1
00:00:34,835 --> 00:00:37,515
Clark: HEY, MOM, YOU DOWN HERE?

2
00:00:37,539 --> 00:00:40,217
CLARK, I THOUGHT YOU WENT
TO THE HARDWARE STORE

3
00:00:40,241 --> 00:00:41,448
WITH YOUR FATHER.

4
00:00:41,472 --> 00:00:43,591
YEAH, WE WERE ON OUR WAY,

5
00:00:43,615 --> 00:00:45,854
BUT DAD REMEMBERED HE HAD
THE PART HE NEEDED IN THE BARN,

6
00:00:45,878 --> 00:00:47,896
SO... WHAT ARE YOU DOING
DOWN HERE, ANYWAY?

7
00:00:47,920 --> 00:00:50,460
I CAME DOWN TO GET SOME,
UH, PEACHES FOR DESSERT.

8
00:00:50,484 --> 00:00:52,461
I'll BE RIGHT UP.

9
00:00:52,485 --> 00:00:53,926
OKAY.

10
00:01:53,753 --> 00:01:56,758
[ COUGHING ]

11
00:02:06,608 --> 00:02:08,610
WELL, THAT OUGHT TO DO IT.

12
00:02:13,346 --> 00:02:15,024
THAT WAS FAST.

13
00:02:15,048 --> 00:02:17,326
I OFFERED DAD A
BIT OF SPOT WELDING,

14
00:02:17,350 --> 00:02:19,699
BUT HE SAID IT WOULD
ONLY SLOW HIM DOWN.

15
00:02:19,723 --> 00:02:21,001
AS HARD AS IT FOR
YOU TO BELIEVE,

16
00:02:21,025 --> 00:02:22,863
EVEN YOUR ABILITIES
ARE NO SUBSTITUTE

17
00:02:22,887 --> 00:02:25,635
"FOR A 3/4" COPPER WASHER.

18
00:02:25,659 --> 00:02:27,608
WELL, IT SOUNDS LIKE
THE TWO OF YOU DESERVE

19
00:02:27,632 --> 00:02:29,610
A NICE COLD GLASS OF LEMONADE.

20
00:02:29,634 --> 00:02:31,613
[ COUGHING ]

21
00:02:31,637 --> 00:02:33,745
MOM, YOU ALL RIGHT?

22
00:02:33,769 --> 00:02:36,641
[ COUGHING ]

23
00:02:49,917 --> 00:02:50,865
MARTHA!

24
00:02:50,889 --> 00:02:53,097
DAD, SHE'S NOT BREATHING.

25
00:02:53,121 --> 00:02:54,739
MOM?

26
00:02:54,763 --> 00:02:56,000
MOM!

27
00:02:56,024 --> 00:02:59,873
MARTHA.

28
00:02:59,897 --> 00:03:07,081
♫ SOMEBODY SAVE ME ♫

29
00:03:07,105 --> 00:03:11,016
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

30
00:03:11,040 --> 00:03:17,663
♫ SOMEBODY SAVE ME ♫

31
00:03:17,687 --> 00:03:21,127
♫ I DON'T CARE HOW YOU DO IT ♫

32
00:03:21,151 --> 00:03:22,530
♫ JUST STAY ♫

33
00:03:22,554 --> 00:03:24,132
♫ STAY WITH ME ♫

34
00:03:24,156 --> 00:03:26,134
♫ STAY ♫

35
00:03:26,158 --> 00:03:28,006
♫ COME ON ♫

36
00:03:28,030 --> 00:03:31,680
♫ I'VE BEEN WAITING FOR YOU ♫

37
00:03:31,704 --> 00:03:37,146
♫ JUST STAY WITH ME ♫

38
00:03:37,170 --> 00:03:42,021
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

39
00:03:42,045 --> 00:03:43,924
♫ JUST STAY ♫

40
00:03:43,948 --> 00:03:46,697
♫ STAY ♫

41
00:03:46,721 --> 00:03:49,824
♫ COME ON ♫

42
00:04:06,872 --> 00:04:08,852
THE GOOD NEWS IS, WE'VE
MANAGED TO STABILIZE HER,

43
00:04:08,876 --> 00:04:11,223
AND SHE'S BREATHING ON HER OWN.

44
00:04:11,247 --> 00:04:13,026
I JUST DON'T UNDERSTAND.
SHE WAS WORKING

45
00:04:13,050 --> 00:04:15,788
OUTSIDE ALL MORNING.
SHE SEEMED FINE.

46
00:04:15,812 --> 00:04:18,531
HOW COULD SOMETHING
COME OVER HER SO QUICKLY?

47
00:04:18,555 --> 00:04:21,035
MY FIRST GUESS IS WE'RE
DEALING WITH SOME SORT OF TOXIN.

48
00:04:21,059 --> 00:04:24,139
I'll HAVE A BETTER IDEA AFTER
WE FINISH HER BLOOD WORK.

49
00:04:24,163 --> 00:04:26,802
ALL RIGHT. I'M GOING
TO STAY RIGHT HERE.

50
00:04:26,826 --> 00:04:29,574
I'll HAVE AN ORDERLY
BRING YOU SOME COFFEE.

51
00:04:29,598 --> 00:04:30,970
THANK YOU.

52
00:04:34,233 --> 00:04:36,952
SHE'S GOING TO BE OKAY.

53
00:04:36,976 --> 00:04:38,555
I KNOW THAT, SON.

54
00:04:38,579 --> 00:04:40,086
I ALSO KNOW

55
00:04:40,110 --> 00:04:41,959
THAT SHE WOULDN'T WANT US
BOTH OUT HERE STANDING GUARD.

56
00:04:41,983 --> 00:04:43,560
I'M NOT LEAVING.

57
00:04:43,584 --> 00:04:45,523
CLARK, YOUR MOTHER
HAD A WHOLE LIST OF THINGS

58
00:04:45,547 --> 00:04:47,564
SHE NEEDED TO GET
DONE FOR THE FUNDRAISER.

59
00:04:47,588 --> 00:04:50,528
YOU KNOW HOW IMPORTANT
THE FOOD BANK IS TO HER.

60
00:04:50,552 --> 00:04:53,031
ALL RIGHT.

61
00:04:53,055 --> 00:04:55,634
BUT AS SOON AS I'M
FINISHED, I'M COMING BACK

62
00:04:55,658 --> 00:04:57,659
TO CAMP OUT WITH YOU.

63
00:05:11,946 --> 00:05:13,994
CLARK, HEY, I THOUGHT
THAT YOUR MOM

64
00:05:14,018 --> 00:05:16,297
WAS BRINGING OVER THE
PRIZES FOR THE RAFFLE.

65
00:05:16,321 --> 00:05:19,259
SHE WAS, BUT SHE CAME DOWN
WITH SOMETHING THIS MORNING.

66
00:05:19,283 --> 00:05:21,002
MY DAD'S AT THE
HOSPITAL WITH HER.

67
00:05:21,026 --> 00:05:23,264
HOSPITAL? IT SOUNDS SERIOUS.

68
00:05:23,288 --> 00:05:25,007
DO THEY HAVE ANY
IDEA WHAT'S WRONG?

69
00:05:25,031 --> 00:05:26,869
WE'RE STILL WAITING
ON SOME TEST RESULTS.

70
00:05:26,893 --> 00:05:28,971
WELL, THEY HAVE
TO KNOW SOMETHING.

71
00:05:28,995 --> 00:05:30,273
I MEAN, WHAT WERE HER SYMPTOMS?

72
00:05:30,297 --> 00:05:33,100
WHAT IS THIS, AN INTERVIEW?

73
00:05:34,300 --> 00:05:38,021
SHE STOPPED BREATHING, OKAY?

74
00:05:38,045 --> 00:05:40,254
YOU KNOW, THIS WHOLE
EVENT WAS YOUR MOM'S IDEA.

75
00:05:40,278 --> 00:05:43,156
MAYBE WE SHOULD JUST POSTPONE
UNTIL SHE'S BACK ON HER FEET?

76
00:05:43,180 --> 00:05:45,889
NO, I APPRECIATE
THE THOUGHT, LANA,

77
00:05:45,913 --> 00:05:47,562
BUT SHE'S GOING TO BE OKAY,

78
00:05:47,586 --> 00:05:49,663
AND SHE'D BE REALLY
DISAPPOINTED IF WE CANCELED.

79
00:05:49,687 --> 00:05:52,336
CLARK, I DIDN'T MEAN TO JUST...

80
00:05:52,360 --> 00:05:53,963
IT'S OKAY, CHLOE.

81
00:05:56,997 --> 00:06:01,201
I'M GOING TO GET
BACK TO THE HOSPITAL.

82
00:06:20,393 --> 00:06:22,194
MR. KENT?

83
00:06:24,297 --> 00:06:26,274
I KNOW WE'VE ALREADY
GONE OVER THIS,

84
00:06:26,298 --> 00:06:28,377
BUT I'M GOING TO ASK
YOU ONE MORE TIME,

85
00:06:28,401 --> 00:06:31,281
HAS MARTHA BEEN EXPOSED
TO ANY UNUSUAL SUBSTANCES

86
00:06:31,305 --> 00:06:32,942
OVER THE LAST FEW DAYS?

87
00:06:32,966 --> 00:06:34,314
NO, NOTHING SHE HASN'T
BEEN AROUND BEFORE.

88
00:06:34,338 --> 00:06:35,985
WHAT IS THIS ABOUT?

89
00:06:36,009 --> 00:06:37,988
I'VE BEEN GOING OVER
MARTHA'S BLOOD CULTURES,

90
00:06:38,012 --> 00:06:40,351
AND HER SYMPTOMS INDICATE
AN ACUTE TOXIC REACTION,

91
00:06:40,375 --> 00:06:43,194
BUT I CAN'T IDENTIFY THE SOURCE.

92
00:06:43,218 --> 00:06:48,230
BUT YOU CAN... YOU CAN DO
SOMETHING FOR HER, RIGHT?

93
00:06:48,254 --> 00:06:51,202
I'VE SENT HER BLOOD SAMPLES

94
00:06:51,226 --> 00:06:54,005
TO METROPOLIS FOR
FURTHER TESTING,

95
00:06:54,029 --> 00:06:56,269
BUT I HAVE TO BE HONEST
WITH YOU... I'M CONCERNED.

96
00:06:56,293 --> 00:06:58,995
FOR BOTH MARTHA AND
THE HEALTH OF HER BABY.

97
00:07:03,100 --> 00:07:04,778
BABY?

98
00:07:04,802 --> 00:07:07,351
YOU DIDN'T KNOW?

99
00:07:07,375 --> 00:07:11,386
THERE MUST BE SOME...
KIND OF A MISTAKE.

100
00:07:11,410 --> 00:07:14,088
I MEAN, THE DOCTOR SAID THAT
SHE COULD NEVER HAVE A BABY.

101
00:07:14,112 --> 00:07:17,161
I ASKED YOUR G.P. TO FAX OVER
MARTHA'S MEDICAL RECORDS.

102
00:07:17,185 --> 00:07:19,218
THERE'S NO MISTAKE.

103
00:07:31,231 --> 00:07:34,010
I SAW MR. KENT IN THE
HALL. HE LOOKED WORRIED.

104
00:07:34,034 --> 00:07:35,752
IS EVERYTHING ALL RIGHT?

105
00:07:35,776 --> 00:07:39,040
WE'RE DOING EVERYTHING WE CAN.

106
00:07:45,247 --> 00:07:47,326
JOHNS HOPKINS.

107
00:07:47,350 --> 00:07:49,298
GOOD SCHOOL.

108
00:07:49,322 --> 00:07:52,170
GO AHEAD.

109
00:07:52,194 --> 00:07:54,427
READ IT.

110
00:08:01,836 --> 00:08:06,187
THEY'RE OFFERING YOU A
3-YEAR RESEARCH FELLOWSHIP.

111
00:08:06,211 --> 00:08:07,819
I'M IMPRESSED.

112
00:08:07,843 --> 00:08:10,291
IT'S AN OPPORTUNITY
TO DO PURE RESEARCH

113
00:08:10,315 --> 00:08:12,494
AT ONE OF THE BEST
HOSPITALS IN THE COUNTRY.

114
00:08:12,518 --> 00:08:14,826
AS OPPOSED TO THE
RURAL PLEASURES

115
00:08:14,850 --> 00:08:17,259
OF SMALLVILLE MEDICAL?

116
00:08:17,283 --> 00:08:19,502
LEX, I LIKE MY WORK HERE, BUT...

117
00:08:19,526 --> 00:08:24,206
RESEARCH HAS ALWAYS
BEEN MY FIRST LOVE.

118
00:08:24,230 --> 00:08:30,314
SO... WHAT DO YOU THINK?

119
00:08:30,338 --> 00:08:32,516
TRUST ME,

120
00:08:32,540 --> 00:08:36,144
THERE'S NOTHING WORSE
THAN A MISSED OPPORTUNITY.

121
00:08:40,879 --> 00:08:43,229
DR. BRYCE.

122
00:08:43,253 --> 00:08:45,861
I'M DR. NEIL MOORE.

123
00:08:45,885 --> 00:08:48,457
WE'RE HERE ABOUT MARTHA KENT.

124
00:08:50,320 --> 00:08:53,394
I'll LET YOU GET BACK TO WORK.

125
00:09:02,234 --> 00:09:03,851
A BABY?

126
00:09:03,875 --> 00:09:06,283
SHE... SHE DIDN'T TELL
ME ANYTHING ABOUT IT.

127
00:09:06,307 --> 00:09:08,216
WHY WOULD SHE KEEP IT A SECRET?

128
00:09:08,240 --> 00:09:09,888
I DON'T KNOW.

129
00:09:09,912 --> 00:09:12,260
MR. KENT.

130
00:09:12,284 --> 00:09:15,293
THIS IS DR. MOORE WITH THE
DISEASE CONTROL AGENCY. MR. KENT.

131
00:09:15,317 --> 00:09:16,865
DIS... I'M SORRY,

132
00:09:16,889 --> 00:09:19,328
BUT WHAT DOES THAT
HAVE TO DO WITH MY WIFE?

133
00:09:19,352 --> 00:09:21,400
THE DISEASE CONTROL
AGENCY GETS CALLED IN

134
00:09:21,424 --> 00:09:23,803
WHENEVER IT'S A
MATTER OF PUBLIC SAFETY.

135
00:09:23,827 --> 00:09:26,137
THE METROPOLIS LABS SENT
THEM MARTHA'S BLOOD WORK.

136
00:09:26,161 --> 00:09:28,139
I DON'T MEAN TO
ALARM YOU, MR. KENT,

137
00:09:28,163 --> 00:09:30,280
BUT YOUR WIFE'S
CONDITION IS CAUSED

138
00:09:30,304 --> 00:09:31,582
BY SOME UNKNOWN TOXIN.

139
00:09:31,606 --> 00:09:33,814
WE'RE HERE TO FIND
IT AND IDENTIFY IT.

140
00:09:33,838 --> 00:09:35,417
COULD SOMEONE ELSE
COME DOWN WITH THIS?

141
00:09:35,441 --> 00:09:37,519
FRANKLY, SON, WE CAN'T KNOW THAT

142
00:09:37,543 --> 00:09:40,152
UNTIL WE FIND THE SOURCE.
WE NEED TO BACKTRACK

143
00:09:40,176 --> 00:09:42,554
MRS. KENT'S MOVEMENTS
OVER THE LAST COUPLE OF DAYS.

144
00:09:42,578 --> 00:09:44,596
YEAH, UM, SHE HASN'T LEFT
THE FARM SINCE THE WEEKEND.

145
00:09:44,620 --> 00:09:46,929
SHE'S BEEN ON THE PHONE
DOING HER FUNDRAISING.

146
00:09:46,953 --> 00:09:48,961
THEN THAT'S WHERE
WE NEED TO START.

147
00:09:48,985 --> 00:09:50,464
START WHAT?

148
00:09:50,488 --> 00:09:52,907
SEARCHING YOUR PROPERTY
FOR THE SOURCE OF THE POISON.

149
00:09:52,931 --> 00:09:55,339
WE HAVE TO SEARCH THE
HOUSE, THE OUTBUILDINGS,

150
00:09:55,363 --> 00:09:58,172
ANYTHING MRS. KENT MIGHT'VE
COME IN CONTACT WITH.

151
00:09:58,196 --> 00:10:02,301
CLARK... THE SHIP.

152
00:10:18,558 --> 00:10:20,961
[ COUGHS ]

153
00:10:22,963 --> 00:10:25,602
PETE, ARE YOU SURE THIS SHIP
WILL BE SAFE IN YOUR SHED?

154
00:10:25,626 --> 00:10:27,605
YEAH, WE'LL PUT IT
BETWEEN THE OLD BETAMAX

155
00:10:27,629 --> 00:10:29,407
AND MY DAD'S PONG GAME.

156
00:10:29,431 --> 00:10:31,249
INDIANA JONES COULDN'T
FIND IT DOWN THERE.

157
00:10:31,273 --> 00:10:34,606
YEAH.

158
00:10:40,344 --> 00:10:42,485
CLARK!

159
00:10:44,018 --> 00:10:47,250
CLARK, WHAT ARE YOU... CLARK!

160
00:10:52,697 --> 00:10:54,905
PETE, PETE, ARE YOU OKAY?

161
00:10:54,929 --> 00:10:57,038
I'M FINE.

162
00:10:57,062 --> 00:10:59,380
WHAT HAPPENED TO YOU?

163
00:10:59,404 --> 00:11:01,984
I'M NOT SURE.

164
00:11:02,008 --> 00:11:04,541
COME ON, LET'S GET OUT OF HERE.

165
00:11:09,676 --> 00:11:12,549
COME ON. LET'S GET THIS
THING BACK ON THE ROAD.

166
00:11:15,722 --> 00:11:17,530
CLARK, COME ON,
STOP FOOLING AROUND.

167
00:11:17,554 --> 00:11:20,264
I'VE SEEN YOU BENCH-PRESS
A TRACTOR-TRAILER. LET'S GO.

168
00:11:20,288 --> 00:11:22,066
I'M TRYING.

169
00:11:22,090 --> 00:11:24,568
I CAN'T DO THIS, PETE.

170
00:11:24,592 --> 00:11:27,572
[ SIRENS WAILING ]

171
00:11:27,596 --> 00:11:31,417
CLARK, "X-FILES" ALERT.

172
00:11:31,441 --> 00:11:33,078
THAT'S THE DCA TEAM.

173
00:11:33,102 --> 00:11:35,975
WE'VE GOT TO GET THIS
THING BACK ON THE ROAD.

174
00:11:44,455 --> 00:11:46,057
I THINK I GOT IT.

175
00:12:53,261 --> 00:12:54,539
THIS IS MOORE.

176
00:12:54,563 --> 00:12:57,673
ALL RIGHT. STATUS
OF THE SWEEP SO FAR?

177
00:12:57,697 --> 00:13:00,169
ANY POSITIVE LEADS?

178
00:13:05,745 --> 00:13:07,423
THEY FIND ANYTHING YET?

179
00:13:07,447 --> 00:13:08,686
NO, NOT YET.

180
00:13:08,710 --> 00:13:11,187
PLEASE TELL ME YOU GOT
THE SHIP OUT OF THERE.

181
00:13:11,211 --> 00:13:13,431
YEAH, IT'S AT PETE'S. IT'S SAFE.

182
00:13:13,455 --> 00:13:16,735
DAD, WHEN I WAS DRIVING,
MY VISION SUDDENLY BLURRED,

183
00:13:16,759 --> 00:13:19,336
AND I LOST CONTROL OF THE TRUCK.

184
00:13:19,360 --> 00:13:21,669
YOU AND PETE ARE
ALL RIGHT, AREN'T YOU?

185
00:13:21,693 --> 00:13:23,172
YEAH.

186
00:13:23,196 --> 00:13:25,543
FOR A MOMENT, I
LOST ALL MY STRENGTH.

187
00:13:25,567 --> 00:13:26,775
Man: DR. MOORE.

188
00:13:26,799 --> 00:13:28,206
GO AHEAD.

189
00:13:28,230 --> 00:13:30,679
I'M GETTING A HIT IN
THE STORM CELLAR.

190
00:13:30,703 --> 00:13:34,554
I'M REGISTERING A POSITIVE FOR
ORGANIC PARTICULATE MATTER.

191
00:13:34,578 --> 00:13:36,456
LOOKS LIKE SOMEONE
WAS DIGGING AROUND

192
00:13:36,480 --> 00:13:38,589
AND KICKED UP SOME
SORT OF IRRADIATED SPORE.

193
00:13:38,613 --> 00:13:41,091
GET A SURFACE SAMPLE.

194
00:13:41,115 --> 00:13:44,490
10 CENTIMETERS
AND 50 CENTIMETERS.

195
00:13:49,725 --> 00:13:50,726
[ THUNK ]

196
00:13:58,735 --> 00:14:02,115
MR. KENT, WE FOUND THIS IN A TIN

197
00:14:02,139 --> 00:14:03,817
BURIED INSIDE YOUR STORM CELLAR.

198
00:14:03,841 --> 00:14:06,120
HAVE YOU EVER SEEN IT BEFORE?

199
00:14:06,144 --> 00:14:08,121
NO.

200
00:14:08,145 --> 00:14:12,197
HAS MRS. KENT BEEN DOWN
IN THAT CELLAR RECENTLY?

201
00:14:12,221 --> 00:14:14,528
NOT THAT I KNOW OF. WE
USUALLY KEEP IT LOCKED.

202
00:14:14,552 --> 00:14:17,255
ACTUALLY, DAD, SHE WAS
DOWN THERE THIS MORNING.

203
00:14:19,528 --> 00:14:21,908
THIS IS MOORE. I
WANT A CLEANUP TEAM

204
00:14:21,932 --> 00:14:25,471
TO STERILIZE EVERY INCH
OF THAT STORM CELLAR.

205
00:14:25,495 --> 00:14:27,614
DAD, I DON'T GET IT.

206
00:14:27,638 --> 00:14:29,745
WE'VE BEEN SEARCHING
FOR THAT KEY FOR MONTHS.

207
00:14:29,769 --> 00:14:31,577
HOW'D IT END UP IN
THE STORM CELLAR?

208
00:14:31,601 --> 00:14:33,921
WHEN I WENT TO FIX THE LEAK,
THE FLOUR JAR WASN'T THERE.

209
00:14:33,945 --> 00:14:35,623
YOUR MOTHER MUST'VE MOVED IT.

210
00:14:35,647 --> 00:14:37,254
WHY DIDN'T SHE
TELL US SHE HAD IT?

211
00:14:37,278 --> 00:14:39,226
SHE MUST HAVE
HER REASONS, CLARK.

212
00:14:39,250 --> 00:14:41,759
RIGHT NOW I'M MORE
CONCERNED ABOUT HER HEALTH.

213
00:14:41,783 --> 00:14:44,633
YEAH, ME TOO. WHAT DO YOU
THINK THOSE SPORES ARE?

214
00:14:44,657 --> 00:14:46,835
I DON'T KNOW, BUT...

215
00:14:46,859 --> 00:14:49,268
WHATEVER THEY ARE, YOU
WERE EXPOSED TO THEM, TOO.

216
00:14:49,292 --> 00:14:51,299
MAYBE THAT'S WHY YOU
LOST YOUR STRENGTH.

217
00:14:51,323 --> 00:14:53,273
NO, DAD, I JUST HAD
A GLITCH. I'M FINE.

218
00:14:53,297 --> 00:14:56,777
YOU DON'T HAVE TO
WORRY ABOUT ME.

219
00:14:56,801 --> 00:14:58,673
WE NEED TO THINK ABOUT MOM.

220
00:15:14,289 --> 00:15:16,668
SWEETHEART?

221
00:15:16,692 --> 00:15:18,701
HOW ARE YOU FEELING?

222
00:15:18,725 --> 00:15:23,235
I SHOULD'VE TOLD
YOU ABOUT THE BABY.

223
00:15:23,259 --> 00:15:24,908
I'M SO SORRY.

224
00:15:24,932 --> 00:15:27,581
WHY DIDN'T YOU TELL ME?

225
00:15:27,605 --> 00:15:31,615
I... I WAS WORRIED
IF I SAID IT OUT LOUD,

226
00:15:31,639 --> 00:15:32,887
IT WOULD GO AWAY.

227
00:15:32,911 --> 00:15:36,245
[ COUGHS ]

228
00:15:40,980 --> 00:15:46,001
MARTHA, HOW IS IT EVEN POSSIBLE?

229
00:15:46,025 --> 00:15:49,004
THE DAY OF THE TORNADO,

230
00:15:49,028 --> 00:15:52,839
WHEN NIXON OPENED CLARK'S SHED,

231
00:15:52,863 --> 00:15:55,913
SOMETHING STRANGE HAPPENED.

232
00:15:55,937 --> 00:15:58,916
THERE WAS A BLINDING LIGHT,

233
00:15:58,940 --> 00:16:01,918
AND I FELT A SURGE OF ENERGY

234
00:16:01,942 --> 00:16:04,982
GO THROUGH MY BODY.

235
00:16:05,006 --> 00:16:08,326
ARE YOU SAYING YOU THINK THE
SHIP HAS THE POWER TO HEAL?

236
00:16:08,350 --> 00:16:11,389
I THINK THE SHIP
MADE IT POSSIBLE

237
00:16:11,413 --> 00:16:13,932
FOR ME TO GET PREGNANT.

238
00:16:13,956 --> 00:16:17,760
HOWEVER IT HAPPENED,
MARTHA, IT'S A MIRACLE.

239
00:16:22,667 --> 00:16:29,009
UH... THEY FOUND THE KEY

240
00:16:29,033 --> 00:16:33,414
IN THE STORM CELLAR.

241
00:16:33,438 --> 00:16:35,887
WHY DID YOU HIDE IT FROM US?

242
00:16:35,911 --> 00:16:37,889
I KNOW IT WAS WRONG, BUT...

243
00:16:37,913 --> 00:16:43,895
I WAS AFRAID IF CLARK
OPENED THE SHIP...

244
00:16:43,919 --> 00:16:46,970
AND FOUND OUT THE
TRUTH ABOUT HIS ORIGINS,

245
00:16:46,994 --> 00:16:51,404
HE... HE WOULD WANT TO LEAVE US.

246
00:16:51,428 --> 00:16:55,379
MARTHA, MARTHA, THAT'S
NOT GOING TO HAPPEN.

247
00:16:55,403 --> 00:17:00,038
[ COUGHING ]

248
00:17:09,018 --> 00:17:10,095
CLARK.

249
00:17:10,119 --> 00:17:12,799
HI, LANA.

250
00:17:12,823 --> 00:17:16,826
I JUST WANTED TO MAKE
SURE YOU WERE OKAY.

251
00:17:20,932 --> 00:17:22,909
IT'S WEIRD HOW RANDOM MEMORIES

252
00:17:22,933 --> 00:17:24,965
CAN JUST POP INTO
YOUR HEAD, HUH?

253
00:17:28,740 --> 00:17:32,420
WHEN I WAS IN SECOND GRADE,
I WAS AFRAID TO GO TO SCHOOL

254
00:17:32,444 --> 00:17:34,783
BECAUSE I THOUGHT MY MOM
WOULD DISAPPEAR WHILE I WAS GONE

255
00:17:34,807 --> 00:17:37,956
AND NEVER COME BACK.

256
00:17:37,980 --> 00:17:40,489
I WOULDN'T EVEN GET ON
THE BUS IN THE MORNING

257
00:17:40,513 --> 00:17:44,464
UNTIL SHE PROMISED SHE'D
BE THERE WHEN I GOT HOME.

258
00:17:44,488 --> 00:17:46,095
SURE ENOUGH,

259
00:17:46,119 --> 00:17:49,039
EVERY DAY, THERE SHE WAS
WHEN I WALKED THROUGH THE DOOR.

260
00:17:49,063 --> 00:17:50,970
DON'T WORRY, CLARK.

261
00:17:50,994 --> 00:17:52,974
IN A FEW DAYS, YOU'LL
WALK THROUGH THAT DOOR

262
00:17:52,998 --> 00:17:55,069
AND YOUR MOM
WILL BE THERE AGAIN.

263
00:18:03,439 --> 00:18:05,056
CLARK?

264
00:18:05,080 --> 00:18:07,059
ARE YOU OKAY?

265
00:18:07,083 --> 00:18:09,086
CLARK. CLARK!

266
00:18:11,818 --> 00:18:13,891
CLARK.

267
00:18:18,896 --> 00:18:21,876
WHAT HAPPENED?

268
00:18:21,900 --> 00:18:25,810
UH, LANA, WOULD YOU...
WOULD YOU EXCUSE US, PLEASE?

269
00:18:25,834 --> 00:18:27,036
YEAH.

270
00:18:41,451 --> 00:18:45,131
CLARK WAS EXPOSED TO THE
SAME TOXIN HIS MOTHER WAS.

271
00:18:45,155 --> 00:18:47,063
YOU SHOULD'VE
CALLED AN AMBULANCE.

272
00:18:47,087 --> 00:18:49,137
HE NEEDS TO BE IN THE HOSPITAL.

273
00:18:49,161 --> 00:18:51,438
WE NEED TO INFORM
THE DCA IMMEDIATELY.

274
00:18:51,462 --> 00:18:54,912
I'M SORRY. I CAN'T LET YOU
DO THAT. WHY THE HELL NOT?

275
00:18:54,936 --> 00:18:58,147
LOOK, I NEED YOU TO PROMISE
ME THAT YOU WON'T TELL ANYBODY

276
00:18:58,171 --> 00:19:00,579
ABOUT THIS, AND I MEAN ANYBODY.

277
00:19:00,603 --> 00:19:02,081
MR. KENT, I TAKE

278
00:19:02,105 --> 00:19:04,152
MY DOCTOR/PATIENT
CONFIDENTIALITY VERY SERIOUSLY,

279
00:19:04,176 --> 00:19:06,926
BUT CLARK NEEDS PROPER CARE.

280
00:19:06,950 --> 00:19:10,890
DOCTOR, CLARK ISN'T EXACTLY
WHAT YOU'D CALL A "NORMAL BOY."

281
00:19:10,914 --> 00:19:14,834
I NEED TO GET A BLOOD SAMPLE.

282
00:19:14,858 --> 00:19:18,939
LISTEN, DR. BRYCE,
YOU CAN'T DO THAT.

283
00:19:18,963 --> 00:19:21,072
IS THIS SOME SORT
OF RELIGIOUS THING?

284
00:19:21,096 --> 00:19:25,000
NO, I MEAN, LITERALLY,
YOU CAN'T DO THAT.

285
00:19:46,625 --> 00:19:50,598
YOU CAN'T TAKE
THAT SAMPLE TO A LAB.

286
00:19:52,131 --> 00:19:54,238
MR. KENT, I AM TRYING
TO HELP YOUR SON,

287
00:19:54,262 --> 00:19:56,542
BUT I CAN'T DO THAT UNLESS
YOU TELL ME WHAT'S GOING ON.

288
00:19:56,566 --> 00:19:59,544
YOU NEED TO PROMISE ME
THAT YOU WILL DO THE LAB WORK

289
00:19:59,568 --> 00:20:00,986
ON THIS BLOOD YOURSELF.

290
00:20:01,010 --> 00:20:02,948
IF YOU DO THE BLOOD
WORK YOURSELF,

291
00:20:02,972 --> 00:20:06,122
I THINK YOU'LL UNDERSTAND
WHY YOU CAN'T TELL ANYONE

292
00:20:06,146 --> 00:20:07,678
ABOUT CLARK.

293
00:20:27,941 --> 00:20:29,303
OH, MY GOD.

294
00:20:31,045 --> 00:20:33,023
LEX.

295
00:20:33,047 --> 00:20:38,027
I CAME BY TO SEE HOW
MRS. KENT WAS DOING.

296
00:20:38,051 --> 00:20:40,031
I SAW THE DCA. IT
MUST BE SERIOUS.

297
00:20:40,055 --> 00:20:43,293
YOU KNOW I'M NOT ALLOWED
TO DISCUSS MY PATIENTS.

298
00:20:43,317 --> 00:20:46,898
THE KENTS ARE LIKE FAMILY
TO ME... MORE THAN MY OWN.

299
00:20:46,922 --> 00:20:48,940
I KNOW, AND I WOULD
TELL YOU EVERYTHING

300
00:20:48,964 --> 00:20:50,671
IF I COULD.

301
00:20:50,695 --> 00:20:52,574
I UNDERSTAND. I JUST
WISH THERE WAS SOMETHING

302
00:20:52,598 --> 00:20:54,577
I COULD DO TO HELP.

303
00:20:54,601 --> 00:20:57,679
UNFORTUNATELY, MODERN MEDICINE
DOESN'T ALWAYS HAVE THE ANSWERS.

304
00:20:57,703 --> 00:20:59,912
I GUESS THAT'S THE ATTRACTION

305
00:20:59,936 --> 00:21:01,915
OF A RESEARCH FELLOWSHIP...

306
00:21:01,939 --> 00:21:06,114
A CHANCE TO HELP UNLOCK
THE MYSTERIES OF SCIENCE.

307
00:21:12,119 --> 00:21:14,692
I BETTER GET BACK TO WORK.

308
00:21:18,356 --> 00:21:22,308
HELEN...

309
00:21:22,332 --> 00:21:25,965
JOHNS HOPKINS WILL
BE LUCKY TO HAVE YOU.

310
00:22:06,811 --> 00:22:09,414
[ KNOCK ON DOOR ]

311
00:22:12,718 --> 00:22:14,666
HI, MR. KENT. UM, LANA TOLD ME

312
00:22:14,690 --> 00:22:16,668
WHAT HAPPENED. IS CLARK OKAY?

313
00:22:16,692 --> 00:22:18,841
YEAH, HE'S, UM,
HE'S JUST RESTING

314
00:22:18,865 --> 00:22:20,802
ON THE... ON THE COUCH.

315
00:22:20,826 --> 00:22:23,045
I'll BE SURE AND TELL HIM
YOU STOPPED BY TO SAY HELLO.

316
00:22:23,069 --> 00:22:25,678
ACTUALLY, I'M SORRY, I
MUST BE MORE ANNOYING

317
00:22:25,702 --> 00:22:27,680
THAN A DOOR-TO-DOOR
SALESMAN, BUT I WAS WONDERING

318
00:22:27,704 --> 00:22:29,812
IF I COULD JUST SIT
WITH HIM FOR A WHILE.

319
00:22:29,836 --> 00:22:31,686
UH, YEAH.

320
00:22:31,710 --> 00:22:32,986
YES.

321
00:22:33,010 --> 00:22:35,389
CHLOE, I'M SORRY, YEAH,
UH, SURE, COME ON IN.

322
00:22:35,413 --> 00:22:37,993
I'll... I'll WAIT UPSTAIRS.

323
00:22:38,017 --> 00:22:39,749
OKAY, THANKS.

324
00:22:58,068 --> 00:23:01,112
HI, CLARK.

325
00:23:03,875 --> 00:23:07,395
WELL, THIS IS GOING
TO MAKE QUITE A STORY.

326
00:23:07,419 --> 00:23:10,883
CLARK KENT ENDS RECORD-BREAKING
PERFECT ATTENDANCE STREAK.

327
00:23:13,455 --> 00:23:15,434
SORRY.

328
00:23:15,458 --> 00:23:18,737
I'M DOING IT AGAIN.

329
00:23:18,761 --> 00:23:22,872
I JUST... I'VE NEVER
SEEN YOU SICK BEFORE.

330
00:23:22,896 --> 00:23:26,015
AND IT JUST GOT ME
THINKING, YOU KNOW,

331
00:23:26,039 --> 00:23:29,449
WHAT IF SOMETHING
DID HAPPEN TO YOU?

332
00:23:29,473 --> 00:23:31,977
AND I-I NEVER GOT TO...

333
00:23:35,851 --> 00:23:38,030
SO, IN YET ANOTHER
CLASSIC MANEUVER

334
00:23:38,054 --> 00:23:40,161
TO AVOID EMOTIONAL INTIMACY,

335
00:23:40,185 --> 00:23:44,437
I WROTE MY FEELINGS DOWN SO
THAT I COULD READ THEM TO YOU,

336
00:23:44,461 --> 00:23:47,463
THEREBY AVOIDING
EMBARRASSING EYE CONTACT.

337
00:23:55,804 --> 00:23:58,783
"I WANT TO LET
YOU IN ON A SECRET.

338
00:23:58,807 --> 00:24:01,055
"I'M NOT WHO YOU THINK I AM.

339
00:24:01,079 --> 00:24:03,187
"IN FACT, MY
DISGUISE IS SO THIN,

340
00:24:03,211 --> 00:24:07,463
"I'M SURPRISED YOU HAVEN'T
SEEN RIGHT THROUGH ME.

341
00:24:07,487 --> 00:24:09,794
"I'M THE GIRL OF YOUR DREAMS

342
00:24:09,818 --> 00:24:14,199
"MASQUERADING AS
YOUR BEST FRIEND.

343
00:24:14,223 --> 00:24:16,802
"SOMETIMES I WANT
TO RIP OFF THIS FACADE

344
00:24:16,826 --> 00:24:18,905
"LIKE I DID AT THE
SPRING FORMAL,

345
00:24:18,929 --> 00:24:21,007
"BUT I CAN'T, BECAUSE
YOU'LL GET SCARED

346
00:24:21,031 --> 00:24:23,811
"AND YOU'LL RUN AWAY AGAIN.

347
00:24:23,835 --> 00:24:26,244
"SO I DECIDED THAT IT'S
BETTER TO LIVE WITH A LIE

348
00:24:26,268 --> 00:24:29,016
THAN EXPOSE MY TRUE FEELINGS."

349
00:24:29,040 --> 00:24:32,545
THIS IS SO MUCH EASIER
WHEN YOU'RE UNCONSCIOUS.

350
00:24:38,050 --> 00:24:41,930
"MY DAD TOLD ME THERE
ARE TWO TYPES OF GIRLS...

351
00:24:41,954 --> 00:24:44,004
"THE ONES YOU GROW OUT OF

352
00:24:44,028 --> 00:24:46,235
"AND THE ONES YOU GROW INTO.

353
00:24:46,259 --> 00:24:49,610
"I REALLY HOPE I'M THE LATTER.

354
00:24:49,634 --> 00:24:53,915
"I MAY NOT BE THE
ONE YOU LOVE TODAY,

355
00:24:53,939 --> 00:24:55,976
"BUT I'll LET YOU GO FOR NOW,

356
00:24:56,000 --> 00:24:58,580
"HOPING ONE DAY
YOU'LL FLY BACK TO ME.

357
00:24:58,604 --> 00:25:01,948
BECAUSE I THINK
YOU'RE WORTH THE WAIT."

358
00:25:09,916 --> 00:25:12,334
CLARK?

359
00:25:12,358 --> 00:25:14,296
[ GROANS ]

360
00:25:14,320 --> 00:25:16,163
LANA?

361
00:25:47,228 --> 00:25:49,907
DAD.

362
00:25:49,931 --> 00:25:52,010
CLARK, YOU SHOULDN'T BE UP.

363
00:25:52,034 --> 00:25:53,640
WHERE ARE YOU GOING?

364
00:25:53,664 --> 00:25:56,184
GOING TO PETE'S TO GET THE SHIP.

365
00:25:56,208 --> 00:25:57,585
NOW?

366
00:25:57,609 --> 00:25:59,612
HOW'S MOM?

367
00:26:04,146 --> 00:26:05,648
DAD?

368
00:26:09,353 --> 00:26:11,601
CLARK, HELEN SAYS THAT
YOUR MOTHER PROBABLY

369
00:26:11,625 --> 00:26:13,627
WON'T MAKE IT THROUGH THE NIGHT.

370
00:26:17,092 --> 00:26:19,940
AND NOW YOU, TOO.

371
00:26:19,964 --> 00:26:22,274
YOU... YOU CAN'T THINK ABOUT ME.

372
00:26:22,298 --> 00:26:24,646
WE... WE GOT TO HELP MOM.

373
00:26:24,670 --> 00:26:27,379
I'M NOT GOING TO LOSE MY
FAMILY, NOT WITHOUT A FIGHT.

374
00:26:27,403 --> 00:26:29,421
NOW, IF IT TAKES
ANOTHER MIRACLE,

375
00:26:29,445 --> 00:26:32,053
I'll JUST HAVE TO GO
OUT AND FIND ONE.

376
00:26:32,077 --> 00:26:34,256
THE SHIP... YOU THINK IT
CAN CURE ME AND MOM?

377
00:26:34,280 --> 00:26:36,659
I DON'T KNOW, CLARK.

378
00:26:36,683 --> 00:26:39,062
I'M JUST GRASPING
AT STRAWS HERE.

379
00:26:39,086 --> 00:26:41,064
THE DOCTORS CAN'T HELP
YOU, AND YOUR MOTHER THINKS

380
00:26:41,088 --> 00:26:43,066
THAT THE SHIP HELPED
HER GET PREGNANT.

381
00:26:43,090 --> 00:26:45,168
I DON'T KNOW, MAYBE IT'S CRAZY.

382
00:26:45,192 --> 00:26:46,970
THE ONLY WAY TO GET IT
TO WORK IS WITH THAT KEY.

383
00:26:46,994 --> 00:26:48,703
I KNOW THAT, SON.

384
00:26:48,727 --> 00:26:50,976
I ALSO KNOW EXACTLY WHERE
THE DCA TOOK EVERYTHING.

385
00:26:51,000 --> 00:26:52,377
I'M GOING THERE TO
GET IT RIGHT NOW.

386
00:26:52,401 --> 00:26:54,248
I'll GO WITH YOU.

387
00:26:54,272 --> 00:26:56,651
NO, I WANT YOU TO
STAY RIGHT HERE.

388
00:26:56,675 --> 00:27:00,279
YOU'RE TOO SICK. GO TO BED, SON.

389
00:30:29,473 --> 00:30:31,452
HOLD IT RIGHT THERE.

390
00:30:31,476 --> 00:30:34,349
ON THE GROUND NOW!
HANDS AT YOUR SIDES!

391
00:30:35,621 --> 00:30:38,900
CLARK!

392
00:30:38,924 --> 00:30:42,288
I THOUGHT YOU COULD USE A HAND.

393
00:30:44,391 --> 00:30:46,032
COME ON.

394
00:30:49,395 --> 00:30:53,270
ALL RIGHT, THAT'S
FINE. YOU'RE CLEAR.

395
00:30:57,005 --> 00:30:58,707
[ ALARM BLARING ]

396
00:31:01,549 --> 00:31:02,726
Jonathan: COME ON!

397
00:31:02,750 --> 00:31:05,429
Man: TWO OF YOU GO TO THE GATE!

398
00:31:05,453 --> 00:31:06,986
SIR! SIR!

399
00:31:08,557 --> 00:31:09,618
FIRE 'EM UP!

400
00:31:16,666 --> 00:31:21,031
MOVE OUT! MOVE OUT, I SAID!

401
00:31:23,334 --> 00:31:25,737
UNLOCK THE GATE! GO!

402
00:31:46,329 --> 00:31:47,677
[ GASPS ]

403
00:31:47,701 --> 00:31:50,003
[ MONITOR BEEPING, FLATLINING ]

404
00:32:17,565 --> 00:32:20,798
CODE BLUE, ROOM 117. CODE BLUE.

405
00:32:56,838 --> 00:33:00,843
GET OUT OF THE TRUCK
AND PUT YOUR HANDS UP!

406
00:33:08,852 --> 00:33:11,871
IS SOMETHING WRONG, OFFICER?

407
00:33:11,895 --> 00:33:15,606
THIS GUY DOESN'T
FIT THE DESCRIPTION.

408
00:33:15,630 --> 00:33:18,603
[ MONITOR FLATLINING ]

409
00:33:23,638 --> 00:33:24,940
CLEAR.

410
00:33:40,186 --> 00:33:42,190
COME ON.

411
00:33:44,732 --> 00:33:45,933
COME ON.

412
00:33:54,973 --> 00:33:58,177
[ MONITOR FLATLINING ]

413
00:34:14,865 --> 00:34:18,230
TIME OF DEATH... 2:17 A.M.

414
00:34:39,954 --> 00:34:42,803
[ COUGHING ]

415
00:34:42,827 --> 00:34:45,831
[ MONITOR BEEPING ]

416
00:35:20,769 --> 00:35:22,548
SO, IS IT A BOY OR A GIRL?

417
00:35:22,572 --> 00:35:23,718
CLARK.

418
00:35:23,742 --> 00:35:25,280
DOCTOR, PLEASE
DON'T ANSWER THAT.

419
00:35:25,304 --> 00:35:27,553
WE'D LIKE TO FIND OUT
THE OLD-FASHIONED WAY.

420
00:35:27,577 --> 00:35:29,726
WELL, THE IMPORTANT THING
IS THAT THE BABY'S HEALTHY,

421
00:35:29,750 --> 00:35:31,052
AND SO ARE YOU.

422
00:35:32,753 --> 00:35:35,693
IN MEDICAL TERMS, IT'S
NOTHING SHORT OF A MIRACLE.

423
00:35:35,717 --> 00:35:37,918
YOUR FAMILY SEEMS TO
HAVE A STOCKPILE OF THEM.

424
00:35:41,663 --> 00:35:44,602
I SAW CLARK'S BLOOD TEST,

425
00:35:44,626 --> 00:35:49,008
AND I SAW MRS. KENT MAKE
AN IMPOSSIBLE RECOVERY.

426
00:35:49,032 --> 00:35:51,775
IF YOU KNOW HOW THAT
HAPPENED, YOU SHOULD TELL ME.

427
00:35:54,106 --> 00:35:55,909
JUST LIKE YOU SAID, DOC...

428
00:35:57,780 --> 00:35:59,313
IT'S A MIRACLE.

429
00:36:22,708 --> 00:36:24,117
DR. TRENTON,

430
00:36:24,141 --> 00:36:27,651
I APPRECIATE YOU KEEPING
ME APPRISED OF THE SITUATION.

431
00:36:27,675 --> 00:36:29,677
I SHOULDN'T BE DOING THIS.

432
00:36:31,719 --> 00:36:33,026
IF ANYONE FINDS OUT

433
00:36:33,050 --> 00:36:35,729
I'M GIVING YOU A
FILE ON A PATIENT,

434
00:36:35,753 --> 00:36:37,755
I COULD LOSE MY JOB.

435
00:36:40,889 --> 00:36:43,338
MRS. KENT WAS A VERY SICK WOMAN.

436
00:36:43,362 --> 00:36:45,110
WHAT'S YOUR INTEREST IN HER?

437
00:36:45,134 --> 00:36:47,673
SHE'S A GOOD FRIEND OF MINE.

438
00:36:47,697 --> 00:36:49,800
THAT'S ALL YOU NEED TO KNOW.

439
00:37:09,121 --> 00:37:11,300
HEY.

440
00:37:11,324 --> 00:37:13,041
I RAN INTO CLARK IN THE HALL.

441
00:37:13,065 --> 00:37:15,073
HE SAID MARTHA'S
GOING TO BE FINE.

442
00:37:15,097 --> 00:37:16,976
CONGRATULATIONS, DOC.

443
00:37:17,000 --> 00:37:19,678
DON'T KNOW HOW MUCH
I HAD TO DO WITH IT.

444
00:37:19,702 --> 00:37:22,883
THEN HOW DO YOU EXPLAIN IT?

445
00:37:22,907 --> 00:37:24,383
RIGHT, I ALMOST FORGOT.

446
00:37:24,407 --> 00:37:27,887
YOU, UH, CAN'T
DISCUSS YOUR PATIENTS.

447
00:37:27,911 --> 00:37:30,945
I GOT YOU SOMETHING.

448
00:37:34,018 --> 00:37:36,898
A GOING-AWAY PRESENT?

449
00:37:36,922 --> 00:37:39,731
ON THE CONTRARY.

450
00:37:39,755 --> 00:37:40,757
OPEN IT.

451
00:37:45,030 --> 00:37:48,211
IT'S A KEY TO THE MANSION.

452
00:37:48,235 --> 00:37:50,142
I WANT YOU TO MOVE IN.

453
00:37:50,166 --> 00:37:52,416
LEX.

454
00:37:52,440 --> 00:37:54,418
I WOULD NEVER WANT
TO STAND IN THE WAY

455
00:37:54,442 --> 00:37:55,844
OF YOUR AMBITIONS, HELEN.

456
00:37:57,514 --> 00:37:59,494
BUT I'D BE THE ONE
MISSING AN OPPORTUNITY

457
00:37:59,518 --> 00:38:01,920
IF I DIDN'T TELL YOU HOW
MUCH I WANT YOU TO STAY.

458
00:38:19,269 --> 00:38:21,448
"ATTACK OF THE
KILLER MOLD SPORES"?

459
00:38:21,472 --> 00:38:23,079
HA. YEAH.

460
00:38:23,103 --> 00:38:27,184
I'll NEVER LOOK AT BLUE
CHEESE THE SAME WAY AGAIN.

461
00:38:27,208 --> 00:38:28,927
I COULDN'T BRING
MYSELF TO GO BACK

462
00:38:28,951 --> 00:38:31,760
AND VISIT CLARK
WHEN HE WAS SICK.

463
00:38:31,784 --> 00:38:34,032
DOES THAT MAKE ME
A HORRIBLE PERSON?

464
00:38:34,056 --> 00:38:35,934
NO.

465
00:38:35,958 --> 00:38:38,466
I GUESS IT JUST REALLY SCARED ME

466
00:38:38,490 --> 00:38:40,238
TO SEE HIM LIKE THAT.

467
00:38:40,262 --> 00:38:42,802
ME TOO.

468
00:38:42,826 --> 00:38:45,945
KIND OF MAKES YOU REALIZE
WHO'S IMPORTANT IN YOUR LIFE.

469
00:38:45,969 --> 00:38:52,483
YEAH... AND WHO'S
IMPORTANT TO CLARK.

470
00:38:52,507 --> 00:38:54,084
WHAT DO YOU MEAN?

471
00:38:54,108 --> 00:38:55,510
NOTHING.

472
00:38:57,112 --> 00:38:58,490
I'M GOING TO HEAD HOME

473
00:38:58,514 --> 00:39:00,861
AND FINISH CHANGING
FOR THE BENEFIT.

474
00:39:00,885 --> 00:39:03,224
OH, ARE THE PROGRAMS READY?

475
00:39:03,248 --> 00:39:05,066
YEAH, THEY ARE. THEY'RE
RIGHT BEHIND THE DESK.

476
00:39:05,090 --> 00:39:06,227
I'll SEE YOU THERE.

477
00:39:06,251 --> 00:39:07,253
THANKS.

478
00:39:23,612 --> 00:39:25,820
[ Thinking ] "I WANT
TO LET YOU IN."

479
00:39:25,844 --> 00:39:27,591
"ON A SECRET, CLARK.

480
00:39:27,615 --> 00:39:29,925
"I'M NOT WHO YOU THINK I AM.

481
00:39:29,949 --> 00:39:32,197
"IN FACT, MY
DISGUISE IS SO THIN,

482
00:39:32,221 --> 00:39:34,999
"I'M SURPRISED YOU HAVEN'T
SEEN RIGHT THROUGH ME.

483
00:39:35,023 --> 00:39:36,932
"I'M THE GIRL OF YOUR DREAMS

484
00:39:36,956 --> 00:39:38,934
MASQUERADING AS
YOUR BEST FRIEND."

485
00:39:38,958 --> 00:39:44,841
♫ LIFE IS ONE BIG STAGE ♫

486
00:39:44,865 --> 00:39:50,278
♫ AND IT'S ALL THE RAGE ♫

487
00:39:50,302 --> 00:39:54,151
♫ TO GO WALKING OUT ♫

488
00:39:54,175 --> 00:39:58,079
♫ TO TAKE YOUR BOW ♫

489
00:40:00,913 --> 00:40:04,032
♫ SEE ME ALONE ♫

490
00:40:04,056 --> 00:40:07,066
♫ SEE ME CLIMB ♫

491
00:40:07,090 --> 00:40:12,872
♫ BELIEVING NOW I
CAN MAKE A TIME ♫

492
00:40:12,896 --> 00:40:15,945
♫ SEE ME FALL ♫

493
00:40:15,969 --> 00:40:18,910
♫ SEE ME RISE ♫

494
00:40:18,934 --> 00:40:21,211
♫ GRAB ME ONE LAST LOOK ♫

495
00:40:21,235 --> 00:40:24,615
♫ THEN I WAVE GOODBYE ♫

496
00:40:24,639 --> 00:40:28,384
♫ GOODBYE ♫

497
00:40:31,217 --> 00:40:34,597
PETE, THIS IS AWESOME.

498
00:40:34,621 --> 00:40:36,128
OH, CLARK, HEY.

499
00:40:36,152 --> 00:40:38,094
GOOD TO SEE YOU
AMONG THE LIVING, MAN.

500
00:40:39,126 --> 00:40:41,305
CHECK IT OUT.

501
00:40:41,329 --> 00:40:45,278
IT'S THE LATEST TALON MIX.

502
00:40:45,302 --> 00:40:47,211
THANKS, PETE.

503
00:40:47,235 --> 00:40:49,644
AND, UH, THANKS FOR
YOUR HELP WITH THE POLICE.

504
00:40:49,668 --> 00:40:51,146
NO PROBLEM.

505
00:40:51,170 --> 00:40:53,048
ALTHOUGH IF I HAD A CHOICE,

506
00:40:53,072 --> 00:40:55,921
I'D RATHER PLAY D.J.
THAN DECOY ANY DAY.

507
00:40:55,945 --> 00:41:00,655
SO, UM... IS THE
INVESTIGATION OVER?

508
00:41:00,679 --> 00:41:02,251
YEAH. I HOPE SO.

509
00:41:03,653 --> 00:41:09,336
♫ LIKE I'VE ALWAYS
KNOWN IT WOULD ♫

510
00:41:09,360 --> 00:41:12,039
I'll CATCH UP WITH YOU LATER.

511
00:41:12,063 --> 00:41:13,370
GOOD SEEING YOU, MAN.

512
00:41:13,394 --> 00:41:15,312
♫ SOMEDAY SOON
YOU'LL BE FLYING, TOO ♫

513
00:41:15,336 --> 00:41:17,044
HEY, CHLOE.

514
00:41:17,068 --> 00:41:19,977
MY DAD SAID YOU CAME
TO VISIT WHEN I WAS SICK.

515
00:41:20,001 --> 00:41:22,249
THAT WAS REALLY
SWEET OF YOU. THANKS.

516
00:41:22,273 --> 00:41:23,651
SURE.

517
00:41:23,675 --> 00:41:25,283
WHAT ARE FRIENDS FOR?

518
00:41:25,307 --> 00:41:28,057
UM, I'M JUST GOING TO
GO BUY A RAFFLE TICKET

519
00:41:28,081 --> 00:41:29,411
BEFORE THE DRAWING.

520
00:41:32,186 --> 00:41:34,264
I MEAN, WHAT COULD BE
MORE POETICALLY JUST...

521
00:41:34,288 --> 00:41:35,465
ME WINNING A COMPUTER?

522
00:41:35,489 --> 00:41:37,436
♫ BUT IT'S TOO LATE ♫

523
00:41:37,460 --> 00:41:39,269
♫ IT'S TOO LATE ♫

524
00:41:39,293 --> 00:41:46,431
♫ I'M GONE ♫

525
00:41:51,306 --> 00:41:54,285
♫ LIFE'S A STAGE,
THE CUTTING SPACE ♫

526
00:41:54,309 --> 00:41:57,490
♫ I'M COMING OUT ♫

527
00:41:57,514 --> 00:42:00,724
♫ LIFE'S A STAGE,
THE CUTTING SPACE ♫

528
00:42:00,748 --> 00:42:02,394
CLARK.

529
00:42:02,418 --> 00:42:04,197
HEY, LANA.

530
00:42:04,221 --> 00:42:06,028
THIS IS A GREAT PARTY.

531
00:42:06,052 --> 00:42:08,302
YOUR MOM DESERVES
A LOT OF THE CREDIT.

532
00:42:08,326 --> 00:42:10,503
IS CHLOE OKAY?

533
00:42:10,527 --> 00:42:14,508
WHAT HAPPENED TO YOU
REALLY AFFECTED HER.

534
00:42:14,532 --> 00:42:16,510
♫ I CAN MAKE A TIME ♫

535
00:42:16,534 --> 00:42:18,282
ME TOO.

536
00:42:18,306 --> 00:42:21,347
♫ SEE ME FALL, SEE ME RISE ♫

537
00:42:21,371 --> 00:42:24,119
IT WAS REALLY HARD
SEEING YOU SICK.

538
00:42:24,143 --> 00:42:27,452
GUESS I SOMEHOW ALWAYS
THOUGHT OF YOU AS INVINCIBLE.

539
00:42:27,476 --> 00:42:30,457
NOW YOU THINK I'M JUST HUMAN.

540
00:42:30,481 --> 00:42:33,160
I GUESS THAT'S MY WAY OF SAYING

541
00:42:33,184 --> 00:42:35,461
THAT YOU MEAN A
LOT TO ME, CLARK,

542
00:42:35,485 --> 00:42:38,035
AND I KNOW IT'S NOT
VERY ELOQUENT...

543
00:42:38,059 --> 00:42:42,340
♫ TRY, TRY TO HOLD
ON, BUT IT'S TOO LATE ♫

544
00:42:42,364 --> 00:42:44,041
BUT I GUESS SOME PEOPLE

545
00:42:44,065 --> 00:42:46,345
ARE JUST BETTER WITH
WORDS THAN OTHERS.

546
00:42:46,369 --> 00:42:54,182
♫ LATE ♫

547
00:42:54,206 --> 00:42:59,583
♫ IT'S TOO LATE, I'M GONE ♫

548
00:43:05,090 --> 00:43:08,499
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549
00:43:08,523 --> 00:43:12,527
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