1 00:00:09,676 --> 00:00:12,216 MAN, I DON'T KNOW HOW I LET YOU TALK ME INTO THIS. 2 00:00:12,240 --> 00:00:14,357 EVERY SMALLVILLE HIGH STUDENT NEEDS TO COMPLETE 3 00:00:14,381 --> 00:00:16,189 30 HOURS OF COMMUNITY SERVICE. 4 00:00:16,213 --> 00:00:18,222 YEAH, BUT WE COULD HAVE SERVED OUR COMMUNITY 5 00:00:18,246 --> 00:00:20,425 BY LIFEGUARDING THE GIRLS' SWIM CLASS AT THE "Y" 6 00:00:20,449 --> 00:00:22,497 INSTEAD OF HANGING OUT WITH THE DENTURE CROWD. 7 00:00:22,521 --> 00:00:23,753 WHAT'S THE ATTRACTION? 8 00:00:26,295 --> 00:00:27,573 HI, CLARK, PETE. 9 00:00:27,597 --> 00:00:29,675 LANA! I DIDN'T KNOW YOU WERE VOLUNTEERING HERE. 10 00:00:29,699 --> 00:00:30,806 Yeah, right. 11 00:00:30,830 --> 00:00:32,539 FOR A COUPLE OF WEEKS NOW. 12 00:00:32,563 --> 00:00:34,510 ARE YOU PART OF THE COMPANION PROGRAM? 13 00:00:34,534 --> 00:00:36,412 YEAH, I'M READING WITH CASSANDRA. 14 00:00:36,436 --> 00:00:37,784 SHE'S AN INTERESTING WOMAN. 15 00:00:37,808 --> 00:00:40,011 SOME OF THE NURSES SAY SHE CAN SEE THE FUTURE. 16 00:00:42,743 --> 00:00:45,417 YOU GUYS ARE IN FOR A REAL TREAT. 17 00:00:57,631 --> 00:01:01,610 IT TAKES TWO OF YOU TO READ TO ME NOW, DOES IT? 18 00:01:01,634 --> 00:01:04,674 DON'T JUST STAND THERE. COME IN. 19 00:01:04,698 --> 00:01:07,777 HOW'D YOU KNOW THERE WERE TWO OF US? 20 00:01:07,801 --> 00:01:09,549 I'M BLIND, NOT DEAF. 21 00:01:09,573 --> 00:01:12,953 I HEARD YOUR LITTLE FRIEND'S SHOES SQUEAKING 22 00:01:12,977 --> 00:01:15,357 ALL THE WAY DOWN THE HALL. 23 00:01:15,381 --> 00:01:18,360 CAN YOU REALLY TELL THE FUTURE? 24 00:01:18,384 --> 00:01:20,733 WAY TO GO, PETE... REAL SUBTLE. 25 00:01:20,757 --> 00:01:22,564 WHAT'S YOUR NAME? 26 00:01:22,588 --> 00:01:23,896 PETE ROSS. 27 00:01:23,920 --> 00:01:26,799 MR. ROSS, IF YOU WANT YOUR FORTUNE TOLD, 28 00:01:26,823 --> 00:01:28,525 GO TO THE CIRCUS. 29 00:01:29,597 --> 00:01:30,768 OH. 30 00:01:35,734 --> 00:01:40,884 OH... IT'S A LONG WALK HOME, MR. ROSS. 31 00:01:40,908 --> 00:01:42,981 CHECK YOUR POCKETS. 32 00:01:45,014 --> 00:01:51,426 OH, MAN... I LOCKED MY KEYS IN THE CAR. 33 00:01:51,450 --> 00:01:54,670 DUDE, YOU'RE ON YOUR OWN. 34 00:01:54,694 --> 00:01:59,930 NOW... WHAT'S YOUR NAME? 35 00:02:02,403 --> 00:02:05,082 MR. BOLLSTON? IT'S LANA LANG. 36 00:02:05,106 --> 00:02:07,608 [ CLASSICAL PIANO MUSIC PLAYING ] 37 00:02:17,120 --> 00:02:18,497 [ MUSIC STOPS ] 38 00:02:18,521 --> 00:02:19,622 LANG? 39 00:02:22,385 --> 00:02:25,365 THE LANGS MOVED TO SMALLVILLE IN 1938. 40 00:02:25,389 --> 00:02:28,468 TOOK OVER A COUPLE OF DUST-BOWL FARMS... 41 00:02:28,492 --> 00:02:31,012 KNEW A BARGAIN WHEN THEY SAW IT. 42 00:02:31,036 --> 00:02:33,014 YOU'RE A LOCAL HISTORY BUFF. 43 00:02:33,038 --> 00:02:35,045 IT'S KIND OF MY OBSESSION. 44 00:02:35,069 --> 00:02:39,580 SO... ARE YOU MY NEXT VICTIM? 45 00:02:39,604 --> 00:02:42,008 YOU DON'T LOOK THAT SCARY TO ME. 46 00:02:44,581 --> 00:02:47,490 YOU SHOULD HAVE KNOWN ME IN MY YOUNGER DAYS. 47 00:02:47,514 --> 00:02:49,992 I'M SURE YOU WERE QUITE THE HEARTBREAKER. 48 00:02:50,016 --> 00:02:52,695 HOW ABOUT A SPIN AROUND THE GROUNDS, 49 00:02:52,719 --> 00:02:53,997 AND YOU CAN TELL ME 50 00:02:54,021 --> 00:02:56,824 WHAT THE LANGS HAVE BEEN DOING SINCE 1938? 51 00:02:57,925 --> 00:02:59,603 IT'S SO BEAUTIFUL. 52 00:02:59,627 --> 00:03:03,078 I DON'T KNOW WHY MORE PEOPLE DON'T COME OUT HERE. 53 00:03:03,102 --> 00:03:06,050 THEY'RE TOO BUSY WATCHING TELEVISION. 54 00:03:06,074 --> 00:03:09,485 SAY, WOULD YOU MIND RUNNING BACK TO MY ROOM 55 00:03:09,509 --> 00:03:11,056 AND GETTING ME A SCARF? 56 00:03:11,080 --> 00:03:13,689 I DON'T WANT TO CATCH A CHILL. 57 00:03:13,713 --> 00:03:14,790 SURE. 58 00:03:14,814 --> 00:03:17,086 OH, HONEY... YOU'RE A DOLL. 59 00:03:36,109 --> 00:03:38,817 [ HACKING ] 60 00:03:38,841 --> 00:03:42,591 [ COUGHING ] 61 00:03:42,615 --> 00:03:47,951 WATER, PL... [ COUGHS ] 62 00:03:56,961 --> 00:03:59,735 [ ELECTRICITY CRACKLING ] 63 00:04:17,115 --> 00:04:20,894 [ LAUGHS ] 64 00:04:20,918 --> 00:04:22,860 WHOO! 65 00:04:31,129 --> 00:04:32,531 WHAT'S WRONG? 66 00:04:36,206 --> 00:04:40,187 SOMEONE CLOSE TO YOU IS GOING TO DIE... 67 00:04:40,211 --> 00:04:42,512 VERY SOON. 68 00:04:46,718 --> 00:04:53,071 ♫ SOMEBODY SAVE ME ♫ 69 00:04:53,095 --> 00:04:57,105 ♫ LET YOUR WARM HANDS BREAK RIGHT THROUGH ♫ 70 00:04:57,129 --> 00:05:02,942 ♫ SOMEBODY SAVE ME ♫ 71 00:05:02,966 --> 00:05:07,216 ♫ I DON'T CARE HOW YOU DO IT ♫ 72 00:05:07,240 --> 00:05:08,247 ♫ JUST STAY ♫ 73 00:05:08,271 --> 00:05:10,220 ♫ STAY WITH ME ♫ 74 00:05:10,244 --> 00:05:12,252 ♫ STAY ♫ 75 00:05:12,276 --> 00:05:14,095 ♫ COME ON ♫ 76 00:05:14,119 --> 00:05:17,759 ♫ I'VE BEEN WAITING FOR YOU ♫ 77 00:05:17,783 --> 00:05:23,805 ♫ JUST STAY WITH ME ♫ 78 00:05:23,829 --> 00:05:28,069 ♫ I'VE MADE THIS WHOLE WORLD SHINE FOR YOU ♫ 79 00:05:28,093 --> 00:05:32,274 ♫ STAY ♫ 80 00:05:32,298 --> 00:05:34,341 ♫ COME ON ♫ 81 00:05:44,582 --> 00:05:47,231 [ SAW BUZZING ] 82 00:05:47,255 --> 00:05:49,233 [ SAW SHUTS OFF ] 83 00:05:49,257 --> 00:05:51,637 GUYS, WHEN YOU NEED THIS KIND OF STUFF DONE, 84 00:05:51,661 --> 00:05:53,699 JUST ASK ME. THAT'S WHAT I'M HERE FOR. 85 00:05:53,723 --> 00:05:55,601 IS SOMETHING BOTHERING YOU, CLARK? 86 00:05:55,625 --> 00:05:58,244 NO, I JUST THINK WE SHOULD START PUTTING SAFETY FIRST. 87 00:05:58,268 --> 00:06:01,106 IF YOU HAVEN'T NOTICED, THIS STUFF IS PRETTY DANGEROUS. 88 00:06:01,130 --> 00:06:03,579 WELL, THIS IS A FARM. IT GOES WITH THE TERRITORY. 89 00:06:03,603 --> 00:06:05,952 SERIOUSLY, SON, WHAT'S GOING ON? 90 00:06:05,976 --> 00:06:08,055 WHEN I WAS AT THE RETIREMENT CENTER, 91 00:06:08,079 --> 00:06:09,817 I MET THIS OLD BLIND LADY. 92 00:06:09,841 --> 00:06:12,990 I KNOW THIS SOUNDS CRAZY, BUT SHE CAN SEE THE FUTURE. 93 00:06:13,014 --> 00:06:14,723 WHAT DID SHE TELL YOU? 94 00:06:14,747 --> 00:06:17,196 THAT SOMEONE VERY CLOSE TO ME WILL DIE SOON. 95 00:06:17,220 --> 00:06:20,199 LISTEN, CLARK, YOU CAN'T LET SOME OLD LADY SCARE YOU 96 00:06:20,223 --> 00:06:22,101 WITH A HALF-BAKED PREDICTION. 97 00:06:22,125 --> 00:06:25,134 SHE PROBABLY JUST DOES IT TO SCARE THE NURSES, ANYWAY. 98 00:06:25,158 --> 00:06:27,237 SHE TOLD PETE HE'D BE WALKING HOME. 99 00:06:27,261 --> 00:06:28,978 SECONDS LATER, HE REALIZED 100 00:06:29,002 --> 00:06:30,110 HE'D LOCKED HIS KEYS IN HIS CAR. 101 00:06:30,134 --> 00:06:31,380 NO ONE CAN TELL THE FUTURE. 102 00:06:31,404 --> 00:06:33,244 WHAT IF SHE CAN? WHAT IF SHE TOLD ME 103 00:06:33,268 --> 00:06:35,245 BECAUSE THERE'S SOMETHING I CAN DO ABOUT IT? 104 00:06:35,269 --> 00:06:37,288 THEN SHE SHOULD HAVE GIVEN YOU MORE INFORMATION, 105 00:06:37,312 --> 00:06:38,750 LIKE NAME, TIME, AND PLACE. 106 00:06:38,774 --> 00:06:40,792 AND EVEN IF SHE CAN PREDICT THE FUTURE, 107 00:06:40,816 --> 00:06:43,055 THERE'S NOTHING SHE CAN DO TO CONTROL IT. 108 00:06:43,079 --> 00:06:44,295 NOBODY CAN. 109 00:06:44,319 --> 00:06:46,281 [ SAW BUZZING ] 110 00:07:02,170 --> 00:07:05,704 [ SIGHS ] 111 00:07:16,386 --> 00:07:17,987 HMPH. 112 00:07:25,795 --> 00:07:29,377 FATE'S GIVING YOU A SECOND CHANCE, HARRY BOY. 113 00:07:29,401 --> 00:07:34,151 AND THIS TIME... THEY'RE GONNA PAY. 114 00:07:34,175 --> 00:07:36,053 [ IMITATES GUNSHOT ] 115 00:07:36,077 --> 00:07:37,740 [ ROCK MUSIC PLAYING ] 116 00:07:49,793 --> 00:07:52,156 [ EXHALES DEEPLY ] 117 00:07:54,197 --> 00:07:57,077 GOD, I HAVEN'T BEEN ABLE TO EAT ONE OF THESE IN YEARS... 118 00:07:57,101 --> 00:07:58,733 I MEAN, NOT SINCE THE BYPASS. 119 00:08:00,064 --> 00:08:01,382 THAT WAS A JOKE. 120 00:08:01,406 --> 00:08:03,444 YOU'RE A RIOT. [ GIGGLES ] 121 00:08:03,468 --> 00:08:05,286 WHAT CAN I GET YOU TO DRINK? 122 00:08:05,310 --> 00:08:08,891 UM... [ CLEARS THROAT ] 123 00:08:08,915 --> 00:08:11,853 HOW MUCH IS COFFEE... 124 00:08:11,877 --> 00:08:14,726 FROM, YOU KNOW, BEANS? 125 00:08:14,750 --> 00:08:16,158 $2.75. 126 00:08:16,182 --> 00:08:19,201 DID THEY CARRY IT HERE FROM SOUTH AMERICA BY FOOT? 127 00:08:19,225 --> 00:08:20,803 YOU SOUND LIKE MY GRANDPA. 128 00:08:20,827 --> 00:08:22,906 JUST MAKE SURE IT'S HOT. 129 00:08:22,930 --> 00:08:25,509 YEAH, WHATEVER. 130 00:08:25,533 --> 00:08:27,312 IT'S NOT YOUR FAULT, LANA. 131 00:08:27,336 --> 00:08:29,473 DO YOU KNOW ANYONE ELSE WHO'S LOST 132 00:08:29,497 --> 00:08:32,147 AN ENTIRE OLD PERSON IN A WHEELCHAIR? 133 00:08:32,171 --> 00:08:34,178 NO. THAT'S PRETTY IMPRESSIVE, 134 00:08:34,202 --> 00:08:35,921 EVEN BY SMALLVILLE STANDARDS. 135 00:08:35,945 --> 00:08:37,783 MAYBE HE WAS KIDNAPPED. 136 00:08:37,807 --> 00:08:40,426 WHO'D WANT TO KIDNAP HARRY? HE'S JUST A HARMLESS OLD MAN. 137 00:08:40,450 --> 00:08:43,158 MAYBE A KOI TURNED INTO A PIRANHA AND ATE HIM. 138 00:08:43,182 --> 00:08:46,263 YOU ASKED FOR MY HELP. I'M THINKING OUT OF THE BOX. 139 00:08:46,287 --> 00:08:47,433 I LIKE YOUR THEORY. 140 00:08:47,457 --> 00:08:49,395 YOU KNOW, YOU MIGHT WANT TO WORK ON 141 00:08:49,419 --> 00:08:51,268 YOUR EAVESDROPPING TECHNIQUE. 142 00:08:51,292 --> 00:08:53,171 SORRY. I'M, UH... I'M NEW IN TOWN. 143 00:08:53,195 --> 00:08:55,567 I JUST HEARD THIS IS WHERE YOUNG PEOPLE CONGREGATE. 144 00:08:56,969 --> 00:08:59,447 YEAH, WE CONGREGATE HERE OFTEN. 145 00:08:59,471 --> 00:09:02,211 HI, I'M CLARK. THE RUDE ONE'S CHLOE. 146 00:09:02,235 --> 00:09:04,506 AND THIS IS... LANA LANG. 147 00:09:06,308 --> 00:09:07,980 NAMETAG WAS A BIG CLUE. 148 00:09:10,144 --> 00:09:13,447 SO, UH... GOOD LUCK FINDING YOUR MISSING OLD PERSON. 149 00:09:18,592 --> 00:09:21,302 ENJOY YOUR COFFEE. 150 00:09:21,326 --> 00:09:24,806 THEY BROUGHT IT IN BY BURRO THIS MORNING. 151 00:09:24,830 --> 00:09:27,302 THANKS, HONEY. YOU'RE A DOLL. 152 00:09:29,936 --> 00:09:31,868 [ CLASSICAL MUSIC PLAYING ] 153 00:09:42,519 --> 00:09:46,354 YOU PLAY BEAUTIFULLY! 154 00:09:48,186 --> 00:09:51,365 I WAS SUPPOSED TO ATTEND THE METROPOLIS CONSERVATORY. 155 00:09:51,389 --> 00:09:53,408 YOUR VOICE SOUNDS YOUNG. 156 00:09:53,432 --> 00:09:57,413 THE CONSERVATORY CLOSED ITS DOORS IN THE '70s. 157 00:09:57,437 --> 00:10:00,576 I MEAN, I'VE ALWAYS DREAMED OF ATTENDING THERE... 158 00:10:00,600 --> 00:10:03,620 THAT IS, IF I LIVED IN A DIFFERENT TIME. 159 00:10:03,644 --> 00:10:06,582 AH. 160 00:10:06,606 --> 00:10:10,427 ANY CHANCE YOU COULD GIVE AN OLD LADY A HAND 161 00:10:10,451 --> 00:10:11,958 BACK TO HER ROOM? 162 00:10:11,982 --> 00:10:14,091 HMM? 163 00:10:14,115 --> 00:10:16,357 I already know my future. 164 00:10:23,666 --> 00:10:26,129 [ TIRES SCREECHING ] 165 00:10:34,677 --> 00:10:37,457 YOU MIGHT CONSIDER ROUNDING THOSE CURVES AT A SPEED 166 00:10:37,481 --> 00:10:39,620 THAT WON'T ACTUALLY BREAK THE SOUND BARRIER. 167 00:10:39,644 --> 00:10:41,022 WHERE'S THE FUN IN THAT? 168 00:10:41,046 --> 00:10:42,923 SERIOUSLY. YOU COULD GET HURT. 169 00:10:42,947 --> 00:10:45,049 WHY THE SUDDEN INTEREST IN MY HEALTH? 170 00:10:46,652 --> 00:10:49,400 I MET THIS WOMAN AT THE RETIREMENT CENTER, 171 00:10:49,424 --> 00:10:51,634 AND SHE CAN KIND OF SEE THE FUTURE. 172 00:10:51,658 --> 00:10:53,576 YEAH? SHE TELL YOU YOUR FUTURE? 173 00:10:53,600 --> 00:10:55,137 NOT EXACTLY. 174 00:10:55,161 --> 00:10:57,139 SHE SAID SOMEONE VERY CLOSE TO ME WOULD... 175 00:10:57,163 --> 00:10:58,311 DIE? 176 00:10:58,335 --> 00:11:00,082 I KNOW IT SOUNDS NUTS, 177 00:11:00,106 --> 00:11:02,115 BUT WHEN YOU TALK TO HER, IT'S LIKE SHE REALLY KNOWS. 178 00:11:02,139 --> 00:11:03,417 COME ON, CLARK. 179 00:11:03,441 --> 00:11:05,489 SHE KNOWS WHEN SHE HAS A GOOD AUDIENCE. 180 00:11:05,513 --> 00:11:07,020 YOU SOUND LIKE MY PARENTS. 181 00:11:07,044 --> 00:11:08,422 THAT'S GOTTA BE A FIRST. 182 00:11:08,446 --> 00:11:11,296 LEX, I THINK THIS WOMAN'S THE REAL DEAL. 183 00:11:11,320 --> 00:11:14,528 THEN THE QUESTION YOU'VE GOTTA ASK YOURSELF IS... 184 00:11:14,552 --> 00:11:17,101 DO YOU REALLY WANNA KNOW THE FUTURE? 185 00:11:17,125 --> 00:11:20,034 DON'T YOU WISH YOU KNEW HOW IT WAS ALL GONNA TURN OUT? 186 00:11:20,058 --> 00:11:21,506 LIFE'S A JOURNEY, CLARK. 187 00:11:21,530 --> 00:11:24,070 I DON'T WANNA GO THROUGH IT FOLLOWING A ROAD MAP. 188 00:11:24,094 --> 00:11:26,513 IT STILL WOULDN'T KILL YOU TO DRIVE MORE SLOWLY. 189 00:11:26,537 --> 00:11:28,445 WHY? I HAVE YOU AS A FRIEND. 190 00:11:28,469 --> 00:11:30,471 YOU CHANGED MY FUTURE ONCE, RIGHT? 191 00:11:36,347 --> 00:11:38,326 I GOT SOME MORE DELIVERIES TO MAKE. 192 00:11:38,350 --> 00:11:41,058 YOU NEVER TOLD ME THIS WOMAN'S NAME. 193 00:11:41,082 --> 00:11:43,591 I THOUGHT YOU WEREN'T INTERESTED. 194 00:11:43,615 --> 00:11:46,588 MAYBE I'll ASK HER FOR SOME STOCK TIPS. 195 00:11:48,662 --> 00:11:51,595 CASSANDRA CARVER. 196 00:11:57,030 --> 00:11:59,480 I DON'T THINK THAT'S GONNA HELP BRING HARRY BACK. 197 00:11:59,504 --> 00:12:01,511 CLARK, WHAT ARE YOU DOING HERE SO LATE? 198 00:12:01,535 --> 00:12:03,583 I CAME TO SEE CASSANDRA IF SHE'S STILL UP. 199 00:12:03,607 --> 00:12:05,616 WHAT HAPPENED TO HARRY'S YOUNG PICTURE? 200 00:12:05,640 --> 00:12:07,489 I DON'T KNOW. 201 00:12:07,513 --> 00:12:09,721 IS EVERYTHING OKAY? 202 00:12:09,745 --> 00:12:12,293 I MET WITH THE ADMINISTRATOR... 203 00:12:12,317 --> 00:12:15,427 YOU KNOW, TO TELL THEM WHAT I KNEW ABOUT HARRY. 204 00:12:15,451 --> 00:12:17,200 THE POLICE WERE THERE. 205 00:12:17,224 --> 00:12:19,231 WELL, IT'S A MISSING-PERSON CASE. 206 00:12:19,255 --> 00:12:20,572 THAT'S NOT UNUSUAL. 207 00:12:20,596 --> 00:12:22,075 THAT'S NOT THE REASON. 208 00:12:22,099 --> 00:12:24,307 HARRY BOLLSTON'S REAL NAME IS HARRY VOLK. 209 00:12:24,331 --> 00:12:25,609 HE WAS A MURDERER, CLARK. 210 00:12:25,633 --> 00:12:27,110 A MURDERER? 211 00:12:27,134 --> 00:12:29,312 WHY WOULD THEY LET SOMEONE LIKE THAT STAY HERE? 212 00:12:29,336 --> 00:12:32,046 BECAUSE IT HAPPENED 60 YEARS AGO, WHEN HE WAS 17. 213 00:12:32,070 --> 00:12:34,688 I GUESS THEY FIGURED HE WAS JUST A HARMLESS OLD MAN 214 00:12:34,712 --> 00:12:36,721 WHO MOVED BACK TO HIS HOMETOWN TO DIE. 215 00:12:36,745 --> 00:12:38,192 BACK IN THE '40s, 216 00:12:38,216 --> 00:12:40,154 HE WAS STUDYING TO BE A CONCERT PIANIST. 217 00:12:40,178 --> 00:12:43,198 HE WAS UP FOR A FULL SCHOLARSHIP TO THE METROPOLIS CONSERVATORY. 218 00:12:43,222 --> 00:12:45,530 BUT HIS TEACHER RECOMMENDED SOMEBODY ELSE. 219 00:12:45,554 --> 00:12:47,263 SO HE KILLED HIS TEACHER? 220 00:12:47,287 --> 00:12:49,064 NO. 221 00:12:49,088 --> 00:12:51,768 HE SAID THE TEACHER KILLED HIS DREAM, 222 00:12:51,792 --> 00:12:54,611 SO HE KILLED THE TEACHER'S DREAM... 223 00:12:54,635 --> 00:12:56,096 THE MAN'S SON. 224 00:13:00,172 --> 00:13:02,179 COME ON... LET'S GO. COME ON! LET'S GO. 225 00:13:02,203 --> 00:13:03,721 THROW THE BALL. THROW THE BALL! 226 00:13:03,745 --> 00:13:04,753 WATCH THE BLITZ! 227 00:13:04,777 --> 00:13:08,486 YES! YES! HA HA! 228 00:13:08,510 --> 00:13:09,729 [ ELECTRICITY CRACKLING ] 229 00:13:09,753 --> 00:13:13,255 YOU GOT IT... DAMN IT. 230 00:13:22,326 --> 00:13:25,176 [ KNOCK ON DOOR ] 231 00:13:25,200 --> 00:13:26,506 CAN I HELP YOU? 232 00:13:26,530 --> 00:13:27,609 EVENIN'. 233 00:13:27,633 --> 00:13:29,149 SORRY ABOUT THE TROUBLE, SIR. 234 00:13:29,173 --> 00:13:31,112 WE GOT A FAULTY LINE ABOUT A MILE DOWN THE ROAD. 235 00:13:31,136 --> 00:13:32,354 I WANTED TO MAKE SURE 236 00:13:32,378 --> 00:13:34,139 YOUR CIRCUIT BREAKER HADN'T BEEN FRIED. 237 00:13:37,744 --> 00:13:39,121 ANYBODY ELSE AT HOME? 238 00:13:39,145 --> 00:13:40,263 NO, I'M DIVORCED. 239 00:13:40,287 --> 00:13:42,865 I SAW THE NAME WAS, UH... JIM GAGE. 240 00:13:42,889 --> 00:13:44,668 ANY RELATION TO A RANDOLPH GAGE? 241 00:13:44,692 --> 00:13:46,600 WELL, I'D SAY SO. HE WAS MY FATHER. 242 00:13:46,624 --> 00:13:48,101 HE PASSED BACK IN '93. 243 00:13:48,125 --> 00:13:50,134 I REMEMBER READING HIS OBITUARY. 244 00:13:50,158 --> 00:13:51,335 IT SAID HE OPENED 245 00:13:51,359 --> 00:13:53,807 THE FIRST CAR DEALERSHIP IN SMALLVILLE. 246 00:13:53,831 --> 00:13:56,280 IN 1935! YOU GOT A GOOD MEMORY. 247 00:13:56,304 --> 00:13:58,783 THANKS. I HAD A LOT OF TIME TO KILL. 248 00:13:58,807 --> 00:14:01,841 WE GOT THREE DEALERSHIPS IN THREE COUNTIES NOW. 249 00:14:05,846 --> 00:14:08,879 SOUNDS LIKE YOUR FATHER LEFT YOU A BRIGHT FUTURE. 250 00:14:19,260 --> 00:14:23,311 ARE YOU GOING TO COME IN OR NOT, MR. KENT? 251 00:14:23,335 --> 00:14:25,342 HOW DO YOU DO THAT? 252 00:14:25,366 --> 00:14:30,318 WHEN ONE SENSE GOES, THE OTHERS GET... HEIGHTENED. 253 00:14:30,342 --> 00:14:33,221 OH, I MUST ADMIT, AFTER YESTERDAY, 254 00:14:33,245 --> 00:14:35,855 I THOUGHT I'D NEVER SEE YOU AGAIN. 255 00:14:35,879 --> 00:14:37,850 SIT. 256 00:14:44,818 --> 00:14:48,538 WHAT YOU TOLD ME, I CAN'T GET OUT OF MY HEAD. 257 00:14:48,562 --> 00:14:50,341 IMAGINE HOW I FEEL. 258 00:14:50,365 --> 00:14:53,875 WHEN IT FIRST STARTED HAPPENING, I, UH... 259 00:14:53,899 --> 00:14:55,947 I THOUGHT IT WAS A CURSE. 260 00:14:55,971 --> 00:15:00,452 I KEPT GETTING SNAPSHOTS OF THINGS I COULDN'T CONTROL. 261 00:15:00,476 --> 00:15:02,284 WHEN DID THEY START? 262 00:15:02,308 --> 00:15:04,356 WHEN I FIRST LOST MY SIGHT. 263 00:15:04,380 --> 00:15:08,522 IT'S FUNNY... I WOKE UP THAT MORNING, LIKE ANY OTHER. 264 00:15:08,546 --> 00:15:10,823 THEN THE METEORS CAME. 265 00:15:10,847 --> 00:15:13,898 ONE HIT A FIELD BEHIND MY HOUSE. 266 00:15:13,922 --> 00:15:17,371 THE FLASH BURNT MY OPTIC NERVES. 267 00:15:17,395 --> 00:15:18,974 I'M SORRY. 268 00:15:18,998 --> 00:15:20,936 IT'S NOT YOUR FAULT. 269 00:15:20,960 --> 00:15:27,336 IT'S AMAZING HOW ONE MOMENT CAN CHANGE YOUR LIFE FOREVER. 270 00:15:31,240 --> 00:15:33,990 MY FRIENDS AND FAMILY, THEY THINK THAT YOU'RE... 271 00:15:34,014 --> 00:15:35,822 A FRAUD, HUH? 272 00:15:35,846 --> 00:15:37,394 [ CHUCKLES ] 273 00:15:37,418 --> 00:15:40,457 PEOPLE ARE AFRAID OF THE UNKNOWN, CLARK. 274 00:15:40,481 --> 00:15:42,230 THEY ONLY WANT TO KNOW 275 00:15:42,254 --> 00:15:45,432 IF EVERYTHING'S GONNA TURN OUT ALL RIGHT. 276 00:15:45,456 --> 00:15:47,605 I CAN'T GUARANTEE THAT. 277 00:15:47,629 --> 00:15:52,471 WHAT I CAN SHOW YOU ARE SIGNPOSTS ON YOUR JOURNEY. 278 00:15:52,495 --> 00:15:55,999 WHAT YOU DO WITH THEM IS UP TO YOU. 279 00:15:58,341 --> 00:16:00,379 I'VE GOT SO MANY QUESTIONS IN MY LIFE. 280 00:16:00,403 --> 00:16:01,605 I JUST WANT SOME ANSWERS. 281 00:16:04,808 --> 00:16:06,551 CLOSER. 282 00:16:13,057 --> 00:16:17,793 NOW... TAKE MY HAND. 283 00:16:26,533 --> 00:16:28,375 [ THUNDER CRASHES ] 284 00:16:40,849 --> 00:16:45,094 NO!! 285 00:16:48,398 --> 00:16:51,400 NO!! 286 00:16:52,932 --> 00:16:55,841 NO. 287 00:16:55,865 --> 00:16:57,484 YOU SAW THAT, TOO? 288 00:16:57,508 --> 00:16:59,841 CLARK! 289 00:17:10,452 --> 00:17:13,462 CLARK, MAYBE YOU WERE HAVING SOME KIND OF HALLUCINATION. 290 00:17:13,486 --> 00:17:14,964 IT WASN'T A HALLUCINATION. 291 00:17:14,988 --> 00:17:17,437 IT WAS A GLIMPSE OF THE FUTURE... MY FUTURE. 292 00:17:17,461 --> 00:17:19,438 AND YOU SAW AN ENDLESS GRAVEYARD? 293 00:17:19,462 --> 00:17:21,541 LIKE I WAS THE LAST PERSON ON EARTH. 294 00:17:21,565 --> 00:17:23,714 LOOK, SON, I DON'T KNOW WHAT YOU DID OR DIDN'T SEE, 295 00:17:23,738 --> 00:17:25,745 BUT COME ON... YOU GOTTA CONSIDER THE SOURCE. 296 00:17:25,769 --> 00:17:27,977 RIGHT. WE DON'T KNOW ANYTHING ABOUT THIS WOMAN. 297 00:17:28,001 --> 00:17:30,450 I KNOW SHE LOST HER VISION IN THE METEOR SHOWER. 298 00:17:30,474 --> 00:17:31,652 OH, UH, AND THAT MAKES IT 299 00:17:31,676 --> 00:17:33,485 SO THAT SHE CAN PREDICT THE FUTURE? 300 00:17:33,509 --> 00:17:34,726 IS IT SO CRAZY? 301 00:17:34,750 --> 00:17:36,658 I GET HIT BY A CAR, AND I'M FINE. 302 00:17:36,682 --> 00:17:38,659 I WALK THROUGH FIRE, AND I'M OKAY. 303 00:17:38,683 --> 00:17:40,062 WHAT'S NEXT? 304 00:17:40,086 --> 00:17:42,495 YOU CAN'T LET THIS ONE IMAGE CONSUME YOUR WHOLE LIFE. 305 00:17:42,519 --> 00:17:45,437 WHAT IF IT IS MY DESTINY TO OUTLIVE EVERYONE I LOVE? 306 00:17:45,461 --> 00:17:46,623 I DON'T WANNA BE ALONE. 307 00:17:52,470 --> 00:17:54,879 CLARK... 308 00:17:54,903 --> 00:17:57,011 I DON'T KNOW WHAT YOUR FUTURE HOLDS. 309 00:17:57,035 --> 00:17:59,754 I THINK THIS WOMAN HAS THE ANSWERS. 310 00:17:59,778 --> 00:18:03,558 THE ONLY PERSON WHO CONTROLS YOUR DESTINY IS YOU. 311 00:18:03,582 --> 00:18:04,959 WELL, RIGHT NOW 312 00:18:04,983 --> 00:18:06,743 I DON'T FEEL LIKE I HAVE CONTROL OF ANYTHING. 313 00:18:15,855 --> 00:18:18,604 CASSANDRA CARVER? 314 00:18:18,628 --> 00:18:24,641 DO THOSE EXPENSIVE SHOES COME WITH A NAME? 315 00:18:24,665 --> 00:18:26,643 LEX LUTHOR. 316 00:18:26,667 --> 00:18:27,985 OH. 317 00:18:28,009 --> 00:18:32,521 OF LUTHOR... EVERYTHING, INCORPORATED? 318 00:18:32,545 --> 00:18:33,851 MORE OR LESS. 319 00:18:33,875 --> 00:18:37,025 AND WHAT DOES THE SAVIOR OF SMALLVILLE WANT 320 00:18:37,049 --> 00:18:39,027 WITH AN OLD BLIND WOMAN? 321 00:18:39,051 --> 00:18:41,801 YOU SEEM TO HAVE MADE A REAL IMPRESSION 322 00:18:41,825 --> 00:18:42,963 ON MY FRIEND CLARK. 323 00:18:42,987 --> 00:18:45,465 SO YOU CAME TO SEE FOR YOURSELF? 324 00:18:45,489 --> 00:18:46,607 CLARK'S NOT STUPID. 325 00:18:46,631 --> 00:18:48,007 IF HE SAYS YOU KNOW THINGS, 326 00:18:48,031 --> 00:18:51,012 THERE MUST BE SOMETHING THAT MADE HIM THINK THAT. 327 00:18:51,036 --> 00:18:53,675 WHAT GIVES ME THE FEELING 328 00:18:53,699 --> 00:18:57,948 YOU'RE NOT HERE FOR STOCK TIPS, MR. LUTHOR? 329 00:18:57,972 --> 00:19:00,552 PLEASE... CALL ME LEX. 330 00:19:00,576 --> 00:19:04,456 I WAS HOPING YOU COULD GIVE ME SOME INSIGHT INTO CLARK. 331 00:19:04,480 --> 00:19:07,229 AND YOU CALL HIM A FRIEND, DO YOU? 332 00:19:07,253 --> 00:19:10,734 HE SAVED MY LIFE, BUT HE'S ALSO A MYSTERY. 333 00:19:10,758 --> 00:19:12,495 MOST PEOPLE ARE. 334 00:19:12,519 --> 00:19:15,569 THAT'S WHAT MAKES THEM INTERESTING. 335 00:19:15,593 --> 00:19:18,973 I'M WILLING TO TREAT THIS AS A PROFESSIONAL SERVICE. 336 00:19:18,997 --> 00:19:21,004 SAVE YOUR MONEY, LEX. 337 00:19:21,028 --> 00:19:23,677 I CAN'T TELL YOU ABOUT CLARK... 338 00:19:23,701 --> 00:19:25,710 EVEN IF I WANTED TO. 339 00:19:25,734 --> 00:19:29,754 I CAN ONLY TELL THE FUTURE OF THE PERSON I TOUCH. 340 00:19:29,778 --> 00:19:31,009 HMM? 341 00:19:36,517 --> 00:19:38,624 I DON'T NEED TO KNOW MY FUTURE. 342 00:19:38,648 --> 00:19:40,597 WHY? 343 00:19:40,621 --> 00:19:44,231 BECAUSE YOUR FATHER ALREADY HAS IT MAPPED OUT FOR YOU? 344 00:19:44,255 --> 00:19:47,635 I BELIEVE WE MAKE OUR OWN DESTINY. 345 00:19:47,659 --> 00:19:51,510 AND DON'T YOU WANT A GLIMPSE OF WHAT IT IS YOU'LL MAKE? 346 00:19:51,534 --> 00:19:55,744 MAYBE I'll SEE YOUR FRIEND CLARK, OR... 347 00:19:55,768 --> 00:19:59,311 MAYBE I'll SEE SOMETHING ELSE. 348 00:20:01,644 --> 00:20:03,253 GOODBYE, MISS CARVER. 349 00:20:03,277 --> 00:20:04,979 IT'S BEEN ENLIGHTENING. 350 00:20:09,083 --> 00:20:11,762 COME BACK AGAIN, HMM? 351 00:20:11,786 --> 00:20:13,959 WHEN YOU'RE READY. 352 00:20:20,635 --> 00:20:22,613 [ DOOR OPENS ] 353 00:20:22,637 --> 00:20:26,678 CHLOE, WHAT... SHE'S NOT BACK YET. 354 00:20:26,702 --> 00:20:29,081 LANA, WHAT ARE YOU DOING HERE? 355 00:20:29,105 --> 00:20:30,954 CHLOE CALLED ME, TOO. 356 00:20:30,978 --> 00:20:34,588 SHE SAID SHE HAD SOME INFO ON HARRY. 357 00:20:34,612 --> 00:20:37,690 WHEN I GOT HERE, I STARTED LOOKING AROUND. 358 00:20:37,714 --> 00:20:39,162 I FOUND THIS. 359 00:20:39,186 --> 00:20:41,765 CHLOE CALLS IT THE "WALL OF WEIRD." 360 00:20:41,789 --> 00:20:44,698 SHE BELIEVES EVERYTHING STRANGE IN SMALLVILLE 361 00:20:44,722 --> 00:20:46,802 STARTED WITH THE METEOR SHOWER. 362 00:20:46,826 --> 00:20:48,203 HOW ABOUT YOU, CLARK? 363 00:20:48,227 --> 00:20:49,969 DO YOU BELIEVE THAT? 364 00:20:52,000 --> 00:20:53,609 YEAH, I GUESS I DO. 365 00:20:53,633 --> 00:20:55,011 DOES THAT INCLUDE ME? 366 00:20:55,035 --> 00:20:57,883 I'M UP THERE WITH THE 3-HEADED CALF 367 00:20:57,907 --> 00:21:00,657 AND THE MONSTER FROM CRATER LAKE. 368 00:21:00,681 --> 00:21:04,061 THE STUFF ON THIS WALL HAS NOTHING TO DO WITH YOU. 369 00:21:04,085 --> 00:21:05,662 REMEMBER WHEN YOU SAID 370 00:21:05,686 --> 00:21:07,689 PEOPLE KEEP THEIR DARKEST SECRETS HIDDEN? 371 00:21:08,920 --> 00:21:11,699 MINE'S OUT THERE FOR ALL THE WORLD TO SEE. 372 00:21:11,723 --> 00:21:14,202 IT'S HARD WHEN EVERYONE KNOWS YOUR TRAGEDY. 373 00:21:14,226 --> 00:21:16,205 THEY TREAT YOU DIFFERENTLY... 374 00:21:16,229 --> 00:21:17,906 LIKE YOU'RE GONNA BREAK. 375 00:21:17,930 --> 00:21:20,039 I'M SURE THEY JUST FEEL BAD AND WANT TO HELP. 376 00:21:20,063 --> 00:21:21,940 I KNOW, BUT ALL THEY DO IS REMIND YOU 377 00:21:21,964 --> 00:21:24,007 OF THE MOST PAINFUL MOMENT OF YOUR LIFE. 378 00:21:25,739 --> 00:21:28,142 HOW WOULD THAT MAKE YOU FEEL, CLARK? 379 00:21:31,715 --> 00:21:33,724 LIKE I WISH I COULD GO BACK IN TIME 380 00:21:33,748 --> 00:21:35,820 AND ERASE THAT MOMENT FOREVER. 381 00:21:38,083 --> 00:21:40,962 I THOUGHT HIGH SCHOOL WOULD BE DIFFERENT, 382 00:21:40,986 --> 00:21:44,065 THAT I COULD FINALLY START PUTTING IT BEHIND ME... 383 00:21:44,089 --> 00:21:47,639 BUT EVERYWHERE I GO, THERE IT IS. 384 00:21:47,663 --> 00:21:49,911 MAYBE I SHOULD JUST ACCEPT MY DESTINY. 385 00:21:49,935 --> 00:21:51,844 ALL I'M EVER GONNA BE 386 00:21:51,868 --> 00:21:54,747 IS A LITTLE GIRL IN A FAIRY-PRINCESS COSTUME 387 00:21:54,771 --> 00:21:57,220 WHO LOST HER PARENTS. 388 00:21:57,244 --> 00:22:00,885 I DON'T SEE YOU THAT WAY. 389 00:22:00,909 --> 00:22:03,026 I KNOW YOU DON'T, CLARK. 390 00:22:03,050 --> 00:22:06,714 YOU'RE THE ONLY ONE WHO DOESN'T. 391 00:22:22,772 --> 00:22:26,152 CLARK... I GOT YOUR MESSAGE. 392 00:22:26,176 --> 00:22:27,985 WHAT HAPPENED? 393 00:22:28,009 --> 00:22:30,217 I THOUGHT WE WERE ALL SUPPOSED TO MEET AT THE TORCH. 394 00:22:30,241 --> 00:22:32,761 I'M SORRY. I DIDN'T MEAN TO BLOW YOU GUYS OFF. 395 00:22:32,785 --> 00:22:34,793 WILL THE LOVELY MISS LANG BE JOINING US? 396 00:22:34,817 --> 00:22:37,064 NO, I THINK SHE HAD ENOUGH WEIRDNESS FOR ONE DAY. 397 00:22:37,088 --> 00:22:38,766 WHAT HAVE YOU GOT? 398 00:22:38,790 --> 00:22:40,399 A GUY WAS FOUND DEAD IN HIS HOUSE. 399 00:22:40,423 --> 00:22:42,871 HE WAS BLINDFOLDED AND STRANGLED WITH A PIANO WIRE. 400 00:22:42,895 --> 00:22:45,405 WHICH IS THE SAME SIGNATURE HARRY VOLK USED IN 1945. 401 00:22:45,429 --> 00:22:47,006 SOUNDS LIKE A COPYCAT. 402 00:22:47,030 --> 00:22:49,478 A COPYCAT OF A MURDER THAT HAPPENED 60 YEARS AGO, 403 00:22:49,502 --> 00:22:52,412 TWO DAYS AFTER THE ORIGINAL KILLER HAPPENED TO DISAPPEAR? 404 00:22:52,436 --> 00:22:54,113 HARRY'S IN A WHEELCHAIR... 405 00:22:54,137 --> 00:22:56,746 NOT EXACTLY IN PRIME CONDITION TO GO ON A CRIME SPREE. 406 00:22:56,770 --> 00:22:59,149 WELL, I FOUND THIS PICTURE OF HARRY FROM THE '40s. 407 00:22:59,173 --> 00:23:01,422 IT LOOKS LIKE THE KID WE SAW IN THE BEANERY. 408 00:23:01,446 --> 00:23:03,155 MAYBE HE'S GOT A GRANDSON. 409 00:23:03,179 --> 00:23:05,056 OR MAYBE IT'S HARRY. 410 00:23:05,080 --> 00:23:07,959 I DON'T THINK WE SHOULD START LOOKING FOR TIME MACHINES YET. 411 00:23:07,983 --> 00:23:10,101 FINE. WHERE DO YOU THINK WE SHOULD START? 412 00:23:10,125 --> 00:23:12,504 IF SOMEONE IS FOLLOWING IN HARRY'S FOOTSTEPS, 413 00:23:12,528 --> 00:23:14,137 MAYBE THEY SENT SOME FAN MAIL. 414 00:23:14,161 --> 00:23:18,164 [ CLASSICAL PIANO MUSIC PLAYING ] 415 00:23:31,180 --> 00:23:33,552 WE CLOSE AT 9:00, MOZART. 416 00:23:35,855 --> 00:23:38,794 [ SIGHS ] YOUR PIANO NEEDS TUNING. 417 00:23:38,818 --> 00:23:40,897 THAT'S BECAUSE NOBODY'S PLAYED IT IN YEARS. 418 00:23:40,921 --> 00:23:41,898 MM. 419 00:23:41,922 --> 00:23:43,840 YOU WANT TO SETTLE UP? 420 00:23:43,864 --> 00:23:45,967 CAN I GET ONE MORE COFFEE? 421 00:23:47,969 --> 00:23:49,847 DON'T YOU HAVE SOMEWHERE TO GO? 422 00:23:49,871 --> 00:23:52,449 COME ON, YOU CAN CLEAN UP TO THE SOUNDS OF CHOPIN. 423 00:23:52,473 --> 00:23:55,483 ZOE, BE A DOLL. 424 00:23:55,507 --> 00:23:57,485 I GUESS. 425 00:23:57,509 --> 00:23:59,842 [ CLASSICAL PIANO MUSIC PLAYING ] 426 00:24:06,048 --> 00:24:08,868 WHAT HAPPENS IF SOMEONE SEES US SEARCHING HARRY'S ROOM? 427 00:24:08,892 --> 00:24:10,530 HOW ABOUT WE DON'T GET SEEN? 428 00:24:10,554 --> 00:24:12,902 CLARK, IS THAT YOU? 429 00:24:12,926 --> 00:24:14,975 HARRY'S ROOM IS DOWN THE HALLWAY. 430 00:24:14,999 --> 00:24:16,361 I'll MEET YOU THERE. 431 00:24:20,105 --> 00:24:23,214 THE OTHER NIGHT YOU LEFT IN A HURRY. 432 00:24:23,238 --> 00:24:24,910 SIT. 433 00:24:26,913 --> 00:24:31,393 I, UH [CLEARS THROAT] I HOPED YOU'D COME BACK. 434 00:24:31,417 --> 00:24:33,896 I'M SORRY. 435 00:24:33,920 --> 00:24:39,101 YOU SAW THAT... WHATEVER IT WAS. 436 00:24:39,125 --> 00:24:42,035 I ALWAYS SEE THEM. 437 00:24:42,059 --> 00:24:46,239 THE QUESTION IS, HOW DID YOU? 438 00:24:46,263 --> 00:24:48,612 I DON'T KNOW. 439 00:24:48,636 --> 00:24:50,314 WASN'T I SUPPOSED TO? 440 00:24:50,338 --> 00:24:52,070 NOBODY EVER HAS. 441 00:24:54,443 --> 00:24:56,150 WHY ME? 442 00:24:56,174 --> 00:24:59,324 BECAUSE... WE BOTH KNOW... 443 00:24:59,348 --> 00:25:03,129 YOU'RE NOT LIKE OTHER PEOPLE. 444 00:25:03,153 --> 00:25:04,930 SURE, I AM. 445 00:25:04,954 --> 00:25:07,864 NO, CLARK, I'VE SEEN YOU... 446 00:25:07,888 --> 00:25:09,937 BEFORE WE EVER MET. 447 00:25:09,961 --> 00:25:13,900 MORE THAN ONCE I'VE TOUCHED PEOPLE, 448 00:25:13,924 --> 00:25:18,275 AND I'VE SEEN SUCH PAIN AND DESPAIR AND... 449 00:25:18,299 --> 00:25:21,350 BUT THEN YOU WERE THERE, 450 00:25:21,374 --> 00:25:24,612 AND THE PAIN WAS GONE. 451 00:25:24,636 --> 00:25:28,358 I THINK THAT'S YOUR DESTINY, CLARK... 452 00:25:28,382 --> 00:25:30,360 TO HELP PEOPLE, 453 00:25:30,384 --> 00:25:33,924 TO SAVE THEM FROM FEAR AND DARKNESS. 454 00:25:33,948 --> 00:25:35,165 HOW? 455 00:25:35,189 --> 00:25:38,599 WELL, THAT'S FOR YOU TO FIGURE OUT. 456 00:25:38,623 --> 00:25:42,674 YOU CAN FEAR THE FUTURE, OR... 457 00:25:42,698 --> 00:25:45,300 YOU CAN EMBRACE IT. 458 00:25:47,963 --> 00:25:51,067 THE CHOICE IS YOURS. 459 00:26:11,190 --> 00:26:13,007 WHO ARE THEY?! 460 00:26:13,031 --> 00:26:16,712 PEOPLE WHO NEED YOUR HELP. 461 00:26:16,736 --> 00:26:20,275 HOW AM I SUPPOSED TO HELP THEM IF I DON'T KNOW WHO THEY ARE? 462 00:26:20,299 --> 00:26:22,118 I'M NOT A RADIO... 463 00:26:22,142 --> 00:26:25,322 I DON'T PICK UP CONTINUOUS TRANSMISSIONS. 464 00:26:25,346 --> 00:26:27,184 THAT'S ALL I HAVE. 465 00:26:27,208 --> 00:26:31,158 I'll FIGURE IT OUT. 466 00:26:31,182 --> 00:26:35,656 CLARK... YOUR SECRET'S SAFE WITH ME. 467 00:26:44,366 --> 00:26:46,145 YOU GUYS HAVE ANY LUCK? 468 00:26:46,169 --> 00:26:48,747 NO FAN MAIL, JUST A BUNCH OF OLD NEWS CLIPPINGS 469 00:26:48,771 --> 00:26:52,282 FROM THE SMALLVILLE LEDGER... OBITUARIES... 470 00:26:52,306 --> 00:26:54,014 ARTICLES... 471 00:26:54,038 --> 00:26:56,756 THE GUY'S BEEN OBSESSED WITH SMALLVILLE FOR 50 YEARS. 472 00:26:56,780 --> 00:26:58,389 CLARK, IS SOMETHING WRONG? 473 00:26:58,413 --> 00:26:59,689 IT'S HER. 474 00:26:59,713 --> 00:27:01,062 IT'S WHO? 475 00:27:01,086 --> 00:27:02,386 I GOTTA GO! 476 00:27:08,423 --> 00:27:10,625 [ INHALES SHARPLY ] 477 00:27:13,159 --> 00:27:15,177 THANKS FOR THE SERENADE, 478 00:27:15,201 --> 00:27:18,782 BUT UNLESS YOU'RE SLEEPING HERE, WHICH YOU'RE NOT, 479 00:27:18,806 --> 00:27:21,645 I'M HEADING OUT. 480 00:27:21,669 --> 00:27:23,617 WHAT'S THIS? 481 00:27:23,641 --> 00:27:26,120 THEY DON'T TEACH GREEK IN SCHOOL ANYMORE? 482 00:27:26,144 --> 00:27:27,620 IT'S EURIPIDES. 483 00:27:27,644 --> 00:27:31,124 "THE SINS OF THE FATHER ARE VISITED ON THE CHILDREN." 484 00:27:31,148 --> 00:27:33,757 YOU PLAY BEETHOVEN AND YOU SPEAK GREEK? 485 00:27:33,781 --> 00:27:35,300 REAL CUTE. 486 00:27:35,324 --> 00:27:37,302 WHAT'S THAT GOT TO DO WITH ME? 487 00:27:37,326 --> 00:27:41,266 ACTUALLY, ZOE GARFIELD, QUITE A BIT. 488 00:27:41,290 --> 00:27:45,410 YOUR GRANDMOTHER, EVE GARFIELD... 489 00:27:45,434 --> 00:27:48,344 SHE DIED LAST YEAR, RIGHT? 490 00:27:48,368 --> 00:27:52,478 I WAS MEANT FOR BIG CITIES AND GREAT CONCERT HALLS... 491 00:27:52,502 --> 00:27:55,052 THAT WAS MY DESTINY... 492 00:27:55,076 --> 00:27:57,124 AND YOUR GRANDMOTHER... 493 00:27:57,148 --> 00:27:59,357 SHE HELPED KILL THAT FUTURE. 494 00:27:59,381 --> 00:28:01,313 AND NOW... 495 00:28:03,556 --> 00:28:05,557 I'M GONNA KILL YOURS. 496 00:28:07,220 --> 00:28:08,260 NO! 497 00:28:13,267 --> 00:28:14,474 LET HER GO! 498 00:28:14,498 --> 00:28:17,447 AH-AH! DON'T MOVE! DON'T MOVE! 499 00:28:17,471 --> 00:28:19,574 [ WHIMPERING ] 500 00:28:24,839 --> 00:28:27,458 [ WHIMPERING ] 501 00:28:27,482 --> 00:28:29,214 I SAID LET HER GO. 502 00:28:31,217 --> 00:28:34,827 DIDN'T YOUR PARENTS TEACH YOU TO RESPECT YOUR ELDERS? 503 00:28:34,851 --> 00:28:37,129 AAHHHH! 504 00:28:37,153 --> 00:28:39,302 AAH! 505 00:28:39,326 --> 00:28:41,504 [ BRAKES SQUEAL ] 506 00:28:41,528 --> 00:28:44,501 [ SCRAPING, RATTLING ] 507 00:28:47,265 --> 00:28:49,507 TAKE CARE OF HER. 508 00:29:16,438 --> 00:29:18,170 [ CRASH ] 509 00:29:34,557 --> 00:29:36,535 ZOE'S GONNA BE OKAY, 510 00:29:36,559 --> 00:29:40,199 BUT THAT TRUCK DRIVER COULD HAVE SWORN HE HIT YOU. 511 00:29:40,223 --> 00:29:43,174 DON'T WORRY... HE'S NOT ASKING ANY QUESTIONS. 512 00:29:43,198 --> 00:29:44,675 IS THAT KID IN JAIL? 513 00:29:44,699 --> 00:29:47,809 NO, HE'S IN THE HOSPITAL OVERNIGHT FOR OBSERVATION. 514 00:29:47,833 --> 00:29:49,811 DOES ZOE KNOW WHY HE WANTED TO KILL HER? 515 00:29:49,835 --> 00:29:52,254 SHE'S JUST GRATEFUL YOU HAPPENED TO COME ALONG. 516 00:29:52,278 --> 00:29:53,886 IS THAT WHAT YOU TOLD THE POLICE? 517 00:29:53,910 --> 00:29:55,818 I FIGURED THEY WOULDN'T WANT TO HEAR 518 00:29:55,842 --> 00:29:57,820 I GOT A VISION FROM AN OLD BLIND LADY. 519 00:29:57,844 --> 00:29:59,861 I'M NOT SURE HOW I FEEL ABOUT CASSANDRA. 520 00:29:59,885 --> 00:30:01,524 MOM, SHE'S MY FRIEND. 521 00:30:01,548 --> 00:30:03,766 SHE TOLD ME MY DESTINY WAS TO HELP PEOPLE. 522 00:30:03,790 --> 00:30:06,653 YOU DON'T THINK SHE KNOWS YOUR SECRET? 523 00:30:09,656 --> 00:30:11,775 I DON'T THINK YOU SHOULD SEE HER ANYMORE. 524 00:30:11,799 --> 00:30:14,408 IF I HADN'T GONE TO SEE HER, ZOE WOULD BE DEAD. 525 00:30:14,432 --> 00:30:16,440 YOUR DESTINY MAY BE TO PROTECT PEOPLE, 526 00:30:16,464 --> 00:30:18,984 BUT OURS IS TO PROTECT YOU, AND THAT'S GOTTA COME FIRST, 527 00:30:19,008 --> 00:30:20,740 OKAY? 528 00:30:23,673 --> 00:30:25,420 IS THIS THE PORSCHE FROM... 529 00:30:25,444 --> 00:30:27,893 I DON'T UNDERSTAND. WHY DO YOU STILL HAVE IT? 530 00:30:27,917 --> 00:30:31,658 I ONCE READ ABOUT A RICH MAN WHO SURVIVED A HOTEL FIRE. 531 00:30:31,682 --> 00:30:34,001 HE HUNG ON TO THE LEDGE FOR AN HOUR 532 00:30:34,025 --> 00:30:36,833 BEFORE THE FIRE DEPARTMENT RESCUED HIM. 533 00:30:36,857 --> 00:30:40,707 AFTERWARDS, HE BOUGHT THE HOTEL... 534 00:30:40,731 --> 00:30:42,811 ALWAYS STAYED IN THAT ROOM. 535 00:30:42,835 --> 00:30:44,673 WHEN THEY ASKED HIM WHY, 536 00:30:44,697 --> 00:30:47,545 HE SAID HE FIGURED FATE COULDN'T FIND HIM TWICE. 537 00:30:47,569 --> 00:30:50,518 I THOUGHT YOU DIDN'T BELIEVE IN FATE. 538 00:30:50,542 --> 00:30:51,880 I DON'T... 539 00:30:51,904 --> 00:30:54,307 BUT EVERY TIME I LOOK AT THIS CAR, I WONDER. 540 00:30:56,680 --> 00:30:58,859 I HAD A TEAM GO OVER THIS THING INCH BY INCH. 541 00:30:58,883 --> 00:31:00,660 THEY TELL ME THERE'S NO WAY 542 00:31:00,684 --> 00:31:03,863 THE IMPACT COULD HAVE RIPPED OPEN THE ROOF LIKE THIS. 543 00:31:03,887 --> 00:31:06,898 THEY MUST HAVE MADE A MISTAKE. 544 00:31:06,922 --> 00:31:10,941 DO YOU REMEMBER ANYTHING ABOUT THE ACCIDENT? 545 00:31:10,965 --> 00:31:15,006 NO, JUST THAT I PULLED YOU OUT. THAT'S IT. 546 00:31:15,030 --> 00:31:19,051 I THOUGHT YOU MIGHT BE ABLE TO TELL ME MORE. 547 00:31:19,075 --> 00:31:20,977 I'M SORRY. 548 00:31:22,679 --> 00:31:24,957 IT'S A LITTLE STRANGE TO BE WALKING AROUND 549 00:31:24,981 --> 00:31:27,860 WHEN EVERY SHRED OF EVIDENCE SAYS I SHOULD BE DEAD. 550 00:31:27,884 --> 00:31:29,822 AN UNSOLVED MYSTERY, I GUESS. 551 00:31:29,846 --> 00:31:32,927 MAYBE FATE HAS SOMETHING ELSE IN MIND FOR YOU. 552 00:31:32,951 --> 00:31:36,930 YOU'VE BEEN SPENDING TOO MUCH TIME WITH YOUR FRIEND CASSANDRA. 553 00:31:36,954 --> 00:31:40,304 WELL, AT LEAST SHE DOESN'T DWELL ON THE PAST. 554 00:31:40,328 --> 00:31:42,838 LEX, YOU'RE ALIVE. 555 00:31:42,862 --> 00:31:45,581 THE QUESTION THAT YOU NEED TO ASK YOURSELF NOW IS 556 00:31:45,605 --> 00:31:47,567 WHERE DO YOU GO FROM HERE? 557 00:31:50,039 --> 00:31:52,789 I'M HERE TO PICK UP THE KID FROM THE BEANERY ASSAULT 558 00:31:52,813 --> 00:31:54,521 AND TAKE HIM INTO CUSTODY. 559 00:31:54,545 --> 00:31:56,023 RIGHT... THE YOUNG JOHN DOE. 560 00:31:56,047 --> 00:31:58,555 HE'S ALL YOURS. WE GOT HIM LOCKED UP IN HERE. 561 00:31:58,579 --> 00:32:01,583 I CHECKED ON HIM THIS MORNING. HE'S SLEEPING LIKE A BABY. 562 00:32:06,729 --> 00:32:09,707 [ Weakly ] HELP ME. 563 00:32:09,731 --> 00:32:11,709 THE POLICE QUESTIONED HARRY ALL MORNING. 564 00:32:11,733 --> 00:32:13,042 HE SAID HE WAS KIDNAPPED 565 00:32:13,066 --> 00:32:15,574 BY THIS KID WHO WAS OBSESSED WITH HIS OLD CASE. 566 00:32:15,598 --> 00:32:17,116 SO SOMEHOW IN BROAD DAYLIGHT, 567 00:32:17,140 --> 00:32:19,748 THIS KID GOT OUT OF HANDCUFFS, SMUGGLED HARRY INSIDE, 568 00:32:19,772 --> 00:32:21,551 AND CHAINED HIM TO A BED? 569 00:32:21,575 --> 00:32:22,983 THAT'S THE OFFICIAL STORY. 570 00:32:23,007 --> 00:32:24,784 IT DOESN'T MAKE SENSE. 571 00:32:24,808 --> 00:32:27,882 YOU CAN ALWAYS ADD IT TO THE WALL OF WEIRD. 572 00:32:33,759 --> 00:32:36,668 CLARK, ARE YOU ALL RIGHT? 573 00:32:36,692 --> 00:32:38,640 NOT REALLY. 574 00:32:38,664 --> 00:32:42,028 I THINK I'll GO INSIDE... AND TALK TO HARRY. 575 00:32:50,877 --> 00:32:53,716 [ CLASSICAL PIANO MUSIC PLAYING ] 576 00:32:53,740 --> 00:32:55,018 [ MUSIC STOPS ] 577 00:32:55,042 --> 00:32:57,120 YOU KNOW, I FOUND A PICTURE OF ZOE GARFIELD 578 00:32:57,144 --> 00:32:58,892 IN A BOX UNDER YOUR BED. 579 00:32:58,916 --> 00:33:00,624 AND WHO ARE YOU? 580 00:33:00,648 --> 00:33:02,496 CLARK KENT, BUT WE'VE ALREADY MET. 581 00:33:02,520 --> 00:33:04,830 HOW DARE YOU GO THROUGH MY BELONGINGS! 582 00:33:04,854 --> 00:33:06,831 HOW DO YOU EXPLAIN THE PICTURES? 583 00:33:06,855 --> 00:33:08,774 WHY DO I NEED TO EXPLAIN IT? 584 00:33:08,798 --> 00:33:10,575 YOU KNOW WHAT, HARRY? 585 00:33:10,599 --> 00:33:13,840 I THINK YOU AND THIS KID ARE THE SAME PERSON. 586 00:33:13,864 --> 00:33:15,512 [ CHUCKLES ] 587 00:33:15,536 --> 00:33:18,645 I'D SAY YOU HAVE A VERY ACTIVE IMAGINATION. 588 00:33:18,669 --> 00:33:22,188 I DON'T KNOW HOW YOU DID IT, BUT I KNOW IT'S YOU. 589 00:33:22,212 --> 00:33:25,493 YOU SAID YOUR NAME WAS KENT? 590 00:33:25,517 --> 00:33:28,426 GRANDFATHER, HIRAM? 591 00:33:28,450 --> 00:33:30,728 FATHER, JONATHAN? 592 00:33:30,752 --> 00:33:32,531 FUNNY... 593 00:33:32,555 --> 00:33:36,505 I DON'T REMEMBER YOU ON THE FAMILY TREE. 594 00:33:36,529 --> 00:33:39,468 I'll BE WATCHING YOU. 595 00:33:39,492 --> 00:33:41,170 [ CHUCKLES ] 596 00:33:41,194 --> 00:33:45,876 NURSE... NURSE. 597 00:33:45,900 --> 00:33:47,947 HELP ME, SOMEBODY. 598 00:33:47,971 --> 00:33:50,620 [ CHUCKLES ] HELP. 599 00:33:50,644 --> 00:33:52,954 OH, NURSE. 600 00:33:52,978 --> 00:33:55,986 OH, NURSE, HE'S HARASSING ME. 601 00:33:56,010 --> 00:33:58,129 HAVEN'T I BEEN THROUGH ENOUGH? 602 00:33:58,153 --> 00:34:00,793 I THINK YOU SHOULD LEAVE, YOUNG MAN. 603 00:34:00,817 --> 00:34:02,558 DON'T WORRY, I'M GOING. 604 00:34:32,152 --> 00:34:35,200 [ SIGHS ] THIS IS EVERYTHING I COULD FIND ON HARRY VOLK. 605 00:34:35,224 --> 00:34:36,932 THE LEDGER CARRIED STORIES 606 00:34:36,956 --> 00:34:39,276 ON THE TRIAL, THE MURDER, THE INVESTIGATION. 607 00:34:39,300 --> 00:34:41,137 IS ANYBODY WATCHING THIS GUY? 608 00:34:41,161 --> 00:34:43,204 LANA'S GOT AN EYE ON HIM. 609 00:34:44,835 --> 00:34:46,544 I HEARD THAT. 610 00:34:46,568 --> 00:34:48,115 WHAT ARE WE LOOKING FOR? 611 00:34:48,139 --> 00:34:50,247 I DON'T KNOW... THERE'S GOTTA BE A CONNECTION 612 00:34:50,271 --> 00:34:52,291 BETWEEN THE PEOPLE HARRY'S GOING AFTER. 613 00:34:52,315 --> 00:34:55,023 IN ZOE GARFIELD'S STATEMENT TO THE POLICE, SHE SAID 614 00:34:55,047 --> 00:34:57,827 HARRY ACCUSED HER GRANDMOTHER OF KILLING HIS FUTURE. 615 00:34:57,851 --> 00:34:59,599 HARRY'S GONE. 616 00:34:59,623 --> 00:35:02,231 THEY FOUND HIS WHEELCHAIR OUT BY THE KOI POND HALF AN HOUR AGO. 617 00:35:02,255 --> 00:35:04,233 I SAW METEOR ROCKS IN THAT POND. 618 00:35:04,257 --> 00:35:06,265 NOW WE KNOW HOW HE'S DOING THE TIME WARP. 619 00:35:06,289 --> 00:35:07,968 WHAT DO YOU MEAN? 620 00:35:07,992 --> 00:35:09,539 I'll EXPLAIN LATER. 621 00:35:09,563 --> 00:35:12,213 WE GOTTA FIGURE OUT WHO HE'S GONNA KILL NEXT. 622 00:35:12,237 --> 00:35:14,244 CLARK, TAKE A LOOK AT THIS. 623 00:35:14,268 --> 00:35:15,977 WHAT IS IT? 624 00:35:16,001 --> 00:35:18,879 IT'S A LIST OF THE JURORS THAT WORKED ON HARRY'S TRIAL. 625 00:35:18,903 --> 00:35:20,952 RUDOLPH GAGE, EVE GARFIELD... 626 00:35:20,976 --> 00:35:24,856 HE'S KILLING THE DESCENDANTS OF THE JURORS THAT CONVICTED HIM. 627 00:35:24,880 --> 00:35:27,260 TALK ABOUT NOT LETTING IT GO. 628 00:35:27,284 --> 00:35:28,992 CLARK, WHAT IS IT? 629 00:35:29,016 --> 00:35:30,958 LOOK AT JUROR NUMBER 11. 630 00:35:35,092 --> 00:35:36,870 "HIRAM KENT." 631 00:35:36,894 --> 00:35:38,742 WASN'T THAT YOUR GRANDFATHER? 632 00:35:38,766 --> 00:35:40,297 HARRY'S GONNA KILL MY DAD. 633 00:35:42,601 --> 00:35:44,079 CAN I HELP YOU? 634 00:35:44,103 --> 00:35:46,081 YEAH, I GOT A REPORT ABOUT A GAS LEAK. 635 00:35:46,105 --> 00:35:48,177 YOU MIND IF I COME IN? 636 00:35:51,942 --> 00:35:53,890 GAS LEAK? I DON'T SMELL GAS. 637 00:35:53,914 --> 00:35:55,892 YOUR HUSBAND CALLED ABOUT IT EARLIER. 638 00:35:55,916 --> 00:35:57,222 IS HE AROUND? 639 00:35:57,246 --> 00:35:58,865 HE'LL BE BACK SHORTLY. 640 00:35:58,889 --> 00:36:00,898 WHERE'S OUR REGULAR GAS MAN, CURT? 641 00:36:00,922 --> 00:36:02,298 VACATION. 642 00:36:02,322 --> 00:36:03,800 THAT'S RIGHT. 643 00:36:03,824 --> 00:36:06,027 UM, WOULD YOU EXCUSE ME A MINUTE? 644 00:36:24,648 --> 00:36:27,758 CURT ISN'T YOUR REGULAR GAS MAN, IS HE, MRS. KENT? 645 00:36:27,782 --> 00:36:29,729 W-WHAT DO YOU WANT? 646 00:36:29,753 --> 00:36:31,802 TO KILL YOUR HUSBAND. 647 00:36:31,826 --> 00:36:34,305 WHAT DID JONATHAN EVER DO TO YOU? 648 00:36:34,329 --> 00:36:38,434 NOTHING... BUT HIS FATHER DID. 649 00:36:50,706 --> 00:36:53,280 [ GASPING ] 650 00:37:18,277 --> 00:37:20,780 [ CLATTERING ] 651 00:37:23,815 --> 00:37:25,416 [ BLOWS ] 652 00:37:27,418 --> 00:37:29,767 COME ON, MRS. KENT! 653 00:37:29,791 --> 00:37:32,470 I'M TOO OLD FOR HIDE-AND-SEEK! 654 00:37:32,494 --> 00:37:35,498 [ GRATING ] 655 00:37:37,500 --> 00:37:38,931 [ BLOWS ] 656 00:37:51,376 --> 00:37:53,124 AAH! 657 00:37:53,148 --> 00:37:55,920 JONATHAN! 658 00:37:57,952 --> 00:38:00,226 YOU CAN'T SAVE HIM, MRS. KENT. 659 00:38:05,030 --> 00:38:07,963 [ WHISTLING ] 660 00:38:14,101 --> 00:38:15,943 AAH! 661 00:38:21,409 --> 00:38:22,981 AAH! 662 00:38:25,813 --> 00:38:28,157 AAH! 663 00:38:28,887 --> 00:38:30,559 AAHHHH! 664 00:38:37,527 --> 00:38:39,398 DAD! 665 00:38:41,501 --> 00:38:43,079 ARE YOU OKAY? 666 00:38:43,103 --> 00:38:45,111 YEAH. WHAT ARE YOU DOING? WHAT'S THE MATTER? 667 00:38:45,135 --> 00:38:46,783 WHERE'S MOM? 668 00:38:46,807 --> 00:38:48,785 I DON'T KNOW. WHAT'S THE MATTER? 669 00:38:48,809 --> 00:38:50,442 SOMEBODY'S TRYING TO KILL YOU. 670 00:38:53,585 --> 00:38:55,818 HE'S ALREADY HERE. 671 00:38:57,989 --> 00:38:59,891 [ COUGHING ] 672 00:39:21,416 --> 00:39:22,447 NO! 673 00:39:27,884 --> 00:39:29,155 MARTHA! 674 00:39:30,956 --> 00:39:33,006 AGH! MARTHA! 675 00:39:33,030 --> 00:39:35,008 AGH! 676 00:39:35,032 --> 00:39:37,039 AAH! 677 00:39:37,063 --> 00:39:39,543 MARTHA! 678 00:39:39,567 --> 00:39:41,575 COME ON, MOM! BREATHE! 679 00:39:41,599 --> 00:39:42,940 MARTHA! 680 00:39:45,873 --> 00:39:48,483 [ WHIMPERS ] 681 00:39:48,507 --> 00:39:51,155 [ COUGHING ] 682 00:39:51,179 --> 00:39:54,083 ARE YOU OKAY? 683 00:39:55,255 --> 00:39:58,157 [ Gasping ] YOU THINK I'D EVER LEAVE YOU TWO ALONE? 684 00:39:59,318 --> 00:40:01,592 OH, MAN! 685 00:40:03,594 --> 00:40:07,168 CASSANDRA WAS WRONG, CLARK. 686 00:40:21,614 --> 00:40:26,164 WELL... YOU'RE THE LAST PERSON I EXPECTED 687 00:40:26,188 --> 00:40:28,267 TO WALK THROUGH MY DOOR. 688 00:40:28,291 --> 00:40:29,970 I COME BEARING GIFTS. 689 00:40:29,994 --> 00:40:33,533 OHH... SO DID THE GREEKS. 690 00:40:33,557 --> 00:40:37,178 I WANTED TO TAKE YOU UP ON YOUR OFFER. 691 00:40:37,202 --> 00:40:41,182 I THOUGHT YOU CONTROLLED YOUR OWN DESTINY. 692 00:40:41,206 --> 00:40:43,084 I DO... 693 00:40:43,108 --> 00:40:45,416 BUT CERTAIN THINGS HAVE HAPPENED IN MY LIFE... 694 00:40:45,440 --> 00:40:47,349 SIGNS I DON'T WANT TO IGNORE. 695 00:40:47,373 --> 00:40:49,120 WHAT KIND OF SIGNS? 696 00:40:49,144 --> 00:40:51,394 I LIVED WHEN I SHOULD HAVE DIED. 697 00:40:51,418 --> 00:40:53,695 THERE MUST BE A REASON FOR THAT. 698 00:40:53,719 --> 00:40:56,398 YOU SEE, I DON'T WANT TO DO GOOD THINGS... 699 00:40:56,422 --> 00:40:58,231 I WANT TO DO GREAT THINGS. 700 00:40:58,255 --> 00:41:00,363 WELL, YOU DON'T NEED ME FOR THAT. 701 00:41:00,387 --> 00:41:02,436 WHAT'S THE MATTER, CASSANDRA? 702 00:41:02,460 --> 00:41:05,108 ARE YOU AFRAID OF WHAT YOU'LL SEE? 703 00:41:05,132 --> 00:41:07,164 SIT. 704 00:41:13,271 --> 00:41:16,081 YOU'VE BEEN WARNED. 705 00:41:16,105 --> 00:41:18,148 [ SIGHS ] 706 00:42:23,780 --> 00:42:26,083 WHAT DID YOU SEE? 707 00:42:50,451 --> 00:42:54,315 I NEED SOME HELP IN HERE! 708 00:42:56,318 --> 00:42:58,320 SOMEBODY! 709 00:43:00,262 --> 00:43:02,364 MISS CARVER? 710 00:43:14,407 --> 00:43:18,313 I'M SORRY, SON. SHE'S GONE. 711 00:43:21,585 --> 00:43:23,323 SHE SAW IT. 712 00:43:23,347 --> 00:43:25,195 SAW WHAT? 713 00:43:25,219 --> 00:43:28,393 HER FUTURE. 714 00:43:34,130 --> 00:43:37,209 Captions by VITAC... www.vitac.com 715 00:43:37,233 --> 00:43:40,237 CAPTIONS PAID FOR BY WARNER BROS. INC.