1 00:00:02,303 --> 00:00:04,472 [no sound] 2 00:00:06,640 --> 00:00:09,110 >> narrator: IN NEW YORK CITY'S WAR ON CRIME, 3 00:00:09,143 --> 00:00:10,678 THE WORST CRIMINAL OFFENDERS 4 00:00:10,711 --> 00:00:14,082 ARE PURSUED BY THE DETECTIVES OF THE MAJOR CASE SQUAD. 5 00:00:14,115 --> 00:00:15,849 THESE ARE THEIR STORIES. 6 00:00:17,951 --> 00:00:19,520 >> SO YOU'RE AUNT WANTS TO SEE THE BABY. 7 00:00:19,553 --> 00:00:21,155 I DON'T SEE WHY THAT'S A PROBLEM. 8 00:00:21,189 --> 00:00:23,657 >> BECAUSE IT'S THE LAST THING I WANNA DO, THAT'S WHY. 9 00:00:23,691 --> 00:00:26,194 >> SO JUST CALL HER AND TELL HER YOU CAN'T MAKE IT. 10 00:00:26,227 --> 00:00:27,261 SHE'LL UNDERSTAND. 11 00:00:27,295 --> 00:00:29,997 >> SOMETIMES I'D LIKE TO LIVE ON YOUR PLANET. 12 00:00:33,501 --> 00:00:35,103 HEY, I'M SORRY. 13 00:00:35,136 --> 00:00:37,205 YOU KNOW HOW CRAZY MY AUNT MAKES ME. 14 00:00:37,238 --> 00:00:40,608 SHE WANTS WHAT SHE WANTS WHEN SHE WANTS IT. 15 00:00:40,641 --> 00:00:44,845 >> EMMA'S GONNA MISS YOU. >> ALL RIGHT, WISH ME LUCK. 16 00:00:46,414 --> 00:00:49,850 >> GOOD LUCK. 17 00:00:49,883 --> 00:00:51,119 >> HEY, LUCY. 18 00:00:51,152 --> 00:00:53,987 >> HAVE A GOOD NIGHT. I'LL SEE YOU TOMORROW. 19 00:00:58,126 --> 00:00:59,960 >> OH--HOLD IT. [laughs] 20 00:00:59,993 --> 00:01:05,366 AH. GRACIAS. 21 00:01:05,399 --> 00:01:07,135 >> HOW'S MY AUNT? >> SHE'S TIRED. 22 00:01:07,168 --> 00:01:09,170 SHE'S BEEN WITH THE DOCTOR ALL AFTERNOON. 23 00:01:09,203 --> 00:01:12,373 >> DOCTOR? WHAT'S WRONG? >> SHE'S NOT WELL. 24 00:01:12,406 --> 00:01:14,375 >> WHAT ABOUT HER MOOD? 25 00:01:14,408 --> 00:01:16,144 >> WHAT YOU'D EXPECT. 26 00:01:16,177 --> 00:01:18,612 >> I EXPECTED TO SEE HER, ANDRE. 27 00:01:18,646 --> 00:01:19,913 >> THE BABY HAS A COLD. 28 00:01:19,947 --> 00:01:21,649 I DECIDED IT WAS BEST TO LET HER SLEEP. 29 00:01:21,682 --> 00:01:25,653 >> YOUR HOTEL'S NOT THAT FAR. I'LL JUST GET MY COAT. 30 00:01:25,686 --> 00:01:28,656 >> NO, NO, YOU CAN'T AFFORD TO CATCH WHAT SHE HAS. 31 00:01:28,689 --> 00:01:30,524 >> IT'S BEEN SIX MONTHS. 32 00:01:30,558 --> 00:01:34,362 I WANT TO SEE HER TOMORROW. NO EXCUSES. 33 00:01:45,839 --> 00:01:47,841 [knocking] 34 00:01:47,875 --> 00:01:49,377 >> YES? 35 00:01:49,410 --> 00:01:51,379 SORRY. I MUST HAVE THE WRONG ROOM. 36 00:02:07,995 --> 00:02:10,398 [beeping] 37 00:02:22,743 --> 00:02:26,280 >> YOU'D BETTER HURRY. IT'S GETTING LATE. 38 00:02:26,314 --> 00:02:28,115 DON'T WORRY. SHE'S FINE. 39 00:02:28,148 --> 00:02:30,017 I DON'T WANNA KEEP CELIA WAITING. 40 00:02:30,050 --> 00:02:33,721 >> I TOLD MY AUNT WE'LL BRING EMMA BY TOMORROW. 41 00:02:35,856 --> 00:02:39,327 >> IS THIS TOO MUCH? >> EMILY HAS HEART PROBLEMS. 42 00:02:39,360 --> 00:02:41,495 IT'S SERIOUS. 43 00:02:41,529 --> 00:02:44,365 YOU KNOW WHAT, I'M REALLY NOT IN THE MOOD FOR CELIA TONIGHT. 44 00:02:44,398 --> 00:02:46,667 >> I HAVEN'T SEEN CELIA IN OVER SIX MONTHS. 45 00:02:46,700 --> 00:02:48,702 SHE'S MY BEST FRIEND, ANDRE. 46 00:02:48,736 --> 00:02:51,339 PLEASE? 47 00:02:51,372 --> 00:02:53,507 FOR ME? 48 00:02:54,875 --> 00:02:59,347 >> WHOA! NOT NOW, SWEETIE. SETTLE DOWN. 49 00:02:59,380 --> 00:03:01,114 OKAY. 50 00:03:01,148 --> 00:03:03,050 I WON'T BE TOO LATE, ALL RIGHT? 51 00:03:03,083 --> 00:03:05,786 YOU HAVE MY CELL PHONE NUMBER? 52 00:03:08,522 --> 00:03:10,324 >> WHEN ANDRE READS HIS POETRY TO HER, 53 00:03:10,358 --> 00:03:12,159 SHE SMILES FROM HERE TO HERE. 54 00:03:12,192 --> 00:03:14,228 >> OH, I CAN'T WAIT TO SEE HER. 55 00:03:14,262 --> 00:03:15,429 IT'S BEEN WAY TOO LONG. 56 00:03:15,463 --> 00:03:17,231 >> I CAN'T BELIEVE HOW GREAT YOU LOOK. 57 00:03:17,265 --> 00:03:19,433 > YEAH, WELL, NOTHING LIKE A GOOD, JUICY DIVORCE 58 00:03:19,467 --> 00:03:21,068 TO TAKE OFF THE POUNDS. 59 00:03:21,101 --> 00:03:23,036 >> YOU'RE BETTER OFF WITHOUT HIM. 60 00:03:23,070 --> 00:03:25,973 TELL HER HOW GREAT SHE LOOKS. 61 00:03:26,006 --> 00:03:29,277 >> YOU KNOW, I-- I DON'T TRUST THIS THING. 62 00:03:29,310 --> 00:03:31,111 I'M GONNA GO CHECK ON HER. 63 00:03:31,144 --> 00:03:32,880 >> HE WORRIES SO MUCH. SHOULD I GO? 64 00:03:32,913 --> 00:03:36,016 >> THAT'S OKAY. I'LL BE RIGHT BACK. 65 00:03:39,186 --> 00:03:40,621 >> IS SOMETHING...WRONG? 66 00:03:40,654 --> 00:03:46,059 NO. HE'S PROBABLY JUST GOING OUT FOR A SMOKE. 67 00:03:46,093 --> 00:03:47,495 >> A NUMBER OF OTHER ROOMS ON THE FIFTH FLOOR 68 00:03:47,528 --> 00:03:48,829 WERE ALSO ROBBED-- WHAT ARE YOU GONNA DO ABOUT IT? 69 00:03:48,862 --> 00:03:49,997 >> POLICE ARE ON THEIR WAY, SIR. 70 00:03:50,030 --> 00:03:51,299 >> FOR WHAT YOU PEOPLE CHARGE, 71 00:03:51,332 --> 00:03:52,566 YOU'D THINK SOMEONE WOULD BE ABLE TO STEP UP-- 72 00:03:52,600 --> 00:03:53,667 >> I'VE BEEN HERE SIX YEARS. 73 00:03:53,701 --> 00:03:54,802 NOTHING LIKE THIS HAS EVER HAPPENED BEFORE. 74 00:03:54,835 --> 00:03:56,003 >> THAT'S SUPPOSED TO MAKE ME FEEL BETTER? 75 00:03:56,036 --> 00:03:57,271 >> YOU'RE NOT THE ONLY ONE, SIR. 76 00:03:57,305 --> 00:03:59,072 A NUMBER OF ROOMS ON THE FIFTH FLOOR WERE ROBBED. 77 00:03:59,106 --> 00:04:00,841 >> AND BECAUSE A NUMBER OF ROOMS ON THE FIFTH FLOOR-- 78 00:04:00,874 --> 00:04:02,310 WHAT ABOUT MY WATCH? >> I UNDERSTAND. 79 00:04:02,343 --> 00:04:03,311 >> WHAT ABOUT THE CASH? 80 00:04:03,344 --> 00:04:05,613 >> AND THERE'S NO GUY? 81 00:04:05,646 --> 00:04:09,483 >> THERE ARE A LOTTA GUYS, BUT THERE'S NO...GUY. 82 00:04:09,517 --> 00:04:12,520 >> I DON'T KNOW WHAT I'D DO WITHOUT ANDRE. 83 00:04:12,553 --> 00:04:15,989 [cell phone rings] 84 00:04:16,023 --> 00:04:18,359 >> HI! 85 00:04:18,392 --> 00:04:20,428 EMMA? 86 00:04:26,266 --> 00:04:30,404 IS SHE OKAY? IS SHE OKAY? 87 00:04:30,438 --> 00:04:31,972 WHERE IS SHE? 88 00:04:32,005 --> 00:04:35,108 >> SOMEBODY TOOK HER. 89 00:04:35,142 --> 00:04:40,147 SHE'S GONE. 90 00:04:40,180 --> 00:04:42,850 [whispering] EMMA'S GONE. 91 00:05:32,866 --> 00:05:34,234 >> INITIAL CANVASS FROM 59TH TO 69TH 92 00:05:34,267 --> 00:05:35,536 AND FROM EAST END TO 5TH. 93 00:05:35,569 --> 00:05:37,705 SECURITY VIDEOS? >> RUNNING 'EM DOWN AS WE SPEAK. 94 00:05:37,738 --> 00:05:39,707 I NOTIFIED TARU. 95 00:05:39,740 --> 00:05:41,174 THEY'VE OPENED A KIDNAPPING DESK. 96 00:05:41,208 --> 00:05:43,411 LEVEL ONE MOBILIZATION. 97 00:05:43,444 --> 00:05:45,713 SIX ROOMS WERE HIT IN ALL. 98 00:05:45,746 --> 00:05:47,848 LOTSA CASH, JEWELRY. 99 00:05:47,881 --> 00:05:50,618 WHAT? >> IT'S A GLASS FRAGMENT. 100 00:05:50,651 --> 00:05:52,686 >> I'M GONNA GO TALK TO THE PARENTS. 101 00:05:52,720 --> 00:05:57,991 >> THEY'RE IN THE ROOM NEXT DOOR. 102 00:06:00,661 --> 00:06:02,295 >> I CAME UP TO CHECK ON HER AT 8:15. 103 00:06:02,329 --> 00:06:04,131 >> I THINK IT WAS CLOSER TO 8:30. 104 00:06:04,164 --> 00:06:05,833 >> WHAT DIFFERENCE DOES IT MAKE? 105 00:06:05,866 --> 00:06:07,668 HOW DOES SOMETHING LIKE THIS HAPPEN? 106 00:06:07,701 --> 00:06:09,503 >> YOU'RE GONNA FIND HER, RIGHT? 107 00:06:09,537 --> 00:06:11,104 YOU'RE GONNA BRING HER BACK SAFE? 108 00:06:11,138 --> 00:06:14,141 >> RIGHT NOW I HAVE TO ASK YOU TO TRY TO REMEMBER 109 00:06:14,174 --> 00:06:15,909 EVERYTHING YOU CAN. 110 00:06:15,943 --> 00:06:17,811 >> WELL, WE WERE DOWNSTAIRS. WE WERE ALL HAVING DINNER. 111 00:06:17,845 --> 00:06:19,480 >> BEFORE THAT, DID YOU RECEIVE ANY CALLS? 112 00:06:19,513 --> 00:06:20,948 >> JUST CELIA. 113 00:06:20,981 --> 00:06:24,418 >> VISITORS? 114 00:06:24,452 --> 00:06:26,754 AND YOU'RE SURE YOU LOCKED UP WHEN YOU LEFT. 115 00:06:26,787 --> 00:06:28,922 >> OF COURSE I'M SURE. 116 00:06:28,956 --> 00:06:31,925 I KNEW WE SHOULDN'T HAVE LEFT HER ALONE. 117 00:06:31,959 --> 00:06:35,328 >> WE'LL NEED A PICTURE OF EMMA. 118 00:06:40,167 --> 00:06:41,769 ANYTHING MORE RECENT? 119 00:06:41,802 --> 00:06:44,337 >> THIS IS FROM LAST WEEK. 120 00:06:44,371 --> 00:06:46,306 >> WHERE WAS THAT TAKEN? >> THAT'S KENT, CONNECTICUT. 121 00:06:46,339 --> 00:06:47,575 IT'S OUR BACKYARD. 122 00:06:47,608 --> 00:06:49,577 >> I THOUGHT IT WAS SAFE. THIS IS A GOOD HOTEL. 123 00:06:49,610 --> 00:06:52,980 I PUT THE SIGN ON THE DOOR. I CHECKED THE THERMOSTAT. 124 00:06:53,013 --> 00:06:54,548 >> THERMOSTAT? 125 00:06:54,582 --> 00:06:56,316 >> WE WANTED TO MAKE SURE SHE WAS WARM. 126 00:06:56,349 --> 00:06:59,920 >> SURE. EMMA WAS ILL? 127 00:06:59,953 --> 00:07:02,189 >> SHE MAY HAVE BEEN COMING DOWN WITH A COLD, YEAH. 128 00:07:02,222 --> 00:07:03,991 [exhales] OH, GOD. 129 00:07:04,024 --> 00:07:06,426 >> WE KNOW THIS IS DIFFICULT FOR YOU. 130 00:07:06,460 --> 00:07:10,564 BUT IF IT IS A KIDNAPPING, SOMEONE MAY TRY TO CONTACT YOU. 131 00:07:10,598 --> 00:07:14,434 SO IT'S BEST IF YOU STAY HERE, AT LEAST UNTIL WE KNOW MORE. 132 00:07:16,203 --> 00:07:18,839 >> IT'S GONNA BE OKAY. 133 00:07:18,872 --> 00:07:19,973 >> THEY LEAVE THEIR KID ALONE 134 00:07:20,007 --> 00:07:21,575 SO THEY CAN HAVE A QUIET DINNER? 135 00:07:21,609 --> 00:07:23,577 PEOPLE JUST DON'T THINK. 136 00:07:23,611 --> 00:07:24,978 >> LUCY VALDEZ. 137 00:07:25,012 --> 00:07:26,747 SHE'S BEEN A MAID HERE FOR THREE YEARS, 138 00:07:26,780 --> 00:07:27,981 NEVER A PROBLEM. 139 00:07:28,015 --> 00:07:29,883 ALL OUR STAFF ARE BONDED. 140 00:07:29,917 --> 00:07:32,352 >> HER MASTER WAS USED ON ALL THE ROOMS THAT WERE HIT. 141 00:07:32,385 --> 00:07:34,354 >> AND 20 OTHERS. THAT'S HER JOB. 142 00:07:34,387 --> 00:07:36,990 >> AND WHAT TIME WAS THE KEY CARD USED? 143 00:07:37,024 --> 00:07:40,160 >> PUNCH UP 519, PLEASE. 144 00:07:40,193 --> 00:07:42,530 ROOM 519. THAT'S THE HASLUMS. 145 00:07:42,563 --> 00:07:45,032 SHE OPENED THE DOOR AT 7:22. 146 00:07:45,065 --> 00:07:47,434 THE NEXT TIME THE DOOR WAS OPENED WAS 8:36. 147 00:07:47,467 --> 00:07:48,969 THE HASLUMS' KEY. 148 00:07:49,002 --> 00:07:53,306 >> VALDEZ, YOU SAID. >> THAT'S RIGHT, LUCY. 149 00:07:53,340 --> 00:07:56,043 >> LOOKS LIKE SHE CLOCKED OUT AT 7:01. 150 00:07:56,076 --> 00:07:58,311 >> WE'LL NEED A HOME ADDRESS. 151 00:07:58,345 --> 00:08:03,884 >> THANKS, LUCY. JUST WAIT HERE. 152 00:08:03,917 --> 00:08:06,453 MAID'S KEY CARD WAS USED TWICE THAT NIGHT. 153 00:08:06,486 --> 00:08:08,589 SHE CLAIMS SHE ONLY USED IT ONCE. 154 00:08:08,622 --> 00:08:11,559 >> BOYFRIEND? >> ALIBIED UNTIL 11:00 P.M. 155 00:08:11,592 --> 00:08:13,293 >> YOU'RE RIGHT ABOUT THE GLASS FRAGMENTS. 156 00:08:13,326 --> 00:08:15,395 FOUND 'EM IN ALL SIX ROOMS THAT WERE HIT. 157 00:08:15,428 --> 00:08:17,464 COULD HAVE BEEN TRACKED IN BY THE BURGLAR'S SHOES. 158 00:08:17,497 --> 00:08:19,199 FORENSICS IS RUNNING GAS CHROMATOGRAPHY 159 00:08:19,232 --> 00:08:20,568 AS PER YOUR REQUEST. 160 00:08:20,601 --> 00:08:22,903 >> THANKS, MAN. 161 00:08:22,936 --> 00:08:26,574 >> SO WE GOT THIS KEY CARD FROM THE MAID'S LOCKER. 162 00:08:26,607 --> 00:08:30,744 NOW, WE TESTED IT, AND IT DOESN'T FIT IN ANY OF THE DOORS. 163 00:08:30,778 --> 00:08:32,646 >> SOMEONE SWAPPED CARDS. >> YEAH. 164 00:08:32,680 --> 00:08:36,650 IT WAS LAST USED BY MARVIN CUTLER FROM SUMMIT, NEW JERSEY, 165 00:08:36,684 --> 00:08:40,453 WHEN HE CHECKED INTO THE HOTEL TWO WEEKS AGO. 166 00:08:40,487 --> 00:08:43,056 >> AND WE KNOW THIS HOW? >> 'CAUSE IT'S ON HERE. 167 00:08:43,090 --> 00:08:45,793 NAME, ADDRESS, CREDIT CARD INFORMATION. 168 00:08:45,826 --> 00:08:49,597 DON'T LEAVE YOUR KEY CARD IN YOUR ROOM WHEN YOU CHECK OUT. 169 00:08:49,630 --> 00:08:52,900 UNFORTUNATELY, MR. CUTLER REPORTED HIS WALLET STOLEN 170 00:08:52,933 --> 00:08:55,102 TWO HOURS BEFORE SOMEONE USED HIS CREDIT CARD 171 00:08:55,135 --> 00:08:56,503 TO CHECK INTO THE BARTON HOTEL. 172 00:08:56,536 --> 00:08:58,105 WHAT DO YOU HAVE HERE? 173 00:08:58,138 --> 00:09:00,307 >> LUCY WASN'T LYING ABOUT THE GUY IN THE HAT. 174 00:09:00,340 --> 00:09:04,011 >> SHE CLAIMS HE TALKED HER UP IN THE ELEVATOR. 175 00:09:04,044 --> 00:09:07,114 >> AND WATCH THIS. LOOK AT HIS OTHER HAND. 176 00:09:07,147 --> 00:09:09,349 THAT'S WHERE SHE SAID SHE KEPT HER KEY. 177 00:09:09,382 --> 00:09:13,954 NOW FOLLOW HIS LEFT HAND. 178 00:09:13,987 --> 00:09:17,390 >> HE SWAPS CARDS. >> DID HE GO BACK UPSTAIRS? 179 00:09:17,424 --> 00:09:19,993 >> UNFORTUNATELY, WE NEVER ACTUALLY GET TO SEE HIS FACE. 180 00:09:20,027 --> 00:09:23,163 NONE OF THE HOTEL EMPLOYEES CAN IDENTIFY HIM OFF THIS TAPE. 181 00:09:23,196 --> 00:09:26,800 >> THE OLD "I LEFT MY PHONE IN MY ROOM" LINE. 182 00:09:26,834 --> 00:09:28,702 >> THAT DUFFLE BAG IS BIG ENOUGH 183 00:09:28,736 --> 00:09:31,404 TO HOLD AN 18-MONTH-OLD CHILD. 184 00:09:34,642 --> 00:09:36,977 >> ALL THOSE PEOPLE. 185 00:09:37,010 --> 00:09:39,212 MAYBE ONE OF THEM KNOWS WHERE SHE IS. 186 00:09:39,246 --> 00:09:41,782 >> HEY, WE HAVE TO TRUST THE POLICE. 187 00:09:41,815 --> 00:09:44,117 >> HOW WOULD THEY GET HER OUT OF THE ROOM? 188 00:09:44,151 --> 00:09:47,120 YOU THINK THEY HURT HER? GOD, DO YOU THINK-- 189 00:09:47,154 --> 00:09:50,624 >> NO. THAT'S NOT WHAT HAPPENED. 190 00:09:50,658 --> 00:09:52,626 OKAY? SHE'S ALL RIGHT. >> I CAN'T HELP IT, ANDRE. 191 00:09:52,660 --> 00:09:54,027 I KEEP THINKING OF EMMA IN THE GROUND. 192 00:09:54,061 --> 00:09:56,797 >> STOP IT. >> I KEEP THINKING OF EMMA. 193 00:09:56,830 --> 00:09:59,132 >> SHE'S ALL RIGHT. 194 00:09:59,166 --> 00:10:01,669 HEY, WE'D FEEL IT IF SOMETHING WAS WRONG. 195 00:10:01,702 --> 00:10:04,104 NOTHING'S WRONG. 196 00:10:04,137 --> 00:10:07,107 >> THAT'S RIGHT. THEY'LL FIND HER. 197 00:10:07,140 --> 00:10:09,509 THEY WILL. 198 00:10:09,542 --> 00:10:13,146 >> I'M TELLING THE COPS WE'RE STAYING AT CELIA'S. 199 00:10:15,649 --> 00:10:19,720 HERE, HOLD THIS. 200 00:10:19,753 --> 00:10:22,055 >> IT SMELLS LIKE HER. 201 00:10:22,089 --> 00:10:24,591 >> HEY. 202 00:10:27,260 --> 00:10:30,764 >> WE'LL BE OKAY. 203 00:10:34,167 --> 00:10:35,836 >> SO THIS ON THE HAT HERE... 204 00:10:35,869 --> 00:10:38,638 >> IT'S THE MIAMI FLAME. 205 00:10:40,473 --> 00:10:43,443 >> OKAY, SO THE VICTIMOLOGY IS PRETTY NONDESCRIPT, 206 00:10:43,476 --> 00:10:44,611 EXCEPT FOR THIS. 207 00:10:44,644 --> 00:10:47,314 HE HAS AN AUNT, EMILY HUNTFORD, 208 00:10:47,347 --> 00:10:50,583 OLD MONEY--EMPHASIS ON MONEY. 209 00:10:50,617 --> 00:10:52,920 UP NEAR 75 MIL. 210 00:10:52,953 --> 00:10:55,789 SHE LIVES AT 948 5TH. 211 00:10:55,823 --> 00:10:58,091 THAT'S OUR NEST. 212 00:11:00,961 --> 00:11:03,130 >> EMILY? 213 00:11:03,163 --> 00:11:04,798 ARE YOU ALL RIGHT? 214 00:11:04,832 --> 00:11:08,201 >> GEORGE IS MY SECRETARY. YOU CAN SPEAK FREELY. 215 00:11:08,235 --> 00:11:12,706 >> OKAY. WE HAVE REASON TO BELIEVE IT WAS A KIDNAPPING 216 00:11:12,740 --> 00:11:14,174 FOR A RANSOM. 217 00:11:14,207 --> 00:11:17,177 >> BECAUSE THEY KNOW WHO I AM? 218 00:11:17,210 --> 00:11:19,179 >> WAS THERE ANYONE YOU MIGHT HAVE TOLD 219 00:11:19,212 --> 00:11:20,814 YOUR NEPHEW WAS COMING INTO TOWN, 220 00:11:20,848 --> 00:11:23,183 SOMEONE WHO WOULD HAVE KNOWN WHERE HE WAS STAYING? 221 00:11:23,216 --> 00:11:25,185 >> I MADE ANDRE'S RESERVATION, 222 00:11:25,218 --> 00:11:28,121 UM, USING HER CREDIT CARD, OF COURSE. 223 00:11:28,155 --> 00:11:30,223 EMILY, YOU SHOULD BE IN BED. >> STOP IT, GEORGE. 224 00:11:30,257 --> 00:11:32,425 >> WELL, IF I DON'T WORRY ABOUT YOU, WHO WILL? 225 00:11:32,459 --> 00:11:35,562 >> JUST GO HOME. YOUR BOYFRIEND'S IN FROM LONDON. 226 00:11:35,595 --> 00:11:37,430 I SHOULDN'T HAVE CALLED YOU. 227 00:11:37,464 --> 00:11:39,299 >> STUART CAN TAKE CARE OF HIMSELF. 228 00:11:39,332 --> 00:11:42,736 I'LL MAKE COFFEE. 229 00:11:42,770 --> 00:11:48,408 >> EMMA. SHE'S THE ONLY CHILD IN OUR FAMILY. 230 00:11:48,441 --> 00:11:52,012 SHE'S NAMED AFTER ME, YOU KNOW? 231 00:11:55,315 --> 00:11:57,650 >> THE GLASS FRAGMENTS ARE TOTALLY ORDINARY. 232 00:11:57,684 --> 00:12:00,921 COULD BE FROM A BEER BOTTLE, A WINDOW, A VASE. 233 00:12:00,954 --> 00:12:04,257 >> WHAT'S THAT? >> THAT'S NOT ORDINARY. 234 00:12:04,291 --> 00:12:05,859 ON MOST OF THE FRAGMENTS, 235 00:12:05,893 --> 00:12:08,261 WE DETECTED TRACES OF STYRENE AND ISOBUTYLENE. 236 00:12:08,295 --> 00:12:10,697 CHEMICALS FOUND IN THE MANUFACTURE OF STYROFOAM. 237 00:12:10,730 --> 00:12:13,266 AND THE FLAGS INDICATE ALL FACTORIES 238 00:12:13,300 --> 00:12:16,403 THAT MANUFACTURE STYROFOAM. 239 00:12:16,436 --> 00:12:18,305 >> GREAT. WHERE DO WE START? 240 00:12:18,338 --> 00:12:20,440 >> WELL, THE BURGLAR USED CREDIT CARDS 241 00:12:20,473 --> 00:12:22,309 WHICH WERE STOLEN FROM MARVIN CUTLER 242 00:12:22,342 --> 00:12:24,344 WHO LIVES IN SUMMIT. 243 00:12:24,377 --> 00:12:27,214 LET'S GO TO NEWARK. 244 00:12:28,949 --> 00:12:30,818 >> IN JERSEY, YOU ROOT FOR MIAMI, 245 00:12:30,851 --> 00:12:32,619 IT'S KINDA LIKE ROOTIN' FOR IRAQ, 246 00:12:32,652 --> 00:12:36,256 BUT, YOU KNOW, MARKIE, HE-- HE BANGS HIS OWN DRUM. 247 00:12:36,289 --> 00:12:38,491 YO, MARKIE. 248 00:12:38,525 --> 00:12:40,660 GOT A COUPLE OF MIAMI FANS HERE FOR YOU. 249 00:12:40,693 --> 00:12:42,462 >> STOP! POLICE! 250 00:12:42,495 --> 00:12:44,131 >> SUSPECT IS ON THE MOVE. 251 00:12:50,270 --> 00:12:52,739 [tires squealing] 252 00:13:04,084 --> 00:13:06,887 [tires screeching] 253 00:13:09,122 --> 00:13:13,526 >> PUT YOUR HANDS WHERE WE CAN SEE THEM! 254 00:13:20,400 --> 00:13:22,202 >> WHAT DO YOU WANT FROM ME? THERE IS NO KID. 255 00:13:22,235 --> 00:13:24,271 >> WE HAVE YOU ON THE SECURITY TAPE FROM THE HOTEL, 256 00:13:24,304 --> 00:13:25,873 MR. CARSTON. 257 00:13:25,906 --> 00:13:29,943 >> NO, YOU'VE GOT A GUY IN A MIAMI FLAME HAT. 258 00:13:29,977 --> 00:13:33,013 >> WE KNOW THAT YOU WERE BUSTED 12 YEARS AGO 259 00:13:33,046 --> 00:13:35,815 FOR A BREAK-IN AT A JEWELRY STORE ON 46TH. 260 00:13:35,849 --> 00:13:37,217 >> CHARGES DROPPED. 261 00:13:37,250 --> 00:13:39,052 >> ALSO AT AN ANTIQUE STORE ON PARK AVENUE SOUTH. 262 00:13:39,086 --> 00:13:40,687 THAT'S TWO YEARS LATER. 263 00:13:40,720 --> 00:13:42,589 >> AND GRADUATED STUYVESANT HIGH 264 00:13:42,622 --> 00:13:45,058 WHERE I WAS THE PUNTER ON THE FRESHMAN FOOTBALL TEAM. 265 00:13:45,092 --> 00:13:47,861 >> SOMEONE AT THE BARTON HOTEL IS GOING TO RECOGNIZE YOU. 266 00:13:47,895 --> 00:13:51,031 >> YEAH, I'VE GOT ONE OF THOSE FACES, DON'T I? 267 00:13:51,064 --> 00:13:53,967 LOOK, I KNOW HOW THIS WORKS. >> REALLY? 268 00:13:54,001 --> 00:13:55,768 WELL, THEN YOU KNOW THAT KIDNAPPING 269 00:13:55,802 --> 00:13:57,770 IS A CLASS A VIOLENT FELONY. 270 00:13:57,804 --> 00:13:59,239 WE'RE TALKING LIFE. 271 00:13:59,272 --> 00:14:00,840 >> I DIDN'T TAKE A BABY. 272 00:14:00,874 --> 00:14:02,775 I'VE GOT KIDS OF MY OWN, FOR CHRIST'S SAKES. 273 00:14:02,809 --> 00:14:05,445 >> YOU KNOW, UH... 274 00:14:05,478 --> 00:14:08,381 I BELIEVE YOU. 275 00:14:08,415 --> 00:14:11,784 IT'S JUST THAT RIGHT NOW, THAT'S NOT GOOD ENOUGH. 276 00:14:11,818 --> 00:14:13,253 YOU NEED TO PROVE IT. 277 00:14:13,286 --> 00:14:15,622 >> WE KNOW YOU WERE IN THE HOTEL ROOM. 278 00:14:15,655 --> 00:14:17,624 >> [laughs] RIGHT. 279 00:14:17,657 --> 00:14:23,296 >> WE'RE HERE BECAUSE WE CAN PROVE YOU WERE THERE. 280 00:14:25,665 --> 00:14:27,567 >> OKAY. 281 00:14:27,600 --> 00:14:30,470 THAT DOESN'T MAKE ME A KIDNAPPER. 282 00:14:30,503 --> 00:14:33,473 >> DID YOU SEE THE BABY? >> I'M NOT STUPID. 283 00:14:33,506 --> 00:14:35,608 I DO NOT MESS WITH KIDS. 284 00:14:35,642 --> 00:14:39,146 >> STILL NOT GOOD ENOUGH. 285 00:14:42,449 --> 00:14:43,583 >> OKAY. 286 00:14:52,625 --> 00:14:55,028 >> LOTSA JEWELRY, ANTIQUES. 287 00:14:55,062 --> 00:14:58,198 BUT THERE'S NO SIGN THAT THE KID'S BEEN HERE. 288 00:14:58,231 --> 00:15:01,568 YOU KNOW, THIS KIDNAPPING'S VERY UNCHARACTERISTIC 289 00:15:01,601 --> 00:15:03,903 FOR A--A PRO LIKE CARSTON, 290 00:15:03,937 --> 00:15:06,639 BUT MAYBE HE FOUND A PARTNER WHO WOULDN'T MIND THE RISK. 291 00:15:06,673 --> 00:15:07,907 >> OR MAYBE THE BURGLARY 292 00:15:07,941 --> 00:15:09,609 WAS JUST A DECOY FOR THE KIDNAPPING. 293 00:15:09,642 --> 00:15:13,280 COULD BE ANYTHING. NONE OF IT LOOKS GOOD FOR EMMA. 294 00:15:18,518 --> 00:15:23,090 >> ...TWO WORDS THAT SHOULD NEVER GO IN THE SAME SENTENCE. 295 00:15:23,123 --> 00:15:25,792 >> NO, IT'S NOT RIGHT. CHILDREN DON'T DIE. 296 00:15:25,825 --> 00:15:27,527 CHILDREN DON'T DIE. IT'S NOT RIGHT. 297 00:15:27,560 --> 00:15:30,030 CHILDREN DON'T DIE. 298 00:15:30,063 --> 00:15:31,631 CHILDREN DON'T DIE. IT'S NOT RIGHT. 299 00:15:31,664 --> 00:15:35,135 CHILDREN DON'T DIE. [muttering] 300 00:15:35,168 --> 00:15:38,105 IT'S NOT RIGHT. 301 00:15:38,138 --> 00:15:41,174 THAT'S NOT RIGHT. CHILDREN DON'T DIE. 302 00:15:41,208 --> 00:15:45,678 NOT RIGHT. NOT RIGHT. 303 00:15:45,712 --> 00:15:50,583 >> HEY. [rattling] 304 00:15:50,617 --> 00:15:52,885 HERE ARE YOUR PILLS. 305 00:15:57,457 --> 00:16:01,228 CALISTA, YOU GOTTA TAKE YOUR MEDICATION. 306 00:16:09,736 --> 00:16:12,805 >> I SEE WHAT THIS IS ABOUT. 307 00:16:12,839 --> 00:16:15,775 YOU DON'T TRUST ME. 308 00:16:15,808 --> 00:16:18,178 >> THAT'S NOT TRUE. 309 00:16:18,211 --> 00:16:21,748 I TRUST YOU. 310 00:16:21,781 --> 00:16:24,184 I SWEAR. 311 00:16:24,217 --> 00:16:28,255 >> YOU SHOULD KNOW BY NOW... 312 00:16:28,288 --> 00:16:31,091 [chuckles] 313 00:16:31,124 --> 00:16:35,228 THE ONLY WAY WE CAN GET THROUGH THIS IS TOGETHER, OKAY? 314 00:16:37,230 --> 00:16:40,367 [telephone ringing] 315 00:16:42,702 --> 00:16:44,904 >> IF IT IS THE GUY, REMEMBER WHAT I TOLD YOU. 316 00:16:44,937 --> 00:16:46,339 KEEP HIM ON AS LONG AS POSSIBLE. 317 00:16:46,373 --> 00:16:47,840 PLAY FOR TIME. 318 00:16:47,874 --> 00:16:51,844 YOU NEED A FEW DAYS TO GET MONEY, STOCK, WHATEVER. 319 00:16:51,878 --> 00:16:53,946 >> YES? 320 00:16:53,980 --> 00:16:56,249 >> WE HAVE YOUR LITTLE GIRL, AND WE'RE WILLING TO HURT HER. 321 00:16:56,283 --> 00:16:57,817 >> WHO IS THIS? 322 00:16:57,850 --> 00:17:00,853 >> YOU CAN HAVE HER BACK FOR $2 MILLION. 323 00:17:00,887 --> 00:17:02,189 YOU HAVE 24 HOURS. 324 00:17:02,222 --> 00:17:05,658 >> IS SHE ALL RIGHT? I WANT TO TALK TO HER! 325 00:17:05,692 --> 00:17:08,261 >> GET THE MONEY. 326 00:17:08,295 --> 00:17:09,796 >> WELL, IT'LL TAKE A FEW DAYS. 327 00:17:09,829 --> 00:17:11,798 IT'S ALL TIED UP IN TRUST ACCOUNTS. 328 00:17:11,831 --> 00:17:13,100 >> TOMORROW. 329 00:17:13,133 --> 00:17:16,803 GET THE DAMN MONEY, OR SHE'S DEAD. 330 00:17:30,483 --> 00:17:35,388 [British accent] >> RIGHT. WELL, THAT'S THAT. 331 00:17:35,422 --> 00:17:39,459 >> THIS WAS A MISTAKE. 332 00:17:39,492 --> 00:17:42,595 I DON'T WANNA DO THIS ANYMORE. 333 00:17:42,629 --> 00:17:46,866 >> YOU WILL DO THIS. 334 00:17:50,170 --> 00:17:52,539 >> BEFORE WE DO ANYTHING ELSE, 335 00:17:52,572 --> 00:17:55,275 IT'S IMPORTANT THAT WE GET PROOF EMMA IS ALIVE. 336 00:17:55,308 --> 00:17:57,510 >> $2 MILLION IS MEANINGLESS TO ME. 337 00:17:57,544 --> 00:17:59,712 I WON'T TAKE THE CHANCE THEY'LL HURT HER. 338 00:17:59,746 --> 00:18:03,015 >> WHAT KIND OF PROOF? >> TALKING TO HER WOULD BE GOOD. 339 00:18:03,049 --> 00:18:05,285 >> I'LL BE AT THE BANK AS SOON AS IT OPENS. 340 00:18:05,318 --> 00:18:07,787 >> EMILY, YOU SHOULD BE IN BED. 341 00:18:07,820 --> 00:18:10,890 >> HOPEFULLY, WE'LL HAVE BETTER LUCK 342 00:18:10,923 --> 00:18:14,327 WHEN THEY CALL NEXT TIME. 343 00:18:14,361 --> 00:18:15,528 >> EMILY WILL PAY, 344 00:18:15,562 --> 00:18:16,796 AND THINGS WILL GO BACK TO NORMAL. 345 00:18:16,829 --> 00:18:21,067 SHE LOVES EMMA LIKE SHE WAS HER OWN. 346 00:18:21,100 --> 00:18:23,136 SO THERE'S JUST... 347 00:18:23,170 --> 00:18:25,705 ONE MORE QUESTION, MRS. HASLUM, 348 00:18:25,738 --> 00:18:27,774 AND THEN WE'LL-- WE'LL LEAVE YOU. 349 00:18:27,807 --> 00:18:30,277 DOES THE NAME MARK CARSTON MEAN ANYTHING-- 350 00:18:30,310 --> 00:18:35,081 >> I'M SORRY, DETECTIVE, MY WIFE ISN'T WELL. 351 00:18:35,114 --> 00:18:37,950 CALISTA, THAT'S THE THIEF FROM THE HOTEL. 352 00:18:37,984 --> 00:18:43,122 HOW COULD HE PLACE THE CALL IF HE WAS STILL IN JAIL? 353 00:18:43,156 --> 00:18:45,658 >> WELL, WHEN, UM... 354 00:18:45,692 --> 00:18:49,128 WE SPOKE TO THE MAN, HE SAID "WE HAVE EMMA," 355 00:18:49,162 --> 00:18:53,132 SO WE WERE THINKING THAT MAYBE CARSTON HAS A PARTNER. 356 00:18:53,166 --> 00:18:57,003 >> WELL, NEITHER OF US HAS HEARD OF HIM BEFORE TONIGHT, SO... 357 00:18:59,105 --> 00:19:01,874 >> HE WAS VERY QUICK TO KEEP HER FROM TALKING TO US. 358 00:19:01,908 --> 00:19:04,511 >> YOU THINK THEY ACTUALLY KNOW CARSTON? 359 00:19:04,544 --> 00:19:07,847 >> I THINK THAT A BURGLARY AND A KIDNAPPING 360 00:19:07,880 --> 00:19:09,849 HAPPENING AT THE SAME PLACE, SAME TIME 361 00:19:09,882 --> 00:19:11,851 IS A HUGE COINCIDENCE. 362 00:19:11,884 --> 00:19:14,287 >> THE HASLUMS ACTUALLY KIDNAPPED THEIR OWN KID 363 00:19:14,321 --> 00:19:16,155 TO MILK THE AUNT. 364 00:19:16,189 --> 00:19:18,391 >> MAYBE THEY'RE WORKING WITH CARSTON. 365 00:19:18,425 --> 00:19:22,161 MAYBE THEY USED HIS CRIME AS AN OPPORTUNITY. 366 00:19:22,195 --> 00:19:23,830 >> EITHER WAY, IF IT'S TRUE, 367 00:19:23,863 --> 00:19:26,466 THE MONEY TRAIL SHOULD LEAD BACK TO THEM. 368 00:19:26,499 --> 00:19:28,801 >> I DON'T THINK THEY'RE GONNA MAKE ANY MONEY 369 00:19:28,835 --> 00:19:30,470 ON ANDRE'S POETRY. 370 00:19:30,503 --> 00:19:34,707 >> AT NEW ENGLAND TRUST, THEIR MONEY MARKET IS $4,321. 371 00:19:34,741 --> 00:19:38,378 IN CHECKING, $2,697. 372 00:19:38,411 --> 00:19:40,713 NO BROKERAGE ACCOUNTS THAT I COULD FIND. 373 00:19:40,747 --> 00:19:42,549 >> ANY DEBT? >> NOT EVEN A MORTGAGE. 374 00:19:42,582 --> 00:19:44,984 THEY RENT IN CONNECTICUT FOR 750 A MONTH. 375 00:19:45,017 --> 00:19:47,920 THEY FILED A JOINT RETURN A YEAR AGO. 376 00:19:47,954 --> 00:19:51,391 NO TAXES DUE. 377 00:19:51,424 --> 00:19:52,759 >> THEY BOTH WORKED? 378 00:19:52,792 --> 00:19:54,727 >> JUST ANDRE. 379 00:19:54,761 --> 00:19:58,498 HE TAUGHT AT HILLIS COLLEGE. 380 00:19:58,531 --> 00:20:02,269 >> W-WHAT'S THAT? >> IT'S UP IN YONKERS. 381 00:20:02,302 --> 00:20:06,273 >> LOOK, WE'RE NOT LISTED IN THE TOP 100 AMERICAN COLLEGES. 382 00:20:06,306 --> 00:20:07,774 OKAY, IF YOU LISTED THE TOP 500, 383 00:20:07,807 --> 00:20:09,075 WE STILL WOULDN'T MAKE IT. 384 00:20:09,108 --> 00:20:11,210 BELIEVE ME, ANDRE LET US KNOW ABOUT IT TOO. 385 00:20:11,244 --> 00:20:13,380 >> SO HE DIDN'T LIKE IT HERE. >> WHAT'S NOT TO LIKE? 386 00:20:13,413 --> 00:20:15,948 TWO CLASSES A WEEK. LOT OF FRESHMEN WOMEN. 387 00:20:15,982 --> 00:20:18,918 >> [scoffs] >> THERE WERE RUMORS, OKAY? 388 00:20:18,951 --> 00:20:20,887 >> HE WAS ALREADY MARRIED TO CALISTA BACK THEN, 389 00:20:20,920 --> 00:20:22,389 WASN'T HE? 390 00:20:22,422 --> 00:20:24,090 >> SURE WAS. SHE WAS A PIECE OF WORK TOO. 391 00:20:24,123 --> 00:20:25,325 SHE'D PARK THAT BEAT-UP CHEVY 392 00:20:25,358 --> 00:20:26,993 IN FRONT OF THE ENGLISH DEPARTMENT 393 00:20:27,026 --> 00:20:28,728 AND SIT THERE ALL DAY. 394 00:20:28,761 --> 00:20:30,897 >> WITH THE BABY. >> BABY, BOTTLES, DIAPERS. 395 00:20:30,930 --> 00:20:32,098 YOU NAME IT. 396 00:20:32,131 --> 00:20:33,833 ANDRE'S LAST SEMESTER LAST SUMMER, 397 00:20:33,866 --> 00:20:35,868 IT REALLY GOT OUTTA HAND. 398 00:20:35,902 --> 00:20:38,405 HE'D COME OUT AFTER CLASS. SHE'D CAUSE A SCENE. 399 00:20:38,438 --> 00:20:39,939 IF SHE COULDN'T FIND HIM, 400 00:20:39,972 --> 00:20:41,874 SHE'D SEARCH ALL THE MOTELS IN THE AREA. 401 00:20:41,908 --> 00:20:44,143 WHAT THE HELL? HE CALLED HIMSELF A POET. 402 00:20:44,176 --> 00:20:46,212 CRAZY WOMEN ARE PART OF THE JOB DESCRIPTION. 403 00:20:46,245 --> 00:20:48,047 >> CALLED HIMSELF A POET? 404 00:20:48,080 --> 00:20:50,883 >> HE PUBLISHED A POEM IN OUR QUARTERLY LITERARY JOURNAL. 405 00:20:50,917 --> 00:20:54,220 TURNS OUT HE DIDN'T WRITE IT. ROBERT HERRICK DID. 406 00:20:54,253 --> 00:20:56,255 >> IS THAT WHY YOU FIRED HIM? 407 00:20:56,289 --> 00:20:58,024 >> NO. DON'T GET ME WRONG-- 408 00:20:58,057 --> 00:21:01,193 PLAGIARISM IS A CAPITAL OFFENSE EVEN AT HILLIS. 409 00:21:01,227 --> 00:21:04,030 ONLY ANDRE WAS ONE STEP AHEAD OF US. 410 00:21:04,063 --> 00:21:06,232 HE QUIT BEFORE WE EVER CAUGHT HIM ON IT. 411 00:21:06,265 --> 00:21:07,900 ONE DAY HE JUST STOPPED SHOWING UP-- 412 00:21:07,934 --> 00:21:11,371 NO CALL, NO LETTER, NO FORWARDING ADDRESS. 413 00:21:11,404 --> 00:21:13,039 'SCUSE ME. 414 00:21:13,072 --> 00:21:16,309 >> PAYING JOBS FOR BAD POETS ARE FEW AND FAR BETWEEN. 415 00:21:16,343 --> 00:21:18,210 [cell phone rings] >> AND THE GUY JUST QUITS 416 00:21:18,244 --> 00:21:20,079 FOR NO REASON. 417 00:21:20,112 --> 00:21:21,881 >> GOREN. 418 00:21:21,914 --> 00:21:24,784 ASTOR PLACE? YEAH, WE'RE ON OUR WAY. 419 00:21:27,286 --> 00:21:28,855 >> 9:30 A.M. 420 00:21:28,888 --> 00:21:32,425 THE TRASHCAN ON THE NORTHWEST CORNER OF ASTOR PLACE. 421 00:21:32,459 --> 00:21:35,495 IF I SEE ANY COPS, I WILL HURT THE GIRL, 422 00:21:35,528 --> 00:21:39,432 AND NOBODY WILL HAVE A VERY HAPPY CHRISTMAS. 423 00:21:39,466 --> 00:21:40,600 [click] 424 00:21:58,985 --> 00:22:01,788 >> GPS IS WORKING. >> ALL SET. 425 00:22:38,625 --> 00:22:40,793 >> HEADS UP. 426 00:22:40,827 --> 00:22:42,328 >> ALL RIGHT, TAKE IT EASY. 427 00:22:42,361 --> 00:22:44,697 WE'RE GONNA NEED HIM TO LEAD US TO THE KID. 428 00:22:47,066 --> 00:22:50,236 >> FALSE ALARM. >> YEAH, OKAY, STAND DOWN. 429 00:23:02,381 --> 00:23:04,050 >> THAT'S HIM. 430 00:23:19,832 --> 00:23:22,969 THE SUBWAY. >> GPS WON'T WORK DOWN THERE. 431 00:23:23,002 --> 00:23:25,171 >> KEEP THE NORTHEAST ENTRANCE, NORTHWEST ENTRANCE COVERED. 432 00:23:25,204 --> 00:23:30,943 ALL OTHER OFFICERS, DOWN TO THE ASTOR PLACE PLATFORM NOW. 433 00:23:30,977 --> 00:23:32,612 OH, WE LOST HIM. 434 00:23:32,645 --> 00:23:37,517 KEEP A VISUAL. 435 00:23:37,550 --> 00:23:41,353 >> [chuckling] I LOVE IT! 436 00:23:41,387 --> 00:23:46,425 THEY'RE PROBABLY IN THE BRONX FOLLOWING THEIR SHOPPING BAG. 437 00:23:46,459 --> 00:23:50,196 WHAT DID WE LEARN TODAY? 438 00:23:50,229 --> 00:23:52,699 NEVER UNDERESTIMATE ME, THAT'S WHAT. 439 00:23:52,732 --> 00:23:53,866 [clatter] 440 00:23:53,900 --> 00:23:56,569 >> DON'T MOVE. GET ON YOUR KNEES, NOW! 441 00:23:56,603 --> 00:23:59,772 >> WHERE'S THE BABY? >> WE DON'T HAVE HER, I SWEAR! 442 00:23:59,806 --> 00:24:02,509 I KNEW IT WAS GOING TO GO WRONG. 443 00:24:02,542 --> 00:24:04,443 >> YOU SAID HAPPY CHRISTMAS ON THE PHONE. 444 00:24:04,477 --> 00:24:06,245 THAT'S BRITISH. 445 00:24:06,278 --> 00:24:08,447 WE SAY MERRY CHRISTMAS HERE. 446 00:24:08,481 --> 00:24:10,617 >> WHAT DID YOU TELL THEM? >> NOTHING! 447 00:24:10,650 --> 00:24:14,120 >> PLACE IS CLEAN. NO KID. 448 00:24:20,627 --> 00:24:23,563 >> [exhales] 449 00:24:23,596 --> 00:24:26,833 IT'S NOT WHAT YOU THINK. 450 00:24:28,801 --> 00:24:34,106 STOP THAT...PLEASE? 451 00:24:34,140 --> 00:24:35,207 [exhales] 452 00:24:35,241 --> 00:24:38,377 WE DIDN'T HURT ANYBODY. 453 00:24:41,548 --> 00:24:44,050 I JUST WANTED WHAT WAS MINE, OKAY? 454 00:24:44,083 --> 00:24:46,018 I'VE RUN HER LIFE FOR FIVE YEARS. 455 00:24:46,052 --> 00:24:48,154 "GEORGIE, DO THIS, DO THAT. 456 00:24:48,187 --> 00:24:51,558 I'M LONELY, GEORGIE. DON'T GO." 457 00:24:51,591 --> 00:24:55,094 I WENT TO TUFTS, FOR CRYING OUT LOUD! 458 00:24:55,127 --> 00:24:57,564 A POET? OH...[laughing] 459 00:24:57,597 --> 00:24:59,732 OH, GIVE ME A BREAK. 460 00:24:59,766 --> 00:25:03,936 HE'S... HE'S GONNA GET EVERYTHING. 461 00:25:03,970 --> 00:25:05,538 >> HE'S HER FAMILY. 462 00:25:05,572 --> 00:25:10,442 >> ALL HE DOES IS SEND PHOTOS OF THE LITTLE GIRL. 463 00:25:10,476 --> 00:25:12,444 I TAKE CARE OF EMILY! 464 00:25:12,478 --> 00:25:16,048 I CARE ABOUT HER. 465 00:25:21,654 --> 00:25:25,224 AND...ALL I WANTED WAS FOR HER TO CARE ABOUT ME. 466 00:25:29,128 --> 00:25:32,632 >> HE DIDN'T DO ANYTHING TO EMMA. 467 00:25:32,665 --> 00:25:36,368 MAY I TALK TO HIM? 468 00:25:53,219 --> 00:25:55,688 >> I'M SORRY. 469 00:25:55,722 --> 00:25:56,823 I'M SO SORRY. 470 00:25:56,856 --> 00:26:00,159 >> YOU WERE ALL I HAD LEFT, GEORGE. 471 00:26:00,192 --> 00:26:03,329 I KNOW ALL ANDRE WANTS IS MY MONEY. 472 00:26:03,362 --> 00:26:05,632 >> I'M NOT LIKE THAT. >> NO? 473 00:26:05,665 --> 00:26:08,635 YOU BETRAYED ME. 474 00:26:08,668 --> 00:26:11,270 I WAS GONNA TAKE CARE OF YOU. >> NO. 475 00:26:11,303 --> 00:26:12,739 I WAS THERE, REMEMBER? 476 00:26:12,772 --> 00:26:14,573 I WAS THERE TO WITNESS YOUR WILL. 477 00:26:14,607 --> 00:26:16,075 >> [laughs] 478 00:26:16,108 --> 00:26:19,345 BUT YOU NEVER SAW MY TRUST DOCUMENTS. 479 00:26:19,378 --> 00:26:22,314 [sniffles] YOU'RE A FOOL, GEORGE. 480 00:26:22,348 --> 00:26:27,987 ALL YOU WOULD HAVE HAD TO DO WAS WAIT FOR ANOTHER FEW MONTHS. 481 00:26:32,191 --> 00:26:36,562 I'LL GET YOU A LAWYER. THAT'S ALL I CAN DO FOR YOU NOW. 482 00:26:40,599 --> 00:26:43,369 >> IT'S ALMOST 48 HOURS, AND THOSE GUYS ARE A DEAD END. 483 00:26:43,402 --> 00:26:47,039 >> THE HASLUMS' HOTEL ROOM DOOR WAS OPEN AT 7:22. 484 00:26:47,073 --> 00:26:49,742 THAT WAS CARSTON. 485 00:26:49,776 --> 00:26:52,812 OKAY, AND THEN AGAIN AT 8:36. 486 00:26:52,845 --> 00:26:54,814 THAT WAS ANDRE. 487 00:26:54,847 --> 00:26:56,415 NOW, CARSTON'S A PRO. 488 00:26:56,448 --> 00:26:58,651 HE WOULD HAVE CLOSED THE DOOR BEHIND HIM. 489 00:26:58,685 --> 00:27:00,419 >> NO ONE ELSE WAS IN THE ROOM. 490 00:27:00,452 --> 00:27:02,889 >> SO WHAT ARE WE MISSING? WE'VE BEEN ALL OVER THAT HOTEL. 491 00:27:02,922 --> 00:27:04,757 SECURITY VIDEOS, ELEVATOR SHAFTS, 492 00:27:04,791 --> 00:27:07,293 FURNACE, LAUNDRY-- THE WINDOWS DON'T OPEN. 493 00:27:07,326 --> 00:27:08,761 AS FAR AS I CAN TELL, 494 00:27:08,795 --> 00:27:12,564 THERE'S NO WAY ANYONE CAN GET THE KID OUTTA THAT HOTEL. 495 00:27:15,601 --> 00:27:19,972 >> MAYBE THEY NEVER BROUGHT THE KID INTO THE HOTEL. 496 00:27:20,006 --> 00:27:22,842 >> SO WHERE THE HELL IS SHE? 497 00:27:22,875 --> 00:27:27,513 >> SO YOU DIDN'T SEE EMMA IN THE CITY. 498 00:27:27,546 --> 00:27:30,149 >> EMMA'S DEAD, ISN'T SHE? 499 00:27:30,182 --> 00:27:31,718 >> WHY WOULD YOU SAY THAT? 500 00:27:31,751 --> 00:27:34,553 >> BECAUSE IT'S BEEN TWO DAYS. 501 00:27:34,586 --> 00:27:37,223 CALISTA IS SO FRAGILE. 502 00:27:37,256 --> 00:27:40,259 THAT CHILD WAS EVERYTHING... HER WORLD. 503 00:27:40,292 --> 00:27:43,595 I DON'T KNOW HOW SHE'S GONNA DEAL WITH THIS. 504 00:27:43,629 --> 00:27:47,066 YOU KNOW SHE WAS HOSPITALIZED ONCE BEFORE THEY WERE MARRIED. 505 00:27:47,099 --> 00:27:48,600 >> EMOTIONAL PROBLEMS? 506 00:27:48,634 --> 00:27:50,102 >> THERE WAS A BAD SPELL LAST SUMMER. 507 00:27:50,136 --> 00:27:52,271 ANDRE HAD TO LEAVE HIS JOB. 508 00:27:52,304 --> 00:27:54,506 >> TEACHING AT HILLIS COLLEGE. 509 00:27:54,540 --> 00:27:56,575 >> SO THIS BOOK IS... 510 00:27:56,608 --> 00:27:58,845 IT'S SIGNED BY THE POET. 511 00:27:58,878 --> 00:28:01,948 IT'S PROBABLY GONNA BE WORTH SOMETHING SOMEDAY. 512 00:28:01,981 --> 00:28:03,182 >> HE HASN'T PUBLISHED 513 00:28:03,215 --> 00:28:05,417 SINCE THEY MOVED UP TO THE MIDDLE OF NOWHERE. 514 00:28:05,451 --> 00:28:08,254 >> YOU SAW THEM UP IN KENT? 515 00:28:08,287 --> 00:28:11,190 >> NO, I--SO FAR AND... MY WORK. 516 00:28:11,223 --> 00:28:13,926 [footsteps] 517 00:28:13,960 --> 00:28:16,062 >> HOPEFULLY, SHE'LL SLEEP NOW. 518 00:28:16,095 --> 00:28:19,732 I HONESTLY DON'T KNOW IF SHE CAN GO THROUGH IT AGAIN. 519 00:28:19,766 --> 00:28:22,434 >> AGAIN? 520 00:28:22,468 --> 00:28:25,171 >> WELL, FIRST YOU SAID IT WAS A ROBBERY, 521 00:28:25,204 --> 00:28:26,839 AND THEN A KIDNAPPING, 522 00:28:26,873 --> 00:28:28,707 A--A RANSOM PAYOFF... 523 00:28:28,741 --> 00:28:30,376 AND STILL NO EMMA. 524 00:28:30,409 --> 00:28:34,080 >> YOUR AUNT...SHE NEVER HAD CHILDREN, RIGHT? 525 00:28:34,113 --> 00:28:36,148 >> NO, SHE DIDN'T. 526 00:28:36,182 --> 00:28:39,285 >> THINK OF ALL THAT MONEY, YOU KNOW... 527 00:28:39,318 --> 00:28:41,420 >> [laughs] 528 00:28:41,453 --> 00:28:42,789 I'VE READ THE ILIAD 529 00:28:42,822 --> 00:28:44,757 IN THE ORIGINAL ATTIC GREEK, DETECTIVE. 530 00:28:44,791 --> 00:28:46,258 IF YOU WANNA TRIP ME UP, 531 00:28:46,292 --> 00:28:49,261 YOU'LL HAVE TO BE A LITTLE MORE SUBTLE THAN THAT. 532 00:28:49,295 --> 00:28:51,831 >> THAT'S...ACTUALLY HOMERIC GREEK, BUT-- 533 00:28:51,864 --> 00:28:53,265 >> I SHOULD KNOW! 534 00:28:53,299 --> 00:28:55,267 >> ANDRE, THEY'RE NOT ACCUSING YOU OF ANYTHING. 535 00:28:55,301 --> 00:28:58,637 >> YES, THEY ARE. 536 00:28:58,670 --> 00:29:02,608 AND, YES, I TAKE HER MONEY. SHE'S HAPPY TO GIVE IT TO ME. 537 00:29:02,641 --> 00:29:04,443 IT'S CALLED PATRONAGE. 538 00:29:04,476 --> 00:29:08,180 IT'S RESPECTED, AND IT'S AS OLD AS THE ARTS. 539 00:29:10,116 --> 00:29:12,018 >> PATRONAGE. 540 00:29:12,051 --> 00:29:15,988 I'D SAY STAGING A KIDNAPPING IS MORE LIKE EXTORTION. 541 00:29:16,022 --> 00:29:18,324 >> WELL, MAYBE ANDRE'S AUNT INVITED THEM HERE 542 00:29:18,357 --> 00:29:20,259 SO SHE COULD SEE EMMA BEFORE SHE DIED. 543 00:29:20,292 --> 00:29:21,861 >> BUT IF ANDRE KNEW HIS AUNT WAS FAILING, 544 00:29:21,894 --> 00:29:23,129 THERE'D BE NO POINT-- 545 00:29:23,162 --> 00:29:24,596 >> YEAH, BUT SAY HE DIDN'T KNOW. 546 00:29:24,630 --> 00:29:27,466 MAYBE SHE THREATENED TO CUT HIM OUT OF HER WILL. 547 00:29:27,499 --> 00:29:30,469 YOU KNOW, LET'S SAY THEY STAGED THE DINNER WITH CELIA 548 00:29:30,502 --> 00:29:35,674 FOR AN ALIBI AND THEY ACT OUT THE KIDNAPPING. 549 00:29:35,707 --> 00:29:39,245 THE BURGLARY'S A COINCIDENCE. 550 00:29:39,278 --> 00:29:42,815 >> SO IT'S NOT ABOUT HOW THEY GOT EMMA OUT OF THE HOTEL 551 00:29:42,849 --> 00:29:45,784 BECAUSE THEY NEVER BROUGHT HER TO NEW YORK. 552 00:29:51,790 --> 00:29:54,260 >> EMMA CERTAINLY LIVED THE LIFE. 553 00:29:54,293 --> 00:29:56,929 >> HOW OLD DO YOU THINK EMMA IS IN THIS PICTURE, 554 00:29:56,963 --> 00:29:58,797 FIVE, SIX MONTHS? 555 00:29:58,831 --> 00:30:01,700 >> GIVE OR TAKE. 556 00:30:05,537 --> 00:30:07,339 THEY HAVE MORE TOYS THAN FAO SCHWARZ, 557 00:30:07,373 --> 00:30:10,843 BUT THEY DON'T BABY-PROOF THE HOUSE? 558 00:30:14,380 --> 00:30:17,716 >> HEY, WHAT'S WRONG WITH THIS PICTURE HERE? 559 00:30:22,288 --> 00:30:24,390 >> NO SWINGS. 560 00:30:34,967 --> 00:30:40,139 >> THERE'S ONE IN THE NEIGHBOR'S YARD. 561 00:30:40,172 --> 00:30:43,209 >> I GET SAD JUST THINKIN' ABOUT HER. 562 00:30:43,242 --> 00:30:47,313 >> WHAT ABOUT ANDRE? >> HOW DO YOU SPELL POMPOUS? 563 00:30:47,346 --> 00:30:49,415 >> DID EMMA PLAY IN YOUR BACKYARD? 564 00:30:49,448 --> 00:30:52,351 >> I ASSUME SHE DID. A LOT OF KIDS DO. 565 00:30:52,384 --> 00:30:54,320 >> BUT YOU DON'T KNOW FOR SURE? 566 00:30:54,353 --> 00:30:57,323 >> MELANIE AND I SPLIT UP, WHAT...ABOUT A YEAR AGO. 567 00:30:57,356 --> 00:30:59,758 RATHER THAN MOVE ANNIE-- THAT'S OUR TWO-YEAR-OLD-- 568 00:30:59,791 --> 00:31:01,928 SHE STAYS HERE, AND WE ALTERNATE. 569 00:31:01,961 --> 00:31:04,130 IT'S THE NEW MATH. 570 00:31:07,799 --> 00:31:12,338 >> DO YOU KNOW WHAT COLOR HAIR EMMA HAS? 571 00:31:14,873 --> 00:31:17,209 >> NO? YOU DON'T. 572 00:31:17,243 --> 00:31:19,311 DO YOU KNOW WHAT SHE CALLED CALISTA? 573 00:31:19,345 --> 00:31:22,048 UH, WAS IT MOM OR MAMA... 574 00:31:22,081 --> 00:31:24,316 MOMMY? 575 00:31:24,350 --> 00:31:25,884 YOU DON'T. 576 00:31:25,918 --> 00:31:27,886 >> OKAY, MAYBE I'M NOT AS NEIGHBORLY AS I SHOULD BE. 577 00:31:27,920 --> 00:31:29,821 I WORK. 578 00:31:29,855 --> 00:31:32,992 AND WHEN I'M ACTUALLY PERMITTED TO LIVE IN MY OWN HOUSE, 579 00:31:33,025 --> 00:31:34,460 I SPEND ALL MY TIME WITH ANNIE. 580 00:31:34,493 --> 00:31:37,229 >> YOU'VE NEVER EVEN SEEN EMMA, HAVE YOU? 581 00:31:37,263 --> 00:31:39,966 >> I MUST HAVE. 582 00:31:39,999 --> 00:31:43,635 IN ANY CASE, I'M SURE ANNIE HAS. 583 00:31:43,669 --> 00:31:48,474 >> COULD WE MEET ANNIE? 584 00:31:48,507 --> 00:31:50,142 >> ANNIE? 585 00:31:50,176 --> 00:31:54,713 ANNIE? COME HERE, HONEY. 586 00:31:54,746 --> 00:31:58,617 >> OH! 587 00:32:22,208 --> 00:32:24,443 >> WE'RE VERY... 588 00:32:24,476 --> 00:32:26,979 SORRY TO HAVE TO TELL YOU THIS. 589 00:32:27,013 --> 00:32:30,016 WE'VE TALKED TO EVERY PEDIATRICIAN 590 00:32:30,049 --> 00:32:32,751 IN AND AROUND KENT, CONNECTICUT, 591 00:32:32,784 --> 00:32:35,454 AND NONE OF THEM HAVE EVER TREATED EMMA. 592 00:32:35,487 --> 00:32:39,458 NOW, WE FOUND PRESCRIPTIONS IN YOUR NEPHEW'S HOUSE 593 00:32:39,491 --> 00:32:42,661 WRITTEN OVER A YEAR AGO BY A DOCTOR IN YONKERS, 594 00:32:42,694 --> 00:32:44,463 AND THEY'D NEVER BEEN REFILLED. 595 00:32:44,496 --> 00:32:47,333 >> [whispers] PLEASE, STOP. 596 00:32:47,366 --> 00:32:50,002 >> SOMETHING HAPPENED TO EMMA, MRS. HUNTFORD, 597 00:32:50,036 --> 00:32:53,705 AND IT WASN'T AT THE BARTON HOTEL. 598 00:33:00,479 --> 00:33:02,981 >> DO YOU HAVE ANY IDEA 599 00:33:03,015 --> 00:33:07,253 WHAT IT'S LIKE TO HAVE EVERYTHING TAKEN AWAY? 600 00:33:14,993 --> 00:33:19,465 MY HUSBAND HAD A STROKE AT HIS DESK TEN YEARS AGO. 601 00:33:19,498 --> 00:33:22,534 I'LL BE GONE IN A MATTER OF MONTHS. 602 00:33:22,568 --> 00:33:27,539 WHAT GOOD DID ALL HIS MONEY DO ME, HMM? 603 00:33:40,919 --> 00:33:43,189 >> THERE'S NO KID? 604 00:33:43,222 --> 00:33:45,224 >> THE PHOTOS WERE OF THE NEIGHBORS' LITTLE GIRL. 605 00:33:45,257 --> 00:33:47,359 NO ONE'S ACTUALLY SEEN EMMA FOR SIX MONTHS. 606 00:33:47,393 --> 00:33:49,861 >> SO THEY STAGE A KIDNAPPING 607 00:33:49,895 --> 00:33:51,630 TO COVER UP WHATEVER WAS DONE TO THAT CHILD. 608 00:33:51,663 --> 00:33:53,765 >> YES. I MEAN... 609 00:33:53,799 --> 00:33:56,068 MAINLY FOR THE BENEFIT OF ANDRE'S AUNT. 610 00:33:56,102 --> 00:33:57,836 YOU SEE, EMMA'S THE GOLDEN GOOSE. 611 00:33:57,869 --> 00:34:00,506 IT'S ANDRE'S ONLY CHANCE OF INHERITING THE MONEY. 612 00:34:00,539 --> 00:34:02,541 >> AND THE MOTHER WENT ALONG? 613 00:34:02,574 --> 00:34:06,512 >> YEAH. MY GUESS IS CALISTA HAD NO CHOICE. 614 00:34:06,545 --> 00:34:11,117 SHE'S EMOTIONALLY FRAGILE, AND I THINK ANDRE FED ON THAT. 615 00:34:11,150 --> 00:34:13,785 >> WE FOUND BABY POWDER THAT WAS NEVER OPENED, 616 00:34:13,819 --> 00:34:16,688 PAMPERS THAT WERE NEVER USED, TOYS NEVER PLAYED WITH. 617 00:34:16,722 --> 00:34:19,258 SHE BELIEVED EMMA WAS ALIVE. 618 00:34:19,291 --> 00:34:21,860 >> OUT OF GUILT OR REMORSE OF--OF LONGING, 619 00:34:21,893 --> 00:34:24,830 I THINK CALISTA NEEDS THE ILLUSION. 620 00:34:24,863 --> 00:34:29,201 IT'S A VARIATION OF FOLIE A DEUX. 621 00:34:29,235 --> 00:34:33,139 >> AND YOU'RE GOING TO PROVE THAT...HOW? 622 00:34:33,172 --> 00:34:36,975 >> WE'LL...DESTROY THE ILLUSION. 623 00:34:48,354 --> 00:34:50,589 >> THE LONGER EMMA'S GONE, THE MORE LIKELY IT IS THAT-- 624 00:34:50,622 --> 00:34:53,459 >> NO, IT'S TOO EARLY. DON'T SAY THAT. 625 00:34:53,492 --> 00:34:55,627 [doorbell rings] 626 00:34:57,129 --> 00:34:59,698 >> IT'S SOMETHING WE MAY HAVE TO FACE. 627 00:34:59,731 --> 00:35:02,067 >> WHAT'S GOING ON? 628 00:35:03,935 --> 00:35:07,973 >> IS THERE NEWS? >> WE FOUND EMMA. 629 00:35:08,006 --> 00:35:10,342 >> WHAT? 630 00:35:10,376 --> 00:35:13,111 >> I'M SORRY. 631 00:35:16,648 --> 00:35:21,019 >> "SLEEP NO PAIN SHALL WAKE." 632 00:35:21,052 --> 00:35:24,256 >> OUR CHILD IS DEAD, AND YOU'RE QUOTING MY WORK? 633 00:35:24,290 --> 00:35:26,558 >> WELL, IT'S IN YOUR BOOK, BUT IT'S NOT YOUR WORK. 634 00:35:26,592 --> 00:35:29,361 IN FACT, IT'S... CHRISTINA ROSETTI'S. 635 00:35:29,395 --> 00:35:31,697 >> HOW DARE YOU SPEAK TO HIM LIKE THAT. 636 00:35:31,730 --> 00:35:33,098 YOU DON'T KNOW HOW WE'VE SUFFERED. 637 00:35:33,131 --> 00:35:35,667 OUR CHILD IS GONE. 638 00:35:35,701 --> 00:35:38,570 >> I KNOW SHE IS. 639 00:35:38,604 --> 00:35:40,506 LAST SUMMER. 640 00:35:44,075 --> 00:35:46,044 WHEN THINGS WENT...WRONG? 641 00:35:46,077 --> 00:35:50,216 ISN'T THAT RIGHT, MRS. HASLUM? 642 00:35:50,249 --> 00:35:54,920 >> WHENEVER THERE'S A QUESTION ABOUT EMMA, YOU LOOK TO HIM. 643 00:35:54,953 --> 00:35:58,690 AND YOU ALWAYS HAVE AN ANSWER. 644 00:36:01,227 --> 00:36:03,262 >> YOUR LIFE WITH ANDRE, 645 00:36:03,295 --> 00:36:06,097 T-THE POEMS THAT HE WROTE FOR YOU 646 00:36:06,131 --> 00:36:09,201 AND THE LOVE THAT YOU SHARED WITH HIM... 647 00:36:09,235 --> 00:36:13,539 DID THAT END AFTER YOU HAD EMMA? 648 00:36:13,572 --> 00:36:16,308 >> MY DAUGHTER MEANT EVERYTHING TO ME. 649 00:36:16,342 --> 00:36:19,044 YOU CAN'T FAULT ME FOR THAT. 650 00:36:19,077 --> 00:36:21,179 >> I'M NOT FAULTING YOU. I MEAN... 651 00:36:21,213 --> 00:36:24,616 Y-YOU GAVE HER SO MUCH. WAS THERE ANYTHING LEFT FOR HIM? 652 00:36:24,650 --> 00:36:27,819 >> STOP THIS! HE KNOWS NOTHING ABOUT US. 653 00:36:27,853 --> 00:36:30,722 >> WELL, NOW, SEE... THAT FURY THERE. 654 00:36:30,756 --> 00:36:32,658 THAT--THAT'S WHAT HAPPENS 655 00:36:32,691 --> 00:36:34,826 WHEN YOU START TO FEEL IGNORED? 656 00:36:34,860 --> 00:36:37,229 I-IS THAT WHAT DRIVES YOU... 657 00:36:37,263 --> 00:36:40,299 AFTER OTHER WOMEN? 658 00:36:42,568 --> 00:36:44,970 YOU KNOW THE POEMS THAT HE WROTE WERE FOR THEM, 659 00:36:45,003 --> 00:36:47,773 NOT FOR YOU. 660 00:36:52,511 --> 00:36:56,147 IS THAT HOW IT ALL WENT WRONG LAST SUMMER? 661 00:36:58,750 --> 00:37:03,722 I NEED YOU TO TELL ME ABOUT EMMA'S LAST DAY. 662 00:37:03,755 --> 00:37:08,727 DID YOU GO LOOKING IN THE WRONG MOTEL? 663 00:37:08,760 --> 00:37:11,397 MAYBE IF YOU KNEW... 664 00:37:11,430 --> 00:37:14,400 WHO HE WAS WITH... HOW--HOW COULD YOU? 665 00:37:14,433 --> 00:37:17,403 SO MANY WOMEN AVAILABLE TO HIM. 666 00:37:17,436 --> 00:37:20,906 AND NOT JUST STUDENTS. 667 00:37:22,408 --> 00:37:24,510 LET ME READ YOU SOMETHING. 668 00:37:24,543 --> 00:37:26,845 IT SAYS... 669 00:37:26,878 --> 00:37:31,683 "WHAT MUSIC HAVE I SIPPED FROM YOUR SIREN EYES." 670 00:37:31,717 --> 00:37:34,152 ANDRE, YOUR HUSBAND, 671 00:37:34,185 --> 00:37:36,522 INSCRIBED THIS BOOK 672 00:37:36,555 --> 00:37:40,992 AND GAVE IT TO CELIA. 673 00:37:41,026 --> 00:37:44,229 WERE YOU WITH HIM THAT DAY? 674 00:37:46,798 --> 00:37:50,168 >> I'M SO SORRY. 675 00:38:03,248 --> 00:38:06,785 >> IT WAS AFTERNOON... 676 00:38:06,818 --> 00:38:08,754 MIDSUMMER IN YONKERS. 677 00:38:08,787 --> 00:38:12,190 IT WAS A TERRIBLY HOT DAY. 678 00:38:19,197 --> 00:38:22,468 >> RIGHT? >> YEAH... 679 00:38:22,501 --> 00:38:26,505 I BURNED MY FEET ON THE PAVEMENT. 680 00:38:26,538 --> 00:38:28,840 I LEFT MY SHOES AT THE HOUSE. 681 00:38:28,874 --> 00:38:31,309 I WAS SO ANXIOUS TO FIND HIM, I WENT EVERYWHERE. 682 00:38:31,343 --> 00:38:34,546 I KNOCKED ON DOORS AT ALL THE MOTELS. 683 00:38:37,416 --> 00:38:39,751 >> YOU LEFT EMMA IN THE CAR. 684 00:38:39,785 --> 00:38:45,857 >> YEAH, BUT I LEFT THE AIR CONDITIONING ON. 685 00:38:45,891 --> 00:38:48,560 >> CHECKED IT LIKE YOU CHECKED THE THERMOSTAT 686 00:38:48,594 --> 00:38:49,895 IN THE HOTEL ROOM? 687 00:38:49,928 --> 00:38:52,130 >> YEAH. I WOULD HAVE NEVER LEFT HER IN THE CAR 688 00:38:52,163 --> 00:38:53,865 WITHOUT THE AIR CONDITIONING. 689 00:38:53,899 --> 00:38:56,935 HOW COULD I KNOW THAT THE ENGINE WAS GONNA DIE? 690 00:38:56,968 --> 00:38:58,404 >> CALISTA, SHUT YOUR MOUTH. 691 00:38:58,437 --> 00:39:03,308 >> HER SKIN WAS SO HOT TO THE TOUCH, IT WAS WHITE. 692 00:39:03,341 --> 00:39:07,345 SHE DIDN'T MOVE. 693 00:39:07,379 --> 00:39:09,848 I TOOK HER HOME AND PUT HER IN HER ROOM 694 00:39:09,881 --> 00:39:13,251 AND...PULLED DOWN THE SHADE SO IT WAS COOL AND DARK, 695 00:39:13,284 --> 00:39:15,621 AND WHEN ANDRE CAME HOME, HE...LOOKED AT HER. 696 00:39:15,654 --> 00:39:20,358 HE SAID I DID THE RIGHT THING. 697 00:39:20,392 --> 00:39:22,260 HE SAID EVERYTHING WOULD BE OKAY 698 00:39:22,293 --> 00:39:25,296 IF WE DIDN'T TELL ANYONE. 699 00:39:27,499 --> 00:39:31,069 HE SAID EMMA WAS ALIVE AND ALL I HAD TO DO 700 00:39:31,102 --> 00:39:34,706 WAS BELIEVE HIM. 701 00:39:45,751 --> 00:39:49,855 BUT EMMA IS DEAD. 702 00:39:49,888 --> 00:39:52,858 SHE'S DEAD. 703 00:39:52,891 --> 00:39:56,061 I KILLED HER. 704 00:40:16,314 --> 00:40:18,383 >> SHERIFF IN SOUTH SALEM FOUND THE REMAINS 705 00:40:18,416 --> 00:40:20,051 ABOUT 10 YARDS INTO THE WOODS 706 00:40:20,085 --> 00:40:22,821 ON THE PROPERTY OF AN EMILY HUNTFORD. 707 00:40:22,854 --> 00:40:25,624 >> THAT'S THE LITTLE GIRL'S GREAT-AUNT. 708 00:40:25,657 --> 00:40:28,627 >> WELL, IT APPEARS THEY WRAPPED HER IN THIS... 709 00:40:28,660 --> 00:40:31,296 AND THEY FOUND THIS WITH THE REMAINS. 710 00:40:31,329 --> 00:40:33,064 LOOKS LIKE A POEM. 711 00:40:42,340 --> 00:40:46,645 >> "IT'S NOT DEATH WHO HOLDS THEE, IT'S LOVE." 712 00:40:46,678 --> 00:40:49,948 YEAH. IT'S STOLEN. 713 00:40:49,981 --> 00:40:51,717 IT'S ELIZABETH BARRETT BROWNING. 714 00:40:51,750 --> 00:40:54,019 GUY COULDN'T EVEN BE ORIGINAL FOR HIS OWN DAUGHTER.