1 00:00:01,445 --> 00:00:02,762 I'M GOING TO KNOCK ON THE OTHER WALL. 2 00:00:02,786 --> 00:00:06,367 WHEN YOU HEAR ME, YOU KNOCK ON THIS WALL. 3 00:00:06,391 --> 00:00:08,370 WHAT, IS SHE CRAZY? HEY, GET THAT CANDLE, 4 00:00:08,394 --> 00:00:10,372 AND GET YOUR BUTT OUT OF THERE! 5 00:00:10,396 --> 00:00:12,373 I DON'T THINK SHE CAN HEAR YOU, PETE. 6 00:00:12,397 --> 00:00:16,833 GUYS, HIT THE MUTE BUTTON, OKAY? 7 00:00:21,408 --> 00:00:25,675 [ WOMAN IN MOVIE SCREAMING ] 8 00:00:31,350 --> 00:00:34,301 LANCE! OH, LANCE! 9 00:00:34,325 --> 00:00:36,262 I SAW IT AGAIN! 10 00:00:36,286 --> 00:00:37,689 [ SOBBING ] 11 00:00:59,585 --> 00:01:02,359 HELLO? 12 00:01:05,423 --> 00:01:06,840 WHO'S THERE? 13 00:01:06,864 --> 00:01:08,572 Movie: RING AROUND THE ROSIE... 14 00:01:08,596 --> 00:01:10,405 POCKETS FULL OF POSIES... 15 00:01:10,429 --> 00:01:13,849 ASHES, ASHES, WE ALL FALL DOWN! 16 00:01:13,873 --> 00:01:18,709 HA HA HA HA! 17 00:01:25,546 --> 00:01:26,918 [ DOOR OPENS ] 18 00:01:28,751 --> 00:01:31,801 Girl in movie: I CAUGHT AN ELEPHANT. 19 00:01:31,825 --> 00:01:34,774 WHAT DO YOU HAVE? 20 00:01:34,798 --> 00:01:37,478 WOULD YOU LIKE AN APPLE? 21 00:01:37,502 --> 00:01:39,579 GOOD. 22 00:01:39,603 --> 00:01:41,436 LANA? 23 00:01:45,371 --> 00:01:49,391 YOU'RE SO BIG. 24 00:01:49,415 --> 00:01:51,754 Movie: RING AROUND THE ROSIE... 25 00:01:51,778 --> 00:01:54,427 POCKETS FULL OF POSIES... ASHES, ASHES... 26 00:01:54,451 --> 00:01:55,629 AAH! 27 00:01:55,653 --> 00:01:57,426 WHY ARE YOU SCARED? 28 00:02:02,531 --> 00:02:04,563 DO YOU WANT TO PLAY WITH ME? 29 00:02:10,972 --> 00:02:13,544 LANA, WHAT'S GOING ON? 30 00:02:17,650 --> 00:02:21,390 I THOUGHT I... 31 00:02:21,414 --> 00:02:23,894 THE LIGHTS WENT OUT, AND... 32 00:02:23,918 --> 00:02:26,567 I GUESS THE MOVIE CREEPED ME OUT. 33 00:02:26,591 --> 00:02:29,441 I JUST... I THOUGHT I SAW... THOUGHT YOU SAW WHAT? 34 00:02:29,465 --> 00:02:30,572 NOTHING. 35 00:02:30,596 --> 00:02:32,699 LET'S GET OUT OF THE DARK. 36 00:02:39,977 --> 00:02:41,879 YOU SURE YOU'RE OKAY? 37 00:02:48,518 --> 00:02:55,701 ♫ SOMEBODY SAVE ME ♫ 38 00:02:55,725 --> 00:02:59,607 ♫ LET YOUR WARM HANDS BREAK RIGHT THROUGH ♫ 39 00:02:59,631 --> 00:03:05,884 ♫ SOMEBODY SAVE ME ♫ 40 00:03:05,908 --> 00:03:09,718 ♫ I DON'T CARE HOW YOU DO IT ♫ 41 00:03:09,742 --> 00:03:10,790 ♫ JUST STAY ♫ 42 00:03:10,814 --> 00:03:12,723 ♫ STAY WITH ME ♫ 43 00:03:12,747 --> 00:03:14,726 ♫ STAY ♫ 44 00:03:14,750 --> 00:03:16,598 ♫ COME ON ♫ 45 00:03:16,622 --> 00:03:19,901 ♫ I'VE BEEN WAITING FOR YOU ♫ 46 00:03:19,925 --> 00:03:25,739 ♫ JUST STAY WITH ME ♫ 47 00:03:25,763 --> 00:03:30,615 ♫ I'VE MADE THIS WHOLE WORLD SHINE FOR YOU ♫ 48 00:03:30,639 --> 00:03:32,516 ♫ JUST STAY ♫ 49 00:03:32,540 --> 00:03:34,920 ♫ STAY ♫ 50 00:03:34,944 --> 00:03:38,408 ♫ COME ON ♫ 51 00:03:54,897 --> 00:03:59,479 THAT'S MY FAVORITE DRESS. 52 00:03:59,503 --> 00:04:02,483 YOU'RE... YOU'RE NOT REAL. 53 00:04:02,507 --> 00:04:04,615 I AM, TOO, REAL. 54 00:04:04,639 --> 00:04:06,658 NO, YOU DIED. 55 00:04:06,682 --> 00:04:08,760 [ KNOCK ON DOOR ] 56 00:04:08,784 --> 00:04:11,788 Clark: LANA, CHLOE'S DAD TOLD ME YOU WERE UP HERE. 57 00:04:18,726 --> 00:04:22,778 LANA, WHAT IS IT? 58 00:04:22,802 --> 00:04:30,802 CLARK, I... IT SOUNDS SO RIDICULOUS... 59 00:04:31,812 --> 00:04:34,192 YOU CAN TELL ME ANYTHING, LANA. YOU KNOW THAT. 60 00:04:34,216 --> 00:04:42,216 CLARK... DO YOU BELIEVE IN GHOSTS? 61 00:04:42,925 --> 00:04:45,735 WE USED TO COME OUT HERE ALL THE TIME. 62 00:04:45,759 --> 00:04:49,009 WE'D MAKE LITTLE BOATS OUT OF FLOWERS 63 00:04:49,033 --> 00:04:51,673 AND FLOAT THEM DOWNSTREAM. 64 00:04:51,697 --> 00:04:54,076 THEY ALWAYS SUNK BEFORE THEY GOT AROUND THE BEND. 65 00:04:54,100 --> 00:04:57,103 IS THIS WHERE SHE DROWNED? 66 00:04:59,947 --> 00:05:02,625 IT WAS RAINING, 67 00:05:02,649 --> 00:05:05,230 AND THE BRIDGE WAS SLIPPERY. 68 00:05:05,254 --> 00:05:07,857 THE NEXT THING I KNEW... 69 00:05:11,060 --> 00:05:13,062 IT'S OKAY. 70 00:05:30,884 --> 00:05:33,223 THE FUNNY THING IS, 71 00:05:33,247 --> 00:05:35,867 EMILY ALWAYS BELIEVED IN GHOSTS. 72 00:05:35,891 --> 00:05:39,170 WHENEVER A CANDLE FLICKERED OR A CURTAIN RUSTLED, 73 00:05:39,194 --> 00:05:42,028 SHE'D INSIST IT WAS MY MOM TRYING TO TALK TO ME. 74 00:05:46,202 --> 00:05:48,882 AS MUCH AS I WANTED TO BELIEVE HER, 75 00:05:48,906 --> 00:05:51,946 I ALWAYS KNEW IT WAS MAKE-BELIEVE. 76 00:05:51,970 --> 00:05:54,790 MAYBE THIS IS HER WAY OF SHOWING ME 77 00:05:54,814 --> 00:05:58,553 THAT THE DEAD REALLY CAN COMMUNICATE WITH US. 78 00:05:58,577 --> 00:06:00,526 IF SHE'S A GHOST, 79 00:06:00,550 --> 00:06:03,901 WHY DO YOU THINK SHE WAITED SO LONG TO CONTACT YOU? 80 00:06:03,925 --> 00:06:07,329 I DON'T KNOW. 81 00:06:09,831 --> 00:06:13,312 THERE'S GOT TO BE A RATIONAL EXPLANATION FOR THIS GIRL. 82 00:06:13,336 --> 00:06:15,915 HAVE YOU KEPT IN CONTACT WITH HER PARENTS? 83 00:06:15,939 --> 00:06:19,920 NO, THEY SPLIT UP AFTER THE ACCIDENT. 84 00:06:19,944 --> 00:06:21,923 I DON'T KNOW WHERE HER MOM IS, 85 00:06:21,947 --> 00:06:25,185 BUT HER DAD MOVED TO GRANDVILLE. 86 00:06:25,209 --> 00:06:27,954 MAYBE YOU'RE NOT THE ONLY ONE WHO'S SEEN HER. 87 00:06:36,093 --> 00:06:38,942 DIDN'T YOU SEE THE "NO TRESPASSING" SIGNS? 88 00:06:38,966 --> 00:06:44,033 MR. DINSMORE, IT'S ME... LANA LANG. 89 00:06:46,336 --> 00:06:50,380 WELL, LOOK AT YOU. ALL GROWN UP. 90 00:06:52,913 --> 00:06:56,163 MR. DINSMORE, THIS IS... THIS IS GOING TO SOUND STRANGE, 91 00:06:56,187 --> 00:06:59,827 BUT... I THINK I SAW EMILY. 92 00:06:59,851 --> 00:07:03,031 WHAT IS THIS, SOME KIND OF SICK JOKE? 93 00:07:03,055 --> 00:07:07,177 I DON'T MEAN TO UPSET YOU. IT'S JUST... 94 00:07:07,201 --> 00:07:09,240 I'VE SEEN HER TWICE. 95 00:07:09,264 --> 00:07:12,283 WE FIGURED IF ANYBODY ELSE HAD SEEN HER, IT WOULD BE YOU. 96 00:07:12,307 --> 00:07:16,247 SURE. I'VE SEEN HER... 97 00:07:16,271 --> 00:07:20,192 WHENEVER I HEAR HER FAVORITE SONG 98 00:07:20,216 --> 00:07:24,629 OR SEE A YOUNG GIRL JUMPING ROPE IN A PARK... 99 00:07:24,653 --> 00:07:28,187 LOSING A CHILD IS SOMETHING A PARENT NEVER GETS OVER. 100 00:07:32,231 --> 00:07:34,233 NOW, IF YOU'LL EXCUSE ME. 101 00:07:51,454 --> 00:07:54,033 MR. LUTHOR, I WOULD THINK 102 00:07:54,057 --> 00:07:57,038 QUICK DECISION-MAKING WOULD BE YOUR FORTE. 103 00:07:57,062 --> 00:07:59,040 THAT'S WHY I MADE THE QUICK DECISION 104 00:07:59,064 --> 00:08:01,173 TO PUT HELEN IN CHARGE OF THE WEDDING. 105 00:08:01,197 --> 00:08:03,946 WELL, I DON'T SEE HER HERE, AND WE'RE THREE WEEKS AWAY. 106 00:08:03,970 --> 00:08:07,149 AND COUNTING. [ CELLULAR PHONE RINGS ] 107 00:08:07,173 --> 00:08:08,911 HELLO. 108 00:08:08,935 --> 00:08:11,716 AH, I KNOW YOU HAD YOUR VICES, SON, 109 00:08:11,740 --> 00:08:15,084 BUT I DIDN'T REALIZE GLUTTONY WAS ONE OF THEM. 110 00:08:16,384 --> 00:08:19,295 WELL, I SUPPOSE IF THERE'S ANYONE WHO'S AN AUTHORITY 111 00:08:19,319 --> 00:08:22,192 ON THE SEVEN DEADLY SINS, IT'S YOU, DAD. 112 00:08:24,254 --> 00:08:28,035 MMM. AMARETTO TRUFFLE. 113 00:08:28,059 --> 00:08:30,377 COULD I HAVE SOME WATER, PLEASE? 114 00:08:30,401 --> 00:08:33,182 THE LIQUEUR SEEMS TO BE OVERPOWERING THE BUTTER. 115 00:08:33,206 --> 00:08:34,783 THANK YOU. 116 00:08:34,807 --> 00:08:38,217 AS MUCH AS I VALUE YOUR EPICUREAN INPUT, DAD, 117 00:08:38,241 --> 00:08:41,751 I'M CURIOUS, WHY ARE YOU IN SMALLVILLE? 118 00:08:41,775 --> 00:08:44,225 I WANTED TO GIVE YOU MY GIFT IN PERSON... 119 00:08:44,249 --> 00:08:46,298 SINCE IT'S OBVIOUS BY NOW 120 00:08:46,322 --> 00:08:49,400 THAT I WON'T BE RECEIVING A WEDDING INVITATION. 121 00:08:49,424 --> 00:08:54,137 YOU OFFERED THE WOMAN I LOVE $100,000 TO LEAVE ME. 122 00:08:54,161 --> 00:08:56,409 I DID YOU A FAVOR, LEX. 123 00:08:56,433 --> 00:08:59,974 THAT WAS THE ULTIMATE TEST OF LOYALTY. 124 00:08:59,998 --> 00:09:02,147 AND SHE PASSED WITH FLYING COLORS. 125 00:09:02,171 --> 00:09:03,518 YOU SHOULD BE THANKING ME. 126 00:09:03,542 --> 00:09:05,321 THANKING YOU? 127 00:09:05,345 --> 00:09:07,523 WELL, MY THANK-YOU NOTE MUST BE LOST IN THE MAIL 128 00:09:07,547 --> 00:09:09,525 ALONG WITH YOUR INVITATION. 129 00:09:09,549 --> 00:09:12,352 HA HA. GO ON, OPEN IT. 130 00:09:22,164 --> 00:09:25,004 A CARIBBEAN HONEYMOON. 131 00:09:25,028 --> 00:09:27,331 YOUR OWN PRIVATE ISLAND. 132 00:09:29,403 --> 00:09:33,207 I'll THROW IN THE LUTHORCORP JET, AS WELL. 133 00:09:38,183 --> 00:09:41,364 WHY? 134 00:09:41,388 --> 00:09:45,854 I JUST WANT YOU TO BE HAPPY, LEX. 135 00:10:00,841 --> 00:10:03,421 UH, I'M SORRY, CLARK. WHEN YOU TURNED IN YOUR PRESS PASS, 136 00:10:03,445 --> 00:10:06,294 YOU RELINQUISHED ALL OF YOUR COMPUTER PRIVILEGES. 137 00:10:06,318 --> 00:10:08,456 I DON'T MEAN TO BE HALL MONITOR, 138 00:10:08,480 --> 00:10:10,460 BUT IT IS SCHOOL POLICY. 139 00:10:10,484 --> 00:10:12,231 I'M TRYING TO HELP LANA. 140 00:10:12,255 --> 00:10:15,264 OF COURSE YOU ARE. WHAT ARE YOU SAVING HER FROM TODAY? 141 00:10:15,288 --> 00:10:18,339 SHE'S BEING HAUNTED BY A GIRL WHO DIED SIX YEARS AGO. 142 00:10:18,363 --> 00:10:20,471 OKAY, I'M PIQUED. 143 00:10:20,495 --> 00:10:22,313 GO ON. 144 00:10:22,337 --> 00:10:25,116 SHE THINKS IT'S A GHOST, BUT I'M NOT SO SURE. 145 00:10:25,140 --> 00:10:27,880 IT'S NOT LIKE PEOPLE HAVEN'T COME BACK TO LIFE AROUND HERE. 146 00:10:27,904 --> 00:10:29,883 EVEN THOUGH IT GOES AGAINST MY NATURAL SLANT 147 00:10:29,907 --> 00:10:32,155 TOWARDS ALL THINGS WALL OF WEIRD, 148 00:10:32,179 --> 00:10:35,529 I THINK THERE'S ANOTHER EXPLANATION FOR THIS. 149 00:10:35,553 --> 00:10:38,464 LOOK, LANA'S BEEN THROUGH A LOT IN HER LIFE. 150 00:10:38,488 --> 00:10:41,637 MAYBE THIS HAUNTING IS A WAY SHE'S DEALING WITH IT 151 00:10:41,661 --> 00:10:43,439 THROUGH HER SUBCONSCIOUS. 152 00:10:43,463 --> 00:10:45,442 YOU THINK SHE'S SEEING THINGS THAT AREN'T THERE? 153 00:10:45,466 --> 00:10:47,344 NO, I THINK, TO HER, THEY'RE VERY REAL. 154 00:10:47,368 --> 00:10:49,447 SHE'S NOT CRAZY. 155 00:10:49,471 --> 00:10:51,548 I WASN'T SAYING SHE WAS CRAZY. 156 00:10:51,572 --> 00:10:54,352 ALL I'M SAYING IS THERE'S A LOT OF THINGS ABOUT LANA 157 00:10:54,376 --> 00:10:56,455 THAT YOU DON'T KNOW. I MEAN, YOU DON'T HEAR HER CRYING 158 00:10:56,479 --> 00:10:58,457 IN HER ROOM AT 3:00 IN THE MORNING. 159 00:10:58,481 --> 00:11:02,663 WHAT YOU SEE IS JUST A MASK. 160 00:11:02,687 --> 00:11:04,664 WHY ARE YOU TELLING ME THIS? 161 00:11:04,688 --> 00:11:07,227 BECAUSE SHE TALKS TO YOU. NOW, REGARDLESS OF WHAT'S GOING ON 162 00:11:07,251 --> 00:11:09,394 BETWEEN US, SHE'S STILL MY FRIEND. 163 00:11:12,558 --> 00:11:17,441 CHLOE... THANKS. 164 00:11:17,465 --> 00:11:21,610 LOCK UP WHEN YOU'RE DONE? 165 00:11:27,417 --> 00:11:29,696 Emily: RING AROUND THE ROSIE... 166 00:11:29,720 --> 00:11:32,658 POCKETS FULL OF POSIES... 167 00:11:32,682 --> 00:11:37,605 ASHES, ASHES, WE ALL FALL DOWN. 168 00:11:37,629 --> 00:11:39,336 SWEETHEART, 169 00:11:39,360 --> 00:11:41,439 I'VE BEEN LOOKING ALL OVER FOR YOU. 170 00:11:41,463 --> 00:11:44,413 EVERYTHING'S DIFFERENT. 171 00:11:44,437 --> 00:11:46,176 WHAT DO YOU MEAN? 172 00:11:46,200 --> 00:11:48,302 WHERE ARE ALL THE BUNNIES? 173 00:11:52,447 --> 00:11:56,587 HONEY, WE CAN TALK ABOUT THAT WHEN WE GET HOME, OKAY? 174 00:11:56,611 --> 00:11:59,191 THIS IS OUR HOME, DADDY. 175 00:11:59,215 --> 00:12:01,594 NOT ANYMORE, SWEETHEART. 176 00:12:01,618 --> 00:12:03,620 OUR HOME'S IN GRANDVILLE. 177 00:12:06,024 --> 00:12:08,302 I DON'T UNDERSTAND. 178 00:12:08,326 --> 00:12:10,544 LANA SAID I DIED. 179 00:12:10,568 --> 00:12:14,649 LANA DOESN'T KNOW WHAT SHE'S TALKING ABOUT. 180 00:12:14,673 --> 00:12:17,754 YES, SHE DOES. SHE'S MY BEST FRIEND. 181 00:12:17,778 --> 00:12:23,784 EMILY... GET IN THE CAR. 182 00:12:25,417 --> 00:12:28,250 NO. 183 00:12:30,423 --> 00:12:34,403 I'M NOT GOING. I DON'T WANT TO BE LOCKED UP ANYMORE. 184 00:12:34,427 --> 00:12:36,677 I WANT TO BE A NORMAL GIRL. 185 00:12:36,701 --> 00:12:38,678 I WANT TO PLAY WITH LANA. 186 00:12:38,702 --> 00:12:42,307 YOU HAVE TO LISTEN TO ME, EMILY... 187 00:12:44,070 --> 00:12:46,589 YOU ARE NEVER TO SEE LANA LANG AGAIN, 188 00:12:46,613 --> 00:12:48,390 DO YOU UNDERSTAND? 189 00:12:48,414 --> 00:12:50,453 YOU CAN'T TELL ME WHAT TO DO. 190 00:12:50,477 --> 00:12:53,150 I'll DO WHATEVER I WANT. 191 00:13:19,253 --> 00:13:21,731 CLARK, COULDN'T THE BONEYARD VISIT HAVE WAITED 192 00:13:21,755 --> 00:13:23,734 TILL AFTER THE RAIN STOPPED? 193 00:13:23,758 --> 00:13:26,267 IT'S THE ONLY WAY TO DISPROVE THE ZOMBIE THEORY. 194 00:13:26,291 --> 00:13:30,601 YEAH... WELL, IF THIS EMILY GIRL REALLY IS A GHOST, 195 00:13:30,625 --> 00:13:32,203 I REALLY DON'T THINK 196 00:13:32,227 --> 00:13:35,172 SHE'D APPRECIATE YOU SCOPING OUT HER COFFIN. 197 00:13:38,174 --> 00:13:39,878 PETE, HERE IT IS. 198 00:13:44,212 --> 00:13:47,121 "EMILY EVE DINSMORE. 199 00:13:47,145 --> 00:13:50,190 LOVING CHILD, BLESSED ANGEL." 200 00:14:00,602 --> 00:14:02,634 HER BODY HASN'T BEEN TOUCHED. 201 00:14:13,749 --> 00:14:15,320 WHERE'D SHE... 202 00:14:33,643 --> 00:14:36,522 GO? 203 00:14:36,546 --> 00:14:37,778 CLARK? 204 00:15:08,644 --> 00:15:09,621 AAH! 205 00:15:09,645 --> 00:15:12,450 Emily: LET ME IN, LANA. 206 00:15:20,860 --> 00:15:23,663 I KNOW WHY YOU'RE SCARED OF ME. 207 00:15:26,807 --> 00:15:29,811 I SAW MY GRAVE. 208 00:15:31,743 --> 00:15:34,722 BUT I'M NOT DEAD, LANA. 209 00:15:34,746 --> 00:15:38,456 WHO... WHO ARE YOU? 210 00:15:38,480 --> 00:15:42,286 I'M EMILY, SILLY. 211 00:15:47,562 --> 00:15:49,640 WHAT DO YOU WANT FROM ME? 212 00:15:49,664 --> 00:15:52,573 MY DADDY SAID I CAN'T SEE YOU ANYMORE. 213 00:15:52,597 --> 00:15:54,817 DID YOU DO SOMETHING BAD? 214 00:15:54,841 --> 00:15:59,283 [ KNOCK ON DOOR ] 215 00:15:59,307 --> 00:16:02,850 Clark: LANA? 216 00:16:06,414 --> 00:16:09,519 SHE'S HERE. 217 00:16:15,466 --> 00:16:17,705 WHERE? 218 00:16:17,729 --> 00:16:20,408 I SWEAR, CLARK, SHE WAS RIGHT HERE. 219 00:16:20,432 --> 00:16:22,750 LANA, IT'S OKAY. 220 00:16:22,774 --> 00:16:26,355 I BELIEVE YOU. EMILY'S NOT A GHOST. 221 00:16:26,379 --> 00:16:29,558 I SAW HER IN THE GRAVEYARD. 222 00:16:29,582 --> 00:16:32,547 THAT'S WHERE I FOUND THIS. 223 00:16:35,591 --> 00:16:37,568 HER FATHER GAVE IT TO HER 224 00:16:37,592 --> 00:16:41,774 BECAUSE SHE WANTED A NECKLACE LIKE MINE. 225 00:16:41,798 --> 00:16:43,876 BUT IT CAN'T BE EMILY. 226 00:16:43,900 --> 00:16:46,480 SHE COULDN'T STILL BE 10 YEARS OLD. 227 00:16:46,504 --> 00:16:48,743 I DON'T KNOW WHO IT IS, BUT I THINK I KNOW 228 00:16:48,767 --> 00:16:51,645 HOW SHE'S ABLE TO JUST APPEAR OUT OF NOWHERE. 229 00:16:51,669 --> 00:16:55,390 I THINK SHE MOVES FASTER THAN WE CAN SEE HER. 230 00:16:55,414 --> 00:16:56,751 HOW? 231 00:16:56,775 --> 00:16:59,726 I'M NOT SURE, BUT, HEY... 232 00:16:59,750 --> 00:17:03,423 AT LEAST WE KNOW YOU'RE NOT LOSING YOUR MIND. 233 00:17:05,487 --> 00:17:07,429 THANKS, CLARK. 234 00:17:18,803 --> 00:17:22,483 BACK FROM METROPOLIS SO SOON? 235 00:17:22,507 --> 00:17:24,755 AWFULLY LONG DRIVE FOR QUALITY HEALTH CARE. 236 00:17:24,779 --> 00:17:27,428 YOU'RE TAILING ME, LEX? 237 00:17:27,452 --> 00:17:30,433 I HOPE NOT. IT'S A BIT OBSESSIVE, DON'T YOU THINK? 238 00:17:30,457 --> 00:17:31,864 NO, I JUST HEARD YOU WERE HERE. 239 00:17:31,888 --> 00:17:34,398 I WANTED TO MAKE SURE YOU'RE OKAY. 240 00:17:34,422 --> 00:17:36,399 I CAME TO VISIT A FORMER EMPLOYEE 241 00:17:36,423 --> 00:17:37,702 WHO'S JUST BEEN ADMITTED. 242 00:17:37,726 --> 00:17:39,444 UNFORTUNATELY, HE'S STILL UNCONSCIOUS. 243 00:17:39,468 --> 00:17:41,446 HE MUST'VE BEEN AN EXCEPTIONAL WORKER 244 00:17:41,470 --> 00:17:43,708 TO MERIT A VISIT FROM THE CEO. 245 00:17:43,732 --> 00:17:46,683 I LIKE TO THINK THAT I TREAT EVERYONE AT LUTHORCORP 246 00:17:46,707 --> 00:17:48,754 AS PART OF A FAMILY. 247 00:17:48,778 --> 00:17:52,689 WELL, THAT WOULD EXPLAIN THEIR LACK OF LOYALTY. 248 00:17:52,713 --> 00:17:55,793 HAVE YOU BECOME SO CYNICAL THAT YOU READ ILL WILL 249 00:17:55,817 --> 00:17:57,726 INTO MY GOOD INTENTIONS? 250 00:17:57,750 --> 00:17:59,968 I'M JUST WONDERING WHY YOU'RE SPENDING SO MUCH TIME 251 00:17:59,992 --> 00:18:04,705 IN SMALLVILLE LATELY, THAT'S ALL. 252 00:18:04,729 --> 00:18:06,907 YOU MAY NOT BELIEVE ME... I'M SURE YOU WON'T... 253 00:18:06,931 --> 00:18:10,841 BUT I'VE ALWAYS TRIED TO BE A GOOD FATHER TO YOU, SON. 254 00:18:10,865 --> 00:18:13,014 I WORRY ABOUT YOU, SON. 255 00:18:13,038 --> 00:18:16,488 THESE OBSESSIVE PARANOID TENDENCIES... 256 00:18:16,512 --> 00:18:20,524 THE DANGER WITH INDULGING THEM IS THAT YOU LOSE PERSPECTIVE, 257 00:18:20,548 --> 00:18:23,622 AND YOU TURN YOUR BACK ON WHAT TRULY MATTERS. 258 00:18:30,859 --> 00:18:32,762 LEX? COMING? 259 00:19:10,679 --> 00:19:13,016 HE'S SLEEPING. 260 00:19:13,040 --> 00:19:15,821 I TRIED TO WAKE HIM UP... 261 00:19:15,845 --> 00:19:18,593 HE NEEDS TO TAKE CARE OF ME. 262 00:19:18,617 --> 00:19:21,020 I HAVE NOWHERE TO GO. 263 00:19:24,796 --> 00:19:26,573 WHAT'S YOUR NAME? 264 00:19:26,597 --> 00:19:28,961 EMILY. HE'S MY DADDY. 265 00:19:33,006 --> 00:19:35,745 I THINK OUR DADDIES ARE FRIENDS. 266 00:19:35,769 --> 00:19:37,987 MINE WAS JUST IN HERE. 267 00:19:38,011 --> 00:19:40,013 HE'S A BAD MAN. 268 00:19:43,818 --> 00:19:46,757 DID HE DO SOMETHING TO YOUR DADDY? 269 00:19:46,781 --> 00:19:49,031 HE TOOK THE BUNNIES AWAY. 270 00:19:49,055 --> 00:19:52,004 WHAT BUNNIES, EMILY? 271 00:19:52,028 --> 00:19:54,662 THE ONES IN THE BACKYARD. 272 00:19:57,836 --> 00:20:00,844 MAYBE I SHOULD TALK TO YOUR MOMMY. 273 00:20:00,868 --> 00:20:02,141 IS SHE HERE? 274 00:20:19,761 --> 00:20:21,865 LET'S STAY CLOSE. 275 00:20:33,179 --> 00:20:37,059 Child's voice: YOU'RE MY BEST FRIEND. 276 00:20:37,083 --> 00:20:40,086 YOU'RE MY BEST FRIEND. 277 00:20:52,932 --> 00:20:55,204 Child's voice: YOU'RE MY BEST FRIEND. 278 00:21:16,090 --> 00:21:19,094 THIS MUST BE WHAT YOU SAW AT THE TALON. 279 00:21:22,969 --> 00:21:25,873 YOU'RE MY BEST FRIEND. 280 00:21:29,978 --> 00:21:32,810 YOU'RE MY BEST FRIEND. 281 00:21:35,855 --> 00:21:38,694 YOU'RE MY BEST FRIEND. 282 00:21:38,718 --> 00:21:42,261 WHO NEEDS HUMAN COMPANIONSHIP WHEN YOU CAN HAVE A GABBY ABBY? 283 00:21:57,881 --> 00:22:01,120 I REMEMBER THIS. 284 00:22:01,144 --> 00:22:04,388 I GAVE IT TO EMILY FOR HER 9th BIRTHDAY. 285 00:22:06,291 --> 00:22:08,870 THE LAST ENTRY IS FROM THE DAY BEFORE SHE DIED. 286 00:22:08,894 --> 00:22:11,204 "I HOPE IT DOESN'T RAIN TOMORROW. 287 00:22:11,228 --> 00:22:14,137 "LANA AND I ARE GOING TO THE RIVER. 288 00:22:14,161 --> 00:22:18,135 WE'RE GOING TO BE BEST FRIENDS FOREVER." 289 00:22:55,250 --> 00:22:57,083 LANA. 290 00:24:06,467 --> 00:24:09,270 OH, MY GOD. 291 00:24:33,329 --> 00:24:35,072 AAH! 292 00:24:56,528 --> 00:24:59,177 CLARK. 293 00:24:59,201 --> 00:25:01,179 ARE YOU OKAY? 294 00:25:01,203 --> 00:25:05,067 YEAH, I'M FINE. LET'S GET OUT OF HERE. 295 00:25:15,151 --> 00:25:17,129 I THINK YOU DID THE RIGHT THING, CALLING THE POLICE. 296 00:25:17,153 --> 00:25:19,001 HE WAS TRYING TO CLONE HIS DAUGHTER? 297 00:25:19,025 --> 00:25:21,333 HE DID MORE THAN TRY. WE THINK HE SUCCEEDED. 298 00:25:21,357 --> 00:25:22,666 WELL, WHOEVER'S FUNDING HIM 299 00:25:22,690 --> 00:25:24,408 HAS SURE GOT A HECK OF A LOT OF MONEY. 300 00:25:24,432 --> 00:25:27,241 DINSMORE EVEN WANTED HER TO HAVE THE SAME MEMORIES AS EMILY. 301 00:25:27,265 --> 00:25:28,672 THAT'S WHY HE GAVE HER THE DIARY. 302 00:25:28,696 --> 00:25:31,400 THAT LITTLE GIRL MUST BE SO CONFUSED. 303 00:25:33,241 --> 00:25:36,222 ALL SHE WANTED WAS A FRIEND, AND I JUST SCARED HER AWAY. 304 00:25:36,246 --> 00:25:38,123 I HAVE TO GO AND FIND HER. 305 00:25:38,147 --> 00:25:41,358 LANA, I DON'T THINK THAT'S A GOOD IDEA. CLARK'S RIGHT. 306 00:25:41,382 --> 00:25:45,287 UNTIL WE KNOW MORE, WHY DON'T YOU STAY HERE? 307 00:25:47,990 --> 00:25:49,192 [ KNOCK ON DOOR ] 308 00:25:53,666 --> 00:25:56,206 MRS. KENT, MR. KENT. 309 00:25:56,230 --> 00:25:58,149 HELLO, SHERIFF. 310 00:25:58,173 --> 00:26:00,410 WE FOLLOWED UP ON YOUR STORY. 311 00:26:00,434 --> 00:26:02,013 YOU FOUND THE LAB. 312 00:26:02,037 --> 00:26:04,085 AFTER WE GOT YOUR CALL, WE WENT AND CHECKED IT OUT. 313 00:26:04,109 --> 00:26:07,084 DAVID COPPERFIELD MUST'VE GOT THERE FIRST. 314 00:26:49,734 --> 00:26:51,714 I SAW THEM. 315 00:26:51,738 --> 00:26:54,417 THE PEOPLE WHO TOOK EVERYTHING AWAY? 316 00:26:54,441 --> 00:26:57,551 THE SLEEPING GIRLS. 317 00:26:57,575 --> 00:27:00,347 WHY ARE THEY LIKE ME? 318 00:27:11,592 --> 00:27:13,139 EMILY... 319 00:27:13,163 --> 00:27:15,141 MY DADDY SAID I CAN'T REMEMBER ANYTHING 320 00:27:15,165 --> 00:27:17,868 BECAUSE I HAD AN ACCIDENT. 321 00:27:19,872 --> 00:27:23,381 YOU DON'T REMEMBER ANYTHING BECAUSE YOU DIDN'T WRITE THAT. 322 00:27:23,405 --> 00:27:26,616 A DIFFERENT EMILY DID. 323 00:27:26,640 --> 00:27:30,491 SHE'S THE GIRL BURIED IN THE GRAVEYARD, 324 00:27:30,515 --> 00:27:33,194 ISN'T SHE? 325 00:27:33,218 --> 00:27:36,491 YEAH. 326 00:27:38,625 --> 00:27:42,604 THIS IS HER STORY. 327 00:27:42,628 --> 00:27:47,481 BUT YOU HAVE TO WRITE YOUR OWN. 328 00:27:47,505 --> 00:27:50,439 WHY WOULD MY DADDY LIE TO ME? 329 00:27:53,913 --> 00:27:55,751 HE PROBABLY THOUGHT THAT TELLING YOU THE TRUTH 330 00:27:55,775 --> 00:28:00,226 WOULD MAKE YOU FEEL DIFFERENT. 331 00:28:00,250 --> 00:28:02,399 BUT THERE'S NOTHING WRONG WITH BEING DIFFERENT. 332 00:28:02,423 --> 00:28:04,401 I'M DIFFERENT, TOO. 333 00:28:04,425 --> 00:28:06,333 IT DOESN'T CHANGE WHO WE ARE. 334 00:28:06,357 --> 00:28:08,691 YES, IT DOES. 335 00:28:15,638 --> 00:28:17,517 LEX, WHAT ARE YOU DOING HERE? 336 00:28:17,541 --> 00:28:19,875 I COULD ASK THE SAME OF YOU. 337 00:28:21,906 --> 00:28:25,327 I MET EMILY DINSMORE. 338 00:28:25,351 --> 00:28:27,330 YOU CAN'T BLAME ME FOR BEING A LITTLE INTRIGUED 339 00:28:27,354 --> 00:28:29,733 AFTER I FOUND OUT SHE DIED SIX YEARS AGO. 340 00:28:29,757 --> 00:28:32,196 SO YOU DON'T KNOW ANYTHING 341 00:28:32,220 --> 00:28:35,840 ABOUT THE LAB THAT WAS DOWN HERE? 342 00:28:35,864 --> 00:28:38,243 THEY CLONED EMILY HERE. 343 00:28:38,267 --> 00:28:40,845 THAT'S WHY YOUR FATHER HAS BEEN REFINING METEOR ROCKS. 344 00:28:40,869 --> 00:28:42,908 WHAT ARE YOU TALKING ABOUT? 345 00:28:42,932 --> 00:28:47,508 THERE WERE JARS OF IT RIGHT WHERE YOU'RE STANDING. 346 00:28:49,240 --> 00:28:51,918 BEFORE DINSMORE LEFT LUTHORCORP, 347 00:28:51,942 --> 00:28:53,792 HE WAS, UH, 348 00:28:53,816 --> 00:28:56,425 DEVELOPING A TECHNIQUE TO SPEED UP CELL GROWTH. 349 00:28:56,449 --> 00:28:59,227 HE CLAIMED HE COULD INCUBATE A RABBIT EMBRYO 350 00:28:59,251 --> 00:29:01,531 TO ADULTHOOD IN A MATTER OF DAYS. 351 00:29:01,555 --> 00:29:05,706 HE'S BEEN USING THE METEOR ROCKS AS MIRACLE-GRO. 352 00:29:05,730 --> 00:29:09,380 THAT'S WHY EMILY LOOKS LIKE SHE'S 10 YEARS OLD ALREADY. 353 00:29:09,404 --> 00:29:11,382 ALL ETHICS ASIDE, 354 00:29:11,406 --> 00:29:15,271 IT'S AN ASTONISHING ACCOMPLISHMENT. 355 00:29:17,314 --> 00:29:19,422 YEAH, WELL, TELL THAT TO A LITTLE GIRL 356 00:29:19,446 --> 00:29:23,020 WHO DOESN'T KNOW WHO SHE IS. 357 00:29:32,563 --> 00:29:34,595 [ THUD ] 358 00:29:36,297 --> 00:29:37,969 [ SQUEAKING ] 359 00:30:14,343 --> 00:30:16,945 I BROUGHT YOU A PICTURE. 360 00:30:23,625 --> 00:30:27,574 THANKS. 361 00:30:27,598 --> 00:30:31,340 EMILY, I WANT TO TALK TO YOU. 362 00:30:31,364 --> 00:30:33,567 ARE YOU READY TO GO TO THE RIVER? 363 00:30:35,638 --> 00:30:37,540 NOT TODAY. 364 00:30:39,513 --> 00:30:41,892 DON'T YOU WANT TO BE MY FRIEND ANYMORE? 365 00:30:41,916 --> 00:30:43,695 OF COURSE I DO, BUT... 366 00:30:43,719 --> 00:30:45,957 COME TO THE RIVER. I'll RACE YOU. 367 00:30:45,981 --> 00:30:49,385 I WANT EVERYTHING TO BE LIKE BEFORE. 368 00:30:51,989 --> 00:30:56,034 NO. EMILY, WAIT! 369 00:31:08,648 --> 00:31:13,491 YOU'RE HERE ABOUT EMILY, AREN'T YOU? 370 00:31:13,515 --> 00:31:15,734 SHE'S A REMARKABLE GIRL. 371 00:31:15,758 --> 00:31:17,966 DID HE FIND HER? 372 00:31:17,990 --> 00:31:20,439 NOT YET. BUT KNOWING MY FATHER, HE WILL. 373 00:31:20,463 --> 00:31:22,671 YOU KNOW THAT EMILY WILL NEVER BE SAFE IN HIS CARE. 374 00:31:22,695 --> 00:31:25,676 I DON'T HAVE MANY OPTIONS. 375 00:31:25,700 --> 00:31:27,547 I'M OFFERING TO PROTECT HER. 376 00:31:27,571 --> 00:31:29,950 YOU OBVIOUSLY LOVED HER ENOUGH TO CREATE HER. 377 00:31:29,974 --> 00:31:32,113 DON'T YOU WANT HER TO HAVE A NORMAL LIFE? 378 00:31:32,137 --> 00:31:33,554 OF COURSE I DO, 379 00:31:33,578 --> 00:31:36,559 BUT EMILY'S ACCELERATED GROWTH CAUSED... 380 00:31:36,583 --> 00:31:39,662 SEVERE CHROMOSOMAL DAMAGE. SHE HAS NO CONSCIENCE. 381 00:31:39,686 --> 00:31:42,565 SHE HAS NO CONCEPT OF RIGHT OR WRONG. 382 00:31:42,589 --> 00:31:44,653 SHE'S DANGEROUS. 383 00:31:55,665 --> 00:31:57,468 LANA? 384 00:31:59,671 --> 00:32:01,488 CLARK, WHAT'S WRONG? 385 00:32:01,512 --> 00:32:02,991 WHERE'S LANA? 386 00:32:03,015 --> 00:32:05,024 WELL, I THOUGHT SHE WAS IN THE LIVING ROOM 387 00:32:05,048 --> 00:32:06,680 DOING HER HOMEWORK. 388 00:32:23,140 --> 00:32:25,177 Emily: POCKETS FULL OF POSIES... 389 00:32:25,201 --> 00:32:27,581 ASHES, ASHES... 390 00:32:27,605 --> 00:32:29,754 EMILY, IT'S TOO SLIPPERY OUT HERE. 391 00:32:29,778 --> 00:32:32,156 IT'S OKAY, LANA, WE WON'T GET IN TROUBLE. 392 00:32:32,180 --> 00:32:33,658 YOU DON'T UNDERSTAND. 393 00:32:33,682 --> 00:32:36,631 WE'VE ALREADY BEEN OUT HERE ONCE BEFORE. 394 00:32:36,655 --> 00:32:39,159 IS THAT WHY DADDY'S MAD AT YOU? 395 00:32:45,527 --> 00:32:48,476 IT WAS RAINING, AND I FELL INTO THE WATER, 396 00:32:48,500 --> 00:32:51,149 AND YOU JUMPED IN AFTER ME. 397 00:32:51,173 --> 00:32:53,482 BECAUSE I'M YOUR BEST FRIEND? 398 00:32:53,506 --> 00:32:55,584 YES. 399 00:32:55,608 --> 00:32:57,787 AND YOU KEPT SWIMMING BESIDE ME, 400 00:32:57,811 --> 00:33:00,561 TELLING ME I COULD MAKE IT, THAT I'D BE FINE. 401 00:33:00,585 --> 00:33:02,694 AND WHEN I LOOKED BACK, 402 00:33:02,718 --> 00:33:05,197 YOU WERE TOO FAR AWAY, 403 00:33:05,221 --> 00:33:08,199 AND THE CURRENT WAS TOO STRONG. 404 00:33:08,223 --> 00:33:10,257 DID YOU SAVE ME? 405 00:33:16,604 --> 00:33:18,212 NO. 406 00:33:18,236 --> 00:33:23,518 I THOUGHT YOU WERE MY BEST FRIEND. 407 00:33:23,542 --> 00:33:27,223 IF I COULD GO BACK AND CHANGE THAT DAY, 408 00:33:27,247 --> 00:33:30,097 I SWEAR TO YOU, I WOULD. 409 00:33:30,121 --> 00:33:34,125 I LIVE EVERY DAY KNOWING THAT IT SHOULD HAVE BEEN ME. 410 00:33:36,628 --> 00:33:40,262 THIS TIME, IT WILL BE. 411 00:33:45,239 --> 00:33:46,269 AAH! 412 00:34:25,818 --> 00:34:31,925 LANA. 413 00:34:36,731 --> 00:34:40,742 COME ON. 414 00:34:40,766 --> 00:34:43,869 COME ON, PLEASE. COME ON. 415 00:34:45,842 --> 00:34:48,291 LANA. 416 00:34:48,315 --> 00:34:51,394 LANA, IT'S OKAY. IT'S OKAY, IT'S ME. 417 00:34:51,418 --> 00:34:53,351 IT'S ALL RIGHT, YOU'RE OKAY. 418 00:34:55,755 --> 00:34:59,728 CLARK... HOLD ME. 419 00:35:14,807 --> 00:35:17,787 ALL RIGHT, LEX, WHAT'S THE CRISIS? 420 00:35:17,811 --> 00:35:19,660 ONE MINUTE YOU WANT NOTHING TO DO WITH ME, 421 00:35:19,684 --> 00:35:21,992 AND THEN I'M INUNDATED WITH URGENT MESSAGES. 422 00:35:22,016 --> 00:35:23,994 HOW DOES IT FEEL TO PLAY GOD, DAD? 423 00:35:24,018 --> 00:35:27,698 OH, IF I LEFT IN THE MIDDLE OF BRUNCH WITH THE GOVERNOR 424 00:35:27,722 --> 00:35:28,970 TO COME HERE AND LISTEN TO YOU... 425 00:35:28,994 --> 00:35:29,972 I KNOW YOU'VE RE-OPENED LEVEL THREE. 426 00:35:29,996 --> 00:35:32,774 AHH, THE OMINOUS LEVEL THREE. 427 00:35:32,798 --> 00:35:34,747 INSTEAD OF ABANDONING THE PROJECT LIKE YOU CLAIMED, 428 00:35:34,771 --> 00:35:36,008 YOU SIMPLY DISPERSED THE RESEARCH 429 00:35:36,032 --> 00:35:38,012 INTO SMALLER, UNDETECTABLE LABS. 430 00:35:38,036 --> 00:35:40,354 HOW COULD YOU BUY INTO SUCH A MYTH, LEX? 431 00:35:40,378 --> 00:35:42,356 YOUR CONNECTION TO DINSMORE IS MORE THAN A MYTH. 432 00:35:42,380 --> 00:35:46,691 YOU'RE GENETICALLY ENGINEERING HUMAN BEINGS. 433 00:35:46,715 --> 00:35:48,925 OH, LEX. 434 00:35:48,949 --> 00:35:54,302 LEX... EXTRATERRESTRIALS... SECRET LABS? 435 00:35:54,326 --> 00:35:57,235 IT'S SCIENCE FICTION, SON. 436 00:35:57,259 --> 00:36:01,965 I SAW EMILY DINSMORE WITH MY OWN EYES. 437 00:36:05,268 --> 00:36:07,416 IF YOU'D KEPT YOUR MIND ON BUSINESS 438 00:36:07,440 --> 00:36:09,419 AND NOT BEEN DISTRACTED, YOU MIGHT'VE NOTICED 439 00:36:09,443 --> 00:36:11,952 THAT THE STATE HAS PLACED THE CONSERVATORSHIP 440 00:36:11,976 --> 00:36:15,026 OF THE KAWATCHE CAVE UNDER MY CONTROL, 441 00:36:15,050 --> 00:36:17,360 EFFECTIVE TODAY. 442 00:36:17,384 --> 00:36:20,233 THAT'S IMPOSSIBLE. 443 00:36:20,257 --> 00:36:23,066 I WAS UNDER CONTRACT FOR A FULL FIVE YEARS. 444 00:36:23,090 --> 00:36:24,508 YES, THAT'S WHAT I TOLD THE GOVERNOR, 445 00:36:24,532 --> 00:36:26,369 BUT, UH, APPARENTLY, SOMEHOW, HE'S LEARNED OF A SERIES 446 00:36:26,393 --> 00:36:30,115 OF ACCIDENTS AND SEVERAL UNFORTUNATE DEATHS 447 00:36:30,139 --> 00:36:33,143 THAT OCCURRED UNDER YOUR WATCH. 448 00:36:37,148 --> 00:36:39,179 I'M SORRY, SON. IT JUST... 449 00:36:40,280 --> 00:36:42,961 I'VE TRIED TO TEACH YOU, 450 00:36:42,985 --> 00:36:47,360 ALWAYS KEEP A SHARP EYE ON THE BALL. 451 00:36:55,869 --> 00:36:59,180 SMOOTH AS SILK. 452 00:36:59,204 --> 00:37:00,352 GOOD JOB, DAD. 453 00:37:00,376 --> 00:37:02,213 THANKS. YOU REALIZE, CLARK, 454 00:37:02,237 --> 00:37:04,787 THAT THIS BABY IS GOING TO BE ONE LUCKY KID 455 00:37:04,811 --> 00:37:06,919 HAVING YOU AS AN OLDER BROTHER. 456 00:37:06,943 --> 00:37:10,023 I MEAN THAT, CLARK. 457 00:37:10,047 --> 00:37:12,066 [ KNOCK ON DOOR ] 458 00:37:12,090 --> 00:37:14,853 UH, JUST A... JUST A SECOND. 459 00:37:20,360 --> 00:37:22,939 LANA. 460 00:37:22,963 --> 00:37:25,843 HI. 461 00:37:25,867 --> 00:37:28,845 LANA, I HEARD SHERIFF ADAMS IS STILL LOOKING FOR EMILY, 462 00:37:28,869 --> 00:37:31,590 BUT I'M CONCERNED ABOUT YOU. ARE YOU DOING OKAY? 463 00:37:31,614 --> 00:37:33,591 YEAH, I'M GOING TO BE FINE. 464 00:37:33,615 --> 00:37:36,155 JUST WORRIED ABOUT EMILY... AFTER ALL SHE'S BEEN THROUGH. 465 00:37:36,179 --> 00:37:38,097 YEAH. 466 00:37:38,121 --> 00:37:40,530 I HOPE THE POLICE FIND HER SOON. 467 00:37:40,554 --> 00:37:43,164 I'M SURE THEY WILL. 468 00:37:43,188 --> 00:37:45,166 DO YOU THINK I COULD BORROW CLARK 469 00:37:45,190 --> 00:37:47,369 FOR A COUPLE OF MINUTES, MR. KENT? 470 00:37:47,393 --> 00:37:49,034 YEAH, I DON'T SEE WHY NOT. 471 00:37:56,003 --> 00:37:58,582 IF THIS IS THE MYSTERIOUS LANA, I LIKE IT. 472 00:37:58,606 --> 00:38:01,124 WHAT IS THIS ALL ABOUT? 473 00:38:01,148 --> 00:38:04,152 US. KIND OF. 474 00:38:07,617 --> 00:38:10,566 I JUST WANTED TO THANK YOU FOR YESTERDAY. 475 00:38:10,590 --> 00:38:12,999 THERE WERE A FEW MINUTES THERE WHEN I REALLY THOUGHT 476 00:38:13,023 --> 00:38:16,204 I MIGHT BE LOSING IT, BUT, UM... 477 00:38:16,228 --> 00:38:18,546 YOU NEVER DOUBTED ME. 478 00:38:18,570 --> 00:38:22,151 NOT FOR A SECOND. 479 00:38:22,175 --> 00:38:26,555 YOU ALWAYS BELIEVE IN ME. 480 00:38:26,579 --> 00:38:28,117 IT MEANS A LOT. 481 00:38:28,141 --> 00:38:31,622 LANA, WHAT IS THIS ALL ABOUT? 482 00:38:31,646 --> 00:38:37,594 IT'S JUST THAT, SOMETIMES, I, UM... 483 00:38:40,157 --> 00:38:42,535 I FEEL LIKE YOU'VE CREATED THIS PERFECT PICTURE 484 00:38:42,559 --> 00:38:45,608 OF WHO I AM. 485 00:38:45,632 --> 00:38:47,635 THAT'S WHAT I SEE. 486 00:38:52,942 --> 00:38:55,945 THIS MIGHT SOUND SILLY... 487 00:38:59,280 --> 00:39:04,932 BUT I HAVE THIS FEAR THAT... 488 00:39:04,956 --> 00:39:09,661 THAT ONE DAY YOU'LL FINALLY GET A GOOD LOOK AT ME AND... 489 00:39:14,097 --> 00:39:16,977 I'M GOING TO DISAPPOINT YOU. 490 00:39:17,001 --> 00:39:21,282 THAT YOU'LL SEE THAT I'M NOT AS STRONG... 491 00:39:21,306 --> 00:39:23,679 OR AS GOOD AS YOU THINK I AM. 492 00:39:28,684 --> 00:39:30,733 AND I'M AFRAID THAT 493 00:39:30,757 --> 00:39:33,762 IT'LL CHANGE THE WAY YOU FEEL ABOUT ME. 494 00:39:41,601 --> 00:39:44,333 NOTHING COULD EVER DO THAT. 495 00:40:17,074 --> 00:40:21,318 MAYBE IT'S ME THAT NEEDS TO START BELIEVING IN YOU. 496 00:40:37,338 --> 00:40:40,218 WE'LL DO BETTER NEXT TIME. 497 00:40:40,242 --> 00:40:43,582 I ASSUME THIS MEANS I CAN CONTINUE THE PROJECT. 498 00:40:43,606 --> 00:40:46,256 I, UM, I DON'T THINK THAT WOULD BE 499 00:40:46,280 --> 00:40:49,088 A WISE DECISION, PETE. 500 00:40:49,112 --> 00:40:51,731 YOU'VE JEOPARDIZED THE RESEARCH ONCE ALREADY. 501 00:40:51,755 --> 00:40:54,595 YOU SAID YOU WANTED A PROTOTYPE. 502 00:40:54,619 --> 00:40:56,238 YES, I DID, 503 00:40:56,262 --> 00:40:59,070 AND THIS PHASE HAS BROUGHT US CLOSER TO OUR GOAL. 504 00:40:59,094 --> 00:41:01,204 BUT, UM... 505 00:41:01,228 --> 00:41:06,410 I DON'T WANT YOU WORKING ON THE PROJECT ANY LONGER. 506 00:41:06,434 --> 00:41:08,782 YOU'RE TOO EMOTIONALLY INVOLVED. 507 00:41:08,806 --> 00:41:14,088 SHE'S FLAWED... BUT SHE'S MY DAUGHTER. 508 00:41:14,112 --> 00:41:16,091 NO. NO, SHE'S NOT. 509 00:41:16,115 --> 00:41:19,726 SHE'S A POOR APPROXIMATION. 510 00:41:19,750 --> 00:41:24,131 THIS SPECIMEN IS... DEFECTIVE. 511 00:41:24,155 --> 00:41:26,228 YOU CAN'T TAKE HER AWAY FROM ME. 512 00:41:28,260 --> 00:41:32,711 SHE'S... MY LIFE. 513 00:41:32,735 --> 00:41:37,371 SHE'S THE PROPERTY OF LUTHORCORP. 514 00:41:56,695 --> 00:41:58,496 HELLO, EMILY. 515 00:42:01,199 --> 00:42:03,678 I DON'T LIKE YOU. 516 00:42:03,702 --> 00:42:07,483 OH. 517 00:42:07,507 --> 00:42:09,827 YOU KNOW WHAT I THINK, EMILY? 518 00:42:09,851 --> 00:42:13,932 I THINK... 519 00:42:13,956 --> 00:42:16,858 I THINK WE JUST GOT OFF ON THE WRONG FOOT. 520 00:42:20,824 --> 00:42:22,927 LOOK AT THIS. 521 00:42:29,335 --> 00:42:31,352 YOU WANT TO HOLD HIM, EMILY? 522 00:42:31,376 --> 00:42:33,739 GO AHEAD. 523 00:42:50,500 --> 00:42:54,481 WHERE IS MY DADDY? 524 00:42:54,505 --> 00:42:58,510 YOU MUSTN'T WORRY ABOUT HIM, EMILY. 525 00:43:01,443 --> 00:43:03,992 I'M GOING TO TAKE VERY GOOD CARE OF YOU. 526 00:43:04,016 --> 00:43:06,920 YOU'LL SEE. 527 00:43:14,259 --> 00:43:17,908 Lionel: WHAT DO YOU THINK YOU SHOULD CALL YOUR RABBIT? 528 00:43:17,932 --> 00:43:19,872 Emily: BUNNY-BUNCE. 529 00:43:19,896 --> 00:43:25,718 BUNNY-BUNCE? THAT'S A BEAUTIFUL NAME. 530 00:43:25,742 --> 00:43:28,251 MMM, THIS TEA IS GOOD. 531 00:43:28,275 --> 00:43:29,584 MAY I HAVE SOME MORE? 532 00:43:29,608 --> 00:43:31,480 [ GIGGLES ] 533 00:43:36,655 --> 00:43:39,635 Captions by VITAC... www.vitac.com 534 00:43:39,659 --> 00:43:42,663 CAPTIONS PAID FOR BY WARNER BROS. TELEVISION