1
00:00:28,533 --> 00:00:31,514
YOU KNOW IT BELONGED
TO ALEXANDER THE GREAT?

2
00:00:31,538 --> 00:00:34,878
THEY SAY THE DESIGN SYMBOLIZES
STRENGTH AND COURAGE.

3
00:00:34,902 --> 00:00:36,421
I CAN'T EXACTLY SEE
MYSELF GOING INTO BATTLE

4
00:00:36,445 --> 00:00:37,622
WITH THAT ON MY CHEST.

5
00:00:37,646 --> 00:00:39,524
DARKER TIMES CALL
FOR DARKER METHODS.

6
00:00:39,548 --> 00:00:41,427
HIS OPPONENTS THOUGHT
HE WAS INVINCIBLE.

7
00:00:41,451 --> 00:00:43,530
I DIDN'T KNOW YOU WERE
SUCH A HISTORY BUFF.

8
00:00:43,554 --> 00:00:46,363
I'M NOT. I'M JUST INTERESTED IN
PEOPLE WHO RULED THE WORLD

9
00:00:46,387 --> 00:00:48,167
BEFORE THEY WERE 30.

10
00:00:48,191 --> 00:00:49,638
DON'T WORRY, LEX. YOU
STILL HAVE A FEW YEARS TO GO.

11
00:00:49,662 --> 00:00:52,372
LANA, I DIDN'T KNOW YOU
WERE GOING TO BE HERE.

12
00:00:52,396 --> 00:00:54,074
DIDN'T LEX TELL YOU?

13
00:00:54,098 --> 00:00:58,049
MUST'VE SLIPPED MY MIND.

14
00:00:58,073 --> 00:01:02,015
WHY DON'T I LEAVE YOU TWO ALONE?

15
00:01:02,039 --> 00:01:04,418
HAVING FUN?

16
00:01:04,442 --> 00:01:07,262
WELL, I'M FEELING A
BIT UNDERDRESSED.

17
00:01:07,286 --> 00:01:09,224
IF IT MAKES YOU FEEL ANY BETTER,

18
00:01:09,248 --> 00:01:12,229
WHITNEY IS JUST
AS UNCOMFORTABLE.

19
00:01:12,253 --> 00:01:14,232
WHITNEY CAME, TOO.

20
00:01:14,256 --> 00:01:16,073
WHY DON'T YOU JOIN US?

21
00:01:16,097 --> 00:01:18,677
I'M GOING TO GO YANK NELL
AWAY FROM THE JEWELRY EXHIBIT

22
00:01:18,701 --> 00:01:20,340
SO WE CAN EAT.

23
00:01:20,364 --> 00:01:22,165
YEAH, SURE.

24
00:01:31,579 --> 00:01:34,259
CLARK, WHERE ARE YOU GOING?

25
00:01:34,283 --> 00:01:36,301
I'M GOING TO GET SOME... AIR.

26
00:01:36,325 --> 00:01:38,364
YOU KNOW, YOU'RE
EVER GOING TO GET HER

27
00:01:38,388 --> 00:01:40,667
IF YOU KEEP RUNNING
AWAY FROM YOUR ENEMY.

28
00:01:40,691 --> 00:01:42,509
WHITNEY'S NOT MY ENEMY.

29
00:01:42,533 --> 00:01:44,513
YES, HE IS, CLARK, AND THE
SOONER YOU REALIZE THAT,

30
00:01:44,537 --> 00:01:46,644
THE SOONER YOU'LL
FIND A WAY TO WIN LANA.

31
00:01:46,668 --> 00:01:48,418
JUST REMEMBER, KEEP
YOUR FRIENDS CLOSE

32
00:01:48,442 --> 00:01:50,180
AND THE QUARTERBACK CLOSER.

33
00:01:50,204 --> 00:01:51,722
[ British accent ] ALWAYS THE
HOPELESS ROMANTIC, LEX.

34
00:01:51,746 --> 00:01:53,985
VICTORIA.

35
00:01:54,009 --> 00:01:56,989
I'M SORRY. AM I INTERRUPTING?

36
00:01:57,013 --> 00:01:59,393
CLARK KENT, THIS IS
VICTORIA HARDWICK,

37
00:01:59,417 --> 00:02:02,195
A VERY OLD FRIEND.

38
00:02:02,219 --> 00:02:03,298
HI.

39
00:02:03,322 --> 00:02:05,239
CHAMPAGNE?

40
00:02:05,263 --> 00:02:07,644
HOW CLOSE ARE YOU
GOING TO KEEP HER?

41
00:02:07,668 --> 00:02:11,573
I'll CATCH UP WITH
YOU LATER, CLARK.

42
00:02:13,735 --> 00:02:16,414
WANT A PRIVATE TOUR?

43
00:02:16,438 --> 00:02:18,442
I THOUGHT YOU'D NEVER ASK.

44
00:02:21,586 --> 00:02:23,449
[ PUNCHING SOUNDS ]

45
00:02:26,592 --> 00:02:28,300
YOU SEE THIS?

46
00:02:28,324 --> 00:02:31,204
I'M THE ONLY REASON YOU'RE
NOT IN A CAGE RIGHT NOW.

47
00:02:31,228 --> 00:02:34,579
NOW, YOU GET INTO THE I.A.,
AND YOU GET ME THOSE FILES.

48
00:02:34,603 --> 00:02:36,742
WHAT, IS ONE OF THEM YOURS?

49
00:02:36,766 --> 00:02:38,284
AAH!

50
00:02:38,308 --> 00:02:41,449
YOU GOT 24 HOURS
TO GET CREATIVE.

51
00:02:41,473 --> 00:02:43,346
START THINKING.

52
00:02:46,680 --> 00:02:49,384
WELL, WELCOME TO METROPOLIS.

53
00:02:56,462 --> 00:02:59,366
MORE OR LESS.

54
00:03:48,834 --> 00:03:50,436
[ DOG BARKS ]

55
00:04:10,862 --> 00:04:13,866
[ DRIVER COUGHING ]

56
00:04:30,420 --> 00:04:36,574
♫ SOMEBODY SAVE ME ♫

57
00:04:36,598 --> 00:04:40,649
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

58
00:04:40,673 --> 00:04:46,557
♫ SOMEBODY SAVE ME ♫

59
00:04:46,581 --> 00:04:50,793
♫ I DON'T CARE HOW YOU DO IT ♫

60
00:04:50,817 --> 00:04:51,865
♫ JUST STAY ♫

61
00:04:51,889 --> 00:04:53,766
♫ STAY WITH ME ♫

62
00:04:53,790 --> 00:04:55,829
♫ STAY ♫

63
00:04:55,853 --> 00:04:57,672
♫ COME ON ♫

64
00:04:57,696 --> 00:05:01,307
♫ I'VE BEEN WAITING FOR YOU ♫

65
00:05:01,331 --> 00:05:07,314
♫ JUST STAY WITH ME ♫

66
00:05:07,338 --> 00:05:11,620
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

67
00:05:11,644 --> 00:05:15,797
♫ STAY ♫

68
00:05:15,821 --> 00:05:17,822
♫ COME ON ♫

69
00:05:24,832 --> 00:05:27,266
DAD, LET ME HELP YOU.

70
00:05:34,375 --> 00:05:36,954
DON'T BREAK A SWEAT.

71
00:05:36,978 --> 00:05:39,889
SO, NIGHT OWL, HOW
WAS METROPOLIS?

72
00:05:39,913 --> 00:05:41,632
FINE.

73
00:05:41,656 --> 00:05:43,793
COME ON! A RECEPTION AT
THE METROPOLIS MUSEUM,

74
00:05:43,817 --> 00:05:45,266
AND IT WAS JUST "FINE"?

75
00:05:45,290 --> 00:05:47,338
THE MUSEUM WAS
AMAZING. IT'S JUST...

76
00:05:47,362 --> 00:05:48,841
IT'S JUST WHAT?

77
00:05:48,865 --> 00:05:51,399
SOMETHING HAPPENED.

78
00:05:53,731 --> 00:05:55,781
IT COULD'VE BEEN WORSE.

79
00:05:55,805 --> 00:05:57,682
I STOPPED THE BUS
BEFORE ANYONE WAS HURT.

80
00:05:57,706 --> 00:05:58,915
CLARK, ARE YOU ALL RIGHT?

81
00:05:58,939 --> 00:06:00,286
I'M FINE.

82
00:06:00,310 --> 00:06:01,658
WHAT IF SOMEBODY
HAD SEEN YOU DO IT?

83
00:06:01,682 --> 00:06:03,661
DAD, EVERYONE WAS
STILL IN THE MUSEUM.

84
00:06:03,685 --> 00:06:05,062
I THINK IT'S FINE.

85
00:06:05,086 --> 00:06:06,824
THERE'S NO MENTION OF
ANY WITNESSES IN THE PAPER.

86
00:06:06,848 --> 00:06:09,853
I BETTER GET TO SCHOOL.

87
00:06:11,896 --> 00:06:14,605
HEY, CLARK.

88
00:06:14,629 --> 00:06:16,678
LOOK, I AM REAL
PROUD OF WHAT YOU DID.

89
00:06:16,702 --> 00:06:18,004
WE BOTH ARE.

90
00:06:33,125 --> 00:06:34,832
DID YOU BRING 'EM?

91
00:06:34,856 --> 00:06:38,338
YOU KNOW I'M NOT
SUPPOSED TO DO THIS.

92
00:06:38,362 --> 00:06:40,841
AND I'M NOT THE ONE WITH
THE D.U.I. ON MY RECORD.

93
00:06:40,865 --> 00:06:42,973
YOU WOULDN'T BELIEVE
HOW MANY RENT-A-COPS

94
00:06:42,997 --> 00:06:45,817
FORGET TO FILL OUT THE "PREVIOUS
CRIMINAL RECORD" SECTION

95
00:06:45,841 --> 00:06:47,002
ON THEIR JOB APPS.

96
00:07:09,002 --> 00:07:12,754
SO, WHAT DO YOU
THINK OF SMALLVILLE?

97
00:07:12,778 --> 00:07:14,757
IT REMINDS ME OF THE VILLAGE

98
00:07:14,781 --> 00:07:17,089
WHERE MY GRANDPARENTS
LIVE IN WALES...

99
00:07:17,113 --> 00:07:20,694
VERY QUAINT, VERY SAFE,

100
00:07:20,718 --> 00:07:25,031
AND THE LAST PLACE I
EXPECTED TO FIND LEX LUTHOR.

101
00:07:25,055 --> 00:07:27,903
MY FATHER PLANS TO BRING ME
BACK TO METROPOLIS IN A FEW YEARS.

102
00:07:27,927 --> 00:07:29,175
HE'S LYING.

103
00:07:29,199 --> 00:07:30,677
I KNOW.

104
00:07:30,701 --> 00:07:32,079
YOU DESERVE SOMETHING BETTER.

105
00:07:32,103 --> 00:07:34,783
AND YOU CROSSED THE POND
TO TELL ME WHAT THAT IS?

106
00:07:34,807 --> 00:07:37,417
CATCHING UP WITH AN OLD
FRIEND ISN'T REASON ENOUGH?

107
00:07:37,441 --> 00:07:39,420
AS MUCH AS I'D LIKE
TO FLATTER MYSELF,

108
00:07:39,444 --> 00:07:42,494
THE DAUGHTERS OF
MULTINATIONAL INDUSTRIALISTS

109
00:07:42,518 --> 00:07:45,057
USUALLY DON'T FLY
AROUND THE WORLD

110
00:07:45,081 --> 00:07:47,199
TO REKINDLE OLD FLAMES.

111
00:07:47,223 --> 00:07:49,963
NEITHER DO EXECUTIVE
VICE-PRESIDENTS.

112
00:07:49,987 --> 00:07:51,836
THEN YOU'VE HEARD.

113
00:07:51,860 --> 00:07:54,841
THAT YOU'RE WORKING
FOR YOUR FATHER? I KEEP UP.

114
00:07:54,865 --> 00:07:56,173
HOW IS SIR HARRY?

115
00:07:56,197 --> 00:08:00,918
DISTANT, INACCESSIBLE, AND RICH.

116
00:08:00,942 --> 00:08:02,750
I BELIEVE YOU KNOW THE TYPE.

117
00:08:02,774 --> 00:08:04,153
WHAT'S HE WANT WITH ME?

118
00:08:04,177 --> 00:08:07,026
HE UNDERSTANDS YOU
MAY HAVE CERTAIN...

119
00:08:07,050 --> 00:08:09,060
NEGATIVE FEELINGS
TOWARDS YOUR FATHER.

120
00:08:09,084 --> 00:08:10,461
SIR HARRY HAS ALWAYS HAD

121
00:08:10,485 --> 00:08:12,233
AN INCREDIBLE GRASP
OF THE OBVIOUS.

122
00:08:12,257 --> 00:08:14,067
HE WAS HOPING THOSE FEELINGS

123
00:08:14,091 --> 00:08:16,470
MIGHT WORK TO OUR
MUTUAL ADVANTAGE.

124
00:08:16,494 --> 00:08:20,045
HE'D LIKE YOU TO RECONSIDER
YOUR POSITION WITH LUTHERCORP.

125
00:08:20,069 --> 00:08:22,747
SO HE SENT YOU
HERE AS AN INCENTIVE.

126
00:08:22,771 --> 00:08:25,151
I'VE MISSED YOU, LEX.

127
00:08:25,175 --> 00:08:28,156
I'M TOUCHED.

128
00:08:28,180 --> 00:08:30,218
DO YOU HAVE A PROPOSAL?

129
00:08:30,242 --> 00:08:36,190
FIRST, I THINK I'D
LIKE... SOMETHING ELSE.

130
00:08:40,797 --> 00:08:43,005
ANOTHER SCATHING EDITORIAL.

131
00:08:43,029 --> 00:08:45,138
IS THERE ANY OTHER KIND?

132
00:08:45,162 --> 00:08:48,012
CLARK. WHAT HAPPENED
TO YOU LAST NIGHT?

133
00:08:48,036 --> 00:08:49,985
I WASN'T FEELING WELL.

134
00:08:50,009 --> 00:08:52,148
I GUESS I'M NOT
MUCH OF A CITY GUY.

135
00:08:52,172 --> 00:08:54,120
YOU CAN TAKE THE
BOY OFF THE FARM,

136
00:08:54,144 --> 00:08:57,053
BUT YOU CAN'T TAKE THE
FARM OUT OF THE BOY.

137
00:08:57,077 --> 00:08:59,226
SULLIVAN.

138
00:08:59,250 --> 00:09:01,860
IS THIS YOUR IDEA OF A JOKE?

139
00:09:01,884 --> 00:09:03,732
CONCERNED PARENTS HAVE
BEEN CALLING ALL MORNING.

140
00:09:03,756 --> 00:09:05,105
WELL, WHAT HAVE YOU
BEEN TELLING THEM?

141
00:09:05,129 --> 00:09:07,207
WHAT THE EPA AND OTHER
ENVIRONMENTAL GROUPS

142
00:09:07,231 --> 00:09:09,871
SAID YEARS AGO... THE
METEOR ROCKS ARE HARMLESS.

143
00:09:09,895 --> 00:09:11,913
PEOPLE HAVE A RIGHT TO KNOW
ABOUT THE STRANGE THINGS

144
00:09:11,937 --> 00:09:13,145
THAT HAPPEN IN THIS TOWN.

145
00:09:13,169 --> 00:09:14,847
THE TORCH IS A SCHOOL PAPER.

146
00:09:14,871 --> 00:09:16,320
IT'S NOT YOUR OWN
PERSONAL TABLOID.

147
00:09:16,344 --> 00:09:17,851
ARE YOU CENSORING ME?

148
00:09:17,875 --> 00:09:20,085
I'M REQUIRING YOU
TO DO YOUR JOB,

149
00:09:20,109 --> 00:09:22,327
WHICH IS TO REPORT ON
RELEVANT SCHOOL EVENTS...

150
00:09:22,351 --> 00:09:24,892
SPORTS, DANCES, CLUBS.

151
00:09:24,916 --> 00:09:26,894
I'M RELIEVING YOU
OF YOUR DUTIES.

152
00:09:26,918 --> 00:09:28,235
THE TORCH IS SUSPENDED

153
00:09:28,259 --> 00:09:30,192
UNTIL I CAN APPOINT
A NEW EDITOR.

154
00:09:34,369 --> 00:09:36,047
OKAY, WHAT JUST HAPPENED?

155
00:09:36,071 --> 00:09:38,910
I THINK YOU WERE FIRED.

156
00:09:38,934 --> 00:09:41,014
CHLOE, I'M SURE THERE'S
SOMETHING WE CAN DO.

157
00:09:41,038 --> 00:09:42,215
LET ME TALK TO KWAN.

158
00:09:42,239 --> 00:09:44,158
NOT TO SOUND
UNGRATEFUL OR ANYTHING,

159
00:09:44,182 --> 00:09:46,019
BUT WHAT DO YOU
THINK YOU CAN DO?

160
00:09:46,043 --> 00:09:49,288
I DON'T KNOW, BUT
LET ME GIVE IT A SHOT.

161
00:09:56,197 --> 00:10:00,078
AFTERNOON, LEX.

162
00:10:00,102 --> 00:10:03,082
OR IS IT MR. LUTHOR
HERE IN SMALLVILLE?

163
00:10:03,106 --> 00:10:05,046
PHELAN.

164
00:10:05,070 --> 00:10:07,219
ISN'T SMALLVILLE A
COUPLE OF COUNTIES

165
00:10:07,243 --> 00:10:09,221
OUTSIDE YOUR JURISDICTION?

166
00:10:09,245 --> 00:10:12,095
I DON'T NEED JURISDICTION
TO LOOK UP AN OLD FRIEND.

167
00:10:12,119 --> 00:10:14,357
WE WERE NEVER FRIENDS.

168
00:10:14,381 --> 00:10:17,962
IF YOU WANT TO SEE
ME, CALL MY OFFICE.

169
00:10:17,986 --> 00:10:20,035
WHEN'S IT HAPPEN, LEX?

170
00:10:20,059 --> 00:10:21,868
WHEN DOES WHAT HAPPEN?

171
00:10:21,892 --> 00:10:24,111
WHEN DO YOU TURN ON
THE PEOPLE THAT HELP YOU?

172
00:10:24,135 --> 00:10:26,414
HOW MANY TIMES DID I PULL
YOU BACK FROM THE EDGE?

173
00:10:26,438 --> 00:10:28,977
YOU'D BE DEAD RIGHT
NOW IF IT WASN'T FOR ME.

174
00:10:29,001 --> 00:10:31,120
YOU WERE ON MY
FATHER'S PAYROLL...

175
00:10:31,144 --> 00:10:32,982
HIS GO-TO GUY IN THE DEPARTMENT.

176
00:10:33,006 --> 00:10:34,926
YOU GOT PAID TO FIX SITUATIONS,

177
00:10:34,950 --> 00:10:36,687
SO DON'T TRY AND PRETEND
IT WAS ANYTHING ELSE.

178
00:10:36,711 --> 00:10:38,890
YOU HAVE A GOOD LIFE HERE, LEX.

179
00:10:38,914 --> 00:10:41,163
I'D SURE HATE TO SEE
THAT GET COMPROMISED.

180
00:10:41,187 --> 00:10:44,269
YOU CAN'T TOUCH
ME, AND YOU KNOW IT.

181
00:10:44,293 --> 00:10:46,341
I'M LOOKING FOR A WITNESS.

182
00:10:46,365 --> 00:10:49,004
I THINK HE SAW LAST
NIGHT'S ACCIDENT

183
00:10:49,028 --> 00:10:50,346
OUTSIDE THE MUSEUM.

184
00:10:50,370 --> 00:10:53,205
AND THIS CONCERNS ME WHY?

185
00:10:55,277 --> 00:10:57,756
SORRY, I DON'T KNOW WHO THAT IS.

186
00:10:57,780 --> 00:10:59,359
HMM.

187
00:10:59,383 --> 00:11:01,091
I'D HAVE PEGGED YOU FOR BUDDIES.

188
00:11:01,115 --> 00:11:03,364
GUESS YOU'RE
LOSING YOUR INSTINCT.

189
00:11:03,388 --> 00:11:05,250
MAYBE YOU SHOULD
THINK ABOUT RETIRING.

190
00:11:16,336 --> 00:11:21,111
HELLO?

191
00:11:24,346 --> 00:11:27,951
ANYBODY HOME?

192
00:11:30,455 --> 00:11:34,005
[ THUNK ]

193
00:11:34,029 --> 00:11:35,236
DAD?

194
00:11:35,260 --> 00:11:38,495
IS THAT YOU?

195
00:11:45,404 --> 00:11:48,308
[ CHAIN RATTLING ]

196
00:11:51,513 --> 00:11:55,118
METROPOLIS POLICE.

197
00:12:04,500 --> 00:12:06,149
[ CLAPPING ]

198
00:12:06,173 --> 00:12:09,283
KID, I DON'T KNOW WHAT
THEY'VE BEEN FEEDING YOU,

199
00:12:09,307 --> 00:12:11,855
BUT THAT WAS PRETTY IMPRESSIVE.

200
00:12:11,879 --> 00:12:14,220
NOT QUITE AS
EXCITING AS LAST NIGHT,

201
00:12:14,244 --> 00:12:15,461
BUT I WANTED TO BE SURE.

202
00:12:15,485 --> 00:12:17,364
WHO ARE YOU?

203
00:12:17,388 --> 00:12:20,528
I AM YOUR NEW
BEST FRIEND, CLARK.

204
00:12:20,552 --> 00:12:23,532
HOW DO YOU KNOW MY NAME?

205
00:12:23,556 --> 00:12:25,335
OH, I ASKED AROUND.

206
00:12:25,359 --> 00:12:27,336
THAT'S THE BEAUTY
OF A SMALL TOWN.

207
00:12:27,360 --> 00:12:30,240
EVERYBODY'S JUST
SO EAGER TO HELP.

208
00:12:30,264 --> 00:12:32,514
FAR CRY FROM METROPOLIS.

209
00:12:32,538 --> 00:12:34,387
WHAT DO YOU WANT WITH ME?

210
00:12:34,411 --> 00:12:35,849
YOUR HELP.

211
00:12:35,873 --> 00:12:37,991
YOU SEE, CLARK, I'M IN A BATTLE

212
00:12:38,015 --> 00:12:41,525
THAT I CAN'T AFFORD
TO LOSE, BECAUSE IF I DO,

213
00:12:41,549 --> 00:12:43,499
WELL, THE BAD GUYS WIN.

214
00:12:43,523 --> 00:12:47,533
AND YOU HAVE THIS
GIFT THAT I NEED.

215
00:12:47,557 --> 00:12:50,508
I'll NEVER HELP YOU.

216
00:12:50,532 --> 00:12:53,942
[ WHISTLES ]

217
00:12:53,966 --> 00:12:55,875
YOU HAVE A SECRET

218
00:12:55,899 --> 00:12:58,418
YOU DON'T WANT THE
WORLD TO KNOW ABOUT.

219
00:12:58,442 --> 00:13:00,851
I'M GUESSING THAT'S WHY
YOU DIDN'T STICK AROUND

220
00:13:00,875 --> 00:13:02,354
FOR THE TV CAMERAS LAST NIGHT.

221
00:13:02,378 --> 00:13:04,957
YOU WANT TO KEEP
THINGS THAT WAY,

222
00:13:04,981 --> 00:13:07,254
YOU'LL DO LIKE I SAY.

223
00:13:08,616 --> 00:13:12,268
DROP BY THAT OVERPRICED COFFEE
SHOP TOMORROW AFTERNOON,

224
00:13:12,292 --> 00:13:15,525
AND, UH, WE'LL TALK
ABOUT YOUR FUTURE.

225
00:13:19,400 --> 00:13:21,975
NICE CATCH.

226
00:13:30,046 --> 00:13:30,924
SO, HE JUST DROPPED
THE GENERATOR

227
00:13:30,948 --> 00:13:32,495
RIGHT ON TOP OF YOU?

228
00:13:32,519 --> 00:13:36,971
HOW DID HE KNOW IT
WOULDN'T KILL YOU?

229
00:13:36,995 --> 00:13:39,474
HE SAW ME STOP
THE BUS LAST NIGHT.

230
00:13:39,498 --> 00:13:42,908
MAYBE WE SHOULD CALL THE POLICE.

231
00:13:42,932 --> 00:13:45,141
HE IS THE POLICE.
I SAW HIS BADGE.

232
00:13:45,165 --> 00:13:47,609
METROPOLIS P.D.

233
00:13:50,643 --> 00:13:53,376
DAD.

234
00:13:57,952 --> 00:14:00,361
I'M SORRY. I DIDN'T MEAN
FOR ANY OF THIS TO HAPPEN.

235
00:14:00,385 --> 00:14:02,658
CLARK, YOU DIDN'T DO
ANYTHING WRONG, OKAY?

236
00:14:06,033 --> 00:14:09,144
HE TOLD ME TO MEET HIM
AT THE BEANERY TOMORROW.

237
00:14:09,168 --> 00:14:12,018
I DON'T WANT YOU GOING
ANYWHERE NEAR THIS GUY.

238
00:14:12,042 --> 00:14:15,121
I'll TALK TO HIM, AND I'll
FIND OUT WHAT HE WANTS.

239
00:14:15,145 --> 00:14:16,724
UNTIL THEN...

240
00:14:16,748 --> 00:14:19,158
UNTIL THEN, YOU LIVE YOUR
LIFE, YOU SEE YOUR FRIENDS.

241
00:14:19,182 --> 00:14:21,754
NOW, WE'RE NOT GOING TO
LET THIS THING CHANGE US.

242
00:14:39,077 --> 00:14:42,119
YOU LOOK LIKE YOU'RE CARRYING
THE WEIGHT OF THE WORLD.

243
00:14:42,143 --> 00:14:43,660
SORRY IF I SURPRISED YOU,

244
00:14:43,684 --> 00:14:45,722
BUT THERE'S REALLY
NOWHERE TO KNOCK.

245
00:14:45,746 --> 00:14:47,164
IT'S OKAY.

246
00:14:47,188 --> 00:14:51,101
THANKS AGAIN FOR LAST NIGHT.

247
00:14:51,125 --> 00:14:52,773
YOUR FIRST VISIT TO METROPOLIS,

248
00:14:52,797 --> 00:14:55,235
AND YOU'RE INVOLVED IN
A POLICE INVESTIGATION?

249
00:14:55,259 --> 00:14:58,340
THAT HAS TO BE
SOME KIND OF RECORD.

250
00:14:58,364 --> 00:15:00,413
HOW DID YOU KNOW ABOUT THAT?

251
00:15:00,437 --> 00:15:02,485
THE DETECTIVE IN CHARGE
CAME TO SEE ME FIRST.

252
00:15:02,509 --> 00:15:04,347
WHAT DID HE TELL YOU?

253
00:15:04,371 --> 00:15:06,250
NOT MUCH.

254
00:15:06,274 --> 00:15:07,793
MAYBE THAT'S
WHAT'S BOTHERING ME.

255
00:15:07,817 --> 00:15:09,495
WHAT DO YOU MEAN?

256
00:15:09,519 --> 00:15:12,359
THE METROPOLIS POLICE
USUALLY DON'T SEND DETECTIVES

257
00:15:12,383 --> 00:15:14,501
TO INVESTIGATE
TRAFFIC ACCIDENTS,

258
00:15:14,525 --> 00:15:16,534
SO I MADE A CALL.

259
00:15:16,558 --> 00:15:20,539
TURNS OUT THE OFFICIAL
INVESTIGATION IS ALREADY CLOSED.

260
00:15:20,563 --> 00:15:23,745
CLARK, YOU REALLY DON'T
WANT SAM PHELAN IN YOUR LIFE.

261
00:15:23,769 --> 00:15:26,378
YOU KNOW HIM?

262
00:15:26,402 --> 00:15:28,080
UNFORTUNATELY.

263
00:15:28,104 --> 00:15:30,754
I HAD MY SHARE OF LEGAL
PROBLEMS WHILE I WAS IN METROPOLIS.

264
00:15:30,778 --> 00:15:31,755
SERIOUS?

265
00:15:31,779 --> 00:15:33,587
EXPENSIVE.

266
00:15:33,611 --> 00:15:36,562
PHELAN WAS THE KIND OF OFFICER
MY FATHER FELT WE COULD TURN TO

267
00:15:36,586 --> 00:15:37,793
FOR HELP.

268
00:15:37,817 --> 00:15:39,635
YOU'RE SAYING HE'S A DIRTY COP.

269
00:15:39,659 --> 00:15:42,669
I'M SAYING HE'LL DO WHATEVER
IT TAKES TO GET THE JOB DONE...

270
00:15:42,693 --> 00:15:45,474
PLANT EVIDENCE, FALSIFY
REPORTS, ANYTHING IS FAIR GAME.

271
00:15:45,498 --> 00:15:47,706
AND IF HE'S GOT SOMETHING
ON YOU, CLARK, HE'LL USE IT.

272
00:15:47,730 --> 00:15:51,782
WELL, HE JUST WANTED TO TALK.

273
00:15:51,806 --> 00:15:53,739
THEN YOU GOT NOTHING
TO WORRY ABOUT.

274
00:16:00,847 --> 00:16:03,528
MR. KENT.

275
00:16:03,552 --> 00:16:05,831
SAM PHELAN, METROPOLIS P.D.

276
00:16:05,855 --> 00:16:08,735
I, UH, FIGURED YOU'D
BE THE ONE TO SHOW.

277
00:16:08,759 --> 00:16:11,138
WHAT DO YOU WANT WITH MY SON?

278
00:16:11,162 --> 00:16:13,441
WE'RE BOTH RATIONAL
ADULTS. LET'S SIT DOWN.

279
00:16:13,465 --> 00:16:15,714
I DON'T THINK A RATIONAL
ADULT DROPS A GENERATOR

280
00:16:15,738 --> 00:16:17,547
ON TOP OF A TEENAGE BOY, DO YOU?

281
00:16:17,571 --> 00:16:19,874
WELL, WE BOTH KNOW
IT WOULDN'T HURT HIM.

282
00:16:31,229 --> 00:16:33,668
ALL RIGHT, WHAT DO YOU WANT?

283
00:16:33,692 --> 00:16:35,671
I JUST WANT CLARK'S HELP.

284
00:16:35,695 --> 00:16:37,212
WITH WHAT?

285
00:16:37,236 --> 00:16:40,748
LOOK AROUND YOU, MR. KENT.
YOU KNOW WHAT YOU SEE?

286
00:16:40,772 --> 00:16:42,581
THE VENEER OF SAFETY.

287
00:16:42,605 --> 00:16:44,884
NOW, PEOPLE LIKE ME ARE
SWORN TO PROTECT THAT.

288
00:16:44,908 --> 00:16:47,287
I'M THE GUY STANDING
BETWEEN THE CRIMINALS

289
00:16:47,311 --> 00:16:49,560
AND RESPECTABLE
CITIZENS LIKE YOURSELF.

290
00:16:49,584 --> 00:16:54,697
NOW, CLARK HAS... A GIFT,

291
00:16:54,721 --> 00:16:56,939
AND I WOULD LIKE
TO USE HIS TALENTS

292
00:16:56,963 --> 00:16:59,273
TO FURTHER MY CAUSE.

293
00:16:59,297 --> 00:17:03,908
I WILL NOT LET YOU
EXPLOIT MY SON.

294
00:17:03,932 --> 00:17:06,252
I'VE, UH, SPENT THE MORNING

295
00:17:06,276 --> 00:17:09,516
GOING THROUGH THE
LOCAL POLICE FILES.

296
00:17:09,540 --> 00:17:13,661
CLARK'S NAME
COMES UP QUITE A BIT.

297
00:17:13,685 --> 00:17:15,895
CLARK HAS NEVER BEEN IN
TROUBLE A DAY IN HIS LIFE, PHELAN.

298
00:17:15,919 --> 00:17:17,497
NO ARRESTS,

299
00:17:17,521 --> 00:17:20,732
BUT HE'S BEEN AROUND
A LOT OF CRIME SCENES.

300
00:17:20,756 --> 00:17:23,505
NOW, MAYBE THAT'S COINCIDENCE,

301
00:17:23,529 --> 00:17:27,734
OR MAYBE IT'S JUST HIS NATURAL
INSTINCT TO GET INVOLVED.

302
00:17:32,971 --> 00:17:36,693
OKAY, I WILL GIVE YOU
WHATEVER YOU WANT.

303
00:17:36,717 --> 00:17:39,320
YOU JUST STAY AWAY
FROM MY FAMILY.

304
00:17:43,686 --> 00:17:45,004
I WANT YOUR SON.

305
00:17:45,028 --> 00:17:48,593
NO.

306
00:17:52,769 --> 00:17:54,801
I'll BE IN TOUCH.

307
00:17:59,577 --> 00:18:01,687
OF COURSE, IF YOU DON'T AGREE,

308
00:18:01,711 --> 00:18:04,591
I WILL TELL THE
WORLD WHAT I KNOW.

309
00:18:04,615 --> 00:18:06,633
BEST CASE... CLARK'S
UNDER A MICROSCOPE.

310
00:18:06,657 --> 00:18:09,737
WORST CASE... HE'S
A FREAK IN A JAR.

311
00:18:09,761 --> 00:18:12,965
EITHER WAY, HIS
NORMAL LIFE IS OVER.

312
00:18:15,599 --> 00:18:18,510
DO NOT PUSH ME.

313
00:18:18,534 --> 00:18:21,076
WHOA, EASY THERE, MR. KENT.

314
00:18:26,314 --> 00:18:29,293
WE WERE JUST TALKING.

315
00:18:29,317 --> 00:18:32,528
YOU KNOW, IF I WERE YOU,

316
00:18:32,552 --> 00:18:34,670
I'D LEARN TO KEEP
THAT TEMPER IN CHECK.

317
00:18:34,694 --> 00:18:37,699
IT COULD GET YOU
IN A LOT OF TROUBLE.

318
00:18:48,614 --> 00:18:51,925
HEY, CLARK. YOU OKAY?

319
00:18:51,949 --> 00:18:53,055
FINE.

320
00:18:53,079 --> 00:18:54,928
JUST DOING A LITTLE RESEARCH.

321
00:18:54,952 --> 00:18:57,562
HAVE YOU HEARD ANYTHING
ABOUT LANA'S MEETING WITH KWAN?

322
00:18:57,586 --> 00:18:58,934
CHLOE, I'M SURE IT'LL WORK OUT.

323
00:18:58,958 --> 00:19:00,867
HEY.

324
00:19:00,891 --> 00:19:02,007
SO, HOW'D IT GO?

325
00:19:02,031 --> 00:19:03,741
WELL, IT WAS INTERESTING.

326
00:19:03,765 --> 00:19:06,915
BOTTOM LINE IT. WHEN CAN
WE SEND OUT THE NEXT ISSUE?

327
00:19:06,939 --> 00:19:08,917
DAY AFTER TOMORROW.

328
00:19:08,941 --> 00:19:10,049
COOL.

329
00:19:10,073 --> 00:19:12,381
EXCEPT, UH, UM,

330
00:19:12,405 --> 00:19:16,381
KWAN MADE ME THE NEW EDITOR.

331
00:19:18,013 --> 00:19:20,733
OKAY, UM, REWIND.

332
00:19:20,757 --> 00:19:23,466
UH, I NEED YOU TO SAY
THAT LAST PART AGAIN.

333
00:19:23,490 --> 00:19:27,141
AFTER I MADE MY CASE, KWAN SAID
THAT IF I HAD THAT MUCH PASSION,

334
00:19:27,165 --> 00:19:29,876
I SHOULD BE IN CHARGE.

335
00:19:29,900 --> 00:19:32,379
I DON'T BELIEVE THIS.

336
00:19:32,403 --> 00:19:34,581
CHLOE, IT'S THE ONLY WAY
HE'D REOPEN THE PAPER.

337
00:19:34,605 --> 00:19:36,455
SO, WHAT, CHEERLEADING'S
NOT ENOUGH?

338
00:19:36,479 --> 00:19:38,417
MAYBE THE EDITOR OF
THE SCHOOL NEWSPAPER

339
00:19:38,441 --> 00:19:40,119
LOOKS BETTER ON A
COLLEGE APPLICATION.

340
00:19:40,143 --> 00:19:42,523
THAT ISN'T IT. I JUST FIGURED
YOU COULD GHOSTWRITE

341
00:19:42,547 --> 00:19:44,024
UNTIL WE GOT YOU REINSTATED.

342
00:19:44,048 --> 00:19:45,597
OKAY, SO THEN I
WOULD WORK FOR YOU?

343
00:19:45,621 --> 00:19:47,800
THE PAPER WOULD STILL BE YOURS.

344
00:19:47,824 --> 00:19:49,431
WAIT, WAIT. CHLOE,
THINK ABOUT IT.

345
00:19:49,455 --> 00:19:50,833
IT'S NOT A BAD IDEA.

346
00:19:50,857 --> 00:19:54,037
IT FIGURES YOU'D SIDE WITH HER.

347
00:19:54,061 --> 00:19:55,610
I'M NOT TAKING ANYONE'S SIDE.

348
00:19:55,634 --> 00:19:57,181
YEAH, RIGHT, CLARK.

349
00:19:57,205 --> 00:19:59,970
YOU'RE COMPLETELY
OBJECTIVE IN ALL THINGS LANA.

350
00:20:01,071 --> 00:20:02,448
I'VE GOT TO GO.

351
00:20:02,472 --> 00:20:04,822
NO, PLEASE, CLARK,
STAY! TAKE MY DESK.

352
00:20:04,846 --> 00:20:06,956
CHLOE, THIS ISN'T
WHAT YOU THINK.

353
00:20:06,980 --> 00:20:09,158
YOU KNOW WHAT THE
WEIRDEST PART IS?

354
00:20:09,182 --> 00:20:12,886
FOR A MILLISECOND, I ALMOST
THOUGHT YOU WERE MY FRIEND.

355
00:20:27,247 --> 00:20:29,009
GET IN, KID.

356
00:20:34,916 --> 00:20:36,235
WHAT DO YOU WANT, PHELAN?

357
00:20:36,259 --> 00:20:38,097
YOUR FATHER CAME TO SEE ME.

358
00:20:38,121 --> 00:20:39,939
HE SEEMED LIKE A
REALLY GOOD MAN,

359
00:20:39,963 --> 00:20:41,641
ALWAYS PUTTING HIS FAMILY FIRST.

360
00:20:41,665 --> 00:20:45,171
NOW, IF I WERE YOU, I'D
START THINKING LIKE HIM.

361
00:20:48,174 --> 00:20:52,015
I ASSUME YOU'VE HAD A CHANCE
TO READ MY FATHER'S PROPOSAL.

362
00:20:52,039 --> 00:20:53,658
I DIDN'T HAVE TO.

363
00:20:53,682 --> 00:20:55,189
OH.

364
00:20:55,213 --> 00:20:58,524
SO YOU'VE ADDED MIND
READING TO YOUR MANY ABILITIES.

365
00:20:58,548 --> 00:21:01,027
I KNOW WHY YOU'RE
HERE, VICTORIA.

366
00:21:01,051 --> 00:21:03,200
SIR HARRY WANTS TO
TAKE OVER LUTHERCORP,

367
00:21:03,224 --> 00:21:05,935
AND HE NEEDS MY SHARES TO DO IT.

368
00:21:05,959 --> 00:21:09,939
YOUR FATHER DIDN'T DREAM
UP THIS LITTLE PLAN, DID HE?

369
00:21:09,963 --> 00:21:12,514
DO YOU THINK IF YOU
TAKE OVER LUTHERCORP,

370
00:21:12,538 --> 00:21:15,947
DADDY WILL FINALLY GIVE YOU
THE RESPECT YOU DESERVE?

371
00:21:15,971 --> 00:21:17,120
HE WON'T, VICTORIA.

372
00:21:17,144 --> 00:21:19,092
SO, WHAT ARE YOU SUGGESTING?

373
00:21:19,116 --> 00:21:21,995
YOU CAME TO PLAY ON
MY HATRED OF MY FATHER.

374
00:21:22,019 --> 00:21:24,659
NOW I'M GOING TO PLAY ON YOURS.

375
00:21:24,683 --> 00:21:28,564
WHY TAKE ONE COMPANY
WHEN YOU CAN TAKE TWO?

376
00:21:28,588 --> 00:21:30,968
YOU KNOW THEY'D
PROBABLY KILL US.

377
00:21:30,992 --> 00:21:33,140
PROBABLY.

378
00:21:33,164 --> 00:21:36,339
BUT THAT'S WHAT
MAKES LIFE INTERESTING.

379
00:22:01,173 --> 00:22:03,252
WHAT ARE WE DOING HERE?

380
00:22:03,276 --> 00:22:05,916
YOU WANT TO KNOW THE BIGGEST
OBSTACLE TO MY JOB, CLARK?

381
00:22:05,940 --> 00:22:08,658
IT'S NOT THE PERPS,
IT'S THE BUREAUCRACY.

382
00:22:08,682 --> 00:22:10,621
I MEAN, HOW AM I
SUPPOSED TO FIGHT CRIME

383
00:22:10,645 --> 00:22:12,695
WITH ONE HAND TIED
BEHIND MY BACK?

384
00:22:12,719 --> 00:22:14,667
I THOUGHT YOU SAID WE
WERE GOING AFTER BAD GUYS.

385
00:22:14,691 --> 00:22:16,099
OH, WE ARE.

386
00:22:16,123 --> 00:22:18,672
THEY'RE CALLED
"INTERNAL AFFAIRS."

387
00:22:18,696 --> 00:22:22,107
IN FACT, THE HEAD
OF THE I.A. DIVISION

388
00:22:22,131 --> 00:22:24,664
LIVES RIGHT UP THERE
ON THE FIFTH FLOOR.

389
00:22:26,336 --> 00:22:29,316
I'M NOT GOING TO HURT ANYBODY.

390
00:22:29,340 --> 00:22:31,018
RELAX.

391
00:22:31,042 --> 00:22:32,620
YOU'RE JUST GOING TO HELP
ME RETRIEVE SOME FILES.

392
00:22:32,644 --> 00:22:34,123
SEE, THESE I.A. TYPES...

393
00:22:34,147 --> 00:22:37,328
THEY HAVE A REAL TRUST PROBLEM.

394
00:22:37,352 --> 00:22:39,199
WELL, IT TURNS OUT
THE DEPUTY CHIEF

395
00:22:39,223 --> 00:22:42,665
KEEPS ALL OF HIS MOST
SENSITIVE CASE FILES AT HOME.

396
00:22:42,689 --> 00:22:44,337
THE MAN'S GOT A SAFE.

397
00:22:44,361 --> 00:22:46,340
SO YOU FIND IT, YOU OPEN IT,

398
00:22:46,364 --> 00:22:49,313
AND YOU BRING ME
WHATEVER'S INSIDE.

399
00:22:49,337 --> 00:22:51,347
YOU DO THIS ONE THING FOR ME,

400
00:22:51,371 --> 00:22:53,379
AND I WILL NEVER
TROUBLE YOU AGAIN.

401
00:22:53,403 --> 00:22:56,152
I KNOW WHAT YOU'RE
ABOUT, PHELAN.

402
00:22:56,176 --> 00:22:57,985
LEX LUTHOR TOLD ME.

403
00:22:58,009 --> 00:23:01,260
YEAH, WELL... YOUR FRIEND LEX

404
00:23:01,284 --> 00:23:04,133
ISN'T EXACTLY ON THE
SIDE OF THE ANGELS.

405
00:23:04,157 --> 00:23:07,668
HE'S GOT HIS SECRETS,
JUST LIKE YOU.

406
00:23:07,692 --> 00:23:10,195
IT'S APARTMENT 517.

407
00:24:02,336 --> 00:24:04,398
HEY, PHELAN!

408
00:24:07,373 --> 00:24:09,982
[ SIRENS WAILING
] WANT YOUR FILE?

409
00:24:10,006 --> 00:24:11,508
IT'S ALL YOURS.

410
00:24:14,082 --> 00:24:15,314
DID YOU CALL THEM?

411
00:24:17,355 --> 00:24:21,060
YOU'RE MAKING A
BIG MISTAKE, KID.

412
00:24:36,382 --> 00:24:37,989
MORNING, GUYS.

413
00:24:38,013 --> 00:24:39,993
WHAT TIME DID YOU
GET IN LAST NIGHT?

414
00:24:40,017 --> 00:24:41,495
I DIDN'T HEAR YOU.

415
00:24:41,519 --> 00:24:43,967
UH, LATE.

416
00:24:43,991 --> 00:24:46,502
I WAS HELPING LANA AT THE TORCH.

417
00:24:46,526 --> 00:24:49,104
I SORT OF LOST TRACK OF TIME.

418
00:24:49,128 --> 00:24:50,977
CLARK, HAS, UM...

419
00:24:51,001 --> 00:24:53,110
HAS PHELAN TRIED TO CONTACT YOU?

420
00:24:53,134 --> 00:24:56,114
DAD, DON'T WORRY. I THINK
HE'S OUT OF OUR LIVES FOREVER.

421
00:24:56,138 --> 00:24:57,470
[ KNOCK ON DOOR ]

422
00:24:59,843 --> 00:25:01,492
ETHAN.

423
00:25:01,516 --> 00:25:04,856
BOB, UH... WHAT'S GOING ON?

424
00:25:04,880 --> 00:25:08,231
WE GOT A WARRANT.

425
00:25:08,255 --> 00:25:10,404
IT'S A WARRANT TO SEARCH
YOUR PROPERTY, JONATHAN.

426
00:25:10,428 --> 00:25:12,166
A WARRANT.

427
00:25:12,190 --> 00:25:13,432
COME ON IN. WHAT...

428
00:25:15,034 --> 00:25:16,371
WHAT FOR?

429
00:25:16,395 --> 00:25:19,315
WE GOT A TIP FROM
METROPOLIS P.D.

430
00:25:19,339 --> 00:25:24,046
YOU BETTER COME AND
TAKE A LOOK AT THIS.

431
00:25:33,188 --> 00:25:35,060
LOOKS LIKE HE WAS
SHOT IN THE HEART.

432
00:25:38,025 --> 00:25:39,342
YOU WANT TO EXPLAIN TO ME

433
00:25:39,366 --> 00:25:41,304
WHAT A DEAD BODY'S DOING
IN YOUR BARN, JONATHAN?

434
00:25:41,328 --> 00:25:43,447
I HAVE NO IDEA. I'VE NEVER
SEEN THAT MAN BEFORE...

435
00:25:43,471 --> 00:25:45,450
ETHAN, WE FOUND THIS

436
00:25:45,474 --> 00:25:49,356
HIDDEN UNDER THE
SEAT IN THE TRUCK.

437
00:25:49,380 --> 00:25:52,560
THAT IS NOT MY GUN, AND I HAVE
NO IDEA HOW IT GOT IN MY TRUCK.

438
00:25:52,584 --> 00:25:54,263
I'M SORRY, JONATHAN,

439
00:25:54,287 --> 00:25:55,264
BUT WE'RE GOING TO HAVE
TO PLACE YOU UNDER ARREST.

440
00:25:55,288 --> 00:25:56,325
DAD.

441
00:25:56,349 --> 00:25:58,398
IT'S... IT'S ALL RIGHT.

442
00:25:58,422 --> 00:26:01,496
CALL BILL ROSS AND HAVE
HIM MEET ME AT THE JAIL.

443
00:26:06,363 --> 00:26:08,180
YOU'RE NOT TAKING HIM.

444
00:26:08,204 --> 00:26:09,582
CLARK. CLARK.

445
00:26:09,606 --> 00:26:13,118
I NEED YOU TO STAY HERE...

446
00:26:13,142 --> 00:26:15,615
AND I NEED YOU TO BE STRONG.

447
00:26:25,327 --> 00:26:27,662
I'll FOLLOW IN THE CAR.

448
00:26:44,153 --> 00:26:47,533
THAT'S WHAT YOU GET FOR
TRYING TO BE A HERO, CLARK.

449
00:26:47,557 --> 00:26:50,138
YOU'RE A PRETTY SMART BOY,

450
00:26:50,162 --> 00:26:51,499
BUT YOU FORGET...

451
00:26:51,523 --> 00:26:53,502
I'VE BEEN DOING
THIS A LONG TIME.

452
00:26:53,526 --> 00:26:55,274
WHO WAS THAT MAN?

453
00:26:55,298 --> 00:26:57,077
DID YOU REALLY THINK

454
00:26:57,101 --> 00:26:59,409
THAT YOU COULD DOUBLE-CROSS ME?

455
00:26:59,433 --> 00:27:02,614
CLARK, MY JOB IS
ABOUT SCENARIOS.

456
00:27:02,638 --> 00:27:05,088
YOU NEVER ENTER A CRACK
HOUSE WITH ONE PLAN.

457
00:27:05,112 --> 00:27:08,463
YOU GO IN WITH 10.
THAT'S HOW YOU SURVIVE.

458
00:27:08,487 --> 00:27:10,395
THE TRUTH IS, KID,

459
00:27:10,419 --> 00:27:13,529
YOU DIDN'T LEAVE ME
WITH A LOT OF OPTIONS!

460
00:27:13,553 --> 00:27:15,101
I WANT MY DAD OUT OF JAIL.

461
00:27:15,125 --> 00:27:16,203
YOU COMPLICATE MY LIFE,

462
00:27:16,227 --> 00:27:18,476
I'M GOING TO COMPLICATE YOURS.

463
00:27:18,500 --> 00:27:20,603
CALL THEM NOW! TELL
THEM WHAT YOU DID.

464
00:27:22,234 --> 00:27:25,514
WHAT IS IT, CLARK?
YOU WANT TO KILL ME?

465
00:27:25,538 --> 00:27:29,090
YOU THINK THAT'S THE
ANSWER TO YOUR PROBLEMS?

466
00:27:29,114 --> 00:27:31,253
I WANT HIM OUT!

467
00:27:31,277 --> 00:27:33,356
WELL, THEN WE BOTH
WANT SOMETHING,

468
00:27:33,380 --> 00:27:37,285
ONLY YOU HAVE A
LOT MORE TO LOSE.

469
00:27:44,634 --> 00:27:48,376
I DON'T WANT ANY MORE SURPRISES.

470
00:27:48,400 --> 00:27:52,105
I'M GOING TO LET YOU
THINK ABOUT LAST NIGHT.

471
00:27:57,451 --> 00:27:59,231
STAY CLOSE.

472
00:27:59,255 --> 00:28:00,486
I'll BE IN TOUCH.

473
00:28:18,411 --> 00:28:21,159
CLARK, WHAT ARE YOU DOING HERE?

474
00:28:21,183 --> 00:28:24,564
HIDING OUT.

475
00:28:24,588 --> 00:28:28,199
I HEARD ABOUT YOUR
DAD. I KNOW IT ISN'T TRUE.

476
00:28:28,223 --> 00:28:31,157
THANKS.

477
00:28:32,429 --> 00:28:35,238
HOW YOU DOING?

478
00:28:35,262 --> 00:28:38,583
TO BE HONEST, I'M IN
WAY OVER MY HEAD.

479
00:28:38,607 --> 00:28:40,617
ALL I WANTED TO DO
IS HELP CHLOE OUT,

480
00:28:40,641 --> 00:28:42,319
AND NOW I FEEL LIKE

481
00:28:42,343 --> 00:28:44,722
I'VE COMPLETELY
SCREWED UP EVERYTHING.

482
00:28:44,746 --> 00:28:47,595
GUESS THAT'S WHAT YOU GET
WHEN YOU TRY TO BE A HERO.

483
00:28:47,619 --> 00:28:50,624
I KNOW THE FEELING.

484
00:28:52,526 --> 00:28:55,566
YOU EVER THINK YOUR
AUNT'S LIFE WOULD BE SIMPLER

485
00:28:55,590 --> 00:28:57,339
IF SHE HADN'T ADOPTED YOU?

486
00:28:57,363 --> 00:28:59,496
CLARK, WHAT'S GOING ON?

487
00:29:02,599 --> 00:29:04,348
IT JUST SEEMS LIKE ALL I EVER DO

488
00:29:04,372 --> 00:29:05,920
IS COMPLICATE MY PARENTS' LIVES.

489
00:29:05,944 --> 00:29:07,683
YOU CAN'T BLAME YOURSELF

490
00:29:07,707 --> 00:29:09,578
FOR WHAT'S HAPPENING
WITH YOUR DAD.

491
00:29:11,251 --> 00:29:13,159
EVERY FAMILY GOES
THROUGH ROUGH TIMES.

492
00:29:13,183 --> 00:29:16,635
WHEN I WAS 10, I TRIED TO
RUN AWAY TO METROPOLIS.

493
00:29:16,659 --> 00:29:18,496
NELL FOUND ME AT THE BUS STOP.

494
00:29:18,520 --> 00:29:20,270
IT WAS FREEZING.

495
00:29:20,294 --> 00:29:21,572
AS SHE WAS DRIVING ME HOME,

496
00:29:21,596 --> 00:29:24,205
I ASKED HER IF SHE
REGRETTED ADOPTING ME.

497
00:29:24,229 --> 00:29:25,806
SHE STOPPED THE CAR.

498
00:29:25,830 --> 00:29:27,810
I REMEMBER, 'CAUSE
IT STARTED SNOWING.

499
00:29:27,834 --> 00:29:31,284
SHE LOOKED ME IN THE EYE.

500
00:29:31,308 --> 00:29:34,589
SHE SAID IT WAS THE BEST
THING SHE HAD EVER DONE.

501
00:29:34,613 --> 00:29:38,563
SHE DIDN'T LOVE ME ANY
LESS BECAUSE I WAS ADOPTED,

502
00:29:38,587 --> 00:29:41,551
BUT SHE WORRIED ABOUT ME MORE.

503
00:29:44,656 --> 00:29:46,475
I'VE GOT TO GO.

504
00:29:46,499 --> 00:29:49,363
DON'T WORRY, CLARK.

505
00:29:50,565 --> 00:29:52,406
IT'LL ALL WORK OUT.

506
00:30:19,502 --> 00:30:20,781
HI, SON.

507
00:30:20,805 --> 00:30:22,422
WHERE'S YOUR MOTHER?

508
00:30:22,446 --> 00:30:25,527
THE POLICE ARE QUESTIONING HER.

509
00:30:25,551 --> 00:30:28,631
I LIED TO YOU.

510
00:30:28,655 --> 00:30:31,666
WHAT DO YOU MEAN?

511
00:30:31,690 --> 00:30:33,863
I DID SEE PHELAN AGAIN.

512
00:30:38,568 --> 00:30:39,677
WHEN?

513
00:30:39,701 --> 00:30:41,708
LAST NIGHT.

514
00:30:41,732 --> 00:30:44,283
I WENT WITH HIM TO METROPOLIS,

515
00:30:44,307 --> 00:30:45,955
BROKE INTO AN APARTMENT,

516
00:30:45,979 --> 00:30:48,819
FOUND A SAFE WITH
CONFIDENTIAL FILES.

517
00:30:48,843 --> 00:30:50,521
OH, CLARK.

518
00:30:50,545 --> 00:30:51,892
I DIDN'T HAVE A CHOICE.

519
00:30:51,916 --> 00:30:53,696
WELL, I'M SURE THAT'S WHAT
HE WANTED YOU TO THINK,

520
00:30:53,720 --> 00:30:55,497
BUT YOU ALWAYS
HAVE A CHOICE, SON.

521
00:30:55,521 --> 00:30:57,030
I WAS PROTECTING YOU AND MOM.

522
00:30:57,054 --> 00:31:01,599
YOU CANNOT PROTECT YOUR
MOTHER AND I BY LYING TO US. COME ON!

523
00:31:02,902 --> 00:31:04,834
DAD, THERE'S MORE.

524
00:31:06,707 --> 00:31:09,986
PHELAN CAME BACK AFTER
YOU WERE ARRESTED.

525
00:31:10,010 --> 00:31:14,553
I GOT SO ANGRY
THAT I GRABBED HIM,

526
00:31:14,577 --> 00:31:17,020
AND FOR A SECOND, I WANTED TO...

527
00:31:20,726 --> 00:31:22,627
I-I WANTED TO KILL HIM.

528
00:31:24,932 --> 00:31:27,010
BUT YOU DIDN'T, RIGHT?

529
00:31:27,034 --> 00:31:29,798
YEAH, BUT I WAS CLOSE.

530
00:31:39,912 --> 00:31:41,659
BELIEVE ME, SON,

531
00:31:41,683 --> 00:31:43,693
I KNOW ALL THERE IS TO KNOW
ABOUT LOSING YOUR TEMPER,

532
00:31:43,717 --> 00:31:46,536
BUT YOU CAN'T AFFORD TO DO IT.

533
00:31:46,560 --> 00:31:48,800
THIS IS PHELAN'S GAME,

534
00:31:48,824 --> 00:31:50,871
AND HE WILL PLAY YOUR
FEAR AND YOUR ANGER,

535
00:31:50,895 --> 00:31:53,545
BUT YOU CANNOT
LET HIM GET TO YOU.

536
00:31:53,569 --> 00:31:54,848
I DON'T CARE.

537
00:31:54,872 --> 00:31:56,780
I WON'T LET ANYBODY
HURT YOU AND MOM.

538
00:31:56,804 --> 00:31:58,081
AND HE KNOWS THAT.

539
00:31:58,105 --> 00:32:00,616
BUT ONCE YOU'VE
CROSSED THAT LINE,

540
00:32:00,640 --> 00:32:02,080
THERE'S NO GOING BACK.

541
00:32:18,763 --> 00:32:19,811
CLARK.

542
00:32:19,835 --> 00:32:21,484
I JUST HEARD ABOUT YOUR DAD.

543
00:32:21,508 --> 00:32:22,614
IS HE ALL RIGHT?

544
00:32:22,638 --> 00:32:23,847
HE'S HANGING IN THERE.

545
00:32:23,871 --> 00:32:25,549
THIS IS... THIS IS CRAZY.

546
00:32:25,573 --> 00:32:27,552
YOUR FATHER DIDN'T KILL ANYONE.

547
00:32:27,576 --> 00:32:28,924
GIVE ME FIVE MINUTES,

548
00:32:28,948 --> 00:32:30,595
I'll GET YOU THE 10 BEST
LAWYERS IN THE STATE.

549
00:32:30,619 --> 00:32:32,653
I DON'T THINK LAWYERS
ARE GOING TO HELP.

550
00:32:34,525 --> 00:32:36,964
IT'S PHELAN, ISN'T IT?

551
00:32:36,988 --> 00:32:38,667
WHAT'S HE GOT ON YOU, CLARK?

552
00:32:38,691 --> 00:32:40,039
LOOK, JUST STAY OUT OF IT.

553
00:32:40,063 --> 00:32:43,112
ALL RIGHT? PLEASE.

554
00:32:43,136 --> 00:32:44,975
LISTEN TO ME.

555
00:32:44,999 --> 00:32:46,647
YOU MAY THINK YOU KNOW

556
00:32:46,671 --> 00:32:48,550
HOW A GUY LIKE PHELAN
WORKS, BUT YOU'D BE WRONG.

557
00:32:48,574 --> 00:32:49,982
SOUNDS LIKE YOU'RE AN EXPERT.

558
00:32:50,006 --> 00:32:51,583
I UNDERSTAND HIS WORLD.

559
00:32:51,607 --> 00:32:54,050
YEAH. HE TOLD ME
YOU HAVE SECRETS.

560
00:32:56,884 --> 00:32:59,735
THERE ARE PARTS OF MY
LIFE I'M NOT PROUD OF, CLARK,

561
00:32:59,759 --> 00:33:01,937
BUT I DON'T WANT TO SEE
YOU OR YOUR FAMILY HURT.

562
00:33:01,961 --> 00:33:04,071
NOW, LET ME HELP.

563
00:33:04,095 --> 00:33:06,828
YOU CAN'T, LEX.

564
00:33:08,069 --> 00:33:10,733
I GOT TO HANDLE THIS ON MY OWN.

565
00:33:27,125 --> 00:33:28,998
YOU BUSY, CLARK?

566
00:33:31,201 --> 00:33:32,708
WHAT DO YOU WANT FROM ME?

567
00:33:32,732 --> 00:33:34,110
THAT'S COMPLICATED.

568
00:33:34,134 --> 00:33:36,014
AFTER LAST NIGHT, I'VE
GOT INTERNAL AFFAIRS

569
00:33:36,038 --> 00:33:39,748
ASKING ME MORE QUESTIONS
THAN I WANT TO ANSWER.

570
00:33:39,772 --> 00:33:40,889
THAT'S YOUR PROBLEM!

571
00:33:40,913 --> 00:33:43,995
NO, IT'S OUR PROBLEM.

572
00:33:44,019 --> 00:33:47,599
BUT OUR NEXT BIT OF BUSINESS
IS GOING TO BE OUR LAST.

573
00:33:47,623 --> 00:33:49,663
I DON'T CARE. YOU CAN TELL
THE WHOLE WORLD ABOUT ME.

574
00:33:54,863 --> 00:33:57,141
CLARK, YOU MAY NOT
CARE ABOUT YOURSELF,

575
00:33:57,165 --> 00:33:59,114
BUT THINK ABOUT YOUR PARENTS.

576
00:33:59,138 --> 00:34:02,649
NOW, YOUR FATHER'S IN
JAIL ON A MURDER CHARGE,

577
00:34:02,673 --> 00:34:04,052
AND WHETHER HE BEATS IT OR NOT,

578
00:34:04,076 --> 00:34:06,655
HE'S GOING TO LOSE THIS
FARM JUST PAYING LEGAL FEES.

579
00:34:06,679 --> 00:34:09,583
AND I CAN STILL MAKE
ALL THAT GO AWAY.

580
00:34:12,056 --> 00:34:14,059
SO WHAT'S IT GOING TO BE?

581
00:34:26,675 --> 00:34:28,809
[ ENGINE TURNS OVER ]

582
00:34:46,101 --> 00:34:47,910
WHAT ARE WE DOING HERE?

583
00:34:47,934 --> 00:34:52,617
SINCE I COULDN'T PICK UP MY
INTERNAL AFFAIRS RECORDS...

584
00:34:52,641 --> 00:34:55,213
I FIGURED IT WAS TIME TO PICK
UP MY RETIREMENT PACKAGE.

585
00:34:57,077 --> 00:34:58,854
THE BREASTPLATE.

586
00:34:58,878 --> 00:35:00,798
YOU WANT ME TO STEAL IT FOR YOU.

587
00:35:00,822 --> 00:35:02,901
I DON'T GIVE A DAMN
ABOUT THE BREASTPLATE.

588
00:35:02,925 --> 00:35:05,858
I JUST WANT THE $10 MILLION
WORTH OF JEWELS THAT ARE ON IT.

589
00:35:08,032 --> 00:35:09,009
HA HA.

590
00:35:09,033 --> 00:35:10,996
COME ON.

591
00:35:13,137 --> 00:35:15,117
SO WE'RE JUST GOING TO BUST IN?

592
00:35:15,141 --> 00:35:16,648
NOT QUITE.

593
00:35:16,672 --> 00:35:18,021
METROPOLIS P.D. KEEPS BLUEPRINTS

594
00:35:18,045 --> 00:35:20,184
ON ALL THE HIGH-SECURITY
BUILDINGS IN THE CITY,

595
00:35:20,208 --> 00:35:23,088
SO I KNOW THIS PLACE
BETTER THAN THE ARCHITECT.

596
00:35:23,112 --> 00:35:26,231
THE SECURITY SYSTEM ALL RUNS
THROUGH THIS JUNCTION BOX.

597
00:35:26,255 --> 00:35:28,896
OPEN IT UP.

598
00:35:28,920 --> 00:35:30,166
ISN'T IT ALARMED?

599
00:35:30,190 --> 00:35:31,869
THEY ONLY ALARM THE THINGS

600
00:35:31,893 --> 00:35:33,896
THEY THINK SOMEBODY
COULD GET THROUGH.

601
00:35:35,197 --> 00:35:39,048
CLARK, I'M GETTING
PRETTY BORED WITH THIS.

602
00:35:39,072 --> 00:35:41,737
YOU WANT YOUR OLD
LIFE BACK, YOU DO IT.

603
00:35:58,929 --> 00:36:02,140
[ TELEPHONE DIALING ] CAMERAS ARE
ONE THING. WHAT ABOUT THE GUARDS?

604
00:36:02,164 --> 00:36:05,244
THEY'RE ABOUT TO GET REAL BUSY.

605
00:36:05,268 --> 00:36:06,887
[ RINGING ]

606
00:36:06,911 --> 00:36:08,488
YEAH, METROPOLIS MUSEUM?

607
00:36:08,512 --> 00:36:10,822
YOU HAVE TWO MINUTES
TO LEAVE THE BUILDING.

608
00:36:10,846 --> 00:36:13,048
THERE'S A BOMB OUTSIDE.

609
00:36:23,963 --> 00:36:26,536
CLEAR THE FRONT OF THE
BUILDING! THERE'S A BOMB OUT HERE!

610
00:36:32,545 --> 00:36:35,179
CAMERAS ARE ALL
DEAD IN LUTHOR HALL.

611
00:36:58,280 --> 00:37:02,184
KID... SHOW ME THE MAGIC.

612
00:37:23,213 --> 00:37:26,994
STANDING BY. I
REPEAT, STANDING BY.

613
00:37:27,018 --> 00:37:29,621
[ TICKING ]

614
00:37:32,226 --> 00:37:33,887
[ ALARM RINGS ]

615
00:37:39,135 --> 00:37:42,369
WE ARE GOING TO
MAKE A GREAT TEAM.

616
00:37:58,159 --> 00:38:00,322
WE'LL NEVER BE A TEAM.

617
00:38:13,610 --> 00:38:15,320
YOU MIGHT BE ABLE
TO EXPLAIN THE SAFE,

618
00:38:15,344 --> 00:38:17,963
BUT YOUR FINGERPRINTS ARE
ALL OVER THAT BREASTPLATE.

619
00:38:17,987 --> 00:38:22,353
YOU MIGHT BE STRONG, BUT
YOU'RE NOT BULLETPROOF.

620
00:39:11,389 --> 00:39:13,762
WHAT ARE YOU?

621
00:39:15,463 --> 00:39:18,104
IN THERE!

622
00:39:18,128 --> 00:39:20,077
DO IT!

623
00:39:20,101 --> 00:39:22,032
GET DOWN!

624
00:39:30,614 --> 00:39:33,688
PHELAN, WHERE'S CLARK?
I KNOW HE CAME WITH YOU.

625
00:39:35,490 --> 00:39:37,554
JUST TELL ME WHAT
YOU HAD ON HIM.

626
00:39:40,657 --> 00:39:43,331
G-G-GO TO HELL, LUTHOR.

627
00:39:58,452 --> 00:40:00,700
ALL THE CHARGES
HAVE BEEN DROPPED.

628
00:40:00,724 --> 00:40:02,303
HA HA HA HA!

629
00:40:02,327 --> 00:40:03,504
WITH PROFUSE
APOLOGIES FROM THE STATE

630
00:40:03,528 --> 00:40:05,307
AND METROPOLIS
POLICE DEPARTMENTS.

631
00:40:05,331 --> 00:40:06,709
THEN IT'S FINALLY OVER.

632
00:40:06,733 --> 00:40:08,512
WELL, THIS TIME.

633
00:40:08,536 --> 00:40:10,515
UNFORTUNATELY, THERE'S
MORE THAN ONE PHELAN

634
00:40:10,539 --> 00:40:12,276
OUT THERE IN THE WORLD.

635
00:40:12,300 --> 00:40:13,579
WHAT DO WE DO NEXT TIME?

636
00:40:13,603 --> 00:40:15,450
I DON'T KNOW, SON.

637
00:40:15,474 --> 00:40:18,385
WE'RE JUST GOING TO HAVE TO
DEAL WITH IT WHEN THE TIME COMES.

638
00:40:18,409 --> 00:40:20,327
MAYBE I SHOULD
STOP USING MY GIFTS.

639
00:40:20,351 --> 00:40:22,189
THAT WOULD SOLVE
ALL OUR PROBLEMS.

640
00:40:22,213 --> 00:40:25,193
NO, IT WOULDN'T, CLARK.
YOUR GIFTS ARE WHO YOU ARE.

641
00:40:25,217 --> 00:40:27,466
YOU CAN'T LIVE IN FEAR.

642
00:40:27,490 --> 00:40:30,195
ALTHOUGH A LITTLE
CAUTION WOULDN'T HURT.

643
00:40:33,199 --> 00:40:35,307
[ BOTH LAUGH ]

644
00:40:35,331 --> 00:40:36,680
CLARK?

645
00:40:36,704 --> 00:40:39,483
ARE YOU SURE NOBODY
SAW YOU LAST NIGHT?

646
00:40:39,507 --> 00:40:41,740
I'M POSITIVE, MOM.

647
00:40:53,657 --> 00:40:56,776
MISS LANG.

648
00:40:56,800 --> 00:40:59,510
WHAT'S THIS?

649
00:40:59,534 --> 00:41:01,182
IT'S A NEWS STORY.

650
00:41:01,206 --> 00:41:02,615
IT'S TOTALLY UNACCEPTABLE.

651
00:41:02,639 --> 00:41:04,646
WHY? IT COVERS ALL
OF YOUR CRITERIA.

652
00:41:04,670 --> 00:41:07,251
IT DEALS WITH A STUDENT AND
A SCHOOL-SPONSORED CLUB,

653
00:41:07,275 --> 00:41:09,394
AND THERE ARE NO
MUTANTS IN SIGHT.

654
00:41:09,418 --> 00:41:11,325
DID YOU DO THIS

655
00:41:11,349 --> 00:41:13,829
BECAUSE YOU THOUGHT I'D
REINSTATE MISS SULLIVAN?

656
00:41:13,853 --> 00:41:16,363
I DID THIS BECAUSE IT'S
THE RIGHT THING TO DO.

657
00:41:16,387 --> 00:41:18,365
CHLOE WAS BORN FOR THIS JOB.

658
00:41:18,389 --> 00:41:19,838
ALTHOUGH I DO
ADMIRE HER PASSION,

659
00:41:19,862 --> 00:41:21,840
HER REPORTING LACKS ACCURACY.

660
00:41:21,864 --> 00:41:24,443
I CAN WORK ON THAT.

661
00:41:24,467 --> 00:41:27,448
IF YOU WANT YOUR JOB
BACK, MISS SULLIVAN,

662
00:41:27,472 --> 00:41:29,581
DON'T PRINT WHAT
YOU CAN'T PROVE.

663
00:41:29,605 --> 00:41:30,883
DO WE HAVE A DEAL?

664
00:41:30,907 --> 00:41:32,684
YEAH. THANK YOU, PRINCIPAL KWAN.

665
00:41:32,708 --> 00:41:35,389
DON'T THANK ME.

666
00:41:35,413 --> 00:41:38,215
THANK MISS LANG.

667
00:41:44,394 --> 00:41:45,642
CONGRATULATIONS.

668
00:41:45,666 --> 00:41:47,244
YOU DESERVE IT.

669
00:41:47,268 --> 00:41:48,405
THANKS.

670
00:41:48,429 --> 00:41:50,178
UH, YOU KNOW, LANA,

671
00:41:50,202 --> 00:41:52,512
I'M SORRY I FLIPPED OUT
AT YOU THE OTHER DAY.

672
00:41:52,536 --> 00:41:54,483
I JUST... YOU KNOW,

673
00:41:54,507 --> 00:41:56,356
THE PAPER'S KIND OF MY IDENTITY,

674
00:41:56,380 --> 00:41:58,559
AND IT'S LIKE THE ONLY THING
THAT CLARK AND I DO TOGETHER,

675
00:41:58,583 --> 00:42:00,392
AND SO WHEN I SAW YOU HERE...

676
00:42:00,416 --> 00:42:02,965
YOU THOUGHT I WAS TRYING
TO CUT CLARK OUT OF YOUR LIFE?

677
00:42:02,989 --> 00:42:06,200
NOBODY EVER SAID I WAS RATIONAL.

678
00:42:06,224 --> 00:42:09,934
I WANT TO BE FRIENDS
WITH YOU, CHLOE,

679
00:42:09,958 --> 00:42:12,639
BUT I DON'T WANT TO STAND
BETWEEN YOU AND CLARK.

680
00:42:12,663 --> 00:42:14,581
OH, NO.

681
00:42:14,605 --> 00:42:16,213
DON'T WORRY.

682
00:42:16,237 --> 00:42:18,285
THERE'S NOTHING BETWEEN US.

683
00:42:18,309 --> 00:42:20,313
WE'RE JUST GOOD FRIENDS.

684
00:42:21,744 --> 00:42:24,224
HOW ABOUT YOU?

685
00:42:24,248 --> 00:42:26,356
SAME THING.

686
00:42:26,380 --> 00:42:28,760
WE'RE JUST FRIENDS.

687
00:42:28,784 --> 00:42:31,503
GOOD.

688
00:42:31,527 --> 00:42:32,706
I'M GLAD WE GOT
THAT OUT OF THE WAY.

689
00:42:32,730 --> 00:42:34,468
NOW...

690
00:42:34,492 --> 00:42:39,398
LET'S SEE WHAT YOU'VE
MESSED UP SINCE I'VE BEEN GONE.

691
00:42:55,420 --> 00:42:57,269
LEX.

692
00:42:57,293 --> 00:42:58,671
ARE YOU GOING TO COME TO BED?

693
00:42:58,695 --> 00:43:00,666
IN A MINUTE.

694
00:43:31,809 --> 00:43:34,588
Captions by VITAC...
www.vitac.com

695
00:43:34,612 --> 00:43:37,617
CAPTIONS PAID FOR BY
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