1
00:00:08,033 --> 00:00:10,333
(male announcer)
IN NEW YORK CITY'S
WAR ON CRIME,
2
00:00:10,344 --> 00:00:12,377
THE WORST CRIMINAL OFFENDERS
ARE PURSUED
3
00:00:12,454 --> 00:00:15,380
BY THE DETECTIVES
OF THE MAJOR CASE SQUAD.
4
00:00:15,391 --> 00:00:17,474
THESE ARE THEIR STORIES.
5
00:00:18,585 --> 00:00:21,094
MILES STONE.
HE CAN DO IT. TOTALLY.
6
00:00:21,171 --> 00:00:22,137
HE'S HOT.
7
00:00:22,214 --> 00:00:24,264
THE GUY IS A CHICK MAGNET.
8
00:00:24,341 --> 00:00:25,265
I'LL TELL YA SOMETHING.
9
00:00:25,342 --> 00:00:27,026
WHEN THEY DIG HIM
OUT OF THERE,
10
00:00:27,102 --> 00:00:28,685
WE ARE GONNA PAR-TAY.
11
00:00:28,696 --> 00:00:31,155
I'M GONNA BE HAPPY
WITH HIS OVERFLOW.
12
00:00:31,231 --> 00:00:33,356
♪ MILES STONE'S
THE NEXT HOUDINI ♪
13
00:00:33,433 --> 00:00:35,692
♪ WHEN HE ESCAPES,
I'LL BUY HIM A MARTINI ♪
14
00:00:35,703 --> 00:00:37,745
♪ MILES STONE LIES
SIX FEET UNDER ♪
15
00:00:37,821 --> 00:00:41,156
♪ HOW HE DOES IT
MAKES THIS COWBOY WONDER ♪ ♪
16
00:00:41,233 --> 00:00:43,200
[cheers and applause]
17
00:00:43,210 --> 00:00:44,400
(Shaun Robinson)
HARRY HOUDINI
18
00:00:44,478 --> 00:00:47,120
ONCE BURIED HIMSELF ALIVE
FOR 31 MINUTES.
19
00:00:47,197 --> 00:00:49,539
DAVID BLAINE A WEEK.
20
00:00:49,616 --> 00:00:53,752
MAGIC PHENOM MILES STONE
HAS BEEN BURIED ALIVE
21
00:00:53,829 --> 00:00:56,296
FOR 31 DAYS.
22
00:00:56,373 --> 00:00:58,057
AND TONIGHT IN THE SHADOW
23
00:00:58,133 --> 00:01:00,717
OF HARRY HOUDINI'S FINAL
RESTING PLACE,
24
00:01:00,794 --> 00:01:03,887
MILES STONE WILL ATTEMPT
TO RISE FROM THE GRAVE
25
00:01:03,964 --> 00:01:05,806
WHILE THE WORLD WATCHES.
26
00:01:05,882 --> 00:01:08,567
[cheers and applause]
27
00:01:15,308 --> 00:01:16,575
CUT TO THE CASKET.
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[circus music]
29
00:01:27,287 --> 00:01:30,831
♪
30
00:01:30,907 --> 00:01:34,292
WE'RE ON, AMANDA.
31
00:01:34,369 --> 00:01:35,460
MIRANDA.
32
00:01:35,537 --> 00:01:38,296
AMANDA. MIRANDA.
33
00:01:38,373 --> 00:01:39,848
WHICHEVER.
34
00:01:45,338 --> 00:01:47,514
THIS IS WHAT MILES STONE
TOLD ACCESS HOLLYWOOD
35
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EXCLUSIVELY BEFORE EMBARKING
36
00:01:49,309 --> 00:01:53,186
ON HIS LATEST VISIONARY
CHALLENGE 31 DAYS AGO.
37
00:01:53,263 --> 00:01:55,188
I'VE GONE BEYOND TRICKS.
38
00:01:55,265 --> 00:01:58,817
I'M TAKING MY MIND AND MY BODY
TO THE ABSOLUTE LIMIT.
39
00:01:58,894 --> 00:02:01,611
MAGIC AS WE KNOW IT
IS DYING.
40
00:02:01,688 --> 00:02:04,748
AND I'M WILLING TO RISK
MY LIFE TO REVIVE IT.
41
00:02:04,825 --> 00:02:07,159
THE PUBLIC DOESN'T WANT
CHEAP TRICKS
42
00:02:07,169 --> 00:02:08,618
AND ILLUSIONS ANYMORE.
43
00:02:08,695 --> 00:02:10,745
IT WANTS REALITY.
44
00:02:10,822 --> 00:02:13,206
TRY GIVING THEM THAT
WITH A TOP HAT, A RABBIT,
45
00:02:13,283 --> 00:02:16,135
AND A DECK OF CARDS.
46
00:02:18,330 --> 00:02:21,223
THERE, SIR.
IS THAT YOUR CARD?
47
00:02:22,726 --> 00:02:25,561
[scattered applause]
48
00:02:25,637 --> 00:02:28,772
THANK YOU. THANK YOU.
49
00:02:28,849 --> 00:02:31,358
YOU ALL COME IN THE SAME CAB?
50
00:02:33,428 --> 00:02:35,353
KIDDING.
51
00:02:35,430 --> 00:02:39,357
NOW I'M GOING TO ATTEMPT
SOMETHING SO DANGEROUS
52
00:02:39,434 --> 00:02:41,276
IT'S BEEN BANNED
IN 39 STATES
53
00:02:41,353 --> 00:02:44,362
AND THE DISTRICT
OF COLUMBIA.
54
00:02:44,439 --> 00:02:49,418
ALL OF YOU FAINT OF HEART,
YOU'VE BEEN WARNED.
55
00:02:50,403 --> 00:02:55,332
CLEARLY, MIRANDA
HAS GROWN TOO BIG
56
00:02:55,408 --> 00:02:57,292
FOR HER SEQUINED BRITCHES.
57
00:02:57,369 --> 00:03:00,879
HIGH TIME I CUT HER DOWN
A SIZE
58
00:03:00,956 --> 00:03:04,808
WITH THESE RAZOR SHARP,
59
00:03:04,885 --> 00:03:06,509
HAND FORGED,
60
00:03:06,586 --> 00:03:09,521
CARBON STEEL
SAMURAI SWORDS!
61
00:03:20,034 --> 00:03:21,325
[gasps and exclamations]
62
00:03:21,401 --> 00:03:22,359
SOMETHING'S WRONG.
63
00:03:22,435 --> 00:03:23,526
DIG HIM UP!
64
00:03:23,603 --> 00:03:24,861
MILES SAID
"UNDER NO CIRCUMSTANCES."
65
00:03:24,938 --> 00:03:27,239
KILL THE FEED!
GET MILES OUT OF THERE NOW!
66
00:03:27,315 --> 00:03:28,665
MOVE!
67
00:03:32,037 --> 00:03:35,413
DON'T WORRY, LADIES
AND GENTLEMEN.
68
00:03:35,490 --> 00:03:38,667
THIS WON'T HURT...
69
00:03:38,743 --> 00:03:39,834
MUCH.
70
00:03:39,911 --> 00:03:41,419
(Jacob)
COME ON, DIG HIM UP!
71
00:03:41,496 --> 00:03:43,380
GET THESE CAMERAS
OUT OF HERE!
72
00:03:43,456 --> 00:03:45,474
COME ON!
DIG HIM UP! MOVE!
73
00:03:52,799 --> 00:03:53,857
[grunts]
74
00:03:55,468 --> 00:03:56,443
[grunts]
75
00:04:06,104 --> 00:04:08,446
WHERE IS HE?
76
00:04:08,523 --> 00:04:09,831
WHERE'S MILES STONE?
77
00:04:19,784 --> 00:04:21,543
OH, MY LORD.
78
00:04:21,619 --> 00:04:23,411
OH, MY LORD.
OH, MY...
79
00:04:27,042 --> 00:04:28,976
MILES.
80
00:05:18,885 --> 00:05:21,144
(woman)
THE GREAT CARMINE
SAVED HIS BEST TRICK FOR LAST.
81
00:05:21,221 --> 00:05:22,729
CARMINE CLOSES THE LID,
DOES THE SWORDS,
82
00:05:22,806 --> 00:05:25,231
OPENS THE BOX,
AND PRESTO.
83
00:05:25,308 --> 00:05:26,483
MILES STONE.
84
00:05:26,559 --> 00:05:28,610
AT 9:45,
HIS LOVELY ASSISTANT
85
00:05:28,686 --> 00:05:31,821
CLIMBED INTO THIS.
86
00:05:31,832 --> 00:05:35,075
THIS IS A, UH,
A-A-A BLADE BOX.
87
00:05:35,151 --> 00:05:36,176
IT'S--IT'S A-A CLASSIC.
88
00:05:36,252 --> 00:05:37,251
YOU KNOW,
OLD SCHOOL MAGICIANS,
89
00:05:37,329 --> 00:05:38,537
THEY ALL HAVE THIS
IN THEIR REPERTOIRE.
90
00:05:38,613 --> 00:05:40,872
MY UNCLE USED TO TAKE ME
TO TANNEN'S MAGIC SHOP.
91
00:05:40,949 --> 00:05:42,707
CARMINE
AND HIS ASSISTANT.
92
00:05:42,784 --> 00:05:44,376
HE'S IN HIS DRESSING ROOM.
93
00:05:44,452 --> 00:05:45,752
MIRANDA--NO LAST NAME--
94
00:05:45,829 --> 00:05:46,836
FLED THE SCENE.
95
00:05:46,913 --> 00:05:48,546
YOU GET STATEMENTS
FROM THE AUDIENCE?
96
00:05:48,623 --> 00:05:49,798
ALL SIX OF 'EM.
97
00:05:49,874 --> 00:05:51,633
THEY ONLY SAW
WHAT THEY WERE SUPPOSED TO SEE.
98
00:05:51,709 --> 00:05:54,177
RIGOR IS JUST
SETTING IN.
99
00:05:54,254 --> 00:05:55,678
THIS GUY'S EMACIATED.
100
00:05:55,689 --> 00:05:57,146
WELL, HE'S BEEN ON A DIET,
101
00:05:57,148 --> 00:05:58,098
LOCKED IN A CASKET
FOR A MONTH.
102
00:05:58,174 --> 00:05:59,232
EVEN SO,
103
00:05:59,309 --> 00:06:00,308
SEVEN STAB WOUNDS,
104
00:06:00,385 --> 00:06:02,852
THERE'D BE MORE BLOOD.
105
00:06:02,929 --> 00:06:04,771
MM.
WELL, THIS ISN'T
106
00:06:04,848 --> 00:06:07,148
A TYPICAL BLADE BOX.
107
00:06:07,225 --> 00:06:08,733
IT'S A, UH, MODIFIED
108
00:06:08,810 --> 00:06:09,926
MUMMY CABINET.
109
00:06:10,003 --> 00:06:12,120
SEE, WHAT--WHAT--
THERE SHOULD BE A MUMMY
110
00:06:12,197 --> 00:06:13,863
WHERE STONE IS NOW.
111
00:06:13,940 --> 00:06:16,449
THE SYSTEM
CLOSES THE DOOR.
112
00:06:16,526 --> 00:06:18,743
NOW I--I--INSIDE,
113
00:06:18,820 --> 00:06:19,961
THERE'S A...
114
00:06:20,038 --> 00:06:22,297
SPINNING CABINET HERE
LIKE THIS
115
00:06:22,374 --> 00:06:24,383
TO TRADE PLACES
116
00:06:24,459 --> 00:06:26,418
WITH THE MUMMY.
117
00:06:26,494 --> 00:06:27,752
AND SHE SHOULD SHOW UP
118
00:06:27,829 --> 00:06:29,096
IN THE BACK OF THE HOUSE.
119
00:06:32,876 --> 00:06:35,885
SO THIS EXPLAINS
HOW SHE GOT OUT
120
00:06:35,962 --> 00:06:39,472
AND HOW STONE GOT IN,
OR HOW SOMEONE PUT HIM IN.
121
00:06:39,549 --> 00:06:40,849
WHERE'D THE ASSISTANT GO?
122
00:06:40,925 --> 00:06:42,809
OH, BACKSTAGE,
THERE'S A FIRE EXIT.
123
00:06:42,886 --> 00:06:45,812
OH, YOU'RE RUINING
THE ILLUSION.
124
00:06:45,889 --> 00:06:48,481
PLEASE CALL ME
AS SOON AS YOU CAN.
125
00:06:48,558 --> 00:06:51,818
SOMETHING WENT WRONG.
IT WAS AWFUL.
126
00:06:51,895 --> 00:06:54,830
I DIDN'T EVEN KNOW
HER LAST NAME.
127
00:06:54,906 --> 00:06:56,873
YOU ALWAYS
HIRE STRANGERS?
128
00:06:58,618 --> 00:07:01,161
LAST MONTH,
OUT OF THE BLUE,
129
00:07:01,237 --> 00:07:02,245
MY GIRL MERCEDES
130
00:07:02,322 --> 00:07:04,539
QUIT ON ME.
131
00:07:04,550 --> 00:07:05,832
BEEN WITH ME FOR YEARS.
132
00:07:05,909 --> 00:07:07,584
IN WALKS THIS NEW KID.
133
00:07:07,660 --> 00:07:09,586
COSTUME FITS.
134
00:07:09,662 --> 00:07:11,254
SHE HAS EXPERIENCE.
135
00:07:11,331 --> 00:07:12,422
I HIRED HER.
136
00:07:12,499 --> 00:07:14,215
WELL, HOW'D YOU FIND HER?
137
00:07:14,292 --> 00:07:15,508
CRAIGSLIST?
138
00:07:15,585 --> 00:07:17,469
WHO'S CRAIG?
139
00:07:17,545 --> 00:07:21,148
I PUT THE WORD OUT.
SHE FOUND ME.
140
00:07:22,967 --> 00:07:25,819
I DIDN'T MEAN
TO KILL MILES.
141
00:07:27,555 --> 00:07:30,648
WHEN THE SWORDS GO IN,
THAT BOX SHOULD BE EMPTY.
142
00:07:30,725 --> 00:07:35,695
SO SOMEONE WANTS US TO BELIEVE
YOU WANTED STONE DEAD.
143
00:07:35,772 --> 00:07:38,364
COME ON.
144
00:07:38,441 --> 00:07:41,951
HE USED TO SWEEP MY STAGE.
145
00:07:42,028 --> 00:07:45,288
I TAUGHT HIM
TWISTING ACES.
146
00:07:45,365 --> 00:07:47,290
I GAVE HIM HIS START.
147
00:07:47,367 --> 00:07:50,251
HE'S A STAR NOW.
148
00:07:50,328 --> 00:07:52,212
BESIDES, I'M PRACTICALLY
THE ONLY GUY IN THE BUSINESS
149
00:07:52,288 --> 00:07:53,296
WHO STILL LIKES HIM.
150
00:07:53,373 --> 00:07:55,006
HOW'S THAT?
151
00:07:55,083 --> 00:07:57,392
HE'S GOT NO RESPECT.
152
00:07:57,469 --> 00:08:01,221
MAKES HIMSELF OUT TO BE...
153
00:08:01,297 --> 00:08:03,515
BETTER THAN THE TRADITION.
154
00:08:03,591 --> 00:08:04,599
TRADITION.
155
00:08:04,610 --> 00:08:06,434
DOES THAT INCLUDE...
156
00:08:06,511 --> 00:08:09,521
GETTING DRUNK
BEFORE YOU GO ONSTAGE?
157
00:08:09,597 --> 00:08:11,356
I MEAN,
NOT EVEN THAT ONION
158
00:08:11,432 --> 00:08:14,984
COULD KEEP THE SMELL
OF VODKA OFF YA.
159
00:08:15,061 --> 00:08:17,746
JUST ENOUGH TO LOOSEN UP
THE OLD CORDS.
160
00:08:24,779 --> 00:08:29,216
[cell phone rings]
161
00:08:33,997 --> 00:08:35,654
"THE GREAT CARMINE,
162
00:08:35,656 --> 00:08:37,048
"THE MAN WHO TAUGHT
DEAN HOLIDAY, MILES STONE
163
00:08:37,125 --> 00:08:38,383
EVERYTHING THEY KNOW."
164
00:08:38,459 --> 00:08:39,717
MM, THE GREAT CARMINE.
165
00:08:39,794 --> 00:08:41,302
LET HIM DRY OUT
IN HOLDING.
166
00:08:41,379 --> 00:08:44,722
WE GOT ANOTHER STOP
TO MAKE.
167
00:08:44,799 --> 00:08:48,059
THE GRAVE'S BEEN FILLED IN
BEFORE ANYONE CALLED THE COPS?
168
00:08:48,136 --> 00:08:49,561
PEOPLE THOUGHT STONE'S
VANISHING ACT
169
00:08:49,637 --> 00:08:51,020
WAS PART OF THE SHOW.
170
00:08:51,097 --> 00:08:52,438
BY THE TIME WE GOT HERE,
171
00:08:52,449 --> 00:08:54,699
THE CASKET WAS ALREADY LOADED
IN THE HEARSE.
172
00:08:57,687 --> 00:08:59,904
DOESN'T SMELL LIKE ANYONE'S
BEEN LIVING IN THIS THING
173
00:08:59,981 --> 00:09:01,248
FOR A MONTH.
174
00:09:03,651 --> 00:09:05,326
GOTTA BE A-A-A TRAP DOOR
SOMEWHERE.
175
00:09:05,403 --> 00:09:07,829
MM. WHEN MY PARTNER'S
DONE PLAYING,
176
00:09:07,905 --> 00:09:09,464
SEND THIS OVER
TO THE TRAP SPECIALIST
177
00:09:09,541 --> 00:09:11,332
AT THE GARAGE.
178
00:09:11,409 --> 00:09:12,292
[casket thuds]
WHO'S IN CHARGE?
179
00:09:12,368 --> 00:09:16,087
GUY NAMED JACOB GREEN.
180
00:09:16,164 --> 00:09:18,965
OF COURSE HE WAS SUPPOSED
TO BE IN THE CASKET
181
00:09:19,042 --> 00:09:20,475
WHEN IT OPENED.
182
00:09:20,552 --> 00:09:22,093
I CAN'T EXPLAIN
HOW THIS HAPPENED.
183
00:09:22,170 --> 00:09:24,304
CAN'T OR WON'T?
184
00:09:24,380 --> 00:09:27,015
WELL, I-I THINK
MR. GREEN FEELS
185
00:09:27,091 --> 00:09:30,351
HE HAS TO PROTECT
MILES STONE'S SECRETS.
186
00:09:30,428 --> 00:09:34,105
YOU KNOW, I-I RESPECT THAT.
187
00:09:34,182 --> 00:09:36,899
BUT THIS IS
A MURDER INVESTIGATION.
188
00:09:36,976 --> 00:09:39,736
I ONLY KNOW
WHAT EVERYONE KNOWS.
189
00:09:39,812 --> 00:09:41,112
MILES WAS BURIED
IN THAT CASKET
190
00:09:41,189 --> 00:09:42,947
WITH NOTHING
BUT A BREATHING TUBE,
191
00:09:43,024 --> 00:09:44,991
A CATHETER,
AND AN IV FOR FLUIDS.
192
00:09:45,068 --> 00:09:47,702
AND A WEB CAM
STREAMING A LIVE FEED.
193
00:09:47,779 --> 00:09:49,787
LAST NIGHT WAS THE MOMENT
HE DREAMED OF.
194
00:09:49,864 --> 00:09:51,313
HE'D DONE IT.
195
00:09:51,391 --> 00:09:54,000
SOUNDS MORE LIKE SELF TORTURE
THAN A MAGIC TRICK.
196
00:09:54,077 --> 00:09:57,003
HE CALLED IT THE NEW MAGIC.
197
00:09:57,080 --> 00:09:59,380
TRAINED LIKE A TRIATHLETE.
MM.
198
00:09:59,457 --> 00:10:01,132
WHAT ABOUT THE RED ALERT?
199
00:10:01,209 --> 00:10:02,925
THE VITAL SIGNS CRASHING.
200
00:10:03,002 --> 00:10:05,345
THAT BIG RUSH
TO PRY HIM OUT.
201
00:10:05,421 --> 00:10:09,682
THAT WAS PREPLANNED
202
00:10:09,759 --> 00:10:11,100
FOR THE FINALE.
203
00:10:11,177 --> 00:10:12,644
MILES LIKED DRAMA.
204
00:10:12,720 --> 00:10:15,813
HOW DID HE KEEP TRACK
OF TIME UNDERGROUND?
205
00:10:15,890 --> 00:10:19,034
PURE MIND OVER MATTER.
206
00:10:19,110 --> 00:10:22,403
HE WAS A SUPERMAN.
207
00:10:22,480 --> 00:10:23,829
I STILL THINK WHEN I GET HOME
208
00:10:23,907 --> 00:10:28,100
I'LL FIND HIM IN MY KITCHEN
DRINKING MY LAST BEER.
209
00:10:31,739 --> 00:10:33,915
(woman)
WHERE IS HE?
WHERE'S MILES STONE?
210
00:10:33,991 --> 00:10:37,460
(Ross)
MAGICIANS ARE LIKE DOCTORS
AND PRIESTS NOW?
211
00:10:37,537 --> 00:10:38,637
JACOB GREEN THINKS
HE CAN CLAIM
212
00:10:38,713 --> 00:10:41,381
SOME KIND OF MAGICIAN'S
PRIVILEGE?
213
00:10:41,457 --> 00:10:43,015
THAT'S THEIR CODE.
214
00:10:43,093 --> 00:10:46,844
YOU KNOW, YOU CAN'T TELL ANYONE
HOW A TRICK WORKS.
215
00:10:46,921 --> 00:10:49,564
AND CARMINE
ISN'T TALKING EITHER.
216
00:10:49,641 --> 00:10:52,433
WELL, HE'S STILL
SLEEPING IT OFF.
217
00:10:52,444 --> 00:10:54,102
ANYWAY, THAT TRICK
IS TOO SOPHISTICATED
218
00:10:54,178 --> 00:10:55,645
FOR AN OLD DRUNK.
219
00:10:55,722 --> 00:10:57,939
OKAY, HOW ABOUT
THE MISSING ASSISTANT?
220
00:10:58,015 --> 00:11:00,525
SHE WAS BACKSTAGE
PUTTING ON HER SEQUINS BY 9:00.
221
00:11:00,535 --> 00:11:02,151
MILES STONE HAD TO HAVE BEEN
ON HIS WAY
222
00:11:02,228 --> 00:11:03,653
TO CONEY ISLAND BY THEN.
223
00:11:03,730 --> 00:11:05,988
OUT OF HIS CASKET
AND INTO A BLADE BOX
224
00:11:06,065 --> 00:11:07,707
WITHOUT ANYONE SEEING
HOW IT WAS DONE.
225
00:11:11,028 --> 00:11:14,872
YOU HAVE A THEORY,
DETECTIVE?
226
00:11:14,949 --> 00:11:18,134
I-I'D TELL YA,
BUT, YOU KNOW...
227
00:11:18,211 --> 00:11:20,545
THE CODE.
228
00:11:20,555 --> 00:11:22,880
(woman)
I'VE DONE THOUSANDS
OF AUTOPSIES.
229
00:11:22,957 --> 00:11:24,716
NEVER SEEN BOWELS
THIS EMPTY.
230
00:11:24,792 --> 00:11:26,884
THAT AND HIS MUSCLE TONE,
231
00:11:26,961 --> 00:11:29,721
LOOKS LIKE HE'S BEEN
IN A BOX FOR A MONTH.
232
00:11:29,797 --> 00:11:32,181
WELL, HE WAS ON AN IV
FOR NOURISHMENT.
233
00:11:32,258 --> 00:11:35,852
BARE MINIMUM.
JUST ENOUGH TO KEEP HIM ALIVE.
234
00:11:35,928 --> 00:11:37,979
IS THAT WHY HE DIDN'T BLEED MUCH
WHEN HE WAS STABBED?
235
00:11:38,055 --> 00:11:39,856
NO. IF HIS HEART WAS PUMPING,
HE'DA GUSHED
236
00:11:39,932 --> 00:11:41,691
NO MATTER HOW EMACIATED
HE WAS.
237
00:11:41,768 --> 00:11:43,526
SO WHAT KILLED HIM?
238
00:11:43,603 --> 00:11:44,819
HEART ATTACK.
239
00:11:44,830 --> 00:11:46,137
AN ARRHYTHMIA
BROUGHT ON
240
00:11:46,214 --> 00:11:47,947
BY PROLONGED,
ACUTE MALNUTRITION.
241
00:11:48,024 --> 00:11:49,916
HE STARVED HIMSELF
TO DEATH.
242
00:11:51,736 --> 00:11:53,578
(Goren)
THEN WHY WASN'T HE
243
00:11:53,654 --> 00:11:55,755
IN THE CASKET
WHEN THEY OPENED IT?
244
00:11:57,575 --> 00:12:00,835
CARMINE WILL BE RELIEVED
TO HEAR THAT THE GUY HE STABBED
245
00:12:00,846 --> 00:12:02,253
WAS ALREADY DEAD.
246
00:12:02,264 --> 00:12:03,513
[door opens]
247
00:12:05,833 --> 00:12:07,759
OFFICER,
WHERE'S THE OLD MAN?
248
00:12:07,835 --> 00:12:09,719
HE'S BEEN IN HERE ALL...
249
00:12:09,796 --> 00:12:12,221
I DON'T UNDERS...
250
00:12:12,298 --> 00:12:13,931
HE COULDN'T HAVE JUST...
251
00:12:14,008 --> 00:12:15,775
DISAPPEARED.
252
00:12:20,014 --> 00:12:21,898
WELL, HE IS THE,
YOU KNOW, GREAT CARMINE.
253
00:12:21,974 --> 00:12:24,942
YEAH, I GUESS
WE UNDERESTIMATED HIM.
254
00:12:28,815 --> 00:12:29,772
TELL US WHAT HAPPENED,
OFFICER JONES.
255
00:12:29,850 --> 00:12:32,200
THE OLD MAN ASKED
FOR SOME COFFEE.
256
00:12:32,276 --> 00:12:33,351
SO YOU BROUGHT HIM A CUP.
257
00:12:33,428 --> 00:12:35,369
HANDED IT TO HIM
THROUGH THE BARS.
258
00:12:35,380 --> 00:12:38,122
WAS HIS, UH, HAND STEADY?
259
00:12:38,199 --> 00:12:39,624
HE HAD THE DTs.
260
00:12:39,634 --> 00:12:41,375
SPILLED COFFEE
ALL OVER HIMSELF AND ME.
261
00:12:41,452 --> 00:12:42,877
SO IT WAS,
LIKE, SHAKY?
SURE.
262
00:12:42,954 --> 00:12:43,945
THAT'S WHAT I WAS SAYING.
263
00:12:43,947 --> 00:12:45,505
HEY!
THAT'S MY FAULT.
264
00:12:45,581 --> 00:12:46,839
THAT'S MY FAULT.
I'M VERY SORRY.
265
00:12:46,916 --> 00:12:48,015
HERE.
I GOT IT.
266
00:12:48,093 --> 00:12:49,759
NO, LET ME--
LET ME JUST HELP YOU OUT.
267
00:12:49,836 --> 00:12:51,636
YOU WANT TO DO IT?
FINE.
268
00:12:51,646 --> 00:12:53,513
IT'S--I'M--I'M SORRY.
269
00:12:53,589 --> 00:12:54,764
AND THEN YOU HELP HIM,
270
00:12:54,841 --> 00:12:57,150
YOU KNOW, HELPED HIM
WIPE IT UP, I GUESS.
271
00:12:57,227 --> 00:12:58,651
YEAH.
272
00:13:04,225 --> 00:13:06,567
HERE.
273
00:13:06,644 --> 00:13:08,611
YOU KNOW, IT'S THE CLASSIC
MISDIRECT, RIGHT?
274
00:13:08,622 --> 00:13:10,571
THAT'S WHY MAGICIANS
HAVE PRETTY GIRLS WITH THEM
275
00:13:10,648 --> 00:13:14,700
BECAUSE YOU'RE LOOKIN'
AT THE GIRL INSTEAD OF...
276
00:13:14,777 --> 00:13:16,001
(Ross)
SPEAKING OF PRETTY GIRLS,
277
00:13:16,079 --> 00:13:17,370
WHEN YOU FIND CARMINE,
278
00:13:17,446 --> 00:13:21,457
SEE WHAT HE KNOWS
ABOUT HIS MYSTERIOUS ASSISTANT.
279
00:13:21,534 --> 00:13:26,337
...AND OFFICER JONES,
280
00:13:26,414 --> 00:13:27,847
YOU AND I AREN'T DONE YET.
281
00:13:27,924 --> 00:13:31,926
CLOTHES. CARDS.
HANDKERCHIEFS.
282
00:13:31,937 --> 00:13:34,804
EVERYTHING A MAGICIAN
MIGHT NEED.
283
00:13:34,881 --> 00:13:36,681
LOOKS LIKE CARMINE
WAS GETTING READY
284
00:13:36,757 --> 00:13:39,484
TO TAKE HIS ACT
ON THE ROAD.
285
00:13:46,017 --> 00:13:47,450
[laughs]
286
00:13:47,527 --> 00:13:48,693
THIS IS A-A-A DOLLHOUSE.
287
00:13:48,769 --> 00:13:49,777
A-A ILLUSION.
288
00:13:49,854 --> 00:13:51,204
I WANTED ONE OF THESE
WHEN I WAS A KID.
289
00:13:51,281 --> 00:13:53,623
LOOK AT THIS.
290
00:13:54,709 --> 00:13:56,325
[cane snaps]
291
00:13:56,402 --> 00:13:59,295
[cane smacks sides]
292
00:14:16,923 --> 00:14:18,931
CAN'T TAKE ME BACK
TO JAIL AGAIN.
293
00:14:19,008 --> 00:14:20,850
I SWEAR,
I DIDN'T KILL MILES.
294
00:14:20,927 --> 00:14:22,685
YEAH, W--W--WE KNOW.
295
00:14:22,762 --> 00:14:25,897
SO I'M FREE TO GO.
296
00:14:25,973 --> 00:14:29,576
I-I GOTTA GIG IN ELKO.
297
00:14:29,652 --> 00:14:30,693
NEED TO CATCH A BUS.
298
00:14:30,704 --> 00:14:31,794
NOT UNTIL YOU TELL US
299
00:14:31,871 --> 00:14:34,280
HOW HIS BODY GOT
INTO YOUR BLADE BOX.
300
00:14:34,357 --> 00:14:35,748
I GOT NO IDEA.
301
00:14:35,825 --> 00:14:37,325
YOUR ASSISTANT
MIGHT KNOW.
302
00:14:37,401 --> 00:14:40,494
OH, THAT'S RIGHT.
YOU DON'T KNOW WHO SHE IS.
303
00:14:40,505 --> 00:14:42,496
SHE WORKED
FOR DEAN HOLIDAY.
304
00:14:42,573 --> 00:14:44,290
THAT WAS GOOD ENOUGH
FOR ME.
305
00:14:44,367 --> 00:14:47,543
DID YOU CALL HOLIDAY,
YOU KNOW, CHECK IT OUT?
306
00:14:47,620 --> 00:14:49,712
WHY? SHE KNEW HIS ACT.
307
00:14:49,789 --> 00:14:51,714
INSIDE STUFF.
308
00:14:51,791 --> 00:14:53,549
I'DA KNOWN IF SHE WASN'T
ON THE SQUARE.
309
00:14:53,626 --> 00:14:56,052
NO LAST NAME.
NO PHONE NUMBER.
310
00:14:56,128 --> 00:14:57,386
YOU DID PAY HER, RIGHT?
311
00:14:57,463 --> 00:15:00,723
UNDER THE TABLE,
SAME AS ME.
312
00:15:00,800 --> 00:15:01,891
WE GOOD?
313
00:15:01,968 --> 00:15:03,342
SORRY.
314
00:15:03,419 --> 00:15:05,236
WE HAVE TO CHARGE YOU
FOR YOUR GREAT ESCAPE.
315
00:15:07,515 --> 00:15:10,533
UH, WELL, MAYBE THERE'S
316
00:15:10,610 --> 00:15:11,817
A LITTLE SOMETHING MORE
317
00:15:11,894 --> 00:15:13,903
I CAN, UH,
318
00:15:13,980 --> 00:15:16,489
GIVE YOU TO, UH,
319
00:15:16,565 --> 00:15:17,916
IDENTIFY HER.
320
00:15:20,027 --> 00:15:23,913
A MAN HAS NEEDS.
321
00:15:23,990 --> 00:15:26,832
YOU KNOW THIS WOMAN?
GOES BY THE NAME OF MIRANDA.
322
00:15:26,843 --> 00:15:28,793
SHE WAS CARMINE'S
ASSISTANT.
323
00:15:28,869 --> 00:15:30,920
CARMINE'S STILL
A PEEPING TOM.
324
00:15:30,931 --> 00:15:32,755
HOLE IN DRESSING ROOM WALL?
325
00:15:32,766 --> 00:15:35,549
UH, NO. TEDDY BEAR
NANNY CAM.
326
00:15:35,626 --> 00:15:37,760
HMM. OLD BOY'S KEEPING UP
WITH THE TIMES.
327
00:15:37,837 --> 00:15:39,595
AND WHAT ABOUT
HIS ASSISTANT?
328
00:15:39,672 --> 00:15:42,565
MUST BE NEW.
329
00:15:42,642 --> 00:15:43,641
SHE WASN'T WITH HIM LAST YEAR
330
00:15:43,718 --> 00:15:45,159
WHEN HE CAME BACKSTAGE.
331
00:15:45,161 --> 00:15:46,394
(woman over P.A. system)
MR. HOLIDAY, TWO MINUTES.
332
00:15:46,470 --> 00:15:47,895
OH, BUT CARMINE SAID
HE HIRED HER
333
00:15:47,972 --> 00:15:48,938
BECAUSE SHE WORKED
WITH YOU.
334
00:15:49,015 --> 00:15:50,815
KNEW YOUR ACT.
335
00:15:50,891 --> 00:15:52,650
PROBABLY GOT IT OFF
THE INTERNET.
336
00:15:52,727 --> 00:15:53,943
YOU'D BE AMAZED
HOW MANY WEB SITES
337
00:15:54,020 --> 00:15:55,444
ARE DEVOTED TO ME.
338
00:15:55,446 --> 00:15:58,072
OH, I CAN'T WAIT
TO CHECK THEM OUT.
339
00:15:58,149 --> 00:15:59,907
WELL, WHY NOT JUST STAY
FOR MY MIDNIGHT SHOW?
340
00:15:59,984 --> 00:16:01,867
ATLANTIC CITY IS HOPPIN'
AFTER DARK.
341
00:16:01,944 --> 00:16:03,869
SOME OTHER TIME, MAYBE.
342
00:16:03,946 --> 00:16:06,872
THIS GIRL.
SHE DUPED CARMINE.
343
00:16:06,949 --> 00:16:08,582
HE MAY NOT BE AS SHARP
AS HE USED TO BE.
344
00:16:08,593 --> 00:16:10,626
ALTHOUGH, I DID HEAR
HE ESCAPED RECENTLY
345
00:16:10,637 --> 00:16:12,795
FROM ONE POLICE PLAZA.
346
00:16:12,872 --> 00:16:15,798
IS HE REALLY A SUSPECT?
347
00:16:15,875 --> 00:16:17,800
YOU THINK
HE'S BEYOND THAT?
348
00:16:17,877 --> 00:16:20,469
CARMINE'S OLD SCHOOL.
CATSKILLS.
349
00:16:20,546 --> 00:16:23,806
SULLIVAN SHOW. STONE'S ILLUSIONS
ARE WAY TOO ADVANCED FOR HIM.
350
00:16:23,883 --> 00:16:26,809
M.E. TOLD US, UM,
351
00:16:26,820 --> 00:16:28,602
STONE REALLY WAS
BURIED ALIVE.
352
00:16:28,679 --> 00:16:29,770
NO TRICK.
353
00:16:29,847 --> 00:16:30,938
BELIEVE ME, DETECTIVE.
354
00:16:31,015 --> 00:16:32,940
YOU ASK ANY TRUE MAGICIAN,
355
00:16:33,017 --> 00:16:36,861
THERE IS ALWAYS A TRICK.
356
00:16:36,937 --> 00:16:40,740
TOOK ME AWHILE TO FIGURE
THIS ONE OUT.
357
00:16:40,816 --> 00:16:43,126
ELECTROMAGNETIC STRIPS
HIDDEN IN THE HEAD PANEL
358
00:16:43,202 --> 00:16:45,494
AND EDGES OF THE CASKET.
359
00:16:45,571 --> 00:16:46,829
AS LONG AS THE JUICE
IS RUNNIN',
360
00:16:46,906 --> 00:16:49,832
THE MAGNETIC SEAL
WON'T BUDGE.
361
00:16:49,909 --> 00:16:51,459
WHERE'D THE CURRENT
COME FROM?
362
00:16:51,535 --> 00:16:52,835
CARBON BATTERY
363
00:16:52,912 --> 00:16:55,004
LIKE THIS STRIP.
364
00:16:55,081 --> 00:16:56,797
HIDDEN IN THE BASE
OF THE CASKET.
365
00:16:56,874 --> 00:16:58,674
LOOKS LIKE ORDINARY
BLACK TAPE.
366
00:16:58,751 --> 00:17:00,435
MM-HMM.
367
00:17:00,511 --> 00:17:04,013
SO HOW DID HE TURN IT OFF
TO OPEN THE TRAP?
368
00:17:04,090 --> 00:17:08,017
WITH A REMOTE
LIKE THIS ONE.
369
00:17:08,094 --> 00:17:11,020
NO LOCKS OR LATCHES.
370
00:17:11,097 --> 00:17:13,022
INGENIOUS.
371
00:17:13,099 --> 00:17:14,281
WELL,
INGENIOUS AS IT IS,
372
00:17:14,359 --> 00:17:16,692
STONE WAS STILL BURIED
SIX FEET UNDER.
373
00:17:16,769 --> 00:17:18,152
IT MAY BE A CLEVER WAY OUT.
374
00:17:18,229 --> 00:17:21,539
BUT OUT TO WHERE?
375
00:17:51,971 --> 00:17:54,563
HERE'S WHERE YOUR CEMETERY
TUNNEL ENDS.
376
00:17:54,640 --> 00:17:57,775
MAYBE 50 YARDS
FROM THE GRAVE.
377
00:17:57,852 --> 00:18:00,569
WELL, STONE WOULD HAVE HAD
TO CRAWL
378
00:18:00,646 --> 00:18:02,863
TO--TO GET HERE.
379
00:18:02,940 --> 00:18:06,909
BUT FROM HERE ON,
HE COULD'VE GONE ANYWHERE.
380
00:18:06,986 --> 00:18:11,631
WELL, THE SHAPE HE WAS IN,
HE COULDN'T HAVE GONE FAR.
381
00:18:18,914 --> 00:18:20,589
OH, IT'S CEMETERY DIRT.
382
00:18:20,666 --> 00:18:21,766
MM.
383
00:18:25,304 --> 00:18:27,939
LOT OF TRACKS.
TRACKS THAT WAY.
384
00:18:31,486 --> 00:18:33,477
(woman)
THIS ISN'T ABOUT MILES.
385
00:18:33,488 --> 00:18:35,980
IT'S ABOUT YOU TOO.
YOUR FUTURE. YOUR CAREER.
386
00:18:35,990 --> 00:18:37,406
MY CAREER?
387
00:18:37,483 --> 00:18:39,650
I'M FREAKING OUT HERE.
WHAT IF THEY FIND IT?
388
00:18:39,727 --> 00:18:42,945
THEY WON'T. WE'RE THE ONLY ONES
WHO KNOW WHERE IT IS.
389
00:18:43,022 --> 00:18:47,199
TERESA, YOU SWEAR
YOU NEVER TOLD ANYONE?
390
00:18:47,276 --> 00:18:50,128
HOW CAN YOU EVEN
ASK ME THAT?
391
00:18:56,052 --> 00:18:58,136
EAMES.
392
00:19:00,289 --> 00:19:01,556
WHERE COULD THAT GO?
393
00:19:16,597 --> 00:19:19,198
WELL, EASY IN, EASY OUT.
394
00:19:21,018 --> 00:19:22,651
(Eames)
AN OPEN CASKET.
395
00:19:22,728 --> 00:19:28,157
MATCHES THE ONE
IN THE CEMETERY.
396
00:19:28,234 --> 00:19:30,993
AND A WEB CAM.
397
00:19:31,070 --> 00:19:33,662
MILES STONE DIDN'T SPEND
31 DAYS IN THAT CEMETERY.
398
00:19:33,739 --> 00:19:36,674
HE SPENT IT IN HERE.
399
00:19:45,209 --> 00:19:46,550
WHY'D YOU BRING ME HERE?
WHAT IS THIS?
400
00:19:46,561 --> 00:19:48,928
YOU KNOW WHAT IT IS.
401
00:19:49,004 --> 00:19:51,639
THIS IS WHERE THE REAL WEB CAM
WAS SET UP.
402
00:19:51,715 --> 00:19:53,933
SO HIS FANS COULD WATCH HIM
SUFFER
403
00:19:53,943 --> 00:19:56,185
FOR HIS VISION
DAY AND NIGHT.
404
00:19:56,262 --> 00:19:59,238
RIGHT...HERE.
405
00:20:03,310 --> 00:20:05,194
AND WHEN HE NEEDED
A BREAK,
406
00:20:05,205 --> 00:20:07,196
YOU SWITCHED TO THE PRE-RECORDED
VIDEO LOOP.
407
00:20:07,273 --> 00:20:08,822
IT WAS A SHAM.
408
00:20:08,833 --> 00:20:10,658
I DON'T KNOW ANYTHING
ABOUT THIS.
409
00:20:10,734 --> 00:20:12,076
(Goren)
YOU DON'T?
410
00:20:12,152 --> 00:20:13,661
BUT IT WAS
411
00:20:13,737 --> 00:20:16,163
YOUR DESIGN.
412
00:20:16,240 --> 00:20:17,790
THE TUNNEL
413
00:20:17,866 --> 00:20:20,292
AND THE ELECTROMAGNETIC TRAPS
414
00:20:20,369 --> 00:20:24,171
I MEAN, STONE COULDN'T HAVE COME
UP WITH THIS ON HIS OWN.
415
00:20:24,248 --> 00:20:26,715
HE DIDN'T HAVE
A HIGH SCHOOL EDUCATION.
416
00:20:26,792 --> 00:20:28,175
BUT YOU,
CALTECH AT 16.
417
00:20:28,252 --> 00:20:30,261
STRAIGHT "A"S
IN ENGINEERING.
418
00:20:30,337 --> 00:20:32,230
I'M TELLING YOU,
I WAS NEVER HERE.
419
00:20:32,306 --> 00:20:34,265
WE'RE GONNA FIND YOUR
FINGERPRINTS ON THIS CASKET
420
00:20:34,341 --> 00:20:36,192
AND YOUR DNA
ALL OVER THIS ROOM.
421
00:20:39,239 --> 00:20:42,022
OH.
422
00:20:42,099 --> 00:20:44,858
LOOK, I WAS JUST TRYING
TO PROTECT HIM.
423
00:20:44,935 --> 00:20:47,695
FROM WHAT?
HIMSELF.
424
00:20:47,771 --> 00:20:48,896
MILES STARTED TO BELIEVE
HIS OWN HYPE.
425
00:20:48,972 --> 00:20:51,073
HE WANTED TO BE BURIED
FOR REAL.
426
00:20:51,084 --> 00:20:53,742
I TOLD HIM I COULD MAKE IT
LOOK AND FEEL REAL
427
00:20:53,753 --> 00:20:54,910
WITH A LOT LESS RISK.
428
00:20:54,987 --> 00:20:56,245
WELL, I GUESS
YOU WERE WRONG.
429
00:20:56,322 --> 00:20:58,214
I HAD NOTHING
TO DO WITH HIS DEATH.
430
00:20:59,950 --> 00:21:01,208
YOU KNOW
I WAS AT THE CEMETERY.
431
00:21:01,285 --> 00:21:02,835
I WAS ON TV.
YOU HAD AN ACCOMPLICE.
432
00:21:02,911 --> 00:21:04,712
WHO ELSE KNEW
ABOUT THIS PLACE?
433
00:21:04,788 --> 00:21:06,171
NO ONE.
434
00:21:06,248 --> 00:21:07,181
I HAD THE ONLY KEY.
435
00:21:08,393 --> 00:21:09,450
(Goren)
OH.
436
00:21:09,527 --> 00:21:10,751
WELL, THEN, I GUESS
437
00:21:10,828 --> 00:21:12,761
YOU'RE THE LAST ONE
TO SEE HIM ALIVE.
438
00:21:12,838 --> 00:21:15,097
BECAUSE I WAS KEEPING HIM
ALIVE.
439
00:21:15,174 --> 00:21:18,225
I CHANGED HIS IV BAGS,
I MADE SURE HE GOT EXERCISE,
440
00:21:18,302 --> 00:21:19,193
I PUT SALVE ON HIS SORES.
441
00:21:19,270 --> 00:21:20,828
OH, WE GET IT.
442
00:21:20,905 --> 00:21:21,937
YOU WERE A REGULAR
FLORENCE NIGHTINGALE.
443
00:21:22,014 --> 00:21:23,272
YOU KNOW
WHO THIS WOMAN IS?
444
00:21:23,349 --> 00:21:25,774
SHE GOES BY THE NAME
OF MIRANDA.
445
00:21:25,851 --> 00:21:26,984
SHE WAS CARMINE'S
ASSISTANT.
446
00:21:27,061 --> 00:21:28,736
I DON'T KNOW HER.
SORRY.
447
00:21:28,812 --> 00:21:30,654
CAN I GO NOW?
448
00:21:30,731 --> 00:21:32,239
NOPE.
449
00:21:32,316 --> 00:21:33,949
WE'VE HAD ENOUGH
VANISHING ACTS LATELY.
450
00:21:34,026 --> 00:21:36,035
OFFICERS.
451
00:21:36,045 --> 00:21:37,536
YOU'RE ARRESTING ME?
452
00:21:37,613 --> 00:21:40,256
YUP. THAT'S WHAT HAPPENS
WHEN YOU LIE TO THE POLICE.
453
00:21:42,785 --> 00:21:46,754
SO, JACOB SAYS
THAT HE CHANGED
454
00:21:46,830 --> 00:21:49,173
STONE'S IV BAGS.
455
00:21:49,249 --> 00:21:50,883
STONE HAD A CENTRAL LINE
INSERTED.
456
00:21:50,959 --> 00:21:54,678
THAT'S SOMETHING THAT--
THAT DOCTORS DO.
457
00:21:54,755 --> 00:21:58,349
THESE GLOVES,
THEY SEEM SMALL FOR A MAN.
458
00:21:58,359 --> 00:22:00,934
OUR MISSING ASSISTANT
459
00:22:01,011 --> 00:22:02,394
FIT INTO MERCEDES' COSTUMES.
460
00:22:02,471 --> 00:22:03,612
I BET SHE FIT
INTO THESE.
461
00:22:07,309 --> 00:22:08,901
SERIAL NUMBER.
MM.
462
00:22:08,977 --> 00:22:10,177
THIS STUFF'S NOT MAIL ORDER.
463
00:22:10,254 --> 00:22:12,821
SHE MIGHT HAVE HAD
ACCESS TO A HOSPITAL.
464
00:22:12,832 --> 00:22:15,115
WELL, I MISSED IT
THE FIRST TIME.
465
00:22:15,192 --> 00:22:18,952
COLOR ME CHAGRINED.
466
00:22:18,963 --> 00:22:20,287
POTASSIUM CHLORIDE?
467
00:22:20,364 --> 00:22:21,914
YEAH, TRIGGERS
A HEART ATTACK.
468
00:22:21,990 --> 00:22:25,042
THERE WERE TRACES OF IT
IN THE IV BAGS
469
00:22:25,119 --> 00:22:27,169
AND AT THE INSERTION POINT
OF THE CENTRAL LINE.
470
00:22:27,246 --> 00:22:30,339
BUT IT'S HARD TO DETECT.
471
00:22:30,416 --> 00:22:32,383
IMPOSSIBLE,
ONCE IT'S IN THE BODY.
472
00:22:32,459 --> 00:22:35,052
PERFECT CHOICE
FOR AN ANGEL OF MERCY.
473
00:22:35,129 --> 00:22:38,180
WE TRACED THE IV BAGS
BACK TO THIS HOSPITAL.
474
00:22:38,257 --> 00:22:40,849
THIS IS A MUNICIPAL HOSPITAL.
475
00:22:40,926 --> 00:22:43,352
THINGS DISAPPEAR.
476
00:22:43,429 --> 00:22:44,311
AND THESE ARE ALL
THE FEMALE PHYSICIANS?
477
00:22:44,388 --> 00:22:45,387
MM-HMM.
478
00:22:45,389 --> 00:22:47,281
WHAT ABOUT THE NURSES?
479
00:22:47,358 --> 00:22:48,457
OH, YOU HAVE TO BE
AT LEAST A RESIDENT
480
00:22:48,534 --> 00:22:50,409
TO INSERT A CENTRAL LINE.
481
00:22:50,486 --> 00:22:51,610
WHAT A NURSE IS AUTHORIZED
TO DO
482
00:22:51,687 --> 00:22:52,594
AND WHAT A NURSE
IS CAPABLE OF
483
00:22:52,596 --> 00:22:53,445
ARE TWO DIFFERENT THINGS.
484
00:22:53,522 --> 00:22:57,324
WE HAVE OVER 800 NURSES
ON STAFF HERE.
485
00:22:57,401 --> 00:22:59,335
DO YOU WANT PHOTOS
OF EACH ONE?
486
00:23:01,214 --> 00:23:03,297
YEAH, START WITH THE UNITS
THAT SPECIALIZE
487
00:23:03,374 --> 00:23:06,175
IN LONG-TERM IV CARE.
488
00:23:15,186 --> 00:23:16,811
[knock at door]
489
00:23:19,023 --> 00:23:21,315
(Teresa)
IT SOUNDS LAME, I KNOW,
490
00:23:21,392 --> 00:23:25,519
BUT I JOINED THE SIDESHOW
TO GET JACOB'S ATTENTION.
491
00:23:25,596 --> 00:23:28,105
IT'S LIKE HE WAS ENGAGED
TO MILES, INSTEAD OF TO ME,
492
00:23:28,182 --> 00:23:29,356
THE AMOUNT OF TIME
THEY SPENT TOGETHER.
493
00:23:29,433 --> 00:23:31,525
OH, YOU AND JACOB
ARE ENGAGED?
494
00:23:31,602 --> 00:23:33,902
THEN HOW COME
495
00:23:33,913 --> 00:23:37,072
WHEN WE SHOWED HIM
YOUR PICTURE,
496
00:23:37,149 --> 00:23:39,750
HE SAID
HE DIDN'T KNOW YOU?
497
00:23:43,113 --> 00:23:45,414
PROBABLY WEIRDED OUT.
498
00:23:45,491 --> 00:23:48,834
HE HAD NO IDEA
I WAS WORKING FOR CARMINE.
499
00:23:48,911 --> 00:23:50,886
OH, WHY'D YOU KEEP THAT
A SECRET?
500
00:23:52,956 --> 00:23:54,798
I WAS GOING TO BRING JACOB
TO THE SHOW
501
00:23:54,875 --> 00:23:56,434
AND SURPRISE HIM
FOR HIS BIRTHDAY.
502
00:23:59,897 --> 00:24:03,432
AND HOW DID YOU HEAR
ABOUT THE JOB?
503
00:24:03,509 --> 00:24:07,403
WAS THAT, UM, CARMINE'S AD
OR HIS POST ON CRAIGSLIST?
504
00:24:10,140 --> 00:24:11,064
CRAIGSLIST.
505
00:24:11,141 --> 00:24:12,924
THAT'S IT.
506
00:24:13,002 --> 00:24:15,953
MM, WHY'D YOU DISAPPEAR
THE NIGHT CARMINE STABBED STONE?
507
00:24:17,898 --> 00:24:20,991
I PANICKED.
508
00:24:21,068 --> 00:24:23,494
SOMETHING WENT WRONG
WITH THE TRICK.
509
00:24:23,570 --> 00:24:25,412
I JUST FREAKED OUT
AND RAN.
510
00:24:25,489 --> 00:24:28,499
OH.
511
00:24:28,575 --> 00:24:29,891
I JUST--
512
00:24:29,893 --> 00:24:32,294
I, YOU KNOW,
I HAVE ONE MORE QUESTION.
513
00:24:32,371 --> 00:24:37,975
SO WHEN WAS THE LAST TIME
YOU WERE AT THE SAFE ROOM?
514
00:24:38,052 --> 00:24:39,927
BECAUSE WE FOUND
515
00:24:40,003 --> 00:24:41,929
YOUR PRINTS ON THESE.
516
00:24:42,005 --> 00:24:44,848
I WAS JUST THERE
ONCE.
517
00:24:44,925 --> 00:24:46,433
I SWEAR.
518
00:24:46,510 --> 00:24:49,478
ALL I DID
WAS INSERT THE LINE.
519
00:24:49,555 --> 00:24:53,524
WE FOUND POTASSIUM CHLORIDE
520
00:24:53,600 --> 00:24:55,859
AT THE INSERTION POINT
521
00:24:55,936 --> 00:24:59,905
AND ON THE IV BAGS.
522
00:24:59,982 --> 00:25:02,407
DO YOU HAVE
A PROFESSIONAL OPINION
523
00:25:02,484 --> 00:25:04,126
ABOUT HOW THEY GOT THERE?
524
00:25:09,967 --> 00:25:12,801
DO I NEED A LAWYER?
525
00:25:15,372 --> 00:25:17,297
CARMINE DIDN'T POST
ON CRAIGSLIST.
526
00:25:17,374 --> 00:25:19,424
NO, BUT TERESA DID GET HER JOB
IN TIME
527
00:25:19,501 --> 00:25:21,260
FOR STONE'S GRAND FINALE.
528
00:25:21,336 --> 00:25:23,345
WE LEFT CALLS
FOR HIS OLD ASSISTANT.
529
00:25:23,422 --> 00:25:25,639
IT'S TIME TO PAY HER
A VISIT.
530
00:25:25,716 --> 00:25:27,266
SHE DIDN'T CALL YOU BACK
531
00:25:27,342 --> 00:25:29,476
BECAUSE MERCEDES DIDN'T TAKE
HER CELL PHONE WITH HER.
532
00:25:29,553 --> 00:25:30,544
WITH HER WHERE?
533
00:25:30,621 --> 00:25:32,571
MY SISTER WON A CONTEST.
534
00:25:32,648 --> 00:25:34,314
A CRUISE
AROUND THE WORLD.
535
00:25:34,391 --> 00:25:36,483
WOW.
SHE REALLY HIT THE JACKPOT.
536
00:25:36,560 --> 00:25:38,285
AH, IT WAS
A DREAM COME TRUE.
537
00:25:38,362 --> 00:25:39,861
SHE ALWAYS WANTED
TO TRAVEL.
538
00:25:39,938 --> 00:25:41,488
YOU KNOW
WHERE SHE IS NOW?
539
00:25:41,565 --> 00:25:46,502
UM, WELL, THE LAST POSTCARD
I GOT WAS A WEEK AGO.
540
00:25:49,239 --> 00:25:51,039
OH, CASABLANCA.
541
00:25:51,116 --> 00:25:53,667
YOU KNOW WHO SPONSORED
THIS CONTEST?
542
00:25:53,744 --> 00:25:55,627
SHE DIDN'T EVEN REMEMBER
ENTERING.
543
00:25:55,704 --> 00:26:00,007
BUT SOMETIMES FATE WORKS
IN MYSTERIOUS WAYS.
544
00:26:00,083 --> 00:26:00,975
DOESN'T IT?
545
00:26:01,051 --> 00:26:03,018
THANK YOU.
546
00:26:05,631 --> 00:26:07,639
HER LIFELONG DREAM.
547
00:26:07,716 --> 00:26:09,057
SOMEONE MADE IT HAPPEN.
548
00:26:09,134 --> 00:26:12,477
MM, JUST LIKE MAGIC.
549
00:26:12,554 --> 00:26:15,647
I'M GETTING
SOMETHING ELSE.
550
00:26:15,724 --> 00:26:18,525
COLLEGE.
551
00:26:18,602 --> 00:26:21,153
FRESHMAN YEAR.
552
00:26:21,229 --> 00:26:23,530
A TATTOO PARLOR.
553
00:26:23,607 --> 00:26:27,576
BUT YOU CHICKENED OUT.
554
00:26:27,653 --> 00:26:29,578
MY FOLKS
WOULD HAVE KILLED ME.
555
00:26:29,655 --> 00:26:31,079
[laughter]
556
00:26:31,156 --> 00:26:33,290
YOU NEVER GOT
THAT TATTOO.
557
00:26:33,367 --> 00:26:34,416
RIGHT?
558
00:26:34,493 --> 00:26:37,419
THERE'S NO WAY
I COULD KNOW
559
00:26:37,496 --> 00:26:39,087
WHAT IT WAS.
560
00:26:39,164 --> 00:26:41,590
WELL, SHELLY, TELL ME.
561
00:26:41,667 --> 00:26:44,551
DOES THIS TAKE YOU BACK?
562
00:26:44,628 --> 00:26:45,552
NO WAY.
563
00:26:45,563 --> 00:26:47,137
THAT'S THE TATTOO
564
00:26:47,214 --> 00:26:48,513
I WANTED.
565
00:26:48,590 --> 00:26:50,599
BUT YOU'RE FORGETTING SOMETHING,
RIGHT?
566
00:26:50,610 --> 00:26:52,225
THE NAME
567
00:26:52,302 --> 00:26:57,439
OF AN OLD FLAME?
568
00:26:57,516 --> 00:26:59,024
OH, MY GOSH.
569
00:26:59,101 --> 00:27:00,359
THAT'S MY COLLEGE SWEETHEART.
570
00:27:00,369 --> 00:27:02,110
[cheers and applause]
571
00:27:02,121 --> 00:27:04,121
HOW DID YOU DO THAT?
572
00:27:04,198 --> 00:27:07,207
WELL, I WOULD TELL YOU,
BUT--
573
00:27:09,152 --> 00:27:11,328
I'D HAVE TO KILL YOU.
574
00:27:11,405 --> 00:27:12,663
[laughter]
575
00:27:12,739 --> 00:27:15,633
[cheers and applause]
576
00:27:32,351 --> 00:27:33,776
DETECTIVES.
577
00:27:33,852 --> 00:27:35,769
WE CAUGHT
THE END OF YOUR SHOW.
578
00:27:35,846 --> 00:27:36,937
YOUR STAGE MANAGER
579
00:27:37,013 --> 00:27:38,814
LET US IN.
580
00:27:38,890 --> 00:27:41,441
SHELLY, WHY DON'T YOU
AND YOUR FRIENDS GO DOWN
581
00:27:41,518 --> 00:27:43,193
AND HAVE A DRINK
ON ME,
582
00:27:43,270 --> 00:27:45,320
AND WE'LL DO THAT PHOTOGRAPH
A LITTLE LATER, ALL RIGHT?
583
00:27:45,397 --> 00:27:47,897
OKAY.
584
00:27:51,445 --> 00:27:53,829
YOU SHOULD HAVE CALLED.
585
00:27:53,905 --> 00:27:55,831
I WOULD HAVE COMPED YOU.
586
00:27:55,907 --> 00:27:56,873
HOW'D YOU LIKE MY ACT?
587
00:27:56,950 --> 00:27:59,167
IT WAS MAGICAL.
588
00:27:59,244 --> 00:28:00,752
[laughs]
589
00:28:00,829 --> 00:28:02,170
(Goren)
EAMES.
590
00:28:02,247 --> 00:28:03,538
LOOK, IT'S OUR FRIEND,
ADELE.
591
00:28:03,616 --> 00:28:08,310
WITH THE GREAT CARMINE
AND HER SISTER MERCEDES.
592
00:28:08,387 --> 00:28:10,137
ONLY MET HER THE ONE TIME.
593
00:28:10,213 --> 00:28:11,897
DON'T REMEMBER THE NAME.
594
00:28:11,974 --> 00:28:13,348
(Goren)
SHE WAS CARMINE'S ASSISTANT.
595
00:28:13,425 --> 00:28:18,270
UNTIL SHE WON
AN AROUND-THE-WORLD CRUISE.
596
00:28:18,346 --> 00:28:20,480
ONLY WE CHECKED
WITH THE CRUISE LINE.
597
00:28:20,557 --> 00:28:22,107
SHE DIDN'T WIN
ANY CONTEST.
598
00:28:22,184 --> 00:28:25,193
TURNS OUT SOMEONE HERE
IN ATLANTIC CITY
599
00:28:25,270 --> 00:28:27,446
WIRED CASH
TO BUY HER A TICKET.
600
00:28:27,522 --> 00:28:29,948
A LOT OF HIGH ROLLERS
IN THIS TOWN.
601
00:28:30,025 --> 00:28:31,016
(Goren)
YEAH.
602
00:28:31,093 --> 00:28:33,201
WELL, SOMEHOW,
ONE OF THEM KNEW
603
00:28:33,278 --> 00:28:35,078
THAT HER DREAM
WAS TO SEE THE WORLD.
604
00:28:35,089 --> 00:28:37,873
YOU KNOW,
LIKE HE READ HER MIND,
605
00:28:37,949 --> 00:28:39,332
MUCH LIKE YOU JUST DID
ONSTAGE.
606
00:28:39,409 --> 00:28:41,793
YOU KNOW,
ONSTAGE WITH THAT GIRL.
607
00:28:41,870 --> 00:28:44,254
OH, YOU THINK THAT'S
WHAT I WAS DOING TONIGHT?
608
00:28:44,265 --> 00:28:45,422
WHAT WOULD YOU CALL IT?
609
00:28:45,499 --> 00:28:46,923
[clears throat]
610
00:28:47,000 --> 00:28:48,842
HOLD ON.
611
00:28:48,919 --> 00:28:54,106
I-I THINK I'M GETTING
SOMETHING HERE.
612
00:28:54,183 --> 00:28:56,141
I THINK
613
00:28:56,218 --> 00:28:58,560
THERE ARE
SOME UNRESOLVED ISSUES
614
00:28:58,637 --> 00:29:02,364
WITH A MAN
IN YOUR LIFE.
615
00:29:02,441 --> 00:29:03,815
SOME TRUST ISSUES.
616
00:29:03,892 --> 00:29:08,236
HE'S BETRAYED YOU,
HASN'T HE?
617
00:29:08,313 --> 00:29:10,363
KEPT A SECRET
FROM YOU.
618
00:29:10,374 --> 00:29:11,865
NOT FOR THE FIRST TIME.
619
00:29:11,942 --> 00:29:16,870
POOR THING.
620
00:29:16,947 --> 00:29:18,205
HOW'S MY AIM?
PRETTY CLOSE?
621
00:29:18,215 --> 00:29:20,883
WELL, GOOD CHANCE GUESSES,
622
00:29:20,959 --> 00:29:23,210
THEY USUALLY ARE.
623
00:29:23,286 --> 00:29:25,170
ANYWAY, THAT'S THE TRICK
OF A COLD READ.
624
00:29:25,247 --> 00:29:27,297
PSYCHICS, CHARLATANS
USE IT ALL THE TIME,
625
00:29:27,374 --> 00:29:29,057
YOU KNOW,
TO CON THEIR CLIENTS.
626
00:29:29,134 --> 00:29:30,258
(Eames)
OR AN AUDIENCE.
627
00:29:30,335 --> 00:29:34,221
WELL, SO DO CRIMINAL PROFILERS.
628
00:29:34,297 --> 00:29:36,223
BIGGEST FRAUDS OF ALL.
629
00:29:36,299 --> 00:29:39,067
WHAT'S THE NAME
OF THAT SHRINK
630
00:29:39,144 --> 00:29:42,154
WHO HELPED CATCH
THE MAD BOMBER BACK IN THE '50s?
631
00:29:42,231 --> 00:29:43,355
JAMES BRUSSELS.
632
00:29:43,431 --> 00:29:44,472
RIGHT, NOW HE SAID
633
00:29:44,474 --> 00:29:46,358
THAT THE BOMBER
WOULD BE GERMAN,
634
00:29:46,434 --> 00:29:49,277
A LONER WITH A FACIAL SCAR--
635
00:29:49,354 --> 00:29:50,913
(Goren)
YEAH, METICULOUSLY DRESSED
636
00:29:50,989 --> 00:29:52,322
IN A DOUBLE-BREASTED SUIT.
637
00:29:52,399 --> 00:29:54,866
RIGHT, AND...
638
00:29:54,943 --> 00:29:57,202
WHEN HE WAS ARRESTED,
HE WAS WEARING JUST THAT.
639
00:29:57,213 --> 00:29:58,578
BUT HE WASN'T GERMAN.
640
00:29:58,655 --> 00:30:01,289
RIGHT, AND HE HAD NO SCAR,
BUT--
641
00:30:01,366 --> 00:30:03,416
BRUSSELS DIDN'T GET IT
ALL RIGHT,
642
00:30:03,493 --> 00:30:06,378
BUT HE DID GET ENOUGH RIGHT
TO STOP A MADMAN.
643
00:30:06,454 --> 00:30:07,479
OH, COME ON.
644
00:30:07,555 --> 00:30:10,891
BRUSSELS WAS WAY OFF
HIS READ.
645
00:30:10,968 --> 00:30:12,259
HE'S JUST ANOTHER CARNY
TENT HUSTLER
646
00:30:12,335 --> 00:30:14,135
WHO GOT OVER.
647
00:30:14,212 --> 00:30:15,470
OH, I'M SORRY.
648
00:30:15,547 --> 00:30:16,429
YOU CONSIDER HIM TO BE
THE FATHER
649
00:30:16,506 --> 00:30:17,823
OF CRIMINAL PROFILING,
DON'T YOU?
650
00:30:17,825 --> 00:30:19,349
[scoffs]
THIS GUY--YEAH, AND YOU,
651
00:30:19,426 --> 00:30:22,394
YOU LEAVE YOUR EYES OPEN
652
00:30:22,470 --> 00:30:24,354
WHEN YOU DO A READ.
653
00:30:24,431 --> 00:30:25,322
I MEAN,
654
00:30:25,399 --> 00:30:26,481
THAT'S YOUR TELL--
655
00:30:26,558 --> 00:30:27,624
THERE'S TWO KIND OF PSYCHICS:
656
00:30:27,701 --> 00:30:29,359
THE KIND THAT SHUT THEIR EYES,
657
00:30:29,436 --> 00:30:30,953
WHO TRULY BELIEVE
THAT THEY HAVE A GIFT,
658
00:30:31,029 --> 00:30:32,863
AND THEN THE ONES THAT LEAVE
THEIR EYES OPEN LIKE YOU,
659
00:30:32,939 --> 00:30:35,949
WHO KNOW
THAT THEY'RE A CON.
660
00:30:36,026 --> 00:30:38,994
WELL, I TOLD YOU,
THERE'S ALWAYS A TRICK.
661
00:30:39,070 --> 00:30:41,496
I ADMIT
I'M A FRAUD.
662
00:30:41,573 --> 00:30:44,007
HOW ABOUT YOU?
663
00:30:46,220 --> 00:30:49,170
ACTUALLY, WE WERE WONDERING
IF YOU WERE A MURDERER.
664
00:30:49,247 --> 00:30:51,590
NOW THERE YOU GO.
665
00:30:51,666 --> 00:30:54,268
THAT IS A GOOD CHANCE GUESS.
666
00:30:55,587 --> 00:30:56,520
BUT YOU MISSED.
667
00:30:58,599 --> 00:31:00,557
WANNA TRY ANOTHER?
668
00:31:00,634 --> 00:31:03,059
(Goren)
WE KNOW THAT MERCEDES
669
00:31:03,136 --> 00:31:05,395
WENT BACKSTAGE
AFTER HOLIDAY'S SHOW.
670
00:31:05,472 --> 00:31:07,155
WHERE HE READ
HER MIND.
671
00:31:07,232 --> 00:31:09,065
I BELIEVE YOU,
BUT DO WE HAVE ANY PROOF
672
00:31:09,142 --> 00:31:10,175
HOLIDAY PAID
FOR HER CRUISE TICKET?
673
00:31:10,177 --> 00:31:12,068
NO TRACE
IN HIS FINANCIALS,
674
00:31:12,145 --> 00:31:13,161
BUT IT WOULDN'T BE HARD
FOR HIM TO HIDE
675
00:31:13,238 --> 00:31:14,362
100,000 IN CASH.
676
00:31:14,439 --> 00:31:15,614
HE MAKES THAT MUCH MONEY?
677
00:31:15,690 --> 00:31:16,990
YUP.
678
00:31:17,067 --> 00:31:18,617
NOTHING COMPARED TO STONE.
679
00:31:18,693 --> 00:31:20,660
THIS IS STONE'S LATEST DEAL
WITH NBC.
680
00:31:20,737 --> 00:31:22,913
NINE MILLION
OVER THREE YEARS.
681
00:31:22,989 --> 00:31:24,372
MM-HMM,
HOLIDAY HAD A SIMILAR DEAL,
682
00:31:24,449 --> 00:31:26,374
BUT THEY DROPPED HIM
WHEN THEY SIGNED STONE.
683
00:31:26,451 --> 00:31:28,960
SO WHERE WAS HE
THE NIGHT STONE DIED?
684
00:31:29,037 --> 00:31:32,339
AT THE CASINO
FOR HIS MIDNIGHT SHOW.
685
00:31:32,415 --> 00:31:34,382
ACCORDING TO HIS KEYCARD,
686
00:31:34,459 --> 00:31:36,468
HE WAS IN HIS ROOM
ALL EVENING.
687
00:31:36,544 --> 00:31:38,511
GUY MADE
THE SPACE NEEDLE DISAPPEAR.
688
00:31:38,522 --> 00:31:40,305
I'M SURE HE CAN MAKE IT
LOOK LIKE HE WAS IN HIS ROOM
689
00:31:40,382 --> 00:31:43,901
WHEN HE WASN'T.
690
00:31:45,512 --> 00:31:47,395
TERESA'S LAWYER'S HERE.
691
00:31:47,472 --> 00:31:50,273
MAYBE SHE'S READY
TO DEAL.
692
00:31:50,350 --> 00:31:52,943
A FEW WEEKS AGO,
I WAS WALKING HOME FROM WORK
693
00:31:53,019 --> 00:31:55,111
AND I HEAR SOMEONE CALL
MY NAME.
694
00:31:55,188 --> 00:31:56,655
DEAN HOLIDAY,
IN A LIMO.
695
00:31:56,731 --> 00:32:00,033
HE JUST HAPPENED
TO BE CRUISING BY THE HOSPITAL?
696
00:32:00,110 --> 00:32:02,202
WHAT'D HE WANT?
697
00:32:02,278 --> 00:32:04,245
WE JUST TALKED.
698
00:32:04,322 --> 00:32:06,414
ABOUT THE CEMETERY STUNT?
699
00:32:06,491 --> 00:32:08,416
HE COULDN'T GET OVER IT.
700
00:32:08,493 --> 00:32:12,128
HE KEPT SAYING
HOW BRILLIANT JACOB WAS.
701
00:32:12,205 --> 00:32:16,132
HOW MILES WAS JUST THE FACE,
BUT JACOB HAD THE REAL TALENT.
702
00:32:16,209 --> 00:32:18,510
HE ASK YOU
HOW THE TRICK WORKED?
703
00:32:18,586 --> 00:32:20,062
I DIDN'T TELL HIM.
704
00:32:20,138 --> 00:32:21,137
I SWEAR.
705
00:32:21,214 --> 00:32:23,390
HE TALKED
LIKE HE ALREADY KNEW.
706
00:32:23,466 --> 00:32:26,434
HE SAID,
"THERE HAS TO BE A TUNNEL."
707
00:32:26,511 --> 00:32:27,978
I SAID,
"I DON'T KNOW."
708
00:32:28,054 --> 00:32:31,439
AND HE SAID,
"I THOUGHT SO."
709
00:32:31,516 --> 00:32:33,441
WELL, HE WAS READING YOU.
710
00:32:33,518 --> 00:32:34,776
YOUR REACTIONS.
711
00:32:37,689 --> 00:32:39,155
I DIDN'T MEAN
TO GIVE IT AWAY.
712
00:32:39,232 --> 00:32:41,458
YOU PROUD OF JACOB?
713
00:32:43,611 --> 00:32:46,454
HE DOESN'T KNOW
HOW GOOD HE IS.
714
00:32:46,531 --> 00:32:48,707
AND AFTER YOU TOLD
HOLIDAY THAT,
715
00:32:48,783 --> 00:32:53,345
DID HE OFFER
TO MAKE JACOB A STAR?
716
00:32:55,382 --> 00:32:56,381
HE SAID
HE COULD HELP.
717
00:32:56,458 --> 00:32:58,299
IN EXCHANGE
718
00:32:58,376 --> 00:33:02,095
FOR PUTTING POTASSIUM CHLORIDE
IN STONE'S IV?
719
00:33:02,172 --> 00:33:05,524
NO.
NO, I SWEAR.
720
00:33:07,844 --> 00:33:09,135
ALL HE SAID WAS
721
00:33:09,212 --> 00:33:12,022
THAT HIS FRIEND CARMINE NEEDED
AN ASSISTANT
722
00:33:12,098 --> 00:33:14,107
FOR A FEW WEEKS.
723
00:33:14,184 --> 00:33:15,993
THAT'S ALL HE WANTED?
724
00:33:21,608 --> 00:33:23,324
JACOB CANNOT KNOW.
725
00:33:23,401 --> 00:33:25,368
OKAY?
726
00:33:25,445 --> 00:33:27,495
THREE NIGHTS,
I SLEPT ON THE COUCH,
727
00:33:27,572 --> 00:33:31,416
WORRIED THAT HE WOULD SMELL
HOLIDAY'S COLOGNE ON ME.
728
00:33:31,493 --> 00:33:34,252
I'VE TOLD YOU
EVERYTHING I KNOW.
729
00:33:34,329 --> 00:33:37,639
JUST PLEASE
DON'T TELL JACOB.
730
00:33:37,716 --> 00:33:39,841
SHE TOLD HOLIDAY
ABOUT THE SAFE ROOM?
731
00:33:39,918 --> 00:33:41,384
NO WAY.
732
00:33:41,461 --> 00:33:42,469
SHE WOULD NEVER BETRAY ME.
733
00:33:42,545 --> 00:33:43,853
NO?
734
00:33:43,931 --> 00:33:44,512
THEN WHY WAS SHE WORKING
FOR CARMINE
735
00:33:44,589 --> 00:33:45,513
WITHOUT TELLING YOU?
736
00:33:45,590 --> 00:33:48,183
I DON'T KNOW.
737
00:33:48,259 --> 00:33:50,518
WANNA GUESS
WHO GOT HER THE JOB?
738
00:33:50,595 --> 00:33:54,114
TERESA WOULD NEVER HURT MILES
OR ME.
739
00:33:55,600 --> 00:33:59,527
JACOB, ONLY YOU AND TERESA
KNEW ABOUT THE SAFE ROOM.
740
00:33:59,604 --> 00:34:02,622
AND YOU THINK THAT SHE WOULD
NEVER TELL HOLIDAY.
741
00:34:07,487 --> 00:34:10,714
THEN HOW DID STONE'S BODY
END UP IN CONEY ISLAND?
742
00:34:22,252 --> 00:34:23,560
JACOB.
743
00:34:26,690 --> 00:34:29,766
JACOB, PLEASE.
744
00:34:29,843 --> 00:34:33,153
SAY SOMETHING.
745
00:34:43,481 --> 00:34:45,490
WELL, I DON'T THINK
HE'S GONNA FORGIVE HER,
746
00:34:45,567 --> 00:34:48,326
BUT HE WOULDN'T TURN
ON HER.
747
00:34:48,403 --> 00:34:49,786
YOU'RE BUYING
THEIR LITTLE SOAP OPERA?
748
00:34:49,863 --> 00:34:51,663
I THINK THEY MIGHT HAVE HELPED
KILL STONE.
749
00:34:51,739 --> 00:34:53,590
I JUST DON'T THINK
THAT THEY KNEW.
750
00:34:56,619 --> 00:34:58,628
[footsteps]
751
00:34:58,705 --> 00:35:02,924
THIS IS THE LAST LOOP
THAT STONE PRE-RECORDED.
752
00:35:03,001 --> 00:35:04,592
IT WAS SWITCHED ON
753
00:35:04,669 --> 00:35:06,261
WITH AN HOUR TO GO.
754
00:35:06,338 --> 00:35:07,637
IT GIVES HIM TIME
TO GET FROM THE SAFE ROOM
755
00:35:07,714 --> 00:35:09,231
TO THE UNDERGROUND CASKET.
756
00:35:09,307 --> 00:35:11,266
MM-HMM.
LOOK AT HIS BREATHING.
757
00:35:11,342 --> 00:35:14,435
(Eames)
HE'S BARELY BREATHING.
758
00:35:14,512 --> 00:35:16,271
THIS ONE--
759
00:35:16,347 --> 00:35:18,356
IT'S AN HOUR EARLIER.
760
00:35:18,433 --> 00:35:21,442
THE LIVE FEED
FROM THE SAFE ROOM.
761
00:35:21,519 --> 00:35:24,830
HE'S NOT BREATHING
AT ALL.
762
00:35:27,025 --> 00:35:30,451
OH, PLEASE.
PLEASE, I'VE DONE NOTHING.
763
00:35:30,528 --> 00:35:32,254
AH!
DON'T!
764
00:35:32,330 --> 00:35:33,621
[grunt]
765
00:35:33,698 --> 00:35:35,623
[applause]
766
00:35:35,634 --> 00:35:38,459
THAT'S--
767
00:35:38,536 --> 00:35:39,711
THAT WAS GREAT.
768
00:35:39,787 --> 00:35:41,763
[laughing]
REALLY.
769
00:35:41,840 --> 00:35:43,265
OH, DEAN, GO AHEAD.
770
00:35:43,341 --> 00:35:44,349
I'M SORRY.
YOU CAN DO YOUR BOW THING.
771
00:35:46,711 --> 00:35:47,735
I USED TO HAVE
ONE OF THESE WHEN I WAS A KID.
772
00:35:47,812 --> 00:35:48,845
I DID, REALLY.
HONESTLY.
773
00:35:48,922 --> 00:35:50,772
MINE WAS 11 FOOT.
774
00:35:50,849 --> 00:35:52,599
BUT, YOU KNOW,
A LITTLE DIFFERENT THAN THIS.
775
00:35:52,675 --> 00:35:53,850
MINE WAS A DOUBLE BLADE.
776
00:35:53,927 --> 00:35:56,644
THIS IS, A, UM, ER,
A BODY SWITCH, RIGHT?
777
00:35:56,721 --> 00:35:58,938
SOMETHING LIKE THAT.
YEAH.
778
00:35:59,015 --> 00:36:00,331
YOU CAN TAKE OFF.
779
00:36:00,408 --> 00:36:01,657
THIS IS REALLY COOL, THOUGH.
IT REALLY IS.
780
00:36:01,735 --> 00:36:02,901
YOU KNOW, I MEAN,
IT'S ALL PRETTY SIMPLE.
781
00:36:02,977 --> 00:36:05,612
YOU KNOW.
IT'S ALL JUST FAKE LEGS,
782
00:36:05,688 --> 00:36:06,821
TRAPDOORS...
783
00:36:06,898 --> 00:36:08,656
PLEASE DON'T TOUCH THAT.
784
00:36:08,733 --> 00:36:09,890
[laughing]
785
00:36:09,968 --> 00:36:11,534
I MEAN, IT ALL JUST SEEMS
SO OBVIOUS
786
00:36:11,545 --> 00:36:14,495
WHEN YOU FINALLY KNOW
WHAT THE SECRET IS.
787
00:36:14,572 --> 00:36:15,538
IT'S JUST, LIKE,
RIGHT IN FRONT OF YOUR FACE
788
00:36:15,615 --> 00:36:17,707
THE WHOLE TIME.
789
00:36:17,784 --> 00:36:20,677
YEAH, IT'S MISDIRECTION.
790
00:36:21,880 --> 00:36:23,004
YEAH, MISDIRECTION.
791
00:36:23,081 --> 00:36:25,506
YEAH, WE ARRESTED
STONE'S KILLERS.
792
00:36:25,583 --> 00:36:28,259
JACOB GREEN
793
00:36:28,336 --> 00:36:29,311
AND HIS FIANCEE.
794
00:36:29,387 --> 00:36:33,223
SHE'S A, UH, BURN UNIT NURSE.
795
00:36:33,299 --> 00:36:34,349
UH, TERESA.
796
00:36:34,425 --> 00:36:35,850
REALLY?
797
00:36:35,927 --> 00:36:38,853
I-I-I KNOW
HOW THIS TRICK WORKS.
798
00:36:38,930 --> 00:36:40,396
DID THEY CONFESS?
799
00:36:40,473 --> 00:36:44,400
NO, BUT THEY POISONED HIM
THROUGH HIS IV.
800
00:36:44,477 --> 00:36:45,526
THEIR PRINTS WERE
ALL OVER THE SAFE ROOM.
801
00:36:45,603 --> 00:36:46,861
PLEASE, ONE TIME.
802
00:36:46,938 --> 00:36:49,447
OH, THAT'S HOW THEY DID IT.
803
00:36:49,524 --> 00:36:52,584
THE BURIED ALIVE GAG,
I MEAN.
804
00:36:52,661 --> 00:36:54,661
A SAFE ROOM.
805
00:36:54,737 --> 00:36:55,703
WELL, KILLING HIM
WAS THE EASY PART.
806
00:36:55,780 --> 00:36:57,372
HE WAS A SITTING DUCK.
807
00:36:57,448 --> 00:36:59,540
(Goren)
BUT THE THEATRICS,
808
00:36:59,617 --> 00:37:02,344
THE SPECTACULAR--
I KNOW HOW TO DO THIS.
809
00:37:02,420 --> 00:37:03,895
I CAN--WATCH.
810
00:37:05,331 --> 00:37:07,715
YOU KNOW, THE THING WE CAN'T
FIGURE OUT IS HOW
811
00:37:07,792 --> 00:37:10,352
JACOB PULLED OFF THE SWITCH.
812
00:37:10,428 --> 00:37:11,669
[gasps]
813
00:37:11,671 --> 00:37:12,804
ISN'T THAT GREAT?
LOOK.
814
00:37:12,880 --> 00:37:14,055
[Goren laughs]
815
00:37:14,132 --> 00:37:16,641
SORRY.
816
00:37:16,718 --> 00:37:19,769
WELL, DIDN'T YOU SAY
HIS FIANCEE WAS INVOLVED?
817
00:37:19,780 --> 00:37:23,323
OH, SHE WAS ONSTAGE
WITH CARMINE
818
00:37:23,400 --> 00:37:25,024
WHEN STONE'S BODY
MUST HAVE BEEN MOVED,
819
00:37:25,101 --> 00:37:27,652
AND JACOB WAS
AT THE GRAVESITE.
820
00:37:27,729 --> 00:37:28,936
THIS.
THANKS.
821
00:37:29,013 --> 00:37:31,739
SO, ALL HE NEEDED
WAS A STAGEHAND
822
00:37:31,816 --> 00:37:33,741
TO MOVE THE BODY
FROM THE SAFE ROOM
823
00:37:33,818 --> 00:37:34,876
TO CONEY ISLAND.
824
00:37:34,953 --> 00:37:36,610
BUT NOT JUST ANYONE.
825
00:37:36,688 --> 00:37:38,746
I MEAN, YOU CAN'T GIVE
AN OUTSIDER THE ACE TO PALM.
826
00:37:38,823 --> 00:37:40,707
I MEAN, IT HAD TO BE
ANOTHER MAGICIAN,
827
00:37:40,783 --> 00:37:42,417
SOMEONE AS GOOD
AS STONE.
828
00:37:42,493 --> 00:37:45,420
LOOK, YOU KNOW,
FOR AWHILE,
829
00:37:45,496 --> 00:37:46,979
I THOUGHT IT WAS YOU.
830
00:37:46,981 --> 00:37:49,299
YOU KNOW,
'CAUSE YOU FIT THE PROFILE.
831
00:37:49,375 --> 00:37:51,759
FOR WHATEVER IT'S WORTH,
AND ACCORDING TO YOU,
832
00:37:51,836 --> 00:37:52,927
NOT MUCH, BUT--
[scoffs]
833
00:37:53,004 --> 00:37:54,762
STILL, IT'S ALWAYS FLATTERING
834
00:37:54,839 --> 00:37:56,848
WHEN PEOPLE THINK
YOU'RE SMARTER THAN YOU ARE.
835
00:37:56,924 --> 00:37:58,123
OR MORE VAIN.
836
00:37:58,125 --> 00:38:00,902
DIDN'T YOU USED TO HAVE
A NETWORK DEAL
837
00:38:00,979 --> 00:38:03,980
BEFORE THEY DROPPED YOU
IN FAVOR OF STONE?
838
00:38:04,057 --> 00:38:07,734
HOW MANY MILLIONS OF PEOPLE
SAW HIM ON TV THAT NIGHT?
839
00:38:07,810 --> 00:38:09,060
(Goren)
15.
840
00:38:09,137 --> 00:38:11,913
PERFECT OPPORTUNITY
TO SHOW MILLIONS OF PEOPLE
841
00:38:11,990 --> 00:38:14,490
THAT STONE WASN'T
THE REAL DEAL.
842
00:38:14,567 --> 00:38:16,659
WELL, ALL DUE RESPECT,
HE WASN'T.
843
00:38:16,736 --> 00:38:17,752
(Goren)
NOT LIKE YOU.
844
00:38:17,829 --> 00:38:19,829
I MEAN, I THOUGHT
THAT YOU KILLED HIM
845
00:38:19,840 --> 00:38:20,830
BECAUSE HE ECLIPSED YOU.
846
00:38:20,907 --> 00:38:22,457
[scoffs]
847
00:38:22,533 --> 00:38:23,958
THAT'S A PATHETIC PORTRAIT.
848
00:38:24,035 --> 00:38:25,668
(Goren)
AND IT'S WAY TOO SIMPLE.
849
00:38:25,745 --> 00:38:29,881
I REALIZED WHEN I WAS WATCHING
STONE'S WEB CAM FEED
850
00:38:29,957 --> 00:38:31,841
THAT FOR ALMOST AN HOUR,
851
00:38:31,918 --> 00:38:34,719
HIS CHEST STOPPED MOVING.
852
00:38:34,796 --> 00:38:35,887
MM, HIS FANS WERE WATCHING
A DEAD MAN
853
00:38:35,963 --> 00:38:37,013
AND DIDN'T EVEN KNOW IT.
854
00:38:37,090 --> 00:38:38,890
(Goren)
THE KILLER WAS BRAZEN ENOUGH
855
00:38:38,966 --> 00:38:40,933
TO KILL STONE IN FRONT
OF MILLIONS OF WITNESSES.
856
00:38:41,010 --> 00:38:43,144
IT TOOK REAL PASSION.
857
00:38:43,221 --> 00:38:46,814
THAT'S WHEN WE KNEW
IT COULDN'T HAVE BEEN YOU.
858
00:38:46,891 --> 00:38:49,734
YOU HAVE SOME ANGER,
DON'T YOU, DETECTIVE?
859
00:38:49,811 --> 00:38:50,702
IS IT THE BETRAYAL?
860
00:38:50,779 --> 00:38:52,612
WELL, WHAT ABOUT YOURS?
861
00:38:52,688 --> 00:38:54,706
YOU KNOW,
862
00:38:54,783 --> 00:38:56,699
YOUR BETRAYAL
863
00:38:56,710 --> 00:38:58,076
OF YOUR ART.
864
00:38:58,152 --> 00:39:00,828
WE SAW YOUR SHOW,
865
00:39:00,905 --> 00:39:02,830
AND YOU KNOW...
866
00:39:02,907 --> 00:39:04,082
YOU'RE PHONING IT IN.
867
00:39:04,158 --> 00:39:06,468
TEN YEARS AGO,
868
00:39:06,544 --> 00:39:07,960
YOU WOULD HAVE HAD
THE AUDACITY,
869
00:39:08,037 --> 00:39:08,961
BUT NOW, NO CHANCE.
870
00:39:09,038 --> 00:39:12,673
WHAT ABOUT YOU,
DETECTIVE?
871
00:39:12,750 --> 00:39:14,634
LOST A STEP OR TWO
OVER THE YEARS,
872
00:39:14,710 --> 00:39:16,010
OR DO YOU STILL THINK YOU CAN
PULL OFF THE BIG SOLVE
873
00:39:16,087 --> 00:39:17,637
WHEN YOU NEED TO?
874
00:39:17,713 --> 00:39:19,472
(Eames)
OH, BUT HE SOLVED THIS ONE.
875
00:39:19,549 --> 00:39:23,393
JACOB WAS THE JEALOUS,
UNSUNG GENIUS
876
00:39:23,469 --> 00:39:24,911
WHO PULLED OFF
THE GREATEST TRICK
877
00:39:24,987 --> 00:39:28,064
OF ALL TIME, LIVE,
WHILE THE NATION WAS WATCHING.
878
00:39:28,141 --> 00:39:29,399
I THOUGHT YOU SAID
879
00:39:29,475 --> 00:39:30,858
YOU STILL DIDN'T KNOW
HOW HE DID IT.
880
00:39:30,935 --> 00:39:33,653
NO, WE DON'T,
BUT HE'LL PROBABLY END UP
881
00:39:33,729 --> 00:39:34,746
PLEADING OUT.
882
00:39:34,823 --> 00:39:35,988
YOU WANNA KNOW
THE IRONY OF THE THING?
883
00:39:36,065 --> 00:39:37,657
IF YOU INSIST.
884
00:39:37,733 --> 00:39:38,866
THAT JACOB ENGINEERED
885
00:39:38,943 --> 00:39:40,151
THE WHOLE TRICK
JUST TO SHOW THE WORLD
886
00:39:40,228 --> 00:39:42,578
THAT STONE WASN'T
WHAT THEY THOUGHT HE WAS.
887
00:39:42,655 --> 00:39:44,872
YEAH,
AND SINCE HE WON'T CONFESS,
888
00:39:44,949 --> 00:39:47,125
STONE'S DEATH
IS STILL A MYSTERY.
889
00:39:47,201 --> 00:39:48,768
RIGHT, HE'LL PROBABLY
END UP BEING
890
00:39:48,844 --> 00:39:51,963
A BIGGER LEGEND THAN,
I DON'T KNOW, LIKE, HOUDINI.
891
00:39:52,039 --> 00:39:54,674
(Eames)
AND JACOB,
THE ONLY PERSON
892
00:39:54,750 --> 00:39:56,008
WHO KNOWS THE SECRET,
893
00:39:56,085 --> 00:39:58,436
WON'T REVEAL IT.
894
00:40:01,257 --> 00:40:02,816
[laughs]
895
00:40:05,103 --> 00:40:09,897
JACOB IS...UH, NOT A GENIUS;
HE'S A GEEK.
896
00:40:09,974 --> 00:40:11,107
THE TUNNEL,
THE SAFE ROOM,
897
00:40:11,184 --> 00:40:12,984
THEY'RE ALL VERY WORKMAN-LIKE,
898
00:40:13,060 --> 00:40:14,902
BUT NO VISION.
899
00:40:14,979 --> 00:40:16,904
NO, NOT LIKE STONE,
900
00:40:16,981 --> 00:40:19,031
WHO, I THINK, YOU KNOW,
HE TRANSCENDS MAGIC.
901
00:40:19,108 --> 00:40:20,741
MM-HMM.
902
00:40:20,818 --> 00:40:23,086
STONE WAS AN OVERPAID,
OVERINDULGED LITTLE PUNK.
903
00:40:25,656 --> 00:40:28,049
BUT HE HAD NERVE,
YOU GOTTA GIVE HIM THAT.
904
00:40:28,126 --> 00:40:29,551
NERVE?
905
00:40:29,627 --> 00:40:33,171
[scoffs]
906
00:40:33,247 --> 00:40:34,922
THE ONLY NERVE THAT HE HAD
WAS TO THINK
907
00:40:34,999 --> 00:40:37,559
THAT IT ALL BEGAN AND ENDED
WITH HIM.
908
00:40:37,635 --> 00:40:40,595
YOU KNOW, THERE IS A HISTORY
TO WHAT WE DO.
909
00:40:40,671 --> 00:40:41,721
THERE IS A CODE.
910
00:40:41,797 --> 00:40:43,565
THAT KIND OF DISRESPECT--
911
00:40:43,641 --> 00:40:45,683
AND HE NEEDED
TO BE TAUGHT A LESSON.
912
00:40:45,694 --> 00:40:47,034
YEAH, YEAH,
HE DID.
913
00:40:47,111 --> 00:40:48,269
(Eames)
YOU HAD THE PERFECT CRIME:
914
00:40:48,346 --> 00:40:49,937
SLIP INTO STONE'S SAFE HOUSE,
915
00:40:50,014 --> 00:40:52,899
INJECT THE POTASSIUM CHLORIDE,
SLIP OUT.
916
00:40:52,975 --> 00:40:55,026
YOU EVEN HAD
TWO PERFECT PATSIES
917
00:40:55,102 --> 00:40:56,385
TO TAKE THE FALL.
918
00:40:56,387 --> 00:41:01,124
BUT YOU'RE TOO MUCH
OF A SHOWMAN FOR THAT.
919
00:41:03,587 --> 00:41:07,079
YOU TOOK STONE'S BODY
TO CONEY ISLAND YOURSELF,
920
00:41:07,156 --> 00:41:08,965
PLANTED HIM
ON CARMINE'S STAGE...
921
00:41:11,786 --> 00:41:13,753
COME ON, DEAN.
922
00:41:13,829 --> 00:41:14,921
WHAT'S THE BIGGER CRIME?
923
00:41:14,997 --> 00:41:16,547
THAT YOU KILLED MILES STONE,
924
00:41:16,624 --> 00:41:18,758
OR THAT NO ONE
WILL EVER KNOW?
925
00:41:18,834 --> 00:41:21,802
I MEAN,
YOU NEED TO TAKE HIM DOWN.
926
00:41:21,879 --> 00:41:28,935
THERE'S ONLY ONE WAY.
927
00:41:29,011 --> 00:41:31,863
YOU KNOW, STONE IS AS MUCH
TO BLAME AS I AM.
928
00:41:37,645 --> 00:41:39,170
IF HE HADN'T STARVED HIMSELF,
929
00:41:39,246 --> 00:41:41,164
IF HE HADN'T MADE IT
LOOK SO REAL--
930
00:41:44,068 --> 00:41:46,836
HE MIGHT HAVE HAD THE STRENGTH
TO PUT UP A FIGHT.
931
00:41:50,199 --> 00:41:51,958
[laughs]
932
00:41:52,034 --> 00:41:55,637
HE MADE IT EASY
FOR ME.
933
00:41:57,748 --> 00:42:00,141
DEAN HOLIDAY, YOU'RE
UNDER ARREST FOR THE MURDER
934
00:42:00,218 --> 00:42:02,977
OF MILES STONE.
935
00:42:06,340 --> 00:42:08,307
NO, I DON'T THINK SO.
936
00:42:08,384 --> 00:42:10,726
[laughs]
937
00:42:10,803 --> 00:42:12,687
IS ALL THIS RESTRAINT
REALLY NECESSARY?
938
00:42:12,763 --> 00:42:14,656
WE LEARN OUR LESSONS TOO.
939
00:42:17,435 --> 00:42:21,988
GLAD SOME PEOPLE STILL KNOW
THE MEANING OF RESPECT.
940
00:42:22,064 --> 00:42:24,999
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