1 00:00:01,535 --> 00:00:03,604 - IN NEW YORK CITY'S WAR ON CRIME, 2 00:00:03,637 --> 00:00:06,074 THE WORST CRIMINAL OFFENDERS ARE PURSUED 3 00:00:06,107 --> 00:00:08,709 BY THE DETECTIVES OF THE MAJOR CASE SQUAD. 4 00:00:08,742 --> 00:00:10,778 THESE ARE THEIR STORIES. 5 00:00:12,346 --> 00:00:14,282 - THESE ARE TRULY REMARKABLE. 6 00:00:14,315 --> 00:00:16,284 I HAVE THIRD GRADERS WHO CAN DO THIS, 7 00:00:16,317 --> 00:00:19,387 BUT THIS BOY TOMMY IS ONLY FIVE. 8 00:00:19,420 --> 00:00:20,621 - WHAT'S THE BOY LIKE? 9 00:00:20,654 --> 00:00:22,423 - FATHER CAME ON HIS OWN. 10 00:00:22,456 --> 00:00:24,458 WANTED TO SPARE HIM THE DISAPPOINTMENT 11 00:00:24,492 --> 00:00:25,693 IN CASE WE DON'T ACCEPT HIM. 12 00:00:25,726 --> 00:00:27,695 - FATHER'S A DIVORCED HOUSE PAINTER. 13 00:00:27,728 --> 00:00:29,697 - HE DIDN'T BALK AT OUR TUITION. 14 00:00:29,730 --> 00:00:34,602 - BLUE COLLAR PROMOTES OUR IMAGE OF ECONOMIC DIVERSITY. 15 00:00:34,635 --> 00:00:36,470 HAVE HIM BRING IN THE YOUNG ARTIST 16 00:00:36,504 --> 00:00:39,507 SO WE CAN MEET HIM. 17 00:00:39,540 --> 00:00:41,375 [pumping] 18 00:00:41,409 --> 00:00:44,745 - I'M GETTING THE EXAM RIGHT NOW. 19 00:00:44,778 --> 00:00:46,680 YEAH, I'LL GET THE INSURANCE. 20 00:00:46,714 --> 00:00:47,681 RIGHT, DOC? 21 00:00:47,715 --> 00:00:49,083 [air hissing] 22 00:00:49,117 --> 00:00:51,152 - BLOOD PRESSURE'S FINE. 23 00:00:51,185 --> 00:00:52,753 [Velcro rips] - NICE PEOPLE. 24 00:00:52,786 --> 00:00:55,756 MAKING ME CARRY TERM LIFE FOR A MIL. 25 00:00:55,789 --> 00:00:57,691 'CAUSE THEY'RE THINKING I'LL DROP DEAD 26 00:00:57,725 --> 00:00:59,460 IN THE MIDDLE OF THEIR CASE. 27 00:00:59,493 --> 00:01:01,662 AGEISM. I SHOULD SUE. 28 00:01:01,695 --> 00:01:03,497 - WELL, I'M GUESSING YOU'LL OUTLIVE THEM ALL. 29 00:01:03,531 --> 00:01:06,700 - EVER NEED A LAWYER, DOC, COME SEE ME. 30 00:01:09,137 --> 00:01:11,405 - BOTH PARTIES ARE VERY QUALIFIED 31 00:01:11,439 --> 00:01:14,175 AND LOOKING TO BOTTOM FEED. 32 00:01:14,208 --> 00:01:16,410 AND THIS PLACE? 33 00:01:16,444 --> 00:01:17,778 FIRST LOOK IS EVERYTHING. 34 00:01:17,811 --> 00:01:21,182 GOTTA BE SURE THE WORK IS DONE BEFORE THEY SEE IT. 35 00:01:21,215 --> 00:01:22,550 [car alarm chirps] 36 00:01:22,583 --> 00:01:24,685 I'LL TALK TO YOU LATER. 37 00:01:24,718 --> 00:01:27,421 YOO-HOO! 38 00:01:27,455 --> 00:01:28,856 PAINTER! 39 00:01:31,625 --> 00:01:34,462 DID YOU REPAINT THE TRIM? 40 00:01:34,495 --> 00:01:35,763 IT LOOKS WET. 41 00:01:39,233 --> 00:01:40,834 I WISH YOU HADN'T DONE THAT. 42 00:01:43,737 --> 00:01:46,674 WHAT'S ALL THIS PAINT AND THIS DUST? 43 00:01:46,707 --> 00:01:49,243 WHY IS HE SANDING? 44 00:01:49,277 --> 00:01:52,313 THE MASTER BATH! DID YOU FINISH IN THERE? 45 00:01:54,848 --> 00:01:57,185 THIS BATHROOM ISN'T DONE. 46 00:01:57,218 --> 00:01:59,553 HAVE YOU EVEN BEEN IN HERE? 47 00:01:59,587 --> 00:02:02,723 - [screaming] 48 00:02:02,756 --> 00:02:05,226 [muffled cries] 49 00:02:11,199 --> 00:02:13,434 [muffled screams] 50 00:03:02,583 --> 00:03:03,417 - THIS BUILDING. WHAT, IS IT CONDEMNED? 51 00:03:03,451 --> 00:03:04,918 - YOU KIDDING? HIGH-END REAL ESTATE. 52 00:03:04,952 --> 00:03:07,521 - JUST NOT HABITABLE. 53 00:03:07,555 --> 00:03:08,956 - SITTING EMPTY FOR A YEAR, WAITING ON PERMITS. 54 00:03:08,989 --> 00:03:11,359 - THE CITY INSPECTOR WHO FOUND HER-- 55 00:03:11,392 --> 00:03:12,393 WE'LL NEED TO SPEAK WITH HIM. 56 00:03:12,426 --> 00:03:13,261 - HE'LL BE AT HOME. 57 00:03:13,294 --> 00:03:14,662 HAD TO BE TENDED TO BY THE PARAMEDICS. 58 00:03:14,695 --> 00:03:16,564 THIS ONE'S ROUGH. 59 00:03:16,597 --> 00:03:17,565 - WHAT'S HAPPENING HERE? 60 00:03:17,598 --> 00:03:19,233 THEY'RE REMOVING THE VICTIM? 61 00:03:19,267 --> 00:03:20,934 - BROOKLYN M.E. SAYS HE WASN'T WAITING ON YOU PEOPLE. 62 00:03:20,968 --> 00:03:22,270 BUT WE GOT PHOTO COVERAGE. 63 00:03:22,303 --> 00:03:25,439 - LET'S GO CHECK THIS OUT. 64 00:03:25,473 --> 00:03:27,508 HILDEGARDE GLAZER, 53. 65 00:03:27,541 --> 00:03:29,577 A REALTOR WITH HANLON WEBB. 66 00:03:29,610 --> 00:03:31,345 WAS SHE THE AGENT FOR THIS BUILDING? 67 00:03:31,379 --> 00:03:33,381 - WE SPOKE TO HER OFFICE, BUT NO CONNECTION, 68 00:03:33,414 --> 00:03:36,317 AS FAR AS WE KNOW. 69 00:03:39,420 --> 00:03:41,489 - MM-HMM. 70 00:03:41,522 --> 00:03:43,223 LOOK AT THIS. 71 00:03:45,693 --> 00:03:47,595 SHE WAS RIGHT HERE. 72 00:03:47,628 --> 00:03:49,597 - YEAH, MULTIPLE STAB WOUNDS. 73 00:03:49,630 --> 00:03:51,999 WE THINK THAT SHE WAS TRANSPORTED IN THAT DROP CLOTH. 74 00:03:53,867 --> 00:03:58,038 - WELL...NO SHORTAGE OF INSECTS, HUH? 75 00:03:58,071 --> 00:04:01,041 ANY THOUGHTS, UH, ON A T.O.D.? 76 00:04:01,074 --> 00:04:04,545 - WE HAVE PUPA CASINGS FOR TWO HATCHES OF FLIES. 77 00:04:04,578 --> 00:04:06,447 AT AMBIENT TEMPERATURE, I'D SAY SHE'S BEEN DEAD 78 00:04:06,480 --> 00:04:08,549 FOR AT LEAST THREE, MAYBE FOUR DAYS. 79 00:04:08,582 --> 00:04:10,718 - UGH, SHE MIGHT HAVE HAD A VISITOR. 80 00:04:10,751 --> 00:04:13,354 THERE'S A LUNCH TRUCK SANDWICH WRAPPER DATED YESTERDAY. 81 00:04:13,387 --> 00:04:14,822 SOMEONE CAME HERE AND ATE? 82 00:04:14,855 --> 00:04:16,357 - THAT'S WHY WE CALLED YOU GUYS. 83 00:04:16,390 --> 00:04:17,725 THERE'S NO QUESTION. 84 00:04:17,758 --> 00:04:18,892 THIS ONE IS SPECIAL. 85 00:04:18,926 --> 00:04:20,894 - YEAH. 86 00:04:20,928 --> 00:04:22,530 VERY...SPECIAL. 87 00:04:22,563 --> 00:04:24,598 - WHAT'S THIS? 88 00:04:24,632 --> 00:04:26,534 "PLEASE STOP." 89 00:04:28,068 --> 00:04:29,803 AND THIS. 90 00:04:29,837 --> 00:04:35,476 - IT'S SOME SORT OF... MINI SNOW ANGEL. 91 00:04:35,509 --> 00:04:37,478 RENDERED IN BLOOD. 92 00:04:39,647 --> 00:04:42,383 - A HORRENDOUS CRIME IN A GENTRIFYING NEIGHBORHOOD. 93 00:04:42,416 --> 00:04:45,018 THE VICTIM, A SUCCESSFUL REALTOR. 94 00:04:45,052 --> 00:04:46,720 PEOPLE ARE UNDERSTANDABLY HYSTERICAL. 95 00:04:46,754 --> 00:04:48,522 - HMM. WE THINK SHE WAS BROUGHT HERE 96 00:04:48,556 --> 00:04:49,923 WHILE SHE WAS STILL ALIVE, KEPT THERE FOR A WHILE, 97 00:04:49,957 --> 00:04:51,592 AND THEN MURDERED. 98 00:04:51,625 --> 00:04:52,793 - ALSO, IT'S LIKELY THE KILLER RETURNED TO THE SCENE 99 00:04:52,826 --> 00:04:53,927 AFTER HER DEATH. 100 00:04:53,961 --> 00:04:57,331 - ALL RIGHT, A SANDWICH BAG. 101 00:04:57,365 --> 00:04:59,633 BUT WHY DID HE BRING HER TO THIS PARTICULAR BASEMENT? 102 00:04:59,667 --> 00:05:02,470 IT HAD TO BE A PLACE THE KILLER KNEW. 103 00:05:02,503 --> 00:05:03,971 AND THIS GRAFFITI-- "PLEASE STOP." 104 00:05:04,004 --> 00:05:05,506 WHAT DO OUR EXPERTS SAY? 105 00:05:05,539 --> 00:05:08,509 - POSSIBLY A, UH, DYSLEXIC, 106 00:05:08,542 --> 00:05:10,344 LEFT-HANDED ADULT. 107 00:05:10,378 --> 00:05:11,645 OR, EVEN MORE LIKELY-- 108 00:05:11,679 --> 00:05:14,915 - MORE LIKELY WHAT? 109 00:05:14,948 --> 00:05:18,018 - A FOUR TO SEVEN-YEAR-OLD CHILD. 110 00:05:18,051 --> 00:05:19,787 - NAH. 111 00:05:19,820 --> 00:05:22,490 NO ON THAT. THEY GOTTA BE WRONG. 112 00:05:22,523 --> 00:05:25,058 - SOME TRAUMA TO HER FACE. 113 00:05:25,092 --> 00:05:27,461 LIPS CUT. 114 00:05:27,495 --> 00:05:30,798 A CROWN FROM A FRONT INCISOR WAS PUSHED OFF 115 00:05:30,831 --> 00:05:32,766 THE IMPLANT POST FROM BEHIND. 116 00:05:32,800 --> 00:05:35,869 - SO IN THE STRUGGLE TO SUBDUE HER, 117 00:05:35,903 --> 00:05:38,839 HE WOULD HAVE PROBABLY PUSHED SOMETHING INTO HER MOUTH? 118 00:05:38,872 --> 00:05:39,773 - MM-HMM. 119 00:05:39,807 --> 00:05:41,509 NOW, THE KILLING ITSELF WAS MORE ELEGANT. 120 00:05:41,542 --> 00:05:43,544 HE KNEW ANATOMY. 121 00:05:43,577 --> 00:05:45,979 HE MAYBE EVEN HAD EXPERIENCE DISSECTING A BODY. 122 00:05:46,013 --> 00:05:48,949 - SO MAYBE A DOCTOR OR MORTICIAN. 123 00:05:48,982 --> 00:05:51,785 - OR HE'S CARVED UP OTHERS AND GOTTEN EXPERIENCED. 124 00:05:51,819 --> 00:05:54,622 - MM-HMM. NOW, THIS INCISION... 125 00:05:54,655 --> 00:05:57,891 JUST BELOW HER LEFT ARMPIT, 126 00:05:57,925 --> 00:05:59,527 GOES THROUGH THE FLOATING RIBS 127 00:05:59,560 --> 00:06:01,729 AND DIRECTLY INTO THE LEFT VENTRICLE. 128 00:06:01,762 --> 00:06:03,564 IT WAS DONE ACCURATELY 129 00:06:03,597 --> 00:06:05,065 AND CAUSED INTENSE INTERNAL BLEEDING. 130 00:06:05,098 --> 00:06:06,634 - AND THERE'S NO TEARING AROUND THE WOUND, 131 00:06:06,667 --> 00:06:07,735 SO IT DOESN'T APPEAR THAT SHE STRUGGLED. 132 00:06:07,768 --> 00:06:09,737 - WELL, SHE MIGHT HAVE BEEN IMMOBILE. 133 00:06:09,770 --> 00:06:12,540 THE TOX SCREEN REVEALED A SUBSTANTIAL AMOUNT OF VERSED. 134 00:06:12,573 --> 00:06:14,642 - WHICH HAS TO BE INJECTED. 135 00:06:14,675 --> 00:06:17,511 - NOW, THESE WOUNDS... 136 00:06:17,545 --> 00:06:21,014 ON HER LOWER ABDOMEN WERE ALL POSTMORTEM. 137 00:06:21,048 --> 00:06:22,015 - SO HE KNOWS ANATOMY. 138 00:06:22,049 --> 00:06:24,518 THEN WHY, WHY DOES HE... 139 00:06:24,552 --> 00:06:27,821 COME BACK AND MAKE THOSE POSTMORTEM WOUNDS? 140 00:06:27,855 --> 00:06:29,056 - WELL, FROM A HEART PUNCTURE, 141 00:06:29,089 --> 00:06:31,058 IT'S RIGHT WHERE THE BLOOD WOULD POOL. 142 00:06:32,960 --> 00:06:36,129 - SO HE DIPS HIS FINGERS INTO THE BLOOD 143 00:06:36,163 --> 00:06:39,166 FOR HIS ARTWORK. 144 00:06:39,199 --> 00:06:41,535 [cell phone ringing] 145 00:06:41,569 --> 00:06:43,571 NICHOLS. 146 00:06:46,640 --> 00:06:50,043 OUR VICTIM'S HUSBAND IS HERE. 147 00:06:52,813 --> 00:06:54,548 - OHH. 148 00:06:54,582 --> 00:06:56,450 I NEVER THOUGHT THIS. 149 00:06:59,920 --> 00:07:01,822 OHH. 150 00:07:01,855 --> 00:07:05,192 - DID SHE MENTION ANY PROBLEMS THAT SHE'D HAD LATELY? 151 00:07:05,225 --> 00:07:06,927 - PROBLEMS? 152 00:07:06,960 --> 00:07:09,597 - PEOPLE SHE WASN'T GETTING ALONG WITH. 153 00:07:09,630 --> 00:07:11,765 COWORKER OR A NEIGHBOR. 154 00:07:11,799 --> 00:07:16,470 - WHOEVER DID THAT COULDN'T BE ANYONE THAT WE KNEW. 155 00:07:16,504 --> 00:07:17,838 - SHE'S BEEN MISSING FOUR DAYS, 156 00:07:17,871 --> 00:07:21,542 BUT YOU NEVER CONTACTED THE POLICE. 157 00:07:21,575 --> 00:07:23,577 - WE'RE LIVING SEPARATELY. 158 00:07:23,611 --> 00:07:25,045 I WASN'T AWARE. 159 00:07:25,078 --> 00:07:26,647 - DIVORCED. 160 00:07:26,680 --> 00:07:30,050 - BUT THERE WERE NO HARD FEELINGS. 161 00:07:30,083 --> 00:07:34,121 19 YEARS OF MARRIAGE. 162 00:07:34,154 --> 00:07:37,825 SOMETIMES, LIFE JUST CHANGES PEOPLE. 163 00:07:37,858 --> 00:07:40,661 - WHEN WAS THE LAST TIME YOU SPOKE WITH HER? 164 00:07:40,694 --> 00:07:42,596 - I TRIED TO CALL HER YESTERDAY. 165 00:07:42,630 --> 00:07:44,598 A NOTICE CAME ABOUT HER CAR. 166 00:07:44,632 --> 00:07:49,069 HER JAGUAR WAS IMPOUNDED FOR PARKING AND TOWED. 167 00:07:49,102 --> 00:07:52,806 HILDY LOVES THAT CAR. 168 00:07:52,840 --> 00:07:54,742 I THOUGHT, "HOW COULD SHE LET IT BE TOWED 169 00:07:54,775 --> 00:07:57,144 FROM SOME ADDRESS IN PARK SLOPE?" 170 00:08:01,181 --> 00:08:02,650 - SHE CAME A LOT, 171 00:08:02,683 --> 00:08:04,618 GETTING THE PLACE READY FOR THE NEW BUYER. 172 00:08:04,652 --> 00:08:06,820 - ANY SECURITY CAMERAS OUT IN THAT HALLWAY? 173 00:08:06,854 --> 00:08:08,288 - UH, JUST THE FRONT AND BACK ENTRANCE, 174 00:08:08,321 --> 00:08:09,823 PLUS THE ELEVATOR, SIR. 175 00:08:09,857 --> 00:08:11,258 YOU KNOW, THE PEOPLE IN THIS BUILDING, 176 00:08:11,291 --> 00:08:12,860 THEY VALUE THEIR PRIVACY. 177 00:08:12,893 --> 00:08:16,063 MM, HO, HEY! HANG ON RIGHT THERE. 178 00:08:16,096 --> 00:08:18,566 - DUST. 179 00:08:18,599 --> 00:08:19,900 - THERE'S EVEN THE OUTLINE 180 00:08:19,933 --> 00:08:21,835 OF WHAT I'M GUESSING IS THE DROP CLOTH. 181 00:08:21,869 --> 00:08:23,637 - HEY, THE NEW OWNER WILL GET A CLEANUP 182 00:08:23,671 --> 00:08:24,905 BEFORE THEY MOVE IN, HUH? 183 00:08:24,938 --> 00:08:27,741 - YEAH, YOU'RE GONNA HAVE TO DELAY THAT. 184 00:08:27,775 --> 00:08:29,109 - DELAY IT? 185 00:08:29,142 --> 00:08:30,944 - WE THINK THIS IS A CRIME SCENE. 186 00:08:33,213 --> 00:08:34,882 - THESE TWO SCRAPE MARKS, 187 00:08:34,915 --> 00:08:38,586 ONE NARROW AND ONE WIDE. 188 00:08:38,619 --> 00:08:42,155 THE NARROW ONE COULD BE A HIGH-HEELED SHOE. 189 00:08:42,189 --> 00:08:44,324 AND THIS OTHER ONE... 190 00:08:44,357 --> 00:08:46,126 - IF THE OTHER SHOE CAME OFF, 191 00:08:46,159 --> 00:08:48,128 HER HEEL WOULD LEAVE THAT MARK. 192 00:08:48,161 --> 00:08:49,296 - YEAH. 193 00:08:49,329 --> 00:08:52,232 SO HE DRAGS HER INTO HERE... 194 00:08:52,265 --> 00:08:54,635 ONTO THE DROP CLOTH. 195 00:08:54,668 --> 00:08:57,638 WHICH WAS RIGHT...THERE. 196 00:08:57,671 --> 00:08:59,306 DETECTIVES, WE FOUND SOMETHING IN THE BATHROOM. 197 00:08:59,339 --> 00:09:00,808 YOU SHOULD TAKE A LOOK. 198 00:09:02,976 --> 00:09:04,144 - OKAY, NINA. 199 00:09:04,177 --> 00:09:07,581 - MM-HMM. 200 00:09:07,615 --> 00:09:08,582 - CROWN. 201 00:09:08,616 --> 00:09:11,585 IT'S BROKEN FROM AN IMPLANT POST. 202 00:09:11,619 --> 00:09:13,887 SO THIS IS WHERE SHE STRUGGLED. 203 00:09:13,921 --> 00:09:15,756 - PROCESS THAT SMEAR. 204 00:09:15,789 --> 00:09:19,159 I'M GUESSING IT WILL MATCH HER PRINTS. 205 00:09:19,192 --> 00:09:21,128 - SO PEOPLE COME AND GO, 206 00:09:21,161 --> 00:09:22,930 BUT NOBODY SHOWS I.D.? 207 00:09:22,963 --> 00:09:25,165 - LOOK, EVERY WORKER HAS TO BE APPROVED BY OUR BOARD 208 00:09:25,198 --> 00:09:27,067 BEFORE THEY DO ANY WORK IN THIS BUILDING. 209 00:09:27,100 --> 00:09:28,736 - SOMEONE WAS HERE ON THE DAY SHE WAS KILLED. 210 00:09:28,769 --> 00:09:30,638 HOW DID THEY GET IN UNNOTICED? 211 00:09:30,671 --> 00:09:32,205 - YEAH, THERE WAS A PAINTER'S VAN OVER THERE. 212 00:09:32,239 --> 00:09:33,974 I SAW THAT. 213 00:09:34,007 --> 00:09:35,643 - BUT YOU NEVER SAW THE DRIVER? 214 00:09:35,676 --> 00:09:37,711 - I CARRIED GROCERIES TO 11B FOR MRS. MORETTI. 215 00:09:37,745 --> 00:09:38,812 I DIDN'T SEE HIM COME IN. 216 00:09:38,846 --> 00:09:40,714 BUT HE'LL BE ON THE FOYER CAMERA. 217 00:09:40,748 --> 00:09:42,616 AND I REMEMBER THE VAN WAS WHITE. 218 00:09:42,650 --> 00:09:44,652 - LET'S SEE THAT CAMERA, PLEASE. 219 00:10:13,681 --> 00:10:15,048 - [exhales] 220 00:10:17,951 --> 00:10:18,919 [whimpers] 221 00:10:18,952 --> 00:10:21,088 HOW MANY TIMES HAVE I TOLD HIM? 222 00:10:24,257 --> 00:10:27,861 THE LAST THING WE NEED IS TROUBLE FROM THE DOCTOR. 223 00:10:35,402 --> 00:10:36,670 - THERE HE IS WITH THE PAINTING CART 224 00:10:36,704 --> 00:10:37,838 AND THIS DROP CLOTH. 225 00:10:37,871 --> 00:10:39,072 - IT'S ALL WE HAVE. 226 00:10:39,106 --> 00:10:40,808 THE ELEVATOR CAMERA'S OUT OF SERVICE. 227 00:10:40,841 --> 00:10:43,410 - THIS MIGHT STRIKE TERROR IN THE TENANTS OF THE BUILDING, 228 00:10:43,443 --> 00:10:44,978 BUT WHAT DOES IT GIVE US? 229 00:10:45,012 --> 00:10:47,080 - WELL, THIS NEXT SHOT MAKES IT CLEAR 230 00:10:47,114 --> 00:10:48,415 THAT HE'S OUR GUY-- LOOK AT THAT. 231 00:10:48,448 --> 00:10:49,917 - TRANSPORTING OUR VICTIM? 232 00:10:49,950 --> 00:10:51,719 - AND SOON COMING UP IN THIS SERIES OF SHOTS 233 00:10:51,752 --> 00:10:53,754 IS HIM LEAVING FOR THE LAST TIME WITH THE CART. 234 00:10:53,787 --> 00:10:54,955 - HE'S CAMERA SAVVY. 235 00:10:54,988 --> 00:10:57,991 HIS CAP WAS ALWAYS PULLED DOWN SO WE CAN'T SEE HIS FACE. 236 00:10:58,025 --> 00:11:00,728 - WHAT ABOUT LATENT PRINTS ON THE DOORS, 237 00:11:00,761 --> 00:11:02,730 ELEVATOR CALL BUTTONS, BRASS TRIM? 238 00:11:02,763 --> 00:11:03,997 - IT'S A FIRST-RATE BUILDING. 239 00:11:04,031 --> 00:11:06,166 BRASS AND TRIM ARE POLISHED EVERY SECOND DAY. 240 00:11:06,199 --> 00:11:08,235 - ALL RIGHT, ROGER SAYS THERE'S EVIDENCE 241 00:11:08,268 --> 00:11:10,103 OF MEDICAL EXPERTISE. 242 00:11:10,137 --> 00:11:11,204 - NOT MUCH HERE. 243 00:11:11,238 --> 00:11:13,140 SHE HAD FACIAL SURGERY FOUR YEARS AGO. 244 00:11:13,173 --> 00:11:15,042 - WE HAVE A COPY OF HER DAY RUNNER. 245 00:11:15,075 --> 00:11:16,343 I DON'T SEE A DOCTOR'S APPOINTMENT. 246 00:11:16,376 --> 00:11:17,377 BUT HERE'S SOMETHING. 247 00:11:17,410 --> 00:11:18,478 "SEND CHECK, $10,000, 248 00:11:18,511 --> 00:11:21,114 TO EMPIRE ALLIED LIFE TERM INSURANCE." 249 00:11:21,148 --> 00:11:23,050 MAKES IT A PRETTY BIG POLICY. MAYBE A MILLION. 250 00:11:23,083 --> 00:11:24,785 - COULD BE PART OF HER DIVORCE SETTLEMENT. 251 00:11:24,818 --> 00:11:26,219 MY EX AND I TOOK OUT POLICIES 252 00:11:26,253 --> 00:11:28,321 TO COVER THE COST OF RAISING OUR DAUGHTER. 253 00:11:28,355 --> 00:11:30,257 AND WE WERE REQUIRED TO TAKE A MEDICAL EXAM. 254 00:11:30,290 --> 00:11:31,458 - YEAH, ON HER WORK CALENDAR, 255 00:11:31,491 --> 00:11:33,060 TWO DAYS BEFORE SHE WAS KILLED, 256 00:11:33,093 --> 00:11:36,429 2:45 P.M., INSURANCE EXAM IN OFFICE. 257 00:11:39,967 --> 00:11:42,302 - SO DR. CURTIS, YOU WENT TO HER OFFICE? 258 00:11:42,335 --> 00:11:45,172 - IT'S COURTESY FOR POLICIES OF $1 MILLION OR OVER. 259 00:11:45,205 --> 00:11:46,974 - AND SHE WAS IN GOOD HEALTH. 260 00:11:47,007 --> 00:11:49,743 - I'M SORRY. CONFIDENTIALITY LAWS. 261 00:11:49,777 --> 00:11:52,145 - CONFIDENTIALITY COULD APPLY TO A SUSPECT, 262 00:11:52,179 --> 00:11:55,849 NOT A HOMICIDE VICTIM. 263 00:11:55,883 --> 00:11:57,785 - YES, SHE WAS IN GOOD HEALTH. 264 00:11:57,818 --> 00:12:02,222 THE EXAM WAS VERY ROUTINE. 265 00:12:02,255 --> 00:12:05,225 - YOU STUDIED IN GRENADA. 266 00:12:05,258 --> 00:12:06,827 NICE WEATHER. 267 00:12:06,860 --> 00:12:08,428 - I DIDN'T ATTEND MED SCHOOL TO ENJOY THE WEATHER. 268 00:12:08,461 --> 00:12:10,463 - THEN WHY GRENADA? 269 00:12:10,497 --> 00:12:12,165 - MY EDUCATION WAS PAID FOR 270 00:12:12,199 --> 00:12:14,401 OUT OF MY AUNT'S SMALL PENSION. 271 00:12:14,434 --> 00:12:15,903 DO I NEED TO SAY MORE? 272 00:12:15,936 --> 00:12:18,138 - PLUS INTERNSHIP AND RESIDENCY. 273 00:12:18,171 --> 00:12:20,908 I DON'T KNOW HOW ANYBODY DOES IT THESE DAYS. 274 00:12:20,941 --> 00:12:24,511 HEY, A, UH, AN INSURANCE EXAM... 275 00:12:24,544 --> 00:12:26,446 WHAT DOES THAT ENTAIL, EXACTLY? 276 00:12:26,479 --> 00:12:28,115 - OUR CHECK LIST COVERS 23 POINTS, 277 00:12:28,148 --> 00:12:30,818 TAKES ROUGHLY 30 MINUTES, BARRING INTERRUPTIONS. 278 00:12:30,851 --> 00:12:33,186 - WERE THERE ANY INTERRUPTIONS WITH MRS. GLAZER? 279 00:12:33,220 --> 00:12:35,522 - SHE WAS ON HER PHONE MUCH OF THE TIME. 280 00:12:35,555 --> 00:12:38,525 - WHO WAS SHE TALKING TO? 281 00:12:38,558 --> 00:12:40,393 - I NEVER EAVESDROP. 282 00:12:43,430 --> 00:12:46,099 - HOW MANY PATIENTS DO YOU SEE A DAY, DR. CURTIS? 283 00:12:46,133 --> 00:12:47,034 - 25 OR 30. 284 00:12:47,067 --> 00:12:48,836 IN FACT, I HAVE THREE WAITING RIGHT NOW. 285 00:12:48,869 --> 00:12:50,303 ARE ALMOST FINISHED? 286 00:12:50,337 --> 00:12:51,371 - YEAH. 287 00:12:51,404 --> 00:12:53,206 SAY, ARE YOU A, UH, 288 00:12:53,240 --> 00:12:54,908 ARE YOU A MARRIED MAN, DR. CURTIS? 289 00:12:54,942 --> 00:12:58,846 - NO. NO WIVES OR CHILDREN. 290 00:12:58,879 --> 00:13:02,782 - WELL, YOU'VE BEEN, UH, ABSOLUTELY HELPFUL. 291 00:13:05,218 --> 00:13:07,955 - MRS. HANSEN. PLEASE. 292 00:13:07,988 --> 00:13:10,057 SORRY FOR THE DELAY. 293 00:13:10,090 --> 00:13:12,325 - SO GRENADA MEDICAL SCHOOL? 294 00:13:12,359 --> 00:13:14,261 WOW, THAT REALLY GOT YOU GOING, DIDN'T IT? 295 00:13:14,294 --> 00:13:16,496 - WELL, IT'S NOT A STERLING MEDICAL CREDENTIAL. 296 00:13:16,529 --> 00:13:17,297 I'M SURE IT WAS MORE ABOUT 297 00:13:17,330 --> 00:13:18,932 THE LOW ADMITTANCE QUALIFICATIONS 298 00:13:18,966 --> 00:13:20,167 THAN AUNTIE'S PENSION. 299 00:13:20,200 --> 00:13:21,234 - ALL RIGHT, NO KIDS, 300 00:13:21,268 --> 00:13:24,404 HE LIVES ALONE IN JAMAICA, QUEENS. 301 00:13:24,437 --> 00:13:26,506 HEY, WAS IT JUST ME, 302 00:13:26,539 --> 00:13:30,243 OR WAS THERE SOMETHING, LIKE, REALLY CREEPY ABOUT THAT GUY? 303 00:13:30,277 --> 00:13:32,145 - CHOP-UP-A-WOMAN CREEPY? 304 00:13:32,179 --> 00:13:34,081 - YEAH, RIGHT. 305 00:13:36,216 --> 00:13:38,485 SO YOU AND HILDY WERE ON THE PHONE TOGETHER 306 00:13:38,518 --> 00:13:40,253 FOR SOME 26 MINUTES. 307 00:13:40,287 --> 00:13:41,454 SOMEBODY HAD A LOT TO SAY, HUH? 308 00:13:41,488 --> 00:13:43,123 - YEAH. 309 00:13:43,156 --> 00:13:45,158 WHILE WE WERE TALKING, SHE KEPT PUSHING THE DOCTOR 310 00:13:45,192 --> 00:13:47,027 TO FINISH. 311 00:13:47,060 --> 00:13:48,929 - DID SHE MENTION AT ALL THAT APARTMENT 312 00:13:48,962 --> 00:13:51,098 THAT WAS GETTING A REMODEL, THE ONE IN PARK SLOPE? 313 00:13:51,131 --> 00:13:53,600 - SURE...THE SUBS WERE DRIVING HER CRAZY. 314 00:13:53,633 --> 00:13:56,103 SHE...TALKED ABOUT GOING THERE. 315 00:13:56,136 --> 00:13:58,205 - DID SHE TALK ABOUT ANYTHING ELSE? 316 00:13:58,238 --> 00:13:59,907 - SHE TALKED ABOUT HER DAUGHTER... 317 00:13:59,940 --> 00:14:02,209 AND HER GRANDCHILD IN ITALY. 318 00:14:02,242 --> 00:14:04,511 THE WAY THE ITALIANS CODDLE THEIR CHILDREN. 319 00:14:04,544 --> 00:14:06,213 HILDY WAS VERY CONCERNED. 320 00:14:06,246 --> 00:14:07,915 - AH, CONCERNED ABOUT WHAT? 321 00:14:07,948 --> 00:14:11,184 - WELL, HILDY WAS A BELIEVER IN DISCIPLINE. 322 00:14:11,218 --> 00:14:12,419 NO CODDLING FOR HER. 323 00:14:12,452 --> 00:14:15,122 LOOK, I'M REALLY SORRY, 324 00:14:15,155 --> 00:14:16,256 BUT I HAVE A SHOWING. 325 00:14:16,289 --> 00:14:17,958 AND...I KNOW THAT HILDY 326 00:14:17,991 --> 00:14:19,292 WOULD NOT HAVE WANTED ME TO MISS A SALE. 327 00:14:19,326 --> 00:14:21,128 - THANK YOU. - THANK YOU. 328 00:14:22,129 --> 00:14:23,263 - HMM. 329 00:14:23,296 --> 00:14:25,999 BELIEVER IN DISCIPLINE? 330 00:14:26,033 --> 00:14:27,167 - YEAH. 331 00:14:27,200 --> 00:14:30,170 SO DR. CURTIS WAS HERE. 332 00:14:30,203 --> 00:14:32,472 MAYBE HE HAS A-- A CUFF ON HER ARM. 333 00:14:32,505 --> 00:14:35,442 - YEAH, BUT HE DIDN'T ACT OUT RIGHT HERE. 334 00:14:35,475 --> 00:14:39,446 I THINK SHE TRIGGERED SOMETHING VERY DEEP IN HIM. 335 00:14:39,479 --> 00:14:42,115 HE LEAVES. HE STARTS THINKING ABOUT IT. 336 00:14:42,149 --> 00:14:44,317 - AND THEN IMPERSONATES A HOUSE PAINTER? 337 00:14:44,351 --> 00:14:45,518 SEEMS VERY OUT THERE. 338 00:14:45,552 --> 00:14:49,522 - AND WHY THIS PARTICULAR REALTOR? 339 00:14:49,556 --> 00:14:52,125 IT DOESN'T MAKE SENSE. 340 00:14:52,159 --> 00:14:52,960 - ACCORDING TO THE DMV, 341 00:14:52,993 --> 00:14:55,528 DR. CURTIS DOES NOT OWN A WHITE VAN 342 00:14:55,562 --> 00:14:57,197 OR ANY VEHICLE. 343 00:14:57,230 --> 00:14:59,699 BUT THIS VALIDATES YOUR THEORY. 344 00:14:59,732 --> 00:15:01,301 AT THAT SAME ADDRESS. 345 00:15:01,334 --> 00:15:02,602 - HMM. 346 00:15:02,635 --> 00:15:05,438 A WHITE '97 FORD, 347 00:15:05,472 --> 00:15:07,507 REGISTERED TO ANDY QUINN. 348 00:15:07,540 --> 00:15:09,142 THAT'S A, UH... 349 00:15:09,176 --> 00:15:11,678 THAT'S A NICE JOB. 350 00:15:11,711 --> 00:15:14,982 [sirens] 351 00:15:15,015 --> 00:15:16,183 [tires screech] 352 00:15:19,152 --> 00:15:20,687 - DR. CURTIS, MR. QUINN, 353 00:15:20,720 --> 00:15:23,490 WE'RE HERE WITH A WARRANT TO SEARCH THIS PROPERTY. 354 00:15:23,523 --> 00:15:24,557 GO. 355 00:15:33,133 --> 00:15:34,334 - NOTHIN' IN HERE. 356 00:15:34,367 --> 00:15:36,136 VERY TIDY. 357 00:15:40,107 --> 00:15:43,243 - NOT SO TIDY IN HERE. 358 00:15:43,276 --> 00:15:45,178 - OHH. 359 00:15:45,212 --> 00:15:47,280 HERE'S... 360 00:15:47,314 --> 00:15:48,548 HERE'S OUR PAINTER. 361 00:15:48,581 --> 00:15:50,483 ANDY QUINN. - MM-HMM. 362 00:15:50,517 --> 00:15:52,685 - THERE'S A JUVENILE LIVING UPSTAIRS. 363 00:15:52,719 --> 00:15:54,387 - GREAT. 364 00:16:10,470 --> 00:16:12,739 - MY NEPHEW LOVES THESE. 365 00:16:12,772 --> 00:16:14,141 - HOW OLD? 366 00:16:14,174 --> 00:16:15,708 - FIVE. 367 00:16:20,513 --> 00:16:21,981 "TOMMY." 368 00:16:24,184 --> 00:16:26,219 OUR CHILD ARTIST. 369 00:16:31,358 --> 00:16:33,060 RIFFING ON HIS FAVORITE THEME. 370 00:16:45,372 --> 00:16:48,141 - OUR DOCTOR AND HIS MOTHER. 371 00:16:51,211 --> 00:16:53,146 - YEAH, OR MAYBE THIS IS THE AUNT 372 00:16:53,180 --> 00:16:56,116 THAT PAID HIS WAY THROUGH MED SCHOOL. 373 00:16:56,149 --> 00:16:58,418 - SO DR. CURTIS IS OUR KILLER, 374 00:16:58,451 --> 00:17:00,120 ANDY QUINN'S OUR PAINTER. 375 00:17:00,153 --> 00:17:01,588 AND THE CHILD... 376 00:17:01,621 --> 00:17:04,624 HOW ARE THEY SOMEHOW CONNECTED? 377 00:17:04,657 --> 00:17:06,826 ARE WE SAYING THAT THREE DIFFERENT PEOPLE 378 00:17:06,859 --> 00:17:08,461 ACTUALLY LIVE HERE? 379 00:17:08,495 --> 00:17:10,163 - OR ONE PERSON... 380 00:17:10,197 --> 00:17:14,067 WHO THINKS HE'S THREE DIFFERENT PEOPLE. 381 00:17:18,438 --> 00:17:21,174 - [soft voice] ...ABOUT HIM IN THE LONG RUN. 382 00:17:21,208 --> 00:17:23,476 UM, HE DOES MANY THINGS WELL. 383 00:17:23,510 --> 00:17:25,745 HE'S VERY GOOD AT ORGANIZING HIS THINGS, 384 00:17:25,778 --> 00:17:30,650 AND HE RESPONDS WELL TO INSTRUCTIONS MOST OF THE TIME. 385 00:17:30,683 --> 00:17:31,751 CAN YOU-- 386 00:17:31,784 --> 00:17:33,853 OH, JUST WAIT ONE MINUTE, WOULD YOU? 387 00:17:33,886 --> 00:17:35,222 THANK YOU. 388 00:17:35,255 --> 00:17:38,258 MR. QUINN. I WAS TRYING TO REACH YOU. 389 00:17:38,291 --> 00:17:39,559 WE'RE SO EXCITED ABOUT ENROLLING YOUR SON 390 00:17:39,592 --> 00:17:40,760 AT OUR SCHOOL. 391 00:17:40,793 --> 00:17:44,264 - YEAH, ACTUALLY, I'VE DECIDED AGAINST IT. 392 00:17:44,297 --> 00:17:46,266 - REALLY? 393 00:17:46,299 --> 00:17:47,600 - I JUST DON'T THINK HE'S READY. 394 00:17:47,634 --> 00:17:49,469 I WANT HIS PAINTINGS. 395 00:17:49,502 --> 00:17:50,837 - LOOK, LET'S TALK ABOUT IT. 396 00:17:50,870 --> 00:17:52,539 I'M, UM, I'M JUST WRAPPING UP A CONFERENCE. 397 00:17:52,572 --> 00:17:56,343 CAN YOU GIVE ME FIVE MINUTES? 398 00:17:56,376 --> 00:17:58,111 - OKAY. 399 00:17:58,145 --> 00:17:59,246 - THANKS. 400 00:17:59,279 --> 00:18:02,515 OKAY, UM, AS I WAS SAYING, 401 00:18:02,549 --> 00:18:04,251 UH, THE NICEST THING FOR ANY CHILD 402 00:18:04,284 --> 00:18:06,786 IS NOT NECESSARILY BEING NICE. 403 00:18:06,819 --> 00:18:08,688 IT'S FIRMNESS. 404 00:18:08,721 --> 00:18:10,190 [echoing] NEGATIVE REINFORCEMENT 405 00:18:10,223 --> 00:18:12,659 WHEN YOUR BOY ACTS INAPPROPRIATELY. 406 00:18:12,692 --> 00:18:14,894 HE'LL TRY TO MANIPULATE YOU. 407 00:18:14,927 --> 00:18:18,298 EVERY INCH HE GETS IS A VICTORY FOR HIM. 408 00:18:18,331 --> 00:18:19,832 SET BOUNDARIES! 409 00:18:19,866 --> 00:18:22,302 ENFORCE THEM. 410 00:18:22,335 --> 00:18:24,471 IN AN OLD-FASHIONED WORD... 411 00:18:24,504 --> 00:18:27,140 DISCIPLINE! 412 00:18:27,174 --> 00:18:28,575 DISCIPLINE! 413 00:18:28,608 --> 00:18:30,677 DISCIPLINE! 414 00:18:32,645 --> 00:18:34,614 [normal voice] MAKE SENSE? 415 00:18:34,647 --> 00:18:36,249 THANKS FOR COMING IN. 416 00:18:36,283 --> 00:18:38,185 OKAY. 417 00:18:41,421 --> 00:18:43,390 SO, MR. QUINN... 418 00:18:43,423 --> 00:18:44,691 I'M GOING TO MAKE THE CASE 419 00:18:44,724 --> 00:18:47,560 FOR HAVING YOUR SON AT OUR SCHOOL. 420 00:18:47,594 --> 00:18:50,197 - YOU SHOULD ADDRESS ME AS DOCTOR. 421 00:18:56,803 --> 00:18:58,638 - CHILDREN'S TOYS, ROOMS WITH DIFFERENT CLOTHES. 422 00:18:58,671 --> 00:19:00,540 IT'S ALL-- - I'M SO SORRY THAT WE'RE LATE. 423 00:19:00,573 --> 00:19:03,543 I WANTED TO GET OUR, UH, OUR MATERIAL. 424 00:19:03,576 --> 00:19:05,678 - DR. SANDERSON, DETECTIVES STEVENS AND NICHOLS 425 00:19:05,712 --> 00:19:06,946 ARE WORKING THE CASE. 426 00:19:06,979 --> 00:19:08,515 - HOW DO YOU DO? - HI. 427 00:19:08,548 --> 00:19:10,517 - I'M SO EXCITED THAT YOU AGREED TO COME IN. 428 00:19:10,550 --> 00:19:13,420 THIS GUY IS, UH, HE'S FAMOUS. 429 00:19:13,453 --> 00:19:14,487 HE GOES ON TV. 430 00:19:14,521 --> 00:19:15,655 - YES, WELL, THE MAYOR'S OFFICE 431 00:19:15,688 --> 00:19:17,690 PREVAILED ON ME FOR A FORENSIC CONSULT. 432 00:19:17,724 --> 00:19:19,192 - THE MAYOR. 433 00:19:19,226 --> 00:19:20,560 WELL, LET'S GET RIGHT INTO IT. 434 00:19:20,593 --> 00:19:24,231 WE'RE THINKING THAT DISSOCIATIVE IDENTITY DISORDER 435 00:19:24,264 --> 00:19:25,498 COULD EXPLAIN SOME OF THIS. 436 00:19:25,532 --> 00:19:28,401 - YES, I SEE YOU'RE CARRYING THE DSM-IV. 437 00:19:28,435 --> 00:19:30,637 I PREFER "MULTIPLE PERSONALITY." 438 00:19:30,670 --> 00:19:33,440 IT HAS THE FICTIONAL RING IT DESERVES. 439 00:19:33,473 --> 00:19:36,476 - FICTIONAL? I DON'T FOLLOW. 440 00:19:36,509 --> 00:19:38,745 - WITH ALL DUE RESPECT TO YOUR DIAGNOSTIC EFFORTS, 441 00:19:38,778 --> 00:19:40,613 A BUNCH OF ACADEMICS INVENTING A TERM 442 00:19:40,647 --> 00:19:41,781 DOESN'T MAKE IT REAL. 443 00:19:41,814 --> 00:19:44,651 THE SO-CALLED MULTIPLES ARE MALINGERING. 444 00:19:44,684 --> 00:19:47,954 - MALINGERING TO BOLSTER AN INSANITY DEFENSE? 445 00:19:47,987 --> 00:19:49,289 - PRECISELY. 446 00:19:49,322 --> 00:19:50,690 - BUT HE HASN'T EVEN BEEN ARRESTED. 447 00:19:50,723 --> 00:19:51,791 - HE THINKS HE'LL BE. 448 00:19:51,824 --> 00:19:53,893 SO HE'S USING ELABORATE ALIASES 449 00:19:53,926 --> 00:19:55,328 TO HIDE BEHIND. 450 00:19:55,362 --> 00:19:56,929 ON COURT TV, 451 00:19:56,963 --> 00:19:58,631 I BLEW THE WHOLE NOTION 452 00:19:58,665 --> 00:20:01,901 OF DISSOCIATIVE IDENTITY DISORDER TO PIECES. 453 00:20:01,934 --> 00:20:04,837 YOU MAY HAVE MORE THAN ONE SUSPECT. 454 00:20:04,871 --> 00:20:06,473 I'D GET BUSY ON THAT IDEA. 455 00:20:06,506 --> 00:20:08,508 [phone beeps] 456 00:20:08,541 --> 00:20:10,710 I'M SORRY, I HAVE A LUNCH. 457 00:20:10,743 --> 00:20:12,812 - WELL, THANK YOU FOR YOUR TIME, DOCTOR. 458 00:20:19,319 --> 00:20:21,588 - BY 5:00 P.M., HE'LL BE ON NEW YORK ONE 459 00:20:21,621 --> 00:20:23,490 TELLING THEM WE'RE ON THE WRONG TRACK. 460 00:20:23,523 --> 00:20:24,457 - IT'S A CLEARLY DEFINED CONDITION. 461 00:20:24,491 --> 00:20:26,526 DIFFERENT PERSONALITY STATES ARE EXPERIENCED, 462 00:20:26,559 --> 00:20:27,694 EACH WITH A DISTINCT PERSONAL HISTORY, 463 00:20:27,727 --> 00:20:29,896 SELF-IMAGE, AND A SEPARATE NAME; IT FITS. 464 00:20:29,929 --> 00:20:33,300 - I NEED SOMETHING BETTER THAN YOUR TAKE FROM A TEXTBOOK. 465 00:20:33,333 --> 00:20:34,801 - WELL, I ACTUALLY KNOW SOMEBODY 466 00:20:34,834 --> 00:20:36,436 WHO'S TREATED THIS IN A CLINICAL SETTING. 467 00:20:36,469 --> 00:20:38,971 - WELL, WHY AREN'T WE TALKING TO THEM? 468 00:20:41,007 --> 00:20:42,809 - IT'S NOT SO EASY. 469 00:21:02,495 --> 00:21:05,465 [playing jazz] 470 00:21:05,498 --> 00:21:13,506 * 471 00:21:18,645 --> 00:21:20,513 - IT'S BEEN A WHILE SINCE I'VE HEARD THAT. 472 00:21:23,716 --> 00:21:25,518 - DAD. 473 00:21:29,456 --> 00:21:31,023 - AH. 474 00:21:35,862 --> 00:21:38,565 YOUR MOTHER SAID YOU-- YOU PLAY IN A BAND. 475 00:21:38,598 --> 00:21:40,367 - YES, WITH SOME JAZZ PURISTS. 476 00:21:40,400 --> 00:21:42,802 - YOU SHOULD INVITE ME. 477 00:21:42,835 --> 00:21:44,036 - WELL, I DID. 478 00:21:44,070 --> 00:21:45,405 UH, YOU WERE IN ZURICH. 479 00:21:49,809 --> 00:21:51,811 ANYWAY... 480 00:21:51,844 --> 00:21:53,380 YOU LOOK, UH... 481 00:21:53,413 --> 00:21:55,014 YOU--YOU LOOK SO WELL. 482 00:21:55,047 --> 00:21:56,616 - RIDING MY BIKE. 483 00:21:56,649 --> 00:21:57,550 - OH. 484 00:21:57,584 --> 00:21:59,886 - IT'S AMAZING HOW A SIMPLE THING LIKE THAT 485 00:21:59,919 --> 00:22:02,622 OFFERS SOMETHING AKIN TO A HYPOMANIC STATE. 486 00:22:02,655 --> 00:22:04,090 - HEH HEH. 487 00:22:04,123 --> 00:22:05,592 YEAH. 488 00:22:05,625 --> 00:22:08,628 WELL, THE PLACE LOOKS...GOOD. 489 00:22:08,661 --> 00:22:10,397 YOU KNOW, STILL SPOTLESS. 490 00:22:10,430 --> 00:22:11,764 - IT'S OUR SETTLEMENT. 491 00:22:11,798 --> 00:22:14,100 TODAY, ZARA TAKES CARE OF ME. 492 00:22:14,133 --> 00:22:16,002 THURSDAYS, SHE'S WITH YOUR MOTHER, 493 00:22:16,035 --> 00:22:19,939 GIVING A FULL REPORT OF MY COMINGS AND GOINGS. 494 00:22:19,972 --> 00:22:23,576 SO...YOU CAME FOR ADVICE. 495 00:22:23,610 --> 00:22:26,546 HAVE YOU FINALLY MET MISS RIGHT? 496 00:22:26,579 --> 00:22:29,081 - DAD, WHEN THAT HAPPENS, 497 00:22:29,115 --> 00:22:32,919 I, UH, I PROBABLY WON'T SHARE. 498 00:22:32,952 --> 00:22:35,955 - [sighs] 499 00:22:35,988 --> 00:22:37,424 A THINLY-VEILED BARB 500 00:22:37,457 --> 00:22:39,659 DIRECTED AT MY DYSFUNCTIONAL MARRIAGE. 501 00:22:39,692 --> 00:22:41,394 GOOD. 502 00:22:41,428 --> 00:22:46,599 IT MEANS YOU'VE REACHED OEDIPAL TERMINUS. 503 00:22:46,633 --> 00:22:49,536 IS IT A, UH, POLICE MATTER? 504 00:22:49,569 --> 00:22:50,603 - YEAH, IT'S A CASE THAT, UH, 505 00:22:50,637 --> 00:22:56,476 I BELIEVE INVOLVES DISSOCIATIVE IDENTITY DISORDER. 506 00:22:56,509 --> 00:22:59,446 - YOU FEEL THERE ARE VALID SYMPTOMS? 507 00:22:59,479 --> 00:23:01,047 - YEAH, WELL, IF YOU READ THIS FILE, 508 00:23:01,080 --> 00:23:03,483 I-I THINK IT MAY PROVIDE A CHANCE 509 00:23:03,516 --> 00:23:04,684 TO COUNTER YOUR OPPOSITION. 510 00:23:04,717 --> 00:23:06,819 - WHO'S BEEN CONSULTED? 511 00:23:06,853 --> 00:23:08,588 - SANDERSON. 512 00:23:08,621 --> 00:23:09,756 - OH, PLEASE. 513 00:23:09,789 --> 00:23:10,823 MICHAEL SANDERSON? 514 00:23:10,857 --> 00:23:12,492 - I KNEW YOU'D HAVE AN OPINION. 515 00:23:12,525 --> 00:23:15,495 - AN UTTER FAILURE ON EVERY SCHOLASTIC LEVEL. 516 00:23:17,930 --> 00:23:20,533 IF YOU WERE IN THIS PROFESSION, 517 00:23:20,567 --> 00:23:22,702 AS IT WAS MOST FERVENTLY WISHED, 518 00:23:22,735 --> 00:23:24,671 I--I...YOU... 519 00:23:28,641 --> 00:23:31,210 OKAY. 520 00:23:31,243 --> 00:23:33,913 IF IT HELPS YOU. 521 00:23:33,946 --> 00:23:36,048 - IF IT HELPS ME? 522 00:23:36,082 --> 00:23:38,685 - AND I DO ENJOY REVENGE. 523 00:23:40,587 --> 00:23:42,021 - WELL, IT'S A MATTER OF SOME URGENCY. 524 00:23:42,054 --> 00:23:44,624 - YES, YES. 525 00:24:19,726 --> 00:24:22,595 HIS BEHAVIOR IS INFORMED BY THE PERSONA 526 00:24:22,629 --> 00:24:24,664 OF THE CHILD. 527 00:24:24,697 --> 00:24:26,499 - SO THIS MAN IN HIS MID-30s 528 00:24:26,533 --> 00:24:27,767 ACTUALLY BELIEVES HE'S A CHILD? 529 00:24:27,800 --> 00:24:30,637 - YES, WITH A LEVEL OF BELIEF THAT MOTIVATED TAKING A LIFE. 530 00:24:30,670 --> 00:24:32,772 - BUT FORENSIC EVIDENCE DEMONSTRATES KNOWLEDGE 531 00:24:32,805 --> 00:24:34,507 OF ANATOMY, MEDICINE. 532 00:24:34,541 --> 00:24:36,676 - THE DOCTOR PERSONA KILLS, 533 00:24:36,709 --> 00:24:39,512 BUT IN SERVICE TO THE FEARS OF THE CHILD. 534 00:24:39,546 --> 00:24:41,681 - "PLEASE STOP." 535 00:24:41,714 --> 00:24:43,583 THE CHILD WROTE THAT BECAUSE... 536 00:24:43,616 --> 00:24:44,984 - YES. - [woman whimpers] 537 00:24:45,017 --> 00:24:46,218 - HE FELT REMORSE. 538 00:24:46,252 --> 00:24:50,657 - [whimpering] 539 00:24:50,690 --> 00:24:51,758 [screaming] 540 00:24:51,791 --> 00:24:53,860 - I SAID BE STILL! 541 00:24:53,893 --> 00:24:56,128 - SO THE CHILD IS NOT A PSYCHOPATH. 542 00:24:56,162 --> 00:24:57,263 THE DOCTOR'S THE PSYCHOPATH. 543 00:24:57,296 --> 00:24:59,599 - THE EVIL DOCTOR'S THE CREATION OF A CHILD WHO WAS HURT, 544 00:24:59,632 --> 00:25:00,733 EMOTIONALLY OR PHYSICALLY, 545 00:25:00,767 --> 00:25:02,268 AND WANTED A PROTECTOR. 546 00:25:02,301 --> 00:25:04,270 THE CHILD PATIENT, WHO'S PROBABLY 547 00:25:04,303 --> 00:25:07,974 A BORDERLINE PERSONALITY AND VERY ANXIOUS TO PLEASE... 548 00:25:08,007 --> 00:25:09,776 CREATES OTHER IDENTITIES. 549 00:25:09,809 --> 00:25:11,978 - BUT WHY SOMEONE LIKE THE HOUSE PAINTER, 550 00:25:12,011 --> 00:25:13,546 ANDY QUINN? 551 00:25:13,580 --> 00:25:16,649 - HE SEEMS TO ME A FANTASY FATHER FIGURE. 552 00:25:16,683 --> 00:25:19,586 BUT ONE IDENTITY IS DOMINANT. 553 00:25:19,619 --> 00:25:20,987 THAT'S THE DOCTOR. 554 00:25:21,020 --> 00:25:23,656 - OHH! 555 00:25:23,690 --> 00:25:25,291 [whimpering] 556 00:25:33,199 --> 00:25:34,934 - THE DOCTOR PERSONA KILLS 557 00:25:34,967 --> 00:25:38,571 IN SERVICE TO THE FEARS OF THE CHILD. 558 00:25:38,605 --> 00:25:39,606 - I LIKE WHAT YOU'RE SAYING, 559 00:25:39,639 --> 00:25:43,075 BUT WE FOUND THESE DRAWINGS IN A COLORING BOOK 560 00:25:43,109 --> 00:25:44,343 IN THE CHILD'S ROOM. 561 00:25:44,376 --> 00:25:45,978 AND SEE THE PANDA? 562 00:25:46,012 --> 00:25:47,279 HE KEEPS MAKING THE PANDAS. 563 00:25:47,313 --> 00:25:49,281 - AND HE CHOSE MELLOWER COLORS, 564 00:25:49,315 --> 00:25:52,251 NOT THE VIVID REDS OF HIS RAGE. 565 00:25:52,284 --> 00:25:54,821 AND HERE, THE PANDA ON THE ROOF OF A HOUSE. 566 00:25:54,854 --> 00:25:55,922 POSSIBLY A REFUGE. 567 00:25:55,955 --> 00:25:57,957 MAYBE SOMETHING HE'S ACTUALLY SEEN. 568 00:25:57,990 --> 00:25:59,826 - WE'LL GO THROUGH EVERYTHING FROM THE SEARCH. 569 00:25:59,859 --> 00:26:01,728 MAYBE FIND WHAT IT IS. 570 00:26:01,761 --> 00:26:03,763 - OH, THAT WOULD SEEM A MAJOR UNDERTAKING 571 00:26:03,796 --> 00:26:05,732 WITH NO GUARANTEE OF SUCCESS. 572 00:26:05,765 --> 00:26:08,367 - DAD... 573 00:26:08,400 --> 00:26:10,569 THAT'S WHAT WE DO. 574 00:26:12,639 --> 00:26:14,641 - OH. 575 00:26:23,716 --> 00:26:26,018 - [coughing] 576 00:26:29,055 --> 00:26:30,222 [grunts] 577 00:26:32,825 --> 00:26:34,326 IS THIS ABOUT THE BOY? 578 00:26:36,128 --> 00:26:39,365 - DISCIPLINE IS PUNISHMENT. 579 00:26:39,398 --> 00:26:43,770 NOW, I HEARD YOU ADVISING HER, 580 00:26:43,803 --> 00:26:45,772 "BE CRUEL." 581 00:26:45,805 --> 00:26:47,674 - NO. 582 00:26:47,707 --> 00:26:49,108 I'VE NEVER TOLD ANYONE TO-- 583 00:26:49,141 --> 00:26:51,678 - DISCIPLINE, KNOWING THAT DISCIPLINE 584 00:26:51,711 --> 00:26:53,145 LEADS TO CRUELTY! 585 00:26:53,179 --> 00:26:55,347 - [crying] 586 00:26:55,381 --> 00:26:58,084 - THE BOY NEEDS TO BE PROTECTED FROM WOMEN LIKE YOU. 587 00:26:58,117 --> 00:27:00,119 - NO! 588 00:27:00,152 --> 00:27:02,655 - CHECKING THE TRADEMARK OF EVERY TOY WE FOUND. 589 00:27:02,689 --> 00:27:04,290 NOTHING WITH A PANDA. 590 00:27:04,323 --> 00:27:06,793 - WELL, I HAVE SOMETHING. 591 00:27:06,826 --> 00:27:09,328 HERE. - WHAT DO YOU GOT? 592 00:27:09,361 --> 00:27:11,698 OOH. RANDY QUINN'S CHECKBOOK. 593 00:27:11,731 --> 00:27:13,399 - UH-HUH. TUITION FOR CARAVAGGIO SCHOOL. 594 00:27:13,432 --> 00:27:15,735 BUT IT'S VOIDED. I CALLED. 595 00:27:15,768 --> 00:27:17,069 THEY'LL HAVE THE TEACHER WHO MET WITH ANDY QUINN 596 00:27:17,103 --> 00:27:18,070 GET BACK TO ME, 597 00:27:18,104 --> 00:27:20,272 BUT THEN THERE'S THIS. 598 00:27:20,306 --> 00:27:22,341 A CHECK MADE OUT TO PANDA'S ARMS. 599 00:27:22,374 --> 00:27:23,676 - LET ME SEE. 600 00:27:23,710 --> 00:27:26,746 OH, $250... UH, MARKED CHARITY. 601 00:27:26,779 --> 00:27:27,613 WHAT'S PANDA'S ARMS? 602 00:27:27,646 --> 00:27:30,182 - A CAMP FOR EMOTIONALLY DISTURBED KIDS. 603 00:27:30,216 --> 00:27:33,152 CHECK OUT THE LOGO. 604 00:27:33,185 --> 00:27:34,721 - WE GOTTA GET A HOLD OF THEIR RECORDS. 605 00:27:34,754 --> 00:27:36,288 - UH-HUH. [phone ringing] 606 00:27:36,322 --> 00:27:38,190 STEVENS. 607 00:27:38,224 --> 00:27:39,859 YES. 608 00:27:39,892 --> 00:27:41,127 GIVE ME YOUR NAME. 609 00:27:46,799 --> 00:27:48,000 THAT WAS CARAVAGGIO SCHOOL. 610 00:27:48,034 --> 00:27:48,835 TERRY MYERS, 611 00:27:48,868 --> 00:27:50,102 THE TEACHER WHO MET WITH ANDY QUINN, 612 00:27:50,136 --> 00:27:51,738 CAN'T BE LOCATED. 613 00:27:54,406 --> 00:27:57,009 - DETECTIVE, UH, HERE'S MR. QUINN'S 614 00:27:57,043 --> 00:27:58,244 APPLICATION FOR HIS SON. 615 00:27:58,277 --> 00:27:59,411 NOTHING OUT OF THE ORDINARY. 616 00:27:59,445 --> 00:28:01,313 - HUH, THE ONLY REFERENCE HE GIVES 617 00:28:01,347 --> 00:28:03,382 IS DR. MAYNARD CURTIS. 618 00:28:03,415 --> 00:28:04,817 WE KNOW WHO THAT IS. 619 00:28:04,851 --> 00:28:07,720 - UH, HE ALSO LEFT THESE THE FIRST TIME HE CAME. 620 00:28:09,822 --> 00:28:12,859 - MM-HMM. 621 00:28:12,892 --> 00:28:14,794 THE ANGEL. 622 00:28:14,827 --> 00:28:16,963 - AN ANGEL ON A MOUNTAIN. 623 00:28:16,996 --> 00:28:18,364 - LOOK AT THESE PASTEL PODS. 624 00:28:18,397 --> 00:28:19,498 - HIS PAIN IS OBVIOUS. 625 00:28:19,531 --> 00:28:20,933 YOU SEE THESE FACES? 626 00:28:20,967 --> 00:28:22,902 - UH-HUH. TEARS, A CHILD CRYING. 627 00:28:22,935 --> 00:28:28,340 [cell phone ringing] 628 00:28:28,374 --> 00:28:31,343 - HIS VAN WAS SPOTTED BY A UNIT ON 23RD STREET, 629 00:28:31,377 --> 00:28:33,012 BUT THEY LOST IT IN TRAFFIC. 630 00:28:33,045 --> 00:28:35,414 THAT'S WHERE HIS OFFICE IS. 631 00:28:35,447 --> 00:28:37,817 THERE'S SOMETHING HE WANTS. 632 00:28:37,850 --> 00:28:40,352 HE'S GONNA COME BACK FOR IT. THANK YOU, MR. KNAUER. 633 00:28:40,386 --> 00:28:41,788 - THANK YOU. 634 00:28:56,168 --> 00:28:58,370 - HEY, HERE'S, UH, 635 00:28:58,404 --> 00:29:00,973 HERE'S MORE OF THESE. 636 00:29:01,007 --> 00:29:03,810 - HUH. PROBABLY WHAT HE'S COMING FOR. 637 00:29:03,843 --> 00:29:06,145 - THIS TIME, THE PANDA IS RIDING A BUS. 638 00:29:09,448 --> 00:29:10,549 - GET DOWN! GET DOWN! 639 00:29:10,582 --> 00:29:11,951 - UHH! 640 00:29:11,984 --> 00:29:13,485 WHAT'S GOIN' ON? 641 00:29:13,519 --> 00:29:15,087 I'M JUST HERE ABOUT A PAINTING JOB! 642 00:29:15,121 --> 00:29:16,188 - SHUT UP. GET UP. 643 00:29:21,527 --> 00:29:23,462 - YOU DON'T REMEMBER US, DR. CURTIS? 644 00:29:23,495 --> 00:29:24,997 - NO, I DON'T KNOW YOU. 645 00:29:25,031 --> 00:29:26,098 - HOW 'BOUT SOMEONE YOU DO KNOW? 646 00:29:26,132 --> 00:29:27,366 WHERE'S TERRY MYERS? 647 00:29:27,399 --> 00:29:28,467 - I-I KNOW THE NAME, 648 00:29:28,500 --> 00:29:29,468 BUT I DON'T KNOW WHERE SHE IS. 649 00:29:32,571 --> 00:29:34,173 - LET'S GO. 650 00:29:40,947 --> 00:29:44,984 - IT WAS, UM... 651 00:29:45,017 --> 00:29:47,486 THERE WAS NO PAINTING EQUIPMENT 652 00:29:47,519 --> 00:29:49,588 IN YOUR VAN. 653 00:29:49,621 --> 00:29:52,224 - NOT ON THE JOB RIGHT NOW. 654 00:29:52,258 --> 00:29:55,594 - DIDN'T YOU RECENTLY DO AN APARTMENT? 655 00:29:55,627 --> 00:29:57,329 IN PARK SLOPE. 656 00:29:57,363 --> 00:29:58,497 - YEAH, I DID SOME WORK OVER THERE. 657 00:29:58,530 --> 00:30:00,266 - AH. 658 00:30:00,299 --> 00:30:04,203 WHO GAVE YOU THAT JOB? 659 00:30:04,236 --> 00:30:09,075 - UH... 660 00:30:09,108 --> 00:30:12,011 I'M TRYING TO REMEMBER. UM... 661 00:30:12,044 --> 00:30:13,512 - WAS THE DOCTOR? 662 00:30:16,048 --> 00:30:17,049 - [scoffs] 663 00:30:17,083 --> 00:30:18,284 - THERE ARE SOME PEOPLE, 664 00:30:18,317 --> 00:30:22,121 SOME PEOPLE WHO AREN'T HERE NOW, 665 00:30:22,154 --> 00:30:25,591 WHO ARE VERY MUCH A PART OF YOUR LIFE. 666 00:30:27,459 --> 00:30:30,229 YOU KNOW WHO I MEAN. 667 00:30:30,262 --> 00:30:31,964 LIKE, UH, LIKE THE BOY 668 00:30:31,998 --> 00:30:33,866 WHO DID THESE. 669 00:30:45,011 --> 00:30:45,811 WHAT ABOUT YOU? 670 00:30:45,844 --> 00:30:50,082 DID YOU PAINT WHEN YOU WERE A BOY? 671 00:30:50,116 --> 00:30:51,283 YEAH. 672 00:30:51,317 --> 00:30:53,119 - MM-HMM. - YES. 673 00:30:55,621 --> 00:30:57,456 WAS THE BOY AFRAID 674 00:30:57,489 --> 00:31:00,526 OF ATTENDING THE CARAVAGGIO SCHOOL? 675 00:31:05,031 --> 00:31:06,933 - YEAH. 676 00:31:06,966 --> 00:31:09,101 - WHAT MADE HIM AFRAID? 677 00:31:11,470 --> 00:31:13,339 - [sniffles] 678 00:31:13,372 --> 00:31:15,641 THINGS WERE SAID... 679 00:31:15,674 --> 00:31:16,909 BY THE TEACHER. 680 00:31:16,943 --> 00:31:20,146 - BUT HE WAS NEVER THERE. 681 00:31:20,179 --> 00:31:23,015 SO IT MUST HAVE BEEN YOU WHO HEARD THINGS SHE SAID 682 00:31:23,049 --> 00:31:25,117 THAT MADE HIM AFRAID. 683 00:31:25,151 --> 00:31:26,385 - I-I... 684 00:31:29,555 --> 00:31:30,556 [mumbles] I DON'T KNOW. 685 00:31:30,589 --> 00:31:32,691 - WHEN TOMMY'S AFRAID, 686 00:31:32,724 --> 00:31:35,061 DOES HE TELL YOU, OR DO YOU... 687 00:31:35,094 --> 00:31:36,262 DO YOU JUST FEEL IT? 688 00:31:36,295 --> 00:31:40,032 - UH... 689 00:31:40,066 --> 00:31:41,600 I LOVE THE BOY. 690 00:31:41,633 --> 00:31:46,138 AND THE BOY VALUES LOVE, NOT... 691 00:31:46,172 --> 00:31:48,140 NOT DISCIPLINE. 692 00:31:48,174 --> 00:31:50,576 - DISCIPLINE. 693 00:31:50,609 --> 00:31:52,945 IT'S FRIGHTENING, ISN'T IT? 694 00:31:52,979 --> 00:31:54,546 AND WHO CAN PROTECT YOU? 695 00:31:54,580 --> 00:31:56,082 WHO? 696 00:31:56,115 --> 00:31:57,916 WHO IS THERE? 697 00:32:02,088 --> 00:32:05,191 - I NEED DR. CURTIS. 698 00:32:05,224 --> 00:32:08,094 [crying] 699 00:32:08,127 --> 00:32:10,129 BUT I DON'T LIKE WHAT HE DOES. 700 00:32:13,065 --> 00:32:15,167 - NO. 701 00:32:15,201 --> 00:32:18,137 YOU DON'T LIKE WHAT DOES. 702 00:32:20,639 --> 00:32:24,343 THEN...YOU COULD SEND HIM AWAY. 703 00:32:31,183 --> 00:32:33,485 - HE'D BE GONE? 704 00:32:33,519 --> 00:32:36,355 - YOU COULD MAKE HIM VANISH. 705 00:32:36,388 --> 00:32:37,423 FOREVER. 706 00:32:37,456 --> 00:32:40,059 - [chuckles] "VANISH." 707 00:32:40,092 --> 00:32:43,362 - TOMMY, WHEN THE DOCTOR PROTECTED YOU FROM THE TEACHER, 708 00:32:43,395 --> 00:32:46,999 DID HE TELL YOU WHERE HE TOOK HER? 709 00:32:47,033 --> 00:32:48,167 - ZACK... 710 00:32:48,200 --> 00:32:50,702 - TOMMY, WE NEED TO KNOW THAT. 711 00:32:50,736 --> 00:32:52,404 - ZACK. ZACK. 712 00:32:52,438 --> 00:32:53,505 - YEAH? 713 00:32:53,539 --> 00:32:55,674 TOMMY... - DON'T FRIGHTEN TOMMY. 714 00:32:55,707 --> 00:32:58,277 WE MUSTN'T FRIGHTEN TOMMY. 715 00:33:03,649 --> 00:33:04,783 - DO YOU WANT SOMETHING? 716 00:33:04,816 --> 00:33:07,619 A, UH, UH, A SODA OR ANYTHING, YOU KNOW? 717 00:33:10,289 --> 00:33:13,192 - I'M HUNGRY. 718 00:33:13,225 --> 00:33:16,362 - YOU CAN'T USURP MY AUTHORITY. 719 00:33:16,395 --> 00:33:19,031 - DAD... MAKE THE DOCTOR VANISH? 720 00:33:19,065 --> 00:33:20,199 THE DOCTOR KNOWS WHERE SHE IS. 721 00:33:20,232 --> 00:33:23,135 - THERAPY INVOLVES BREAKING HIS WALL OF DISSOCIATION, 722 00:33:23,169 --> 00:33:25,104 FINDING THE CORE PERSONA. 723 00:33:25,137 --> 00:33:27,073 - THIS ISN'T ABOUT THERAPY. THAT COULD TAKE MONTHS. 724 00:33:27,106 --> 00:33:28,574 WE HAVE ONE PURPOSE HERE. 725 00:33:28,607 --> 00:33:30,276 - AND TOTAL DISREGARD FOR THIS MAN'S MENTAL HEALTH. 726 00:33:30,309 --> 00:33:31,610 - IT'S NOT ABOUT THIS GUY. 727 00:33:31,643 --> 00:33:33,779 - THERE COULD BE A TRIAL. 728 00:33:33,812 --> 00:33:36,082 I COULD BE ON THE STAND, FORCED TO TESTIFY 729 00:33:36,115 --> 00:33:39,151 HOW I ACTED IN A COMPLETELY UNPROFESSIONAL CAPACITY. 730 00:33:39,185 --> 00:33:41,420 - YOU'RE TRYING TO SAVE A LIFE. THERE'S NO DISGRACE IN THAT. 731 00:33:41,453 --> 00:33:44,723 DAD...WE CONFRONT PEOPLE. WE HAVE METHODS. 732 00:33:44,756 --> 00:33:48,094 - WHICH ARE NOT MY METHODS. 733 00:33:48,127 --> 00:33:50,096 - WAIT, WAIT. THIS IS NOT ABOUT METHODOLOGY. 734 00:33:50,129 --> 00:33:51,230 THIS IS ABOUT SOMETHING ELSE ENTIRELY, 735 00:33:51,263 --> 00:33:52,098 AND WE BOTH KNOW WHAT THAT IS. 736 00:33:52,131 --> 00:33:55,134 - YOU ASK ME FOR MY EXPERTISE. 737 00:33:55,167 --> 00:33:56,535 THEN YOU WANT ME TO DENIGRATE IT WITH YOUR-- 738 00:33:56,568 --> 00:33:58,504 - DAD...WHAT'S AT STAKE HERE 739 00:33:58,537 --> 00:34:01,307 IS MORE THAN THE NICHOLS FAMILY FEUD. 740 00:34:01,340 --> 00:34:03,175 TRY TAKING THE BLINDERS OFF FOR ONE SECOND... 741 00:34:03,209 --> 00:34:05,811 - OHH. - AND SEE THE NEED TO ACT... 742 00:34:05,844 --> 00:34:08,080 DAD! 743 00:34:08,114 --> 00:34:10,649 - DON'T BELITTLE YOURSELF WITH SOME KIND OF SCENE, ZACK. 744 00:34:10,682 --> 00:34:12,851 - I WILL DO ANYTHING, WHATEVER IT TAKES, 745 00:34:12,884 --> 00:34:14,620 TO GET US BACK TO THE ISSUE AT HAND. 746 00:34:14,653 --> 00:34:16,588 SAVING A LIFE. 747 00:34:16,622 --> 00:34:18,390 I AGREE, YOU HAVE A DILEMMA. 748 00:34:18,424 --> 00:34:20,292 THE DEFENSE IS GONNA USE WHATEVER THEY CAN 749 00:34:20,326 --> 00:34:21,593 TO DISCREDIT YOU, 750 00:34:21,627 --> 00:34:22,828 BUT LEAVING NOW, THAT'S A PROFESSIONAL COPOUT. 751 00:34:22,861 --> 00:34:25,231 - [scoffs] WELL, THAT'S EASY FOR YOU TO SAY. 752 00:34:25,264 --> 00:34:27,166 - IT'S NOT EASY FOR ME TO SAY. 753 00:34:27,199 --> 00:34:29,168 NONE OF THIS IS EASY. 754 00:34:29,201 --> 00:34:31,370 BUT I KNOW, I'M CERTAIN, 755 00:34:31,403 --> 00:34:33,205 THAT MY FATHER... 756 00:34:33,239 --> 00:34:35,874 IS MORE THAN A MATCH FOR ANY LAWYER 757 00:34:35,907 --> 00:34:37,543 ON ANY CROSS-EXAMINATION. 758 00:34:40,146 --> 00:34:43,782 AND AS FOR SOME OPPOSING SHRINK, 759 00:34:43,815 --> 00:34:45,651 TELL ME YOU WOULDN'T ACTUALLY ENJOY 760 00:34:45,684 --> 00:34:48,187 SHREDDIN' SOMEBODY LIKE SANDERSON. 761 00:34:52,158 --> 00:34:54,393 - NOT BAD, ZACHARY. 762 00:34:57,196 --> 00:34:58,597 - DO I HEAR YOU AGREEING? 763 00:34:58,630 --> 00:35:02,434 - [sighs] 764 00:35:02,468 --> 00:35:03,902 WE'LL NEED YOUR PARTNER AS WELL. 765 00:35:03,935 --> 00:35:05,471 THE WOMAN'S ROLE IS IMPORTANT. 766 00:35:05,504 --> 00:35:07,206 - MM-HMM. 767 00:35:08,574 --> 00:35:11,510 - THE BOY'S BEEN IN TROUBLE BEFORE? 768 00:35:11,543 --> 00:35:12,744 - YEAH. 769 00:35:12,778 --> 00:35:16,615 THESE ARE HIS RECORDS FROM PANDA'S ARMS. 770 00:35:16,648 --> 00:35:18,684 - HE STARTED FIRES, BROKE THINGS, 771 00:35:18,717 --> 00:35:20,819 PUSHED KIDS. 772 00:35:20,852 --> 00:35:24,423 - THOSE ARE LIES. 773 00:35:24,456 --> 00:35:26,192 - THESE ARE POLICE, TOMMY. 774 00:35:26,225 --> 00:35:29,861 THE PUNISH PEOPLE FOR THESE THINGS. 775 00:35:29,895 --> 00:35:32,631 - I'M NOT BAD ANYMORE. 776 00:35:32,664 --> 00:35:33,699 - WHAT ABOUT CURTIS? 777 00:35:33,732 --> 00:35:36,535 WOULD YOU DENY HE DOES BAD THINGS? 778 00:35:38,204 --> 00:35:39,205 - NO. 779 00:35:39,238 --> 00:35:40,906 - DR. CURTIS... 780 00:35:40,939 --> 00:35:42,841 HE'S JUST AN EXCUSE FOR YOUR OWN BEHAVIOR, 781 00:35:42,874 --> 00:35:44,610 ISN'T HE, TOMMY? 782 00:35:44,643 --> 00:35:46,312 YOUR MOTHER WOULDN'T HAVE PUT UP WITH THAT. 783 00:35:46,345 --> 00:35:47,813 SHE KNEW WHAT YOU WERE UP TO. 784 00:35:47,846 --> 00:35:48,947 SHE WOULDN'T HAVE BEEN A FOOL. 785 00:35:48,980 --> 00:35:50,882 SHE KNEW WHAT YOU NEEDED. 786 00:35:50,916 --> 00:35:52,318 THE WORD. 787 00:35:52,351 --> 00:35:53,919 SAY IT. SAY THE WORD. 788 00:35:53,952 --> 00:35:54,920 - SAY IT. 789 00:35:54,953 --> 00:35:56,188 YOU HEARD THE TEACHER SAY IT. 790 00:35:56,222 --> 00:35:57,723 SAY IT. 791 00:36:06,698 --> 00:36:09,535 - THE BOY WILL NEVER BE DISCIPLINED. 792 00:36:09,568 --> 00:36:10,569 NEVER AGAIN. 793 00:36:10,602 --> 00:36:12,504 - OR WHAT? 794 00:36:15,474 --> 00:36:18,410 - HE DOESN'T NEED TO ADMIT ANYTHING. 795 00:36:18,444 --> 00:36:20,379 - HE JUST DID. 796 00:36:20,412 --> 00:36:24,383 HE BRAGGED ABOUT HOW HE LOOKS AFTER TOMMY. 797 00:36:24,416 --> 00:36:27,486 THAT WASN'T TOMMY BRAGGING? 798 00:36:27,519 --> 00:36:29,955 WAS THAT YOU, DR. CURTIS? 799 00:36:29,988 --> 00:36:31,690 - I'M NOT BRAGGING. 800 00:36:31,723 --> 00:36:32,824 I PROTECT HIM. 801 00:36:32,858 --> 00:36:34,960 - SO YOU CAN'T SEPARATE YOURSELF. 802 00:36:34,993 --> 00:36:36,962 YOU'RE THE BOY. - I'M DR. CURTIS. 803 00:36:36,995 --> 00:36:39,365 - WELL, IT'S CLEAR THAT YOU'VE MADE A SIGNIFICANT MISTAKE. 804 00:36:39,398 --> 00:36:40,432 - I DON'T MAKE MISTAKES. 805 00:36:40,466 --> 00:36:42,901 - REALLY? DID YOU TELL TOMMY 806 00:36:42,934 --> 00:36:47,373 HOW MUCH THE TEACHER ADMIRED HIS PAINTINGS? 807 00:36:47,406 --> 00:36:48,907 YOU DIDN'T. THAT'S WHAT I THOUGHT. 808 00:36:48,940 --> 00:36:51,510 - THE TEACHER WROTE ABOUT TOMMY, "THE BOY HAS TALENT. 809 00:36:51,543 --> 00:36:54,246 A GIFT. NEEDS A CHANCE, AND WE CAN GIVE IT TO HIM." 810 00:36:54,280 --> 00:36:55,847 DID TOMMY SEE THIS? DID HE? 811 00:36:55,881 --> 00:36:57,849 WHAT IF HE WANTS TO MEET THIS TEACHER? 812 00:36:57,883 --> 00:36:59,585 WOULD YOU NOT LET THAT HAPPEN? 813 00:36:59,618 --> 00:37:00,986 ARE YOU THAT CRUEL? 814 00:37:04,990 --> 00:37:06,925 - TOMMY DOES WONDERFUL WORK. 815 00:37:06,958 --> 00:37:08,994 PEOPLE WANT TO PRAISE HIM. WHY PREVENT IT? 816 00:37:09,027 --> 00:37:10,796 ISN'T IT POSSIBLE 817 00:37:10,829 --> 00:37:12,631 FOR THIS ADMIRING TEACHER 818 00:37:12,664 --> 00:37:13,732 TO MEET TOMMY? 819 00:37:16,968 --> 00:37:19,004 - [whimpers softly] 820 00:37:24,910 --> 00:37:26,578 TOMMY... 821 00:37:26,612 --> 00:37:28,814 WHERE IS THAT? 822 00:37:28,847 --> 00:37:30,349 - [crying] 823 00:37:30,382 --> 00:37:32,718 WHERE I GREW UP. 824 00:37:34,052 --> 00:37:35,354 - YOU DID? 825 00:37:35,387 --> 00:37:36,855 IN A BUS? 826 00:37:36,888 --> 00:37:41,427 - IT'S AN RV. 827 00:37:41,460 --> 00:37:43,562 MY AUNTIE LIVED THERE. 828 00:37:43,595 --> 00:37:45,331 - AND LOOK AT THIS. 829 00:37:45,364 --> 00:37:47,399 YOU HAD A CHRISTMAS TREE... 830 00:37:47,433 --> 00:37:49,034 LIKE THIS ONE? 831 00:37:49,067 --> 00:37:51,303 AND WHERE IS THAT CHRISTMAS TREE NOW? 832 00:37:52,838 --> 00:37:53,872 - I DON'T KNOW. 833 00:37:53,905 --> 00:37:55,574 I DON'T KNOW. 834 00:37:55,607 --> 00:37:57,343 MY AUNTIE DIED, AND I WAS SCARED, 835 00:37:57,376 --> 00:38:00,679 BUT--BUT I DON'T KNOW. 836 00:38:00,712 --> 00:38:03,749 - WHEN DID SHE DIE? 837 00:38:03,782 --> 00:38:05,951 - A YEAR AGO. 838 00:38:05,984 --> 00:38:06,852 A YEAR AGO! 839 00:38:06,885 --> 00:38:08,720 AND I WAS AFRAID. 840 00:38:08,754 --> 00:38:10,522 - I'LL CHECK THE REGISTRATION ON THE RV. 841 00:38:10,556 --> 00:38:12,524 MAYBE THERE'S AN ADDRESS. 842 00:38:15,894 --> 00:38:17,729 - HE'S FACING US ALONE. 843 00:38:17,763 --> 00:38:19,365 HE HASN'T CALLED FOR ANY PROTECTION. 844 00:38:19,398 --> 00:38:21,933 - YES, AND WE NEED MORE. 845 00:38:21,967 --> 00:38:23,969 - ALL RIGHT. 846 00:38:27,939 --> 00:38:30,008 - [crying] 847 00:38:30,041 --> 00:38:31,943 - YOU KNOW WHAT, TOMMY? 848 00:38:31,977 --> 00:38:33,579 I DON'T BELIEVE YOU! 849 00:38:33,612 --> 00:38:35,647 YOU KNOW WHERE AUNTIE KEPT HER RV. 850 00:38:35,681 --> 00:38:36,748 WHERE IS SHE? 851 00:38:36,782 --> 00:38:38,049 - [sobbing] I DON'T KNOW. 852 00:38:38,083 --> 00:38:39,017 - HE'S LYING; HE KNOWS. 853 00:38:39,050 --> 00:38:40,919 - WELL, OF COURSE. NO DOUBT! 854 00:38:40,952 --> 00:38:42,954 NO QUESTION! - SHUT UP! 855 00:38:42,988 --> 00:38:44,856 [both grunting] 856 00:38:44,890 --> 00:38:46,592 - YOU SON OF A BITCH! STOP! 857 00:38:46,625 --> 00:38:48,960 - BACK OFF! BACK OFF! 858 00:38:48,994 --> 00:38:50,962 - NO ONE WILL TOUCH THE BOY! I'LL KILL YOU! 859 00:38:50,996 --> 00:38:53,532 I WILL KILL YOU! I WILL KILL YOU! 860 00:38:53,565 --> 00:38:54,733 YOU WILL NOT TOUCH HIM. 861 00:38:54,766 --> 00:38:55,934 I WILL KILL YOU, YOU BASTARD! 862 00:38:55,967 --> 00:38:57,703 - YOU OKAY? - I WILL KILL YOU! 863 00:38:57,736 --> 00:39:00,906 - OH, YEAH. REMEMBER, I DID 20 YEARS OF CLINICAL. 864 00:39:00,939 --> 00:39:01,973 I GOT USED TO IT. 865 00:39:04,976 --> 00:39:06,945 AHEM. 866 00:39:09,180 --> 00:39:11,750 [clears throat] 867 00:39:11,783 --> 00:39:12,918 THANKS. 868 00:39:12,951 --> 00:39:13,852 AHEM! 869 00:39:13,885 --> 00:39:15,821 - AN RV WAS OWNED BY THE MOTHER'S SISTER, 870 00:39:15,854 --> 00:39:17,122 ONLY IT HASN'T BEEN REREGISTERED 871 00:39:17,155 --> 00:39:18,590 SINCE HER DEATH LAST YEAR. 872 00:39:18,624 --> 00:39:20,058 BUT IT DID FIND THIS IN ANDY QUINN'S BILLS. 873 00:39:20,091 --> 00:39:22,060 - MONTHLY RENTAL CHARGES FROM RANDALL'S BOAT YARD 874 00:39:22,093 --> 00:39:23,094 IN STATEN ISLAND. 875 00:39:23,128 --> 00:39:25,997 SOME OF THOSE PLACES STORE BOTH. 876 00:39:26,031 --> 00:39:28,467 [helicopter whirring] 877 00:39:33,439 --> 00:39:36,007 [sirens] 878 00:39:50,856 --> 00:39:53,859 [indistinct shouting] 879 00:40:26,525 --> 00:40:28,960 - TERRY. 880 00:40:28,994 --> 00:40:31,229 - [breathing] 881 00:40:31,262 --> 00:40:33,064 - SHE'S ALIVE. 882 00:40:33,098 --> 00:40:35,467 GUYS... 883 00:40:35,501 --> 00:40:36,635 GO, GO. 884 00:40:36,668 --> 00:40:37,803 - GO. 885 00:40:56,988 --> 00:40:59,558 - YOU'RE READING ARTS AND ENTERTAINMENT? 886 00:40:59,591 --> 00:41:02,027 - I'M JUST, I'M--I'M SEEING IF THE VERMEERS 887 00:41:02,060 --> 00:41:03,562 ARE GONNA COME BACK TO THE MET. 888 00:41:03,595 --> 00:41:06,131 - EVERYONE FROM ZARA TO OUR DOORMAN, 889 00:41:06,164 --> 00:41:07,899 AND OF COURSE, YOUR MOTHER, 890 00:41:07,933 --> 00:41:11,069 IS READING ABOUT WHAT YOU'VE DONE. 891 00:41:11,102 --> 00:41:13,972 AND MORE MENTION SHOULD HAVE BEEN MADE OF YOUR NAME. 892 00:41:14,005 --> 00:41:15,674 - ONE MENTION'S ENOUGH. 893 00:41:15,707 --> 00:41:19,711 UM, BY THE WAY, I'VE LOBBIED OUR PRESS RELATIONS PEOPLE 894 00:41:19,745 --> 00:41:21,980 TO KEEP YOUR NAME OUT OF IT. 895 00:41:22,013 --> 00:41:23,782 - [chuckles] 896 00:41:23,815 --> 00:41:25,083 YOU KNOW... 897 00:41:25,116 --> 00:41:26,217 IN THERAPY, 898 00:41:26,251 --> 00:41:28,920 WHEN WE'VE HAD A REALLY GOOD SESSION, 899 00:41:28,954 --> 00:41:30,088 WE JOKINGLY SAY, 900 00:41:30,121 --> 00:41:32,023 "TODAY, WE'VE BEEN TO LOURDES." 901 00:41:32,057 --> 00:41:33,692 - MEANING... 902 00:41:33,725 --> 00:41:36,562 YOU'VE ACHIEVED A MIRACLE CURE? 903 00:41:36,595 --> 00:41:41,199 - NO, JUST MEANING IT WAS A VERY GOOD SESSION. 904 00:41:41,232 --> 00:41:44,703 BUT I BELIEVE IT MAY BE 905 00:41:44,736 --> 00:41:48,974 YOU AND I HAVE BEEN TO LOURDES. 906 00:41:53,945 --> 00:41:57,949 - SHOULD I TAKE THAT AS... APPROVAL? 907 00:42:01,687 --> 00:42:02,754 - DON'T PRESUME. 908 00:42:02,788 --> 00:42:04,623 AHEM! 909 00:42:04,656 --> 00:42:06,324 DON'T PRESUME. 910 00:42:06,357 --> 00:42:08,894 [chuckles] 911 00:42:10,762 --> 00:42:13,565 - I'M SO GLAD YOU CALLED, DAD. 912 00:42:13,599 --> 00:42:18,103 UH, THE NEXT TIME YOU PLAY, 913 00:42:18,136 --> 00:42:22,207 YOUR MOTHER AND I WANT TO COME. 914 00:42:22,240 --> 00:42:25,010 - SURE...DAD. 915 00:42:25,043 --> 00:42:28,046 THAT--THAT'D BE GREAT. 916 00:42:28,079 --> 00:42:30,015 GREAT. 917 00:42:30,048 --> 00:42:32,951 - [chuckles] 918 00:42:32,984 --> 00:42:36,988 Captioning by Brian at CaptionMax www.captionmax.com