1 00:00:01,169 --> 00:00:04,205 >> male announcer: IN NEW YORK CITY'S WAR ON CRIME, 2 00:00:04,238 --> 00:00:06,240 THE WORST CRIMINAL OFFENDERS ARE PURSUED 3 00:00:06,274 --> 00:00:09,210 BY THE DETECTIVES OF THE MAJOR CASE SQUAD. 4 00:00:09,243 --> 00:00:11,011 THESE ARE THEIR STORIES. 5 00:00:13,214 --> 00:00:15,649 >> THINGS LONG DEAD. 6 00:00:15,683 --> 00:00:18,252 SEE HOW THEY RISE AGAIN? 7 00:00:18,286 --> 00:00:20,354 WHY? 8 00:00:20,388 --> 00:00:23,524 WHY KEEP SILENCE ALL THESE 14 YEARS, 9 00:00:23,557 --> 00:00:26,760 WHEN ON THIS LETTER, WHICH HE NEVER WROTE, 10 00:00:26,794 --> 00:00:29,697 THE BELOVED TEARS WERE YOUR TEARS? 11 00:00:29,730 --> 00:00:32,066 >> [echoing] THE BLOOD STAINS WERE HIS. 12 00:00:43,244 --> 00:00:46,580 [sound slowing] WHY YOUR NOBLE SILENCE KEPT SO LONG? 13 00:00:46,614 --> 00:00:49,083 BROKEN ONLY NOW. 14 00:00:51,552 --> 00:00:52,820 >> [echoing] YOU ASK WHY? 15 00:00:52,853 --> 00:00:58,058 ALAS, WHY FOR ANYTHING OTHER THAN MY LOVE, ROXANNE? 16 00:00:58,092 --> 00:01:03,997 >> SEEING HER, I HEARD... THE REVELATIONS. 17 00:01:04,031 --> 00:01:06,367 ARRAYED IN SCARLET, 18 00:01:06,400 --> 00:01:09,870 DECKED...WITH GOLDEN STONES, 19 00:01:09,903 --> 00:01:16,677 OFFERING ABOMINATIONS, THE FILTH OF FORNICATIONS. 20 00:01:16,710 --> 00:01:19,547 BUT I WILL SAVE HER. 21 00:01:19,580 --> 00:01:21,549 I'LL SAVE THEM ALL. 22 00:01:25,586 --> 00:01:28,055 [cheers and applause] 23 00:01:34,061 --> 00:01:36,063 >> ME? OH! 24 00:01:36,096 --> 00:01:39,900 [cheers and applause] 25 00:01:47,341 --> 00:01:49,343 >> LOTS OF HARD WORK. 26 00:01:49,377 --> 00:01:50,878 AND IT SHOWED! 27 00:01:50,911 --> 00:01:52,413 >> THANK YOU. 28 00:01:52,446 --> 00:01:55,149 NEXT TIME, SOMETHING MODERN, LIKE TENNESSEE WILLIAMS. 29 00:01:55,183 --> 00:01:56,717 >> OH! >> ONE STEP AT A TIME. 30 00:01:56,750 --> 00:01:58,319 >> DID MR. DEVILDIS ENJOY IT? 31 00:01:58,352 --> 00:01:59,787 I SAW HIM IN THE AUDIENCE. 32 00:01:59,820 --> 00:02:01,655 >> HE DID, YES. 33 00:02:01,689 --> 00:02:03,757 UH, HE WOULD BE HERE NOW, BUT HE WAS CALLED AWAY. 34 00:02:03,791 --> 00:02:05,926 >> HMM. 35 00:02:05,959 --> 00:02:08,862 >> EXCUSE ME. I'VE GOT TO CIRCULATE. 36 00:02:08,896 --> 00:02:10,998 >> WELL, DADDY DIDN'T LEAVE BEFORE THE END, DID HE? 37 00:02:11,031 --> 00:02:13,734 >> HE LEFT WHEN YOU WERE IN THE GARDEN. 38 00:02:13,767 --> 00:02:15,636 >> THAT'S MY BEST SCENE. 39 00:02:15,669 --> 00:02:17,738 >> HONEY, I'M SURE IT WAS IMPORTANT. 40 00:02:36,657 --> 00:02:39,527 >> MILLS... [door closes] 41 00:02:39,560 --> 00:02:41,862 GUESS WHO'S THE LUCKIEST COUPLE IN THE WORLD. 42 00:02:41,895 --> 00:02:43,397 HUH? 43 00:02:43,431 --> 00:02:45,065 REMEMBER NOBODY WANTED THE PISTONS, 44 00:02:45,098 --> 00:02:47,401 AND YOU THOUGHT I WAS... MILLS? 45 00:02:47,435 --> 00:02:49,937 HUH! OHH! 46 00:02:49,970 --> 00:02:55,643 [groans] 47 00:02:55,676 --> 00:02:57,578 >> I'M SORRY. 48 00:02:57,611 --> 00:03:00,348 THERE'S NOTHING MORE I CAN DO FOR YOU. 49 00:03:01,815 --> 00:03:03,984 UHH! 50 00:03:04,017 --> 00:03:06,119 [panting] 51 00:04:05,746 --> 00:04:08,916 >> SINGLE COFFEE CUP AND SAUCER. 52 00:04:08,949 --> 00:04:13,020 COFFEE POT'S BEEN WASHED. 53 00:04:13,053 --> 00:04:16,223 BUT THESE GROUNDS, THEY'RE... 54 00:04:16,256 --> 00:04:17,691 THEY'RE STILL MOIST. 55 00:04:17,725 --> 00:04:19,727 IF SHE WAS EXPECTING HER HUSBAND HOME, 56 00:04:19,760 --> 00:04:22,195 WHY NOT HAVE THE COFFEE POT IN THE COFFEE MAKER, 57 00:04:22,229 --> 00:04:23,397 WAITING FOR HIS ARRIVAL? 58 00:04:23,431 --> 00:04:25,399 >> YOU THINK THE KILLER WASHED UP? 59 00:04:25,433 --> 00:04:27,768 >> I THINK HE WAS, YOU KNOW, COMFORTABLE HERE. 60 00:04:27,801 --> 00:04:31,805 I THINK...SHE SAT HERE WITH HIM, TALKING, 61 00:04:31,839 --> 00:04:33,374 WHEN HE STRUCK HER. 62 00:04:33,407 --> 00:04:36,944 SHE WAS LISTENING. SHE TRUSTED HIM. 63 00:04:36,977 --> 00:04:39,880 >> I DON'T ENVY WHOEVER HAS TO DEAL WITH NEXT OF KIN. 64 00:04:39,913 --> 00:04:42,516 WE GOT THE ADDRESS BOOKS, COMPUTER. 65 00:04:42,550 --> 00:04:43,851 >> YEAH, AND ALL THIS HERE. 66 00:04:43,884 --> 00:04:45,553 >> YEAH. 67 00:04:45,586 --> 00:04:48,456 >> SO IF SHE WAS KILLED FIRST... 68 00:04:48,489 --> 00:04:51,258 >> THE NEIGHBOR SAID THE HUSBAND OFTEN WORKED LATE. 69 00:04:51,291 --> 00:04:52,960 >> YEAH, I THINK HE KNEW THAT TOO. 70 00:04:52,993 --> 00:04:56,229 I THINK HE... 71 00:04:56,263 --> 00:04:58,265 SAT HERE. 72 00:04:58,298 --> 00:04:59,500 HE HAD A CUP OF COFFEE. 73 00:04:59,533 --> 00:05:03,236 HE WAITED UNTIL HE HEARD THE HUSBAND ARRIVE. 74 00:05:03,270 --> 00:05:06,139 AND THEN HE CAME IN... 75 00:05:06,173 --> 00:05:09,209 KILLER STRIKES HIM ON THE LEFT SIDE. 76 00:05:09,242 --> 00:05:10,844 HUSBAND FALLS INTO THE REFRIGERATOR. 77 00:05:10,878 --> 00:05:13,113 >> WITH A LEFT TEMPORAL FRACTURE. 78 00:05:13,146 --> 00:05:16,817 THERE'S ALSO A FRACTURE IN THE OCCIPITAL CROWN. 79 00:05:16,850 --> 00:05:18,218 TWO SELECTIVE BLOWS. 80 00:05:18,251 --> 00:05:20,120 ENOUGH TO KILL, BUT NOT MORE. 81 00:05:20,153 --> 00:05:22,756 >> IT LACKS DISORGANIZATION OF SOMEONE OUT OF CONTROL. 82 00:05:22,790 --> 00:05:25,793 >> NAH, I THINK HE WAS IN TOTAL CONTROL. 83 00:05:25,826 --> 00:05:27,861 I THINK HE KNEW THIS PLACE. 84 00:05:27,895 --> 00:05:29,196 HE PLANNED THIS. 85 00:05:29,229 --> 00:05:32,065 AND HE SHOWED UP WITH A SMALL, HEAVY WEAPON. 86 00:05:32,099 --> 00:05:34,267 >> YEAH, FROM THE INJURIES, MY GUESS WOULD BE A HAMMER. 87 00:05:34,301 --> 00:05:37,104 >> AND THE KILLER DIDN'T WANT THIS. 88 00:05:42,776 --> 00:05:45,112 >> IT DOESN'T HAVE THE LOOK OF SEXUAL ASSAULT. 89 00:05:45,145 --> 00:05:47,881 >> YEAH. 90 00:05:47,915 --> 00:05:49,082 THIS. 91 00:05:49,116 --> 00:05:51,385 >> MAYBE SHE WAS HOLDING IT WHEN SHE FELL? 92 00:05:51,419 --> 00:05:53,554 >> YEAH, BUT HER RIGHT HAND IS UNDER HER HIP. 93 00:05:53,587 --> 00:05:55,188 HER LEFT IS ON TOP OF HER HEAD. 94 00:05:55,222 --> 00:05:56,724 NO, IT WOULD TAKE HIM TWO HANDS 95 00:05:56,757 --> 00:05:58,426 TO ARRANGE THE TOWELS 96 00:05:58,459 --> 00:06:04,064 TO COVER HER EXPOSED BREAST. 97 00:06:04,097 --> 00:06:06,567 >> OUR KILLER IS CONCERNED ABOUT MODESTY? 98 00:06:09,470 --> 00:06:12,039 >> MY FIRST QUESTION IS ABOUT THAT MONEY. 99 00:06:12,072 --> 00:06:15,142 >> HE HAD $1,000 IN 20S. 100 00:06:15,175 --> 00:06:17,511 HE MIGHT HAVE HELD IT IN HIS HAND, YOU KNOW, 101 00:06:17,545 --> 00:06:19,413 TO SHOW TO HIS WIFE. 102 00:06:19,447 --> 00:06:21,782 >> A SUCCESSFUL SCORE FROM A DRUG DEAL? 103 00:06:21,815 --> 00:06:23,484 >> POSSIBLY, BUT THE NARCOTICS SWEEP 104 00:06:23,517 --> 00:06:25,619 OF THE HOUSE AND VEHICLE WAS NEGATIVE. 105 00:06:25,653 --> 00:06:27,521 >> WHAT ABOUT A SEXUAL COMPONENT? 106 00:06:27,555 --> 00:06:28,822 >> THE PRELIMINARY AUTOPSY 107 00:06:28,856 --> 00:06:31,324 SHOWED NO SIGNS OF ANY SEXUAL ACTIVITY. 108 00:06:31,358 --> 00:06:32,560 >> BUT AN EXPOSED BREAST, 109 00:06:32,593 --> 00:06:34,227 DELIBERATELY COVERED WITH A TOWEL-- 110 00:06:34,261 --> 00:06:35,963 WE SHOULDN'T DISCOUNT SOMETHING WEIRD. 111 00:06:35,996 --> 00:06:38,231 >> SHE WAS YOUNG, ATTRACTIVE. 112 00:06:38,265 --> 00:06:42,470 MAYBE SHE GOT INVOLVED WITH SOME DERANGED NUT? 113 00:06:42,503 --> 00:06:43,704 >> WHO KILLS HER AND HER HUSBAND 114 00:06:43,737 --> 00:06:45,005 OUT OF JEALOUSY. 115 00:06:47,007 --> 00:06:49,309 >> WHY WOULD SHE SIT AT THE TABLE 116 00:06:49,342 --> 00:06:50,711 AND HAVE COFFEE WITH A LOVER 117 00:06:50,744 --> 00:06:53,013 IF SHE WAS EXPECTING HER HUSBAND TO COME HOME, THEN? 118 00:06:53,046 --> 00:06:55,916 [phone rings] 119 00:06:55,949 --> 00:06:57,518 >> ROSS. 120 00:06:57,551 --> 00:06:58,786 THANK YOU. 121 00:06:58,819 --> 00:07:00,253 [hangs up phone] 122 00:07:00,287 --> 00:07:01,421 HER SISTER AND BROTHER-IN-LAW 123 00:07:01,455 --> 00:07:03,356 HAVE COME TO IDENTIFY THE BODIES. 124 00:07:09,897 --> 00:07:12,666 >> [gasps] 125 00:07:12,700 --> 00:07:14,134 [crying] 126 00:07:14,167 --> 00:07:15,536 >> IT'S OKAY. 127 00:07:15,569 --> 00:07:16,870 >> OH, MY... 128 00:07:19,707 --> 00:07:24,211 >> WE SAW THEM ABOUT... A MONTH AGO? 129 00:07:24,244 --> 00:07:26,346 >> I WAS HOPING THEY WOULD COME TO THE PLAY. 130 00:07:26,379 --> 00:07:28,115 >> PLAY? 131 00:07:28,148 --> 00:07:31,485 >> OUR DAUGHTER KATHY WAS IN A SCHOOL PLAY LAST NIGHT. 132 00:07:31,519 --> 00:07:33,554 >> IF THEY HAD COME, YOU KNOW, MAYBE... 133 00:07:34,888 --> 00:07:37,157 I CAN'T EVEN THINK ABOUT IT. 134 00:07:37,190 --> 00:07:38,425 >> DID THEY EVER TALK ABOUT ANYONE 135 00:07:38,458 --> 00:07:40,427 THEY THOUGHT OF AS AN ENEMY? 136 00:07:40,460 --> 00:07:42,563 >> AN ENEMY? NO. 137 00:07:42,596 --> 00:07:43,964 NO, THERE WAS NOTHING LIKE THAT 138 00:07:43,997 --> 00:07:45,599 WITH MILLIE AND JOE. 139 00:07:45,633 --> 00:07:48,736 >> ANY PROBLEMS? MAYBE SOMETHING FINANCIAL? 140 00:07:48,769 --> 00:07:50,170 >> UM, I MEAN, THINGS WERE A LITTLE TIGHT. 141 00:07:50,203 --> 00:07:51,972 BUT THEY ALWAYS KNEW THAT PAUL AND I 142 00:07:52,005 --> 00:07:53,406 WERE THERE TO HELP THEM. 143 00:07:53,440 --> 00:07:55,308 >> AND THEIR MARRIAGE SEEMED GOOD? 144 00:07:55,342 --> 00:07:57,578 >> VERY GOOD. 145 00:07:57,611 --> 00:08:01,749 THEY WERE GONNA HAVE A BABY. 146 00:08:01,782 --> 00:08:03,116 >> I'M SORRY, I DON'T-- 147 00:08:03,150 --> 00:08:04,552 I DON'T THINK WE CAN DO ANY MORE OF THIS. 148 00:08:04,585 --> 00:08:06,019 >> YEAH, THERE'S JUST ONE LAST THING. 149 00:08:06,053 --> 00:08:07,788 DO YOU KNOW OF ANY PROBLEMS 150 00:08:07,821 --> 00:08:09,823 THAT HE WAS HAVING IN THE WORK PLACE? 151 00:08:09,857 --> 00:08:13,727 >> UH, NOT THAT I KNOW OF. 152 00:08:13,761 --> 00:08:15,295 >> UH, SO... 153 00:08:15,328 --> 00:08:17,831 >> [whispering] IT'S OKAY. 154 00:08:17,865 --> 00:08:20,000 >> JOE GOT ALONG GOOD WITH EVERYONE. 155 00:08:20,033 --> 00:08:22,903 >> NEVER A SINGLE CONFLICT HERE? 156 00:08:22,936 --> 00:08:25,539 >> DO YOU KNOW WHAT A CRANE OPERATOR DOES? 157 00:08:25,573 --> 00:08:27,808 YOU'RE WORKING DOWN HERE WHILE THE CRANE 158 00:08:27,841 --> 00:08:30,744 IS HOLDING THREE TONS OF STEEL OVER YOUR HEAD. 159 00:08:30,778 --> 00:08:32,980 YOUR LIFE IS IN JOE'S HANDS. 160 00:08:33,013 --> 00:08:34,347 ANYBODY HAD A PROBLEM WITH HIM, 161 00:08:34,381 --> 00:08:36,416 I'D HAVE HEARD ABOUT IT. 162 00:08:36,449 --> 00:08:37,517 >> HE WENT HOME 163 00:08:37,551 --> 00:08:39,152 WITH QUITE A BIT OF MONEY LAST NIGHT. 164 00:08:39,186 --> 00:08:41,521 >> YEAH, A BASKETBALL POOL. 165 00:08:41,555 --> 00:08:43,023 GAVE ME AND THE CREW A COUPLE HUNDRED BUCKS 166 00:08:43,056 --> 00:08:44,558 FOR BEERS AND, UH, 167 00:08:44,592 --> 00:08:46,026 TOOK THE REST HOME TO SURPRISE MILLIE. 168 00:08:46,059 --> 00:08:47,861 >> PASSED ON THE PARTY? 169 00:08:47,895 --> 00:08:49,897 >> KID ON THE WAY. 170 00:08:49,930 --> 00:08:51,765 WORK'S NOT AS STEADY AS IT WAS. 171 00:08:51,799 --> 00:08:55,068 >> SO HE WAS MAYBE HAVING FINANCIAL PROBLEMS OR... 172 00:08:55,102 --> 00:08:57,204 >> HE WAS ALWAYS ASKING FOR OVERTIME. 173 00:08:57,237 --> 00:08:59,206 HE HAD A BALLOON PAYMENT ON HIS MORTGAGE. 174 00:08:59,239 --> 00:09:01,541 [scoffs] WAS HOPING HIS BROTHER-IN-LAW COULD FIX IT. 175 00:09:01,575 --> 00:09:03,476 THE GUY'S A BANKER. 176 00:09:03,510 --> 00:09:04,645 [beep] 177 00:09:04,678 --> 00:09:06,847 >> I, UH, SPOKE TO EVERYONE BUT YOUR MOTHER. 178 00:09:06,880 --> 00:09:08,081 OH, UH, YEAH. 179 00:09:08,115 --> 00:09:09,382 I CALLED THE HOME. 180 00:09:09,416 --> 00:09:10,784 THEY'RE GONNA KEEP HER AWAY FROM THE NEWS. 181 00:09:10,818 --> 00:09:12,019 AND I'M GONNA GO OUT THERE TOMORROW. 182 00:09:14,321 --> 00:09:16,323 >> IS THIS...FOR THE BANK? 183 00:09:16,356 --> 00:09:17,725 >> YEAH, IT'S MODIFICATIONS 184 00:09:17,758 --> 00:09:19,126 ON THE FIRST PLAN THAT I SUBMITTED. 185 00:09:19,159 --> 00:09:21,061 IT, UH... 186 00:09:21,094 --> 00:09:22,963 IT HELPS KEEP MY MIND OFF THINGS. 187 00:09:22,996 --> 00:09:26,800 >> WELL...THEY HAVE NO IDEA WHAT THEY LOST IN YOU. 188 00:09:26,834 --> 00:09:28,168 [approaching footsteps] 189 00:09:28,201 --> 00:09:31,705 >> OKAY, I KNOW THAT IT'S A BAD TIME. 190 00:09:31,739 --> 00:09:33,607 BUT I HAVE THIS BIG SCENE FOR DRAMA. 191 00:09:33,641 --> 00:09:34,742 I PROMISED TRINA 192 00:09:34,775 --> 00:09:35,809 I'D BE OVER AT HER HOUSE TOMORROW NIGHT, 193 00:09:35,843 --> 00:09:36,810 AND WE'D RUN LINES. 194 00:09:36,844 --> 00:09:38,011 >> WHAT PLAY IS IT? 195 00:09:38,045 --> 00:09:40,513 >> OH, UH, IT'S SWEET BIRD OF YOUTH 196 00:09:40,547 --> 00:09:42,115 BY TENNESSEE WILLIAMS. 197 00:09:42,149 --> 00:09:44,952 >> HE WAS A HOMOSEXUAL, WASN'T HE? 198 00:09:44,985 --> 00:09:46,219 >> DAD... 199 00:09:46,253 --> 00:09:47,988 HE WAS A BRILLIANT WRITER. 200 00:09:48,021 --> 00:09:50,257 AND HE WROTE GREAT ROLES FOR WOMEN. 201 00:09:50,290 --> 00:09:51,759 >> HONEY, YOU KNOW, WHAT YOU'RE DOING 202 00:09:51,792 --> 00:09:54,094 IS HELPING YOU KEEP YOUR MIND OFF OUR TRAGEDY, IT'S-- 203 00:09:54,127 --> 00:09:55,663 >> YEAH, MOM'S RIGHT. 204 00:09:55,696 --> 00:09:58,231 THIS WOULD HELP ME TOO. 205 00:09:58,265 --> 00:09:59,432 >> PLEASE. 206 00:10:02,369 --> 00:10:03,704 >> OKAY. 207 00:10:06,974 --> 00:10:08,742 [sighs] 208 00:10:08,776 --> 00:10:09,843 >> THANK YOU. 209 00:10:19,687 --> 00:10:22,222 >> MR. DEVILDIS, WHAT A SURPRISE. 210 00:10:22,255 --> 00:10:24,692 >> I, UH, I FELT BAD NOT SEEING YOU 211 00:10:24,725 --> 00:10:26,226 AND THANKING YOU AFTER THE PLAY. 212 00:10:26,259 --> 00:10:28,528 >> YOU CAME ALL THE WAY OUT HERE TO TELL ME THAT? 213 00:10:28,561 --> 00:10:30,998 >> UH, NO, I HAD BUSINESS NEARBY 214 00:10:31,031 --> 00:10:32,766 AND MY WIFE PREVAILED ON ME 215 00:10:32,800 --> 00:10:34,334 TO LOOK FOR YOUR ACTING STUDIO. 216 00:10:34,367 --> 00:10:35,769 AND, ANYWAY, HERE I AM. 217 00:10:35,803 --> 00:10:38,839 I, UH, LEFT THE PLAY EARLY. 218 00:10:38,872 --> 00:10:40,974 IT WAS RUDE OF ME. BUSINESS CALL. 219 00:10:41,008 --> 00:10:43,010 >> I UNDERSTAND. THAT'S OKAY. 220 00:10:43,043 --> 00:10:45,578 >> KATHY'S VERY ENTHUSIASTIC ABOUT DRAMA. 221 00:10:45,612 --> 00:10:47,114 >> YEAH. 222 00:10:47,147 --> 00:10:49,249 YEAH, I HEAR THAT YOU'RE NOT 100% APPROVING. 223 00:10:49,282 --> 00:10:51,484 >> [laughs] WELL, IT'S UH... 224 00:10:51,518 --> 00:10:52,953 NOT SOMETHING I'M USED TO. 225 00:10:52,986 --> 00:10:55,622 >> DIDN'T SEEING HER IN THE PLAY TURN YOU AROUND? 226 00:10:55,655 --> 00:10:58,058 >> HAD A VERY STRONG IMPACT ON ME. 227 00:10:58,091 --> 00:10:59,860 AND KATHY WANTS TO CONTINUE WITH ACTING. 228 00:10:59,893 --> 00:11:03,764 MAYBE...IF WE COULD TALK. 229 00:11:03,797 --> 00:11:05,565 >> WELL, COME IN. I'LL MAKE COFFEE. 230 00:11:05,598 --> 00:11:07,768 TRY SELLING YOU ON SENDING KATHY TO YALE DRAMA. 231 00:11:07,801 --> 00:11:09,102 >> [laughs] 232 00:11:09,136 --> 00:11:10,738 THAT'S A BIG ORDER. 233 00:11:10,771 --> 00:11:12,472 >> SHE'S A BIG TALENT. 234 00:11:32,092 --> 00:11:33,360 >> I REMEMBERED MENTION OF THE FLYER 235 00:11:33,393 --> 00:11:34,862 IN THE INTERPRECINCT BULLETIN. 236 00:11:34,895 --> 00:11:36,296 THAT, COUPLED WITH THE CAUSE OF DEATH... 237 00:11:36,329 --> 00:11:37,664 >> BLUNT FORCE INSTRUMENT? 238 00:11:37,697 --> 00:11:39,900 >> A LOT OF SIMILARITIES IN THE M.O. 239 00:11:39,933 --> 00:11:42,335 NO SIGN OF FORCED ENTRY. 240 00:11:42,369 --> 00:11:44,371 >> SO SHE KNEW HER KILLER. 241 00:11:47,040 --> 00:11:48,041 >> [sighs] 242 00:11:48,075 --> 00:11:49,709 MULTIPLE BLOWS DELIVERED 243 00:11:49,743 --> 00:11:51,678 WITH A SIMILAR BLUNT FORCE INSTRUMENT. 244 00:11:51,711 --> 00:11:53,346 >> WHILE POURING COFFEE FOR HER KILLER. 245 00:11:53,380 --> 00:11:55,783 SADLY, VERY FAMILIAR. 246 00:11:55,816 --> 00:11:57,184 >> WELL, THE STEGEMAN'S INJURIES 247 00:11:57,217 --> 00:11:59,252 WERE ROUNDED INDENTATIONS. 248 00:11:59,286 --> 00:12:01,221 A BALL-PEEN HAMMER. 249 00:12:01,254 --> 00:12:03,056 THIS HAS AN ALMOST IDENTICAL LOOK. 250 00:12:03,090 --> 00:12:05,258 >> TIME OF DEATH? 251 00:12:05,292 --> 00:12:08,061 >> WELL, FROM LIVIDITY AND RIGOR I'D SAY LAST NIGHT, 252 00:12:08,095 --> 00:12:10,097 7:00 TO 10:00 P.M. 253 00:12:10,130 --> 00:12:12,465 SHE...DIRECTED PLAYS? 254 00:12:12,499 --> 00:12:14,334 >> DRAMA TEACHER AT A CHRISTIAN HIGH SCHOOL. 255 00:12:14,367 --> 00:12:15,803 >> WHO FOUND HER? 256 00:12:15,836 --> 00:12:17,704 >> DOREEN HOWELL. THEY LIVE TOGETHER. 257 00:12:17,737 --> 00:12:19,239 WE HAVE HER WITH A PARAMEDIC. 258 00:12:19,272 --> 00:12:20,273 >> ALL RIGHT, THANKS. 259 00:12:20,307 --> 00:12:22,275 >> THANKS. VILMA TAUGHT DRAMA. 260 00:12:22,309 --> 00:12:24,144 MILLIE STEGEMAN TAUGHT SPECIAL ED. 261 00:12:24,177 --> 00:12:25,846 BOTH TEACHERS. 262 00:12:25,879 --> 00:12:29,049 >> WHAT, BESIDES THIS, CONNECTS THEM? 263 00:12:29,082 --> 00:12:30,417 >> I'M CERTAIN SHE DIDN'T KNOW THOSE PEOPLE. 264 00:12:30,450 --> 00:12:31,451 [sniffles] 265 00:12:31,484 --> 00:12:32,853 I CALLED HER FROM MY MOTHER'S 266 00:12:32,886 --> 00:12:36,023 WHEN THOSE MURDERS WERE OVER THE NEWS. 267 00:12:36,056 --> 00:12:38,792 WE TALKED ABOUT THEM. SHE WOULD HAVE SAID SOMETHING. 268 00:12:38,826 --> 00:12:40,828 DID THE SAME PERSON KILL VILMA? 269 00:12:40,861 --> 00:12:43,263 >> THAT'S SOMETHING WE HAVE TO CONSIDER. 270 00:12:43,296 --> 00:12:45,833 >> VILMA'S CLASSES WERE ONLY FOR CHILDREN? 271 00:12:45,866 --> 00:12:46,867 NO ADULT ED? 272 00:12:46,900 --> 00:12:49,102 >> ONLY KIDS. 273 00:12:49,136 --> 00:12:50,137 YEAH. 274 00:12:50,170 --> 00:12:53,040 SHE JUST DID A PRODUCTION OF CYRANO. 275 00:12:53,073 --> 00:12:55,575 >> YEAH, I WAS WONDERING IF YOU KNEW 276 00:12:55,608 --> 00:12:57,110 IF THERE WAS ANY WAY WE COULD FIND OUT 277 00:12:57,144 --> 00:12:59,012 WHO RECEIVED THESE FLYERS FROM THE PLAY. 278 00:12:59,046 --> 00:13:02,850 >> YES...THE PARENTS GAVE US A LIST OF NAMES. 279 00:13:02,883 --> 00:13:04,584 WE SENT THEM OUT. 280 00:13:04,617 --> 00:13:06,519 >> THREE KILLINGS IN TWO DAYS. 281 00:13:06,553 --> 00:13:07,821 >> THE TABLOIDS HAVE ALREADY LABELED HIM 282 00:13:07,855 --> 00:13:08,856 A SERIAL KILLER. 283 00:13:08,889 --> 00:13:10,991 >> THERE MAY BE NO REASON TO ARGUE THAT. 284 00:13:11,024 --> 00:13:12,125 MAKE SURE EVERYTHING GOES TO THE F.B.I. 285 00:13:12,159 --> 00:13:13,393 FOR POSSIBLE PROFILING. 286 00:13:13,426 --> 00:13:15,428 >> WELL, WE'LL SEND IT, BUT THERE ISN'T MUCH. 287 00:13:15,462 --> 00:13:16,964 >> PAUL AND MARY DEVILDIS, 288 00:13:16,997 --> 00:13:18,598 THE SISTER AND BROTHER-IN-LAW 289 00:13:18,631 --> 00:13:20,300 WHO CAME TO IDENTIFY MILLIE STEGEMAN, 290 00:13:20,333 --> 00:13:21,902 THEIR DAUGHTER WAS IN THE PLAY. 291 00:13:21,935 --> 00:13:22,970 THEY PUT MILLIE AND JOE 292 00:13:23,003 --> 00:13:24,905 ON THE LIST TO RECEIVE A FLYER. 293 00:13:24,938 --> 00:13:26,706 >> IT'S PROBABLY JUST A FAMILY CONNECTION, 294 00:13:26,739 --> 00:13:28,308 BUT WE'LL TAKE A CLOSER LOOK AT THEM. 295 00:13:28,341 --> 00:13:29,676 >> ANYTHING FROM CROSS CHECKS 296 00:13:29,709 --> 00:13:30,777 OF THE VICTIMS' PHONE RECORDS? 297 00:13:30,810 --> 00:13:31,912 >> STILL UNDERWAY. 298 00:13:31,945 --> 00:13:34,414 THE NAMES OF ANYONE WHO CALLED BOTH VICTIMS 299 00:13:34,447 --> 00:13:35,582 WILL GO IN VICAP. 300 00:13:35,615 --> 00:13:37,951 >> I DON'T EXPECT MUCH FROM VICAP. 301 00:13:37,985 --> 00:13:39,786 THERE WERE NO HITS ON LATENT PRINTS 302 00:13:39,819 --> 00:13:41,021 FROM EITHER CRIME SCENE. 303 00:13:41,054 --> 00:13:43,156 I--I'M PRETTY CERTAIN 304 00:13:43,190 --> 00:13:45,825 THAT WE'RE DEALING WITH A FIRST OFFENDER. 305 00:13:47,560 --> 00:13:49,662 >> ALL RIGHT, THEN, OUR ONLY LINKAGE. 306 00:13:49,696 --> 00:13:50,998 HOW MANY OF THESE WENT OUT? 307 00:13:51,031 --> 00:13:52,799 >> THERE WERE 116 NAMES ON THE LIST, 308 00:13:52,832 --> 00:13:55,602 BUT PEOPLE COULD HAVE HANDED THEM OUT TO ANYONE. 309 00:13:55,635 --> 00:13:58,605 >> NO ROBBERY, NO SEXUAL COMPONENT. 310 00:13:58,638 --> 00:14:01,141 PEOPLE HAVE BEEN KILLED OVER SCHOOL BEAUTY PAGEANTS, 311 00:14:01,174 --> 00:14:03,543 SOCCER, LITTLE LEAGUE. 312 00:14:03,576 --> 00:14:05,212 MAYBE IT ORIGINATES FROM THE DRAMA CLASS. 313 00:14:07,814 --> 00:14:09,950 >> WE DEBATED CLOSING DOWN. 314 00:14:09,983 --> 00:14:12,719 FIRST THE MEDIA, NOW THE POLICE. 315 00:14:12,752 --> 00:14:15,155 WE'RE A CONSERVATIVE CHRISTIAN SCHOOL. 316 00:14:15,188 --> 00:14:17,524 IT'S A--A NIGHTMARE FOR US. 317 00:14:17,557 --> 00:14:18,625 >> WELL, IT'S WORSE THAN A NIGHTMARE 318 00:14:18,658 --> 00:14:20,160 FOR YOUR LATE DRAMA TEACHER. 319 00:14:20,193 --> 00:14:23,030 >> NOW, YOU SAID THAT SHE'S WORKED HERE 320 00:14:23,063 --> 00:14:24,097 FOR SIX YEARS. 321 00:14:24,131 --> 00:14:25,365 WAS SHE WELL-LIKED? 322 00:14:25,398 --> 00:14:27,634 >> HER CLASSES WERE ALWAYS CAPACITY. 323 00:14:27,667 --> 00:14:28,601 >> YOU CALLED THIS 324 00:14:28,635 --> 00:14:30,337 A CONSERVATIVE CHRISTIAN SCHOOL. 325 00:14:30,370 --> 00:14:33,140 WAS THERE OPPOSITION TO THE KIDS BEING ONSTAGE? 326 00:14:33,173 --> 00:14:35,042 >> NOT WITH PLAYS LIKE MARY POPPINS 327 00:14:35,075 --> 00:14:36,509 OR SOUND OF MUSIC. 328 00:14:36,543 --> 00:14:37,978 >> WHAT ABOUT CYRANO? 329 00:14:38,011 --> 00:14:41,248 >> MOST PARENTS FELT A PLAY ABOUT UNREQUITED LOVE 330 00:14:41,281 --> 00:14:42,682 WAS A LESSON IN ABSTINENCE. 331 00:14:42,715 --> 00:14:44,451 >> MOST. 332 00:14:44,484 --> 00:14:46,619 THAT'S NOT EVERYONE. 333 00:14:46,653 --> 00:14:48,521 >> I CAN ASSURE YOU 334 00:14:48,555 --> 00:14:49,656 THERE WAS NO CONFLICT 335 00:14:49,689 --> 00:14:52,059 BETWEEN ANY PARENTS AND VILMA. 336 00:14:52,092 --> 00:14:53,860 EVERY STUDENT WAS REQUIRED 337 00:14:53,893 --> 00:14:55,295 TO GIVE US A LETTER FROM THEIR PARENTS 338 00:14:55,328 --> 00:14:57,397 IF THEY WANTED TO PARTICIPATE IN DRAMA. 339 00:14:57,430 --> 00:14:59,266 >> WE'LL WANT TO SEE THOSE LETTERS. 340 00:14:59,299 --> 00:15:01,601 >> THINK THEY'RE POLICE? 341 00:15:01,634 --> 00:15:03,503 >> WELL, THERE ARE PRIVACY ISSUES. 342 00:15:03,536 --> 00:15:05,105 >> YOUR DRAMA TEACHER WAS MURDERED. 343 00:15:05,138 --> 00:15:06,339 YOU DON'T WANT IT GETTING AROUND 344 00:15:06,373 --> 00:15:08,241 THAT YOU WON'T COOPERATE. 345 00:15:09,742 --> 00:15:12,079 >> VILMA'S STUDENTS NEED HELP DEALING WITH THIS. 346 00:15:12,112 --> 00:15:14,214 I WAS ABOUT TO LEAD THEM IN A PRAYER SESSION. 347 00:15:14,247 --> 00:15:17,117 >> WELL, WE'LL WAIT FOR THE LETTERS. 348 00:15:22,555 --> 00:15:25,525 >> HEY, RAY, IT'S PAUL DEVILDIS. 349 00:15:25,558 --> 00:15:27,194 >> OH, HOW ARE YA? 350 00:15:27,227 --> 00:15:30,863 >> OH, WELL AS CAN BE EXPECTED. 351 00:15:30,897 --> 00:15:32,832 >> SO SAD ABOUT YOUR WIFE'S SISTER. 352 00:15:32,865 --> 00:15:35,035 ANYTHING, ANYTHING WE CAN DO. 353 00:15:35,068 --> 00:15:37,937 >> AH, I APPRECIATE THAT, RAY. 354 00:15:37,971 --> 00:15:39,939 I UNDERSTAND THE PRESSURE THAT YOU'RE UNDER. 355 00:15:39,973 --> 00:15:42,809 >> AS YOU KNOW, IT'S NOT EASY MAKING DECISIONS 356 00:15:42,842 --> 00:15:45,312 THAT IMPACT PEOPLE'S LIVES. 357 00:15:45,345 --> 00:15:47,647 >> WELL, IT'LL END. 358 00:15:47,680 --> 00:15:50,550 YOU KNOW, IT'S BEEN, UM, THERAPEUTIC FOR ME 359 00:15:50,583 --> 00:15:53,586 TO WORK ON MY OWN RESTRUCTURING PLAN. 360 00:15:53,620 --> 00:15:57,124 IF I DROPPED IT BY, WOULD YOU REVIEW IT? 361 00:15:57,157 --> 00:15:58,525 >> OF COURSE. 362 00:15:58,558 --> 00:16:00,427 >> UH, AND SINCE I'M NO LONGER AT THE BANK, 363 00:16:00,460 --> 00:16:01,995 COULD IT BE FOR YOUR EYES ONLY? 364 00:16:02,029 --> 00:16:03,496 >> YOU HAVE MY ASSURANCE. 365 00:16:03,530 --> 00:16:05,232 >> THANKS, RAY. 366 00:16:05,265 --> 00:16:06,799 [phone beeps] 367 00:16:08,568 --> 00:16:09,602 >> POOR GUY. 368 00:16:13,406 --> 00:16:15,275 [squeaking] 369 00:16:16,709 --> 00:16:18,078 >> PERFECT QUOTE. 370 00:16:18,111 --> 00:16:21,014 >> "THEY THAT SOW IN TEARS SHALL REAP IN JOY." 371 00:16:21,048 --> 00:16:24,517 >> THAT STILL DOESN'T EXPLAIN WHY OR WHO DID IT. 372 00:16:24,551 --> 00:16:26,353 >> YOU KNOW, THE POLICE WERE AT OUR SCHOOL. 373 00:16:26,386 --> 00:16:27,787 >> THEY'RE GONNA SOLVE THIS. 374 00:16:27,820 --> 00:16:29,756 >> I HOPE THEY SOLVE IT BEFORE SOMETHING HAPPENS TO US. 375 00:16:29,789 --> 00:16:31,824 >> KATHY... >> PEOPLE WE KNEW ARE DEAD. 376 00:16:31,858 --> 00:16:33,393 >> WHY SHOULDN'T WE BE SCARED TOO? 377 00:16:33,426 --> 00:16:36,963 >> BECAUSE...WE TRUST IN THE SHIELD OF OUR FAITH. 378 00:16:36,996 --> 00:16:38,465 >> [scoffs] WELL... 379 00:16:38,498 --> 00:16:40,200 YOU TRUST IN FAITH ALL YOU WANT, DAD. 380 00:16:40,233 --> 00:16:44,404 BUT IF I'M HERE ON MY OWN, I AM NOT ANSWERING THE DOOR. 381 00:16:47,440 --> 00:16:49,442 [chopping] 382 00:16:52,979 --> 00:16:55,315 >> I JUST SPOKE TO THE BANK THAT HOLDS THE LOAN 383 00:16:55,348 --> 00:16:56,849 ON JOE AND MILLIE STEGEMAN'S HOUSE. 384 00:16:56,883 --> 00:16:58,651 >> LET ME GUESS: THEY NEEDED THAT MONEY 385 00:16:58,685 --> 00:16:59,786 FROM THE BASKETBALL POOL. 386 00:16:59,819 --> 00:17:00,853 >> OH, IT WOULDN'T HAVE HELPED. 387 00:17:00,887 --> 00:17:02,555 THEIR MONTHLY PAYMENTS HAD DOUBLED. 388 00:17:02,589 --> 00:17:05,525 THE BANK HOLDING THE LOAN IS THE SAME BANK 389 00:17:05,558 --> 00:17:07,060 WHERE PAUL DEVILDIS WORKED. 390 00:17:07,094 --> 00:17:10,063 >> THAT EXPLAINS WHY THEY COULD ASK FOR HELP. 391 00:17:10,097 --> 00:17:12,065 >> EXCEPT PAUL WAS FIRED FIVE MONTHS AGO. 392 00:17:15,402 --> 00:17:19,272 >> SO PAUL DEVILDIS. 393 00:17:19,306 --> 00:17:20,673 LOOKS LIKE HE WAS FEELING PRESSURE 394 00:17:20,707 --> 00:17:21,908 FROM MORE THAN ONE PLACE. 395 00:17:21,941 --> 00:17:24,444 THIS IS THE CONSENT LETTER TO ALLOW KATHY 396 00:17:24,477 --> 00:17:25,878 TO GO TO DRAMA CLASS. 397 00:17:25,912 --> 00:17:28,148 >> WE SHOULD PAY THEM A VISIT. 398 00:17:28,181 --> 00:17:30,016 >> YEAH. 399 00:17:30,049 --> 00:17:31,818 [car alarm chirps] 400 00:17:34,454 --> 00:17:36,356 >> MR. DEVILDIS. 401 00:17:36,389 --> 00:17:39,626 >> OH, YES, DETECTIVES. 402 00:17:39,659 --> 00:17:41,461 UH, ANY DEVELOPMENTS? 403 00:17:41,494 --> 00:17:43,730 >> WE'RE JUST GATHERING INFORMATION. 404 00:17:43,763 --> 00:17:45,265 >> WE'RE TALKING TO PEOPLE WHOSE CHILDREN 405 00:17:45,298 --> 00:17:46,799 WERE IN THE PLAY CYRANO. 406 00:17:46,833 --> 00:17:48,801 OH...YEAH, MY DAUGHTER KATHY PLAYS THE LEAD, 407 00:17:48,835 --> 00:17:49,802 BUT I DON'T SEE THAT-- 408 00:17:49,836 --> 00:17:51,238 >> DAD. >> UH, KATHY, YEAH. 409 00:17:51,271 --> 00:17:54,107 COME MEET DETECTIVE EAMES AND GOREN. 410 00:17:54,141 --> 00:17:56,109 >> YEAH, I SAW YOU AT SCHOOL. 411 00:17:56,143 --> 00:17:58,478 >> YEAH, YOU'RE IN VILMA'S CLASS. 412 00:17:58,511 --> 00:18:00,447 DO YOU ENJOY DRAMA? 413 00:18:00,480 --> 00:18:04,151 >> WELL, I--I WANT TO STUDY ACTING IN COLLEGE. 414 00:18:04,184 --> 00:18:06,786 >> DO YOU HAVE A PROBLEM WITH THAT? 415 00:18:06,819 --> 00:18:08,855 >> IS THERE A REASON FOR ASKING ME THAT? 416 00:18:08,888 --> 00:18:12,425 >> WELL, WE WERE READING THE PARENTAL CONSENT FORMS 417 00:18:12,459 --> 00:18:14,261 FOR THE DRAMA CLASS. 418 00:18:14,294 --> 00:18:17,330 MOST OF THE, UH, FORMS WERE SIGNED BY BOTH PARENTS. 419 00:18:17,364 --> 00:18:20,400 BUT KATHY'S WERE ONLY SIGNED BY HER MOM. 420 00:18:22,435 --> 00:18:24,704 >> YES, I DID HAVE SOME RESISTANCE. 421 00:18:24,737 --> 00:18:27,140 YOU KNOW, KATHY'S DADDY'S LITTLE GIRL. 422 00:18:27,174 --> 00:18:28,575 AND IT'S... 423 00:18:28,608 --> 00:18:30,377 HARD TO IMAGINE HER 424 00:18:30,410 --> 00:18:32,579 NOT TEN YEARS YOUNGER THAN SHE ACTUALLY IS. 425 00:18:32,612 --> 00:18:33,880 >> UNFORTUNATELY. 426 00:18:33,913 --> 00:18:35,982 >> OH, COME ON, I'VE COME AROUND, HAVEN'T I? 427 00:18:36,015 --> 00:18:38,117 >> YOU SAW HER IN CYRANO, THEN? 428 00:18:38,151 --> 00:18:40,086 >> YOU ASKING ME WHERE I WAS 429 00:18:40,119 --> 00:18:41,554 THE NIGHT THAT JOE AND MILLIE WERE MURDERED? 430 00:18:41,588 --> 00:18:43,423 >> DAD! >> WHAT, HONEY? IT'S OKAY. 431 00:18:43,456 --> 00:18:45,124 THE COPS GOTTA CHECK UP ON EVERYBODY. 432 00:18:45,158 --> 00:18:46,893 ISN'T THAT TRUE? 433 00:18:46,926 --> 00:18:47,994 >> IT IS ROUTINE. 434 00:18:48,027 --> 00:18:50,463 >> YES, OF COURSE I SAW THE PLAY. 435 00:18:50,497 --> 00:18:52,599 KATHY, UH, HOW MANY CURTAIN CALLS? 436 00:18:52,632 --> 00:18:55,034 >> UHH, THREE. 437 00:18:55,067 --> 00:18:56,102 >> [chuckles] THAT'S RIGHT. 438 00:18:56,135 --> 00:18:57,337 DOES THAT ANSWER IT? 439 00:18:57,370 --> 00:18:58,771 IF YOU'LL EXCUSE ME, I HAVE AN ERRAND. 440 00:18:58,805 --> 00:19:00,240 AND THEN, UM, WE'LL BE ATTENDING 441 00:19:00,273 --> 00:19:02,809 JOE AND MILLIE'S MEMORIAL SERVICE. 442 00:19:02,842 --> 00:19:04,010 >> OKAY, I'M GONNA GO. 443 00:19:04,043 --> 00:19:05,745 >> OKAY, I'LL SEE YOU LATER. 444 00:19:05,778 --> 00:19:07,214 >> THEY WERE HAVING FINANCIAL HARDSHIP, 445 00:19:07,247 --> 00:19:08,748 ON THE VERGE OF LOSING THEIR HOUSE. 446 00:19:08,781 --> 00:19:10,983 BUT I--I GUESS YOU KNEW THAT, RIGHT? 447 00:19:11,017 --> 00:19:12,785 >> I WOULDN'T HAVE LET THAT HAPPEN. 448 00:19:12,819 --> 00:19:16,556 >> YOU NO LONGER HAVE YOUR JOB AT THE BANK. 449 00:19:16,589 --> 00:19:19,426 SO HOW WOULD YOU... HELP THEM? 450 00:19:19,459 --> 00:19:21,628 >> THEY'RE FAMILY. 451 00:19:21,661 --> 00:19:23,062 I WOULD HAVE FOUND A WAY. 452 00:19:23,095 --> 00:19:25,565 >> I SEE. 453 00:19:32,572 --> 00:19:33,873 >> WELL, HE LIED. 454 00:19:33,906 --> 00:19:35,408 >> ABOUT THE PLAY? 455 00:19:35,442 --> 00:19:38,478 >> NO FATHER FORGETS HIS DAUGHTER'S CURTAIN CALLS. 456 00:19:38,511 --> 00:19:41,013 I ALSO THINK HE LIED ABOUT THE STEGEMANS. 457 00:19:41,047 --> 00:19:47,387 YOU KNOW, THIS OFFER OF HELP THAT HE COULDN'T FULFILL. 458 00:19:47,420 --> 00:19:50,323 >> JOE, MILLIE, 459 00:19:50,357 --> 00:19:53,926 AND THEIR UNBORN CHILD. 460 00:19:53,960 --> 00:19:58,130 NOW LET US REFLECT ON A PASSAGE FROM REVELATIONS... 461 00:19:58,164 --> 00:20:03,503 TO LIFT THE HEAVY CLOAK OF OUR GRIEF. 462 00:20:03,536 --> 00:20:08,207 THEY ARE NOW BEFORE THE THRONE OF GOD. 463 00:20:08,241 --> 00:20:12,011 NEVER AGAIN TO HUNGER OR TO THIRST, 464 00:20:12,044 --> 00:20:14,581 NOR SHALL THE SUN BEAT UPON THEM. 465 00:20:14,614 --> 00:20:15,615 [beep] 466 00:20:15,648 --> 00:20:18,518 >> FOR A SHEPHERD HAS COME 467 00:20:18,551 --> 00:20:22,622 TO LEAD THEM TO THE SPRING OF ETERNAL WATERS. 468 00:20:25,958 --> 00:20:31,898 AND GOD WILL WIPE THE TEARS FROM THEIR EYES. 469 00:20:31,931 --> 00:20:33,533 [choking up] FOREVER. 470 00:20:53,753 --> 00:20:56,022 >> WELL, WE KNOW THE FLYER WASN'T DELIVERED 471 00:20:56,055 --> 00:20:57,590 IN THE BOMB ITSELF. 472 00:20:57,624 --> 00:20:59,292 >> THE FRAGMENTS WE FOUND ARE TOO LARGE. 473 00:20:59,326 --> 00:21:01,628 ANYTHING ENCLOSED WITH THE BOMB WOULD BE CONFETTI. 474 00:21:01,661 --> 00:21:03,330 IT WAS PROBABLY WITH OTHER PAPERS ON HIS DESK. 475 00:21:03,363 --> 00:21:06,165 >> HE MOVE FROM A BALL-PEEN HAMMER TO A BOMB. 476 00:21:06,198 --> 00:21:08,200 WHAT DO WE KNOW ABOUT THE DEVICE? 477 00:21:08,234 --> 00:21:10,903 >> HOMEMADE, PROBABLY FROM A DOWNLOADED DIAGRAM. 478 00:21:10,937 --> 00:21:13,973 GUNPOWDER, NUMBER THREE GOOSE SHOT IN A DELIVERY BOX. 479 00:21:14,006 --> 00:21:15,542 SIMPLE, BUT DEADLY. 480 00:21:15,575 --> 00:21:16,843 >> WELL, WE KNOW THE TIME OF DEATH. 481 00:21:16,876 --> 00:21:19,546 THIS CLOCK WAS STOPPED BY THE BLAST. 482 00:21:19,579 --> 00:21:22,682 >> FORTUNATELY, AFTER CLOSING TIME. 483 00:21:22,715 --> 00:21:24,451 >> THE VICTIM WAS HERE WITH ANOTHER MAN-- 484 00:21:24,484 --> 00:21:25,785 GREG PHILLIPS. 485 00:21:25,818 --> 00:21:28,988 THEY TOOK HIM TO COLUMBIA PRES. WITH SERIOUS INJURIES. 486 00:21:29,021 --> 00:21:32,825 >> I KNOW WHO SENT THE BOMB. 487 00:21:32,859 --> 00:21:34,694 HE CALLED AND TOLD US HE WAS BRINGING IT. 488 00:21:34,727 --> 00:21:37,196 >> THAT HE WAS BRINGING A BOMB? 489 00:21:37,229 --> 00:21:38,698 >> HE SAID IT WAS A RESTRUCTURING PLAN. 490 00:21:38,731 --> 00:21:40,667 HE USED TO WORK AT THE BANK. 491 00:21:40,700 --> 00:21:43,470 HIS NAME IS... PAUL DEVILDIS. 492 00:21:43,503 --> 00:21:46,305 >> AND DEVILDIS BROUGHT IT HIMSELF? 493 00:21:46,339 --> 00:21:50,042 >> I MET HIM AT THE DOOR AND TOOK IT TO RAY BALGER, 494 00:21:50,076 --> 00:21:51,243 THE BANK PRESIDENT. 495 00:21:51,277 --> 00:21:52,779 RAY WANTED COFFEE, 496 00:21:52,812 --> 00:21:56,483 AND I WAS LEAVING TO BRING IT... 497 00:21:56,516 --> 00:21:58,184 THAT'S ALL I REMEMBER. 498 00:21:58,217 --> 00:22:01,988 >> NOW, WHY WAS ANYTHING ACCEPTED 499 00:22:02,021 --> 00:22:03,823 FROM PAUL DEVILDIS? 500 00:22:03,856 --> 00:22:05,758 HE'D BEEN FIRED. 501 00:22:05,792 --> 00:22:07,394 >> WELL, WE ALL FELT SORRY FOR HIM. 502 00:22:07,427 --> 00:22:08,895 >> SORRY FOR HIM? 503 00:22:08,928 --> 00:22:10,497 >> HE WAS OUR MANAGER, 504 00:22:10,530 --> 00:22:13,199 UNTIL CORPORATE PUSHED HIM INTO SUBPRIME LENDING. 505 00:22:13,232 --> 00:22:14,233 IT WENT BAD. 506 00:22:14,266 --> 00:22:16,202 PEOPLE STARTED LOSING THEIR HOMES. 507 00:22:16,235 --> 00:22:20,072 THEY MADE PAUL THE SCAPEGOAT. 508 00:22:30,917 --> 00:22:33,152 >> GO! GO! GO! 509 00:22:33,185 --> 00:22:34,887 >> CLEAR! 510 00:22:37,289 --> 00:22:40,259 [religious music on radio] 511 00:22:40,292 --> 00:22:47,600 * 512 00:22:47,634 --> 00:22:49,936 >> THERE'S SOMEBODY UPSTAIRS. 513 00:22:53,673 --> 00:22:54,974 >> [sighs] 514 00:22:55,007 --> 00:22:57,944 THAT'S A BAD SIGN. 515 00:23:13,960 --> 00:23:18,397 >> SHE WAS SHOT WITH A SMALL CALIBER. 516 00:23:18,431 --> 00:23:20,500 AND THEN CAREFULLY TUCKED IN. 517 00:23:20,533 --> 00:23:23,169 >> THAT LEAVES THE DAUGHTER. 518 00:23:35,848 --> 00:23:36,883 [sighs] 519 00:23:36,916 --> 00:23:38,618 DADDY'S LITTLE GIRL. 520 00:23:38,651 --> 00:23:40,352 MAYBE HE COULDN'T DO IT. 521 00:23:40,386 --> 00:23:43,590 >> LET'S HOPE. 522 00:23:43,623 --> 00:23:45,992 >> A FAMILY ANNIHILATOR. 523 00:23:46,025 --> 00:23:47,326 I'M A GUY WITH KIDS. 524 00:23:47,359 --> 00:23:48,995 I REALLY HOPED I'D MAKE IT THROUGH MY CAREER 525 00:23:49,028 --> 00:23:51,898 WITHOUT THIS PARTICULAR NIGHTMARE. 526 00:23:51,931 --> 00:23:54,066 >> WELL, ALL THE MARKERS ARE THERE. 527 00:23:54,100 --> 00:23:55,568 HE'S CONTROLLING, 528 00:23:55,602 --> 00:23:57,970 THE GO-TO PERSON FOR FAMILY PROBLEMS, 529 00:23:58,004 --> 00:24:00,139 UH, DEVOUTLY RELIGIOUS. 530 00:24:00,172 --> 00:24:02,108 BUT TWO OF THE VICTIMS WEREN'T FAMILY. 531 00:24:02,141 --> 00:24:03,543 WHY THEM? 532 00:24:03,576 --> 00:24:05,144 >> WELL, A GAY DRAMA TEACHER 533 00:24:05,177 --> 00:24:06,546 WHO CHALLENGED HIS AUTHORITY? 534 00:24:06,579 --> 00:24:07,880 I MEAN, HE PROBABLY THOUGHT 535 00:24:07,914 --> 00:24:09,849 THAT SHE WAS A CORRUPTING INFLUENCE ON HIS DAUGHTER. 536 00:24:09,882 --> 00:24:13,352 AND THEN THE BANKER--HE WAS TRYING TO SAVE THE MAN'S SOUL. 537 00:24:13,385 --> 00:24:16,155 THIS MAN WHO WAS THROWING PEOPLE OUT OF THEIR HOMES. 538 00:24:16,188 --> 00:24:20,092 THERE IS A BIBLICAL WEB SITE. 539 00:24:20,126 --> 00:24:22,629 WE FOUND THESE DOWNLOADS ON HIS COMPUTER. 540 00:24:22,662 --> 00:24:24,430 HERE. 541 00:24:24,463 --> 00:24:27,399 "THEY THAT ARE IN THE FLESH CANNOT PLEASE GOD." 542 00:24:27,433 --> 00:24:31,037 >> SO HE'S KILLING TO SEND THEM TO HEAVEN. 543 00:24:31,070 --> 00:24:34,941 ASSUMING THE DAUGHTER IS PROBABLY ALREADY DEAD, 544 00:24:34,974 --> 00:24:36,042 WHO'S NEXT? 545 00:24:36,075 --> 00:24:37,877 >> HIS MOTHER. 546 00:24:37,910 --> 00:24:39,946 HE'D WANT TO SPARE HER THE AGONY 547 00:24:39,979 --> 00:24:41,848 OF HEARING ABOUT WHAT HE'S DONE. 548 00:24:41,881 --> 00:24:44,083 >> A WOMAN WHO SAW THE NEWS COVERAGE 549 00:24:44,116 --> 00:24:45,384 CLAIMS THE MISSING DAUGHTER 550 00:24:45,417 --> 00:24:47,687 SPENT LAST NIGHT AT HER HOUSE FOR A SLEEPOVER. 551 00:24:47,720 --> 00:24:49,355 >> SO SHE'S ALIVE. 552 00:24:49,388 --> 00:24:51,123 >> HER FATHER PICKED HER UP THIS MORNING AT 7:00. 553 00:24:51,157 --> 00:24:52,792 >> MAYBE SHE'S NOT PART OF HIS PAN. 554 00:24:52,825 --> 00:24:56,128 >> NAH, I THINK SHE IS PART OF THE PLAN. 555 00:24:56,162 --> 00:24:59,298 I THINK THAT HE WANTS TO... 556 00:24:59,331 --> 00:25:01,200 SPEND SOME SPECIAL MOMENTS WITH HER. 557 00:25:01,233 --> 00:25:03,302 >> AND WHERE DOES HE TAKE HER FOR THAT? 558 00:25:03,335 --> 00:25:04,637 >> DON'T KNOW. 559 00:25:04,671 --> 00:25:07,707 MAYBE THE FAMILY HAS A BEACH HOUSE, CABIN. 560 00:25:07,740 --> 00:25:10,342 >> WELL, WE'LL ASK ANY FAMILY MEMBER WE CAN GET AHOLD OF 561 00:25:10,376 --> 00:25:11,510 WHERE THAT COULD BE. 562 00:25:11,544 --> 00:25:12,845 >> ALSO FIND EVERY PIECE OF PROPERTY 563 00:25:12,879 --> 00:25:13,846 BELONGING TO THE FAMILY 564 00:25:13,880 --> 00:25:15,682 WITHIN A 200-MILE RADIUS. 565 00:25:15,715 --> 00:25:18,050 MAYBE THERE'S STILL A CHANCE. 566 00:25:27,093 --> 00:25:29,328 >> WE ALMOST THERE? 567 00:25:29,361 --> 00:25:32,164 >> ALMOST. 568 00:25:32,198 --> 00:25:34,701 >> WHEN DO YOU THINK MOM'LL MAKE IT? 569 00:25:34,734 --> 00:25:38,070 >> UH, YOUR MOTHER HAD TO... RUN SOME ERRANDS. 570 00:25:38,104 --> 00:25:39,606 SHE HAD TO BUY GROCERIES. 571 00:25:39,639 --> 00:25:43,142 UH, SHE MIGHT NOT MAKE IT TO THE FARM TILL TONIGHT. 572 00:25:43,175 --> 00:25:46,045 >> SO IT'S JUST...YOU AND ME. 573 00:25:46,078 --> 00:25:48,414 >> SOUND BORING? 574 00:25:53,119 --> 00:25:54,320 >> I FEEL SAFE WITH YOU. 575 00:26:00,026 --> 00:26:03,562 [speed increasing] 576 00:26:09,769 --> 00:26:10,803 DAD? 577 00:26:17,176 --> 00:26:18,645 DAD! 578 00:26:18,678 --> 00:26:20,479 [tires screeching] 579 00:26:20,512 --> 00:26:22,248 DAD, WHAT ARE YOU DOING?! 580 00:26:28,020 --> 00:26:31,123 >> I'M SORRY, HONEY, I JUST... 581 00:26:31,157 --> 00:26:32,358 JUST DAYDREAMIN'. 582 00:26:48,174 --> 00:26:50,042 OKAY, GIVE IT SOME GAS! 583 00:26:50,076 --> 00:26:53,512 [engine surges] 584 00:26:53,545 --> 00:26:55,481 [truck ignition stalling] 585 00:26:55,514 --> 00:26:56,783 >> ALL RIGHT, GIVE IT A REST. 586 00:26:56,816 --> 00:26:58,651 I GOTTA CHECK THE CARBURETOR. 587 00:26:58,685 --> 00:27:00,086 [truck door slams] 588 00:27:08,928 --> 00:27:12,131 [radio tuning] 589 00:27:14,233 --> 00:27:15,902 >> IDENTIFIED THE VICTIM 590 00:27:15,935 --> 00:27:18,270 AS A MARY DEVILDIS, 37. 591 00:27:18,304 --> 00:27:20,707 DEVILDIS' BODY WAS DISCOVERED EARLY THIS MORNING 592 00:27:20,740 --> 00:27:22,641 IN HER HOME. 593 00:27:22,675 --> 00:27:25,077 POLICE ARE LOOKING FOR HER HUSBAND, PAUL DEVILDIS, 594 00:27:25,111 --> 00:27:27,747 WHO WAS LAST SEEN DRIVING A DARK BLUE, FOUR-DOOR SEDAN. 595 00:27:27,780 --> 00:27:29,716 ANYONE WITH INFORMATION ON HIS WHEREABOUTS 596 00:27:29,749 --> 00:27:32,551 SHOULD CALL THE POLICE IMMEDIATELY. 597 00:27:32,584 --> 00:27:34,620 THE POLICE CHIEF HELD A PRESS CONFERENCE THIS AFTERNOON. 598 00:27:34,653 --> 00:27:37,289 THE DEVILDIS'S HAVE A TEENAGE DAUGHTER, KATHY. 599 00:27:37,323 --> 00:27:38,324 >> KATHY? 600 00:27:38,357 --> 00:27:41,360 >> WE SPOKE WITH A LOCAL RESIDENT... 601 00:27:41,393 --> 00:27:43,830 >> KATH... 602 00:27:43,863 --> 00:27:45,097 KATHY! 603 00:27:52,839 --> 00:27:55,541 KATHY! 604 00:27:55,574 --> 00:27:58,077 >> NO! MY MOTHER! YOU'RE A MURDER! 605 00:28:00,813 --> 00:28:02,448 WHAT DID WE DO? DON'T YOU LOVE US?! 606 00:28:02,481 --> 00:28:04,751 >> IT'S BECAUSE I LOVE YOU. 607 00:28:04,784 --> 00:28:09,488 >> YOU KILLED MOM. 608 00:28:09,521 --> 00:28:12,524 AND MILLIE AND JOE AND VILMA. 609 00:28:12,558 --> 00:28:14,593 ARE YOU GONNA KILL ME? 610 00:28:14,626 --> 00:28:16,595 >> WE'RE GOING TO GOD'S KINGDOM. 611 00:28:16,628 --> 00:28:19,631 I'VE THOUGHT. I'VE PRAYED. 612 00:28:19,665 --> 00:28:21,834 THIS IS THE BEST THING FOR EVERYONE. 613 00:28:21,868 --> 00:28:25,838 IT'S ABOUT OUR SALVATION. 614 00:28:25,872 --> 00:28:31,510 I AM A SHEPHERD WHO MUST LEAD HIS FLOCK FROM CARE. 615 00:28:31,543 --> 00:28:34,781 [crying] IT WAS FALLING APART. 616 00:28:34,814 --> 00:28:36,816 I COULDN'T LET THAT HAPPEN. I HAD TO SAVE IT. 617 00:28:36,849 --> 00:28:39,318 >> WHAT? WHAT WAS FALLING APART? 618 00:28:39,351 --> 00:28:42,488 >> I SAW YOU ON THAT STAGE. 619 00:28:42,521 --> 00:28:46,258 A HARLOT CANNOT ENTER THE KINGDOM. 620 00:28:46,292 --> 00:28:49,028 I COULDN'T LET US FAIL. 621 00:28:49,061 --> 00:28:51,263 >> DADDY, I DON'T WANNA DIE. 622 00:28:51,297 --> 00:28:52,631 >> IT'S OKAY. >> NO. 623 00:28:52,664 --> 00:28:54,366 >> WE'RE ALL GONNA BE TOGETHER. 624 00:28:54,400 --> 00:28:56,735 I AM GIVING YOU ETERNAL LIFE. 625 00:28:56,769 --> 00:28:58,337 >> NO! YOU REALLY BEL-- 626 00:28:58,370 --> 00:29:01,140 YOU REALLY BELIEVE THAT? 627 00:29:01,173 --> 00:29:02,775 [sobbing] YOU REALLY DO? 628 00:29:02,809 --> 00:29:04,811 >> I KNOW IT. 629 00:29:04,844 --> 00:29:06,678 MY BELOVED DAUGHTER. 630 00:29:06,712 --> 00:29:08,147 >> ON--ON THE RADIO, 631 00:29:08,180 --> 00:29:09,782 THEY SAID THAT THEY WERE LOOKING FOR YOUR CAR. 632 00:29:09,816 --> 00:29:12,518 THAT'S WHY YOU'RE TAKING THE TRUCK. 633 00:29:12,551 --> 00:29:15,587 >> I NEED TO SAVE GRANDMA. 634 00:29:15,621 --> 00:29:18,590 KATHY...PLEASE KNOW 635 00:29:18,624 --> 00:29:20,893 THAT I AGONIZED OVER THIS. 636 00:29:22,594 --> 00:29:26,065 >> OKAY! BUT, DAD...THEN-- 637 00:29:26,098 --> 00:29:27,967 THEN LET ME-- 638 00:29:28,000 --> 00:29:29,969 LET ME WAIT UNTIL YOU COME BACK WITH GRANDMA. 639 00:29:30,002 --> 00:29:32,104 PLEASE, DADDY. NO, NO, NO! 640 00:29:32,138 --> 00:29:33,672 WAIT, I GET IT NOW! 641 00:29:33,705 --> 00:29:36,042 I UNDERSTAND NOW. I UNDERSTAND NOW. 642 00:29:36,075 --> 00:29:39,411 AND I WANNA GO WITH-- WITH YOU. 643 00:29:42,281 --> 00:29:44,116 IF WE GO TOGETHER, I PROMISE... 644 00:29:44,150 --> 00:29:47,219 I WON'T BE AFRAID. 645 00:29:49,421 --> 00:29:50,722 I TRUST YOU. 646 00:29:52,324 --> 00:29:54,193 I'M READY FOR SALVATION. 647 00:29:54,226 --> 00:29:58,730 I JUST...DON'T WANT TO GO ALONE. 648 00:30:04,603 --> 00:30:06,572 >> OKAY. 649 00:30:06,605 --> 00:30:08,007 >> OKAY. 650 00:30:10,142 --> 00:30:12,144 OKAY. 651 00:30:12,178 --> 00:30:13,479 OKAY. 652 00:30:13,512 --> 00:30:16,682 >> I GOT THIS FAX FROM THE PROBATE OFFICE. 653 00:30:16,715 --> 00:30:20,086 PAUL INHERITED A FAMILY FARM FROM HIS GRANDFATHER. 654 00:30:20,119 --> 00:30:22,721 >> YOU KNOW, I JUST SAW SOMETHING 655 00:30:22,754 --> 00:30:25,124 IN ONE OF THESE PHOTO-- HERE IT IS. 656 00:30:25,157 --> 00:30:28,027 UH, THIS IS DATED LAST AUGUST. 657 00:30:28,060 --> 00:30:30,062 >> SO IT HASN'T BEEN SOLD. THIS MUST BE THE PLACE. 658 00:30:30,096 --> 00:30:31,497 I'LL GET TROOPERS OUT THERE. 659 00:30:31,530 --> 00:30:32,932 >> SOMEONE JUST CALLED THE RETIREMENT HOME 660 00:30:32,965 --> 00:30:34,400 ABOUT PAUL'S MOTHER, 661 00:30:34,433 --> 00:30:35,801 CLAIMING TO BE HER BROTHER. 662 00:30:35,834 --> 00:30:37,970 WANTS HER TAKEN TO A LOCAL BUS STATION 663 00:30:38,004 --> 00:30:39,538 SO HE CAN PICK HER UP. 664 00:30:39,571 --> 00:30:41,640 SAID THE NEWS ABOUT WHAT PAUL HAS DONE 665 00:30:41,673 --> 00:30:43,976 SHOULD BE BROKEN TO HER IN A FAMILY SETTING. 666 00:30:44,010 --> 00:30:45,744 >> ACCORDING TO THESE PROBATE PAPERS, 667 00:30:45,777 --> 00:30:47,546 PAUL'S MOTHER ONLY HAD ONE BROTHER, 668 00:30:47,579 --> 00:30:49,815 AND HE DIED IN 2004. 669 00:30:55,354 --> 00:31:01,627 [train whistle] 670 00:31:04,296 --> 00:31:05,597 >> THERE HE IS. 671 00:31:10,602 --> 00:31:12,471 >> WE HAVE A VISUAL. 672 00:31:12,504 --> 00:31:14,573 SUSPECT IS GETTING OUT OF A RED PICKUP. 673 00:31:27,920 --> 00:31:29,488 >> NO. NO. 674 00:31:29,521 --> 00:31:30,822 [gunshot] NO, MY GOD! 675 00:31:30,856 --> 00:31:33,725 NOT YET! OH, GOD. NO! 676 00:31:33,759 --> 00:31:35,727 OHH. >> HANG ON. DON'T MOVE. 677 00:31:35,761 --> 00:31:38,064 >> I'LL BE THERE. 678 00:31:38,097 --> 00:31:40,299 I'LL FIND YOU, KATHY. 679 00:31:40,332 --> 00:31:41,567 [sobbing] 680 00:31:41,600 --> 00:31:43,102 I'LL FIND YOU! 681 00:31:43,135 --> 00:31:44,870 [police radio chatter] 682 00:31:44,903 --> 00:31:47,073 >> DON'T MOVE. STAY THERE. 683 00:31:55,948 --> 00:31:58,617 >> THEY SEARCHED THE HOUSE, THE BARN, THE OUT BUILDINGS, 684 00:31:58,650 --> 00:32:00,452 AN ABANDONED WELL-- NOTHING. 685 00:32:00,486 --> 00:32:01,720 >> THE SURROUNDING WOODS? 686 00:32:01,753 --> 00:32:04,523 >> LOCAL POLICE CALLED IN CIVILIAN VOLUNTEERS 687 00:32:04,556 --> 00:32:06,959 >> CAPTAIN... 688 00:32:06,993 --> 00:32:09,628 SO THESE ELECTRICAL TIES, 689 00:32:09,661 --> 00:32:11,363 HE USED THEM TO BIND HER. 690 00:32:11,397 --> 00:32:13,199 >> WE DON'T THINK SHE WAS KILLED HERE. 691 00:32:13,232 --> 00:32:15,001 NO BLOOD, NO SIGNS OF A STRUGGLE. 692 00:32:15,034 --> 00:32:17,269 >> BUT SHE WASN'T IN THE TRUCK WHEN HE WAS TAKEN, 693 00:32:17,303 --> 00:32:18,437 SO IT DOESN'T LOOK GOOD. 694 00:32:18,470 --> 00:32:21,040 >> CSU SAYS NO BLOOD WAS FOUND IN THE TRUCK. 695 00:32:21,073 --> 00:32:22,608 >> MAYBE HE STRANGLED HER? 696 00:32:22,641 --> 00:32:25,311 >> IT'S...TOO PERSONAL, I THINK. 697 00:32:25,344 --> 00:32:29,948 BUT THIS IS WHERE HE ACTUALLY DID THE BINDING. 698 00:32:29,982 --> 00:32:32,718 ARMS BEHIND THE BACK. 699 00:32:32,751 --> 00:32:34,820 HE SHOVED HER DOWN. 700 00:32:34,853 --> 00:32:36,422 LEGS WERE APART. 701 00:32:36,455 --> 00:32:38,724 NOW, WHEN HE PULLED THEM TOGETHER 702 00:32:38,757 --> 00:32:40,192 TO BIND THEM, 703 00:32:40,226 --> 00:32:42,995 I THINK SHE DUG HER HEELS DOWN DELIBERATELY 704 00:32:43,029 --> 00:32:45,998 TO MAKE THESE TRENCHES HERE. 705 00:32:46,032 --> 00:32:47,899 >> NOT EXACTLY A BREADCRUMB TRAIL. 706 00:32:47,933 --> 00:32:50,036 >> NO, AND THIS. 707 00:32:50,069 --> 00:32:52,504 WITH HER HANDS BACK HERE, 708 00:32:52,538 --> 00:32:56,508 SHE DREW THIS IN THE DIRT WITH HER FINGERS. 709 00:32:58,910 --> 00:33:01,113 >> LOOKS LIKE, UH... 710 00:33:01,147 --> 00:33:03,182 A BOX WITH A CROSS JUTTING OUT. 711 00:33:03,215 --> 00:33:05,184 WHAT IS IT? 712 00:33:05,217 --> 00:33:06,518 >> YOU TELL US. 713 00:33:06,552 --> 00:33:09,221 >> YOU'RE THINKING... 714 00:33:09,255 --> 00:33:12,524 THE BOX IS A COFFIN, CROSS MEANS A CEMETERY. 715 00:33:12,558 --> 00:33:15,127 >> WE HAVE STATE TROOPERS SEARCHING EVERY CEMETERY 716 00:33:15,161 --> 00:33:16,495 IN A 50-MILE RADIUS. 717 00:33:16,528 --> 00:33:19,898 SO FAR, NOTHING. 718 00:33:19,931 --> 00:33:22,101 >> THEN THIS STONE. 719 00:33:22,134 --> 00:33:24,703 WHILE HE WAS GETTING READY TO THROW HER IN THE TRUCK, 720 00:33:24,736 --> 00:33:27,906 SHE RUBBED THIS AGAINST THIS BOULDER HERE. 721 00:33:27,939 --> 00:33:31,577 MAKES THIS MARK. 722 00:33:31,610 --> 00:33:32,944 >> IT'S NOTHING WE CAN READ. 723 00:33:32,978 --> 00:33:36,082 >> SHE HAD TO HAVE A REASON FOR DOING IT. 724 00:33:36,115 --> 00:33:38,384 >> OKAY, IT'S NOW, WHAT, THE MID-40S? 725 00:33:38,417 --> 00:33:40,852 IT'S GONNA BE IN THE LOW 30S BY MIDNIGHT. 726 00:33:40,886 --> 00:33:42,020 IF SHE'S OUTSIDE... 727 00:33:42,054 --> 00:33:44,290 >> EXPOSURE WILL KILL HER BEFORE DAWN. 728 00:33:53,865 --> 00:33:55,267 >> I BELIEVE, BY LAW, 729 00:33:55,301 --> 00:33:56,868 I'M ENTITLED TO A BOOK OF SCRIPTURE. 730 00:33:56,902 --> 00:33:58,104 >> OH, YEAH? 731 00:33:58,137 --> 00:34:00,972 AND WHAT CHAPTER WOULD YOU USE TO COMFORT YOU? 732 00:34:01,006 --> 00:34:02,908 >> UH, SEVERAL. 733 00:34:02,941 --> 00:34:04,076 FOR THE PAIN I FEEL 734 00:34:04,110 --> 00:34:05,911 AT NOT BEING ABLE TO TAKE MY OWN LIFE. 735 00:34:05,944 --> 00:34:08,447 >> STAND HERE. 736 00:34:08,480 --> 00:34:11,583 THAT'S FUNNY, I DON'T REMEMBER THERE BEING A SCRIPTURE 737 00:34:11,617 --> 00:34:15,187 THAT ENDORSES SUICIDE. 738 00:34:15,221 --> 00:34:18,857 >> INTERPRETATION COMES ONLY THROUGH ABSOLUTE FAITH. 739 00:34:18,890 --> 00:34:22,461 >> SUCH ASSURANCE. 740 00:34:22,494 --> 00:34:25,030 EVEN ABRAHAM HAD MOMENTS OF DOUBT. 741 00:34:25,063 --> 00:34:27,899 >> HE RAISED A KNIFE OVER HIS SON... 742 00:34:27,933 --> 00:34:29,535 AS GOD COMMANDED. 743 00:34:33,505 --> 00:34:35,374 >> YES, BUT... 744 00:34:35,407 --> 00:34:38,410 GOD SAW ABRAHAM'S AGONY, 745 00:34:38,444 --> 00:34:39,545 AND HE STOPPED HIM. 746 00:34:40,979 --> 00:34:43,715 YOU, YOU USED A... 747 00:34:43,749 --> 00:34:45,251 A HAMMER, A KNIFE, 748 00:34:45,284 --> 00:34:47,153 A GUN, A BOMB. 749 00:34:47,186 --> 00:34:48,254 NOTHING STOPPED YOU. 750 00:34:48,287 --> 00:34:50,088 >> GOD'S WILL WAS CLEAR. 751 00:34:50,122 --> 00:34:51,157 >> CLEAR? 752 00:34:52,858 --> 00:34:57,763 GOD WAS MERCIFUL WITH ABRAHAM'S SON. 753 00:34:57,796 --> 00:35:00,299 BUT SHOWED NO MERCY IN YOUR CASE. 754 00:35:00,332 --> 00:35:03,335 >> I DON'T QUESTION THE VOICE OF GOD. 755 00:35:03,369 --> 00:35:07,739 >> WHY IS KATHY STILL ALIVE 756 00:35:07,773 --> 00:35:09,941 WHEN ALL THE OTHERS WERE SACRIFICED? 757 00:35:09,975 --> 00:35:11,677 >> YOU DON'T KNOW THAT SHE'S ALIVE. 758 00:35:23,222 --> 00:35:24,690 >> NOW I DO. 759 00:35:29,228 --> 00:35:32,498 >> IT'S SO OBVIOUS WHAT YOU'RE DOING. 760 00:35:32,531 --> 00:35:34,032 I WON'T HEAR ANY MORE OF THIS. 761 00:35:34,065 --> 00:35:36,768 >> GOD COMMANDED ABRAHAM TO SHOW HIS DEVOTION 762 00:35:36,802 --> 00:35:40,572 BY KILLING ISAAC, HIS ONLY SON... 763 00:35:40,606 --> 00:35:42,474 WHO HE LOVED MOST. 764 00:35:42,508 --> 00:35:46,612 BUT THE ONE THAT YOU LOVE MOST IS STILL ALIVE. 765 00:35:46,645 --> 00:35:50,115 WHAT, DID GOD SAY, "KILL ALL THE OTHERS, SPARE HER"? 766 00:35:50,148 --> 00:35:51,217 >> YOU WON'T TRICK ME. 767 00:35:51,250 --> 00:35:53,219 >> YOU'VE ALREADY BEEN TRICKED. 768 00:35:53,252 --> 00:35:57,356 AND...DECEIVED. 769 00:35:57,389 --> 00:36:00,692 KATHY'S SWEETNESS. 770 00:36:00,726 --> 00:36:04,463 YEAH, THE...GLOW IN HER EYES. 771 00:36:09,968 --> 00:36:14,706 HER SOFT, YOUNG FLESH. 772 00:36:14,740 --> 00:36:18,377 THAT WARMTH THAT YOU FEEL WHEN YOU HOLD HER TIGHT. 773 00:36:18,410 --> 00:36:21,146 YEAH, THE VOICE THAT SPEAKS THOSE WORDS, 774 00:36:21,179 --> 00:36:22,348 IS THAT THE SAME VOICE 775 00:36:22,381 --> 00:36:24,416 THAT TOLD YOU TO SPARE HER LIFE? 776 00:36:24,450 --> 00:36:25,517 >> I WON'T HEAR THIS. 777 00:36:25,551 --> 00:36:27,052 >> NO, YOU KNOW IN YOUR HEART THAT 778 00:36:27,085 --> 00:36:28,754 THAT'S NOT GOD'S VOICE-- 779 00:36:28,787 --> 00:36:32,023 THAT THAT'S THE TRICKSTER, THE TEMPTER. 780 00:36:32,057 --> 00:36:34,493 THE MASTER OF ALL DECEPTION. 781 00:36:34,526 --> 00:36:38,129 YOU KNOW WHO I'M TALKING ABOUT, PAUL. 782 00:36:38,163 --> 00:36:40,766 YOU KNOW WHAT HIS NAME IS. 783 00:36:40,799 --> 00:36:42,234 >> WHAT? 784 00:36:42,268 --> 00:36:43,201 >> I'M SAYING YOU DON'T SERVE GOD. 785 00:36:43,235 --> 00:36:44,936 YOU SERVE HIM. 786 00:36:44,970 --> 00:36:46,472 SAY HIS NAME. 787 00:36:46,505 --> 00:36:48,574 COME ON, SAY IT. 788 00:36:48,607 --> 00:36:50,876 COME ON. DOES IT TERRIFY YOU? 789 00:36:50,909 --> 00:36:52,478 >> ENOUGH. 790 00:36:55,180 --> 00:36:56,882 I AM THE SHEPHERD... 791 00:36:56,915 --> 00:37:00,386 WHO LEADS THEM TO THE ETERNAL WATERS. 792 00:37:00,419 --> 00:37:03,221 >> YOU DELIVER DEATH. 793 00:37:03,255 --> 00:37:04,823 YOU SERVE THE DECEIVER. 794 00:37:04,856 --> 00:37:06,325 >> NO. 795 00:37:06,358 --> 00:37:08,159 I SAW HER ON THAT STAGE 796 00:37:08,193 --> 00:37:10,228 AND HE COMMANDED ME. 797 00:37:10,262 --> 00:37:14,132 >> THE DECEIVER SEES YOUR DESIRE. 798 00:37:16,302 --> 00:37:18,069 HE COMMANDS YOU-- 799 00:37:18,103 --> 00:37:20,739 >> DON'T SAY SUCH FILTH. 800 00:37:23,074 --> 00:37:25,444 >> A GAY DRAMA SCHOOL TEACHER. 801 00:37:25,477 --> 00:37:27,679 DID SHE EVER TOUCH YOUR DAUGHTER? 802 00:37:27,713 --> 00:37:30,882 DID SHE EVER WANT TO TOUCH YOUR DAUGHTER? 803 00:37:30,916 --> 00:37:33,485 >> SHE'S DEAD. I ENDED ALL OF THEM. 804 00:37:33,519 --> 00:37:35,020 >> WHY IS THAT? 805 00:37:37,055 --> 00:37:38,724 >> IS THAT BECAUSE WHEN YOU SAW HER ON STAGE, 806 00:37:38,757 --> 00:37:40,125 YOU WERE AROUSED? 807 00:37:40,158 --> 00:37:43,261 YOU FELT THAT VILENESS INSIDE YOU. 808 00:37:43,295 --> 00:37:46,264 YOU WERE AROUSED BY YOUR DAUGHTER, 809 00:37:46,298 --> 00:37:49,368 SO, THEREFORE, EVERYONE IS AROUSED. 810 00:37:49,401 --> 00:37:52,938 YOU SEE, THE TEMPTER SEES THAT IN YOU. 811 00:37:52,971 --> 00:37:57,142 HE SEIZED ON YOUR WEAKNESS, 812 00:37:57,175 --> 00:37:59,378 AND YOU OBEYED HIM. 813 00:38:01,012 --> 00:38:02,548 JUST SAY HIS NAME. 814 00:38:02,581 --> 00:38:05,951 SAY HIS NAME, PAUL. 815 00:38:05,984 --> 00:38:07,686 SAY IT! 816 00:38:07,719 --> 00:38:10,689 SAY HIS NAME! 817 00:38:10,722 --> 00:38:12,891 COME HERE. 818 00:38:12,924 --> 00:38:14,693 WHOSE SERVANT ARE YOU? 819 00:38:14,726 --> 00:38:16,662 IF THERE IS A GOD-- 820 00:38:16,695 --> 00:38:18,664 >> THERE IS A GOD, 821 00:38:18,697 --> 00:38:21,767 AND I ACTED ON HIS WILL ALONE. 822 00:38:21,800 --> 00:38:23,535 >> IF YOU ARE GOD'S SERVANT, 823 00:38:23,569 --> 00:38:26,171 THAN HOW CAN YOU KILL THE PEOPLE THAT YOU LOVE? 824 00:38:26,204 --> 00:38:28,039 >> MY FAITH, PASSED DOWN 825 00:38:28,073 --> 00:38:31,610 FROM GENERATIONS OF THOSE WHO HAVE SERVED GOD, 826 00:38:31,643 --> 00:38:34,713 WILL NOT BE UNDONE BY YOU. 827 00:38:34,746 --> 00:38:36,114 >> YOUR FAITH? 828 00:38:44,956 --> 00:38:46,892 PASSED DOWN BY THEM? 829 00:38:49,260 --> 00:38:53,365 YOUR DUTCH ANCESTORS. 830 00:38:53,399 --> 00:38:54,800 AND THIS? 831 00:38:54,833 --> 00:38:57,302 >> THAT'S A STONE RUBBING OF THE GRAVESTONE 832 00:38:57,335 --> 00:38:58,870 OF MY GREAT, GREAT GRANDFATHER. 833 00:38:58,904 --> 00:39:01,006 >> YES, STONE RUBBING. 834 00:39:01,039 --> 00:39:04,943 KATHY MADE THIS ONE. 835 00:39:04,976 --> 00:39:06,177 SHE TOLD ME ABOUT IT. 836 00:39:06,211 --> 00:39:08,780 >> WHAT? >> YEAH. 837 00:39:08,814 --> 00:39:11,316 THAT YOU...TAUGHT HER THE FAMILY HISTORY. 838 00:39:11,349 --> 00:39:13,251 YOU SHOWED HER HOW TO MAKE STONE RUBBINGS 839 00:39:13,284 --> 00:39:14,653 OF THE FAMILY GRAVES. 840 00:39:14,686 --> 00:39:16,522 IN FACT, SHE TOLD ME ABOUT IT TODAY. 841 00:39:16,555 --> 00:39:18,624 >> THAT'S IMPOSSIBLE. 842 00:39:18,657 --> 00:39:20,191 SHE'S TOLD YOU NOTHING. 843 00:39:20,225 --> 00:39:21,827 >> THEN HOW COULD I KNOW? 844 00:39:24,062 --> 00:39:25,897 >> WHEN YOU WERE WITH HER, 845 00:39:25,931 --> 00:39:29,134 AND HER ARMS WERE BOUND BEHIND HER, 846 00:39:29,167 --> 00:39:31,437 SHE DREW IN THE DIRT 847 00:39:31,470 --> 00:39:34,873 A COFFIN AND A CROSS. 848 00:39:34,906 --> 00:39:36,307 SEE, SHE MEANT CEMETERY. 849 00:39:36,341 --> 00:39:38,143 AND THEN SHE TOOK A STONE, 850 00:39:38,176 --> 00:39:40,779 AND SHE PUSHED IT AGAINST A BOULDER. 851 00:39:40,812 --> 00:39:44,916 SHE MADE A MARK, SHE... 852 00:39:44,950 --> 00:39:46,585 STONE RUBBING, YOU SEE. 853 00:39:46,618 --> 00:39:48,787 YOU SEE, SHE WAS CALLING OUT TO US. 854 00:39:48,820 --> 00:39:51,089 YOU SEE, SHE WANTS TO LIVE. 855 00:39:51,122 --> 00:39:53,258 GOD WANTS HER TO LIVE. 856 00:39:53,291 --> 00:39:56,194 >> SHE--SHE WANTS TO BE WITH ME. 857 00:39:56,227 --> 00:39:59,264 >> SHE CAN'T BE WITH YOU! 858 00:39:59,297 --> 00:40:01,099 SHE SERVES GOD. 859 00:40:01,132 --> 00:40:06,404 ARE YOU STILL BLIND TO GOD'S WILL? 860 00:40:06,438 --> 00:40:08,339 DON'T YOU SEE WHAT'S HAPPENING? 861 00:40:08,373 --> 00:40:11,643 CAN'T YOU SEE? 862 00:40:11,677 --> 00:40:13,779 IT'S JUST LIKE WITH ABRAHAM. 863 00:40:17,415 --> 00:40:20,686 YOU SEE, GOD... STOPPED ABRAHAM 864 00:40:20,719 --> 00:40:22,387 FROM KILLING HIS SON. 865 00:40:22,420 --> 00:40:24,055 THAT'S WHAT'S HAPPENING RIGHT NOW. 866 00:40:24,089 --> 00:40:29,528 IT'S GOD'S HAND STOPPING YOU. 867 00:40:29,561 --> 00:40:34,600 KATHY PRAYED TO GOD AND GOD ANSWERED. 868 00:40:34,633 --> 00:40:36,001 DON'T YOU WANT TO SERVE GOD? 869 00:40:36,034 --> 00:40:38,303 >> [weakly] UH, YES. 870 00:40:38,336 --> 00:40:39,938 I WANT ONLY TO SERVE GOD. 871 00:40:39,971 --> 00:40:43,241 >> SO THEN TELL ME... 872 00:40:43,274 --> 00:40:45,043 TELL ME WHERE SHE IS. 873 00:40:45,076 --> 00:40:48,179 PAUL, WHILE THERE'S STILL TIME. 874 00:40:48,213 --> 00:40:49,915 TELL ME, PAUL. 875 00:40:49,948 --> 00:40:53,485 HELP GOD ANSWER KATHY'S PRAYERS. 876 00:40:56,788 --> 00:40:59,658 >> UH... 877 00:40:59,691 --> 00:41:00,792 I SEE-- 878 00:41:00,826 --> 00:41:01,893 I'VE... 879 00:41:04,262 --> 00:41:06,532 I'VE SERVED EVIL. 880 00:41:10,769 --> 00:41:11,770 >> THEN BREAK THAT SERVITUDE 881 00:41:11,803 --> 00:41:14,272 AND PUT YOUR GOD ABOVE ALL ELSE. 882 00:41:17,375 --> 00:41:19,244 AND TELL ME WHERE THE CEMETERY IS. 883 00:41:19,277 --> 00:41:20,812 >> [sniffling] 884 00:41:28,887 --> 00:41:30,421 MORRILTOWN. 885 00:41:34,593 --> 00:41:42,067 >> * NEARER, MY GOD, TO THEE * 886 00:41:42,100 --> 00:41:43,835 [dogs barking] 887 00:41:43,869 --> 00:41:50,742 * NEARER TO THEE 888 00:41:50,776 --> 00:41:56,481 * EVEN THOUGH IT BE A CROSS... * 889 00:41:56,514 --> 00:41:58,950 >> [coughing] 890 00:41:58,984 --> 00:42:06,858 >> * THAT RAISETH ME 891 00:42:06,892 --> 00:42:10,796 * STILL ALL MY SONG 892 00:42:10,829 --> 00:42:15,200 * SHALL BE 893 00:42:15,233 --> 00:42:21,773 * NEARER 894 00:42:21,807 --> 00:42:26,612 * OH, NEARER 895 00:42:26,645 --> 00:42:31,116 * MY GOD 896 00:42:31,149 --> 00:42:37,222 * TO THEE