1
00:00:06,899 --> 00:00:09,541
(male announcer)
IN NEW YORK CITY'S
WAR ON CRIME,
2
00:00:09,618 --> 00:00:11,835
THE WORST CRIMINAL OFFENDERS
ARE PURSUED
3
00:00:11,912 --> 00:00:14,713
BY THE DETECTIVES
OF THE MAJOR CASE SQUAD.
4
00:00:14,790 --> 00:00:17,099
THESE ARE THEIR STORIES.
5
00:00:23,924 --> 00:00:25,807
[gunshot]
6
00:00:25,884 --> 00:00:28,527
[gunshots]
7
00:00:35,852 --> 00:00:39,321
LIONEL,
I CAN'T DO THIS TO HIM.
8
00:00:39,397 --> 00:00:42,115
HE'S MY FRIEND.
9
00:00:42,192 --> 00:00:44,117
I HAVE TO CALL YOU BACK.
10
00:00:44,194 --> 00:00:45,577
I KNOW THIS IS
YOUR BIG NIGHT,
11
00:00:45,654 --> 00:00:47,421
BUT THESE NEED
TO BE PROOFED.
12
00:00:56,331 --> 00:00:57,881
GO.
13
00:00:57,892 --> 00:01:00,059
[giggles]
14
00:01:08,718 --> 00:01:10,652
YOU'RE JUST LEAVING NOW?
15
00:01:11,388 --> 00:01:15,107
DON'T EVEN BOTHER, D.
16
00:01:15,183 --> 00:01:18,276
THANK YOU.
17
00:01:18,353 --> 00:01:19,319
THANK YOU VERY MUCH.
18
00:01:19,330 --> 00:01:21,455
[applause]
19
00:01:24,484 --> 00:01:28,370
NEXT UP, I'M PERSONALLY
PROUD TO INTRODUCE,
20
00:01:28,446 --> 00:01:30,589
STRAIGHT OUT OF BROOKLYN,
21
00:01:30,666 --> 00:01:33,708
GIVE IT UP FOR
MISS KIRA DANFORTH.
22
00:01:33,785 --> 00:01:38,263
[cheers and applause]
23
00:01:41,001 --> 00:01:45,470
THE FOLLOWING IS,
AS THEY SAY...
24
00:01:45,547 --> 00:01:47,439
A TRUE STORY.
25
00:01:49,509 --> 00:01:52,894
(Kira)
I'M SO GLAD YOU CAME TONIGHT.
THAT MEANT A LOT TO ME.
26
00:01:52,905 --> 00:01:54,813
YOU KNOW WHAT I'M SAYING?
27
00:01:54,890 --> 00:01:56,731
I'M LIKE AIRING
MY DIRTY LAUNDRY--
28
00:01:56,742 --> 00:02:00,944
YOU. YOU HAVE
A GREAT NOVEL IN YOU.
29
00:02:01,021 --> 00:02:02,821
AND I WANT IT.
30
00:02:02,898 --> 00:02:05,323
LIONEL SAYS IT'S NOT
A NOVEL YET.
31
00:02:05,400 --> 00:02:06,616
LIONEL'S NOT AN AGENT.
32
00:02:06,627 --> 00:02:08,410
I AM.
33
00:02:08,486 --> 00:02:10,453
COME ON.
FIRST DRINK IS ON ME.
34
00:02:10,530 --> 00:02:12,622
I HAVE TO READ
THE WHOLE BOOK.
35
00:02:12,699 --> 00:02:13,874
I MEAN,
I CAN'T BELIEVE--
36
00:02:13,950 --> 00:02:15,250
YO, KIRA,
WHAT'S THIS?
37
00:02:15,261 --> 00:02:16,793
(Sage)
HO, HO, HO,
HEY, HEY, HEY.
38
00:02:16,870 --> 00:02:18,470
HANDS OFF THE LADY.
39
00:02:22,459 --> 00:02:24,309
SHALL WE?
40
00:02:27,347 --> 00:02:28,930
YOU KNOW HIM?
I'M SORRY.
41
00:02:31,676 --> 00:02:33,935
(Shill)
HE COULDN'T MAKE A SENTENCE
STAND UP AND BE NOTICED
42
00:02:34,012 --> 00:02:35,187
IF HE PUT VIAGRA
IN THE INK.
43
00:02:35,263 --> 00:02:37,439
[men chuckling]
44
00:02:37,515 --> 00:02:38,648
DEAR. AH.
45
00:02:38,725 --> 00:02:40,650
THANK YOU.
46
00:02:40,661 --> 00:02:45,447
HELLO.
KIRA, WHERE ARE YOU?
47
00:02:45,523 --> 00:02:48,450
KIRA,
HE'S VERY BAD NEWS.
48
00:02:48,526 --> 00:02:49,576
GET OUT.
49
00:02:49,653 --> 00:02:51,411
JUST COME JOIN US
AS SOON AS YOU CAN.
50
00:02:51,488 --> 00:02:53,496
SUCH A PLEASURE
TO MEET YOU, MR. GREEN.
51
00:02:53,507 --> 00:02:54,915
REALLY.
52
00:02:54,991 --> 00:02:56,925
UH-HUH.
53
00:02:58,912 --> 00:03:00,804
[object shatters]
THAT'S NOT REAL EITHER!
54
00:03:00,881 --> 00:03:02,639
[gunshots]
55
00:04:00,265 --> 00:04:02,357
(Detective Willis)
VICTIM'S KIRA DANFORTH.
56
00:04:02,368 --> 00:04:04,276
LOT OF GOOD
THESE LOCKS DID.
57
00:04:04,352 --> 00:04:06,444
LOOKS LIKE A PUSH-IN.
58
00:04:06,521 --> 00:04:08,321
AH, BUT WHAT DO I KNOW,
59
00:04:08,398 --> 00:04:10,991
AFTER WORKING
ONLY 50 HOMICIDES?
60
00:04:11,067 --> 00:04:13,493
YOU MIND TELLING ME
WHY MAJOR CASE IS SLUMMING?
61
00:04:13,570 --> 00:04:15,203
VICTIM WORKED
FOR ARIANA CYPHER
62
00:04:15,280 --> 00:04:16,496
OF CYPHER PRESS.
63
00:04:16,573 --> 00:04:19,332
OH. TOOK HER
FOR A COLLEGE GRAD.
64
00:04:19,409 --> 00:04:22,335
WHAT WITH ALL THE BOOKS,
MILK CRATE FURNITURE.
65
00:04:22,412 --> 00:04:24,379
OH, FOUND THIS...
66
00:04:24,456 --> 00:04:26,256
HERE NEAR THE, UH,
KITCHENETTE.
67
00:04:26,333 --> 00:04:28,216
SATURDAY NIGHT SPECIAL.
68
00:04:28,293 --> 00:04:29,409
OLDER THAN THE VICTIM.
69
00:04:29,486 --> 00:04:31,344
(Eames)
SMALL CALIBER.
70
00:04:31,421 --> 00:04:32,896
POOR GIRL BLED TO DEATH.
71
00:04:34,424 --> 00:04:36,057
LOOKS LIKE SHE'S GOT
72
00:04:36,134 --> 00:04:37,475
SYNTHETIC
HAIR EXTENSIONS.
73
00:04:37,552 --> 00:04:39,227
THEY'VE BEEN SINGED.
74
00:04:39,304 --> 00:04:41,521
THIS HAND'S BURNED.
LOOKS LIKE COILS.
75
00:04:41,598 --> 00:04:43,407
STOVE'S ELECTRIC.
76
00:04:48,396 --> 00:04:50,697
SO...
77
00:04:50,774 --> 00:04:53,533
THEY TRIED TO, UH,
78
00:04:53,610 --> 00:04:55,919
SHOVE HER HEAD
INTO THE BURNER.
79
00:04:55,996 --> 00:04:58,588
SHE BLOCKS IT
WITH HER LEFT HAND.
80
00:05:02,660 --> 00:05:05,337
BURNS HER HAND
AND HER HAIR TOO.
81
00:05:05,413 --> 00:05:07,422
WHOEVER DID THIS,
THEY WERE LOOKING FOR SOMETHING.
82
00:05:07,499 --> 00:05:09,433
THEY WANTED HER TO TALK.
83
00:05:30,030 --> 00:05:32,614
WELL, THEY MIGHT HAVE FOUND
WHAT THEY WERE LOOKING FOR.
84
00:05:32,690 --> 00:05:34,741
I GOT BRIGHT GREEN RESIN,
85
00:05:34,752 --> 00:05:37,452
[sniffs]
CRYSTALLIZED.
86
00:05:37,529 --> 00:05:40,372
AND THEY SAY COPS
HAVE THE BEST POT.
87
00:05:40,448 --> 00:05:43,291
EAST FLATBUSH KID.
88
00:05:43,368 --> 00:05:46,419
SELLING HIGH-END WEED
TO HER MIDTOWN COLLEAGUES.
89
00:05:46,496 --> 00:05:48,546
YOU KNOW, YOU COULD STORE
A FORTUNE IN HERE.
90
00:05:48,557 --> 00:05:51,424
A SINGLE FEMALE--
EASY TARGET.
91
00:05:51,501 --> 00:05:54,094
SHE MIGHT NOT BE SINGLE.
92
00:05:54,170 --> 00:05:57,064
SCARFACE DVD.
MEN'S HOODIES.
93
00:05:57,140 --> 00:06:00,100
WHERE'S HER BOYFRIEND?
94
00:06:00,176 --> 00:06:02,102
SOMEBODY OUTSIDE
WANTS A WORD.
95
00:06:02,178 --> 00:06:03,645
FAMILY?
96
00:06:03,721 --> 00:06:04,938
DON'T KNOW.
97
00:06:05,015 --> 00:06:07,741
BUT YOU'RE MAJOR CASE.
YOU TELL ME.
98
00:06:10,603 --> 00:06:12,320
[police radio chatter]
99
00:06:12,397 --> 00:06:14,114
(woman)
KIRA MAY HAVE
COME FROM HERE,
100
00:06:14,190 --> 00:06:15,757
BUT SHE WAS GOING PLACES.
101
00:06:15,759 --> 00:06:17,409
(Eames)
WHAT DID KIRA
DO FOR YOU, MISS CYPHER?
102
00:06:17,485 --> 00:06:21,121
EVERYTHING.
SHE WAS DEVOTED, BRILLIANT.
103
00:06:21,197 --> 00:06:24,707
NO MATTER HOW EARLY I GOT IN,
SHE WAS ALWAYS THERE FIRST.
104
00:06:24,784 --> 00:06:26,668
RIGHT. WHEN SHE DIDN'T
SHOW THIS MORNING,
105
00:06:26,744 --> 00:06:28,086
YOU CAME HERE?
106
00:06:28,163 --> 00:06:30,263
NO. I SENT MY OTHER
ASSISTANT, PAIGE.
107
00:06:30,340 --> 00:06:32,099
SHE CALLED 911.
108
00:06:32,175 --> 00:06:34,384
FEEL FREE
TO ASK HER ANYTHING.
109
00:06:34,461 --> 00:06:35,811
I WANT THE KILLER CAUGHT.
110
00:06:35,887 --> 00:06:38,179
YOU'LL HANDLE THIS, YES?
111
00:06:38,256 --> 00:06:40,223
(Eames)
WE'LL DO OUR VERY BEST.
112
00:06:40,300 --> 00:06:41,441
I'M LATE.
113
00:06:44,071 --> 00:06:45,444
I CAN'T BELIEVE IT.
114
00:06:45,522 --> 00:06:47,814
JUST LAST NIGHT,
KIRA WAS ON TOP OF THE WORLD.
115
00:06:47,825 --> 00:06:49,390
YOU WERE WITH HER.
116
00:06:49,467 --> 00:06:51,192
AT A SHORT STORY READING
IN THE EAST VILLAGE.
117
00:06:51,269 --> 00:06:53,528
I HAD NO IDEA
SHE LIVED HERE.
118
00:06:53,539 --> 00:06:56,531
KIRA KEPT A LOT
CLOSE TO THE VEST.
119
00:06:56,608 --> 00:06:58,199
LIKE SELLING POT
AT WORK?
120
00:06:58,276 --> 00:06:59,617
KIRA? NEVER.
121
00:06:59,694 --> 00:07:01,369
WHERE'D YOU GET
THAT IDEA?
122
00:07:01,446 --> 00:07:03,538
SHE EVER MENTION
A BOYFRIEND?
123
00:07:03,615 --> 00:07:05,457
NO.
124
00:07:05,533 --> 00:07:07,584
BUT, UH, LAST MONTH,
COMING BACK FROM LUNCH,
125
00:07:07,660 --> 00:07:10,587
WE RAN INTO A FRIEND OF HERS
ON HIS BIKE.
126
00:07:10,663 --> 00:07:13,381
SHE DIDN'T INTRODUCE US,
SO I DID IT MYSELF.
127
00:07:13,458 --> 00:07:16,217
HIS NAME WAS D TOUR.
128
00:07:16,294 --> 00:07:18,428
BAGGY JEANS,
129
00:07:18,505 --> 00:07:19,429
OVERSIZED HOODIE?
130
00:07:19,506 --> 00:07:20,889
YEAH.
131
00:07:20,965 --> 00:07:23,850
HE WAS...
132
00:07:23,927 --> 00:07:25,560
HE WAS REALLY...
133
00:07:25,637 --> 00:07:27,571
BLACK.
134
00:07:28,640 --> 00:07:31,316
REALLY BLACK.
YOU MEAN OBSIDIAN?
135
00:07:31,392 --> 00:07:33,776
NO. I MEAN NOT LIKE KIRA,
YOU KNOW?
136
00:07:33,853 --> 00:07:35,320
STREET.
137
00:07:35,396 --> 00:07:38,573
SAID HE WAS AN ANIMATOR
138
00:07:38,584 --> 00:07:40,575
FOR A STUDIO IN RED HOOK,
139
00:07:40,586 --> 00:07:42,586
BUT HE LOOKED LIKE A MESSENGER.
140
00:07:45,865 --> 00:07:47,707
(man)
HIS REAL NAME...
141
00:07:47,718 --> 00:07:49,876
UH, WE JUST CALL HIM
D TOUR.
142
00:07:49,953 --> 00:07:52,754
HE RUNS ERRANDS,
MAKES DELIVERIES.
143
00:07:52,830 --> 00:07:55,140
UH, OUT SICK TODAY.
144
00:07:55,217 --> 00:07:56,391
HE TOLD PEOPLE
HE WAS AN ANIMATOR.
145
00:07:56,468 --> 00:07:58,426
(Chad)
I TOLD HIM HE COULD
WORK HIS WAY UP.
146
00:07:58,503 --> 00:08:01,596
BUT HE'S ALWAYS
STROLLING IN LATE.
147
00:08:01,607 --> 00:08:02,772
(Eames)
HE'S NOT EXACTLY
148
00:08:02,849 --> 00:08:05,108
EMPLOYEE OF THE MONTH--
WHY KEEP HIM AROUND?
149
00:08:05,185 --> 00:08:08,728
WE LIKE HIM.
HE'S A FUN GUY.
150
00:08:08,805 --> 00:08:10,438
AND IT'S A FUN
PLACE TO WORK.
151
00:08:10,515 --> 00:08:12,398
YOU GOT
ALL THIS STUFF.
152
00:08:12,475 --> 00:08:16,578
YOU GOT PINBALL MACHINES
AND PING-PONG.
153
00:08:21,734 --> 00:08:23,635
YOU GOT ROACHES.
154
00:08:27,207 --> 00:08:28,748
IS THAT WHY
YOU KEEP D TOUR AROUND,
155
00:08:28,825 --> 00:08:30,625
'CAUSE HE GETS
THE GOOD STUFF?
156
00:08:30,702 --> 00:08:33,461
YOUR DIAL-A-WEED PAL'S
A MURDER SUSPECT.
157
00:08:33,538 --> 00:08:34,887
WHERE DOES HE LIVE?
158
00:08:38,251 --> 00:08:40,468
ALL I HAVE IS A...
159
00:08:40,545 --> 00:08:42,479
PAGER NUMBER.
160
00:08:49,229 --> 00:08:50,445
HEY, YO, D.
161
00:08:50,522 --> 00:08:52,447
WHAT THE DEAL, BABY?
162
00:09:05,704 --> 00:09:08,496
(Mrs. Danforth)
HOW DID THIS HAPPEN
TO MY DAUGHTER?
163
00:09:08,573 --> 00:09:11,541
(Eames)
WE'RE LOOKING FOR A MAN
KIRA WAS INVOLVED WITH.
164
00:09:11,618 --> 00:09:13,635
GOES BY THE NAME
D TOUR.
165
00:09:14,879 --> 00:09:16,379
THIS MEANS
NOTHING TO ME.
166
00:09:16,456 --> 00:09:18,840
THEY MEAN DANTE,
MAMA.
167
00:09:18,916 --> 00:09:20,675
DANTE HEATH...
168
00:09:20,752 --> 00:09:22,594
IS MY SISTER'S
HIGH SCHOOL BOYFRIEND.
169
00:09:22,670 --> 00:09:24,554
HE LIVED NEARBY.
170
00:09:24,631 --> 00:09:26,431
IN THE PROJECTS.
171
00:09:26,441 --> 00:09:28,725
MY KIRA WAS RAISED
IN A HOME,
172
00:09:28,801 --> 00:09:30,643
ONE I WORKED
THREE JOBS TO BUY.
173
00:09:30,720 --> 00:09:32,562
(Goren)
IS THAT HOW YOU PAID
174
00:09:32,639 --> 00:09:34,564
FOR HER EDUCATION?
175
00:09:34,641 --> 00:09:37,358
SHE WON SCHOLARSHIPS
TO KINGSLEY, BRYN MAWR.
176
00:09:37,435 --> 00:09:38,985
MY KIRA WAS CHOSEN.
177
00:09:39,062 --> 00:09:41,654
SHE HAD NOTHING TO DO
178
00:09:41,731 --> 00:09:44,207
WITH THAT TROUBLEMAKER
FOR YEARS.
179
00:09:48,738 --> 00:09:50,714
YOU DON'T SHARE
YOUR MOTHER'S FEELINGS?
180
00:09:51,699 --> 00:09:53,583
KIRA LOVED THAT FOOL.
181
00:09:53,660 --> 00:09:54,667
SHE TOOK CARE OF HIM.
182
00:09:54,744 --> 00:09:56,377
AND YOU DIDN'T
TELL ME?
183
00:09:56,454 --> 00:09:57,971
D TOUR WOULDN'T HURT HER.
CHAYNE!
184
00:09:59,666 --> 00:10:01,633
HE HAVE A HISTORY?
185
00:10:01,709 --> 00:10:04,510
VIOLENCE, DRUGS?
186
00:10:04,587 --> 00:10:06,387
SELLS A LITTLE GANJA.
187
00:10:06,464 --> 00:10:07,880
YOU KNOW, WITH HIS BIKE
AND CARTOONS,
188
00:10:07,957 --> 00:10:10,433
HE'S TOO MUCH A KID
TO GET INTO REAL TROUBLE.
189
00:10:10,510 --> 00:10:12,277
THIS IS AS REAL
AS IT GETS, CHAYNE.
190
00:10:14,347 --> 00:10:16,064
BUT D TOUR MUST KNOW THAT
BY NOW.
191
00:10:16,140 --> 00:10:17,899
HE'S ON THE RUN.
HE'S SCARED.
192
00:10:17,975 --> 00:10:21,694
I SUPPOSE HE'D GO
WHERE ANY KID WOULD--HOME.
193
00:10:21,771 --> 00:10:24,739
TO HIS MOTHER.
IF YOU CAN CALL HER THAT.
194
00:10:24,816 --> 00:10:26,824
[clicks tongue]
195
00:10:26,901 --> 00:10:29,410
DANTE CRASHES WITH HIS MOM
196
00:10:29,487 --> 00:10:31,454
IN THE SAME PROJECT
HE GREW UP IN.
197
00:10:31,531 --> 00:10:33,665
KIRA HAS A DEGREE
FROM BRYN MAWR.
198
00:10:33,741 --> 00:10:36,417
WHY COME BACK HERE--
FOR HIM?
199
00:10:36,494 --> 00:10:38,470
[siren wailing]
200
00:10:45,503 --> 00:10:49,389
[D Tour's mother, sobbing]
201
00:10:49,465 --> 00:10:50,765
WHAT ARE Y'ALL LOOKING AT?
202
00:10:50,776 --> 00:10:53,476
WHAT THE HELL
ARE Y'ALL LOOKING AT?
203
00:10:53,553 --> 00:10:56,646
[sobbing]
204
00:10:56,723 --> 00:10:58,690
(D TOUR)
NO, WHAT HAPPENED TO ME
WAS PAYBACK
205
00:10:58,766 --> 00:11:00,775
FOR STEALING SOMEONE'S STASH.
206
00:11:00,786 --> 00:11:01,984
(Eames)
YOU ROBBED SOMEBODY.
207
00:11:02,061 --> 00:11:05,330
I WAS MAKING A PICKUP
WHEN I HEARD SHOTS.
208
00:11:05,407 --> 00:11:08,533
I SAW MY CONNECTION
AND SOME FOOL BOTH DEAD,
209
00:11:08,609 --> 00:11:10,451
ALL THIS WEED ON THE TABLE,
210
00:11:10,528 --> 00:11:11,452
NOBODY AROUND.
211
00:11:11,529 --> 00:11:13,496
BUT SOMEBODY
MADE YOU.
212
00:11:13,573 --> 00:11:15,139
WHO?
213
00:11:15,216 --> 00:11:17,583
(Goren)
BEFORE THEY KILLED KIRA,
THEY TORTURED HER.
214
00:11:17,660 --> 00:11:19,352
WHY WOULD YOU
PROTECT THEM?
215
00:11:19,354 --> 00:11:21,921
I HOPE THEY ROT IN HELL.
BUT THEY DIDN'T KILL KIRA.
216
00:11:21,998 --> 00:11:23,798
HOW DO YOU KNOW THAT?
217
00:11:23,875 --> 00:11:25,133
'CAUSE SHE LEFT ME
A MESSAGE.
218
00:11:25,135 --> 00:11:26,801
SAID THEY ROUGHED HER UP.
219
00:11:26,878 --> 00:11:30,689
MESSAGE IS STILL THERE.
YOU CAN CHECK IT YOUR DAMN SELF.
220
00:11:32,818 --> 00:11:34,809
WHAT HAPPENED?
221
00:11:34,820 --> 00:11:36,820
SHE DUMP YOU,
YOU GOT JEALOUS?
222
00:11:38,890 --> 00:11:40,824
I KNEW I LOST HER
AT THAT READING.
223
00:11:40,900 --> 00:11:42,117
I SAW THE WAY--
224
00:11:42,193 --> 00:11:44,527
THE WAY HE WAS TOUCHING HER,
SPEAKING FOR HER.
225
00:11:44,604 --> 00:11:46,070
WHO'S HE?
226
00:11:46,147 --> 00:11:48,823
SOME WHITE GUY.
LOSIN' HIS HAIR.
227
00:11:48,834 --> 00:11:53,044
I WAS MAD, SO...I JUST
HOOKED UP WITH SOME HOOD RAT.
228
00:11:55,573 --> 00:11:57,165
(Eames)
D TOUR AND A REBOUND DATE
229
00:11:57,241 --> 00:11:59,709
WERE AT ROSCOE'S TILL 3:00.
230
00:11:59,786 --> 00:12:03,379
KIRA'S BURNS PRECEDED
THE DEATH BY A FEW HOURS.
231
00:12:03,390 --> 00:12:05,590
LOOKS LIKE
THIS TORTURE AND MURDER
232
00:12:05,666 --> 00:12:07,800
MIGHT HAVE BEEN
TWO SEPARATE EVENTS.
233
00:12:07,877 --> 00:12:09,552
OR D TOUR'S FRIENDS
COULD HAVE BEEN
234
00:12:09,629 --> 00:12:11,012
LAYING IN WAIT FOR HIM
THE WHOLE NIGHT.
235
00:12:11,088 --> 00:12:13,973
WE THINK THEY RECOVERED
THEIR POT AND CUT OUT.
236
00:12:14,050 --> 00:12:17,402
KIRA LEFT D TOUR
THIS MESSAGE AT 11:00.
237
00:12:17,479 --> 00:12:19,061
[Kira, tearfully]
THEY CAME FOR YOUR STASH.
238
00:12:19,138 --> 00:12:21,522
THE PLACE IS A MESS,
AND SO AM I.
239
00:12:21,599 --> 00:12:23,649
IT'S OVER, D.
240
00:12:23,726 --> 00:12:25,651
KIRA MADE TWO OTHER
CELL CALLS THURSDAY NIGHT
241
00:12:25,728 --> 00:12:27,228
TO THE PANTHEON RESTAURANT.
242
00:12:27,230 --> 00:12:30,156
THE PANTHEON--
BRIGHT LIGHTS, BIG CITY.
243
00:12:30,233 --> 00:12:33,701
LOOKS LIKE KIRA
WAS JUGGLING TWO WORLDS.
244
00:12:33,778 --> 00:12:34,994
AND THIS WAS THE NIGHT
245
00:12:35,071 --> 00:12:37,538
THAT THEY BOTH CAME
CRASHING DOWN ON HER.
246
00:12:37,615 --> 00:12:39,123
(Paige)
RECEDING HAIRLINE?
247
00:12:39,200 --> 00:12:41,876
THAT'S EVERY OTHER
EDITOR IN NEW YORK.
248
00:12:41,953 --> 00:12:43,169
YOU DIDN'T LEAVE
THE READING WITH KIRA?
249
00:12:43,246 --> 00:12:44,462
I HAD HOMEWORK.
250
00:12:44,539 --> 00:12:48,466
AND SHE WAS BEING MOBBED;
EDITORS, AGENTS.
251
00:12:48,543 --> 00:12:50,176
ONLY TJ WAS GETTING
MORE ATTENTION.
252
00:12:50,187 --> 00:12:51,911
TJ...HAWKINS?
253
00:12:51,988 --> 00:12:54,889
HE WROTE THAT MEMOIR ABOUT
HIS TIME IN A YEMEN PRISON?
254
00:12:54,900 --> 00:12:56,474
MM-HMM.
THROAT FULL OF GLASS.
255
00:12:56,551 --> 00:12:57,825
BEST-SELLER.
256
00:12:57,902 --> 00:13:00,820
HE AND KIRA ARE IN
LIONEL'S SALON TOGETHER.
257
00:13:00,897 --> 00:13:02,030
(Eames)
LIONEL...
258
00:13:02,106 --> 00:13:03,856
LIONEL SHILL.
259
00:13:03,933 --> 00:13:05,024
HE'S STILL WRITING?
260
00:13:05,101 --> 00:13:07,026
HE'S LEGENDARY NOW.
AS A TEACHER.
261
00:13:07,103 --> 00:13:09,737
GUIDING NEW WRITERS
LIKE KIRA AND TJ.
262
00:13:09,814 --> 00:13:11,706
IT'S A TOKEN.
263
00:13:14,694 --> 00:13:15,901
I-I GET IT.
264
00:13:15,979 --> 00:13:17,745
SHE'S THE ONLY
AFRICAN-AMERICAN
265
00:13:17,822 --> 00:13:19,547
IN THESE PHOTOS.
266
00:13:19,623 --> 00:13:21,999
(Paige)
SHE HAD A SENSE
OF HUMOR ABOUT IT.
267
00:13:22,076 --> 00:13:24,427
RIGHT.
268
00:13:24,504 --> 00:13:25,920
[token clinks]
269
00:13:25,931 --> 00:13:27,797
AMERICAN DELINQUENT.
HAWKINS.
270
00:13:27,874 --> 00:13:29,924
IT'S HIS NEW BOOK?
271
00:13:30,001 --> 00:13:31,467
(Paige)
MM-HMM.
272
00:13:31,478 --> 00:13:33,594
"TO MY GIRL KIRA.
LOVE, TJ."
273
00:13:33,671 --> 00:13:35,930
TJ AND KIRA WERE LOVERS?
274
00:13:36,007 --> 00:13:37,682
NO. LIKE SIBLINGS.
275
00:13:37,758 --> 00:13:39,225
AND LIONEL'S PETS.
276
00:13:39,302 --> 00:13:41,477
IN FACT,
LIONEL INVITED TJ
277
00:13:41,488 --> 00:13:44,489
TO A SPECIAL DINNER AT
THE PANTHEON LATER THAT NIGHT.
278
00:13:46,767 --> 00:13:49,277
AND TJ INVITED KIRA?
279
00:13:49,353 --> 00:13:51,788
HE DID.
280
00:13:52,958 --> 00:13:55,032
YOU LIKED THROAT FULL?
281
00:13:55,109 --> 00:13:57,710
THERE YOU GO.
HAVE A GOOD ONE.
282
00:13:59,038 --> 00:14:00,955
YOU TWO AREN'T HERE
FOR AUTOGRAPHS.
283
00:14:00,966 --> 00:14:03,666
NO. BUT I READ
YOUR LAST ONE,
284
00:14:03,743 --> 00:14:04,876
THROAT FULL OF GLASS.
285
00:14:04,952 --> 00:14:05,918
IT WAS INTENSE.
286
00:14:05,995 --> 00:14:07,670
TRY LIVING IT.
287
00:14:07,747 --> 00:14:08,921
YOU ALWAYS WRITE
ABOUT YOUR LIFE?
288
00:14:08,998 --> 00:14:12,133
IT'S A WAY FOR ME
TO EXORCISE MY DEMONS.
289
00:14:12,209 --> 00:14:15,094
DONE THINGS
I SHOULDN'T HAVE.
290
00:14:15,171 --> 00:14:17,939
MM. THAT INCLUDE
LAST THURSDAY NIGHT?
291
00:14:24,055 --> 00:14:25,980
OKAY.
292
00:14:26,057 --> 00:14:27,991
I GOTCHA.
293
00:14:28,994 --> 00:14:31,736
THINK I DID IT?
HUH?
294
00:14:31,812 --> 00:14:34,989
BECAUSE OF WHAT--
MY PAST?
295
00:14:35,000 --> 00:14:37,709
YOU NEED TO TAKE IT
EASY, TJ.
296
00:14:43,741 --> 00:14:45,967
(Eames)
IS THAT YOUR IDEA
OF TAKING IT EASY?
297
00:14:51,791 --> 00:14:54,267
A LAWYER. HA.
NAW, I CAN HANDLE YOU TWO.
298
00:14:54,344 --> 00:14:57,011
THEN SIT DOWN
AND ANSWER THE QUESTION.
299
00:14:57,022 --> 00:14:59,221
WHERE WERE YOU THURSDAY
AT 2:00 A.M.?
300
00:14:59,298 --> 00:15:01,891
WITH LIONEL SHILL.
CALL HIM.
301
00:15:01,968 --> 00:15:04,393
OR DON'T.
JUST THROW ME IN RIKERS.
302
00:15:04,470 --> 00:15:05,778
I DON'T CARE.
303
00:15:07,682 --> 00:15:08,990
UH, HOLD THAT THOUGHT.
304
00:15:14,313 --> 00:15:15,905
HE'S A PIECE OF WORK.
305
00:15:15,982 --> 00:15:18,041
YEAH, PAPARAZZI'S
SWARMING OUTSIDE.
306
00:15:18,117 --> 00:15:19,742
TJ DID THIS
FOR THE PUBLICITY.
307
00:15:19,753 --> 00:15:21,786
AND HE GOT IT.
308
00:15:21,862 --> 00:15:24,297
YOU MADE YOULENZ.
309
00:15:24,374 --> 00:15:26,415
THE ADA SAYS
IT'S PERFORMANCE ART,
310
00:15:26,492 --> 00:15:29,293
NOT ASSAULT.
311
00:15:29,370 --> 00:15:32,138
IF SHILL CONFIRMS HIS ALIBI,
WE HAVE TO STREET HIM.
312
00:15:35,727 --> 00:15:39,178
(Lionel)
I FIRST MET TJ
ABOUT FIVE YEARS AGO
313
00:15:39,255 --> 00:15:41,180
AT A NARCONON MEETING.
314
00:15:41,257 --> 00:15:42,890
RESEARCHING
A NEW BOOK?
315
00:15:42,967 --> 00:15:44,976
YES. HA.
316
00:15:45,052 --> 00:15:47,395
TJ WAS
THE REAL THING.
317
00:15:47,471 --> 00:15:49,355
OH, THE STORIES
HE TOLD.
318
00:15:49,366 --> 00:15:50,898
ONCE HE WAS--
319
00:15:50,975 --> 00:15:53,442
SO YOU INVITED HIM
INTO YOUR SALON.
320
00:15:53,519 --> 00:15:56,404
I TOLD HIM THAT WRITING
COULD BE HIS SALVATION,
321
00:15:56,480 --> 00:15:59,115
AND, AH,
TODAY HE'S AN AUTHOR.
322
00:15:59,191 --> 00:16:01,909
SO YOU INVITED HIM
TO THE PANTHEON.
323
00:16:01,986 --> 00:16:03,378
WAS THAT
TO IMPRESS ANYONE?
324
00:16:03,454 --> 00:16:05,413
AU CONTRAIRE.
325
00:16:05,489 --> 00:16:06,747
I KNEW HE'D BE DELIGHTED
326
00:16:06,824 --> 00:16:08,207
TO MEET MY DEAR FRIEND
PHILLIP GREEN
327
00:16:08,284 --> 00:16:09,917
WHO JUST WON THE NOBEL.
328
00:16:09,994 --> 00:16:12,920
TJ SHOWED UP
ABOUT 9:00.
329
00:16:12,997 --> 00:16:15,089
AFTER DINNER,
WE RETIRED HERE.
330
00:16:15,100 --> 00:16:16,716
I WISH YOU WOULDN'T.
331
00:16:16,792 --> 00:16:19,135
THOSE WERE GIFTS TO ME
FROM PAUL BOWLES!
332
00:16:19,211 --> 00:16:21,470
TJ INVITED KIRA TOO.
333
00:16:21,547 --> 00:16:23,097
DID SHE COME?
334
00:16:23,174 --> 00:16:24,765
NO, SHE CALLED.
335
00:16:24,842 --> 00:16:26,809
SHE WAS WITH
GARETH SAGE.
336
00:16:26,886 --> 00:16:28,686
SNAKE OF A MAN.
337
00:16:28,763 --> 00:16:30,312
A SNAKE.
338
00:16:30,389 --> 00:16:32,023
SO HE'S AN AGENT.
339
00:16:32,099 --> 00:16:35,317
YES, HE DOESN'T HANDLE
MANY WOMEN CLIENTS TODAY.
340
00:16:35,394 --> 00:16:37,945
PERHAPS BECAUSE
OF THE WAY HE...
341
00:16:38,022 --> 00:16:40,364
HANDLED THEM.
342
00:16:40,375 --> 00:16:42,783
KIRA CALLED YOU
AGAIN AT 11:00.
343
00:16:42,860 --> 00:16:44,335
DID SHE MENTION SAGE?
344
00:16:46,247 --> 00:16:48,372
I COULDN'T MAKE OUT
A WORD.
345
00:16:48,449 --> 00:16:50,166
SHE WAS VERY UPSET.
346
00:16:50,242 --> 00:16:54,086
I...I TOLD HER
TO CALL 911.
347
00:16:54,163 --> 00:16:56,806
HERE'S WHITE FLIGHT,
BLACK HATE.
348
00:16:59,168 --> 00:17:01,894
IT'S ABOUT A YOUNG MAN
WHO SHOOTS A COP
349
00:17:01,971 --> 00:17:03,179
IN THE NEWARK RIOTS.
350
00:17:03,255 --> 00:17:05,056
I READ THIS WHEN
I WAS IN COLLEGE.
351
00:17:05,132 --> 00:17:08,350
I TAUGHT THAT YOUNG MAN
TO READ WHILE HE WAS IN PRISON.
352
00:17:08,427 --> 00:17:10,903
HE DIED OF AIDS.
353
00:17:10,980 --> 00:17:13,522
I'D SHOW YOU MY NEW ONE
THAT'S DUE OUT IN A MONTH,
354
00:17:13,599 --> 00:17:15,399
BUT MY PUBLISHER
WOULD KILL ME.
355
00:17:15,476 --> 00:17:18,819
BUT YOU MAY KEEP THAT ONE.
I'M HAPPY TO SIGN IT FOR YOU.
356
00:17:18,896 --> 00:17:20,863
NOT NECESSARY.
IT'S...
357
00:17:20,940 --> 00:17:22,490
BUT WE WILL TAKE
SAGE'S NUMBER.
358
00:17:22,566 --> 00:17:23,708
OH.
359
00:17:28,072 --> 00:17:29,213
GO AHEAD.
360
00:17:33,619 --> 00:17:35,836
NO, NO, TOM--
361
00:17:35,913 --> 00:17:37,972
THE DETECTIVES
AREN'T STAYING.
362
00:17:38,049 --> 00:17:39,757
YOU KNOW WHAT?
I'LL HAVE ONE OF THOSE.
363
00:17:39,834 --> 00:17:41,184
THANKS.
THANK YOU.
364
00:17:41,260 --> 00:17:42,760
HEY!
365
00:17:42,837 --> 00:17:43,761
[ping]
366
00:17:43,838 --> 00:17:45,137
AND CALL THE TODAY SHOW.
367
00:17:45,139 --> 00:17:46,247
TELL THEM IF THEY
DON'T TAKE MY CALL,
368
00:17:46,249 --> 00:17:47,899
I'M GONNA GO
RIGHT TO ZUCKER.
369
00:17:47,975 --> 00:17:51,060
OKAY.
I LIKED HER READING.
370
00:17:51,137 --> 00:17:53,187
WE WENT TO A BAR, THOR,
371
00:17:53,198 --> 00:17:55,564
AND...WE DISCUSSED
HER FUTURE.
372
00:17:55,641 --> 00:17:58,192
DID YOU GIVE KIRA
A LIFT HOME?
373
00:17:58,269 --> 00:18:00,861
NO. I WENT BACK TO THE WIFE
AND THE BRAT
374
00:18:00,938 --> 00:18:02,229
IN GLEN COVE.
375
00:18:02,307 --> 00:18:05,074
ALL RIGHT,
AFTER YOUR DRINK WITH KIRA,
376
00:18:05,151 --> 00:18:06,200
SHE CALLED A FRIEND.
377
00:18:06,211 --> 00:18:07,368
SHE WAS VERY UPSET.
378
00:18:07,444 --> 00:18:09,203
YOU HAVE ANY IDEA WHY?
379
00:18:09,280 --> 00:18:10,487
I CAN'T IMAGINE.
380
00:18:10,565 --> 00:18:12,164
I'D JUST TOLD HER I WAS
GONNA HANDLE HER NOVEL.
381
00:18:12,241 --> 00:18:14,834
WELL, WE HEARD YOU DON'T
REPRESENT WOMEN.
382
00:18:14,910 --> 00:18:17,586
OH, I SEE...
383
00:18:17,663 --> 00:18:20,214
LIONEL SHILL.
[telephone rings]
384
00:18:20,291 --> 00:18:22,133
JERKING YOU AND ME
AROUND.
385
00:18:22,209 --> 00:18:23,884
WELL, YOU CAN IGNORE HIM.
386
00:18:23,961 --> 00:18:25,886
MR. SAGE,
TODAY SHOW ON ONE.
387
00:18:25,963 --> 00:18:26,521
AH.
388
00:18:27,882 --> 00:18:28,848
HI.
389
00:18:28,924 --> 00:18:31,142
YEAH. LOOK.
390
00:18:31,218 --> 00:18:33,519
TJ WAS TERRIFIC
ON LENO LAST YEAR.
391
00:18:33,596 --> 00:18:35,988
WHY ARE YOU MAKING ME
WORK SO HARD, HUH?
392
00:18:36,065 --> 00:18:38,941
TOM, TOM, WOULD YOU PLEASE
SHOW THE DETECTIVES OUT?
393
00:18:39,018 --> 00:18:41,485
YEAH. WELL, THIS BOOK
IS A LOT BETTER.
394
00:18:41,562 --> 00:18:43,279
LET ME TELL YOU.
395
00:18:43,355 --> 00:18:44,321
(Goren)
THANK YOU, TOM.
396
00:18:44,398 --> 00:18:46,490
YOU'RE WELCOME.
397
00:18:46,501 --> 00:18:48,617
(Eames)
I FOUND GARETH SAGE STORIES
ALL OVER A MESSAGE BOARD
398
00:18:48,694 --> 00:18:50,452
DEVOTED TO BAD BOSSES.
399
00:18:50,529 --> 00:18:52,204
YOU JUST HAPPENED
TO BE LOOKING THERE.
400
00:18:52,281 --> 00:18:54,623
HE FORCED A WOMAN
TO LICK UP COFFEE
401
00:18:54,700 --> 00:18:56,959
SHE SPILLED
ON HIS DESK.
402
00:18:57,036 --> 00:18:58,627
HE'S A SUCCESSFUL,
POWERFUL AGENT,
403
00:18:58,704 --> 00:19:00,379
AND HE'S HARD
ON HIS ASSISTANTS.
404
00:19:00,456 --> 00:19:02,298
YOU NEED A MESSAGE
BOARD FOR THAT?
405
00:19:02,308 --> 00:19:03,549
AT LEAST THREE WOMEN
HAVE CHARGED HIM
406
00:19:03,626 --> 00:19:05,092
WITH SEXUAL HARASSMENT.
407
00:19:05,169 --> 00:19:07,303
BUT THERE'S NO RECORD
OF ASSAULT.
408
00:19:07,379 --> 00:19:10,523
NO. BECAUSE SAGE
ALWAYS SETTLES OUT OF COURT.
409
00:19:10,600 --> 00:19:12,183
WHERE'S YOUR PARTNER?
410
00:19:12,259 --> 00:19:15,519
HE'S ON A READING BINGE.
HAWKINS, SHILL.
411
00:19:15,596 --> 00:19:17,646
SAGE IS GONNA LAWYER UP
412
00:19:17,723 --> 00:19:19,574
THE NEXT TIME YOU AND GOREN
GO TO SEE HIM.
413
00:19:19,650 --> 00:19:23,986
BEFORE YOU DO, SEE IF ANY
OF THESE WOMEN WILL TALK.
414
00:19:24,063 --> 00:19:27,865
I WON THIS LIT PRIZE
AT COLUMBIA.
415
00:19:27,942 --> 00:19:30,293
THERE WAS A CEREMONY.
I READ.
416
00:19:30,369 --> 00:19:32,328
GARETH WAS THERE.
417
00:19:32,404 --> 00:19:34,163
TOOK ME OUT
FOR A DRINK.
418
00:19:34,240 --> 00:19:37,300
I TOLD HIM I HAD
A NOVEL AT HOME.
419
00:19:37,376 --> 00:19:39,335
AND HE ASKED TO READ IT.
420
00:19:39,411 --> 00:19:42,138
HE GAVE ME A RIDE
IN HIS JAGUAR.
421
00:19:42,215 --> 00:19:45,674
AND THAT'S WHEN
HE HARASSED YOU.
422
00:19:45,751 --> 00:19:48,510
I TRIED TO FIGHT HIM OFF,
BUT HE OVERPOWERED ME.
423
00:19:48,587 --> 00:19:50,179
BUT YOU FOUGHT HIM
IN COURT.
424
00:19:50,256 --> 00:19:51,972
AND LOST.
425
00:19:52,049 --> 00:19:53,390
I GOT A LITTLE HUSH MONEY,
BUT...
426
00:19:53,467 --> 00:19:55,601
HE SAID HE'D BURY ME.
427
00:19:55,612 --> 00:19:58,687
IT'S NOT EXACTLY THE FUTURE
YOU HOPED FOR?
428
00:19:58,764 --> 00:20:02,650
SHARKS LIKE GARETH SAGE...
429
00:20:02,726 --> 00:20:05,328
THEY DON'T PAY
FOR THEIR SINS.
430
00:20:06,656 --> 00:20:09,990
(Eames)
THIS IS SAGE
AND HIS WIFE.
431
00:20:10,067 --> 00:20:13,202
BUT IT TURNS OUT
HE HAS ANOTHER TYPE.
432
00:20:13,279 --> 00:20:16,914
HE GAVE SHARON A RIDE HOME
TO PICK UP HER NOVEL.
433
00:20:16,991 --> 00:20:19,250
WHO'S TO SAY HE DIDN'T
DRIVE KIRA TO GET HERS?
434
00:20:19,326 --> 00:20:21,210
EAMES, IT'S A REACH.
435
00:20:21,287 --> 00:20:23,420
HE STILL DRIVE A JAG?
436
00:20:23,497 --> 00:20:24,630
A NEW ONE
EVERY THREE YEARS,
437
00:20:24,641 --> 00:20:26,674
JUST LIKE HIS
HARASSMENT SUITS.
438
00:20:26,750 --> 00:20:29,009
IF HE DROVE HIS OTHER
VICTIMS HOME,
439
00:20:29,086 --> 00:20:32,521
YOU MIGHT HAVE ENOUGH
FOR A SEARCH WARRANT ON HIS CAR.
440
00:20:37,303 --> 00:20:39,270
LIONEL, THE...
441
00:20:39,346 --> 00:20:43,241
THE NEW ONE,
IT'S NOT...
442
00:20:46,537 --> 00:20:48,737
YOU KNOW...
443
00:20:48,814 --> 00:20:50,572
SOMETIMES
444
00:20:50,649 --> 00:20:54,576
YOUR GREATEST TRIUMPH
CAN BE YOUR ALBATROSS.
445
00:20:54,653 --> 00:20:57,037
THIS LIFE I HAVE...
446
00:20:57,114 --> 00:21:01,000
THE ONE
YOU'VE GIVEN ME...
447
00:21:01,076 --> 00:21:02,593
I CAN'T GO BACK.
448
00:21:07,499 --> 00:21:10,634
HAVE A DRINK.
IT'S OKAY.
449
00:21:10,711 --> 00:21:12,645
YOU'LL FEEL BETTER.
450
00:21:17,843 --> 00:21:20,027
[police radio chatter]
451
00:21:25,184 --> 00:21:27,702
THIS IS SYNTHETIC HAIR.
452
00:21:27,778 --> 00:21:29,996
(Eames)
YOUR WIFE'S EXTENSIONS,
MR. SAGE?
453
00:21:32,107 --> 00:21:33,291
HANG ON.
454
00:21:38,497 --> 00:21:40,172
COMPACT.
455
00:21:43,428 --> 00:21:45,344
THAT'S AN ODD SHADE
FOR A BLONDE.
456
00:21:47,122 --> 00:21:49,640
YOU GAVE KIRA A RIDE
AFTER ALL.
457
00:21:57,516 --> 00:22:00,484
DOES YOUR CLIENT
RECOGNIZE THESE WOMEN?
458
00:22:00,561 --> 00:22:02,353
ONLY AS
SHAKEDOWN ARTISTS.
459
00:22:02,429 --> 00:22:03,820
THOSE CHARGES
WERE SETTLED.
460
00:22:03,898 --> 00:22:06,398
EACH LIAR RECEIVED
HER QUICK BUCK.
461
00:22:06,475 --> 00:22:07,775
WELL, YOUR CLIENT TOLD US
462
00:22:07,851 --> 00:22:10,569
THAT HE LEFT KIRA DANFORTH
IN A BAR.
463
00:22:10,646 --> 00:22:13,238
BUT WE FOUND PROOF
THAT SHE WAS IN HIS JAGUAR.
464
00:22:13,249 --> 00:22:14,540
SO WHAT DOES THAT
MAKE HIM?
465
00:22:19,863 --> 00:22:21,455
OKAY.
466
00:22:21,532 --> 00:22:24,342
I DROVE HER HOME,
AND THAT'S IT.
467
00:22:25,577 --> 00:22:27,127
(Goren)
KIRA REJECTED YOU,
468
00:22:27,204 --> 00:22:29,338
AND YOU WERE AFRAID
THAT SHE'D TALK,
469
00:22:29,415 --> 00:22:33,342
SO YOU CAME BACK TO MAKE
SURE THAT SHE WOULDN'T?
470
00:22:33,419 --> 00:22:37,513
NO. KIRA RAN UP
TO GET HER NOVEL.
471
00:22:37,589 --> 00:22:39,139
NOW, I CAN'T AFFORD
MIXED MESSAGES,
472
00:22:39,216 --> 00:22:41,484
SO I WAITED IN MY CAR...
473
00:22:41,560 --> 00:22:43,519
WHEN I REALIZED
WHERE I WAS,
474
00:22:43,595 --> 00:22:46,522
IN MY JAG IN THE 'HOOD.
475
00:22:46,532 --> 00:22:49,441
SO I SET MY GPS
FOR CIVILIZATION,
476
00:22:49,518 --> 00:22:50,692
AND I GOT THE HELL OUT.
477
00:22:50,769 --> 00:22:52,694
(Constance)
HERE'S HIS GPS LOG.
478
00:22:52,771 --> 00:22:54,580
MR. SAGE WAS HOME
BY 10:30.
479
00:22:56,275 --> 00:22:58,534
WHY DIDN'T YOU
TELL US THIS BEFORE?
480
00:22:58,610 --> 00:23:00,169
I WAS AFRAID
OF HOW IT WOULD LOOK,
481
00:23:00,246 --> 00:23:02,454
GIVEN THAT PEOPLE LIKE
TO TELL LIES ABOUT ME.
482
00:23:02,531 --> 00:23:04,548
(Goren)
THESE WOMEN, THEY'RE
SWORN TO SECRECY
483
00:23:04,625 --> 00:23:06,708
AS PART OF THEIR SETTLEMENT.
484
00:23:06,785 --> 00:23:08,677
SO WHO YOU TALKING ABOUT?
485
00:23:10,556 --> 00:23:12,464
LIONEL SHILL?
486
00:23:12,541 --> 00:23:14,550
WHY IS HE MAD AT YOU?
487
00:23:14,560 --> 00:23:16,677
HE'S MAD AT HIMSELF
488
00:23:16,753 --> 00:23:19,430
FOR SQUANDERING
WHAT LITTLE TALENT HE HAD.
489
00:23:19,506 --> 00:23:21,890
HE PROJECTS HIS LOATHING
ONTO ME
490
00:23:21,967 --> 00:23:24,518
AND ANYONE ELSE THAT
HE MIGHT BE JEALOUS OF.
491
00:23:24,529 --> 00:23:27,396
YOU'RE SAYING THAT THAT
WOULD INCLUDE KIRA?
492
00:23:27,473 --> 00:23:30,607
WELL, KIRA
HAD TWO THINGS
493
00:23:30,684 --> 00:23:32,693
THAT SHILL LACKS--
494
00:23:32,769 --> 00:23:35,579
A VOICE AND A FUTURE.
495
00:23:43,914 --> 00:23:45,789
(man)
♪ DEE DEE DEE DEE ♪
496
00:23:45,866 --> 00:23:50,219
♪ DEE DEE DEE ♪ ♪
497
00:24:01,840 --> 00:24:06,226
GARETH WAS HOME
LONG BEFORE KIRA WAS SHOT.
498
00:24:06,303 --> 00:24:08,270
WHICH MEANS
WE'RE BACK TO SQUARE ONE.
499
00:24:08,347 --> 00:24:09,596
MAYBE NOT.
500
00:24:09,674 --> 00:24:12,900
THIS IS THE GALLEYS
TO SHILL'S NEW NOVEL.
501
00:24:12,976 --> 00:24:15,569
IT'S ABOUT A YOUNG
BLACK PAINTER'S RISE
502
00:24:15,580 --> 00:24:19,698
FROM POVERTY TO MANHATTAN'S
POSH ART SCENE.
503
00:24:19,775 --> 00:24:22,168
HE'S CALLING IT TOKEN.
504
00:24:24,738 --> 00:24:26,705
(Ross)
SO...
505
00:24:26,782 --> 00:24:29,541
HOW CLOSELY DOES IT
HEW TO THE NOVEL
506
00:24:29,618 --> 00:24:31,210
KIRA WAS GONNA
GIVE GARETH?
507
00:24:31,286 --> 00:24:32,920
WE HAVEN'T BEEN
ABLE TO FIND IT.
508
00:24:32,922 --> 00:24:36,173
KIRA'S COMPUTER WAS SMASHED
THE NIGHT SHE WAS KILLED.
509
00:24:36,250 --> 00:24:39,801
JUST HOW DESPERATE
IS MR. SHILL?
510
00:24:39,878 --> 00:24:41,970
WELL, HIS LAST SIX NOVELS
CRASHED AND BURNED.
511
00:24:42,047 --> 00:24:44,607
HE MAKES A LIVING
ON THE LECTURE CIRCUIT.
512
00:24:44,683 --> 00:24:46,308
YOU KNOW, ARIANA CYPHER,
513
00:24:46,385 --> 00:24:48,936
SHE SAID THAT KIRA
WAS ALWAYS THE FIRST PERSON
514
00:24:49,012 --> 00:24:50,521
IN THE OFFICE.
515
00:24:50,597 --> 00:24:52,731
MAYBE SHE CAME EARLY
516
00:24:52,808 --> 00:24:54,650
TO WORK ON HER NOVEL.
517
00:24:54,660 --> 00:24:57,194
TAKE ANOTHER PASS
AT KIRA'S WORK COMPUTER.
518
00:24:57,271 --> 00:24:59,655
DON'T TELL ARIANA WHY.
519
00:24:59,731 --> 00:25:01,281
CAN YOU...DO THAT?
520
00:25:01,358 --> 00:25:03,784
I-I WANNA TALK TO
ONE OF THE CHARACTERS
521
00:25:03,860 --> 00:25:05,628
IN SHILL'S NOVEL.
522
00:25:07,632 --> 00:25:09,623
(D TOUR)
I NEVER READ WHAT SHE WROTE.
523
00:25:09,700 --> 00:25:11,291
WRITING STUFF
WASN'T MY BAG.
524
00:25:11,368 --> 00:25:12,960
KIRA LOVED YA.
525
00:25:13,036 --> 00:25:15,504
SHE LOVED THE WAY YOU SANG.
WHAT WAS THE SONG?
526
00:25:15,581 --> 00:25:18,632
FORGOT WHAT TUNE IT WAS.
UH...
527
00:25:18,709 --> 00:25:20,676
MADE HER SMILE--
SHINE EYE GIRL.
528
00:25:20,686 --> 00:25:22,886
HOW YOU KNOW THAT?
529
00:25:22,963 --> 00:25:25,648
BECAUSE I READ IT.
530
00:25:25,724 --> 00:25:27,683
KIRA WROTE ABOUT ME?
531
00:25:27,759 --> 00:25:30,686
I'M NOT SURE
I'M FEELIN' THAT.
532
00:25:30,696 --> 00:25:32,696
WHY, YOU GOT SOMETHING
TO HIDE?
533
00:25:36,443 --> 00:25:38,777
I WAS 16.
I STOLE A BEEMER.
534
00:25:38,854 --> 00:25:40,779
ENDED UP IN SPOFFORD
FOR A YEAR.
535
00:25:40,856 --> 00:25:44,708
AND KIRA...SHE CAME
TO SEE ME EVERY WEEK.
536
00:25:45,861 --> 00:25:48,504
WELL, SHE DIDN'T WRITE
ANYTHING ABOUT THAT.
537
00:25:50,365 --> 00:25:51,790
LOOK, SHE EVER TELL YOU
538
00:25:51,867 --> 00:25:54,001
WHAT SHILL THOUGHT
ABOUT HER NOVEL?
539
00:25:54,077 --> 00:25:56,795
HE NEVER LET HER READ IT
IN FRONT OF HIS GROUP.
540
00:25:56,872 --> 00:25:58,797
SHE'D COME HOME IN TEARS.
541
00:25:58,874 --> 00:26:01,466
NO MATTER HOW HARD
SHE WORKED,
542
00:26:01,477 --> 00:26:03,752
HE SAID IT WASN'T ENOUGH.
543
00:26:07,049 --> 00:26:09,558
(Eames)
KIRA'S MANUSCRIPT
WAS IN A FILE
544
00:26:09,635 --> 00:26:11,393
ON HER HARD DRIVE
TITLED BUDGETS.
545
00:26:11,470 --> 00:26:13,812
YOU KNOW,
I SPOKE TO D TOUR,
546
00:26:13,823 --> 00:26:16,273
AND SHILL
STOLE HER VOICE.
547
00:26:16,350 --> 00:26:19,067
KIRA'S LAST PHONE CALLS
WERE TO SHILL.
548
00:26:19,144 --> 00:26:21,361
YEAH, BUT HE MIGHT
HAVE SNAPPED
549
00:26:21,438 --> 00:26:24,456
IF SHE TOLD HIM THAT SAGE
WAS INTERESTED IN HER NOVEL.
550
00:26:24,533 --> 00:26:25,824
I DON'T KNOW IF I SEE SHILL
551
00:26:25,901 --> 00:26:28,035
LEAVING HIS
WEST VILLAGE TOWNHOUSE
552
00:26:28,111 --> 00:26:31,872
TO SHOOT HIS PROTéGé
IN A BROOKLYN GHETTO.
553
00:26:31,948 --> 00:26:34,416
YEAH, BUT THE GUY
IS DESPERATE FOR A COMEBACK.
554
00:26:34,493 --> 00:26:36,501
IF KIRA EXPOSED HIM
FOR WHAT HE IS,
555
00:26:36,512 --> 00:26:39,421
I CAN'T SEE THAT GUY
SURVIVING HUMILIATION LIKE THAT.
556
00:26:39,498 --> 00:26:40,672
I KNOW GUYS LIKE THIS.
557
00:26:40,749 --> 00:26:42,841
I KNOW YOU DO.
558
00:26:42,918 --> 00:26:44,509
I'VE MET YOUR MENTOR.
559
00:26:44,586 --> 00:26:45,927
WELL, IT'S NOT
ABOUT THAT.
560
00:26:46,004 --> 00:26:47,763
IT'S ABOUT FINDING
THE TRUTH.
561
00:26:47,839 --> 00:26:50,057
WE GOTTA BRING
THIS GUY IN NOW.
562
00:26:50,133 --> 00:26:52,934
LET'S TALK TO SHILL
ON HIS OWN TURF.
563
00:26:53,011 --> 00:26:56,605
YOU KNOW, PHILLIP GREEN
COULD ATTEST
564
00:26:56,682 --> 00:26:59,608
THAT THE THREE OF US
WERE HOME ALL NIGHT.
565
00:26:59,685 --> 00:27:02,611
OF COURSE,
HE'S IN STOCKHOLM,
566
00:27:02,688 --> 00:27:05,748
SO PERHAPS IT WOULD BE EASIER
TO CONTACT TJ.
567
00:27:07,150 --> 00:27:09,627
YOUR LOYAL PROTéGé,
TJ HAWKINS.
568
00:27:11,822 --> 00:27:13,955
NOW, HE OWES
HIS CAREER TO YOU.
569
00:27:13,966 --> 00:27:15,957
WELL, HE'S BEEN
KIND ENOUGH TO SAY SO.
570
00:27:16,034 --> 00:27:19,628
IN THE SAME WAY
THAT YOU OWE KIRA YOUR COMEBACK.
571
00:27:19,705 --> 00:27:20,629
PARDON?
572
00:27:20,706 --> 00:27:22,806
YOU STOLE HER BOOK.
573
00:27:22,883 --> 00:27:25,801
RIGHT?
YOUR NEW BOOK.
574
00:27:25,877 --> 00:27:28,637
KIRA'S LIFE
IS AN INSPIRATION,
575
00:27:28,714 --> 00:27:30,430
BUT I--
576
00:27:30,507 --> 00:27:33,642
WOULD YOU DO ME A FAVOR?
COULD YOU READ THIS?
577
00:27:33,719 --> 00:27:36,144
I MARKED IT HERE...
578
00:27:36,221 --> 00:27:39,073
CAN YOU READ THIS FOR ME?
579
00:27:42,144 --> 00:27:44,069
LOOK, JUST...
580
00:27:44,146 --> 00:27:45,212
YEAH.
581
00:27:48,867 --> 00:27:51,952
"HE WAS MAKING
CHICKEN STEW.
582
00:27:52,028 --> 00:27:54,079
"THE FETOR OF GARLIC
PULLED HER BACK,
583
00:27:54,156 --> 00:27:57,082
BUT SHE WAS
DETERMINED TO GO."
584
00:27:57,159 --> 00:27:59,126
THAT'S A NICE PIECE
OF WRITING.
585
00:27:59,202 --> 00:28:00,877
THANK YOU.
586
00:28:00,954 --> 00:28:02,680
"D COOKS STEW CHICKEN.
587
00:28:04,916 --> 00:28:06,842
"THE SMELL OF GARLIC
BURROWS INTO MY SILK BLOUSE.
588
00:28:06,918 --> 00:28:10,521
I LEAVE, REEKING OF HOME
AND FEELING LIKE A TRAITOR."
589
00:28:12,090 --> 00:28:14,942
WE FOUND
KIRA'S NOVEL.
590
00:28:16,052 --> 00:28:16,952
OH.
591
00:28:16,954 --> 00:28:19,020
(Goren)
IT'S NOT AS PURPLE
592
00:28:19,097 --> 00:28:22,858
AS YOUR PROSE, BUT...
593
00:28:22,868 --> 00:28:25,902
I DON'T KNOW,
TO ME IT RINGS TRUER.
594
00:28:25,979 --> 00:28:27,988
HUH.
EVERYONE'S A CRITIC.
595
00:28:28,064 --> 00:28:32,200
(Goren)
AND YOU'RE A PLAGIARIST,
AREN'T YOU?
596
00:28:32,277 --> 00:28:34,119
YOU'RE A FAKE.
597
00:28:34,196 --> 00:28:35,912
A HACK.
598
00:28:35,989 --> 00:28:37,122
IF WORD GOT OUT,
599
00:28:37,199 --> 00:28:39,541
THOSE LECTURE FEES
WOULD DRY UP.
600
00:28:39,552 --> 00:28:41,877
(Goren)
KIRA TRUSTED YOU,
601
00:28:41,887 --> 00:28:44,129
AND YOU STOLE FROM HER.
602
00:28:44,206 --> 00:28:46,682
AND YOU ARE BEING
HYPERBOLIC, DETECTIVE!
603
00:28:46,759 --> 00:28:47,725
I'M NOT DONE!
604
00:28:52,848 --> 00:28:55,441
I'D LIKE FOR YOU TO SAY
THAT YOU'RE A FRAUD.
605
00:28:58,637 --> 00:28:59,853
[chuckles]
606
00:28:59,930 --> 00:29:01,563
[whimpers]
607
00:29:01,574 --> 00:29:03,732
AH...AH...AH!
608
00:29:03,809 --> 00:29:04,566
HAVE A SEAT.
609
00:29:04,643 --> 00:29:06,735
GO AHEAD.
610
00:29:06,812 --> 00:29:08,036
COME ON.
611
00:29:08,897 --> 00:29:10,748
I'D LIKE YOU TO SAY IT.
612
00:29:20,242 --> 00:29:21,800
OKAY.
613
00:29:25,288 --> 00:29:27,839
YOU PULLED BACK
THE CURTAIN,
614
00:29:27,916 --> 00:29:32,219
AND YOU FOUND
A PATHETIC OLD MAN...
615
00:29:32,295 --> 00:29:35,606
WHO COVETED A BRILLIANT
YOUNG WRITER'S FUTURE.
616
00:29:37,843 --> 00:29:40,736
PERHAPS HE--
HE TOOK HER WORDS.
617
00:29:42,948 --> 00:29:44,731
ONLY HER WORDS.
618
00:29:44,808 --> 00:29:46,617
NOT HER LIFE.
619
00:29:51,982 --> 00:29:54,950
YOU KILLED KIRA
TO SAVE YOUR LEGACY.
620
00:29:54,960 --> 00:29:56,618
WHAT LEGACY?
621
00:29:56,695 --> 00:29:59,955
MY LAST NOVEL SOLD
LESS THAN A THOUSAND COPIES.
622
00:30:00,031 --> 00:30:05,794
I WAS HERE...
AS I AM EVERY NIGHT,
623
00:30:05,871 --> 00:30:07,638
DRINKING...
624
00:30:22,988 --> 00:30:25,689
ALL RIGHT!
625
00:30:25,765 --> 00:30:27,991
I-I'LL GIVE YOU
PHILLIP'S NUMBER.
626
00:30:29,060 --> 00:30:32,028
I WAS--I WAS HOPING
TO SPARE HIM THIS,
627
00:30:32,105 --> 00:30:36,250
BUT HE WILL CERTIFY
THAT I WAS HOME ALL NIGHT.
628
00:30:42,616 --> 00:30:44,073
MY GOD,
629
00:30:44,151 --> 00:30:46,802
IF I DIDN'T KNOW BETTER,
I'D SWEAR THIS WAS PERSONAL.
630
00:30:50,790 --> 00:30:59,306
[ice cubes clinking]
631
00:30:59,382 --> 00:31:01,182
A VERY CRANKY PHILLIP GREEN
IN STOCKHOLM.
632
00:31:01,259 --> 00:31:03,485
HE SAYS HE AND TJ
AND SHILL
633
00:31:03,562 --> 00:31:05,186
GOT TO SHILL'S HOME
AROUND 11:30
634
00:31:05,263 --> 00:31:06,588
WHERE HE SPENT
635
00:31:06,665 --> 00:31:09,691
MOST OF THE NIGHT
IN THE GUEST ROOM RECOVERING.
636
00:31:09,768 --> 00:31:11,776
RECOVERING FROM WHAT?
637
00:31:11,853 --> 00:31:13,996
AN OVERABUNDANCE
OF GRAPPA.
638
00:31:15,857 --> 00:31:18,783
WHY DON'T YOU GO BACK
TO THE ONE GUY IN THIS MIX
639
00:31:18,860 --> 00:31:20,535
WHO ACTUALLY ADMITS
TO BEING A MURDERER?
640
00:31:20,612 --> 00:31:22,537
THE POSER
WITHOUT A MOTIVE?
641
00:31:22,614 --> 00:31:23,538
EAMES...
642
00:31:23,615 --> 00:31:25,165
WE'VE SEEN THE BITTER FATE
643
00:31:25,241 --> 00:31:27,551
OF BEING
A ONE-HIT WONDER.
644
00:31:35,218 --> 00:31:38,094
DO YOU HAVE ANY IDEA
WHAT WAS ON KIRA'S MIND
645
00:31:38,171 --> 00:31:40,513
THE NIGHT OF THE READING?
646
00:31:40,524 --> 00:31:43,483
WHAT, YOU COULDN'T BEAT
AN ANSWER OUT OF LIONEL?
647
00:31:47,430 --> 00:31:49,114
HE'S MAD AT ME.
648
00:31:50,534 --> 00:31:52,776
IS THAT BECAUSE I WENT
AFTER YOUR MENTOR LIKE THAT?
649
00:31:52,852 --> 00:31:55,278
LOOK,
KIRA WAS YOUR FRIEND.
650
00:31:55,355 --> 00:31:57,364
SHE WAS IN TROUBLE.
651
00:31:57,440 --> 00:31:59,449
SHE DIDN'T
TELL YOU ANYTHING?
652
00:31:59,526 --> 00:32:01,868
I DIDN'T HAVE TIME TO TALK
TO HER BEFORE THE READING.
653
00:32:01,945 --> 00:32:03,462
THEN SHE HOOKED UP
WITH SAGE.
654
00:32:03,538 --> 00:32:05,455
AND WHEN SHE CALLED
THE RESTAURANT?
655
00:32:05,532 --> 00:32:07,332
I DIDN'T KNOW
SHE CALLED.
656
00:32:07,409 --> 00:32:08,700
PHILLIP WAS HOLDING COURT,
657
00:32:08,777 --> 00:32:10,835
TELLING STORIES ABOUT
SMOKING POT IN THE WHITE HOUSE
658
00:32:10,912 --> 00:32:12,429
WITH ALLEN GINSBERG.
659
00:32:15,250 --> 00:32:17,309
WELL, SHILL TOLD US
660
00:32:17,386 --> 00:32:18,477
THAT SHE WAS DISTRAUGHT
AND...
661
00:32:18,553 --> 00:32:20,679
HE DIDN'T SHARE THAT
WITH YOU AT ALL?
662
00:32:20,755 --> 00:32:22,764
MAYBE HE THOUGHT
YOU'D BREAK OUT
663
00:32:22,841 --> 00:32:24,724
INTO A VIOLENT RAGE
OR SOMETHING.
664
00:32:24,735 --> 00:32:27,069
YOU KNOW, HE SHOWED YOU OFF
AS HIS PRIZED PUPIL,
665
00:32:27,145 --> 00:32:30,113
BUT MAYBE HE THOUGHT DEEP DOWN
YOU WERE STILL AN ANIMAL.
666
00:32:32,434 --> 00:32:34,484
LET ME DO IT.
HERE, COME ON.
667
00:32:34,561 --> 00:32:35,735
GO AHEAD.
668
00:32:35,812 --> 00:32:37,237
YOU DON'T WANNA
STAND THERE.
669
00:32:37,313 --> 00:32:38,638
COME ON.
YEAH?
670
00:32:38,640 --> 00:32:40,082
COME ON, TJ.
LET'S SEE WHAT YOU GOT.
671
00:32:41,609 --> 00:32:43,410
COME ON.
672
00:32:43,486 --> 00:32:44,911
GIVE IT YOUR BEST SHOT.
673
00:32:46,256 --> 00:32:48,540
THAT'S IT?
THAT'S--THAT'S WHAT YOU HAVE?
674
00:32:48,550 --> 00:32:50,417
IS THAT IT?
THAT'S ALL HE'S GOT?
675
00:32:50,493 --> 00:32:52,419
OKAY, MAYBE THIS'LL
MAKE IT EASIER FOR YOU.
676
00:32:52,495 --> 00:32:54,462
OH, BOBBY--
677
00:32:54,539 --> 00:32:56,664
SORRY ABOUT THE FLIES.
THEY'RE ALL OVER YOU.
678
00:33:00,503 --> 00:33:02,354
SHOW ME SOMETHING.
COME ON.
679
00:33:06,509 --> 00:33:08,568
SHOW ME SOMETHING.
680
00:33:09,679 --> 00:33:12,280
I ONLY START
WHAT I CAN FINISH.
681
00:33:18,271 --> 00:33:20,447
WELL, I GUESS THERE
WEREN'T ENOUGH CAMERAS AROUND
682
00:33:20,523 --> 00:33:21,948
FOR HIM TO GIVE US
A SHOW.
683
00:33:22,025 --> 00:33:23,491
WELL, HE GAVE US A TELL.
684
00:33:23,568 --> 00:33:25,752
TURNED HIS BACK
WHEN HE WALKED AWAY.
685
00:33:27,530 --> 00:33:28,747
WHICH WOULD HAVE BEEN
THE FIRST THING
686
00:33:28,823 --> 00:33:31,299
HE'D LEARN NOT TO DO
IN THE PEN.
687
00:33:36,539 --> 00:33:39,466
(Goren)
THANK YOU VERY MUCH.
ASHKOURAK.
688
00:33:39,542 --> 00:33:41,384
YOU TWO PUNCHED IN
EARLY.
689
00:33:41,461 --> 00:33:43,845
(Goren)
WELL, THEY'RE SEVEN
HOURS AHEAD OF US IN YEMEN.
690
00:33:43,922 --> 00:33:47,599
THE JAIL THAT TJ CLAIMS
TO HAVE SERVED TIME IN
691
00:33:47,675 --> 00:33:49,434
BURNED DOWN IN 2004.
692
00:33:49,511 --> 00:33:50,977
AND THE STATE DEPARTMENT
HAS NO RECORD
693
00:33:51,054 --> 00:33:53,313
OF TJ EVER BEING
IN YEMEN.
694
00:33:53,389 --> 00:33:54,814
I MAY BE DENSE,
695
00:33:54,891 --> 00:33:57,367
BUT WHAT HAS THIS GOT TO DO
WITH KIRA DANFORTH?
696
00:33:57,444 --> 00:33:59,486
TJ'S NEW BOOK,
AMERICAN DELINQUENT.
697
00:33:59,496 --> 00:34:04,532
NOW, HE DOESN'T NAME
THE JUVIE DETENTION CENTER,
698
00:34:04,609 --> 00:34:06,618
BUT HE WRITES ABOUT IT.
699
00:34:06,694 --> 00:34:10,297
HE SAYS THAT HE COULD SMELL
RAW MEAT FROM HIS CELL.
700
00:34:11,533 --> 00:34:13,458
THE PRODUCE AND MEAT CENTER
IN THE BRONX.
701
00:34:13,535 --> 00:34:14,867
IT'S SPOFFORD.
702
00:34:14,869 --> 00:34:16,628
THAT'S WHERE D TOUR
SPENT A YEAR
703
00:34:16,704 --> 00:34:18,213
FOR STEALING A CAR.
704
00:34:18,289 --> 00:34:19,890
NOW, I CALLED D TOUR AGAIN
705
00:34:19,966 --> 00:34:23,426
AND TOLD HIM SOME OF THE THINGS
THAT TJ SAYS IN THIS BOOK.
706
00:34:23,503 --> 00:34:25,479
HE LAUGHED.
707
00:34:25,555 --> 00:34:26,805
TJ DID ENOUGH RESEARCH
TO SOUND CONVINCING.
708
00:34:26,881 --> 00:34:29,516
IT WAS JUST HIS BAD LUCK
THAT KIRA'S BOYFRIEND
709
00:34:29,592 --> 00:34:30,850
WAS ACTUALLY THERE.
710
00:34:30,927 --> 00:34:33,353
OKAY, BUT HOW CAN
SHE HURT HIM?
711
00:34:33,429 --> 00:34:34,754
SHE'S AN UNPUBLISHED WRITER.
712
00:34:34,831 --> 00:34:36,856
HE'S ON THE TOP
OF THE BEST-SELLER LIST.
713
00:34:36,933 --> 00:34:38,566
BUT NOT WITH
AMERICAN DELINQUENT.
714
00:34:38,643 --> 00:34:40,327
THE DAILY TIMES
715
00:34:40,403 --> 00:34:42,362
HASN'T PUBLISHED
A REVIEW YET.
716
00:34:42,438 --> 00:34:44,280
POWERHOUSE AUTHOR
LIKE HAWKINS,
717
00:34:44,357 --> 00:34:46,699
THAT REVIEW SHOULD HAVE RUN
IN TIME WITH THE RELEASE.
718
00:34:46,710 --> 00:34:48,910
UNLESS WHOEVER WROTE IT...
719
00:34:48,987 --> 00:34:51,671
COULDN'T TURN IT IN.
720
00:34:52,949 --> 00:34:54,666
(Sage)
OKAY, I SHOULD HAVE TOLD YOU
721
00:34:54,742 --> 00:34:58,294
THAT KIRA WAS GOING TO REVIEW
TJ'S BOOK.
722
00:34:58,371 --> 00:34:59,295
(Goren)
IN THE TIMES.
723
00:34:59,372 --> 00:35:00,547
YES.
724
00:35:00,623 --> 00:35:02,549
WHEN DID YOU TELL TJ?
725
00:35:02,625 --> 00:35:04,551
I DIDN'T.
726
00:35:04,627 --> 00:35:06,553
I DIDN'T WANT TJ
PRESSURING KIRA.
727
00:35:06,629 --> 00:35:07,929
IT WAS TOO RISKY.
728
00:35:08,006 --> 00:35:10,607
THE NIGHT THAT YOU
TOOK KIRA OUT
729
00:35:10,684 --> 00:35:12,559
AFTER THE READING...
730
00:35:12,635 --> 00:35:15,562
YOU KNEW THAT YOU DIDN'T
WANT TO REPRESENT HER NOVEL.
731
00:35:15,638 --> 00:35:17,605
TJ AND KIRA WERE FRIENDS.
732
00:35:17,682 --> 00:35:21,734
I WOULD ASSUME THAT THE REVIEW
WOULD BE A RAVE, SURE.
733
00:35:21,811 --> 00:35:24,362
BUT I WANTED
TO COVER MY BASES.
734
00:35:24,439 --> 00:35:27,624
HEY, ANY CHANCE THE TIMES
LET YOU SEE THAT REVIEW?
735
00:35:27,701 --> 00:35:29,659
(Eames)
KIRA NEVER HANDED IT IN.
736
00:35:29,736 --> 00:35:32,412
IT WAS DUE THE DAY
AFTER SHE WAS KILLED.
737
00:35:32,422 --> 00:35:34,747
GREAT! JUST MY LUCK.
738
00:35:34,758 --> 00:35:36,583
NOW THEY'RE GONNA
HAVE TO REASSIGN.
739
00:35:36,659 --> 00:35:37,959
THE THING
COULD TAKE WEEKS.
740
00:35:38,036 --> 00:35:40,670
(Eames)
WELL, I'M SURE
YOU CAN COME UP WITH
741
00:35:40,747 --> 00:35:42,714
SOMEONE ELSE
WHO CAN WRITE IT.
742
00:35:42,790 --> 00:35:43,915
WHAT ARE YOU SAYING?
743
00:35:43,991 --> 00:35:45,508
WELL,
KIRA'S UNPUBLISHED.
744
00:35:45,585 --> 00:35:47,394
SHE COULDN'T HAVE
GOTTEN THE GIG AT THE TIMES
745
00:35:47,470 --> 00:35:49,604
UNLESS SOMEONE
CASHED IN A FAVOR.
746
00:35:49,681 --> 00:35:52,649
[chuckling]
THE DAY THEY LET AGENTS
747
00:35:52,726 --> 00:35:54,467
CHOOSE WHO'S GONNA
REVIEW BOOKS
748
00:35:54,544 --> 00:35:57,770
IS THE DAY EVEN I THINK
THE BUSINESS IS TOO SLEAZY.
749
00:35:57,847 --> 00:36:01,482
OKAY, IF IT WASN'T YOU,
HOW'D KIRA GET THE ASSIGNMENT?
750
00:36:01,559 --> 00:36:03,776
HOW DID SHE GET
THE ASSIGNMENT?
751
00:36:03,853 --> 00:36:07,664
WHO DO YOU THINK THE TIMES
EDITOR STUDIED UNDER?
752
00:36:09,150 --> 00:36:10,617
(Eames)
SHILL GOT KIRA ASSIGNED
753
00:36:10,693 --> 00:36:12,619
TO REVIEW
HIS PROTéGé'S BOOK,
754
00:36:12,695 --> 00:36:13,912
KIRA'S FIRST BIG BREAK.
755
00:36:13,988 --> 00:36:15,538
[cell phone ringing]
756
00:36:15,615 --> 00:36:17,081
GOREN.
757
00:36:17,158 --> 00:36:19,959
OH, IS THAT RIGHT?
ALL RIGHT, THANKS.
758
00:36:20,036 --> 00:36:22,962
BALLISTICS.
THEY GOT A HIT ON THAT .22.
759
00:36:23,039 --> 00:36:25,465
THEY ALREADY RAN THAT GUN.
CAME UP EMPTY.
760
00:36:25,541 --> 00:36:26,674
YEAH, IN NEW YORK.
761
00:36:26,685 --> 00:36:28,718
I HAD A FRIEND
RUN IT IN JERSEY.
762
00:36:28,795 --> 00:36:31,679
TURNS OUT, IT WAS USED
IN THE NEWARK RIOTS
763
00:36:31,756 --> 00:36:32,938
TO SHOOT A COP.
764
00:36:32,940 --> 00:36:35,058
THAT BOY SHILL TAUGHT
IN PRISON...
765
00:36:35,068 --> 00:36:36,976
HE NOT ONLY GOT
A NOVEL OUT OF HIM.
766
00:36:37,053 --> 00:36:38,645
HE GOT THE KID'S GUN?
767
00:36:38,721 --> 00:36:39,896
SAME AS THE BOOK, RIGHT?
768
00:36:39,973 --> 00:36:41,823
KID GIVES THE TEACHER THE GUN
FOR SAFEKEEPING.
769
00:36:41,900 --> 00:36:43,983
KIRA WAS SWIMMING
WITH SHARKS.
770
00:36:44,060 --> 00:36:46,653
SHILL'S A THIEF.
TJ'S A FRAUD.
771
00:36:46,729 --> 00:36:48,004
EITHER ONE OF THEM
772
00:36:48,081 --> 00:36:50,373
COULD HAVE TAKEN THAT GUN
TO BROOKLYN.
773
00:36:55,071 --> 00:36:57,664
(woman)
I WANTED TO OPEN
WITH SOMETHING MEMORABLE.
774
00:36:57,674 --> 00:37:00,875
WELL, MY DEAR,
TWO THINGS:
775
00:37:00,952 --> 00:37:03,044
FIRST, IT WASN'T MEMORABLE.
776
00:37:03,121 --> 00:37:06,839
IT WAS LIKE JOYCE CAROL OATES
ON BARBITURATES.
777
00:37:06,850 --> 00:37:08,591
SECONDLY,
YOUR OPENING SENTENCE
778
00:37:08,668 --> 00:37:11,511
MUST BE A PROMISE
OF A TRUTH WORTH READING.
779
00:37:11,587 --> 00:37:13,721
ANYTHING LESS
IS BLASPHEMY.
780
00:37:13,798 --> 00:37:18,568
[deliberate clapping]
781
00:37:19,679 --> 00:37:22,689
THEY FOLLOWED ME IN.
THEY HAVE BADGES.
782
00:37:22,765 --> 00:37:24,857
WE'RE IN THE MIDDLE
OF OUR SALON.
783
00:37:24,868 --> 00:37:27,652
IT'S OKAY.
I WANTED TO SEE THE...
784
00:37:27,729 --> 00:37:30,029
MASTER AT WORK, YOU KNOW,
PLOTTING THE...
785
00:37:30,106 --> 00:37:31,864
PSYCHOLOGICAL INTRIGUE.
786
00:37:31,941 --> 00:37:34,784
THE WAY THAT YOU
MANIPULATE LIVES, AS IF...
787
00:37:34,861 --> 00:37:36,828
THEY WERE CHARACTERS
788
00:37:36,904 --> 00:37:39,673
IN YOUR OWN LIFE NOVEL
WHERE YOU PLAY GOD.
789
00:37:39,749 --> 00:37:41,791
SHOW SOME RESPECT,
SHERLOCK.
790
00:37:41,868 --> 00:37:43,626
(Eames)
RESPECT. THAT'S IMPORTANT,
ISN'T IT?
791
00:37:43,703 --> 00:37:44,944
WHERE'D YOU LEARN THAT,
792
00:37:45,021 --> 00:37:47,630
AT THAT HELLHOLE IN YEMEN
793
00:37:47,641 --> 00:37:49,465
OR AT SPOFFORD?
794
00:37:49,542 --> 00:37:51,676
HARD TIME IS HARD TIME.
795
00:37:51,753 --> 00:37:53,177
BEEN GOOD FOR YOU.
796
00:37:53,188 --> 00:37:54,846
HOW'S THAT SECOND BOOK--
OH, WAIT.
797
00:37:54,922 --> 00:37:56,180
IT HASN'T REALLY
CAUGHT ON FIRE YET.
798
00:37:56,257 --> 00:37:58,057
YOU STILL WAITING
ON THE TIMES REVIEW?
799
00:37:58,134 --> 00:38:02,061
(Eames)
A GOOD FRIEND LIKE KIRA
SINGING YOUR PRAISES.
800
00:38:02,072 --> 00:38:03,813
THAT WOULD HAVE BEEN
A SLAM DUNK.
801
00:38:03,890 --> 00:38:06,816
DID YOU KNOW THAT
MR. SHILL GOT KIRA THE JOB,
802
00:38:06,893 --> 00:38:09,777
CONNED AN EDITOR FRIEND
OF HIS OVER THERE
803
00:38:09,788 --> 00:38:13,197
INTO GLOSSING OVER
KIRA'S CONFLICT OF INTEREST?
804
00:38:13,208 --> 00:38:15,742
SHE WAS THE PERFECT CHOICE,
WASN'T SHE,
805
00:38:15,818 --> 00:38:19,037
BECAUSE OF HER CONNECTION
TO THE MATERIAL?
806
00:38:19,113 --> 00:38:23,049
THE LOVE OF KIRA'S LIFE
SPENT A YEAR IN SPOFFORD.
807
00:38:23,126 --> 00:38:26,586
SHE KNOWS THE TRUTH
OF THAT PLACE, YOU KNOW?
808
00:38:26,662 --> 00:38:29,505
WHEN SHE READ YOUR BOOK,
SHE SAW IT FOR WHAT IT WAS.
809
00:38:29,582 --> 00:38:31,157
IT WAS PURE FICTION.
810
00:38:31,234 --> 00:38:34,510
(Eames)
HER EXPOSé WOULD HAVE
BEEN FRONT PAGE NEWS.
811
00:38:34,587 --> 00:38:35,854
SO YOU HAD TO STOP THAT.
812
00:38:41,677 --> 00:38:45,229
HOW DID YOU KNOW
THAT HE WAS A FAKE?
813
00:38:45,306 --> 00:38:46,597
DID KIRA TELL YOU THAT,
814
00:38:46,674 --> 00:38:48,274
OR YOU FIGURE THAT OUT
ON YOUR OWN?
815
00:38:48,351 --> 00:38:50,577
YOU KNOW THIS IS
ABSOLUTE NONSENSE.
816
00:38:52,605 --> 00:38:53,696
KIRA SHOW YOU THIS?
817
00:38:53,773 --> 00:38:55,865
IT'S KIRA'S NOVEL
IN PROGRESS.
818
00:38:55,942 --> 00:38:57,125
HERE.
819
00:38:57,202 --> 00:38:58,877
[Shill, chuckling]
I'LL TAKE IT.
820
00:39:00,113 --> 00:39:02,080
YOU SHOULD HAVE
A LOOK AT IT.
821
00:39:02,090 --> 00:39:04,582
YOU'LL...RECOGNIZE IT.
822
00:39:04,659 --> 00:39:06,834
HE STOLE HER VOICE
AND HER LIFE.
823
00:39:06,911 --> 00:39:09,596
HE PUT HIS NAME ON IT.
824
00:39:11,975 --> 00:39:13,058
YOU'RE LYING.
825
00:39:18,297 --> 00:39:19,814
READ IT.
826
00:39:23,061 --> 00:39:26,312
SECOND CALL
THAT SHE MADE TO YOU...
827
00:39:26,323 --> 00:39:28,773
SHE HAD BEEN
BEATEN UP, YOU KNOW.
828
00:39:28,850 --> 00:39:30,024
SHE WAS HURT.
SHE WAS SCARED.
829
00:39:30,101 --> 00:39:31,609
SHE REACHED OUT TO YOU,
830
00:39:31,686 --> 00:39:33,111
AND WHAT DID YOU DO?
831
00:39:33,187 --> 00:39:34,996
I COULD NOT UNDERSTAND
A WORD SHE WAS SAYING.
832
00:39:35,073 --> 00:39:37,865
NO, YOU SHOWED TJ
HER REVIEW.
833
00:39:37,942 --> 00:39:39,617
OH, TJ,
834
00:39:39,694 --> 00:39:41,160
THEY'RE TRYING
TO PROVOKE YOU.
835
00:39:41,237 --> 00:39:44,038
COME ON, TJ.
836
00:39:44,115 --> 00:39:47,875
HE SET YOU UP
TO KILL KIRA,
837
00:39:47,952 --> 00:39:50,128
NOT BECAUSE SHE WAS
GONNA EXPOSE YOU,
838
00:39:50,204 --> 00:39:51,888
BUT BECAUSE SHE WAS
GONNA EXPOSE HIM.
839
00:39:53,249 --> 00:39:54,841
YOU KNOW, YOU DON'T
WANNA READ THAT THING?
840
00:39:54,917 --> 00:39:57,009
THAT'S FINE.
841
00:39:57,020 --> 00:40:00,638
READ SHILL'S.
LET'S HAVE A LOOK AT YOURS.
842
00:40:00,715 --> 00:40:03,057
"SHE RIDES THE TRAIN
TO MIDTOWN.
843
00:40:03,134 --> 00:40:04,851
"THE OTHER BLACK WOMEN
844
00:40:04,927 --> 00:40:08,354
"IN THEIR SECRETARY BEST
EYE HER.
845
00:40:08,365 --> 00:40:11,023
"SAMPLE SALE CLOTHES.
846
00:40:11,034 --> 00:40:12,859
STRAIGHTENED HAIR."
847
00:40:12,935 --> 00:40:15,278
YOU SON OF A BITCH.
848
00:40:15,354 --> 00:40:17,655
YOU KNEW I WAS DOWN
ABOUT MY BOOK,
849
00:40:17,732 --> 00:40:21,000
AFRAID I WAS GONNA...
LOSE EVERYTHING.
850
00:40:22,278 --> 00:40:24,203
HE WOUND YOU UP.
HE GAVE YOU A GUN.
851
00:40:24,280 --> 00:40:26,247
WHERE WOULD I GET
A GUN, TJ?
852
00:40:26,324 --> 00:40:29,125
LAMAR STYLES.
REMEMBER HIM?
853
00:40:29,202 --> 00:40:30,877
[book clunks on table]
854
00:40:30,953 --> 00:40:34,255
HE SHOT A COP
IN THE NEWARK RIOTS IN '67.
855
00:40:34,332 --> 00:40:36,215
(Eames)
THE BULLETS THEY FOUND IN KIRA
856
00:40:36,292 --> 00:40:38,801
WERE FROM THAT SAME GUN.
857
00:40:38,878 --> 00:40:41,020
HE GAVE IT TO YOU,
DIDN'T HE?
858
00:40:46,260 --> 00:40:47,902
YES.
859
00:40:47,979 --> 00:40:50,021
BUT BEFORE HE DID,
860
00:40:50,097 --> 00:40:52,190
HE CUT ME A LINE OF COKE.
861
00:40:52,266 --> 00:40:54,150
I'D BEEN CLEAN
FOR FIVE YEARS.
862
00:40:54,227 --> 00:40:57,069
HE TOLD ME
I DESERVED IT.
863
00:40:57,080 --> 00:40:59,155
THEN HE CUT ANOTHER ONE.
864
00:40:59,232 --> 00:41:02,909
TOLD ME TO GO GET
THE CIGAR BOX FROM HIS DESK.
865
00:41:02,985 --> 00:41:05,244
OH, YOU INGRATE.
866
00:41:05,321 --> 00:41:07,589
HE TOLD ME
TO TAKE THE PIECE.
867
00:41:10,993 --> 00:41:13,261
BE THE MAN
I WROTE ABOUT.
868
00:41:18,977 --> 00:41:21,427
WHEN I GOT
TO KIRA'S APARTMENT, I--
869
00:41:21,504 --> 00:41:24,013
I CONFRONTED HER
ABOUT THE REVIEW.
870
00:41:24,090 --> 00:41:26,265
YEAH, BUT SHE DIDN'T WANT
TO HEAR ABOUT ANY REVIEW.
871
00:41:26,342 --> 00:41:28,267
NOT FROM A FRAUD
LIKE YOU.
872
00:41:28,344 --> 00:41:32,146
SHE TOLD ME I WOULD NEVER
BE ABLE TO USE A REAL GUN
873
00:41:32,223 --> 00:41:34,982
'CAUSE I WASN'T REAL.
874
00:41:34,993 --> 00:41:39,695
SHE MOCKED ME, TAUNTED ME.
875
00:41:39,772 --> 00:41:42,698
YOU NEEDED TO SHOW HER
THAT YOU WERE REAL.
876
00:41:42,775 --> 00:41:44,275
I PULLED THE TRIGGER.
877
00:41:44,352 --> 00:41:48,079
BUT YOU DIDN'T EVEN HAVE
THE COURAGE TO FINISH THE JOB.
878
00:41:48,155 --> 00:41:49,789
KIRA BLED TO DEATH.
879
00:41:49,865 --> 00:41:51,749
TJ HAWKINS,
YOU ARE UNDER ARREST
880
00:41:51,826 --> 00:41:54,385
FOR THE MURDER
OF KIRA DANFORTH.
881
00:41:56,998 --> 00:41:58,314
LIONEL SHILL,
YOU'RE UNDER ARREST
882
00:41:58,391 --> 00:42:02,301
FOR CONSPIRING IN THE MURDER
OF KIRA DANFORTH.
883
00:42:02,378 --> 00:42:03,844
TJ. HA.
884
00:42:03,921 --> 00:42:07,148
FROM MY TRIUMPH
TO MY ALBATROSS.
885
00:42:12,430 --> 00:42:14,447
(Goren)
SEE THOSE WRITERS?
886
00:42:14,524 --> 00:42:17,825
THEY'RE GONNA HAVE
A HELL OF A STORY.