1 00:00:06,899 --> 00:00:09,541 (male announcer) IN NEW YORK CITY'S WAR ON CRIME, 2 00:00:09,618 --> 00:00:11,835 THE WORST CRIMINAL OFFENDERS ARE PURSUED 3 00:00:11,912 --> 00:00:14,713 BY THE DETECTIVES OF THE MAJOR CASE SQUAD. 4 00:00:14,790 --> 00:00:17,099 THESE ARE THEIR STORIES. 5 00:00:23,924 --> 00:00:25,807 [gunshot] 6 00:00:25,884 --> 00:00:28,527 [gunshots] 7 00:00:35,852 --> 00:00:39,321 LIONEL, I CAN'T DO THIS TO HIM. 8 00:00:39,397 --> 00:00:42,115 HE'S MY FRIEND. 9 00:00:42,192 --> 00:00:44,117 I HAVE TO CALL YOU BACK. 10 00:00:44,194 --> 00:00:45,577 I KNOW THIS IS YOUR BIG NIGHT, 11 00:00:45,654 --> 00:00:47,421 BUT THESE NEED TO BE PROOFED. 12 00:00:56,331 --> 00:00:57,881 GO. 13 00:00:57,892 --> 00:01:00,059 [giggles] 14 00:01:08,718 --> 00:01:10,652 YOU'RE JUST LEAVING NOW? 15 00:01:11,388 --> 00:01:15,107 DON'T EVEN BOTHER, D. 16 00:01:15,183 --> 00:01:18,276 THANK YOU. 17 00:01:18,353 --> 00:01:19,319 THANK YOU VERY MUCH. 18 00:01:19,330 --> 00:01:21,455 [applause] 19 00:01:24,484 --> 00:01:28,370 NEXT UP, I'M PERSONALLY PROUD TO INTRODUCE, 20 00:01:28,446 --> 00:01:30,589 STRAIGHT OUT OF BROOKLYN, 21 00:01:30,666 --> 00:01:33,708 GIVE IT UP FOR MISS KIRA DANFORTH. 22 00:01:33,785 --> 00:01:38,263 [cheers and applause] 23 00:01:41,001 --> 00:01:45,470 THE FOLLOWING IS, AS THEY SAY... 24 00:01:45,547 --> 00:01:47,439 A TRUE STORY. 25 00:01:49,509 --> 00:01:52,894 (Kira) I'M SO GLAD YOU CAME TONIGHT. THAT MEANT A LOT TO ME. 26 00:01:52,905 --> 00:01:54,813 YOU KNOW WHAT I'M SAYING? 27 00:01:54,890 --> 00:01:56,731 I'M LIKE AIRING MY DIRTY LAUNDRY-- 28 00:01:56,742 --> 00:02:00,944 YOU. YOU HAVE A GREAT NOVEL IN YOU. 29 00:02:01,021 --> 00:02:02,821 AND I WANT IT. 30 00:02:02,898 --> 00:02:05,323 LIONEL SAYS IT'S NOT A NOVEL YET. 31 00:02:05,400 --> 00:02:06,616 LIONEL'S NOT AN AGENT. 32 00:02:06,627 --> 00:02:08,410 I AM. 33 00:02:08,486 --> 00:02:10,453 COME ON. FIRST DRINK IS ON ME. 34 00:02:10,530 --> 00:02:12,622 I HAVE TO READ THE WHOLE BOOK. 35 00:02:12,699 --> 00:02:13,874 I MEAN, I CAN'T BELIEVE-- 36 00:02:13,950 --> 00:02:15,250 YO, KIRA, WHAT'S THIS? 37 00:02:15,261 --> 00:02:16,793 (Sage) HO, HO, HO, HEY, HEY, HEY. 38 00:02:16,870 --> 00:02:18,470 HANDS OFF THE LADY. 39 00:02:22,459 --> 00:02:24,309 SHALL WE? 40 00:02:27,347 --> 00:02:28,930 YOU KNOW HIM? I'M SORRY. 41 00:02:31,676 --> 00:02:33,935 (Shill) HE COULDN'T MAKE A SENTENCE STAND UP AND BE NOTICED 42 00:02:34,012 --> 00:02:35,187 IF HE PUT VIAGRA IN THE INK. 43 00:02:35,263 --> 00:02:37,439 [men chuckling] 44 00:02:37,515 --> 00:02:38,648 DEAR. AH. 45 00:02:38,725 --> 00:02:40,650 THANK YOU. 46 00:02:40,661 --> 00:02:45,447 HELLO. KIRA, WHERE ARE YOU? 47 00:02:45,523 --> 00:02:48,450 KIRA, HE'S VERY BAD NEWS. 48 00:02:48,526 --> 00:02:49,576 GET OUT. 49 00:02:49,653 --> 00:02:51,411 JUST COME JOIN US AS SOON AS YOU CAN. 50 00:02:51,488 --> 00:02:53,496 SUCH A PLEASURE TO MEET YOU, MR. GREEN. 51 00:02:53,507 --> 00:02:54,915 REALLY. 52 00:02:54,991 --> 00:02:56,925 UH-HUH. 53 00:02:58,912 --> 00:03:00,804 [object shatters] THAT'S NOT REAL EITHER! 54 00:03:00,881 --> 00:03:02,639 [gunshots] 55 00:04:00,265 --> 00:04:02,357 (Detective Willis) VICTIM'S KIRA DANFORTH. 56 00:04:02,368 --> 00:04:04,276 LOT OF GOOD THESE LOCKS DID. 57 00:04:04,352 --> 00:04:06,444 LOOKS LIKE A PUSH-IN. 58 00:04:06,521 --> 00:04:08,321 AH, BUT WHAT DO I KNOW, 59 00:04:08,398 --> 00:04:10,991 AFTER WORKING ONLY 50 HOMICIDES? 60 00:04:11,067 --> 00:04:13,493 YOU MIND TELLING ME WHY MAJOR CASE IS SLUMMING? 61 00:04:13,570 --> 00:04:15,203 VICTIM WORKED FOR ARIANA CYPHER 62 00:04:15,280 --> 00:04:16,496 OF CYPHER PRESS. 63 00:04:16,573 --> 00:04:19,332 OH. TOOK HER FOR A COLLEGE GRAD. 64 00:04:19,409 --> 00:04:22,335 WHAT WITH ALL THE BOOKS, MILK CRATE FURNITURE. 65 00:04:22,412 --> 00:04:24,379 OH, FOUND THIS... 66 00:04:24,456 --> 00:04:26,256 HERE NEAR THE, UH, KITCHENETTE. 67 00:04:26,333 --> 00:04:28,216 SATURDAY NIGHT SPECIAL. 68 00:04:28,293 --> 00:04:29,409 OLDER THAN THE VICTIM. 69 00:04:29,486 --> 00:04:31,344 (Eames) SMALL CALIBER. 70 00:04:31,421 --> 00:04:32,896 POOR GIRL BLED TO DEATH. 71 00:04:34,424 --> 00:04:36,057 LOOKS LIKE SHE'S GOT 72 00:04:36,134 --> 00:04:37,475 SYNTHETIC HAIR EXTENSIONS. 73 00:04:37,552 --> 00:04:39,227 THEY'VE BEEN SINGED. 74 00:04:39,304 --> 00:04:41,521 THIS HAND'S BURNED. LOOKS LIKE COILS. 75 00:04:41,598 --> 00:04:43,407 STOVE'S ELECTRIC. 76 00:04:48,396 --> 00:04:50,697 SO... 77 00:04:50,774 --> 00:04:53,533 THEY TRIED TO, UH, 78 00:04:53,610 --> 00:04:55,919 SHOVE HER HEAD INTO THE BURNER. 79 00:04:55,996 --> 00:04:58,588 SHE BLOCKS IT WITH HER LEFT HAND. 80 00:05:02,660 --> 00:05:05,337 BURNS HER HAND AND HER HAIR TOO. 81 00:05:05,413 --> 00:05:07,422 WHOEVER DID THIS, THEY WERE LOOKING FOR SOMETHING. 82 00:05:07,499 --> 00:05:09,433 THEY WANTED HER TO TALK. 83 00:05:30,030 --> 00:05:32,614 WELL, THEY MIGHT HAVE FOUND WHAT THEY WERE LOOKING FOR. 84 00:05:32,690 --> 00:05:34,741 I GOT BRIGHT GREEN RESIN, 85 00:05:34,752 --> 00:05:37,452 [sniffs] CRYSTALLIZED. 86 00:05:37,529 --> 00:05:40,372 AND THEY SAY COPS HAVE THE BEST POT. 87 00:05:40,448 --> 00:05:43,291 EAST FLATBUSH KID. 88 00:05:43,368 --> 00:05:46,419 SELLING HIGH-END WEED TO HER MIDTOWN COLLEAGUES. 89 00:05:46,496 --> 00:05:48,546 YOU KNOW, YOU COULD STORE A FORTUNE IN HERE. 90 00:05:48,557 --> 00:05:51,424 A SINGLE FEMALE-- EASY TARGET. 91 00:05:51,501 --> 00:05:54,094 SHE MIGHT NOT BE SINGLE. 92 00:05:54,170 --> 00:05:57,064 SCARFACE DVD. MEN'S HOODIES. 93 00:05:57,140 --> 00:06:00,100 WHERE'S HER BOYFRIEND? 94 00:06:00,176 --> 00:06:02,102 SOMEBODY OUTSIDE WANTS A WORD. 95 00:06:02,178 --> 00:06:03,645 FAMILY? 96 00:06:03,721 --> 00:06:04,938 DON'T KNOW. 97 00:06:05,015 --> 00:06:07,741 BUT YOU'RE MAJOR CASE. YOU TELL ME. 98 00:06:10,603 --> 00:06:12,320 [police radio chatter] 99 00:06:12,397 --> 00:06:14,114 (woman) KIRA MAY HAVE COME FROM HERE, 100 00:06:14,190 --> 00:06:15,757 BUT SHE WAS GOING PLACES. 101 00:06:15,759 --> 00:06:17,409 (Eames) WHAT DID KIRA DO FOR YOU, MISS CYPHER? 102 00:06:17,485 --> 00:06:21,121 EVERYTHING. SHE WAS DEVOTED, BRILLIANT. 103 00:06:21,197 --> 00:06:24,707 NO MATTER HOW EARLY I GOT IN, SHE WAS ALWAYS THERE FIRST. 104 00:06:24,784 --> 00:06:26,668 RIGHT. WHEN SHE DIDN'T SHOW THIS MORNING, 105 00:06:26,744 --> 00:06:28,086 YOU CAME HERE? 106 00:06:28,163 --> 00:06:30,263 NO. I SENT MY OTHER ASSISTANT, PAIGE. 107 00:06:30,340 --> 00:06:32,099 SHE CALLED 911. 108 00:06:32,175 --> 00:06:34,384 FEEL FREE TO ASK HER ANYTHING. 109 00:06:34,461 --> 00:06:35,811 I WANT THE KILLER CAUGHT. 110 00:06:35,887 --> 00:06:38,179 YOU'LL HANDLE THIS, YES? 111 00:06:38,256 --> 00:06:40,223 (Eames) WE'LL DO OUR VERY BEST. 112 00:06:40,300 --> 00:06:41,441 I'M LATE. 113 00:06:44,071 --> 00:06:45,444 I CAN'T BELIEVE IT. 114 00:06:45,522 --> 00:06:47,814 JUST LAST NIGHT, KIRA WAS ON TOP OF THE WORLD. 115 00:06:47,825 --> 00:06:49,390 YOU WERE WITH HER. 116 00:06:49,467 --> 00:06:51,192 AT A SHORT STORY READING IN THE EAST VILLAGE. 117 00:06:51,269 --> 00:06:53,528 I HAD NO IDEA SHE LIVED HERE. 118 00:06:53,539 --> 00:06:56,531 KIRA KEPT A LOT CLOSE TO THE VEST. 119 00:06:56,608 --> 00:06:58,199 LIKE SELLING POT AT WORK? 120 00:06:58,276 --> 00:06:59,617 KIRA? NEVER. 121 00:06:59,694 --> 00:07:01,369 WHERE'D YOU GET THAT IDEA? 122 00:07:01,446 --> 00:07:03,538 SHE EVER MENTION A BOYFRIEND? 123 00:07:03,615 --> 00:07:05,457 NO. 124 00:07:05,533 --> 00:07:07,584 BUT, UH, LAST MONTH, COMING BACK FROM LUNCH, 125 00:07:07,660 --> 00:07:10,587 WE RAN INTO A FRIEND OF HERS ON HIS BIKE. 126 00:07:10,663 --> 00:07:13,381 SHE DIDN'T INTRODUCE US, SO I DID IT MYSELF. 127 00:07:13,458 --> 00:07:16,217 HIS NAME WAS D TOUR. 128 00:07:16,294 --> 00:07:18,428 BAGGY JEANS, 129 00:07:18,505 --> 00:07:19,429 OVERSIZED HOODIE? 130 00:07:19,506 --> 00:07:20,889 YEAH. 131 00:07:20,965 --> 00:07:23,850 HE WAS... 132 00:07:23,927 --> 00:07:25,560 HE WAS REALLY... 133 00:07:25,637 --> 00:07:27,571 BLACK. 134 00:07:28,640 --> 00:07:31,316 REALLY BLACK. YOU MEAN OBSIDIAN? 135 00:07:31,392 --> 00:07:33,776 NO. I MEAN NOT LIKE KIRA, YOU KNOW? 136 00:07:33,853 --> 00:07:35,320 STREET. 137 00:07:35,396 --> 00:07:38,573 SAID HE WAS AN ANIMATOR 138 00:07:38,584 --> 00:07:40,575 FOR A STUDIO IN RED HOOK, 139 00:07:40,586 --> 00:07:42,586 BUT HE LOOKED LIKE A MESSENGER. 140 00:07:45,865 --> 00:07:47,707 (man) HIS REAL NAME... 141 00:07:47,718 --> 00:07:49,876 UH, WE JUST CALL HIM D TOUR. 142 00:07:49,953 --> 00:07:52,754 HE RUNS ERRANDS, MAKES DELIVERIES. 143 00:07:52,830 --> 00:07:55,140 UH, OUT SICK TODAY. 144 00:07:55,217 --> 00:07:56,391 HE TOLD PEOPLE HE WAS AN ANIMATOR. 145 00:07:56,468 --> 00:07:58,426 (Chad) I TOLD HIM HE COULD WORK HIS WAY UP. 146 00:07:58,503 --> 00:08:01,596 BUT HE'S ALWAYS STROLLING IN LATE. 147 00:08:01,607 --> 00:08:02,772 (Eames) HE'S NOT EXACTLY 148 00:08:02,849 --> 00:08:05,108 EMPLOYEE OF THE MONTH-- WHY KEEP HIM AROUND? 149 00:08:05,185 --> 00:08:08,728 WE LIKE HIM. HE'S A FUN GUY. 150 00:08:08,805 --> 00:08:10,438 AND IT'S A FUN PLACE TO WORK. 151 00:08:10,515 --> 00:08:12,398 YOU GOT ALL THIS STUFF. 152 00:08:12,475 --> 00:08:16,578 YOU GOT PINBALL MACHINES AND PING-PONG. 153 00:08:21,734 --> 00:08:23,635 YOU GOT ROACHES. 154 00:08:27,207 --> 00:08:28,748 IS THAT WHY YOU KEEP D TOUR AROUND, 155 00:08:28,825 --> 00:08:30,625 'CAUSE HE GETS THE GOOD STUFF? 156 00:08:30,702 --> 00:08:33,461 YOUR DIAL-A-WEED PAL'S A MURDER SUSPECT. 157 00:08:33,538 --> 00:08:34,887 WHERE DOES HE LIVE? 158 00:08:38,251 --> 00:08:40,468 ALL I HAVE IS A... 159 00:08:40,545 --> 00:08:42,479 PAGER NUMBER. 160 00:08:49,229 --> 00:08:50,445 HEY, YO, D. 161 00:08:50,522 --> 00:08:52,447 WHAT THE DEAL, BABY? 162 00:09:05,704 --> 00:09:08,496 (Mrs. Danforth) HOW DID THIS HAPPEN TO MY DAUGHTER? 163 00:09:08,573 --> 00:09:11,541 (Eames) WE'RE LOOKING FOR A MAN KIRA WAS INVOLVED WITH. 164 00:09:11,618 --> 00:09:13,635 GOES BY THE NAME D TOUR. 165 00:09:14,879 --> 00:09:16,379 THIS MEANS NOTHING TO ME. 166 00:09:16,456 --> 00:09:18,840 THEY MEAN DANTE, MAMA. 167 00:09:18,916 --> 00:09:20,675 DANTE HEATH... 168 00:09:20,752 --> 00:09:22,594 IS MY SISTER'S HIGH SCHOOL BOYFRIEND. 169 00:09:22,670 --> 00:09:24,554 HE LIVED NEARBY. 170 00:09:24,631 --> 00:09:26,431 IN THE PROJECTS. 171 00:09:26,441 --> 00:09:28,725 MY KIRA WAS RAISED IN A HOME, 172 00:09:28,801 --> 00:09:30,643 ONE I WORKED THREE JOBS TO BUY. 173 00:09:30,720 --> 00:09:32,562 (Goren) IS THAT HOW YOU PAID 174 00:09:32,639 --> 00:09:34,564 FOR HER EDUCATION? 175 00:09:34,641 --> 00:09:37,358 SHE WON SCHOLARSHIPS TO KINGSLEY, BRYN MAWR. 176 00:09:37,435 --> 00:09:38,985 MY KIRA WAS CHOSEN. 177 00:09:39,062 --> 00:09:41,654 SHE HAD NOTHING TO DO 178 00:09:41,731 --> 00:09:44,207 WITH THAT TROUBLEMAKER FOR YEARS. 179 00:09:48,738 --> 00:09:50,714 YOU DON'T SHARE YOUR MOTHER'S FEELINGS? 180 00:09:51,699 --> 00:09:53,583 KIRA LOVED THAT FOOL. 181 00:09:53,660 --> 00:09:54,667 SHE TOOK CARE OF HIM. 182 00:09:54,744 --> 00:09:56,377 AND YOU DIDN'T TELL ME? 183 00:09:56,454 --> 00:09:57,971 D TOUR WOULDN'T HURT HER. CHAYNE! 184 00:09:59,666 --> 00:10:01,633 HE HAVE A HISTORY? 185 00:10:01,709 --> 00:10:04,510 VIOLENCE, DRUGS? 186 00:10:04,587 --> 00:10:06,387 SELLS A LITTLE GANJA. 187 00:10:06,464 --> 00:10:07,880 YOU KNOW, WITH HIS BIKE AND CARTOONS, 188 00:10:07,957 --> 00:10:10,433 HE'S TOO MUCH A KID TO GET INTO REAL TROUBLE. 189 00:10:10,510 --> 00:10:12,277 THIS IS AS REAL AS IT GETS, CHAYNE. 190 00:10:14,347 --> 00:10:16,064 BUT D TOUR MUST KNOW THAT BY NOW. 191 00:10:16,140 --> 00:10:17,899 HE'S ON THE RUN. HE'S SCARED. 192 00:10:17,975 --> 00:10:21,694 I SUPPOSE HE'D GO WHERE ANY KID WOULD--HOME. 193 00:10:21,771 --> 00:10:24,739 TO HIS MOTHER. IF YOU CAN CALL HER THAT. 194 00:10:24,816 --> 00:10:26,824 [clicks tongue] 195 00:10:26,901 --> 00:10:29,410 DANTE CRASHES WITH HIS MOM 196 00:10:29,487 --> 00:10:31,454 IN THE SAME PROJECT HE GREW UP IN. 197 00:10:31,531 --> 00:10:33,665 KIRA HAS A DEGREE FROM BRYN MAWR. 198 00:10:33,741 --> 00:10:36,417 WHY COME BACK HERE-- FOR HIM? 199 00:10:36,494 --> 00:10:38,470 [siren wailing] 200 00:10:45,503 --> 00:10:49,389 [D Tour's mother, sobbing] 201 00:10:49,465 --> 00:10:50,765 WHAT ARE Y'ALL LOOKING AT? 202 00:10:50,776 --> 00:10:53,476 WHAT THE HELL ARE Y'ALL LOOKING AT? 203 00:10:53,553 --> 00:10:56,646 [sobbing] 204 00:10:56,723 --> 00:10:58,690 (D TOUR) NO, WHAT HAPPENED TO ME WAS PAYBACK 205 00:10:58,766 --> 00:11:00,775 FOR STEALING SOMEONE'S STASH. 206 00:11:00,786 --> 00:11:01,984 (Eames) YOU ROBBED SOMEBODY. 207 00:11:02,061 --> 00:11:05,330 I WAS MAKING A PICKUP WHEN I HEARD SHOTS. 208 00:11:05,407 --> 00:11:08,533 I SAW MY CONNECTION AND SOME FOOL BOTH DEAD, 209 00:11:08,609 --> 00:11:10,451 ALL THIS WEED ON THE TABLE, 210 00:11:10,528 --> 00:11:11,452 NOBODY AROUND. 211 00:11:11,529 --> 00:11:13,496 BUT SOMEBODY MADE YOU. 212 00:11:13,573 --> 00:11:15,139 WHO? 213 00:11:15,216 --> 00:11:17,583 (Goren) BEFORE THEY KILLED KIRA, THEY TORTURED HER. 214 00:11:17,660 --> 00:11:19,352 WHY WOULD YOU PROTECT THEM? 215 00:11:19,354 --> 00:11:21,921 I HOPE THEY ROT IN HELL. BUT THEY DIDN'T KILL KIRA. 216 00:11:21,998 --> 00:11:23,798 HOW DO YOU KNOW THAT? 217 00:11:23,875 --> 00:11:25,133 'CAUSE SHE LEFT ME A MESSAGE. 218 00:11:25,135 --> 00:11:26,801 SAID THEY ROUGHED HER UP. 219 00:11:26,878 --> 00:11:30,689 MESSAGE IS STILL THERE. YOU CAN CHECK IT YOUR DAMN SELF. 220 00:11:32,818 --> 00:11:34,809 WHAT HAPPENED? 221 00:11:34,820 --> 00:11:36,820 SHE DUMP YOU, YOU GOT JEALOUS? 222 00:11:38,890 --> 00:11:40,824 I KNEW I LOST HER AT THAT READING. 223 00:11:40,900 --> 00:11:42,117 I SAW THE WAY-- 224 00:11:42,193 --> 00:11:44,527 THE WAY HE WAS TOUCHING HER, SPEAKING FOR HER. 225 00:11:44,604 --> 00:11:46,070 WHO'S HE? 226 00:11:46,147 --> 00:11:48,823 SOME WHITE GUY. LOSIN' HIS HAIR. 227 00:11:48,834 --> 00:11:53,044 I WAS MAD, SO...I JUST HOOKED UP WITH SOME HOOD RAT. 228 00:11:55,573 --> 00:11:57,165 (Eames) D TOUR AND A REBOUND DATE 229 00:11:57,241 --> 00:11:59,709 WERE AT ROSCOE'S TILL 3:00. 230 00:11:59,786 --> 00:12:03,379 KIRA'S BURNS PRECEDED THE DEATH BY A FEW HOURS. 231 00:12:03,390 --> 00:12:05,590 LOOKS LIKE THIS TORTURE AND MURDER 232 00:12:05,666 --> 00:12:07,800 MIGHT HAVE BEEN TWO SEPARATE EVENTS. 233 00:12:07,877 --> 00:12:09,552 OR D TOUR'S FRIENDS COULD HAVE BEEN 234 00:12:09,629 --> 00:12:11,012 LAYING IN WAIT FOR HIM THE WHOLE NIGHT. 235 00:12:11,088 --> 00:12:13,973 WE THINK THEY RECOVERED THEIR POT AND CUT OUT. 236 00:12:14,050 --> 00:12:17,402 KIRA LEFT D TOUR THIS MESSAGE AT 11:00. 237 00:12:17,479 --> 00:12:19,061 [Kira, tearfully] THEY CAME FOR YOUR STASH. 238 00:12:19,138 --> 00:12:21,522 THE PLACE IS A MESS, AND SO AM I. 239 00:12:21,599 --> 00:12:23,649 IT'S OVER, D. 240 00:12:23,726 --> 00:12:25,651 KIRA MADE TWO OTHER CELL CALLS THURSDAY NIGHT 241 00:12:25,728 --> 00:12:27,228 TO THE PANTHEON RESTAURANT. 242 00:12:27,230 --> 00:12:30,156 THE PANTHEON-- BRIGHT LIGHTS, BIG CITY. 243 00:12:30,233 --> 00:12:33,701 LOOKS LIKE KIRA WAS JUGGLING TWO WORLDS. 244 00:12:33,778 --> 00:12:34,994 AND THIS WAS THE NIGHT 245 00:12:35,071 --> 00:12:37,538 THAT THEY BOTH CAME CRASHING DOWN ON HER. 246 00:12:37,615 --> 00:12:39,123 (Paige) RECEDING HAIRLINE? 247 00:12:39,200 --> 00:12:41,876 THAT'S EVERY OTHER EDITOR IN NEW YORK. 248 00:12:41,953 --> 00:12:43,169 YOU DIDN'T LEAVE THE READING WITH KIRA? 249 00:12:43,246 --> 00:12:44,462 I HAD HOMEWORK. 250 00:12:44,539 --> 00:12:48,466 AND SHE WAS BEING MOBBED; EDITORS, AGENTS. 251 00:12:48,543 --> 00:12:50,176 ONLY TJ WAS GETTING MORE ATTENTION. 252 00:12:50,187 --> 00:12:51,911 TJ...HAWKINS? 253 00:12:51,988 --> 00:12:54,889 HE WROTE THAT MEMOIR ABOUT HIS TIME IN A YEMEN PRISON? 254 00:12:54,900 --> 00:12:56,474 MM-HMM. THROAT FULL OF GLASS. 255 00:12:56,551 --> 00:12:57,825 BEST-SELLER. 256 00:12:57,902 --> 00:13:00,820 HE AND KIRA ARE IN LIONEL'S SALON TOGETHER. 257 00:13:00,897 --> 00:13:02,030 (Eames) LIONEL... 258 00:13:02,106 --> 00:13:03,856 LIONEL SHILL. 259 00:13:03,933 --> 00:13:05,024 HE'S STILL WRITING? 260 00:13:05,101 --> 00:13:07,026 HE'S LEGENDARY NOW. AS A TEACHER. 261 00:13:07,103 --> 00:13:09,737 GUIDING NEW WRITERS LIKE KIRA AND TJ. 262 00:13:09,814 --> 00:13:11,706 IT'S A TOKEN. 263 00:13:14,694 --> 00:13:15,901 I-I GET IT. 264 00:13:15,979 --> 00:13:17,745 SHE'S THE ONLY AFRICAN-AMERICAN 265 00:13:17,822 --> 00:13:19,547 IN THESE PHOTOS. 266 00:13:19,623 --> 00:13:21,999 (Paige) SHE HAD A SENSE OF HUMOR ABOUT IT. 267 00:13:22,076 --> 00:13:24,427 RIGHT. 268 00:13:24,504 --> 00:13:25,920 [token clinks] 269 00:13:25,931 --> 00:13:27,797 AMERICAN DELINQUENT. HAWKINS. 270 00:13:27,874 --> 00:13:29,924 IT'S HIS NEW BOOK? 271 00:13:30,001 --> 00:13:31,467 (Paige) MM-HMM. 272 00:13:31,478 --> 00:13:33,594 "TO MY GIRL KIRA. LOVE, TJ." 273 00:13:33,671 --> 00:13:35,930 TJ AND KIRA WERE LOVERS? 274 00:13:36,007 --> 00:13:37,682 NO. LIKE SIBLINGS. 275 00:13:37,758 --> 00:13:39,225 AND LIONEL'S PETS. 276 00:13:39,302 --> 00:13:41,477 IN FACT, LIONEL INVITED TJ 277 00:13:41,488 --> 00:13:44,489 TO A SPECIAL DINNER AT THE PANTHEON LATER THAT NIGHT. 278 00:13:46,767 --> 00:13:49,277 AND TJ INVITED KIRA? 279 00:13:49,353 --> 00:13:51,788 HE DID. 280 00:13:52,958 --> 00:13:55,032 YOU LIKED THROAT FULL? 281 00:13:55,109 --> 00:13:57,710 THERE YOU GO. HAVE A GOOD ONE. 282 00:13:59,038 --> 00:14:00,955 YOU TWO AREN'T HERE FOR AUTOGRAPHS. 283 00:14:00,966 --> 00:14:03,666 NO. BUT I READ YOUR LAST ONE, 284 00:14:03,743 --> 00:14:04,876 THROAT FULL OF GLASS. 285 00:14:04,952 --> 00:14:05,918 IT WAS INTENSE. 286 00:14:05,995 --> 00:14:07,670 TRY LIVING IT. 287 00:14:07,747 --> 00:14:08,921 YOU ALWAYS WRITE ABOUT YOUR LIFE? 288 00:14:08,998 --> 00:14:12,133 IT'S A WAY FOR ME TO EXORCISE MY DEMONS. 289 00:14:12,209 --> 00:14:15,094 DONE THINGS I SHOULDN'T HAVE. 290 00:14:15,171 --> 00:14:17,939 MM. THAT INCLUDE LAST THURSDAY NIGHT? 291 00:14:24,055 --> 00:14:25,980 OKAY. 292 00:14:26,057 --> 00:14:27,991 I GOTCHA. 293 00:14:28,994 --> 00:14:31,736 THINK I DID IT? HUH? 294 00:14:31,812 --> 00:14:34,989 BECAUSE OF WHAT-- MY PAST? 295 00:14:35,000 --> 00:14:37,709 YOU NEED TO TAKE IT EASY, TJ. 296 00:14:43,741 --> 00:14:45,967 (Eames) IS THAT YOUR IDEA OF TAKING IT EASY? 297 00:14:51,791 --> 00:14:54,267 A LAWYER. HA. NAW, I CAN HANDLE YOU TWO. 298 00:14:54,344 --> 00:14:57,011 THEN SIT DOWN AND ANSWER THE QUESTION. 299 00:14:57,022 --> 00:14:59,221 WHERE WERE YOU THURSDAY AT 2:00 A.M.? 300 00:14:59,298 --> 00:15:01,891 WITH LIONEL SHILL. CALL HIM. 301 00:15:01,968 --> 00:15:04,393 OR DON'T. JUST THROW ME IN RIKERS. 302 00:15:04,470 --> 00:15:05,778 I DON'T CARE. 303 00:15:07,682 --> 00:15:08,990 UH, HOLD THAT THOUGHT. 304 00:15:14,313 --> 00:15:15,905 HE'S A PIECE OF WORK. 305 00:15:15,982 --> 00:15:18,041 YEAH, PAPARAZZI'S SWARMING OUTSIDE. 306 00:15:18,117 --> 00:15:19,742 TJ DID THIS FOR THE PUBLICITY. 307 00:15:19,753 --> 00:15:21,786 AND HE GOT IT. 308 00:15:21,862 --> 00:15:24,297 YOU MADE YOULENZ. 309 00:15:24,374 --> 00:15:26,415 THE ADA SAYS IT'S PERFORMANCE ART, 310 00:15:26,492 --> 00:15:29,293 NOT ASSAULT. 311 00:15:29,370 --> 00:15:32,138 IF SHILL CONFIRMS HIS ALIBI, WE HAVE TO STREET HIM. 312 00:15:35,727 --> 00:15:39,178 (Lionel) I FIRST MET TJ ABOUT FIVE YEARS AGO 313 00:15:39,255 --> 00:15:41,180 AT A NARCONON MEETING. 314 00:15:41,257 --> 00:15:42,890 RESEARCHING A NEW BOOK? 315 00:15:42,967 --> 00:15:44,976 YES. HA. 316 00:15:45,052 --> 00:15:47,395 TJ WAS THE REAL THING. 317 00:15:47,471 --> 00:15:49,355 OH, THE STORIES HE TOLD. 318 00:15:49,366 --> 00:15:50,898 ONCE HE WAS-- 319 00:15:50,975 --> 00:15:53,442 SO YOU INVITED HIM INTO YOUR SALON. 320 00:15:53,519 --> 00:15:56,404 I TOLD HIM THAT WRITING COULD BE HIS SALVATION, 321 00:15:56,480 --> 00:15:59,115 AND, AH, TODAY HE'S AN AUTHOR. 322 00:15:59,191 --> 00:16:01,909 SO YOU INVITED HIM TO THE PANTHEON. 323 00:16:01,986 --> 00:16:03,378 WAS THAT TO IMPRESS ANYONE? 324 00:16:03,454 --> 00:16:05,413 AU CONTRAIRE. 325 00:16:05,489 --> 00:16:06,747 I KNEW HE'D BE DELIGHTED 326 00:16:06,824 --> 00:16:08,207 TO MEET MY DEAR FRIEND PHILLIP GREEN 327 00:16:08,284 --> 00:16:09,917 WHO JUST WON THE NOBEL. 328 00:16:09,994 --> 00:16:12,920 TJ SHOWED UP ABOUT 9:00. 329 00:16:12,997 --> 00:16:15,089 AFTER DINNER, WE RETIRED HERE. 330 00:16:15,100 --> 00:16:16,716 I WISH YOU WOULDN'T. 331 00:16:16,792 --> 00:16:19,135 THOSE WERE GIFTS TO ME FROM PAUL BOWLES! 332 00:16:19,211 --> 00:16:21,470 TJ INVITED KIRA TOO. 333 00:16:21,547 --> 00:16:23,097 DID SHE COME? 334 00:16:23,174 --> 00:16:24,765 NO, SHE CALLED. 335 00:16:24,842 --> 00:16:26,809 SHE WAS WITH GARETH SAGE. 336 00:16:26,886 --> 00:16:28,686 SNAKE OF A MAN. 337 00:16:28,763 --> 00:16:30,312 A SNAKE. 338 00:16:30,389 --> 00:16:32,023 SO HE'S AN AGENT. 339 00:16:32,099 --> 00:16:35,317 YES, HE DOESN'T HANDLE MANY WOMEN CLIENTS TODAY. 340 00:16:35,394 --> 00:16:37,945 PERHAPS BECAUSE OF THE WAY HE... 341 00:16:38,022 --> 00:16:40,364 HANDLED THEM. 342 00:16:40,375 --> 00:16:42,783 KIRA CALLED YOU AGAIN AT 11:00. 343 00:16:42,860 --> 00:16:44,335 DID SHE MENTION SAGE? 344 00:16:46,247 --> 00:16:48,372 I COULDN'T MAKE OUT A WORD. 345 00:16:48,449 --> 00:16:50,166 SHE WAS VERY UPSET. 346 00:16:50,242 --> 00:16:54,086 I...I TOLD HER TO CALL 911. 347 00:16:54,163 --> 00:16:56,806 HERE'S WHITE FLIGHT, BLACK HATE. 348 00:16:59,168 --> 00:17:01,894 IT'S ABOUT A YOUNG MAN WHO SHOOTS A COP 349 00:17:01,971 --> 00:17:03,179 IN THE NEWARK RIOTS. 350 00:17:03,255 --> 00:17:05,056 I READ THIS WHEN I WAS IN COLLEGE. 351 00:17:05,132 --> 00:17:08,350 I TAUGHT THAT YOUNG MAN TO READ WHILE HE WAS IN PRISON. 352 00:17:08,427 --> 00:17:10,903 HE DIED OF AIDS. 353 00:17:10,980 --> 00:17:13,522 I'D SHOW YOU MY NEW ONE THAT'S DUE OUT IN A MONTH, 354 00:17:13,599 --> 00:17:15,399 BUT MY PUBLISHER WOULD KILL ME. 355 00:17:15,476 --> 00:17:18,819 BUT YOU MAY KEEP THAT ONE. I'M HAPPY TO SIGN IT FOR YOU. 356 00:17:18,896 --> 00:17:20,863 NOT NECESSARY. IT'S... 357 00:17:20,940 --> 00:17:22,490 BUT WE WILL TAKE SAGE'S NUMBER. 358 00:17:22,566 --> 00:17:23,708 OH. 359 00:17:28,072 --> 00:17:29,213 GO AHEAD. 360 00:17:33,619 --> 00:17:35,836 NO, NO, TOM-- 361 00:17:35,913 --> 00:17:37,972 THE DETECTIVES AREN'T STAYING. 362 00:17:38,049 --> 00:17:39,757 YOU KNOW WHAT? I'LL HAVE ONE OF THOSE. 363 00:17:39,834 --> 00:17:41,184 THANKS. THANK YOU. 364 00:17:41,260 --> 00:17:42,760 HEY! 365 00:17:42,837 --> 00:17:43,761 [ping] 366 00:17:43,838 --> 00:17:45,137 AND CALL THE TODAY SHOW. 367 00:17:45,139 --> 00:17:46,247 TELL THEM IF THEY DON'T TAKE MY CALL, 368 00:17:46,249 --> 00:17:47,899 I'M GONNA GO RIGHT TO ZUCKER. 369 00:17:47,975 --> 00:17:51,060 OKAY. I LIKED HER READING. 370 00:17:51,137 --> 00:17:53,187 WE WENT TO A BAR, THOR, 371 00:17:53,198 --> 00:17:55,564 AND...WE DISCUSSED HER FUTURE. 372 00:17:55,641 --> 00:17:58,192 DID YOU GIVE KIRA A LIFT HOME? 373 00:17:58,269 --> 00:18:00,861 NO. I WENT BACK TO THE WIFE AND THE BRAT 374 00:18:00,938 --> 00:18:02,229 IN GLEN COVE. 375 00:18:02,307 --> 00:18:05,074 ALL RIGHT, AFTER YOUR DRINK WITH KIRA, 376 00:18:05,151 --> 00:18:06,200 SHE CALLED A FRIEND. 377 00:18:06,211 --> 00:18:07,368 SHE WAS VERY UPSET. 378 00:18:07,444 --> 00:18:09,203 YOU HAVE ANY IDEA WHY? 379 00:18:09,280 --> 00:18:10,487 I CAN'T IMAGINE. 380 00:18:10,565 --> 00:18:12,164 I'D JUST TOLD HER I WAS GONNA HANDLE HER NOVEL. 381 00:18:12,241 --> 00:18:14,834 WELL, WE HEARD YOU DON'T REPRESENT WOMEN. 382 00:18:14,910 --> 00:18:17,586 OH, I SEE... 383 00:18:17,663 --> 00:18:20,214 LIONEL SHILL. [telephone rings] 384 00:18:20,291 --> 00:18:22,133 JERKING YOU AND ME AROUND. 385 00:18:22,209 --> 00:18:23,884 WELL, YOU CAN IGNORE HIM. 386 00:18:23,961 --> 00:18:25,886 MR. SAGE, TODAY SHOW ON ONE. 387 00:18:25,963 --> 00:18:26,521 AH. 388 00:18:27,882 --> 00:18:28,848 HI. 389 00:18:28,924 --> 00:18:31,142 YEAH. LOOK. 390 00:18:31,218 --> 00:18:33,519 TJ WAS TERRIFIC ON LENO LAST YEAR. 391 00:18:33,596 --> 00:18:35,988 WHY ARE YOU MAKING ME WORK SO HARD, HUH? 392 00:18:36,065 --> 00:18:38,941 TOM, TOM, WOULD YOU PLEASE SHOW THE DETECTIVES OUT? 393 00:18:39,018 --> 00:18:41,485 YEAH. WELL, THIS BOOK IS A LOT BETTER. 394 00:18:41,562 --> 00:18:43,279 LET ME TELL YOU. 395 00:18:43,355 --> 00:18:44,321 (Goren) THANK YOU, TOM. 396 00:18:44,398 --> 00:18:46,490 YOU'RE WELCOME. 397 00:18:46,501 --> 00:18:48,617 (Eames) I FOUND GARETH SAGE STORIES ALL OVER A MESSAGE BOARD 398 00:18:48,694 --> 00:18:50,452 DEVOTED TO BAD BOSSES. 399 00:18:50,529 --> 00:18:52,204 YOU JUST HAPPENED TO BE LOOKING THERE. 400 00:18:52,281 --> 00:18:54,623 HE FORCED A WOMAN TO LICK UP COFFEE 401 00:18:54,700 --> 00:18:56,959 SHE SPILLED ON HIS DESK. 402 00:18:57,036 --> 00:18:58,627 HE'S A SUCCESSFUL, POWERFUL AGENT, 403 00:18:58,704 --> 00:19:00,379 AND HE'S HARD ON HIS ASSISTANTS. 404 00:19:00,456 --> 00:19:02,298 YOU NEED A MESSAGE BOARD FOR THAT? 405 00:19:02,308 --> 00:19:03,549 AT LEAST THREE WOMEN HAVE CHARGED HIM 406 00:19:03,626 --> 00:19:05,092 WITH SEXUAL HARASSMENT. 407 00:19:05,169 --> 00:19:07,303 BUT THERE'S NO RECORD OF ASSAULT. 408 00:19:07,379 --> 00:19:10,523 NO. BECAUSE SAGE ALWAYS SETTLES OUT OF COURT. 409 00:19:10,600 --> 00:19:12,183 WHERE'S YOUR PARTNER? 410 00:19:12,259 --> 00:19:15,519 HE'S ON A READING BINGE. HAWKINS, SHILL. 411 00:19:15,596 --> 00:19:17,646 SAGE IS GONNA LAWYER UP 412 00:19:17,723 --> 00:19:19,574 THE NEXT TIME YOU AND GOREN GO TO SEE HIM. 413 00:19:19,650 --> 00:19:23,986 BEFORE YOU DO, SEE IF ANY OF THESE WOMEN WILL TALK. 414 00:19:24,063 --> 00:19:27,865 I WON THIS LIT PRIZE AT COLUMBIA. 415 00:19:27,942 --> 00:19:30,293 THERE WAS A CEREMONY. I READ. 416 00:19:30,369 --> 00:19:32,328 GARETH WAS THERE. 417 00:19:32,404 --> 00:19:34,163 TOOK ME OUT FOR A DRINK. 418 00:19:34,240 --> 00:19:37,300 I TOLD HIM I HAD A NOVEL AT HOME. 419 00:19:37,376 --> 00:19:39,335 AND HE ASKED TO READ IT. 420 00:19:39,411 --> 00:19:42,138 HE GAVE ME A RIDE IN HIS JAGUAR. 421 00:19:42,215 --> 00:19:45,674 AND THAT'S WHEN HE HARASSED YOU. 422 00:19:45,751 --> 00:19:48,510 I TRIED TO FIGHT HIM OFF, BUT HE OVERPOWERED ME. 423 00:19:48,587 --> 00:19:50,179 BUT YOU FOUGHT HIM IN COURT. 424 00:19:50,256 --> 00:19:51,972 AND LOST. 425 00:19:52,049 --> 00:19:53,390 I GOT A LITTLE HUSH MONEY, BUT... 426 00:19:53,467 --> 00:19:55,601 HE SAID HE'D BURY ME. 427 00:19:55,612 --> 00:19:58,687 IT'S NOT EXACTLY THE FUTURE YOU HOPED FOR? 428 00:19:58,764 --> 00:20:02,650 SHARKS LIKE GARETH SAGE... 429 00:20:02,726 --> 00:20:05,328 THEY DON'T PAY FOR THEIR SINS. 430 00:20:06,656 --> 00:20:09,990 (Eames) THIS IS SAGE AND HIS WIFE. 431 00:20:10,067 --> 00:20:13,202 BUT IT TURNS OUT HE HAS ANOTHER TYPE. 432 00:20:13,279 --> 00:20:16,914 HE GAVE SHARON A RIDE HOME TO PICK UP HER NOVEL. 433 00:20:16,991 --> 00:20:19,250 WHO'S TO SAY HE DIDN'T DRIVE KIRA TO GET HERS? 434 00:20:19,326 --> 00:20:21,210 EAMES, IT'S A REACH. 435 00:20:21,287 --> 00:20:23,420 HE STILL DRIVE A JAG? 436 00:20:23,497 --> 00:20:24,630 A NEW ONE EVERY THREE YEARS, 437 00:20:24,641 --> 00:20:26,674 JUST LIKE HIS HARASSMENT SUITS. 438 00:20:26,750 --> 00:20:29,009 IF HE DROVE HIS OTHER VICTIMS HOME, 439 00:20:29,086 --> 00:20:32,521 YOU MIGHT HAVE ENOUGH FOR A SEARCH WARRANT ON HIS CAR. 440 00:20:37,303 --> 00:20:39,270 LIONEL, THE... 441 00:20:39,346 --> 00:20:43,241 THE NEW ONE, IT'S NOT... 442 00:20:46,537 --> 00:20:48,737 YOU KNOW... 443 00:20:48,814 --> 00:20:50,572 SOMETIMES 444 00:20:50,649 --> 00:20:54,576 YOUR GREATEST TRIUMPH CAN BE YOUR ALBATROSS. 445 00:20:54,653 --> 00:20:57,037 THIS LIFE I HAVE... 446 00:20:57,114 --> 00:21:01,000 THE ONE YOU'VE GIVEN ME... 447 00:21:01,076 --> 00:21:02,593 I CAN'T GO BACK. 448 00:21:07,499 --> 00:21:10,634 HAVE A DRINK. IT'S OKAY. 449 00:21:10,711 --> 00:21:12,645 YOU'LL FEEL BETTER. 450 00:21:17,843 --> 00:21:20,027 [police radio chatter] 451 00:21:25,184 --> 00:21:27,702 THIS IS SYNTHETIC HAIR. 452 00:21:27,778 --> 00:21:29,996 (Eames) YOUR WIFE'S EXTENSIONS, MR. SAGE? 453 00:21:32,107 --> 00:21:33,291 HANG ON. 454 00:21:38,497 --> 00:21:40,172 COMPACT. 455 00:21:43,428 --> 00:21:45,344 THAT'S AN ODD SHADE FOR A BLONDE. 456 00:21:47,122 --> 00:21:49,640 YOU GAVE KIRA A RIDE AFTER ALL. 457 00:21:57,516 --> 00:22:00,484 DOES YOUR CLIENT RECOGNIZE THESE WOMEN? 458 00:22:00,561 --> 00:22:02,353 ONLY AS SHAKEDOWN ARTISTS. 459 00:22:02,429 --> 00:22:03,820 THOSE CHARGES WERE SETTLED. 460 00:22:03,898 --> 00:22:06,398 EACH LIAR RECEIVED HER QUICK BUCK. 461 00:22:06,475 --> 00:22:07,775 WELL, YOUR CLIENT TOLD US 462 00:22:07,851 --> 00:22:10,569 THAT HE LEFT KIRA DANFORTH IN A BAR. 463 00:22:10,646 --> 00:22:13,238 BUT WE FOUND PROOF THAT SHE WAS IN HIS JAGUAR. 464 00:22:13,249 --> 00:22:14,540 SO WHAT DOES THAT MAKE HIM? 465 00:22:19,863 --> 00:22:21,455 OKAY. 466 00:22:21,532 --> 00:22:24,342 I DROVE HER HOME, AND THAT'S IT. 467 00:22:25,577 --> 00:22:27,127 (Goren) KIRA REJECTED YOU, 468 00:22:27,204 --> 00:22:29,338 AND YOU WERE AFRAID THAT SHE'D TALK, 469 00:22:29,415 --> 00:22:33,342 SO YOU CAME BACK TO MAKE SURE THAT SHE WOULDN'T? 470 00:22:33,419 --> 00:22:37,513 NO. KIRA RAN UP TO GET HER NOVEL. 471 00:22:37,589 --> 00:22:39,139 NOW, I CAN'T AFFORD MIXED MESSAGES, 472 00:22:39,216 --> 00:22:41,484 SO I WAITED IN MY CAR... 473 00:22:41,560 --> 00:22:43,519 WHEN I REALIZED WHERE I WAS, 474 00:22:43,595 --> 00:22:46,522 IN MY JAG IN THE 'HOOD. 475 00:22:46,532 --> 00:22:49,441 SO I SET MY GPS FOR CIVILIZATION, 476 00:22:49,518 --> 00:22:50,692 AND I GOT THE HELL OUT. 477 00:22:50,769 --> 00:22:52,694 (Constance) HERE'S HIS GPS LOG. 478 00:22:52,771 --> 00:22:54,580 MR. SAGE WAS HOME BY 10:30. 479 00:22:56,275 --> 00:22:58,534 WHY DIDN'T YOU TELL US THIS BEFORE? 480 00:22:58,610 --> 00:23:00,169 I WAS AFRAID OF HOW IT WOULD LOOK, 481 00:23:00,246 --> 00:23:02,454 GIVEN THAT PEOPLE LIKE TO TELL LIES ABOUT ME. 482 00:23:02,531 --> 00:23:04,548 (Goren) THESE WOMEN, THEY'RE SWORN TO SECRECY 483 00:23:04,625 --> 00:23:06,708 AS PART OF THEIR SETTLEMENT. 484 00:23:06,785 --> 00:23:08,677 SO WHO YOU TALKING ABOUT? 485 00:23:10,556 --> 00:23:12,464 LIONEL SHILL? 486 00:23:12,541 --> 00:23:14,550 WHY IS HE MAD AT YOU? 487 00:23:14,560 --> 00:23:16,677 HE'S MAD AT HIMSELF 488 00:23:16,753 --> 00:23:19,430 FOR SQUANDERING WHAT LITTLE TALENT HE HAD. 489 00:23:19,506 --> 00:23:21,890 HE PROJECTS HIS LOATHING ONTO ME 490 00:23:21,967 --> 00:23:24,518 AND ANYONE ELSE THAT HE MIGHT BE JEALOUS OF. 491 00:23:24,529 --> 00:23:27,396 YOU'RE SAYING THAT THAT WOULD INCLUDE KIRA? 492 00:23:27,473 --> 00:23:30,607 WELL, KIRA HAD TWO THINGS 493 00:23:30,684 --> 00:23:32,693 THAT SHILL LACKS-- 494 00:23:32,769 --> 00:23:35,579 A VOICE AND A FUTURE. 495 00:23:43,914 --> 00:23:45,789 (man) ♪ DEE DEE DEE DEE ♪ 496 00:23:45,866 --> 00:23:50,219 ♪ DEE DEE DEE ♪ ♪ 497 00:24:01,840 --> 00:24:06,226 GARETH WAS HOME LONG BEFORE KIRA WAS SHOT. 498 00:24:06,303 --> 00:24:08,270 WHICH MEANS WE'RE BACK TO SQUARE ONE. 499 00:24:08,347 --> 00:24:09,596 MAYBE NOT. 500 00:24:09,674 --> 00:24:12,900 THIS IS THE GALLEYS TO SHILL'S NEW NOVEL. 501 00:24:12,976 --> 00:24:15,569 IT'S ABOUT A YOUNG BLACK PAINTER'S RISE 502 00:24:15,580 --> 00:24:19,698 FROM POVERTY TO MANHATTAN'S POSH ART SCENE. 503 00:24:19,775 --> 00:24:22,168 HE'S CALLING IT TOKEN. 504 00:24:24,738 --> 00:24:26,705 (Ross) SO... 505 00:24:26,782 --> 00:24:29,541 HOW CLOSELY DOES IT HEW TO THE NOVEL 506 00:24:29,618 --> 00:24:31,210 KIRA WAS GONNA GIVE GARETH? 507 00:24:31,286 --> 00:24:32,920 WE HAVEN'T BEEN ABLE TO FIND IT. 508 00:24:32,922 --> 00:24:36,173 KIRA'S COMPUTER WAS SMASHED THE NIGHT SHE WAS KILLED. 509 00:24:36,250 --> 00:24:39,801 JUST HOW DESPERATE IS MR. SHILL? 510 00:24:39,878 --> 00:24:41,970 WELL, HIS LAST SIX NOVELS CRASHED AND BURNED. 511 00:24:42,047 --> 00:24:44,607 HE MAKES A LIVING ON THE LECTURE CIRCUIT. 512 00:24:44,683 --> 00:24:46,308 YOU KNOW, ARIANA CYPHER, 513 00:24:46,385 --> 00:24:48,936 SHE SAID THAT KIRA WAS ALWAYS THE FIRST PERSON 514 00:24:49,012 --> 00:24:50,521 IN THE OFFICE. 515 00:24:50,597 --> 00:24:52,731 MAYBE SHE CAME EARLY 516 00:24:52,808 --> 00:24:54,650 TO WORK ON HER NOVEL. 517 00:24:54,660 --> 00:24:57,194 TAKE ANOTHER PASS AT KIRA'S WORK COMPUTER. 518 00:24:57,271 --> 00:24:59,655 DON'T TELL ARIANA WHY. 519 00:24:59,731 --> 00:25:01,281 CAN YOU...DO THAT? 520 00:25:01,358 --> 00:25:03,784 I-I WANNA TALK TO ONE OF THE CHARACTERS 521 00:25:03,860 --> 00:25:05,628 IN SHILL'S NOVEL. 522 00:25:07,632 --> 00:25:09,623 (D TOUR) I NEVER READ WHAT SHE WROTE. 523 00:25:09,700 --> 00:25:11,291 WRITING STUFF WASN'T MY BAG. 524 00:25:11,368 --> 00:25:12,960 KIRA LOVED YA. 525 00:25:13,036 --> 00:25:15,504 SHE LOVED THE WAY YOU SANG. WHAT WAS THE SONG? 526 00:25:15,581 --> 00:25:18,632 FORGOT WHAT TUNE IT WAS. UH... 527 00:25:18,709 --> 00:25:20,676 MADE HER SMILE-- SHINE EYE GIRL. 528 00:25:20,686 --> 00:25:22,886 HOW YOU KNOW THAT? 529 00:25:22,963 --> 00:25:25,648 BECAUSE I READ IT. 530 00:25:25,724 --> 00:25:27,683 KIRA WROTE ABOUT ME? 531 00:25:27,759 --> 00:25:30,686 I'M NOT SURE I'M FEELIN' THAT. 532 00:25:30,696 --> 00:25:32,696 WHY, YOU GOT SOMETHING TO HIDE? 533 00:25:36,443 --> 00:25:38,777 I WAS 16. I STOLE A BEEMER. 534 00:25:38,854 --> 00:25:40,779 ENDED UP IN SPOFFORD FOR A YEAR. 535 00:25:40,856 --> 00:25:44,708 AND KIRA...SHE CAME TO SEE ME EVERY WEEK. 536 00:25:45,861 --> 00:25:48,504 WELL, SHE DIDN'T WRITE ANYTHING ABOUT THAT. 537 00:25:50,365 --> 00:25:51,790 LOOK, SHE EVER TELL YOU 538 00:25:51,867 --> 00:25:54,001 WHAT SHILL THOUGHT ABOUT HER NOVEL? 539 00:25:54,077 --> 00:25:56,795 HE NEVER LET HER READ IT IN FRONT OF HIS GROUP. 540 00:25:56,872 --> 00:25:58,797 SHE'D COME HOME IN TEARS. 541 00:25:58,874 --> 00:26:01,466 NO MATTER HOW HARD SHE WORKED, 542 00:26:01,477 --> 00:26:03,752 HE SAID IT WASN'T ENOUGH. 543 00:26:07,049 --> 00:26:09,558 (Eames) KIRA'S MANUSCRIPT WAS IN A FILE 544 00:26:09,635 --> 00:26:11,393 ON HER HARD DRIVE TITLED BUDGETS. 545 00:26:11,470 --> 00:26:13,812 YOU KNOW, I SPOKE TO D TOUR, 546 00:26:13,823 --> 00:26:16,273 AND SHILL STOLE HER VOICE. 547 00:26:16,350 --> 00:26:19,067 KIRA'S LAST PHONE CALLS WERE TO SHILL. 548 00:26:19,144 --> 00:26:21,361 YEAH, BUT HE MIGHT HAVE SNAPPED 549 00:26:21,438 --> 00:26:24,456 IF SHE TOLD HIM THAT SAGE WAS INTERESTED IN HER NOVEL. 550 00:26:24,533 --> 00:26:25,824 I DON'T KNOW IF I SEE SHILL 551 00:26:25,901 --> 00:26:28,035 LEAVING HIS WEST VILLAGE TOWNHOUSE 552 00:26:28,111 --> 00:26:31,872 TO SHOOT HIS PROTéGé IN A BROOKLYN GHETTO. 553 00:26:31,948 --> 00:26:34,416 YEAH, BUT THE GUY IS DESPERATE FOR A COMEBACK. 554 00:26:34,493 --> 00:26:36,501 IF KIRA EXPOSED HIM FOR WHAT HE IS, 555 00:26:36,512 --> 00:26:39,421 I CAN'T SEE THAT GUY SURVIVING HUMILIATION LIKE THAT. 556 00:26:39,498 --> 00:26:40,672 I KNOW GUYS LIKE THIS. 557 00:26:40,749 --> 00:26:42,841 I KNOW YOU DO. 558 00:26:42,918 --> 00:26:44,509 I'VE MET YOUR MENTOR. 559 00:26:44,586 --> 00:26:45,927 WELL, IT'S NOT ABOUT THAT. 560 00:26:46,004 --> 00:26:47,763 IT'S ABOUT FINDING THE TRUTH. 561 00:26:47,839 --> 00:26:50,057 WE GOTTA BRING THIS GUY IN NOW. 562 00:26:50,133 --> 00:26:52,934 LET'S TALK TO SHILL ON HIS OWN TURF. 563 00:26:53,011 --> 00:26:56,605 YOU KNOW, PHILLIP GREEN COULD ATTEST 564 00:26:56,682 --> 00:26:59,608 THAT THE THREE OF US WERE HOME ALL NIGHT. 565 00:26:59,685 --> 00:27:02,611 OF COURSE, HE'S IN STOCKHOLM, 566 00:27:02,688 --> 00:27:05,748 SO PERHAPS IT WOULD BE EASIER TO CONTACT TJ. 567 00:27:07,150 --> 00:27:09,627 YOUR LOYAL PROTéGé, TJ HAWKINS. 568 00:27:11,822 --> 00:27:13,955 NOW, HE OWES HIS CAREER TO YOU. 569 00:27:13,966 --> 00:27:15,957 WELL, HE'S BEEN KIND ENOUGH TO SAY SO. 570 00:27:16,034 --> 00:27:19,628 IN THE SAME WAY THAT YOU OWE KIRA YOUR COMEBACK. 571 00:27:19,705 --> 00:27:20,629 PARDON? 572 00:27:20,706 --> 00:27:22,806 YOU STOLE HER BOOK. 573 00:27:22,883 --> 00:27:25,801 RIGHT? YOUR NEW BOOK. 574 00:27:25,877 --> 00:27:28,637 KIRA'S LIFE IS AN INSPIRATION, 575 00:27:28,714 --> 00:27:30,430 BUT I-- 576 00:27:30,507 --> 00:27:33,642 WOULD YOU DO ME A FAVOR? COULD YOU READ THIS? 577 00:27:33,719 --> 00:27:36,144 I MARKED IT HERE... 578 00:27:36,221 --> 00:27:39,073 CAN YOU READ THIS FOR ME? 579 00:27:42,144 --> 00:27:44,069 LOOK, JUST... 580 00:27:44,146 --> 00:27:45,212 YEAH. 581 00:27:48,867 --> 00:27:51,952 "HE WAS MAKING CHICKEN STEW. 582 00:27:52,028 --> 00:27:54,079 "THE FETOR OF GARLIC PULLED HER BACK, 583 00:27:54,156 --> 00:27:57,082 BUT SHE WAS DETERMINED TO GO." 584 00:27:57,159 --> 00:27:59,126 THAT'S A NICE PIECE OF WRITING. 585 00:27:59,202 --> 00:28:00,877 THANK YOU. 586 00:28:00,954 --> 00:28:02,680 "D COOKS STEW CHICKEN. 587 00:28:04,916 --> 00:28:06,842 "THE SMELL OF GARLIC BURROWS INTO MY SILK BLOUSE. 588 00:28:06,918 --> 00:28:10,521 I LEAVE, REEKING OF HOME AND FEELING LIKE A TRAITOR." 589 00:28:12,090 --> 00:28:14,942 WE FOUND KIRA'S NOVEL. 590 00:28:16,052 --> 00:28:16,952 OH. 591 00:28:16,954 --> 00:28:19,020 (Goren) IT'S NOT AS PURPLE 592 00:28:19,097 --> 00:28:22,858 AS YOUR PROSE, BUT... 593 00:28:22,868 --> 00:28:25,902 I DON'T KNOW, TO ME IT RINGS TRUER. 594 00:28:25,979 --> 00:28:27,988 HUH. EVERYONE'S A CRITIC. 595 00:28:28,064 --> 00:28:32,200 (Goren) AND YOU'RE A PLAGIARIST, AREN'T YOU? 596 00:28:32,277 --> 00:28:34,119 YOU'RE A FAKE. 597 00:28:34,196 --> 00:28:35,912 A HACK. 598 00:28:35,989 --> 00:28:37,122 IF WORD GOT OUT, 599 00:28:37,199 --> 00:28:39,541 THOSE LECTURE FEES WOULD DRY UP. 600 00:28:39,552 --> 00:28:41,877 (Goren) KIRA TRUSTED YOU, 601 00:28:41,887 --> 00:28:44,129 AND YOU STOLE FROM HER. 602 00:28:44,206 --> 00:28:46,682 AND YOU ARE BEING HYPERBOLIC, DETECTIVE! 603 00:28:46,759 --> 00:28:47,725 I'M NOT DONE! 604 00:28:52,848 --> 00:28:55,441 I'D LIKE FOR YOU TO SAY THAT YOU'RE A FRAUD. 605 00:28:58,637 --> 00:28:59,853 [chuckles] 606 00:28:59,930 --> 00:29:01,563 [whimpers] 607 00:29:01,574 --> 00:29:03,732 AH...AH...AH! 608 00:29:03,809 --> 00:29:04,566 HAVE A SEAT. 609 00:29:04,643 --> 00:29:06,735 GO AHEAD. 610 00:29:06,812 --> 00:29:08,036 COME ON. 611 00:29:08,897 --> 00:29:10,748 I'D LIKE YOU TO SAY IT. 612 00:29:20,242 --> 00:29:21,800 OKAY. 613 00:29:25,288 --> 00:29:27,839 YOU PULLED BACK THE CURTAIN, 614 00:29:27,916 --> 00:29:32,219 AND YOU FOUND A PATHETIC OLD MAN... 615 00:29:32,295 --> 00:29:35,606 WHO COVETED A BRILLIANT YOUNG WRITER'S FUTURE. 616 00:29:37,843 --> 00:29:40,736 PERHAPS HE-- HE TOOK HER WORDS. 617 00:29:42,948 --> 00:29:44,731 ONLY HER WORDS. 618 00:29:44,808 --> 00:29:46,617 NOT HER LIFE. 619 00:29:51,982 --> 00:29:54,950 YOU KILLED KIRA TO SAVE YOUR LEGACY. 620 00:29:54,960 --> 00:29:56,618 WHAT LEGACY? 621 00:29:56,695 --> 00:29:59,955 MY LAST NOVEL SOLD LESS THAN A THOUSAND COPIES. 622 00:30:00,031 --> 00:30:05,794 I WAS HERE... AS I AM EVERY NIGHT, 623 00:30:05,871 --> 00:30:07,638 DRINKING... 624 00:30:22,988 --> 00:30:25,689 ALL RIGHT! 625 00:30:25,765 --> 00:30:27,991 I-I'LL GIVE YOU PHILLIP'S NUMBER. 626 00:30:29,060 --> 00:30:32,028 I WAS--I WAS HOPING TO SPARE HIM THIS, 627 00:30:32,105 --> 00:30:36,250 BUT HE WILL CERTIFY THAT I WAS HOME ALL NIGHT. 628 00:30:42,616 --> 00:30:44,073 MY GOD, 629 00:30:44,151 --> 00:30:46,802 IF I DIDN'T KNOW BETTER, I'D SWEAR THIS WAS PERSONAL. 630 00:30:50,790 --> 00:30:59,306 [ice cubes clinking] 631 00:30:59,382 --> 00:31:01,182 A VERY CRANKY PHILLIP GREEN IN STOCKHOLM. 632 00:31:01,259 --> 00:31:03,485 HE SAYS HE AND TJ AND SHILL 633 00:31:03,562 --> 00:31:05,186 GOT TO SHILL'S HOME AROUND 11:30 634 00:31:05,263 --> 00:31:06,588 WHERE HE SPENT 635 00:31:06,665 --> 00:31:09,691 MOST OF THE NIGHT IN THE GUEST ROOM RECOVERING. 636 00:31:09,768 --> 00:31:11,776 RECOVERING FROM WHAT? 637 00:31:11,853 --> 00:31:13,996 AN OVERABUNDANCE OF GRAPPA. 638 00:31:15,857 --> 00:31:18,783 WHY DON'T YOU GO BACK TO THE ONE GUY IN THIS MIX 639 00:31:18,860 --> 00:31:20,535 WHO ACTUALLY ADMITS TO BEING A MURDERER? 640 00:31:20,612 --> 00:31:22,537 THE POSER WITHOUT A MOTIVE? 641 00:31:22,614 --> 00:31:23,538 EAMES... 642 00:31:23,615 --> 00:31:25,165 WE'VE SEEN THE BITTER FATE 643 00:31:25,241 --> 00:31:27,551 OF BEING A ONE-HIT WONDER. 644 00:31:35,218 --> 00:31:38,094 DO YOU HAVE ANY IDEA WHAT WAS ON KIRA'S MIND 645 00:31:38,171 --> 00:31:40,513 THE NIGHT OF THE READING? 646 00:31:40,524 --> 00:31:43,483 WHAT, YOU COULDN'T BEAT AN ANSWER OUT OF LIONEL? 647 00:31:47,430 --> 00:31:49,114 HE'S MAD AT ME. 648 00:31:50,534 --> 00:31:52,776 IS THAT BECAUSE I WENT AFTER YOUR MENTOR LIKE THAT? 649 00:31:52,852 --> 00:31:55,278 LOOK, KIRA WAS YOUR FRIEND. 650 00:31:55,355 --> 00:31:57,364 SHE WAS IN TROUBLE. 651 00:31:57,440 --> 00:31:59,449 SHE DIDN'T TELL YOU ANYTHING? 652 00:31:59,526 --> 00:32:01,868 I DIDN'T HAVE TIME TO TALK TO HER BEFORE THE READING. 653 00:32:01,945 --> 00:32:03,462 THEN SHE HOOKED UP WITH SAGE. 654 00:32:03,538 --> 00:32:05,455 AND WHEN SHE CALLED THE RESTAURANT? 655 00:32:05,532 --> 00:32:07,332 I DIDN'T KNOW SHE CALLED. 656 00:32:07,409 --> 00:32:08,700 PHILLIP WAS HOLDING COURT, 657 00:32:08,777 --> 00:32:10,835 TELLING STORIES ABOUT SMOKING POT IN THE WHITE HOUSE 658 00:32:10,912 --> 00:32:12,429 WITH ALLEN GINSBERG. 659 00:32:15,250 --> 00:32:17,309 WELL, SHILL TOLD US 660 00:32:17,386 --> 00:32:18,477 THAT SHE WAS DISTRAUGHT AND... 661 00:32:18,553 --> 00:32:20,679 HE DIDN'T SHARE THAT WITH YOU AT ALL? 662 00:32:20,755 --> 00:32:22,764 MAYBE HE THOUGHT YOU'D BREAK OUT 663 00:32:22,841 --> 00:32:24,724 INTO A VIOLENT RAGE OR SOMETHING. 664 00:32:24,735 --> 00:32:27,069 YOU KNOW, HE SHOWED YOU OFF AS HIS PRIZED PUPIL, 665 00:32:27,145 --> 00:32:30,113 BUT MAYBE HE THOUGHT DEEP DOWN YOU WERE STILL AN ANIMAL. 666 00:32:32,434 --> 00:32:34,484 LET ME DO IT. HERE, COME ON. 667 00:32:34,561 --> 00:32:35,735 GO AHEAD. 668 00:32:35,812 --> 00:32:37,237 YOU DON'T WANNA STAND THERE. 669 00:32:37,313 --> 00:32:38,638 COME ON. YEAH? 670 00:32:38,640 --> 00:32:40,082 COME ON, TJ. LET'S SEE WHAT YOU GOT. 671 00:32:41,609 --> 00:32:43,410 COME ON. 672 00:32:43,486 --> 00:32:44,911 GIVE IT YOUR BEST SHOT. 673 00:32:46,256 --> 00:32:48,540 THAT'S IT? THAT'S--THAT'S WHAT YOU HAVE? 674 00:32:48,550 --> 00:32:50,417 IS THAT IT? THAT'S ALL HE'S GOT? 675 00:32:50,493 --> 00:32:52,419 OKAY, MAYBE THIS'LL MAKE IT EASIER FOR YOU. 676 00:32:52,495 --> 00:32:54,462 OH, BOBBY-- 677 00:32:54,539 --> 00:32:56,664 SORRY ABOUT THE FLIES. THEY'RE ALL OVER YOU. 678 00:33:00,503 --> 00:33:02,354 SHOW ME SOMETHING. COME ON. 679 00:33:06,509 --> 00:33:08,568 SHOW ME SOMETHING. 680 00:33:09,679 --> 00:33:12,280 I ONLY START WHAT I CAN FINISH. 681 00:33:18,271 --> 00:33:20,447 WELL, I GUESS THERE WEREN'T ENOUGH CAMERAS AROUND 682 00:33:20,523 --> 00:33:21,948 FOR HIM TO GIVE US A SHOW. 683 00:33:22,025 --> 00:33:23,491 WELL, HE GAVE US A TELL. 684 00:33:23,568 --> 00:33:25,752 TURNED HIS BACK WHEN HE WALKED AWAY. 685 00:33:27,530 --> 00:33:28,747 WHICH WOULD HAVE BEEN THE FIRST THING 686 00:33:28,823 --> 00:33:31,299 HE'D LEARN NOT TO DO IN THE PEN. 687 00:33:36,539 --> 00:33:39,466 (Goren) THANK YOU VERY MUCH. ASHKOURAK. 688 00:33:39,542 --> 00:33:41,384 YOU TWO PUNCHED IN EARLY. 689 00:33:41,461 --> 00:33:43,845 (Goren) WELL, THEY'RE SEVEN HOURS AHEAD OF US IN YEMEN. 690 00:33:43,922 --> 00:33:47,599 THE JAIL THAT TJ CLAIMS TO HAVE SERVED TIME IN 691 00:33:47,675 --> 00:33:49,434 BURNED DOWN IN 2004. 692 00:33:49,511 --> 00:33:50,977 AND THE STATE DEPARTMENT HAS NO RECORD 693 00:33:51,054 --> 00:33:53,313 OF TJ EVER BEING IN YEMEN. 694 00:33:53,389 --> 00:33:54,814 I MAY BE DENSE, 695 00:33:54,891 --> 00:33:57,367 BUT WHAT HAS THIS GOT TO DO WITH KIRA DANFORTH? 696 00:33:57,444 --> 00:33:59,486 TJ'S NEW BOOK, AMERICAN DELINQUENT. 697 00:33:59,496 --> 00:34:04,532 NOW, HE DOESN'T NAME THE JUVIE DETENTION CENTER, 698 00:34:04,609 --> 00:34:06,618 BUT HE WRITES ABOUT IT. 699 00:34:06,694 --> 00:34:10,297 HE SAYS THAT HE COULD SMELL RAW MEAT FROM HIS CELL. 700 00:34:11,533 --> 00:34:13,458 THE PRODUCE AND MEAT CENTER IN THE BRONX. 701 00:34:13,535 --> 00:34:14,867 IT'S SPOFFORD. 702 00:34:14,869 --> 00:34:16,628 THAT'S WHERE D TOUR SPENT A YEAR 703 00:34:16,704 --> 00:34:18,213 FOR STEALING A CAR. 704 00:34:18,289 --> 00:34:19,890 NOW, I CALLED D TOUR AGAIN 705 00:34:19,966 --> 00:34:23,426 AND TOLD HIM SOME OF THE THINGS THAT TJ SAYS IN THIS BOOK. 706 00:34:23,503 --> 00:34:25,479 HE LAUGHED. 707 00:34:25,555 --> 00:34:26,805 TJ DID ENOUGH RESEARCH TO SOUND CONVINCING. 708 00:34:26,881 --> 00:34:29,516 IT WAS JUST HIS BAD LUCK THAT KIRA'S BOYFRIEND 709 00:34:29,592 --> 00:34:30,850 WAS ACTUALLY THERE. 710 00:34:30,927 --> 00:34:33,353 OKAY, BUT HOW CAN SHE HURT HIM? 711 00:34:33,429 --> 00:34:34,754 SHE'S AN UNPUBLISHED WRITER. 712 00:34:34,831 --> 00:34:36,856 HE'S ON THE TOP OF THE BEST-SELLER LIST. 713 00:34:36,933 --> 00:34:38,566 BUT NOT WITH AMERICAN DELINQUENT. 714 00:34:38,643 --> 00:34:40,327 THE DAILY TIMES 715 00:34:40,403 --> 00:34:42,362 HASN'T PUBLISHED A REVIEW YET. 716 00:34:42,438 --> 00:34:44,280 POWERHOUSE AUTHOR LIKE HAWKINS, 717 00:34:44,357 --> 00:34:46,699 THAT REVIEW SHOULD HAVE RUN IN TIME WITH THE RELEASE. 718 00:34:46,710 --> 00:34:48,910 UNLESS WHOEVER WROTE IT... 719 00:34:48,987 --> 00:34:51,671 COULDN'T TURN IT IN. 720 00:34:52,949 --> 00:34:54,666 (Sage) OKAY, I SHOULD HAVE TOLD YOU 721 00:34:54,742 --> 00:34:58,294 THAT KIRA WAS GOING TO REVIEW TJ'S BOOK. 722 00:34:58,371 --> 00:34:59,295 (Goren) IN THE TIMES. 723 00:34:59,372 --> 00:35:00,547 YES. 724 00:35:00,623 --> 00:35:02,549 WHEN DID YOU TELL TJ? 725 00:35:02,625 --> 00:35:04,551 I DIDN'T. 726 00:35:04,627 --> 00:35:06,553 I DIDN'T WANT TJ PRESSURING KIRA. 727 00:35:06,629 --> 00:35:07,929 IT WAS TOO RISKY. 728 00:35:08,006 --> 00:35:10,607 THE NIGHT THAT YOU TOOK KIRA OUT 729 00:35:10,684 --> 00:35:12,559 AFTER THE READING... 730 00:35:12,635 --> 00:35:15,562 YOU KNEW THAT YOU DIDN'T WANT TO REPRESENT HER NOVEL. 731 00:35:15,638 --> 00:35:17,605 TJ AND KIRA WERE FRIENDS. 732 00:35:17,682 --> 00:35:21,734 I WOULD ASSUME THAT THE REVIEW WOULD BE A RAVE, SURE. 733 00:35:21,811 --> 00:35:24,362 BUT I WANTED TO COVER MY BASES. 734 00:35:24,439 --> 00:35:27,624 HEY, ANY CHANCE THE TIMES LET YOU SEE THAT REVIEW? 735 00:35:27,701 --> 00:35:29,659 (Eames) KIRA NEVER HANDED IT IN. 736 00:35:29,736 --> 00:35:32,412 IT WAS DUE THE DAY AFTER SHE WAS KILLED. 737 00:35:32,422 --> 00:35:34,747 GREAT! JUST MY LUCK. 738 00:35:34,758 --> 00:35:36,583 NOW THEY'RE GONNA HAVE TO REASSIGN. 739 00:35:36,659 --> 00:35:37,959 THE THING COULD TAKE WEEKS. 740 00:35:38,036 --> 00:35:40,670 (Eames) WELL, I'M SURE YOU CAN COME UP WITH 741 00:35:40,747 --> 00:35:42,714 SOMEONE ELSE WHO CAN WRITE IT. 742 00:35:42,790 --> 00:35:43,915 WHAT ARE YOU SAYING? 743 00:35:43,991 --> 00:35:45,508 WELL, KIRA'S UNPUBLISHED. 744 00:35:45,585 --> 00:35:47,394 SHE COULDN'T HAVE GOTTEN THE GIG AT THE TIMES 745 00:35:47,470 --> 00:35:49,604 UNLESS SOMEONE CASHED IN A FAVOR. 746 00:35:49,681 --> 00:35:52,649 [chuckling] THE DAY THEY LET AGENTS 747 00:35:52,726 --> 00:35:54,467 CHOOSE WHO'S GONNA REVIEW BOOKS 748 00:35:54,544 --> 00:35:57,770 IS THE DAY EVEN I THINK THE BUSINESS IS TOO SLEAZY. 749 00:35:57,847 --> 00:36:01,482 OKAY, IF IT WASN'T YOU, HOW'D KIRA GET THE ASSIGNMENT? 750 00:36:01,559 --> 00:36:03,776 HOW DID SHE GET THE ASSIGNMENT? 751 00:36:03,853 --> 00:36:07,664 WHO DO YOU THINK THE TIMES EDITOR STUDIED UNDER? 752 00:36:09,150 --> 00:36:10,617 (Eames) SHILL GOT KIRA ASSIGNED 753 00:36:10,693 --> 00:36:12,619 TO REVIEW HIS PROTéGé'S BOOK, 754 00:36:12,695 --> 00:36:13,912 KIRA'S FIRST BIG BREAK. 755 00:36:13,988 --> 00:36:15,538 [cell phone ringing] 756 00:36:15,615 --> 00:36:17,081 GOREN. 757 00:36:17,158 --> 00:36:19,959 OH, IS THAT RIGHT? ALL RIGHT, THANKS. 758 00:36:20,036 --> 00:36:22,962 BALLISTICS. THEY GOT A HIT ON THAT .22. 759 00:36:23,039 --> 00:36:25,465 THEY ALREADY RAN THAT GUN. CAME UP EMPTY. 760 00:36:25,541 --> 00:36:26,674 YEAH, IN NEW YORK. 761 00:36:26,685 --> 00:36:28,718 I HAD A FRIEND RUN IT IN JERSEY. 762 00:36:28,795 --> 00:36:31,679 TURNS OUT, IT WAS USED IN THE NEWARK RIOTS 763 00:36:31,756 --> 00:36:32,938 TO SHOOT A COP. 764 00:36:32,940 --> 00:36:35,058 THAT BOY SHILL TAUGHT IN PRISON... 765 00:36:35,068 --> 00:36:36,976 HE NOT ONLY GOT A NOVEL OUT OF HIM. 766 00:36:37,053 --> 00:36:38,645 HE GOT THE KID'S GUN? 767 00:36:38,721 --> 00:36:39,896 SAME AS THE BOOK, RIGHT? 768 00:36:39,973 --> 00:36:41,823 KID GIVES THE TEACHER THE GUN FOR SAFEKEEPING. 769 00:36:41,900 --> 00:36:43,983 KIRA WAS SWIMMING WITH SHARKS. 770 00:36:44,060 --> 00:36:46,653 SHILL'S A THIEF. TJ'S A FRAUD. 771 00:36:46,729 --> 00:36:48,004 EITHER ONE OF THEM 772 00:36:48,081 --> 00:36:50,373 COULD HAVE TAKEN THAT GUN TO BROOKLYN. 773 00:36:55,071 --> 00:36:57,664 (woman) I WANTED TO OPEN WITH SOMETHING MEMORABLE. 774 00:36:57,674 --> 00:37:00,875 WELL, MY DEAR, TWO THINGS: 775 00:37:00,952 --> 00:37:03,044 FIRST, IT WASN'T MEMORABLE. 776 00:37:03,121 --> 00:37:06,839 IT WAS LIKE JOYCE CAROL OATES ON BARBITURATES. 777 00:37:06,850 --> 00:37:08,591 SECONDLY, YOUR OPENING SENTENCE 778 00:37:08,668 --> 00:37:11,511 MUST BE A PROMISE OF A TRUTH WORTH READING. 779 00:37:11,587 --> 00:37:13,721 ANYTHING LESS IS BLASPHEMY. 780 00:37:13,798 --> 00:37:18,568 [deliberate clapping] 781 00:37:19,679 --> 00:37:22,689 THEY FOLLOWED ME IN. THEY HAVE BADGES. 782 00:37:22,765 --> 00:37:24,857 WE'RE IN THE MIDDLE OF OUR SALON. 783 00:37:24,868 --> 00:37:27,652 IT'S OKAY. I WANTED TO SEE THE... 784 00:37:27,729 --> 00:37:30,029 MASTER AT WORK, YOU KNOW, PLOTTING THE... 785 00:37:30,106 --> 00:37:31,864 PSYCHOLOGICAL INTRIGUE. 786 00:37:31,941 --> 00:37:34,784 THE WAY THAT YOU MANIPULATE LIVES, AS IF... 787 00:37:34,861 --> 00:37:36,828 THEY WERE CHARACTERS 788 00:37:36,904 --> 00:37:39,673 IN YOUR OWN LIFE NOVEL WHERE YOU PLAY GOD. 789 00:37:39,749 --> 00:37:41,791 SHOW SOME RESPECT, SHERLOCK. 790 00:37:41,868 --> 00:37:43,626 (Eames) RESPECT. THAT'S IMPORTANT, ISN'T IT? 791 00:37:43,703 --> 00:37:44,944 WHERE'D YOU LEARN THAT, 792 00:37:45,021 --> 00:37:47,630 AT THAT HELLHOLE IN YEMEN 793 00:37:47,641 --> 00:37:49,465 OR AT SPOFFORD? 794 00:37:49,542 --> 00:37:51,676 HARD TIME IS HARD TIME. 795 00:37:51,753 --> 00:37:53,177 BEEN GOOD FOR YOU. 796 00:37:53,188 --> 00:37:54,846 HOW'S THAT SECOND BOOK-- OH, WAIT. 797 00:37:54,922 --> 00:37:56,180 IT HASN'T REALLY CAUGHT ON FIRE YET. 798 00:37:56,257 --> 00:37:58,057 YOU STILL WAITING ON THE TIMES REVIEW? 799 00:37:58,134 --> 00:38:02,061 (Eames) A GOOD FRIEND LIKE KIRA SINGING YOUR PRAISES. 800 00:38:02,072 --> 00:38:03,813 THAT WOULD HAVE BEEN A SLAM DUNK. 801 00:38:03,890 --> 00:38:06,816 DID YOU KNOW THAT MR. SHILL GOT KIRA THE JOB, 802 00:38:06,893 --> 00:38:09,777 CONNED AN EDITOR FRIEND OF HIS OVER THERE 803 00:38:09,788 --> 00:38:13,197 INTO GLOSSING OVER KIRA'S CONFLICT OF INTEREST? 804 00:38:13,208 --> 00:38:15,742 SHE WAS THE PERFECT CHOICE, WASN'T SHE, 805 00:38:15,818 --> 00:38:19,037 BECAUSE OF HER CONNECTION TO THE MATERIAL? 806 00:38:19,113 --> 00:38:23,049 THE LOVE OF KIRA'S LIFE SPENT A YEAR IN SPOFFORD. 807 00:38:23,126 --> 00:38:26,586 SHE KNOWS THE TRUTH OF THAT PLACE, YOU KNOW? 808 00:38:26,662 --> 00:38:29,505 WHEN SHE READ YOUR BOOK, SHE SAW IT FOR WHAT IT WAS. 809 00:38:29,582 --> 00:38:31,157 IT WAS PURE FICTION. 810 00:38:31,234 --> 00:38:34,510 (Eames) HER EXPOSé WOULD HAVE BEEN FRONT PAGE NEWS. 811 00:38:34,587 --> 00:38:35,854 SO YOU HAD TO STOP THAT. 812 00:38:41,677 --> 00:38:45,229 HOW DID YOU KNOW THAT HE WAS A FAKE? 813 00:38:45,306 --> 00:38:46,597 DID KIRA TELL YOU THAT, 814 00:38:46,674 --> 00:38:48,274 OR YOU FIGURE THAT OUT ON YOUR OWN? 815 00:38:48,351 --> 00:38:50,577 YOU KNOW THIS IS ABSOLUTE NONSENSE. 816 00:38:52,605 --> 00:38:53,696 KIRA SHOW YOU THIS? 817 00:38:53,773 --> 00:38:55,865 IT'S KIRA'S NOVEL IN PROGRESS. 818 00:38:55,942 --> 00:38:57,125 HERE. 819 00:38:57,202 --> 00:38:58,877 [Shill, chuckling] I'LL TAKE IT. 820 00:39:00,113 --> 00:39:02,080 YOU SHOULD HAVE A LOOK AT IT. 821 00:39:02,090 --> 00:39:04,582 YOU'LL...RECOGNIZE IT. 822 00:39:04,659 --> 00:39:06,834 HE STOLE HER VOICE AND HER LIFE. 823 00:39:06,911 --> 00:39:09,596 HE PUT HIS NAME ON IT. 824 00:39:11,975 --> 00:39:13,058 YOU'RE LYING. 825 00:39:18,297 --> 00:39:19,814 READ IT. 826 00:39:23,061 --> 00:39:26,312 SECOND CALL THAT SHE MADE TO YOU... 827 00:39:26,323 --> 00:39:28,773 SHE HAD BEEN BEATEN UP, YOU KNOW. 828 00:39:28,850 --> 00:39:30,024 SHE WAS HURT. SHE WAS SCARED. 829 00:39:30,101 --> 00:39:31,609 SHE REACHED OUT TO YOU, 830 00:39:31,686 --> 00:39:33,111 AND WHAT DID YOU DO? 831 00:39:33,187 --> 00:39:34,996 I COULD NOT UNDERSTAND A WORD SHE WAS SAYING. 832 00:39:35,073 --> 00:39:37,865 NO, YOU SHOWED TJ HER REVIEW. 833 00:39:37,942 --> 00:39:39,617 OH, TJ, 834 00:39:39,694 --> 00:39:41,160 THEY'RE TRYING TO PROVOKE YOU. 835 00:39:41,237 --> 00:39:44,038 COME ON, TJ. 836 00:39:44,115 --> 00:39:47,875 HE SET YOU UP TO KILL KIRA, 837 00:39:47,952 --> 00:39:50,128 NOT BECAUSE SHE WAS GONNA EXPOSE YOU, 838 00:39:50,204 --> 00:39:51,888 BUT BECAUSE SHE WAS GONNA EXPOSE HIM. 839 00:39:53,249 --> 00:39:54,841 YOU KNOW, YOU DON'T WANNA READ THAT THING? 840 00:39:54,917 --> 00:39:57,009 THAT'S FINE. 841 00:39:57,020 --> 00:40:00,638 READ SHILL'S. LET'S HAVE A LOOK AT YOURS. 842 00:40:00,715 --> 00:40:03,057 "SHE RIDES THE TRAIN TO MIDTOWN. 843 00:40:03,134 --> 00:40:04,851 "THE OTHER BLACK WOMEN 844 00:40:04,927 --> 00:40:08,354 "IN THEIR SECRETARY BEST EYE HER. 845 00:40:08,365 --> 00:40:11,023 "SAMPLE SALE CLOTHES. 846 00:40:11,034 --> 00:40:12,859 STRAIGHTENED HAIR." 847 00:40:12,935 --> 00:40:15,278 YOU SON OF A BITCH. 848 00:40:15,354 --> 00:40:17,655 YOU KNEW I WAS DOWN ABOUT MY BOOK, 849 00:40:17,732 --> 00:40:21,000 AFRAID I WAS GONNA... LOSE EVERYTHING. 850 00:40:22,278 --> 00:40:24,203 HE WOUND YOU UP. HE GAVE YOU A GUN. 851 00:40:24,280 --> 00:40:26,247 WHERE WOULD I GET A GUN, TJ? 852 00:40:26,324 --> 00:40:29,125 LAMAR STYLES. REMEMBER HIM? 853 00:40:29,202 --> 00:40:30,877 [book clunks on table] 854 00:40:30,953 --> 00:40:34,255 HE SHOT A COP IN THE NEWARK RIOTS IN '67. 855 00:40:34,332 --> 00:40:36,215 (Eames) THE BULLETS THEY FOUND IN KIRA 856 00:40:36,292 --> 00:40:38,801 WERE FROM THAT SAME GUN. 857 00:40:38,878 --> 00:40:41,020 HE GAVE IT TO YOU, DIDN'T HE? 858 00:40:46,260 --> 00:40:47,902 YES. 859 00:40:47,979 --> 00:40:50,021 BUT BEFORE HE DID, 860 00:40:50,097 --> 00:40:52,190 HE CUT ME A LINE OF COKE. 861 00:40:52,266 --> 00:40:54,150 I'D BEEN CLEAN FOR FIVE YEARS. 862 00:40:54,227 --> 00:40:57,069 HE TOLD ME I DESERVED IT. 863 00:40:57,080 --> 00:40:59,155 THEN HE CUT ANOTHER ONE. 864 00:40:59,232 --> 00:41:02,909 TOLD ME TO GO GET THE CIGAR BOX FROM HIS DESK. 865 00:41:02,985 --> 00:41:05,244 OH, YOU INGRATE. 866 00:41:05,321 --> 00:41:07,589 HE TOLD ME TO TAKE THE PIECE. 867 00:41:10,993 --> 00:41:13,261 BE THE MAN I WROTE ABOUT. 868 00:41:18,977 --> 00:41:21,427 WHEN I GOT TO KIRA'S APARTMENT, I-- 869 00:41:21,504 --> 00:41:24,013 I CONFRONTED HER ABOUT THE REVIEW. 870 00:41:24,090 --> 00:41:26,265 YEAH, BUT SHE DIDN'T WANT TO HEAR ABOUT ANY REVIEW. 871 00:41:26,342 --> 00:41:28,267 NOT FROM A FRAUD LIKE YOU. 872 00:41:28,344 --> 00:41:32,146 SHE TOLD ME I WOULD NEVER BE ABLE TO USE A REAL GUN 873 00:41:32,223 --> 00:41:34,982 'CAUSE I WASN'T REAL. 874 00:41:34,993 --> 00:41:39,695 SHE MOCKED ME, TAUNTED ME. 875 00:41:39,772 --> 00:41:42,698 YOU NEEDED TO SHOW HER THAT YOU WERE REAL. 876 00:41:42,775 --> 00:41:44,275 I PULLED THE TRIGGER. 877 00:41:44,352 --> 00:41:48,079 BUT YOU DIDN'T EVEN HAVE THE COURAGE TO FINISH THE JOB. 878 00:41:48,155 --> 00:41:49,789 KIRA BLED TO DEATH. 879 00:41:49,865 --> 00:41:51,749 TJ HAWKINS, YOU ARE UNDER ARREST 880 00:41:51,826 --> 00:41:54,385 FOR THE MURDER OF KIRA DANFORTH. 881 00:41:56,998 --> 00:41:58,314 LIONEL SHILL, YOU'RE UNDER ARREST 882 00:41:58,391 --> 00:42:02,301 FOR CONSPIRING IN THE MURDER OF KIRA DANFORTH. 883 00:42:02,378 --> 00:42:03,844 TJ. HA. 884 00:42:03,921 --> 00:42:07,148 FROM MY TRIUMPH TO MY ALBATROSS. 885 00:42:12,430 --> 00:42:14,447 (Goren) SEE THOSE WRITERS? 886 00:42:14,524 --> 00:42:17,825 THEY'RE GONNA HAVE A HELL OF A STORY.