1 00:00:01,702 --> 00:00:04,305 - IN NEW YORK CITY'S WAR ON CRIME, 2 00:00:04,338 --> 00:00:06,340 THE WORST CRIMINAL OFFENDERS ARE PURSUED 3 00:00:06,374 --> 00:00:09,210 BY THE DETECTIVES OF THE MAJOR CASE SQUAD. 4 00:00:09,243 --> 00:00:10,911 THESE ARE THEIR STORIES. 5 00:00:13,013 --> 00:00:16,750 [crowd shouting] 6 00:00:19,753 --> 00:00:23,257 [hip-hop music] 7 00:00:23,291 --> 00:00:30,598 * 8 00:00:35,035 --> 00:00:36,370 - COOKING, LIKE MUSIC, IS AN ART. 9 00:00:36,404 --> 00:00:40,941 SO REMEMBER, FOR LAMB, METAL'S A LITTLE TOO LONG. 10 00:00:40,974 --> 00:00:44,878 COUNTRY MUSIC IS JUST... NAUSEATING. 11 00:00:44,912 --> 00:00:46,180 JAZZ... 12 00:00:46,214 --> 00:00:49,683 WELL, NOW, JAZZ--IT'S GOOD FOR EVERYTHING. 13 00:00:49,717 --> 00:00:54,188 BUT HIP-HOP IS PERFECT FOR MOROCCAN LAMB-- 14 00:00:54,222 --> 00:00:57,358 OOH-- WITH A SHIRAZ HONEY GLAZE. 15 00:00:57,391 --> 00:00:59,493 AND UNTIL TOMORROW MORNING, I AM MAX GOODWIN 16 00:00:59,527 --> 00:01:01,729 REMINDING YOU THAT THE BEST MEALS 17 00:01:01,762 --> 00:01:03,797 ARE MEALS WITH MAX. 18 00:01:03,831 --> 00:01:05,399 - AND CUT. - YES. [applauds] 19 00:01:05,433 --> 00:01:06,500 VERY GOOD, MAX. 20 00:01:06,534 --> 00:01:07,768 DON'T WORRY ABOUT THAT OTHER STUFF. 21 00:01:07,801 --> 00:01:08,769 WE'LL CUT AROUND IT. 22 00:01:08,802 --> 00:01:11,639 - HEY. - MAY I? 23 00:01:11,672 --> 00:01:15,843 - "REVEL AND FEAST IT AT MY HOUSE TODAY." 24 00:01:15,876 --> 00:01:18,879 IT'S SHAKESPEARE, SWEETHEART. 25 00:01:18,912 --> 00:01:24,051 - OKAY. UGH. 26 00:01:24,084 --> 00:01:26,254 [grunts] 27 00:01:26,287 --> 00:01:27,388 - I GOT TO TELL YOU, 28 00:01:27,421 --> 00:01:29,990 I'M FEELING REALLY GOOD ABOUT TONIGHT. 29 00:01:30,023 --> 00:01:32,560 - I WOULDN'T HOLD MY BREATH. 30 00:01:32,593 --> 00:01:34,695 - YOUR GENIUS, MY CHARM, 31 00:01:34,728 --> 00:01:36,330 PETER WELLSLEY'S CHECKBOOK. 32 00:01:36,364 --> 00:01:40,000 YOU'LL BE BACK ON THE COVER OF GOURMAND MAGAZINE IN NO TIME. 33 00:01:40,033 --> 00:01:41,602 ENDYMION 2, BABY. 34 00:01:43,737 --> 00:01:45,173 - ALL RIGHT. 35 00:01:45,206 --> 00:01:46,907 - A RESTAURANT MIGHT BE FUN, SWEETIE. 36 00:01:46,940 --> 00:01:48,742 - FUN. YOU CAN'T IMAGINE HOW MUCH FUN. 37 00:01:48,776 --> 00:01:50,043 - IT IS INTRIGUING. 38 00:01:50,077 --> 00:01:52,380 - YOU SHOULD HAVE YOUR PEOPLE RUN THE NUMBERS, PETER. 39 00:01:52,413 --> 00:01:54,915 - LARRY WOULD BE MORE THAN HAPPY TO SIT DOWN WITH THEM. 40 00:01:54,948 --> 00:01:56,550 - WE DON'T REALLY SPEND THAT MUCH TIME 41 00:01:56,584 --> 00:01:57,751 IN THE CITY ANY MORE. 42 00:01:57,785 --> 00:01:59,052 - WELL, THEN WE'LL FIND SOMEBODY ELSE 43 00:01:59,086 --> 00:02:01,455 TO WORK THE CASH REGISTER. [laughs] 44 00:02:01,489 --> 00:02:03,023 SERIOUSLY, PETER, I CAN COME BY YOUR OFFICE 45 00:02:03,056 --> 00:02:04,057 IN THE MORNING. 46 00:02:04,091 --> 00:02:05,359 WHAT DO YOU SAY? 47 00:02:05,393 --> 00:02:10,063 - LARRY... 48 00:02:10,097 --> 00:02:12,466 THANK YOU AGAIN. 49 00:02:12,500 --> 00:02:14,668 - YOU KNOW, IT WOULDN'T HURT IF YOU ASKED HER 50 00:02:14,702 --> 00:02:16,237 TO TALK TO HER STEPFATHER. 51 00:02:16,270 --> 00:02:20,574 - IT'S NOT GOING TO HAPPEN, OKAY? 52 00:02:20,608 --> 00:02:23,644 I'M GOING TO HEAD DOWNTOWN. 53 00:02:23,677 --> 00:02:25,779 - I'M WORKING MY ASS OFF HERE. 54 00:02:25,813 --> 00:02:29,383 - HEY, HE TURNED ME DOWN TOO, BUDDY. 55 00:02:39,493 --> 00:02:42,196 - ON A SCALE OF 1 to 10, TONIGHT'S A 2. 56 00:02:42,230 --> 00:02:45,999 - IT'S THIS PLACE, LI. IT'S THESE PEOPLE. 57 00:02:46,033 --> 00:02:47,235 THEY'RE NOT YOUR FRIENDS. 58 00:02:51,572 --> 00:02:52,773 [glass clinks on counter] 59 00:02:52,806 --> 00:02:54,475 - HI. 60 00:02:54,508 --> 00:02:55,776 - I BET YOU BROUGHT HOME STRAY KITTENS 61 00:02:55,809 --> 00:02:57,378 WHEN YOU WERE A KID. 62 00:03:00,281 --> 00:03:03,317 [dance music] 63 00:03:03,351 --> 00:03:10,958 * 64 00:03:14,962 --> 00:03:16,997 - HEY. 65 00:03:17,030 --> 00:03:20,234 - DON'T SAY THE RXO AIN'T NEVER GAVE YOU NOTHING. 66 00:03:22,336 --> 00:03:25,105 - YOU'VE GOT TO TELL LARRY SOONER OR LATER. 67 00:03:25,138 --> 00:03:29,076 - IN THE MEANTIME... 68 00:03:43,491 --> 00:03:46,627 SO THAT'S A YES, RIGHT? 69 00:03:46,660 --> 00:03:48,462 - LISTEN, WE TALKED ABOUT THIS. 70 00:04:17,858 --> 00:04:20,494 [hip-hop music] 71 00:04:20,528 --> 00:04:25,866 * 72 00:04:25,899 --> 00:04:27,735 - EXCUSE ME. 73 00:04:29,102 --> 00:04:31,038 WHAT HAPPENED TO YOU? 74 00:04:31,071 --> 00:04:33,574 - SHH. 75 00:04:36,544 --> 00:04:38,446 GO HOME. 76 00:04:38,479 --> 00:04:39,613 GO HOME, LARRY. 77 00:06:24,818 --> 00:06:26,620 - WELL, NO SEXUAL ASSAULT. 78 00:06:26,654 --> 00:06:28,556 PETECHIAL HEMORRHAGING SAYS PROBABLE C.O.D. 79 00:06:28,589 --> 00:06:30,223 IS STRANGULATION. 80 00:06:30,257 --> 00:06:31,725 IT'LL BE SOME TIME BEFORE I CAN GET 81 00:06:31,759 --> 00:06:33,026 TO A COMPLETE AUTOPSY. 82 00:06:33,060 --> 00:06:34,862 - OKAY. - SORRY. 83 00:06:34,895 --> 00:06:36,597 SORRY I'M LATE.. 84 00:06:36,630 --> 00:06:40,000 NOTHING LIKE A, UH, FIVE-HOUR GERMAN OPERA 85 00:06:40,033 --> 00:06:43,771 TO MAKE YOU REALLY APPRECIATE A MURDER SCENE. 86 00:06:43,804 --> 00:06:46,106 GEE, THIS IS A-- THIS IS A NICE PLACE. 87 00:06:46,139 --> 00:06:48,776 - YEAH, IT SHOULD BE. LISA WELLSLEY. 88 00:06:48,809 --> 00:06:50,410 21 YEARS OLD. 89 00:06:50,444 --> 00:06:51,479 LISA WELLSLEY. 90 00:06:51,512 --> 00:06:53,514 THAT'S WHY THE... 91 00:06:53,547 --> 00:06:55,315 NEWS CREW DOWNSTAIRS. 92 00:06:55,348 --> 00:06:56,784 - THE NEIGHBORS HEARD SOMETHING 93 00:06:56,817 --> 00:06:58,085 AND CALLED THE SUPER. 94 00:06:58,118 --> 00:07:01,555 IMAGINE HIS SURPRISE. HE COMES IN AND SEES THIS MESS. 95 00:07:01,589 --> 00:07:03,423 - WHAT'S BECOME OF ROMANCE? 96 00:07:06,393 --> 00:07:08,496 - THESE ARE ALL RXO WEAR. THEY DON'T EVEN LOOK WORN. 97 00:07:08,529 --> 00:07:11,599 - REGINALD X. OLDMAN? 98 00:07:11,632 --> 00:07:14,468 FROM ATTICA TO MOGUL? THE AMERICAN DREAM? 99 00:07:14,502 --> 00:07:17,838 - OH, FROM WAGNER TO HIP-HOP. I'M IMPRESSED. 100 00:07:17,871 --> 00:07:20,340 - FROM GLAMOUR MAGAZINE TO, UH, WAGNER. 101 00:07:20,373 --> 00:07:22,943 SO AM I. YOU KNOW, I HAVE THESE SAME CHAIRS. 102 00:07:22,976 --> 00:07:25,979 - OH, WELL, THERE'S OUR MOTIVE. NO TASTE. 103 00:07:26,013 --> 00:07:27,681 - THEY HAPPEN TO BE VERY TASTEFUL. 104 00:07:27,715 --> 00:07:29,950 BUT ONLY IF YOU'RE A MIDDLE-AGED CIVIL SERVANT 105 00:07:29,983 --> 00:07:31,418 WITH NOBODY TO IMPRESS. 106 00:07:31,451 --> 00:07:32,553 NO, YOU'RE RIGHT. 107 00:07:32,586 --> 00:07:33,854 A LOT OF THIS STUFF 108 00:07:33,887 --> 00:07:35,689 LOOKS LIKE IT MIGHT HAVE COME OUT OF A CATALOGUE. 109 00:07:35,723 --> 00:07:38,258 MAYBE THE SUPER RICH AREN'T AS, UH, DIFFERENT AS WE THOUGHT. 110 00:07:38,291 --> 00:07:40,127 - THEY JUST HAVE BETTER DRUGS. 111 00:07:40,160 --> 00:07:43,764 - OH, CLONAZEPAM. LORAZEPAM, 1 MIL. 112 00:07:43,797 --> 00:07:47,000 LOOKS LIKE, UH, BENZODIAZEPINE. 113 00:07:47,034 --> 00:07:50,137 MY MOM'S BEEN KNOWN TO USE THEM. 114 00:07:50,170 --> 00:07:51,471 - WELL, I GUESS IT'S TRUE-- 115 00:07:51,505 --> 00:07:54,074 YOUTH, BEAUTY, MEGA MONEY DOESN'T BUY HAPPINESS. 116 00:07:54,107 --> 00:07:56,476 - MM. - THERE'S NO PILL BOTTLE. 117 00:07:56,510 --> 00:07:58,646 I BET THERE'S NO DOCTOR INVOLVED. 118 00:07:58,679 --> 00:08:00,280 - VIDEO GAME EXCLUSIVELY GEARED 119 00:08:00,313 --> 00:08:02,449 FOR ADOLESCENT MALES. 120 00:08:02,482 --> 00:08:04,117 WHAT'S THAT TELL US? 121 00:08:04,151 --> 00:08:06,787 - WELL, SHE LIKES YOUNGER MEN... 122 00:08:06,820 --> 00:08:09,790 OR YOUNGER MEN LIKE HER. 123 00:08:09,823 --> 00:08:12,626 - AN ENGAGEMENT RING? 124 00:08:12,660 --> 00:08:14,662 WHY WOULD SHE LEAVE IT IN THE BOX? 125 00:08:14,695 --> 00:08:17,364 - NOW YOU'RE TALKING MOTIVE. 126 00:08:17,397 --> 00:08:19,099 - I BEGGED HER TO GET A REAL JOB. 127 00:08:19,132 --> 00:08:22,435 TO GO TO SCHOOL. ANYTHING. 128 00:08:22,469 --> 00:08:24,705 - WHEN WAS THE LAST TIME YOU SPOKE WITH LISA? 129 00:08:24,738 --> 00:08:26,674 - LAST NIGHT AROUND 9:00 BEFORE WE LEFT 130 00:08:26,707 --> 00:08:28,776 FOR THE DIABETES ASSOCIATION BENEFIT. 131 00:08:28,809 --> 00:08:30,811 - BUT SHE LEFT US A VOICEMAIL AT 11:00 132 00:08:30,844 --> 00:08:32,880 ASKING US HOW IT WENT. 133 00:08:32,913 --> 00:08:35,649 - THE BENEFIT? - MAXWELL GOODWIN. 134 00:08:35,683 --> 00:08:37,250 HE SAT AT OUR TABLE. 135 00:08:37,284 --> 00:08:39,419 - MAX GOODWIN. 136 00:08:39,452 --> 00:08:41,989 WELL, IF IT'S THE SAME MAX GOODWIN I'M THINKING ABOUT, 137 00:08:42,022 --> 00:08:44,758 I SEE HIM ON THE-- ON THE TREADMILL EVERY MORNING. 138 00:08:44,792 --> 00:08:47,628 HE...QUOTES...POETRY. 139 00:08:47,661 --> 00:08:48,929 HE'S THE--HE'S THE CHEF. 140 00:08:48,962 --> 00:08:50,397 - WAS THE CHEF. 141 00:08:50,430 --> 00:08:52,900 TWO YEARS AND ONE BANKRUPTCY AGO. 142 00:08:52,933 --> 00:08:55,068 NOW HE AND HIS CLOWN PARTNER ARE LOOKING FOR BACKING 143 00:08:55,102 --> 00:08:57,037 TO OPEN A NEW RESTAURANT. 144 00:08:57,070 --> 00:08:58,739 - WHY WOULD LISA CARE ABOUT THAT? 145 00:08:58,772 --> 00:09:00,974 - ANOTHER PLACE TO PARTY. 146 00:09:01,008 --> 00:09:03,677 EXCUSE ME. 147 00:09:03,711 --> 00:09:04,845 - I GOT YOU. 148 00:09:04,878 --> 00:09:06,914 IF YOU COULD JUST GIVE US THE NAME 149 00:09:06,947 --> 00:09:09,817 OF, UH, LISA'S FIANCE. 150 00:09:09,850 --> 00:09:12,019 - FIANCE? N--NO, LISA WASN'T ENGAGED. 151 00:09:12,052 --> 00:09:17,791 - WHAT ABOUT FRIENDS? - CHECK PAGE SIX. 152 00:09:20,694 --> 00:09:24,698 - IT WASN'T A PARTY UNLESS LISA WAS THERE. 153 00:09:24,732 --> 00:09:26,600 IT WAS A FAIRY TALE LIFE. 154 00:09:26,634 --> 00:09:28,501 THE DAUGHTER OF A RAVISHING BEAUTY, 155 00:09:28,535 --> 00:09:30,638 AND THE STEPDAUGHTER OF AN INTERNATIONAL JET-SETTER 156 00:09:30,671 --> 00:09:32,472 OF NOBLE BIRTH. 157 00:09:32,505 --> 00:09:34,374 HER LIFE WAS A NON-STOP PARTY. 158 00:09:34,407 --> 00:09:36,710 - I GUESS THE CONVENT WAS OUT OF THE QUESTION. 159 00:09:36,744 --> 00:09:39,412 - SHE WAS 16 THEN. A STAR WAS BORN. 160 00:09:39,446 --> 00:09:43,450 - BUT THE PARTY ENDED IN TRAGEDY EARLY THIS MORNING. 161 00:09:43,483 --> 00:09:45,953 - WHAT DO WE KNOW ABOUT LISA WELLSLEY 162 00:09:45,986 --> 00:09:48,588 THAT HASN'T BEEN ON ACCESS HOLLYWOOD? 163 00:09:48,622 --> 00:09:49,790 - WELL, SHE SPENT A YEAR 164 00:09:49,823 --> 00:09:52,325 AT THE UNIVERSITY OF CALIFORNIA, SANTA BARBARA. 165 00:09:52,359 --> 00:09:54,261 - PROBABLY FLUNKED SUNTAN. 166 00:09:54,294 --> 00:09:55,528 - SHE DIDN'T HAVE A CHANCE. 167 00:09:55,562 --> 00:09:57,731 - YEAH, IT'S REALLY HARD BEING BROUGHT UP 168 00:09:57,765 --> 00:09:59,032 ON THE WRONG SIDE OF THE TRACKS. 169 00:09:59,066 --> 00:10:02,135 WHAT WITH HER SUPERMODEL MOM AND HER ROYAL STEPDAD. 170 00:10:02,169 --> 00:10:03,637 - NO, NO. HE'S NOT ROYAL. 171 00:10:03,671 --> 00:10:05,773 HE--HE'S THE, UH, GOVERNOR OF LANCASTER CAY. 172 00:10:05,806 --> 00:10:08,108 IT'S A--AN ISLAND IN THE CARIBBEAN. 173 00:10:08,141 --> 00:10:10,377 IT'S A PLAYGROUND-- 174 00:10:10,410 --> 00:10:13,080 A TAX SHELTER FOR THE FILTHY RICH. 175 00:10:13,113 --> 00:10:15,983 [phone rings] - YOU'RE BREAKING MY HEART. 176 00:10:16,016 --> 00:10:19,219 ROSS. THANK YOU. 177 00:10:19,252 --> 00:10:21,354 HARRIS TRACKED DOWN THE RING. 178 00:10:21,388 --> 00:10:23,724 IT WAS PURCHASED BY A MAXWELL GOODWIN. 179 00:10:26,359 --> 00:10:28,161 - SMALL WORLD. 180 00:10:28,195 --> 00:10:31,732 - YES. I GAVE HER AN ENGAGEMENT RING. 181 00:10:31,765 --> 00:10:33,466 - BUT SHE DIDN'T WEAR IT? 182 00:10:33,500 --> 00:10:35,168 - IS THAT SUPPOSED TO MEAN SOMETHING? 183 00:10:35,202 --> 00:10:36,670 WHY DON'T YOU GUYS SAVE US SOME TIME 184 00:10:36,704 --> 00:10:39,773 AND GO BACK TO COP SCHOOL. 185 00:10:39,807 --> 00:10:42,409 [exhales] 186 00:10:42,442 --> 00:10:43,410 I'M SORRY. 187 00:10:43,443 --> 00:10:45,913 - WHAT HAPPENED TO YOUR HAND? 188 00:10:45,946 --> 00:10:47,981 - LOOK AROUND YOU. I'M A CHEF, OKAY? 189 00:10:48,015 --> 00:10:51,051 I-I WORK WITH LOTS OF SHARP KNIVES. 190 00:10:51,084 --> 00:10:55,555 - UM, HEY, YOU KNOW, I WENT INTO, UH, ENDYMION 191 00:10:55,588 --> 00:10:57,691 THE VERY FIRST WEEK IT OPENED. 192 00:10:57,725 --> 00:11:01,528 AND I ORDERED THE SCALLOPS WITH POMEGRANATE. 193 00:11:01,561 --> 00:11:04,732 SO GOOD. - THANK YOU. 194 00:11:04,765 --> 00:11:06,099 - HEY, UH, YOU'RE GOING TO OPEN A NEW-- 195 00:11:06,133 --> 00:11:07,267 NEW PLACE I HEAR. 196 00:11:07,300 --> 00:11:09,669 - NO. I DON'T KNOW. 197 00:11:09,703 --> 00:11:14,341 THE TRUTH IS THAT MAYBE LISA WANTED IT MORE THAN I DID. 198 00:11:14,374 --> 00:11:15,843 MAYBE LISA WANTED MORE 199 00:11:15,876 --> 00:11:18,311 THAN A LOCAL CABLE COOKING SHOW FOR ME. 200 00:11:18,345 --> 00:11:20,781 - THIS ISN'T THE BEST TIME FOR A MEETING OF THE FAN CLUB. 201 00:11:20,814 --> 00:11:23,250 - NO. THESE ARE THE POLICE. 202 00:11:23,283 --> 00:11:25,152 THEY THINK I KILLED LISA. 203 00:11:25,185 --> 00:11:27,687 - WELL, I'M MAX'S BUSINESS PARTNER 204 00:11:27,721 --> 00:11:28,989 LARRY CLAY. 205 00:11:29,022 --> 00:11:30,758 AND I WAS WITH HIM LAST NIGHT. 206 00:11:30,791 --> 00:11:34,027 MAYBE IF I DIDN'T DRAG HIM TO THAT CHARITY FUNCTION-- 207 00:11:34,061 --> 00:11:35,295 BUT THE INVESTORS WANT TO MEET HIM. 208 00:11:35,328 --> 00:11:36,463 HE'S THE STAR. 209 00:11:36,496 --> 00:11:39,566 REALLY. SURE. AND YOU? WHAT ARE--WHAT ARE YOU? 210 00:11:39,599 --> 00:11:41,134 - I TURN ON THE SPOTLIGHTS, SELL TICKETS. 211 00:11:41,168 --> 00:11:42,369 - AND WHAT ABOUT AFTER THE BENEFIT? 212 00:11:42,402 --> 00:11:43,603 - WE, UH-- 213 00:11:43,636 --> 00:11:45,438 - WENT ACROSS THE STREET, HAD A COUPLE OF DRINKS, 214 00:11:45,472 --> 00:11:47,674 AND TO STRATEGIZE. 215 00:11:51,144 --> 00:11:52,813 - AND WE JUST CALLED IT AN EARLY NIGHT. 216 00:11:52,846 --> 00:11:54,581 - BY ANY CHANCE, DO YOU KNOW 217 00:11:54,614 --> 00:11:57,617 WHO LISA WAS PARTYING WITH LAST NIGHT? 218 00:11:57,650 --> 00:12:00,954 - NO. SHE USUALLY MADE SEVERAL STOPS IN A NIGHT. 219 00:12:00,988 --> 00:12:04,524 - ONCE AGAIN, WE'RE SO SORRY, 220 00:12:04,557 --> 00:12:07,627 UH, ABOUT MISS WELLSLEY. 221 00:12:13,033 --> 00:12:14,234 - [chopping] 222 00:12:14,267 --> 00:12:18,071 - WELL, I FOR ONE FEEL SORRY FOR THAT CHICKEN. 223 00:12:18,105 --> 00:12:20,107 - UM, IT--IT WAS A DUCK. 224 00:12:20,140 --> 00:12:23,110 AND, UM, ANGER IS THE FIRST STAGE OF GRIEF. 225 00:12:23,143 --> 00:12:25,412 THE MAN'S AN ARTIST. - HE'S A CONDESCENDING JERK. 226 00:12:25,445 --> 00:12:26,914 AND YOU DON'T NEED TO BE RAISED BY SHRINKS 227 00:12:26,947 --> 00:12:30,117 TO SEE THAT HE HAS A PROBLEM WITH REJECTION. 228 00:12:35,422 --> 00:12:38,425 - YOU SHOULDN'T TALK TO ANYBODY WITHOUT AN ATTORNEY PRESENT. 229 00:12:38,458 --> 00:12:40,260 - THEY'RE THE POLICE. 230 00:12:40,293 --> 00:12:42,729 - LISA DIED LAST NIGHT. THEY'RE HERE THIS MORNING. 231 00:12:42,762 --> 00:12:44,397 THAT MEANS THEY THINK YOU'RE GUILTY. 232 00:12:44,431 --> 00:12:46,900 - BUT WE KNOW THAT I AM NOT. 233 00:12:46,934 --> 00:12:50,003 OKAY. 234 00:12:50,037 --> 00:12:51,504 GIVE ME A BREAK. - OKAY. 235 00:12:51,538 --> 00:12:53,807 OF COURSE I DON'T--I DON'T THINK THAT YOU'RE A MURDERER. 236 00:12:53,841 --> 00:12:55,142 - THEN WHY DID YOU LIE TO THEM? 237 00:12:55,175 --> 00:12:56,977 - OKAY. ALL RIGHT. THE HAND. 238 00:12:57,010 --> 00:12:58,611 WHAT--WHAT CONCLUSION 239 00:12:58,645 --> 00:13:01,714 DO YOU THINK THEY'RE GOING TO DRAW FROM THAT? 240 00:13:12,792 --> 00:13:15,128 - TOX SCREEN FOUND A PRETTY GOOD CONCENTRATION 241 00:13:15,162 --> 00:13:17,464 OF ALCOHOL AND LORAZEPAM, 242 00:13:17,497 --> 00:13:20,533 TYPICALLY PRESCRIBED FOR ANXIETY. 243 00:13:20,567 --> 00:13:21,835 YOUNG, BEAUTIFUL, AND RICH. 244 00:13:21,869 --> 00:13:24,004 WHAT DOES SHE HAVE TO BE ANXIOUS ABOUT? 245 00:13:24,037 --> 00:13:27,307 - NOTHING OTHER THAN BEING YOUNG, BEAUTIFUL, AND RICH. 246 00:13:27,340 --> 00:13:29,142 - AND HAVING SOMEONE WANT TO STRANGLE HER. 247 00:13:29,176 --> 00:13:31,744 - HE WAS AN ANGRY ONE TOO. 248 00:13:31,778 --> 00:13:34,614 HEAVY BLEEDING IN ALL THE NECK MUSCLES. 249 00:13:34,647 --> 00:13:36,549 THE GREATER CORNU AND THE HYOID BONE 250 00:13:36,583 --> 00:13:37,817 LITERALLY CRUSHED. 251 00:13:37,851 --> 00:13:40,320 I PULLED EPITHELIALS FROM UNDER HER FINGERNAILS. 252 00:13:40,353 --> 00:13:41,554 DNA'S BEING TESTED. 253 00:13:41,588 --> 00:13:42,990 - HMM. HERE'S AN INTERESTING TIDBIT. 254 00:13:43,023 --> 00:13:44,224 THE CRIB-- 255 00:13:44,257 --> 00:13:46,326 THAT'S THE CLUB THAT LISA WELLSLEY 256 00:13:46,359 --> 00:13:48,128 HAD BEEN PARTYING AT THE NIGHT OF HER MURDER-- 257 00:13:48,161 --> 00:13:50,363 IS OWNED BY REGINALD X. OLDMAN: 258 00:13:50,397 --> 00:13:51,398 YOUR FAVORITE CLOTHING DESIGNER 259 00:13:51,431 --> 00:13:53,901 AND FELON TURNED HIP-HOP MOGUL. 260 00:13:56,569 --> 00:13:58,671 - RXO HAS CERTAINLY LIVED THE LIFE. 261 00:13:58,705 --> 00:14:00,140 BORN BED-STUY. 262 00:14:00,173 --> 00:14:01,741 FIRST ARRESTED FOR ARMED ROBBERY 263 00:14:01,774 --> 00:14:03,576 WHEN HE WAS 14. 264 00:14:03,610 --> 00:14:06,513 ASSAULT AT 16. POSSESSION WITH INTENT. 265 00:14:06,546 --> 00:14:09,349 - WASN'T THAT THE NAME OF HIS LAST PLATINUM ALBUM? 266 00:14:09,382 --> 00:14:12,019 I'M NOT ARGUING WITH YOU. HE PROBABLY IS A BAD GUY. 267 00:14:12,052 --> 00:14:14,054 BUT CURRENTLY, HE'S A BAD GUY WITH BUSINESS INTERESTS 268 00:14:14,087 --> 00:14:16,924 WORTH OVER $20 MILLION. - 30. 269 00:14:16,957 --> 00:14:18,892 - YES, LISA WELLSLEY WAS IN HIS CLUB. 270 00:14:18,926 --> 00:14:20,493 YES, SHE LIKED HIS CLOTHES. 271 00:14:20,527 --> 00:14:22,896 NO, IT ISN'T ENOUGH FOR US TO RISK A HARASSMENT SUIT. 272 00:14:22,930 --> 00:14:24,965 - HE DID FOUR YEARS IN ATTICA FOR DOMESTIC ABUSE. 273 00:14:24,998 --> 00:14:26,633 HE BROKE HIS LIVE-IN'S RIBS. 274 00:14:26,666 --> 00:14:28,835 - WE JUST GOT A MATCH ON RXO'S DNA 275 00:14:28,868 --> 00:14:32,439 UNDER LISA'S FINGERNAILS. 276 00:14:32,472 --> 00:14:36,843 - TRY NOT TO DIRTY HIS CARPET. 277 00:14:36,876 --> 00:14:39,412 - IT'S A SHAME WHAT HAPPENED TO LISA. 278 00:14:39,446 --> 00:14:42,349 I LIKED HER. EVERYONE DID. 279 00:14:42,382 --> 00:14:45,953 - YEAH. WAS SHE, UH, WAS SHE ALONE LAST NIGHT? 280 00:14:54,794 --> 00:14:56,629 - I GOT WORK TO DO. 281 00:14:59,566 --> 00:15:01,634 - IT'S OKAY. WE'LL WAIT. 282 00:15:04,171 --> 00:15:08,141 - JACKIE, LISA WELLSLEY SPENT HER LAST SECONDS OF LIFE 283 00:15:08,175 --> 00:15:09,943 STARING INTO THE EYES OF A VICIOUS ANIMAL 284 00:15:09,977 --> 00:15:11,611 WHILE HE CHOKED THE LIFE OUT OF HER. 285 00:15:11,644 --> 00:15:14,247 ODDS ARE YOU SERVED THAT ANIMAL A DRINK LAST NIGHT. 286 00:15:14,281 --> 00:15:18,551 - WHY ARE YOU DOING THIS TO ME? 287 00:15:18,585 --> 00:15:20,253 IF YOU WANT TO KNOW ABOUT LISA, 288 00:15:20,287 --> 00:15:22,489 TALK TO RXO, OKAY? 289 00:15:22,522 --> 00:15:25,993 - RXO? THEY WERE-- THEY WERE CLOSE? 290 00:15:33,433 --> 00:15:34,734 - DAMN SHAME. 291 00:15:34,767 --> 00:15:36,236 LOT OF OTHER PEOPLE I WOULD'VE RATHER SEEN 292 00:15:36,269 --> 00:15:38,105 ON THE FRONT PAGE OF THE LEDGER. 293 00:15:38,138 --> 00:15:39,506 I LIKED LISA. 294 00:15:39,539 --> 00:15:41,574 - IS THAT WHY YOU GAVE HER A RACK FULL OF CLOTHES? 295 00:15:41,608 --> 00:15:44,477 - NO. I PAID HER FOR THAT. 296 00:15:44,511 --> 00:15:46,913 - I'M SORRY. UH, YOU LOST ME. 297 00:15:46,946 --> 00:15:48,215 - THIS IS MY CLOTHING LINE. 298 00:15:48,248 --> 00:15:50,883 LISA GETS PHOTOGRAPHED IN IT, IT ONLY HELPS MY BRAND. 299 00:15:50,917 --> 00:15:54,821 - YOU MEAN YOUR COMPANY? - I MEAN ME, THE BRAND. 300 00:15:54,854 --> 00:15:57,390 - SO YOUR RELATIONSHIP WITH HER 301 00:15:57,424 --> 00:15:58,992 WAS STRICTLY BUSINESS? 302 00:15:59,026 --> 00:16:00,327 - [laughs] 303 00:16:00,360 --> 00:16:03,530 WHOO! MY BRAND IS MY LIFE. 304 00:16:03,563 --> 00:16:06,899 - IN OTHER WORDS, YOU'RE SLEEPING WITH HER? 305 00:16:06,933 --> 00:16:08,835 - WOULD YOU HAVE PASSED UP ON THAT? 306 00:16:08,868 --> 00:16:12,339 - AND LAST NIGHT-- HOW ABOUT LAST NIGHT? 307 00:16:12,372 --> 00:16:14,574 - YOU HAVEN'T BEEN LISTENING TO ME, HAVE YOU? 308 00:16:14,607 --> 00:16:15,708 WHY WOULD I HURT LISA? 309 00:16:15,742 --> 00:16:18,045 - AND YOUR DNA UNDER HER FINGERNAILS? 310 00:16:18,078 --> 00:16:21,514 - WE DANCED. 311 00:16:21,548 --> 00:16:23,816 HOW MANY WITNESSES DO YOU NEED? 312 00:16:35,395 --> 00:16:37,897 YOU. BITCH. IN MY OFFICE. 313 00:16:46,173 --> 00:16:48,208 WHAT DID I TELL YOU ABOUT TALKING TO POLICE? 314 00:16:48,241 --> 00:16:50,110 - I DIDN'T TELL THEM NOTHING. - I SAID NEVER. 315 00:16:50,143 --> 00:16:51,611 - THEY ALREADY KNEW SHE WAS HERE LAST NIGHT. 316 00:16:51,644 --> 00:16:52,979 WHAT WAS I SUPPOSED TO DO? 317 00:16:53,012 --> 00:16:56,949 - WHAT ARE COPS? 318 00:16:56,983 --> 00:16:59,086 - THE ENEMY. 319 00:16:59,119 --> 00:17:00,420 - THAT'S RIGHT. 320 00:17:00,453 --> 00:17:03,756 AND ANYONE WHO HELPS THE ENEMY? 321 00:17:03,790 --> 00:17:06,393 - A TRAITOR. 322 00:17:06,426 --> 00:17:08,061 - THAT'S RIGHT. 323 00:17:10,163 --> 00:17:12,599 - RXO. WHAT A PIECE OF WORK. 324 00:17:12,632 --> 00:17:16,035 BRUTALITY. AMBITION. 325 00:17:16,069 --> 00:17:18,705 WITH A SUBSTRATUM OF PURE BEING. 326 00:17:18,738 --> 00:17:19,872 - YOU SAY "TOMAHTO." 327 00:17:19,906 --> 00:17:21,574 BOTTOM LINE, HE'S A VIOLENT FELON. 328 00:17:21,608 --> 00:17:23,276 - PART OF HIS JOB DESCRIPTION. 329 00:17:23,310 --> 00:17:26,713 - YEAH, WELL, I'M TELLING YOU, THAT BARTENDER, 330 00:17:26,746 --> 00:17:28,548 SHE WANTED TO TALK TO US. 331 00:17:28,581 --> 00:17:30,983 - WELL, WITH ANY LUCK, SHE'S NOT IN RXO'S PURVIEW 332 00:17:31,017 --> 00:17:32,652 AT THIS TIME IN THE MORNING. 333 00:17:36,456 --> 00:17:39,626 - LISA WAS ALWAYS GOOD TO ME. 334 00:17:39,659 --> 00:17:40,893 SOMETIMES WHEN MY MOM WAS TIED UP, 335 00:17:40,927 --> 00:17:43,096 SHE'D BABY-SIT CECI. THAT'S MY DAUGHTER. 336 00:17:43,130 --> 00:17:45,432 SHE TAUGHT HER THIS DANCE. 337 00:17:45,465 --> 00:17:46,766 I ALWAYS TOLD LISA SHE'D BE A GREAT MOM 338 00:17:46,799 --> 00:17:47,834 WHEN THE TIME CAME. 339 00:17:47,867 --> 00:17:50,036 - OH. SEE, I-- 340 00:17:50,069 --> 00:17:51,704 EXCEPT, I-I WOULDN'T HAVE THOUGHT THAT LISA 341 00:17:51,738 --> 00:17:55,875 WOULD'VE BEEN SO INTO HAVING KIDS. 342 00:17:55,908 --> 00:17:59,746 WE HAD A VISIT WITH THE, UH, PARENTS. 343 00:17:59,779 --> 00:18:01,181 I GOT THE IMPRESSION ANYWAY. 344 00:18:01,214 --> 00:18:06,419 - WE WANT YOU TO TELL US ABOUT THE NIGHT LISA WAS KILLED. 345 00:18:06,453 --> 00:18:08,855 - JACKIE. 346 00:18:08,888 --> 00:18:11,658 HEY, WHY ARE YOU SO SCARED OF RXO? 347 00:18:11,691 --> 00:18:13,193 - YOU'RE KIDDING, RIGHT? 348 00:18:13,226 --> 00:18:15,895 THAT MAN'S GANGSTER ISN'T AN ACT. 349 00:18:19,031 --> 00:18:21,868 YOU SHOULD LOOK INTO THIS KID, JASON SOMETHING. 350 00:18:21,901 --> 00:18:25,338 HE'S WEIRD. - HOW SO? 351 00:18:25,372 --> 00:18:26,539 - I DON'T KNOW. 352 00:18:26,573 --> 00:18:28,341 HE'S POSSESSIVE IN A PITIFUL KIND OF WAY. 353 00:18:28,375 --> 00:18:30,009 HE SITS AT THE BAR AND STARES DAGGERS 354 00:18:30,042 --> 00:18:32,279 AT ANYBODY NEAR LISA ON THE DANCE FLOOR. 355 00:18:32,312 --> 00:18:34,681 - WAS HE AT THE CRIB THE NIGHT LISA WAS MURDERED? 356 00:18:34,714 --> 00:18:36,383 - IF LI'S THERE, JASON'S THERE. 357 00:18:36,416 --> 00:18:38,551 I DON'T KNOW WHAT WAS GOING ON WITH THEM TWO. 358 00:18:38,585 --> 00:18:41,388 HE'S REALLY YOUNG. - NO KIDDING. 359 00:18:41,421 --> 00:18:45,692 LIKE, UH, HOW OLD IS HE? - 16. 17. 360 00:18:45,725 --> 00:18:47,727 - THE TARGET AUDIENCE 361 00:18:47,760 --> 00:18:49,762 FOR THOSE SHOOT-'EM-UP VIDEO GAMES. 362 00:19:57,830 --> 00:20:02,235 [grunting and crying] 363 00:20:09,108 --> 00:20:13,112 - LADY DOWN THE HALL NOTICED THE SEAL ON THE DOOR WAS BROKEN. 364 00:20:13,145 --> 00:20:15,181 - WHEN WAS THE LAST TIME SHE SAW IT INTACT? 365 00:20:15,214 --> 00:20:18,485 - COULDN'T SAY. YESTERDAY MAYBE. 366 00:20:18,518 --> 00:20:21,087 - THANK YOU, OFFICER BOYLE. 367 00:20:39,406 --> 00:20:42,442 - HEY, ZACK. 368 00:20:42,475 --> 00:20:44,377 HEY, BOYLE, DID YOU GO NEAR THIS CHAIR? 369 00:20:44,411 --> 00:20:45,445 - NO. 370 00:20:45,478 --> 00:20:48,348 - THERE WAS A DRESS ON IT BEFORE. 371 00:20:58,124 --> 00:21:00,427 THE EDGES ARE ALL UNEVEN AND FRAYED. 372 00:21:00,460 --> 00:21:02,261 THIS WASN'T CUT. IT WAS RIPPED. 373 00:21:02,295 --> 00:21:05,732 - SOMEBODY HAD A TANTRUM. - TRIED TO CLEAN IT UP. 374 00:21:05,765 --> 00:21:08,134 - MAYBE SOMEBODY, UH, WHO'S POSSESSIVE 375 00:21:08,167 --> 00:21:09,702 IN A PITIFUL KIND OF WAY. 376 00:21:09,736 --> 00:21:11,738 - YEAH, A LOST PUPPY FROM THE NEIGHBORHOOD 377 00:21:11,771 --> 00:21:14,607 WHO LIKED TO PLAY HIS VIDEO GAMES. 378 00:21:50,777 --> 00:21:54,514 - NO, NO, NO, NO. - NO, NO, NO. 379 00:21:54,547 --> 00:21:59,118 NO. - I GOT HIM. 380 00:21:59,151 --> 00:22:00,587 - IMPRESSIVE, JASON. 381 00:22:00,620 --> 00:22:04,491 SIX YEARS IN CUSTODY BEFORE YOUR 18TH BIRTHDAY. 382 00:22:06,459 --> 00:22:09,496 HE PUMMELED HIS FIFTH GRADE TEACHER. 383 00:22:09,529 --> 00:22:11,664 DID YOU HAVE A THING FOR HER TOO? 384 00:22:13,666 --> 00:22:14,967 AND LOOK AT THIS. 385 00:22:15,001 --> 00:22:16,869 WHEN YOU WERE RELEASED FROM CROSSROADS JUVENILE, 386 00:22:16,903 --> 00:22:18,471 YOUR MOTHER DIDN'T EVEN COME PICK YOU UP. 387 00:22:18,505 --> 00:22:20,607 YOU WERE GIVEN BUS FARE HOME. 388 00:22:20,640 --> 00:22:23,610 - I DIDN'T HURT LISA. 389 00:22:23,643 --> 00:22:26,746 SHE HAD TROUBLE SLEEPING. I TOLD HER NOT TO MIX THE PILLS. 390 00:22:26,779 --> 00:22:29,348 - YOU KNOW AS WELL AS I DO THAT THE PILLS DIDN'T KILL HER. 391 00:22:29,382 --> 00:22:32,351 RIGHT? EVERY BONE IN HER NECK WAS BROKEN. 392 00:22:32,385 --> 00:22:34,754 NOW THAT'S REAL HATE. 393 00:22:34,787 --> 00:22:37,490 OKAY, JASON, THIS IS NOT LOOKING GOOD FOR YOU 394 00:22:37,524 --> 00:22:39,291 AND I'M GOING TO TELL YOU WHY. 395 00:22:39,325 --> 00:22:42,829 THE BROKEN VASE, THE PILLS, THE TABLE, THE VIDEO GAMES. 396 00:22:42,862 --> 00:22:44,263 WE'RE GOING TO FIND YOUR PRINTS, JASON, 397 00:22:44,296 --> 00:22:46,699 AND WE'RE GOING TO PUT YOU IN LISA'S LOFT. 398 00:22:49,602 --> 00:22:52,238 - JASON. JASON. 399 00:22:52,271 --> 00:22:55,642 WHEN MY MOM DIED, 400 00:22:55,675 --> 00:23:00,246 I GOT THIS PHOTOGRAPH OUT... 401 00:23:00,279 --> 00:23:02,148 THAT I HAD OF HER [clears throat] 402 00:23:02,181 --> 00:23:05,552 THAT WE'D TAKEN AT, UH, ATLANTIC CITY 403 00:23:05,585 --> 00:23:06,819 ON THE BOARDWALK WHEN WE WERE KIDS. 404 00:23:06,853 --> 00:23:11,591 AND I TOOK THAT PICTURE AND I RIPPED IT UP. 405 00:23:11,624 --> 00:23:15,562 I-I TORE THAT THING UP. 406 00:23:15,595 --> 00:23:21,133 I TORE THAT PICTURE UP INTO, LIKE, A MILLION PIECES. 407 00:23:23,536 --> 00:23:27,039 [breathing heavily] 408 00:23:27,073 --> 00:23:31,377 YOU'RE MAD, AREN'T YOU? JUST LIKE I WAS. 409 00:23:31,410 --> 00:23:35,748 BUT LISTEN, JASON, IT'S OKAY. 410 00:23:35,782 --> 00:23:39,418 THERE'S NOTHING TO BE ASHAMED OF. 411 00:23:39,452 --> 00:23:42,955 IT FEELS LIKE SHE LEFT YOU. I KNOW. 412 00:23:42,989 --> 00:23:47,460 AND, LISTEN, IT SUCKS, I KNOW, 413 00:23:47,494 --> 00:23:49,996 BUT SHE'S GONE. 414 00:23:50,029 --> 00:23:51,764 I'M SO SORRY, 415 00:23:51,798 --> 00:23:54,501 BUT THERE'S NOTHING YOU CAN DO TO CHANGE THAT. 416 00:23:54,534 --> 00:23:55,668 YOU CAN'T DENY IT. 417 00:23:55,702 --> 00:23:57,870 YOU CAN'T PRETEND IT DIDN'T HAPPEN. 418 00:23:57,904 --> 00:23:59,405 - [crying] 419 00:23:59,438 --> 00:24:02,875 - THAT--THAT ANGER, AT SOME POINT, 420 00:24:02,909 --> 00:24:03,910 ISN'T GOING TO BE THERE. 421 00:24:03,943 --> 00:24:06,979 IT'S JUST GOING TO BECOME SORROW. 422 00:24:07,013 --> 00:24:10,683 AND AT SOME POINT, THE SORROW... 423 00:24:10,717 --> 00:24:15,955 WILL BECOME A KIND OF SWEET SPACIOUSNESS, 424 00:24:15,988 --> 00:24:18,390 IF YOU CAN IMAGINE WHAT I MEAN. 425 00:24:18,424 --> 00:24:21,761 IF THAT'S A SEED THAT CAN GROW. 426 00:24:34,541 --> 00:24:38,410 - WE TALKED ALL THE TIME. 427 00:24:38,444 --> 00:24:40,780 SHE TOLD ME ABOUT HER PROBLEMS. 428 00:24:40,813 --> 00:24:43,015 I TOLD HER ABOUT-- ABOUT MINE. 429 00:24:43,049 --> 00:24:47,687 - WHAT KIND OF PROBLEMS? 430 00:24:47,720 --> 00:24:53,125 - ABOUT MY MOM AND HERS. 431 00:24:53,159 --> 00:24:57,964 SHE TREATED LISA LIKE A SISTER. 432 00:24:57,997 --> 00:24:59,231 LISA HATED THAT. 433 00:25:00,933 --> 00:25:03,903 BUT MOSTLY SHE LISTENED. 434 00:25:03,936 --> 00:25:06,806 SHE WAS A GOOD LISTENER. 435 00:25:06,839 --> 00:25:09,909 - DID YOU TALK TO LISA THE NIGHT SHE WAS MURDERED? 436 00:25:09,942 --> 00:25:13,412 - AT THE CRIB. 437 00:25:13,445 --> 00:25:16,248 - OKAY. WHEN YOU AND LISA LEFT THE CLUB-- 438 00:25:16,282 --> 00:25:20,419 - NO. I LEFT FIRST. 439 00:25:20,452 --> 00:25:22,088 RXO KICKED ME OUT 440 00:25:22,121 --> 00:25:24,857 'CAUSE HE SAID I WAS BOTHERING HIM 441 00:25:24,891 --> 00:25:26,959 AND GETTING IN THE WAY OF HIS BUSINESS WITH LISA. 442 00:25:26,993 --> 00:25:30,496 - SO SHE STAYED WITH MAX? - NO. 443 00:25:30,529 --> 00:25:31,931 HE WAS ALREADY GONE. 444 00:25:31,964 --> 00:25:35,968 HIM AND LISA GOT IN A FIGHT OR SOMETHING. 445 00:25:36,002 --> 00:25:38,771 HIS ACCOUNTANT, LARRY, 446 00:25:38,805 --> 00:25:42,074 HE STAYED TO TRY AND PATCH THINGS UP WITH LISA FOR HIM. 447 00:25:42,108 --> 00:25:45,778 - SO HOW DID YOU END UP AT LISA'S LOFT? 448 00:25:45,812 --> 00:25:48,815 - WELL, SHE WOULD LET ME CRASH ON HER COUCH. 449 00:25:54,153 --> 00:25:57,757 WHEN I GOT THERE, SHE WAS LAYING ON THE FLOOR. 450 00:26:01,994 --> 00:26:04,931 - BE RIGHT BACK. 451 00:26:10,536 --> 00:26:13,339 I BELIEVE HIM. 452 00:26:13,372 --> 00:26:15,341 - WHAT'S THAT SAY ABOUT LISA WELLSLEY? 453 00:26:15,374 --> 00:26:20,179 - THAT, UH, SHE HAD FOUND A TWIN SOUL? 454 00:26:20,212 --> 00:26:23,916 OR MAYBE THAT SHE FELT THE NEED TO BE TAKEN CARE OF 455 00:26:23,950 --> 00:26:27,654 AND PROJECTED THAT NEED ONTO ALREADY NEEDY JASON. 456 00:26:27,687 --> 00:26:29,588 SHE ADOPTED HIM LIKE A PET. 457 00:26:29,622 --> 00:26:32,258 - MAYBE HER MOM WAS RIGHT. THE RAGS HAD HER ALL WRONG. 458 00:26:32,291 --> 00:26:34,260 - I NEVER THOUGHT I'D HEAR MYSELF SAY THIS, 459 00:26:34,293 --> 00:26:38,497 BUT I'M GLAD I WASN'T BORN RICH AND/OR FAMOUS. 460 00:26:38,530 --> 00:26:41,968 YOUR MOM'S NOT DEAD. 461 00:26:42,001 --> 00:26:44,370 - I HAD MY FINGERS CROSSED. 462 00:26:44,403 --> 00:26:46,773 - ALL RIGHT, WELL, MAX LIED TO US IN THE FIRST PLACE 463 00:26:46,806 --> 00:26:47,807 ABOUT GOING TO THE CLUB. 464 00:26:47,840 --> 00:26:48,875 AND HE FORGOT TO TELL US 465 00:26:48,908 --> 00:26:51,177 ABOUT THE FIGHT HE HAD WITH LISA. 466 00:26:51,210 --> 00:26:52,344 - SEE IF HIS PARTNER EVER MANAGED 467 00:26:52,378 --> 00:26:54,847 TO PATCH THINGS UP BETWEEN THEM. 468 00:26:57,884 --> 00:27:00,787 - LOVERS HAVE SPATS. - YEAH. 469 00:27:00,820 --> 00:27:02,789 AND SOMETIMES THEY KISS AND MAKE UP. 470 00:27:02,822 --> 00:27:05,825 AND SOMETIMES, UH, ONE OF THEM ENDS UP DEAD 471 00:27:05,858 --> 00:27:07,359 ON THE LIVING ROOM FLOOR. 472 00:27:07,393 --> 00:27:08,661 - I'M JUST GUESSING HERE, 473 00:27:08,695 --> 00:27:10,429 BUT I BET MAX DIDN'T APPRECIATE ALL THE ATTENTION 474 00:27:10,462 --> 00:27:12,999 RXO WAS PAYING LISA. 475 00:27:13,032 --> 00:27:14,500 - LOOK, EVEN IF MAX WAS GUILTY-- 476 00:27:14,533 --> 00:27:16,402 AND THERE'S NO WAY THAT I THINK THAT HE IS-- 477 00:27:16,435 --> 00:27:18,771 BUT EVEN IF HE WAS, I WOULD DO WHATEVER IT TOOK 478 00:27:18,805 --> 00:27:20,572 TO PROTECT HIM. 479 00:27:20,606 --> 00:27:23,542 - YOU'RE A GOOD PARTNER. - I'M A GOOD FRIEND. 480 00:27:23,575 --> 00:27:26,478 I COUNT MYSELF LUCKY TO EVEN KNOW HIM. 481 00:27:26,512 --> 00:27:27,847 SEE, GUYS LIKE ME-- BUSINESS GUYS-- 482 00:27:27,880 --> 00:27:29,381 WE'RE A DIME A DOZEN. 483 00:27:29,415 --> 00:27:32,618 BUT MAX, IT'S NOT OFTEN YOU'RE IN THE PRESENCE OF GENIUS. 484 00:27:32,651 --> 00:27:36,255 - YEAH. STEAK BROILED WITH GRENADINE AND BLACK OLIVES. 485 00:27:36,288 --> 00:27:40,059 - I'M BEING SERIOUS. - NO, SO AM I. 486 00:27:40,092 --> 00:27:42,294 THAT'S--THAT'S YUMMY. 487 00:27:42,328 --> 00:27:46,298 HEY, I-I DIDN'T REALIZE YOU GUYS WENT TO EMERSON ACADEMY. 488 00:27:46,332 --> 00:27:49,969 YOU KNOW WHAT, ME TOO. I DID TOO. 489 00:27:50,002 --> 00:27:51,704 LONG--LONG BEFORE THESE GUYS, BUT YEAH. 490 00:27:51,738 --> 00:27:53,906 - ACTUALLY, MAX AND I STARTED OUR FIRST CATERING BUSINESS 491 00:27:53,940 --> 00:27:56,342 WHEN WE WERE-- WHEN WE WERE SENIORS. 492 00:27:56,375 --> 00:27:59,812 - OH, YEAH? - LOVE TO HEAR THAT FIGHT SONG. 493 00:27:59,846 --> 00:28:03,883 - OH, YEAH. - [laughs] 494 00:28:03,916 --> 00:28:06,652 - * GO POTATOES, GO TOMATOES * 495 00:28:06,685 --> 00:28:10,222 OH, YOUR--YOUR, UH, PLEATS ARE FACING DOWN. 496 00:28:10,256 --> 00:28:11,958 - WHAT? - YOUR CUMMERBUND. 497 00:28:11,991 --> 00:28:14,193 THE PLEATS ARE SUPPOSED TO BE FACING UP. 498 00:28:14,226 --> 00:28:17,296 - YEAH. TRUTH IS, I'LL BE GLAD WHEN I CAN STOP GOING 499 00:28:17,329 --> 00:28:19,799 TO THESE THINGS. 500 00:28:19,832 --> 00:28:21,968 ONE DAY, SOMEBODY WILL BE KNOCKING ON MY DOOR 501 00:28:22,001 --> 00:28:23,202 FOR HANDOUTS. 502 00:28:23,235 --> 00:28:25,571 - YEAH. I'LL BET MAX WAS DISAPPOINTED 503 00:28:25,604 --> 00:28:27,874 WHEN HE FOUND OUT THAT LISA'S STEPDAD TURNED YOU DOWN. 504 00:28:27,907 --> 00:28:29,475 - NO, HE WASN'T WORRIED. 505 00:28:29,508 --> 00:28:31,878 HE KNOWS I'LL FIND OTHER BACKERS. 506 00:28:31,911 --> 00:28:33,645 - THIS IS--THIS IS-- - HERE YOU GO. I GOT IT. 507 00:28:33,679 --> 00:28:36,749 JUST NOT--IT'S NOT DONE. [chuckles] 508 00:28:36,783 --> 00:28:39,118 - UM, HONESTLY, ALL HE TALKED ABOUT 509 00:28:39,151 --> 00:28:42,488 WAS GIVING LISA THE RING AND LIVING HAPPILY EVER AFTER. 510 00:28:42,521 --> 00:28:45,057 - THAT WAS AFTER THE CHARITY BENEFIT 511 00:28:45,091 --> 00:28:48,460 WHEN YOU WENT DOWNTOWN? 512 00:28:48,494 --> 00:28:50,296 THAT'S RIGHT. YEAH. 513 00:28:50,329 --> 00:28:51,798 - EVEN THOUGH THE LAST TIME WE SPOKE, 514 00:28:51,831 --> 00:28:53,465 YOU SAID THAT YOU HAD WENT ACROSS THE STREET, 515 00:28:53,499 --> 00:28:56,668 HAD DRINKS, STRATEGIZING. 516 00:28:56,702 --> 00:28:57,804 - THANKS. 517 00:28:57,837 --> 00:29:00,940 - REMEMBER, YOU TOLD US, UH, EARLY--EARLY TO BED. 518 00:29:00,973 --> 00:29:02,274 - I, UH, I'D DO ANYTHING FOR MAX. 519 00:29:02,308 --> 00:29:04,510 AND I KNEW WHAT YOU GUYS WERE THINKING. 520 00:29:04,543 --> 00:29:08,680 I ALSO KNEW THAT MAX DID NOT KILL HER. 521 00:29:08,714 --> 00:29:13,986 SORRY, BUT, UH, I'M ALREADY LATE FOR THIS BENEFIT. 522 00:29:16,088 --> 00:29:19,091 - OKEYDOKEY. 523 00:29:19,125 --> 00:29:22,261 HANDS TO SHAKE, MONEY TO RAISE, HUH? 524 00:29:22,294 --> 00:29:24,463 - THAT'S THE WAY IT WORKS. 525 00:29:27,199 --> 00:29:29,168 - LOOK AT YOU. 526 00:29:33,806 --> 00:29:35,441 - WHY IS I'M HEARING STORIES ABOUT YOUR PARTNER 527 00:29:35,474 --> 00:29:37,443 WALKING AROUND WITH HIS HANDS OUT? 528 00:29:37,476 --> 00:29:39,846 - THAT'S WHAT LARRY DOES, OKAY? HE FINDS MONEY. 529 00:29:39,879 --> 00:29:41,347 - WHAT I WANT TO KNOW IS WHY IS HE TRYING 530 00:29:41,380 --> 00:29:43,282 TO RAISE MONEY FOR MY RESTAURANT? 531 00:29:43,315 --> 00:29:46,485 THAT'S OUT AND OUT DUMB, MAX. 532 00:29:46,518 --> 00:29:48,554 WHAT I'M THINKING IS YOU NEVER TOLD HIM HE'S OUT. 533 00:29:48,587 --> 00:29:51,257 - I HAVE KNOWN THIS GUY FOR YEARS, OKAY? 534 00:29:51,290 --> 00:29:52,658 HE'S GOOD AT WHAT HE DOES. 535 00:29:52,691 --> 00:29:55,261 - HE TOOK ONE OF THE MOST SUCCESSFUL RESTAURANT OPENINGS 536 00:29:55,294 --> 00:29:59,198 IN 20 YEARS AND DROVE IT IN THE GROUND. 537 00:29:59,231 --> 00:30:00,566 HE'S A POISON PILL. 538 00:30:00,599 --> 00:30:02,969 AND HE AIN'T TAKING ME DOWN WITH HIM. 539 00:30:03,002 --> 00:30:06,472 - THERE WILL BE PLENTY OF MONEY TO GO AROUND FOR ALL OF US. 540 00:30:06,505 --> 00:30:07,639 IT DOESN'T MATTER TO ME. 541 00:30:07,673 --> 00:30:09,275 I'LL TAKE CARE OF LARRY OUT OF MY END. 542 00:30:09,308 --> 00:30:10,877 - I SAID NO. 543 00:30:10,910 --> 00:30:14,013 THIS TIME NO CO-OWN, NO PART-OWN. 544 00:30:14,046 --> 00:30:15,714 IT'S A NO-OWN. 545 00:30:15,747 --> 00:30:18,717 LISA KNEW THIS. SHE HATED LARRY. 546 00:30:18,750 --> 00:30:23,522 SHE DIDN'T WANT HIM NEAR THE JOINT. 547 00:30:23,555 --> 00:30:27,259 AND SHE SAID YOU AGREED TO IT TOO. 548 00:30:27,293 --> 00:30:28,995 - ACTUALLY, SHE SAID IT WAS UP FOR DISCUSSION. 549 00:30:29,028 --> 00:30:30,897 - WELL, SHE WAS WRONG. 550 00:30:30,930 --> 00:30:34,400 - THIS IS MY MONEY. THIS IS MY BRAND. 551 00:30:34,433 --> 00:30:36,602 SO IT MAKES IT MY RULES. 552 00:30:36,635 --> 00:30:39,138 AND LARRY GETS NOTHING. 553 00:30:43,109 --> 00:30:44,776 - FINE. 554 00:30:52,384 --> 00:30:54,887 - I'M OLD SCHOOL. WHO GAINS? WHO LOSES? 555 00:30:54,921 --> 00:30:57,223 START WITH MOTIVE. WORK BACKWARDS. 556 00:30:57,256 --> 00:30:58,457 - WELL, LISA'S STEPDAD 557 00:30:58,490 --> 00:31:00,192 WOULDN'T BACK MAX'S NEW RESTAURANT. 558 00:31:00,226 --> 00:31:02,929 ADD TO THAT A POSSIBLE REJECTION TO HIS PROPOSAL, 559 00:31:02,962 --> 00:31:05,264 THE CUT ON HIS HAND, HIS LIES. 560 00:31:05,297 --> 00:31:08,334 - ON THE OTHER HAND, UH, MAYBE LISA 561 00:31:08,367 --> 00:31:11,803 DIDN'T REJECT MAX AND RXO HAS A JEALOUS SIDE 562 00:31:11,837 --> 00:31:12,972 THAT WE DON'T KNOW ABOUT. 563 00:31:13,005 --> 00:31:14,106 - OH, THAT'S RIGHT. 564 00:31:14,140 --> 00:31:15,307 JASON DID SAY 565 00:31:15,341 --> 00:31:17,376 THAT RXO THOUGHT THAT HE WAS GETTING IN THE WAY 566 00:31:17,409 --> 00:31:20,212 OF HIS BUSINESS WITH LISA. 567 00:31:20,246 --> 00:31:22,814 - TALK TO HIM. - OKAY. 568 00:31:22,848 --> 00:31:25,384 UH, I'M GOING TO-- GOING TO... 569 00:31:25,417 --> 00:31:27,619 - WANDER AIMLESSLY? 570 00:31:27,653 --> 00:31:30,856 - KEEPS ME FROM GETTING LOST. 571 00:31:38,364 --> 00:31:41,333 [piano music] 572 00:31:41,367 --> 00:31:46,405 * 573 00:31:48,540 --> 00:31:50,842 - ENDYMION 2. MOVING ON UP, BABY. 574 00:31:50,876 --> 00:31:52,344 - WELL, I DON'T GET IT. 575 00:31:52,378 --> 00:31:54,880 IF LISA'S STEPFATHER WAS LOADED, 576 00:31:54,913 --> 00:31:56,648 WHY WOULD SHE COME TO YOU FOR MONEY? 577 00:31:56,682 --> 00:31:58,550 - IT WAS IMPORTANT FOR HER TO DO SOMETHING ON HER OWN. 578 00:31:58,584 --> 00:32:00,052 - SO IN THE END, 579 00:32:00,086 --> 00:32:03,389 IT ALL WORKED OUT PRETTY WELL FOR YOU. 580 00:32:03,422 --> 00:32:04,723 - YOU'RE KIDDING ME, RIGHT? 581 00:32:04,756 --> 00:32:06,558 - WELL, WITH LISA GONE, HER 2% IS A BIG NUMBER. 582 00:32:06,592 --> 00:32:07,626 COULD BE PRETTY BIG. 583 00:32:07,659 --> 00:32:09,228 - AND FIVE POINTS IS EVEN BETTER. 584 00:32:09,261 --> 00:32:11,163 LOOK, I'LL SEND OVER A GUY 585 00:32:11,197 --> 00:32:14,433 WITH ENDYMION 2 CORPORATE DOCUMENTS. 586 00:32:14,466 --> 00:32:15,901 YOU READ THEM CLOSE 587 00:32:15,934 --> 00:32:17,669 AND YOU'LL SEE THE WEEK BEFORE SHE PASSED, 588 00:32:17,703 --> 00:32:19,871 I UPPED HER OWNERSHIP INTEREST. 589 00:32:19,905 --> 00:32:22,574 [piano playing] 590 00:33:15,427 --> 00:33:17,196 - THERE YOU HAVE IT. 591 00:33:17,229 --> 00:33:22,268 HAVE YOUR PASTA. FRESH. 592 00:33:22,301 --> 00:33:24,936 [sighs] 593 00:33:24,970 --> 00:33:28,707 - HEY! WHAT THE HELL IS THAT? 594 00:33:28,740 --> 00:33:31,310 - MAX. WAIT, MAX. 595 00:33:58,304 --> 00:34:00,672 - YOU GOT TO CALM DOWN, PAL. IT'S TOUGH. 596 00:34:00,706 --> 00:34:02,074 I FEEL FOR YOU. YOU KNOW THAT I DO. 597 00:34:02,108 --> 00:34:04,943 BUT THE WORLD, IT KEEPS ON SPINNING. 598 00:34:10,382 --> 00:34:11,617 - LOOK, I GOT TO TELL YOU SOMETHING. 599 00:34:11,650 --> 00:34:14,019 - NO, YOU DON'T. 600 00:34:15,821 --> 00:34:17,956 SO I'VE BEEN THINKING ABOUT THE NEW MENU 601 00:34:17,989 --> 00:34:19,558 AND I DEFINITELY THINK THAT WE SHOULD KEEP 602 00:34:19,591 --> 00:34:21,693 THE CRAB CIOPPINO, THE SALMON EN PAPILLOTES, 603 00:34:21,727 --> 00:34:23,262 AND THE ROAST CHICKEN PROVENCAL. 604 00:34:23,295 --> 00:34:24,596 I KNOW THAT'S YOUR DEPARTMENT, 605 00:34:24,630 --> 00:34:25,797 BUT I KNOW WHAT SOLD THE BEST LAST TIME. 606 00:34:25,831 --> 00:34:26,898 YOU DON'T WANT THE CHICKEN, 607 00:34:26,932 --> 00:34:28,033 THAT'S-- THAT'S FINE WITH ME-- 608 00:34:28,066 --> 00:34:31,237 - YOU SHUT UP FOR A MINUTE! 609 00:34:31,270 --> 00:34:32,838 - OKAY. IT'S FINE. YOU--YOU'RE IN MOURNING. 610 00:34:32,871 --> 00:34:34,039 WHATEVER. 611 00:34:34,072 --> 00:34:35,874 BUT I'M NOT GOING TO LET OUR DREAM DIE WITH HER, BUDDY. 612 00:34:35,907 --> 00:34:38,777 - HEY! - OKAY. 613 00:34:38,810 --> 00:34:39,711 IT'S OKAY. 614 00:34:39,745 --> 00:34:41,347 I MEAN, M--MAYBE YOU SHOULD TELL ME 615 00:34:41,380 --> 00:34:45,351 WHAT I-I CAN AND CAN'T SAY. 616 00:34:45,384 --> 00:34:47,052 - ENOUGH. 617 00:34:47,085 --> 00:34:50,422 - YEAH, THAT'S RIGHT, PAL. GO AHEAD, HIT ME. 618 00:34:50,456 --> 00:34:52,891 IT'S NOT LIKE IT'LL BE THE FIRST TIME. 619 00:35:22,154 --> 00:35:23,689 - THE SAD THING IS 620 00:35:23,722 --> 00:35:26,492 I DON'T KNOW HOW I'M GOING TO GET THROUGH A DINNER PARTY 621 00:35:26,525 --> 00:35:28,694 WHEN YOU SHUT DOWN. 622 00:35:28,727 --> 00:35:31,597 - GUESS WHO'S STILL CHASING THEIR TAIL. 623 00:35:31,630 --> 00:35:35,501 - NO. ACTUALLY, UM, I WAS-- I'M TALKING ABOUT 624 00:35:35,534 --> 00:35:37,403 WHAT'S GOING TO HAPPEN WITH THE SHOW 625 00:35:37,436 --> 00:35:39,538 WHEN YOU OPEN THE NEW RESTAURANT. 626 00:35:39,571 --> 00:35:41,507 - WHAT DID YOU THINK HE WAS TALKING ABOUT? 627 00:35:41,540 --> 00:35:43,875 - [exhales] 628 00:35:43,909 --> 00:35:46,212 - YOU KNOW, I'LL BET HE THOUGHT WE WERE HERE 629 00:35:46,245 --> 00:35:47,646 TO ARREST MAX. 630 00:35:47,679 --> 00:35:51,983 - WAIT. 631 00:35:52,017 --> 00:35:53,385 DO YOU KNOW SOMETHING ABOUT LISA? 632 00:35:56,355 --> 00:35:59,057 - I KNOW THAT THE PEOPLE IN HER LIFE 633 00:35:59,090 --> 00:36:00,592 THOUGHT THEY KNEW HER. 634 00:36:00,626 --> 00:36:04,596 BUT REALLY, THEY ONLY KNEW WHAT THEY NEEDED OR WANTED. 635 00:36:04,630 --> 00:36:08,033 TO HER MOM, SHE WAS YOUTH LOST. 636 00:36:08,066 --> 00:36:13,038 TO RXO, A BRAND. JASON, MOMMY. 637 00:36:13,071 --> 00:36:16,842 - AND TO YOU, SHE WAS A MUSE. 638 00:36:16,875 --> 00:36:20,412 - AND TO YOU, SIR, SHE WAS A HURDLE. 639 00:36:20,446 --> 00:36:22,248 - WHAT THE HELL'S THAT SUPPOSED TO MEAN? 640 00:36:22,281 --> 00:36:24,483 - LISA WAS TAKING YOUR MEAL TICKET AWAY FROM YOU. 641 00:36:24,516 --> 00:36:28,854 YOUR LAST BEST SHOT TO STOP BEING A, UM-- 642 00:36:28,887 --> 00:36:30,389 HOW DID HE PUT IT? 643 00:36:30,422 --> 00:36:32,824 - A DIME A DOZEN BUSINESS GUY, 644 00:36:32,858 --> 00:36:35,894 KNOCKING ON DOORS, LOOKING FOR HANDOUTS. 645 00:36:35,927 --> 00:36:38,063 - THIS IS CRAZY. MAX WOULD'VE NEVER CUT ME OUT. 646 00:36:38,096 --> 00:36:39,130 TELL HIM, MAX. 647 00:36:39,164 --> 00:36:42,167 - OH, YEAH, THE TRUE EMERSON MAN. 648 00:36:42,200 --> 00:36:44,002 AND I KNOW 'CAUSE I'VE, UH, SEEN IT 649 00:36:44,035 --> 00:36:45,304 UP CLOSE AND PERSONAL. 650 00:36:45,337 --> 00:36:50,041 HAS THE UNIQUE ABILITY TO BRUSH THE DEAD WOOD ASIDE 651 00:36:50,075 --> 00:36:52,210 LIKE, UH, LINT OFF A SPORTS COAT. 652 00:36:52,244 --> 00:36:54,280 - WHAT ARE YOU TALKING ABOUT? I WENT TO EMERSON. 653 00:36:54,313 --> 00:36:56,948 - BUT YOU WEREN'T OF EMERSON. 654 00:36:56,982 --> 00:37:00,218 I'M GUESSING YOU WERE A SCHOLARSHIP KID. 655 00:37:00,252 --> 00:37:02,388 THE REAL DEAL KNOWS HOW TO WEAR A CUMMERBUND 656 00:37:02,421 --> 00:37:05,123 FROM THE TIME HE'S TEN. 657 00:37:05,156 --> 00:37:08,727 WE USED TO LAUGH AT GUYS LIKE THIS. 658 00:37:08,760 --> 00:37:12,230 - YOU ARE WAY OFF BASE. 659 00:37:12,264 --> 00:37:15,867 - WHAT DID THE BARD CALL IT? THE DOUBLE BLESSED. 660 00:37:15,901 --> 00:37:20,205 THE DOUBLE BLESSED. TALENT AND STATUS. 661 00:37:20,238 --> 00:37:21,707 YOU MISSED OUT ON BOTH COUNTS. 662 00:37:21,740 --> 00:37:26,445 IN WHICH CASE, WE DON'T LET HIM INTO THE SANDBOX, DO WE, MAX? 663 00:37:26,478 --> 00:37:29,381 YOU CAN LOOK, BUT YOU CAN'T PLAY. 664 00:37:29,415 --> 00:37:31,082 - AND THE FIRST TIME WE SPOKE TO YOU, 665 00:37:31,116 --> 00:37:33,552 YOU WERE ABOUT TO TELL US THAT YOU WENT TO THE CLUB 666 00:37:33,585 --> 00:37:35,287 AFTER THE BENEFIT. 667 00:37:35,321 --> 00:37:36,655 BUT THEN LARRY CHANGED THE STORY. 668 00:37:36,688 --> 00:37:40,326 - BECAUSE I WAS TRYING TO PROTECT HIM. 669 00:37:40,359 --> 00:37:44,563 - OR FRAME HIM. 670 00:37:44,596 --> 00:37:47,533 - THERE WAS NO WAY 671 00:37:47,566 --> 00:37:49,134 HE WAS GOING TO LET YOU MOVE ON WITHOUT HIM. 672 00:37:49,167 --> 00:37:52,304 - I KILLED MYSELF FOR THIS BUSINESS. 673 00:37:52,338 --> 00:37:56,241 - SO WHAT? HE IS NECESSARY. 674 00:37:56,274 --> 00:37:59,177 YOU'RE, UH, SUFFICIENT, 675 00:37:59,210 --> 00:38:04,182 WHICH MEANS EXPENDABLE-- PIECE OF LINT IN THE BREEZE. 676 00:38:04,215 --> 00:38:05,617 AND YOU, YOU WANT IT SO BAD YOU CAN TASTE IT. 677 00:38:05,651 --> 00:38:07,619 - THIS IS STUPID. 678 00:38:07,653 --> 00:38:08,954 - FROM THE FIRST MOMENT YOU EVER PUT ON 679 00:38:08,987 --> 00:38:10,422 THAT EMERSON BLUE BLAZER, 680 00:38:10,456 --> 00:38:13,158 YOU GOT THAT HUNGER IN YOU. 681 00:38:13,191 --> 00:38:16,061 AND TODAY, WORSE, WORSE. 682 00:38:16,094 --> 00:38:18,330 "I'M IN SALES. I'M NOT CREATIVE. 683 00:38:18,364 --> 00:38:20,298 MAX IS THE ARTIST. I'M THE SUIT." 684 00:38:20,332 --> 00:38:22,668 - NO. ME AND MAX, WE'RE A TEAM. 685 00:38:22,701 --> 00:38:24,803 - RIGHT. HE'S THE STAR. 686 00:38:24,836 --> 00:38:27,105 YOU, UH, TURN ON THE SPOTLIGHT, 687 00:38:27,138 --> 00:38:29,508 HOPING ONE DAY, UH, SOME OF THAT SHINE 688 00:38:29,541 --> 00:38:30,809 WILL REFLECT BACK ON YOU. 689 00:38:30,842 --> 00:38:32,544 BUT IT WON'T EVER. 690 00:38:32,578 --> 00:38:35,481 OH, IT'S UNFAIR. IT'S FRUSTRATING. 691 00:38:35,514 --> 00:38:37,749 INFURIATING. - I KNOW WHAT I AM. 692 00:38:37,783 --> 00:38:39,117 - I'M SURE YOU DO. ALWAYS HAVE. 693 00:38:39,150 --> 00:38:41,119 ESPECIALLY AT NIGHT WHEN YOU'RE ALONE. 694 00:38:41,152 --> 00:38:42,120 - LET'S GO, MAX. 695 00:38:42,153 --> 00:38:44,055 - OR FIRST THING WHEN YOU WAKE UP 696 00:38:44,089 --> 00:38:45,223 AND LOOK IN THE MIRROR. 697 00:38:45,256 --> 00:38:48,059 POOR KID IN A RICH KID'S SCHOOL SUIT. 698 00:38:48,093 --> 00:38:49,227 CAN'T GET ANY WORSE THAN THAT. 699 00:38:49,260 --> 00:38:50,396 BUT THEN IT DID WHEN YOU FOUND OUT 700 00:38:50,429 --> 00:38:52,364 THAT MAX AND LISA WERE MAKING IT 701 00:38:52,398 --> 00:38:57,068 SO YOU COULDN'T GET NEAR ENOUGH THE SANDBOX TO EVEN WATCH. 702 00:38:57,102 --> 00:39:00,271 - YOU WOULDN'T EVEN-- YOU WOULDN'T EVEN-- 703 00:39:00,305 --> 00:39:01,740 WOULDN'T EVEN ASK HER. 704 00:39:01,773 --> 00:39:03,742 I MEAN, LIKE, IT'S-- IT'S LIKE EVERYTHING ELSE. 705 00:39:03,775 --> 00:39:06,277 IT'S JUST, WITH LARRY, "YOU LET HIM DO THE DIRTY WORK." 706 00:39:09,280 --> 00:39:11,249 WHAT DIFFERENCE WOULD IT HAVE MADE TO HER? 707 00:39:11,282 --> 00:39:13,018 ONE PHONE CALL TO HER STEPFATHER. 708 00:39:13,051 --> 00:39:14,085 ONE PHONE CALL. 709 00:39:14,119 --> 00:39:15,286 - IS THAT WHY YOU WENT TO HER LOFT? 710 00:39:15,320 --> 00:39:17,589 - TO TALK. - TO BEG? 711 00:39:17,623 --> 00:39:19,625 - N--FOR--FOR US. 712 00:39:19,658 --> 00:39:22,327 FOR... 713 00:39:22,360 --> 00:39:24,796 AND SHE JUST... 714 00:39:24,830 --> 00:39:26,598 LAUGHED AT ME. 715 00:39:26,632 --> 00:39:30,368 OH, MY GOD, SHE WAS... 716 00:39:30,402 --> 00:39:31,703 SHE WAS SO BEAUTIFUL AND SHE WAS-- 717 00:39:31,737 --> 00:39:34,172 SHE WAS LAUGHING AT ME! 718 00:39:34,205 --> 00:39:35,907 HE WAS GOOD ENOUGH, BUT NOT ME. 719 00:39:35,941 --> 00:39:37,175 HE WAS GOOD ENOUGH, BUT NOT ME! 720 00:39:37,208 --> 00:39:38,444 AND SHE SAID THAT MAX KNEW-- 721 00:39:38,477 --> 00:39:39,945 THAT--THAT-- THAT HER STEPFATHER KNEW-- 722 00:39:39,978 --> 00:39:42,681 RXO KNEW-- EVERYONE KNEW THAT I WAS THIS-- 723 00:39:42,714 --> 00:39:43,682 THIS JOKE! 724 00:39:43,715 --> 00:39:45,016 THIS STUPID JOKE! 725 00:39:45,050 --> 00:39:46,652 AND THAT IT WAS ALL DONE AND OVER. 726 00:39:46,685 --> 00:39:47,919 THEN SHE TOLD ME TO GET OUT. 727 00:39:47,953 --> 00:39:51,523 AND THEN SHE LOOKED RIGHT THROUGH ME. 728 00:39:51,557 --> 00:39:55,827 WELL, IF I'M OUT, BUDDY, SO ARE YOU! 729 00:39:55,861 --> 00:39:57,729 - WAS REVENGE SWEET? 730 00:39:57,763 --> 00:39:59,565 - YOU'RE DAMN RIGHT IT WAS. 731 00:39:59,598 --> 00:40:00,899 YOU'RE DAMN RIGHT IT WAS! - NO! 732 00:40:00,932 --> 00:40:03,101 [indistinct yelling] - WHAT'D YOU DO TO HER? 733 00:40:03,134 --> 00:40:04,369 WHAT DID YOU DO? - YOU CUT ME OUT! 734 00:40:04,402 --> 00:40:05,504 YOU CUT ME OUT! 735 00:40:05,537 --> 00:40:08,073 - WHAT DID YOU DO TO HER? - CALM DOWN. 736 00:40:08,106 --> 00:40:12,711 - YOU CUT ME OUT, HUH? YOU CUT ME OUT. 737 00:40:12,744 --> 00:40:14,279 YOU CUT ME OUT. 738 00:40:14,312 --> 00:40:18,283 - GOD, I'M GLAD I WENT TO PUBLIC SCHOOL. 739 00:40:26,858 --> 00:40:29,260 - FRIENDS, SOMETIMES YOU JUST NEED TO LET 'EM GO. 740 00:40:29,294 --> 00:40:31,162 - THEY WERE NEVER FRIENDS. 741 00:40:31,196 --> 00:40:33,699 THEY JUST SERVED EACH OTHER'S NEEDS. 742 00:40:33,732 --> 00:40:37,435 - FRIENDS. MM-HMM.