1 00:00:00,901 --> 00:00:03,371 IN NEW YORK CITY'S WAR ON CRIME, 2 00:00:03,404 --> 00:00:05,373 THE WORST CRIMINAL OFFENDERS ARE PURSUED 3 00:00:05,406 --> 00:00:08,076 BY THE DETECTIVES OF THE MAJOR CASE SQUAD. 4 00:00:08,109 --> 00:00:10,111 THESE ARE THEIR STORIES. 5 00:00:15,416 --> 00:00:18,186 OUR SO-CALLED MANAGER COMES IN ALL PROUD. 6 00:00:18,219 --> 00:00:21,122 HE'S GOT US A GIG AT BROOKLYN HEIGHTS. 7 00:00:21,155 --> 00:00:22,623 THE HEIGHTS? 8 00:00:22,656 --> 00:00:24,558 WHAT'S THE GIG, A WHAM TRIBUTE? 9 00:00:24,592 --> 00:00:26,194 NO, THE GIG IS WE BRING IN 50 PEOPLE 10 00:00:26,227 --> 00:00:27,628 PAYING $10 COVERS. 11 00:00:27,661 --> 00:00:29,297 AFTER THAT WE GET HALF THE DOOR. 12 00:00:29,330 --> 00:00:31,065 UNTIL THEN, NADA. - LAME. 13 00:00:31,099 --> 00:00:33,367 THERE'S SO MUCH BOGUS GOING ON. 14 00:00:33,401 --> 00:00:34,968 YOU GOTTA HAVE FAITH, MAN. 15 00:00:35,002 --> 00:00:36,904 GOD BROUGHT YOU TO BROOKLYN FOR A REASON. 16 00:00:36,937 --> 00:00:39,073 EAH, TO TELEMARKET BALDNESS CURES. 17 00:00:39,107 --> 00:00:40,908 I JUST WANNA PLAY, MAN. 18 00:00:40,941 --> 00:00:43,944 JUST... [imitates electric guitar] 19 00:00:46,547 --> 00:00:48,882 LET'S GET INSIDE. 20 00:00:48,916 --> 00:00:51,519 THEY ARE PARASITES IN THIS COMMUNITY. 21 00:00:51,552 --> 00:00:53,254 PARASITES WITH MONEY. 22 00:00:53,287 --> 00:00:54,622 THEY ALL GOT RICH DADDIES. 23 00:00:54,655 --> 00:00:56,557 MAN, THEY DISPLACING OUR PEOPLE. 24 00:00:56,590 --> 00:00:58,092 DISPLACE WHO? 25 00:00:58,126 --> 00:01:01,129 YOU WANNA LIVE IN THE OLD SAUSAGE FACTORY? 26 00:01:01,162 --> 00:01:02,630 WHERE HE'S GOING, 27 00:01:02,663 --> 00:01:04,332 TO PLAY WITH THE WHITE BOYS AGAIN? 28 00:01:09,237 --> 00:01:11,139 HEY, DIX. 29 00:01:11,172 --> 00:01:13,107 HOW'S LIFE IN THE GHETTO? 30 00:01:13,141 --> 00:01:14,542 MUST BE GOOD, MAN. 31 00:01:14,575 --> 00:01:16,577 YOU MOVED IN. 32 00:01:21,449 --> 00:01:22,983 YO. HEY, YOU GOT THE STUFF? 33 00:01:24,017 --> 00:01:26,554 SUSAN'S AN ARTIST, NOT A COP. 34 00:01:26,587 --> 00:01:28,389 WHEN WE GONNA SEE SOME OF THAT ART? 35 00:01:28,422 --> 00:01:30,424 YOU GOT ANY NUDIES? 36 00:01:32,826 --> 00:01:34,795 $200. 37 00:01:34,828 --> 00:01:37,298 [playing electric piano] 38 00:01:37,331 --> 00:01:38,666 OH, YO, YO, YO, YO. CHECK IT. 39 00:01:38,699 --> 00:01:39,733 YEAH, LIKE THIS. 40 00:01:43,637 --> 00:01:45,739 [chuckles] THAT'S YOUR THING, DIX. 41 00:01:50,844 --> 00:01:52,346 WHAT DO YOU GOT FOR ME? 42 00:01:52,380 --> 00:01:54,215 WHAT YOU'RE PAYING? OVER THERE. 43 00:01:54,248 --> 00:01:56,617 YOU SHARE A BATHROOM, NO PISSING IN THE SINK, 44 00:01:56,650 --> 00:01:58,452 RENT'S DUE ON THE FIRST OF THE MONTH, 45 00:01:58,486 --> 00:02:00,654 AND THAT MEANS THE FIRST. 46 00:02:00,688 --> 00:02:02,390 WHAT? 47 00:02:02,423 --> 00:02:04,292 IS THIS SUPPOSED TO BE A DOOR? 48 00:02:04,325 --> 00:02:06,627 YOU CAN'T AFFORD A DOOR. 49 00:02:06,660 --> 00:02:09,297 WELCOME BACK. 50 00:02:09,330 --> 00:02:12,300 [acoustic guitar music] 51 00:02:12,333 --> 00:02:19,673 * 52 00:02:19,707 --> 00:02:22,075 NICE, NICE. 53 00:02:22,109 --> 00:02:24,077 YOU MIGHT WANNA HAMMER THOSE NOTES DOWN THOUGH. 54 00:02:24,111 --> 00:02:25,679 LIKE--HERE, LET ME SHOW YOU. 55 00:02:25,713 --> 00:02:27,080 LIKE... 56 00:02:27,114 --> 00:02:30,083 [acoustic guitar music] 57 00:02:30,117 --> 00:02:34,688 * 58 00:02:34,722 --> 00:02:35,789 DO YOU SEE? 59 00:02:35,823 --> 00:02:37,090 MY RECORD DEAL BLOWS UP, 60 00:02:37,124 --> 00:02:38,559 SO YOU THINK I NEED GUITAR 101? 61 00:02:38,592 --> 00:02:39,960 WHOA. 62 00:02:39,993 --> 00:02:41,429 SORRY. 63 00:02:41,462 --> 00:02:44,298 YOU KNOW, SOMETIMES WE DO HELP EACH OTHER OUT AROUND HERE. 64 00:02:44,332 --> 00:02:45,933 GENIUS, BOTH OF YOU. 65 00:02:45,966 --> 00:02:48,369 NOW CAN WE GO GET SOME BEERS? 66 00:02:48,402 --> 00:02:50,771 I'M TELLING YOU, MAN. SHE WAS HITTING ON ME. 67 00:02:50,804 --> 00:02:52,105 NO, SHE WAS HITTING ON HELEN. 68 00:02:52,139 --> 00:02:53,707 OH, WRONG NUMBER THERE. 69 00:02:53,741 --> 00:02:55,809 I'M STILL IN LOVE WITH THAT BARTENDER. 70 00:02:55,843 --> 00:02:57,645 LET'S GO. 71 00:02:57,678 --> 00:02:59,313 YOU KNOW, SOME PEOPLE DO MANAGE 72 00:02:59,347 --> 00:03:01,915 TO WALK THESE STREETS WITHOUT GETTING RAPED AND ROBBED. 73 00:03:01,949 --> 00:03:04,418 YOU GUYS GO AHEAD. I GOTTA MAKE A CALL. 74 00:03:04,452 --> 00:03:05,686 NO, WE'LL WAIT FOR YOU. 75 00:03:05,719 --> 00:03:06,554 IT'S OKAY. 76 00:03:06,587 --> 00:03:08,522 I'LL BE THERE IN 20 MINUTES. 77 00:03:08,556 --> 00:03:09,890 - C'MON SUE, LET'S GO. 78 00:03:20,200 --> 00:03:21,669 IT'S SHABBOS. WHAT ARE YOU DOING? 79 00:03:21,702 --> 00:03:23,504 - IT'S A SPECIAL CASE. - IT'S FORBIDDEN. 80 00:03:23,537 --> 00:03:25,105 FIND SOMEONE ELSE TO MAKE THE CALL. 81 00:03:25,138 --> 00:03:27,975 LOOK, THERE IS NOBODY ELSE. THE GOYIM ARE SLEEPING. 82 00:03:28,008 --> 00:03:30,077 I DON'T KNOW. 83 00:03:30,110 --> 00:03:31,412 LIFE OR DEATH. 84 00:03:31,445 --> 00:03:34,615 WE MAKE AN EXCEPTION. 85 00:03:34,648 --> 00:03:36,650 9-1-1, HELLO? 86 00:04:36,710 --> 00:04:38,846 NO WALLET. 87 00:04:38,879 --> 00:04:41,882 THERE'S A GASH HERE. LOOKS LIKE A KNIFE. 88 00:04:41,915 --> 00:04:43,751 DID ANYONE FIND A KNIFE? 89 00:04:43,784 --> 00:04:45,285 E.S.U. IS LOOKING. 90 00:04:45,319 --> 00:04:46,387 WELL, DID ANYBODY FIND A REASON 91 00:04:46,420 --> 00:04:48,121 WHY THIS IS FOR MAJOR CASE? 92 00:04:48,155 --> 00:04:50,123 BECAUSE I'M GONNA GO OUT ON A LIMB HERE AND SAY 93 00:04:50,157 --> 00:04:52,292 SOMEONE STABBED THIS GUY, STOLE HIS WALLET. 94 00:04:52,326 --> 00:04:55,062 IT'S NOT THE CRIME. IT'S THE NEIGHBORHOOD. 95 00:04:55,095 --> 00:04:56,830 WE'VE GOT WORLDS IN COLLISION HERE. 96 00:04:56,864 --> 00:04:59,867 ORTHODOX JEWS, URBAN BLACKS, 97 00:04:59,900 --> 00:05:02,035 PUNK ROCK STARS OF THE 21st CENTURY. 98 00:05:02,069 --> 00:05:03,471 NOT A LOTTA LOVE. 99 00:05:03,504 --> 00:05:05,606 THIS NEIGHBORHOOD IS AMAZING. 100 00:05:05,639 --> 00:05:08,742 A BLOCK WALK FROM MY CAR, I PICK UP GRITS WITH HAM 101 00:05:08,776 --> 00:05:10,744 AT, UM, SALLY'S SOUL KITCHEN, 102 00:05:10,778 --> 00:05:13,213 A BAGEL, GLATT KOSHER, 103 00:05:13,246 --> 00:05:16,484 AND A TANTRIC CHARM AT THIS NEW AGE BOUTIQUE. 104 00:05:16,517 --> 00:05:17,718 SO, SO INTERESTING. 105 00:05:17,751 --> 00:05:19,753 IF YOU NEED A MASSAGE BALL, I SAW A SELECT-- 106 00:05:19,787 --> 00:05:23,290 DETECTIVE ZACH NICHOLS, DETECTIVE MEGAN WHEELER. 107 00:05:23,323 --> 00:05:24,958 MY NEW PARTNER. 108 00:05:24,992 --> 00:05:25,959 IT'S A PLEASURE. 109 00:05:25,993 --> 00:05:26,994 CAN WE SHAKE HANDS LATER? 110 00:05:27,027 --> 00:05:28,095 YEAH. 111 00:05:28,128 --> 00:05:30,398 MAYBE WANNA TAKE A LOOK AT THE CRIME SCENE? 112 00:05:33,467 --> 00:05:36,036 LOOKS LIKE SOMEBODY STABBED HIM AND STOLE HIS WALLET. 113 00:05:38,439 --> 00:05:41,108 WE WERE PARTNERS BACK IN ANTI-CRIME. 114 00:05:41,141 --> 00:05:44,412 WELL, HOW DID HE DO WHEN HE WASN'T HAVING BREAKFAST? 115 00:05:44,445 --> 00:05:45,979 AMAZING. 116 00:05:46,013 --> 00:05:48,215 BRILLIANT COP. VERY PERCEPTIVE. 117 00:05:48,248 --> 00:05:49,783 BOTH HIS PARENTS WERE SHRINKS. 118 00:05:49,817 --> 00:05:51,452 OH, WELL, SHRINK'S KIDS ARE CRAZY. 119 00:05:51,485 --> 00:05:52,720 ESTABLISHED FACT. 120 00:05:52,753 --> 00:05:54,955 HE'S NOT CRAZY, EXACTLY. 121 00:05:54,988 --> 00:05:57,290 OH, THAT'S VERY REASSURING. 122 00:05:57,324 --> 00:06:00,060 WAS A LOSS TO THE DEPARTMENT WHEN HE TOOK HIS LEAVE. 123 00:06:00,093 --> 00:06:01,629 YEAH, SEVEN YEARS. 124 00:06:01,662 --> 00:06:04,498 WHERE DID HE GO? 125 00:06:04,532 --> 00:06:07,267 SENT ME A POSTCARD FROM CLEVELAND ONCE. 126 00:06:10,571 --> 00:06:12,740 HIS NAME WASN'T TEETER. 127 00:06:12,773 --> 00:06:14,207 HIS NAME WAS THEODORE. 128 00:06:14,241 --> 00:06:16,477 HIS FRIENDS CALLED HIM TEETER. 129 00:06:16,510 --> 00:06:18,712 IF THEY WERE REALLY HIS FRIENDS, 130 00:06:18,746 --> 00:06:20,981 THEY WOULD'VE TOLD HIM TO GO TO COLLEGE. 131 00:06:21,014 --> 00:06:22,750 TO MUSIC SCHOOL. 132 00:06:22,783 --> 00:06:25,853 NOT MOVE TO A SLUM AND BECOME A RAPPER. 133 00:06:25,886 --> 00:06:27,455 AN MC. 134 00:06:27,488 --> 00:06:30,824 YES, AN MC IS DIFFERENT THAN A RAPPER. 135 00:06:30,858 --> 00:06:32,793 A RAPPER RAPS THE WORDS AND MAKES THE RHYMES. 136 00:06:32,826 --> 00:06:37,731 AN MC CAN RAP BUT HE ALSO RUNS THE SHOW 137 00:06:37,765 --> 00:06:39,633 AND LEADS THE CROWD. 138 00:06:39,667 --> 00:06:42,970 HE HAS TO BE VERY CHARISMATIC AND BE SOMEONE VERY SPECIAL. 139 00:06:45,673 --> 00:06:47,641 TEDDY. 140 00:06:47,675 --> 00:06:50,010 WHEN DID YOU LAST SPEAK TO HIM? 141 00:06:50,043 --> 00:06:51,779 HE CALLED A WEEK AGO. 142 00:06:51,812 --> 00:06:54,915 HE SAID EVERYTHING WAS GREAT. 143 00:07:03,491 --> 00:07:05,493 THIS PLACE UP TO CODE? 144 00:07:05,526 --> 00:07:07,495 CERTIFIED AS AN INTRA-MULTIPLE DWELLING. 145 00:07:07,528 --> 00:07:09,597 ON SCHEDULE FOR ARTICLE 7B COMPLIANCE, 146 00:07:09,630 --> 00:07:11,732 WHICH IS COSTING ME AN ARM AND A LEG. 147 00:07:11,765 --> 00:07:13,200 THIS IS IT. 148 00:07:20,508 --> 00:07:22,776 BRING A POLICE DOG IN HERE IT'D FRY HIS BRAIN. 149 00:07:22,810 --> 00:07:24,411 THEY'RE KIDS. THEY'RE ROCK AND ROLLERS. 150 00:07:24,444 --> 00:07:25,779 WHAT WERE YOU SMOKING IN YOUR 20s? 151 00:07:25,813 --> 00:07:27,214 BANANAS. 152 00:07:27,247 --> 00:07:29,449 MELLOW YELLOW TAKES ME BACK. 153 00:07:29,483 --> 00:07:31,485 I USED TO PLAY IN A BAND MYSELF. 154 00:07:31,519 --> 00:07:34,187 NOW I HELP SOME OF THE KIDS, MANAGE THEM. 155 00:07:34,221 --> 00:07:37,057 THIS IS WHERE TEETER LIVED. 156 00:07:37,090 --> 00:07:40,127 HANK, THESE ARE DETECTIVES. 157 00:07:40,160 --> 00:07:41,662 HE'S MOVING IN HERE, BUT I FIGURED, YOU KNOW, 158 00:07:41,695 --> 00:07:42,996 YOU'D LIKE TO LOOK AT IT FIRST. 159 00:07:43,030 --> 00:07:44,498 YEAH, YEAH, SURE. 160 00:07:44,532 --> 00:07:46,399 I'M RIGHT OVER THERE. THE SHACK IN THE MIDDLE. 161 00:07:46,433 --> 00:07:48,035 I'LL WAIT TILL YOU GUYS ARE DONE. 162 00:07:48,068 --> 00:07:49,737 IS THIS A BEDBUG? 163 00:07:49,770 --> 00:07:53,306 FUMIGATION CERTIFICATE IS IN MY OFFICE. 164 00:07:53,340 --> 00:07:55,242 THIS JUST REALLY SUCKS, MAN. 165 00:07:55,275 --> 00:07:58,011 WE WERE ALL WITH TEETER RIGHT BEFORE IT HAPPENED. 166 00:07:58,045 --> 00:07:59,747 WITH HIM DOING WHAT? 167 00:07:59,780 --> 00:08:02,215 [scoffs] AT A SPELLING BEE. 168 00:08:02,249 --> 00:08:03,617 SPELLING BEE? 169 00:08:03,651 --> 00:08:06,587 YEAH, A BAR ON BEDFORD HAS 'EM ON FRIDAY NIGHTS. 170 00:08:06,620 --> 00:08:08,155 KIDS TODAY, HUH? 171 00:08:08,188 --> 00:08:09,857 WHO ELSE WAS WITH YOU? 172 00:08:09,890 --> 00:08:14,628 UH, IT WAS ME, RAFE, TEETER, UH, SUE SMITH, HELEN. 173 00:08:14,662 --> 00:08:18,198 OH, THERE'S RAFE. 174 00:08:18,231 --> 00:08:22,435 HEY, HOW WAS THE, UH... SPELLING BEE? 175 00:08:22,469 --> 00:08:24,204 IT WAS NOSTALGIA AND BEER. 176 00:08:24,237 --> 00:08:25,739 WHO CAN RESIST? 177 00:08:25,773 --> 00:08:27,007 YEAH. 178 00:08:27,040 --> 00:08:28,475 UH, AND TEETER COMPETED? 179 00:08:28,508 --> 00:08:30,210 - AND LOST. - REALLY? 180 00:08:30,243 --> 00:08:31,912 ANY HARD FEELINGS ABOUT THAT? 181 00:08:31,945 --> 00:08:33,480 WELL, IT WASN'T THE SUPER BOWL. 182 00:08:33,513 --> 00:08:36,049 NOBODY BET BIG ON TEETER. 183 00:08:36,083 --> 00:08:37,818 UH, WE CAME OUTSIDE. 184 00:08:37,851 --> 00:08:39,086 HE MADE A CALL. 185 00:08:39,119 --> 00:08:40,320 HE SAID HE'D MEET US BACK HERE. 186 00:08:40,353 --> 00:08:42,289 YEAH, HIS ATM CARD WAS USED 187 00:08:42,322 --> 00:08:45,392 RIGHT AFTER HE LEFT YOU GUYS BY HIM. 188 00:08:45,425 --> 00:08:48,228 ANY IDEA WHY HE'D NEED $400 AT 2:00 A.M.? 189 00:08:48,261 --> 00:08:51,264 NO, NOT REALLY. 190 00:08:51,298 --> 00:08:53,400 REALLY? 191 00:08:53,433 --> 00:08:56,469 'CAUSE I'M GETTING STONED JUST BREATHING IN HERE. 192 00:08:56,503 --> 00:08:58,005 WE COULD GET A WARRANT. LOOK EVERYWHERE. 193 00:08:58,038 --> 00:08:59,272 IS THIS YOUR STUFF HERE? 194 00:08:59,306 --> 00:09:01,141 TEETER WAS INTO POT, ALL RIGHT? 195 00:09:01,174 --> 00:09:02,776 I FIGURED HE WENT TO GO TALK 196 00:09:02,810 --> 00:09:04,377 TO THE GUY THAT HE BOUGHT IT FROM. 197 00:09:04,411 --> 00:09:08,348 NAME? 198 00:09:08,381 --> 00:09:10,217 [chuckles] 199 00:09:10,250 --> 00:09:12,586 UM...DIX. 200 00:09:12,620 --> 00:09:13,987 I KNEW TEETER. 201 00:09:14,021 --> 00:09:15,288 HE WAS GOOD PEOPLE. 202 00:09:15,322 --> 00:09:17,457 USED TO LET ME GOOF ON HIS SYNTHESIZER. 203 00:09:17,490 --> 00:09:20,527 AND YOU'RE KINDA LIKE THE BRIDGE BETWEEN NATIONS, 204 00:09:20,560 --> 00:09:22,162 THE STREET, THE LAW? 205 00:09:22,195 --> 00:09:23,797 I AIN'T NARROW, MAN. 206 00:09:23,831 --> 00:09:25,365 I TAKE PEOPLE AS I FIND 'EM. 207 00:09:25,398 --> 00:09:27,300 HOW'D YOU TAKE TEETER LAST NIGHT? 208 00:09:27,334 --> 00:09:28,969 HE CALLED YOU WHEN HE LEFT THE BAR. 209 00:09:29,002 --> 00:09:30,537 WE GOT HIS PHONE RECORD. 210 00:09:30,570 --> 00:09:32,505 HAD $400 IN HIS POCKET. 211 00:09:32,539 --> 00:09:33,774 HE WAS MY FRIEND. 212 00:09:33,807 --> 00:09:35,542 HE WAS YOUR CUSTOMER. 213 00:09:35,575 --> 00:09:37,144 SO I MIRKED MY CUSTOMER? 214 00:09:37,177 --> 00:09:38,378 THAT MAKE ANY SENSE? 215 00:09:38,411 --> 00:09:40,748 DEPENDS HOW BADLY YOU NEEDED $400. 216 00:09:40,781 --> 00:09:42,750 THIS A NEW JACKET? NICE LEATHER. 217 00:09:42,783 --> 00:09:44,618 HEY, MAN. 218 00:09:44,652 --> 00:09:46,219 HI, WE'RE POLICE. 219 00:09:46,253 --> 00:09:47,420 WE'RE TALKING TO YOUR FRIEND DIX HERE. 220 00:09:47,454 --> 00:09:49,522 HOW ARE YOU? 221 00:09:49,556 --> 00:09:51,024 YOU GONNA DO THAT ALL DAY? 222 00:09:51,058 --> 00:09:53,060 UP TO YOU. 223 00:09:56,529 --> 00:09:57,865 HE NEVER SHOWED UP. 224 00:09:57,898 --> 00:10:00,567 HE CALLED, WANTED TO BUY A LID, 225 00:10:00,600 --> 00:10:02,235 SAID HE'D MEET ME HERE. [sniffs] 226 00:10:02,269 --> 00:10:03,570 NEVER SHOWED. 227 00:10:03,603 --> 00:10:05,906 SO WHAT DID YOU DO? YOU GO LOOK FOR HIM? 228 00:10:05,939 --> 00:10:08,976 I FIGURED I'D SEE HIM TOMORROW. 229 00:10:09,009 --> 00:10:11,979 [acoustic guitar music] 230 00:10:12,012 --> 00:10:17,484 * 231 00:10:27,027 --> 00:10:28,896 IT'S OKAY, BABE. IT'S OKAY. 232 00:10:28,929 --> 00:10:31,398 SOMETIMES I JUST THINK I SHOULD GO BACK TO WISCONSIN. 233 00:10:31,431 --> 00:10:32,933 NO, YOU'RE AN ARTIST, BABY. 234 00:10:32,966 --> 00:10:34,768 THIS IS WHERE YOU BELONG. 235 00:10:34,802 --> 00:10:37,671 HEY, COURAGE, BRO. 236 00:10:42,810 --> 00:10:44,945 RAFE, WHY DON'T YOU COME BACK 237 00:10:44,978 --> 00:10:46,479 WHEN YOU HAVE A DAMN CLUE? 238 00:10:46,513 --> 00:10:48,515 EXACTLY. 239 00:10:54,587 --> 00:10:58,025 DUDE, YOU ARE DEFINITELY NOT SUCKING. 240 00:10:58,058 --> 00:10:59,392 YEAH. 241 00:10:59,426 --> 00:11:01,128 STILL NOT GETTING ANYWHERE WITH IT THOUGH. 242 00:11:01,161 --> 00:11:02,763 HEY, IT'S TOUGH OUT THERE, MAN. 243 00:11:02,796 --> 00:11:03,931 [scoffs] 244 00:11:03,964 --> 00:11:05,799 - I JUST GOT A BREAK. - YEAH? 245 00:11:05,833 --> 00:11:07,868 OUR BAND, WE JUST GOT A GIG. 246 00:11:07,901 --> 00:11:09,903 NO, I MEAN A REAL--A REAL ONE. 247 00:11:09,937 --> 00:11:11,504 WE, UM-- 248 00:11:11,538 --> 00:11:13,673 I MEAN, IT COULD BE REALLY BIG. 249 00:11:13,707 --> 00:11:15,175 RECORD DEALS, TOURS. 250 00:11:15,208 --> 00:11:17,210 YEAH, NO, I HEARD. PHILIP MENTIONED IT. 251 00:11:17,244 --> 00:11:19,612 OH, YEAH? 252 00:11:19,646 --> 00:11:22,149 UH, YOU GOT THE GOODS, MAN. 253 00:11:22,182 --> 00:11:24,752 I SHOULD KEEP YOU AWAY FROM MY PEOPLE, YOU KNOW? 254 00:11:24,785 --> 00:11:26,787 ARE YOU--YOU AFTER MY SPOT IN THE BAND? 255 00:11:26,820 --> 00:11:28,922 NO, NO, MAN. 256 00:11:28,956 --> 00:11:30,057 NO, I'M JUST--I-- 257 00:11:30,090 --> 00:11:32,993 [mumbling] 258 00:11:33,026 --> 00:11:34,995 LOOK... 259 00:11:35,028 --> 00:11:36,296 JUST HANG IN THERE, ALL RIGHT? 260 00:11:36,329 --> 00:11:38,631 YOU'RE GONNA MAKE IT. I KNOW IT. 261 00:11:38,665 --> 00:11:40,567 [mumbles] 262 00:11:40,600 --> 00:11:42,870 YEAH. 263 00:11:42,903 --> 00:11:44,204 YEAH. 264 00:11:44,237 --> 00:11:46,239 YEAH, SO DO I. 265 00:11:53,981 --> 00:11:55,983 WHAT TOOK YOU SO LONG? 266 00:11:56,016 --> 00:11:57,918 I JUST CAN'T DO THIS TONIGHT, PHILIP. 267 00:11:57,951 --> 00:12:01,254 SUSIE, STUFF HAPPENS. 268 00:12:01,288 --> 00:12:04,657 YOU CAN'T ROLL YOURSELF UP INTO A BALL AND HIDE. 269 00:12:04,691 --> 00:12:06,626 YEAH, JUST NOT TONIGHT. 270 00:12:06,659 --> 00:12:11,664 [screaming] 271 00:12:25,012 --> 00:12:26,914 RAFE WAS DRUNK... 272 00:12:26,947 --> 00:12:28,448 CELEBRATING BECAUSE OUR BAND 273 00:12:28,481 --> 00:12:30,851 JUST GOT THIS REALLY GREAT GIG. 274 00:12:30,884 --> 00:12:34,387 AND THAT ELEVATOR IS ALWAYS BROKEN. 275 00:12:34,421 --> 00:12:36,857 THAT DAMN ELEVATOR. 276 00:12:36,890 --> 00:12:39,126 YOU WERE SAYING ABOUT BEING UP TO CODE? 277 00:12:39,159 --> 00:12:42,262 LOOK, I FEEL TERRIBLE ABOUT IT. 278 00:12:42,295 --> 00:12:44,965 BUT SOMEONE DIDN'T SHUT THE DOOR. 279 00:12:44,998 --> 00:12:49,469 IT'S A MANUAL ELEVATOR AND, WELL, THE KID WAS DRUNK. 280 00:12:49,502 --> 00:12:51,404 HE USED TO GIVE ME POINTERS. 281 00:12:51,438 --> 00:12:53,240 HE WAS A REALLY GOOD GUITARIST. 282 00:12:53,273 --> 00:12:54,975 DID HE SEEM DRUNK TO YOU? 283 00:12:55,008 --> 00:12:56,543 HE MUST HAVE BEEN. 284 00:12:56,576 --> 00:12:59,312 SAID SOME NICE THINGS ABOUT MY PLAYING. 285 00:12:59,346 --> 00:13:00,680 YOU DON'T PLAY WELL? 286 00:13:00,713 --> 00:13:02,149 I'M OKAY. 287 00:13:02,182 --> 00:13:03,783 DID YOU SEE HIM FALL? 288 00:13:03,817 --> 00:13:05,318 NO. NO. 289 00:13:05,352 --> 00:13:07,454 SUDDENLY I JUST HEARD PEOPLE SCREAMING. 290 00:13:07,487 --> 00:13:09,689 SO WHEN HE WAS TELLING YOU HOW WELL YOU PLAYED, 291 00:13:09,722 --> 00:13:11,258 THAT WAS EARLIER? 292 00:13:11,291 --> 00:13:13,326 YEAH, THAT'S RIGHT. 293 00:13:13,360 --> 00:13:17,130 OKAY, WE'RE TAKING STATEMENTS ONE BY ONE. 294 00:13:17,164 --> 00:13:19,599 EVERYBODY STICK AROUND, PLEASE. 295 00:13:19,632 --> 00:13:22,802 27 WITNESS STATEMENTS AND NO ONE SAW IT HAPPEN. 296 00:13:22,836 --> 00:13:25,172 AREN'T WE TALKING ABOUT A LOFT HERE? 297 00:13:25,205 --> 00:13:26,940 WIDE, OPEN SPACES? 298 00:13:26,974 --> 00:13:29,409 WELL, IT'S DIVIDED LIKE A RABBIT WARREN. 299 00:13:29,442 --> 00:13:32,913 THERE'S CURTAINS AND PARTITIONS AND IT'S SMOKEY. 300 00:13:32,946 --> 00:13:35,082 NO ONE WAS LOOKING THE RIGHT WAY. 301 00:13:35,115 --> 00:13:36,583 NO ONE WAS IN THE RIGHT SPOT. 302 00:13:36,616 --> 00:13:38,718 - WHAT ARE THE ODDS? - WELL, YOU JUST SAID-- 303 00:13:38,751 --> 00:13:40,053 YEAH, BUT 27 PEOPLE? 304 00:13:40,087 --> 00:13:41,721 AND WE'RE NOT TALKING ABOUT A SPACE 305 00:13:41,754 --> 00:13:45,592 THE SIZE OF WYOMING UNLESS SOMEBODY WAITED 306 00:13:45,625 --> 00:13:48,495 UNTIL EVERYBODY WAS IN THE WRONG SPOT, 307 00:13:48,528 --> 00:13:49,696 OR LOOKING THE WRONG WAY. 308 00:13:49,729 --> 00:13:50,998 SOMEBODY? SOMEBODY WHO? 309 00:13:51,031 --> 00:13:52,732 SOMEBODY WHO MURDERED THIS KID 310 00:13:52,765 --> 00:13:54,801 TO COVER UP THE MURDER OF THE OTHER KID. 311 00:13:54,834 --> 00:13:57,470 NO. 312 00:13:57,504 --> 00:13:59,339 THEN WHAT? 313 00:13:59,372 --> 00:14:02,042 I...DON'T KNOW. 314 00:14:02,075 --> 00:14:03,776 FASCINATING. 315 00:14:03,810 --> 00:14:05,112 I SUGGEST THAT WHILE YOU'RE TRYING TO FIGURE OUT 316 00:14:05,145 --> 00:14:08,148 WHAT'S ON YOUR OWN MIND, YOU RESUME INVESTIGATION 317 00:14:08,181 --> 00:14:10,217 OF THE ACTUAL MURDER ON YOUR PLATE. 318 00:14:10,250 --> 00:14:12,352 THE KID WHO GOT STABBED. 319 00:14:12,385 --> 00:14:15,055 THE M.E. HAS GIVEN ME HER REPORT. 320 00:14:15,088 --> 00:14:17,457 THE KNIFE WAS SERRATED WITH A CHIP IN THE BLADE. 321 00:14:17,490 --> 00:14:20,527 ONE DULL EDGE. 322 00:14:20,560 --> 00:14:22,562 YOU ARE THE BOSS. 323 00:14:25,598 --> 00:14:27,034 [door slams] 324 00:14:27,067 --> 00:14:29,269 WHEN DOES THE BRILLIANT PART START? 325 00:14:29,302 --> 00:14:31,038 NOT BIG ON TRUST AT THE MOMENT, ARE WE? 326 00:14:31,071 --> 00:14:32,772 I'M NOT TALKING ABOUT ME. 327 00:14:32,805 --> 00:14:34,107 ONE PARTNER QUITS ON YOU-- 328 00:14:34,141 --> 00:14:35,142 QUITS ON ME? 329 00:14:35,175 --> 00:14:36,476 I'M JUST SAYING YOUR EX-FIANCE'S 330 00:14:36,509 --> 00:14:37,777 ABOUT TO GO ON TRIAL. 331 00:14:37,810 --> 00:14:39,246 SOMEONE ELSE YOU TRUSTED. 332 00:14:39,279 --> 00:14:40,647 OKAY. 333 00:14:40,680 --> 00:14:42,682 THANK YOU, CAPTAIN FREUD. 334 00:14:44,717 --> 00:14:46,954 WELL, IT'S HIP, IT'S HAPPENING... 335 00:14:46,987 --> 00:14:47,921 WHAT ARE WE DOING HERE? 336 00:14:47,955 --> 00:14:50,223 THIS IS RAFE'S BAND'S GIG. 337 00:14:50,257 --> 00:14:51,358 THE ONE HE WAS CELEBRATING 338 00:14:51,391 --> 00:14:52,759 WHEN HE FELL DOWN THE ELEVATOR. 339 00:14:52,792 --> 00:14:53,893 RAFE'S BAND? 340 00:14:53,927 --> 00:14:55,996 WHAT DOES THAT HAVE TO DO WITH THE MURDER OF TEETER? 341 00:14:56,029 --> 00:14:57,830 THIS IS WHAT THE KIDS ARE DREAMING ABOUT. 342 00:14:57,864 --> 00:14:59,832 COMING TO NEW YORK. BEING STARS. 343 00:14:59,866 --> 00:15:01,701 YEAH, BUT THIS BAND WAS RAFE'S DREAM. 344 00:15:01,734 --> 00:15:03,003 HEY, LOOK, LOOK. HERE WE GO. 345 00:15:03,036 --> 00:15:04,304 BEFORE WE START, I WANNA SAY WE'RE DEDICATING 346 00:15:04,337 --> 00:15:06,639 THIS PERFORMANCE TO OUR LATE, GREAT GUITARIST 347 00:15:06,673 --> 00:15:09,376 RAFE SHAVER, WHO DIED WAY TOO SOON 348 00:15:09,409 --> 00:15:12,045 IN AN EXCESS OF PARTYING. 349 00:15:12,079 --> 00:15:15,482 WE KNOW HE'S WATCHING US TONIGHT WITH KURT AND SID 350 00:15:15,515 --> 00:15:17,917 AND A BAG OF BREWS, SO... 351 00:15:17,951 --> 00:15:20,087 NO ONE CAN EVER REALLY FILL THIS SPACE, 352 00:15:20,120 --> 00:15:22,455 BUT WE GOT A PRETTY COOL REPLACEMENT. 353 00:15:22,489 --> 00:15:26,259 SO, RAFE, THIS ONE'S FOR YOU. 354 00:15:26,293 --> 00:15:29,262 [rock music] 355 00:15:29,296 --> 00:15:37,204 * 356 00:15:37,237 --> 00:15:40,040 RAFE WASN'T THE ONLY ONE WITH A DREAM. 357 00:16:16,509 --> 00:16:19,512 [cheers and applause] 358 00:16:24,617 --> 00:16:26,453 NICE SET. 359 00:16:26,486 --> 00:16:28,788 [scoffs] YEAH. 360 00:16:28,821 --> 00:16:29,889 WOW, THANKS. 361 00:16:29,922 --> 00:16:31,558 YEAH, THEY REALLY LIKED YOU. 362 00:16:31,591 --> 00:16:32,859 YEAH. 363 00:16:32,892 --> 00:16:36,663 HOPE IT DOESN'T BREAK YOUR HEART. 364 00:16:36,696 --> 00:16:39,932 YOU KNOW, TO GET A TASTE AND THEN... 365 00:16:39,966 --> 00:16:41,801 I MEAN, YOU WANNA MAKE IT, RIGHT? 366 00:16:41,834 --> 00:16:44,137 REALLY, REALLY MAKE IT. 367 00:16:44,171 --> 00:16:45,472 [scoffs] WELL, DOESN'T EVERYONE? 368 00:16:45,505 --> 00:16:46,873 NO, EXACTLY. 369 00:16:46,906 --> 00:16:48,841 HOW MANY PEOPLE COME TO NEW YORK EVERY WEEK 370 00:16:48,875 --> 00:16:50,177 TRYING TO BE ROCK STARS? 371 00:16:50,210 --> 00:16:52,112 - I DON'T KNOW. - WELL, 100 EASY. 372 00:16:52,145 --> 00:16:53,913 THEY'RE POURING OFF THE BUSES AT THE PORT AUTHORITY. 373 00:16:53,946 --> 00:16:55,048 YOU PROBABLY GET NEARLY THAT MANY 374 00:16:55,082 --> 00:16:56,649 AT THAT RAT'S NEST WHERE YOU LIVE. 375 00:16:56,683 --> 00:16:58,218 [scoffs] OKAY. 376 00:16:58,251 --> 00:17:01,454 SO 100 A WEEK, THAT'S 5,000 A YEAR. 377 00:17:01,488 --> 00:17:03,723 ANOTHER 5,000 GO OUT TO L.A. 378 00:17:03,756 --> 00:17:05,858 ANOTHER 5,000 STICK AROUND, YOU KNOW, 379 00:17:05,892 --> 00:17:07,627 CLEVELAND, DETROIT, CHICAGO. 380 00:17:07,660 --> 00:17:08,995 WORKING IT THERE. 381 00:17:09,028 --> 00:17:10,430 THAT'S 15,000 A YEAR. 382 00:17:10,463 --> 00:17:12,632 THAT'S CONSERVATIVE. IT'S PROBABLY MORE LIKE 50,000. 383 00:17:12,665 --> 00:17:13,900 WHAT'S YOUR POINT? 384 00:17:13,933 --> 00:17:16,969 MY POINT IS HOW MANY ARE GONNA MAKE IT? 385 00:17:17,003 --> 00:17:21,308 45,000 NEVER GET ANYWHERE. 386 00:17:21,341 --> 00:17:22,875 THEY DON'T GET A BREAK. 387 00:17:22,909 --> 00:17:24,677 THEY KNOCK UP SOME GIRL. 388 00:17:24,711 --> 00:17:26,679 TAKE A JOB DRIVING A BAKERY TRUCK. 389 00:17:26,713 --> 00:17:31,518 MAYBE 4,000 BECOME PROFESSIONAL MUSICIANS 390 00:17:31,551 --> 00:17:34,254 PLAYING THE HOTEL LOUNGE NEAR THE AIRPORT. 391 00:17:34,287 --> 00:17:36,456 THE CREAM AT THE TOP, THE TOP 1,000, 392 00:17:36,489 --> 00:17:39,359 GET TO BE IN A ZEPPELIN TRIBUTE BAND 393 00:17:39,392 --> 00:17:41,261 OR 18th RUNNER-UP ON AMERICAN IDOL. 394 00:17:41,294 --> 00:17:44,697 BUT REALLY MAKE IT, MAKE A NAME, BE A STAR, MAYBE TEN. 395 00:17:44,731 --> 00:17:47,800 TEN PEOPLE YEARLY WORLDWIDE. 396 00:17:47,834 --> 00:17:49,402 TEN OUT OF 50,000. 397 00:17:49,436 --> 00:17:53,206 SO THERE'S TEN. 398 00:17:53,240 --> 00:17:54,541 AND YOU'RE GONNA BE ONE OF 'EM? 399 00:17:54,574 --> 00:17:55,908 WHY NOT? 400 00:17:55,942 --> 00:17:58,845 I CAN PLAY. I'M WILLING TO WORK. 401 00:17:58,878 --> 00:18:00,913 YOU STILL GOTTA GET THOSE BREAKS. 402 00:18:00,947 --> 00:18:03,450 HMM, SOME PEOPLE MAKE THEIR OWN BREAKS. 403 00:18:03,483 --> 00:18:04,951 PEOPLE LIKE YOU? 404 00:18:04,984 --> 00:18:09,021 [scoffs] 405 00:18:09,055 --> 00:18:11,591 PEOPLE WILLING TO DO WHATEVER IT TAKES. 406 00:18:15,195 --> 00:18:17,197 LET ME SHOW YOU SOMETHING. 407 00:18:22,068 --> 00:18:25,037 [piano music] 408 00:18:25,071 --> 00:18:31,844 * 409 00:18:59,772 --> 00:19:01,608 AND I'M A COP. 410 00:19:01,641 --> 00:19:02,975 [scoffs] 411 00:19:03,009 --> 00:19:03,976 WERE YOU, UH-- 412 00:19:04,010 --> 00:19:06,479 YOU ONE OF THE LOSERS IN THE 50,000? 413 00:19:12,485 --> 00:19:15,622 WHY ARE YOU A COP? 414 00:19:15,655 --> 00:19:20,893 BECAUSE I LIKE IT AND I'M GOOD AT IT... 415 00:19:20,927 --> 00:19:23,095 AND THAT KID IS A KILLER. 416 00:19:33,540 --> 00:19:36,843 THANK YOU. 417 00:19:36,876 --> 00:19:39,612 THAT WAS UTICA P.D. 418 00:19:39,646 --> 00:19:43,750 IT SEEMS OUR BOY HANK HAD A STEPFATHER 419 00:19:43,783 --> 00:19:46,386 THAT HE DIDN'T GET ALONG WITH. 420 00:19:46,419 --> 00:19:48,221 THERE WERE ALLEGATIONS OF ABUSE. 421 00:19:48,255 --> 00:19:51,558 SOCIAL SERVICES COULDN'T MAKE THE CASE. 422 00:19:51,591 --> 00:19:54,093 WHEN HANK WAS 16, HIS STEPFATHER 423 00:19:54,126 --> 00:19:56,896 HAD A FATAL ACCIDENT FIXING HIS ROOF. 424 00:19:56,929 --> 00:19:58,331 HANK'S PROBLEM SOLVED. 425 00:19:58,365 --> 00:20:01,634 OKAY, SO YOU'RE SAYING THAT HE PUSHED RAFE SHAVER 426 00:20:01,668 --> 00:20:04,203 DOWN AN ELEVATOR SHAFT TO GET HIS SPOT IN A BAND? 427 00:20:04,237 --> 00:20:06,239 HE'S COMPETING FOR LIMITED RESOURCES. 428 00:20:06,273 --> 00:20:07,574 THERE'S A MILLION MUSICIANS. 429 00:20:07,607 --> 00:20:08,875 HANDFUL OF WORKING BANDS. 430 00:20:08,908 --> 00:20:10,176 MAKES PERFECT SENSE. 431 00:20:10,209 --> 00:20:12,279 IF YOU'RE A HOMICIDAL MANIAC. 432 00:20:12,312 --> 00:20:14,381 IF YOU WANNA PUT A LABEL ON IT. 433 00:20:14,414 --> 00:20:17,617 HE TOLD ME THAT HE WAS WILLING TO DO WHATEVER IT TAKES. 434 00:20:17,650 --> 00:20:20,019 HIS EGO IS MASSIVE. 435 00:20:20,052 --> 00:20:23,089 PEOPLE SAY THEY'D KILL TO SUCCEED. 436 00:20:23,122 --> 00:20:25,992 THIS KID IS THE ONE IN A MILLION WHO MEANS IT. 437 00:20:26,025 --> 00:20:28,261 WHEELER? 438 00:20:28,295 --> 00:20:31,030 MAYBE, BUT WHY KILL TEETER? 439 00:20:31,063 --> 00:20:32,799 THAT DIDN'T HELP HIS CAREER. 440 00:20:32,832 --> 00:20:36,503 DIDN'T HELP HIM ACHIEVE HIS DREAM. 441 00:20:36,536 --> 00:20:38,605 GOT HIM A BETTER APARTMENT. 442 00:20:41,908 --> 00:20:44,577 YOU DON'T SEE MUCH WHITE LEATHER AROUND NOWADAYS. 443 00:20:44,611 --> 00:20:47,614 YEAH, DITTO THE ZEBRA STRIPES. 444 00:20:47,647 --> 00:20:51,418 SPECKLED STALLION? 445 00:20:51,451 --> 00:20:53,386 YOU WERE IN SPECKLED STALLION? 446 00:20:53,420 --> 00:20:54,654 RIGHT, YOU SAID YOU WERE IN A BAND. 447 00:20:54,687 --> 00:20:55,955 LONG TIME AGO. 448 00:20:55,988 --> 00:20:57,290 HEY, YOU PLAYED WOODSTOCK. 449 00:20:57,324 --> 00:20:59,726 THIRD-LONGEST SET RIGHT AFTER THE WHO. 450 00:20:59,759 --> 00:21:03,029 NO, YOU GUYS WERE-- OH, YOU WERE SOMETHING. 451 00:21:03,062 --> 00:21:05,031 ROCK AND ROLL KING. 452 00:21:05,064 --> 00:21:06,566 [hums melody] 453 00:21:06,599 --> 00:21:07,934 [chuckles] 454 00:21:07,967 --> 00:21:10,370 YEAH, UNFORTUNATELY... 455 00:21:10,403 --> 00:21:12,339 IT'S NOT ALWAYS ABOUT TALENT, IS IT? 456 00:21:12,372 --> 00:21:14,073 NO. WHAT, JUST CONNECTIONS? 457 00:21:14,106 --> 00:21:15,375 THOSE DAYS, IF YOU DIDN'T SUCK UP 458 00:21:15,408 --> 00:21:18,378 TO THE RIGHT RECORD EXECUTIVE... [mumbles] 459 00:21:18,411 --> 00:21:20,347 I HEARD YOU PLAYING THE OTHER NIGHT. 460 00:21:20,380 --> 00:21:21,748 IT'S JUST-- THAT'S A HOBBY. 461 00:21:21,781 --> 00:21:26,353 UM, LISTEN, YOU MANAGE THE BAND THAT RAFE WAS IN, YEAH? 462 00:21:26,386 --> 00:21:28,220 YES. GOT POTENTIAL. 463 00:21:28,254 --> 00:21:30,189 AND ARE YOU THE ONE THAT PUT HANK IN THE BAND 464 00:21:30,222 --> 00:21:31,524 AFTER RAFE DIED? 465 00:21:31,558 --> 00:21:32,925 YEAH, HE'S GOOD. HE'S GOOD. 466 00:21:32,959 --> 00:21:35,194 RAW, BUT I'M WORKING ON HIM. 467 00:21:35,227 --> 00:21:38,665 HE'S STILL MOPING ABOUT SOME MAKING THE BAND REALITY SHOW 468 00:21:38,698 --> 00:21:40,232 IN L.A. THAT DIDN'T PAN OUT. 469 00:21:40,266 --> 00:21:42,502 I TOLD HIM NOT TO GO. HE WASN'T READY. 470 00:21:42,535 --> 00:21:45,338 I MEAN, CAN'T TELL THESE KIDS ANYTHING. 471 00:21:45,372 --> 00:21:46,673 NO, UNLIKE US, RIGHT? 472 00:21:46,706 --> 00:21:48,808 WE DID EVERYTHING OUR ELDERS TOLD US. 473 00:21:48,841 --> 00:21:52,412 [chuckles] ABOUT HANK... 474 00:21:52,445 --> 00:21:54,681 DID HE KNOW HE WAS IN LINE TO REPLACE RAFE 475 00:21:54,714 --> 00:21:55,948 IF RAFE LEFT THE BAND? 476 00:21:55,982 --> 00:21:57,350 YEAH, YEAH, I GUESS. 477 00:21:57,384 --> 00:22:02,121 HE KNOWS I LIKED HIM. HE'S-- 478 00:22:02,154 --> 00:22:07,059 WELL, YOU DON'T THINK HANK PUSHED RAFE? 479 00:22:07,093 --> 00:22:09,028 YOU JUST SAID HE HAD A MOTIVE. 480 00:22:09,061 --> 00:22:10,730 RAFE ALIVE, HANK'S NOT IN THE BAND. 481 00:22:10,763 --> 00:22:14,133 RAFE DEAD, HE IS IN THE BAND. 482 00:22:14,166 --> 00:22:16,135 WELL. 483 00:22:20,640 --> 00:22:23,943 HOW'S THE SCIENCE PROJECT GOING? 484 00:22:23,976 --> 00:22:26,312 YOU NEED ANY CONSTRUCTION PAPER? 485 00:22:28,381 --> 00:22:30,383 HELLO? 486 00:22:32,419 --> 00:22:33,720 SORRY. 487 00:22:33,753 --> 00:22:36,122 I WAS LISTENING TO SPECKLED STALLION. 488 00:22:36,155 --> 00:22:38,190 BOY, DID THOSE GUYS SUCK. 489 00:22:38,224 --> 00:22:40,527 YOU JUST TOLD PHILIP THEY WERE GREAT. 490 00:22:40,560 --> 00:22:42,194 UH, NO. 491 00:22:42,228 --> 00:22:44,431 I THINK I SAID, "YOU GUYS ARE SOMETHING." 492 00:22:47,099 --> 00:22:49,368 IT'S THE LITTLE THINGS, ISN'T IT? 493 00:22:49,402 --> 00:22:51,237 ALWAYS. 494 00:22:51,270 --> 00:22:53,272 SHALL WE? 495 00:23:08,921 --> 00:23:10,957 HEY. 496 00:23:10,990 --> 00:23:13,059 YOU HERE TO AUDITION FOR MY BAND? 497 00:23:13,092 --> 00:23:14,827 YOU WERE SOUNDING PRETTY HOT THE OTHER NIGHT. 498 00:23:14,861 --> 00:23:16,963 NO, I THINK I'LL BE STAYING WITH THE POLICE WORK, THANKS. 499 00:23:16,996 --> 00:23:19,131 NO, WE'RE JUST HERE TO CLEAR UP SOMETHING 500 00:23:19,165 --> 00:23:20,533 ABOUT RAFE'S ACCIDENT. 501 00:23:20,567 --> 00:23:22,334 - COUPLE OF LOOSE ENDS. - SURE. 502 00:23:22,368 --> 00:23:23,670 WE GOT STATEMENTS FROM EVERYBODY 503 00:23:23,703 --> 00:23:26,272 WHO WAS HERE THAT NIGHT, AND I THINK WE FIGURED OUT 504 00:23:26,305 --> 00:23:29,976 EXACTLY WHERE EVERYBODY WAS WHEN RAFE FELL. 505 00:23:30,009 --> 00:23:31,578 HERE. 506 00:23:31,611 --> 00:23:33,179 DID YOU MAKE THAT YOURSELF? 507 00:23:33,212 --> 00:23:34,981 YEAH. 508 00:23:35,014 --> 00:23:36,382 MMM, THANKS. 509 00:23:36,415 --> 00:23:38,751 UH, OKAY, RAFE WAS THERE. 510 00:23:38,785 --> 00:23:42,388 EVERYBODY ELSE... 511 00:23:42,421 --> 00:23:44,423 WAS, UM, CENTRAL-- 512 00:23:44,457 --> 00:23:45,925 UH-OH. 513 00:23:45,958 --> 00:23:47,293 AH, I GOT IT. I GOT IT. 514 00:23:47,326 --> 00:23:49,562 [muttering] 515 00:23:49,596 --> 00:23:50,863 OKAY. 516 00:23:50,897 --> 00:23:53,132 AS I WAS SAYING, UH, 517 00:23:53,165 --> 00:23:55,568 PEOPLE WERE SCATTERED KINDA CENTRALLY 518 00:23:55,602 --> 00:23:57,937 BUT NOBODY UNFORTUNATELY NEAR THE ELEVATOR, 519 00:23:57,970 --> 00:23:59,872 SO NOBODY SAW RAFE FALL. 520 00:23:59,906 --> 00:24:03,476 BUT WHAT'S WRONG WITH THIS PICTURE? 521 00:24:03,510 --> 00:24:05,512 UH, I DON'T KNOW. 522 00:24:05,545 --> 00:24:07,146 YOU'RE NOT IN IT. 523 00:24:07,179 --> 00:24:10,049 NONE OF THESE PEOPLE SAW WHEN RAFE FELL, 524 00:24:10,082 --> 00:24:13,720 BUT NONE OF THEM SAW YOU WHEN RAFE FELL, 525 00:24:13,753 --> 00:24:19,058 SO WE WERE HOPING YOU MIGHT HAVE BEEN NEAR THE ELEVATOR, 526 00:24:19,091 --> 00:24:22,194 AND WERE AWARE OF THE ACCIDENT SOMEHOW, 527 00:24:22,228 --> 00:24:24,964 AND CAN HELP US TIE UP SOME OF THOSE LOOSE ENDS. 528 00:24:24,997 --> 00:24:26,999 YOU HAVE ANY RECOLLECTION? 529 00:24:27,033 --> 00:24:28,601 SORRY, I WAS, UH-- 530 00:24:28,635 --> 00:24:31,103 I WAS RIGHT THERE JUST TAKING A BREAK, YOU KNOW? 531 00:24:31,137 --> 00:24:32,805 THERE EXACTLY WHERE YOU POINTED YOUR FINGER? 532 00:24:32,839 --> 00:24:34,306 YEAH. YEAH, RIGHT THERE. 533 00:24:34,340 --> 00:24:35,775 OKAY. 534 00:24:35,808 --> 00:24:39,546 WOULD YOU MIND SIGNING THAT FOR OUR FILES, PLEASE? 535 00:24:43,049 --> 00:24:45,685 OKIE-DOKIE, THANKS A LOT. 536 00:24:47,453 --> 00:24:49,589 IS THAT-- 537 00:24:49,622 --> 00:24:52,625 WAIT A MINUTE. WAIT A MINUTE. 538 00:24:52,659 --> 00:24:55,595 LET ME JUST CHECK SOMETHING. ONE SECOND. 539 00:24:55,628 --> 00:24:57,196 OH, NO, NO, NO, NO. 540 00:24:57,229 --> 00:24:59,365 OH, I FORGOT. NO, THERE WERE PEOPLE THERE. 541 00:24:59,398 --> 00:25:01,367 I JUST FORGOT TO PUT ON THESE TAGS. 542 00:25:01,400 --> 00:25:02,735 I'M SORRY. 543 00:25:02,769 --> 00:25:05,471 NO, LARRY THE ACTOR FROM THE SECOND FLOOR, 544 00:25:05,504 --> 00:25:08,407 HE WAS THERE AND MAXINE WHO PAINTS CANVASES 545 00:25:08,440 --> 00:25:09,709 WITH HER OWN BODY FLUIDS-- 546 00:25:09,742 --> 00:25:11,443 I WOULDN'T SHAKE HANDS WITH HER IF I WERE YOU-- 547 00:25:11,477 --> 00:25:15,181 UM, THEY WERE RIGHT THERE, IN FACT. 548 00:25:15,214 --> 00:25:17,650 WAIT A MINUTE. 549 00:25:17,684 --> 00:25:19,285 YEAH, NONE OF THEM-- 550 00:25:19,318 --> 00:25:21,821 NEITHER OF THEM SAW YOU. 551 00:25:26,058 --> 00:25:29,361 [clears throat and sighs] 552 00:25:29,395 --> 00:25:32,565 I'M LATE FOR REHEARSAL. 553 00:25:32,599 --> 00:25:35,267 YEAH, I MUST HAVE HAD TOO MUCH TO DRINK THAT NIGHT. 554 00:25:35,301 --> 00:25:37,970 I HAVE NO IDEA WHERE I WAS. 555 00:25:38,004 --> 00:25:40,139 COULDA BEEN MARS FOR ALL I KNOW. 556 00:25:40,172 --> 00:25:42,609 GUESS I CAN'T HELP YOU GUYS. 557 00:25:42,642 --> 00:25:44,644 SORRY. 558 00:25:47,747 --> 00:25:49,816 THAT CHART OF YOURS, YOU KNOW WHO ELSE 559 00:25:49,849 --> 00:25:52,719 IS UNACCOUNTED FOR IS THAT GIRL SUE SMITH. 560 00:25:52,752 --> 00:25:54,754 YOU THINK SUE SMITH KILLED RAFE? 561 00:25:54,787 --> 00:25:56,255 WHY? WHY WOULD SHE DO THAT? 562 00:25:56,288 --> 00:25:58,290 WELL, I DON'T KNOW, BUT SHE SEEMS TO KEEP POPPING UP. 563 00:25:58,324 --> 00:26:01,227 AND WHAT YOU JUST TOLD HANK ABOUT THAT ARTIST 564 00:26:01,260 --> 00:26:03,429 AND ACTOR BEING IN THAT PART OF THE LOFT, 565 00:26:03,462 --> 00:26:04,797 THEY DIDN'T SAY THAT. 566 00:26:04,831 --> 00:26:06,432 I KNOW. DON'T TELL HANK THAT. 567 00:26:06,465 --> 00:26:07,600 HE THINKS WE CAUGHT HIM IN A LIE. 568 00:26:07,634 --> 00:26:08,801 WELL, WE DIDN'T. 569 00:26:08,835 --> 00:26:10,536 IT'S A STRESSOR. 570 00:26:10,569 --> 00:26:12,071 SHAKE HIM UP. 571 00:26:12,104 --> 00:26:15,675 KID'S BEEN THINKING HE'S TOO, UH, INVULNERABLE. 572 00:26:15,708 --> 00:26:17,443 A STRESSOR. 573 00:26:17,476 --> 00:26:19,511 SO... 574 00:26:19,545 --> 00:26:21,280 NOW HE'S GONNA MAKE ANOTHER MISTAKE? 575 00:26:21,313 --> 00:26:22,581 DO SOMETHING RASH. 576 00:26:22,615 --> 00:26:23,582 LIKE KILL SOMEONE ELSE? 577 00:26:23,616 --> 00:26:26,018 NOT MY FIRST CHOICE. 578 00:26:26,052 --> 00:26:28,387 WELL, YOU WANNA SHOW ME WHAT ELSE YOU PICKED UP 579 00:26:28,420 --> 00:26:30,522 WHEN YOU DROPPED YOUR CHART ON THE FLOOR? 580 00:26:30,556 --> 00:26:32,825 OH, YEAH, YEAH, YEAH. THE, UH-- 581 00:26:32,859 --> 00:26:34,761 I THOUGHT I MIGHT GET SOME ACTUAL EVIDENCE, 582 00:26:34,794 --> 00:26:37,229 SINCE EVERYBODY AROUND HERE SEEMS TO LIKE THAT KINDA THING. 583 00:26:37,263 --> 00:26:40,032 AND, UH, YOU KNOW, WE SAW SUE SMITH 584 00:26:40,066 --> 00:26:42,201 COMING OUT OF HANK'S NEW ROOM. 585 00:26:42,234 --> 00:26:43,402 SEE WHAT I MEAN? 586 00:26:43,435 --> 00:26:44,771 THEN I REMEMBERED THAT YOU HAD SEEN 587 00:26:44,804 --> 00:26:46,205 THAT BEDBUG IN THERE. 588 00:26:46,238 --> 00:26:48,140 VERY OBSERVANT. 589 00:26:48,174 --> 00:26:50,376 AND, UH, UGH. 590 00:26:50,409 --> 00:26:53,479 HERE, YOU DON'T SEEM TO MIND. 591 00:26:53,512 --> 00:26:54,981 THEY SUCK HUMAN BLOOD. 592 00:26:55,014 --> 00:26:57,516 THE DNA. 593 00:26:57,549 --> 00:26:59,886 THAT LOFT USED TO BE TEETER'S. NOW IT'S HANK'S. 594 00:26:59,919 --> 00:27:01,120 MM-HMM. 595 00:27:01,153 --> 00:27:04,423 LET'S FIND OUT WHO'S BEEN SLEEPING THERE. 596 00:27:04,456 --> 00:27:06,392 WE'RE IN THE MIDDLE OF A BEDBUG EPIDEMIC. 597 00:27:06,425 --> 00:27:07,593 WE ARE? 598 00:27:07,626 --> 00:27:09,461 ARE THERE ANY PRECAUTIONS YOU CAN TAKE? 599 00:27:09,495 --> 00:27:11,597 DON'T SLEEP. 600 00:27:11,630 --> 00:27:13,632 THESE GUYS HAVE A VERY SLOW DIGESTIVE SYSTEM. 601 00:27:13,666 --> 00:27:15,167 THEY CAN GO FOR A YEAR BETWEEN MEALS. 602 00:27:15,201 --> 00:27:16,468 WE CAN EXTRACT THE BLOOD THEY ATE 603 00:27:16,502 --> 00:27:17,904 FOR UP TO TWO MONTHS AFTER THEY CHOW DOWN. 604 00:27:17,937 --> 00:27:19,105 I SEE. 605 00:27:19,138 --> 00:27:20,272 WHAT'S IN THE ONES WE SENT YOU? 606 00:27:20,306 --> 00:27:22,474 SOME WERE FAT AND HAPPY. THEY JUST ATE. 607 00:27:22,508 --> 00:27:24,243 OTHERS HADN'T EATEN FOR AT LEAST A MONTH. 608 00:27:24,276 --> 00:27:26,913 IN A COUPLE OF THE OLD ONES WE FOUND THEODORE KENRIGHT'S BLOOD. 609 00:27:26,946 --> 00:27:28,447 TEETER. 610 00:27:28,480 --> 00:27:30,249 AND FROM THAT SAME PERIOD, A WOMAN'S BLOOD. 611 00:27:30,282 --> 00:27:32,885 YOU HAVE ANYTHING FOR US TO MATCH IT AGAINST? 612 00:27:32,919 --> 00:27:34,120 NOT YET. 613 00:27:34,153 --> 00:27:35,521 HOW ABOUT THE BUGS THAT JUST ATE? 614 00:27:35,554 --> 00:27:36,923 BLOOD FROM A DIFFERENT MAN. 615 00:27:36,956 --> 00:27:39,158 BUT THIS IS INTERESTING... 616 00:27:39,191 --> 00:27:40,392 THE SAME WOMAN. 617 00:27:40,426 --> 00:27:42,328 SUE SMITH. 618 00:27:42,361 --> 00:27:44,030 SLEEPING WITH HANK NOW. 619 00:27:44,063 --> 00:27:45,832 SLEPT WITH TEETER THEN. 620 00:27:45,865 --> 00:27:49,135 SO HE HAD MORE MOTIVE TO KILL THAN JUST A ROOM WITH A VIEW. 621 00:27:49,168 --> 00:27:51,203 HE GOT A PRETTY GIRL TO GO WITH IT. 622 00:27:51,237 --> 00:27:52,872 WHAT, ARE YOU COMING AROUND NOW? 623 00:27:52,905 --> 00:27:55,107 I CAN ALMOST BUY HANK KILLING RAFE. 624 00:27:55,141 --> 00:27:56,542 BUT KILLING TEETER? 625 00:27:56,575 --> 00:27:58,577 WELL, HANK WANTED TO BE IN THE BAND. 626 00:27:58,610 --> 00:27:59,846 RAFE WAS IN THE WAY. 627 00:27:59,879 --> 00:28:02,214 HANK WANTED THE GIRL. TEETER WAS IN THE WAY. 628 00:28:02,248 --> 00:28:05,852 SO I WONDER IF ANYONE'S IN HANK'S WAY NOW. 629 00:28:05,885 --> 00:28:09,756 MY FATHER WENT TO ART SCHOOL IN NEW YORK, LIKE ME. 630 00:28:09,789 --> 00:28:11,123 HE WAS GOOD. 631 00:28:11,157 --> 00:28:13,559 I SAW SOME OF HIS STUFF. 632 00:28:13,592 --> 00:28:15,394 BUT HE WENT HOME TO SAVE SOME MONEY. 633 00:28:15,427 --> 00:28:17,263 "JUST A FEW MONTHS." THAT'S WHAT HE SAID. 634 00:28:17,296 --> 00:28:21,033 [scoffs] THAT WAS 30 YEARS AGO. 635 00:28:21,067 --> 00:28:23,435 YOU KNOW WHAT HE DOES NOW? 636 00:28:23,469 --> 00:28:26,739 HE DESIGNS A CATALOGUE OF KITCHEN FIXTURES. 637 00:28:26,773 --> 00:28:29,541 FAUCETS. LOTS OF FAUCETS. 638 00:28:29,575 --> 00:28:32,044 ALL LAID OUT VERY ARTFULLY. 639 00:28:32,078 --> 00:28:33,846 HMM. 640 00:28:33,880 --> 00:28:36,816 I'D KILL MYSELF BEFORE I WENT HOME. 641 00:28:36,849 --> 00:28:39,618 ME TOO. 642 00:28:39,651 --> 00:28:45,291 SO AM I NOT GONNA SEE YOU TONIGHT? 643 00:28:45,324 --> 00:28:47,760 HE'S JUST SO CONTROLLING. 644 00:28:47,794 --> 00:28:49,695 HE ACTS LIKE I'M HIS GIRLFRIEND. 645 00:28:49,728 --> 00:28:51,463 I AM NOT HIS GIRLFRIEND. 646 00:28:51,497 --> 00:28:54,801 HE JUST PAYS MY RENT. 647 00:28:54,834 --> 00:28:57,804 I GUESS THAT MAKES ME A PROSTITUTE. 648 00:28:57,837 --> 00:29:00,072 FOR A REASON. 649 00:29:00,106 --> 00:29:04,343 FOR YOUR ART. 650 00:29:04,376 --> 00:29:09,215 DID I TELL YOU HOW GREAT YOU WERE THE OTHER NIGHT? 651 00:29:09,248 --> 00:29:14,120 I REALLY THINK THIS COULD BE SOMETHING GOOD... 652 00:29:14,153 --> 00:29:16,923 EXCEPT FOR PHILIP. 653 00:29:22,328 --> 00:29:25,264 I'M, UM, WORKING ON A NEW GIG. 654 00:29:25,297 --> 00:29:27,900 I THINK YOU GUYS ARE READY TO STEP UP A NOTCH. 655 00:29:27,934 --> 00:29:29,101 NO, MORE THAN A NOTCH, PHILIP. 656 00:29:29,135 --> 00:29:30,469 COME ON, MAN. 657 00:29:30,502 --> 00:29:31,670 LOOK, THERE'S THOSE CLUBS IN THE EAST VILLAGE-- 658 00:29:31,703 --> 00:29:34,040 I'LL TELL YOU WHEN YOU'RE READY, OKAY? 659 00:29:34,073 --> 00:29:37,910 YOU'RE NOT READY. 660 00:29:37,944 --> 00:29:41,213 I'LL LET YOU KNOW WHEN THE GIG FIRMS UP. 661 00:29:41,247 --> 00:29:43,816 OH, YOU SEEN SUE? 662 00:29:43,850 --> 00:29:45,852 YOU KNOW, I'M TRYING TO FIND-- 663 00:29:45,885 --> 00:29:47,486 NO. 664 00:29:47,519 --> 00:29:49,288 NO, I, UH-- I HAVEN'T SEEN HER. 665 00:29:49,321 --> 00:29:50,722 OH. 666 00:29:50,756 --> 00:29:52,624 OKAY. 667 00:29:52,658 --> 00:29:54,360 BYE. 668 00:29:54,393 --> 00:29:56,395 [sighs] 669 00:30:02,601 --> 00:30:05,737 SUE SMITH AND TEETER, THEN SUE SMITH AND HANK. 670 00:30:05,771 --> 00:30:09,041 SO THE GIRL SLEEPS AROUND. DON'T THEY ALL? 671 00:30:09,075 --> 00:30:10,576 ALL GIRLS SLEEP AROUND? 672 00:30:10,609 --> 00:30:14,981 NO, ALL 20-YEAR-OLDS IN AN ARTIST COMMUNE SLEEP AROUND. 673 00:30:15,014 --> 00:30:16,782 IS THERE A MOTIVE FOR MURDER THERE? 674 00:30:16,815 --> 00:30:18,650 DON'T THESE KIDS JUST HOOK UP? 675 00:30:18,684 --> 00:30:20,352 "FRIENDS WITH BENEFITS." WHATEVER IT'S CALLED. 676 00:30:20,386 --> 00:30:21,854 [chuckles] 677 00:30:21,888 --> 00:30:24,456 I SEE SOMEBODY'S BEEN READING THE LIFESTYLE SECTION AGAIN. 678 00:30:24,490 --> 00:30:26,926 BUT, UH... 679 00:30:26,959 --> 00:30:28,194 I DO WONDER. 680 00:30:28,227 --> 00:30:30,129 YOU WONDER WHAT? 681 00:30:30,162 --> 00:30:31,898 YOU TELL US THAT HANK'S A KILLER, 682 00:30:31,931 --> 00:30:34,400 WE FINALLY HAVE SOME EVIDENCE THAT SUPPORTS YOUR THEORY, 683 00:30:34,433 --> 00:30:35,935 AND YOU'RE BACKING AWAY FROM IT? 684 00:30:35,968 --> 00:30:38,370 NO, IT'S JUST THAT, YOU KNOW, 685 00:30:38,404 --> 00:30:40,172 UH, WE'RE LOOKING AT TWO MURDERS. 686 00:30:40,206 --> 00:30:42,241 ONE A MURDER. ONE MAYBE NOT A MURDER. 687 00:30:42,274 --> 00:30:44,376 AND THE ONE THAT'S A MURDER WAS EITHER A MUGGING 688 00:30:44,410 --> 00:30:46,845 OR CAREFULLY PLANNED TO LOOK LIKE A MUGGING. 689 00:30:46,879 --> 00:30:49,815 AND THE ONE THAT'S MAYBE A MURDER WAS SPONTANEOUS, 690 00:30:49,848 --> 00:30:52,651 'CAUSE I DON'T THINK ANYBODY COULD HAVE FORESEEN 691 00:30:52,684 --> 00:30:54,820 RAFE WANDERING NEAR THE OPEN ELEVATOR SHAFT 692 00:30:54,853 --> 00:30:56,355 AT EXACTLY THAT MOMENT. 693 00:30:56,388 --> 00:30:59,158 SO YOU'RE SAYING THEY DON'T FIT? 694 00:30:59,191 --> 00:31:02,561 THEY DO AND THEY DON'T. 695 00:31:02,594 --> 00:31:06,565 YOU SEE WHAT I MEAN? 696 00:31:06,598 --> 00:31:08,367 DO YOU SEE WHAT HE MEANS? 697 00:31:08,400 --> 00:31:09,668 NOT A CLUE. 698 00:31:09,701 --> 00:31:12,071 NOW AT LEAST IN THEORY, 699 00:31:12,104 --> 00:31:15,041 HANK HAD MOTIVE AND OPPORTUNITY TO KILL RAFE. 700 00:31:15,074 --> 00:31:18,244 AND NOW THANKS TO YOU, THERE'S A POSSIBLE MOTIVE 701 00:31:18,277 --> 00:31:19,445 TO KILL TEETER. 702 00:31:19,478 --> 00:31:21,680 BUT DID HE HAVE OPPORTUNITY? 703 00:31:21,713 --> 00:31:23,315 HE WAS WITH A GROUP OF PEOPLE 704 00:31:23,349 --> 00:31:24,750 RIGHT BEFORE TEETER WAS KILLED. 705 00:31:24,783 --> 00:31:28,620 DID HE STICK WITH THEM OR DID HE SLIP AWAY? 706 00:31:28,654 --> 00:31:31,023 WE LEFT THE BAR, GOT BACK TO THE BUILDING, 707 00:31:31,057 --> 00:31:32,524 AND PEOPLE SPLIT UP. 708 00:31:32,558 --> 00:31:35,294 I WENT UP TO THIS POET'S LOFT ON THE TOP FLOOR 709 00:31:35,327 --> 00:31:37,429 AND WE DID SOME POETRY. 710 00:31:37,463 --> 00:31:39,598 OH, I LIKE POETRY. 711 00:31:39,631 --> 00:31:42,668 AND THE OTHERS-- HANK, SUE, RAFE-- 712 00:31:42,701 --> 00:31:44,036 COULDA BEEN ANYWHERE? 713 00:31:44,070 --> 00:31:45,071 I GUESS. 714 00:31:45,104 --> 00:31:47,039 SUE SAID SHE HAD TO GET BACK TO PHILIP. 715 00:31:47,073 --> 00:31:49,575 SUE...AND PHILIP? 716 00:31:49,608 --> 00:31:51,743 THAT'S HOW SHE PAYS HER RENT. 717 00:31:51,777 --> 00:31:53,512 RAFE USED TO KID HER ABOUT IT, 718 00:31:53,545 --> 00:31:55,347 BUT SHE DIDN'T THINK IT WAS FUNNY. 719 00:31:55,381 --> 00:31:57,216 WHERE THE OTHERS WENT, I DON'T KNOW, 720 00:31:57,249 --> 00:32:00,419 BUT I HAVE A THEORY ABOUT WHO KILLED TEETER. 721 00:32:00,452 --> 00:32:02,454 REAL ESTATE DEVELOPERS. 722 00:32:02,488 --> 00:32:04,323 REAL ESTATE DEVELOPERS? 723 00:32:04,356 --> 00:32:05,992 SCARE US OUTTA HERE AND MAKE US THINK 724 00:32:06,025 --> 00:32:08,094 IT'S A DANGEROUS NEIGHBORHOOD SO WE'LL MOVE OUT. 725 00:32:08,127 --> 00:32:09,661 PHILIP HAS TO SELL THE BUILDING. 726 00:32:09,695 --> 00:32:11,230 THEY SWOOP IN, BUY IT CHEAP, 727 00:32:11,263 --> 00:32:13,932 PUT UP HIDEOUS CONDOS. 728 00:32:13,966 --> 00:32:15,968 PHILIP PROBABLY WOULDN'T CARE ANYWAY. 729 00:32:16,002 --> 00:32:19,705 HE'S MORE INTO MANAGING OUR BAND THAN BEING A LANDLORD. 730 00:32:19,738 --> 00:32:20,939 MM-HMM. 731 00:32:20,973 --> 00:32:22,474 YOU HAVE A THEORY ABOUT WHAT HAPPENED TO RAFE? 732 00:32:22,508 --> 00:32:25,311 HE GOT DRUNK AND FELL DOWN THE ELEVATOR. 733 00:32:25,344 --> 00:32:27,613 BUT HE WAS GREAT, MAN. 734 00:32:27,646 --> 00:32:30,449 OUR DRIVING FORCE. 735 00:32:30,482 --> 00:32:32,051 HE HAD BIG PLANS FOR THE BAND. 736 00:32:32,084 --> 00:32:33,685 ALWAYS TALKING TO RECORD COMPANIES, 737 00:32:33,719 --> 00:32:35,988 YOUTUBE, BIG-TIME MANAGERS. 738 00:32:39,525 --> 00:32:41,027 INTERESTING GIRL. 739 00:32:41,060 --> 00:32:43,529 SHE'S NO ALIBI FOR HANK. 740 00:32:43,562 --> 00:32:44,863 HE COULD HAVE LEFT THE BUILDING, 741 00:32:44,896 --> 00:32:46,432 GONE OUT, AND KILLED TEETER. 742 00:32:46,465 --> 00:32:48,000 WHAT ABOUT REAL ESTATE DEVELOPERS? 743 00:32:48,034 --> 00:32:50,536 DID WE CANVAS THE SCENE FOR DONALD TRUMP'S HAIR? 744 00:32:50,569 --> 00:32:51,537 [chuckles] 745 00:32:51,570 --> 00:32:53,305 SHE ALSO JUST GAVE SUE A MOTIVE. 746 00:32:53,339 --> 00:32:54,473 RAFE WAS GIVING HER A HARD TIME 747 00:32:54,506 --> 00:32:55,841 ABOUT HER PAY-FOR-PLAY BOYFRIEND. 748 00:32:55,874 --> 00:32:57,043 SHE GOT MAD. 749 00:32:57,076 --> 00:32:59,045 YEAH, MAYBE. 750 00:32:59,078 --> 00:33:01,980 THERE'S SOMEBODY I NEED TO CALL. 751 00:33:02,014 --> 00:33:04,983 [band playing] 752 00:33:05,017 --> 00:33:12,724 * 753 00:33:15,827 --> 00:33:18,830 [cheers and applause] 754 00:33:37,549 --> 00:33:39,351 HEY, THAT WAS FANTASTIC, MAN. 755 00:33:39,385 --> 00:33:40,919 - YEAH? - YEAH. 756 00:33:40,952 --> 00:33:42,588 I BEEN FOLLOWING THIS BAND FOR A LONG TIME. 757 00:33:42,621 --> 00:33:45,457 WHEN RAFE WAS FRONTING, YOU'RE JUST AS GOOD. 758 00:33:45,491 --> 00:33:47,059 YOU THINK? 759 00:33:47,093 --> 00:33:48,660 WHAT I THINK IS YOU COULD BE PLAYING 760 00:33:48,694 --> 00:33:51,330 BETTER VENUES THAN THIS. 761 00:33:51,363 --> 00:33:53,932 MUCH BETTER. 762 00:33:53,965 --> 00:33:55,567 YOU'RE JOE LAZAR. 763 00:33:55,601 --> 00:33:56,968 - GUILTY. - YEAH, YEAH, YEAH. 764 00:33:57,002 --> 00:33:59,871 YOU MANAGE THE CHAOS JACKETS. 765 00:33:59,905 --> 00:34:03,075 LOOK, YOU KNOW WHO I AM. YOU KNOW WHAT I CAN DO. 766 00:34:03,109 --> 00:34:05,077 I WAS ALL SET TO SIGN THE GROUP WITH RAFE, 767 00:34:05,111 --> 00:34:07,113 BUT YOUR CURRENT MANAGER WOULDN'T LET YOU GO. 768 00:34:10,316 --> 00:34:13,051 SEE IF YOU CAN TALK SOME SENSE INTO HIM. 769 00:34:13,085 --> 00:34:15,254 I CAN MAKE YOU BIG. 770 00:34:31,103 --> 00:34:32,504 HOW'D IT GO? 771 00:34:32,538 --> 00:34:35,107 HOOK, LINE, AND SINKER. 772 00:34:37,809 --> 00:34:39,311 HANK? 773 00:34:39,345 --> 00:34:42,448 HE'S BARELY CAPABLE OF MAKING A MAJOR TO MINOR CHORD CHANGE. 774 00:34:42,481 --> 00:34:43,882 I DON'T KNOW. 775 00:34:43,915 --> 00:34:45,751 HE'S GOT A HELL OF AN ATTITUDE 776 00:34:45,784 --> 00:34:48,554 ABOUT THIS PLACE... 777 00:34:48,587 --> 00:34:49,955 ABOUT YOU. 778 00:34:49,988 --> 00:34:51,490 OH, LOOK AT THIS VINYL. 779 00:34:51,523 --> 00:34:52,791 OHH. 780 00:34:52,824 --> 00:34:53,825 YEAH, I KNOW. 781 00:34:53,859 --> 00:34:55,627 NOTHING MATCHES THE SOUND OF IT. 782 00:34:55,661 --> 00:34:57,263 NO, IT'S REAL. IT'S PHYSICAL. 783 00:34:57,296 --> 00:34:59,498 DIGITAL MUSIC IS WHERE? NOWHERE, NOWHERE. 784 00:34:59,531 --> 00:35:01,133 ABSOLUTELY. 785 00:35:01,167 --> 00:35:04,035 ATTITUDE? 786 00:35:04,069 --> 00:35:05,237 WHAT? 787 00:35:05,271 --> 00:35:07,573 HANK. HIS ATTITUDE? 788 00:35:07,606 --> 00:35:09,808 OH, NO. I DON'T KNOW. 789 00:35:09,841 --> 00:35:11,843 I'M INTERVIEWING HIM ABOUT A MURDER 790 00:35:11,877 --> 00:35:14,780 AND THIS KID KEEPS BRINGING THE CONVERSATION BACK AROUND 791 00:35:14,813 --> 00:35:17,416 TO THERE'S SOME HOT SHOT MANAGER THAT'S AFTER HIM. 792 00:35:17,449 --> 00:35:19,251 HE'S REALLY GOING SOMEPLACE. 793 00:35:19,285 --> 00:35:20,919 HE'S GONNA BE BIGGER THAN BROOKLYN. 794 00:35:20,952 --> 00:35:22,588 BIGGER THAN THIS PLACE HERE. 795 00:35:22,621 --> 00:35:23,789 NOTHING WRONG WITH THIS. 796 00:35:23,822 --> 00:35:26,292 NO, THIS IS GREAT. 797 00:35:26,325 --> 00:35:28,294 IT'S GREAT. 798 00:35:28,327 --> 00:35:31,096 OF COURSE, IT MUST BE TOUGH ON YOU. 799 00:35:31,129 --> 00:35:33,465 YOU KNOW, GOING FROM ROCK STAR TO LANDLORD. 800 00:35:33,499 --> 00:35:35,667 THIS ISN'T PHILIP'S BOARDING HOUSE. 801 00:35:35,701 --> 00:35:37,002 I MEAN, I HAPPEN TO LIVE HERE 802 00:35:37,035 --> 00:35:40,906 AND I TAKE IN SOME TALENTED MUSICIANS WHOM I HELP 803 00:35:40,939 --> 00:35:43,175 AS A MUSICIAN AND AS A MANAGER. 804 00:35:43,209 --> 00:35:44,443 YEAH, YEAH. 805 00:35:44,476 --> 00:35:46,412 THAT'S NOT THE WAY HANK SEES IT THOUGH. 806 00:35:46,445 --> 00:35:48,714 OH, HIS ATTITUDE. WHAT DOES HE SAY? 807 00:35:48,747 --> 00:35:52,184 "I NEED A MANAGER THAT'S NOT A FOSSIL. 808 00:35:52,218 --> 00:35:54,953 SOMEBODY FROM THE ACTUAL CURRENT CENTURY." 809 00:36:00,359 --> 00:36:03,061 LOOK, PHILIP, THIS IS THE BREAK I'VE BEEN LOOKING FOR. 810 00:36:03,094 --> 00:36:05,664 I'VE TOLD YOU A HUNDRED TIMES BEFORE YOU WENT 811 00:36:05,697 --> 00:36:07,466 ON THAT STUPID TRIP TO CALIFORNIA. 812 00:36:07,499 --> 00:36:09,335 FOR ONE, I'LL KNOW WHEN YOU'RE READY 813 00:36:09,368 --> 00:36:10,569 AND YOU'RE NOT READY. 814 00:36:10,602 --> 00:36:12,538 YEAH, WELL, JOE LAZAR THINKS I AM. 815 00:36:12,571 --> 00:36:14,740 YEAH, WELL, HE DOESN'T KNOW WHAT HE'S TALKING ABOUT. 816 00:36:14,773 --> 00:36:16,575 WE CAN BREAK OUR CONTRACT WITH YOU. 817 00:36:16,608 --> 00:36:19,177 ACTUALLY, YOU CAN'T. 818 00:36:19,211 --> 00:36:21,046 YEAH, WELL, WE CAN DAMN WELL TRY. 819 00:36:21,079 --> 00:36:22,881 LAZAR SAID HE'D PAY FOR A LAWYER. 820 00:36:22,914 --> 00:36:24,950 LUCKY HIM. 821 00:36:24,983 --> 00:36:26,685 LOOK, MAYBE WE SHOULD JUST TALK ABOUT THIS, MAN. 822 00:36:26,718 --> 00:36:27,919 WHERE ARE YOU, UPSTAIRS? 823 00:36:27,953 --> 00:36:29,321 NO, I'M ABOUT TO GO FOR MY RUN 824 00:36:29,355 --> 00:36:30,656 AT MCCARREN PARK. 825 00:36:30,689 --> 00:36:31,890 I'LL MEET YOU THERE, PATRICK. 826 00:36:31,923 --> 00:36:34,260 WE'LL SCOUT FOR THAT MUSIC VIDEO. 827 00:36:37,696 --> 00:36:40,232 PHILIP'S DEFINITELY TAKING A HARD LINE. 828 00:36:40,266 --> 00:36:42,067 HMM, YEAH. 829 00:36:42,100 --> 00:36:46,238 SOMEBODY MUST HAVE GOTTEN UNDER HIS SKIN SOMEHOW. 830 00:36:46,272 --> 00:36:49,641 MCCARREN PARK'S RIGHT NEAR WHERE TEETER WAS STABBED. 831 00:36:49,675 --> 00:36:51,510 [sighs] 832 00:36:51,543 --> 00:36:53,545 DANGEROUS NEIGHBORHOOD. 833 00:36:58,016 --> 00:37:00,519 HELLO? 834 00:37:00,552 --> 00:37:03,555 HANK? 835 00:37:09,628 --> 00:37:11,497 OH, HELLO, HANK. 836 00:37:13,799 --> 00:37:16,402 I DIDN'T SEE YOU. 837 00:37:18,804 --> 00:37:21,740 THIS JUST ISN'T WORKING OUT, IS IT, PHILIP? 838 00:37:25,344 --> 00:37:26,945 HI. 839 00:37:28,580 --> 00:37:30,148 EVERYBODY, HOLD IT. 840 00:37:30,181 --> 00:37:32,451 WHAT'S GOING ON? 841 00:37:32,484 --> 00:37:34,653 A MURDER. 842 00:37:34,686 --> 00:37:36,855 WELL, NOT ANYMORE, NOW THAT WE'RE HERE. 843 00:37:36,888 --> 00:37:38,690 WHAT ARE YOU TALKING ABOUT? 844 00:37:38,724 --> 00:37:42,193 OH, LIFE, DEATH, 845 00:37:42,227 --> 00:37:44,863 UNQUALIFIED SUCCESS, ABJECT FAILURE, 846 00:37:44,896 --> 00:37:46,698 NAKED AMBITION. 847 00:37:46,732 --> 00:37:48,367 UH, WHAT? 848 00:37:48,400 --> 00:37:52,170 PHILIP, PATHETIC HAS-BEEN, RIGHT? 849 00:37:52,203 --> 00:37:53,505 YOU WANT A REAL MANAGER. 850 00:37:53,539 --> 00:37:55,173 THIS NO-TALENT PIECE OF CRAP. 851 00:37:55,206 --> 00:37:56,875 I PLAYED WITH ALL THE VERY-- 852 00:37:56,908 --> 00:37:57,943 WHO? WITH WHO? 853 00:37:57,976 --> 00:37:59,978 BO DIDDLEY, 40 YEARS AGO? 854 00:38:00,011 --> 00:38:02,180 YOU'RE PATHETIC, MAN. 855 00:38:02,213 --> 00:38:03,181 AND YOU'RE SLEEPING WITH THE SAME WOMAN 856 00:38:03,214 --> 00:38:04,249 THAT HE'S SLEEPING WITH, 857 00:38:04,282 --> 00:38:05,417 WHICH IS ABOUT ONE FELLOW TOO MANY. 858 00:38:05,451 --> 00:38:06,718 HE'S SLEEPING WITH SUE? 859 00:38:06,752 --> 00:38:08,086 WHO ISN'T? 860 00:38:08,119 --> 00:38:09,855 POWERFUL MOTIVE. 861 00:38:09,888 --> 00:38:12,691 FOR WHAT? FOR MURDER? 862 00:38:12,724 --> 00:38:15,694 OVER SOME PIECE OF ASS? 863 00:38:15,727 --> 00:38:18,830 YOU WANT HER BACK, OLD MAN? SHE'S ALL YOURS. 864 00:38:18,864 --> 00:38:20,866 I DON'T CARE. 865 00:38:22,534 --> 00:38:25,236 WOW. YOU DON'T, DO YOU? 866 00:38:25,270 --> 00:38:27,473 NO. 867 00:38:27,506 --> 00:38:29,575 NO, I DON'T. 868 00:38:29,608 --> 00:38:31,510 OKAY. 869 00:38:31,543 --> 00:38:34,913 UH, YOU WOULDN'T KILL FOR LOVE. 870 00:38:34,946 --> 00:38:36,548 FORGET THAT MOTIVE. 871 00:38:36,582 --> 00:38:38,750 YOU WOULDN'T CROSS THE STREET FOR IT. 872 00:38:38,784 --> 00:38:42,120 BUT YOU WOULD, PHILIP. 873 00:38:42,153 --> 00:38:44,990 AND YOU ACTUALLY THINK THAT SUE IS YOUR GIRLFRIEND. 874 00:38:45,023 --> 00:38:46,992 SHE IS MY GIRLFRIEND. 875 00:38:47,025 --> 00:38:48,159 NO. 876 00:38:48,193 --> 00:38:49,928 SHE ISN'T. 877 00:38:49,961 --> 00:38:52,498 YOU'RE, UH, THE RENT. 878 00:38:53,965 --> 00:38:55,901 UH, LITTLE REALITY CHECK: 879 00:38:55,934 --> 00:38:59,270 WOMEN ACTUALLY LIKE SLEEPING 880 00:38:59,304 --> 00:39:02,741 WITH GUYS ABOUT, OH, 881 00:39:02,774 --> 00:39:05,677 30 YEARS YOUNGER. 882 00:39:05,711 --> 00:39:10,849 BUT DEEP DOWN, WAY INSIDE, 883 00:39:10,882 --> 00:39:11,950 YOU KNOW THAT. 884 00:39:11,983 --> 00:39:15,621 LOOK, THAT RULE DOESN'T APPLY 885 00:39:15,654 --> 00:39:16,955 WHEN YOU'RE FAMOUS. 886 00:39:16,988 --> 00:39:19,425 FAMOUS? 887 00:39:19,458 --> 00:39:20,959 OH, RIGHT. 888 00:39:20,992 --> 00:39:22,628 YOU PLAYED THE THIRD-LONGEST SET 889 00:39:22,661 --> 00:39:25,130 AT WOODSTOCK. 890 00:39:25,163 --> 00:39:27,499 BECAUSE YOU WOULDN'T GET OFF THE DAMN STAGE. 891 00:39:27,533 --> 00:39:32,471 SPECKLED STALLION ALWAYS LEFT ITS AUDIENCE WANTING LESS! 892 00:39:32,504 --> 00:39:34,139 I HAVE A GRAMMY. 893 00:39:34,172 --> 00:39:36,575 MILLI VANILLI HAS A GRAMMY. 894 00:39:36,608 --> 00:39:38,644 YOU'RE A HAS-BEEN. 895 00:39:38,677 --> 00:39:40,912 NOBODY REMEMBERS. 896 00:39:40,946 --> 00:39:45,451 NOBODY CARES. VIVA VIAGRA. 897 00:39:45,484 --> 00:39:49,555 SO WHEN TEETER STARTED FOOLING AROUND 898 00:39:49,588 --> 00:39:53,792 WITH YOUR IMAGINARY GIRLFRIEND, YOU WENT NUTS. 899 00:39:57,195 --> 00:40:00,365 YOU KILLED TEETER. 900 00:40:00,398 --> 00:40:03,234 YEAH, HE DID. 901 00:40:03,268 --> 00:40:05,971 THEN, RAFE CAME ALONG, WITH REAL MUSICAL TALENT. 902 00:40:06,004 --> 00:40:07,939 OH, YEAH? WHAT TALENT? 903 00:40:07,973 --> 00:40:09,941 - I CAN'T BELIEVE THIS. - LISTEN AND LEARN. 904 00:40:09,975 --> 00:40:13,445 SO WHEN RAFE, THE UNGRATEFUL EGOMANIAC, 905 00:40:13,479 --> 00:40:16,147 TOLD YOU THAT HE WAS GOING TO DUMP YOU, YOU-- 906 00:40:16,181 --> 00:40:17,949 NO. 907 00:40:17,983 --> 00:40:19,685 I WAS IN FULL VIEW OF A DOZEN PEOPLE 908 00:40:19,718 --> 00:40:22,120 WHEN RAFE FELL DOWN THAT ELEVATOR SHAFT. 909 00:40:22,153 --> 00:40:24,189 NO, I'M NOT SAYING THAT YOU PUSHED RAFE. 910 00:40:24,222 --> 00:40:26,525 YOU DID THAT. 911 00:40:26,558 --> 00:40:29,094 BECAUSE PHILIP, THE ROCK GOD, 912 00:40:29,127 --> 00:40:33,064 TOLD YOU THAT RAFE WAS STANDING IN YOUR WAY, 913 00:40:33,098 --> 00:40:35,366 DIDN'T HE? 914 00:40:35,400 --> 00:40:37,936 BECAUSE HE WANTED TO GET RID OF RAFE. 915 00:40:37,969 --> 00:40:39,204 AND HE KNEW THAT YOU'D DO IT, 916 00:40:39,237 --> 00:40:40,506 'CAUSE HE SAW IN YOU THE SAME THING 917 00:40:40,539 --> 00:40:41,573 THAT YOU TOLD ME. 918 00:40:41,607 --> 00:40:43,475 THAT YOU WOULD DO WHATEVER IT TAKES 919 00:40:43,509 --> 00:40:45,711 TO GET AHEAD. 920 00:40:45,744 --> 00:40:47,813 PHILIP SUCKERED YOU, HANK. 921 00:40:47,846 --> 00:40:52,117 RAFE WANTED TO ESCAPE, SO THAT HE COULD SUCCEED. 922 00:40:52,150 --> 00:40:57,322 BUT PHILIP'S EGO COULDN'T STAND THAT. 923 00:41:00,225 --> 00:41:01,259 HANG ON. 924 00:41:01,292 --> 00:41:04,963 DON'T MOVE. 925 00:41:04,996 --> 00:41:08,099 MM-HMM. MM-HMM. 926 00:41:12,303 --> 00:41:14,072 SERRATED. 927 00:41:14,105 --> 00:41:16,374 AND A CHIP IN THE BLADE. 928 00:41:16,407 --> 00:41:18,243 ONE DULL EDGE. 929 00:41:18,276 --> 00:41:21,847 JUST LIKE THE KNIFE THAT KILLED TEETER. 930 00:41:21,880 --> 00:41:23,481 LOOKS LIKE THAT UNKNOWN MUGGER 931 00:41:23,515 --> 00:41:25,050 WAS ABOUT TO STRIKE AGAIN. 932 00:41:28,720 --> 00:41:30,656 YOU WERE GONNA KILL ME. 933 00:41:30,689 --> 00:41:33,491 YOU SON OF A BITCH! 934 00:41:33,525 --> 00:41:34,960 YOU WORTHLESS, WASHED-UP, USED-UP-- 935 00:41:34,993 --> 00:41:37,395 I HAD GROUPIES WHO COULD PLAY BETTER THAN YOU, HANK. 936 00:41:37,428 --> 00:41:39,264 YOU TOLD ME THAT IF RAFE WAS GONE, 937 00:41:39,297 --> 00:41:41,066 YOU'D GET ME TO THE TOP. 938 00:41:41,099 --> 00:41:42,568 YOU SHOWED ME YOUR GOLD RECORD. 939 00:41:42,601 --> 00:41:44,970 THAT STUPID GOLD RECORD. 940 00:41:45,003 --> 00:41:48,439 I DID IT FOR NOTHING. FOR NOTHING. 941 00:42:00,218 --> 00:42:01,953 SO THE NEXT TIME WE GO ON A BUST, 942 00:42:01,987 --> 00:42:03,354 YOU MAYBE WANT TO TELL YOUR PARTNER 943 00:42:03,388 --> 00:42:04,590 WHO WE'RE BUSTING? 944 00:42:04,623 --> 00:42:06,925 - I WAS EXPLORING OPTIONS. - GOD ALMIGHTY. 945 00:42:06,958 --> 00:42:09,160 OH, COME ON, IT WAS GREAT. 946 00:42:09,194 --> 00:42:10,295 IT WAS A TWO-FER! 947 00:42:10,328 --> 00:42:12,097 I WOULD HAVE BEEN HAPPY TAKING 948 00:42:12,130 --> 00:42:14,365 ONE SCUMBAG SUSPECT OFF THE STREETS, 949 00:42:14,399 --> 00:42:16,167 BUT TWO FOR THE PRICE OF ONE... 950 00:42:16,201 --> 00:42:18,804 OOH, YOU KNOW, I SHOULDA COME BACK SOONER. 951 00:42:18,837 --> 00:42:20,872 THIS IS, UH... 952 00:42:20,906 --> 00:42:22,440 SWEET. 953 00:42:22,473 --> 00:42:23,975 [laughs]