1
00:00:22,251 --> 00:00:25,530
MR. LUTHOR, WHAT CAN
I DO FOR YOU TODAY?

2
00:00:25,554 --> 00:00:27,803
I WANT TO CLOSE ALL MY ACCOUNTS.

3
00:00:27,827 --> 00:00:30,535
MAY I ASK WHY?

4
00:00:30,559 --> 00:00:32,569
IS THERE A PROBLEM?

5
00:00:32,593 --> 00:00:34,771
NO. NO, NO, NO, OF COURSE NOT.

6
00:00:34,795 --> 00:00:36,512
IT'S... IT'S JUST THAT

7
00:00:36,536 --> 00:00:39,576
THE LUTHORS HAVE BEEN
BANKING HERE FOR 12 YEARS.

8
00:00:39,600 --> 00:00:40,777
IT'S QUITE A SHOCK.

9
00:00:40,801 --> 00:00:44,152
I'D LIKE IT ALL IN CASH.

10
00:00:44,176 --> 00:00:48,127
WE'LL DO OUR BEST.

11
00:00:48,151 --> 00:00:51,060
CAN I GET YOUR SIGNATURE?

12
00:00:51,084 --> 00:00:52,515
CERTAINLY.

13
00:01:16,884 --> 00:01:18,561
MR. LUTHOR...

14
00:01:18,585 --> 00:01:22,697
MAY I SEE YOUR DRIVER'S
LICENSE, PLEASE?

15
00:01:22,721 --> 00:01:25,530
WHY?

16
00:01:25,554 --> 00:01:28,503
THIS SIGNATURE DOESN'T
MATCH OUR RECORDS.

17
00:01:28,527 --> 00:01:30,174
I-I JUST NEED TO
VERIFY YOUR I.D.

18
00:01:30,198 --> 00:01:32,177
I'M STANDING RIGHT
HERE IN FRONT OF YOU.

19
00:01:32,201 --> 00:01:33,438
WHAT MORE DO YOU NEED?

20
00:01:33,462 --> 00:01:35,711
I'M SORRY. IT'S BANK POLICY.

21
00:01:35,735 --> 00:01:39,746
I NEED THE MONEY NOW.

22
00:01:39,770 --> 00:01:42,650
FILL THE BAG.

23
00:01:42,674 --> 00:01:45,676
[ ALARM RINGING ]

24
00:01:53,787 --> 00:01:55,465
LEX, WHAT'S GOING ON?

25
00:01:55,489 --> 00:01:57,831
GET OUT OF THE WAY.

26
00:02:16,953 --> 00:02:20,658
[ DOOR OPENS, CLOSES ]

27
00:02:31,670 --> 00:02:33,679
TINA, WHERE DID YOU GET THIS?

28
00:02:33,703 --> 00:02:36,281
PROMISED I'D SOLVE
ALL OF OUR PROBLEMS.

29
00:02:36,305 --> 00:02:39,555
OH, PLEASE TELL ME YOU
DIDN'T ROB THE BANK YESTERDAY.

30
00:02:39,579 --> 00:02:41,981
I DIDN'T...

31
00:02:47,889 --> 00:02:50,627
LEX LUTHOR DID.

32
00:02:50,651 --> 00:02:52,631
S-STOP IT.

33
00:02:52,655 --> 00:02:54,973
STOP IT, TINA. YOU PROMISED
YOU WOULDN'T DO THAT ANYMORE.

34
00:02:54,997 --> 00:02:56,435
I DID IT FOR US.

35
00:02:56,459 --> 00:02:57,937
SOMEBODY COULD HAVE GOTTEN HURT.

36
00:02:57,961 --> 00:02:59,679
MOM, I'M FINE,

37
00:02:59,703 --> 00:03:01,681
AND NOW WE CAN AFFORD
TO HAVE THE PERFECT LIFE.

38
00:03:01,705 --> 00:03:03,483
TINA, NOBODY'S LIFE IS PERFECT.

39
00:03:03,507 --> 00:03:05,414
LANA'S IS.

40
00:03:05,438 --> 00:03:07,918
STEALING ISN'T THE WAY
TO SOLVE OUR PROBLEMS.

41
00:03:07,942 --> 00:03:10,752
I'M TAKING IT BACK. I'll SAY
I FOUND IT IN A DUMPSTER.

42
00:03:10,776 --> 00:03:13,425
NO, MOM. COME ON. WE
DESERVE TO BE HAPPY.

43
00:03:13,449 --> 00:03:14,855
[ BACKPACK RIPS ]

44
00:03:14,879 --> 00:03:15,981
AAH!

45
00:03:20,986 --> 00:03:23,490
MOM! MOM!

46
00:03:28,496 --> 00:03:29,897
NO.

47
00:03:44,514 --> 00:03:45,991
911 EMERGENCY.

48
00:03:46,015 --> 00:03:53,471
HELLO? HELLO, IS ANYONE THERE?

49
00:03:53,495 --> 00:03:54,872
UH, SORRY.

50
00:03:54,896 --> 00:03:56,899
IT'S NOTHING.

51
00:03:58,800 --> 00:04:05,884
♫ SOMEBODY SAVE ME ♫

52
00:04:05,908 --> 00:04:11,891
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

53
00:04:11,915 --> 00:04:14,825
♫ SOMEBODY SAVE ME ♫

54
00:04:14,849 --> 00:04:19,531
♫ I DON'T CARE HOW YOU DO IT ♫

55
00:04:19,555 --> 00:04:21,533
♫ JUST STAY ♫

56
00:04:21,557 --> 00:04:23,805
♫ STAY WITH ME ♫

57
00:04:23,829 --> 00:04:25,507
♫ STAY ♫

58
00:04:25,531 --> 00:04:27,079
♫ COME ON ♫

59
00:04:27,103 --> 00:04:31,014
♫ I'VE BEEN WAITING FOR YOU ♫

60
00:04:31,038 --> 00:04:34,018
♫ JUST STAY WITH ME ♫

61
00:04:34,042 --> 00:04:40,454
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

62
00:04:40,478 --> 00:04:42,627
♫ JUST STAY ♫

63
00:04:42,651 --> 00:04:45,000
♫ STAY ♫

64
00:04:45,024 --> 00:04:48,488
♫ COME ON ♫

65
00:04:53,834 --> 00:04:55,341
THIS IS INCREDIBLE.

66
00:04:55,365 --> 00:04:57,774
WHY WOULD LEX LUTHOR
NEED TO ROB A BANK?

67
00:04:57,798 --> 00:05:00,678
I'VE SEEN SOME PRETTY
STRANGE THINGS IN MY DAY,

68
00:05:00,702 --> 00:05:02,680
BUT THIS DEFINITELY
TAKES THE CAKE.

69
00:05:02,704 --> 00:05:03,752
WELL, ALMOST.

70
00:05:03,776 --> 00:05:05,584
HE GOT AWAY WITH $100,000.

71
00:05:05,608 --> 00:05:07,456
I KNOW LEX. IT WASN'T HIM.

72
00:05:07,480 --> 00:05:08,988
CLARK, I KNOW THAT
HE'S A FRIEND OF YOURS,

73
00:05:09,012 --> 00:05:11,360
BUT COME ON... YOU SAW
HIM WITH YOUR OWN EYES.

74
00:05:11,384 --> 00:05:12,932
I DON'T KNOW WHAT I SAW.

75
00:05:12,956 --> 00:05:14,935
THERE MUST BE SOME KIND
OF REASONABLE EXPLANATION

76
00:05:14,959 --> 00:05:16,536
FOR THIS, I HOPE.

77
00:05:16,560 --> 00:05:19,800
ME TOO. I HATE TO
THINK I HAVE AN EVIL TWIN.

78
00:05:19,824 --> 00:05:22,803
LEX, WE DIDN'T HEAR YOU PULL UP.

79
00:05:22,827 --> 00:05:25,476
MAY I COME IN? I PROMISE
I'M NOT PACKING HEAT.

80
00:05:25,500 --> 00:05:27,750
LEX, HOW COME
YOU'RE NOT IN JAIL?

81
00:05:27,774 --> 00:05:29,812
BECAUSE I WAS
HOSTING A RECEPTION

82
00:05:29,836 --> 00:05:32,485
FOR 200 FERTILIZER
DISTRIBUTORS IN METROPOLIS

83
00:05:32,509 --> 00:05:33,987
AT THE TIME OF THE ROBBERY.

84
00:05:34,011 --> 00:05:35,759
THE POLICE HAVE ANY LEADS?

85
00:05:35,783 --> 00:05:37,961
NONE. THAT'S WHY I WANTED
TO TALK TO YOU, CLARK.

86
00:05:37,985 --> 00:05:39,824
YOUR NAME WAS
ON THE WITNESS LIST.

87
00:05:39,848 --> 00:05:41,665
DID YOU ACTUALLY
SEE THIS PERSON?

88
00:05:41,689 --> 00:05:43,127
YEAH, HE LOOKED JUST LIKE YOU.

89
00:05:43,151 --> 00:05:45,870
EXCEPT HIS FINGERPRINTS
AND SIGNATURE DIDN'T MATCH.

90
00:05:45,894 --> 00:05:48,973
YOU SURE YOUR EYES WEREN'T
PLAYING TRICKS ON YOU?

91
00:05:48,997 --> 00:05:50,836
WHAT'S GOING TO HAPPEN NOW?

92
00:05:50,860 --> 00:05:53,079
HOPEFULLY, THE
MONEY WILL TURN UP.

93
00:05:53,103 --> 00:05:55,942
IN THE MEANTIME, THE
TABLOIDS WILL HAVE A FIELD DAY

94
00:05:55,966 --> 00:05:58,646
AND I'M SURE CERTAIN
PEOPLE'S OPINIONS OF ME

95
00:05:58,670 --> 00:06:00,648
WILL BE CEMENTED IN STONE.

96
00:06:00,672 --> 00:06:02,012
I GOT TO GET TO WORK.

97
00:06:05,076 --> 00:06:07,925
I'M SORRY YOU GOT THROWN
THROUGH THAT WINDOW.

98
00:06:07,949 --> 00:06:10,629
I PROMISE I'M NOT A
CRIMINAL MASTERMIND.

99
00:06:10,653 --> 00:06:14,557
I KNOW. A CRIMINAL MASTERMIND
WOULD HAVE WORN A MASK.

100
00:06:22,137 --> 00:06:24,745
Man: COME ON. MOVE
IT. THAT'S THE STUFF.

101
00:06:24,769 --> 00:06:27,579
COME ON. YOU CAN DO IT.
HUSTLE, HUSTLE, HUSTLE.

102
00:06:27,603 --> 00:06:30,081
GET ON UP THERE. GET ON
UP THERE. YOU CAN DO IT.

103
00:06:30,105 --> 00:06:33,685
THAT'S THE STUFF.
LET'S GO. COME ON.

104
00:06:33,709 --> 00:06:35,959
GET ON UP THAT ROPE.

105
00:06:35,983 --> 00:06:38,115
LET'S GO. HUSTLE,
HUSTLE, HUSTLE.

106
00:06:42,120 --> 00:06:45,740
KEEP YOUR EYES
IN YOUR HEAD, MAN.

107
00:06:45,764 --> 00:06:49,745
KENT, ARE WE BORING YOU?

108
00:06:49,769 --> 00:06:53,007
I'M SORRY. IT'S...
MY HEAD HURTS.

109
00:06:53,031 --> 00:06:54,880
THAT'S BECAUSE YOU NEED
TO GET SOME BLOOD PUMPING.

110
00:06:54,904 --> 00:06:57,113
COME ON. YOU AND ROSS ARE
NEXT. COME ON DOWN, BOYS.

111
00:06:57,137 --> 00:06:59,786
COME ON. PUT A
LITTLE MUSCLE INTO IT.

112
00:06:59,810 --> 00:07:01,858
IF ROSS BEATS YOU, IT'S 10 LAPS.

113
00:07:01,882 --> 00:07:04,762
COME ON, CLARK. LET'S
GO. MOVE IT. MOVE IT.

114
00:07:04,786 --> 00:07:07,048
LOOKS LIKE SOMEONE'S DOING LAPS.

115
00:07:11,093 --> 00:07:16,805
CLARK, MAN, WHAT'S WRONG?

116
00:07:16,829 --> 00:07:18,637
CLARK!

117
00:07:18,661 --> 00:07:20,911
WHOA! KENT, ARE YOU ALL RIGHT?

118
00:07:20,935 --> 00:07:22,737
WHAT HAPPENED UP THERE?

119
00:07:47,966 --> 00:07:50,774
SO, WHEN YOU HAVE THESE FLASHES,

120
00:07:50,798 --> 00:07:53,577
YOU CAN SEE THROUGH
ANYTHING... PEOPLE, OBJECTS?

121
00:07:53,601 --> 00:07:54,819
SOMETIMES I CAN
SEE THROUGH THINGS.

122
00:07:54,843 --> 00:07:56,120
OTHER TIMES, IT'S LIKE AN X-RAY.

123
00:07:56,144 --> 00:07:58,084
AND THERE'S NO WARNING?
THIS JUST HAPPENS?

124
00:07:58,108 --> 00:07:59,956
WELL, I GET A HEADACHE
AND THEN IT HITS ME.

125
00:07:59,980 --> 00:08:01,788
I MEAN, THE FIRST TIME I
THOUGHT I WAS HALLUCINATING

126
00:08:01,812 --> 00:08:03,160
AND THEN IT HAPPENED AGAIN.

127
00:08:03,184 --> 00:08:05,661
CLARK, I'M SURE THERE'S
SOME WAY TO CONTROL THIS.

128
00:08:05,685 --> 00:08:07,795
YOU GUYS, I CAN
SEE THROUGH THINGS.

129
00:08:07,819 --> 00:08:09,266
HOW DO YOU CONTROL THAT?

130
00:08:09,290 --> 00:08:10,738
YOU GOT TO PRACTICE, CLARK.

131
00:08:10,762 --> 00:08:12,740
YOUR EYES HAVE MUSCLES,
JUST LIKE YOUR LEGS.

132
00:08:12,764 --> 00:08:14,572
YOUR MOM IS RIGHT, SON.

133
00:08:14,596 --> 00:08:16,904
LOOK, ALL YOU HAVE TO DO IS
YOU HAVE TO FIGURE OUT A WAY

134
00:08:16,928 --> 00:08:18,606
TO, UH, CONDITION THEM

135
00:08:18,630 --> 00:08:20,709
SO THAT YOU DON'T GET
THESE RANDOM FLASHES.

136
00:08:20,733 --> 00:08:24,608
THAT SOUNDS GREAT. HOW
AM I GOING TO DO THAT?

137
00:08:26,680 --> 00:08:28,619
[ DOOR OPENS ]

138
00:08:28,643 --> 00:08:31,021
[ DOOR CLOSES ]

139
00:08:31,045 --> 00:08:33,094
LANA, YOU HAVE A VISITOR.

140
00:08:33,118 --> 00:08:34,666
HEY, LANA.

141
00:08:34,690 --> 00:08:37,068
TINA, I DIDN'T SEE
YOU AT SCHOOL TODAY.

142
00:08:37,092 --> 00:08:38,730
IS EVERYTHING OKAY?

143
00:08:38,754 --> 00:08:41,933
YEAH. MY MOM'S NOT FEELING WELL,

144
00:08:41,957 --> 00:08:44,106
BUT SHE'S BETTER, SO...

145
00:08:44,130 --> 00:08:46,078
SO YOU QUIT CHEERLEADING

146
00:08:46,102 --> 00:08:49,043
AND NELL BANISHES
YOU TO THE GARAGE?

147
00:08:49,067 --> 00:08:52,046
SHE'S GOT CLUTTER ISSUES. I'M
TRYING TO HELP RESOLVE THEM.

148
00:08:52,070 --> 00:08:54,948
HAS SHE FORGIVEN YOU
FOR QUITTING THE SQUAD?

149
00:08:54,972 --> 00:08:56,620
NOT YET.

150
00:08:56,644 --> 00:08:58,693
WELL, AT LEAST NOW
YOU HAVE SOME MORE TIME

151
00:08:58,717 --> 00:09:00,024
FOR YOUR UNPOPULAR FRIENDS.

152
00:09:00,048 --> 00:09:02,727
TINA, YOU'RE NOT UNPOPULAR.

153
00:09:02,751 --> 00:09:05,402
BESIDES, WHAT
HAPPENED TO THE GIRL

154
00:09:05,426 --> 00:09:08,264
WHO DIDN'T CARE WHAT
PEOPLE THOUGHT ABOUT HER?

155
00:09:08,288 --> 00:09:10,707
SHE WENT TO HIGH SCHOOL.

156
00:09:10,731 --> 00:09:14,711
AT LEAST YOUR MOM
DOESN'T TRY TO RUN YOUR LIFE.

157
00:09:14,735 --> 00:09:17,846
YOU KNOW, YOU'RE LUCKY
THAT NELL CARES ABOUT YOU.

158
00:09:17,870 --> 00:09:20,948
I MEAN, IF SOMETHING
WERE TO HAPPEN TO MY MOM,

159
00:09:20,972 --> 00:09:23,322
I DON'T KNOW ANYBODY
THAT WOULD TAKE ME IN.

160
00:09:23,346 --> 00:09:25,985
I'D PROBABLY BE SHIPPED OFF
TO A FOSTER HOME OR SOMETHING.

161
00:09:26,009 --> 00:09:28,859
THANKS FOR THAT BURST OF CHEER.

162
00:09:28,883 --> 00:09:30,990
WELL, WHAT DO YOU
WANT ME TO SAY?

163
00:09:31,014 --> 00:09:32,832
YOU HAVE THE PERFECT LIFE.

164
00:09:32,856 --> 00:09:35,736
YOU WANT IT? YOU CAN HAVE IT.

165
00:09:35,760 --> 00:09:37,863
I'D SETTLE FOR THE OUTFIT.

166
00:09:40,025 --> 00:09:43,445
WOULDN'T IT BE COOL
IF WE WERE SISTERS?

167
00:09:43,469 --> 00:09:45,977
IF ANYTHING HAPPENED TO MY MOM,

168
00:09:46,001 --> 00:09:48,951
DO YOU THINK THAT
NELL WOULD ADOPT ME?

169
00:09:48,975 --> 00:09:51,908
TINA, NOTHING'S GOING
TO HAPPEN TO YOUR MOM.

170
00:10:27,921 --> 00:10:29,828
DID IT HAPPEN AGAIN?

171
00:10:29,852 --> 00:10:31,961
LET'S... LET'S GO HOME.

172
00:10:31,985 --> 00:10:33,462
I'M OKAY.

173
00:10:33,486 --> 00:10:37,091
DIDN'T YOU NEED TO GO
TO THE ANTIQUE STORE?

174
00:10:40,095 --> 00:10:42,096
HELLO?

175
00:10:46,072 --> 00:10:47,820
MRS. KENT, I-I MEAN, MARTHA.

176
00:10:47,844 --> 00:10:48,821
HOW ARE YOU?

177
00:10:48,845 --> 00:10:50,022
GOOD. HOW'S BUSINESS?

178
00:10:50,046 --> 00:10:51,453
COULDN'T BE BETTER.

179
00:10:51,477 --> 00:10:53,927
I'M DOING SO MANY ESTATE
SALES IN METROPOLIS,

180
00:10:53,951 --> 00:10:55,458
I'M THINKING OF
SELLING THE PLACE.

181
00:10:55,482 --> 00:10:58,162
THAT WOULD BE A SHAME. I
THOUGHT YOU LOVED THE STORE.

182
00:10:58,186 --> 00:11:00,465
NOT REALLY. I NEVER
WANTED THIS LIFE.

183
00:11:00,489 --> 00:11:02,197
IT JUST KIND OF HAPPENED.

184
00:11:02,221 --> 00:11:04,099
IS TINA AROUND? I
THOUGHT I SAW HER COME IN.

185
00:11:04,123 --> 00:11:07,101
UH, SHE'S AT LANA'S. THEY'RE
INSEPARABLE THESE DAYS.

186
00:11:07,125 --> 00:11:09,174
REALLY? I COULD'VE SWORN THAT...

187
00:11:09,198 --> 00:11:11,407
YOU MUST BE SEEING THINGS.

188
00:11:11,431 --> 00:11:15,981
I NEED SOME AIR. I'M
GOING TO GO FOR A WALK.

189
00:11:16,005 --> 00:11:18,254
I CAME BY TO PICK UP THE LAMP.

190
00:11:18,278 --> 00:11:19,956
LAMP?

191
00:11:19,980 --> 00:11:22,419
THE ONE YOU WERE
RESTORING FOR JONATHAN.

192
00:11:22,443 --> 00:11:25,547
OH, YES. SILLY ME.
IT'S IN THE BACK.

193
00:11:48,244 --> 00:11:51,493
IT'S NOT QUITE READY. IT'S...

194
00:11:51,517 --> 00:11:54,356
I FOUND THIS UNDER THE CHEST.

195
00:11:54,380 --> 00:11:58,030
I'M SUCH AN AIRHEAD.

196
00:11:58,054 --> 00:11:59,302
A CLIENT PAID ME IN CASH.

197
00:11:59,326 --> 00:12:01,404
I'VE BEEN LOOKING
FOR THIS ALL DAY.

198
00:12:01,428 --> 00:12:04,107
THAT'S A LOT OF MONEY.
YOU SHOULD BE CAREFUL.

199
00:12:04,131 --> 00:12:05,239
THANKS.

200
00:12:05,263 --> 00:12:07,142
WHY DON'T YOU STOP BY NEXT WEEK?

201
00:12:07,166 --> 00:12:08,998
IT'LL BE READY THEN.

202
00:12:12,501 --> 00:12:15,181
UH, MRS. KENT, YOU
FORGOT YOUR PURSE.

203
00:12:15,205 --> 00:12:19,085
OH, LOOKS LIKE WE'RE
BOTH AIRHEADS TODAY.

204
00:12:19,109 --> 00:12:20,387
HA HA.

205
00:12:20,411 --> 00:12:22,082
BYE.

206
00:12:49,114 --> 00:12:51,091
[ TIRES SCREECHING ]

207
00:12:51,115 --> 00:12:53,219
[ ENGINE REVS ]

208
00:12:59,125 --> 00:13:00,326
CLARK!

209
00:13:10,568 --> 00:13:13,347
MOM, ARE YOU ALL RIGHT?

210
00:13:13,371 --> 00:13:15,445
CLARK.

211
00:13:26,287 --> 00:13:28,134
POLICE FOUND THE TRUCK
ABANDONED OUT BY THE STEWART FARM.

212
00:13:28,158 --> 00:13:29,206
DID ANYBODY ELSE SEE THE DRIVER?

213
00:13:29,230 --> 00:13:30,467
NO.

214
00:13:30,491 --> 00:13:32,310
I COULD HAVE SWORN
IT WAS YOU, CLARK.

215
00:13:32,334 --> 00:13:34,572
I GUESS I'M NOT THE ONLY
ONE WITH A VISION PROBLEM.

216
00:13:34,596 --> 00:13:36,215
LOOK, I DON'T UNDERSTAND.

217
00:13:36,239 --> 00:13:38,246
WHOEVER IT WAS... HOW
DID THEY GET YOUR KEYS?

218
00:13:38,270 --> 00:13:41,421
I HAVE NO IDEA. I ONLY
WENT INTO THE ANTI...

219
00:13:41,445 --> 00:13:43,081
WHAT IS IT, MOM?

220
00:13:43,105 --> 00:13:44,583
NOTHING.

221
00:13:44,607 --> 00:13:47,187
IT'S JUST THAT ROSE GRIER
WAS ACTING VERY STRANGE.

222
00:13:47,211 --> 00:13:50,061
I FOUND $5,000 IN CASH
UNDER A DRESSER.

223
00:13:50,085 --> 00:13:53,134
IT HAD A SMALLVILLE
SAVINGS AND LOAN BAND ON IT.

224
00:13:53,158 --> 00:13:55,437
SHE SAID A CUSTOMER
PAID HER, BUT...

225
00:13:55,461 --> 00:13:57,599
YOU THINK IT'S FROM THE BANK
ROBBERY? IT CROSSED MY MIND.

226
00:13:57,623 --> 00:13:59,601
SO, WAIT A MINUTE...
ROSE TOOK YOUR KEYS,

227
00:13:59,625 --> 00:14:02,174
TURNED INTO CLARK, AND
THEN TRIED TO RUN YOU DOWN?

228
00:14:02,198 --> 00:14:04,076
YOU'RE RIGHT. IT'S CRAZY.

229
00:14:04,100 --> 00:14:05,548
I DON'T THINK SO.

230
00:14:05,572 --> 00:14:08,010
WHAT?

231
00:14:08,034 --> 00:14:10,583
I SAW A FLASH OF
TINA GRIER'S SKELETON.

232
00:14:10,607 --> 00:14:13,587
IT WAS WEIRD AND GREEN.
IT DIDN'T LOOK HUMAN...

233
00:14:13,611 --> 00:14:16,221
YOU KNOW, LIKE THE ONES
YOU SEE IN ANATOMY BOOKS?

234
00:14:16,245 --> 00:14:19,564
THAT'S PROBABLY BECAUSE TINA
WAS BORN WITH A SOFT-BONE DISEASE.

235
00:14:19,588 --> 00:14:23,198
THEY HAD THAT POOR GIRL ON
ALL THESE EXPERIMENTAL DRUGS.

236
00:14:23,222 --> 00:14:25,731
DOCTORS DIDN'T BELIEVE
SHE'D LIVE TO SEE FIRST GRADE.

237
00:14:25,755 --> 00:14:28,705
SHE DID GET BETTER RIGHT
AROUND HER 3rd BIRTHDAY.

238
00:14:28,729 --> 00:14:31,678
THAT WAS RIGHT AFTER THE
METEOR SHOWER, WASN'T IT?

239
00:14:31,702 --> 00:14:34,381
YEAH.

240
00:14:34,405 --> 00:14:37,115
CLARK, WHAT DO YOU
THINK TINA'S DOING?

241
00:14:37,139 --> 00:14:38,285
I DON'T KNOW.

242
00:14:38,309 --> 00:14:41,189
I SAW THE SAME
WEIRD SKELETON FLASH

243
00:14:41,213 --> 00:14:43,793
JUST AFTER THE ROBBERY, I THINK.

244
00:14:43,817 --> 00:14:46,625
I JUST WISH I COULD
CONTROL THIS.

245
00:14:46,649 --> 00:14:49,259
WHAT IF YOU TRY FOCUSING
IT... YOU KNOW, LIKE A TELESCOPE.

246
00:14:49,283 --> 00:14:54,328
YEAH, YOU COULD START
WITH SOMETHING SMALL.

247
00:14:56,431 --> 00:15:00,672
TRY TO TELL ME WHAT I
HAVE IN MY HAND RIGHT NOW.

248
00:15:00,696 --> 00:15:03,775
IT'S YOUR POCKET KNIFE.

249
00:15:03,799 --> 00:15:08,051
YOU COULD SEE THROUGH MY HAND.

250
00:15:08,075 --> 00:15:10,376
NO, YOU ALWAYS CARRY
YOUR KNIFE IN THAT POCKET.

251
00:16:16,222 --> 00:16:18,302
SWEETIE, WHAT'S WRONG?

252
00:16:18,326 --> 00:16:21,690
YOU LIED TO ME ABOUT MY MOTHER.

253
00:16:28,336 --> 00:16:30,375
[ CAR ALARM BEEPS ]

254
00:16:30,399 --> 00:16:31,746
MAY I HELP YOU?

255
00:16:31,770 --> 00:16:33,820
ROGER NIXON...
"METROPOLIS INQUISITOR."

256
00:16:33,844 --> 00:16:34,921
GET OFF MY CAR.

257
00:16:34,945 --> 00:16:36,883
THAT'S A HELL OF A PICTURE, LEX.

258
00:16:36,907 --> 00:16:39,326
YOU KNOW, IT REALLY
BOOSTED OUR SALES.

259
00:16:39,350 --> 00:16:42,289
I'VE READ COMIC BOOKS WITH
LESS FICTION THAN YOUR RAG.

260
00:16:42,313 --> 00:16:44,432
WELL, HOW ABOUT
THIS? IS THIS FICTION?

261
00:16:44,456 --> 00:16:46,935
IT'S YOUR JUVENILE RECORD...
FASCINATING READING.

262
00:16:46,959 --> 00:16:48,797
IT MUST HAVE TAKEN
A BRINK'S TRUCK

263
00:16:48,821 --> 00:16:51,200
OF YOUR DAD'S MONEY TO
KEEP ALL THOSE PEOPLE QUIET.

264
00:16:51,224 --> 00:16:52,441
THOSE RECORDS ARE SEALED.

265
00:16:52,465 --> 00:16:53,866
I'M A RESOURCEFUL GUY.

266
00:16:55,769 --> 00:16:57,407
YOU KNOW, I SAW THAT
PICTURE YESTERDAY

267
00:16:57,431 --> 00:16:59,379
AND IT GOT ME TO
THINKING OF A FOLLOW-UP...

268
00:16:59,403 --> 00:17:02,783
LEX LUTHOR'S WILD
YOUTH IN METROPOLIS.

269
00:17:02,807 --> 00:17:04,485
DOES THE NAME CLUB
ZERO RING A BELL?

270
00:17:04,509 --> 00:17:06,357
YOU PRINT ONE WORD
ABOUT THAT, I'll SUE.

271
00:17:06,381 --> 00:17:07,718
LAWSUITS TAKE YEARS.

272
00:17:07,742 --> 00:17:09,861
THE GENIE WILL BE
OUT OF THE BOTTLE

273
00:17:09,885 --> 00:17:11,964
AND ALL THE PEOPLE
WILL KNOW THAT

274
00:17:11,988 --> 00:17:15,328
THE NEW-AND-IMPROVED LEX
LUTHOR IS NOTHING BUT A FAçADE.

275
00:17:15,352 --> 00:17:17,229
YOU KNOW WHAT I THINK, ROG?

276
00:17:17,253 --> 00:17:18,972
IF YOU WANTED TO PRINT THAT,

277
00:17:18,996 --> 00:17:21,274
IT WOULD ALREADY
BE IN THE PAPER.

278
00:17:21,298 --> 00:17:23,937
I THINK YOU'RE
LOOKING FOR A PAYOFF.

279
00:17:23,961 --> 00:17:25,840
IT'S A BUSINESS PROPOSITION...

280
00:17:25,864 --> 00:17:28,944
$100,000 AND THESE RECORDS
WILL DISAPPEAR FOREVER.

281
00:17:28,968 --> 00:17:32,747
I'D QUESTION YOUR INTEGRITY,
BUT YOU'RE A JOURNALIST.

282
00:17:32,771 --> 00:17:34,991
YOUR FATHER REALLY THINK
HE CAN HIDE YOU HERE FOREVER?

283
00:17:35,015 --> 00:17:38,749
YOU GOT 24 HOURS AND
THIS HITS THE FRONT PAGE.

284
00:17:49,761 --> 00:17:51,469
LANA, I DIDN'T LIE TO YOU.

285
00:17:51,493 --> 00:17:54,773
I TOLD YOU YOUR MOTHER
WOULD HAVE BEEN PROUD OF YOU,

286
00:17:54,797 --> 00:17:55,975
AND SHE WOULD HAVE.

287
00:17:55,999 --> 00:17:58,348
SHE LOVED YOU.

288
00:17:58,372 --> 00:17:59,778
YOU TOLD ME A FAIRY TALE

289
00:17:59,802 --> 00:18:02,282
ABOUT A WOMAN WHO
LED THE PERFECT LIFE,

290
00:18:02,306 --> 00:18:03,754
BUT THAT LIFE WAS A LIE.

291
00:18:03,778 --> 00:18:05,956
YOU SAID SHE LOVED CHEERLEADING.

292
00:18:05,980 --> 00:18:08,258
SHE HATED IT BUT
WAS AFRAID TO QUIT.

293
00:18:08,282 --> 00:18:09,791
SHE DIDN'T EVEN WANT
TO STAY IN SMALLVILLE.

294
00:18:09,815 --> 00:18:11,562
SHE WANTED TO SEE THE WORLD.

295
00:18:11,586 --> 00:18:13,936
WHAT SHOULD I HAVE TOLD YOU...
YOUR MOTHER WAS UNHAPPY?

296
00:18:13,960 --> 00:18:15,838
I WOULD HAVE LIKED THE TRUTH.

297
00:18:15,862 --> 00:18:18,940
I TOLD YOU WHAT I
THOUGHT YOU COULD HANDLE.

298
00:18:18,964 --> 00:18:21,004
YOUR MOTHER WAS LIKE
ANY OTHER TEENAGER.

299
00:18:21,028 --> 00:18:22,775
SHE HAD HER UPS AND HER DOWNS.

300
00:18:22,799 --> 00:18:24,707
I FEEL LIKE I'VE
SPENT MY ENTIRE LIFE

301
00:18:24,731 --> 00:18:27,051
TRYING TO MEASURE UP TO A
LAURA LANG WHO DIDN'T EXIST.

302
00:18:27,075 --> 00:18:30,854
YOU'RE READING THE
DIARY OF A 17-YEAR-OLD GIRL.

303
00:18:30,878 --> 00:18:34,289
IT'S A SNAPSHOT. IT'S
ONE TIME IN HER LIFE.

304
00:18:34,313 --> 00:18:36,861
IT'S LIKE I WROTE THIS MYSELF.

305
00:18:36,885 --> 00:18:39,764
THE TRUTH IS YOUR
MOTHER WAS THE BRIGHTEST,

306
00:18:39,788 --> 00:18:41,967
MOST BEAUTIFUL
GIRL IN HER CLASS.

307
00:18:41,991 --> 00:18:45,702
DO YOU KNOW SHE WAS PICKED
TO GIVE THE GRADUATION SPEECH?

308
00:18:45,726 --> 00:18:48,876
I GUESS THE DIARY ENDED
BEFORE THAT HAPPENED.

309
00:18:48,900 --> 00:18:51,879
YOU SHOULD HAVE HEARD THE
SPEECH SHE GAVE THAT DAY.

310
00:18:51,903 --> 00:18:54,081
WHAT DID SHE SAY?

311
00:18:54,105 --> 00:18:57,916
EVERYTHING THAT HAD
BEEN BUBBLING UP INSIDE HER

312
00:18:57,940 --> 00:18:59,418
FOR 18 YEARS.

313
00:18:59,442 --> 00:19:02,722
SHE SAID SHE FELT
SUFFOCATED IN SMALLVILLE.

314
00:19:02,746 --> 00:19:04,323
DO YOU HAVE A COPY?

315
00:19:04,347 --> 00:19:07,927
NO, BUT I'll NEVER
FORGET THE FIRST LINE...

316
00:19:07,951 --> 00:19:10,900
"I NEVER MADE A DIFFERENCE HERE,

317
00:19:10,924 --> 00:19:13,689
BUT MAYBE MY CHILDREN CAN."

318
00:19:47,397 --> 00:19:49,907
Chloe: HELLO, CLARK.

319
00:19:49,931 --> 00:19:50,908
HELLO. HA HA.

320
00:19:50,932 --> 00:19:52,580
IS EVERYTHING OKAY?

321
00:19:52,604 --> 00:19:55,882
YOU GUYS EVER NOTICE ANYTHING
STRANGE ABOUT TINA GRIER?

322
00:19:55,906 --> 00:19:58,786
NOTHING THAT WOULD REQUIRE

323
00:19:58,810 --> 00:20:01,520
THE INTENSE CONCENTRATION
YOU'RE EXERTING TO LOOK AT HER.

324
00:20:01,544 --> 00:20:03,421
MNH-MNH. THE ONLY
THING WEIRD ABOUT TINA

325
00:20:03,445 --> 00:20:06,124
IS THE AMOUNT OF TIME
SHE SPENDS IDOLIZING LANA.

326
00:20:06,148 --> 00:20:09,969
YEAH, SHE'S
PRACTICALLY HER CLONE.

327
00:20:09,993 --> 00:20:11,726
COME ON. LET'S GO.

328
00:20:24,210 --> 00:20:25,717
LANA.

329
00:20:25,741 --> 00:20:28,051
I SWEAR THAT GIRL'S
GOT YOU LOJACKED.

330
00:20:28,075 --> 00:20:29,591
HOW DO YOU LIKE THE SWEATER?

331
00:20:29,615 --> 00:20:31,695
IT'S GREAT. I HAVE
GOT ONE JUST LIKE IT.

332
00:20:31,719 --> 00:20:33,556
I KNOW. I GOT IT AT
THE SAME STORE.

333
00:20:33,580 --> 00:20:35,428
I'VE BEEN GOING ON
A SHOPPING SPREE.

334
00:20:35,452 --> 00:20:37,562
HEY, LOOK. I EVEN FOUND
THIS EMERALD NECKLACE

335
00:20:37,586 --> 00:20:38,602
IN THE ANTIQUE STORE.

336
00:20:38,626 --> 00:20:40,888
WHY AM I NOT SURPRISED?

337
00:20:43,162 --> 00:20:44,510
SEE YOU AT LUNCH.

338
00:20:44,534 --> 00:20:45,741
HEY, ARE YOU OKAY?

339
00:20:45,765 --> 00:20:48,143
I STOPPED BY YOUR HOUSE EARLIER,

340
00:20:48,167 --> 00:20:51,578
AND NELL SAID YOU WEREN'T
IN THE BEST MOOD, SO...

341
00:20:51,602 --> 00:20:53,179
I'M FINE. DON'T WORRY ABOUT IT.

342
00:20:53,203 --> 00:20:54,751
GOOD, 'CAUSE I NEED A FAVOR.

343
00:20:54,775 --> 00:20:56,823
MY MOM IS MOVING TO
METROPOLIS FULL-TIME,

344
00:20:56,847 --> 00:20:59,526
BUT, SEE, SHE DOESN'T WANT
TO PULL ME OUT OF SCHOOL,

345
00:20:59,550 --> 00:21:03,861
SO I WAS THINKING I CAN
MOVE IN WITH YOU AND NELL.

346
00:21:03,885 --> 00:21:05,162
FOR HOW LONG?

347
00:21:05,186 --> 00:21:08,466
I DON'T KNOW... A COUPLE MONTHS.

348
00:21:08,490 --> 00:21:10,499
I MEAN, MY MOM
WOULD PAY YOU GUYS.

349
00:21:10,523 --> 00:21:11,900
TRUST ME. MONEY
IS NOT A PROBLEM.

350
00:21:11,924 --> 00:21:13,642
JUST NAME YOUR PRICE.

351
00:21:13,666 --> 00:21:16,776
I COULD EVEN GET A HORSE.
WE COULD GO RIDING TOGETHER.

352
00:21:16,800 --> 00:21:18,779
I MEAN, WOULDN'T THAT BE COOL?

353
00:21:18,803 --> 00:21:21,912
YEAH, UH, JUST GIVE ME
SOME TIME TO THINK ABOUT IT.

354
00:21:21,936 --> 00:21:24,255
ARE YOU SURE YOUR
MOM'S OKAY WITH THIS?

355
00:21:24,279 --> 00:21:27,889
OF COURSE. SHE KNOWS
THAT WE'RE BEST FRIENDS.

356
00:21:27,913 --> 00:21:29,492
IT WAS HER IDEA.

357
00:21:29,516 --> 00:21:32,024
WELL, JUST LET ME
RUN IT BY NELL FIRST.

358
00:21:32,048 --> 00:21:33,265
SHE'S KIND OF PARTICULAR.

359
00:21:33,289 --> 00:21:35,267
NELL LOVES ME.

360
00:21:35,291 --> 00:21:38,572
LOOK, I DON'T UNDERSTAND. I
THOUGHT THAT YOU'D BE HAPPY.

361
00:21:38,596 --> 00:21:40,635
I MEAN, PEOPLE EVEN
SAY THAT WE LOOK ALIKE.

362
00:21:40,659 --> 00:21:41,876
WE COULD BE SISTERS.

363
00:21:41,900 --> 00:21:43,908
I'M JUST NOT SURE
IT'S SUCH A GOOD IDEA.

364
00:21:43,932 --> 00:21:48,243
OH. OKAY, I SEE.
SO IT WAS ALL A LIE?

365
00:21:48,267 --> 00:21:49,844
I MEAN, YOU WERE JUST
PRETENDING TO LIKE ME

366
00:21:49,868 --> 00:21:51,286
AND THEN WHEN I COME
TO YOU IN MY HOUR OF NEED,

367
00:21:51,310 --> 00:21:52,918
YOU'RE JUST GOING
TO BLOW ME OFF?

368
00:21:52,942 --> 00:21:54,650
TINA, CALM DOWN.

369
00:21:54,674 --> 00:21:56,552
NO, YOU SHOULD
HAVE SAID YES, LANA.

370
00:21:56,576 --> 00:21:58,749
IT WOULD HAVE BEEN PERFECT.

371
00:22:47,306 --> 00:22:49,053
CLARK.

372
00:22:49,077 --> 00:22:51,716
WHAT'S YOUR GLITCH, HUH?
WHY DO YOU KEEP STARING AT ME?

373
00:22:51,740 --> 00:22:53,843
UH, I DON'T KNOW.

374
00:22:55,285 --> 00:22:57,047
SORRY.

375
00:23:02,854 --> 00:23:05,602
CLARK, WHAT ARE YOU
DOING HOME SO EARLY?

376
00:23:05,626 --> 00:23:07,635
HAVING MORE VISION PROBLEMS?

377
00:23:07,659 --> 00:23:09,878
I CONTROLLED
IT... ONCE, SORT OF.

378
00:23:09,902 --> 00:23:11,780
I CONCENTRATED AND IT WORKED.

379
00:23:11,804 --> 00:23:13,381
THAT'S GREAT. WHAT DID
YOU CONCENTRATE ON?

380
00:23:13,405 --> 00:23:14,812
TINA GRIER'S LOCKER.

381
00:23:14,836 --> 00:23:16,344
WHAT DID YOU SEE?

382
00:23:16,368 --> 00:23:18,010
THE MONEY FROM THE BANK ROBBERY.

383
00:23:37,063 --> 00:23:39,312
OH, I WAS JUST
LOCKING UP, DEPUTIES.

384
00:23:39,336 --> 00:23:40,743
UH, HOW CAN I HELP YOU?

385
00:23:40,767 --> 00:23:42,314
WE'RE LOOKING FOR YOUR DAUGHTER.

386
00:23:42,338 --> 00:23:45,649
SHE HASN'T COME HOME
YET. UH, WHAT'S THE PROBLEM?

387
00:23:45,673 --> 00:23:47,781
THE MONEY STOLEN FROM THE
SMALLVILLE SAVINGS AND LOAN

388
00:23:47,805 --> 00:23:49,853
WAS RECOVERED IN HER
SCHOOL LOCKER THIS AFTERNOON.

389
00:23:49,877 --> 00:23:52,427
YOU'RE KIDDING. MY TINA?

390
00:23:52,451 --> 00:23:55,890
HOW COULD SHE
BE INVOLVED IN THIS?

391
00:23:55,914 --> 00:23:57,793
WELL, THAT'S WHAT
WE'D LIKE TO ASK HER.

392
00:23:57,817 --> 00:23:59,936
WOULD YOU BRING HER DOWN TO
THE STATION WHEN SHE GETS HOME?

393
00:23:59,960 --> 00:24:03,069
CERTAINLY. WE'LL COOPERATE
IN ANY WAY WE CAN.

394
00:24:03,093 --> 00:24:05,272
UH, BY THE WAY,

395
00:24:05,296 --> 00:24:07,303
WHO TOLD YOU THE
MONEY WAS IN HER LOCKER?

396
00:24:07,327 --> 00:24:09,800
SOME KID WITH AN ANONYMOUS TIP.

397
00:24:17,980 --> 00:24:19,889
CLARK, WHAT ARE YOU DOING?

398
00:24:19,913 --> 00:24:23,392
I'M TRYING TO FIGURE OUT
HOW MUCH CHANGE I HAVE INSIDE.

399
00:24:23,416 --> 00:24:26,265
YOU COULD ALWAYS
TAKE IT OUT AND COUNT IT.

400
00:24:26,289 --> 00:24:28,899
WHERE'S THE FUN IN THAT?

401
00:24:28,923 --> 00:24:30,731
DID YOU HEAR ABOUT TINA?

402
00:24:30,755 --> 00:24:34,004
THEY FOUND THE MONEY FROM
THE ROBBERY IN HER LOCKER.

403
00:24:34,028 --> 00:24:35,035
REALLY?

404
00:24:35,059 --> 00:24:37,278
SHE ACTUALLY CORNERED ME TODAY

405
00:24:37,302 --> 00:24:40,943
AND ASKED IF SHE COULD
COME LIVE WITH ME AND NELL.

406
00:24:40,967 --> 00:24:43,014
JUST WHAT YOU NEED... A
BANK-ROBBING ROOMMATE.

407
00:24:43,038 --> 00:24:44,746
I TOLD HER IT WASN'T
SUCH A GOOD IDEA.

408
00:24:44,770 --> 00:24:46,018
I'VE GOT ENOUGH
PROBLEMS WITH NELL

409
00:24:46,042 --> 00:24:48,391
WITHOUT ADDING MORE TO THE MIX.

410
00:24:48,415 --> 00:24:51,425
I ALWAYS THOUGHT YOU AND
YOUR AUNT WERE REALLY CLOSE.

411
00:24:51,449 --> 00:24:54,452
SHE WANTS ME TO
BE SOMETHING I'M NOT.

412
00:24:56,084 --> 00:24:58,803
IT'S LIKE HAVING
A DUAL IDENTITY.

413
00:24:58,827 --> 00:25:01,736
THERE'S THE PERSON
THAT EVERYBODY SEES

414
00:25:01,760 --> 00:25:03,492
AND THE PERSON
THAT YOU WANT TO BE.

415
00:25:08,067 --> 00:25:10,476
I KNOW THE FEELING.

416
00:25:10,500 --> 00:25:12,018
THAT'S WHY I CAME HERE.

417
00:25:12,042 --> 00:25:13,450
YOU'RE THE ONLY PERSON

418
00:25:13,474 --> 00:25:15,807
WHO SEES ME FOR WHO I TRULY AM.

419
00:25:17,910 --> 00:25:19,951
I WANT TO THANK YOU FOR THAT.

420
00:25:23,816 --> 00:25:25,033
WHAT ABOUT WHITNEY?

421
00:25:25,057 --> 00:25:26,795
FORGET WHITNEY.

422
00:25:26,819 --> 00:25:30,070
I'VE HAD MY EYE ON YOU,

423
00:25:30,094 --> 00:25:32,826
JUST LIKE YOU'VE
HAD YOUR EYE ON ME.

424
00:25:40,336 --> 00:25:42,484
I DON'T KNOW HOW YOU
FOUND OUT ABOUT THAT MONEY,

425
00:25:42,508 --> 00:25:44,810
BUT YOU SHOULD HAVE
STAYED OUT OF MY LIFE, CLARK.

426
00:26:04,133 --> 00:26:07,283
WELL, THERE'S NO SIGN
OF TINA OR LANA OR...

427
00:26:07,307 --> 00:26:10,345
ARE YOU POSITIVE YOU SAW
HER TURN BACK INTO TINA?

428
00:26:10,369 --> 00:26:13,889
I THINK THE METEOR SHOWER
DID SOMETHING TO HER BONES.

429
00:26:13,913 --> 00:26:15,121
SO SHE CAN CHANGE
APPEARANCE AT WILL?

430
00:26:15,145 --> 00:26:16,453
YEAH, AND IT GIVES HER STRENGTH.

431
00:26:16,477 --> 00:26:17,895
THAT'S HOW SHE THREW
ME OUT OF THE LOFT.

432
00:26:17,919 --> 00:26:19,025
WHAT SHOULD WE TELL THE POLICE?

433
00:26:19,049 --> 00:26:20,297
NOTHING.

434
00:26:20,321 --> 00:26:21,929
TINA CAN TURN INTO
WHOEVER SHE WANTS,

435
00:26:21,953 --> 00:26:23,873
AND I'M THE ONLY ONE WHO
CAN TELL THE DIFFERENCE.

436
00:26:28,361 --> 00:26:30,939
PETE, YOU THROW THAT
RUBBER SPIDER AGAIN,

437
00:26:30,963 --> 00:26:32,911
AND I'M GOING FOR MY STAPLE GUN.

438
00:26:32,935 --> 00:26:34,514
MIND IF I COME IN?

439
00:26:34,538 --> 00:26:37,177
THE GIRL WHO WRITES
FOR "THE POM-POM PARADE"

440
00:26:37,201 --> 00:26:39,249
IS... NO SURPRISE...
OUT WITH MONO.

441
00:26:39,273 --> 00:26:42,984
THIS WEEK'S EDITORIAL?

442
00:26:43,008 --> 00:26:47,129
MY SEMIANNUAL "WHERE
ARE OUR PRIORITIES?" RANT.

443
00:26:47,153 --> 00:26:48,960
FOR WHAT IT'S WORTH,

444
00:26:48,984 --> 00:26:50,331
I REALLY LIKE WHAT YOU'VE
DONE WITH THE PAPER THIS YEAR.

445
00:26:50,355 --> 00:26:53,420
WELL, THAT PUTS YOU
IN THE MAJORITY OF ONE.

446
00:26:55,962 --> 00:26:57,400
I'M SORRY ABOUT
THE "POM-POM" CRACK.

447
00:26:57,424 --> 00:26:59,203
ONCE I HIT "TAKE NO
PRISONERS" MODE,

448
00:26:59,227 --> 00:27:00,543
IT'S KIND OF HARD
FOR ME TO SHUT IT OFF.

449
00:27:00,567 --> 00:27:02,230
ACTUALLY, I ADMIRE IT.

450
00:27:03,902 --> 00:27:05,610
YOU KNOW WHO YOU
ARE, AND YOU GO FOR IT.

451
00:27:05,634 --> 00:27:08,082
WELL, I APPRECIATE
THE COMPLIMENT.

452
00:27:08,106 --> 00:27:11,486
HOWEVER, I KNOW YOU HAVEN'T
COME DOWN TO THIS HOLE

453
00:27:11,510 --> 00:27:13,059
TO GIVE ME A PEP TALK.

454
00:27:13,083 --> 00:27:15,120
THE "TORCH" PRINTS
THE GRADUATION SPEECH

455
00:27:15,144 --> 00:27:16,523
EVERY YEAR, RIGHT?

456
00:27:16,547 --> 00:27:18,425
HAVING TRANSCRIBED
LAST YEAR'S SNORE-FEST,

457
00:27:18,449 --> 00:27:19,595
THAT'S AN UNFORTUNATE "YES."

458
00:27:19,619 --> 00:27:21,427
WHAT YEAR?

459
00:27:21,451 --> 00:27:23,100
1977.

460
00:27:23,124 --> 00:27:24,101
THAT'S P.C.

461
00:27:24,125 --> 00:27:25,473
P.C.?

462
00:27:25,497 --> 00:27:28,005
PRE-COMPUTER, WHEN
DISCO RULED THE EARTH.

463
00:27:28,029 --> 00:27:30,408
ANYTHING WE HAVE BEFORE
THEN'S GONNA BE H.C.

464
00:27:30,432 --> 00:27:31,479
HARD COPY.

465
00:27:31,503 --> 00:27:32,581
YOU CATCH ON FAST.

466
00:27:32,605 --> 00:27:36,545
UH, LET'S SEE...
'77... HERE WE GO.

467
00:27:36,569 --> 00:27:38,017
[ LAUGHS ]

468
00:27:38,041 --> 00:27:42,392
"SATURDAY NIGHT FEVER"
WAS THEIR PROM THEME,

469
00:27:42,416 --> 00:27:46,357
STYX WON "GROUP OF
THE CENTURY," AND... WOW.

470
00:27:46,381 --> 00:27:48,028
SOMEONE GOT IN
THE ADMINISTRATION'S

471
00:27:48,052 --> 00:27:49,129
COLLECTIVE FACE.

472
00:27:49,153 --> 00:27:50,963
"DUE TO THE CONTROVERSIAL NATURE

473
00:27:50,987 --> 00:27:52,665
"OF THIS YEAR'S
GRADUATION ADDRESS,

474
00:27:52,689 --> 00:27:54,637
"THE EDITORS HAVE
ELECTED NOT TO RUN THE TEXT

475
00:27:54,661 --> 00:27:56,109
IN THIS ISSUE OF THE 'TORCH.'"

476
00:27:56,133 --> 00:27:57,409
MEANING, IRONICALLY,

477
00:27:57,433 --> 00:28:00,412
IT'S PROBABLY THE ONLY
ONE WORTH READING.

478
00:28:00,436 --> 00:28:02,245
YOU KNOW, MAYBE I COULD
TRACK SOMETHING DOWN FOR YOU.

479
00:28:02,269 --> 00:28:03,377
DO YOU KNOW WHO GAVE THE SPEECH?

480
00:28:03,401 --> 00:28:05,719
YEAH.

481
00:28:05,743 --> 00:28:08,175
MY MOTHER.

482
00:28:20,990 --> 00:28:23,094
[ DOOR OPENS ]

483
00:28:25,395 --> 00:28:27,103
CAN I FIX YOU A DRINK?

484
00:28:27,127 --> 00:28:29,706
I'D JUST AS SOON GET
MY MONEY AND GET OUT.

485
00:28:29,730 --> 00:28:31,679
OF COURSE.

486
00:28:31,703 --> 00:28:33,411
I ASSUME I DON'T
HAVE TO COUNT IT.

487
00:28:33,435 --> 00:28:36,179
I'VE EVEN SUPPLIED THE BAG.

488
00:28:40,314 --> 00:28:43,062
YOU'RE FEELING PRETTY GOOD
ABOUT YOURSELF RIGHT NOW,

489
00:28:43,086 --> 00:28:44,218
AREN'T YOU?

490
00:28:46,320 --> 00:28:49,070
YOU'D THINK WITH ALL THE
MONEY MY FATHER'S SPENT,

491
00:28:49,094 --> 00:28:50,772
HE COULD MAKE THINGS DISAPPEAR.

492
00:28:50,796 --> 00:28:53,057
MAYBE HE'S NOT AS
SMART AS HE THINKS.

493
00:28:56,201 --> 00:28:57,438
THE ORIGINAL.

494
00:28:57,462 --> 00:28:59,041
[ ZIPS BAG ]

495
00:28:59,065 --> 00:29:00,713
HAVE A NICE LIFE.

496
00:29:00,737 --> 00:29:04,070
IF YOU WALK OUT THAT DOOR,
I WILL MAKE YOU DISAPPEAR.

497
00:29:05,813 --> 00:29:07,620
WHAT ARE YOU GONNA DO?

498
00:29:07,644 --> 00:29:09,622
YOU GONNA HAVE ME KILLED?

499
00:29:09,646 --> 00:29:11,195
[ Chuckles ] NO.

500
00:29:11,219 --> 00:29:13,358
YOU'LL BE VERY MUCH ALIVE,

501
00:29:13,382 --> 00:29:17,161
BUT THERE WON'T BE ANY
EVIDENCE OF YOUR EXISTENCE.

502
00:29:17,185 --> 00:29:19,133
WHAT ARE YOU TALKING ABOUT?

503
00:29:19,157 --> 00:29:20,666
DRIVER'S LICENSE, PASSPORT,

504
00:29:20,690 --> 00:29:23,610
SOCIAL SECURITY NUMBER, BANK
ACCOUNT WILL ALL BE ERASED.

505
00:29:23,634 --> 00:29:26,342
WITH ONE CALL, I CAN ENSURE
THAT THERE WILL BE NO RECORD

506
00:29:26,366 --> 00:29:28,215
THAT YOU ACTUALLY
WALK THIS EARTH.

507
00:29:28,239 --> 00:29:31,148
YOU'RE BLUFFING.

508
00:29:31,172 --> 00:29:32,379
CALL YOUR BANK.

509
00:29:32,403 --> 00:29:35,346
SEE IF YOUR
ACCOUNT STILL EXISTS.

510
00:29:37,650 --> 00:29:39,257
THAT IS, IF YOUR CELLPHONE

511
00:29:39,281 --> 00:29:41,314
HASN'T ALREADY
BEEN DISCONNECTED.

512
00:29:45,219 --> 00:29:47,798
WHAT DID YOU DO?

513
00:29:47,822 --> 00:29:49,299
DON'T WORRY, ROGER.

514
00:29:49,323 --> 00:29:51,841
I'M GONNA GIVE
YOU A NEW IDENTITY,

515
00:29:51,865 --> 00:29:54,676
ONE THAT'S A LITTLE
LESS UPSTANDING.

516
00:29:54,700 --> 00:29:58,249
MAYBE A MURDERER.
MAYBE A DRUG DEALER.

517
00:29:58,273 --> 00:30:00,713
EITHER WAY, YOU'LL LOSE
YOUR JOB, YOUR HOUSE,

518
00:30:00,737 --> 00:30:02,113
AND YOUR FAMILY.

519
00:30:02,137 --> 00:30:05,182
LOOK... I'll GIVE
THE MONEY BACK.

520
00:30:07,413 --> 00:30:09,292
THEN WE'LL BE EVEN.

521
00:30:09,316 --> 00:30:11,124
NO, WE WON'T,

522
00:30:11,148 --> 00:30:14,799
BECAUSE I KNOW YOUR BROTHER
WORKS FOR JUVENILE COURT.

523
00:30:14,823 --> 00:30:16,400
WHAT'D YOU TELL HIM...

524
00:30:16,424 --> 00:30:19,174
"STEAL THE RECORDS AND YOU
CAN MAKE SOME QUICK CASH"?

525
00:30:19,198 --> 00:30:21,136
HE COULD DO TIME FOR THAT.

526
00:30:21,160 --> 00:30:22,707
LEAVE HIM OUT OF THIS.

527
00:30:22,731 --> 00:30:26,236
I DIDN'T GET HIM
INVOLVED, ROGER. YOU DID.

528
00:30:28,167 --> 00:30:31,717
YOU CAME INTO MY LIFE THINKING
YOU COULD SHAKE ME DOWN

529
00:30:31,741 --> 00:30:33,419
BECAUSE I WAS SOME
SPOILED, RICH BRAT

530
00:30:33,443 --> 00:30:35,416
WHO NEEDED HIS
DADDY'S PROTECTION?

531
00:30:37,318 --> 00:30:39,127
TRUST ME,

532
00:30:39,151 --> 00:30:41,360
WHEN I MAKE THINGS
DISAPPEAR, THEY STAY BURIED.

533
00:30:41,384 --> 00:30:44,132
WHAT DO YOU WANT FROM ME?

534
00:30:44,156 --> 00:30:46,835
YOUR HELP.

535
00:30:46,859 --> 00:30:51,140
MY FATHER'S OBSESSED
WITH THE "DAILY PLANET,"

536
00:30:51,164 --> 00:30:53,474
BUT I KNOW THE "INQUISITOR'S"
READ BY THE PEOPLE.

537
00:30:53,498 --> 00:30:55,476
THEY'RE THE ONES
I'M INTERESTED IN.

538
00:30:55,500 --> 00:30:57,849
I WILL FEED YOU STORIES,
AND YOU WILL PRINT THEM.

539
00:30:57,873 --> 00:31:00,150
ANY NEGATIVE STORIES
ABOUT ME YOU WILL KILL.

540
00:31:00,174 --> 00:31:02,484
YOU'LL BE AT MY DISPOSAL 24/7.

541
00:31:02,508 --> 00:31:04,750
NOW FOLLOW ME.

542
00:31:16,964 --> 00:31:18,842
WHAT HAPPENED TO YOUR CAR?

543
00:31:18,866 --> 00:31:21,876
I DROVE IT OFF A BRIDGE
AT 60 MILES AN HOUR.

544
00:31:21,900 --> 00:31:25,481
HOW ARE YOU STILL ALIVE?

545
00:31:25,505 --> 00:31:28,337
THAT'S THE MYSTERY I
NEED YOUR HELP SOLVING.

546
00:31:44,757 --> 00:31:46,828
[ FOOTSTEPS ]

547
00:31:52,806 --> 00:31:54,414
CLARK, WHAT'S WRONG?

548
00:31:54,438 --> 00:31:56,816
WHY ARE YOU LOOKING
AT ME LIKE THAT?

549
00:31:56,840 --> 00:31:58,748
SORRY, IT'S NOTHING.

550
00:31:58,772 --> 00:32:00,921
I WASN'T SURE IT WAS YOU.

551
00:32:00,945 --> 00:32:03,618
IF THIS IS A BAD TIME... NO.

552
00:32:05,580 --> 00:32:08,860
I WAS OUT JOGGING,
DIDN'T WANT TO GO HOME,

553
00:32:08,884 --> 00:32:10,562
KIND OF ENDED UP HERE.

554
00:32:10,586 --> 00:32:13,937
YOU AND NELL ARE STILL FIGHTING.

555
00:32:13,961 --> 00:32:15,368
HOW'D YOU KNOW?

556
00:32:15,392 --> 00:32:18,472
I'M JUST PERCEPTIVE, I GUESS.

557
00:32:18,496 --> 00:32:20,714
I FOUND MY MOTHER'S DIARY.

558
00:32:20,738 --> 00:32:24,379
I DISCOVERED THAT
A LOT OF THE THINGS

559
00:32:24,403 --> 00:32:26,680
THAT I'VE BEEN
FEELING, SHE FELT, TOO.

560
00:32:26,704 --> 00:32:28,277
THAT'S GREAT.

561
00:32:30,308 --> 00:32:31,587
ISN'T IT?

562
00:32:31,611 --> 00:32:34,991
IT'S GREAT, AND
IT'S FRUSTRATING,

563
00:32:35,015 --> 00:32:36,763
AND IT'S SCARY.

564
00:32:36,787 --> 00:32:40,036
IT'S LIKE SHE COULD
SEE RIGHT THROUGH ME.

565
00:32:40,060 --> 00:32:42,268
DO YOU EVER FEEL LIKE THAT?

566
00:32:42,292 --> 00:32:45,026
MORE THAN YOU KNOW.

567
00:32:46,698 --> 00:32:49,747
WHEN I WAS READING HER WORDS,

568
00:32:49,771 --> 00:32:53,452
IT WAS LIKE SHE
WAS TALKING TO ME.

569
00:32:53,476 --> 00:32:55,584
AND THEN SHE WAS GONE.

570
00:32:55,608 --> 00:32:59,319
YOU'RE LUCKY... YOU'RE
LUCKY YOU GOT AT LEAST THAT.

571
00:32:59,343 --> 00:33:02,322
HAVE YOU EVER TRIED
TO FIND YOUR PARENTS?

572
00:33:02,346 --> 00:33:04,564
YOUR BIOLOGICAL PARENTS, I MEAN.

573
00:33:04,588 --> 00:33:06,026
NOT REALLY.

574
00:33:06,050 --> 00:33:09,301
I FIGURE THEY'RE A MILLION
YEARS AWAY FROM MY LIFE NOW.

575
00:33:09,325 --> 00:33:12,597
IF YOU COULD ASK THEM A
QUESTION, WHAT WOULD YOU ASK?

576
00:33:14,800 --> 00:33:16,639
WHAT HAPPENED?

577
00:33:16,663 --> 00:33:19,081
WHY'D THEY LET ME GO?

578
00:33:19,105 --> 00:33:23,671
HOW DO I MAKE SENSE OF ALL
THE STRANGENESS IN MY LIFE?

579
00:33:27,115 --> 00:33:29,617
I GUESS NEITHER OF US WILL
EVER GET A STRAIGHT ANSWER.

580
00:33:35,355 --> 00:33:38,057
I HOPE YOU FIND WHAT
YOU'RE LOOKING FOR.

581
00:33:41,791 --> 00:33:43,340
HEY.

582
00:33:43,364 --> 00:33:45,411
I THOUGHT YOU WERE
WORKING ON A PROJECT.

583
00:33:45,435 --> 00:33:46,573
I FINISHED EARLY.

584
00:33:46,597 --> 00:33:48,014
I THOUGHT I'D SPEND SOME TIME

585
00:33:48,038 --> 00:33:50,048
WITH THE BEST
BOYFRIEND IN THE WORLD.

586
00:33:50,072 --> 00:33:54,352
I'D LOVE TO, BUT I GOT THAT TRIG
TEST TOMORROW, REMEMBER?

587
00:33:54,376 --> 00:33:55,553
RIGHT, I FORGOT.

588
00:33:55,577 --> 00:33:56,685
THAT'S OKAY.

589
00:33:56,709 --> 00:33:58,781
WE'VE GOT THE REST OF OUR LIVES.

590
00:34:01,084 --> 00:34:03,132
WHAT'S GOTTEN INTO YOU?

591
00:34:03,156 --> 00:34:05,696
IT'S THE NEW ME. YOU LIKE?

592
00:34:05,720 --> 00:34:07,638
I DEFINITELY COULD
GET USED TO IT.

593
00:34:07,662 --> 00:34:08,999
DO YOU NEED A RIDE HOME?

594
00:34:09,023 --> 00:34:11,642
I'M COVERED.

595
00:34:11,666 --> 00:34:14,546
COULD I BORROW YOUR
JACKET? IT'S A LITTLE COLD.

596
00:34:14,570 --> 00:34:16,778
YEAH. YEAH, SURE.

597
00:34:16,802 --> 00:34:19,405
I'll SEE YOU TOMORROW.

598
00:34:34,052 --> 00:34:36,470
SO YOU'RE TELLING ME TINA
GRIER CAN BEND HER BONES

599
00:34:36,494 --> 00:34:38,633
LIKE A CONTORTIONIST AND
BECOME ANYBODY SHE WANTS?

600
00:34:38,657 --> 00:34:40,106
I SAW IT WITH MY OWN EYES.

601
00:34:40,130 --> 00:34:42,577
I'M SORRY, THIS IS USUALLY
CHLOE'S TERRITORY.

602
00:34:42,601 --> 00:34:45,081
I COVER GIRLS, FOOTBALL,
AND GENERAL GUY STUFF.

603
00:34:45,105 --> 00:34:46,713
SHE DOES THE TALES
OF THE UNEXPLAINED,

604
00:34:46,737 --> 00:34:48,445
SO WHY DON'T YOU
GIVE HER A CALL?

605
00:34:48,469 --> 00:34:50,548
I DID. SHE SAID SHE WAS
BUSY WITH SOMETHING ELSE.

606
00:34:50,572 --> 00:34:52,720
THAT'S LIKE GETTING TURNED
DOWN BY THE "NATIONAL ENQUIRER."

607
00:34:52,744 --> 00:34:54,191
TELL ME AGAIN WHY WE'RE FRIENDS.

608
00:34:54,215 --> 00:34:56,595
BECAUSE EVEN WHEN I
THINK YOU'RE WHACKED,

609
00:34:56,619 --> 00:34:58,026
I SHOW UP READY TO RUMBLE.

610
00:34:58,050 --> 00:34:59,121
GREAT, IT'S CLOSED.

611
00:35:06,230 --> 00:35:08,669
CLARK, MAN, HAVEN'T YOU
EVER WATCHED "COPS"?

612
00:35:08,693 --> 00:35:11,041
THE LAST PLACE TINA'S
GONNA BE HIDING OUT

613
00:35:11,065 --> 00:35:12,197
IS IN HER MOM'S STORE.

614
00:35:22,579 --> 00:35:24,681
EARTH TO CLARK.

615
00:35:27,054 --> 00:35:28,461
IS EVERYTHING OKAY?

616
00:35:28,485 --> 00:35:29,793
WE NEED TO GET IN HERE.

617
00:35:29,817 --> 00:35:31,064
WHY?

618
00:35:31,088 --> 00:35:32,789
JUST... IT'S A HUNCH.

619
00:35:37,626 --> 00:35:40,168
HEY, CLARK, WHAT
ARE WE LOOKING FOR?

620
00:35:46,275 --> 00:35:47,814
WHOA. WHO'S THAT?

621
00:35:47,838 --> 00:35:49,555
IT'S TINA'S MOM.

622
00:35:49,579 --> 00:35:50,756
DAMN.

623
00:35:50,780 --> 00:35:52,218
HOW'D YOU KNOW SHE WAS IN THERE?

624
00:35:52,242 --> 00:35:54,521
BECAUSE I CAN SEE RIGHT
THROUGH THE DOOR, PETE.

625
00:35:54,545 --> 00:35:57,695
VERY FUNNY, SHERLOCK.
HOW DO YOU THINK SHE DIED?

626
00:35:57,719 --> 00:35:59,251
BROKEN NECK.

627
00:36:02,554 --> 00:36:03,972
I'M GUESSING.

628
00:36:03,996 --> 00:36:07,199
MY CALL... TINA'S ALREADY
ON A BUS TO METROPOLIS.

629
00:36:09,802 --> 00:36:11,565
I DON'T THINK SO.

630
00:36:17,211 --> 00:36:19,090
Pete: WHY IS SHE WRITING
LANA'S SIGNATURE?

631
00:36:19,114 --> 00:36:21,622
YOU SAID TINA WAS
OBSESSED WITH HER.

632
00:36:21,646 --> 00:36:24,126
SHE'S GONNA TAKE
IT TO THE NEXT LEVEL.

633
00:36:24,150 --> 00:36:25,698
SHE WANTS TO KILL LANA?

634
00:36:25,722 --> 00:36:28,253
WORSE... SHE WANTS
TO BECOME LANA.

635
00:36:31,889 --> 00:36:34,767
Lana: I FOUND YOUR
JOURNAL, MOM...

636
00:36:34,791 --> 00:36:37,570
THE ONE YOU KEPT IN HIGH SCHOOL?

637
00:36:37,594 --> 00:36:39,874
SUDDENLY, ALL
THESE CONVERSATIONS

638
00:36:39,898 --> 00:36:41,715
DON'T SEEM SO ONE-SIDED.

639
00:36:41,739 --> 00:36:44,849
I TRIED TO FIND YOUR
GRADUATION SPEECH,

640
00:36:44,873 --> 00:36:46,852
BUT THEY DIDN'T PRINT IT.

641
00:36:46,876 --> 00:36:52,128
EVERY TIME I GET CLOSER TO
YOU, SOMETHING PULLS ME AWAY.

642
00:36:52,152 --> 00:36:53,258
LANA.

643
00:36:53,282 --> 00:36:56,562
WHITNEY, WHAT ARE
YOU DOING HERE?

644
00:36:56,586 --> 00:36:59,896
YOUR AUNT SAID YOU WENT
RIDING. I JUST FOLLOWED THE PATH.

645
00:36:59,920 --> 00:37:02,640
I'M JUST TALKING TO MY PARENTS.

646
00:37:02,664 --> 00:37:05,242
THEY'RE DEAD, LANA.

647
00:37:05,266 --> 00:37:08,776
YOU HAVE THIS GREAT LIFE,
AND YOU CAN'T EVEN SEE IT.

648
00:37:08,800 --> 00:37:12,311
YOU HAVE NO RIGHT TO BE UNHAPPY.

649
00:37:12,335 --> 00:37:15,314
THEY'RE NOT COMING
BACK, LANA. DEAL WITH IT.

650
00:37:15,338 --> 00:37:18,959
WHAT ARE YOU SAYING?

651
00:37:18,983 --> 00:37:22,646
I'M SAYING YOU DON'T
DESERVE YOUR LIFE.

652
00:37:25,891 --> 00:37:27,652
I DO.

653
00:37:48,376 --> 00:37:51,780
[ COUGHS ]

654
00:37:53,422 --> 00:37:54,961
AAH!

655
00:37:54,985 --> 00:37:57,803
[ PANTING ]

656
00:37:57,827 --> 00:37:59,829
[ WHIMPERING ]

657
00:38:06,197 --> 00:38:07,940
CLARK.

658
00:38:09,902 --> 00:38:11,649
WHAT ARE YOU DOING HERE?

659
00:38:11,673 --> 00:38:15,023
I WAS GONNA ASK
YOU THE SAME THING.

660
00:38:15,047 --> 00:38:16,184
WHERE'S LANA?

661
00:38:16,208 --> 00:38:17,856
I DON'T KNOW.

662
00:38:17,880 --> 00:38:20,954
NELL SAID SHE CAME OUT
HERE, BUT I CAN'T FIND HER.

663
00:38:25,960 --> 00:38:27,838
WHAT'S THE MATTER, CLARK?

664
00:38:27,862 --> 00:38:29,123
NOT FEELING WELL?

665
00:38:36,032 --> 00:38:37,009
TINA, WHERE'S LANA?

666
00:38:37,033 --> 00:38:39,235
TINA DOESN'T EXIST ANYMORE.

667
00:38:44,742 --> 00:38:49,222
I KNOW WHAT IT'S LIKE
TO LIVE WITH A SECRET.

668
00:38:49,246 --> 00:38:51,066
I KNOW WHAT HAPPENED
TO YOUR MOTHER.

669
00:38:51,090 --> 00:38:53,128
THAT WAS A LIFETIME AGO.

670
00:38:53,152 --> 00:38:55,300
AND DON'T WORRY ABOUT LANA.

671
00:38:55,324 --> 00:38:57,396
YOU'LL BE JOINING HER VERY SOON.

672
00:39:01,501 --> 00:39:03,309
I THOUGHT I KILLED YOU ONCE.

673
00:39:03,333 --> 00:39:06,336
I'M NOT GONNA MAKE
THE SAME MISTAKE TWICE.

674
00:39:08,469 --> 00:39:10,141
WHERE'S LANA?

675
00:39:15,518 --> 00:39:18,351
WHO ARE YOU?

676
00:39:23,086 --> 00:39:24,133
WHERE IS SHE?!

677
00:39:24,157 --> 00:39:26,490
SHE'S DEAD.

678
00:39:44,380 --> 00:39:47,385
LANA!

679
00:40:17,418 --> 00:40:19,190
[ WHIMPERS ]

680
00:40:38,514 --> 00:40:40,322
HEY, I HEARD WHAT HAPPENED.

681
00:40:40,346 --> 00:40:42,894
DID YOU COME BY
TO SEE IF I WAS OKAY?

682
00:40:42,918 --> 00:40:45,398
ACTUALLY, AS
CONCERNED AS I ALWAYS AM

683
00:40:45,422 --> 00:40:49,131
ABOUT YOUR PERSONAL
WELL-BEING, I'M NOT HERE TO SEE YOU.

684
00:40:49,155 --> 00:40:52,190
LANA, UM, I DID SOME DIGGING.

685
00:40:54,893 --> 00:40:56,870
OH, MY GOD.

686
00:40:56,894 --> 00:40:58,613
HOW DID YOU FIND THIS?

687
00:40:58,637 --> 00:41:00,414
IF I TOLD YOU, I'D
HAVE TO KILL YOU,

688
00:41:00,438 --> 00:41:02,617
AND IT LOOKS LIKE YOU'VE HAD
ENOUGH TRAUMA FOR ONE NIGHT.

689
00:41:02,641 --> 00:41:05,881
CHLOE, THANK YOU.

690
00:41:05,905 --> 00:41:08,184
NO PROBLEM.

691
00:41:08,208 --> 00:41:09,486
HOW'S TINA?

692
00:41:09,510 --> 00:41:11,287
SHE WON'T BE ABLE
TO HURT ANYONE ELSE.

693
00:41:11,311 --> 00:41:14,260
I STILL DON'T UNDERSTAND
WHY A GIRL WOULD DO ALL THAT.

694
00:41:14,284 --> 00:41:16,133
I DO.

695
00:41:16,157 --> 00:41:18,896
YOU GO THROUGH LIFE WITH A
GIFT YOU HAVE TO KEEP A SECRET,

696
00:41:18,920 --> 00:41:21,369
WHEN YOU SEE EVERYONE
AROUND YOU BEING NORMAL,

697
00:41:21,393 --> 00:41:22,601
YOU GET JEALOUS.

698
00:41:22,625 --> 00:41:24,597
YOU JUST WANT TO
BE SOMEBODY ELSE.

699
00:41:39,443 --> 00:41:41,947
YOU REALLY LIKE HER, DON'T YOU?

700
00:42:14,324 --> 00:42:16,702
MOM, IF YOU COULD SEE
ANYTHING, WHAT WOULD YOU DO?

701
00:42:16,726 --> 00:42:19,590
LEARN TO CLOSE MY EYES.

702
00:42:27,500 --> 00:42:30,543
[ THUNDER CRASHES ]

703
00:42:44,088 --> 00:42:46,367
Man: AS PRINCIPAL
OF SMALLVILLE HIGH,

704
00:42:46,391 --> 00:42:49,300
I WOULD LIKE TO INTRODUCE
THE VALEDICTORIAN

705
00:42:49,324 --> 00:42:53,745
OF THE CLASS OF 1977,
MISS LAURA POTTER.

706
00:42:53,769 --> 00:42:58,711
[ CHEERS AND APPLAUSE ]

707
00:42:58,735 --> 00:43:01,414
Laura: LADIES AND GENTLEMEN,
GRADUATING SENIORS,

708
00:43:01,438 --> 00:43:03,117
GOOD EVENING.

709
00:43:03,141 --> 00:43:06,090
THOSE FAMILIAR WORDS OPEN
EVERY GRADUATION ADDRESS

710
00:43:06,114 --> 00:43:09,463
AT SMALLVILLE HIGH, AND
I USE THEM DELIBERATELY,

711
00:43:09,487 --> 00:43:12,628
BECAUSE THE REST OF MY SPEECH
WILL NOT BE SO REASSURING.

712
00:43:12,652 --> 00:43:18,033
I NEVER MADE A DIFFERENCE
HERE, BUT MAYBE MY CHILDREN CAN.

713
00:43:18,057 --> 00:43:21,508
WHEN I FIRST CAME TO SMALLVILLE
HIGH, I WAS FULL OF HOPE.

714
00:43:21,532 --> 00:43:23,780
I THOUGHT THE WORLD WAS
GONNA BE DIFFERENT FOR ME,

715
00:43:23,804 --> 00:43:27,068
BUT, OF COURSE, IT WASN'T.

716
00:43:41,686 --> 00:43:44,033
Captions by VITAC...
www.vitac.com

717
00:43:44,057 --> 00:43:46,831
CAPTIONS PAID FOR BY
WARNER BROS. TELEVISION