730 00:31:54,446 --> 00:31:56,182 - BUT WE'RE NOT BRINGING IN THE D.A. 731 00:31:56,215 --> 00:31:57,449 - THAT'S NOT OUR CHOICE. 732 00:31:57,483 --> 00:31:59,618 IF PATRICIA SUDDENLY DECIDES TO LAWYER UP, 733 00:31:59,651 --> 00:32:02,021 SHE'LL BE IN THE GRAND JURY INDICTING HER DAUGHTER, 734 00:32:02,054 --> 00:32:03,455 AND YOU'LL BOTH BE TRANSIT COPS. 735 00:32:03,489 --> 00:32:05,992 - BUT WE HAVE NO CHOICE, NONE. 736 00:32:06,025 --> 00:32:08,360 I MEANT WHAT I SAID ABOUT GOING IT ALONE. 737 00:32:08,394 --> 00:32:11,530 BUT THE ONLY WAY IS FORWARD. 738 00:32:11,563 --> 00:32:14,566 - HE HAS A TERRIBLE WAY OF BEING RIGHT. 739 00:32:19,705 --> 00:32:22,008 - WHEN YOU SPOKE TO HER, DID SHE SOUND HIGH? 740 00:32:22,041 --> 00:32:24,243 - MY DAUGHTER'S TOO SMART TO DO DRUGS, 741 00:32:24,276 --> 00:32:26,278 AND I'VE NOT SAID I SPOKE TO HER. 742 00:32:26,312 --> 00:32:27,213 - UH, YOU DO REALIZE 743 00:32:27,246 --> 00:32:29,448 THAT EVERY CELL PHONE HAS A GPS, WHICH-- 744 00:32:29,481 --> 00:32:31,750 - WHICH CAN BE TRACKED FROM VARIOUS TOWERS. 745 00:32:31,783 --> 00:32:33,685 IT'S NOT INFALLIBLE. 746 00:32:33,719 --> 00:32:37,023 I'VE GOT EXPERTS WHO CAN AND WILL REFUTE THAT EVIDENCE. 747 00:32:37,056 --> 00:32:38,690 - OKAY, I SUPPOSE OUR NEXT QUESTION 748 00:32:38,724 --> 00:32:40,259 IS GONNA BE WHETHER OR NOT 749 00:32:40,292 --> 00:32:44,030 YOU'LL REFUTE THE TESTIMONY OF YOUR EX-WIFE? 750 00:32:44,063 --> 00:32:45,264 - WHAT? 751 00:32:45,297 --> 00:32:47,699 - I UNDERSTAND A FATHER BEING PROTECTIVE OF HIS DAUGHTER, 752 00:32:47,733 --> 00:32:52,271 BUT YOUR EX-WIFE IS BEING MORE REALISTIC ABOUT IT. 753 00:32:52,304 --> 00:32:55,307 - YOU WEREN'T AWARE OF AN ACTUAL AFFAIR? 754 00:32:55,341 --> 00:32:57,343 - OF COURSE NOT. 755 00:32:57,376 --> 00:32:59,078 I--I COULD SEE A CRUSH DEVELOPING, 756 00:32:59,111 --> 00:33:01,547 BUT I NEVER THOUGHT IT WOULD COME TO THIS. 757 00:33:01,580 --> 00:33:05,284 - TO MIA KILLING HIM? 758 00:33:05,317 --> 00:33:09,288 - WHEN I HEARD ABOUT HIS DEATH, 759 00:33:09,321 --> 00:33:11,290 AND SHE WASN'T IN OUR HOME THAT NIGHT... 760 00:33:11,323 --> 00:33:14,060 - AH! - I THOUGHT, "OH, GOD, PLEASE, 761 00:33:14,093 --> 00:33:15,294 DON'T LET IT BE TRUE." 762 00:33:15,327 --> 00:33:16,295 - OKAY, STOP THIS. 763 00:33:16,328 --> 00:33:16,962 MIA IS INNOCENT. 764 00:33:16,995 --> 00:33:19,531 - PATRICIA SAYS-- - STOP! 765 00:33:25,604 --> 00:33:27,473 - COUNSELOR, WE'VE GOT, UH-- 766 00:33:27,506 --> 00:33:29,408 I'M NOT GONNA TRY TO EXPLAIN EVIDENCE 767 00:33:29,441 --> 00:33:31,410 TO YOU OF ALL PEOPLE, BUT LOOK. 768 00:33:31,443 --> 00:33:33,579 I'VE GOT MIA'S PHONE RECORDS RIGHT HERE. 769 00:33:33,612 --> 00:33:34,580 IT'S ON YOUR ACCOUNT. 770 00:33:34,613 --> 00:33:35,747 HERE IN THIS HIGHLIGHTED PART 771 00:33:35,781 --> 00:33:39,085 IS THE CALL ITSELF FROM CONNOR TO YOU. 772 00:33:39,118 --> 00:33:41,387 - YOU DON'T KNOW WHO MADE IT. 773 00:33:41,420 --> 00:33:46,192 - WELL, UH, WHAT JURY WOULD BELIEVE THAT IT WASN'T MIA, 774 00:33:46,225 --> 00:33:48,627 WHAT WITH THE TESTIMONY OF HER OWN MOTHER? 775 00:33:51,730 --> 00:33:55,033 - MY DAUGHTER CAN'T GO DOWN FOR SOMETHING SHE DIDN'T DO. 776 00:34:00,772 --> 00:34:05,311 PATTY WAS FRANTIC. 777 00:34:05,344 --> 00:34:07,813 SHE'D FOUGHT WITH CONNOR. 778 00:34:07,846 --> 00:34:11,583 SHE HIT HIM WITH SOMETHING DURING A STRUGGLE. 779 00:34:11,617 --> 00:34:13,219 SHE PANICKED. 780 00:34:13,252 --> 00:34:15,654 NATURALLY, SHE CALLED ME. 781 00:34:15,687 --> 00:34:20,192 - AND YOU WENT TO HELP HER. 782 00:34:20,226 --> 00:34:22,228 - UNDERSTAND, IT WAS PATTY'S REACTION 783 00:34:22,261 --> 00:34:24,830 TO FINDING OUT THE MAN VIOLATED OUR DAUGHTER. 784 00:34:24,863 --> 00:34:27,366 - THERE WAS MORE THAN ONE BLOW. 785 00:34:27,399 --> 00:34:29,401 - NO. 786 00:34:31,737 --> 00:34:33,305 NOT PATTY. ME. 787 00:34:33,339 --> 00:34:35,374 - YOU? 788 00:34:38,510 --> 00:34:41,313 - WHEN I GOT THERE, 789 00:34:41,347 --> 00:34:43,249 PATTY'S EARRING WAS IN HIS HAND, 790 00:34:43,282 --> 00:34:45,251 AND HE WOULDN'T LET GO. 791 00:34:45,284 --> 00:34:47,719 SUDDENLY, HE MOVED. 792 00:34:47,753 --> 00:34:51,257 I REACTED. I SLAMMED HIS HEAD AGAINST THE FLOOR. 793 00:34:51,290 --> 00:34:53,659 - FINISHED HIM OFF. 794 00:34:53,692 --> 00:34:57,863 - I CHECKED HIS HEART. 795 00:34:57,896 --> 00:35:00,332 AND HE WAS DEAD. 796 00:35:03,202 --> 00:35:05,237 PATTY DIDN'T KILL HIM. 797 00:35:12,178 --> 00:35:14,613 I DID. 798 00:35:24,523 --> 00:35:26,458 - WE'LL BE PROCESSING YOUR RELEASE. 799 00:35:26,492 --> 00:35:27,859 - SO YOU KNOW I'M INNOCENT? 800 00:35:27,893 --> 00:35:31,897 - YOUR FATHER GAVE US A STATEMENT. 801 00:35:31,930 --> 00:35:35,267 HE KILLED CONNOR. 802 00:35:35,301 --> 00:35:38,204 HE...AND YOUR MOTHER. 803 00:35:44,810 --> 00:35:47,479 SHE REACTED TO THE NEWS YOU WERE SLEEPING WITH HIM, 804 00:35:47,513 --> 00:35:49,881 AND ACTED OUT OF RAGE, AND... 805 00:35:49,915 --> 00:35:52,184 - IT'S MY FAULT FOR BEING WITH CONNOR, ANYWAY. 806 00:35:52,218 --> 00:35:53,619 - NO, IT'S NOT YOUR FAULT. 807 00:35:53,652 --> 00:35:55,187 DON'T BELIEVE THAT. 808 00:35:55,221 --> 00:35:59,658 - WHY SHOULD I BELIEVE YOU ABOUT ANYTHING? 809 00:35:59,691 --> 00:36:03,695 - DETECTIVE. 810 00:36:03,729 --> 00:36:06,532 WE'RE NOT LETTING HER GO UNTIL WE'RE ALL FINISHED. 811 00:36:08,934 --> 00:36:10,536 - SHE'S A 17-YEAR-OLD GIRL. 812 00:36:10,569 --> 00:36:11,670 WE ACCUSED HER OF MURDER. 813 00:36:11,703 --> 00:36:12,971 SHE'S ALONE IN A HOLDING CELL. 814 00:36:13,004 --> 00:36:14,373 - YEAH, WHERE SHE'S GONNA STAY 815 00:36:14,406 --> 00:36:16,975 UNTIL THE VOIDED ARREST PROCESS. 816 00:36:17,008 --> 00:36:18,410 THAT'S WHAT WE DO. 817 00:36:18,444 --> 00:36:20,212 - IF FRANK'S STATEMENT WILL GET IT TO TRIAL, 818 00:36:20,246 --> 00:36:22,248 THERE'S NOTHING LEFT FOR US TO DO. 819 00:36:22,281 --> 00:36:23,982 - UNDERSTAND HER INTENT. 820 00:36:24,015 --> 00:36:25,651 - PATRICIA'S INTENT? 821 00:36:25,684 --> 00:36:28,254 AS A MOTHER, I CAN ALMOST GET MY HEAD AROUND HER INTENT. 822 00:36:28,287 --> 00:36:30,722 - NO, YOU CAN'T. SHE'S NOT YOU. 823 00:36:30,756 --> 00:36:32,324 - YOU KNOW, YOU SHOULD HAVE BEEN A SHRINK 824 00:36:32,358 --> 00:36:34,293 LIKE YOUR FATHER WANTED. 825 00:36:36,795 --> 00:36:41,500 - SERENA, I DON'T CARE ABOUT COMPLAINING HUSBANDS 826 00:36:41,533 --> 00:36:42,634 AND CHEATING WIVES 827 00:36:42,668 --> 00:36:44,470 AND TREATING PEOPLE WITH NERVOUS ACNE. 828 00:36:44,503 --> 00:36:47,539 BUT I AM DRIVEN TO UNDERSTAND 829 00:36:47,573 --> 00:36:50,309 WHY SOME PEOPLE ARE SO DIFFERENT 830 00:36:50,342 --> 00:36:51,977 THAT THEY DISRUPT OUR SENSE 831 00:36:52,010 --> 00:36:53,479 OF ALL BEHAVIOR AND LOGIC. 832 00:36:53,512 --> 00:36:55,614 - AND YOU'LL DO WHATEVER IT TAKES. 833 00:36:55,647 --> 00:36:58,450 - I DON'T BUY THAT PATRICIA 834 00:36:58,484 --> 00:37:00,719 KILLED TO PROTECT HER CHILD. 835 00:37:00,752 --> 00:37:02,321 - WHY NOT? 836 00:37:02,354 --> 00:37:04,556 - IT'S NOT WHO SHE IS. 837 00:37:04,590 --> 00:37:07,926 - AND WHO IS SHE? 838 00:37:07,959 --> 00:37:10,396 - WE DON'T KNOW. 839 00:37:17,303 --> 00:37:19,037 MS. CARUSO, 840 00:37:19,070 --> 00:37:22,274 YOUR HUSBAND HAS TOLD US EVERYTHING-- 841 00:37:22,308 --> 00:37:25,477 HOW YOU CALLED HIM FROM CONNOR'S 842 00:37:25,511 --> 00:37:27,446 ON MIA'S PHONE. 843 00:37:27,479 --> 00:37:29,448 - DON'T BLAME HIM FOR LYING. 844 00:37:29,481 --> 00:37:31,483 HE IS DESPERATE TO SAVE MIA. 845 00:37:31,517 --> 00:37:32,584 I MEAN, MAYBE HE'S RIGHT. 846 00:37:32,618 --> 00:37:34,019 MAYBE WE SHOULD SACRIFICE OURSELVES 847 00:37:34,052 --> 00:37:36,855 FOR THE SAKE OF OUR CHILD. 848 00:37:36,888 --> 00:37:40,526 - MISS CARUSO, THIS TELLS US 849 00:37:40,559 --> 00:37:43,862 THAT YOU WERE PRESENT WHEN CONNOR DIED. 850 00:37:43,895 --> 00:37:47,366 HE CUT HIS HAND... 851 00:37:47,399 --> 00:37:51,337 CLUTCHING... AT THIS EARRING. 852 00:37:54,406 --> 00:37:58,344 OBSERVE, IF YOU WILL. 853 00:37:58,377 --> 00:38:00,546 YOU SEE THAT? 854 00:38:01,647 --> 00:38:03,849 SEE THAT? 855 00:38:03,882 --> 00:38:05,617 SAME... 856 00:38:05,651 --> 00:38:08,620 - I'VE NOTICED SINCE THEN YOU'VE WORN CLIP-ONS. 857 00:38:08,654 --> 00:38:10,288 WOULD YOU REMOVE THEM? 858 00:38:18,930 --> 00:38:21,600 SO WHEN YOU STRUGGLED, 859 00:38:21,633 --> 00:38:24,736 CONNOR PULLED THIS EARRING OUT OF YOUR EAR. 860 00:38:31,109 --> 00:38:34,580 - OKAY, SO WHAT-- WHAT HAPPENED THAT NIGHT? 861 00:38:34,613 --> 00:38:38,950 YOU, UM, SOMEHOW WOUND UP WITH MIA'S CELL PHONE, 862 00:38:38,984 --> 00:38:42,521 AND YOU INTERCEPTED A TEXT MESSAGE 863 00:38:42,554 --> 00:38:46,057 FROM CONNOR THAT WAS MEANT FOR MIA. 864 00:38:46,091 --> 00:38:47,659 - FILTH. 865 00:38:47,693 --> 00:38:49,361 HE BRAGGED. 866 00:38:49,395 --> 00:38:51,497 HE DESCRIBED MIA'S FIRST ORGASM 867 00:38:51,530 --> 00:38:55,701 IN LUGUBRIOUS DETAIL. 868 00:38:55,734 --> 00:38:59,471 - BUT WE HAVE THE TEXT RIGHT HERE, 869 00:38:59,505 --> 00:39:03,074 MS. CARUSO. 870 00:39:03,108 --> 00:39:04,710 THIS IS WHAT HE WROTE. 871 00:39:04,743 --> 00:39:07,078 "YOUR WORDS, STYLE, AND STRUCTURE, MIA, 872 00:39:07,112 --> 00:39:09,815 "ARE GIFTS TOUCHED BY GOD'S WAND. 873 00:39:09,848 --> 00:39:12,083 "NOTHING IS OWED TO A MOTHER 874 00:39:12,117 --> 00:39:15,053 WHO HAS SUPPRESSED AND DENIED YOUR TALENT." 875 00:39:15,086 --> 00:39:16,655 FILTH? 876 00:39:16,688 --> 00:39:19,525 - CONSIDERING THE PURPOSE, I'LL STICK WITH "FILTH." 877 00:39:22,027 --> 00:39:24,129 - EVEN I WOULD HAVE TO ADMIT 878 00:39:24,162 --> 00:39:29,034 THAT MIA'S WRITING IS NOT ONLY SUPERIOR TO YOURS, BUT-- 879 00:39:29,067 --> 00:39:30,769 - YOU'RE A COP. 880 00:39:30,802 --> 00:39:32,604 YOU CAN'T JUDGE WHAT I CREATE. 881 00:39:32,638 --> 00:39:36,775 I DON'T CARE WHAT YOU THINK. 882 00:39:36,808 --> 00:39:38,910 BUT YOU DID CARE... 883 00:39:38,944 --> 00:39:42,648 WHAT CONNOR THOUGHT, DIDN'T YOU? 884 00:39:42,681 --> 00:39:45,784 - CONNOR WANTED LE MOT JUSTE. FLAUBERT. 885 00:39:45,817 --> 00:39:47,118 SYLVIA PLATH. 886 00:39:47,152 --> 00:39:48,687 I WRITE TOUGH. 887 00:39:48,720 --> 00:39:50,456 NOT THE SOP YOU SEE ON OPRAH. 888 00:39:50,489 --> 00:39:54,426 IT SELLS. THAT IS WHY I'M RUNNING THE PLACE. 889 00:39:54,460 --> 00:39:57,963 - DON'T YOU FEEL THAT MIA HAS A SPECIAL GIFT? 890 00:39:57,996 --> 00:40:01,433 - CONNOR SAID WHAT HE SAID TO GET LAID. 891 00:40:01,467 --> 00:40:04,770 A DECADE AGO, I LEARNED EXACTLY HOW HE WORKS. 892 00:40:09,975 --> 00:40:12,210 OKAY, YOU WANT THE WHOLE STORY? 893 00:40:12,243 --> 00:40:15,714 I DIDN'T KILL CONNOR. FORREST DID. 894 00:40:15,747 --> 00:40:17,916 - BUT YOU STRUCK HIM BEFORE FORREST GOT THERE. 895 00:40:17,949 --> 00:40:19,117 - YEAH, BUT WHEN FORREST GOT THERE, 896 00:40:19,150 --> 00:40:20,118 CONNOR MOVED. 897 00:40:20,151 --> 00:40:22,020 FORREST AND I BOTH SAW IT. 898 00:40:22,053 --> 00:40:23,755 SO FORREST TOOK HIS HEAD, 899 00:40:23,789 --> 00:40:25,824 AND HE SLAMMED IT INTO THE FLOOR. 900 00:40:25,857 --> 00:40:27,459 AND HE NEVER MOVED AGAIN. 901 00:40:27,493 --> 00:40:29,094 - THAT WAS A MUSCLE CONTRACTION. 902 00:40:29,127 --> 00:40:32,163 THAT'S A FUNCTION OF RIGOR MORTIS. 903 00:40:32,197 --> 00:40:35,701 YOUR BLOW ACTUALLY DID KILL CONNOR JAMES. 904 00:40:35,734 --> 00:40:39,671 AND FOR REASONS THAT ARE FAR LESS NOBLE 905 00:40:39,705 --> 00:40:43,108 THAN YOU'D LIKE US TO THINK. 906 00:40:43,141 --> 00:40:47,145 - YOU'VE GONE FROM A MOTHER TRYING TO FRAME HER DAUGHTER 907 00:40:47,178 --> 00:40:50,181 TO ACCUSING THE EX-HUSBAND WHO STILL LOVES YOU. 908 00:40:56,054 --> 00:40:58,023 - I THINK PATRICIA 909 00:40:58,056 --> 00:41:01,159 IS FINALLY STARTING TO ARRIVE AT REALITY. 910 00:41:08,900 --> 00:41:11,903 IT'S TIME SHE HEARD HER RIGHTS. 911 00:41:29,621 --> 00:41:31,823 - YOU'RE A STICKLER FOR BEHAVIORAL THEORY. 912 00:41:31,857 --> 00:41:33,191 LISTEN TO THIS. 913 00:41:33,224 --> 00:41:34,826 "THESE INDIVIDUALS CAN HAVE 914 00:41:34,860 --> 00:41:36,728 "A GRANDIOSE VIEW OF THEMSELVES, 915 00:41:36,762 --> 00:41:38,864 "AND DEMAND EXCESSIVE ADMIRATION. 916 00:41:38,897 --> 00:41:41,032 "THEY MANEUVER WELL IN DIFFICULT SITUATIONS, 917 00:41:41,066 --> 00:41:43,068 "BUT THEIR SELF-ESTEEM IS FRAGILE. 918 00:41:43,101 --> 00:41:45,303 "ANY THREAT TO THEIR SELF-IMAGE 919 00:41:45,336 --> 00:41:49,040 MIGHT AGITATE OR EVEN ENRAGE THEM." 920 00:41:49,074 --> 00:41:52,077 - OH, THAT'S RIGHT OUT OF THE PSYCH TEXTBOOK. 921 00:41:52,110 --> 00:41:54,880 YEAH, NARCISSISTIC PERSONALITY DISORDER. 922 00:41:54,913 --> 00:41:56,081 IT'S A PSYCHOPATHOLOGY 923 00:41:56,114 --> 00:41:58,817 THAT FITS OUR PATRICIA TO A "T". 924 00:41:58,850 --> 00:42:01,720 - OR A SIGN OF THE ZODIAC. 925 00:42:01,753 --> 00:42:05,056 SHE'S A SCORPIO. 926 00:42:05,090 --> 00:42:06,825 - YEAH. 927 00:42:06,858 --> 00:42:10,128 WELL, YOU KNOW, MY FATHER WOULD KILL ME FOR SAYING THIS, 928 00:42:10,161 --> 00:42:12,731 BUT, UH... 929 00:42:12,764 --> 00:42:14,532 EQUALLY VALID. 930 00:42:19,104 --> 00:42:21,707 Captioning by CaptionMax www.captionmax.com