1 00:00:01,102 --> 00:00:03,971 male announcer: IN NEW YORK CITY'S WAR ON CRIME, 2 00:00:04,004 --> 00:00:06,340 THE WORST CRIMINAL OFFENDERS ARE PURSUED 3 00:00:06,374 --> 00:00:09,043 BY THE DETECTIVES OF THE MAJOR CASE SQUAD. 4 00:00:09,077 --> 00:00:10,778 THESE ARE THEIR STORIES. 5 00:00:12,813 --> 00:00:14,315 - THIS IS A LITERARY JOURNAL. 6 00:00:14,348 --> 00:00:16,584 IF YOU WANT TO CONTRIBUTE, YOU CAN TAKE OUT OUR GARBAGE 7 00:00:16,617 --> 00:00:19,653 BECAUSE IT AND YOUR POETRY HAVE A LOT IN COMMON. 8 00:00:19,687 --> 00:00:22,056 [hangs up] 9 00:00:22,090 --> 00:00:23,291 BORED AND TALENTLESS HOUSEWIVES 10 00:00:23,324 --> 00:00:26,160 SHOULD SPEND MORE TIME IN BED WITH THEIR HUSBANDS 11 00:00:26,194 --> 00:00:28,196 AND LESS ON THE POEMS R US WEBSITE. 12 00:00:28,229 --> 00:00:29,963 - THEY HAVE FEELINGS, JACOB. 13 00:00:29,997 --> 00:00:33,000 - NO, NO, THEY HAVE MONEY, AND WE'RE NOT A VANITY PRESS. 14 00:00:33,033 --> 00:00:35,269 NOT YET. 15 00:00:35,303 --> 00:00:38,172 AND BY THE WAY, YOUR LATEST EPIC... 16 00:00:38,206 --> 00:00:39,340 SUCKS. 17 00:00:41,875 --> 00:00:44,478 - YOU'RE GONNA HAVE TO STOP THIS, JACOB. 18 00:00:44,512 --> 00:00:46,314 WE DON'T KNOW WHY DON IS COMING. 19 00:00:46,347 --> 00:00:47,415 - IF IT WERE GOOD NEWS, 20 00:00:47,448 --> 00:00:49,083 HE WOULD'VE TOLD US ON THE PHONE. 21 00:00:55,656 --> 00:00:58,392 - THERE ONCE WAS A MAN FROM PAWTUCKET... 22 00:00:58,426 --> 00:01:01,395 - HOW BAD IS IT? 23 00:01:01,429 --> 00:01:03,531 - HAVE YOU LOOKED AT THE DOW RECENTLY? 24 00:01:03,564 --> 00:01:04,498 - DON... 25 00:01:04,532 --> 00:01:05,566 - OR THE PROPOSED CUTS 26 00:01:05,599 --> 00:01:09,002 AND TAX DEDUCTIONS FOR CHARITABLE CONTRIBUTIONS? 27 00:01:09,036 --> 00:01:11,305 - YOU'RE CUTTING ALL OF OUR FUNDING. 28 00:01:11,339 --> 00:01:13,641 - AS SOON AS THE ENDOWMENT BOUNCES BACK, YOU'VE GOT-- 29 00:01:13,674 --> 00:01:15,843 - JUST EASE HIM INTO IT, OKAY? 30 00:01:20,414 --> 00:01:23,083 [sighs] 31 00:01:24,652 --> 00:01:25,786 WE SHOULD GET GOING. 32 00:01:25,819 --> 00:01:27,755 - WHAT'S THE POINT? 33 00:01:27,788 --> 00:01:29,723 - WE'LL WORK IT OUT, JACOB. 34 00:01:29,757 --> 00:01:33,494 DON SAID THE FOUNDATION WILL RECONSIDER FOR NEXT QUARTER. 35 00:01:33,527 --> 00:01:36,364 WE HAVE ENOUGH MONEY TO PUBLISH THIS ISSUE. 36 00:01:36,397 --> 00:01:38,065 - I HATE READINGS. 37 00:01:38,098 --> 00:01:40,834 - YOU LOVE READINGS. 38 00:01:40,868 --> 00:01:42,670 THEY SELL SUBSCRIPTIONS, 39 00:01:42,703 --> 00:01:47,508 AND YOU GET TO SURROUND YOURSELF WITH PIE-EYED SYCOPHANTS. 40 00:01:47,541 --> 00:01:49,743 - YOU KNOW, MAYBE YOU SHOULDN'T COME. 41 00:01:49,777 --> 00:01:52,913 YOU COULD, UM, GO SEE DON. 42 00:01:52,946 --> 00:01:54,114 HAVE A DRINK WITH HIM. 43 00:01:54,148 --> 00:01:55,783 - WHY? 44 00:01:55,816 --> 00:01:59,687 - HE HAS SOME DISCRETION AT THAT DAMN FOUNDATION. 45 00:01:59,720 --> 00:02:03,056 YOU KNOW, TEASE HIM OR SOMETHING. 46 00:02:03,090 --> 00:02:04,325 - TEASE HIM. 47 00:02:04,358 --> 00:02:06,460 - WHAT DO WOMEN DO WHEN THEY WANT SOMETHING 48 00:02:06,494 --> 00:02:09,363 FROM A MAN THEY DON'T WANT TO SLEEP WITH? 49 00:02:09,397 --> 00:02:11,532 I BELIEVE IT'S AN ANCIENT ART. 50 00:02:11,565 --> 00:02:13,467 - UH... 51 00:02:13,501 --> 00:02:16,470 - NEVER MIND. FORGET I SAID ANYTHING. 52 00:02:16,504 --> 00:02:17,538 [chuckles] 53 00:02:17,571 --> 00:02:20,774 I DON'T THINK STRAIGHT WHEN I'M DESPERATE. 54 00:02:20,808 --> 00:02:24,578 COME ON, LET'S GO GET MY ASS KISSED. 55 00:02:24,612 --> 00:02:29,917 - DO YOU REALLY THINK IT WOULD MAKE A DIFFERENCE? 56 00:02:34,755 --> 00:02:37,090 - LAUREN THINKS I SHOULD START WITH STREET SCENE. 57 00:02:37,124 --> 00:02:38,792 I'M LEANING TOWARDS THE LAMB. 58 00:02:38,826 --> 00:02:40,661 - LAUREN? 59 00:02:40,694 --> 00:02:42,463 YOU USED TO WORRY ABOUT HAROLD BLOOM. 60 00:02:42,496 --> 00:02:44,232 - SHE UNDERSTANDS MY WORK, 61 00:02:44,265 --> 00:02:47,134 SHE KEEPS ME FROM PUBLICLY EMBARRASSING MYSELF. 62 00:02:47,167 --> 00:02:52,072 - WELL, WE ALL KNOW THAT'S A FULL-TIME JOB. 63 00:02:52,105 --> 00:02:53,907 - THAT'S PART OF MY CHARM. 64 00:02:53,941 --> 00:02:56,677 - NOT THE ONLY PART. 65 00:02:56,710 --> 00:02:59,913 - YOU KNOW, 66 00:02:59,947 --> 00:03:02,916 I HADN'T BEEN LOOKING FORWARD TO THIS READING. 67 00:03:02,950 --> 00:03:05,419 - WE'RE ON. - YEAH. 68 00:03:05,453 --> 00:03:08,155 - [clears throat] 69 00:03:08,188 --> 00:03:09,923 GOOD EVENING. 70 00:03:09,957 --> 00:03:11,292 I'M SANDRA DUNBAR, 71 00:03:11,325 --> 00:03:14,495 AND I AM A PROUD SUPPORTER OF THE VILLAGE QUARTERLY, 72 00:03:14,528 --> 00:03:18,499 AND AN EVEN PROUDER SUPPORTER OF ITS EDITOR IN CHIEF. 73 00:03:18,532 --> 00:03:20,968 THE DISTINGUISHED POET JACOB GARRETY. 74 00:03:21,001 --> 00:03:22,069 NOW, I KNOW YOU'VE ALL BEEN WAITING, 75 00:03:22,102 --> 00:03:25,038 SO WITHOUT FURTHER ADO... 76 00:03:25,072 --> 00:03:27,207 [applause] 77 00:03:33,581 --> 00:03:36,550 - A THRIVING WEED BEHIND A DOG-PROOF FENCE. 78 00:03:36,584 --> 00:03:40,821 A WRITHING DOG BEHIND A SCREEN OF WEEDS. 79 00:03:40,854 --> 00:03:43,357 THE STREET NEEDS PEOPLE LESS AND LESS. 80 00:03:43,391 --> 00:03:47,194 THEIR BRAVE PURSUITS, THEIR WRETCHED DEEDS. 81 00:03:47,227 --> 00:03:49,930 THEY THINK THE STREET IS THERE FOR THEM. 82 00:03:49,963 --> 00:03:54,302 TO BEAR THEIR FEET, TO BEAR THEM ON. 83 00:03:54,335 --> 00:03:56,837 "BUT BEAR WITH ME," THE PAVEMENT SAYS, 84 00:03:56,870 --> 00:03:59,473 "I'M HERE AT NIGHT, I'M HERE AT DAWN. 85 00:03:59,507 --> 00:04:04,912 WHEN YOU ARE HERE, AND WHEN YOU'RE GONE." 86 00:04:52,460 --> 00:04:55,329 - HER WALLET WAS FOUND LYING IN THE GUTTER. NO CASH. 87 00:04:55,363 --> 00:04:57,531 I.D. SAYS SHE'S LAUREN COLLINS. 88 00:04:57,565 --> 00:04:59,032 22. 89 00:04:59,066 --> 00:05:00,834 LIVED ON AVENUE C. 90 00:05:00,868 --> 00:05:04,405 A WOMAN OVER HERE ON THE THIRD FLOOR HEARD A SCREAM AT 11:30. 91 00:05:04,438 --> 00:05:06,039 BY THE TIME SHE GETS TO THE WINDOW, 92 00:05:06,073 --> 00:05:08,976 THE GIRL'S DOWN, THE PERP--NOWHERE TO BE SEEN. 93 00:05:09,009 --> 00:05:10,110 - ALL RIGHT, WELL, WE'LL NEED TO CANVAS 94 00:05:10,143 --> 00:05:11,845 ALL THE APARTMENTS FACING THE STREET. 95 00:05:11,879 --> 00:05:13,213 - YOU GOT IT. - THANK YOU. 96 00:05:13,246 --> 00:05:14,214 - THANKS, JOEY. 97 00:05:14,247 --> 00:05:16,350 - BLUNT FORCE TRAUMA TO THE CRANIUM. 98 00:05:16,384 --> 00:05:17,451 CSU FOUND A BRICK OVER THERE. 99 00:05:17,485 --> 00:05:19,653 LOOKS TO HAVE BLOOD ON IT. 100 00:05:19,687 --> 00:05:23,190 - WELL, THERE'S NO PURSE. NO CASH IN THE WALLET. 101 00:05:23,223 --> 00:05:24,758 - I DON'T THINK IT WAS A MUGGING. 102 00:05:24,792 --> 00:05:26,126 - WELL, HER CLOTHES ARE INTACT, 103 00:05:26,159 --> 00:05:27,661 BUT WE'LL CHECK FOR SEXUAL ASSAULT. 104 00:05:27,695 --> 00:05:30,230 THERE'S A STAIN ON HER DRESS--LOOKS PROMISING. 105 00:05:30,263 --> 00:05:32,466 - IS THAT BRUISING ON THE SHOULDER, THERE? 106 00:05:32,500 --> 00:05:34,001 - YUP. HERE AND HERE. SOMEBODY GRABBED HER. 107 00:05:34,034 --> 00:05:36,437 - WELL, THEY FOUGHT, 108 00:05:36,470 --> 00:05:39,139 SOMEBODY GOT MAD, AND PICKED UP A BRICK. 109 00:05:39,172 --> 00:05:41,208 - SHE DOESN'T LOOK LIKE MUCH OF A FIGHTER. 110 00:05:41,241 --> 00:05:42,843 - WHICH IS WHY SHE LOST. 111 00:05:42,876 --> 00:05:45,513 KEYS ARE OUT. 112 00:05:45,546 --> 00:05:48,382 WHAT'S THIS--POETRY READING. JACOB GARRETY. 113 00:05:48,416 --> 00:05:50,651 THAT'S TONIGHT. 9:00 TO 11:00. 114 00:05:50,684 --> 00:05:53,320 PEOPLE ACTUALLY GO TO POETRY READINGS? 115 00:05:53,353 --> 00:05:55,222 - OPEN BAR RECEPTION TO FOLLOW. 116 00:05:55,255 --> 00:05:56,156 - THERE YOU GO. 117 00:05:56,189 --> 00:05:58,459 - NO! 118 00:05:58,492 --> 00:06:00,027 GET YOUR HANDS OFF ME! 119 00:06:00,060 --> 00:06:01,962 I JUST WANT TO SEE IF IT'S HER! 120 00:06:01,995 --> 00:06:03,230 WHO THE HELL'S IN CHARGE, HERE? 121 00:06:03,263 --> 00:06:04,665 - SIR, PLEASE, CALM DOWN. 122 00:06:04,698 --> 00:06:05,933 CALM DOWN. 123 00:06:05,966 --> 00:06:07,267 - I DON'T NEED CALM, 124 00:06:07,300 --> 00:06:08,836 I JUST NEED SOMEONE TO TELL ME IF IT'S LAUREN. 125 00:06:08,869 --> 00:06:12,272 - LET ME BUY YOU A CUP OF COFFEE. 126 00:06:13,674 --> 00:06:16,043 - NO. 127 00:06:16,076 --> 00:06:19,913 GOD, PLEASE, NO. 128 00:06:19,947 --> 00:06:22,883 THIS CITY. 129 00:06:22,916 --> 00:06:25,619 TURNS US INTO SAVAGES. 130 00:06:25,653 --> 00:06:28,355 - DO YOU KNOW IF LAUREN WAS HAVING ANY PROBLEMS? 131 00:06:28,388 --> 00:06:29,189 - WHAT KIND OF PROBLEMS? 132 00:06:29,222 --> 00:06:31,391 NO, SHE WASN'T HAVING ANY PROBLEMS. 133 00:06:31,425 --> 00:06:33,393 - HOW LONG HAD SHE BEEN WORKING FOR YOU, MR. GARRITY? 134 00:06:33,427 --> 00:06:37,230 - SHE WORKED WITH ME. SHE LOVED ME, AND I LOVED HER. 135 00:06:37,264 --> 00:06:39,332 - I'M VERY SORRY. 136 00:06:39,366 --> 00:06:41,368 - I SHOULD'VE BEEN WITH HER. 137 00:06:41,401 --> 00:06:42,436 THESE DAMN READINGS. 138 00:06:42,470 --> 00:06:43,971 STUDENTS, DILETTANTES, 139 00:06:44,004 --> 00:06:47,140 MINISCULE MINDS WITH OVERBLOWN AMBITIONS. 140 00:06:47,174 --> 00:06:49,409 - I CAN IMAGINE. 141 00:06:49,443 --> 00:06:51,378 DID LAUREN LEAVE THE READING EARLY? 142 00:06:52,846 --> 00:06:53,947 - LAUREN NEVER MADE IT TO THE READING. 143 00:06:53,981 --> 00:06:56,584 SHE HAD TO, UH, FINISH SOME PROOFING. 144 00:06:56,617 --> 00:06:57,785 - I SEE. 145 00:06:57,818 --> 00:07:01,522 WELL, WHY, THEN, MAY I ASK, WERE YOU HEADING DOWN THERE 146 00:07:01,555 --> 00:07:04,858 TO THE OFFICE IN THE MIDDLE OF THE NIGHT? 147 00:07:04,892 --> 00:07:05,893 - TO MEET HER. 148 00:07:05,926 --> 00:07:08,328 I WAS... SUPPOSED TO MEET HER. 149 00:07:08,361 --> 00:07:09,530 - BUT SHE'D LEFT. 150 00:07:09,563 --> 00:07:11,431 SHE WAS OUTSIDE ON THE STREET, 151 00:07:11,465 --> 00:07:14,234 OUTSIDE THE VILLAGE QUARTERLY OFFICE WHEN SHE WAS ATTACKED. 152 00:07:16,604 --> 00:07:18,105 - MAYBE SHE GOT TIRED OF WAITING. 153 00:07:18,138 --> 00:07:20,073 - BUT HER KEYS WERE OUT, WHICH THEY WOULD'VE BEEN 154 00:07:20,107 --> 00:07:21,274 IF SHE WAS ON HER WAY IN. 155 00:07:21,308 --> 00:07:23,010 SO SHE'D BEEN OUT. 156 00:07:23,043 --> 00:07:24,344 DO YOU KNOW WHERE SHE MIGHT'VE BEEN? 157 00:07:24,377 --> 00:07:27,247 - MAYBE SHE FORGOT SOMETHING. HOW WOULD I KNOW? 158 00:07:29,449 --> 00:07:31,284 SHE WAS A PHANTOM OF DELIGHT 159 00:07:31,318 --> 00:07:33,487 WHEN FIRST SHE GLEAMED UPON MY SIGHT. 160 00:07:33,521 --> 00:07:35,989 A LOVELY APPARITION SENT 161 00:07:36,023 --> 00:07:39,192 TO BE A MOMENT'S ORNAMENT. 162 00:07:45,432 --> 00:07:46,767 WORDSWORTH. 163 00:07:48,736 --> 00:07:51,271 - I'M GETTING MORE PRESS CALLS ABOUT THE VILLAGE QUARTERLY. 164 00:07:51,304 --> 00:07:52,906 I THOUGHT POETRY WAS DEAD. 165 00:07:52,940 --> 00:07:54,141 - NO, THAT'S THEATER. 166 00:07:54,174 --> 00:07:55,308 IT'S, UH, ONE OF THE MOST 167 00:07:55,342 --> 00:07:57,978 DISTINGUISHED JOURNALS IN THE CITY. 168 00:07:58,011 --> 00:07:59,379 - MEANING WHAT? 169 00:07:59,412 --> 00:08:01,882 A FEW THOUSAND PEOPLE BUY IT, A COUPLE HUNDRED READ IT? 170 00:08:01,915 --> 00:08:03,984 - NO, PEOPLE LIKE TO PUT IT ON THEIR COFFEE TABLES. 171 00:08:04,017 --> 00:08:05,619 MAKES 'EM FEEL SMART. 172 00:08:05,653 --> 00:08:06,754 - AND NOW IT'S GIVING THE INTELLECTUALS OF THE PRESS 173 00:08:06,787 --> 00:08:08,255 AN EXCUSE TO WRITE ABOUT A PRETTY GIRL 174 00:08:08,288 --> 00:08:10,157 WHO GOT HER HEAD BASHED IN. 175 00:08:10,190 --> 00:08:11,358 WHAT HAVE YOU GOT? 176 00:08:11,391 --> 00:08:13,994 - UH, WELL, THE PRINTS ON THE MURDER WEAPON WERE SMUDGED, 177 00:08:14,027 --> 00:08:18,766 AND WITHIN TEN FEET, CSU FOUND 56 OTHER RANDOM PRINTS. 178 00:08:18,799 --> 00:08:20,467 FOOTPRINTS, SOIL SAMPLES, 179 00:08:20,500 --> 00:08:23,637 AND VARIOUS BODILY FLUIDS OF HUMANS AND ANIMALS. 180 00:08:23,671 --> 00:08:25,338 - DUMP A BODY ON A CITY STREET, 181 00:08:25,372 --> 00:08:28,008 KEEP THE CRIME LAB BUSY FOR 1,000 YEARS. 182 00:08:28,041 --> 00:08:29,276 - RODGERS FOUND SOMETHING ON THE DRESS 183 00:08:29,309 --> 00:08:30,611 LIKE SEMEN. 184 00:08:30,644 --> 00:08:31,979 SHE'S RUNNING IT THROUGH THE DATABASE. 185 00:08:32,012 --> 00:08:33,914 - AND WE HAD COFFEE WITH JACOB GARRETY, 186 00:08:33,947 --> 00:08:36,416 THE QUARTERLY'S POET IN CHIEF AND THE VICTIM'S LOVER. 187 00:08:36,449 --> 00:08:38,118 NO RECORD, BUT THAT'S ONLY BECAUSE 188 00:08:38,151 --> 00:08:40,287 POMPOUS ISN'T AGAINST THE LAW. 189 00:08:40,320 --> 00:08:41,321 - DID HE HAVE ANY THOUGHTS 190 00:08:41,354 --> 00:08:43,090 ABOUT WHO MIGHT'VE WANTED TO HURT MS. COLLINS? 191 00:08:43,123 --> 00:08:46,359 - WELL, HE SORT OF RULED OUT WORDSWORTH. 192 00:08:46,393 --> 00:08:49,897 THIS GUY, THE LOVE OF HIS LIFE IS SAVAGELY MURDERED, 193 00:08:49,930 --> 00:08:51,699 AND HE'S RECITING POETRY. 194 00:08:51,732 --> 00:08:53,366 IT WAS ALL I COULD DO TO KEEP FROM SMACKING HIM. 195 00:08:53,400 --> 00:08:56,770 - FIND OUT IF THE VICTIM HAD ANY ENEMIES. 196 00:08:56,804 --> 00:08:59,807 - THE POLICE TOLD ME SHE WAS ON HER WAY IN. 197 00:08:59,840 --> 00:09:01,942 SHE'D BEEN OUT. 198 00:09:01,975 --> 00:09:04,211 SHE TOLD ME SHE WAS GOING TO SEE YOU. 199 00:09:04,244 --> 00:09:06,313 - WHAT DID YOU TELL THE POLICE? 200 00:09:06,346 --> 00:09:08,015 - NOTHING, IT'S-- 201 00:09:08,048 --> 00:09:11,919 IT'S NOT LIKE I THINK YOU KILLED HER. 202 00:09:11,952 --> 00:09:13,486 YOU DIDN'T KILL HER, DID YOU? 203 00:09:13,520 --> 00:09:14,888 - OF COURSE NOT. 204 00:09:14,922 --> 00:09:18,992 I SAW HER, WE TALKED, SHE LEFT. 205 00:09:19,026 --> 00:09:21,061 - ONE OF US SHOULD TELL THE POLICE. 206 00:09:21,094 --> 00:09:22,663 - LOOK, I DON'T WANT THE FOUNDATION 207 00:09:22,696 --> 00:09:25,565 DRAGGED INTO THE INVESTIGATION. 208 00:09:25,599 --> 00:09:27,267 - OR YOUR WIFE. 209 00:09:34,041 --> 00:09:39,012 - LOOK, THERE MAY BE SOME FUNDS AVAILABLE FOR THE QUARTERLY. 210 00:09:39,046 --> 00:09:42,349 - YOU'RE OFFERING ME A BRIBE. 211 00:09:42,382 --> 00:09:45,452 - I'M OFFERING YOU YOUR PRECIOUS MAGAZINE. 212 00:09:45,485 --> 00:09:47,220 DO YOU WANT IT OR NOT? 213 00:09:51,524 --> 00:09:54,427 - SHOULDN'T YOU BE LOOKING IN CRACK HOUSES? 214 00:09:54,461 --> 00:09:57,197 OR BARS ON THE BOWERY? 215 00:09:57,230 --> 00:09:58,932 THEY'RE ALL MILLION-DOLLAR CONDOS NOW. 216 00:09:58,966 --> 00:10:00,167 - THE FESTER PRIZE 217 00:10:00,200 --> 00:10:01,301 FROM THE AMERICAN ACADEMY OF POETS. 218 00:10:01,334 --> 00:10:02,703 I'M IMPRESSED. - DON'T BE. 219 00:10:02,736 --> 00:10:04,672 POETS ARE JUST ONE NOTCH BELOW HOLLYWOOD 220 00:10:04,705 --> 00:10:07,140 IN GIVING SELF-CONGRATULATORY TRINKETS. 221 00:10:07,174 --> 00:10:09,743 I DON'T KNOW WHAT YOU THINK YOU'LL FIND HERE. 222 00:10:09,777 --> 00:10:11,411 - HELPFUL IF WE KNOW SOMETHING ABOUT THE VICTIM. 223 00:10:11,444 --> 00:10:13,613 - WE EDITED A MAGAZINE. 224 00:10:13,647 --> 00:10:15,248 SHE READ SUBMISSIONS, 225 00:10:15,282 --> 00:10:18,251 WORKED WITH POETS, PRINTERS, READERS, CONTRIBUTORS-- 226 00:10:18,285 --> 00:10:20,420 - AND SENT OUT REJECTION LETTERS. 227 00:10:20,453 --> 00:10:23,590 - LAUREN SCREENED OUT THE ONES THAT WERE OBVIOUSLY CRAP. 228 00:10:23,623 --> 00:10:26,159 WE GET HUNDREDS OF SUBMISSIONS EVERY WEEK, 229 00:10:26,193 --> 00:10:27,427 MOST OF WHICH ARE WRITTEN 230 00:10:27,460 --> 00:10:30,497 BY PEOPLE WHO'VE NEVER EVEN READ A POEM. 231 00:10:30,530 --> 00:10:33,366 - THIS ONE SENT HIS REJECTION FORM BACK. 232 00:10:33,400 --> 00:10:35,635 YOU SHOULD BE ASHAMED OF YOURSELF. 233 00:10:35,669 --> 00:10:37,470 VERY NEAT. WHO'S WETHERLY? 234 00:10:37,504 --> 00:10:39,039 - HE'S NOT A WRITER, HE'S A LUNATIC. 235 00:10:39,072 --> 00:10:40,140 DRIVES US BOTH CRAZY. 236 00:10:43,844 --> 00:10:46,046 IF I THOUGHT FOR A SECOND HE WOULD HURT LAUREN, 237 00:10:46,079 --> 00:10:49,683 I WOULD HAVE KILLED THE SON OF A BITCH. 238 00:10:49,717 --> 00:10:52,152 - HYPERBOLE, RIGHT? 239 00:10:55,422 --> 00:10:57,290 - WELL, OF COURSE THEY WOULDN'T PUBLISH ME. 240 00:10:57,324 --> 00:11:00,160 THEY WANT ME AS FAR AWAY FROM THEIR PRECIOUS QUARTERLY 241 00:11:00,193 --> 00:11:01,128 AS POSSIBLE. 242 00:11:01,161 --> 00:11:02,395 - AND WHY IS THAT? 243 00:11:02,429 --> 00:11:06,299 - JACOB GARRETY IS A THIEF AND A FRAUD 244 00:11:06,333 --> 00:11:08,802 AND I HAVE THE PROOF. 245 00:11:08,836 --> 00:11:10,470 [clears throat] 246 00:11:10,503 --> 00:11:16,143 HERE IS A POEM ALLEGEDLY WRITTEN 247 00:11:16,176 --> 00:11:18,578 BY GARRETY, 248 00:11:18,611 --> 00:11:23,450 AND HERE IS ONE OF MINE 249 00:11:23,483 --> 00:11:26,653 THAT HE REJECTED FROM THE QUARTERLY. 250 00:11:26,686 --> 00:11:30,423 - YOU'RE SAYING HE PLAGIARIZED YOUR POEM? 251 00:11:30,457 --> 00:11:32,125 - [clears throat] 252 00:11:32,159 --> 00:11:35,262 LARCENY WOULD BE MORE ACCURATE. 253 00:11:35,295 --> 00:11:37,464 HE HAD THE GALL TO PUBLISH 254 00:11:37,497 --> 00:11:40,067 IN THE DECEMBER ISSUE. 255 00:11:40,100 --> 00:11:42,102 HE DIDN'T KNOW THAT I STILL READ THE MAGAZINE. 256 00:11:42,135 --> 00:11:44,137 - YEAH, I'M SORRY, MR. WETHERLY. 257 00:11:44,171 --> 00:11:46,006 I DON'T SEE, UM, 258 00:11:46,039 --> 00:11:48,241 THE SIMILARITY BETWEEN THESE TWO, UH, POEMS. 259 00:11:48,275 --> 00:11:49,276 HIS IS A LOVE POEM 260 00:11:49,309 --> 00:11:52,412 AND YOURS IS ABOUT A, UH, MOSQUITO. 261 00:11:52,445 --> 00:11:56,116 - THE METER. IT'S THE SAME. 262 00:11:56,149 --> 00:11:57,550 DA DA. DA DA. 263 00:11:57,584 --> 00:12:00,153 DA DA. DA DA. 264 00:12:00,187 --> 00:12:01,288 - MM-HMM. 265 00:12:01,321 --> 00:12:03,556 DA-DA, DA-DA, DA-DA, DA-DA. 266 00:12:03,590 --> 00:12:08,561 - DA DA, DA DA, DA DA. DA DA. 267 00:12:08,595 --> 00:12:11,464 - DA-DA, DA-DA, DA-DA-- 268 00:12:11,498 --> 00:12:13,600 - DA DA. THAT'S IT. - MM-HMM. 269 00:12:13,633 --> 00:12:14,768 - MR. WETHERLY, 270 00:12:14,802 --> 00:12:16,736 WHERE WERE YOU LAST NIGHT AROUND 11:30? 271 00:12:16,770 --> 00:12:21,574 - HERE, WRITING...THIS. 272 00:12:21,608 --> 00:12:22,810 - WRITING THIS? 273 00:12:22,843 --> 00:12:26,013 - OH, I SEE. 274 00:12:26,046 --> 00:12:30,317 HE SENT YOU, DIDN'T HE? 275 00:12:30,350 --> 00:12:31,785 - MR. WETHERLY IS, UH, PARANOID. 276 00:12:31,819 --> 00:12:34,721 - WELL, THE SHRINKS AT OSSINING WILL CLEAR THAT RIGHT UP. 277 00:12:34,754 --> 00:12:36,123 - YEAH, BUT I DON'T KNOW. 278 00:12:36,156 --> 00:12:38,725 THE OBJECT OF HIS PARANOIA SEEMS TO BE JACOB, NOT LAUREN. 279 00:12:38,758 --> 00:12:42,495 - WELL, SECOND BEST IS BETTER THAN NOTHING AT ALL. 280 00:12:42,529 --> 00:12:43,530 - POSSIBLY. 281 00:12:43,563 --> 00:12:46,599 UH, YOU KNOW, BUT JACOB IS NOT HALF BAD. 282 00:12:46,633 --> 00:12:49,169 "O FOR A MUSE OF BLOOD TO TELL IT, 283 00:12:49,202 --> 00:12:51,138 I CURSE YOUR SOUL THAT YOU WOULD SELL IT." 284 00:12:51,171 --> 00:12:53,073 - YEAH, HE SOUNDS LIKE A FUN GUY. 285 00:12:53,106 --> 00:12:56,209 - "THE NIGHTS ON THE SAND UNDER GASPING ISLAND STARS, 286 00:12:56,243 --> 00:12:58,345 "THE DAWN WALKS, PALM TO PALM, 287 00:12:58,378 --> 00:13:00,413 "NIGHT'S LOVE-SWEAT MELTING AWAY, 288 00:13:00,447 --> 00:13:02,615 "AND IN ITS PLACE, YOUR FACE, YOUR FACE, 289 00:13:02,649 --> 00:13:05,518 "YOUR FACE THAT NOW, FOR CANCEROUS GOLD 290 00:13:05,552 --> 00:13:07,187 IS SOLD." 291 00:13:07,220 --> 00:13:09,589 HE'S WRITING ABOUT A LOVER LEAVING HIM FOR MONEY. 292 00:13:13,193 --> 00:13:15,996 - LAUREN? - SHE WAS THE LOVER. 293 00:13:16,029 --> 00:13:17,865 - BUT SHE HADN'T LEFT HIM. 294 00:13:17,898 --> 00:13:21,334 - NOT ACCORDING TO WHAT HE TOLD US. 295 00:13:21,368 --> 00:13:22,635 ALL RIGHT, SO WHO IN THAT WORLD 296 00:13:22,669 --> 00:13:24,471 HAS TWO DIMES TO RUB TOGETHER? 297 00:13:24,504 --> 00:13:28,641 - UH, THE MAGAZINE IS SUPPORTED BY A FOUNDATION. 298 00:13:28,675 --> 00:13:31,678 - ME AND LAUREN. 299 00:13:31,711 --> 00:13:34,882 BUT I'M A HAPPILY MARRIED MAN. 300 00:13:34,915 --> 00:13:36,950 OH. EVERYBODY SAYS THAT, RIGHT? 301 00:13:36,984 --> 00:13:37,951 - RIGHT. 302 00:13:37,985 --> 00:13:39,019 RIGHT, AS FAR AS I KNOW, 303 00:13:39,052 --> 00:13:41,821 JACOB AND LAUREN WERE THE PERFECT COUPLE. 304 00:13:41,855 --> 00:13:44,657 THE TORTURED ARTIST AND THE STARSTRUCK PROTEGE. 305 00:13:44,691 --> 00:13:45,959 - SOUNDS LIKE YOU SAW HIM IN ACTION. 306 00:13:45,993 --> 00:13:49,496 WOULD YOU HANG AROUND THE, UH, OFFICES HERE AND THERE? 307 00:13:49,529 --> 00:13:51,198 - WELL, I TRIED NOT TO. 308 00:13:51,231 --> 00:13:52,732 NOW I'M ON THE TOP OF JACOB'S LIST 309 00:13:52,765 --> 00:13:54,667 OF THE THINGS THAT HE ABHORS. 310 00:13:54,701 --> 00:13:55,768 - WHY IS THAT? 311 00:13:55,802 --> 00:13:58,305 - BECAUSE I CAN AFFORD TO BUY DINNER. 312 00:13:58,338 --> 00:14:01,208 NOW JACOB THINKS THAT PEOPLE WHO ACCUMULATE WEALTH 313 00:14:01,241 --> 00:14:02,675 ARE MORALLY BANKRUPT. 314 00:14:02,709 --> 00:14:04,511 - SO YOU DON'T LIKE HIM, HE DOESN'T LIKE YOU. 315 00:14:04,544 --> 00:14:07,948 BUT STILL YOU, YOU FOOT HIS BILLS? 316 00:14:07,981 --> 00:14:09,983 - WELL, MY GRANDFATHER WHO STARTED THIS FOUNDATION 317 00:14:10,017 --> 00:14:12,052 HAD A SOFT SPOT FOR POETS. 318 00:14:12,085 --> 00:14:13,820 - YOU DIDN'T SEE ANY SIGNS THAT LAUREN 319 00:14:13,853 --> 00:14:15,122 WAS HAVING AN AFFAIR WITH ANYBODY. 320 00:14:15,155 --> 00:14:16,723 - NO. 321 00:14:16,756 --> 00:14:19,459 NO, AND IF SHE DID, SHE'D HAVE TO HIDE IT. 322 00:14:19,492 --> 00:14:22,462 OH, JACOB'S A VERY JEALOUS TYPE. 323 00:14:22,495 --> 00:14:24,397 - HOW JEALOUS? 324 00:14:24,431 --> 00:14:26,666 - WELL, I TOOK LAUREN FOR A CUP OF COFFEE ONE AFTERNOON 325 00:14:26,699 --> 00:14:28,801 TO DISCUSS A CIRCULATION CAMPAIGN. 326 00:14:28,835 --> 00:14:31,171 LAUREN TOLD ME THAT WHEN SHE GOT BACK TO THE OFFICE, 327 00:14:31,204 --> 00:14:33,573 JACOB SMASHED A CHAIR ON HER DESK. 328 00:14:37,477 --> 00:14:39,612 - I WANT YOU TO LISTEN TO ME, JACOB. 329 00:14:39,646 --> 00:14:40,880 WHEN A WOMAN IS MURDERED, 330 00:14:40,914 --> 00:14:43,216 THE PRIMARY SUSPECT'S ALWAYS HER LOVER. 331 00:14:43,250 --> 00:14:44,784 - I DIDN'T KILL LAUREN. 332 00:14:44,817 --> 00:14:45,885 - WELL, OF COURSE YOU DIDN'T. 333 00:14:45,919 --> 00:14:48,922 BUT YOU NEED TO UNDERSTAND HOW THESE THINGS GO. 334 00:14:48,956 --> 00:14:50,057 THE POLICE ARE GONNA COME AFTER YOU. 335 00:14:50,090 --> 00:14:52,125 YOU'VE GOTTA BE PREPARED. 336 00:14:52,159 --> 00:14:53,893 - WHAT DOES IT MATTER? 337 00:14:53,927 --> 00:14:57,330 SHE'S GONE, THE QUARTERLY'S GOING. 338 00:14:57,364 --> 00:15:00,067 - WELL, MAYBE THERE'S SOMETHING I CAN DO. 339 00:15:00,100 --> 00:15:01,201 I'LL TALK TO MY HUSBAND. 340 00:15:01,234 --> 00:15:03,670 - YOU'VE ALREADY BEEN VERY GENEROUS. 341 00:15:07,274 --> 00:15:11,945 - I BELIEVE IN WHAT YOU'RE DOING. 342 00:15:11,979 --> 00:15:13,513 - YOU KNOW WHERE... 343 00:15:13,546 --> 00:15:15,782 POETRY RANKS ON THE WORLD'S CONCERNS? 344 00:15:15,815 --> 00:15:16,950 - WHERE? 345 00:15:16,984 --> 00:15:19,719 - THERE WAS A TIME I THOUGHT POETRY COULD MATTER. 346 00:15:19,752 --> 00:15:24,724 WHEN I THOUGHT MY POETRY COULD MATTER. 347 00:15:24,757 --> 00:15:27,294 - I KNOW. 348 00:15:27,327 --> 00:15:30,363 - YEAH. YOU DO. I KNOW THAT. 349 00:15:37,770 --> 00:15:40,940 IT'S JUST... 350 00:15:40,974 --> 00:15:44,144 EVERYTHING IS SO HOPELESS. 351 00:16:01,528 --> 00:16:02,762 - OCCASIONALLY, I HAVE A TEMPER. 352 00:16:02,795 --> 00:16:04,197 I AM A HUMAN BEING. 353 00:16:04,231 --> 00:16:05,532 - WELL... 354 00:16:05,565 --> 00:16:07,500 OTHER HUMAN BEINGS LOSE THEIR TEMPER 355 00:16:07,534 --> 00:16:08,968 WITHOUT SMASHING OFFICE FURNITURE. 356 00:16:09,002 --> 00:16:12,339 - YEAH WELL, OTHER HUMAN BEINGS GO THROUGH LIFE LIKE CATTLE. 357 00:16:12,372 --> 00:16:14,274 THEIR EYES TO THE GROUND, 358 00:16:14,307 --> 00:16:17,477 THEIR EMOTIONS LIMITED TO ROOTING FOR FOOTBALL TEAMS. 359 00:16:17,510 --> 00:16:19,446 - WE'RE A PRETTY SORRY BUNCH, AREN'T WE? 360 00:16:19,479 --> 00:16:22,849 AND TELL ME ABOUT THIS EMOTION WHEN YOU SMASHED THAT CHAIR. 361 00:16:22,882 --> 00:16:24,751 - I NEEDED HELP AT THE OFFICE. 362 00:16:24,784 --> 00:16:26,086 WE WERE ON A DEADLINE, 363 00:16:26,119 --> 00:16:27,820 AND LAUREN WAS NOWHERE TO BE FOUND. 364 00:16:27,854 --> 00:16:30,890 - BECAUSE SHE WAS HAVING COFFEE WITH DON MCCALLUM. 365 00:16:30,923 --> 00:16:32,225 - THAT WASN'T THE PROBLEM. 366 00:16:32,259 --> 00:16:34,127 - NO, THE ISSUE WAS THAT, UH, 367 00:16:34,161 --> 00:16:36,563 SHE WASN'T WHERE SHE WAS SUPPOSED TO BE. 368 00:16:36,596 --> 00:16:38,865 JUST LIKE THE OTHER NIGHT AT THE READING. 369 00:16:38,898 --> 00:16:42,169 - I ALREADY TOLD YOU SHE WAS CLOSING AN ISSUE. 370 00:16:42,202 --> 00:16:44,237 - SO IF WE ASKED OTHER PEOPLE WHO WERE THERE, 371 00:16:44,271 --> 00:16:45,505 WOULD THEY TELL US YOU WERE TICKED OFF 372 00:16:45,538 --> 00:16:47,074 ABOUT LAUREN'S NO-SHOW? 373 00:16:47,107 --> 00:16:48,308 - THEY WOULD TELL YOU THAT 374 00:16:48,341 --> 00:16:50,310 I HAD NO GREATER LOVE THAN LAUREN, 375 00:16:50,343 --> 00:16:52,345 THAT MY LIFE ENDED WITH HERS, 376 00:16:52,379 --> 00:16:54,347 THAT CIVIL SERVICE WORKERS ARE LAZY AND STUPID 377 00:16:54,381 --> 00:16:57,184 AND STICK TO THE FIRST ARROW THEY PULL FROM THEIR QUIVER. 378 00:16:57,217 --> 00:16:59,286 - YOU'RE NOT SCORING ANY POINTS HERE, MR. GARRETY. 379 00:16:59,319 --> 00:17:02,222 - I DON'T NEED TO. I DIDN'T DO ANYTHING. 380 00:17:02,255 --> 00:17:05,358 THE POOR GIRL WAS KILLED BY A MUGGER, WASN'T SHE? 381 00:17:05,392 --> 00:17:07,094 I LOVED HER. 382 00:17:07,127 --> 00:17:08,895 - WHAT TIME DID THE READING END? 383 00:17:08,928 --> 00:17:13,066 - UM, I DON'T KNOW. 10:30, 10:45. 384 00:17:13,100 --> 00:17:16,669 THEN I HAD TO STAY AND SIP WINE WITH MY ADORING FANS. 385 00:17:16,703 --> 00:17:17,904 - AH, YES. 386 00:17:17,937 --> 00:17:21,074 THE STUDENTS, DILETTANTES. 387 00:17:21,108 --> 00:17:23,776 UH, MINUSCULE MINDS? 388 00:17:23,810 --> 00:17:25,178 - YEAH. 389 00:17:25,212 --> 00:17:29,582 - "O FOR A MUSE OF BLOOD..." 390 00:17:29,616 --> 00:17:32,685 YEAH, I FEEL LIKE I'VE... 391 00:17:32,719 --> 00:17:34,787 I--I SWEAR I'VE, I'VE, UH, HEARD THAT BEFORE. 392 00:17:34,821 --> 00:17:36,623 OH, I KNOW. OH, THAT'S THE, UH, 393 00:17:36,656 --> 00:17:41,194 THAT'S THE WAY HENRY V OPENS UP, SHAKESPEARE. 394 00:17:41,228 --> 00:17:44,297 IF YOU'RE GONNA STEAL-- - I DON'T STEAL. 395 00:17:44,331 --> 00:17:45,698 THAT WAS A MUSE OF FIRE. 396 00:17:45,732 --> 00:17:48,568 THIS IS A LITERARY ALLUSION. 397 00:17:48,601 --> 00:17:50,503 NOW IF YOU WANT TO TALK ABOUT POETRY, 398 00:17:50,537 --> 00:17:53,473 I'LL SEND YOU A CHILD'S GARDEN OF VERSE. 399 00:17:53,506 --> 00:17:55,208 WE CAN TAKE IT FROM THERE. 400 00:17:58,645 --> 00:18:00,280 - MAYBE LATER. 401 00:18:00,313 --> 00:18:01,414 AS FOR LAUREN, 402 00:18:01,448 --> 00:18:03,916 WHAT IF WE TOLD YOU THAT THE MEDICAL EXAMINER 403 00:18:03,950 --> 00:18:05,985 FOUND SOME SEMEN ON HER DRESS? 404 00:18:06,018 --> 00:18:08,054 - WE'RE ADULTS. 405 00:18:08,087 --> 00:18:10,257 - YOU'RE SAYING IT, IT WOULD HAVE BEEN YOURS. 406 00:18:10,290 --> 00:18:12,759 - YOU'RE SAYING IT WOULD HAVE BEEN SOMEBODY ELSE'S? 407 00:18:14,827 --> 00:18:16,396 - HOW'S THIS GUY LOOKING? 408 00:18:16,429 --> 00:18:18,998 - MM, TEMPER, SMASHES THINGS, 409 00:18:19,031 --> 00:18:20,533 HE DENIES HIS JEALOUSY. 410 00:18:20,567 --> 00:18:22,369 BUT SHE WAS A PRETTY GIRL 411 00:18:22,402 --> 00:18:24,103 AND A WHOLE LOT YOUNGER THAN HIM. 412 00:18:24,137 --> 00:18:27,507 - MM. - YOU DON'T AGREE. 413 00:18:27,540 --> 00:18:29,609 - NO, HE'S GOT A TEMPER AND HE'S A FOOL. 414 00:18:29,642 --> 00:18:30,610 - BUT? 415 00:18:30,643 --> 00:18:33,079 I QUESTION HIS ARTISTIC INTEGRITY 416 00:18:33,112 --> 00:18:34,514 AND HE GETS INDIGNANT. 417 00:18:34,547 --> 00:18:37,617 I QUESTION LAUREN'S FIDELITY AND HE DISMISSES IT. 418 00:18:37,650 --> 00:18:39,452 UH, I THINK HIS EGO'S SO BIG HE CAN'T EVEN IMAGINE THAT 419 00:18:39,486 --> 00:18:40,920 SHE MIGHT HAVE BEEN CHEATING ON HIM. 420 00:18:40,953 --> 00:18:42,155 - WELL, IT WORKS BOTH WAYS. 421 00:18:42,189 --> 00:18:44,357 IF SHE DID AND HE FOUND OUT... 422 00:18:44,391 --> 00:18:45,492 - WHY DON'T YOU TWO FINISH THIS DEBATE 423 00:18:45,525 --> 00:18:47,494 WHILE YOU GO CHECK OUT HIS ALIBI? 424 00:18:51,264 --> 00:18:53,966 - I RENTED A BAR. I PAID FOR SOME DRINKS. 425 00:18:54,000 --> 00:18:55,202 - DO YOU REMEMBER WHAT TIME IT ENDED? 426 00:18:55,235 --> 00:18:58,705 - UM, IT WAS BEFORE 11:00. MAYBE 10:45. 427 00:18:58,738 --> 00:19:01,574 BUT JACOB AND I SAT AROUND FOR A WHILE AFTERWARDS TALKING. 428 00:19:01,608 --> 00:19:04,411 - WHAT DID YOU AND JACOB, UH, TALK ABOUT? 429 00:19:04,444 --> 00:19:07,714 - POETRY. 430 00:19:07,747 --> 00:19:09,682 - MR. DUNBAR. 431 00:19:09,716 --> 00:19:12,185 DID YOU ENJOY THE POETRY READING? 432 00:19:12,219 --> 00:19:13,786 - I WAS WORKING LATE. 433 00:19:13,820 --> 00:19:16,823 - HMM, THAT MEANS THAT THE KNICKS WERE ON. 434 00:19:16,856 --> 00:19:18,925 - IT WAS A GREAT GAME. - POETRY IN MOTION. 435 00:19:18,958 --> 00:19:20,092 THE BEST KIND. 436 00:19:20,126 --> 00:19:23,696 - DID JACOB SAY ANYTHING TO YOU ABOUT LAUREN? 437 00:19:23,730 --> 00:19:25,832 - I DON'T THINK SO. 438 00:19:25,865 --> 00:19:27,534 I KNOW HE FOUND HER USEFUL. 439 00:19:27,567 --> 00:19:29,569 - USEFUL? 440 00:19:29,602 --> 00:19:33,340 YOU TOLD US THAT SHE WAS THE, UH, LOVE OF HIS LIFE. 441 00:19:33,373 --> 00:19:35,308 - JACOB CAN BE A LITTLE DRAMATIC. 442 00:19:35,342 --> 00:19:36,609 YOU MAY HAVE NOTICED. 443 00:19:36,643 --> 00:19:38,044 - WELL, WE THOUGHT HE MIGHT HAVE HAD REASON 444 00:19:38,077 --> 00:19:38,978 TO BE JEALOUS, 445 00:19:39,011 --> 00:19:40,413 BUT YOU'RE SAYING HE DIDN'T EVEN LOVE HER. 446 00:19:40,447 --> 00:19:42,181 - JACOB LOVED POETRY. 447 00:19:42,215 --> 00:19:45,051 WOMEN LOVED JACOB. 448 00:19:45,084 --> 00:19:46,519 WOMEN THROW THEMSELVES AT HIM. 449 00:19:46,553 --> 00:19:48,020 THE RIGHT WORDS IN THE RIGHT ORDER 450 00:19:48,054 --> 00:19:50,790 READ BY THE RIGHT MAN. 451 00:19:50,823 --> 00:19:53,526 IT'LL MOVE YOUR SOUL. 452 00:19:53,560 --> 00:19:55,762 - HEY, THOSE, THOSE WOMEN 453 00:19:55,795 --> 00:19:59,732 WHO, UH, THROW THEMSELVES AT JACOB... 454 00:19:59,766 --> 00:20:01,033 CAN YOU NAME ANY? 455 00:20:01,067 --> 00:20:03,503 - OH, UM... 456 00:20:03,536 --> 00:20:05,071 WELL, THERE'S EMMA. 457 00:20:05,104 --> 00:20:07,674 SHE WORKS AT THE BOOKSTORE ON CHARLES. 458 00:20:07,707 --> 00:20:09,942 - I STILL GO HEAR HIM SPEAK WHENEVER I CAN. 459 00:20:09,976 --> 00:20:11,678 THE MAN JUST HAS SOMETHING. 460 00:20:11,711 --> 00:20:13,079 - I KNOW. 461 00:20:13,112 --> 00:20:14,647 THE RIGHT WORDS IN THE RIGHT ORDER 462 00:20:14,681 --> 00:20:16,449 CAN MOVE YOUR SOUL. - NOT JUST YOUR SOUL. 463 00:20:16,483 --> 00:20:18,618 FEEL A TINGLE UP YOUR LEG, YOU KNOW WHAT I MEAN? 464 00:20:18,651 --> 00:20:19,919 MY MOM USED TO SAY SHE FELT THAT WAY 465 00:20:19,952 --> 00:20:21,788 WHEN SHE HEARD PAUL MCCARTNEY SING YESTERDAY. 466 00:20:21,821 --> 00:20:22,989 - MM, NO KIDDING. 467 00:20:23,022 --> 00:20:26,125 BUT, UM, OSTENSIBLY, YOU GOT CLOSER TO JACOB 468 00:20:26,158 --> 00:20:29,796 THAT YOUR MOM EVER DID TO PAUL MCCARTNEY. 469 00:20:29,829 --> 00:20:32,098 - WHAT? ARE YOU THE SEX POLICE? 470 00:20:32,131 --> 00:20:34,367 - NO, WE'RE THE REGULAR POLICE. 471 00:20:34,401 --> 00:20:35,968 WE'RE TRYING TO FIND OUT ABOUT LAUREN COLLINS. 472 00:20:36,002 --> 00:20:38,237 SHE REPLACED YOU AS JACOB'S ASSISTANT, IS THAT RIGHT? 473 00:20:38,271 --> 00:20:39,939 - THAT'S RIGHT. 474 00:20:39,972 --> 00:20:41,073 - AND AS HIS GIRLFRIEND? 475 00:20:41,107 --> 00:20:42,942 - I GUESS. 476 00:20:42,975 --> 00:20:44,043 I HEARD ABOUT WHAT HAPPENED TO HER. 477 00:20:44,076 --> 00:20:45,478 IT'S SO AWFUL. 478 00:20:45,512 --> 00:20:46,646 - MM-HMM. 479 00:20:46,679 --> 00:20:49,215 - WHAT? [scoffs] 480 00:20:49,248 --> 00:20:51,518 YOU DON'T THINK I-- 481 00:20:51,551 --> 00:20:53,786 I LEFT BOTH POSITIONS VOLUNTARILY. 482 00:20:53,820 --> 00:20:56,022 ASSISTANT AND GIRLFRIEND. 483 00:20:56,055 --> 00:20:59,091 - AND WHAT ABOUT THAT OLD TINGLE UP THE LEG? 484 00:20:59,125 --> 00:21:02,562 - THAT WAS ONLY FOR JACOB. 485 00:21:02,595 --> 00:21:04,931 OKAY, I'M NOT EXACTLY PROUD OF THIS. 486 00:21:04,964 --> 00:21:07,099 HE WAS ALWAYS CULTIVATING RICH GUYS AS DONORS. 487 00:21:07,133 --> 00:21:10,470 SOMETIMES THEY NEEDED A LITTLE EXTRA INCENTIVE 488 00:21:10,503 --> 00:21:13,740 TO HELP OUT. 489 00:21:13,773 --> 00:21:17,109 - SO JACOB ASKED YOU TO SLEEP WITH THEM. 490 00:21:17,143 --> 00:21:18,711 - AND THESE RICH GUYS WHO NEEDED PERSUADING, 491 00:21:18,745 --> 00:21:20,246 WAS ONE OF THEM DON MCCALLUM? 492 00:21:20,279 --> 00:21:23,883 - JUST DON'T LET HIS WIFE KNOW. 493 00:21:23,916 --> 00:21:26,085 HE WAS ALWAYS AFRAID SHE'D FIND OUT. 494 00:21:26,118 --> 00:21:30,289 - I JUST GOT OFF THE PHONE WITH THE BANK. 495 00:21:30,323 --> 00:21:32,024 IS THERE SOMETHING YOU NEGLECTED TO TELL ME? 496 00:21:32,058 --> 00:21:33,526 - WHAT'S THE BIG DEAL? WE CAN AFFORD IT. 497 00:21:33,560 --> 00:21:35,462 - $50,000 TO THE VILLAGE QUARTERLY? 498 00:21:35,495 --> 00:21:37,564 - IT'S LIFE OR DEATH FOR THEM, JOHN. 499 00:21:37,597 --> 00:21:40,232 - IT'S NOT THEM, SANDRA, IT'S HIM. 500 00:21:40,266 --> 00:21:41,868 I'M NOT AN IDIOT. 501 00:21:41,901 --> 00:21:44,303 - [laughs] OH, REALLY? 502 00:21:44,337 --> 00:21:45,372 HOW CAN I TELL? 503 00:21:45,405 --> 00:21:46,973 - YOU WANT TO SUPPORT THAT BUM, FINE. 504 00:21:47,006 --> 00:21:48,207 I'LL GIVE YOU A HAT AND A TOKEN 505 00:21:48,240 --> 00:21:49,776 AND YOU CAN PANHANDLE ON THE E TRAIN. 506 00:21:49,809 --> 00:21:51,010 - YOU'RE A MORON. 507 00:21:51,043 --> 00:21:54,313 - I LIVE IN THE REAL WORLD WHERE I WORK FOR MY MONEY. 508 00:21:54,347 --> 00:21:56,315 AND YOU'RE NOT GIVING ANOTHER PENNY 509 00:21:56,349 --> 00:22:00,219 TO THAT LEFTOVER BEATNIK FAKER AND HIS MUMBO-JUMBO MAGAZINE 510 00:22:00,252 --> 00:22:01,988 THAT NOBODY READS EXCEPT YOU 511 00:22:02,021 --> 00:22:05,157 AND SOME POINTY-HEAD GIRLS FROM BARNARD. 512 00:22:05,191 --> 00:22:08,260 OH, THAT'S JUST GREAT. 513 00:22:08,294 --> 00:22:11,831 - I WANT A DIVORCE. 514 00:22:14,434 --> 00:22:15,502 - IT'S OKAY, HONEY. 515 00:22:15,535 --> 00:22:18,104 I SHOULD PROBABLY TALK TO THEM IN PRIVATE. 516 00:22:18,137 --> 00:22:19,706 [baby babbling] 517 00:22:23,410 --> 00:22:26,145 SO WHAT IS SO IMPORTANT? 518 00:22:26,178 --> 00:22:30,249 - UH, WE'RE FOLLOWING LEADS ON THE LAUREN COLLINS MURDER. 519 00:22:30,282 --> 00:22:31,684 - IT TURNS OUT JACOB GARRETY 520 00:22:31,718 --> 00:22:33,953 ISN'T ONLY ONE OF THE CITY'S GREATEST POETS, 521 00:22:33,986 --> 00:22:36,355 HE'S ALSO ONE OF ITS GREATEST PIMPS. 522 00:22:36,389 --> 00:22:38,891 - WE HEARD ALL ABOUT IT FROM EMMA COHEN. 523 00:22:38,925 --> 00:22:40,527 JACOB'S FORMER ASSISTANT. 524 00:22:40,560 --> 00:22:42,862 DO YOU REMEMBER HER? 525 00:22:42,895 --> 00:22:45,231 - I WONDER IF YOUR WIFE DOES. 526 00:22:48,034 --> 00:22:52,739 - LAUREN CAME TO SEE ME. 527 00:22:52,772 --> 00:22:55,908 BUT WE, WE DIDN'T HAVE SEX. 528 00:22:55,942 --> 00:22:58,377 I MEAN, NOT REALLY SEX. 529 00:22:58,411 --> 00:23:02,415 WE STARTED SOMETHING WE DIDN'T FINISH. 530 00:23:02,449 --> 00:23:03,583 SHE DIDN'T WANT TO DO ANYTHING. 531 00:23:03,616 --> 00:23:06,719 JACOB WANTED HER TO, SHE DIDN'T. 532 00:23:06,753 --> 00:23:09,021 AND I THINK SHE THOUGHT IF SHE SMILED AT ME NICELY, 533 00:23:09,055 --> 00:23:10,457 I WOULD GIVE HER WHATEVER SHE WANTED. 534 00:23:10,490 --> 00:23:12,925 - HMM. KIND OF NAIVE. 535 00:23:12,959 --> 00:23:16,996 - I DOUBT SHE EVEN KNEW ABOUT WHAT HAD HAPPENED BEFORE. 536 00:23:17,029 --> 00:23:18,565 AND I DON'T THINK JACOB ADVERTISED 537 00:23:18,598 --> 00:23:20,600 TO HIS NEW GIRLFRIENDS THAT HE HAD WHORED OUT 538 00:23:20,633 --> 00:23:23,102 THE PREVIOUS ONES. 539 00:23:23,135 --> 00:23:25,071 IF YOU DON'T BELIEVE ME, GO ASK HIM. 540 00:23:58,871 --> 00:24:01,741 - WE CAN ASK HIM. 541 00:24:01,774 --> 00:24:03,810 BUT I DON'T THINK HE'S GONNA ANSWER. 542 00:24:09,849 --> 00:24:12,819 - THE GUY FROM THE FLOOR BELOW SAW HIM AT 6:00 P.M. 543 00:24:12,852 --> 00:24:14,987 - WHO FOUND THE BODY? - THAT SAME NEIGHBOR. 544 00:24:15,021 --> 00:24:17,990 HE CAME UP TO BORROW THE NEWSPAPER AT 6:45. 545 00:24:18,024 --> 00:24:19,926 - OKAY. THANK YOU. 546 00:24:19,959 --> 00:24:21,594 WELL, THAT RULES OUT DON MCCALLUM. 547 00:24:21,628 --> 00:24:23,663 HE WAS WITH US. 548 00:24:23,696 --> 00:24:26,232 - I COUNT SEVEN OR EIGHT STAB WOUNDS. 549 00:24:26,265 --> 00:24:29,135 - LOOK AT THIS SPATTER PATTERN. 550 00:24:29,168 --> 00:24:32,539 WHOEVER DID THIS WAS JUST CONSUMED WITH FURY. 551 00:24:32,572 --> 00:24:34,206 - WELL, WE FOUND A BLOODY PAIR OF SCISSORS 552 00:24:34,240 --> 00:24:35,407 UNDER THE DESK. 553 00:24:35,441 --> 00:24:37,443 VIC SHOULD HAVE KNOWN TO KEEP HIS EYES OPEN. 554 00:24:37,476 --> 00:24:38,745 - WHY? 555 00:24:38,778 --> 00:24:40,479 - 'CAUSE HE'S BEEN THROUGH IT BEFORE. 556 00:24:40,513 --> 00:24:42,549 LOOK AT THIS. 557 00:24:42,582 --> 00:24:46,285 THAT IS AN OLD KNIFE WOUND 558 00:24:46,318 --> 00:24:48,955 FROM MAYBE 10, 15 YEARS AGO. 559 00:24:48,988 --> 00:24:51,357 - WHAT ARE THE ODDS THAT ONE POET 560 00:24:51,390 --> 00:24:55,161 WOULD GET STABBED TWICE BY TWO DIFFERENT PEOPLE? 561 00:24:55,194 --> 00:24:56,629 [beep] 562 00:24:56,663 --> 00:24:57,997 - JOHN DUNBAR AGAIN. 563 00:24:58,030 --> 00:25:00,466 YOU CAN'T HIDE FOREVER, YOU BASTARD. 564 00:25:00,499 --> 00:25:03,402 ANSWER THE DAMN PHONE! 565 00:25:03,435 --> 00:25:05,872 FINE. [click, beep] 566 00:25:05,905 --> 00:25:10,409 SANDRA'S HUSBAND. 567 00:25:10,442 --> 00:25:14,714 - JOHN ISN'T HERE. 568 00:25:14,747 --> 00:25:16,749 WHY DON'T YOU JUST COME IN? 569 00:25:20,687 --> 00:25:22,254 [crying] I'M SORRY, I'M-- 570 00:25:22,288 --> 00:25:24,724 I'M REALLY NOT VERY GOOD AT THIS. 571 00:25:24,757 --> 00:25:28,060 - EXCUSE ME, WHAT ARE WE TALKING ABOUT, MRS. DUNBAR? 572 00:25:28,094 --> 00:25:31,297 - JOHN AND I ARE SPLITTING UP. 573 00:25:33,633 --> 00:25:34,934 - SORRY. 574 00:25:34,967 --> 00:25:36,803 - 13 YEARS DOWN THE TOILET. 575 00:25:36,836 --> 00:25:38,204 WHERE DOES THAT LEAVE ME? 576 00:25:38,237 --> 00:25:41,674 I NEVER COMPLAINED TO HIM ABOUT HIS CLUBHOUSE TICKETS 577 00:25:41,708 --> 00:25:43,275 TO EVERY SPORT EVER INVENTED 578 00:25:43,309 --> 00:25:45,578 OR HIS GOLF CLUB OR HIS CIGAR CLUB. 579 00:25:45,612 --> 00:25:48,114 BUT I DONATE A FEW DOLLARS TO A POETRY JOURNAL-- 580 00:25:48,147 --> 00:25:50,249 - I'M AFRAID WE HAVE SOME MORE BAD NEWS FOR YOU, 581 00:25:50,282 --> 00:25:51,718 MRS. DUNBAR. 582 00:25:52,752 --> 00:25:56,122 - JACOB GARRETY HAS BEEN MURDERED. 583 00:25:56,155 --> 00:25:58,991 - NO. 584 00:25:59,025 --> 00:26:01,694 - I'M VERY SORRY. 585 00:26:03,462 --> 00:26:05,865 - WHY WOULD ANYONE WANT TO KILL JACOB? 586 00:26:05,898 --> 00:26:11,570 - WE UNDERSTAND THAT JACOB MADE SOME OF HIS GIRLFRIENDS 587 00:26:11,604 --> 00:26:15,875 SLEEP WITH POTENTIAL DONORS FOR MONEY-- 588 00:26:15,908 --> 00:26:17,543 - NO, NO, NO, NO. THAT'S NOT POSSIBLE. 589 00:26:17,576 --> 00:26:19,411 JACOB DIDN'T CARE ABOUT MONEY. 590 00:26:19,445 --> 00:26:21,080 HE ONLY CARED ABOUT ART. 591 00:26:21,113 --> 00:26:27,319 I SAW HIM STRUGGLE OVER WORDS, OVER SYLLABLES. 592 00:26:27,353 --> 00:26:29,488 JOHN COULD NEVER UNDERSTAND THAT. 593 00:26:31,057 --> 00:26:34,861 [crying aloud] 594 00:26:34,894 --> 00:26:36,595 - JOHN DUNBAR AGAIN. 595 00:26:36,629 --> 00:26:38,497 YOU CAN'T HIDE FOREVER, YOU BASTARD. 596 00:26:38,530 --> 00:26:40,566 ANSWER THE DAMN PHONE! 597 00:26:40,599 --> 00:26:43,469 FINE. [click, beep] 598 00:26:43,502 --> 00:26:45,304 - DID YOU EVER FIND HIM? 599 00:26:45,337 --> 00:26:46,739 - YOU THINK I KILLED THAT SON OF A BITCH? 600 00:26:46,773 --> 00:26:47,940 - YOU DO SOUND PRETTY ANGRY. 601 00:26:47,974 --> 00:26:50,376 - ME? I'M THE HAPPIEST GUY IN THE WORLD. 602 00:26:50,409 --> 00:26:53,045 - SURE. YOU DUMPED THE WIFE... 603 00:26:53,079 --> 00:26:54,714 - THAT WAS HER IDEA. 604 00:26:54,747 --> 00:26:56,082 AND CREDIT WHERE CREDIT'S DUE, 605 00:26:56,115 --> 00:26:57,283 IT WAS THE BEST IDEA SHE EVER HAD. 606 00:26:57,316 --> 00:26:59,285 - THEN WHY THE ANGRY CALLS TO JACOB? 607 00:26:59,318 --> 00:27:00,452 - HE CONNED SANDRA OUT OF 100,000 608 00:27:00,486 --> 00:27:02,288 OF MY HARD-EARNED DOLLARS. 609 00:27:02,321 --> 00:27:04,657 50,000 EARLIER THIS YEAR. 50,000 MORE THIS WEEK. 610 00:27:04,691 --> 00:27:06,058 - WASN'T IT HERS TO GIVE? 611 00:27:06,092 --> 00:27:08,194 - SHE CAN DEBATE THAT WITH MY LAWYER. 612 00:27:08,227 --> 00:27:11,030 SHE THINKS SHE'S LADY BOUNTIFUL. 613 00:27:11,063 --> 00:27:13,299 WHEN I MET HER, SHE WAS WORKING THREE JOBS 614 00:27:13,332 --> 00:27:15,601 TO PAY TUITION AT QUEENS COLLEGE. 615 00:27:15,634 --> 00:27:17,837 THANK GOD FOR PRENUPS. 616 00:27:17,870 --> 00:27:19,038 SHE'S TAKING OUT OF THIS MARRIAGE 617 00:27:19,071 --> 00:27:20,472 EXACTLY WHAT SHE BROUGHT IN. 618 00:27:20,506 --> 00:27:23,642 A NICE RACK AND 100 BUCKS. 619 00:27:23,676 --> 00:27:25,111 PARDON MY FRENCH. 620 00:27:25,144 --> 00:27:27,680 - SO WHAT DID JACOB DO WHEN YOU ASKED FOR THE MONEY BACK? 621 00:27:27,714 --> 00:27:29,615 - NOTHING. I NEVER SPOKE WITH HIM. 622 00:27:29,648 --> 00:27:31,183 - NEVER? 623 00:27:31,217 --> 00:27:32,685 CAN YOU ACCOUNT FOR YOUR TIME YESTERDAY 624 00:27:32,719 --> 00:27:34,586 BETWEEN 6:00 AND 7:00 P.M.? 625 00:27:34,620 --> 00:27:37,456 - I WAS HAVING DINNER WITH MY GIRLFRIEND. 626 00:27:37,489 --> 00:27:40,059 YOU WANT TO CALL HER? FEEL FREE. 627 00:27:40,092 --> 00:27:43,129 I HAVE NOTHING TO HIDE. 628 00:27:43,162 --> 00:27:45,364 - IF MY KID EVER TELLS ME SHE WANTS TO BE A POET, 629 00:27:45,397 --> 00:27:47,433 I'LL TELL HER TO JOIN THE MAFIA INSTEAD. 630 00:27:47,466 --> 00:27:49,235 NICER PEOPLE. 631 00:27:49,268 --> 00:27:51,270 - SO WHAT HAPPENED TO THIS GUY-- 632 00:27:51,303 --> 00:27:54,173 THE POETRY-LOVER'S HUSBAND? 633 00:27:54,206 --> 00:27:56,508 - HIS ALIBI HOLDS. 634 00:27:56,542 --> 00:27:58,210 - SO YOU'RE RUNNING IN CIRCLES? 635 00:27:58,244 --> 00:27:59,779 - WELL, EVEN IF IT DIDN'T, 636 00:27:59,812 --> 00:28:01,413 HE MIGHT HAVE HAD A MOTIVE TO KILL JACOB, 637 00:28:01,447 --> 00:28:03,950 BUT WHY LAUREN? 638 00:28:03,983 --> 00:28:06,252 - JACOB WAS STABBED ABOUT 10 OR 15 YEARS AGO. 639 00:28:06,285 --> 00:28:07,519 OH, HERE WE GO. 640 00:28:07,553 --> 00:28:09,789 A POLICE REPORT. 641 00:28:09,822 --> 00:28:12,725 "JACOB GARRETY. ASSAULT BY KNIFE 1996. 642 00:28:12,759 --> 00:28:14,026 "NO CHARGES FILED. 643 00:28:14,060 --> 00:28:16,395 VICTIM WAS A STUDENT AT QUEENS COLLEGE." 644 00:28:16,428 --> 00:28:19,465 - QUEENS COLLEGE. THAT'S WHERE SANDRA DUNBAR WENT. 645 00:28:19,498 --> 00:28:21,500 - RIGHT AROUND THE SAME TIME. 646 00:28:21,533 --> 00:28:24,236 - MY COUSIN MAX THE ACCOUNTANT WENT TO QUEENS COLLEGE. 647 00:28:24,270 --> 00:28:26,138 MILLIONS OF PEOPLE GO TO QUEENS COLLEGE. 648 00:28:26,172 --> 00:28:28,507 - YEAH, BUT I DON'T THINK YOUR COUSIN MAX THE ACCOUNTANT 649 00:28:28,540 --> 00:28:30,309 RAN IN THESE SAME CIRCLES. 650 00:28:30,342 --> 00:28:34,814 UM, "JACOB GARRETY, SANDRA O'BANNON." 651 00:28:34,847 --> 00:28:37,984 LOOK AT THAT. 652 00:28:38,017 --> 00:28:39,385 CLASS OF '96. 653 00:28:39,418 --> 00:28:41,553 BOTH MEMBERS OF THE POETICS GUILD. 654 00:28:41,587 --> 00:28:44,056 - I WONDER IF SHE MAJORED IN KNIFE FIGHTING. 655 00:28:44,090 --> 00:28:50,029 - UM, THIS POEM I ALWAYS THOUGHT WAS ABOUT LAUREN 656 00:28:50,062 --> 00:28:52,131 LEAVING HIM FOR A GUY WITH MONEY. 657 00:28:52,164 --> 00:28:54,066 BUT SHE DIDN'T LEAVE HIM. 658 00:28:54,100 --> 00:28:58,871 "YOUR FACE THAT NOW, FOR CANCEROUS GOLD IS SOLD." 659 00:28:58,905 --> 00:29:02,374 YOU KNOW, HE PUBLISHED THAT IN DECEMBER. 660 00:29:02,408 --> 00:29:05,577 BUT MAYBE JACOB WROTE IT YEARS AGO. 661 00:29:05,611 --> 00:29:07,613 - FOR A COLLEGE GIRLFRIEND WHO LEFT HIM 662 00:29:07,646 --> 00:29:10,082 FOR A GUY WITH MONEY. 663 00:29:10,116 --> 00:29:13,752 - THIS POEM IS ABOUT SANDRA. 664 00:29:18,224 --> 00:29:23,329 - "THE NIGHTS ON THE SAND UNDER GASPING ISLAND STARS... 665 00:29:23,362 --> 00:29:28,835 "THE DAWN WALKS... PALM TO PALM... 666 00:29:28,868 --> 00:29:32,271 "NIGHT'S LOVE SWEAT MELTING AWAY... 667 00:29:32,304 --> 00:29:37,910 "AND IN ITS PLACE... YOUR FACE... 668 00:29:37,944 --> 00:29:42,148 YOUR FACE." 669 00:29:55,694 --> 00:29:58,230 - OH, MY GOD. LOOK AT MY OUTFIT. 670 00:29:58,264 --> 00:30:00,266 I DON'T DO THE POETRY THING MUCH ANYMORE. 671 00:30:00,299 --> 00:30:02,835 I MEAN, BEYOND FRANNY FINDS A FARM. 672 00:30:02,869 --> 00:30:05,404 - DO YOU REMEMBER JACOB AND SANDRA? 673 00:30:05,437 --> 00:30:06,638 - HOW COULD I FORGET? 674 00:30:06,672 --> 00:30:08,174 WE WERE ALL IN AWE OF THEM. 675 00:30:08,207 --> 00:30:11,010 THEY WERE LIKE THE ZELDA AND SCOTT FITZGERALD 676 00:30:11,043 --> 00:30:12,178 OF QUEENS COLLEGE. 677 00:30:12,211 --> 00:30:14,613 - MEANING THEY WERE IN LOVE. - CRAZY LOVE. 678 00:30:14,646 --> 00:30:16,248 THEY LIVED AND BREATHED POETRY. 679 00:30:16,282 --> 00:30:18,717 - I REMEMBER SCOTT AND ZELDA 680 00:30:18,750 --> 00:30:20,486 HAD A KIND OF ROCKY RELATIONSHIP. 681 00:30:20,519 --> 00:30:21,954 DOES THAT MEAN THAT JACOB AND SARA-- 682 00:30:21,988 --> 00:30:23,622 "ROCKY" DOESN'T DO IT JUSTICE. 683 00:30:23,655 --> 00:30:25,324 IS "BOULDERY" A WORD? HA. 684 00:30:25,357 --> 00:30:27,659 THEY WOULD HAVE THESE AMAZING FIGHTS 685 00:30:27,693 --> 00:30:31,063 AND THEN THEY'D LOCK THEMSELVES IN JACOB'S BEDROOM FOR DAYS. 686 00:30:31,097 --> 00:30:32,364 - WHAT WOULD THEY FIGHT ABOUT? 687 00:30:32,398 --> 00:30:35,101 - SCOPE OR LISTERINE. BOXERS OR BRIEFS. 688 00:30:35,134 --> 00:30:36,268 SHELLEY OR KEATS. 689 00:30:36,302 --> 00:30:38,037 IT GOT REALLY CRAZY 690 00:30:38,070 --> 00:30:41,207 WHEN SANDRA CAUGHT JACOB WITH THIS VISITING POETESS 691 00:30:41,240 --> 00:30:44,076 FROM ROMANIA OR SOMEWHERE. 692 00:30:44,110 --> 00:30:46,212 SHE PICKED UP A KNIFE FROM THIS PIZZA PLATTER 693 00:30:46,245 --> 00:30:48,780 AND SHE STABBED HIM RIGHT THERE IN THE BAR. 694 00:30:56,923 --> 00:30:58,925 - DETECTIVES. 695 00:30:58,958 --> 00:31:00,326 - SORRY. 696 00:31:00,359 --> 00:31:02,194 THE DOORMAN SAID IT WOULD BE OKAY. 697 00:31:02,228 --> 00:31:04,263 THANKS. 698 00:31:04,296 --> 00:31:08,200 YOU SEEMED SO UPSET THE LAST TIME WE WERE HERE. 699 00:31:08,234 --> 00:31:10,702 -OH, THE COP WHO CARES. 700 00:31:10,736 --> 00:31:14,540 BET THERE AREN'T TOO MANY OF THOSE. 701 00:31:14,573 --> 00:31:17,543 [gentle music] 702 00:31:17,576 --> 00:31:25,151 * 703 00:31:35,561 --> 00:31:38,730 - WOW. 704 00:31:38,764 --> 00:31:40,599 - I WROTE THAT WHEN MY WIFE LEFT. 705 00:31:40,632 --> 00:31:43,302 - ART. 706 00:31:43,335 --> 00:31:45,271 SO MYSTERIOUS, ISN'T IT? 707 00:31:45,304 --> 00:31:49,175 - WE'D BEEN TOGETHER SINCE WE WERE KIDS. 708 00:31:49,208 --> 00:31:52,011 SHE DIDN'T WANT ME TO BE A COP. 709 00:31:52,044 --> 00:31:55,647 - JOHN DIDN'T WANT ME TO BE A HUMAN BEING. 710 00:31:58,017 --> 00:32:00,619 I MET HIM MY SENIOR YEAR AT QUEENS COLLEGE. 711 00:32:00,652 --> 00:32:01,920 - YEAH. 712 00:32:01,954 --> 00:32:03,855 DIDN'T JACOB GO TO QUEENS COLLEGE? 713 00:32:03,889 --> 00:32:06,525 - I KNEW HIM. 714 00:32:06,558 --> 00:32:11,697 I LIKED HIM. 715 00:32:11,730 --> 00:32:13,265 I MARRIED JOHN. 716 00:32:15,301 --> 00:32:17,269 - HE WAS RICH, YOU WERE POOR. 717 00:32:17,303 --> 00:32:20,439 - AND HERE I AM, 13 YEARS LATER, 718 00:32:20,472 --> 00:32:22,874 SITTING IN THIS APARTMENT, 719 00:32:22,908 --> 00:32:25,444 WITH MY HUSBAND GOD KNOWS WHERE. 720 00:32:25,477 --> 00:32:31,450 AND I'M LOOKING AT A FANCY PIANO I CAN'T EVEN PLAY. 721 00:32:31,483 --> 00:32:34,886 A FEW MONTHS AGO I PICKED UP A COPY OF THE QUARTERLY 722 00:32:34,920 --> 00:32:37,223 AND I SAW A POEM BY JACOB. 723 00:32:37,256 --> 00:32:38,424 - HMM. 724 00:32:38,457 --> 00:32:40,092 - I DECIDED TO GET BACK IN TOUCH. 725 00:32:45,397 --> 00:32:49,735 - I WAS GONNA BE A MUSICIAN I THOUGHT. 726 00:32:49,768 --> 00:32:51,103 NOW LOOK AT ME. 727 00:32:51,137 --> 00:32:54,340 I'M A MIDDLE-AGED COP WHO CAN BANG OUT 728 00:32:54,373 --> 00:32:59,111 A TUNE OR TWO AT A PARTY. 729 00:32:59,145 --> 00:33:01,580 I SHOULD'VE LISTENED TO MY WIFE. 730 00:33:01,613 --> 00:33:03,982 I DIDN'T NEED THE PAYCHECK THAT BAD. 731 00:33:04,016 --> 00:33:09,221 - JACOB WOULD'VE STARVED BEFORE HE GAVE UP HIS POETRY 732 00:33:09,255 --> 00:33:11,623 FOR A PAYCHECK. 733 00:33:14,993 --> 00:33:17,963 [plays bluesy riff] 734 00:33:17,996 --> 00:33:24,903 * 735 00:33:27,706 --> 00:33:29,175 - HOW WAS LAST NIGHT? 736 00:33:31,843 --> 00:33:33,445 - WE HAVE A LOT IN COMMON. 737 00:33:33,479 --> 00:33:34,780 UM... 738 00:33:34,813 --> 00:33:37,116 YEAH, WE BOTH THINK THAT JACOB GARRETY 739 00:33:37,149 --> 00:33:38,184 WAS A PRINCE. 740 00:33:38,217 --> 00:33:40,852 IT TURNS OUT SHE GOT BACK 741 00:33:40,886 --> 00:33:43,389 IN TOUCH WITH HIM AFTER SHE SAW THAT POEM 742 00:33:43,422 --> 00:33:44,590 IN THE DECEMBER ISSUE. 743 00:33:44,623 --> 00:33:45,724 - SO IT WAS ABOUT HER. 744 00:33:45,757 --> 00:33:47,626 - YEAH. BROUGHT IT ALL BACK. 745 00:33:47,659 --> 00:33:50,262 PASSION, POETRY, POET. 746 00:33:50,296 --> 00:33:52,531 EVERYTHING SHE LEFT BEHIND WHEN SHE HOOKED UP 747 00:33:52,564 --> 00:33:55,167 WITH THAT OVERPAID STIFF JOHN DUNBAR. 748 00:33:55,201 --> 00:33:57,736 - SHE TOLD YOU ALL THAT? 749 00:34:01,507 --> 00:34:03,942 - NO. IT WAS OBVIOUS. 750 00:34:03,975 --> 00:34:05,277 UM... 751 00:34:05,311 --> 00:34:07,946 HEY, HOW WOULD YOU LIKE TO GO TO A POETRY READING? 752 00:34:13,919 --> 00:34:16,488 - OH, THANKS SO MUCH. 753 00:34:16,522 --> 00:34:19,825 [overlapping chatter] 754 00:34:25,331 --> 00:34:29,335 - DETECTIVE. 755 00:34:29,368 --> 00:34:30,869 IF I HAD KNOWN YOU WERE COMING, 756 00:34:30,902 --> 00:34:32,671 I WOULD'VE ARRANGED FOR YOU TO PLAY. 757 00:34:32,704 --> 00:34:35,341 - OH, THANK YOU VERY MUCH. 758 00:34:35,374 --> 00:34:38,410 NO, HE'S...HE'S DOING ALL RIGHT. VERY GOOD. 759 00:34:38,444 --> 00:34:39,411 - EXCUSE ME, PLEASE. 760 00:34:39,445 --> 00:34:41,847 UH, I THINK WE ARE READY TO BEGIN. 761 00:34:41,880 --> 00:34:44,816 WE ARE HERE TO PAY TRIBUTE TO THE LIFE AND WORK 762 00:34:44,850 --> 00:34:46,685 OF JACOB GARRETY. 763 00:34:46,718 --> 00:34:48,154 THOSE OF US WHO KNEW HIM PERSONALLY 764 00:34:48,187 --> 00:34:50,088 WILL NEVER FORGET HIM. 765 00:34:50,122 --> 00:34:52,458 - NOW I KNOW THAT MANY OF YOU WISH TO SPEAK AND READ, 766 00:34:52,491 --> 00:34:55,627 SO IF YOU WILL-- 767 00:34:55,661 --> 00:34:57,028 UH, DETECTIVE. 768 00:34:57,062 --> 00:34:59,431 - I'M NOT HERE OFFICIALLY TONIGHT. 769 00:34:59,465 --> 00:35:02,801 UM, BUT I WOULD LIKE TO READ SOMETHING IF I MAY. 770 00:35:02,834 --> 00:35:03,835 - A POEM? 771 00:35:03,869 --> 00:35:05,237 - YES. 772 00:35:05,271 --> 00:35:08,874 WE'VE BEEN INVESTIGATE THE VERY TRAGIC DEATH 773 00:35:08,907 --> 00:35:11,710 OF JACOB GARRETY THESE LAST COUPLE OF DAYS. 774 00:35:11,743 --> 00:35:13,445 I'VE BEEN DOING IT ALONG WITH MY PARTNER, 775 00:35:13,479 --> 00:35:14,580 DETECTIVE WHEELER. 776 00:35:14,613 --> 00:35:18,184 I HARDLY KNEW JACOB. 777 00:35:18,217 --> 00:35:20,652 EXCUSE ME, DON. SORRY. 778 00:35:20,686 --> 00:35:22,788 UM... 779 00:35:22,821 --> 00:35:27,826 YOU KNOW, WE ONLY MET HIM ON A FEW OCCASIONS. 780 00:35:27,859 --> 00:35:29,295 WE'VE BEEN INVESTIGATING HIS DEATH 781 00:35:29,328 --> 00:35:30,396 THE LAST COUPLE OF DAYS 782 00:35:30,429 --> 00:35:32,698 AND SO WE'VE HAD AN OCCASION TO BE 783 00:35:32,731 --> 00:35:35,467 SEARCHING HIS OFFICE AT THE VILLAGE QUARTERLY. 784 00:35:35,501 --> 00:35:40,206 AND IN HIS DESK I FOUND... 785 00:35:40,239 --> 00:35:42,841 THIS. 786 00:35:42,874 --> 00:35:44,643 IT'S A POEM. 787 00:35:44,676 --> 00:35:47,012 IT'S UNFINISHED. 788 00:35:47,045 --> 00:35:48,914 AND I JUST THOUGHT THAT TONIGHT 789 00:35:48,947 --> 00:35:52,017 WAS FITTING THAT I COME HERE AND SHARE IT WITH ALL OF YOU. 790 00:35:52,050 --> 00:35:58,023 "THE GASPING STARS REGAIN THEIR LIGHT. 791 00:35:58,056 --> 00:36:03,161 "THE NIGHTS REGARD THE LOVERS' CRIES. 792 00:36:03,195 --> 00:36:06,665 "THEIR BACK, A MIRACLE. 793 00:36:06,698 --> 00:36:08,634 "ALERT THE SCRIPTURE WRITERS. 794 00:36:08,667 --> 00:36:12,238 "A LOVE THAT'S DEAD IS BORN AGAIN. 795 00:36:12,271 --> 00:36:17,876 "THE YEARS THAT FLEW RETRACE THEIR STEPS. 796 00:36:17,909 --> 00:36:21,112 "REJOICE! REJOICE! 797 00:36:21,146 --> 00:36:22,648 "YOUR FACE, 798 00:36:22,681 --> 00:36:28,220 YOUR FACE..." 799 00:36:28,254 --> 00:36:29,555 AND THAT'S ALL. 800 00:36:45,304 --> 00:36:47,806 I'M SO, SO SORRY. 801 00:36:47,839 --> 00:36:50,175 HOW MOVING. ISN'T THAT BEAUTIFUL? 802 00:36:50,208 --> 00:36:51,477 BUT HELP ME OUT. 803 00:36:51,510 --> 00:36:52,811 I DON'T QUITE UNDERSTAND IT. 804 00:36:52,844 --> 00:36:55,514 IT SEEMS TO BE ABOUT A LONG LOST LOVE 805 00:36:55,547 --> 00:36:57,816 THAT HAS COME BACK TO LIFE. 806 00:36:57,849 --> 00:37:01,620 BUT WE KNOW THAT LAUREN WAS THE GIRLFRIEND 807 00:37:01,653 --> 00:37:03,154 AND SHE WAS AROUND. 808 00:37:03,188 --> 00:37:05,357 BUT MAYBE THEY'D HAD AN ARGUMENT 809 00:37:05,391 --> 00:37:06,458 AND SHE WAS GONE FOR A WHILE. 810 00:37:06,492 --> 00:37:08,660 - IT WASN'T ABOUT HER. 811 00:37:08,694 --> 00:37:11,463 - WELL, YOU KNOW, SHE WAS THE GIRLFRIEND 812 00:37:11,497 --> 00:37:12,664 AND HE TOLD ME THE LOVE OF HIS LIFE. 813 00:37:12,698 --> 00:37:17,769 - IT WASN'T ABOUT HER! 814 00:37:17,803 --> 00:37:23,275 HE DIDN'T LOVE HER. 815 00:37:23,309 --> 00:37:26,478 - WELL, SANDRA, YOU MAY BE RIGHT. 816 00:37:26,512 --> 00:37:28,614 BECAUSE YOU SAY IT WAS A LONG LOST LOVE 817 00:37:28,647 --> 00:37:34,653 AND THIS SAYS, "THE YEARS THE FLEW RETRACE THEIR STEPS." 818 00:37:38,089 --> 00:37:40,492 OH, SANDRA. 819 00:37:40,526 --> 00:37:43,995 IS THIS ABOUT YOU? 820 00:37:45,764 --> 00:37:47,433 YOU KNEW HIM IN COLLEGE. 821 00:37:47,466 --> 00:37:50,402 YOU MARRIED JOHN DUNBAR. 822 00:37:50,436 --> 00:37:53,672 BUT THEN YOU CAME BACK. 823 00:37:53,705 --> 00:37:55,474 - I DID. 824 00:37:55,507 --> 00:37:57,376 - GOSH. 825 00:37:57,409 --> 00:37:58,910 WELL, SURE. 826 00:37:58,944 --> 00:38:00,946 THAT MAKES PERFECT SENSE. 827 00:38:00,979 --> 00:38:02,247 YOU'RE THE KIND OF WOMAN 828 00:38:02,280 --> 00:38:04,082 THAT HE WOULD'VE LOVED VERY MUCH. 829 00:38:04,115 --> 00:38:06,117 YOU HAD A HISTORY WITH EACH OTHER 830 00:38:06,151 --> 00:38:07,118 AND YOU UNDERSTOOD ART 831 00:38:07,152 --> 00:38:08,620 AND YOU UNDERSTOOD HIM AND... 832 00:38:08,654 --> 00:38:10,255 WHAT A TRAGEDY FOR YOU. 833 00:38:10,288 --> 00:38:13,459 - OH, GOD, WHY DIDN'T HE SAY SOMETHING? 834 00:38:13,492 --> 00:38:15,226 OH, THAT SON OF A BITCH! 835 00:38:15,260 --> 00:38:16,328 WHY DIDN'T HE JUST TELL ME? 836 00:38:16,362 --> 00:38:17,629 - HE DID. HE WROTE THIS POEM FOR YOU 837 00:38:17,663 --> 00:38:19,230 - NO! 838 00:38:19,264 --> 00:38:22,000 WHEN I WENT TO SEE HIM. 839 00:38:22,033 --> 00:38:25,236 - WHEN YOU WENT TO SEE HIM? 840 00:38:25,270 --> 00:38:30,776 THE NIGHT HE WAS KILLED? 841 00:38:30,809 --> 00:38:32,944 OH. 842 00:38:32,978 --> 00:38:35,714 WHAT DID HE SAY TO YOU? 843 00:38:35,747 --> 00:38:40,318 - HE SAID, "GO BACK TO YOUR HUSBAND BEFORE IT'S TOO LATE." 844 00:38:40,352 --> 00:38:42,988 "I DIDN'T WANT YOU. 845 00:38:43,021 --> 00:38:45,323 I ONLY WANTED HIS MONEY." 846 00:38:45,357 --> 00:38:51,029 - THAT'S A HORRIBLE, HORRIBLE THING TO SAY. 847 00:38:51,062 --> 00:38:54,400 SO YOU GOT... ANGRY, OF COURSE. 848 00:38:54,433 --> 00:38:57,503 YOU GOT THOSE SCISSORS, I'M SURE. 849 00:38:57,536 --> 00:38:59,571 - IT WAS THE PRESSURE. 850 00:38:59,605 --> 00:39:01,507 HE WAS AFRAID THAT HE WAS GONNA LOSE THE MAGAZINE. 851 00:39:01,540 --> 00:39:02,841 THAT'S WHY HE SAID IT. 852 00:39:02,874 --> 00:39:04,275 HE DIDN'T-- HE DIDN'T MEAN IT. 853 00:39:04,309 --> 00:39:06,478 - OH, OF COURSE HE DIDN'T. 854 00:39:06,512 --> 00:39:08,179 HE WROTE THIS. 855 00:39:08,213 --> 00:39:09,314 FOR YOU. 856 00:39:09,347 --> 00:39:10,616 OH, MY GOD. 857 00:39:10,649 --> 00:39:12,551 EVEN AFTER HE KNEW WHAT YOU'D DONE TO LAUREN. 858 00:39:12,584 --> 00:39:14,553 - NO, THAT WAS AN ACCIDENT. 859 00:39:14,586 --> 00:39:16,488 YOU KNOW, I TRIED TO REASON WITH THAT GIRL. 860 00:39:16,522 --> 00:39:19,124 I--I TOLD HER THAT I WOULD 861 00:39:19,157 --> 00:39:21,159 PAY FOR HER TO GO TO GRADUATE SCHOOL IN EUROPE 862 00:39:21,192 --> 00:39:23,028 IF SHE WOULD JUST GO AWAY, 863 00:39:23,061 --> 00:39:24,396 IF SHE WOULD JUST GET AWAY FROM HIM, 864 00:39:24,430 --> 00:39:25,631 BUT SHE WOULDN'T. 865 00:39:25,664 --> 00:39:29,535 SHE SAID THAT THEY LOVED EACH OTHER AND THAT... 866 00:39:29,568 --> 00:39:30,769 THAT I WAS OLD NEWS. 867 00:39:30,802 --> 00:39:36,041 THAT I WAS...NOTHING. 868 00:39:36,074 --> 00:39:38,444 A JOKE. 869 00:39:38,477 --> 00:39:41,179 BUT I KNEW HE DIDN'T LOVE HER. 870 00:39:41,212 --> 00:39:46,418 I KNEW THAT HE LOVED ME. 871 00:39:46,452 --> 00:39:48,353 AND I WAS RIGHT. 872 00:39:51,857 --> 00:39:54,526 I WAS RIGHT. 873 00:39:54,560 --> 00:39:56,962 HE DID LOVE ME. 874 00:39:56,995 --> 00:39:58,296 HE DID. 875 00:40:00,466 --> 00:40:02,434 HE DID. 876 00:40:02,468 --> 00:40:05,403 [sobs] 877 00:40:19,350 --> 00:40:20,619 - NOTHING LIKE A GOOD LOVE POEM 878 00:40:20,652 --> 00:40:23,989 TO, UH, GET THE EMOTIONS FLOWING. 879 00:40:24,022 --> 00:40:28,193 - SO YOU'RE NOT GONNA TELL HER YOU WROTE IT? 880 00:40:28,226 --> 00:40:29,561 - THAT'D BE CRUEL. 881 00:40:29,595 --> 00:40:31,963 [siren wails]