1 00:00:01,369 --> 00:00:03,237 male announcer: IN NEW YORK CITY'S WAR ON CRIME, 2 00:00:03,271 --> 00:00:04,738 THE WORST CRIMINAL OFFENDERS 3 00:00:04,772 --> 00:00:09,277 ARE PURSUED BY THE DETECTIVES OF THE MAJOR CASE SQUAD. 4 00:00:09,310 --> 00:00:11,412 THESE ARE THEIR STORIES. 5 00:00:12,780 --> 00:00:17,418 - THAT MAN CANNOT TOLERATE A MEANINGLESS EXISTENCE 6 00:00:17,451 --> 00:00:20,788 WAS CENTRAL TO JUNG'S UNDERSTANDING. 7 00:00:20,821 --> 00:00:25,025 BUT HOW DOES THIS RELATE TO JUNG'S SHADOW THEORY, HMM? 8 00:00:27,128 --> 00:00:28,696 SARAH? 9 00:00:28,729 --> 00:00:31,465 [snapping fingers] WELCOME BACK. 10 00:00:31,499 --> 00:00:34,535 JUNG'S SHADOW THEORY. 11 00:00:34,568 --> 00:00:37,471 - WE ALL HAVE A SHADOW SIDE. 12 00:00:37,505 --> 00:00:41,075 AND JUNG FELT THE LESS IT'S EMBODIED IN OUR CONSCIOUS LIFE, 13 00:00:41,109 --> 00:00:44,678 THE MORE DANGEROUS IT IS. 14 00:00:44,712 --> 00:00:47,115 - YES, THAT-- THAT'S WELL SAID. 15 00:00:47,148 --> 00:00:51,785 [cell phone rings] - HI, SIS. 16 00:00:51,819 --> 00:00:54,622 I ALWAYS KNOW WHEN IT'S YOU WITH A DOSE OF PERSONAL CONCERN. 17 00:00:56,890 --> 00:01:00,128 WHERE I WAS ALL NIGHT? WHAT DOES IT MATTER? 18 00:01:00,161 --> 00:01:02,863 YES. HE CALLED ME FOUR TIMES. 19 00:01:02,896 --> 00:01:05,599 I HAVEN'T CALLED HIM BACK. 20 00:01:05,633 --> 00:01:10,204 JUST TELL DADDY I'M GETTING STRAIGHT "A"s. 21 00:01:10,238 --> 00:01:14,108 BECAUSE THAT'S ALL HE NEEDS TO KNOW. 22 00:01:18,712 --> 00:01:21,415 - YOU LOOK REALLY COOL. 23 00:01:21,449 --> 00:01:25,286 - COOL? WHAT ARE WE, IN HIGH SCHOOL? 24 00:01:25,319 --> 00:01:26,887 I'M YOUR MISTRESS OF THE NIGHT. 25 00:01:26,920 --> 00:01:30,691 - AND WE ARE SEEKERS OF A GREATER TRUTH. 26 00:01:30,724 --> 00:01:33,161 LET'S GO. 27 00:01:33,194 --> 00:01:35,196 [club music] 28 00:01:35,229 --> 00:01:43,237 * 29 00:01:45,939 --> 00:01:49,877 - HEY, HANG HERE. I'M GONNA PUSH FOR THE BAR. 30 00:01:55,849 --> 00:01:59,220 - I COULD MAKE YOU MY NEXT MEAL. 31 00:01:59,253 --> 00:02:01,355 - WHAT WOULD I TASTE LIKE? 32 00:02:01,389 --> 00:02:06,160 - FIRST BITE, LIKE A DARK-CHOCOLATE TRUFFLE. 33 00:02:06,194 --> 00:02:08,896 - AND IF YOU TAKE MORE THAN A BITE? 34 00:02:08,929 --> 00:02:10,564 - LIKE A LAMB... 35 00:02:10,598 --> 00:02:14,368 FLAYED OF ITS SKIN, BLEATING... 36 00:02:14,402 --> 00:02:16,804 BUT QUIVERING AND WANTING MORE. 37 00:02:16,837 --> 00:02:18,939 - HEY. I'M KYLE... 38 00:02:18,972 --> 00:02:20,908 THE BOYFRIEND. 39 00:02:22,376 --> 00:02:26,180 - OH, KYLE. THIS IS-- - A DARK ENCOUNTER. 40 00:02:26,214 --> 00:02:29,617 - I'M AFRAID YOU'VE LOST HER, OLD BOY. 41 00:02:29,650 --> 00:02:31,385 MY DEEPEST SYMPATHIES. 42 00:02:31,419 --> 00:02:33,854 - WHY DON'T YOU GET ACQUAINTED WITH HIM WHILE I... 43 00:02:33,887 --> 00:02:36,490 SCREEN THIS LITTLE LAMB? 44 00:02:38,226 --> 00:02:41,595 - NOW LET'S EASE YOUR PAIN. 45 00:02:46,467 --> 00:02:50,938 - A STRANGE AND BEAUTIFUL CREATURE 46 00:02:50,971 --> 00:02:54,608 DESIRES YOU WITH ACHING HUNGER. 47 00:03:07,621 --> 00:03:09,590 DRINK... 48 00:03:09,623 --> 00:03:12,693 MY PRINCESS OF THE NIGHT. 49 00:03:38,919 --> 00:03:42,490 - YOU LIKE HIM? - KYLE, YOU'RE-- 50 00:03:42,523 --> 00:03:43,657 KYLE, YOU'RE HURTING ME. 51 00:03:43,691 --> 00:03:46,860 - YOU LIKE ROUGH? I CAN GIVE YOU ROUGH. 52 00:03:52,032 --> 00:03:54,602 - SHE HASN'T CALLED BACK. SHE HASN'T PICKED UP HER PHONE. 53 00:03:54,635 --> 00:03:57,905 OUR FATHER IS VERY CONCERNED. 54 00:04:06,647 --> 00:04:09,383 [Law & Order theme] 55 00:04:09,417 --> 00:04:17,425 * 56 00:04:55,095 --> 00:04:56,897 - I WAS THINKING OF KEIRA. 57 00:04:56,930 --> 00:04:59,967 IN TEN YEARS, I'LL BE SENDING HER OFF TO COLLEGE. 58 00:05:00,000 --> 00:05:02,069 - RIGHT. THEY GO OFF. THEY GO OFF. 59 00:05:02,102 --> 00:05:04,405 YOU KNOW, THEY TELL YOU THEY'RE SEXUALLY AMBIVALENT 60 00:05:04,438 --> 00:05:05,739 OR WANT TO BE ECOTERRORISTS. 61 00:05:05,773 --> 00:05:08,809 BUT WITH ANY LUCK, YOU KNOW, 62 00:05:08,842 --> 00:05:11,345 YOU'RE NOT GONNA GET THIS, RIGHT? 63 00:05:11,379 --> 00:05:14,382 - WELL, IT'S HARD TO TELL MUCH. THERE'S SO MUCH BLOOD. 64 00:05:14,415 --> 00:05:15,849 POSSIBLY VAGINAL PENETRATION 65 00:05:15,883 --> 00:05:17,718 AND A SLIGHT BRUISING ON THE NECK, 66 00:05:17,751 --> 00:05:19,853 BUT NOT ENOUGH TO SUGGEST STRANGULATION. 67 00:05:19,887 --> 00:05:21,389 - MAYBE EROTIC ASPHYXIATION? 68 00:05:21,422 --> 00:05:23,123 - I'M THINKING MAYBE A RUPTURE OF THE VARICES 69 00:05:23,156 --> 00:05:24,992 IN HER ESOPHAGUS. 70 00:05:25,025 --> 00:05:27,728 SHE VOMITED BLOOD, MAYBE CHOKED ON IT, 71 00:05:27,761 --> 00:05:29,029 OR SIMPLY BLED OUT. 72 00:05:29,062 --> 00:05:32,733 - EXSANGUINATION-- EXTREME LOSS OF BLOOD. 73 00:05:32,766 --> 00:05:35,002 MY FATHER WAS A CORPSMAN. 74 00:05:35,035 --> 00:05:37,405 IT'S THE MOST COMMON CAUSE OF DEATH ON THE BATTLEFIELD. 75 00:05:37,438 --> 00:05:41,509 - AND A DEATH USUALLY ASSOCIATED WITH ALCOHOLISM. 76 00:05:42,943 --> 00:05:46,480 - GOTH QUEEN OUTFIT. 77 00:05:46,514 --> 00:05:47,981 PLEASE. THANK YOU. 78 00:05:48,015 --> 00:05:53,721 UH, QUOTES HERE BY FOUCAULT, KANT. 79 00:05:53,754 --> 00:05:55,923 LOOK AT THIS. 80 00:05:55,956 --> 00:05:57,891 LOOK AT THIS. 81 00:05:57,925 --> 00:06:00,928 OH, THIS TAKES ME TO MY DAD'S STUDY. 82 00:06:00,961 --> 00:06:02,863 - SOMETHING INTERESTING. - YEAH. 83 00:06:02,896 --> 00:06:06,867 THIS IS THE RED BOOK BY CARL JUNG, 84 00:06:06,900 --> 00:06:09,136 THE NEWLY PUBLISHED EDITION. - I DON'T FOLLOW. 85 00:06:09,169 --> 00:06:13,641 - OH, THE RED BOOK WAS, UH, FOR HALF A CENTURY 86 00:06:13,674 --> 00:06:14,742 ONLY PIRATED. 87 00:06:14,775 --> 00:06:17,945 IT REIGNED AS THE MOST INFLUENTIAL UNPUBLISHED BOOK 88 00:06:17,978 --> 00:06:19,112 IN THE HISTORY OF PSYCHOLOGY. 89 00:06:19,146 --> 00:06:21,915 - WHY DIDN'T JUNG WANT IT PUBLISHED? 90 00:06:21,949 --> 00:06:25,052 - WELL, IT RECORDED, UH, HIS OWN CONFRONTATION 91 00:06:25,085 --> 00:06:26,954 WITH HIS UNCONSCIOUS. 92 00:06:26,987 --> 00:06:31,925 THOUGHTS AND VISIONS SO WEIRD, THEY FRIGHTENED HIM. 93 00:06:31,959 --> 00:06:34,495 HE THOUGHT EVERYBODY SHOULD HAVE A RED BOOK-- 94 00:06:34,528 --> 00:06:38,832 ALL DISTURBING THOUGHTS WRITTEN DOWN AND FILED AWAY. 95 00:06:38,866 --> 00:06:40,901 - THERE'S-- THERE'S AN INSCRIPTION. 96 00:06:40,934 --> 00:06:43,103 "COME DISCOVER A DEEPER SPIRITUAL LIFE. 97 00:06:43,136 --> 00:06:45,205 STRUGGLE WITH EVIL AND INTEGRATE THE DEVIL... 98 00:06:45,238 --> 00:06:47,808 WELCOME TO THE JOURNEY. K." 99 00:06:47,841 --> 00:06:51,945 - VERY TRIPPY STUFF. SO WHO'S "K"? 100 00:06:51,979 --> 00:06:55,849 - DETECTIVES, THE VICTIM'S FATHER AND SISTER ARE HERE. 101 00:06:57,618 --> 00:07:00,120 - [crying] 102 00:07:00,153 --> 00:07:03,056 SARAH WAS ALWAYS DIFFERENT. 103 00:07:03,090 --> 00:07:06,126 IN OUR TEENS, WHEN I WAS READING YOUNG ROMANCE, 104 00:07:06,159 --> 00:07:09,963 SHE READ POE, LOVECRAFT, ALL KINDS OF OCCULT STUFF. 105 00:07:09,997 --> 00:07:12,933 - THAT'S STILL REFLECTED IN HER CHOICE OF DRESS AND DECOR. 106 00:07:12,966 --> 00:07:14,568 - DETECTIVES, WE KNOW SO LITTLE. 107 00:07:14,602 --> 00:07:17,104 WE--WE SHOULDN'T JUMP TO ASSUMPTIONS HERE. 108 00:07:17,137 --> 00:07:20,007 - WE MAKE AN EFFORT NOT TO DO THAT, CONGRESSMAN. 109 00:07:20,040 --> 00:07:22,610 UH, YOU LIVE HERE IN THE CITY. 110 00:07:22,643 --> 00:07:25,946 DID YOU SEE HER OFTEN? - WE MET FOR LUNCHES. 111 00:07:25,979 --> 00:07:28,682 I KNEW SOMETHING WAS WRONG BY THE WAY SHE WAS DRESSING 112 00:07:28,716 --> 00:07:30,217 AND HER EYE MAKEUP. 113 00:07:30,250 --> 00:07:34,154 BUT SHE'D LAUGH AND SAY IT WAS JUST A FASHION STATEMENT. 114 00:07:34,187 --> 00:07:35,856 - WHAT ABOUT PEOPLE SHE KNEW? 115 00:07:35,889 --> 00:07:37,825 EVER MET ANYONE SHE WAS CLOSE TO? 116 00:07:37,858 --> 00:07:40,127 - I HAVEN'T. CAROLINE, HAVE YOU MET ANYONE? 117 00:07:40,160 --> 00:07:43,497 - WE BELIEVE SHE WAS CLOSE TO OR POSSIBLY INVOLVED 118 00:07:43,531 --> 00:07:45,533 WITH SOMEONE WHOSE INITIAL WAS "K." 119 00:07:45,566 --> 00:07:48,602 - LATELY, SHE'S SHARED SO LITTLE WITH ME. 120 00:07:48,636 --> 00:07:50,671 - SHE WAS GOING THROUGH A PHASE. 121 00:07:50,704 --> 00:07:53,741 - DAD, IT STARTED BEFORE SHE LEFT HOME. 122 00:07:53,774 --> 00:07:55,709 - WHAT DID YOU NOTICE, CAROLINE? 123 00:07:55,743 --> 00:07:57,911 - SARAH HATED DAD'S WORLD-- 124 00:07:57,945 --> 00:08:00,213 THE CAMPAIGNING, THE--THE PUBLIC LIFE, 125 00:08:00,247 --> 00:08:04,284 ALWAYS TELLING THE MEDIA THAT EVERYTHING'S PERFECT. 126 00:08:04,317 --> 00:08:07,955 SHE LONGED TO ESCAPE AND FIND SOMETHING ELSE. 127 00:08:07,988 --> 00:08:11,725 - WHATEVER SHE FOUND KILLED HER. 128 00:08:11,759 --> 00:08:15,295 - [crying] 129 00:08:15,328 --> 00:08:17,565 - "GOING THROUGH A PHASE." I'VE SAID THAT. 130 00:08:17,598 --> 00:08:19,066 HELL, MOST PARENTS HAVE SAID THAT. 131 00:08:19,099 --> 00:08:21,802 - THEY SEEM PRETTY OUT OF TOUCH WITH HER. 132 00:08:21,835 --> 00:08:23,837 - YOU KNOW, WHEN MY OLDEST DAUGHTER GOT A SMALL TATTOO, 133 00:08:23,871 --> 00:08:25,138 I THOUGHT THE NEXT THING WAS GONNA BE 134 00:08:25,172 --> 00:08:27,975 THE DOWNTOWN CLUB SCENE AND THEN REHAB. 135 00:08:28,008 --> 00:08:29,910 INSTEAD, SHE'S AT COLUMBIA IN PRE-MED. 136 00:08:29,943 --> 00:08:33,847 SO MAYBE SARAH JUST NEEDED SOME ROOM. 137 00:08:33,881 --> 00:08:35,583 SO WHEN THE CALLS START COMING IN 138 00:08:35,616 --> 00:08:37,250 FROM WHOMEVER THE OHIO CONGRESSMAN LEANS ON, 139 00:08:37,284 --> 00:08:39,052 WHAT WORDS OF ENCOURAGEMENT CAN I GIVE THEM? 140 00:08:39,086 --> 00:08:41,054 - WELL, ONE OF OUR FIRST STEPS IS GONNA BE TO UNCOVER 141 00:08:41,088 --> 00:08:42,189 HIS DAUGHTER'S MISSING LIFE. 142 00:08:42,222 --> 00:08:44,625 - KIDS IN THE DORM SAID SHE SKIPPED A LOT OF CLASSES, 143 00:08:44,658 --> 00:08:45,826 BUT ACED EXAMS. 144 00:08:45,859 --> 00:08:48,562 THERE WAS ONE PSYCH CLASS THAT REALLY HELD HER INTEREST. 145 00:08:48,596 --> 00:08:50,631 - WE WERE THINKING IT MIGHT'VE BEEN THE SUBJECT, 146 00:08:50,664 --> 00:08:53,901 OR IT MIGHT'VE BEEN THE PROFESSOR. 147 00:08:53,934 --> 00:08:56,003 - IT'S A GOOD PLACE TO START. 148 00:08:58,939 --> 00:09:01,642 - SHE HAD PROMISE. SHE WORSHIPPED JUNG. 149 00:09:01,675 --> 00:09:02,910 WE SHARED THAT. 150 00:09:02,943 --> 00:09:03,877 - FREUD GETS THE CREDIT, 151 00:09:03,911 --> 00:09:07,347 BUT JUNG PROBED THE DEEP, DARK DEPTHS, YEAH? 152 00:09:07,380 --> 00:09:09,316 - I CAN ALMOST AGREE WITH THAT. 153 00:09:09,349 --> 00:09:11,652 - SO DID SHE DO HER HOMEWORK? - SOMETIMES. 154 00:09:11,685 --> 00:09:12,920 - BUT SHE PASSED ALL THE TESTS. 155 00:09:12,953 --> 00:09:14,187 - SHE HAD AN INTUITIVE UNDERSTANDING 156 00:09:14,221 --> 00:09:15,789 OF JUNG'S THEORIES. 157 00:09:15,823 --> 00:09:17,958 - YES, THE THING YOU SHARED WITH HER. 158 00:09:17,991 --> 00:09:19,326 - IN CLASS, ONLY IN CLASS. 159 00:09:19,359 --> 00:09:21,729 - BEYOND YOUR CLASSROOM, HER LIFE IS A MYSTERY? 160 00:09:21,762 --> 00:09:22,930 - YES, TO ME, IT WAS. 161 00:09:22,963 --> 00:09:25,799 - SOMEBODY GAVE HER THE NEWLY PUBLISHED RED BOOK. 162 00:09:25,833 --> 00:09:28,135 - WELL, THEN SOMEONE PICKED THE RIGHT GIFT FOR SARAH. 163 00:09:28,168 --> 00:09:31,071 - SOMEBODY WHO SIGNS THEMSELF "K." 164 00:09:31,104 --> 00:09:35,042 - THERE'S NO "K" IN MY NAME, IF THAT'S WHERE YOU'RE GOING. 165 00:09:35,075 --> 00:09:37,344 - UNEASY. ARROGANT. PETULANT. - YEAH. 166 00:09:37,377 --> 00:09:40,080 MAKES HIM IDEALLY SUITED FOR ACADEMIA, 167 00:09:40,113 --> 00:09:41,949 BUT NOT NECESSARILY GUILTY. 168 00:09:41,982 --> 00:09:44,017 - SARAH WAS CLEARLY PULLED BY BOTH WORLDS 169 00:09:44,051 --> 00:09:45,619 AND A DOZEN SCHOOL CLUBS-- 170 00:09:45,653 --> 00:09:47,688 RUNNING FOR TREASURER OF THE STUDENT BODY, 171 00:09:47,721 --> 00:09:49,322 YET DRESSING LIKE A GOTH. 172 00:09:49,356 --> 00:09:52,025 - HMM. STACY MENDELSON WOULD NEVER HAVE DONE THAT. 173 00:09:52,059 --> 00:09:55,028 - WHO? - OUR VALEDICTORIAN... 174 00:09:55,062 --> 00:09:58,331 PRESIDENT OF THE, UH, SENIOR COUNCIL, EVERY CLUB. 175 00:09:58,365 --> 00:10:02,069 I-I CAN'T PICTURE STACY AS AS GOTH... 176 00:10:02,102 --> 00:10:05,138 ALTHOUGH SHE DID MARRY A BIKER. 177 00:10:05,172 --> 00:10:06,840 YOU NEVER REALLY KNOW, DO YOU? 178 00:10:06,874 --> 00:10:08,876 [cell phone beeping] 179 00:10:08,909 --> 00:10:12,179 - SARAH'S PHONE RECORDS ARE IN. 180 00:10:12,212 --> 00:10:14,147 - BUT ANY PARENT WHO HAS GONE THROUGH SIMILAR GRIEF 181 00:10:14,181 --> 00:10:18,151 KNOWS THESE ARE YOUNG PEOPLE WHO SOCIETY OVERALL HAS FAILED. 182 00:10:18,185 --> 00:10:22,255 - SARAH'S FATHER-- HE'S USED THE WORD "PHASE" 183 00:10:22,289 --> 00:10:24,792 FOUR TIMES IN THIS ONE INTERVIEW. 184 00:10:24,825 --> 00:10:26,093 WHAT DO YOU GOT? YOU GOT SOMETHING? 185 00:10:26,126 --> 00:10:28,328 - KYLE, AS IN "K" WYLER, 186 00:10:28,361 --> 00:10:30,397 HE CALLED HER NUMEROUS TIMES DAILY. 187 00:10:30,430 --> 00:10:32,199 I'VE GOT A DMV PHOTO. 188 00:10:32,232 --> 00:10:33,734 HE'S FROM RHINEBECK. 189 00:10:33,767 --> 00:10:35,368 - HE'S KIND OF WHOLESOME-LOOKING. 190 00:10:35,402 --> 00:10:37,270 NAME POP ANY PLACE ELSE-- THE SCHOOL? 191 00:10:37,304 --> 00:10:39,072 - HE WAS REGISTERED, BUT DROPPED OUT LAST QUARTER. 192 00:10:39,106 --> 00:10:40,708 AND THERE'S AN ADDRESS. 193 00:10:40,741 --> 00:10:43,711 - MM-HMM. WE SHOULD INVITE HIM IN. 194 00:10:43,744 --> 00:10:47,314 - I'M STILL JUST TAKING IT ALL IN. 195 00:10:47,347 --> 00:10:48,982 IT DOESN'T FEEL REAL. 196 00:10:49,016 --> 00:10:51,852 - WELL, IT DIDN'T LOOK REAL, I'LL TELL YOU. 197 00:10:51,885 --> 00:10:54,021 IT LOOKED, UH, MORE LIKE 198 00:10:54,054 --> 00:10:57,057 SOME NIGHTMARE ILLUSTRATION FROM THE RED BOOK. 199 00:10:57,090 --> 00:11:00,393 - THIS IS THE INSCRIBED COPY YOU GAVE HER. 200 00:11:00,427 --> 00:11:03,096 - YEAH. UH, WE'RE--WE'RE BOTH INTO JUNG. 201 00:11:03,130 --> 00:11:06,233 - "THE PROPHET OF OUR PERSONAL DARKNESS"? 202 00:11:06,266 --> 00:11:09,970 - WHO O-OFFERED AN UNDERSTANDING OF WHO WE REALLY ARE. 203 00:11:10,003 --> 00:11:11,972 - WERE YOU WITH SARAH LAST NIGHT? 204 00:11:12,005 --> 00:11:15,743 - NO. I PULLED AN ALL-NIGHTER STUDYING IN MY DORM ROOM. 205 00:11:15,776 --> 00:11:19,980 - WHY'D YOU BOTHER? YOU DROPPED OUT LAST SEMESTER. 206 00:11:21,414 --> 00:11:24,484 - IT'S NOT A GOOD IDEA TO LIE THIS EARLY ON 207 00:11:24,517 --> 00:11:27,020 IN AN INTERVIEW, KYLE. 208 00:11:27,054 --> 00:11:30,257 - UH, LOOK, I-I-I LIKE SARAH. 209 00:11:30,290 --> 00:11:34,862 UH, I'M REALLY UPSET THAT SHE'S DEAD, 210 00:11:34,895 --> 00:11:36,830 BUT LATELY WE HAVEN'T BEEN IN TOUCH. 211 00:11:36,864 --> 00:11:39,432 - NOW YOU'VE MADE MATTERS WORSE. 212 00:11:39,466 --> 00:11:43,103 AT 7:13 LAST NIGHT, CELL RECORDS INDICATE YOU CALLED HER. 213 00:11:43,136 --> 00:11:45,739 - ONE MORE TRY AT A STRAIGHT ANSWER. 214 00:11:45,773 --> 00:11:47,107 DID YOU SEE HER LAST NIGHT? 215 00:11:47,140 --> 00:11:50,077 - YEAH. WE, UH-- WE MET AT A CLUB. 216 00:11:50,110 --> 00:11:52,179 BUT SHE WENT HER WAY. I WENT MINE. 217 00:11:52,212 --> 00:11:55,048 I DIDN'T--I NEVER REALIZED THAT THIS WOULD BE THE LAST TIME 218 00:11:55,082 --> 00:11:55,883 I'D EVER SEE HER. 219 00:11:55,916 --> 00:11:57,517 - WHAT WAS THE NAME OF THIS CLUB? 220 00:11:57,550 --> 00:11:58,919 - THE HOLY MOTHER. 221 00:11:58,952 --> 00:12:00,353 PEOPLE THAT--WHO WERE THERE CAN TELL YOU 222 00:12:00,387 --> 00:12:03,190 THAT I DIDN'T LEAVE WITH HER. 223 00:12:03,223 --> 00:12:06,293 - MM-HMM. RIGHT HERE IN SARAH'S RED BOOK, 224 00:12:06,326 --> 00:12:10,197 "WE MUST STRUGGLE WITH EVIL AND INTEGRATE THE DEVIL..." 225 00:12:10,230 --> 00:12:12,132 WHAT'D YOU MEAN BY THAT? 226 00:12:12,165 --> 00:12:15,535 - IT--IT WAS JUST EXPLORING BOUNDARIES. 227 00:12:15,568 --> 00:12:19,172 SARAH AND I WANTED SOMETHING REAL AND AUTHENTIC. 228 00:12:19,206 --> 00:12:21,341 - WOULD YOU SAY SHE FOUND IT? 229 00:12:24,377 --> 00:12:27,147 - NO. NO. 230 00:12:30,117 --> 00:12:33,086 [club music] 231 00:12:33,120 --> 00:12:37,825 * 232 00:12:37,858 --> 00:12:40,093 I DON'T KNOW WHAT DRUGS WE TOOK, 233 00:12:40,127 --> 00:12:43,096 BUT I AM COMPLETELY BLANK. 234 00:12:43,130 --> 00:12:47,100 - REALLY? WELL, I REMEMBER EVERYTHING WE DID. 235 00:12:47,134 --> 00:12:49,937 NO, I WOULDN'T BLAME THE DRUGS. 236 00:12:49,970 --> 00:12:51,404 I MEAN, WHEN YOU SAW HER IN THERE 237 00:12:51,438 --> 00:12:54,041 AND ANTON WAS DOING HER, 238 00:12:54,074 --> 00:12:57,010 IT HAD TO PISS YOU OFF. 239 00:12:57,044 --> 00:12:59,346 - YEAH. I MEAN, I CONFRONTED HER IN THE ALLEY, 240 00:12:59,379 --> 00:13:01,982 AND IT GOT A LITTLE HEAVY, BUT I DIDN'T-- 241 00:13:02,015 --> 00:13:04,117 LATER, I'M NOT SURE WHAT I DID. 242 00:13:04,151 --> 00:13:08,388 - WELL, MAYBE YOU BROKE THROUGH, COMPLETED A DARK PASSAGE. 243 00:13:08,421 --> 00:13:11,391 THAT'S WILD. - IT'S WILD, VIRGIL? 244 00:13:11,424 --> 00:13:13,193 I'M A MURDER SUSPECT. 245 00:13:13,226 --> 00:13:15,595 - SO I'LL TELL THEM YOU WERE WITH ME-- 246 00:13:15,628 --> 00:13:16,897 WHATEVER YOU WANT. 247 00:13:16,930 --> 00:13:19,566 - BUT FOR MYSELF, I NEED TO KNOW. 248 00:13:19,599 --> 00:13:23,603 - YOU CAME HERE, AND YOU TRUST ME. 249 00:13:23,636 --> 00:13:27,340 - YEAH. WHAT WE DID... 250 00:13:27,374 --> 00:13:29,376 I DIDN'T KNOW WHERE ELSE TO GO. 251 00:13:29,409 --> 00:13:32,946 - WHAT WE DID WAS OUR BEGINNING. 252 00:13:32,980 --> 00:13:36,116 SARAH IS A PART OF THE PAST. 253 00:13:38,285 --> 00:13:40,553 - SHE CLEANED UP PRETTY GOOD. 254 00:13:40,587 --> 00:13:42,055 - YEAH? WHAT'S THE STORY? 255 00:13:42,089 --> 00:13:44,424 - AW, NEVER RUSH THE GOOD STUFF. 256 00:13:44,457 --> 00:13:49,296 SO VAGINAL PENETRATION APPROXIMATELY TWO TO THREE HOURS 257 00:13:49,329 --> 00:13:52,099 BEFORE HER ACTUAL DEATH. 258 00:13:52,132 --> 00:13:54,167 AND THE GUY LEFT A LITTLE OF HIMSELF BEHIND. 259 00:13:54,201 --> 00:13:55,335 - DNA? 260 00:13:55,368 --> 00:13:58,538 - CODIS MATCHED DNA CODING TO JEREMY PARKS, 261 00:13:58,571 --> 00:14:00,407 A FORMER RESIDENT OF RIKERS. 262 00:14:00,440 --> 00:14:01,508 - WELL, THIS IS GOOD. 263 00:14:01,541 --> 00:14:04,411 SIX MONTHS FOR SELLING CLUB DRUGS. 264 00:14:04,444 --> 00:14:06,079 UH, BUT OTHER THAN THAT, 265 00:14:06,113 --> 00:14:08,481 PRETTY UNIMPRESSIVE CRIMINALLY SPEAKING. 266 00:14:08,515 --> 00:14:11,218 - SO SHE HAD SEX, WENT HOME, PASSED OUT, 267 00:14:11,251 --> 00:14:13,086 A VEIN RUPTURES IN HER ESOPHAGUS, 268 00:14:13,120 --> 00:14:14,922 SHE VOMITS BLOOD, AND CHOKES TO DEATH. 269 00:14:14,955 --> 00:14:16,023 ARE WE LOOKING AT A POISONING? 270 00:14:16,056 --> 00:14:18,291 - AH, THAT BRINGS US TO THE PROBLEM OF A TOX SCREEN, 271 00:14:18,325 --> 00:14:22,029 WHICH REQUIRES HER BLOOD. 272 00:14:22,062 --> 00:14:26,099 SARAH PRICE WAS DRAINED. 273 00:14:26,133 --> 00:14:28,635 - DRAINED? - TOTALLY DRY. 274 00:14:28,668 --> 00:14:31,438 DRAINAGE POINTS IN THE RIGHT FEMORAL ARTERY. 275 00:14:31,471 --> 00:14:32,973 MISSED IT AT THE CRIME SCENE. 276 00:14:33,006 --> 00:14:35,042 - WITH ALL THE BLOOD ON THE BODY AND THE BEDDING, 277 00:14:35,075 --> 00:14:36,543 CAN YOU USE THAT FOR TOXICOLOGY? 278 00:14:36,576 --> 00:14:40,013 - ALL THAT BLOOD SHE VOMITED DIDN'T BELONG TO HER. 279 00:14:40,047 --> 00:14:41,514 IT WAS SOMEONE ELSE'S. 280 00:14:53,293 --> 00:14:56,229 - VOMITED BLOOD THAT WASN'T HER OWN? 281 00:14:56,263 --> 00:14:59,166 TALK ABOUT A TABLOID HEADLINE THAT WRITES ITSELF. 282 00:14:59,199 --> 00:15:01,334 - AND HER TASTE IN BLOOD WAS FOR A RARE VINTAGE, 283 00:15:01,368 --> 00:15:02,335 DUFFY-NEGATIVE, 284 00:15:02,369 --> 00:15:04,604 MAINLY PRESENT IN PEOPLE OF WEST AFRICAN DESCENT. 285 00:15:04,637 --> 00:15:06,339 - WEST AFRICA? 286 00:15:06,373 --> 00:15:08,608 DON'T YOU TELL ME YOU'RE GONNA BRING VOODOO INTO THE MIX. 287 00:15:08,641 --> 00:15:11,678 - NO. THE RARITY OF THAT BLOOD IS ACTUALLY A LUCKY BREAK. 288 00:15:11,711 --> 00:15:13,613 HOSPITALS ARE HARD-PRESSED TO KEEP A SUPPLY. 289 00:15:13,646 --> 00:15:16,116 WE MIGHT GET LUCKY WITH A, UH, BLOOD BANK CANVASS. 290 00:15:16,149 --> 00:15:18,285 - AND THE DNA MATCH ON THE SEMEN? 291 00:15:18,318 --> 00:15:20,020 - HIS NAME IS JEREMY PARKS. 292 00:15:20,053 --> 00:15:22,956 HE WAS RELEASED FROM RIKERS SIX MONTHS AGO AND DISAPPEARED. 293 00:15:22,990 --> 00:15:25,092 - AH, FLEW AWAY ON BAT WINGS, DID HE? 294 00:15:25,125 --> 00:15:26,659 LOOK, CAN WE HAVE SOMETHING REAL, PLEASE-- 295 00:15:26,693 --> 00:15:28,595 SOMETHING THAT WASN'T DRAWN FROM CURRENT HIT MOVIES, 296 00:15:28,628 --> 00:15:30,297 MAYBE A PRIOR CASE? 297 00:15:30,330 --> 00:15:33,600 - THERE WAS A REAL EVENT TEN YEARS AGO 298 00:15:33,633 --> 00:15:35,668 IN MELBOURNE, FLORIDA. 299 00:15:35,702 --> 00:15:39,606 UH, JOHN CRUTCHLEY ABDUCTED A 19-YEAR-OLD GIRL. 300 00:15:39,639 --> 00:15:41,308 SHE WAS RAPED AND TORTURED, 301 00:15:41,341 --> 00:15:43,410 AND HE DRAINED 45% OF HER BLOOD, 302 00:15:43,443 --> 00:15:45,645 BUT SHE DIDN'T DIE AND MANAGED TO ESCAPE. 303 00:15:45,678 --> 00:15:47,314 - GOOD. YOU CALL THE COPS DOWN THERE. 304 00:15:47,347 --> 00:15:48,681 YOU FIND OUT IF THIS CRUTCHELY GUY 305 00:15:48,715 --> 00:15:50,650 WAS PART OF A WIDER CULT MOVEMENT. 306 00:15:50,683 --> 00:15:53,420 AND CAN WE CONFIRM THE BOYFRIEND'S ALIBI? 307 00:15:53,453 --> 00:15:54,587 - IF HE DOESN'T COME UP WITH SOME NAMES, 308 00:15:54,621 --> 00:15:56,156 HE'S COMING BACK IN. 309 00:15:56,189 --> 00:15:57,991 - MEANWHILE, WE'RE GONNA GET THE DORM SECURITY TAPE, 310 00:15:58,025 --> 00:15:59,326 SEE WHO SHOWS UP. 311 00:15:59,359 --> 00:16:01,028 - GOOD. 312 00:16:01,061 --> 00:16:03,330 - WELL, HE SURE LOOKS WASTED. 313 00:16:03,363 --> 00:16:05,565 - THAT LOOKS LIKE KYLE. - YEAH, IT'S KYLE. 314 00:16:05,598 --> 00:16:07,767 BUT IT DOESN'T LOOK LIKE HE'S, UH, TOTING ANY BAGS OF BLOOD 315 00:16:07,800 --> 00:16:09,102 UNDER HIS CLOTHES. 316 00:16:09,136 --> 00:16:10,503 AND IT'S NOT SARAH'S DORM. 317 00:16:10,537 --> 00:16:13,273 THEIR SECURITY SYSTEM'S BEEN DOWN SINCE SEPTEMBER. 318 00:16:13,306 --> 00:16:15,308 THIS IS KYLE IN HIS OWN BUILDING. 319 00:16:15,342 --> 00:16:16,643 HE'S WALKING UNSTEADILY, 320 00:16:16,676 --> 00:16:18,778 BUT NO VISIBLE BLOOD ON HIS CLOTHES. 321 00:16:18,811 --> 00:16:20,647 AND THE TIME IS 3:41 A.M. 322 00:16:20,680 --> 00:16:22,649 - THAT ALMOST GIVES HIM AN ALIBI. 323 00:16:22,682 --> 00:16:26,253 ON ANOTHER NOTE, WE HAVE A DUFFY-NEGATIVE MATCH. 324 00:16:26,286 --> 00:16:28,221 A HARLEM BLOOD BANK THAT BUYS RARE TYPES. 325 00:16:28,255 --> 00:16:31,158 SARAH DRANK BLOOD THAT BELONGED TO SOULEYMAN CAMARA, 326 00:16:31,191 --> 00:16:32,325 FORMERLY OF SENEGAL. 327 00:16:32,359 --> 00:16:33,426 - DO WE HAVE AN ADDRESS? 328 00:16:33,460 --> 00:16:35,195 - LAST KNOWN WAS A FLOP ON THE BOWERY, 329 00:16:35,228 --> 00:16:36,429 BUT THE CLINIC SAYS HE HASN'T SHOWN UP 330 00:16:36,463 --> 00:16:37,497 IN OVER A MONTH TO SELL BLOOD. 331 00:16:37,530 --> 00:16:39,799 HE MIGHT'VE BEEN SELLING HIS BLOOD ON THE STREETS. 332 00:16:39,832 --> 00:16:43,670 PRICES HAVE GONE UP, APPARENTLY, SINCE THE VAMPIRE CRAZE. 333 00:16:43,703 --> 00:16:47,207 - SO ALONG WITH PHONY WATCHES, CDs, FALAFEL, AND KABOBS, 334 00:16:47,240 --> 00:16:50,610 THERE'S TYPE "A," "B," "O," AND DUFFY-NEGATIVE. 335 00:16:50,643 --> 00:16:52,179 - OUR UNDERCOVER NARCS SAY THE SELLERS 336 00:16:52,212 --> 00:16:54,081 ARE CALLED "BLOOD WHORES"-- 337 00:16:54,114 --> 00:16:56,249 MAINLY JUNKIES. 338 00:17:04,557 --> 00:17:05,592 - N.Y.P.D. 339 00:17:05,625 --> 00:17:08,695 - HEY! TAKE IT EASY! 340 00:17:08,728 --> 00:17:12,499 - WHAT, ARE YOU NUTS? THAT'S HOW PEOPLE GET SHOT. 341 00:17:12,532 --> 00:17:14,667 SOULEYMAN, WE JUST WANT TO TALK. 342 00:17:14,701 --> 00:17:16,803 WE JUST WANT TO TALK. 343 00:17:16,836 --> 00:17:20,173 - I DID NOTHING. NOTHING. I'M INNOCENT. 344 00:17:20,207 --> 00:17:22,642 - YOURS? 345 00:17:22,675 --> 00:17:25,678 SHE'S BEAUTIFUL. 346 00:17:27,747 --> 00:17:31,584 COSTS A LOT OF MONEY TO TAKE CARE OF A YOUNG FAMILY. 347 00:17:31,618 --> 00:17:32,585 YOU'RE AN ILLEGAL. 348 00:17:32,619 --> 00:17:35,088 [baby cries] 349 00:17:35,122 --> 00:17:37,624 - WE KNOW YOU HAVE LIMITED OPTIONS. 350 00:17:37,657 --> 00:17:40,293 - WHAT IS THIS ABOUT? - WE KNOW YOU SELL BLOOD. 351 00:17:40,327 --> 00:17:42,662 WE KNOW YOU'RE DUFFY-NEGATIVE. 352 00:17:42,695 --> 00:17:47,100 DO YOU KNOW THIS MAN-- JEREMY PARKS? 353 00:17:47,134 --> 00:17:50,337 - WHAT DID HE DO? - MAYBE NOTHING. 354 00:17:50,370 --> 00:17:52,805 BUT WE NEED TO SPEAK WITH HIM. 355 00:17:52,839 --> 00:17:55,508 - I KNOW HIM, BUT HIS NAME'S NOT JEREMY. 356 00:17:55,542 --> 00:17:56,843 IT'S ANTON. 357 00:17:56,876 --> 00:17:58,645 - HE BUYS FROM YOU? 358 00:17:58,678 --> 00:18:02,515 - BECAUSE I'M CLEAN-- NO AIDS, NO DISEASE. 359 00:18:02,549 --> 00:18:04,651 ALSO, HE LIKES THAT MY BLOOD IS RARE. 360 00:18:04,684 --> 00:18:08,455 - DO YOU KNOW HIS LAST NAME? 361 00:18:08,488 --> 00:18:10,723 - WE MEET UP OUTSIDE ONE OF THE CLUBS. 362 00:18:10,757 --> 00:18:14,127 HE WEARS STRANGE CLOTHES, LIKE FROM ANOTHER TIME. 363 00:18:22,302 --> 00:18:23,803 - RIGHT LOOK? 364 00:18:23,836 --> 00:18:25,672 - AND ME WITHOUT MY PURELL. 365 00:18:25,705 --> 00:18:28,708 - HARD TO IMAGINE THAT ALL THESE PEOPLE WEREN'T JUST BORN HERE, 366 00:18:28,741 --> 00:18:31,644 THAT THEY HAD OTHER LIVES. - UH-HUH. MANY STILL DO-- 367 00:18:31,678 --> 00:18:35,182 JOBS, KIDS AT HOME, LITTLE WIFEY OVER THE STOVE. 368 00:18:35,215 --> 00:18:36,716 - OH, WE'VE BEEN MADE. 369 00:18:36,749 --> 00:18:38,851 - YOU BEAUTIFUL PEOPLE... 370 00:18:38,885 --> 00:18:42,655 ESPECIALLY YOU-- MAGNIFICENT. 371 00:18:42,689 --> 00:18:45,358 TOO BEAUTIFUL TO BE IN MY PLACE. 372 00:18:45,392 --> 00:18:48,328 JUST, PLEASE, NO BADGES-- BAD FOR BUSINESS. 373 00:18:48,361 --> 00:18:50,563 WHAT DO YOU NEED? 374 00:18:50,597 --> 00:18:52,865 HOW CAN I SPEED YOUR EXIT? 375 00:18:52,899 --> 00:18:55,368 - WE'RE LOOKING FOR PEOPLE WHO DRINK HUMAN BLOOD. 376 00:18:55,402 --> 00:18:58,905 - I SEE. AND THIS IS STRANGE TO YOU? 377 00:18:58,938 --> 00:19:01,574 - I WAS A BOY SCOUT. 378 00:19:01,608 --> 00:19:03,643 - YES, SOME DRINK BLOOD. 379 00:19:03,676 --> 00:19:05,912 PEOPLE DON'T COME HERE TO HIDE WHO THEY ARE. 380 00:19:05,945 --> 00:19:07,447 THE DARKNESS FLOWS. 381 00:19:07,480 --> 00:19:10,417 - REALLY? FLOWS TO WHAT PURPOSE? - SELF-AWARENESS. 382 00:19:10,450 --> 00:19:13,386 DR. JUNG SUGGESTED "FACE YOUR DEMONS. 383 00:19:13,420 --> 00:19:14,654 "GET TO KNOW, EVEN LOVE THEM, 384 00:19:14,687 --> 00:19:16,723 AND YOU'VE OPENED UP YOUR SOUL." 385 00:19:16,756 --> 00:19:18,558 - EVER OPEN UP HIS SOUL? 386 00:19:18,591 --> 00:19:21,694 - I'D HAVE NO BUSINESS IF I COULDN'T KEEP SECRETS. 387 00:19:21,728 --> 00:19:24,531 - SUBORNING EVIDENCE, IMPEDING A MURDER INVESTIGATION-- 388 00:19:24,564 --> 00:19:26,633 HAVING NO BUSINESS WON'T BE YOUR MAJOR PROBLEM. 389 00:19:26,666 --> 00:19:30,237 - MY PARTNER'S VERY LOCKED INTO THE REALITY-BASED. 390 00:19:30,270 --> 00:19:34,407 - OKAY, I DON'T NEED POLICE PROBLEMS. 391 00:19:34,441 --> 00:19:36,943 ANTON LEBRUN. 392 00:19:36,976 --> 00:19:41,381 I'VE HEARD HIM BRAG ABOUT HAVING A LOFT IN CARMINE STREET. 393 00:19:41,414 --> 00:19:43,283 - SOME PEOPLE NEED TO PUSH LIMITS. 394 00:19:43,316 --> 00:19:44,751 IGNORING ANY ELEMENT OF OUR NATURE, 395 00:19:44,784 --> 00:19:47,587 EVEN THE DARKER SIDES, LIMITS KNOWING WHO WE ARE. 396 00:19:47,620 --> 00:19:49,922 - IS THAT THE HERMETIC WISDOM OF JUNG'S RED BOOK 397 00:19:49,956 --> 00:19:53,526 OR YOUR OWN RATIONALE FOR CHEAP THRILLS? 398 00:19:53,560 --> 00:19:55,662 - FOUCAULT CALLED THEM "LIMIT EXPERIENCES"-- 399 00:19:55,695 --> 00:19:57,697 GOING BEYOND WHERE YOU FEEL IT'S SAFE. 400 00:19:57,730 --> 00:19:58,865 IT'S SIMILAR TO MEDITATION. 401 00:19:58,898 --> 00:19:59,999 - WITH MEDITATION, 402 00:20:00,032 --> 00:20:02,835 YOU GIVE YOURSELF OVER TO A SENSE OF HARMONY, OF PEACE. 403 00:20:02,869 --> 00:20:04,871 - BUT ERASING THE BOUNDARIES BETWEEN THE CONSCIOUS 404 00:20:04,904 --> 00:20:07,807 AND THE UNCONSCIOUS, WHO KNOWS WHAT YOU'LL FIND? 405 00:20:07,840 --> 00:20:11,644 - LIKE A VAMPIRE CRAZE POSING AS A FAITH? 406 00:20:11,678 --> 00:20:15,982 all: I AM POWERFUL, MORE POWERFUL THAN OTHERS. 407 00:20:16,015 --> 00:20:18,518 I AM STRONGER. 408 00:20:18,551 --> 00:20:20,820 I HAVE A GREATER RESERVE OF HEALTH. 409 00:20:20,853 --> 00:20:23,756 I WILL NOT DIE. 410 00:20:23,790 --> 00:20:26,759 I HAVE POWER OVER OTHERS. 411 00:20:26,793 --> 00:20:29,028 - ANTON LEBRUN? 412 00:20:29,061 --> 00:20:32,465 OR IS IT JEREMY PARKS? 413 00:20:32,499 --> 00:20:34,901 CAN WE HAVE A MOMENT IN PRIVATE, JERRY? 414 00:20:34,934 --> 00:20:37,537 - [chuckles] WE HAVE NOTHING TO HIDE NOR FEAR 415 00:20:37,570 --> 00:20:41,374 FROM MORTALS SUCH AS THESE. 416 00:20:41,408 --> 00:20:43,743 I WILL SPEAK, BUT ONLY BEFORE THEM. 417 00:20:43,776 --> 00:20:45,512 - OH, YOU WANT TO MAKE IT PERFORMANCE ART? 418 00:20:45,545 --> 00:20:46,813 WE'RE GONNA LIMIT YOU TO A SMALL ROOM 419 00:20:46,846 --> 00:20:48,415 AND AN AUDIENCE OF US. 420 00:20:48,448 --> 00:20:51,584 - GIVE US SPACE. 421 00:20:51,618 --> 00:20:55,755 - SO NOW ON TO SARAH PRICE. - AH, YES. 422 00:20:55,788 --> 00:20:57,690 THE HEADLINES THAT BROUGHT YOU. 423 00:20:57,724 --> 00:20:59,359 - ALONG WITH THE DNA FROM THE SEMEN 424 00:20:59,392 --> 00:21:01,961 FOUND INSIDE HER BODY. 425 00:21:01,994 --> 00:21:04,331 - AH, WELL, MANY OFFER THEMSELVES 426 00:21:04,364 --> 00:21:06,733 TO THE LEADER OF A COVEN. 427 00:21:06,766 --> 00:21:08,501 - IF YOU WANT TO BRAG ABOUT YOUR CONQUESTS, 428 00:21:08,535 --> 00:21:11,003 LET'S STAY FOCUSED ON THE ONE WHO WAS MURDERED. 429 00:21:11,037 --> 00:21:13,873 - WINE? - MM. 430 00:21:13,906 --> 00:21:15,642 - YOU MIND IF I CHECK THE, UH...? 431 00:21:15,675 --> 00:21:17,410 - BY ALL MEANS. 432 00:21:26,052 --> 00:21:30,623 WELCOME TO THE DARKEST PART OF THE DARK SIDE, DETECTIVE. 433 00:21:30,657 --> 00:21:34,361 - YOU'RE A VAMPIRE? 434 00:21:34,394 --> 00:21:35,895 YOU DRINK HUMAN BLOOD? 435 00:21:45,672 --> 00:21:47,340 - [hisses] 436 00:21:47,374 --> 00:21:48,307 - VERY IMPRESSIVE. 437 00:21:48,341 --> 00:21:50,377 DO YOU PRACTICE IN THE MIRROR AFTER YOGA? 438 00:21:50,410 --> 00:21:52,545 - TOP-DOLLAR VENEERS ON THOSE FANGS-- 439 00:21:52,579 --> 00:21:55,047 PARK AVENUE DENTIST. 440 00:21:55,081 --> 00:21:58,050 - [sighs] YOU GUYS ARE WASTING MY TIME. 441 00:21:58,084 --> 00:21:59,719 YOU CAN ONLY HOLD ME FOR ANOTHER SIX HOURS 442 00:21:59,752 --> 00:22:00,787 WITHOUT CHARGING ME. 443 00:22:00,820 --> 00:22:01,588 - WHAT'S YOUR HURRY? 444 00:22:01,621 --> 00:22:03,022 I THOUGHT YOU GUYS WERE IMMORTAL. 445 00:22:03,055 --> 00:22:03,990 - [chuckles] 446 00:22:04,023 --> 00:22:05,992 - WE MATCHED THE BLOOD IN YOUR REFRIGERATOR 447 00:22:06,025 --> 00:22:07,994 WITH THE TEN PINTS MISSING FROM SARAH PRICE. 448 00:22:08,027 --> 00:22:09,962 WE'LL HOLD YOU LONGER THAN SIX HOURS. 449 00:22:09,996 --> 00:22:12,965 - I DID NOT KILL SARAH PRICE. 450 00:22:12,999 --> 00:22:14,967 - THEN EXPLAIN AWAY THE DNA. 451 00:22:15,001 --> 00:22:17,904 - NO, NO, NO. NO, NO, NO. 452 00:22:17,937 --> 00:22:21,007 I DIDN'T SAY I DIDN'T HAVE HER. 453 00:22:21,040 --> 00:22:23,410 BUT SHE WAS, OH, SO WILLING. 454 00:22:23,443 --> 00:22:27,046 - HOW'D YOU MEET? - AT THE HOLY MOTHER. 455 00:22:27,079 --> 00:22:29,849 I SAW TWO BEAUTIFUL PEOPLE... 456 00:22:29,882 --> 00:22:32,852 RIPENED FRUIT JUST BEGGING TO BE PLUCKED. 457 00:22:32,885 --> 00:22:35,622 MISS PRICE AND, UH, HER BOYFRIEND, 458 00:22:35,655 --> 00:22:37,990 UM, KALE OR COLIN OR SOMETHING. 459 00:22:38,024 --> 00:22:41,160 - KYLE. - KYLE. 460 00:22:41,193 --> 00:22:43,796 I DEBATED, AND THEN MY HETERO ANIMUS WON OUT, 461 00:22:43,830 --> 00:22:45,965 AND I PICKED HER. 462 00:22:45,998 --> 00:22:49,402 WE DRANK BLOOD AND HAD SEX-- 463 00:22:49,436 --> 00:22:53,005 YOU KNOW, GOOD, CLEAN FUN. 464 00:22:53,039 --> 00:22:56,609 YOU SHOULD TRY IT SOMETIME. 465 00:22:56,643 --> 00:22:58,978 - THE BLOOD WAS FOREPLAY. 466 00:22:59,011 --> 00:23:01,047 - BLOOD AROUSES. 467 00:23:01,080 --> 00:23:04,183 BUT I DON'T KILL FOR IT, IN CASE YOU'RE INTERESTED. 468 00:23:04,216 --> 00:23:07,186 - YOU ONLY REPORTED $45,000 OF INCOME 469 00:23:07,219 --> 00:23:09,522 FOR YOUR FAITH-BASED, NONPROFIT COVEN. 470 00:23:09,556 --> 00:23:12,692 BUT YOU LIVE PRETTY WELL AS A VAMPIRE. 471 00:23:12,725 --> 00:23:14,727 - OH, WELL... 472 00:23:14,761 --> 00:23:16,062 YOU CAN ATTRIBUTE THAT 473 00:23:16,095 --> 00:23:20,733 TO BORED UPPER EAST SIDE WOMEN 474 00:23:20,767 --> 00:23:22,902 WHO PAY FOR ENCOUNTERS. 475 00:23:22,935 --> 00:23:26,506 LOVE IN "VEIN," IF YOU'LL ALLOW THE PUN. 476 00:23:26,539 --> 00:23:28,908 - THESE WOMEN, THE UPPER EAST SIDE ADDRESSES, 477 00:23:28,941 --> 00:23:31,143 ARE YOUR CLIENTS? 478 00:23:31,177 --> 00:23:34,881 - WHERE ANTON TAKES HIS LIQUID LUNCH... 479 00:23:34,914 --> 00:23:38,885 WHICH BRINGS ME TO MY ALIBI. 480 00:23:38,918 --> 00:23:41,788 AFTER SARAH, I ENJOYED THE COMPANY 481 00:23:41,821 --> 00:23:44,457 OF A LOVELY YOUNG LADY 482 00:23:44,491 --> 00:23:47,460 BY THE NAME OF MICHELLE LINDEN. 483 00:23:47,494 --> 00:23:49,996 [knock at door] 484 00:23:54,066 --> 00:23:56,536 - PRELIMINARY TESTS ON THE CONFISCATED BLOOD. 485 00:23:56,569 --> 00:23:58,605 IT'S NOT SARAH'S. 486 00:23:58,638 --> 00:24:00,740 - AND I WAS STARTING TO ENJOY HIS COMPANY. 487 00:24:00,773 --> 00:24:02,074 - WHERE IS HE? I UNDERSTAND YOU'VE GOT HIM. 488 00:24:02,108 --> 00:24:03,510 - WE HEARD YOU FOUND A REFRIGERATOR 489 00:24:03,543 --> 00:24:04,611 FULL OF HUMAN BLOOD. 490 00:24:04,644 --> 00:24:06,546 - THERE IS SOMEONE OF INTEREST-- - I WANT TO SEE HIM. 491 00:24:06,579 --> 00:24:07,747 - IT'S NOT A GOOD IDEA. - IN HERE? 492 00:24:07,780 --> 00:24:10,583 - CONGRESSMAN, CONGRESSMAN. 493 00:24:10,617 --> 00:24:11,918 - I'M SARAH'S FATHER. 494 00:24:11,951 --> 00:24:14,987 [chair rattles loudly] 495 00:24:17,924 --> 00:24:20,192 WE HAD A HOME. 496 00:24:20,226 --> 00:24:22,629 WE HAD A FAMILY. 497 00:24:22,662 --> 00:24:25,064 YOU TOOK THAT. - YOUR DAUGHTER CAME WILLINGLY. 498 00:24:25,097 --> 00:24:28,935 SHE FLED YOUR LIES AND HYPOCRISY 499 00:24:28,968 --> 00:24:30,603 AND YOUR UNHAPPINESS. 500 00:24:30,637 --> 00:24:32,004 I DON'T TAKE THEM. 501 00:24:32,038 --> 00:24:33,773 PARENTS LIKE YOU SEND THEM TO ME. 502 00:24:33,806 --> 00:24:36,776 - WHY-- - OKAY. HEY, HEY, HEY. 503 00:24:36,809 --> 00:24:39,812 - THEY'LL COME. THEY'LL ALWAYS COME. 504 00:24:39,846 --> 00:24:42,248 AND THERE'S NOTHING YOU CAN DO TO STOP THEM. 505 00:24:42,281 --> 00:24:44,150 [chuckles] 506 00:24:46,252 --> 00:24:48,254 - MY NAME WAS IN HIS ADDRESS BOOK? 507 00:24:48,287 --> 00:24:50,523 - HE SPEAKS AS IF HE KNOWS YOU. 508 00:24:50,557 --> 00:24:52,992 - MY HUSBAND IS THE PRESIDENT OF A BANK. 509 00:24:53,025 --> 00:24:55,995 WHAT ON EARTH WOULD I BE DOING WITH SOME CREATURE 510 00:24:56,028 --> 00:24:57,530 WHO CALLS HIMSELF A VAMPIRE? 511 00:24:57,564 --> 00:24:58,765 - SO YOU'RE NOT AFRAID? 512 00:24:58,798 --> 00:25:00,199 - HE'S GIVEN YOU AS HIS ALIBI FOR MURDER. 513 00:25:00,232 --> 00:25:03,002 - I SHOULD CONSULT OUR ATTORNEY. 514 00:25:03,035 --> 00:25:06,238 - MRS. LINDEN, THIS CLEARLY HAS THE POTENTIAL FOR EMBARRASSMENT. 515 00:25:06,272 --> 00:25:08,641 BUT HE CLAIMS THAT YOU CONTRACTED HIS SERVICES 516 00:25:08,675 --> 00:25:10,009 THE NIGHT THAT SARAH PRICE WAS KILLED. 517 00:25:10,042 --> 00:25:13,212 - RIDICULOUS. I WAS AT AN EVENT. 518 00:25:13,245 --> 00:25:16,015 - MM-HMM. HOW'D YOU GET THERE? 519 00:25:16,048 --> 00:25:18,050 - WE HAVE OUR OWN DRIVER. 520 00:25:18,084 --> 00:25:20,620 - WE'LL NEED TO SPEAK WITH HIM. 521 00:25:22,121 --> 00:25:24,090 - THOSE PEARLS... 522 00:25:24,123 --> 00:25:26,192 IT'S A VERY LOVELY CHOKER. 523 00:25:26,225 --> 00:25:27,293 - IT WAS MY MOTHER'S. 524 00:25:27,326 --> 00:25:30,096 - MIND IF I LOOK? 525 00:25:30,129 --> 00:25:34,100 MRS. LINDEN, YOU COULD BE IN DANGER. 526 00:25:34,133 --> 00:25:35,602 SHOW ME WHAT YOU'RE HIDING. 527 00:25:35,635 --> 00:25:39,171 SHOW ME. 528 00:25:47,113 --> 00:25:51,618 - I KNOW WHAT YOU'RE THINKING, BUT... 529 00:25:51,651 --> 00:25:54,286 IT'S VERY...INTIMATE. 530 00:25:54,320 --> 00:25:56,623 IT--IT... 531 00:25:56,656 --> 00:25:58,858 IT FEELS... 532 00:25:58,891 --> 00:26:03,062 I-IT'S VERY DIFFERENT THAN WHAT I'M USED TO. 533 00:26:07,967 --> 00:26:11,638 WE WERE TOGETHER UNTIL FIRST LIGHT... 534 00:26:11,671 --> 00:26:12,972 OF DAWN, I MEAN. 535 00:26:13,005 --> 00:26:16,042 - HOW'D YOU MEET HIM? 536 00:26:16,075 --> 00:26:18,645 - I HAVE A FRIEND WHO IS THE PATRON 537 00:26:18,678 --> 00:26:22,248 OF A AVANT-GARDE POET, A BRILLIANT AND BUDDING RIMBAUD. 538 00:26:22,281 --> 00:26:23,950 HIS NAME IS VIRGIL. 539 00:26:23,983 --> 00:26:27,086 HE, UH-- SHE BROUGHT HIM OVER, 540 00:26:27,119 --> 00:26:29,922 AND HE BROUGHT ANTON. 541 00:26:29,956 --> 00:26:33,059 - ANY SENSE OF THE RELATIONSHIP BETWEEN ANTON AND VIRGIL? 542 00:26:33,092 --> 00:26:35,327 - POSSIBLY SEXUAL. 543 00:26:35,361 --> 00:26:39,231 UH, VIRGIL SAID HE WAS ANTON'S PROTEGE. 544 00:26:39,265 --> 00:26:40,900 HE ARRANGED OUR MEETINGS. 545 00:26:40,933 --> 00:26:42,802 - SO YOU HAVE A WAY OF CONTACTING HIM. 546 00:26:42,835 --> 00:26:45,304 - YES. 547 00:26:51,844 --> 00:26:53,245 - I DIDN'T HEAR YOU COME IN. 548 00:26:53,279 --> 00:26:55,982 - NO ONE EVER DOES. 549 00:26:56,015 --> 00:26:58,117 YOU KNOW, IT'S LIKE HOME IN HERE-- 550 00:26:58,150 --> 00:27:02,722 SUCH PEACE AND TOTAL, ABSOLUTE DEVOTION. 551 00:27:02,755 --> 00:27:05,725 BROUGHT MY OWN TONIGHT. 552 00:27:05,758 --> 00:27:07,994 I HEEDED THE CALL. 553 00:27:09,962 --> 00:27:12,098 SPECIAL. 554 00:27:12,131 --> 00:27:13,800 - SPECIAL? 555 00:27:13,833 --> 00:27:17,003 - TO PREPARE YOU FOR THE DEMANDS FROM BEYOND. 556 00:27:19,105 --> 00:27:20,873 - BUT I OBEY YOUR DEMANDS. 557 00:27:20,907 --> 00:27:23,776 - NOTHING'S REAL UNTIL... 558 00:27:23,810 --> 00:27:26,412 IT WAS TAKEN. 559 00:27:26,445 --> 00:27:29,348 A DEMAND WAS MADE. I OBEYED. 560 00:27:29,381 --> 00:27:31,984 SOME WOULD CALL THAT MADNESS. 561 00:27:33,385 --> 00:27:34,754 DRINK. 562 00:27:34,787 --> 00:27:37,089 THIS IS THE PROOF OF MY BELIEF. 563 00:27:37,123 --> 00:27:39,258 IT IS SARAH'S BLOOD. 564 00:27:39,291 --> 00:27:41,961 TASTE THE ADRENALINE. 565 00:27:41,994 --> 00:27:46,265 THAT WAS THE FEAR THAT COURSED THROUGH HER. 566 00:27:46,298 --> 00:27:49,135 YES, THAT EXCITES YOU. 567 00:27:51,003 --> 00:27:53,973 I'M SPECIAL. 568 00:27:54,006 --> 00:27:57,176 I WILL NOT DIE. 569 00:27:57,209 --> 00:28:01,814 MY BELIEF WILL ALWAYS GIVE ME POWER OVER OTHERS. 570 00:28:03,215 --> 00:28:08,254 A COVEN IS NO PLACE FOR PRETENDERS, MY LOVE. 571 00:28:08,287 --> 00:28:12,224 - VIRGIL IS AN A.K.A. FOR JONATHAN PARISH. 572 00:28:12,258 --> 00:28:14,761 BORN 1984 IN ALTHA, FLORIDA. 573 00:28:14,794 --> 00:28:16,228 THERE'S AN ARREST FOR LEWD BEHAVIOR, 574 00:28:16,262 --> 00:28:18,130 PLUS INDECENT EXPOSURE. 575 00:28:18,164 --> 00:28:19,265 - FLORIDA, 1984-- 576 00:28:19,298 --> 00:28:21,000 HE WAS ONLY 12 WHEN THE BLOOD DRAINING 577 00:28:21,033 --> 00:28:22,234 OF THAT EARLIER GIRL OCCURRED. 578 00:28:22,268 --> 00:28:24,303 - YEAH, BUT THAT MUST'VE BEEN HEAVILY COVERED IN THE NEWS. 579 00:28:24,336 --> 00:28:27,439 RICH FODDER FOR THE ADOLESCENT MASTURBATORIAL FANTASIES 580 00:28:27,473 --> 00:28:29,108 OF A DISTURBED YOUTH. 581 00:28:29,141 --> 00:28:30,309 - COMBINING AROUSAL AND DEATH. 582 00:28:30,342 --> 00:28:33,045 - YEAH, AND THERE ARE MORE ELEMENTS OF A DEPRIVED YOUTH. 583 00:28:33,079 --> 00:28:35,381 FATHER SPENT MOST OF THE KID'S LIFE IN JAIL. 584 00:28:35,414 --> 00:28:37,183 - MOM WAS A WORKING ROLE MODEL-- 585 00:28:37,216 --> 00:28:39,318 STEADY EMPLOYMENT AT A MEATPACKING FACILITY. 586 00:28:39,351 --> 00:28:42,054 - ONCE AGAIN, THE PRESENCE OF BLOOD. 587 00:28:42,088 --> 00:28:44,891 - AND A POSSIBLE FIXATION ON HIS MOTHER. 588 00:28:44,924 --> 00:28:46,993 - SO WE STARTED WITH JUNG, 589 00:28:47,026 --> 00:28:48,394 THEN SWITCHED TO FREUD. 590 00:28:48,427 --> 00:28:50,963 THE BOY SEES HIS MOTHER COMING HOME FROM WORK 591 00:28:50,997 --> 00:28:52,765 COVERED IN BLOOD. 592 00:28:52,799 --> 00:28:55,434 SHE SHOWERS. HE WATCHES HER. 593 00:28:55,467 --> 00:28:57,937 - HE CONSTRUCTS VIOLENT, EROTIC IMAGES. 594 00:28:57,970 --> 00:28:59,371 MAYBE BRINGS IN SOME VAMPIRE STUFF. 595 00:28:59,405 --> 00:29:01,307 - NO SHORTAGE OF THAT IN OUR WORLD. 596 00:29:01,340 --> 00:29:03,876 - THEN BLOOD BECOMES CONNECTED TO HIS AROUSAL. 597 00:29:03,910 --> 00:29:05,244 - IT'S THE SAME BASIC BEHAVIOR 598 00:29:05,277 --> 00:29:07,379 THAT CAN KICK-START A SERIAL KILLER. 599 00:29:07,413 --> 00:29:11,383 [cell phone beeping] 600 00:29:11,417 --> 00:29:13,185 - THE STATE TAX BOARD-- 601 00:29:13,219 --> 00:29:15,822 GUESS WHERE VIRGIL'S CURRENTLY EMPLOYED? 602 00:29:18,825 --> 00:29:21,060 - SARAH PRICE... 603 00:29:21,093 --> 00:29:22,494 YES, I MET HER. 604 00:29:22,528 --> 00:29:25,131 BUT I WAS MUCH MORE TAKEN WITH HER HANDSOME BOYFRIEND, 605 00:29:25,164 --> 00:29:26,198 KYLE. 606 00:29:26,232 --> 00:29:29,301 ONLY FOR A SHORT WHILE-- THEY WERE BOTH PRETENDERS. 607 00:29:29,335 --> 00:29:32,071 - PRETENDERS? - GROUPIES. 608 00:29:32,104 --> 00:29:35,274 THEY CAN BE FUN, BUT SHORT-LIVED. 609 00:29:35,307 --> 00:29:37,810 OH, WAS THAT INSENSITIVE? 610 00:29:37,844 --> 00:29:40,913 - DELIBERATELY SO. YOU PEOPLE TRY TOO HARD. 611 00:29:40,947 --> 00:29:43,149 ALONG WITH YOUR IMPRESSIVE DEMO OF THE SKILLS NEEDED 612 00:29:43,182 --> 00:29:44,316 TO CARRY OUT SARAH'S MURDER, 613 00:29:44,350 --> 00:29:46,052 BEGGING US TO ASK THE QUESTION, 614 00:29:46,085 --> 00:29:49,088 WHERE WERE YOU THAT NIGHT BETWEEN THE HOURS OF 11:00 P.M. 615 00:29:49,121 --> 00:29:50,222 AND 2:00 A.M.? 616 00:29:50,256 --> 00:29:53,392 - HOME. SADLY, I WAS ALONE. 617 00:29:53,425 --> 00:29:56,328 - MM. YOU KNOW, IT'S INTERESTING. 618 00:29:56,362 --> 00:29:59,298 UH, YOUR MOTHER BLED DEAD PIGS, AND YOU'RE DOING THIS. 619 00:29:59,331 --> 00:30:01,600 ISN'T THAT INTERESTING? 620 00:30:01,633 --> 00:30:03,069 - INTERESTING. 621 00:30:03,102 --> 00:30:05,872 - WELL, PREPPING MEAT, PREPPING THE DEAD. 622 00:30:05,905 --> 00:30:08,875 IN SOME PLACES, THERE'S A SPECIAL CASTE FOR THAT WORK-- 623 00:30:08,908 --> 00:30:10,342 PARIAHS, OUTCASTS. 624 00:30:10,376 --> 00:30:12,979 NOBODY WANTS TO KNOW THEM. - DOESN'T BOTHER ME. 625 00:30:13,012 --> 00:30:14,246 - YEAH, IF IT DID, YOU'VE OVERCOME IT 626 00:30:14,280 --> 00:30:16,015 WITH A MORE THEATRICAL IDENTITY. 627 00:30:16,048 --> 00:30:19,185 VAMPIRE BEATS THE HELL OUT OF PARIAH. 628 00:30:19,218 --> 00:30:21,587 - PEOPLE SHOULD RESPECT WHAT I DO. 629 00:30:21,620 --> 00:30:23,589 IN THE END, EVERYBODY ENDS UP IN MY HANDS 630 00:30:23,622 --> 00:30:25,524 OR IN THE HANDS OF SOMEONE JUST LIKE ME. 631 00:30:25,557 --> 00:30:28,360 - WHO DON'T ALL CLAIM TO BE VAMPIRES. 632 00:30:28,394 --> 00:30:32,231 - DOES ANYBODY REALLY KNOW WHAT THEY ARE? 633 00:30:34,500 --> 00:30:36,035 NOW, UNLESS YOU PLAN TO ARREST ME, 634 00:30:36,068 --> 00:30:38,470 I BETTER FINISH TENDING TO MR. ROCKWELL. 635 00:30:49,115 --> 00:30:52,384 DOES IT HURT? - [crying] YES. 636 00:30:52,418 --> 00:30:55,154 BUT IT'S GOOD. 637 00:30:55,187 --> 00:30:57,389 [wincing] 638 00:30:57,423 --> 00:30:59,325 OH, I'M READY FOR THE BEST. 639 00:30:59,358 --> 00:31:03,229 - LET THE PAIN BEAR YOU AWAY ON SILENT WINGS, 640 00:31:03,262 --> 00:31:06,332 AND THERE WILL BE BIGGER THINGS. 641 00:31:08,267 --> 00:31:12,204 THE VOICE WILL CALL TO YOU AS IT CALLED TO ME. 642 00:31:12,238 --> 00:31:14,273 [metal clatters] 643 00:31:14,306 --> 00:31:17,176 BELIEF REQUIRES OBEDIENCE 644 00:31:17,209 --> 00:31:19,645 TO MAKE IT REAL. 645 00:31:19,678 --> 00:31:22,214 - [gasping and groaning in pain] 646 00:31:34,193 --> 00:31:36,228 - THERE'S NO QUESTION IN OUR MINDS 647 00:31:36,262 --> 00:31:38,064 THIS VIRGIL GUY IS REAL. 648 00:31:38,097 --> 00:31:40,532 - REAL WHAT? AND DON'T SAY VAMPIRE. 649 00:31:40,566 --> 00:31:42,201 - WELL, HERE, TAKE IT DOWN TO BASICS. 650 00:31:42,234 --> 00:31:44,036 HE'S A TEXTBOOK PSYCHOTIC-- 651 00:31:44,070 --> 00:31:46,205 FEARLESS, DEVOID OF EMPATHY. 652 00:31:46,238 --> 00:31:48,507 BUT I THINK ALSO HE'S DELUSIONAL. 653 00:31:48,540 --> 00:31:51,010 - SO IN HIS OWN MIND, HE IS A VAMPIRE? 654 00:31:51,043 --> 00:31:52,278 AND HE FEELS THE NEED FOR BLOOD, 655 00:31:52,311 --> 00:31:55,081 AND NOW WITH THIS CULTURAL FAD, IT'S READILY AVAILABLE TO HIM? 656 00:31:55,114 --> 00:31:56,482 - KILLING SARAH PRICE WOULD VALIDATE HIM, 657 00:31:56,515 --> 00:31:57,649 MAKE HIM FEEL AUTHENTIC. 658 00:31:57,683 --> 00:32:00,319 - MORE THAN PERFORMANCE ART IN A LOW-LIFE CLUB SCENE. 659 00:32:00,352 --> 00:32:02,388 - THE UPPER EAST SIDE LADY HAD IT WRONG. 660 00:32:02,421 --> 00:32:05,091 IT'S VIRGIL WHO LEADS. ANTON FOLLOWS. 661 00:32:05,124 --> 00:32:06,725 - SO VIRGIL, LIKE HIS NAMESAKE, 662 00:32:06,758 --> 00:32:10,062 LEADS THOSE WHO ARE WILLING TO FOLLOW... 663 00:32:10,096 --> 00:32:12,698 INTO HELL. 664 00:32:12,731 --> 00:32:15,434 - HMM. 665 00:32:15,467 --> 00:32:21,307 - I AM PRIEST, PROPHET, AND PACIFIER. 666 00:32:21,340 --> 00:32:25,244 BLOOD, GIVEN AT BIRTH, RETURNS IN DEATH. 667 00:32:26,745 --> 00:32:30,216 I BANISH YOUR SOUL FROM THIS BODY 668 00:32:30,249 --> 00:32:35,121 AND GRANT YOU EVERLASTING LIFE. 669 00:32:37,523 --> 00:32:41,060 YOU ARE BRAVE. 670 00:32:41,093 --> 00:32:44,363 YOU'VE EARNED THIS, AS SARAH DID. 671 00:32:44,396 --> 00:32:46,698 PREPARE YOURSELF. 672 00:32:46,732 --> 00:32:49,401 YOU WILL JOIN HER. 673 00:32:55,107 --> 00:32:57,209 - TO WHOM IT MAY CONCERN, 674 00:32:57,243 --> 00:33:00,446 THIS IS DONE BY MY WILL ALONE. 675 00:33:00,479 --> 00:33:03,282 I AM A SEEKER. 676 00:33:03,315 --> 00:33:07,119 AND I RELEASE MY BLOOD FOR OTHERS TO SHARE. 677 00:33:07,153 --> 00:33:11,323 I FULFILL MY LONGING TO EMBRACE THE WEALTH OF THE SPIRIT. 678 00:33:13,259 --> 00:33:15,661 THE PSYCHE DOES NOT EXIST WITHIN THE CONSTRAINTS 679 00:33:15,694 --> 00:33:18,797 OF TIME AND SPACE. 680 00:33:18,830 --> 00:33:21,233 THE PSYCHE DOES NOT EXIST WITHIN THE CONSTRAINTS 681 00:33:21,267 --> 00:33:23,569 OF TIME AND SPACE. 682 00:33:28,374 --> 00:33:30,642 - WHAT AN IDIOTIC WASTE. - YEAH. 683 00:33:30,676 --> 00:33:31,710 TRANSCENDENCE... 684 00:33:31,743 --> 00:33:34,213 DEATH AND TRANSFIGURATION-- 685 00:33:34,246 --> 00:33:35,614 MOVING FROM HUMAN FLESH TO RADIANCE. 686 00:33:35,647 --> 00:33:37,216 IT'S A COMMON RELIGIOUS THEME. 687 00:33:37,249 --> 00:33:39,785 - WANT TO TALK CREEPY THEOLOGY, LET'S START WITH HIM. 688 00:33:39,818 --> 00:33:40,719 - HE SAID ANYTHING? 689 00:33:40,752 --> 00:33:42,421 - CLAIMS HE WALKED IN AND FOUND THE GUY. 690 00:33:42,454 --> 00:33:46,125 DID HIS DUTY AS A CITIZEN, CALLED 911. 691 00:33:46,158 --> 00:33:48,160 - HOW WOULD KYLE HAVE GOTTEN INTO YOUR LOFT? 692 00:33:48,194 --> 00:33:49,361 - I DON'T KNOW. 693 00:33:49,395 --> 00:33:52,364 - SO PEOPLE JUST WANDER IN AND BLEED THEMSELVES TO DEATH? 694 00:33:52,398 --> 00:33:53,732 THAT'S A SERVICE YOU OFFER? 695 00:33:53,765 --> 00:33:56,135 - THE LOFT IS A HOLY SANCTUM. 696 00:33:56,168 --> 00:33:59,838 A YOUNG MAN EXERCISED HIS RIGHT TO BE AT ONE WITH HIS BELIEF. 697 00:33:59,871 --> 00:34:01,473 I DON'T SEE THE CRIME IN THAT. 698 00:34:01,507 --> 00:34:03,709 - WELL... 699 00:34:03,742 --> 00:34:06,212 DO YOU SEE THE CRIME IN THIS? 700 00:34:06,245 --> 00:34:09,081 - SARAH PRICE? 701 00:34:09,115 --> 00:34:10,216 WE'VE BEEN THROUGH THAT. 702 00:34:10,249 --> 00:34:12,118 - BUT NOT WITHOUT FRESH EVIDENCE. 703 00:34:12,151 --> 00:34:15,521 - SEE THIS NEEDLE AND THE TUBING? 704 00:34:15,554 --> 00:34:17,189 THE BAGS USED FOR BLOOD STORAGE-- 705 00:34:17,223 --> 00:34:20,092 THEY NOT ONLY HAD KYLE'S BLOOD TYPE, 706 00:34:20,126 --> 00:34:22,594 BUT ALSO SARAH'S. 707 00:34:30,836 --> 00:34:31,803 - I DON'T KNOW WHERE THAT CAME FROM. 708 00:34:31,837 --> 00:34:36,108 - WE DO. THIS EQUIPMENT WAS USED TO DRAIN HER. 709 00:34:36,142 --> 00:34:38,310 DNA WILL TIE YOU TO SARAH'S MURDER. 710 00:34:40,912 --> 00:34:45,151 - YOU GOT NOTHING GOING FOR YOU AT THIS POINT, ANTON, 711 00:34:45,184 --> 00:34:49,255 EXCEPT OUR BELIEF... 712 00:34:49,288 --> 00:34:51,790 THAT YOU'RE INNOCENT. 713 00:34:51,823 --> 00:34:53,259 - WHAT? 714 00:34:53,292 --> 00:34:56,262 - WE THINK IT'S OBVIOUS YOU'RE BEING FRAMED. 715 00:34:56,295 --> 00:34:58,364 - UNFORTUNATELY, WHAT WE THINK ISN'T GONNA CARRY 716 00:34:58,397 --> 00:35:00,299 ANY WEIGHT WITH THE D.A.s. 717 00:35:00,332 --> 00:35:02,801 THEY'RE GONNA LAY A MURDER CASE ON YOU 718 00:35:02,834 --> 00:35:06,305 JUST LIKE VIRGIL PLANNED IT. 719 00:35:06,338 --> 00:35:09,508 - NO. NO, VIRGIL IS AN ELEVATED PERSON. 720 00:35:09,541 --> 00:35:11,243 HE LEADS THE FAITH. 721 00:35:11,277 --> 00:35:14,280 - HE CAN BE PRAGMATIC WHEN IT COMES TO SAVING HIS ASS. 722 00:35:14,313 --> 00:35:18,850 - YOU BROUGHT SARAH INTO YOUR WORLD. 723 00:35:18,884 --> 00:35:22,354 LOOK. LOOK AT THAT. 724 00:35:22,388 --> 00:35:26,225 AND THIS IS HOW SHE ENDED UP... 725 00:35:26,258 --> 00:35:29,895 LIKE THAT. 726 00:35:29,928 --> 00:35:32,231 SO YOU HAVE FEELINGS. 727 00:35:32,264 --> 00:35:35,267 BUT VIRGIL HAS NONE. 728 00:35:35,301 --> 00:35:39,205 AND THAT'S HIS STRENGTH, HIS POWER OVER YOU, ANTON. 729 00:35:39,238 --> 00:35:42,408 - HIS STRENGTH COMES IN POWERS BEYOND YOUR UNDERSTANDING. 730 00:35:42,441 --> 00:35:44,910 - UH, HIS BEHAVIOR IS TOTALLY WITHIN OUR UNDERSTANDING. 731 00:35:44,943 --> 00:35:48,814 THERE ARE THREE TEXTBOOK PHASES OF PSYCHOPATHY. 732 00:35:48,847 --> 00:35:51,217 PHASE ONE IS ASSESSMENT. 733 00:35:51,250 --> 00:35:53,319 WHEN VIRGIL FIRST MEETS YOU, WHAT DOES HE SEE? 734 00:35:53,352 --> 00:35:56,588 - A YEAR AND A HALF AGO, YOU WERE WAITING TABLES. 735 00:35:56,622 --> 00:35:58,624 IS THAT WHEN YOU MET VIRGIL? 736 00:36:01,327 --> 00:36:02,328 - WHAT OF IT? 737 00:36:02,361 --> 00:36:04,896 - WELL, HE DECIDED THAT YOU WERE WORTH KNOWING, 738 00:36:04,930 --> 00:36:06,498 OF VALUE TO HIM. 739 00:36:06,532 --> 00:36:09,901 SO HE RAISES YOU FROM WAITER TO WARLOCK, 740 00:36:09,935 --> 00:36:11,703 SETS YOU UP WITH THESE RICH CLIENTS. 741 00:36:11,737 --> 00:36:14,906 - NO, HE RAISED ME TO A GREATER TRUTH. 742 00:36:14,940 --> 00:36:17,309 - OH, YEAH, WHEN YOU'RE COMMITTED, 743 00:36:17,343 --> 00:36:20,646 HE MOVES ON TO PHASE TWO-- MANIPULATION. 744 00:36:20,679 --> 00:36:22,548 YOU START ACTING ON HIS COMMANDS. 745 00:36:22,581 --> 00:36:25,951 YOU FIND SARAH AND KYLE, DELIVER THEM TO VIRGIL. 746 00:36:25,984 --> 00:36:27,286 - MAYBE WE HAVE IT WRONG. 747 00:36:27,319 --> 00:36:31,189 MAYBE ANTON KILLED SARAH AND KYLE. 748 00:36:35,294 --> 00:36:37,296 - NO. - NO. 749 00:36:37,329 --> 00:36:40,832 KILLING WAS A RITUAL THAT TOOK VIRGIL 750 00:36:40,866 --> 00:36:43,969 TO A HIGHER LEVEL. 751 00:36:44,002 --> 00:36:46,938 HE KNEW IT WAS SOMETHING ANTON COULDN'T DO. 752 00:36:46,972 --> 00:36:49,275 - SEE THIS? 753 00:36:49,308 --> 00:36:51,977 DID YOU DO THIS? YES OR NO? 754 00:36:55,281 --> 00:36:57,249 - WHICH TAKES US TO THE THIRD AND FINAL PHASE 755 00:36:57,283 --> 00:37:00,452 OF VIRGIL'S PSYCHOTIC BEHAVIOR-- ABANDONMENT. 756 00:37:00,486 --> 00:37:02,854 YOU COULDN'T REACH A HIGHER LEVEL, 757 00:37:02,888 --> 00:37:04,556 SO YOU WERE OF NO MORE USE TO HIM. 758 00:37:04,590 --> 00:37:08,294 SO HE PLANTS SARAH'S BLOOD IN YOUR LOFT. 759 00:37:11,297 --> 00:37:13,732 - HE PUT YOU ON OUR ALTAR FOR SACRIFICE. 760 00:37:27,713 --> 00:37:31,917 [footsteps approaching] 761 00:37:31,950 --> 00:37:34,786 - ANTON... 762 00:37:34,820 --> 00:37:37,589 I UNDERSTOOD THEY ARRESTED YOU. 763 00:37:37,623 --> 00:37:39,925 - THEY QUESTIONED ME, YES. 764 00:37:42,494 --> 00:37:46,365 - AND YOU WERE TRUE TO THE FAITH? 765 00:37:46,398 --> 00:37:48,334 - THEY SHOWED ME EVIDENCE, VIRGIL. 766 00:37:51,737 --> 00:37:54,973 - PLEASE SAY YOU HAVEN'T DISAPPOINTED ME. 767 00:37:55,006 --> 00:37:57,843 - ESPECIALLY WITH ALL THE EFFORT YOU MADE TO FRAME HIM, 768 00:37:57,876 --> 00:38:00,045 RIGHT, VIRGIL? 769 00:38:00,078 --> 00:38:02,047 - THE COPS? 770 00:38:02,080 --> 00:38:04,983 I OFFER THINGS, BUT PEOPLE AREN'T APPRECIATIVE. 771 00:38:05,016 --> 00:38:09,688 I SIMPLY WANTED ANTON TO KNOW THE TRUE GLORY OF MARTYRDOM. 772 00:38:09,721 --> 00:38:12,558 - WE THINK THAT'S A GLORY THAT YOU DESERVE. 773 00:38:12,591 --> 00:38:14,926 - YEAH, IF YOU ACTUALLY ARE WHAT YOU SAY YOU ARE, 774 00:38:14,960 --> 00:38:16,862 YOU SHOULD BE ENVIOUS IF SOMEBODY ELSE GETS CREDIT 775 00:38:16,895 --> 00:38:17,863 FOR YOUR WORK. 776 00:38:17,896 --> 00:38:20,499 - NO, I'M BEYOND ENVY... 777 00:38:20,532 --> 00:38:23,101 BUT NOT DISAPPOINTMENT. 778 00:38:23,134 --> 00:38:24,202 YOU FAILED ME. 779 00:38:24,235 --> 00:38:28,407 - I BELIEVED IN YOU UNTIL YOU BETRAYED ME, VIRGIL. 780 00:38:28,440 --> 00:38:31,910 - OH, I ALWAYS KNEW YOU WERE WEAK. 781 00:38:31,943 --> 00:38:34,980 THERE'S SO LITTLE STRENGTH IN THIS WORLD. 782 00:38:35,013 --> 00:38:37,649 - IT DOESN'T TAKE STRENGTH TO HAVE DELUSIONS, VIRGIL, 783 00:38:37,683 --> 00:38:38,850 AND THAT'S ALL YOU HAVE. 784 00:38:38,884 --> 00:38:42,954 - DELUSIONS ARE UNFOUNDED BELIEFS. 785 00:38:42,988 --> 00:38:47,759 MY BELIEFS ARE PROVEN BY EVERYTHING I DO. 786 00:38:47,793 --> 00:38:50,729 HAVE THEY TAKEN AWAY... 787 00:38:50,762 --> 00:38:53,599 EVERYTHING YOU KNOW, ANTON? 788 00:38:53,632 --> 00:38:57,969 HAVE YOU NOTHING LEFT OF OUR FAITH? 789 00:38:58,003 --> 00:39:01,607 YOU REMEMBER THE PLEDGE. 790 00:39:01,640 --> 00:39:04,710 AM I NOT THE SOURCE... 791 00:39:04,743 --> 00:39:08,013 THE BLOOD... 792 00:39:08,046 --> 00:39:12,751 THE DELIVERER AND THE TAKER? 793 00:39:12,784 --> 00:39:16,688 SACRED WORDS THAT BIND US AS FAMILY. 794 00:39:16,722 --> 00:39:20,358 - PLANTED EVIDENCE CUTS A LOT OF FAMILY TIES. 795 00:39:22,961 --> 00:39:25,163 - SAY THE PLEDGE. 796 00:39:25,196 --> 00:39:27,699 TAKE STRENGTH FROM ME. 797 00:39:27,733 --> 00:39:28,967 THERE ARE HIGHER LEVELS. 798 00:39:29,000 --> 00:39:31,937 - YOU'VE LOST HIM, VIRGIL. 799 00:39:31,970 --> 00:39:33,038 YOU'RE ALONE. 800 00:39:33,071 --> 00:39:35,407 - NO... 801 00:39:35,441 --> 00:39:37,409 NEVER ALONE. 802 00:39:37,443 --> 00:39:40,879 I WILL ALWAYS HAVE THE POWER OF DARKNESS. 803 00:39:40,912 --> 00:39:44,783 - ANTON DOESN'T SEE IT. WE DON'T SEE IT. 804 00:39:44,816 --> 00:39:46,852 THAT'S BECAUSE I WILL ALWAYS BE 805 00:39:46,885 --> 00:39:49,888 THE LIGHT THAT SHINES UPON YOU. 806 00:40:01,633 --> 00:40:04,002 - AT LAST, THE REAL YOU. 807 00:40:04,035 --> 00:40:07,439 - MY POWER IS UNDIMINISHED. 808 00:40:07,473 --> 00:40:10,108 - NO, WITH A LITTLE SOAP AND WATER, 809 00:40:10,141 --> 00:40:13,879 YOUR POWER HAS VANISHED. 810 00:40:13,912 --> 00:40:16,982 - WHY AM I HERE? 811 00:40:17,015 --> 00:40:19,050 WHY THIS WASTE OF MY TIME? 812 00:40:19,084 --> 00:40:22,821 - WELL, WE WOULD BE REMISS IN OUR PROFESSIONAL OBLIGATIONS 813 00:40:22,854 --> 00:40:26,925 IF WE DIDN'T AT LEAST MENTION A PLEA. 814 00:40:26,958 --> 00:40:28,594 - A PLEA? 815 00:40:28,627 --> 00:40:31,129 - WE HAVE EVIDENCE, WITNESS TESTIMONY-- 816 00:40:31,162 --> 00:40:33,532 ALL THAT'S NEEDED FOR A MURDER CONVICTION. 817 00:40:33,565 --> 00:40:35,867 IF YOU ALLOCUTE, AVOID A TRIAL, 818 00:40:35,901 --> 00:40:38,770 SAVES THE STATE A LOT OF MONEY. 819 00:40:38,804 --> 00:40:41,807 - YOU KNOW, YOU MIGHT DO BETTER THAN LIFE IN SUPERMAX. 820 00:40:41,840 --> 00:40:45,577 - NO. 821 00:40:45,611 --> 00:40:47,579 I WANT A TRIAL. 822 00:40:47,613 --> 00:40:49,214 - STILL DESPERATE. 823 00:40:49,247 --> 00:40:53,151 - YOUR ACT REALLY MEANS THAT MUCH TO YOU, HUH? 824 00:40:53,184 --> 00:40:55,253 - KNOWING THAT I AM ETERNAL 825 00:40:55,286 --> 00:40:57,222 MEANS THAT I HAVE NOTHING TO FEAR. 826 00:40:57,255 --> 00:40:58,223 - WELL, YOU KNOW, 827 00:40:58,256 --> 00:41:01,192 I THINK YOU MAY BE WRONG ABOUT THAT, JONATHAN. 828 00:41:01,226 --> 00:41:05,096 LOCKED IN AN 8-BY-12 CELL, NO HUMAN CONTACT, 829 00:41:05,130 --> 00:41:07,766 NO HOPE OF PAROLE, 830 00:41:07,799 --> 00:41:10,736 AND TIME SLOWING TO A GLACIAL PACE. 831 00:41:10,769 --> 00:41:13,104 AND THERE YOU'LL SIT... 832 00:41:13,138 --> 00:41:15,173 JUST BEING ETERNAL? 833 00:41:15,206 --> 00:41:17,208 Captioning by CaptionMax www.captionmax.com