1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:02:01,162 --> 00:02:04,165 MAN: MY NAME’S FRANKIE, FRANKIE DELANO, 4 00:02:04,207 --> 00:02:06,292 AND I’M A PROFESSIONAL WATCHER. 5 00:02:06,334 --> 00:02:08,878 THAT’S WHAT I DO-- I TRY TO STAY IN THE SHADOWS AND WATCH. 6 00:02:13,800 --> 00:02:16,928 THE MAN WHO EMPLOYS ME IS ANGELO, ANGELO ALLIEGHIERI, 7 00:02:16,970 --> 00:02:19,389 WHO IS CONSIDERED A GENEROUS MAN BY SOME, 8 00:02:19,431 --> 00:02:21,516 AND A VERY BAD MAN BY OTHERS. 9 00:02:25,437 --> 00:02:28,314 BUT GOOD OR BAD, HE IS A FATHER FIRST AND FOREMOST, 10 00:02:28,356 --> 00:02:31,526 AND HAS, FOR YEARS, HAD ME WATCH HIS DAUGHTER-- 11 00:02:31,568 --> 00:02:34,821 WHO, BY THE WAY, DOESN’T EVEN KNOW SHE’S HIS DAUGHTER-- 12 00:02:34,863 --> 00:02:36,489 WHICH REALLY COMPLICATES THINGS. 13 00:02:41,661 --> 00:02:43,038 [NO AUDIBLE DIALOGUE] 14 00:02:43,079 --> 00:02:44,706 IN THE LAST FEW MONTHS, ANGELO HAS BEEN HAVING ME 15 00:02:44,748 --> 00:02:46,916 FILM MESSAGES TO HIS DAUGHTER. 16 00:02:46,958 --> 00:02:48,501 IT’S KIND OF LIKE HE’S GETTING HIS LIFE IN ORDER, 17 00:02:48,543 --> 00:02:50,670 WHICH MAKES ME NERVOUS, 18 00:02:50,712 --> 00:02:53,882 LIKE HE KNOWS SOMETHING I DON’T. 19 00:02:53,923 --> 00:02:55,759 ANGELO: HEY, FRANKIE? 20 00:02:55,800 --> 00:02:58,887 YOU WANT ME TO SAY... SOMETHING FOR YOU? 21 00:02:58,928 --> 00:03:02,515 YOU KNOW, TO PUT IN A GOOD WORD OR SOMETHING? 22 00:03:02,557 --> 00:03:04,642 ANGELO, IT’S GOING TO EMBARRASS ME, OKAY? 23 00:03:04,684 --> 00:03:08,521 COME ON! YOU EMBARRASS TOO EASY. 24 00:03:08,563 --> 00:03:10,523 FRANKIE, IF SHE EVER LEAVES 25 00:03:10,565 --> 00:03:13,735 THAT SORRY EXCUSE OF A HUSBAND, 26 00:03:13,777 --> 00:03:14,986 YOU GOT TO KEEP DOING 27 00:03:15,028 --> 00:03:19,407 WHAT YOU’RE DOING FOR ME, UNDERSTAND? 28 00:03:19,449 --> 00:03:21,534 AND, FRANKIE, WATCH OUT. 29 00:03:21,576 --> 00:03:25,372 - FOR WHAT? - WATCH OUT FOR THE ONE 30 00:03:25,413 --> 00:03:28,958 WHO FEELS PAIN... 31 00:03:29,000 --> 00:03:32,545 AND WANTS YOU TO KNOW IT. 32 00:03:32,587 --> 00:03:37,967 ALL RIGHT... TURN IT ON. 33 00:03:38,009 --> 00:03:41,888 ANGELO: YOU KNOW, AFTER SO MANY YEARS, 34 00:03:41,930 --> 00:03:45,308 IT’S BECOME LIKE A POOL OF MEMORIES TO ME, 35 00:03:45,350 --> 00:03:48,770 NEVER KNOWING IF THOSE MEMORIES ARE REAL, 36 00:03:48,812 --> 00:03:52,399 OR IF THEY’RE SIMPLY WHAT I WANT TO REMEMBER. 37 00:03:52,440 --> 00:03:54,901 BECAUSE ALL I HAVE LEFT 38 00:03:54,943 --> 00:03:57,904 TO JOIN ME TO THAT WORLD IS HER. 39 00:04:05,453 --> 00:04:07,330 FRANKIE: SEE, THAT’S WHAT ANGELO ALWAYS SAID-- 40 00:04:07,372 --> 00:04:09,416 THAT SHE WAS ALL HE HAD LEFT-- 41 00:04:09,457 --> 00:04:11,292 BUT THAT WASN’T EXACTLY TRUE, BECAUSE EVEN THOUGH 42 00:04:11,334 --> 00:04:14,754 I NEVER MADE A BIG DEAL OUT OF IT, HE ALSO HAD ME. 43 00:04:14,796 --> 00:04:17,966 I PRETTY MUCH LOVED ANGELO LIKE YOU WOULD YOUR OWN FATHER. 44 00:04:18,008 --> 00:04:22,929 COME ON... BEFORE WE LOSE THEM. 45 00:04:22,971 --> 00:04:25,640 SO IT WAS HARD FOR ME, TOO, HAVING TO STAY INVISIBLE 46 00:04:25,682 --> 00:04:29,728 AS HER WORLD FELL APART-- AFTER SHE’D GIVEN IN TO THAT HUSBAND 47 00:04:29,769 --> 00:04:32,731 AND SENT THEIR LITTLE SON OFF TO SOME DISTANT BOARDING SCHOOL. 48 00:04:35,025 --> 00:04:38,445 I SEE HIM! IN THE PLANE! 49 00:04:38,486 --> 00:04:41,614 RAWLEY, RAWLEY! IT WASN’T MY IDEA! 50 00:04:41,656 --> 00:04:43,867 I DIDN’T MEAN TO SEND YOU AWAY. BABY, I LOVE YOU! 51 00:04:43,908 --> 00:04:46,494 JENNIFER, JESUS! WHAT ARE YOU DOING? 52 00:04:46,536 --> 00:04:47,871 GET-- GET BACK IN THE CAR! 53 00:04:47,912 --> 00:04:52,125 LOOK AT HER. HE’S DRIVING HER CRAZY. 54 00:04:52,167 --> 00:04:55,545 A WILLOW IN THE WIND. 55 00:04:55,587 --> 00:04:57,964 - GET BACK IN THE CAR! - I JUST WANT TO SEE HIS FACE! 56 00:04:58,006 --> 00:05:01,051 JENNIFER, FOR GOODNESS SAKE, I’M SHUTTING THE SUNROOF! 57 00:05:01,092 --> 00:05:03,553 GET BACK-- JUST GET BACK IN! 58 00:05:03,595 --> 00:05:05,388 BLOODY HELL! 59 00:05:05,430 --> 00:05:08,016 I FEEL HER SADNESS. 60 00:05:08,058 --> 00:05:09,809 I MEAN... 61 00:05:09,851 --> 00:05:14,564 SENDING AWAY HER ONLY CHILD. 62 00:05:14,606 --> 00:05:19,944 I-I-I DON’T UNDERSTAND THAT. 63 00:05:19,986 --> 00:05:23,698 BUT THEN, I DO. 64 00:05:23,740 --> 00:05:26,659 FOR GOD SAKES, WHAT EXACTLY IS THE TRAUMA HERE? 65 00:05:26,701 --> 00:05:27,994 OUR LITTLE SOLDIER IS GOING OFF TO MILITARY SCHOOL. 66 00:05:28,036 --> 00:05:29,829 IT’LL MAKE HIM A MAN. 67 00:05:29,871 --> 00:05:32,582 - HE’S SEVEN. - AND YOU’RE ACTING ABOUT THE SAME AGE. 68 00:05:36,002 --> 00:05:38,380 HAVE YOU EVER CONSIDERED... LIGHTENING YOUR HAIR? 69 00:05:38,421 --> 00:05:40,924 - WHAT? - LIGHTENING YOUR HAIR. 70 00:05:40,965 --> 00:05:46,513 I THOUGHT MAYBE IT’D BRIGHTEN YOUR MOOD. 71 00:05:46,554 --> 00:05:49,849 THIS CAN BE CORRECTED, SERIOUSLY. IT’D BE MY PLEASURE. 72 00:05:49,891 --> 00:05:53,436 - YOU CAN’T. YOU KNOW THAT. - I UNDERSTAND. 73 00:05:53,478 --> 00:05:57,107 THAT’S RIGHT. KEEP THE DISTANCE. 74 00:05:57,148 --> 00:05:58,525 THE DISTANCE. 75 00:06:13,832 --> 00:06:16,626 THIS IS JUST PERFECT, WE SEND OUR SON OFF TO MILITARY SCHOOL 76 00:06:16,668 --> 00:06:18,461 WHERE HE’LL BE SURROUNDED BY NOTHING BUT BOYS, 77 00:06:18,503 --> 00:06:19,963 YOU FIRED THE GARDENER, THE PLACE IS A MESS, 78 00:06:20,005 --> 00:06:21,881 THE FURNITURE’S IN STORAGE AND WE CAN’T GET IT OUT 79 00:06:21,923 --> 00:06:26,428 BECAUSE YOU INVESTED IN SOME OTHER MINING STOCK OR SOMETHING OR OTHER! 80 00:06:26,469 --> 00:06:28,179 WE DON’T EVEN HAVE A HOME-- BRILLIANT! 81 00:06:28,221 --> 00:06:30,890 WHERE’S MY FED EX PACKAGE OR DID YOU MISPLACE IT? 82 00:06:30,932 --> 00:06:32,684 - IT’S THERE. - AH! 83 00:06:32,726 --> 00:06:34,853 HOW CAN YOU BE SO BLASE? 84 00:06:34,894 --> 00:06:36,813 DON’T YOU MISS RAWLEY? 85 00:06:36,855 --> 00:06:39,733 YOU REALLY HAVE TO GET A GRIP ON THIS. 86 00:06:39,774 --> 00:06:40,984 A GRIP ON WHAT? 87 00:06:41,026 --> 00:06:43,903 SERIOUSLY, WHAT MORE COULD YOU WANT? 88 00:06:43,945 --> 00:06:47,532 - YOU KEEP ASKING ME THAT. - FINE, SO GO OUT AND GET A JOB. 89 00:06:47,574 --> 00:06:49,451 I HAD A JOB, REMEMBER? 90 00:06:49,492 --> 00:06:50,869 BUT YOU SAID A MOTHER’S PLACE WAS IN THE HOME. 91 00:06:50,910 --> 00:06:53,788 BESIDES, WHO WOULD HIRE ME NOW? 92 00:07:02,964 --> 00:07:06,092 EVERYTHING WE FUNNEL 93 00:07:06,134 --> 00:07:09,179 THROUGH TO THAT FAMILY OF THEIRS, 94 00:07:09,220 --> 00:07:13,058 HE MANAGES TO LOSE-- 95 00:07:13,099 --> 00:07:16,811 OR SQUANDER. 96 00:07:16,853 --> 00:07:18,813 LOOK AT HER NOW. 97 00:07:18,855 --> 00:07:21,149 SHE’S SKINNY. 98 00:07:21,191 --> 00:07:25,612 PROBABLY HER NERVES. 99 00:07:25,653 --> 00:07:28,907 YOU KNOW, WHEN I’M GONE... 100 00:07:28,948 --> 00:07:31,076 YOU’RE GOING TO HAVE TO TAKE OVER. 101 00:07:31,117 --> 00:07:34,788 BE SURE AND... FATTEN HER UP. 102 00:07:34,829 --> 00:07:37,957 [CHUCKLES] LOOK-- 103 00:07:37,999 --> 00:07:42,629 I’M AFRAID YOU’RE NOT GOING ANYWHERE, OKAY? 104 00:07:42,671 --> 00:07:46,675 EVERYBODY’S GOING... 105 00:07:46,716 --> 00:07:48,093 SOMEWHERE. 106 00:07:57,686 --> 00:08:00,647 THERE’S NO NEED FOR THE CANNON. 107 00:08:00,689 --> 00:08:01,856 A .22 SHOULD BE ALL WE NEED. 108 00:08:04,567 --> 00:08:06,027 LET THE OLD MAN FINISH HIS MEAL. 109 00:08:22,752 --> 00:08:24,921 WOMAN: AN ILL WIND IS BLOWING THIS WAY, LADIES. 110 00:08:24,963 --> 00:08:26,923 I AM SO MESSED UP. 111 00:08:26,965 --> 00:08:30,719 I JUST SENT MY BABY BOY OFF TO MILITARY ACADEMY. 112 00:08:30,760 --> 00:08:32,846 SWEETIE, COME HERE, COME HERE. 113 00:08:32,887 --> 00:08:34,222 I AM SO WIRED. AM I HAVING A HEART ATTACK? 114 00:08:34,264 --> 00:08:35,849 - IS THAT WHAT’S GOING ON? - NO, SWEETIE. 115 00:08:35,890 --> 00:08:37,726 MEN GET HEART ATTACKS. WE DON’T. 116 00:08:37,767 --> 00:08:39,686 - MEN DO, WE DON’T. - CAN YOU BREATHE? 117 00:08:39,728 --> 00:08:42,188 OKAY, BLOW OUT. THAT’S IT. 118 00:08:42,230 --> 00:08:43,732 OH GOD! 119 00:08:43,773 --> 00:08:45,567 - YOU KNOW WHAT? - WHAT? 120 00:08:45,608 --> 00:08:48,069 "MAMA’S LITTLE HELPER" TO THE RESCUE. I WANT YOU TO TAKE ONE-- 121 00:08:48,111 --> 00:08:50,780 NO, SWEETIE, TAKE TWO, AND LEAVE ALL YOUR TROUBLES BEHIND. 122 00:08:50,822 --> 00:08:52,032 WHAT ARE THESE? 123 00:08:52,073 --> 00:08:53,742 HER HUSBAND GIVES THEM TO HIS PATIENTS. 124 00:08:53,783 --> 00:08:56,953 FOR ME, HE TRIPLES THE DOSAGE. 125 00:08:56,995 --> 00:08:59,372 JENNIFER, I SAID TAKE TWO PILLS. HOW MANY DID YOU TAKE? 126 00:08:59,414 --> 00:09:01,708 I DON’T KNOW! JUST WHAT YOU TOLD ME! 127 00:09:01,750 --> 00:09:05,879 - BON VOYAGE, DARLING. - [OTHERS GROAN] 128 00:09:05,920 --> 00:09:07,255 THIS IS A NIGHTMARE. 129 00:09:15,180 --> 00:09:16,598 SCUSI. 130 00:09:21,644 --> 00:09:24,939 OFFICER! IS THERE A PROBLEM HERE? 131 00:09:24,981 --> 00:09:27,776 - YOU’RE IN A "NO PARKING" ZONE. - WE’RE TALKING MINUTIAE HERE. 132 00:09:27,817 --> 00:09:29,903 WHAT DOES ANGELO SEE IN A GUY LIKE THAT? 133 00:09:29,944 --> 00:09:32,280 I COULD RUN CIRCLES AROUND THAT PAIN IN THE ASS. 134 00:09:32,322 --> 00:09:35,158 DOES MALATESTA KNOW-- 135 00:09:35,200 --> 00:09:38,078 DOES MALATESTA WHAT? KNOW ABOUT THIS? 136 00:09:38,119 --> 00:09:39,829 THERE’S A LOT THE OLD MAN DON’T KNOW. 137 00:09:39,871 --> 00:09:41,247 AND AS FOR YOU, DON’T SWEAT THE SMALL SHIT. 138 00:09:41,289 --> 00:09:43,625 DO YOU HEAR WHAT I’M SAYING? 139 00:09:43,667 --> 00:09:45,377 - RADIO: * I’LL NEVER LET YOU GO... * - THIS FRICKING SONG. 140 00:09:45,418 --> 00:09:46,836 * WHY? BECAUSE I LOVE YOU... * 141 00:09:46,878 --> 00:09:49,381 IT MAKES MY HEART WEEP EVERY TIME I HEAR IT. 142 00:09:49,422 --> 00:09:53,093 YEAH, I GET A TWINGE, TOO. 143 00:09:53,134 --> 00:09:55,053 A "TWINGE"? 144 00:09:55,095 --> 00:09:57,305 WHAT KIND OF PERSON JUST GETS A FRIGGING "TWINGE" 145 00:09:57,347 --> 00:09:59,724 WHEN YOU HEAR A SONG LIKE THIS? 146 00:09:59,766 --> 00:10:02,018 SO, WHAT DO YOU GET? 147 00:10:02,060 --> 00:10:03,895 * NO BROKEN HEARTS FOR US... * 148 00:10:03,937 --> 00:10:05,647 [LAUGHING] 149 00:10:05,689 --> 00:10:08,817 ARE YOU SAYING THIS LITTLE DISTANCE HERE IS NOT NEGOTIABLE? 150 00:10:08,858 --> 00:10:10,110 THE LAW IS THE LAW. 151 00:10:10,151 --> 00:10:12,904 HOW ABOUT IF I JUST PULL IT FORWARD? 152 00:10:12,946 --> 00:10:14,197 AND HOW ABOUT I JUST CALL FOR SOME BACKUP? 153 00:10:14,239 --> 00:10:17,283 HOW ABOUT YOU NOT? 154 00:10:17,325 --> 00:10:19,828 - IF YOU WEREN’T SO CUTE-- - YOU WATCH IT! 155 00:10:28,795 --> 00:10:32,132 NICE SHINE... 156 00:10:32,173 --> 00:10:34,342 CHEAP AFTERSHAVE... 157 00:10:42,058 --> 00:10:43,309 MUST BE... 158 00:10:45,979 --> 00:10:47,188 BRUNO. 159 00:10:47,230 --> 00:10:49,274 ANY LAST WORDS? 160 00:10:49,315 --> 00:10:53,820 YEAH, TRY THE CLAMS. 161 00:10:53,862 --> 00:10:57,073 THEY’RE FABULOUS. 162 00:10:58,867 --> 00:11:00,702 [DINERS SCREAMING] 163 00:11:20,388 --> 00:11:21,890 [GROANS] 164 00:11:40,992 --> 00:11:43,787 HEY! GOOD THING I DIDN’T SEE YOU EARLIER, 165 00:11:43,828 --> 00:11:45,747 OTHERWISE, I WOULD HAVE HAD TO GIVE YOU A TICKET! 166 00:11:45,789 --> 00:11:47,290 SORRY FOR THE INCONVENIENCE. 167 00:11:51,252 --> 00:11:53,004 [CELL PHONE RINGS] 168 00:11:53,046 --> 00:11:55,840 HELLO? WHAT? 169 00:11:58,009 --> 00:12:02,555 I’M ON MY WAY. I’LL BE RIGHT THERE. 170 00:12:02,597 --> 00:12:05,100 MY SON HAS A TEMPERATURE OF 103. 171 00:12:05,141 --> 00:12:07,852 [SLURRED] OH, HE’LL BE ALL RIGHT. WANT SOME COMPANY? 172 00:12:07,894 --> 00:12:10,438 I GOT TO GO. 173 00:12:10,480 --> 00:12:12,899 LATER, "LUCKY ONES." 174 00:12:12,941 --> 00:12:16,027 GOOD AFTERNOON, LADIES, AND WELCOME. 175 00:12:16,069 --> 00:12:19,072 WE HAVE A VERY SPECIAL TREAT FOR YOU THIS AFTERNOON, 176 00:12:19,114 --> 00:12:24,077 ALL DUE TO THE VERY HARD WORK OF OUR OWN JENNIFER BARRETT! 177 00:12:24,119 --> 00:12:27,539 PLEASE JOIN ME IN WELCOMING A CELEBRATED AUTHOR, 178 00:12:27,580 --> 00:12:30,250 MARCELLO DELLA ROSA! 179 00:12:30,291 --> 00:12:32,252 [APPLAUSE, SIGHS] 180 00:12:39,509 --> 00:12:44,264 IT SEEMS THERE ARE NO MEN-- PITY. 181 00:12:44,305 --> 00:12:46,266 IF YOU WILL INDULGE ME, 182 00:12:46,307 --> 00:12:50,478 I WOULD PREFER TO LET MY WORK SPEAK FOR ITSELF. 183 00:12:50,520 --> 00:12:54,357 I’VE TAKEN THE LIBERTY OF BRINGING "OUR WAY," 184 00:12:54,399 --> 00:12:57,110 THE BOOK I PUBLISHED LAST YEAR. 185 00:12:57,152 --> 00:12:58,987 THEN, IF YOU MUST, 186 00:12:59,029 --> 00:13:01,197 ASK YOUR QUESTIONS-- 187 00:13:01,239 --> 00:13:06,244 BUT PLEASE BE GENTLE. 188 00:13:06,286 --> 00:13:10,290 "HE STOOD ON THE CLIFFS OF APOLLONIA DI MARE, 189 00:13:10,331 --> 00:13:13,376 THE CLIFFS OF HIS SICILIA. 190 00:13:13,418 --> 00:13:15,420 ALL ABOUT HIM SWIRLED SOUNDS 191 00:13:15,462 --> 00:13:18,965 AS HOLY AS GOD’S SILENCE, 192 00:13:19,007 --> 00:13:21,926 THE CRY OF THE SAILOR. 193 00:13:21,968 --> 00:13:23,928 HE WAS HOME, 194 00:13:23,970 --> 00:13:28,099 WITH GHOSTS OF SHIPS THAT CAME BEFORE. 195 00:13:28,141 --> 00:13:30,935 COME, YOU ROMANS, AND YOU GREEKS, 196 00:13:30,977 --> 00:13:32,854 YOU DARK-EYED SPANISH MOORS." 197 00:13:37,275 --> 00:13:40,945 "’I’VE WAITED TOO LONG TO COME HOME,’ HE THOUGHT, 198 00:13:40,987 --> 00:13:47,118 ’FOR TIME IS A THIEF, AND HE NEVER GETS CAUGHT.’" 199 00:13:47,160 --> 00:13:50,413 NEVER, JENNIFER. 200 00:13:50,455 --> 00:13:52,624 [DULL THUD, CHINA CLINKS] 201 00:13:52,665 --> 00:13:54,042 JENNIFER: YEAH, NO, I’M OKAY. 202 00:14:04,219 --> 00:14:05,970 [GLASS BREAKS] 203 00:14:55,311 --> 00:14:56,980 [VOICES TALKING] 204 00:14:57,022 --> 00:14:58,690 [DISCO MUSIC PLAYS] 205 00:15:13,246 --> 00:15:16,499 * AH, THAT’S THE WAY, UH-HUH, UH-HUH, * 206 00:15:16,541 --> 00:15:18,335 * I LIKE IT, UH-HUH, UH-HUH * 207 00:15:18,376 --> 00:15:20,587 * THAT’S THE WAY, UH-HUH, UH-HUH * 208 00:15:20,628 --> 00:15:23,089 * I LIKE IT, UH-HUH, UH-HUH * 209 00:15:23,131 --> 00:15:24,966 * THAT’S THE WAY, UH-HUH, UH-HUH * 210 00:15:25,008 --> 00:15:27,177 * I LIKE IT, UH-HUH, UH-HUH * 211 00:15:27,218 --> 00:15:29,262 * THAT’S THE WAY, UH-HUH, UH-HUH * 212 00:15:29,304 --> 00:15:31,681 * I LIKE IT, UH-HUH, UH-HUH * 213 00:15:31,723 --> 00:15:33,516 * WHEN YOU TAKE ME-- * 214 00:15:33,558 --> 00:15:35,185 [GUNSHOT] 215 00:15:35,226 --> 00:15:38,188 JESUS CHRIST! 216 00:15:43,193 --> 00:15:46,071 JENNIFER, THIS IS NOT THE TIME FOR ANOTHER ONE OF YOUR SCENES. 217 00:15:46,112 --> 00:15:49,449 - MY SCENES?! - IT’S NOT WHAT IT LOOKS LIKE. 218 00:15:49,491 --> 00:15:51,618 YOU HAVE NO CLUE WHAT IT LOOKS LIKE. 219 00:15:51,659 --> 00:15:55,455 YOU’RE DOING HER IN THE POOL, AND I GET MR. MISSIONARY? 220 00:15:55,497 --> 00:15:58,458 - JEN-JEN-- - DON’T YOU "JEN-JEN" ME. 221 00:15:58,500 --> 00:16:00,627 YOU WERE SUPPOSED TO BE MY FRIEND, 222 00:16:00,669 --> 00:16:03,797 AND NOW YOU’RE NOTHING BUT A PORN STAR. 223 00:16:03,838 --> 00:16:07,175 NOW I KNOW WHY YOU WANTED ME TO LIGHTEN MY HAIR. 224 00:16:07,217 --> 00:16:09,469 - GET OUT OF HERE! - [SHRIEKS] 225 00:16:09,511 --> 00:16:11,596 - [GUN FIRES] - [BALL SQUEAKS] 226 00:16:11,638 --> 00:16:15,308 I HAVE TO PICK UP MY KIDS. 227 00:16:15,350 --> 00:16:17,143 JENNIFER... 228 00:16:17,185 --> 00:16:20,021 YOU HAVE TO TAKE YOUR SHARE OF RESPONSIBILITY FOR THIS. 229 00:16:20,063 --> 00:16:23,191 - MY SHARE?! - DO YOU KNOW HOW LONELY I’VE BEEN 230 00:16:23,233 --> 00:16:25,652 WHILE YOU’VE OFF BEEN DOING THIS BOOK CLUB THING? 231 00:16:25,694 --> 00:16:28,113 YOU ARE JUST ABOUT TO GET LONELIER. 232 00:16:31,616 --> 00:16:33,034 [WHIMPERS] 233 00:16:37,122 --> 00:16:38,665 [SCREAMS] 234 00:16:38,707 --> 00:16:40,542 OH, MAN! 235 00:16:54,597 --> 00:16:55,807 CREEP. 236 00:16:58,393 --> 00:17:02,230 * BRING BACK MY HEART * 237 00:17:02,272 --> 00:17:05,108 * PLEASE SAY YOU WILL * 238 00:17:05,150 --> 00:17:09,070 * ’CAUSE I’M LOST WITHOUT YOU * 239 00:17:11,740 --> 00:17:17,537 * I CAN’T MOVE ON WITHOUT YOU * 240 00:17:19,372 --> 00:17:23,543 * SO BRING BACK MY HEART * 241 00:17:28,757 --> 00:17:32,510 * SEND BACK MY SOUL * 242 00:17:32,552 --> 00:17:34,721 * AND IF YOU DO * 243 00:17:34,763 --> 00:17:36,598 * I’LL GO ON WITHOUT YOU * 244 00:17:36,639 --> 00:17:38,266 [KNOCKING] 245 00:17:43,688 --> 00:17:46,566 [MUTTERING] ...MY HOUSE, THIS IS MY HOUSE. 246 00:17:46,608 --> 00:17:48,735 YOU’RE NOTHING BUT A PRUNE NOW, KIP! 247 00:17:48,777 --> 00:17:53,198 AND YOU ARE NOT GOING TO DISRESPECT ME! 248 00:17:53,239 --> 00:17:56,743 [SCREAMS] 249 00:17:56,785 --> 00:17:58,161 JESUS! 250 00:18:05,335 --> 00:18:08,588 MA’AM, PLEASE. 251 00:18:08,630 --> 00:18:10,465 IF YOU DON’T MIND? 252 00:18:14,678 --> 00:18:16,763 HELLO. 253 00:18:16,805 --> 00:18:17,847 YOU’RE HURT! 254 00:18:17,889 --> 00:18:19,683 YES, MA’AM, I AM. 255 00:18:19,724 --> 00:18:21,726 YOU’RE BLEEDING. RATHER PROFUSELY. 256 00:18:21,768 --> 00:18:25,271 - THAT’S WHAT HAPPENS WHEN YOU GET SHOT. - SHOT? YOU’VE BEEN SHOT? 257 00:18:25,313 --> 00:18:28,400 DEFINITELY, BUT IT’S NOT AS BAD AS IT LOOKS, REALLY. 258 00:18:28,441 --> 00:18:31,611 YOU’RE AT THE WRONG HOUSE. IT’S THE WRONG NEIGHBORHOOD. 259 00:18:31,653 --> 00:18:33,446 YOU WANT QUEENS, MAYBE BROOKLYN. 260 00:18:33,488 --> 00:18:36,366 NO, WAIT-- 261 00:18:36,408 --> 00:18:38,284 I’M AT THE RIGHT HOUSE-- 262 00:18:38,326 --> 00:18:40,578 JENNIFER. MAY I? 263 00:18:44,416 --> 00:18:48,461 - I KNOW YOU, DON’T I? - YES, MA’AM, YOU DO. 264 00:18:48,503 --> 00:18:50,964 I’M SORRY. I CAN’T REMEMBER YOUR NAME. 265 00:18:51,006 --> 00:18:55,260 - FRANKIE, FRANKIE DELANO. - RIGHT! FRANKIE. 266 00:18:55,301 --> 00:18:57,554 YOU USED TO DELIVER GROCERIES FOR ANGELO WHEN I WAS A GIRL. 267 00:18:57,595 --> 00:19:01,349 YES, MA’AM, WHEN YOU WERE A KID, MA’AM. 268 00:19:01,391 --> 00:19:03,685 THE NEWS I HEARD YOU PRESUMED. 269 00:19:03,727 --> 00:19:06,312 COME AGAIN? 270 00:19:06,354 --> 00:19:08,440 I PRESUME YOU HEARD THE NEWS? 271 00:19:08,481 --> 00:19:11,735 - WHAT NEWS? - GOT A TELEVISION? 272 00:19:11,776 --> 00:19:13,820 REPORTER: SOURCES CLOSE TO THE INVESTIGATION 273 00:19:13,862 --> 00:19:17,574 TELL MOBILE-8’S NEWS TEAM THAT IT HAD THE TRADEMARK SIGNS OF A MOB HIT. 274 00:19:17,615 --> 00:19:20,744 THAT NICE OLD MAN? 275 00:19:20,785 --> 00:19:22,996 WE’VE GOT TO GET YOU TO A HOSPITAL. 276 00:19:23,038 --> 00:19:27,334 IT’S... NOT NECESSARY. 277 00:19:27,375 --> 00:19:31,504 - UH... THE POLICE? - DEFINITELY NOT NECESSARY. 278 00:19:31,546 --> 00:19:32,881 SO, WHAT DO WE DO? 279 00:19:32,922 --> 00:19:36,718 YOU WERE SHOT! THAT’S WHAT YOU SAID, RIGHT? 280 00:19:36,760 --> 00:19:39,471 MA’AM, DO YOU HAPPEN TO HAVE A... 281 00:19:39,512 --> 00:19:41,931 - A DVD PLAYER? - DVD? 282 00:19:41,973 --> 00:19:46,603 YES, MA’AM, A DVD PLAYER. 283 00:19:46,644 --> 00:19:48,646 - IT’S BEEN SHOT. - SHOT? 284 00:19:48,688 --> 00:19:52,859 - YEAH. - DVD’S BEEN SHOT. 285 00:19:52,901 --> 00:19:55,862 THERE’S A LOT OF THAT GOING AROUND TONIGHT. 286 00:19:55,904 --> 00:19:57,655 THERE’S ANOTHER ONE IN THE MASTER BEDROOM, I THINK. 287 00:20:07,791 --> 00:20:10,418 I’M A LITTLE DRUNK AND GOOFY FROM THE LOSS OF BLOOD 288 00:20:10,460 --> 00:20:12,879 SO IF I HAPPEN TO SAY SOMETHING OUT OF LINE, 289 00:20:12,921 --> 00:20:15,340 I’D LIKE TO APOLOGIZE AHEAD OF TIME. 290 00:20:15,382 --> 00:20:19,594 YOU CAN PUT THE TOWELS OVER THERE. 291 00:20:19,636 --> 00:20:21,471 GREAT BREASTS. ABSOLUTELY GREAT. 292 00:20:21,513 --> 00:20:23,890 THEY’RE LIKE CHAMPAGNE GLASSES. 293 00:20:23,932 --> 00:20:27,060 - APOLOGY ACCEPTED. - SORRY! 294 00:20:27,102 --> 00:20:29,312 COULD YOU... 295 00:20:29,354 --> 00:20:32,524 PLEASE PLAY THIS? 296 00:20:32,565 --> 00:20:35,402 YOU’RE NOT GONNA DO WHAT I THINK YOU’RE GONNA DO, ARE YOU? 297 00:20:35,443 --> 00:20:38,822 IT’S OKAY. IT’S NO BIG DEAL. I’VE DONE IT BEFORE. 298 00:20:38,863 --> 00:20:43,326 OKAY. 299 00:20:43,368 --> 00:20:45,870 - OW! OH! - [SCREAMS] 300 00:20:45,912 --> 00:20:49,749 SHH! 301 00:20:49,791 --> 00:20:51,668 SMART SON-OF-A-- 302 00:20:54,796 --> 00:20:57,924 OKAY. 303 00:20:57,966 --> 00:21:02,429 JUST TWO MORE. 304 00:21:02,470 --> 00:21:05,015 MY DEAR JENNIFER. 305 00:21:05,056 --> 00:21:08,852 [AUDIO PAUSES] 306 00:21:08,893 --> 00:21:12,397 DID HE JUST SAY "DEAR JENNIFER"? 307 00:21:12,439 --> 00:21:13,773 COULD YOU PASS ME 308 00:21:13,815 --> 00:21:15,650 THE WHISKEY, PLEASE? 309 00:21:20,655 --> 00:21:23,533 THANK YOU. 310 00:21:23,575 --> 00:21:26,453 IF YOU’RE WATCHING THIS, 311 00:21:26,494 --> 00:21:28,079 I AM DEAD. 312 00:21:28,121 --> 00:21:31,082 HOW DOES HE KNOW WHO I AM? WHY IS HE TELLING ME THIS? 313 00:21:31,124 --> 00:21:33,710 I’M TELLING YOU THIS BECAUSE 314 00:21:33,752 --> 00:21:36,004 YOU ARE NOT WHO YOU THINK YOU ARE. 315 00:21:36,046 --> 00:21:40,925 - RIGHT, NOW, THAT’S A RELIEF. - THERE WAS A WAR IN NEW YORK. 316 00:21:40,967 --> 00:21:42,594 HE HAD A LOT OF ENEMIES AT THAT TIME, 317 00:21:42,635 --> 00:21:44,471 THEY WERE TRYING TO TAKE HIM OUT. 318 00:21:44,512 --> 00:21:47,849 THERE WAS SAMMY CARBONI WHO WANTED TO KILL HIM. 319 00:21:47,891 --> 00:21:49,768 AND THE SAME WITH LUCIO MALATESTA. 320 00:21:49,809 --> 00:21:51,978 BUT AS MUCH AS THEY BOTH WANTED TO GET ANGELO, 321 00:21:52,020 --> 00:21:54,481 THEY WANTED TO KILL EACH OTHER EVEN MORE. 322 00:21:58,026 --> 00:22:01,738 SO MALATESTA GAVE SAMMY A NEW SET OF GOLF CLUBS. 323 00:22:01,780 --> 00:22:03,531 THAT WAS HIS WAY OF MAKING SURE 324 00:22:03,573 --> 00:22:09,496 THE HIT MAN WOULD KNOW JUST WHERE TO FIND SAMMY. 325 00:22:09,537 --> 00:22:11,873 AND SINCE THIS HIT MAN WAS A TRAITOR WHO WORKED FOR US, 326 00:22:11,915 --> 00:22:14,834 IT LOOKED LIKE ANGELO WAS BEHIND SAMMY’S DEATH. 327 00:22:14,876 --> 00:22:18,088 [GUNSHOT] 328 00:22:18,129 --> 00:22:21,424 WHEN THE HIT MAN GOT TAKEN OUT BY BRUNO SENIOR, 329 00:22:21,466 --> 00:22:23,968 WHO WAS THERE LEFT TO TELL WHAT REALLY HAPPENED? 330 00:22:24,010 --> 00:22:28,098 WITH OUR GUY LAYING DEAD THERE WITH A SMOKING GUN IN HIS HAND? 331 00:22:28,139 --> 00:22:30,892 WOW, WHAT A HIT. 332 00:22:30,934 --> 00:22:32,185 FRANKIE: BUT WHAT KIND OF HIT MAN, 333 00:22:32,227 --> 00:22:35,980 OF ANY SUBSTANCE, HAS HIS KID BRUNO JUNIOR 334 00:22:36,022 --> 00:22:38,650 WAITING IN THE CAR WHEN HE DOES THE THING? 335 00:22:38,692 --> 00:22:41,528 IN THE HOSPITAL, 336 00:22:41,569 --> 00:22:45,115 SAMMY CARBONI’S FIRST VISITOR 337 00:22:45,156 --> 00:22:47,200 WAS, OF COURSE, LUCIO. 338 00:22:47,242 --> 00:22:49,536 LUCIO MALATESTA, 339 00:22:49,577 --> 00:22:51,955 WHO’S BLAMING IT ALL ON ME. 340 00:22:51,996 --> 00:22:55,875 I COME TO TELL YOU THAT THE GUY WHO SHOT YOU 341 00:22:55,917 --> 00:22:58,878 WAS ONE OF ANGELO’S MEN. 342 00:22:58,920 --> 00:23:00,839 - LUCIO. - MM-HMM? 343 00:23:00,880 --> 00:23:04,718 MY SON, LITTLE JOHNNY, 344 00:23:04,759 --> 00:23:06,428 I AIN’T GONNA BE AROUND 345 00:23:06,469 --> 00:23:10,098 TO WATCH HIM GROW INTO A MAN. 346 00:23:10,140 --> 00:23:14,894 IF ANGELO EVER HAS A CHILD-- 347 00:23:14,936 --> 00:23:17,522 FIND IT. 348 00:23:17,564 --> 00:23:20,483 KILL IT. 349 00:23:20,525 --> 00:23:24,237 MY WIFE, MARIA, WAS PREGNANT. 350 00:23:24,279 --> 00:23:27,657 SO WE FLEW TO SICILY, 351 00:23:27,699 --> 00:23:31,453 TO THE VILLAGE OF CASTELLEMMARE 352 00:23:31,494 --> 00:23:33,955 WHAT MORE COULD I WANT? 353 00:23:33,997 --> 00:23:37,167 MY BELOVED WIFE, 354 00:23:37,208 --> 00:23:41,212 HER CHILD ON THE WAY. 355 00:23:41,254 --> 00:23:43,757 THE OPERA HOUSE THAT I WAS RENOVATING 356 00:23:43,798 --> 00:23:45,675 TO HEAR THE MUSIC 357 00:23:45,717 --> 00:23:53,016 THAT MY WIFE MARIA LOVED. 358 00:23:53,058 --> 00:23:56,895 MY... 359 00:23:56,936 --> 00:23:59,898 MY WIFE DIED IN CHILDBIRTH. 360 00:24:11,534 --> 00:24:15,080 I DO NOT HAVE THE WORDS... 361 00:24:15,121 --> 00:24:19,250 FOR MY GRIEF TO THIS VERY DAY. 362 00:24:19,292 --> 00:24:21,836 THIS IS JUST THE SADDEST. 363 00:24:21,878 --> 00:24:25,799 HIS YOUNG WIFE DIES GIVING CHILDBIRTH? 364 00:24:25,840 --> 00:24:29,511 IT’S JUST-- OH, GOD-- 365 00:24:29,552 --> 00:24:32,305 - THEY HAD A DAUGHTER. - A DAUGHTER? 366 00:24:32,347 --> 00:24:35,141 WHEN HE CAME TO AMERICA, HE BROUGHT HIMSELF AND HIS DAUGHTER, 367 00:24:35,183 --> 00:24:38,728 BUT HE HAD ENEMIES OVER HERE. AND IF THEY’D EVER FOUND HIM, 368 00:24:38,770 --> 00:24:41,690 - THEY WOULD HAVE KILLED THE BABY. - THAT’S AWFUL. 369 00:24:41,731 --> 00:24:44,776 SO HE FOUND THIS CHILDLESS COUPLE THAT DIDN’T HAVE MUCH MONEY 370 00:24:44,818 --> 00:24:47,112 AND HE GAVE THE HUSBAND A JOB, 371 00:24:47,153 --> 00:24:51,074 AND HE BOUGHT THEM A BIG ESTATE... 372 00:24:51,116 --> 00:24:52,992 IN GLEN COVE. 373 00:24:53,034 --> 00:24:54,202 WELL, THAT’S WHERE I LIVED. 374 00:24:58,331 --> 00:25:00,834 AND EVEN THOUGH SHE HAD-- 375 00:25:00,875 --> 00:25:05,088 DARK HAIR, AND THEY HAD BLONDE HAIR, 376 00:25:05,130 --> 00:25:06,756 HE STILL LET THEM 377 00:25:06,798 --> 00:25:07,841 ADOPT HER. 378 00:25:07,882 --> 00:25:12,053 HE GAVE HER AWAY. 379 00:25:12,095 --> 00:25:13,596 IS IT GETTING WARM IN HERE? 380 00:25:13,638 --> 00:25:16,683 SO HE TOOK CARE OF ALL THEIR EXPENSES 381 00:25:16,725 --> 00:25:20,770 UNDER ONE CONDITION. 382 00:25:20,812 --> 00:25:24,190 THAT THE GIRL NEVER KNOW 383 00:25:24,232 --> 00:25:26,776 WHO HER FATHER WAS, 384 00:25:26,818 --> 00:25:29,904 BECAUSE IF SHE WERE TO KNOW-- 385 00:25:29,946 --> 00:25:31,740 SHE’D GO LOOKING FOR HIM AND-- 386 00:25:31,781 --> 00:25:35,035 HIS ENEMIES WOULD GET TO HER. 387 00:25:35,076 --> 00:25:37,328 SO HER PARENTS NEVER TOLD HER. 388 00:25:37,370 --> 00:25:40,707 BUT NOW... 389 00:25:40,749 --> 00:25:42,042 IT’S TIME SHE KNOWS. 390 00:25:42,083 --> 00:25:43,877 - OH, JESUS. - NOW IT’S TIME 391 00:25:43,918 --> 00:25:47,130 - FOR YOU TO KNOW. - DON’T GO THERE. 392 00:25:48,715 --> 00:25:53,303 - I... - DON’T GO THERE. NO. 393 00:25:53,345 --> 00:25:55,889 AM YOUR FATHER, JENNIFER. 394 00:25:55,930 --> 00:25:58,183 YOU... 395 00:25:58,224 --> 00:26:00,060 ARE AN ALLIEGHIERI, 396 00:26:00,101 --> 00:26:02,062 AND WE-- 397 00:26:02,103 --> 00:26:04,272 DO NOT BOW DOWN! 398 00:26:09,110 --> 00:26:10,945 NIGHT, JENNIFER. 399 00:26:40,266 --> 00:26:42,435 [FAINT KNOCKING] 400 00:26:42,477 --> 00:26:44,854 WHO IS IT? I’VE GOT A GUN! 401 00:26:44,896 --> 00:26:46,356 SOMEWHERE. 402 00:26:48,108 --> 00:26:49,859 IT’S ONLY ME, MA’AM. 403 00:26:49,901 --> 00:26:52,112 ONLY YOU? 404 00:26:52,153 --> 00:26:54,864 GOOD MORNING. 405 00:26:54,906 --> 00:26:56,700 - LET ME GET THIS. - PLEASE DON’T CLOSE THE DOOR. 406 00:26:56,741 --> 00:26:59,411 I NEVER HAVE ANY DOOR CLOSED. 407 00:26:59,452 --> 00:27:00,954 CLAUSTROPHOBIC. 408 00:27:00,995 --> 00:27:06,209 MY PHOBIAS ARE NONE OF YOUR BUSINESS. 409 00:27:06,251 --> 00:27:07,877 I’M CALLING THE POLICE. 410 00:27:07,919 --> 00:27:10,255 PLEASE, PLEASE, PLEASE, PLEASE. YOU DON’T NEED TO DO THAT. 411 00:27:10,296 --> 00:27:14,384 ARE YOU GONNA HURT ME? 412 00:27:14,426 --> 00:27:17,679 NO. 413 00:27:17,721 --> 00:27:20,765 LOOK WHAT I GOT. ITALIAN EGGS A LA MILANESE, 414 00:27:20,807 --> 00:27:22,308 A LITTLE POLENTA, A LITTLE BISCOTTI, 415 00:27:22,350 --> 00:27:25,687 A LITTLE RICOTTA AND A LOT OF ESPRESSO. 416 00:27:25,729 --> 00:27:27,188 - I DON’T EAT THAT STUFF. - I KNOW. 417 00:27:27,230 --> 00:27:29,774 YOU HAVE BLACK COFFEE, DRY TOAST-- 418 00:27:29,816 --> 00:27:32,152 NO BUTTER. JAM ONCE A WEEK. 419 00:27:32,193 --> 00:27:34,863 - HOW DO YOU KNOW THAT? - PLEASE, IT’S GONNA GET COLD. 420 00:27:37,115 --> 00:27:39,409 - [GROANS] - ARE YOU ALL RIGHT? 421 00:27:39,451 --> 00:27:41,995 YES. THANK YOU FOR ASKING. VERY GOOD. 422 00:27:42,037 --> 00:27:43,747 PLEASE. 423 00:27:52,380 --> 00:27:53,757 BIG HOUSE. 424 00:27:57,344 --> 00:27:59,512 IS THAT YOUR WAY OF ASKING ME WHY THERE’S NO ONE HERE? 425 00:27:59,554 --> 00:28:02,015 NO. 426 00:28:02,057 --> 00:28:05,018 WELL, MY SON’S OFF AT MILITARY SCHOOL, IF YOU CAN BELIEVE IT. 427 00:28:05,060 --> 00:28:07,103 AT SEVEN! 428 00:28:07,145 --> 00:28:09,022 MY HUSBAND’S IDEA. 429 00:28:09,064 --> 00:28:10,982 MY HUSBAND’S AWAY. 430 00:28:11,024 --> 00:28:12,734 THAT’S MY IDEA. 431 00:28:15,945 --> 00:28:20,075 - YOU REALLY LIKE COOKING? - NO, I LOVE COOKING. 432 00:28:20,116 --> 00:28:22,494 YOU OUGHT TO TRY THE POLENTA. IT’S GREAT FOR GAINING WEIGHT. 433 00:28:22,535 --> 00:28:24,037 YOUR FATHER ALWAYS WANTED YOU TO EAT MORE. 434 00:28:24,079 --> 00:28:27,540 - MY FATHER? - YOU KNOW, ANGELO. 435 00:28:27,582 --> 00:28:29,918 THAT’S IT. 436 00:28:29,959 --> 00:28:32,545 ENOUGH ALREADY, FRANKIE, WITH THE FATHER AND ALL-- WHATEVER YOUR NAME IS. 437 00:28:32,587 --> 00:28:34,964 HE IS NOT MY FATHER, DO YOU UNDERSTAND? 438 00:28:35,006 --> 00:28:38,426 I HAVE A REAL LIVE FATHER 439 00:28:38,468 --> 00:28:40,053 WHO LIVES FIVE MILES FROM HERE. 440 00:28:40,095 --> 00:28:43,348 - FRANKIE: WAIT! - STOP! 441 00:28:43,390 --> 00:28:46,226 - COULD-- COULD YOU JUST WAIT A MINUTE? - STOP! 442 00:28:46,267 --> 00:28:49,062 I’M-- STOPPING, BUT SLOW DOWN FOR A MINUTE. 443 00:28:49,104 --> 00:28:51,022 I JUST WANT TO TALK TO YOU FOR A SECOND. 444 00:28:51,064 --> 00:28:53,233 MA’AM-- 445 00:28:53,274 --> 00:28:55,068 [KNOCKS ON WINDOW] 446 00:28:55,110 --> 00:28:57,487 - [WINDOW WHIRS] - IF YOU NEED SOMEONE TO DRIVE YOU-- 447 00:28:57,529 --> 00:29:00,156 LAST NIGHT DID NOT HAPPEN, ALL RIGHT? 448 00:29:00,198 --> 00:29:02,075 SO WHEN I COME BACK, YOU WILL BE LONG GONE. 449 00:29:02,117 --> 00:29:04,828 THANK YOU FOR BREAKFAST. IT WAS LOVELY MEETING YOU. 450 00:29:09,958 --> 00:29:10,875 WHERE ARE YOU GOING? 451 00:29:12,293 --> 00:29:13,253 WHERE ARE YOU GOING? 452 00:29:15,130 --> 00:29:16,798 THERAPY! 453 00:29:16,840 --> 00:29:21,511 - YOU DON’T NEED THERAPY. - OH-- YEAH-- 454 00:29:21,553 --> 00:29:22,429 SHOPPING. 455 00:29:30,103 --> 00:29:31,312 ARE YOU OKAY? 456 00:29:51,124 --> 00:29:53,001 - MAY I HELP YOU? - AND YOUR NAME WOULD BE? 457 00:29:53,043 --> 00:29:56,296 - ALLISON. - ENCHANTING. ALLISON, 458 00:29:56,338 --> 00:29:58,465 MAY I SEE EVERYTHING YOU HAVE IN ENSADA IN A SIZE SEVEN? 459 00:29:58,506 --> 00:30:00,342 EVERYTHING? 460 00:30:00,383 --> 00:30:02,510 I WANT TO MELT THIS MOTHER TO THE GROUND. 461 00:30:07,098 --> 00:30:09,100 CASSIDY, WE HAVE A NO-LIMIT ON OUR HANDS. 462 00:30:09,142 --> 00:30:10,560 I’M GOING TO NEED BACKUP. 463 00:30:16,107 --> 00:30:20,195 [GIGGLES] 464 00:30:20,236 --> 00:30:21,988 OH, THANK YOU! 465 00:30:22,030 --> 00:30:23,615 THANK YOU. I’LL TAKE THEM ALL. 466 00:30:45,053 --> 00:30:46,429 [SQUEALS] 467 00:30:57,273 --> 00:30:59,567 - OH GOD! OH MY GOD! - IT’S ALL RIGHT, IT’S ALL OVER. 468 00:30:59,609 --> 00:31:06,199 ALL OVER. IT’S ALL OVER. 469 00:31:06,241 --> 00:31:08,159 OH GOD, OH GOD! 470 00:31:08,201 --> 00:31:10,453 A HIT? THAT’S WHAT THAT WAS, RIGHT? A HIT? 471 00:31:10,495 --> 00:31:13,248 - YES, MA’AM, IT WAS. - WHO WOULD WANT TO KILL ME? 472 00:31:13,289 --> 00:31:15,250 LUCIO MALATESTA WOULD BE AT THE TOP OF MY LIST. 473 00:31:15,291 --> 00:31:18,420 LIST! WHAT LIST? 474 00:31:18,461 --> 00:31:20,338 PEOPLE ARE LINING UP WANTING TO KILL ME? 475 00:31:20,380 --> 00:31:22,966 WHAT AM I? A THANKSGIVING TURKEY AND PEOPLE ARE PLACING ORDERS? 476 00:31:23,008 --> 00:31:24,592 - LET ME DRIVE. - I WILL DRIVE MY OWN CAR! 477 00:31:24,634 --> 00:31:27,512 I KNOW IT’S YOUR CAR, BUT I’D LIKE TO TAKE CONTROL OF IT. 478 00:31:27,554 --> 00:31:29,055 I THINK I’M IN A LITTLE BETTER MOOD THAN YOU. 479 00:31:29,097 --> 00:31:31,516 I AM PERFECTLY CAPABLE OF DRIVING! 480 00:31:31,558 --> 00:31:34,185 YOU’RE PROBABLY A VERY GOOD DRIVER, BUT RIGHT NOW... 481 00:31:34,227 --> 00:31:36,438 I’M THE ONE WHO SHOULD BE DRIVING THE CAR. 482 00:31:41,443 --> 00:31:43,528 [HORNS BLARE] 483 00:31:47,282 --> 00:31:48,992 MAYBE IT WAS MY FAULT, MA’AM. 484 00:31:49,034 --> 00:31:51,077 MAYBE THEY FOLLOWED ME AND I LED THEM TO YOU. 485 00:31:51,119 --> 00:31:53,246 OH, GREAT, JUST GREAT. UNTIL I MET YOU, 486 00:31:53,288 --> 00:31:55,081 I WAS PERFECTLY CAPABLE OF SHOPPING FOR SHOES 487 00:31:55,123 --> 00:31:58,335 WITHOUT SOMEONE TRYING TO KILL ME! 488 00:31:58,376 --> 00:32:00,337 - OH! - WHAT? 489 00:32:00,378 --> 00:32:03,465 WHAT IS THAT COLOGNE YOU’RE WEARING?! 490 00:32:03,506 --> 00:32:05,133 IS IT BRUT? 491 00:32:05,175 --> 00:32:06,968 DON’T TELL ME IT’S BRUT! 492 00:32:07,010 --> 00:32:09,262 YOU KNOW, MA’AM, COULD WE BE-- JUST-- 493 00:32:09,304 --> 00:32:12,140 - QUIET FOR A COUPLE OF SECONDS, PLEASE? - I AM ON EDGE, YOU KNOW. 494 00:32:12,182 --> 00:32:14,601 I UNDERSTAND, BUT I’M GETTING A TERRIBLE HEADACHE. 495 00:32:14,642 --> 00:32:17,103 OH, WELL, PARDON ME. 496 00:32:17,145 --> 00:32:20,523 FIVE SECONDS AGO I ALMOST DIDN’T EVEN HAVE A HEAD! 497 00:32:20,565 --> 00:32:22,442 AND WHAT’S WITH THIS? THIS?! 498 00:32:22,484 --> 00:32:25,111 DON’T SHRUG! SPEAK! 499 00:32:25,153 --> 00:32:27,781 WHAT YOU’RE DOING IS YOU’RE HAVING THIS PANIC ATTACK SYNDROME. 500 00:32:27,822 --> 00:32:30,992 THAT OFTEN HAPPENS AFTER A HIT, REALLY. 501 00:32:31,034 --> 00:32:33,286 YOU KNOW ALL ABOUT THESE THINGS. YOU’RE A HIT MAN, RIGHT? 502 00:32:33,328 --> 00:32:34,746 IS THAT WHAT YOU ARE? 503 00:32:34,788 --> 00:32:37,207 NO, MA’AM, ACTUALLY, A HIT MAN TAKES A LIFE. 504 00:32:37,248 --> 00:32:40,085 I’M A BODYGUARD AND A BODYGUARD PROTECTS IT. 505 00:32:40,126 --> 00:32:43,296 SO YOU WERE MY FATHER’S BODYGUARD, AND HE GOT WAXED. 506 00:32:43,338 --> 00:32:46,549 SO NOW YOU’RE MY BODYGUARD? THAT JUST FILLS ME WITH CONFIDENCE. 507 00:32:46,591 --> 00:32:49,803 AM I GETTING A MAJOR LEAGUE FRIGGING MIGRAINE!? 508 00:32:49,844 --> 00:32:53,390 DO YOU HAVE ANY IDEA HOW POWERFUL MY FATHER IS? 509 00:32:53,431 --> 00:32:55,266 HE IS A VERY SUCCESSFUL NEW YORK BUSINESSMAN 510 00:32:55,308 --> 00:32:57,560 WHO WILL MAKE YOUR LIFE A LIVING HELL! 511 00:32:57,602 --> 00:33:00,313 - IT’S GETTING THERE. - [SOBBING] 512 00:33:00,355 --> 00:33:02,357 PLEASE, I’M SORRY. YOU DON’T HAVE TO DO THAT. 513 00:33:02,399 --> 00:33:05,193 - IT’S OKAY. - I WANT TO SEE MY FATHER NOW. 514 00:33:05,235 --> 00:33:07,696 - YOUR FATHER WAS ANGELO. - TAKE ME TO MY FATHER’S HOUSE-- NOW! 515 00:33:16,121 --> 00:33:20,333 - MOTHER? - IN HERE, DEAR. 516 00:33:20,375 --> 00:33:22,502 MY GOD, DID YOU HEAR WHAT HAPPENED AT THE MALL? 517 00:33:22,544 --> 00:33:24,170 THERE WAS A SHOOTOUT! JUST THINK OF IT! 518 00:33:24,212 --> 00:33:26,631 I HAVE, REALLY. 519 00:33:26,673 --> 00:33:28,717 I NEED TO TALK TO YOU AND DADDY IMMEDIATELY. 520 00:33:28,758 --> 00:33:32,262 I THINK I JUST HEARD YOUR FATHER RETURN... 521 00:33:32,303 --> 00:33:34,264 FROM HIS RACQUETBALL LESSON. 522 00:33:34,305 --> 00:33:36,099 WHEN DID DADDY START PLAYING RACQUETBALL? 523 00:33:41,730 --> 00:33:43,648 YOUR FATHER’S HAVING AN AFFAIR. 524 00:33:43,690 --> 00:33:46,776 AT THE CLUB. WITH THE RACQUETBALL INSTRUCTOR. 525 00:33:50,280 --> 00:33:52,323 HOW OLD IS SHE? 526 00:33:52,365 --> 00:33:54,200 WELL, THE SHE IS A HE. 527 00:33:54,242 --> 00:33:57,537 MAN: JEN-JEN, IS THAT YOU? 528 00:34:00,749 --> 00:34:02,667 DADDY? 529 00:34:02,709 --> 00:34:05,253 JEN-JEN! 530 00:34:05,295 --> 00:34:06,755 HELLO, LOVED ONE. 531 00:34:09,257 --> 00:34:11,343 MY, MY... 532 00:34:11,384 --> 00:34:14,220 SOMEONE IS LOOKING FABULOUS! 533 00:34:14,262 --> 00:34:16,264 DADDY... 534 00:34:16,306 --> 00:34:19,434 DON’T TAKE THIS IN A BAD WAY, BUT HAVE YOU SWITCHED... 535 00:34:19,476 --> 00:34:20,560 AFFILIATIONS? 536 00:34:20,602 --> 00:34:24,564 [SCOFFS] 537 00:34:24,606 --> 00:34:26,649 THIS DOESN’T CHANGE ANYTHING BETWEEN US. 538 00:34:26,691 --> 00:34:28,818 AFTER ALL, I’M STILL YOUR FATHER. 539 00:34:28,860 --> 00:34:30,487 I’M FEELING BETTER THAN EVER, THANK YOU. 540 00:34:33,198 --> 00:34:36,201 HE’S GOTTEN ME INTO GREAT SHAPE, DON’T YOU THINK? 541 00:34:36,242 --> 00:34:37,577 [WHIMPERS] 542 00:34:48,588 --> 00:34:51,174 THERE IS SOMETHING COMPLETELY IRRATIONAL ABOUT ALL MEN. 543 00:34:51,216 --> 00:34:55,679 NO KIDDING! 544 00:34:55,720 --> 00:34:58,223 SO WHAT’D THEY SAY? 545 00:34:58,264 --> 00:35:00,392 EXACTLY WHAT I EXPECTED, THANK YOU. 546 00:35:00,433 --> 00:35:03,478 THEY SAID THEY ARE INDEED MY PARENTS AND YOU, MR. MAFIA PANTS, 547 00:35:03,520 --> 00:35:05,563 ARE FULL OF IT. SO THERE. 548 00:35:05,605 --> 00:35:08,191 THE EMOTIONAL EXTORTION DOESN’T GO PAST HERE. 549 00:35:08,233 --> 00:35:10,652 - AND FURTHERMORE, WHEN MY ATTORNEY-- - EXCUSE ME. 550 00:35:10,694 --> 00:35:13,405 TELL ME SOMETHING, MA’AM, 551 00:35:13,446 --> 00:35:16,700 IS THERE A PLACE PEOPLE GO TO LEARN HOW TO BEHAVE LIKE THIS? 552 00:35:16,741 --> 00:35:18,576 TALKING ALL THE TIME IN A MANNER 553 00:35:18,618 --> 00:35:22,205 DESIGNED TO, LIKE, INDUCE A MIGRAINE IN A ROCK? 554 00:35:22,247 --> 00:35:24,165 I WILL NOT TO BE TALKED TO LIKE THIS. 555 00:35:24,207 --> 00:35:26,584 - THIS IS NOT THE REAL YOU. - THIS IS TOO ME. 556 00:35:26,626 --> 00:35:31,423 REALLY? DO YOU KNOW WHAT IS YOU? 557 00:35:31,464 --> 00:35:32,590 DON’T KILL MY PARENTS! 558 00:35:34,926 --> 00:35:36,594 THEY’RE NOT YOUR PARENTS! 559 00:35:36,636 --> 00:35:41,641 PLEASE, PROMISE ME YOU WON’T WAX THEM. 560 00:35:41,683 --> 00:35:43,852 FOR THE RECORD, IT’S NOT WAX. 561 00:35:43,893 --> 00:35:47,689 IT’S... WHACK. 562 00:35:52,610 --> 00:35:54,654 - HOW YOU DOING, WHITNEY? - VERY WELL, FRANKIE. 563 00:35:54,696 --> 00:35:57,532 - AND YOU? - BEEN BETTER. 564 00:35:57,574 --> 00:36:00,785 YEAH, I HEAR. 565 00:36:00,827 --> 00:36:03,413 YOU LOOK GOOD, WHITNEY, YOU TAKING CARE OF YOURSELF? 566 00:36:03,455 --> 00:36:04,998 YOU ALWAYS DID NOTICE THE DETAILS, FRANKIE. 567 00:36:05,040 --> 00:36:07,542 WAIT-- 568 00:36:07,584 --> 00:36:08,877 YOU TWO WEREN’T LOVERS? 569 00:36:13,256 --> 00:36:15,967 WHITNEY, IT’S TIME. COME ON. 570 00:36:20,889 --> 00:36:22,807 [SOFTLY] DO IT. 571 00:36:35,487 --> 00:36:37,572 COME ON. 572 00:36:45,080 --> 00:36:48,291 SIMPLY PUT, WHEN ANGELO BROUGHT YOU TO US... 573 00:36:49,876 --> 00:36:52,837 YOU WERE THE MOST BEAUTIFUL BABY GIRL. 574 00:36:52,879 --> 00:36:56,633 YOU TOOK MY FINGER AND SAT RIGHT ON MY LAP. 575 00:36:56,675 --> 00:36:59,844 YOU KEPT SAYING THE ONLY WORD YOU KNEW. 576 00:36:59,886 --> 00:37:01,721 PRETTY. 577 00:37:01,763 --> 00:37:05,308 PRETTY, OVER AND OVER. 578 00:37:05,350 --> 00:37:07,769 OF COURSE WE TOOK YOU. 579 00:37:07,811 --> 00:37:10,313 WE WOULD’VE TAKEN YOU WITHOUT THE MONEY, 580 00:37:10,355 --> 00:37:15,527 ALTHOUGH THE MONEY HAS BEEN ENDLESSLY SPECTACULAR. 581 00:37:15,568 --> 00:37:19,322 I’VE REALLY GIVEN YOU NOTHING, JEN-JEN. 582 00:37:19,364 --> 00:37:20,573 NOTHING EXCEPT 583 00:37:20,615 --> 00:37:23,451 MY OLD, RIDICULOUS HEART. 584 00:37:28,873 --> 00:37:30,834 DADDY. 585 00:37:37,090 --> 00:37:40,385 MOM, THE FOOD’S BETTER THAN WHAT WE HAVE AT HOME. 586 00:37:40,427 --> 00:37:42,762 I GUESS IT’S BETTER THAN MY COOKING, RIGHT? 587 00:37:42,804 --> 00:37:46,599 I NEVER REALLY WAS TOO MUCH OF A COOK. 588 00:37:46,641 --> 00:37:47,684 NO! NO. 589 00:37:47,726 --> 00:37:50,895 THAT’S GOOD. 590 00:37:50,937 --> 00:37:52,939 IT’S GREAT! REALLY, IT IS. 591 00:37:52,981 --> 00:37:55,692 BUT, SWEETHEART, WHAT I REALLY NEED TO TALK TO YOU ABOUT 592 00:37:55,734 --> 00:37:58,570 IS GENETICS. 593 00:37:58,611 --> 00:37:59,988 THE WAY THINGS GET PASSED DOWN 594 00:38:00,030 --> 00:38:01,865 FROM FAMILIES. 595 00:38:01,906 --> 00:38:05,785 LIKE, IT SEEMS YOUR GRANDFATHER-- 596 00:38:05,827 --> 00:38:07,996 WELL... AT LEAST, I STILL THINK HE’S YOUR GRANDFATHER-- 597 00:38:10,081 --> 00:38:12,751 NO! 598 00:38:12,792 --> 00:38:15,754 I GUESS WHAT I’M TRYING TO SAY, DARLING, IS... 599 00:38:15,795 --> 00:38:17,964 HOW ARE THINGS IN THE SHOWERS? 600 00:38:18,006 --> 00:38:22,135 OKAY, THE FRANKIE COOKING SHOW BROUGHT TO YOU BY... 601 00:38:22,177 --> 00:38:24,137 BERETTA. 602 00:38:24,179 --> 00:38:27,015 - [SHRIEKS] ARE YOU CRAZY? - A LITTLE. 603 00:38:29,851 --> 00:38:31,978 NOTHING. NOTHING, DARLING. IT’S JUST SOME THUNDER. 604 00:38:32,020 --> 00:38:34,647 MOM, I GOTTA GO, OKAY? 605 00:38:34,689 --> 00:38:36,900 OKAY. 606 00:38:36,941 --> 00:38:38,526 BYE, DARLING. I LOVE YOU. 607 00:38:42,113 --> 00:38:44,616 SO, HOW’S YOUR BOY? 608 00:38:44,657 --> 00:38:46,368 HE COULDN’T BE HAPPIER. 609 00:38:46,409 --> 00:38:48,161 I COULDN’T BE LONELIER. 610 00:38:48,203 --> 00:38:49,454 YOU WRECKED MY KITCHEN. 611 00:38:49,496 --> 00:38:50,997 I’M SORRY ABOUT THE BULLET, REALLY. 612 00:38:51,039 --> 00:38:52,540 NO, I MEAN THIS. 613 00:38:52,582 --> 00:38:54,876 OH, THIS? THIS IS WHAT HAPPENS WHEN YOU COOK A LOT. 614 00:38:54,918 --> 00:38:56,711 REALLY? 615 00:38:56,753 --> 00:38:59,673 I’M SURE YOUR KID REALLY MISSES YOU. 616 00:38:59,714 --> 00:39:02,092 [LAUGHS] NO, HE REALLY DOESN’T. 617 00:39:02,133 --> 00:39:03,927 WHY SHOULD HE? 618 00:39:03,968 --> 00:39:05,970 HE’S GOT A FATHER WHO CHEATS LIKE A DOG... 619 00:39:06,012 --> 00:39:10,016 AND A MOTHER WHO’S NEVER HAD A CLUE WHAT TO DO WITH HER LIFE. 620 00:39:10,058 --> 00:39:14,979 SO, TELL ME THE TRUTH. 621 00:39:15,021 --> 00:39:18,692 SOMEBODY ELSE DID ALL THIS. YOU’RE JUST FAKING IT. 622 00:39:18,733 --> 00:39:21,027 NO... NO, NO, NO, I LOVE COOKING. 623 00:39:21,069 --> 00:39:22,696 I’LL TELL YOU WHAT, 624 00:39:22,737 --> 00:39:26,116 JUST PROMISE ME YOU’LL EAT IT BEFORE IT GETS COLD. 625 00:39:26,157 --> 00:39:28,493 SURE. 626 00:39:28,535 --> 00:39:29,828 SO, FRANKIE, WHAT’S YOUR NICKNAME? 627 00:39:29,869 --> 00:39:32,497 [CHUCKLES] 628 00:39:32,539 --> 00:39:35,041 YOU KNOW... 629 00:39:35,083 --> 00:39:36,793 YOUR NICKNAME? ALL YOU MOB GUYS HAVE ONE, RIGHT? 630 00:39:36,835 --> 00:39:40,046 LIKE "LOUIE THE LUMP," "CHARLIE FAT LIPS," 631 00:39:40,088 --> 00:39:42,507 "FRANKIE THE FOOD FREAK"? 632 00:39:42,549 --> 00:39:44,968 JUST "FRANKIE," MA’AM. 633 00:39:45,010 --> 00:39:48,054 - WHAT’S "FRANKIE" SHORT FOR? - WHAT’S THAT GOT TO DO WITH ANYTHING? 634 00:39:48,096 --> 00:39:51,057 I JUST WANT TO KNOW! IS IT "FRANCIS"? 635 00:39:51,099 --> 00:39:54,436 YOU GOT MORE IMPORTANT THINGS TO THINK ABOUT THAN THAT. 636 00:39:54,477 --> 00:39:57,564 IT IS "FRANCIS," ISN’T IT? YOU’VE GOT A GIRL’S NAME. 637 00:39:57,605 --> 00:39:59,733 THAT JUST EXPLAINS EVERYTHING. 638 00:39:59,774 --> 00:40:02,736 YOU’VE PROBABLY BEEN OVERCOMPENSATING YOUR WHOLE LIFE. 639 00:40:02,777 --> 00:40:05,071 SOME ANXIETY TRANSFERENCE SYNDROME 640 00:40:05,113 --> 00:40:07,032 TO-- WELL, YOU KNOW-- 641 00:40:07,073 --> 00:40:09,826 THE MACHO, NON-VERBAL SICILIAN, MIXED IN WITH THE BRUTE, 642 00:40:09,868 --> 00:40:12,495 TO COVER THE FRANCIS THAT LIVES INSIDE SOME INNER SELF 643 00:40:12,537 --> 00:40:14,748 OR SOMETHING OR OTHER. 644 00:40:14,789 --> 00:40:17,625 THAT’LL BE YOUR NEW NICKNAME-- "ST. FRANCIS THE BRUTE." 645 00:40:17,667 --> 00:40:19,836 DON’T TAKE THIS THE WRONG WAY, MA’AM, BUT YOU’RE STARTING 646 00:40:19,878 --> 00:40:22,630 TO GIVE ME A SMALL HOLE IN THE SIDE OF MY BRAIN. 647 00:40:22,672 --> 00:40:25,633 I WILL MAKE YOU A DEAL. IF YOU PROMISE TO STOP CALLING ME "MA’AM," 648 00:40:25,675 --> 00:40:27,093 I’LL STOP CALLING YOU "FRANCIS." 649 00:40:27,135 --> 00:40:30,221 AND YOU SWEAR TO GOD THAT YOU MADE ALL THIS? 650 00:40:30,263 --> 00:40:31,890 YES. 651 00:40:31,931 --> 00:40:33,933 I DIDN’T EVEN KNOW I HAD THIS STUFF. 652 00:40:33,975 --> 00:40:37,479 YOU’VE GOT A LOT MORE THAN YOU THINK YOU HAVE. 653 00:40:39,647 --> 00:40:41,566 THANK YOU. 654 00:40:46,154 --> 00:40:47,822 NOW WHAT? 655 00:40:47,864 --> 00:40:50,867 LOOK, YOUR FATHER’S DEAD BECAUSE I DIDN’T DO MY JOB, 656 00:40:50,909 --> 00:40:53,244 AND IT’S NOT GOING TO HAPPEN AGAIN, NO WAY. 657 00:40:53,286 --> 00:40:55,955 I SEE YOU’VE GOT A GUEST HOUSE OUT THERE, 658 00:40:55,997 --> 00:40:58,208 IF YOU DON’T MIND, I’D LIKE TO MOVE IN. 659 00:40:58,249 --> 00:41:01,544 ’CAUSE I DON’T TRUST ANYBODY. THERE IS DANGER EVERYWHERE. 660 00:41:01,586 --> 00:41:04,589 EVERYWHERE I LOOK. 661 00:41:04,631 --> 00:41:07,258 THE NIGHT HAS A THOUSAND EYES. 662 00:41:07,300 --> 00:41:10,970 EXCUSE ME-- [LAUGHING] 663 00:41:11,012 --> 00:41:13,807 - YOU STOLE THAT LINE. - I KNOW, FROM BOBBY VEE. 664 00:41:13,848 --> 00:41:15,767 "REMEMBER WHEN YOU TELL THOSE LITTLE WHITE LIES..." 665 00:41:15,809 --> 00:41:20,647 "THE NIGHT HAS A THOUSAND EYES." YES, I DO. 666 00:41:20,689 --> 00:41:23,066 THAT WAS PLAYING WHEN PETER HACKBART WAS TRYING TO GET UNDER MY BLOUSE. 667 00:41:23,108 --> 00:41:26,736 [SIGHS] 668 00:41:26,778 --> 00:41:27,862 I’M SORRY, I SHOULDN’T HAVE SAID THAT. 669 00:41:27,904 --> 00:41:31,908 N-NO. 670 00:41:31,950 --> 00:41:33,535 WHAT? 671 00:41:33,576 --> 00:41:34,869 ACTUALLY, IT WASN’T YOUR BLOUSE. 672 00:41:34,911 --> 00:41:37,122 IT WAS A BULKY KNIT GREEN SWEATER. 673 00:41:37,163 --> 00:41:40,250 AND WHAT WAS PLAYING WAS BON JOVI’S BIGGEST HIT TO DATE, 674 00:41:40,291 --> 00:41:43,795 "YOU GIVE LOVE A BAD NAME." 675 00:41:43,837 --> 00:41:47,173 JESUS! 676 00:41:47,215 --> 00:41:48,717 I’M GOING TO BED. 677 00:41:54,889 --> 00:41:57,976 YOU CAN STAY IN THE GUEST HOUSE, I GUESS. 678 00:41:58,018 --> 00:42:00,603 - THANK YOU. - IT’S BEEN A RIDICULOUS DAY. 679 00:42:45,106 --> 00:42:46,649 [SCREAMING] 680 00:42:46,691 --> 00:42:48,777 WHAT’S GOING ON? 681 00:42:53,448 --> 00:42:55,784 I KNOW THIS SACK OF SHIT. 682 00:42:55,825 --> 00:42:58,078 THIS SACK OF SHIT IS MY HUSBAND! 683 00:42:58,119 --> 00:43:00,955 SHH-HH! YOU WANT ME TO TAKE CARE OF THIS PROBLEM ONCE AND FOR ALL? 684 00:43:00,997 --> 00:43:02,415 - SERIOUSLY? - YEAH, SERIOUSLY. 685 00:43:02,457 --> 00:43:05,085 GO BACK TO BED-- SHH! AND LET ME DO MY JOB. 686 00:43:05,126 --> 00:43:06,753 YOU HAVE A SHOVEL DOWNSTAIRS? 687 00:43:06,795 --> 00:43:10,882 - A SHOVEL? - YEAH, SOMETHING I CAN DIG A HOLE WITH. 688 00:43:10,924 --> 00:43:13,259 WHAT THE-- WHAT THE-- 689 00:43:13,301 --> 00:43:16,137 WHAT THE HELL IS GOING ON? WHO THE HELL ARE YOU? 690 00:43:16,179 --> 00:43:18,890 WHO THE HELL IS THIS? DO YOU HAVE A BOYFRIEND ALREADY? 691 00:43:18,932 --> 00:43:21,267 THIS IS FRANKIE, HE’S MY BODYGUARD. 692 00:43:21,309 --> 00:43:23,895 LOOK, WHO ARE YOU? AND WHAT IS THAT SMELL? 693 00:43:23,937 --> 00:43:26,272 - IT’S BRUT. - IT’S OVERWHELMING. 694 00:43:26,314 --> 00:43:27,941 MA’AM, YOU DON’T HAVE TO TELL HIM ANYTHING. 695 00:43:27,982 --> 00:43:31,444 YOU CANNOT TALK TO ME... IN MY HOUSE, LIKE THAT. 696 00:43:31,486 --> 00:43:33,196 IT’S HER HOUSE. 697 00:43:37,158 --> 00:43:40,036 RECONSIDER. 698 00:43:40,078 --> 00:43:41,287 DARLING? 699 00:43:41,329 --> 00:43:43,957 DARLING, I HAVE TO TALK TO YOU. 700 00:43:43,998 --> 00:43:47,127 - DOES HE HAVE TO BE HERE? - HE’S JUST DOING HIS JOB. 701 00:43:47,168 --> 00:43:49,004 WHAT JOB? I AM YOUR HUSBAND! 702 00:43:49,045 --> 00:43:51,256 - [CHUCKLES] - DO YOU MIND? PLEASE? 703 00:43:51,297 --> 00:43:53,383 SORRY, KIPSTER. 704 00:43:53,425 --> 00:43:56,720 LOOK... ABOUT YESTERDAY, 705 00:43:56,761 --> 00:43:59,889 THAT WAS SIMPLY AN ABERRATION 706 00:43:59,931 --> 00:44:01,808 FERMENTED BY THE CONSUMPTION OF TOO MUCH 707 00:44:01,850 --> 00:44:04,352 SINGLE MALT SCOTCH ON AN EMPTY STOMACH. 708 00:44:04,394 --> 00:44:07,355 AN ABERRATION OF MARITAL ETHICS 709 00:44:07,397 --> 00:44:11,192 FOR WHICH I AM TRULY, TRULY GRIEVOUS. 710 00:44:11,234 --> 00:44:15,864 - WAS IT THE ONLY TIME? - OH, ABSOLUTELY! 711 00:44:15,905 --> 00:44:17,490 [SCREAMS] 712 00:44:17,532 --> 00:44:19,325 AUGUST 14TH, THE AIRPORT HOTEL. 713 00:44:19,367 --> 00:44:21,870 OH-- OKAY. YEAH. 714 00:44:21,911 --> 00:44:23,872 THE SWEDISH FLIGHT ATTENDANT, 715 00:44:23,913 --> 00:44:26,458 BUT THAT WAS THE ONLY OTHER TIME-- 716 00:44:26,499 --> 00:44:28,168 DECEMBER 5TH, THE FOUR SEASONS. 717 00:44:28,209 --> 00:44:31,421 AH-- RIGHT. UM... 718 00:44:31,463 --> 00:44:33,882 THE REAL ESTATE LADY, BUT SHE WAS A NOONER! 719 00:44:33,923 --> 00:44:36,217 MY ONLY NOONER, I SWEAR TO GOD! 720 00:44:36,259 --> 00:44:38,011 [GUNSHOT] 721 00:44:38,053 --> 00:44:41,222 OH, JESUS CHRIST! THE FREAKING SKY IS FALLING! 722 00:44:41,264 --> 00:44:43,725 ALL RIGHT, ALL RIGHT! IT’S BEEN GOING ON FOR YEARS! 723 00:44:45,060 --> 00:44:50,190 GET OUT! 724 00:44:50,231 --> 00:44:52,192 YOU SHOULD GO. 725 00:44:52,233 --> 00:44:53,902 THEN FINE. 726 00:44:53,943 --> 00:44:55,403 GREAT. 727 00:44:55,445 --> 00:44:56,905 TERRIFIC. 728 00:44:59,949 --> 00:45:02,952 I’LL SEE YOU IN COURT. 729 00:45:07,040 --> 00:45:08,750 [ENGINE STARTS] 730 00:45:08,792 --> 00:45:11,211 - [CAR DEPARTS] - WOW. 731 00:45:11,252 --> 00:45:14,005 - THERE HE GOES. - THE PAST. 732 00:45:14,047 --> 00:45:17,217 THE FUTURE-- MANLESS. 733 00:45:17,258 --> 00:45:19,886 NO, THERE’LL BE OTHER MEN. 734 00:45:19,928 --> 00:45:24,891 [TEARFULLY] I DON’T WANT OTHER MEN. 735 00:45:24,933 --> 00:45:27,060 I BELIEVE IN TWO THINGS: 736 00:45:27,102 --> 00:45:28,311 THE KINDNESS OF THE SAINTS, 737 00:45:28,353 --> 00:45:32,857 AND THERE’S SOMEBODY FOR EVERYBODY. 738 00:45:32,899 --> 00:45:37,362 DO YOU HAVE A SOMEONE, FRANKIE? 739 00:45:37,404 --> 00:45:41,908 - SORT OF. - THAT’S NICE. 740 00:45:41,950 --> 00:45:45,328 - EVERYONE SHOULD HAVE A SOMEONE. - MM-HMM. 741 00:45:45,370 --> 00:45:46,996 [ORGAN PLAYING] 742 00:45:47,038 --> 00:45:48,873 [SPEAKING ITALIAN] 743 00:46:04,347 --> 00:46:07,058 WHY IS EVERYBODY LOOKING LIKE THEY HATE ME? 744 00:46:07,100 --> 00:46:08,810 THEY THINK YOU’RE ANGELO’S MISTRESS. 745 00:46:08,852 --> 00:46:12,063 OH, JESUS! I FEEL LIKE A WHORE IN A CATHOLIC CHURCH! 746 00:46:12,105 --> 00:46:15,275 SHH-- WE ALL DO. 747 00:46:15,316 --> 00:46:18,820 [ITALIAN CONTINUES] 748 00:46:18,862 --> 00:46:21,489 WHAT’S HE SAYING? 749 00:46:21,531 --> 00:46:23,241 MOSTLY THAT WE’RE NOT WORTHY. 750 00:46:23,283 --> 00:46:25,452 NOW HE’S TALKING ABOUT CHRIST. 751 00:46:25,493 --> 00:46:27,495 AND HIS BLOOD. AND THE WOUNDS. 752 00:46:27,537 --> 00:46:29,164 AND MORE BLOOD. 753 00:46:29,205 --> 00:46:31,583 NOW THE GUILT. 754 00:46:31,624 --> 00:46:33,209 - THERE’S MORE BLOOD. - OH MAN... 755 00:46:33,251 --> 00:46:35,003 MORE WOUNDS. 756 00:46:35,045 --> 00:46:37,255 MORE BLOOD. 757 00:46:37,297 --> 00:46:38,381 NOW HE’S BACK TO THE WOUNDS. 758 00:46:44,012 --> 00:46:44,971 THAT GUY OVER THERE IS BRUNO MARANZELLA. 759 00:46:45,013 --> 00:46:46,389 WHERE? 760 00:46:46,431 --> 00:46:48,933 OVER THERE, WITH THE HEAD LIKE AN AIRCRAFT CARRIER. 761 00:46:48,975 --> 00:46:52,145 THIS MALATESTA FELLOW, WHERE IS HE? 762 00:46:52,187 --> 00:46:55,023 RIGHT IN FRONT OF HIM. THE GUY THAT LOOKS LIKE HE SHOULD BE IN A BOX. 763 00:46:55,065 --> 00:46:57,859 JESUS! AND WHOEVER SAID MEN AGE WELL? 764 00:47:01,654 --> 00:47:02,989 SORRY. 765 00:47:06,201 --> 00:47:11,456 ANGELO ALLIEGHIERI WAS A MAN OF GREAT PASSION. 766 00:47:11,498 --> 00:47:14,084 HOW VERDI, ROSSINI 767 00:47:14,125 --> 00:47:16,419 WOULD FILL HIS HEART. 768 00:47:16,461 --> 00:47:19,881 HE WAS A MAN OF GREAT SADNESS. 769 00:47:19,923 --> 00:47:23,176 HE LOST HIS WIFE, HIS MARIA, 770 00:47:23,218 --> 00:47:25,345 TOO SOON. 771 00:47:25,387 --> 00:47:27,222 HE NEVER HAD CHILDREN 772 00:47:27,263 --> 00:47:29,641 OR GRANDCHILDREN WHOSE LAUGHTER 773 00:47:29,683 --> 00:47:33,478 WOULD LIGHTEN THE BURDEN OF OLD AGE. 774 00:47:33,520 --> 00:47:35,647 THIS WAS HIS SADNESS, 775 00:47:35,689 --> 00:47:38,525 HIS EMPTINESS, TO DIE ALONE. 776 00:47:40,276 --> 00:47:42,487 AND SO, ANGELO, 777 00:47:42,529 --> 00:47:44,989 WE REMEMBER YOU HERE TODAY. 778 00:47:45,031 --> 00:47:48,368 ALL IN ALL. AMEN. 779 00:47:48,410 --> 00:47:50,537 - AMEN. - AMEN. 780 00:47:54,416 --> 00:47:55,959 I’LL REMEMBER YOU, ANGELO. 781 00:47:56,001 --> 00:47:59,045 "REMEMBERING" IN ITALIAN MEANS "VENDETTA." 782 00:48:14,561 --> 00:48:17,397 ANGELO’S VOICE: YOU KEEP THE DISTANCE. 783 00:48:17,439 --> 00:48:20,108 ALWAYS A DISTANCE. 784 00:49:00,482 --> 00:49:03,401 FRANKIE: YOU GOOMBAS NEVER QUIT, DO YOU? 785 00:49:03,443 --> 00:49:04,527 [FIST POUNDING] 786 00:49:22,545 --> 00:49:24,798 JENNIFER: FRANKIE? 787 00:49:24,839 --> 00:49:27,175 FRANKIE, WHAT’S THAT NOISE? 788 00:49:27,217 --> 00:49:30,053 JUST TAKING OUT THE TRASH, MA’AM. 789 00:49:30,095 --> 00:49:31,054 [FLATULENCE] 790 00:49:31,096 --> 00:49:34,224 FRANKIE, DID YOU SAY SOMETHING? 791 00:49:34,265 --> 00:49:35,767 NOTHING, MA’AM, I DIDN’T SAY ANYTHING. 792 00:49:35,809 --> 00:49:37,727 - [FLATULENCE] - SHUT UP. 793 00:49:39,813 --> 00:49:42,107 MALATESTA, YOU’RE USING AMATEURS. 794 00:49:42,148 --> 00:49:43,525 FRANKIE? 795 00:49:48,154 --> 00:49:54,661 FRANKIE? 796 00:49:54,703 --> 00:49:57,288 - FRANKIE? - YEAH? 797 00:49:57,330 --> 00:50:00,041 - MAY I COME IN? - ALL RIGHT. 798 00:50:02,794 --> 00:50:05,213 IT’S NOT EXACTLY WARM OUT HERE, YOU KNOW. 799 00:50:11,553 --> 00:50:13,388 - YOU OKAY? - PEACHY. 800 00:50:16,516 --> 00:50:18,184 OH! 801 00:50:18,226 --> 00:50:20,311 I FEEL LIKE I’M IN THE BRUT CENTER OF THE UNIVERSE! 802 00:50:20,353 --> 00:50:21,646 SORRY ABOUT THAT. 803 00:50:21,688 --> 00:50:24,315 FRANKIE, I AM SO FRIGHTENED. 804 00:50:24,357 --> 00:50:29,362 - I’M HERE, MA’AM. - YEAH, OF COURSE. 805 00:50:29,404 --> 00:50:32,657 YOU KNOW WHAT’S TERRIFIC ABOUT BEING FRIGHTENED LIKE THIS? 806 00:50:32,699 --> 00:50:35,452 AT LEAST NOW I’M FRIGHTENED ABOUT SOMETHING SPECIFIC, LIKE BEING WHACKED, 807 00:50:35,493 --> 00:50:38,371 AS OPPOSED TO THE NON-SPECIFIC VARIETY, WHICH IS WHAT I USUALLY FEEL, 808 00:50:38,413 --> 00:50:40,790 THAT KIND OF DREAD, THE FREE-FLOATING WHATNOT AND ALL. 809 00:50:40,832 --> 00:50:44,711 MM-HMM. 810 00:50:44,753 --> 00:50:47,172 I REMEMBER AS A LITTLE GIRL BEING AFRAID. 811 00:50:47,213 --> 00:50:48,715 VERY AFRAID. 812 00:50:48,757 --> 00:50:53,094 LITTLE BOGEYMEN UNDER THE BED AND DEVILS IN THE CLOSET. 813 00:50:53,136 --> 00:50:55,722 ISN’T IT AMAZING HOW OUR INNERMOST FEARS 814 00:50:55,764 --> 00:50:57,807 TURN INTO THIS FREUDIAN WHOLE-- 815 00:50:57,849 --> 00:50:59,225 [FLATULENCE] 816 00:51:01,895 --> 00:51:03,146 DID YOU SAY SOMETHING? 817 00:51:03,188 --> 00:51:05,565 NO... NO. 818 00:51:05,607 --> 00:51:08,443 AMAZING FREUDIAN NUANCES 819 00:51:08,485 --> 00:51:11,112 OF MEMORY AND CONSCIOUSNESS. 820 00:51:11,154 --> 00:51:13,156 WHEN I WAS GROWING UP, THEY SENT ME TO AN ANALYST. 821 00:51:13,198 --> 00:51:15,325 EVERYBODY WAS GOING TO AN ANALYST AT THE TIME. 822 00:51:15,367 --> 00:51:18,453 HE SAID-- DR. GILMORE WAS HIS NAME-- 823 00:51:18,495 --> 00:51:19,913 HE SAID IT’S NOT SO MUCH-- 824 00:51:19,954 --> 00:51:22,707 NEVER MIND WHAT HE SAID. I LIED TO HIM ALL THE TIME. 825 00:51:22,749 --> 00:51:25,335 I DIDN’T WANT HIM TELLING MY PARENTS WHAT WAS GOING ON-- 826 00:51:25,377 --> 00:51:26,670 [LOUD FLATULENCE] 827 00:51:36,596 --> 00:51:38,640 - MA’AM? - FRANKIE. 828 00:51:38,682 --> 00:51:40,684 WE GOT SQUIRRELS. 829 00:51:40,725 --> 00:51:42,769 SQUIRRELS, FRANKIE? 830 00:51:42,811 --> 00:51:44,771 YES, MA’AM. BIG SQUIRRELS. 831 00:51:44,813 --> 00:51:48,525 THEY TEND TO OVEREAT PREPARING FOR A DIFFICULT WINTER, 832 00:51:48,566 --> 00:51:49,901 AND SOMETIMES THEY BLOAT. 833 00:51:49,943 --> 00:51:52,153 AND OFTEN THEY GET CAUGHT IN THE WALLS. 834 00:51:52,195 --> 00:51:53,571 UH-HUH? 835 00:51:53,613 --> 00:51:55,782 TO GET OUT OF THE WALLS, THEY HAVE TO... 836 00:51:55,824 --> 00:51:56,950 DEFLATE. 837 00:51:56,991 --> 00:51:58,868 AND THUS, THIS IS CAUSING... 838 00:51:58,910 --> 00:52:01,705 THE PASSAGE OF WINDAGE. 839 00:52:01,746 --> 00:52:03,915 OH. 840 00:52:03,957 --> 00:52:07,502 AW, POOR THINGS! 841 00:52:07,544 --> 00:52:09,838 YEAH, TOUGH LUCK. 842 00:52:09,879 --> 00:52:11,589 TOUGH LUCK. 843 00:52:16,428 --> 00:52:18,346 - FRANKIE? - HMM? 844 00:52:18,388 --> 00:52:20,306 TELL ME THE PART AGAIN-- 845 00:52:20,348 --> 00:52:22,809 THE PART OF DREAMING ABOUT THE SAINTS. 846 00:52:22,851 --> 00:52:26,271 [DEEP SIGH] 847 00:52:26,312 --> 00:52:28,940 THERE’S A DREAM THAT... 848 00:52:28,982 --> 00:52:33,361 SICILIANS THAT HAVE NEVER BEEN TO SICILY HAVE. 849 00:52:33,403 --> 00:52:36,281 THAT THEY’RE ON THE COAST, 850 00:52:36,322 --> 00:52:38,283 ON A CLIFF 851 00:52:38,324 --> 00:52:40,326 ABOVE THE WATER, 852 00:52:40,368 --> 00:52:42,245 AND THEY HEAR THIS MUSIC. 853 00:52:42,287 --> 00:52:44,914 THE SOUND OF OPERA COMING FROM SOMEWHERE, 854 00:52:44,956 --> 00:52:47,208 BUT THEY DON’T KNOW WHERE. 855 00:52:47,250 --> 00:52:49,210 AND THEY BELIEVE IT’S THE SAINTS 856 00:52:49,252 --> 00:52:51,755 WHO ARE SINGING ARIAS OF LONGING 857 00:52:51,796 --> 00:52:54,341 FOR WHAT THEY’VE NEVER KNOWN. 858 00:52:54,382 --> 00:52:57,510 AND YOUR FATHER, HE ALWAYS TOLD YOUR MOTHER 859 00:52:57,552 --> 00:53:00,347 THE GREATEST LOVE STORIES 860 00:53:00,388 --> 00:53:02,349 WERE IN THE OPERA. 861 00:53:02,390 --> 00:53:03,975 HE LOVED HER VERY MUCH. 862 00:53:13,568 --> 00:53:15,779 [MOTOR STARTING] 863 00:53:36,508 --> 00:53:39,260 ["DON GIOVANNI" PLAYING] 864 00:53:41,388 --> 00:53:43,390 [SINGING IN ITALIAN] 865 00:53:45,058 --> 00:53:46,685 [SINGING CONTINUES] 866 00:53:49,729 --> 00:53:54,025 [SINGING IN ITALIAN] 867 00:53:54,067 --> 00:53:57,529 [OPERA MUSIC SWELLS] 868 00:54:24,055 --> 00:54:26,641 [MUSIC CALMS] 869 00:54:31,646 --> 00:54:33,606 I’LL BE RIGHT BACK. 870 00:54:36,109 --> 00:54:37,902 GREAT, YOU MADE IT. 871 00:54:37,944 --> 00:54:41,948 TWO DOZEN, RIGHT? THAT’S PERFECT, PERFECT. 872 00:54:41,990 --> 00:54:45,452 DO ME A FAVOR AND HANG OUT HERE UNTIL THE THING IS OVER. 873 00:54:45,493 --> 00:54:47,078 YOU’LL HEAR SOME APPLAUSE, YOU’LL COME UP TO THE DOOR. 874 00:54:47,120 --> 00:54:50,373 I’LL SIGNAL YOU TO COME ON IN, AND WE’LL SURPRISE HER. 875 00:54:50,415 --> 00:54:51,958 THANK YOU. 876 00:55:00,091 --> 00:55:02,927 - DO YOU KNOW WHAT THEY’RE SAYING? - NOT REALLY, I KNOW HE’S DEAD. 877 00:55:02,969 --> 00:55:03,970 - HE’S DEAD, YES? - COMPLETELY DEAD. 878 00:55:06,639 --> 00:55:08,725 - WHAT IS HE SAYING? - HE WANTS HIS DAUGHTER TO AVENGE HIM. 879 00:55:08,767 --> 00:55:12,604 HE’S SAYING, "AVENGE ME, MY LITTLE ONE." 880 00:55:12,645 --> 00:55:15,815 "MY LITTLE ONE"? GOD, I CAN’T STAND IT. 881 00:55:15,857 --> 00:55:17,525 WHAT ELSE? 882 00:55:17,567 --> 00:55:20,945 "GIVE THE MAN WHO GAVE YOU LIFE PEACE IN DEATH." 883 00:55:20,987 --> 00:55:22,697 "LA VENDETTA E TUTTO!" 884 00:55:24,532 --> 00:55:26,034 LA VENDETTA E...? 885 00:55:26,076 --> 00:55:27,869 - TUTTO. - TUTTO. 886 00:55:30,997 --> 00:55:32,082 INTERESTING. 887 00:55:43,176 --> 00:55:44,928 JENNIFER: MARCELLO! 888 00:55:55,230 --> 00:55:56,231 CAN YOU BELIEVE IT? 889 00:55:56,272 --> 00:55:59,693 HE THREW ME A ROSE! A WHITE ROSE. 890 00:55:59,734 --> 00:56:02,862 NICE, BUT I ALWAYS THOUGHT THE RED ONES WERE THE SPECIAL ONES. 891 00:56:02,904 --> 00:56:05,115 YOU DON’T UNDERSTAND-- WHITE IS SPECIAL! 892 00:56:05,156 --> 00:56:07,742 IT’S PURE. NOT LIKE RED ONES. EVERYBODY GETS RED ROSES. 893 00:56:21,673 --> 00:56:24,092 - HOW’D YOU LIKE THE OPERA? - MORE THAN I COULD HAVE IMAGINED. 894 00:56:24,134 --> 00:56:26,219 ANGELO LOVED IT. 895 00:56:26,261 --> 00:56:28,972 MY FATHER... 896 00:56:29,014 --> 00:56:30,056 WAS HE HANDSOME WHEN HE WAS YOUNG? 897 00:56:30,098 --> 00:56:32,434 - PFFT. - PFFT?! 898 00:56:32,475 --> 00:56:36,771 YEAH, VERY. AND YOUR MOTHER, SHE’D BE ABLE TO WALK ACROSS A ROOM, 899 00:56:36,813 --> 00:56:39,816 AND EVERYTHING WOULD JUST STOP. I REMEMBER THE ONE TIME, 900 00:56:39,858 --> 00:56:42,569 AT THIS WEDDING, SHE MADE ME DANCE WITH HER. 901 00:56:42,610 --> 00:56:44,112 - WERE YOU EMBARRASSED? - OF COURSE I WAS EMBARRASSED! 902 00:56:44,154 --> 00:56:46,823 I WAS JUST A KID. 903 00:56:46,865 --> 00:56:48,575 YOU KNOW, SHE WAS PREGNANT WITH YOU. 904 00:56:48,616 --> 00:56:51,077 THAT MEANS YOU WERE THE FIRST PERSON I EVER DANCED WITH. 905 00:56:51,119 --> 00:56:53,747 I GUESS. 906 00:56:53,788 --> 00:56:55,874 I LIKE THAT THOUGHT. 907 00:56:58,501 --> 00:57:00,670 FRANKIE, WHY HAVEN’T YOU EVER BEEN MARRIED? 908 00:57:00,712 --> 00:57:04,215 - I’M JUST WAITING. - YOU SAYING YOU’VE NEVER BEEN IN LOVE? 909 00:57:04,257 --> 00:57:07,093 LOVE IS LIKE THIS TEMPORARY FORM OF INSANITY. 910 00:57:07,135 --> 00:57:08,720 AND YOU’VE NEVER BEEN INSANE? 911 00:57:23,860 --> 00:57:25,779 - YOU’RE READING THAT. - MM-HMM. 912 00:57:25,820 --> 00:57:28,990 THIS MARCELLO. HE TURNS EVERYTHING INTO SUCH A PASSION. 913 00:57:29,032 --> 00:57:31,951 I CAN’T PUT IT DOWN. HAVE YOU EVER READ HIM? 914 00:57:31,993 --> 00:57:33,620 - I DON’T THINK I LIKE THE GUY. - WHY NOT? 915 00:57:33,661 --> 00:57:35,663 HE LOOKS A LITTLE TOO SMOOTH. 916 00:57:37,165 --> 00:57:39,209 WHAT’S WRONG WITH SMOOTH? 917 00:57:39,250 --> 00:57:41,586 I DON’T KNOW-- IT’S JUST THAT I KNOW GUYS LIKE THAT. 918 00:57:41,628 --> 00:57:44,506 STRUTTING LIKE ROOSTERS, TAKING CREDIT FOR THE SUNRISE. 919 00:57:44,547 --> 00:57:48,093 SOMETIMES I THINK SMOOTH IS NOT TOO APPEALING, THAT’S ALL. 920 00:57:48,134 --> 00:57:50,595 YOU DON’T THINK IT’S POSSIBLE FOR A MAN TO BE CALLED BEAUTIFUL? 921 00:57:50,637 --> 00:57:53,640 NO, I BELIEVE THERE’S AN EXCEPTION FOR EVERY RULE IN THE BOOK, 922 00:57:53,682 --> 00:57:57,644 BUT I’VE NEVER STOOD ON A CHAIR AND, IN A LOUD VOICE, YELLED-- 923 00:57:57,686 --> 00:58:00,146 "HEY, GUY! YOU’RE REALLY KIND OF GORGEOUS... 924 00:58:00,188 --> 00:58:03,900 WANT TO GO TO PALM SPRINGS THIS WEEKEND?" 925 00:58:03,942 --> 00:58:05,985 BUT WOMEN ARE TOTALLY DIFFERENT ABOUT THIS. 926 00:58:06,027 --> 00:58:07,821 WOMEN HAVE BEEN KNOWN, ON OCCASION, 927 00:58:07,862 --> 00:58:10,907 TO GO ABSOLUTELY CRAZY OVER A GUY. 928 00:58:10,949 --> 00:58:12,826 I KNOW. BELIEVE ME. 929 00:58:12,867 --> 00:58:15,036 - YOU KNOW? - THE FIRST TIME I SAW IT 930 00:58:15,078 --> 00:58:17,831 IS WHEN SAMMY CARBONI’S KID CAME BACK TO QUEENS. 931 00:58:17,872 --> 00:58:19,833 HE WAS LIVING OVER IN ITALY. 932 00:58:19,874 --> 00:58:21,835 ANGELO WANTED TO KNOW WHAT HE WAS LIKE, 933 00:58:21,876 --> 00:58:24,838 SO HE HAD ME FOLLOW HIM. AND ONE DAY, 934 00:58:24,879 --> 00:58:26,297 I SEE ALL THESE LITTLE GIRLS 935 00:58:26,339 --> 00:58:29,009 GOING ABSOLUTELY CUCKOO NUTS OVER SOME KID. 936 00:58:29,050 --> 00:58:30,260 IT WAS LIKE THIS KID WAS A GOLDEN BOY 937 00:58:30,301 --> 00:58:32,846 THAT THE SUN WAS SHINING ON ALL THE TIME. 938 00:58:32,887 --> 00:58:36,850 HE’S THE KIND OF KID EVERY 13-YEAR-OLD KID WANTED TO BE LIKE. 939 00:58:36,891 --> 00:58:38,935 I KNOW. SO I WAS JUST WATCHING THIS. 940 00:58:48,903 --> 00:58:50,196 W-WHY WERE YOU WATCHING HIM? 941 00:58:50,238 --> 00:58:53,616 WELL, IT WAS CARBONI. GIANNI CARBONI. 942 00:58:53,658 --> 00:58:55,785 - THE SON OF SAMMY CARBONI? - RIGHT. 943 00:58:55,827 --> 00:58:58,705 THE GUY LUCIO MALATESTA MURDERED THEN-- 944 00:58:58,747 --> 00:59:01,207 - FRANKIE... - TRIED TO BLAME ANGELO. 945 00:59:01,249 --> 00:59:03,585 I THINK HE’S COMING OVER HERE, WHAT SHOULD I SAY? 946 00:59:07,130 --> 00:59:10,175 HOW DO I LOOK? IF YOU WERE LOOKING AT ME, 947 00:59:10,216 --> 00:59:11,718 - WHAT WOULD YOU THINK? - YOU WOULDN’T WANT TO KNOW. 948 00:59:11,760 --> 00:59:14,679 - I DO. I WOULD. - WOULDN’T 949 00:59:14,721 --> 00:59:16,806 FRANKIE, I’M SERIOUS! HE’S GETTING CLOSER. 950 00:59:16,848 --> 00:59:18,308 WHAT WOULD YOU WANT ME TO LOOK LIKE? 951 00:59:28,735 --> 00:59:30,612 - WHAT ARE YOU DOING? - TRUST ME ON THIS ONE. 952 00:59:32,155 --> 00:59:33,948 HI, HOW ARE YOU? 953 00:59:52,133 --> 00:59:55,929 SO, WHAT DO YOU THINK? 954 00:59:55,970 --> 00:59:57,681 WHAT DO I THINK? 955 01:00:00,308 --> 01:00:02,936 ARE YOU TOGETHER? 956 01:00:02,977 --> 01:00:06,022 MMM... YES. 957 01:00:06,064 --> 01:00:08,233 [SPUTTERING] NO, I MEAN, NO. HE’S... 958 01:00:08,274 --> 01:00:11,778 - THE SECURITY CONSULTANT. - YOU MEAN, THE BODYGUARD. 959 01:00:14,322 --> 01:00:15,782 I AM NO GOOD AT PRETENDING. 960 01:00:15,824 --> 01:00:17,701 WE’VE BEEN WATCHING EACH OTHER, 961 01:00:17,742 --> 01:00:21,079 SO FORGIVE ME IF I CAUSE OFFENSE BARING MY HEART AND TELLING THE TRUTH. 962 01:00:21,121 --> 01:00:24,874 YOU SEE MY SOUL, I STAND NAKED BEFORE YOU. 963 01:00:24,916 --> 01:00:26,376 MAYBE HE OUGHT TO GO BACK TO HIS TABLE 964 01:00:26,418 --> 01:00:27,961 AND GET DRESSED SO HE DOESN’T CATCH A COLD. 965 01:00:28,003 --> 01:00:30,005 NO! [GIGGLES] 966 01:00:30,046 --> 01:00:32,382 HE’S JUST JOKING. 967 01:00:32,424 --> 01:00:33,800 YOU ARE JENNIFER BARRETT? 968 01:00:33,842 --> 01:00:35,427 YES, I AM. 969 01:00:35,468 --> 01:00:38,221 I WANTED TO THANK YOU FOR ARRANGING MY READING AT YOUR CLUB. 970 01:00:38,263 --> 01:00:41,474 BUT YOU SEEMED, HOW SHALL I SAY, DISTRACTED. 971 01:00:41,516 --> 01:00:44,144 I’M SUCH A GREAT ADMIRER OF YOURS. 972 01:00:44,185 --> 01:00:47,897 I’VE READ ALL OF YOUR BOOKS OVER AND OVER AND... 973 01:00:47,939 --> 01:00:50,900 - MISS BARRETT? - OVER. WHAT? 974 01:00:50,942 --> 01:00:53,403 - JENNIFER. - JENNIFER. MAY I CALL YOU? 975 01:00:57,407 --> 01:00:58,908 THANK YOU. 976 01:01:03,830 --> 01:01:05,373 I APOLOGIZE IF I DISTURBED YOU. 977 01:01:08,376 --> 01:01:11,921 OH MY GOD! CAN YOU BELIEVE IT? 978 01:01:11,963 --> 01:01:16,384 [LAUGHING] 979 01:01:22,766 --> 01:01:24,184 JENNIFER: FRANKIE? 980 01:01:24,225 --> 01:01:28,938 DID ANGELO-- 981 01:01:28,980 --> 01:01:31,274 DID MY FATHER REALLY WANT TO PROTECT ME? 982 01:01:31,316 --> 01:01:34,069 PROTECT YOU? YOUR FATHER USED TO 983 01:01:34,110 --> 01:01:35,362 DRIVE BY HERE ON SUMMER NIGHTS, 984 01:01:35,403 --> 01:01:37,989 AND WATCH YOU GO SWIMMING IN THE MOONLIGHT. 985 01:01:38,031 --> 01:01:39,991 THEN HE’D SEE YOU UP IN THE BALCONY. 986 01:01:40,033 --> 01:01:42,369 YOU KNOW, COMBING YOUR HAIR, 987 01:01:42,410 --> 01:01:44,829 TALKING ON THE PHONE TO THIS GUY AND THAT, 988 01:01:44,871 --> 01:01:46,748 COMING HOME FROM SCHOOL, 989 01:01:46,790 --> 01:01:49,209 AND KICKING UP THOSE LEAVES IN THE DYING LIGHT OF FALL. 990 01:01:49,250 --> 01:01:51,544 I SAW THESE THINGS TOO, 991 01:01:51,586 --> 01:01:53,880 AND I’M DEFINITELY TALKING TOO MUCH. 992 01:01:53,922 --> 01:01:56,132 AND I WAS JUST LIVING MY LIFE. 993 01:01:56,174 --> 01:01:58,259 AND YOU WERE THERE. 994 01:01:58,301 --> 01:02:00,178 THE WHOLE TIME. 995 01:02:00,220 --> 01:02:02,222 YES, MA’AM. 996 01:02:02,263 --> 01:02:04,432 SPYING ON ME. 997 01:02:04,474 --> 01:02:08,019 SPYING? NO, I WOULDN’T SAY THAT. 998 01:02:08,061 --> 01:02:10,063 I WAS WATCHING. 999 01:02:10,105 --> 01:02:12,899 AND FOR YOUR INFORMATION, I KNEW WHEN TO TURN AWAY. 1000 01:02:12,941 --> 01:02:15,443 DID YOU HAVE ANYTHING TO DO WITH BOBBY JORDAN? 1001 01:02:17,278 --> 01:02:18,571 EXCUSE ME? 1002 01:02:18,613 --> 01:02:20,907 BOBBY JORDAN. 1003 01:02:20,949 --> 01:02:24,035 BOBBY JORDAN? BOBBY JORDAN... 1004 01:02:24,077 --> 01:02:26,454 NO... 1005 01:02:26,496 --> 01:02:29,499 I CAN’T RECALL ANY BOBBY JORDAN, NO. 1006 01:02:29,541 --> 01:02:31,543 I WENT WITH HIM IN HIGH SCHOOL. 1007 01:02:31,584 --> 01:02:33,837 HE WAS CHEATING ON ME THE WHOLE TIME. 1008 01:02:33,878 --> 01:02:36,047 I WAS SO CRAZY ABOUT HIM. 1009 01:02:36,089 --> 01:02:37,590 I SWEAR I WOULD HAVE MARRIED HIM. 1010 01:02:37,632 --> 01:02:40,093 AND THEN HE JUST GOT STRANGE ONE DAY. 1011 01:02:40,135 --> 01:02:42,095 NO, NO, FRANKIE! 1012 01:02:42,137 --> 01:02:43,805 NO, FRANKIE! [SCREAMS] 1013 01:02:43,847 --> 01:02:45,932 HE STOPPED TALKING TO ME. 1014 01:02:45,974 --> 01:02:48,435 YOUNG GUYS CAN GO THROUGH THIS NEUROTIC PHASE. 1015 01:02:48,476 --> 01:02:50,186 IT’S NOT JUST GUYS. 1016 01:02:50,228 --> 01:02:53,898 - COULD I HAVE SOME MORE ANISETTE? - SURE. 1017 01:02:53,940 --> 01:02:55,859 WHAT ABOUT POLLY PETERS? 1018 01:02:55,900 --> 01:02:58,862 DO YOU REMEMBER HER? 1019 01:02:58,903 --> 01:03:02,323 NO, I’VE NEVER HEARD OF HER. 1020 01:03:02,365 --> 01:03:03,825 POLLY PETERS, NO. 1021 01:03:03,867 --> 01:03:05,660 SHE WAS THIS MEAN, NASTY WITCH 1022 01:03:05,702 --> 01:03:08,580 WHO STARTED SPREADING THESE AWFUL STORIES ABOUT ME SLEEPING AROUND. 1023 01:03:08,621 --> 01:03:10,915 SHE WAS DESTROYING MY REPUTATION. 1024 01:03:10,957 --> 01:03:14,044 THE MOST FRAGILE THING IN THE WORLD IS A WOMAN’S REPUTATION. 1025 01:03:14,085 --> 01:03:16,129 WELL, IT ALL STOPPED. 1026 01:03:16,171 --> 01:03:19,215 RIGHT AFTER THIS TERRIBLE THING HAPPENED TO HER CAR. 1027 01:03:19,257 --> 01:03:20,925 [SCREAMING] MY CAR! 1028 01:03:27,640 --> 01:03:30,518 IT’S LIKE SHE JUST SORT OF UPPED AND MOVED TO ANOTHER SCHOOL. 1029 01:03:32,479 --> 01:03:36,483 YOU KNOW SOMETHING, FRANCIS? 1030 01:03:36,524 --> 01:03:39,027 WE’RE BECOMING FRIENDS. DID YOU REALIZE THAT? 1031 01:03:39,069 --> 01:03:41,529 NO, I DIDN’T KNOW THAT. 1032 01:03:43,239 --> 01:03:45,992 LIKE IT OR NOT, WE ARE. 1033 01:03:46,034 --> 01:03:48,328 DO YOU REALIZE YOU NEVER CALL ME JENNIFER? 1034 01:03:50,372 --> 01:03:52,332 YOU MAY, YOU KNOW. 1035 01:03:52,374 --> 01:03:54,042 THAT BEING MY NAME AND ALL. 1036 01:03:58,254 --> 01:04:00,006 GOOD NIGHT, FRANCIS. 1037 01:04:04,386 --> 01:04:06,096 GOOD NIGHT, JENNIFER. 1038 01:04:14,562 --> 01:04:16,189 [SOFTLY] WHAT? 1039 01:04:16,231 --> 01:04:18,191 FRANKIE, FRANKIE! 1040 01:04:20,694 --> 01:04:23,029 OH MY GOD! THE DOOR IS CLOSED. 1041 01:04:23,071 --> 01:04:25,073 - I CAN’T BELIEVE THE DOOR IS CLOSED. - OKAY, OKAY. 1042 01:04:25,115 --> 01:04:27,242 - WHAT ARE YOU GOING TO DO? - YOU SHOULDN’T STAY HERE. 1043 01:04:27,283 --> 01:04:29,202 - GO SOMEWHERE, GO. - PUT THAT GUN DOWN! 1044 01:04:29,244 --> 01:04:31,329 I’M SERIOUS, GO SOMEWHERE, I’LL BE ALL RIGHT. 1045 01:04:31,371 --> 01:04:32,539 - NO! - STAY BACK, STAY HERE. 1046 01:04:32,580 --> 01:04:34,457 NO. NO! 1047 01:04:34,499 --> 01:04:36,501 - YES, YES. - NO! 1048 01:04:38,169 --> 01:04:39,546 NO! 1049 01:04:56,479 --> 01:04:57,689 [YELLS] 1050 01:04:59,441 --> 01:05:01,568 I KNOW THIS GUY. HE USED TO WORK FOR MALATESTA 1051 01:05:01,609 --> 01:05:04,112 BEFORE THE STROONS MOVED TO CHICAGO. 1052 01:05:04,154 --> 01:05:07,115 WE BETTER MOVE THIS STROON BECAUSE I GOT NEIGHBORS ALL OVER THE PLACE! 1053 01:05:07,157 --> 01:05:08,992 GOD, I’M SO AGGRAVATED! 1054 01:05:09,034 --> 01:05:11,036 - AGGRAVATED? - AGGRAVATED, YES! 1055 01:05:11,077 --> 01:05:12,287 [PHONE RINGING] 1056 01:05:12,328 --> 01:05:14,247 - ANSWER IT. - NO! 1057 01:05:14,289 --> 01:05:15,665 - YES. - NO! 1058 01:05:15,707 --> 01:05:18,668 - DON’T HIT ME. - HOLD THIS. 1059 01:05:22,047 --> 01:05:24,591 - RAWLEY, I MISS YOU SO. - MOM... 1060 01:05:24,632 --> 01:05:27,260 - YES, BABY? - MAKE SURE YOU CALL ME TOMORROW. 1061 01:05:27,302 --> 01:05:30,221 YOU KNOW I WILL. 1062 01:05:30,263 --> 01:05:31,973 I LOVE YOU, TOO. 1063 01:05:32,015 --> 01:05:34,976 - ALL RIGHT. BYE, BABY. - [PHONE BEEPS] 1064 01:05:39,773 --> 01:05:42,650 I CAN’T EFFING BELIEVE IT. 1065 01:05:42,692 --> 01:05:45,403 MY SON ACTUALLY CALLS ME FIVE MINUTES AFTER 1066 01:05:45,445 --> 01:05:48,323 ONE OF MALATESTA’S GOONS TRIES TO WAX ME! 1067 01:05:48,365 --> 01:05:50,325 WHAT IF THEY SUCCEED NEXT TIME? 1068 01:05:50,367 --> 01:05:52,702 WHERE DOES THAT LEAVE RAWLEY? I’LL TELL YOU WHERE, 1069 01:05:52,744 --> 01:05:54,579 IT LEAVES HIM WITHOUT A MOTHER. 1070 01:05:54,621 --> 01:05:56,122 OH, GOD! 1071 01:05:57,791 --> 01:06:00,126 MY SON IS NOT GOING TO BE AN ORPHAN! 1072 01:06:12,347 --> 01:06:14,599 - I MADE A DECISION, FRANKIE. - YEAH, WHAT’S THAT? 1073 01:06:14,641 --> 01:06:16,601 I HAVE TO WHACK MALATESTA. 1074 01:06:19,354 --> 01:06:22,065 YOU’RE GOING TO WHACK MALATESTA? 1075 01:06:22,107 --> 01:06:24,317 FRANKIE, MY "WILLOW IN THE WIND" DAYS ARE OVER. 1076 01:06:24,359 --> 01:06:26,695 [LAUGHS] YOU KNOW... 1077 01:06:26,736 --> 01:06:28,822 YOU’RE GETTING IN WAY OVER YOUR HEAD ON THIS ONE, REALLY. 1078 01:06:28,863 --> 01:06:31,658 AN ALLIEGHIERI DOES NOT BOW DOWN. 1079 01:06:37,372 --> 01:06:38,373 I’M SORRY I EVER TOLD YOU THAT. 1080 01:06:44,546 --> 01:06:46,840 * IT’S SO GOOD, SO GOOD... * 1081 01:06:46,881 --> 01:06:49,384 YOU’RE GOING TO WHACK MALATESTA. THAT’S JUST GREAT. 1082 01:06:49,426 --> 01:06:51,553 - THAT’S JUST GREAT! - * ...WHEN I SIT BESIDE YOU * 1083 01:06:51,594 --> 01:06:57,350 * IT’S SO GOOD THAT I CAN’T DENY YOU * 1084 01:06:57,392 --> 01:07:01,229 * IT’S SO GOOD JUST SITTING BESIDE YOU... * 1085 01:07:06,609 --> 01:07:08,069 NICE MOON. 1086 01:07:08,111 --> 01:07:11,656 IT’S BEAUTIFUL. 1087 01:07:11,698 --> 01:07:13,783 - [BOAT SPUTTERS] - JUST BEAUTIFUL. 1088 01:07:13,825 --> 01:07:16,703 MM-HMM. 1089 01:07:16,745 --> 01:07:19,080 - [WATER GURGLING] - [AIR HISSING] 1090 01:07:31,801 --> 01:07:34,220 SO, YOU THINK YOU’VE GOT THIS VENGEANCE THING ALL FIGURED OUT. 1091 01:07:34,262 --> 01:07:36,556 - YOU KNOW HOW IT’S DONE? - DONE? 1092 01:07:36,598 --> 01:07:39,142 YOU MEAN THE THING? 1093 01:07:39,184 --> 01:07:44,647 - NO, NOT REALLY. - IT’S NOT AS EASY AS IT LOOKS. 1094 01:07:44,689 --> 01:07:46,775 THERE’S ALL KINDS OF COURAGE, YOU KNOW. 1095 01:07:48,818 --> 01:07:50,862 I KNOW. 1096 01:07:50,904 --> 01:07:54,407 A WOMAN’S COURAGE SHOULD NEVER BE UNDERESTIMATED. 1097 01:07:54,449 --> 01:07:56,451 EVER BE UNDERESTIMATED. 1098 01:07:56,493 --> 01:07:58,328 EVER. 1099 01:07:58,370 --> 01:07:59,788 LET’S GO OVER IT AGAIN. 1100 01:07:59,829 --> 01:08:04,250 - GO OVER WHAT? - THE PLAN. 1101 01:08:04,292 --> 01:08:07,545 WE GO TO THE VALHALLA INN, 1102 01:08:07,587 --> 01:08:09,172 YOU WAIT IN THE PARKING LOT, I WALK IN. 1103 01:08:09,214 --> 01:08:11,341 MALATESTA TAKES A GOOD LOOK AT ME. 1104 01:08:11,383 --> 01:08:12,884 HE THINKS HE COULD HAVE ANY WOMAN, 1105 01:08:12,926 --> 01:08:18,181 BECAUSE HE’S A LITTLE TWEAKED EVEN AT HIS AGE. [GIGGLES] 1106 01:08:18,223 --> 01:08:19,516 I BAT MY EYES... 1107 01:08:19,557 --> 01:08:21,476 AND THEN I WHACK HIM. 1108 01:08:21,518 --> 01:08:23,895 AND YOU THINK YOU CAN DO THIS. 1109 01:08:23,937 --> 01:08:26,272 [MIMICKING] DO I THINK I CAN DO THIS? 1110 01:08:26,314 --> 01:08:29,442 OKAY... SHOW ME. 1111 01:08:29,484 --> 01:08:31,277 - WHAT? - YOUR WALK. 1112 01:08:31,319 --> 01:08:33,279 - WHY? - ’CAUSE YOU GO IN THAT PLACE, 1113 01:08:33,321 --> 01:08:34,906 AND YOUR WALK DOESN’T MATCH YOUR ATTITUDE 1114 01:08:34,948 --> 01:08:36,866 AND YOUR ATTITUDE DOESN’T MATCH YOUR WALK, 1115 01:08:36,908 --> 01:08:39,619 YOU’LL BE IN A BAG AND THE BAG’S GONNA BE IN THE RIVER. 1116 01:08:39,661 --> 01:08:41,204 REALLY? 1117 01:08:41,246 --> 01:08:42,872 WATCH THIS. 1118 01:08:46,751 --> 01:08:48,795 THAT IS NOTHING SHORT OF TERRIBLE. 1119 01:08:48,837 --> 01:08:50,630 ARE YOU TELLING ME HOW TO WALK NOW? 1120 01:08:50,672 --> 01:08:54,300 - SOMEBODY’S GOT TO. - YOU THINK YOU CAN DO IT? 1121 01:08:54,342 --> 01:08:56,720 MAYBE. [CHUCKLES] 1122 01:08:56,761 --> 01:08:58,304 ARE YOU GOING TO PUT ME ON THE SPOT? 1123 01:08:58,346 --> 01:09:01,433 OKAY. 1124 01:09:01,474 --> 01:09:03,226 WHAT AM I DOING? FORGET ABOUT IT. 1125 01:09:03,268 --> 01:09:04,811 THIS IS YOUR JOB. CONCENTRATE. 1126 01:09:04,853 --> 01:09:07,313 YOU SAID YOU COULD DO IT, ENLIGHTEN ME A LITTLE BIT. 1127 01:09:07,355 --> 01:09:08,982 COME ON, YOU CAN DO IT! 1128 01:09:09,024 --> 01:09:11,651 ONE, TWO. ONE-- THAT’S IT. 1129 01:09:11,693 --> 01:09:14,654 WHAT? DO YOU HAVE ANKLE DAMAGE? 1130 01:09:14,696 --> 01:09:16,906 YOU’RE REALLY STARTING TO IRRITATE ME. 1131 01:09:16,948 --> 01:09:19,784 JUST FOLLOW ME. I CAN FIGURE THIS OUT. READY? 1132 01:09:19,826 --> 01:09:21,911 LET’S GO. ONE, TWO. 1133 01:09:21,953 --> 01:09:23,913 CROSS OVER. LIKE AN ANTELOPE. 1134 01:09:23,955 --> 01:09:25,540 BACK AND FORTH. 1135 01:09:31,796 --> 01:09:34,341 * MOUNTAIN HIGH * 1136 01:09:34,382 --> 01:09:36,926 * VALLEY LOW * 1137 01:09:36,968 --> 01:09:39,304 * TROUBLES OF LIFE * 1138 01:09:39,346 --> 01:09:42,766 * WASHING OVER MY SOUL * 1139 01:09:42,807 --> 01:09:45,518 * WRAPPED UP IN DARKNESS * 1140 01:09:45,560 --> 01:09:48,897 * I LONG TO BE FREE * 1141 01:09:48,938 --> 01:09:53,902 * LASTING TOUGH AND LOVE’S GOT A HOLD ON ME * 1142 01:09:53,943 --> 01:09:56,529 - * I SAID LOVE * - * LOVE * 1143 01:09:56,571 --> 01:10:00,325 * HAS GOT A HOLD ON ME * 1144 01:10:00,367 --> 01:10:01,868 * LOVE, SWEET LOVE * 1145 01:10:01,910 --> 01:10:05,497 * GOT A HOLD ON ME * 1146 01:10:05,538 --> 01:10:08,249 * NO MATTER WHAT COMES * 1147 01:10:08,291 --> 01:10:11,628 * I CAN ALWAYS BE FREE * 1148 01:10:11,670 --> 01:10:13,880 * LOVE, SWEET LOVE * 1149 01:10:13,922 --> 01:10:16,257 * GOT A HOLD ON ME... * 1150 01:10:22,013 --> 01:10:23,973 FRANKIE: I DON’T THINK THIS IS RIGHT, 1151 01:10:24,015 --> 01:10:26,267 - YOU GOING IN THERE ALONE. - I’LL BE FINE. 1152 01:10:26,309 --> 01:10:29,270 I DON’T KNOW ABOUT THAT. IT’S BETTER IF I GO IN THERE, 1153 01:10:29,312 --> 01:10:30,814 HANG OUT IN THE BACK IN CASE THERE’S ANY TROUBLE. 1154 01:10:30,855 --> 01:10:31,981 FRANKIE, NO. 1155 01:10:32,023 --> 01:10:33,650 IF THIS IS MY LIFE NOW, 1156 01:10:33,692 --> 01:10:35,694 I’VE GOT TO LEARN TO HANDLE SOMETHING ON MY OWN. 1157 01:10:35,735 --> 01:10:36,778 YOU CAN’T KEEP BAILING ME OUT. 1158 01:10:38,780 --> 01:10:41,825 [SIGHS] ALL RIGHT. 1159 01:10:41,866 --> 01:10:44,494 HE’LL BE AT THE CORNER TABLE, 1160 01:10:44,536 --> 01:10:46,746 PROBABLY ON THE PHONE, WHACKING SOMEBODY LONG DISTANCE. 1161 01:10:50,000 --> 01:10:51,584 THANK YOU. 1162 01:10:51,626 --> 01:10:57,340 * LOVE’S GOT A HOLD ON ME * 1163 01:10:57,382 --> 01:10:59,467 * LOVE, SWEET LOVE * 1164 01:10:59,509 --> 01:11:02,387 * GOT A HOLD ON ME... * 1165 01:11:02,429 --> 01:11:03,680 AH, JENNIFER! 1166 01:11:03,722 --> 01:11:05,306 THE RING, THE RING. 1167 01:11:07,642 --> 01:11:08,727 [METAL CLINKS] 1168 01:11:08,768 --> 01:11:10,854 * LOVE, SWEET LOVE * 1169 01:11:10,895 --> 01:11:13,606 * GOT A HOLD ON ME. * 1170 01:11:13,648 --> 01:11:15,567 THE BOSS SAYS YOU NEED A ROPE. 1171 01:11:20,405 --> 01:11:22,991 ["MAMBO ITALIANO" PLAYING] 1172 01:11:35,503 --> 01:11:36,963 [RECORD SCRATCHES] 1173 01:11:37,005 --> 01:11:38,840 [INSTRUMENTAL SONG PLAYING] 1174 01:11:41,176 --> 01:11:43,011 GET HER OVER HERE! 1175 01:11:50,393 --> 01:11:53,688 THERE’S SOMEONE AT MY TABLE THAT WOULD REALLY LIKE TO MEET YOU. 1176 01:11:53,730 --> 01:11:55,607 MAYBE THAT "SOMEONE" SHOULD HAVE THE MANNERS 1177 01:11:55,648 --> 01:11:57,484 TO COME OVER HERE AND INTRODUCE HIMSELF. 1178 01:11:57,525 --> 01:11:58,943 DON’T BE A FUCKING IDIOT. 1179 01:11:58,985 --> 01:12:01,946 SIMPLE. DIRECT. I LIKE THAT IN A MAN. 1180 01:12:11,831 --> 01:12:13,750 SO, DO I KNOW YOU? 1181 01:12:13,792 --> 01:12:17,087 - SHE’S ANGELO’S. - WAS. 1182 01:12:17,128 --> 01:12:19,964 SO NOW YOU’VE COME OVER TO THE A-TEAM. 1183 01:12:20,006 --> 01:12:24,928 YOU DON’T EXACTLY LOOK BEREFT WITH GRIEF AND WHATNOT. 1184 01:12:24,969 --> 01:12:27,889 - HE WAS OLD. - WHAT AM I? 1185 01:12:27,931 --> 01:12:29,391 SPRINGTIME? 1186 01:12:29,432 --> 01:12:32,560 - MAYBE YOU’RE DIFFERENT. - MAYBE. 1187 01:12:39,567 --> 01:12:41,111 WHERE THE HELL DO YOU THINK YOU’RE GOING? 1188 01:12:41,152 --> 01:12:43,488 YOU’RE FANTASTIC. 1189 01:12:47,534 --> 01:12:49,077 [GASPING] 1190 01:12:49,119 --> 01:12:51,663 WHAT’S THE MATTER WITH HIM? WHAT’S GOING ON? 1191 01:12:51,705 --> 01:12:53,832 - GODDAMN TICKER. - TICKER?! 1192 01:12:53,873 --> 01:12:55,583 - CALL THE AMBULANCE. - LET ME HELP. 1193 01:12:55,625 --> 01:12:59,045 CALL A DOCTOR. DON’T HELP SO MUCH! 1194 01:12:59,087 --> 01:13:00,088 [CHOKING] 1195 01:13:10,098 --> 01:13:12,559 YOU’RE AN ANGEL. MY GOOD LUCK PIECE. 1196 01:13:12,600 --> 01:13:13,935 YOU SHOULDN’T TALK. REST. 1197 01:13:13,977 --> 01:13:16,646 BRUNO, SHUT UP. 1198 01:13:16,688 --> 01:13:17,897 SHE COMES WITH ME. 1199 01:13:23,278 --> 01:13:25,113 [SIREN BLARING] 1200 01:13:31,286 --> 01:13:32,537 I KEEP TELLING YOU-- 1201 01:13:32,579 --> 01:13:34,247 I DON’T NEED THIS SHIT! 1202 01:13:34,289 --> 01:13:36,249 I’M FINE. 1203 01:13:36,291 --> 01:13:38,877 I’M FINE. JUST FINE. 1204 01:13:38,918 --> 01:13:41,046 - YOU’LL SEE. - I’LL SEE? 1205 01:13:41,087 --> 01:13:43,923 GET ME A PRIEST. 1206 01:13:43,965 --> 01:13:45,633 YOU GOTTA STOP SO WE CAN GET OURSELVES A PRIEST. 1207 01:13:45,675 --> 01:13:47,093 WHAT DO YOU NEED A PRIEST FOR? 1208 01:13:47,135 --> 01:13:50,472 YOU-- SIT THERE AND FIX YOUR HAIR, ALL RIGHT? RELAX. 1209 01:13:50,513 --> 01:13:53,058 YOU’LL BE FINE. YOUR BIG NIGHT’S COMING. 1210 01:13:53,099 --> 01:13:55,727 HAIL MARY, FULL OF GRACE. 1211 01:13:55,769 --> 01:13:57,896 IS ANYONE THERE? 1212 01:13:57,937 --> 01:13:59,814 ANYONE? 1213 01:13:59,856 --> 01:14:02,275 COULD YOU PLEASE GET THESE GOONS OFF MY BACK? PLEASE, PLEASE? 1214 01:14:02,317 --> 01:14:05,028 AMEN. AMEN. 1215 01:14:10,742 --> 01:14:13,119 THIS IS FOR LAST RITES, I PRESUME. 1216 01:14:13,161 --> 01:14:15,872 FATHER, RELAX. IT’S LUCIO’S LITTLE FANTASY. 1217 01:14:15,914 --> 01:14:18,792 HE LIKES PRETENDING HE’S MARRIED TO ALL HIS BIMBOS. 1218 01:14:18,833 --> 01:14:21,544 JENNIFER? 1219 01:14:21,586 --> 01:14:23,797 JENNIFER? 1220 01:14:23,838 --> 01:14:26,800 MY HEART AIN’T NO FINE-TUNED WATCH, 1221 01:14:26,841 --> 01:14:28,802 BUT WHAT THE HELL?! 1222 01:14:28,843 --> 01:14:31,304 I WANT TO GO OUT SPECIAL. 1223 01:14:31,346 --> 01:14:33,014 LIKE, MARRIED TO YOU. 1224 01:14:33,056 --> 01:14:35,308 B-BUT I AM MARRIED. 1225 01:14:35,350 --> 01:14:38,144 - DON’T GO GETTING TECHNICAL. - BUT I’M MARRIED! 1226 01:14:38,186 --> 01:14:40,271 THE CHURCH CANNOT ALLOW-- 1227 01:14:40,313 --> 01:14:43,024 FATHER, YOU’LL PULL SOME STRINGS, RIGHT? 1228 01:14:43,066 --> 01:14:47,070 THE CHURCH CANNOT ALLOW SUCH A LOVE SO PURE TO GO... 1229 01:14:47,112 --> 01:14:49,656 I’M AN OLD MAN WITH A COUPLE MONTHS TO LIVE. 1230 01:14:49,698 --> 01:14:52,826 HERE’S A YOUNG BROAD ON THE MAKE, SO WHAT THE HELL? 1231 01:14:52,867 --> 01:14:55,161 LOVE, LIKE ALL THINGS FINE AND TRUE, 1232 01:14:55,203 --> 01:14:57,163 TAKES TIME TO BLOSSOM AND BLOOM. 1233 01:14:57,205 --> 01:14:59,833 BLOW ME WITH THE BLOSSOMING AND THE BLOOMING. 1234 01:14:59,874 --> 01:15:02,794 - DO IT. - YOU ARE MAN AND WIFE. KISS THE BRIDE. 1235 01:15:04,087 --> 01:15:05,046 YOU HEARD HIM. 1236 01:15:20,854 --> 01:15:22,313 EVERYTHING’S ALL RIGHT. 1237 01:15:22,355 --> 01:15:24,607 I GOT THE DOCTOR IN ONE ROOM AND THE BROAD IN THE OTHER. 1238 01:15:24,649 --> 01:15:25,567 CAREFUL WITH HIM! 1239 01:15:36,036 --> 01:15:37,203 WHAT THE HELL IS THIS? 1240 01:15:37,245 --> 01:15:38,872 IT’S YOUR WEDDING TROUSSEAU. PUT IT ON. 1241 01:15:45,962 --> 01:15:47,213 MOVE! 1242 01:15:48,673 --> 01:15:49,883 THANK YOU! 1243 01:15:49,924 --> 01:15:51,009 [BARKING] 1244 01:15:52,844 --> 01:15:55,055 FUCKING DOG. ALL HE DOES IS BARK. 1245 01:15:55,096 --> 01:15:56,723 HE’S BEEN BARKING ALL NIGHT LONG. 1246 01:16:02,937 --> 01:16:03,938 WHERE’S MY BRIDE? 1247 01:16:07,901 --> 01:16:09,194 [GROANS] 1248 01:16:09,235 --> 01:16:12,072 [BARKING] 1249 01:16:12,113 --> 01:16:14,366 SHUT UP. ALL YOU DO IS SIT AROUND AND BARK. 1250 01:16:14,407 --> 01:16:20,288 YOU’RE USELESS! 1251 01:16:20,330 --> 01:16:23,875 - GOON: TOO BAD, HUH? - WHILE THIS RETARD RE-SHUFFLES, 1252 01:16:23,917 --> 01:16:25,627 GO CHECK ON THE OLD MAN FOR ME? 1253 01:16:25,669 --> 01:16:28,380 WHY DO YOU CALL ME A RETARD FOR? 1254 01:16:28,421 --> 01:16:30,298 WHAT DID I DO TO YOU? I SPLIT CARDS, THAT’S ALL. 1255 01:16:30,340 --> 01:16:32,634 SPELL "ECCLESIASTICAL". 1256 01:16:32,676 --> 01:16:35,011 - "EX-SCLEES--" I-- - RETARDED. 1257 01:16:36,846 --> 01:16:40,225 "EX-SCLESIASTICAL?" WHAT IS THAT? 1258 01:16:40,266 --> 01:16:42,852 - EX-SCLESTIASTICAL. - STOP TALKING! 1259 01:16:42,894 --> 01:16:44,437 SOUNDS LIKE A RETARDED CHURCH TO ME. 1260 01:16:44,479 --> 01:16:49,109 WHERE ARE YOU, MY BELOVED? 1261 01:16:49,150 --> 01:16:50,860 THERE’S ONLY ME OUT HERE NOW. 1262 01:16:58,868 --> 01:17:01,162 LOOK AT YOU. 1263 01:17:01,204 --> 01:17:04,124 LIKE AN ANGEL, YOU ARE. 1264 01:17:04,165 --> 01:17:06,251 AND LOOK AT ME, LIKE SOME... 1265 01:17:06,292 --> 01:17:08,837 DRIED-UP PRUNE CREATURE. 1266 01:17:08,878 --> 01:17:12,674 OH, MI AMORE. 1267 01:17:17,137 --> 01:17:20,098 [MOANS] 1268 01:17:20,140 --> 01:17:22,809 BUT TONIGHT I’M COMING BACK FROM THE DEAD, 1269 01:17:22,851 --> 01:17:26,146 LIKE SOME MIGHTY OAK RISING OUT OF SOME DEAD JUNGLE. 1270 01:17:26,187 --> 01:17:29,190 BUT, ANGELFACE, 1271 01:17:29,232 --> 01:17:31,735 WE MUST GO SLOW. 1272 01:17:31,776 --> 01:17:33,486 VERY SLOW. 1273 01:17:33,528 --> 01:17:35,363 YOU KNOW? LIKE... 1274 01:17:35,405 --> 01:17:39,159 MOLTEN LAVA. 1275 01:17:39,200 --> 01:17:42,078 OH! 1276 01:17:42,120 --> 01:17:44,956 THERE’S A FEW MORE TUNES TO BE PLAYED ON THIS FLUTE. 1277 01:17:44,998 --> 01:17:50,128 BUT YOU MUST BE CAREFUL OF THE TICKER. 1278 01:17:50,170 --> 01:17:53,757 TIME TO MOUNT THE BALONEY PONY. 1279 01:17:59,179 --> 01:18:01,389 [MONITOR BEEPS FASTER] 1280 01:18:10,106 --> 01:18:11,733 [GRUNTS] 1281 01:18:17,238 --> 01:18:20,200 [CONSTANT TONE] 1282 01:18:20,241 --> 01:18:22,285 BRUNO: THANKS A LOT FOR THE LAST ONE. 1283 01:18:22,327 --> 01:18:23,745 LET’S PLAY "CHASE THE BITCH." 1284 01:18:23,787 --> 01:18:24,913 WE’RE PLAYING A DIFFERENT GAME. 1285 01:18:24,954 --> 01:18:26,790 I KNOW HOW TO PLAY "CHASE THE BITCH." 1286 01:18:26,831 --> 01:18:29,125 IS YOUR MOTHER IN THIS GAME? 1287 01:18:29,167 --> 01:18:30,919 - I GOT 400 OUT OF IT. - WHAT’RE YOU GONNA DO? 1288 01:18:33,963 --> 01:18:35,465 HEY! THE BROAD! 1289 01:18:35,507 --> 01:18:37,258 GET OFF YOUR ASS! 1290 01:18:37,300 --> 01:18:40,136 LET’S GO! LET’S GO! 1291 01:18:40,178 --> 01:18:42,514 [SCREAMING] 1292 01:18:44,974 --> 01:18:46,518 [GUNSHOTS] 1293 01:18:47,936 --> 01:18:50,313 OH, SHIT! 1294 01:18:50,355 --> 01:18:52,273 - [SNARLING] - HOLY SHIT! 1295 01:19:07,455 --> 01:19:09,791 - STUPID MUTT! - [GROWLING] 1296 01:19:09,833 --> 01:19:11,793 IT’S PAYBACK TIME! 1297 01:19:14,921 --> 01:19:17,007 - JENNIFER! COME ON! - FRANKIE?! 1298 01:19:17,048 --> 01:19:20,552 [GUNSHOT] 1299 01:19:20,593 --> 01:19:22,012 - [GLASS SHATTERS] - [SCREAMS] GO! 1300 01:19:26,099 --> 01:19:27,851 [GROANS] 1301 01:19:27,892 --> 01:19:30,103 - I DID IT! I DID IT! - DID WHAT? 1302 01:19:30,145 --> 01:19:32,272 - WHAT DID YOU DO? - I WHACKED MALATESTA! 1303 01:19:32,313 --> 01:19:34,357 - YOU DID-- NO, YOU DIDN’T! - I DID TOO. 1304 01:19:34,399 --> 01:19:36,901 - COME ON. - I DID TOO. HE LOOKED PRETTY DEAD. 1305 01:19:36,943 --> 01:19:39,320 - REALLY? HOW? - YOU WANT TO KNOW HOW? 1306 01:19:39,362 --> 01:19:40,488 I WASN’T THERE. I’M ASKING HOW. 1307 01:19:40,530 --> 01:19:43,825 I MARRIED HIM TO DEATH. 1308 01:19:45,493 --> 01:19:47,954 THAT’LL DO IT. 1309 01:19:47,996 --> 01:19:50,457 YEAH... 1310 01:19:50,498 --> 01:19:51,916 CHEERS. 1311 01:19:59,507 --> 01:20:02,260 IF I DON’T HAVE ANY MORE ENEMIES, 1312 01:20:02,302 --> 01:20:04,971 DOES THAT-- 1313 01:20:05,013 --> 01:20:08,600 DOES THAT MEAN YOU WON’T BE AROUND? 1314 01:20:08,641 --> 01:20:11,061 - SURELY I MUST STILL BE IN-- - GRAVE DANGER? 1315 01:20:11,102 --> 01:20:14,314 YEAH, THERE’S STILL A FEW BAD GUYS HANGING AROUND. 1316 01:20:14,356 --> 01:20:16,566 [PHONE RINGING] 1317 01:20:20,362 --> 01:20:21,613 I THINK IT’S RAWLEY. 1318 01:20:21,654 --> 01:20:23,531 - I’LL GET IT. - HE MISSES ME. 1319 01:20:32,207 --> 01:20:35,585 HELLO? OH! 1320 01:20:35,627 --> 01:20:38,880 OH, MARCELLO, I FORGOT. 1321 01:20:38,922 --> 01:20:40,131 NO, IT’S NOT TOO LATE. 1322 01:20:40,173 --> 01:20:41,508 IT’S NOT. 1323 01:20:46,096 --> 01:20:47,639 YES, TOMORROW WOULD BE ALL RIGHT. 1324 01:20:54,979 --> 01:20:59,401 * ARE YOU STILL MAD AT ME? * 1325 01:20:59,442 --> 01:21:03,947 * SHOULD I BE DOWN ON US? * 1326 01:21:03,988 --> 01:21:08,576 * AND WHAT IF I FOOLISHLY SAY-- * 1327 01:21:08,618 --> 01:21:13,039 * SAY I’VE HAD ENOUGH? 1328 01:21:13,081 --> 01:21:17,210 * AND WHEN THE TALK IS OVER AND-- * 1329 01:21:17,252 --> 01:21:18,545 [NO AUDIBLE DIALOGUE] 1330 01:21:18,586 --> 01:21:22,298 * ALL THE WORDS HAVE TURNED GRAY * 1331 01:21:22,340 --> 01:21:26,511 * THAT’S WHEN MY MIXED EMOTIONS JUST-- * 1332 01:21:26,553 --> 01:21:31,057 * JUST WON’T GO AWAY 1333 01:21:31,099 --> 01:21:34,978 * SO WE STAND SHOULDER TO SHOULDER * 1334 01:21:35,020 --> 01:21:39,649 * WITH EVERYTHING TO LOSE 1335 01:21:39,691 --> 01:21:44,070 * IF WE BOTH COULD CHOOSE * 1336 01:21:44,112 --> 01:21:49,617 * WE’D COUNT OUR WORLD DOWN * 1337 01:21:49,659 --> 01:21:53,371 * I’LL DO WHATEVER IT TAKES * 1338 01:21:53,413 --> 01:21:58,418 * JUST GIVE ME THAT WORLD BACK * 1339 01:21:58,460 --> 01:22:03,089 * YOU PROMISED ME AND I’LL TELL YOU STRAIGHT * 1340 01:22:03,131 --> 01:22:05,091 * YOU’RE THE ONLY ONE 1341 01:22:05,133 --> 01:22:10,221 * WE’D COUNT OUR WORLD BACK * 1342 01:22:10,263 --> 01:22:13,767 * I’LL DO WHATEVER IT TAKES * 1343 01:22:13,808 --> 01:22:18,772 * JUST GIVE ME THAT WORLD BACK * 1344 01:22:18,813 --> 01:22:24,069 * YOU PROMISED ME AND I’LL TELL YOU STRAIGHT * 1345 01:22:24,110 --> 01:22:27,322 * YOU’RE THE ONLY ONE. 1346 01:22:46,508 --> 01:22:48,343 HOW ARE YOU DOING, BRUNO? 1347 01:22:48,385 --> 01:22:51,638 WANT TO KNOW WHAT THE OLD MAN’S LAST WORDS WERE? 1348 01:22:51,680 --> 01:22:53,473 [MIMICKING ANGELO] "TRY THE CLAMS, 1349 01:22:53,515 --> 01:22:56,142 THEY’RE FABULOUS." 1350 01:22:56,184 --> 01:23:00,021 YOU GOT ANY LAST WORDS? 1351 01:23:00,063 --> 01:23:01,356 YOU EVER READ THIS BOOK? 1352 01:23:01,398 --> 01:23:03,733 HAVE I READ THAT BOOK? 1353 01:23:03,775 --> 01:23:05,694 NOT ONLY DOES THAT INSULT MY INTELLIGENCE, 1354 01:23:05,735 --> 01:23:07,570 IT INSULTS MY IGNORANCE. 1355 01:23:07,612 --> 01:23:09,489 WHY WOULD A MAN LIKE ME, 1356 01:23:09,531 --> 01:23:11,157 WHO HAPPENS TO LIKE HIMSELF, 1357 01:23:11,199 --> 01:23:14,327 BE CAUGHT DEAD READING A BIT OF BOY-TOY FLUFF LIKE THAT? 1358 01:23:14,369 --> 01:23:17,455 - BECAUSE IT’S A KILLER. - [MUFFLED GUNSHOT] 1359 01:23:19,541 --> 01:23:21,584 YOU HAVE A LOT OF ANGER IN YOU, BRUNO. 1360 01:23:48,820 --> 01:23:50,572 YOU’VE BEEN WORKING. 1361 01:23:50,613 --> 01:23:51,614 A LITTLE HOME IMPROVEMENT. 1362 01:23:53,616 --> 01:23:58,204 YOU’VE GOT... STUFF HERE. 1363 01:23:58,246 --> 01:23:59,247 HE GOT TO YOU, DIDN’T HE? 1364 01:24:20,727 --> 01:24:23,438 YOU OKAY? 1365 01:24:23,480 --> 01:24:26,441 IT WAS JUST DRINKS. 1366 01:24:26,483 --> 01:24:27,609 IT’S NONE OF MY BUSINESS. 1367 01:24:27,650 --> 01:24:30,236 - I WASN’T ASKING THAT. - I KNOW. 1368 01:24:30,278 --> 01:24:32,822 BUT I KNOW YOU. 1369 01:24:32,864 --> 01:24:35,784 YOU KNOW ME. 1370 01:24:35,825 --> 01:24:39,245 MARCELLO ASKED ME TO GO TO SICILY WITH HIM. 1371 01:24:39,287 --> 01:24:41,122 SO, I GUESS YOU’RE... 1372 01:24:42,582 --> 01:24:45,293 GOING. 1373 01:24:45,335 --> 01:24:46,920 OF COURSE. 1374 01:24:46,961 --> 01:24:49,255 IT’S NO BIG DEAL OR ANYTHING. 1375 01:24:51,299 --> 01:24:52,592 WHAT ARE YOU AFRAID OF? 1376 01:24:55,720 --> 01:24:57,555 TELLING ME SOMETHING I WANT TO HEAR? 1377 01:24:57,597 --> 01:25:00,225 TELLING ME THAT I’M MORE THAN SOME OBLIGATION? 1378 01:25:00,266 --> 01:25:02,477 MAYBE I MEAN SOMETHING TO YOU? 1379 01:25:29,337 --> 01:25:30,714 [HORN HONKS] 1380 01:25:47,522 --> 01:25:50,316 MARCELLO’S VOICE: "I RAN AWAY AND NEVER RETURNED. 1381 01:25:50,358 --> 01:25:53,278 FROM THEN ON, I BECAME A KIND OF LEGEND 1382 01:25:53,319 --> 01:25:56,573 SURROUNDED BY A MYSTERY, FED ON ITSELF. 1383 01:25:56,614 --> 01:25:58,450 SOME PEOPLE THOUGHT I RAN DRUGS. 1384 01:25:58,491 --> 01:26:02,328 AND OTHERS SUSPECTED I BECAME A KILLER. 1385 01:26:02,370 --> 01:26:06,499 NONE OF THAT CAME CLOSE TO EXPLAINING WHAT HAPPENED. 1386 01:26:06,541 --> 01:26:08,460 I’M TALKING ABOUT THE KIND OF PAIN..." 1387 01:26:08,501 --> 01:26:12,505 "...THAT EATS AWAY AT YOU AND IT NEVER LEAVES." 1388 01:26:12,547 --> 01:26:15,717 I WANT YOU TO KNOW IT. 1389 01:26:15,759 --> 01:26:17,844 I WANT YOU TO FEEL IT. 1390 01:26:17,886 --> 01:26:21,306 ANGELO’S VOICE: WATCH OUT FOR THE ONE 1391 01:26:21,348 --> 01:26:24,559 WHO FEELS PAIN... 1392 01:26:24,601 --> 01:26:26,436 AND WANTS YOU TO KNOW IT. 1393 01:26:27,979 --> 01:26:29,230 CHECK! 1394 01:27:09,020 --> 01:27:10,772 [NO AUDIBLE DIALOGUE] 1395 01:27:57,777 --> 01:27:59,487 THIS IS MY MOTHER. 1396 01:28:03,825 --> 01:28:05,493 WE’RE IN THE OPERA HOUSE. 1397 01:28:07,495 --> 01:28:09,456 HAPPY? 1398 01:28:12,667 --> 01:28:15,462 MARCELLO? 1399 01:28:15,503 --> 01:28:18,631 I HAVE TO TELL YOU SOMETHING. 1400 01:28:18,673 --> 01:28:21,009 I’M NOT WHO I SAY I AM. 1401 01:28:21,051 --> 01:28:24,387 MY NAME IS NOT REALLY JENNIFER BARRETT. 1402 01:28:24,429 --> 01:28:26,806 I’M AN ALLIEGHIERI. 1403 01:28:26,848 --> 01:28:29,642 MY FATHER WAS A MAN NAMED ANGELO ALLIEGHIERI, 1404 01:28:29,684 --> 01:28:35,398 - AND HE... - I KNOW. 1405 01:28:35,440 --> 01:28:38,610 YOU KNOW? 1406 01:28:38,651 --> 01:28:41,029 AND DO YOU WANT TO KNOW WHO I AM? 1407 01:28:41,071 --> 01:28:42,989 I KNOW WHO YOU ARE, MARCELLO. 1408 01:28:43,031 --> 01:28:45,950 YOU HAVE NO FUCKING IDEA WHO I AM. 1409 01:28:48,078 --> 01:28:51,748 - WHAT? - YOUR FATHER, HE KILLED MY FATHER. 1410 01:28:51,790 --> 01:28:55,085 - MARCELLO, WHAT-- - CALL ME "GIANNI"... 1411 01:28:55,126 --> 01:28:56,378 SAMMY’S SON. 1412 01:28:56,419 --> 01:28:58,963 - SAMMY WHO? - SAMMY CARBONI. 1413 01:28:59,005 --> 01:29:01,925 ANGELO MURDERED HIM STANDING THERE UNARMED 1414 01:29:01,966 --> 01:29:04,469 WITH ONLY A GOLF CLUB IN HIS HANDS. 1415 01:29:04,511 --> 01:29:06,846 - SUCH A COWARD. - NO, YOU’RE MAKING A MISTAKE-- 1416 01:29:06,888 --> 01:29:09,516 ENOUGH! 1417 01:29:09,557 --> 01:29:12,394 WHAT YOUR FATHER DID, LIVES IN ME LIKE IT WAS YESTERDAY, 1418 01:29:12,435 --> 01:29:14,896 THAT PAIN HIDDEN AWAY. 1419 01:29:14,938 --> 01:29:16,856 GIANNI, OR "MARCELLO"-- 1420 01:29:16,898 --> 01:29:18,983 MARCELLO, WHAT A FREAKING STUPID NAME! 1421 01:29:19,025 --> 01:29:22,612 - I LIKE THAT NAME. - THOSE STUPID BOOKS? 1422 01:29:22,654 --> 01:29:24,197 I COULDN’T BELIEVE MY LUCK. 1423 01:29:24,239 --> 01:29:28,201 BUT THEN, BRUNO SAID YOU NEEDED YOUR "LITTLE FANTASIES." 1424 01:29:28,243 --> 01:29:30,870 BRUNO? 1425 01:29:30,912 --> 01:29:32,872 YOU KILLED MY FATHER AND NOT MALATESTA?! 1426 01:29:32,914 --> 01:29:36,042 JENNIFER, PLEASE, UNDERSTAND. 1427 01:29:36,084 --> 01:29:38,044 LA VENDETTA E TUTTO. 1428 01:29:38,086 --> 01:29:39,963 VENDETTA? 1429 01:29:40,005 --> 01:29:40,755 ENOUGH WITH ALL THAT! 1430 01:29:47,470 --> 01:29:49,556 - HEY, JENNIFER. - FIGLIO DI PUTTANA. 1431 01:29:49,597 --> 01:29:51,516 PARLI ITALIANO? 1432 01:29:51,558 --> 01:29:53,601 I HAD A GREAT TEACHER, AND RIGHT NOW I MISS HIM. 1433 01:29:53,643 --> 01:29:55,478 OF COURSE, FRANKIE. 1434 01:29:55,520 --> 01:29:57,564 SUCH A PAIN HE WAS. 1435 01:29:57,605 --> 01:29:59,899 IT HURT ME TO SEE YOU SO HAPPY WITH HIM. 1436 01:29:59,941 --> 01:30:04,612 JENNIFER, PLEASE UNDERSTAND. I MUST DO THIS. 1437 01:30:04,654 --> 01:30:06,489 MY ANCESTORS DEMAND OF ME. 1438 01:30:07,824 --> 01:30:10,035 [SNIFFING] BRUT? 1439 01:30:13,997 --> 01:30:14,998 [GUNSHOT] 1440 01:30:19,753 --> 01:30:20,962 - [GUNSHOT] - FRANKIE! 1441 01:30:43,526 --> 01:30:45,570 - HOW BAD IS IT? - IT’S ALL RIGHT. 1442 01:30:48,323 --> 01:30:50,200 THIS IS THE THEATER. 1443 01:30:50,241 --> 01:30:53,119 ANGELO WAS RIGHT. HE SAID I’D BE BACK SOME DAY. 1444 01:30:57,123 --> 01:30:59,501 YOU KNOW, WHEN I WAS A BOY WITH ANGELO, 1445 01:30:59,542 --> 01:31:01,836 I’D WATCH YOU. 1446 01:31:01,878 --> 01:31:04,130 ON SUMMER NIGHTS, I’D WATCH YOU 1447 01:31:04,172 --> 01:31:08,968 AND I’D MEMORIZE YOUR FACE IN THE MOONLIGHT. 1448 01:31:09,010 --> 01:31:11,930 I FELL IN LOVE WITH YOU THEN. 1449 01:31:11,971 --> 01:31:14,015 AND I GUESS I’M FALLING... STILL. 1450 01:31:15,266 --> 01:31:17,102 FRANKIE... 1451 01:31:17,143 --> 01:31:19,312 I LOVE YOU, SO DON’T YOU DO ANYTHING DUMB LIKE DIE ON ME 1452 01:31:19,354 --> 01:31:21,064 RIGHT AFTER YOU MADE AN ADMISSION LIKE THAT! 1453 01:31:21,106 --> 01:31:23,191 BECAUSE YOU SHOULD HAVE MADE IT A LONG TIME AGO! 1454 01:31:29,906 --> 01:31:30,865 FAIR ENOUGH. 1455 01:32:10,113 --> 01:32:11,990 FRANKIE’S VOICE: YOU KNOW, ANGELO USED TO SAY 1456 01:32:12,032 --> 01:32:14,868 THERE’S NEVER PERFECT PEOPLE, ONLY PERFECT MOMENTS. 1457 01:32:14,909 --> 01:32:17,704 AND, OF COURSE, HE WAS RIGHT BECAUSE I’M LIVING ONE OF THEM. 1458 01:32:17,746 --> 01:32:20,707 DOING SOMETHING I LOVE, IN A PLACE THAT I LOVE 1459 01:32:20,749 --> 01:32:23,168 WITH A NEW FAMILY THAT I LOVE. 1460 01:32:23,209 --> 01:32:26,713 GO AND GET FRANKIE FOR ME, WILL YOU? THANK YOU, RAWLEY. 1461 01:32:29,382 --> 01:32:33,261 FRANKIE! MOM SAYS YOU GOT TO GET PINK! WE GOT TO GO! 1462 01:32:33,303 --> 01:32:34,971 - OR ELSE! - WHOA! 1463 01:32:35,013 --> 01:32:38,016 SU, FRANKIE. ANDIAMO, ANDIAMO. A TARDI. 1464 01:32:38,058 --> 01:32:41,186 FRANKIE’S VOICE: NEEDLESS TO SAY, JENNIFER HAS FOUND HER ROOTS, 1465 01:32:41,227 --> 01:32:44,647 AND IS BECOMING MORE LIKE AN AUTHENTIC ITALIAN MOTHER EVERY DAY. 1466 01:32:44,689 --> 01:32:46,733 AND I’M ENJOYING BEING AROUND IT ALL. 1467 01:32:46,775 --> 01:32:49,110 AND WHY NOT? ISN’T LIVING BETTER THAN WATCHING? 1468 01:32:53,198 --> 01:32:57,243 SO, ANGELO, IF YOU’RE LISTENING, I HAVE TO APOLOGIZE. 1469 01:32:57,285 --> 01:32:59,621 I JUST COULDN’T KEEP THE DISTANCE ANYMORE. 1470 01:33:05,919 --> 01:33:09,714 * MY LIFE WAS GOING NOWHERE, TURN AROUND AND YOU WERE THERE * 1471 01:33:09,756 --> 01:33:14,803 * DRYING MY EYES * 1472 01:33:14,844 --> 01:33:16,846 * BEEN CALLED A FOOL AND THEN SOME * 1473 01:33:16,888 --> 01:33:22,769 * PLAYED THAT PART FOR SO LONG I MUST HAVE BEEN BLIND * 1474 01:33:22,811 --> 01:33:25,271 * BUT YOU SAID * 1475 01:33:25,313 --> 01:33:29,275 * DON’T BE AFRAID * 1476 01:33:29,317 --> 01:33:32,195 * TO LET IT GO * 1477 01:33:32,237 --> 01:33:36,866 * AND FLY * 1478 01:33:36,908 --> 01:33:41,162 * THAT’S WHEN MY HEART STARTED PLAYING WITH MY HEAD * 1479 01:33:41,204 --> 01:33:44,040 * MY INNER VOICE * 1480 01:33:44,082 --> 01:33:46,084 * KICKS ME OUT OF BED * 1481 01:33:46,126 --> 01:33:51,297 * THOUGHT YOU SHOULD KNOW HOW I FEEL INSIDE * 1482 01:33:51,339 --> 01:33:55,051 * OH, EVERY TIME I LOOK IN YOUR EYES * 1483 01:34:04,060 --> 01:34:05,979 * STOPPED GOING THROUGH THE MOTIONS * 1484 01:34:06,021 --> 01:34:08,898 * STARTED SHOWING MORE EMOTION * 1485 01:34:08,940 --> 01:34:12,360 * FOR THE LONG RIDE * 1486 01:34:12,402 --> 01:34:14,988 * AND YOU SAID "IF YOU WANT IT, COME AND GET IT * 1487 01:34:15,030 --> 01:34:18,158 * SO WE BOTH WON’T REGRET IT * 1488 01:34:18,199 --> 01:34:21,202 * FOR A LIFETIME" * 1489 01:34:21,244 --> 01:34:23,163 * AND I THOUGHT * 1490 01:34:23,204 --> 01:34:27,250 * "WHY SHOULD I BE AFRAID?" * 1491 01:34:27,292 --> 01:34:30,378 * I’LL JUST LET IT GO * 1492 01:34:30,420 --> 01:34:34,966 * AND FLY * 1493 01:34:35,008 --> 01:34:37,802 * THERE GOES MY HEART * 1494 01:34:37,844 --> 01:34:39,346 * PLAYING WITH MY HEAD * 1495 01:34:39,387 --> 01:34:42,349 * MY INNER VOICE * 1496 01:34:42,390 --> 01:34:44,225 * KICKS ME OUT OF BED * 1497 01:34:44,267 --> 01:34:50,106 * THOUGHT YOU SHOULD KNOW HOW I FEEL INSIDE * 1498 01:34:50,148 --> 01:34:53,360 * OH, EVERY TIME I LOOK IN YOUR EYES * 1499 01:34:55,570 --> 01:34:58,448 [INSTRUMENTAL BRIDGE] 1500 01:35:12,045 --> 01:35:16,299 * SO WHY SHOULD I BE AFRAID? * 1501 01:35:16,341 --> 01:35:18,802 * I’LL JUST LET IT GO... * 1502 01:35:22,138 --> 01:35:25,225 * AND FLY * 1503 01:35:25,266 --> 01:35:28,019 * THERE GOES MY HEART * 1504 01:35:28,061 --> 01:35:29,771 * PLAYING WITH MY HEAD * 1505 01:35:29,813 --> 01:35:32,399 * MY INNER VOICE * 1506 01:35:32,440 --> 01:35:34,401 * KICKS ME OUT OF BED * 1507 01:35:34,442 --> 01:35:40,115 * THOUGHT YOU SHOULD KNOW HOW I FEEL INSIDE * 1508 01:35:40,156 --> 01:35:45,161 * OH, EVERY TIME I LOOK IN YOUR EYES * 1509 01:35:45,203 --> 01:35:49,082 * EVERY TIME I LOOK * 1510 01:35:49,124 --> 01:35:52,961 * YEAH, EVERY TIME I LOOK IN YOUR EYES. * 1511 01:36:03,471 --> 01:36:07,517 [INSTRUMENTAL MUSIC PLAYING]