1
00:00:01,856 --> 00:00:02,972
NOTHING SAYS "SCHOOL SPIRIT"
LIKE A RING THAT LOOKS LIKE

2
00:00:02,996 --> 00:00:04,434
IT WAS JACKED FROM P. DIDDY.

3
00:00:04,458 --> 00:00:06,437
I THINK IT LOOKS GREAT, CHLOE.

4
00:00:06,461 --> 00:00:08,379
YEAH, I THINK WE'LL BE
LUCKY IF THE GLUE HOLDS

5
00:00:08,403 --> 00:00:09,579
THROUGH GRADUATION.

6
00:00:09,603 --> 00:00:11,465
I WONDER IF THE
RUBY'S EVEN REAL.

7
00:00:13,739 --> 00:00:17,349
YOU SURE YOU'RE GONNA DO THIS?

8
00:00:17,373 --> 00:00:19,421
I'M HERE, AREN'T I?

9
00:00:19,445 --> 00:00:20,651
WHAT?

10
00:00:20,675 --> 00:00:23,654
I BELIEVE YOUR DAD'S
EXACT WORDS WERE

11
00:00:23,678 --> 00:00:25,556
"$350 IS A LOT OF MONEY TO SPEND

12
00:00:25,580 --> 00:00:27,459
ON SOMETHING YOU
REALLY DON'T NEED."

13
00:00:27,483 --> 00:00:30,332
I EARNED THAT MONEY.

14
00:00:30,356 --> 00:00:32,964
BESIDES, MY DAD SAID THAT
IT WAS MY DECISION TO MAKE.

15
00:00:32,988 --> 00:00:35,661
WHICH MEANS YOU'RE REALLY
NOT SUPPOSED TO BUY IT.

16
00:00:37,594 --> 00:00:39,571
I KNOW THE FIRST
DAY AT A NEW SCHOOL

17
00:00:39,595 --> 00:00:41,444
CAN BE KIND OF ROUGH, SO
IF YOU HAVE ANY QUESTIONS,

18
00:00:41,468 --> 00:00:42,845
JUST ASK.

19
00:00:42,869 --> 00:00:44,978
SO, WHAT DO YOU CROWS DO FOR FUN

20
00:00:45,002 --> 00:00:47,780
BETWEEN THE TRACTOR
PULLS AND THE HOEDOWNS?

21
00:00:47,804 --> 00:00:49,582
UH, THERE'S THE TALON.

22
00:00:49,606 --> 00:00:51,024
WHICH IS?

23
00:00:51,048 --> 00:00:53,027
A COFFEEHOUSE AND A REALLY
COOL PLACE TO HANG OUT.

24
00:00:53,051 --> 00:00:54,728
BUT I'M KIND OF BIASED,

25
00:00:54,752 --> 00:00:57,991
'CAUSE I SORT OF OWN IT.

26
00:00:58,015 --> 00:01:00,665
[ Sarcastically ] GEE, I'll
HAVE TO CHECK IT OUT.

27
00:01:00,689 --> 00:01:02,966
WHOA.

28
00:01:02,990 --> 00:01:05,900
WHO IS THE MAJOR
HOTTIE IN PRIMARY COLORS?

29
00:01:05,924 --> 00:01:09,144
UH, THAT'S CLARK KENT.

30
00:01:09,168 --> 00:01:10,805
NO OFFENSE, LANA,

31
00:01:10,829 --> 00:01:12,971
BUT MAYBE I CAN GET
HIM TO SHOW ME AROUND.

32
00:01:35,695 --> 00:01:38,735
YOU FEELING ALL RIGHT?

33
00:01:38,759 --> 00:01:41,007
YEAH, I FEEL GREAT.

34
00:01:41,031 --> 00:01:44,942
EXCUSE ME. IT'S
JESSIE, ISN'T IT?

35
00:01:44,966 --> 00:01:47,043
PERHAPS MISS LANG
DIDN'T TELL YOU,

36
00:01:47,067 --> 00:01:49,686
BUT THERE'S A DRESS CODE
HERE AT SMALLVILLE HIGH.

37
00:01:49,710 --> 00:01:50,948
LAME AND LAMER?

38
00:01:50,972 --> 00:01:52,719
[ LAUGHS ]

39
00:01:52,743 --> 00:01:56,454
DO YOU THINK THAT'S
FUNNY, MR. KENT?

40
00:01:56,478 --> 00:01:57,996
BY THE WAY, I'M NOT CHANGING.

41
00:01:58,020 --> 00:01:59,698
WELL, PERHAPS YOU'D LIKE

42
00:01:59,722 --> 00:02:01,953
TO DISCUSS YOUR
ATTITUDE IN MY OFFICE.

43
00:02:03,855 --> 00:02:06,929
EXCUSE ME, MR. GIBBONS...

44
00:02:08,230 --> 00:02:10,869
I THINK SHE LOOKS REALLY HOT,

45
00:02:10,893 --> 00:02:13,772
AND I THINK THAT YOUR
DRESS CODE SUCKS.

46
00:02:13,796 --> 00:02:15,044
EXCUSE ME?

47
00:02:15,068 --> 00:02:16,776
I MEAN, COME ON,
IT'S HER FIRST DAY.

48
00:02:16,800 --> 00:02:18,116
CUT HER SOME SLACK.

49
00:02:18,140 --> 00:02:20,079
BESIDES, I DON'T THINK
YOU SHOULD BE THE ONE

50
00:02:20,103 --> 00:02:21,805
GIVING FASHION TIPS.

51
00:02:24,807 --> 00:02:27,026
TOMORROW, YOUNG LADY,

52
00:02:27,050 --> 00:02:29,813
PROPER ATTIRE, OR YOU'RE
GOING STRAIGHT HOME.

53
00:02:32,986 --> 00:02:34,759
I GUESS WE CAN FINISH OUR TOUR.

54
00:02:39,924 --> 00:02:44,045
WHOA. WHERE DID THAT COME FROM?

55
00:02:44,069 --> 00:02:46,777
I DON'T KNOW.

56
00:02:46,801 --> 00:02:48,780
[ BELL RINGS ]

57
00:02:48,804 --> 00:02:50,735
BUT I THINK I LIKED IT.

58
00:02:58,844 --> 00:03:00,893
I'M TELLING YOU, MAN, I
DON'T KNOW WHERE SHE IS.

59
00:03:00,917 --> 00:03:02,995
LOOK, KYLE,

60
00:03:03,019 --> 00:03:05,997
I KNOW THAT YOU WANT
TO DO THE RIGHT THING,

61
00:03:06,021 --> 00:03:09,572
BUT JESSIE AND HER
FATHER ARE FUGITIVES NOW.

62
00:03:09,596 --> 00:03:11,974
IT'S MY JOB TO BRING THEM IN.

63
00:03:11,998 --> 00:03:13,575
WHAT KIND OF U.S.
MARSHAL ARE YOU, ANYWAYS?

64
00:03:13,599 --> 00:03:17,134
THE KIND THAT GETS RESULTS.

65
00:03:19,907 --> 00:03:22,646
OKAY. OKAY WHAT?

66
00:03:22,670 --> 00:03:24,617
I'VE HEARD FROM
HER ONCE OR TWICE.

67
00:03:24,641 --> 00:03:26,620
SHE CALLED ME COLLECT
FROM SOME PLACE IN KANSAS.

68
00:03:26,644 --> 00:03:29,122
WHERE IN KANSAS?
IT'S A BIG STATE.

69
00:03:29,146 --> 00:03:32,126
ALL OVER. THEY WERE
FROM PAY PHONES.

70
00:03:32,150 --> 00:03:35,128
CHECK MY PHONE
BILL. THAT'S ALL I KNOW.

71
00:03:35,152 --> 00:03:36,930
YOU HAVE TO BELIEVE ME.

72
00:03:36,954 --> 00:03:38,863
[ GUN UNCOCKS ]

73
00:03:38,887 --> 00:03:40,965
RELAX.

74
00:03:40,989 --> 00:03:44,538
I BELIEVE YOU.

75
00:03:44,562 --> 00:03:47,171
SO, YOU'LL LET ME GO NOW?

76
00:03:47,195 --> 00:03:49,944
OH, I WOULD, BUT
JESSIE MIGHT CALL,

77
00:03:49,968 --> 00:03:54,280
AND YOU MIGHT
DECIDE TO WARN HER.

78
00:03:54,304 --> 00:03:55,980
[ ROCK MUSIC BLARES ]

79
00:03:56,004 --> 00:03:57,576
[ ELECTRICITY CRACKLING ]

80
00:04:06,586 --> 00:04:13,870
♫ SOMEBODY SAVE ME ♫

81
00:04:13,894 --> 00:04:17,845
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

82
00:04:17,869 --> 00:04:24,110
♫ SOMEBODY SAVE ME ♫

83
00:04:24,134 --> 00:04:27,915
♫ I DON'T CARE HOW YOU DO IT ♫

84
00:04:27,939 --> 00:04:29,016
♫ JUST STAY ♫

85
00:04:29,040 --> 00:04:30,918
♫ STAY WITH ME ♫

86
00:04:30,942 --> 00:04:32,920
♫ STAY ♫

87
00:04:32,944 --> 00:04:34,663
♫ COME ON ♫

88
00:04:34,687 --> 00:04:38,125
♫ I'VE BEEN WAITING FOR YOU ♫

89
00:04:38,149 --> 00:04:43,932
♫ JUST STAY WITH ME ♫

90
00:04:43,956 --> 00:04:48,007
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

91
00:04:48,031 --> 00:04:50,338
♫ JUST STAY ♫

92
00:04:50,362 --> 00:04:52,942
♫ STAY ♫

93
00:04:52,966 --> 00:04:56,269
♫ COME ON ♫

94
00:05:02,716 --> 00:05:04,954
ALL RIGHT, SO THIS IS
WHAT I WAS TALKING ABOUT...

95
00:05:04,978 --> 00:05:06,355
IT'S RIGHT OVER THE COUNTY
LINE, AND THEY DON'T CHECK I.D.s.

96
00:05:06,379 --> 00:05:08,228
YOU KNOW, THIS IS, LIKE, A BAR.

97
00:05:08,252 --> 00:05:09,629
I KNOW.

98
00:05:09,653 --> 00:05:11,231
HEY, AREN'T YOU THE ONE WHO SAYS

99
00:05:11,255 --> 00:05:12,832
IF YOU WANT TO HAVE FUN,
YOU GOT TO TAKE SOME RISKS?

100
00:05:12,856 --> 00:05:14,305
WE CAN GO THIS WEEKEND.

101
00:05:14,329 --> 00:05:17,238
THE DAY CLARK KENT DECIDES
TO BREAK RULES, I'll BE THERE.

102
00:05:17,262 --> 00:05:19,009
CLARK, RIGHT? JESSIE BROOKS.

103
00:05:19,033 --> 00:05:21,872
THAT PLACE ROCKS. I CHECKED
IT OUT ON MY WAY INTO TOWN.

104
00:05:21,896 --> 00:05:23,975
ARE YOU PLANNING A ROAD TRIP?

105
00:05:23,999 --> 00:05:25,670
WELL, IF WE DO,
I'll LET YOU KNOW.

106
00:05:33,249 --> 00:05:36,882
YOU'LL NEED TO KNOW HOW
TO GET IN TOUCH WITH ME.

107
00:05:43,220 --> 00:05:46,168
IN CASE YOU REQUIRE TRANSLATION,
THAT WAS HER HITTING ON YOU.

108
00:05:46,192 --> 00:05:47,941
SHE IS KIND OF HOT.

109
00:05:47,965 --> 00:05:51,144
BUT AREN'T YOU MARRIED
TO LANA IN YOUR IMAGINATION?

110
00:05:51,168 --> 00:05:55,247
CLARK, YOU AND JESSIE SEEM
TO BE MAKING FAST FRIENDS.

111
00:05:55,271 --> 00:05:58,252
I'M JUST TRYING TO MAKE
THE NEW GIRL FEEL WELCOME.

112
00:05:58,276 --> 00:06:02,180
DON'T WORRY, LANA. I HAVEN'T
TAKEN MY EYE OFF YOU ALL DAY.

113
00:06:04,442 --> 00:06:07,120
SO, UH, ARE WE STILL ON FOR
THAT CRAM SESSION TONIGHT

114
00:06:07,144 --> 00:06:08,822
AT THE TALON?

115
00:06:08,846 --> 00:06:10,894
IF YOU'RE STILL GONNA
BE THERE, ABSOLUTELY.

116
00:06:10,918 --> 00:06:14,199
I'll BE THERE.

117
00:06:14,223 --> 00:06:16,454
[ LAUGHS ]

118
00:06:22,201 --> 00:06:24,209
SO, AS SOON AS YOU GET
THE SHINE TO YOUR LIKING,

119
00:06:24,233 --> 00:06:26,211
I GET THE FIRST RIDE.

120
00:06:26,235 --> 00:06:28,413
YEP, AND ALL THE OTHERS
CAN JUST TAKE A NUMBER.

121
00:06:28,437 --> 00:06:31,071
HEY, WHERE'S CLARK?
HE'S REALLY LATE.

122
00:06:32,471 --> 00:06:35,151
LOOKING FOR ME?

123
00:06:35,175 --> 00:06:37,923
YEAH, WEREN'T YOU
SUPPOSED TO BE HERE WITH ME,

124
00:06:37,947 --> 00:06:39,254
WORKING ON THE GARAGE DOOR?

125
00:06:39,278 --> 00:06:41,382
DAD, THAT'LL TAKE,
LIKE, TWO SECONDS.

126
00:06:44,254 --> 00:06:47,964
AND I THOUGHT WE AGREED YOU
WEREN'T GONNA BUY THAT RING.

127
00:06:47,988 --> 00:06:50,490
I THOUGHT WE DECIDED IT
WAS MY DECISION TO MAKE.

128
00:06:53,163 --> 00:06:56,242
THAT'S BECAUSE I ASSUMED THAT
YOU WOULD MAKE THE RIGHT ONE.

129
00:06:56,266 --> 00:06:58,346
CLARK, THAT RING
COSTS A LOT OF MONEY.

130
00:06:58,370 --> 00:06:59,947
AND I'M TIRED OF WORRYING

131
00:06:59,971 --> 00:07:02,149
ABOUT EVERY NICKEL
AND DIME AROUND HERE.

132
00:07:02,173 --> 00:07:04,422
CLARK, WHY DON'T YOU
GO WASH UP FOR DINNER?

133
00:07:04,446 --> 00:07:07,949
I'M NOT HUNGRY. BESIDES,
I HAVE CHORES TO DO.

134
00:07:10,081 --> 00:07:12,259
WHAT WAS THAT ALL ABOUT?

135
00:07:12,283 --> 00:07:14,233
I THINK OUR NOT-SO-NORMAL SON

136
00:07:14,257 --> 00:07:16,394
MIGHT BE GOING THROUGH SOME
CLASSIC TEENAGE REBELLION.

137
00:07:16,418 --> 00:07:19,098
WELL, I THINK I LIKED
DEALING WITH HEAT VISION

138
00:07:19,122 --> 00:07:20,939
A LOT BETTER THAN THAT.

139
00:07:20,963 --> 00:07:22,201
HEY, MARTHA, THAT WAS
A BAD DECISION HE MADE.

140
00:07:22,225 --> 00:07:23,942
BUT IT WAS HIS TO MAKE.

141
00:07:23,966 --> 00:07:26,204
I SEEM TO RECALL A
CERTAIN YOUNG MAN

142
00:07:26,228 --> 00:07:28,447
WHO DEFIED HIS
FATHER AND SPENT $500

143
00:07:28,471 --> 00:07:30,072
ON AN OLD MOTORCYCLE.

144
00:07:31,475 --> 00:07:35,178
CHALLENGING HIM IS ONLY
GONNA MAKE IT WORSE.

145
00:07:39,012 --> 00:07:40,985
[ BEEPING ]

146
00:07:49,324 --> 00:07:51,903
WHEN I GOT UP THIS
MORNING, I WAS PRETTY SURE

147
00:07:51,927 --> 00:07:54,274
THIS WAS MY OFFICE.

148
00:07:54,298 --> 00:07:56,276
LEX, I THOUGHT YOU WOULDN'T
MIND IF I HAD A FEW CHANGES MADE

149
00:07:56,300 --> 00:07:58,139
SINCE I'M GONNA BE
STAYING HERE A WHILE.

150
00:07:58,163 --> 00:07:59,411
GO ON.

151
00:07:59,435 --> 00:08:02,307
WHAT I MIND IS NOT
BEING CONSULTED.

152
00:08:07,973 --> 00:08:11,293
I DIDN'T REALIZE I'D NEED
MY SON'S PERMISSION

153
00:08:11,317 --> 00:08:14,896
TO TRY TO MAKE MY SITUATION
HERE A TRIFLE MORE BEARABLE.

154
00:08:14,920 --> 00:08:16,459
I'VE LOST MY SIGHT.

155
00:08:16,483 --> 00:08:20,903
ALLOW ME TO AT LEAST
A MODICUM OF DIGNITY.

156
00:08:20,927 --> 00:08:23,459
GIVE HIM WHATEVER HE WANTS.

157
00:08:37,004 --> 00:08:38,923
BARKEEP, I'M LOOKING FOR A GIRL.

158
00:08:38,947 --> 00:08:40,283
AREN'T WE ALL?

159
00:08:40,307 --> 00:08:44,028
THE GIRL IN THIS PHOTO
USED THAT PHONE OVER THERE.

160
00:08:44,052 --> 00:08:46,230
ANY CRIME IN THAT?

161
00:08:46,254 --> 00:08:49,163
NO, BUT SHE IS A TEENAGER,
AND WE BOTH KNOW

162
00:08:49,187 --> 00:08:52,461
THE LEGAL DRINKING
AGE IN KANSAS IS 21.

163
00:08:54,222 --> 00:08:57,402
SHE COMES BACK IN, YOU CALL ME.

164
00:08:57,426 --> 00:09:00,570
THE NUMBER'S ON THE BACK.

165
00:09:06,135 --> 00:09:08,354
[ KNOCK ON DOOR ]

166
00:09:08,378 --> 00:09:10,986
[ SIGHS ]

167
00:09:11,010 --> 00:09:13,283
WELL, I THINK WE SHOULD
START IN THE MIDDLE.

168
00:09:16,287 --> 00:09:18,264
HEY, CLARK, I'M
GLAD YOU MADE IT.

169
00:09:18,288 --> 00:09:20,267
WE'RE JUST DOING
AMERICAN HISTORY...

170
00:09:20,291 --> 00:09:21,498
THE RED SCARE.

171
00:09:21,522 --> 00:09:24,000
HEY, UM, CAN WE
DO THAT TOMORROW?

172
00:09:24,024 --> 00:09:25,272
WHY, IS SOMETHING WRONG?

173
00:09:25,296 --> 00:09:27,333
NO, IT'S REALLY
NICE OUT TONIGHT.

174
00:09:27,357 --> 00:09:29,537
LET'S GO FOR A
DRIVE, GO DANCING.

175
00:09:29,561 --> 00:09:33,039
ARE YOU ASKING ME ON A DATE?

176
00:09:33,063 --> 00:09:36,214
I'M ASKING YOU TO
HAVE SOME FUN WITH ME.

177
00:09:36,238 --> 00:09:39,586
THIS IS, UH, A
LITTLE UNEXPECTED,

178
00:09:39,610 --> 00:09:42,389
TO SAY THE LEAST.

179
00:09:42,413 --> 00:09:44,452
BUT WE REALLY HAVE TO STUDY.

180
00:09:44,476 --> 00:09:46,293
DID YOU KNOW WHEN
YOU GET ALL SERIOUS,

181
00:09:46,317 --> 00:09:47,625
YOUR NOSE CRINKLES UP?

182
00:09:47,649 --> 00:09:50,253
IT'S REALLY SEXY.

183
00:09:53,186 --> 00:09:55,388
PETE AND CHLOE
ARE WAITING FOR US.

184
00:10:06,669 --> 00:10:09,249
Pete: WELL, LET ME
USE YOUR SHEET.

185
00:10:09,273 --> 00:10:11,321
MAYBE WE SHOULD CHECK AND SEE.

186
00:10:11,345 --> 00:10:14,323
WHAT DID YOU GET FOR NUMBER 5?

187
00:10:14,347 --> 00:10:17,256
HEY, MAN.

188
00:10:17,280 --> 00:10:19,259
WHERE ARE YOUR BOOKS?

189
00:10:19,283 --> 00:10:22,092
YOU GUYS WANT TO GO TO A BAR?

190
00:10:22,116 --> 00:10:24,294
CLARK, YOU CAN COMMIT
ACADEMIC HARA-KIRI,

191
00:10:24,318 --> 00:10:26,596
BUT THE REST OF US REALLY
NEED TO CRAM FOR THIS TEST.

192
00:10:26,620 --> 00:10:29,269
HEY, GUYS, HIGH SCHOOL
IS SUPPOSED TO BE FUN.

193
00:10:29,293 --> 00:10:31,373
THIS IS NOT FUN.

194
00:10:31,397 --> 00:10:33,043
COME ON... MY TREAT.

195
00:10:33,067 --> 00:10:35,206
CLARK, WHEN DID YOU AND
THE MONEY TRUCK HOOK UP?

196
00:10:35,230 --> 00:10:37,578
SINCE I DECIDED THERE'S NO
PERCENTAGE IN PLAYING POVERTY.

197
00:10:37,602 --> 00:10:39,280
I'M GONNA GET A REFILL,

198
00:10:39,304 --> 00:10:41,352
AND I'M GOING TO
GET YOU SOME DECAF.

199
00:10:41,376 --> 00:10:43,679
YEAH, I'll GIVE YOU A HAND.

200
00:10:50,145 --> 00:10:54,527
DID YOU KNOW THAT CHLOE
HAD A BIRTHMARK ON HER CHEEK?

201
00:10:54,551 --> 00:10:56,068
NO, SHE DOESN'T.

202
00:10:56,092 --> 00:10:57,394
NOT THAT CHEEK.

203
00:11:01,658 --> 00:11:03,530
ARE YOU DOING WHAT
I THINK YOU'RE DOING?

204
00:11:05,263 --> 00:11:08,312
CLARK, THAT'S CHLOE
YOU'RE SCOPING, MAN.

205
00:11:08,336 --> 00:11:09,706
NOT JUST CHLOE.

206
00:11:14,241 --> 00:11:16,320
COME ON, LET'S GO HAVE SOME FUN.

207
00:11:16,344 --> 00:11:19,123
CLARK, THIS TEST
IS HALF OUR GRADE.

208
00:11:19,147 --> 00:11:21,456
NOW, IF YOU WANT TO PARTY
THIS WEEKEND, I'M WITH YOU,

209
00:11:21,480 --> 00:11:23,498
BUT RIGHT NOW I NEED TO DO THIS.

210
00:11:23,522 --> 00:11:26,130
ALL RIGHT, WELL, WHEN YOU'RE
THROUGH WITH BORING 101,

211
00:11:26,154 --> 00:11:27,686
GIVE ME A CALL.

212
00:11:37,267 --> 00:11:40,446
YOU'RE KIDDING. THANK YOU.

213
00:11:40,470 --> 00:11:42,548
WHAT'S WRONG?

214
00:11:42,572 --> 00:11:45,150
THAT WAS THE CREDIT
CARD COMPANY.

215
00:11:45,174 --> 00:11:47,182
THEY WERE CALLING TO VERIFY

216
00:11:47,206 --> 00:11:50,411
SOME CHARGES THAT WE
MADE ON OUR CARD... LAST NIGHT.

217
00:11:57,488 --> 00:12:00,668
WHEN DID WE GET
A SATELLITE DISH?

218
00:12:00,692 --> 00:12:02,724
[ ROCK MUSIC BLARES ]

219
00:12:11,403 --> 00:12:14,375
THIS IS SILK!

220
00:12:41,735 --> 00:12:44,183
CLARK! CLARK!

221
00:12:44,207 --> 00:12:45,585
WHERE DID YOU GET ALL THIS?

222
00:12:45,609 --> 00:12:47,587
DISCOUNT EDDIE'S IN METROPOLIS.

223
00:12:47,611 --> 00:12:49,212
"OPEN ALL NIGHT!"

224
00:12:50,345 --> 00:12:52,722
YOU MEAN TO TELL... YOU MEAN
YOU TOOK OUR CREDIT CARDS...

225
00:12:52,746 --> 00:12:54,725
CREDIT CARDS, AND
YOU BOUGHT ALL THIS...

226
00:12:54,749 --> 00:12:56,557
[ MUSIC STOPS ]

227
00:12:56,581 --> 00:12:58,158
YOU BOUGHT ALL THIS JUNK?

228
00:12:58,182 --> 00:12:59,700
YEAH, I FIGURED IT WAS TIME

229
00:12:59,724 --> 00:13:01,602
I HAD ALL THE SAME COOL
STUFF EVERYONE ELSE HAS.

230
00:13:01,626 --> 00:13:03,534
CLARK KENT, YOU STOLE FROM US.

231
00:13:03,558 --> 00:13:05,630
NO, I USED YOUR CREDIT CARDS.

232
00:13:06,892 --> 00:13:09,211
WHAT'S THE BIG DEAL?

233
00:13:09,235 --> 00:13:10,511
WE DON'T HAVE TO
PAY FOR IT RIGHT AWAY.

234
00:13:10,535 --> 00:13:13,514
WELL, I'll TELL
YOU THE BIG DEAL.

235
00:13:13,538 --> 00:13:15,376
THE BIG DEAL IS
YOU'RE GONNA TAKE

236
00:13:15,400 --> 00:13:17,249
ALL THIS GARBAGE BACK RIGHT NOW.

237
00:13:17,273 --> 00:13:19,351
YEAH, RIGHT. YEAH, RIGHT.

238
00:13:19,375 --> 00:13:21,253
AND THEN AFTER YOU'VE
TAKEN ALL THIS GARBAGE BACK,

239
00:13:21,277 --> 00:13:23,355
YOU AND I ARE GONNA HAVE
A NICE LONG CONVERSATION

240
00:13:23,379 --> 00:13:25,227
ABOUT THIS NEW ATTITUDE
YOU'VE DEVELOPED.

241
00:13:25,251 --> 00:13:26,629
WELL, DAD, YOU CAN
TALK ALL YOU WANT.

242
00:13:26,653 --> 00:13:28,315
I'M OUT OF HERE.

243
00:13:32,418 --> 00:13:33,897
[ ENGINE TURNS OVER ]

244
00:13:33,921 --> 00:13:36,463
CLARK! CLARK, COME BACK HERE!

245
00:13:59,388 --> 00:14:01,196
[ HORN HONKS ]

246
00:14:01,220 --> 00:14:03,869
YOU'RE NOT GOING TO
SCHOOL DRESSED LIKE THAT.

247
00:14:03,893 --> 00:14:05,571
OKAY, THEN I JUST WON'T GO.

248
00:14:05,595 --> 00:14:07,572
JESSIE, PLEASE,
YOU'RE A SMART GIRL.

249
00:14:07,596 --> 00:14:10,275
YOU KNOW WE CAN'T AFFORD TO
DRAW ATTENTION TO OURSELVES.

250
00:14:10,299 --> 00:14:13,663
[ MOTORCYCLE APPROACHING ]

251
00:14:18,238 --> 00:14:20,216
NEED A RIDE?

252
00:14:20,240 --> 00:14:22,513
CLARK?

253
00:14:26,976 --> 00:14:28,455
JESSIE.

254
00:14:28,479 --> 00:14:31,729
MY HERO.

255
00:14:31,753 --> 00:14:35,586
JESSIE, I NEED YOU
TO... [ ENGINE REVS ]

256
00:14:57,750 --> 00:15:00,489
OKAY, WHAT PLANET
IS THAT GUY FROM,

257
00:15:00,513 --> 00:15:03,856
AND WHAT DID HE DO WITH CLARK?

258
00:15:08,020 --> 00:15:12,741
WELL, CLARK,
THANKS FOR THE RIDE.

259
00:15:12,765 --> 00:15:13,966
ANYTIME.

260
00:15:16,600 --> 00:15:20,009
SO MUCH FOR THE SHY
AND RETIRING CLARK KENT.

261
00:15:20,033 --> 00:15:23,514
I WAS JUST GIVING
HER A RIDE TO SCHOOL.

262
00:15:23,538 --> 00:15:26,510
SAY THE WORD AND I'll
SAVE YOU THE RETURN TRIP.

263
00:15:28,883 --> 00:15:30,660
[ BELL RINGS ]

264
00:15:30,684 --> 00:15:34,595
CATCH UP WITH YOU LATER.

265
00:15:34,619 --> 00:15:36,727
CLARK KENT, CHICK MAGNET.

266
00:15:36,751 --> 00:15:38,730
WHAT'S WRONG WITH THIS PICTURE?

267
00:15:38,754 --> 00:15:40,572
PEOPLE CHANGE, PETE.

268
00:15:40,596 --> 00:15:43,605
CLARK, I'D LIKE A WORD
WITH YOU, PLEASE.

269
00:15:43,629 --> 00:15:45,061
NOT RIGHT NOW, DAD.

270
00:15:47,864 --> 00:15:50,042
GET IN THE TRUCK, SON.

271
00:15:50,066 --> 00:15:51,884
GIVE ME ONE GOOD
REASON WHY I SHOULD.

272
00:15:51,908 --> 00:15:53,716
BECAUSE I AM YOUR FATHER,

273
00:15:53,740 --> 00:15:55,888
AND I JUST TOLD YOU
TO GET IN THE TRUCK.

274
00:15:55,912 --> 00:15:57,813
YOU'RE NOT MY FATHER.

275
00:15:58,975 --> 00:16:01,677
YOU NEVER WERE.

276
00:16:03,921 --> 00:16:05,451
[ GRUNTING ]

277
00:16:10,827 --> 00:16:12,830
YOU ALL RIGHT, SIR?

278
00:16:21,438 --> 00:16:23,100
[ COUGHS ]

279
00:16:25,003 --> 00:16:26,581
HERE YOU GO.

280
00:16:26,605 --> 00:16:27,951
[ GRUNTS ]

281
00:16:27,975 --> 00:16:30,024
I CAN'T BELIEVE
CLARK WOULD DO THAT.

282
00:16:30,048 --> 00:16:32,456
IT'S LIKE HE'S A WHOLE
DIFFERENT PERSON.

283
00:16:32,480 --> 00:16:34,428
HOW ARE WE GONNA GET HIM HOME?

284
00:16:34,452 --> 00:16:35,691
I DON'T KNOW.

285
00:16:35,715 --> 00:16:37,862
THE FACT IS, IF HE DOESN'T
WANT TO COME HOME,

286
00:16:37,886 --> 00:16:40,666
THERE ISN'T MUCH EITHER
ONE OF US CAN DO ABOUT IT.

287
00:16:40,690 --> 00:16:42,597
YEAH, LET ME... I'll GET THAT.

288
00:16:42,621 --> 00:16:45,041
TAKES YOUR WHOLE
TEENAGE-REBELLION THEORY

289
00:16:45,065 --> 00:16:46,871
TO A NEW LEVEL, DOESN'T IT?

290
00:16:46,895 --> 00:16:50,005
THIS IS MORE THAN
TEENAGE REBELLION.

291
00:16:50,029 --> 00:16:54,009
A CHANGE THIS DRASTIC
DOESN'T HAPPEN OVERNIGHT.

292
00:16:54,033 --> 00:16:55,552
MARTHA, IT'S CLARK.

293
00:16:55,576 --> 00:16:58,884
ALL OF HIS OTHER ABILITIES
CROPPED UP OVERNIGHT.

294
00:16:58,908 --> 00:17:00,787
DO YOU THINK THIS IS
PART OF HIS DEVELOPMENT?

295
00:17:00,811 --> 00:17:02,158
I DON'T KNOW.

296
00:17:02,182 --> 00:17:04,891
FROM WHAT HE SAID, UH,
I GUESS THOSE FEELINGS

297
00:17:04,915 --> 00:17:07,794
HAVE BEEN BOILING UP
INSIDE OF HIM FOR A WHILE.

298
00:17:07,818 --> 00:17:09,897
NO, JONATHAN, CLARK LOVES YOU,

299
00:17:09,921 --> 00:17:12,899
BUT THERE'S SOMETHING
SERIOUSLY WRONG WITH HIM.

300
00:17:12,923 --> 00:17:15,402
I DON'T THINK ANOTHER
FATHER-AND-SON TALK

301
00:17:15,426 --> 00:17:16,704
IS GONNA HELP THIS TIME.

302
00:17:16,728 --> 00:17:18,676
[ SIGHS ]

303
00:17:18,700 --> 00:17:22,680
MAYBE PETE CAN HELP.
THEY'RE ALWAYS TOGETHER.

304
00:17:22,704 --> 00:17:24,713
WE SHOULD TALK TO HIM,
FIND OUT IF HE HAS ANY IDEA

305
00:17:24,737 --> 00:17:26,143
WHAT'S CAUSING CLARK'S BEHAVIOR.

306
00:17:26,167 --> 00:17:28,641
WELL, WE GOT TO DO SOMETHING.

307
00:17:37,480 --> 00:17:39,928
LANA, WE NEED TO TALK.

308
00:17:39,952 --> 00:17:42,931
CLARK, PLEASE, I REALLY NEED
TO GET THESE ORDERS DONE.

309
00:17:42,955 --> 00:17:44,633
THE COFFEE CAN WAIT.

310
00:17:44,657 --> 00:17:46,636
I GOT THE IMPRESSION
THAT YOU WERE JEALOUS

311
00:17:46,660 --> 00:17:49,508
WHEN YOU SAW ME WITH JESSIE.

312
00:17:49,532 --> 00:17:50,870
DON'T BE RIDICULOUS.

313
00:17:50,894 --> 00:17:53,643
YOU CAN SPEND TIME
WITH ANYONE YOU WANT.

314
00:17:53,667 --> 00:17:55,646
DON'T GET ME WRONG.

315
00:17:55,670 --> 00:17:57,818
I WAS HAPPY YOU WERE JEALOUS.

316
00:17:57,842 --> 00:18:00,950
CLARK, WHAT IS
GOING ON WITH YOU?

317
00:18:00,974 --> 00:18:02,946
I'VE DECIDED TO TELL
YOU THE TRUTH, LANA.

318
00:18:04,749 --> 00:18:07,487
ABOUT... ABOUT EVERYTHING?

319
00:18:07,511 --> 00:18:09,690
TRY ME.

320
00:18:09,714 --> 00:18:11,832
WHAT DO YOU WANT TO KNOW?

321
00:18:11,856 --> 00:18:13,695
WELL, FOR STARTERS,

322
00:18:13,719 --> 00:18:15,766
HOW ABOUT WHAT HAPPENED
THE DAY THE TWISTERS HIT?

323
00:18:15,790 --> 00:18:18,669
WE'LL GET THERE.

324
00:18:18,693 --> 00:18:20,902
BUT RIGHT NOW, WE
SHOULD CONCENTRATE

325
00:18:20,926 --> 00:18:23,646
ON MORE IMPORTANT THINGS LIKE...

326
00:18:23,670 --> 00:18:26,849
I'VE HAD FEELINGS FOR
YOU FOR A LONG TIME,

327
00:18:26,873 --> 00:18:32,254
AND I KNOW THAT YOU'VE
HAD FEELINGS FOR ME, TOO.

328
00:18:32,278 --> 00:18:35,517
SO I THINK WE SHOULD
STOP PRETENDING.

329
00:18:35,541 --> 00:18:38,021
SO... SO, WHAT,

330
00:18:38,045 --> 00:18:40,694
IS THIS SUPPOSED TO BE SOME, UM,

331
00:18:40,718 --> 00:18:43,627
ALL-NEW CLARK KENT?

332
00:18:43,651 --> 00:18:45,653
WELL, THAT DEPENDS.

333
00:18:47,654 --> 00:18:49,626
DO YOU LIKE HIM?

334
00:19:07,276 --> 00:19:12,226
CLARK, I, UH, WHAT ABOUT JESSIE?

335
00:19:12,250 --> 00:19:15,261
JESSIE WHO?

336
00:19:15,285 --> 00:19:18,587
YOU'RE THE ONE I
WANT TO BE WITH.

337
00:19:21,290 --> 00:19:23,292
I'll PICK YOU UP AT 8:00.

338
00:19:37,607 --> 00:19:40,658
PETE. YOU ARE NOT GONNA
BELIEVE WHAT I FOUND OUT.

339
00:19:40,682 --> 00:19:43,731
OUR EL CHEAPO CLASS
RINGS ARE, IN FACT, FAKE.

340
00:19:43,755 --> 00:19:46,563
CHLOE, THERE'S SOMETHING
WRONG WITH CLARK.

341
00:19:46,587 --> 00:19:49,266
MORE THAN USUAL?

342
00:19:49,290 --> 00:19:51,268
LAST NIGHT AT THE TALON,

343
00:19:51,292 --> 00:19:54,242
THE MOTORCYCLE... OTHER STUFF.

344
00:19:54,266 --> 00:19:55,944
WHAT KIND OF OTHER STUFF?

345
00:19:55,968 --> 00:19:57,845
THE KIND THAT HAS MR. AND
MRS. KENT CALLING MY HOUSE.

346
00:19:57,869 --> 00:19:59,578
THEY'RE REALLY WORRIED.

347
00:19:59,602 --> 00:20:01,280
IT'S LIKE THEY THINK HE'S
ON DRUGS OR SOMETHING.

348
00:20:01,304 --> 00:20:03,911
CLARK WOULD HAVE TO BE
ON DRUGS TO BE ON DRUGS.

349
00:20:03,935 --> 00:20:06,314
UH, JUST BE CAREFUL WITH THAT.

350
00:20:06,338 --> 00:20:07,785
WHAT IS IT ANYWAY?

351
00:20:07,809 --> 00:20:09,588
MY EXPOSé.

352
00:20:09,612 --> 00:20:12,962
SEE THIS LOVELY $350
PIECE OF SCHOOL SPIRIT?

353
00:20:12,986 --> 00:20:14,623
IT'S A RIP-OFF.

354
00:20:14,647 --> 00:20:16,825
THE JEWELRY COMPANY
WAS SUBSTITUTING

355
00:20:16,849 --> 00:20:19,068
WORTHLESS METEOR ROCKS
FOR RUBIES TO SAVE MONEY.

356
00:20:19,092 --> 00:20:22,072
UH, CHLOE, THE RING'S
RED. METEOR ROCK'S GREEN.

357
00:20:22,096 --> 00:20:24,303
NOT THE LODE THEY
FOUND NEAR HOBBES POND.

358
00:20:24,327 --> 00:20:26,637
NOTE THE RED VEIN.

359
00:20:26,661 --> 00:20:29,733
YOU CAN READ ALL ABOUT IT
ON PAGE ONE OF TODAY'S TORCH.

360
00:20:32,936 --> 00:20:34,939
UH, PETE.

361
00:20:37,811 --> 00:20:39,290
CHLOE'S GONNA FORCE A RECALL

362
00:20:39,314 --> 00:20:41,252
BECAUSE ALL THE RINGS
ARE MADE FROM THIS STUFF.

363
00:20:41,276 --> 00:20:43,353
YOU THINK THAT'S WHAT'S
CAUSING CLARK'S BEHAVIOR?

364
00:20:43,377 --> 00:20:45,055
WELL, THAT'S WHEN
IT ALL STARTED,

365
00:20:45,079 --> 00:20:46,757
RIGHT AFTER HE
SLIPPED ON THE RING.

366
00:20:46,781 --> 00:20:48,800
IF THE GREEN METEOR ROCKS
AFFECT CLARK PHYSICALLY,

367
00:20:48,824 --> 00:20:50,631
MAYBE THE RED AFFECTS
HIM EMOTIONALLY.

368
00:20:50,655 --> 00:20:52,704
IT WOULD SURE EXPLAIN
HIS PERSONALITY CHANGES.

369
00:20:52,728 --> 00:20:54,406
THE LONGER HE'S EXPOSED
TO THE GREEN METEORS,

370
00:20:54,430 --> 00:20:56,168
THE WORSE HE GETS.

371
00:20:56,192 --> 00:20:58,010
IF THE SAME IS TRUE WITH THE
RED ROCK, GOD HELP US ALL.

372
00:20:58,034 --> 00:21:00,171
WE GOT TO FIND HIM, AND WE
GOT TO GET THAT RING BACK.

373
00:21:00,195 --> 00:21:01,813
WELL, HOW ARE WE GONNA DO THAT?

374
00:21:01,837 --> 00:21:04,015
LIKE YOU SAID, IF HE DOESN'T
WANT TO DO SOMETHING,

375
00:21:04,039 --> 00:21:05,717
WE'RE NOT STRONG
ENOUGH TO FORCE HIM.

376
00:21:05,741 --> 00:21:08,105
SWEETHEART, I DON'T KNOW, BUT
WE HAVE TO FIGURE OUT A WAY.

377
00:21:17,084 --> 00:21:19,062
I CAME TO SHOOT SOME POOL,

378
00:21:19,086 --> 00:21:21,165
BUT IT LOOKS LIKE THIS
ESTABLISHMENT'S BEEN CLOSED.

379
00:21:21,189 --> 00:21:25,238
MY FATHER'S PRESENCE HAS
REQUIRED CERTAIN SACRIFICES.

380
00:21:25,262 --> 00:21:27,671
WHY DON'T YOU THROW HIM OUT?

381
00:21:27,695 --> 00:21:32,099
CLARK, IT'S NOT LIKE THE THOUGHT
HASN'T OCCURRED TO ME, BUT...

382
00:21:35,304 --> 00:21:37,452
HIS BLINDNESS
CHANGES HIS SITUATION.

383
00:21:37,476 --> 00:21:39,684
LOOK, JUST 'CAUSE YOUR
FATHER HAS A PROBLEM

384
00:21:39,708 --> 00:21:42,256
DOESN'T MEAN HE
NEEDS TO RUIN YOUR LIFE.

385
00:21:42,280 --> 00:21:46,462
I WASN'T AWARE A $2,000
COAT CAME WITH A BACKBONE.

386
00:21:46,486 --> 00:21:48,793
WHAT'S GOING ON?

387
00:21:48,817 --> 00:21:50,466
I'D LIKE TO BORROW THE FERRARI.

388
00:21:50,490 --> 00:21:55,031
I'VE GOT A HOT DATE TONIGHT,
AND I WANT TO ROCK HER WORLD.

389
00:21:55,055 --> 00:21:57,203
"ROCK HER WORLD"?

390
00:21:57,227 --> 00:21:58,474
[ LAUGHS ]

391
00:21:58,498 --> 00:22:01,206
AH, SO LANA AT LAST.

392
00:22:01,230 --> 00:22:02,708
WELL, LIKE YOU SAID,

393
00:22:02,732 --> 00:22:04,209
A MAN NEEDS TO KNOW
WHEN TO MAKE HIS MOVE.

394
00:22:04,233 --> 00:22:06,382
HEY, I'M GLAD YOU'RE FINALLY
ACTING ON YOUR FEELINGS,

395
00:22:06,406 --> 00:22:08,485
BUT LANA'S NEVER STRUCK
ME AS THE KIND OF GIRL

396
00:22:08,509 --> 00:22:10,117
TO BE IMPRESSED BY A FERRARI.

397
00:22:10,141 --> 00:22:12,349
FAST CARS, A FANCY
HOME, AND A TON OF MONEY

398
00:22:12,373 --> 00:22:14,120
NEVER HURT YOU, DID IT?

399
00:22:14,144 --> 00:22:17,053
COME ON, LEX, I JUST WANT
TO MAKE TONIGHT SPECIAL.

400
00:22:17,077 --> 00:22:18,825
I DON'T KNOW.

401
00:22:18,849 --> 00:22:21,758
IT'S A VERY EXPENSIVE PIECE OF
MACHINERY, DIFFICULT TO HANDLE.

402
00:22:21,782 --> 00:22:25,257
IT'S NOT LIKE I'M GOING TO,
UH, DRIVE IT OFF A BRIDGE.

403
00:22:27,528 --> 00:22:30,809
ALL YOU HAVE TO ASK YOURSELF IS,

404
00:22:30,833 --> 00:22:33,164
WHO'S MORE RESPONSIBLE
THAN CLARK KENT?

405
00:22:37,299 --> 00:22:39,301
[ ENGINE REVS ]

406
00:22:42,174 --> 00:22:45,177
[ DANCE MUSIC PLAYING ]

407
00:23:00,064 --> 00:23:01,772
THIS PLACE IS GREAT!

408
00:23:01,796 --> 00:23:04,499
I GUESS. NOT EXACTLY
WHAT I WAS EXPECTING.

409
00:23:08,272 --> 00:23:11,012
WHAT ARE YOU LOOKING AT?

410
00:23:11,036 --> 00:23:14,078
CLARK, I'M FINE! I'M FINE!

411
00:23:17,583 --> 00:23:19,561
YOU WANT A BEER? WHAT?

412
00:23:19,585 --> 00:23:21,463
DO YOU WANT A BEER?

413
00:23:21,487 --> 00:23:23,264
NO! AND SINCE WHEN DO YOU DRINK?

414
00:23:23,288 --> 00:23:25,197
WELL, IF YOU DON'T WANT
TO DRINK, THEN LET'S DANCE.

415
00:23:25,221 --> 00:23:27,029
CLARK, THIS PLACE ISN'T US.

416
00:23:27,053 --> 00:23:29,200
LET'S GO SOMEWHERE ELSE TO TALK.

417
00:23:29,224 --> 00:23:31,356
Jessie: I'll TAKE
THAT DANCE, CLARK.

418
00:23:34,530 --> 00:23:36,508
WHOA.

419
00:23:36,532 --> 00:23:38,210
AND I TOOK YOUR ADVICE,
LANA. I CHECKED OUT THE TALON.

420
00:23:38,234 --> 00:23:39,542
YEAH?

421
00:23:39,566 --> 00:23:42,169
YEAH, THAT'S WHY I
DECIDED TO COME HERE.

422
00:23:43,840 --> 00:23:46,188
CLARK, COME ON, LET'S GO.

423
00:23:46,212 --> 00:23:49,115
ONE DANCE.

424
00:23:51,278 --> 00:23:54,481
LANA, I'll BE RIGHT BACK.

425
00:24:08,237 --> 00:24:10,475
SO, DO YOU LIKE
LIVING IN SMALLVILLE?

426
00:24:10,499 --> 00:24:13,071
IT'S THE ONLY
PLACE I EVER LIVED.

427
00:24:14,442 --> 00:24:16,420
WELL, THERE'S A BIG
BAD WORLD OUT THERE.

428
00:24:16,444 --> 00:24:18,623
THE RIGHT PERSON
OUGHT TO SHOW YOU.

429
00:24:18,647 --> 00:24:20,650
ANYONE IN MIND?

430
00:24:24,913 --> 00:24:26,431
I'M LEAVING.

431
00:24:26,455 --> 00:24:29,364
LANA, WE JUST GOT HERE.

432
00:24:29,388 --> 00:24:32,568
WHY DON'T YOU, UH, GO
GET US SOME DRINKS?

433
00:24:32,592 --> 00:24:34,541
WE'LL ALL HAVE A GOOD TIME.

434
00:24:34,565 --> 00:24:37,003
YOU'RE UNBELIEVABLE. WHAT
HAPPENED TO TELLING THE TRUTH?

435
00:24:37,027 --> 00:24:39,446
WHAT HAPPENED TO "YOU CAN
SPEND TIME WITH WHOEVER YOU WANT"?

436
00:24:39,470 --> 00:24:41,477
IS THAT THE WAY YOU WANT IT?

437
00:24:41,501 --> 00:24:43,910
SURE. THERE'S ENOUGH
OF ME TO GO AROUND.

438
00:24:43,934 --> 00:24:45,282
LANA.

439
00:24:45,306 --> 00:24:47,679
IS THERE A PROBLEM HERE?

440
00:24:50,010 --> 00:24:51,988
NOT ANYMORE.

441
00:24:52,012 --> 00:24:54,516
I'D LET THE LADY
GO IF I WERE YOU.

442
00:25:00,321 --> 00:25:01,653
[ CHUCKLES ]

443
00:25:06,258 --> 00:25:08,206
YOU'RE GOING DOWN, SMART GUY.

444
00:25:08,230 --> 00:25:11,304
I DON'T THINK SO.

445
00:25:27,250 --> 00:25:30,023
ANYBODY ELSE?!

446
00:25:35,589 --> 00:25:37,537
I CAN'T BE HERE WHEN
THE COPS GET HERE.

447
00:25:37,561 --> 00:25:39,008
WE GOT TO GO.

448
00:25:39,032 --> 00:25:40,970
YEAH, LET'S GO PACK OUR BAGS,

449
00:25:40,994 --> 00:25:43,667
SEE THAT BIG BAD WORLD
YOU WERE TALKING ABOUT.

450
00:25:51,246 --> 00:25:53,153
WHERE WERE YOU ALL NIGHT?
WE LOOKED EVERYWHERE, CLARK.

451
00:25:53,177 --> 00:25:54,726
LAST NIGHT WAS THE
BEST NIGHT OF MY LIFE.

452
00:25:54,750 --> 00:25:56,287
WE WANT TO HELP YOU.

453
00:25:56,311 --> 00:25:58,330
HELP ME? HELP ME WHAT?

454
00:25:58,354 --> 00:26:00,462
STAY HERE ON THE
FARM DOING CHORES,

455
00:26:00,486 --> 00:26:04,196
WASTING MY LIFE FOR A
$20-A-WEEK ALLOWANCE?

456
00:26:04,220 --> 00:26:06,668
CLARK, I WISH YOU COULD HEAR
YOURSELF FOR JUST A MINUTE.

457
00:26:06,692 --> 00:26:09,041
THERE'S SOMETHING VERY...
VERY WRONG WITH YOU.

458
00:26:09,065 --> 00:26:10,473
IT'S THAT RING.

459
00:26:10,497 --> 00:26:15,108
YOU'RE STILL UPSET ABOUT
ME BUYING THIS STUPID THING?

460
00:26:15,132 --> 00:26:16,748
HOW PATHETIC.

461
00:26:16,772 --> 00:26:18,311
CLARK...

462
00:26:18,335 --> 00:26:20,406
YOU REALLY DON'T
WANT TO TOUCH ME.

463
00:26:22,480 --> 00:26:25,118
THEN WHY DON'T YOU
JUST HAND IT TO ME THEN?

464
00:26:25,142 --> 00:26:27,991
CLARK, PLEASE, IT
ISN'T THE RING ITSELF.

465
00:26:28,015 --> 00:26:31,094
CHLOE FOUND OUT IT'S MADE
OUT OF RED METEOR ROCK.

466
00:26:31,118 --> 00:26:33,327
YOU KNOW HOW THE GREEN
ROCK MAKES YOU SICK?

467
00:26:33,351 --> 00:26:35,999
WELL, WE THINK THAT THIS RED
ROCK IS AFFECTING YOUR MIND.

468
00:26:36,023 --> 00:26:38,131
IT'S CHANGED YOUR
PERSONALITY, CLARK.

469
00:26:38,155 --> 00:26:42,106
EVERYTHING I'VE BEEN DOING
AND SAYING IS BECAUSE OF THIS?

470
00:26:42,130 --> 00:26:43,638
THAT'S RIGHT.

471
00:26:43,662 --> 00:26:45,540
THAT'S WHY YOU GOT TO TAKE
THAT THING OFF RIGHT AWAY.

472
00:26:45,564 --> 00:26:48,443
TAKE IT OFF? I JUST WISH I
WOULD HAVE FOUND IT SOONER.

473
00:26:48,467 --> 00:26:50,745
HEY, IF YOU GUYS WANT TO
WASTE YOUR LIFE IN THIS MUDHOLE,

474
00:26:50,769 --> 00:26:52,316
THAT'S YOUR PROBLEM.

475
00:26:52,340 --> 00:26:53,589
I'M THROUGH BEING POOR.

476
00:26:53,613 --> 00:26:56,021
LISTEN, WE MIGHT NOT
HAVE ALL THE THINGS

477
00:26:56,045 --> 00:26:57,392
THAT OTHER PEOPLE HAVE,

478
00:26:57,416 --> 00:27:00,255
BUT I DIDN'T THINK OUR
FAMILY WAS ABOUT THAT.

479
00:27:00,279 --> 00:27:02,398
WITH MY ABILITIES, I
COULD MAKE MILLIONS.

480
00:27:02,422 --> 00:27:04,300
SPORTS, TV... IT'S
ALL WAITING FOR ME.

481
00:27:04,324 --> 00:27:06,502
YOU'RE THE ONES WHO'VE BEEN
FORCING ME TO HIDE WHO I AM.

482
00:27:06,526 --> 00:27:09,765
NO, WE ARE THE ONES WHO HAVE
BEEN TRYING TO PROTECT YOU.

483
00:27:09,789 --> 00:27:12,037
WE DON'T ANYBODY COMING
HERE AND TAKING YOU AWAY.

484
00:27:12,061 --> 00:27:14,571
PROTECTING ME? USING ME.

485
00:27:14,595 --> 00:27:16,372
I'M JUST ANOTHER
PIECE OF EQUIPMENT

486
00:27:16,396 --> 00:27:18,044
TO KEEP YOUR LITTLE FARM GOING.

487
00:27:18,068 --> 00:27:19,446
THAT'S ALL GONNA CHANGE.

488
00:27:19,470 --> 00:27:21,372
[ ENGINE TURNS OVER ]

489
00:27:30,852 --> 00:27:32,760
LEX, IF IT'S ALL RIGHT WITH YOU,

490
00:27:32,784 --> 00:27:35,062
I'M GONNA KEEP THE
FERRARI A LITTLE BIT LONGER.

491
00:27:35,086 --> 00:27:36,794
I'll SEND IT BACK WHEN
I GET MYSELF SET UP.

492
00:27:36,818 --> 00:27:39,221
WHOA, WHOA, WHOA, SLOW
DOWN. CLARK, WHAT'S GOING ON?

493
00:27:43,796 --> 00:27:46,504
I LEFT HOME.

494
00:27:46,528 --> 00:27:48,276
WHAT HAPPENED?

495
00:27:48,300 --> 00:27:50,309
WAS IT A FIGHT WITH YOUR FOLKS?

496
00:27:50,333 --> 00:27:52,551
MY PARENTS DON'T UNDERSTAND ME.

497
00:27:52,575 --> 00:27:56,515
THE TRUTH IS, THERE'S NOTHING
LEFT FOR ME IN SMALLVILLE.

498
00:27:56,539 --> 00:27:59,088
WHAT ABOUT LANA?

499
00:27:59,112 --> 00:28:00,520
SHE'S OLD NEWS.

500
00:28:00,544 --> 00:28:02,621
I GOT A NEW GIRL... JESSIE.

501
00:28:02,645 --> 00:28:05,465
KIND OF SUDDEN, ISN'T IT?

502
00:28:05,489 --> 00:28:07,197
LOOK, YOU'RE THE
ONE ALWAYS TELLING ME

503
00:28:07,221 --> 00:28:08,629
I NEED TO FIND MY DESTINY.

504
00:28:08,653 --> 00:28:10,470
WELL, ONE THING'S FOR
CERTAIN, IT'S NOT HERE IN KANSAS.

505
00:28:10,494 --> 00:28:14,598
SO YOU JUST PACKED YOUR
STUFF, AND YOU'RE OFF.

506
00:28:16,631 --> 00:28:19,810
YOU HAVE NO IDEA
WHAT I'M CAPABLE OF.

507
00:28:19,834 --> 00:28:22,543
REALLY?

508
00:28:22,567 --> 00:28:25,210
WHY DON'T YOU FILL ME IN?

509
00:28:27,413 --> 00:28:30,292
LET'S JUST SAY

510
00:28:30,316 --> 00:28:32,494
THAT WHEN I'M THROUGH
SHOWING THE WORLD WHAT I CAN DO,

511
00:28:32,518 --> 00:28:34,495
I'll HAVE EVERYTHING
I'VE EVER WANTED.

512
00:28:34,519 --> 00:28:36,628
I MAY BE EVEN RICHER THAN YOU.

513
00:28:36,652 --> 00:28:40,131
MAYBE YOU'RE RIGHT TO
GET AWAY FROM YOUR FOLKS.

514
00:28:40,155 --> 00:28:42,303
MAYBE I SHOULD DO THE SAME.

515
00:28:42,327 --> 00:28:45,638
MY FATHER WANTS
THE MANSION SO MUCH,

516
00:28:45,662 --> 00:28:47,370
HE CAN HAVE IT.

517
00:28:47,394 --> 00:28:49,242
I NEVER WANTED TO LIVE
IN SMALLVILLE ANYWAY.

518
00:28:49,266 --> 00:28:50,642
YOU CAN COME WITH ME.

519
00:28:50,666 --> 00:28:52,314
NOBODY'S USING THE
PENTHOUSE IN METROPOLIS.

520
00:28:52,338 --> 00:28:54,316
WE COULD STAY THERE.

521
00:28:54,340 --> 00:28:56,278
CLARK KENT AND LEX LUTHOR...

522
00:28:56,302 --> 00:28:57,720
I LIKE THE SOUND OF THAT.

523
00:28:57,744 --> 00:29:00,183
LET ME JUST TIE UP SOME
LOOSE ENDS AT THE OFFICE.

524
00:29:00,207 --> 00:29:02,650
MAKE YOURSELF AT
HOME. I'll BE RIGHT BACK.

525
00:29:13,561 --> 00:29:15,939
HEY.

526
00:29:15,963 --> 00:29:18,203
SO I HEARD FROM A SOURCE

527
00:29:18,227 --> 00:29:21,376
THAT YOU HAD A BIG DATE
WITH CLARK LAST NIGHT.

528
00:29:21,400 --> 00:29:24,408
I WOULDN'T CALL IT A DATE
WHEN THE GUY YOU WENT WITH

529
00:29:24,432 --> 00:29:26,281
LEAVES WITH SOMEONE ELSE.

530
00:29:26,305 --> 00:29:27,612
WOW.

531
00:29:27,636 --> 00:29:30,315
YOU JUST WENT FROM THE
GOSSIP COLUMN TO PAGE ONE.

532
00:29:30,339 --> 00:29:31,917
SORRY.

533
00:29:31,941 --> 00:29:34,459
SOMETIMES MY GLIB-O-METER
GOES INTO OVERDRIVE.

534
00:29:34,483 --> 00:29:37,423
NO. I GUESS, YOU KNOW,
HE'S SO SECRETIVE.

535
00:29:37,447 --> 00:29:39,666
I GUESS I WAS THROWN FOR A LOOP

536
00:29:39,690 --> 00:29:42,629
BY THE CLARK WHO
COULD SAY ALL THE THINGS

537
00:29:42,653 --> 00:29:44,900
THAT THE OLD CLARK COULDN'T.

538
00:29:44,924 --> 00:29:48,475
WELL, WELCOME TO THE
CONUNDRUM THAT IS CLARK KENT...

539
00:29:48,499 --> 00:29:50,607
PART KNIGHT IN SHINING ARMOR,

540
00:29:50,631 --> 00:29:52,678
PART "WHERE DID THAT COME FROM?"

541
00:29:52,702 --> 00:29:55,312
Man: MISS? CAN I
GET A REFILL HERE?

542
00:29:55,336 --> 00:29:57,283
UH, YEAH, YEAH, JUST A SECOND.

543
00:29:57,307 --> 00:29:58,640
THANKS.

544
00:30:00,912 --> 00:30:03,991
HERE YOU GO.

545
00:30:04,015 --> 00:30:07,324
LOUISE, DID YOU GET AN
OWNER AND AN ADDRESS

546
00:30:07,348 --> 00:30:09,651
ON THAT LICENSE PLATE
I ASKED YOU TO RUN?

547
00:30:12,423 --> 00:30:15,263
OH. OF COURSE I KNOW WHO HE IS.

548
00:30:15,287 --> 00:30:17,289
THANKS. YOU'RE AN ANGEL.

549
00:30:19,362 --> 00:30:22,640
ARE YOU SURE THIS IS THE
RIGHT THING TO DO, MR. KENT?

550
00:30:22,664 --> 00:30:25,474
PETE, CLARK WOULD
NOT LISTEN TO REASON.

551
00:30:25,498 --> 00:30:27,947
WE DON'T HAVE MUCH
OF A CHOICE HERE.

552
00:30:27,971 --> 00:30:31,420
I GUESS THERE'S ONLY ONE
WAY TO STOP THE UNSTOPPABLE.

553
00:30:31,444 --> 00:30:34,484
EXCUSE ME. MR. KENT.

554
00:30:34,508 --> 00:30:36,609
PETE, WHY DON'T YOU...
WHY DON'T YOU GET GOING?

555
00:30:38,711 --> 00:30:42,693
UH, LEX, THIS IS REALLY
NOT A VERY GOOD TIME.

556
00:30:42,717 --> 00:30:45,436
I UNDERSTAND YOU AND CLARK
HAVE BEEN HAVING SOME PROBLEMS.

557
00:30:45,460 --> 00:30:47,497
LOOK, UH, I DON'T
WANT TO BE RUDE,

558
00:30:47,521 --> 00:30:49,499
BUT I'D PREFER IT IF YOU'D STAY
OUT OF MY FAMILY'S PROBLEMS.

559
00:30:49,523 --> 00:30:51,641
BELIEVE ME, MR. KENT,
I'M NOT TRYING TO PRY,

560
00:30:51,665 --> 00:30:53,643
BUT CLARK'S MY FRIEND.

561
00:30:53,667 --> 00:30:56,347
I'D HATE TO SEE HIS RELATIONSHIP
WITH YOU FALL APART.

562
00:30:56,371 --> 00:30:58,349
I APPRECIATE YOUR CONCERN,

563
00:30:58,373 --> 00:31:00,311
BUT CLARK AND I
CAN WORK THIS OUT.

564
00:31:00,335 --> 00:31:04,309
THEN WHY IS CLARK
HIDING OUT AT THE MANSION?

565
00:31:10,685 --> 00:31:13,088
[ THUMPING ]

566
00:31:18,494 --> 00:31:20,572
LEX?

567
00:31:20,596 --> 00:31:23,660
IS THAT YOU?

568
00:31:24,932 --> 00:31:29,483
HEY... WHOA, HEY!

569
00:31:29,507 --> 00:31:30,984
WHAT DO YOU WANT?

570
00:31:31,008 --> 00:31:33,387
LIONEL, GO BACK TO YOUR ROOM.

571
00:31:33,411 --> 00:31:35,549
BETTER YET, PACK YOUR
BAGS AND GET THE HELL OUT.

572
00:31:35,573 --> 00:31:37,521
I BEG YOUR PARDON?

573
00:31:37,545 --> 00:31:40,024
LEX MAY BE TOO
AFRAID TO TELL YOU,

574
00:31:40,048 --> 00:31:41,655
BUT I'M NOT.

575
00:31:41,679 --> 00:31:43,397
NO ONE IN SMALLVILLE
WANTS YOU HERE.

576
00:31:43,421 --> 00:31:45,459
YOU SEEM TO KNOW A LOT ABOUT ME.

577
00:31:45,483 --> 00:31:47,562
HAVE YOU GOT A NAME?

578
00:31:47,586 --> 00:31:48,733
CLARK KENT.

579
00:31:48,757 --> 00:31:51,735
JONATHAN AND MARTHA KENT'S SON?

580
00:31:51,759 --> 00:31:54,539
AS FAR AS I KNOW,
THEY'RE GOOD PEOPLE...

581
00:31:54,563 --> 00:31:56,541
SALT OF THE EARTH...
AND I'M ASTONISHED

582
00:31:56,565 --> 00:31:59,444
THEY'VE RAISED SUCH A
BLATANTLY AGGRESSIVE OFFSPRING.

583
00:31:59,468 --> 00:32:01,746
WELL, IF YOU LIKE THEM SO
MUCH, I'M SURE THEY'LL PUT YOU UP.

584
00:32:01,770 --> 00:32:03,448
I HEAR THEY HAVE
A SPARE BEDROOM,

585
00:32:03,472 --> 00:32:05,551
AND, UH, I KNOW THEY
COULD USE THE CASH.

586
00:32:05,575 --> 00:32:08,783
[ CHUCKLES ] YOU'VE GOT A LOT
TO LEARN ABOUT TACT, YOUNG MAN,

587
00:32:08,807 --> 00:32:10,426
BUT YOU SPEAK YOUR MIND.

588
00:32:10,450 --> 00:32:12,457
THAT'S GOOD. IT'LL TAKE YOU FAR.

589
00:32:12,481 --> 00:32:14,429
OH, I'M GOING TO THE TOP.

590
00:32:14,453 --> 00:32:17,363
MR. LUTHOR? YES.

591
00:32:17,387 --> 00:32:18,935
I APOLOGIZE FOR
THE INTERRUPTION.

592
00:32:18,959 --> 00:32:20,667
I'M A FEDERAL MARSHAL. YOUR
PEOPLE AT THE GATE LET ME IN.

593
00:32:20,691 --> 00:32:22,539
WHAT CAN I DO FOR YOU?

594
00:32:22,563 --> 00:32:24,400
WELL, THIS YOUNG MAN WAS SEEN
LAST NIGHT LEAVING THE SCENE

595
00:32:24,424 --> 00:32:26,602
OF A DISTURBANCE IN
YOUR SON'S FERRARI.

596
00:32:26,626 --> 00:32:29,075
OH, IS THAT WHILE YOU WERE
ON YOUR WAY TO THE TOP, CLARK?

597
00:32:29,099 --> 00:32:31,903
WHERE CAN I FIND THIS GIRL?

598
00:32:34,075 --> 00:32:36,136
I'VE NEVER SEEN HER BEFORE.

599
00:32:39,780 --> 00:32:42,560
[ GUN COCKS ]

600
00:32:42,584 --> 00:32:44,846
IS THAT SUPPOSED TO SCARE ME?

601
00:32:47,519 --> 00:32:49,967
HOW'D YOU DO THAT?

602
00:32:49,991 --> 00:32:54,433
YOU'VE GOT NO IDEA
WHO YOU'RE DEALING WITH.

603
00:32:54,457 --> 00:32:55,734
[ GUNSHOT ]

604
00:32:55,758 --> 00:32:57,436
WHAT'S HAPPENING?

605
00:32:57,460 --> 00:33:00,679
[ GUNSHOTS ]

606
00:33:00,703 --> 00:33:02,712
WHO'S SHOOTING?

607
00:33:02,736 --> 00:33:05,439
DON'T WORRY, LIONEL. HE MISSED.

608
00:33:08,872 --> 00:33:10,743
I'll CALL SECURITY.

609
00:33:13,778 --> 00:33:16,126
WHY ARE YOU LOOKING FOR JESSIE?

610
00:33:16,150 --> 00:33:17,858
IT'S NOT THE GIRL,
IT'S HER FATHER.

611
00:33:17,882 --> 00:33:19,899
THEY WERE WITNESS PROTECTION,
AND THEY RABBITED. WHY?

612
00:33:19,923 --> 00:33:21,601
HE'S A CORPORATE WHISTLE BLOWER.

613
00:33:21,625 --> 00:33:23,464
HIS FORMER EMPLOYER
OFFERED ME A MILLION DOLLARS

614
00:33:23,488 --> 00:33:25,937
IF I COULD GET THE
EVIDENCE FROM JESSIE'S DAD.

615
00:33:25,961 --> 00:33:28,569
WHAT KIND OF EVIDENCE?
COMPUTER DISKS...

616
00:33:28,593 --> 00:33:29,940
ACCOUNTING FILES, MEMOS...

617
00:33:29,964 --> 00:33:31,872
ENDLESS SMOKING GUNS.

618
00:33:31,896 --> 00:33:33,514
WE CAN SPLIT IT.

619
00:33:33,538 --> 00:33:35,546
IT'S ENOUGH MONEY TO
START A WHOLE NEW LIFE.

620
00:33:35,570 --> 00:33:38,943
IT'S A GREAT IDEA,
BUT WHO NEEDS YOU?

621
00:33:43,479 --> 00:33:45,781
[ KNOCK ON DOOR ]

622
00:33:48,654 --> 00:33:50,733
I THOUGHT YOU FORGOT ABOUT ME.

623
00:33:50,757 --> 00:33:52,594
READY TO GO?

624
00:33:52,618 --> 00:33:54,496
ALMOST.

625
00:33:54,520 --> 00:33:56,768
I KNOW ABOUT YOUR FATHER,
JESSIE, AND THE DISKS.

626
00:33:56,792 --> 00:34:00,827
WE'RE NOT GOING
ANYWHERE UNTIL I HAVE THEM.

627
00:34:03,800 --> 00:34:05,532
[ SCOFFS ]

628
00:34:09,137 --> 00:34:12,215
I DON'T UNDERSTAND.
WHY ARE YOU DOING THIS?

629
00:34:12,239 --> 00:34:13,756
THE MONEY.

630
00:34:13,780 --> 00:34:15,919
YOU SAID THAT YOU WANTED
TO LEAVE THIS HICK TOWN,

631
00:34:15,943 --> 00:34:17,722
AND A MILLION DOLLARS IS
MORE THAN ENOUGH MONEY

632
00:34:17,746 --> 00:34:19,823
TO MAKE A FRESH NEW START.

633
00:34:19,847 --> 00:34:22,966
IF I GIVE YOU THOSE DISKS,
MY DAD IS A DEAD MAN.

634
00:34:22,990 --> 00:34:24,968
HE WAS DEAD WHEN
HE STARTED RUNNING.

635
00:34:24,992 --> 00:34:27,532
DIDN'T I TELL YOU I
DIDN'T WANT TO SPLIT?

636
00:34:27,556 --> 00:34:29,003
YOU NEED ME, KID.

637
00:34:29,027 --> 00:34:30,675
I KNOW THE PLAYERS, AND I
KNOW HOW TO GET THE MONEY.

638
00:34:30,699 --> 00:34:32,802
NOW GIVE ME THE DISKS, JESSICA.

639
00:34:36,005 --> 00:34:37,907
[ GUNSHOT ]

640
00:34:51,782 --> 00:34:54,561
I DON'T WANT TO HURT
YOU, SON, BUT I WILL.

641
00:34:54,585 --> 00:34:55,901
GET OUT.

642
00:34:55,925 --> 00:34:58,204
JUST LIKE MY DAD.

643
00:34:58,228 --> 00:35:01,207
ALWAYS TELLING ME WHAT TO DO.

644
00:35:01,231 --> 00:35:02,769
I DON'T LISTEN TO HIM.

645
00:35:02,793 --> 00:35:05,295
WHAT MAKES YOU THINK
I'M GOING TO LISTEN TO YOU?

646
00:35:09,771 --> 00:35:12,879
WHERE ARE THE DISKS?

647
00:35:12,903 --> 00:35:14,983
IN THE FLOORBOARDS?

648
00:35:15,007 --> 00:35:16,985
IN THE CEILING?

649
00:35:17,009 --> 00:35:18,751
IN HERE?

650
00:35:23,356 --> 00:35:25,294
IT DOESN'T REALLY MATTER.

651
00:35:25,318 --> 00:35:28,260
I'll FIGURE IT OUT
ONE WAY OR ANOTHER.

652
00:35:33,967 --> 00:35:37,577
SO WHY DON'T YOU SAVE
YOURSELF A LOT OF PAIN

653
00:35:37,601 --> 00:35:39,207
AND MAKE IT SOONER?

654
00:35:39,231 --> 00:35:41,050
YOU CAN KILL ME, YOU CAN
TEAR THIS HOUSE TO THE GROUND,

655
00:35:41,074 --> 00:35:43,376
YOU WON'T FIND THOSE DISKS.

656
00:35:45,039 --> 00:35:46,610
JESSIE.

657
00:35:55,018 --> 00:35:59,094
[ GROANS ]

658
00:36:04,028 --> 00:36:05,661
PLEASE DON'T DO THIS.

659
00:36:07,061 --> 00:36:10,381
I NEVER REALIZED
HOW EASY IT WOULD BE

660
00:36:10,405 --> 00:36:13,084
TO GET EVERYTHING
I'VE EVER WANTED.

661
00:36:13,108 --> 00:36:14,785
CLARK!

662
00:36:14,809 --> 00:36:16,347
PETE?

663
00:36:16,371 --> 00:36:19,320
WHAT, DID IT TAKE THE WHOLE
STUDY GROUP TO FIND ME?

664
00:36:19,344 --> 00:36:21,323
NO, LIONEL LUTHOR
HEARD YOU MENTION JESSIE.

665
00:36:21,347 --> 00:36:22,949
JESSIE, RUN!

666
00:36:24,820 --> 00:36:26,858
HOW FAR IS SHE
GONNA GET, PETE...

667
00:36:26,882 --> 00:36:28,331
A MILE OR TWO?

668
00:36:28,355 --> 00:36:30,686
YOU KNOW NO ONE
CAN GET AWAY FROM ME.

669
00:36:31,989 --> 00:36:33,690
Jonathan: CLARK!

670
00:36:37,094 --> 00:36:39,673
I'M NOT GONNA LET YOU
HURT ANYBODY ELSE.

671
00:36:39,697 --> 00:36:41,338
STILL TRYING TO
TELL ME WHAT TO DO.

672
00:36:43,371 --> 00:36:46,749
ARE YOU SCARED?

673
00:36:46,773 --> 00:36:49,724
THEN AGAIN, YOU AND MOM
WERE ALWAYS AFRAID OF ME.

674
00:36:49,748 --> 00:36:52,425
NO, WE'VE HAD NOTHING
BUT LOVE FOR YOU.

675
00:36:52,449 --> 00:36:56,090
THAT MAKES WHAT I'M ABOUT
TO DO ALL THAT MORE DIFFICULT.

676
00:36:56,114 --> 00:36:59,688
PETE, DO IT.

677
00:37:01,990 --> 00:37:06,164
PETE... CLARK, I'M SORRY.

678
00:37:08,728 --> 00:37:10,469
CLARK!

679
00:37:32,452 --> 00:37:35,773
DAD?

680
00:37:35,797 --> 00:37:37,334
IT'S OKAY, SON.

681
00:37:37,358 --> 00:37:38,905
IT'S ALL RIGHT.

682
00:37:38,929 --> 00:37:40,477
YOU OKAY, MAN?

683
00:37:40,501 --> 00:37:42,032
THANKS, PETE.

684
00:37:45,005 --> 00:37:47,115
WHO IS THAT?

685
00:37:47,139 --> 00:37:51,048
W-WHAT'S GOING ON?

686
00:37:51,072 --> 00:37:53,450
LEX?

687
00:37:53,474 --> 00:37:56,153
WHAT'S GOING ON IN HERE?

688
00:37:56,177 --> 00:38:00,428
I DIDN'T ORDER ANY
MORE WORK TO BE DONE.

689
00:38:00,452 --> 00:38:04,803
I'M PUTTING THE OFFICE
BACK THE WAY IT WAS.

690
00:38:04,827 --> 00:38:07,066
HAVE A DRINK, DAD.

691
00:38:07,090 --> 00:38:09,362
HUH?

692
00:38:14,036 --> 00:38:17,501
THAT'S ARMAGNAC, 1963.

693
00:38:19,143 --> 00:38:22,481
MMM. THAT'S MY FAVORITE.

694
00:38:22,505 --> 00:38:24,854
THERE WAS TIME WHEN I
THOUGHT OUR TASTE IN BRANDY

695
00:38:24,878 --> 00:38:26,526
WAS THE ONLY THING
WE HAD IN COMMON.

696
00:38:26,550 --> 00:38:28,889
AND NOW?

697
00:38:28,913 --> 00:38:30,490
I'VE BEEN THINKING
ABOUT THE MONTHS

698
00:38:30,514 --> 00:38:32,892
AFTER THE METEOR SHOWER...
THE WAY PEOPLE LOOKED AT ME,

699
00:38:32,916 --> 00:38:34,836
A BALD-HEADED BOY,
THINKING I WAS A FREAK.

700
00:38:34,860 --> 00:38:36,898
OH, PLEASE, LEX, NOT ANOTHER
TALE OF YOUR TORTURED YOUTH

701
00:38:36,922 --> 00:38:39,941
AND HOW I... HOW I
FAILED YOU AS A FATHER.

702
00:38:39,965 --> 00:38:41,943
ACTUALLY, YOU GAVE ME
SOME EXCELLENT ADVICE.

703
00:38:41,967 --> 00:38:44,876
YOU TOLD ME TO STOP
FEELING SORRY FOR MYSELF.

704
00:38:44,900 --> 00:38:47,908
THESE WERE THE CARDS
FATE HAD DEALT ME,

705
00:38:47,932 --> 00:38:51,536
AND IT WAS BEST THAT I
ACCEPT IT AND MOVE ON.

706
00:38:53,880 --> 00:38:55,557
STOP ACTING LIKE YOUR BLINDNESS

707
00:38:55,581 --> 00:38:57,543
GIVES YOU AN
EXCUSE FOR SELF-PITY.

708
00:39:01,487 --> 00:39:03,526
SO THE SON BECOMES THE FATHER.

709
00:39:03,550 --> 00:39:06,068
NO, DAD.

710
00:39:06,092 --> 00:39:08,501
I'M THROUGH INDULGING
YOU LIKE A CHILD.

711
00:39:08,525 --> 00:39:10,573
MY OFFICE REMAINS MY OFFICE.

712
00:39:10,597 --> 00:39:13,106
YOU DON'T LIKE IT, LEAVE.

713
00:39:13,130 --> 00:39:15,539
WELL, IT SEEMS I HAVE DONE

714
00:39:15,563 --> 00:39:19,843
A BETTER JOB OF RAISING
YOU THAN I THOUGHT.

715
00:39:19,867 --> 00:39:23,117
OR PERHAPS, YOU'VE
FINALLY LEARNED

716
00:39:23,141 --> 00:39:28,021
THE VALUE OF DIRECTNESS
FROM YOUR FRIEND CLARK KENT.

717
00:39:28,045 --> 00:39:31,519
HE'S A VERY
INTERESTING YOUNG MAN.

718
00:39:39,057 --> 00:39:40,606
Martha: HI.

719
00:39:40,630 --> 00:39:42,190
HEY.

720
00:39:44,893 --> 00:39:47,041
HERE.

721
00:39:47,065 --> 00:39:49,845
THANKS.

722
00:39:49,869 --> 00:39:52,548
I WENT BY JESSIE'S. THEY'VE
COMPLETELY CLEARED OUT.

723
00:39:52,572 --> 00:39:54,550
WELL, MAYBE THEY STOPPED RUNNING

724
00:39:54,574 --> 00:39:57,483
AND HAVE GONE
TO THE AUTHORITIES.

725
00:39:57,507 --> 00:40:00,010
I JUST HOPE SHE'S ALL RIGHT.

726
00:40:06,556 --> 00:40:08,535
YOU KNOW, DAD,
THE THINGS THAT I DID

727
00:40:08,559 --> 00:40:10,236
AND I SAID... I REALLY
DIDN'T MEAN THEM.

728
00:40:10,260 --> 00:40:12,039
CLARK, THE RED METEOR ROCKS

729
00:40:12,063 --> 00:40:14,541
MIGHT HAVE AFFECTED
YOUR PERSONALITY,

730
00:40:14,565 --> 00:40:16,102
BUT... WE GOT TO FACE IT,

731
00:40:16,126 --> 00:40:18,646
THOSE FEELINGS ALL
CAME FROM SOMEWHERE.

732
00:40:18,670 --> 00:40:21,008
NOW, I KNOW, COMPARED TO LEX,

733
00:40:21,032 --> 00:40:23,481
WE DON'T HAVE A
WHOLE LOT AROUND HERE,

734
00:40:23,505 --> 00:40:25,613
BUT UP UNTIL NOW, I NEVER
REALLY THOUGHT IT BOTHERED YOU.

735
00:40:25,637 --> 00:40:27,940
MAYBE IT DOES.

736
00:40:29,311 --> 00:40:31,890
SOMETIMES.

737
00:40:31,914 --> 00:40:34,093
AND THEN I REMEMBER
WHAT'S REALLY IMPORTANT,

738
00:40:34,117 --> 00:40:35,593
AND NONE OF THAT STUFF MATTERS.

739
00:40:35,617 --> 00:40:37,626
NO MATTER HOW CRAZY I
GOT, YOU TWO STOOD BY ME,

740
00:40:37,650 --> 00:40:40,193
AND THAT'S SOMETHING ALL THE
MONEY IN THE WORLD CAN'T BUY.

741
00:40:47,960 --> 00:40:50,640
BUT STILL, IT WAS A
VERY CLOSE CALL, SON.

742
00:40:50,664 --> 00:40:52,582
I KNOW.

743
00:40:52,606 --> 00:40:55,215
WHEN I PUT THAT RING ON,
I FELT THIS SUDDEN URGE

744
00:40:55,239 --> 00:40:57,146
TO TELL THE WHOLE
WORLD MY SECRET...

745
00:40:57,170 --> 00:41:01,291
LEX, LANA, JESSIE...
BUT YOU DIDN'T, CLARK.

746
00:41:01,315 --> 00:41:03,193
I KNOW, BUT THE
FEELINGS ARE STILL THERE.

747
00:41:03,217 --> 00:41:05,155
IT'S LIKE I HAVE
THESE TWO IDENTITIES,

748
00:41:05,179 --> 00:41:06,997
AND I DON'T KNOW
WHICH ONE'S THE REAL ME.

749
00:41:07,021 --> 00:41:09,599
THE REAL YOU IS THE ONE
WHO CAME BACK TO US,

750
00:41:09,623 --> 00:41:12,226
AND WE NEVER HAD ANY
DOUBT THAT YOU WOULD.

751
00:41:33,009 --> 00:41:34,727
NELL TOLD ME YOU WERE RIDING.

752
00:41:34,751 --> 00:41:37,689
THIS IS ONE OF YOUR
FAVORITE PLACES. IT'S PRETTY.

753
00:41:37,713 --> 00:41:40,392
I... I GOT A LITTLE LOST
ALONG THE WAY, BUT...

754
00:41:40,416 --> 00:41:43,597
HERE I AM.

755
00:41:43,621 --> 00:41:45,738
THOSE FOR ME?

756
00:41:45,762 --> 00:41:47,671
YEAH.

757
00:41:47,695 --> 00:41:50,173
I WANTED TO APOLOGIZE.

758
00:41:50,197 --> 00:41:52,146
I WAS HOPING MAYBE
WE COULD BE FRIENDS

759
00:41:52,170 --> 00:41:54,048
LIKE WE WERE BEFORE.

760
00:41:54,072 --> 00:41:56,410
HMM, SO YOU THOUGHT THAT
IF YOU BROUGHT ME FLOWERS,

761
00:41:56,434 --> 00:41:58,311
I'D PRETEND LIKE
NOTHING HAPPENED?

762
00:41:58,335 --> 00:42:00,754
YOU HAVE TO
BELIEVE ME, ALL RIGHT?

763
00:42:00,778 --> 00:42:03,186
THE THINGS I SAID,
THE WAY I WAS ACTING,

764
00:42:03,210 --> 00:42:04,988
THAT WASN'T ME.

765
00:42:05,012 --> 00:42:07,662
EVEN THE PART WHERE YOU
SAID YOU HAD FEELINGS FOR ME?

766
00:42:07,686 --> 00:42:10,164
LANA...

767
00:42:10,188 --> 00:42:12,367
CLARK, YOU CAN'T
HAVE IT BOTH WAYS.

768
00:42:12,391 --> 00:42:14,753
EITHER IT WAS YOU, OR IT WASN'T.

769
00:42:18,697 --> 00:42:21,006
I WISH I COULD
EXPLAIN, BUT I CAN'T.

770
00:42:21,030 --> 00:42:24,664
THE STORY OF YOUR LIFE.

771
00:42:28,668 --> 00:42:32,247
LANA... I REALLY AM SORRY.

772
00:42:32,271 --> 00:42:34,251
I KNOW YOU ARE.

773
00:42:34,275 --> 00:42:37,277
IT'S NOT ENOUGH ANYMORE.

774
00:42:39,719 --> 00:42:42,282
DO YOU THINK YOU CAN
FIND YOUR WAY HOME?

775
00:42:45,786 --> 00:42:47,728
HOPE SO.

776
00:42:49,831 --> 00:42:52,764
[ WHINNIES ]

777
00:43:21,864 --> 00:43:24,644
Captions by VITAC...
www.vitac.com

778
00:43:24,668 --> 00:43:27,670
CAPTIONS PAID FOR BY
WARNER BROS. TELEVISION