1
00:00:10,497 --> 00:00:13,718
YEAH. IT'S JAMES BEALES.

2
00:00:13,742 --> 00:00:18,323
LIONEL LUTHOR IS
EXPECTING MY CALL.

3
00:00:18,347 --> 00:00:19,625
SO, HOW ABOUT THIS?

4
00:00:19,649 --> 00:00:22,288
I DON'T CARE IF
HE'S IN A MEETING.

5
00:00:22,312 --> 00:00:25,385
GET HIM OUT OF IT! TELL
HIM I FOUND SOMETHING.

6
00:00:26,586 --> 00:00:29,760
NO, I WON'T HOLD! GET HIM!

7
00:00:45,210 --> 00:00:46,317
[ HONKING HORN ]

8
00:00:46,341 --> 00:00:49,320
WHAT'S YOUR HURRY, PAL?

9
00:00:49,344 --> 00:00:50,522
COME ON.

10
00:00:50,546 --> 00:00:53,320
WHOA, WHOA, WHOA!

11
00:00:55,353 --> 00:00:57,771
HEY!

12
00:00:57,795 --> 00:01:00,598
MOVE OUT OF THE WAY!

13
00:01:08,308 --> 00:01:10,641
GET OUT OF MY WAY!

14
00:01:19,522 --> 00:01:20,524
WHOA!

15
00:01:27,593 --> 00:01:29,340
HEY!

16
00:01:29,364 --> 00:01:30,867
IN THE TRUCK...
ARE YOU ALL RIGHT?

17
00:01:33,569 --> 00:01:35,317
HEY! HEY!

18
00:01:35,341 --> 00:01:37,775
COME ON, GOTTA
GET YOU OUT OF HERE.

19
00:01:46,855 --> 00:01:50,490
I'M GOING TO PUT YOU DOWN.

20
00:02:01,433 --> 00:02:04,554
ARE YOU ALL RIGHT? COME ON, NOW.

21
00:02:04,578 --> 00:02:07,742
CAN YOU HEAR ME? ARE YOU OKAY?

22
00:02:16,752 --> 00:02:19,502
[ SNEEZES ]

23
00:02:19,526 --> 00:02:22,760
WE GOT TO GET YOU OUT OF HERE.

24
00:02:26,365 --> 00:02:33,519
♫ SOMEBODY SAVE ME ♫

25
00:02:33,543 --> 00:02:37,454
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

26
00:02:37,478 --> 00:02:43,732
♫ SOMEBODY SAVE ME ♫

27
00:02:43,756 --> 00:02:47,567
♫ I DON'T CARE HOW YOU DO IT ♫

28
00:02:47,591 --> 00:02:48,639
♫ JUST STAY ♫

29
00:02:48,663 --> 00:02:50,570
♫ STAY WITH ME ♫

30
00:02:50,594 --> 00:02:52,573
♫ STAY ♫

31
00:02:52,597 --> 00:02:54,445
♫ COME ON ♫

32
00:02:54,469 --> 00:02:57,750
♫ I'VE BEEN WAITING FOR YOU ♫

33
00:02:57,774 --> 00:03:03,556
♫ JUST STAY WITH ME ♫

34
00:03:03,580 --> 00:03:07,692
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

35
00:03:07,716 --> 00:03:09,865
♫ JUST STAY ♫

36
00:03:09,889 --> 00:03:12,497
♫ STAY ♫

37
00:03:12,521 --> 00:03:15,725
♫ COME ON ♫

38
00:03:20,401 --> 00:03:23,450
DR. HAMILTON. I THOUGHT
PART OF OUR ARRANGEMENT

39
00:03:23,474 --> 00:03:26,655
WAS THAT YOU
DON'T DROP IN ON ME.

40
00:03:26,679 --> 00:03:28,557
A SITUATION'S COME UP IN MY LAB.

41
00:03:28,581 --> 00:03:29,859
DON'T YOU MEAN YOUR BARN?

42
00:03:29,883 --> 00:03:31,692
ONE OF MY EXPERIMENTS WAS STOLEN

43
00:03:31,716 --> 00:03:33,424
BY ONE OF YOUR EMPLOYEES.

44
00:03:33,448 --> 00:03:35,826
WHY WOULD ANYONE AT
LUTHORCORP KNOW ABOUT YOUR WORK?

45
00:03:35,850 --> 00:03:37,769
HE WAS HELPING ME INSTALL
SOME NEW EQUIPMENT.

46
00:03:37,793 --> 00:03:41,774
WHAT DID HE STEAL?

47
00:03:41,798 --> 00:03:43,605
A FLOWER.

48
00:03:43,629 --> 00:03:46,109
YOU'RE KIDDING.

49
00:03:46,133 --> 00:03:48,611
IT'S CALLED THE NICODEMUS.
IT'S BEEN EXTINCT FOR...

50
00:03:48,635 --> 00:03:49,713
100 YEARS.

51
00:03:49,737 --> 00:03:51,146
I HIRED YOU TO STUDY

52
00:03:51,170 --> 00:03:53,488
THE EFFECTS OF
METEORS ON THIS TOWN.

53
00:03:53,512 --> 00:03:55,490
THAT IS YOUR FOCUS.
YOU'RE A GEOLOGIST.

54
00:03:55,514 --> 00:03:56,893
WHY ARE YOU WASTING
TIME BRINGING FLOWERS BACK

55
00:03:56,917 --> 00:03:58,555
FROM THE DEAD?

56
00:03:58,579 --> 00:04:01,557
I IRRADIATED THE DORMANT
SEEDS WITH METEOR FRAGMENTS.

57
00:04:01,581 --> 00:04:03,631
I WANT TO KNOW THE EFFECTS
ON PEOPLE, NOT PLANTS.

58
00:04:03,655 --> 00:04:07,506
IT'S A FIRST STEP.
THAT'S WHAT SCIENCE IS.

59
00:04:07,530 --> 00:04:09,108
IT'S A PROCESS, A JOURNEY.

60
00:04:09,132 --> 00:04:10,870
YOU KNOW WHAT?

61
00:04:10,894 --> 00:04:13,813
EITHER YOU UNDERSTAND THAT,
OR YOU FIND SOMEONE ELSE.

62
00:04:13,837 --> 00:04:17,471
WHAT'S HIS NAME?

63
00:04:19,845 --> 00:04:21,622
JAMES BEALES.

64
00:04:21,646 --> 00:04:23,225
NOW, I JUST FOUND OUT THAT
HE WAS IN A CAR ACCIDENT.

65
00:04:23,249 --> 00:04:24,757
HE ALMOST DIDN'T MAKE IT,

66
00:04:24,781 --> 00:04:26,728
BUT ANOTHER DRIVER
PULLED HIM OUT.

67
00:04:26,752 --> 00:04:28,891
DON'T TELL ME IT WAS CLARK KENT.

68
00:04:28,915 --> 00:04:32,661
ACTUALLY, IT WAS
HIS FATHER, JONATHAN.

69
00:04:39,970 --> 00:04:42,778
MOM? DAD?

70
00:04:42,802 --> 00:04:46,637
I JUST HEARD ABOUT THE, UH...

71
00:04:49,211 --> 00:04:50,959
I DID NOT NEED TO SEE THAT.

72
00:04:50,983 --> 00:04:52,961
HEY, SON. JUST GETTING
THE OLD HERO'S WELCOME,

73
00:04:52,985 --> 00:04:54,624
YOU KNOW WHAT I MEAN?

74
00:04:54,648 --> 00:04:56,566
[ SLAPS ] OOH!

75
00:04:56,590 --> 00:04:57,898
WHAT'S GOING ON WITH DAD?

76
00:04:57,922 --> 00:04:59,699
I DON'T KNOW. HE'S
BEEN ACTING STRANGE

77
00:04:59,723 --> 00:05:01,201
EVER SINCE HE GOT HOME.

78
00:05:01,225 --> 00:05:03,774
HEY, CLARK, FOOTBALL GAME ON TV.

79
00:05:03,798 --> 00:05:06,238
YOU WANT TO WATCH IT WITH ME?

80
00:05:06,262 --> 00:05:08,581
DON'T YOU HAVE WORK TO DO?

81
00:05:08,605 --> 00:05:11,283
NAH, CHORES CAN WAIT.

82
00:05:11,307 --> 00:05:13,586
BESIDES... WHOA!
I EARNED A REST.

83
00:05:13,610 --> 00:05:16,144
YOU CAN PICK UP THE
SLACK FOR ME, CAN'T YOU?

84
00:05:18,317 --> 00:05:21,055
JONATHAN.

85
00:05:21,079 --> 00:05:23,158
IT'S GOOD TO SEE THIS
WHOLE HERO THING

86
00:05:23,182 --> 00:05:25,161
DIDN'T GO TO YOUR HEAD.

87
00:05:25,185 --> 00:05:27,103
[ KNOCK ON DOOR ]

88
00:05:27,127 --> 00:05:29,105
I HOPE I'M NOT INTERRUPTING.

89
00:05:29,129 --> 00:05:31,740
OH, HI, LEX, COME
IN. WHAT'S UP, LEX?

90
00:05:31,764 --> 00:05:33,110
LOOKING FOR MR. KENT.

91
00:05:33,134 --> 00:05:35,975
WHAT DO YOU WANT?

92
00:05:35,999 --> 00:05:38,016
I HEARD YOU PULLED ONE OF MY
EMPLOYEES OUT OF A CAR TODAY.

93
00:05:38,040 --> 00:05:39,850
I WANTED TO SEE IF
YOU WERE ALL RIGHT.

94
00:05:39,874 --> 00:05:41,552
NO, YOU DIDN'T.

95
00:05:41,576 --> 00:05:43,855
YOU WANTED TO SEE IF I WAS
GOING TO SUE YOU OR NOT.

96
00:05:43,879 --> 00:05:45,156
OF COURSE, THAT WOULD PUT AN END

97
00:05:45,180 --> 00:05:47,057
TO ALL MY FINANCIAL
DIFFICULTY, WOULDN'T IT?

98
00:05:47,081 --> 00:05:48,659
JONATHAN, THAT'S ENOUGH.

99
00:05:48,683 --> 00:05:50,062
NO, IT'S NOT ENOUGH, MARTHA.

100
00:05:50,086 --> 00:05:52,134
YOU SEE, I DON'T
LIKE LEX LUTHOR.

101
00:05:52,158 --> 00:05:54,598
I DON'T LIKE LIONEL
LUTHOR, AND I DON'T LIKE

102
00:05:54,622 --> 00:05:56,040
YOUR FRIENDSHIP WITH MY SON.

103
00:05:56,064 --> 00:05:58,673
IN FACT, IF ALL OF YOU LUTHORS
WERE TO DRY UP AND DIE,

104
00:05:58,697 --> 00:06:00,675
I WOULDN'T SHED A TEAR.

105
00:06:00,699 --> 00:06:03,749
DAD, THAT'S ENOUGH.

106
00:06:03,773 --> 00:06:05,134
[ BELCHES ]

107
00:06:07,778 --> 00:06:09,841
I THINK I'll TAKE A NAP.

108
00:06:13,185 --> 00:06:15,947
HUBBA HUBBA.

109
00:06:18,651 --> 00:06:20,723
LEX...

110
00:06:24,728 --> 00:06:27,137
WOW. DRINKING
BEER, MOUTHING OFF,

111
00:06:27,161 --> 00:06:29,841
AND COUNTER MACKING
WITH YOUR MOM?

112
00:06:29,865 --> 00:06:30,882
YEAH.

113
00:06:30,906 --> 00:06:32,213
HA. CONGRATULATIONS, CLARK,

114
00:06:32,237 --> 00:06:34,045
YOUR DAD'S REGRESSED
BACK TO BEING A TEENAGER.

115
00:06:34,069 --> 00:06:35,889
HE'S BEEN UNDER A
LOT OF STRESS LATELY,

116
00:06:35,913 --> 00:06:37,851
BUT I'M SERIOUSLY WONDERING
IF HE'S BEGINNING TO CRACK.

117
00:06:37,875 --> 00:06:39,853
WHO TAKES A 3-HOUR NAP IN
THE MIDDLE OF THE AFTERNOON?

118
00:06:39,877 --> 00:06:42,156
I DON'T KNOW, BUT I STILL LIKE
THE PART WHERE HE DISSED LEX.

119
00:06:42,180 --> 00:06:43,858
WHY, WHAT DO YOU
HAVE AGAINST LEX?

120
00:06:43,882 --> 00:06:45,701
HMM, LET'S SEE... HE
SCREWED MY FAMILY

121
00:06:45,725 --> 00:06:46,961
OUT OF THE CREAM CORN FACTORY.

122
00:06:46,985 --> 00:06:48,663
WELL, PETE, THAT
WAS 12 YEARS AGO.

123
00:06:48,687 --> 00:06:50,135
AND IT WASN'T HIM,
IT WAS HIS FATHER.

124
00:06:50,159 --> 00:06:52,038
STILL, I'VE NEVER BEEN
CRAZY ABOUT THE GUY.

125
00:06:52,062 --> 00:06:53,870
WHY HAVEN'T YOU SAID
SOMETHING BEFORE?

126
00:06:53,894 --> 00:06:55,742
I WAS HOPING SOONER OR LATER
YOU'D SEE HE WAS BAD NEWS.

127
00:06:55,766 --> 00:06:57,214
WHAT'S YOUR DEEPEST DESIRE?

128
00:06:57,238 --> 00:06:59,747
IF NOTHING WAS HOLDING YOU
BACK, WHAT WOULD YOU GUYS DO?

129
00:06:59,771 --> 00:07:02,321
HELLO, CHLOE, NICE TO
SEE YOU, TOO. WHAT'S UP?

130
00:07:02,345 --> 00:07:04,853
PRINCIPAL KWAN THINKS THAT
I NEED TO GET MORE IN TOUCH

131
00:07:04,877 --> 00:07:06,226
WITH THE PULSE OF
THE STUDENT BODY,

132
00:07:06,250 --> 00:07:08,028
SO I'VE DECIDED TO DO A POLL.

133
00:07:08,052 --> 00:07:10,731
NOW, IF YOU WOULD BOTH PLEASE
DO YOUR STATISTICAL DUTY...

134
00:07:10,755 --> 00:07:13,064
I'D GO OVER AND MAKE OUT
WITH THAT GIRL RIGHT NOW.

135
00:07:13,088 --> 00:07:15,096
YOU KNOW, EVERY
ANSWER I'VE GOTTEN SO FAR

136
00:07:15,120 --> 00:07:17,300
HAS BEEN EITHER SEX-
OR VIOLENCE-RELATED.

137
00:07:17,324 --> 00:07:19,872
THAT'S HUMAN NATURE, CHLOE.

138
00:07:19,896 --> 00:07:21,168
LATER.

139
00:07:25,934 --> 00:07:28,754
DID YOU KNOW THAT
PETE DOESN'T LIKE LEX?

140
00:07:28,778 --> 00:07:30,286
YEAH, HE'S, LIKE,
TOTALLY JEALOUS

141
00:07:30,310 --> 00:07:32,759
OF YOUR FRIENDSHIP WITH HIM.

142
00:07:32,783 --> 00:07:35,192
HE FEELS LIKE YOU GUYS AREN'T
AS CLOSE AS YOU USED TO BE.

143
00:07:35,216 --> 00:07:37,795
HEY. HI.

144
00:07:37,819 --> 00:07:40,098
WHAT ABOUT YOU, LANA? GOT ONE?

145
00:07:40,122 --> 00:07:44,903
UM, I WOULD CLIMB THE WINDMILL
DOWN ON CHANDLER'S FIELD.

146
00:07:44,927 --> 00:07:47,906
REALLY? THAT'S
YOUR DEEPEST DESIRE.

147
00:07:47,930 --> 00:07:50,941
SOMEBODY TOLD ME YOU COULD
SEE THE METROPOLIS SKYLINE.

148
00:07:50,965 --> 00:07:53,814
I HAVEN'T GOT THE
GUTS TO CLIMB UP

149
00:07:53,838 --> 00:07:54,746
AND SEE FOR MYSELF.

150
00:07:54,770 --> 00:07:55,846
OKAY.

151
00:07:55,870 --> 00:07:57,819
I CAN ALWAYS MAKE SOMETHING UP.

152
00:07:57,843 --> 00:08:00,392
NO, IT'S GOOD,
IT'S GOOD. I LIKE IT.

153
00:08:00,416 --> 00:08:02,819
IT'S UNLEASHING THE INNER LANA.

154
00:08:04,982 --> 00:08:07,084
OKAY.

155
00:08:09,889 --> 00:08:13,970
OKAY, CLARK, YOU'RE UP.

156
00:08:13,994 --> 00:08:18,074
CLARK. REMEMBER,
IT'S A PG-13 POLL?

157
00:08:18,098 --> 00:08:21,077
EVER SINCE WHITNEY'S
FATHER'S BEEN IN THE HOSPITAL,

158
00:08:21,101 --> 00:08:23,321
THERE'S BEEN A
NO-FLY ZONE ON LANA.

159
00:08:23,345 --> 00:08:26,055
YOU KNOW, CLARK, THERE
ARE OTHER GIRLS OUT THERE

160
00:08:26,079 --> 00:08:29,028
THAT DON'T REQUIRE CROSSING
AN EMOTIONAL MINEFIELD.

161
00:08:29,052 --> 00:08:32,962
YEAH, BUT I CAN'T JUST TURN
OFF MY FEELINGS FOR HER.

162
00:08:32,986 --> 00:08:35,096
YOU KNOW, THE CHOICE IS YOURS.

163
00:08:35,120 --> 00:08:37,298
YOU CAN EITHER SIT IN YOUR LOFT

164
00:08:37,322 --> 00:08:41,096
AND PLAY WITH YOUR
TELESCOPE, OR MOVE ON.

165
00:08:46,072 --> 00:08:49,977
[ WHISTLING ]

166
00:08:52,510 --> 00:08:54,960
HI.

167
00:08:54,984 --> 00:08:57,823
WHAT DO YOU SAY YOU AND
I GO UP INTO THE HAYLOFT

168
00:08:57,847 --> 00:09:00,326
AND HAVE US A LITTLE FUN, HUH?

169
00:09:00,350 --> 00:09:01,828
[ Giggling ] NOT NOW.

170
00:09:01,852 --> 00:09:03,900
SOMEBODY'S GOT TO DO
SOME WORK AROUND HERE.

171
00:09:03,924 --> 00:09:05,903
UM, MAYBE YOU WOULD
LIKE TO CALL LEX LUTHOR

172
00:09:05,927 --> 00:09:07,436
AND APOLOGIZE.

173
00:09:07,460 --> 00:09:09,408
WHY?

174
00:09:09,432 --> 00:09:11,379
ALL I DID WAS TELL
HIM THE TRUTH.

175
00:09:11,403 --> 00:09:13,812
I KNOW I SAID YOU SHOULD
LET YOUR FEELINGS OUT,

176
00:09:13,836 --> 00:09:15,514
BUT YOU'RE TAKING THIS TOO FAR.

177
00:09:15,538 --> 00:09:17,288
WHAT'S WRONG WITH YOU?

178
00:09:17,312 --> 00:09:20,020
NOTHING. I FEEL FREE.

179
00:09:20,044 --> 00:09:22,823
YOU DON'T LOOK WELL.

180
00:09:22,847 --> 00:09:24,125
YOU'RE BURNING UP.

181
00:09:24,149 --> 00:09:25,857
WHY DON'T YOU GO BACK TO BED?

182
00:09:25,881 --> 00:09:27,900
I'll MAKE YOU SOME
SOUP WHEN I GET BACK.

183
00:09:27,924 --> 00:09:29,503
HEY, HEY!

184
00:09:29,527 --> 00:09:31,534
I KNOW A MUCH BETTER
WAY TO BREAK A FEVER.

185
00:09:31,558 --> 00:09:34,462
SWEETHEART, I-I
HAVE TO GO, REALLY.

186
00:09:40,039 --> 00:09:42,849
[ TELEPHONE RINGS ]

187
00:09:42,873 --> 00:09:44,421
Jonathan's voice:
THIS IS THE KENTS'.

188
00:09:44,445 --> 00:09:46,153
[ BEEP ]

189
00:09:46,177 --> 00:09:48,056
JONATHAN, IT'S JIM
ALEXANDER OVER AT THE BANK.

190
00:09:48,080 --> 00:09:50,428
LOOK, I'M GOING TO
BE STRAIGHT WITH YOU.

191
00:09:50,452 --> 00:09:52,561
I'M AFRAID WE'RE GOING TO
HAVE TO TURN DOWN YOUR LOAN.

192
00:09:52,585 --> 00:09:54,062
HELLO, JIM?

193
00:09:54,086 --> 00:09:55,894
YEAH. LISTEN TO ME.

194
00:09:55,918 --> 00:09:58,437
I HAVE DONE NOTHING BUT
GIVE BACK TO THIS COMMUNITY,

195
00:09:58,461 --> 00:10:01,072
AND ALL ANYONE HAS EVER
DONE FOR ME IS SCREW ME OVER.

196
00:10:01,096 --> 00:10:03,144
SO WHAT I'M GOING TO DO IS
I'M GOING TO COME DOWN THERE,

197
00:10:03,168 --> 00:10:05,407
AND YOU ARE GOING TO
HAVE TO TURN MY LOAN DOWN

198
00:10:05,431 --> 00:10:06,979
RIGHT TO MY FACE!

199
00:10:07,003 --> 00:10:09,451
THAT WAY, I CAN SEE
WHETHER YOU STILL HAVE A PAIR

200
00:10:09,475 --> 00:10:12,078
OR WHETHER YOUR WIFE
KEEPS THEM IN A DRAWER, TOO!

201
00:10:19,548 --> 00:10:22,091
[ HORNS HONKING ]

202
00:10:24,595 --> 00:10:27,958
WHERE DID YOU LEARN
TO DRIVE, YOU JERK?!

203
00:10:38,542 --> 00:10:40,149
DAD, WHAT ARE YOU DOING?

204
00:10:40,173 --> 00:10:42,221
I'VE DONE NOTHING BUT
GIVE BACK TO THIS TOWN,

205
00:10:42,245 --> 00:10:43,693
AND THEY'VE DONE NOTHING
BUT SCREW ME OVER.

206
00:10:43,717 --> 00:10:45,927
WELL, THIS TIME THEY'VE
PUSHED ME TOO FAR,

207
00:10:45,951 --> 00:10:48,259
AND I'M PUSHING BACK.
NOT WITH A SHOTGUN, DAD.

208
00:10:48,283 --> 00:10:50,331
YOU GOT TO SLOW DOWN.
YOU'RE NOT THINKING.

209
00:10:50,355 --> 00:10:53,259
I'M THINKING JUST FINE, SON.
NOW GET OUT OF MY WAY!

210
00:10:57,434 --> 00:10:58,495
[ GUNSHOT ]

211
00:11:04,644 --> 00:11:08,248
CLARK.

212
00:11:19,261 --> 00:11:20,500
DAD.

213
00:11:20,524 --> 00:11:23,143
DAD!

214
00:11:23,167 --> 00:11:26,746
HIS SYMPTOMS INDICATE A
SEVERE ANAPHYLACTIC SHOCK,

215
00:11:26,770 --> 00:11:29,210
BUT WE CAN'T DETECT
ANY KNOWN ANTIGENS.

216
00:11:29,234 --> 00:11:30,981
WHAT IS IT, THEN?

217
00:11:31,005 --> 00:11:32,754
THE TRUTH IS, IF HE'D
COME IN JUST YESTERDAY,

218
00:11:32,778 --> 00:11:34,986
I'D SAY I'VE NEVER
SEEN ANYTHING LIKE IT.

219
00:11:35,010 --> 00:11:36,990
BUT WE ADMITTED A CAR-CRASH
VICTIM THIS MORNING...

220
00:11:37,014 --> 00:11:39,462
A JAMES BEALES... SHOWED
IDENTICAL SYMPTOMS.

221
00:11:39,486 --> 00:11:42,265
THAT'S THE GUY DAD
SAVED. HOW'S HE DOING?

222
00:11:42,289 --> 00:11:45,200
NOT GOOD.

223
00:11:45,224 --> 00:11:48,057
HE FELL INTO A COMA AN HOUR AGO.

224
00:12:01,774 --> 00:12:05,154
OKAY, UH, SO, WHAT
ARE WE DOING OUT HERE?

225
00:12:05,178 --> 00:12:08,359
WELL, MR. KENT AND MR. BEALES
BOTH HAVE THE SAME SYMPTOMS,

226
00:12:08,383 --> 00:12:11,032
SO THIS IS THE ONLY PLACE
THEY'VE BEEN TOGETHER,

227
00:12:11,056 --> 00:12:13,033
SO I'M ASSUMING THAT
WHATEVER HAPPENED TO MR. KENT

228
00:12:13,057 --> 00:12:15,037
WAS CAUSED BY
SOMETHING FROM OUT HERE.

229
00:12:15,061 --> 00:12:17,168
WHAT ARE WE LOOKING
FOR? ANYTHING.

230
00:12:17,192 --> 00:12:19,142
WOW. THE DEBRIS STARTS
FROM WAY OVER THERE

231
00:12:19,166 --> 00:12:21,043
AND ENDS OVER IN THAT DITCH.

232
00:12:21,067 --> 00:12:23,341
THAT'S SOME SERIOUS ROAD RAGE.

233
00:12:48,101 --> 00:12:50,474
I THINK I FOUND SOMETHING.

234
00:13:12,301 --> 00:13:15,905
Chloe: WHAT YOU GOT?

235
00:13:18,668 --> 00:13:21,118
SORRY.

236
00:13:21,142 --> 00:13:22,889
OH, THAT'S ALL RIGHT.
LET'S GET OUT OF HERE.

237
00:13:22,913 --> 00:13:25,717
THIS PLACE IS A DEAD END.

238
00:13:29,422 --> 00:13:32,456
[ SNEEZES ]

239
00:13:39,735 --> 00:13:41,143
[ SNEEZES ]

240
00:13:41,167 --> 00:13:42,438
GESUNDHEIT.

241
00:13:47,544 --> 00:13:48,522
SEEMS YOU HAVEN'T BEEN
COMPLETELY HONEST WITH ME,

242
00:13:48,546 --> 00:13:50,825
DR. HAMILTON.

243
00:13:50,849 --> 00:13:54,558
I TOLD YOU. IT'S UNDER CONTROL.

244
00:13:54,582 --> 00:13:57,362
TWO MEN WITH AN
UNEXPLAINED ILLNESS,

245
00:13:57,386 --> 00:13:59,436
FOR WHICH NO ONE
SEEMS TO KNOW THE CURE,

246
00:13:59,460 --> 00:14:01,437
ISN'T MY IDEA OF
"UNDER CONTROL."

247
00:14:01,461 --> 00:14:03,269
I DID A LITTLE
RESEARCH OF MY OWN

248
00:14:03,293 --> 00:14:05,472
INTO YOUR UNAUTHORIZED
BOTANY EXPERIMENT.

249
00:14:05,496 --> 00:14:09,548
APPARENTLY, IN 1871,

250
00:14:09,572 --> 00:14:12,552
A STRANGE CONTAGION STRUCK
THE MORELLY SETTLEMENT

251
00:14:12,576 --> 00:14:14,914
AND 200 PEOPLE DIED
ALMOST OVERNIGHT.

252
00:14:14,938 --> 00:14:17,658
A PRIEST WHO WITNESSED
THE SCENE LEFT A DIARY.

253
00:14:17,682 --> 00:14:19,659
HIS LAST ENTRIES DESCRIBE
HOW THE SETTLERS BEGAN

254
00:14:19,683 --> 00:14:22,193
ACTING OUT OF CHARACTER.

255
00:14:22,217 --> 00:14:25,427
HE CLAIMED A LOCAL
FLOWER WAS TO BLAME.

256
00:14:25,451 --> 00:14:27,500
"ON GOD'S GREEN EARTH,

257
00:14:27,524 --> 00:14:30,232
"THIS FLOWER WAS THE
THIEF IN THE TEMPLE,

258
00:14:30,256 --> 00:14:32,777
"THE SILENT TEMPTRESS
THAT, WITH A SINGLE SNEEZE,

259
00:14:32,801 --> 00:14:35,379
"BROUGHT OUT THE
BASEST INSTINCTS IN MEN

260
00:14:35,403 --> 00:14:36,981
AND DROVE THEM TO VIOLENCE."

261
00:14:37,005 --> 00:14:40,269
THAT'S BEEN RELEGATED TO
FOLKLORE IN SCIENTIFIC CIRCLES.

262
00:14:43,413 --> 00:14:46,352
IF YOU DON'T BELIEVE
IN THIS, YOU WON'T MIND

263
00:14:46,376 --> 00:14:48,956
IF I LIFT THE LID AND
SMELL THE FLOWER.

264
00:14:48,980 --> 00:14:50,828
WHY'D YOU BRING IT BACK?

265
00:14:50,852 --> 00:14:54,362
THESE FLOWERS WERE
BELIEVED TO HAVE TOXINS THAT,

266
00:14:54,386 --> 00:14:57,366
WHILE DEADLY, MIGHT
HAVE OTHER APPLICATIONS.

267
00:14:57,390 --> 00:14:59,610
I'M NOT HERE TO BANKROLL
YOUR PET PROJECTS.

268
00:14:59,634 --> 00:15:01,841
I'M ONLY INTERESTED
IN THE METEORS.

269
00:15:01,865 --> 00:15:03,615
YOU WANTED TO KNOW
WHAT THEY COULD DO.

270
00:15:03,639 --> 00:15:06,018
PUTTING PEOPLE IN THE HOSPITAL
WASN'T PART OF THE PLAN.

271
00:15:06,042 --> 00:15:07,980
EVERY DISCOVERY HAS
THEIR CONSEQUENCES.

272
00:15:08,004 --> 00:15:10,452
IF JONATHAN KENT DIES, YOU'RE
GOING TO LOSE SOMETHING

273
00:15:10,476 --> 00:15:12,325
A LOT MORE VALUABLE
THAN YOUR TENURE.

274
00:15:12,349 --> 00:15:14,958
PACK UP ONE OF THESE FLOWERS.
I'VE GOT A TEAM OF SPECIALISTS

275
00:15:14,982 --> 00:15:16,831
IN METROPOLIS
WAITING TO WORK ON IT.

276
00:15:16,855 --> 00:15:18,032
IT'S MY RESEARCH.

277
00:15:18,056 --> 00:15:20,566
I DON'T GIVE A DAMN
ABOUT YOUR RESEARCH.

278
00:15:20,590 --> 00:15:22,491
I JUST WANT TO FIND A CURE.

279
00:15:55,533 --> 00:15:58,481
WOW.

280
00:15:58,505 --> 00:16:01,044
WHAT'S THE OCCASION?

281
00:16:01,068 --> 00:16:05,049
NOTHING. I JUST THOUGHT
WE'D BLOW OFF CLASS TODAY.

282
00:16:05,073 --> 00:16:09,054
I-I CAN'T.

283
00:16:09,078 --> 00:16:11,557
I'M BARELY KEEPING AHEAD.

284
00:16:11,581 --> 00:16:13,801
THEN I GOT TO GO TO THE STORE

285
00:16:13,825 --> 00:16:16,063
AND THEN RUN BY THE
HOSPITAL AND SEE MY DAD.

286
00:16:16,087 --> 00:16:18,537
YOU KNOW WHAT? I AM
TIRED OF YOUR EXCUSES.

287
00:16:18,561 --> 00:16:20,469
EVER SINCE YOUR DAD GOT SICK,

288
00:16:20,493 --> 00:16:23,844
YOU HAVEN'T BEEN ANY FUN AT ALL.

289
00:16:23,868 --> 00:16:26,576
I'M SORRY, LANA, BUT
IT'S KIND OF A BIG DEAL.

290
00:16:26,600 --> 00:16:28,479
WHATEVER. I FEEL LIKE I'M LOCKED

291
00:16:28,503 --> 00:16:30,481
INTO THIS RELATIONSHIP
OUT OF GUILT.

292
00:16:30,505 --> 00:16:33,455
LANA, WHAT'S WRONG WITH YOU?

293
00:16:33,479 --> 00:16:37,389
NOTHING. I'M JUST NOT
KEEPING IT INSIDE ANYMORE.

294
00:16:37,413 --> 00:16:39,062
WELL, IF THAT'S
THE WAY YOU FEEL,

295
00:16:39,086 --> 00:16:41,495
THEN MAYBE WE NEED TO
RECONSIDER THIS RELATIONSHIP.

296
00:16:41,519 --> 00:16:43,668
OKAY, FINE.

297
00:16:43,692 --> 00:16:45,724
IT'S OVER, WHITNEY.

298
00:16:49,129 --> 00:16:51,408
HEY! HEY, JIMMY!

299
00:16:51,432 --> 00:16:52,773
WHOA, LANA!

300
00:16:54,434 --> 00:16:56,136
NICE!

301
00:17:02,115 --> 00:17:04,964
NOT GOING TO CLASS, CLARK?

302
00:17:04,988 --> 00:17:10,054
I'M NOT REALLY UP... TO IT.

303
00:17:14,630 --> 00:17:16,639
WHAT'S THE MATTER?

304
00:17:16,663 --> 00:17:19,141
NOTHING.

305
00:17:19,165 --> 00:17:21,638
UM, JUST A CHANGE.

306
00:17:24,913 --> 00:17:26,920
DO YOU LIKE IT?

307
00:17:26,944 --> 00:17:31,921
UM, I THINK THE
OPERATIVE WORD IS "GULP."

308
00:17:34,555 --> 00:17:37,004
LISTEN.

309
00:17:37,028 --> 00:17:39,065
I KNOW THINGS ARE ROUGH,

310
00:17:39,089 --> 00:17:42,209
BUT YOU CAN'T LET
THEM GET YOU DOWN.

311
00:17:42,233 --> 00:17:45,543
UH, IT'S KIND OF HARD NOT TO.

312
00:17:45,567 --> 00:17:50,149
THE KEY IS TO KEEP
YOUR MIND OFF IT.

313
00:17:50,173 --> 00:17:53,623
LET YOUR FRIENDS
BE YOUR FRIENDS.

314
00:17:53,647 --> 00:17:56,687
LET THEM DISTRACT YOU.

315
00:17:56,711 --> 00:18:00,562
TRUST THEM.

316
00:18:00,586 --> 00:18:04,997
I DO TRUST YOU, LANA.

317
00:18:05,021 --> 00:18:07,695
GOOD.

318
00:18:09,998 --> 00:18:11,670
THEN FOLLOW ME.

319
00:18:21,583 --> 00:18:23,561
UM, WHAT ARE WE DOING IN HERE?

320
00:18:23,585 --> 00:18:27,064
IT'S QUIET.

321
00:18:27,088 --> 00:18:32,195
IT'S ALSO COMPLETELY...
OFF-LIMITS.

322
00:18:34,097 --> 00:18:37,507
UH, LANA, I DON'T
THINK I'M REALLY,

323
00:18:37,531 --> 00:18:39,565
UH, UP FOR THIS.

324
00:18:42,608 --> 00:18:46,242
YOU THINK TOO MUCH, CLARK.

325
00:18:51,249 --> 00:18:55,561
RIGHT NOW, I'M THINKING YOU
DON'T SEEM LIKE YOURSELF.

326
00:18:55,585 --> 00:19:02,792
OR MAYBE... I'M
MORE ME THAN EVER.

327
00:19:05,997 --> 00:19:10,047
LANA... THIS IS CRAZY.

328
00:19:10,071 --> 00:19:11,751
THAT'S THE POINT.

329
00:19:11,775 --> 00:19:13,783
IF LIFE DOESN'T MAKE YOU CRAZY,

330
00:19:13,807 --> 00:19:17,828
THEN, UH, WHY BOTHER LIVING IT?

331
00:19:17,852 --> 00:19:19,914
I KNOW THAT'S HOW I WANT IT.

332
00:19:32,931 --> 00:19:38,938
THE QUESTION IS, DO
YOU WANT WHAT I WANT?

333
00:19:55,699 --> 00:19:56,906
LANA.

334
00:19:56,930 --> 00:19:58,778
DON'T YOU WANT
TO COME IN, CLARK?

335
00:19:58,802 --> 00:20:01,105
I-I DON'T THINK SO.

336
00:20:16,654 --> 00:20:19,003
I KNOW YOU WANT ME, CLARK.

337
00:20:19,027 --> 00:20:22,668
JUST STOP HOLDING BACK.

338
00:20:22,692 --> 00:20:23,839
COME ON.

339
00:20:23,863 --> 00:20:28,699
YOU'RE NOT MADE OF
STEEL, OR ARE YOU?

340
00:20:44,818 --> 00:20:46,036
WAIT.

341
00:20:46,060 --> 00:20:49,424
AREN'T YOU TIRED OF WAITING?

342
00:20:51,027 --> 00:20:53,430
YOU JUST NEED A
LITTLE HELP WARMING UP.

343
00:20:55,172 --> 00:20:57,474
[ DOOR OPENS ]

344
00:21:07,116 --> 00:21:09,825
SHE JUST STRIPPED
DOWN IN FRONT OF YOU...

345
00:21:09,849 --> 00:21:11,398
LANA LANG IN ALL HER GLORY.

346
00:21:11,422 --> 00:21:14,001
MOST OF HER GLORY...
NOT THAT KWAN SAW IT.

347
00:21:14,025 --> 00:21:16,434
WELL, AT LEAST YOU'LL HAVE A
NICE PICTURE TO DAYDREAM ABOUT

348
00:21:16,458 --> 00:21:17,906
IN SATURDAY DETENTION.

349
00:21:17,930 --> 00:21:19,338
IT WAS WEIRD.

350
00:21:19,362 --> 00:21:21,179
SHE SAID EVERYTHING I
EVER WANTED TO HEAR,

351
00:21:21,203 --> 00:21:23,382
BUT IT DIDN'T SEEM LIKE SHE
KNEW WHAT SHE WAS DOING.

352
00:21:23,406 --> 00:21:25,344
WHAT DO YOU THINK MADE
LANA LANG GO SOFT-CORE?

353
00:21:25,368 --> 00:21:27,947
FIRST MY DAD, NOW LANA. YEAH,
AND DON'T FORGET THAT BEALES GUY.

354
00:21:27,971 --> 00:21:29,821
REMEMBER THE ONE
THAT YOUR DAD HELPED?

355
00:21:29,845 --> 00:21:32,353
YOU MUST'VE MISSED
SOMETHING AT THE ACCIDENT SITE.

356
00:21:32,377 --> 00:21:34,025
THAT'S THE ONLY CONNECTION.

357
00:21:34,049 --> 00:21:36,098
NO, I DIDN'T, BECAUSE I
WAS THERE, AND I'M FINE.

358
00:21:36,122 --> 00:21:40,427
IT JUST DOESN'T MAKE ANY SENSE.

359
00:21:42,059 --> 00:21:43,507
WAIT.

360
00:21:43,531 --> 00:21:46,941
LOOKS LIKE WE WEREN'T
THE ONLY ONES OUT THERE.

361
00:21:46,965 --> 00:21:48,173
WHO'S THAT?

362
00:21:48,197 --> 00:21:50,176
I THINK IT'S DR. HAMILTON.

363
00:21:50,200 --> 00:21:51,848
THE METEOR FREAK? YEAH.

364
00:21:51,872 --> 00:21:53,919
WHAT'S HE DOING SKULKING
AROUND IN THE WOODS?

365
00:21:53,943 --> 00:21:55,953
I DON'T KNOW, BUT
I HAVE A FEELING

366
00:21:55,977 --> 00:21:57,824
IT'S NOT JUST A COINCIDENCE.

367
00:21:57,848 --> 00:21:59,486
I'M GOING TO GO TALK TO HIM.

368
00:21:59,510 --> 00:22:01,228
I'M GOING TO GO TALK TO LANA.

369
00:22:01,252 --> 00:22:03,191
I THINK WHATEVER
HAPPENED TO MY FATHER

370
00:22:03,215 --> 00:22:05,057
IS ABOUT TO HAPPEN TO HER.

371
00:22:07,862 --> 00:22:10,400
I WANT SOMETHING
BETTER THAN PROGRESS.

372
00:22:10,424 --> 00:22:13,127
I WAS JUST AT THE HOSPITAL.
THEY'RE GETTING WORSE.

373
00:22:15,530 --> 00:22:17,909
LANA, WHERE HAVE YOU
BEEN? MONIQUE CALLED IN SICK,

374
00:22:17,933 --> 00:22:19,881
AND WE HAVEN'T GOT
ANYONE TO COVER.

375
00:22:19,905 --> 00:22:21,414
WHY IS THIS MY PROBLEM?

376
00:22:21,438 --> 00:22:22,985
BECAUSE NELL'S IN METROPOLIS

377
00:22:23,009 --> 00:22:24,958
AND YOU'RE THE
ASSISTANT MANAGER.

378
00:22:24,982 --> 00:22:26,821
WELL, I'M TAKING
THE AFTERNOON OFF,

379
00:22:26,845 --> 00:22:28,994
SO I GUESS WE'RE CLOSING EARLY.

380
00:22:29,018 --> 00:22:30,926
[ WHISTLES ]

381
00:22:30,950 --> 00:22:32,998
LISTEN UP. WE'RE CLOSING EARLY,

382
00:22:33,022 --> 00:22:34,870
SO COFFEE'S ON THE HOUSE.

383
00:22:34,894 --> 00:22:36,557
DRINK UP.

384
00:22:39,530 --> 00:22:41,163
I'll CALL BACK.

385
00:22:50,875 --> 00:22:52,423
LANA.

386
00:22:52,447 --> 00:22:54,554
THE TALON CLOSES AT 9:00.

387
00:22:54,578 --> 00:22:58,560
NOT TODAY.

388
00:22:58,584 --> 00:23:01,102
YOU'RE NOT IMPRESSING ANYONE
WITH YOUR ATTITUDE, LANA.

389
00:23:01,126 --> 00:23:02,564
YOU'RE TALKING TO SOMEONE

390
00:23:02,588 --> 00:23:04,568
WHO SET THE BAR FOR
ADOLESCENT REBELLION.

391
00:23:04,592 --> 00:23:06,039
THAT'S RIGHT.

392
00:23:06,063 --> 00:23:08,141
I HEARD YOU WERE
QUITE THE BAD BOY

393
00:23:08,165 --> 00:23:10,374
BEFORE YOU JOINED
US HERE IN SMALLVILLE.

394
00:23:10,398 --> 00:23:13,047
IT'S NOTHING I'M PROUD OF.

395
00:23:13,071 --> 00:23:15,851
PLEASE, YOU DON'T REALLY
CARE ABOUT THE TALON.

396
00:23:15,875 --> 00:23:19,124
YOU ONLY INVESTED
BECAUSE I ASKED YOU TO.

397
00:23:19,148 --> 00:23:22,590
NOW, WHY WOULD YOU GO
AND DO A THING LIKE THAT?

398
00:23:22,614 --> 00:23:23,914
HMM?

399
00:23:26,519 --> 00:23:31,541
THE LUTHORS ARE FAMOUS
FOR THEIR ULTERIOR MOTIVES.

400
00:23:31,565 --> 00:23:33,473
SO TELL ME, LEX,

401
00:23:33,497 --> 00:23:35,569
WAS IT REALLY ABOUT PROFIT?

402
00:23:42,038 --> 00:23:44,956
I'M NOT SURE WHAT THIS IS,

403
00:23:44,980 --> 00:23:48,091
BUT IT ISN'T YOU, LANA.
ARE YOU FEELING OKAY?

404
00:23:48,115 --> 00:23:50,919
ACTUALLY...

405
00:23:53,020 --> 00:23:55,030
I'M A LITTLE NERVOUS.

406
00:23:55,054 --> 00:23:59,534
I MIGHT NEED SOME
GUIDANCE, YOU KNOW?

407
00:23:59,558 --> 00:24:02,539
FROM SOMEONE
WITH A LITTLE MORE...

408
00:24:02,563 --> 00:24:05,181
EXPERIENCE.

409
00:24:05,205 --> 00:24:08,470
WHAT DO YOU SAY, BOSS?

410
00:24:12,644 --> 00:24:14,593
LANA,

411
00:24:14,617 --> 00:24:16,426
WHERE HAVE YOU BEEN
IN THE LAST 24 HOURS?

412
00:24:16,450 --> 00:24:19,600
IT'S NONE OF YOUR BUSINESS.

413
00:24:19,624 --> 00:24:22,132
WHAT'S YOUR PROBLEM?

414
00:24:22,156 --> 00:24:23,564
THIS ISN'T YOU.

415
00:24:23,588 --> 00:24:26,468
WHY? BECAUSE I'M NOT
DOING EXACTLY AS I'M TOLD?

416
00:24:26,492 --> 00:24:29,042
BECAUSE I'M NOT SITTING IN
A CORNER, HIDING IN A BOOK?

417
00:24:29,066 --> 00:24:31,014
FOR ONCE, I'M NOT
SCARED OF LIFE,

418
00:24:31,038 --> 00:24:33,046
AND NO ONE CAN HANDLE
IT, BECAUSE YOU ALL PREFER

419
00:24:33,070 --> 00:24:34,517
THE INSECURE LITTLE GIRL.

420
00:24:34,541 --> 00:24:36,050
WELL, I'M SICK OF HER

421
00:24:36,074 --> 00:24:38,748
AND ALL HER TALK
ABOUT HER DEAD PARENTS.

422
00:25:00,233 --> 00:25:01,776
LANA!

423
00:25:10,115 --> 00:25:11,494
DR. HAMILTON, HELLO.

424
00:25:11,518 --> 00:25:14,026
CHLOE SULLIVAN...
SMALLVILLE TORCH.

425
00:25:14,050 --> 00:25:15,599
WE SPOKE A FEW
TIMES ON THE INTERNET

426
00:25:15,623 --> 00:25:17,170
ABOUT THE METEORS. OH. CHLOE.

427
00:25:17,194 --> 00:25:19,633
WELL, UM, CAN YOU TELL
ME WHAT YOU WERE DOING

428
00:25:19,657 --> 00:25:21,476
OUT IN THE WOODS LAST NIGHT?

429
00:25:21,500 --> 00:25:24,510
WHAT I DO THERE MOST NIGHTS...
SEARCH FOR METEOR SAMPLES.

430
00:25:24,534 --> 00:25:27,142
I FIND IT EASIER TO SPOT
THEM WITH FLASHLIGHTS.

431
00:25:27,166 --> 00:25:29,245
SO YOU DIDN'T SEE
ME AND MY FRIEND?

432
00:25:29,269 --> 00:25:31,247
I HEARD VOICES, I
SAW FLASHLIGHTS,

433
00:25:31,271 --> 00:25:33,220
I KNOW THAT KIDS LIKE TO PARTY,

434
00:25:33,244 --> 00:25:35,524
AND AS YOU KNOW, I
DON'T LIKE COMPANY!

435
00:25:35,548 --> 00:25:37,525
SO YOU WEREN'T THERE LOOKING
OVER THE ACCIDENT SCENE.

436
00:25:37,549 --> 00:25:38,721
WHAT ACCIDENT?

437
00:25:42,086 --> 00:25:46,536
I MUST BE MISTAKEN. SORRY
TO HAVE BOTHERED YOU.

438
00:25:46,560 --> 00:25:48,810
AND WHAT WERE YOU DOING
IN THE WOODS LAST NIGHT?

439
00:25:48,834 --> 00:25:53,138
PARTYING WITH MY FRIENDS.

440
00:26:19,872 --> 00:26:21,710
LANA.

441
00:26:21,734 --> 00:26:25,114
WHAT'S GOING ON? DOES
LEX KNOW YOU HAVE HIS CAR?

442
00:26:25,138 --> 00:26:27,588
HE SHOULD BY NOW.

443
00:26:27,612 --> 00:26:29,659
LOOK, SOMETHING HAPPENED TO YOU.

444
00:26:29,683 --> 00:26:31,862
I JUST DON'T KNOW WHAT IT IS.

445
00:26:31,886 --> 00:26:34,126
IT'S CALLED SELF-CONFIDENCE.

446
00:26:34,150 --> 00:26:36,197
FOR THE FIRST TIME, I'M NOT
REPRESSING MY FEELINGS.

447
00:26:36,221 --> 00:26:37,800
I'M FREE. NO, YOU'RE NOT.

448
00:26:37,824 --> 00:26:40,203
YOU SHOULD TALK.
YOU HAD ME IN THE POOL,

449
00:26:40,227 --> 00:26:42,275
AND YOU DIDN'T TAKE YOUR CHANCE.

450
00:26:42,299 --> 00:26:43,707
I SEE THE WAY YOU LOOK AT ME.

451
00:26:43,731 --> 00:26:45,340
WHY DON'T YOU JUST
TELL ME HOW YOU FEEL?

452
00:26:45,364 --> 00:26:47,812
LANA, YOU'RE SICK. I NEED
TO GET YOU TO A HOSPITAL.

453
00:26:47,836 --> 00:26:50,216
DON'T AVOID THE QUESTION, CLARK.

454
00:26:50,240 --> 00:26:52,412
ARE YOU IN LOVE WITH ME?

455
00:26:54,474 --> 00:26:55,793
LANA.

456
00:26:55,817 --> 00:26:57,254
YOU'RE SUCH A COWARD.

457
00:26:57,278 --> 00:26:59,127
CAN'T EVEN ANSWER
A SIMPLE QUESTION.

458
00:26:59,151 --> 00:27:02,360
YOU WANT ME, COME AND GET ME.

459
00:27:02,384 --> 00:27:03,862
LANA, STOP!

460
00:27:03,886 --> 00:27:06,930
WHAT'S THE MATTER,
CLARK... AFRAID OF HEIGHTS?

461
00:27:09,794 --> 00:27:11,796
WHAT ARE YOU DOING? COME DOWN!

462
00:27:14,769 --> 00:27:17,218
[ CREAKING ]

463
00:27:17,242 --> 00:27:18,474
LANA!

464
00:27:29,357 --> 00:27:30,459
LANA!

465
00:27:33,522 --> 00:27:35,194
CLARK.

466
00:27:44,807 --> 00:27:46,338
COMING THROUGH!

467
00:27:49,782 --> 00:27:50,860
WHAT HAPPENED?

468
00:27:50,884 --> 00:27:52,562
I DON'T KNOW.

469
00:27:52,586 --> 00:27:55,466
SHE'S GOT THE SAME
SYMPTOMS AS DAD AND BEALES.

470
00:27:55,490 --> 00:27:57,799
HOW'S DAD?

471
00:27:57,823 --> 00:27:59,771
HE SLIPPED INTO A COMA.

472
00:27:59,795 --> 00:28:03,500
THE DOCTORS DON'T
KNOW HOW LONG HE'LL LAST.

473
00:28:12,570 --> 00:28:15,351
MRS. KENT, I'VE GOT DOCTORS
FLYING IN FROM METROPOLIS.

474
00:28:15,375 --> 00:28:17,576
I'M GOING TO DO EVERYTHING
I CAN FOR MR. KENT.

475
00:28:34,397 --> 00:28:35,976
CLARK, I'M SORRY.

476
00:28:36,000 --> 00:28:39,704
IT'S NOT YOUR FAULT, LEX.

477
00:28:56,065 --> 00:28:58,704
DR. HAMILTON HAD A COPY
OF THIS BOOK IN HIS BARN.

478
00:28:58,728 --> 00:29:00,345
"THE NICODEMUS DIARY."

479
00:29:00,369 --> 00:29:02,579
IT'S A FIRSTHAND ACCOUNT OF
SMALLVILLE'S FIRST MYSTERY.

480
00:29:02,603 --> 00:29:04,610
IN 1871, THE WHOLE
SETTLEMENT WENT POSTAL

481
00:29:04,634 --> 00:29:06,553
BEFORE THEY EVEN
HAD A POST OFFICE.

482
00:29:06,577 --> 00:29:08,616
NICE TO KNOW
SMALLVILLE WAS STILL WACK

483
00:29:08,640 --> 00:29:09,987
BEFORE THE METEORS GOT HERE.

484
00:29:10,011 --> 00:29:12,491
YEAH. IN THE DIARY, THEY
TALK ABOUT A FLOWER.

485
00:29:12,515 --> 00:29:14,593
THE SETTLERS
CALLED IT NICODEMUS.

486
00:29:14,617 --> 00:29:16,726
SAID IT LIBERATED
REPRESSED FEELINGS,

487
00:29:16,750 --> 00:29:19,029
SENT THEM INTO
RAGES, THEN FEVER,

488
00:29:19,053 --> 00:29:23,699
AND FINALLY... WELL...

489
00:29:25,060 --> 00:29:26,978
ALL RIGHT, WELL, WHERE
CAN WE FIND THIS FLOWER?

490
00:29:27,002 --> 00:29:28,640
WELL, SEE, THAT'S THE GLITCH.

491
00:29:28,664 --> 00:29:29,912
AFTER THE MASSACRE,

492
00:29:29,936 --> 00:29:31,784
THE CAVALRY TORCHED
THE WHOLE SETTLEMENT.

493
00:29:31,808 --> 00:29:33,617
WANTED TO MAKE SURE
THAT WHATEVER CAUSED IT

494
00:29:33,641 --> 00:29:34,918
WASN'T GOING TO SPREAD.

495
00:29:34,942 --> 00:29:36,991
THE FLOWER'S BEEN
EXTINCT FOR OVER 100 YEARS.

496
00:29:37,015 --> 00:29:39,093
WHAT DOES HAMILTON
HAVE TO DO WITH THIS?

497
00:29:39,117 --> 00:29:41,496
ISN'T HE A GEOLOGIST?
WITH A METEOR FIXATION.

498
00:29:41,520 --> 00:29:43,729
WE TRACKED DOWN THIS
PAPER HE WROTE SIX YEARS AGO.

499
00:29:43,753 --> 00:29:45,101
METROPOLIS UNIVERSITY PRESS?

500
00:29:45,125 --> 00:29:46,964
I THINK THIS IS THE LAST STRAW.

501
00:29:46,988 --> 00:29:49,005
IN IT, HE POSTULATES
THAT METEOR ROCKS

502
00:29:49,029 --> 00:29:51,539
CAN BE USED TO IRRADIATE
DORMANT PLANT CELLS.

503
00:29:51,563 --> 00:29:53,542
SO YOU THINK HAMILTON
PULLED A "JURASSIC PARK"

504
00:29:53,566 --> 00:29:54,973
AND BROUGHT BACK THE NICODEMUS.

505
00:29:54,997 --> 00:29:56,676
NOW HE'S TRYING TO COVER IT UP.

506
00:29:56,700 --> 00:29:58,648
WELL, LET'S GO TALK TO HIM.

507
00:29:58,672 --> 00:30:00,419
WAIT, THERE'S MORE.

508
00:30:00,443 --> 00:30:03,123
DR. HAMILTON DIDN'T CHECK OUT
"THE NICODEMUS DIARY." LEX DID.

509
00:30:03,147 --> 00:30:04,985
YOU THINK HE'S INVOLVED?

510
00:30:05,009 --> 00:30:07,658
I TOLD YOU ALL ALONG
HE WAS BAD NEWS.

511
00:30:07,682 --> 00:30:10,757
PETE, WE DON'T
KNOW ANYTHING YET.

512
00:30:14,020 --> 00:30:15,692
GOOD.

513
00:30:18,896 --> 00:30:20,445
I'll CALL BACK.

514
00:30:20,469 --> 00:30:22,447
I JUST GOT OFF THE
PHONE WITH THE DOCTORS.

515
00:30:22,471 --> 00:30:24,409
THEY THINK THEY'VE
ISOLATED THE PROBLEM.

516
00:30:24,433 --> 00:30:26,435
DOES IT HAVE TO DO WITH
THE NICODEMUS FLOWER?

517
00:30:28,008 --> 00:30:31,017
I KNOW THAT YOU CHECKED
THE DIARY OUT OF THE LIBRARY.

518
00:30:31,041 --> 00:30:32,760
YES, I DID, CLARK.

519
00:30:32,784 --> 00:30:33,791
WHY?

520
00:30:33,815 --> 00:30:35,793
BECAUSE MY PROPERTY WAS BUILT

521
00:30:35,817 --> 00:30:37,466
ON THE SITE OF THE
ORIGINAL SETTLEMENT.

522
00:30:37,490 --> 00:30:39,668
I ALWAYS THOUGHT IT
WAS AN INTERESTING STORY.

523
00:30:39,692 --> 00:30:41,771
WHEN I HEARD ABOUT YOUR
DAD'S SYMPTOMS, I REMEMBERED IT,

524
00:30:41,795 --> 00:30:43,803
TRACKED IT DOWN TO SEE
IF IT COULD BE ANY HELP.

525
00:30:43,827 --> 00:30:45,805
WHY DIDN'T YOU TELL ME ABOUT IT?

526
00:30:45,829 --> 00:30:48,178
IT'S A CRACKPOT STORY. I
WAS GRASPING AT STRAWS.

527
00:30:48,202 --> 00:30:50,041
DO YOU KNOW DR. STEVEN HAMILTON?

528
00:30:50,065 --> 00:30:52,915
WHO'S THAT? DON'T LIE TO ME.

529
00:30:52,939 --> 00:30:55,819
CLARK, CALM DOWN.

530
00:30:55,843 --> 00:30:58,091
I KNOW YOU'RE WORRIED
ABOUT YOUR FATHER AND LANA,

531
00:30:58,115 --> 00:31:00,678
BUT I CHECKED THE
BOOK OUT. THAT'S IT.

532
00:31:03,481 --> 00:31:05,731
I'M NOT RESPONSIBLE
FOR WHAT HAPPENED,

533
00:31:05,755 --> 00:31:08,103
AND I'M DOING EVERYTHING
IN MY POWER TO FIX IT.

534
00:31:08,127 --> 00:31:09,930
THAT'S THE TRUTH, CLARK.

535
00:31:14,796 --> 00:31:18,677
OKAY, KEEP YOUR FLASHLIGHT LOW.

536
00:31:18,701 --> 00:31:22,746
YOU'RE AN EXPERT ON
BREAKING AND ENTERING NOW?

537
00:31:26,009 --> 00:31:27,087
[ OBJECT FALLS ]

538
00:31:27,111 --> 00:31:29,053
PETE. BE CAREFUL.

539
00:31:48,176 --> 00:31:49,854
[ GLASS SHATTERS ]

540
00:31:49,878 --> 00:31:51,256
PETE, WHAT HAPPENED?

541
00:31:51,280 --> 00:31:53,089
PETE?

542
00:31:53,113 --> 00:31:55,145
YOU OKAY?

543
00:32:00,291 --> 00:32:02,153
PETE...

544
00:32:04,196 --> 00:32:06,735
[ PETE SNEEZES ]

545
00:32:06,759 --> 00:32:08,277
YOU LOOKING FOR ME?

546
00:32:08,301 --> 00:32:10,010
OH, NO.

547
00:32:10,034 --> 00:32:12,243
DO YOU HAVE ANY IDEA
HOW BEAUTIFUL YOU ARE?

548
00:32:12,267 --> 00:32:14,916
OKAY, PETE, YOU'VE
BEEN INFECTED.

549
00:32:14,940 --> 00:32:17,718
WE'VE GOT TO GET
YOU TO THE HOSPITAL.

550
00:32:17,742 --> 00:32:20,022
THAT'S RIGHT.

551
00:32:20,046 --> 00:32:21,154
IGNORE PETE.

552
00:32:21,178 --> 00:32:22,956
HE'S JUST THE FUNNY GUY.

553
00:32:22,980 --> 00:32:24,828
YOU DON'T HAVE TO
SWEAT HIS FEELINGS,

554
00:32:24,852 --> 00:32:26,530
'CAUSE YOU'VE ONLY
GOT EYES FOR CLARK.

555
00:32:26,554 --> 00:32:28,286
CALM DOWN, PETE. I'M
GOING TO CALL CLARK.

556
00:32:31,891 --> 00:32:33,268
HE'S PROBABLY HANGING OUT

557
00:32:33,292 --> 00:32:35,796
WITH HIS NEW BEST
FRIEND LEX LUTHOR.

558
00:32:47,049 --> 00:32:49,257
GIVE ME YOUR KEYS.

559
00:32:49,281 --> 00:32:52,185
WHY? WHERE ARE YOU GOING?

560
00:32:55,319 --> 00:32:57,061
I'M SERIOUS, CHLOE.

561
00:32:59,194 --> 00:33:03,329
GIVE ME YOUR DAMN KEYS!

562
00:33:21,952 --> 00:33:23,270
HOW IS HE?

563
00:33:23,294 --> 00:33:25,372
NOT GOOD.

564
00:33:25,396 --> 00:33:31,163
CLARK, MR. BEALES
DIED HALF AN HOUR AGO.

565
00:33:41,276 --> 00:33:44,250
WITH ALL MY ABILITIES,
THERE'S NOTHING I CAN DO.

566
00:33:47,423 --> 00:33:51,088
WHAT DO WE DO IF
DAD... I DON'T KNOW.

567
00:33:55,193 --> 00:33:57,212
DID I EVER TELL YOU

568
00:33:57,236 --> 00:34:01,300
ABOUT THE FIRST
TIME I EVER SAW HIM?

569
00:34:03,304 --> 00:34:05,121
NO.

570
00:34:05,145 --> 00:34:09,387
HE CAME TO METROPOLIS U.
TO TAKE A FINANCE COURSE,

571
00:34:09,411 --> 00:34:11,390
AND HE WAS SITTING
BY A FOUNTAIN,

572
00:34:11,414 --> 00:34:13,832
ALL DENIM AND FLANNEL,
EATING AN APPLE.

573
00:34:13,856 --> 00:34:16,965
AND I ASKED TO BORROW HIS NOTES.

574
00:34:16,989 --> 00:34:20,300
HE DIDN'T KNOW THAT I WAS
THE NOTE-TAKER FOR THE CLASS.

575
00:34:20,324 --> 00:34:22,073
HE STILL DOESN'T.

576
00:34:22,097 --> 00:34:25,006
YOU'RE SLY, MOM.

577
00:34:25,030 --> 00:34:31,885
HE WAS... SO CUTE.

578
00:34:31,909 --> 00:34:33,986
SO I-I ASKED HIM FOR HIS NOTES,

579
00:34:34,010 --> 00:34:36,820
AND HE JUST HANDED
OVER HIS NOTEBOOK

580
00:34:36,844 --> 00:34:38,423
WITHOUT EVEN ASKING MY NAME,

581
00:34:38,447 --> 00:34:40,925
AND I SAID, "HOW CAN YOU
BE SO SURE I'll BRING IT BACK?"

582
00:34:40,949 --> 00:34:43,099
AND HE SAID,

583
00:34:43,123 --> 00:34:45,295
"I PREFER TO BELIEVE IN PEOPLE."

584
00:34:47,128 --> 00:34:49,836
IT SOUNDS LIKE DAD.

585
00:34:49,860 --> 00:34:52,439
AND I REMEMBER LOOKING AT HIM

586
00:34:52,463 --> 00:34:54,282
COMPLETELY EMBARRASSED,

587
00:34:54,306 --> 00:34:56,314
BECAUSE I WAS THINKING
THE DUMBEST THING.

588
00:34:56,338 --> 00:35:00,050
I WAS THINKING, GOD, I
HOPE HE MARRIES ME.

589
00:35:00,074 --> 00:35:02,122
I STILL THINK THAT.

590
00:35:02,146 --> 00:35:04,454
EVERY DAY THERE'S A
PART OF ME THAT SAYS,

591
00:35:04,478 --> 00:35:08,059
GOD, I HOPE HE MARRIES ME.

592
00:35:08,083 --> 00:35:11,903
[ SOBBING ]

593
00:35:11,927 --> 00:35:16,264
[ KNOCK ON DOOR ]

594
00:35:18,235 --> 00:35:20,073
I'M SORRY, MRS. KENT.

595
00:35:20,097 --> 00:35:22,847
UH, CAN I TALK TO YOU
FOR A SECOND, CLARK?

596
00:35:22,871 --> 00:35:24,974
GO.

597
00:35:36,018 --> 00:35:38,097
I'M SO SORRY.
DR. HAMILTON WAS LYING.

598
00:35:38,121 --> 00:35:40,298
I FOUND THE NICODEMUS
FLOWER IN THE BARN.

599
00:35:40,322 --> 00:35:43,202
ONE GOT PETE, AND HE TOOK A
REALLY QUICK TURN TO SCARY.

600
00:35:43,226 --> 00:35:44,945
WHERE DID HE GO?

601
00:35:44,969 --> 00:35:48,172
HE GRABBED A GUN AND HE
SAID HE WAS GOING AFTER LEX.

602
00:35:54,541 --> 00:35:56,488
THIS FLOWER HAS EXISTED
FOR HUNDREDS OF YEARS.

603
00:35:56,512 --> 00:35:58,492
NOW, THE NATIVE AMERICANS
MUST'VE DEVELOPED

604
00:35:58,516 --> 00:36:01,524
SOME SORT OF HERBAL ANTIDOTE,
AND THESE ARE THE INSTRUCTIONS.

605
00:36:01,548 --> 00:36:03,267
WHERE DID YOU FIND IT?

606
00:36:03,291 --> 00:36:05,269
COLLECTING DUST
IN SOME OLD MUSEUM.

607
00:36:05,293 --> 00:36:07,573
NOW, IT'S ONE OF A KIND, SO
THEY'RE GOING TO WANT IT BACK.

608
00:36:07,597 --> 00:36:10,577
I'll GET IT UP TO MY TEAM IN
METROPOLIS IMMEDIATELY.

609
00:36:10,601 --> 00:36:13,840
NOBODY'S GOING ANYWHERE.

610
00:36:13,864 --> 00:36:16,113
PETE.

611
00:36:16,137 --> 00:36:18,115
WHAT ARE YOU DOING HERE?

612
00:36:18,139 --> 00:36:20,088
[ GUNSHOT ]

613
00:36:20,112 --> 00:36:22,421
YOU KNOW, I KNEW
YOU WERE BEHIND THIS.

614
00:36:22,445 --> 00:36:25,294
YOU PRETENDED TO BE
CLARK'S FRIEND, BUT YOU'RE NOT.

615
00:36:25,318 --> 00:36:28,858
AND NOW HIS DAD'S GOING TO DIE

616
00:36:28,882 --> 00:36:30,961
BECAUSE OF YOU.

617
00:36:30,985 --> 00:36:33,133
WHAT'S THIS ABOUT? DO NOT
PRETEND YOU DON'T KNOW!

618
00:36:33,157 --> 00:36:34,865
I WENT TO YOUR BARN.

619
00:36:34,889 --> 00:36:36,267
HE'S INFECTED.

620
00:36:36,291 --> 00:36:38,510
PETE, WE HAVE THE CURE.

621
00:36:38,534 --> 00:36:40,543
WE'RE GOING TO MAKE
EVERYONE BETTER.

622
00:36:40,567 --> 00:36:42,376
YOU'RE NOTHING BUT A LIAR.

623
00:36:42,400 --> 00:36:44,878
CLARK CAN'T SEE IT, BUT I CAN.
AND NOW YOU'RE GOING TO PAY.

624
00:36:44,902 --> 00:36:45,979
NO!

625
00:36:46,003 --> 00:36:48,547
AAH!

626
00:36:50,650 --> 00:36:53,528
PETE, IF THAT BOOK IS DESTROYED,

627
00:36:53,552 --> 00:36:56,934
YOU AND LANA AND
MR. KENT WILL ALL DIE.

628
00:36:56,958 --> 00:36:58,035
YOU'RE LYING.

629
00:36:58,059 --> 00:36:59,537
PETE, I WANT TO HELP.

630
00:36:59,561 --> 00:37:02,901
YOU DON'T WANT TO HELP
ANYBODY BUT YOURSELF!

631
00:37:02,925 --> 00:37:05,945
YOU COME TO TOWN, AND SUDDENLY
YOU'RE CLARK'S NEW BEST FRIEND!

632
00:37:05,969 --> 00:37:09,479
I USED TO THINK HE WAS A
GOOD JUDGE OF CHARACTER.

633
00:37:09,503 --> 00:37:13,113
LEX, THE BOOK.

634
00:37:13,137 --> 00:37:16,588
PETE, I'M GOING TO REACH IN
THERE AND GRAB THAT BOOK.

635
00:37:16,612 --> 00:37:22,595
IF YOU WANT TO
SHOOT ME, GO AHEAD.

636
00:37:22,619 --> 00:37:25,193
NO PROBLEM.

637
00:37:28,356 --> 00:37:29,998
GET OUT!

638
00:37:36,936 --> 00:37:38,914
SAY GOODBYE, LEX.

639
00:37:38,938 --> 00:37:40,287
Clark: PETE!

640
00:37:40,311 --> 00:37:42,289
DON'T DO IT!

641
00:37:42,313 --> 00:37:44,021
WE USED TO BE BEST FRIENDS.

642
00:37:44,045 --> 00:37:46,093
HIS DAD SCREWED OVER MY DAD,

643
00:37:46,117 --> 00:37:48,356
AND NOW HE'S TRYING TO
SCREW UP THINGS BETWEEN US.

644
00:37:48,380 --> 00:37:51,059
THE WORLD'S A BETTER
PLACE WITHOUT HIM.

645
00:37:51,083 --> 00:37:52,631
PETE, PUT THE GUN DOWN.

646
00:37:52,655 --> 00:37:57,669
HE'S BEHIND ALL THIS.
I SAW HAMILTON HERE.

647
00:37:57,693 --> 00:38:00,171
THEY'RE WORKING
ON THIS TOGETHER.

648
00:38:00,195 --> 00:38:02,113
IS THAT TRUE?

649
00:38:02,137 --> 00:38:04,117
CLARK, HE'S DELUSIONAL.

650
00:38:04,141 --> 00:38:06,680
I DON'T BELIEVE YOU.
YOU'RE RIGHT, PETE.

651
00:38:06,704 --> 00:38:08,682
HE'S BEEN LYING TO EVERYONE.

652
00:38:08,706 --> 00:38:10,423
YEAH, I KNOW WHO
MY TRUE FRIENDS ARE.

653
00:38:10,447 --> 00:38:14,052
I KNEW YOU'D SEE THE LIGHT.

654
00:38:16,184 --> 00:38:18,664
CLARK, WHAT ARE YOU DOING?

655
00:38:18,688 --> 00:38:20,697
YOU CAN'T TALK YOUR
WAY OUT OF THIS ONE, LEX.

656
00:38:20,721 --> 00:38:24,171
I SEE HOW YOU REALLY
ARE. OUR FRIENDSHIP IS OVER.

657
00:38:24,195 --> 00:38:26,303
AAH!

658
00:38:26,327 --> 00:38:28,206
[ PETE LAUGHING ]

659
00:38:28,230 --> 00:38:30,309
NICE ONE.

660
00:38:30,333 --> 00:38:32,735
I'll FINISH IT OFF.

661
00:38:34,737 --> 00:38:37,057
HOW'D YOU DO THAT?

662
00:38:37,081 --> 00:38:39,114
DON'T WORRY, PETE. WE'LL
GET YOU TO THE HOSPITAL.

663
00:38:42,418 --> 00:38:44,090
[ GROANS ]

664
00:38:46,753 --> 00:38:49,131
CLARK, WHAT THE HELL?

665
00:38:49,155 --> 00:38:51,398
I'M SORRY, LEX.

666
00:38:54,132 --> 00:38:56,010
SO IT WAS AN ACT?

667
00:38:56,034 --> 00:38:58,142
I DIDN'T KNOW WHAT ELSE TO
DO. HE WAS GOING TO SHOOT YOU.

668
00:38:58,166 --> 00:39:02,789
YOU HAD ME FOR A MOMENT. I
THOUGHT YOU WERE SERIOUS.

669
00:39:02,813 --> 00:39:06,293
WHAT DO THEY FEED
YOU ON THAT FARM?

670
00:39:06,317 --> 00:39:08,796
WAS HAMILTON REALLY HERE?

671
00:39:08,820 --> 00:39:13,085
WHAT DO YOU THINK, CLARK?

672
00:39:28,304 --> 00:39:30,407
MORNIN', SLEEPYHEAD.

673
00:39:32,079 --> 00:39:33,356
DAD.

674
00:39:33,380 --> 00:39:34,727
AH, YOU'RE OKAY!

675
00:39:34,751 --> 00:39:36,189
YEAH.

676
00:39:36,213 --> 00:39:40,394
CLARK, CLARK, WHAT
AM I DOING HERE?

677
00:39:40,418 --> 00:39:41,466
JONATHAN!

678
00:39:41,490 --> 00:39:43,798
OH, SWEETHEART!

679
00:39:43,822 --> 00:39:45,101
MARTHA.

680
00:39:45,125 --> 00:39:46,472
SWEETHEART.

681
00:39:46,496 --> 00:39:48,345
THE DOCTORS IN METROPOLIS
FOUND A CURE LAST NIGHT.

682
00:39:48,369 --> 00:39:50,207
IT WAS AN OLD NATIVE
AMERICAN REMEDY.

683
00:39:50,231 --> 00:39:51,479
HOW ARE PETE AND LANA?

684
00:39:51,503 --> 00:39:54,211
THEY'RE ALREADY UP.

685
00:39:54,235 --> 00:39:56,115
DAD, DO YOU REMEMBER ANYTHING?

686
00:39:56,139 --> 00:39:57,385
NO.

687
00:39:57,409 --> 00:39:59,419
THE DOCTORS THINK IT'S
BECAUSE OF THE FEVER.

688
00:39:59,443 --> 00:40:01,791
TRUST ME, IT'S BETTER THAT WAY.

689
00:40:01,815 --> 00:40:04,148
COME ON, WHAT ARE
YOU TALKING ABOUT?

690
00:40:07,753 --> 00:40:09,401
[ KNOCK ON DOOR ]

691
00:40:09,425 --> 00:40:11,527
DR. HAMILTON! HELLO?

692
00:40:34,755 --> 00:40:36,805
WHAT DID YOU DO WITH MY LAB?

693
00:40:36,829 --> 00:40:38,867
I DESTROYED IT. HOW DARE YOU?!

694
00:40:38,891 --> 00:40:40,809
YOU'RE LUCKY YOU FOUND A CURE

695
00:40:40,833 --> 00:40:42,412
AND NOBODY INFECTED
CAN REMEMBER ANYTHING.

696
00:40:42,436 --> 00:40:43,812
BUT PEOPLE ARE TALKING.

697
00:40:43,836 --> 00:40:46,276
I'M SURE BEALES
WORKED FOR MY FATHER,

698
00:40:46,300 --> 00:40:48,349
AND THEN THERE'S CHLOE SULLIVAN.

699
00:40:48,373 --> 00:40:50,822
I'M SENSING THIS
RELATIONSHIP IS OVER.

700
00:40:50,846 --> 00:40:53,425
NO, DOCTOR. I THINK
YOU'RE VERY TALENTED.

701
00:40:53,449 --> 00:40:55,557
YOU JUST NEED
CLOSER SUPERVISION.

702
00:40:55,581 --> 00:40:57,189
AH.

703
00:40:57,213 --> 00:40:59,793
I RECENTLY ACQUIRED A
SMALL RESEARCH FACILITY

704
00:40:59,817 --> 00:41:02,166
OUTSIDE METROPOLIS...
CATMUS LABS.

705
00:41:02,190 --> 00:41:04,168
I'M GOING TO HIDE YOU OUT THERE.

706
00:41:04,192 --> 00:41:08,474
REMEMBER, LEX. YOU'RE THE
ONE OPENING PANDORA'S BOX.

707
00:41:08,498 --> 00:41:10,931
I'M JUST THE KEY, DR. HAMILTON.

708
00:41:22,545 --> 00:41:25,224
OKAY.

709
00:41:25,248 --> 00:41:27,822
OPEN YOUR EYES, LANA.

710
00:41:30,855 --> 00:41:33,905
IT'S METROPOLIS.

711
00:41:33,929 --> 00:41:36,262
IT'S BEAUTIFUL.

712
00:41:38,335 --> 00:41:41,343
I CAN'T BELIEVE WE'RE UP HERE.

713
00:41:41,367 --> 00:41:43,216
IT'S ACTUALLY GETTING DOWN

714
00:41:43,240 --> 00:41:46,550
WHICH IS GOING TO BE
THE INTERESTING PART.

715
00:41:46,574 --> 00:41:50,354
IT'S GOOD TO HAVE
YOU BACK, LANA.

716
00:41:50,378 --> 00:41:55,501
I SPENT THE ENTIRE DAY
APOLOGIZING TO THE TALON STAFF

717
00:41:55,525 --> 00:41:57,604
AND TO LEX AND TO WHITNEY.

718
00:41:57,628 --> 00:42:00,968
I JUST WISH I COULD
REMEMBER WHAT HAPPENED.

719
00:42:00,992 --> 00:42:04,273
SOUNDS LIKE I GOT A LITTLE
OUT OF CONTROL THERE.

720
00:42:04,297 --> 00:42:07,376
YOU SPOKE YOUR MIND, AND
YOU DID WHAT YOU WANTED.

721
00:42:07,400 --> 00:42:09,974
KIND OF AN ALPHA LANA.

722
00:42:12,547 --> 00:42:16,327
I COULDN'T BELIEVE
WHAT I WAS WEARING.

723
00:42:16,351 --> 00:42:20,786
I KINDA LIKED IT.

724
00:42:23,990 --> 00:42:26,800
CLARK, I DIDN'T SAY OR DO
ANYTHING EMBARRASSING TO YOU

725
00:42:26,824 --> 00:42:30,798
THAT I SHOULD KNOW ABOUT, DID I?

726
00:42:35,335 --> 00:42:37,436
NO.

727
00:42:39,510 --> 00:42:43,490
GOOD.

728
00:42:43,514 --> 00:42:49,428
SO HOW DOES IT FEEL BEING
ON TOP OF THE WORLD...

729
00:42:49,452 --> 00:42:51,594
OR AT LEAST SMALLVILLE?

730
00:42:56,931 --> 00:42:58,934
I FEEL FREE.

731
00:43:19,458 --> 00:43:23,439
Captions by VITAC...
www.vitac.com

732
00:43:23,463 --> 00:43:26,438
CAPTIONS PAID FOR BY
WARNER BROS. TELEVISION