1
00:00:31,635 --> 00:00:34,183
HI, CLARK.

2
00:00:34,207 --> 00:00:35,616
LANA.

3
00:00:35,640 --> 00:00:38,189
I DIDN'T THINK ANYBODY
ELSE WAS OUT HERE.

4
00:00:38,213 --> 00:00:41,722
WELL, IT LOOKS LIKE WE HAD
THE SAME IDEA FOR COOLING OFF.

5
00:00:41,746 --> 00:00:44,319
YEAH, IT'S A SCORCHER.

6
00:00:48,994 --> 00:00:51,603
YOU KNOW, I'll COME BACK.

7
00:00:51,627 --> 00:00:54,205
OH, NO, WHY? IT'S A BIG LAKE.

8
00:00:54,229 --> 00:00:56,662
THERE'S ENOUGH
ROOM FOR BOTH OF US.

9
00:00:58,704 --> 00:01:01,268
I'M GAME IF YOU ARE.

10
00:01:04,811 --> 00:01:06,813
NO PEEKING.

11
00:01:39,379 --> 00:01:40,988
YOUR TURN, CLARK.

12
00:01:41,012 --> 00:01:44,686
I PROMISE I WON'T PEEK.

13
00:02:04,878 --> 00:02:06,980
CLARK?

14
00:02:14,419 --> 00:02:16,420
CLARK?!

15
00:02:20,455 --> 00:02:21,832
BOO.

16
00:02:21,856 --> 00:02:25,061
DON'T DO THAT.

17
00:02:30,766 --> 00:02:34,371
YOU'RE... IT'S NOT FUNNY.

18
00:02:41,819 --> 00:02:44,899
I ALWAYS SAID THERE SHOULD
BE NOTHING BETWEEN US.

19
00:02:44,923 --> 00:02:47,485
NOW THERE'S NOT.

20
00:02:51,129 --> 00:02:52,961
Girl: HELP!

21
00:03:12,954 --> 00:03:14,915
WHAT'S WRONG?

22
00:03:22,493 --> 00:03:23,901
HE'S HERE.

23
00:03:23,925 --> 00:03:25,103
RUN.

24
00:03:25,127 --> 00:03:27,776
RUN!

25
00:03:27,800 --> 00:03:30,808
AAH!

26
00:03:30,832 --> 00:03:33,412
NO! DON'T LET HIM TAKE ME!

27
00:03:33,436 --> 00:03:37,480
NO!

28
00:03:43,587 --> 00:03:50,901
♫ SOMEBODY SAVE ME ♫

29
00:03:50,925 --> 00:03:54,836
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

30
00:03:54,860 --> 00:04:01,082
♫ SOMEBODY SAVE ME ♫

31
00:04:01,106 --> 00:04:04,947
♫ I DON'T CARE HOW YOU DO IT ♫

32
00:04:04,971 --> 00:04:05,988
♫ JUST STAY ♫

33
00:04:06,012 --> 00:04:07,950
♫ STAY WITH ME ♫

34
00:04:07,974 --> 00:04:09,953
♫ STAY ♫

35
00:04:09,977 --> 00:04:11,824
♫ COME ON ♫

36
00:04:11,848 --> 00:04:15,098
♫ I'VE BEEN WAITING FOR YOU ♫

37
00:04:15,122 --> 00:04:20,964
♫ JUST STAY WITH ME ♫

38
00:04:20,988 --> 00:04:25,839
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

39
00:04:25,863 --> 00:04:27,572
♫ JUST STAY ♫

40
00:04:27,596 --> 00:04:30,115
♫ STAY ♫

41
00:04:30,139 --> 00:04:33,473
♫ COME ON ♫

42
00:04:39,610 --> 00:04:41,658
I DUG HOLES. I USED
MY X-RAY VISION,

43
00:04:41,682 --> 00:04:43,689
BUT IT'S LIKE SHE JUST VANISHED.

44
00:04:43,713 --> 00:04:46,492
WAS ANYBODY ELSE
OUT THERE WITH YOU?

45
00:04:46,516 --> 00:04:48,095
NO. JUST ME.

46
00:04:48,119 --> 00:04:50,468
YOU WERE SKINNY-DIPPING ALONE?

47
00:04:50,492 --> 00:04:54,172
WELL, IT WAS KIND OF
A SPUR-OF-THE-MOMENT

48
00:04:54,196 --> 00:04:55,702
KIND OF THING.

49
00:04:55,726 --> 00:04:57,906
ALL RIGHT, SON, I'll GIVE
THE SHERIFF A CALL.

50
00:04:57,930 --> 00:05:00,048
MAYBE I SHOULD SKIP
SCHOOL AND GO LOOK FOR HER.

51
00:05:00,072 --> 00:05:02,009
CLARK, IT'S NOT
YOUR RESPONSIBILITY

52
00:05:02,033 --> 00:05:03,512
TO SAVE EVERYBODY.

53
00:05:03,536 --> 00:05:07,956
BESIDES, RIGHT NOW, I'VE
GOT A SURPRISE FOR YOU.

54
00:05:07,980 --> 00:05:10,083
OUTSIDE.

55
00:05:16,750 --> 00:05:19,069
WOW, I DIDN'T KNOW
YOU GOT A NEW TRUCK.

56
00:05:19,093 --> 00:05:20,930
IT'S NOT MINE, CLARK.

57
00:05:20,954 --> 00:05:22,932
IT'S YOURS.

58
00:05:22,956 --> 00:05:24,105
WHAT?

59
00:05:24,129 --> 00:05:25,276
OH, MY GOD.

60
00:05:25,300 --> 00:05:27,278
WAIT TILL I TELL PETE.

61
00:05:27,302 --> 00:05:29,279
HEY, IT'S NOT JUST FOR FUN, SON.

62
00:05:29,303 --> 00:05:31,512
WE NEED A NEW TRUCK
AROUND HERE, ANYWAY.

63
00:05:31,536 --> 00:05:33,514
WELL, HOW CAN WE AFFORD IT?

64
00:05:33,538 --> 00:05:36,588
WELL, THE EXTRA MONEY
LEX GAVE US CAME IN HANDY.

65
00:05:36,612 --> 00:05:40,192
CONSIDERING THE SOURCE,
I'M SURPRISED YOU USED IT.

66
00:05:40,216 --> 00:05:42,194
YEAH, I KNOW, BUT
I FINALLY REALIZED

67
00:05:42,218 --> 00:05:44,096
THAT I WASN'T GIVING
HIM A FAIR SHAKE.

68
00:05:44,120 --> 00:05:46,228
AFTER ALL YOU'VE BEEN THROUGH
THE LAST COUPLE OF MONTHS,

69
00:05:46,252 --> 00:05:50,704
WE'RE REALLY HAPPY
TO HAVE YOU HOME.

70
00:05:50,728 --> 00:05:53,307
I DON'T KNOW WHAT TO SAY.

71
00:05:53,331 --> 00:05:55,740
SAY THAT YOU WILL
TAKE GOOD CARE OF HER?

72
00:05:55,764 --> 00:05:58,973
I'll TAKE GOOD CARE OF HER.

73
00:05:58,997 --> 00:06:00,574
THANKS.

74
00:06:00,598 --> 00:06:02,617
HEY, YOU BETTER GET TO
SCHOOL. YOU'RE LATE ALREADY.

75
00:06:02,641 --> 00:06:05,220
IF SHERIFF ADAMS FINDS ANYTHING
ABOUT THAT GIRL, WE'LL LET YOU KNOW.

76
00:06:05,244 --> 00:06:06,776
OKAY.

77
00:06:10,149 --> 00:06:12,252
[ ENGINE TURNS OVER ]

78
00:06:24,365 --> 00:06:27,028
[ SCHOOL BELL RINGING ]

79
00:06:31,103 --> 00:06:33,351
HEY, CLARK.

80
00:06:33,375 --> 00:06:35,012
LANA.

81
00:06:35,036 --> 00:06:38,586
LOOK, ABOUT
YESTERDAY... OH, IT'S OKAY.

82
00:06:38,610 --> 00:06:40,658
YOU'RE NOT MAD?

83
00:06:40,682 --> 00:06:42,591
ABOUT YOU RUNNING OFF?

84
00:06:42,615 --> 00:06:45,024
NO, I HAD A GOOD
VIEW WHEN YOU LEFT.

85
00:06:45,048 --> 00:06:48,028
SO, WHO WAS SCREAMING?

86
00:06:48,052 --> 00:06:49,598
SOME GIRL.

87
00:06:49,622 --> 00:06:51,170
IS SHE OKAY?

88
00:06:51,194 --> 00:06:54,605
I DON'T KNOW. SHE JUST
KIND OF DISAPPEARED.

89
00:06:54,629 --> 00:06:58,038
I'M REALLY SORRY
I JUST LEFT YOU...

90
00:06:58,062 --> 00:06:59,339
AGAIN.

91
00:06:59,363 --> 00:07:03,615
IT'S NOT LIKE WE HAD
A DATE OR ANYTHING.

92
00:07:03,639 --> 00:07:07,189
BUT I HAD FUN.

93
00:07:07,213 --> 00:07:10,091
SO DID I.

94
00:07:10,115 --> 00:07:14,055
OUR RELATIONSHIP HAS ALWAYS
BEEN ABOUT PAIN AND ANGST.

95
00:07:14,079 --> 00:07:16,759
I GUESS A LITTLE
LEVITY IS REFRESHING.

96
00:07:16,783 --> 00:07:20,262
MAYBE AFTER A WHILE,

97
00:07:20,286 --> 00:07:22,334
YOU'LL STOP TORTURING YOURSELF

98
00:07:22,358 --> 00:07:24,408
AND REALIZE THAT
THERE'S NO REASON

99
00:07:24,432 --> 00:07:26,863
WHY WE SHOULDN'T BE TOGETHER.

100
00:07:29,768 --> 00:07:32,771
IT'S OKAY, CLARK.

101
00:07:34,372 --> 00:07:38,247
I'M WILLING TO WAIT
AS LONG AS YOU WANT.

102
00:07:48,918 --> 00:07:50,189
HEY.

103
00:07:51,721 --> 00:07:53,439
HEY, WAIT.

104
00:07:53,463 --> 00:07:55,242
HEY, WHO ARE YOU?

105
00:07:55,266 --> 00:07:58,706
WHAT HAPPENED? I SAW YOU
GET PULLED INTO THE GROUND.

106
00:07:58,730 --> 00:08:01,148
AT LEAST TELL ME YOUR NAME.

107
00:08:01,172 --> 00:08:03,250
SARA.

108
00:08:03,274 --> 00:08:05,353
SARA CONROY.

109
00:08:05,377 --> 00:08:08,216
OKAY, SARA, WHAT'S GOING ON?

110
00:08:08,240 --> 00:08:10,288
HE'S AFTER ME.

111
00:08:10,312 --> 00:08:12,120
WHO?

112
00:08:12,144 --> 00:08:14,817
HE'S ALWAYS AFTER ME.

113
00:08:21,153 --> 00:08:23,202
CLARK. WHERE WERE YOU?

114
00:08:23,226 --> 00:08:25,305
PETE, DID YOU SEE THAT GUY?

115
00:08:25,329 --> 00:08:26,877
WHAT GUY?

116
00:08:26,901 --> 00:08:29,439
HOW COULD YOU MISS HIM?
HE HAD A BIG RED CAPE ON.

117
00:08:29,463 --> 00:08:31,742
HE WAS STANDING RIGHT THERE.

118
00:08:31,766 --> 00:08:33,238
SARA, YOU MUST...

119
00:08:36,772 --> 00:08:38,419
WHO'S SARA?

120
00:08:38,443 --> 00:08:40,351
SHE WAS RIGHT THERE.

121
00:08:40,375 --> 00:08:42,254
THE INSANITY DEFENSE.

122
00:08:42,278 --> 00:08:44,756
IT'S WORKING. I GET IT.

123
00:08:44,780 --> 00:08:46,258
I'M NOT INSANE.

124
00:08:46,282 --> 00:08:48,730
WELL, WHAT DO YOU CALL
SKIPPING A HISTORY EXAM

125
00:08:48,754 --> 00:08:51,464
WORTH 50% OF YOUR
GRADE? THAT'S TODAY?

126
00:08:51,488 --> 00:08:55,863
THAT WAS TODAY. YOU FLUNKED.

127
00:09:00,937 --> 00:09:02,976
CHLOE, I NEED YOUR HELP.

128
00:09:03,000 --> 00:09:04,918
SOMETHING CAME UP
AT THE LAKE YESTERDAY.

129
00:09:04,942 --> 00:09:06,350
YEAH, I HEARD.

130
00:09:06,374 --> 00:09:08,952
YOU ARE REFERRING TO
THE "BLUE LAGOON" MOMENT

131
00:09:08,976 --> 00:09:11,485
WITH A CERTAIN FORMER
GIRLFRIEND, RIGHT?

132
00:09:11,509 --> 00:09:13,928
YOU KNOW ABOUT THAT?

133
00:09:13,952 --> 00:09:17,432
CLARK, THIS IS HIGH
SCHOOL. EVERYBODY KNOWS.

134
00:09:17,456 --> 00:09:23,369
THE ONLY... DID SARA
CONROY TELL YOU?

135
00:09:23,393 --> 00:09:26,873
HIGHLY DOUBTFUL, SINCE I'VE
NEVER MET ANYONE WITH THAT NAME.

136
00:09:26,897 --> 00:09:29,405
WELL, SHE'S A NEW
STUDENT, I THINK.

137
00:09:29,429 --> 00:09:32,249
I SAW HER IN THE WOODS, AND I
JUST SAW HER IN THE HALLWAY.

138
00:09:32,273 --> 00:09:34,552
SHE'S DEFINITELY A
CANDIDATE FOR WALL OF WEIRD.

139
00:09:34,576 --> 00:09:38,580
THAT'S TOO BAD, SINCE THE
WALL OF WEIRD HAS BEEN RETIRED.

140
00:09:41,844 --> 00:09:42,961
CHLOE, WHO DID THIS?

141
00:09:42,985 --> 00:09:44,391
I DID.

142
00:09:44,415 --> 00:09:46,264
IT'S TIME TO LEAVE
CHILDISH PURSUITS BEHIND.

143
00:09:46,288 --> 00:09:48,326
YOU'RE NOT THE ONLY ONE
WHO GREW UP THIS SUMMER.

144
00:09:48,350 --> 00:09:49,899
BESIDES, I THINK
THE "DAILY PLANET"

145
00:09:49,923 --> 00:09:51,931
WAS BEGINNING TO FROWN
ON MY LITTLE OBSESSION.

146
00:09:51,955 --> 00:09:53,903
BUT WE KNOW THESE
STORIES ARE TRUE.

147
00:09:53,927 --> 00:09:56,505
DO WE? PEOPLE HAVE DIED
BECAUSE OF THAT WALL.

148
00:09:56,529 --> 00:09:58,378
AND PEOPLE HAVE BEEN SAVED, TOO.

149
00:09:58,402 --> 00:10:00,880
I'M DONE CHASING
WINDMILLS, CLARK.

150
00:10:00,904 --> 00:10:04,938
FROM NOW ON, IT'S HARD NEWS
THAT CAN BE BACKED UP WITH FACTS.

151
00:10:14,419 --> 00:10:16,927
LEX, YOUR MESSAGE
SOUNDED URGENT.

152
00:10:16,951 --> 00:10:18,961
IS SOMETHING WRONG?

153
00:10:18,985 --> 00:10:21,332
I'M NOT REALLY SURE.

154
00:10:21,356 --> 00:10:23,535
I'M HAVING A RATHER STRANGE DAY.

155
00:10:23,559 --> 00:10:26,469
JOIN THE CLUB.

156
00:10:26,493 --> 00:10:30,342
I WAS HOPING YOU COULD
HELP ME WITH A PROBLEM, CLARK.

157
00:10:30,366 --> 00:10:33,417
WHAT DO YOU NEED?

158
00:10:33,441 --> 00:10:36,443
WOULD YOU HAND ME THAT SWORD?

159
00:10:40,378 --> 00:10:43,557
IS THIS NEW?

160
00:10:43,581 --> 00:10:46,991
DEPENDS ON YOUR DEFINITION.

161
00:10:47,015 --> 00:10:49,595
IT WAS A CEREMONIAL
WEAPON USED BY A GROUP

162
00:10:49,619 --> 00:10:53,038
OF 16th-CENTURY
SAMURAI WARRIORS...

163
00:10:53,062 --> 00:10:54,639
THE KATAI.

164
00:10:54,663 --> 00:10:56,341
EVER HEARD OF THEM?

165
00:10:56,365 --> 00:11:00,046
JAPANESE HISTORY REALLY
ISN'T MY STRONG SUIT.

166
00:11:00,070 --> 00:11:02,673
LET ME GIVE YOU
YOUR FIRST LESSON.

167
00:11:05,105 --> 00:11:08,315
LEGEND HAS IT THIS
SWORD WAS FORGED

168
00:11:08,339 --> 00:11:11,458
IN THE FIRES OF MT. FUJI.

169
00:11:11,482 --> 00:11:14,586
THE BLADE CAN CUT
THROUGH ANYTHING.

170
00:11:17,588 --> 00:11:20,668
THE KATAI NEVER
TOOK IT INTO BATTLE.

171
00:11:20,692 --> 00:11:23,072
THEY NEVER HAD TO...

172
00:11:23,096 --> 00:11:27,677
TILL THE DAY THE STRONGEST
KATAI TURNED ON HIS OWN.

173
00:11:27,701 --> 00:11:31,134
ONE BY ONE, THE
KATAI FELL AT HIS HAND.

174
00:11:34,638 --> 00:11:37,346
NOTHING LEFT TO LOSE...

175
00:11:37,370 --> 00:11:39,590
THE LAST OF THE KATAI
LUNGED AT THE WARRIOR

176
00:11:39,614 --> 00:11:42,092
WITH THIS SWORD...

177
00:11:42,116 --> 00:11:44,524
THE BLADE CUT HIM CLEAN IN TWO.

178
00:11:44,548 --> 00:11:47,528
BUT WHEN THE WARRIOR'S
ARMOR FELL AWAY,

179
00:11:47,552 --> 00:11:51,964
THE KATAI SAW HE
WASN'T EVEN HUMAN.

180
00:11:51,988 --> 00:11:54,129
[ NECK CRACKS ]

181
00:12:05,001 --> 00:12:08,682
JUST LIKE YOU, CLARK.

182
00:12:08,706 --> 00:12:11,725
SEE, I'VE ALWAYS
BEEN HONEST WITH YOU.

183
00:12:11,749 --> 00:12:14,128
BUT IT TURNS OUT
YOU'VE BEEN LYING TO ME

184
00:12:14,152 --> 00:12:16,985
FROM THE FIRST DAY
I LAID EYES ON YOU.

185
00:12:18,756 --> 00:12:21,135
NO, LEX, I CAN EXPLAIN.

186
00:12:21,159 --> 00:12:24,068
IT'S TOO LATE.

187
00:12:24,092 --> 00:12:28,144
THE IRONY IS, ALL YOU HAD
TO DO WAS COME TO ME, CLARK.

188
00:12:28,168 --> 00:12:31,977
I WAS YOUR FRIEND. I WOULD'VE
PROTECTED YOUR SECRET.

189
00:12:32,001 --> 00:12:33,980
I WOULD'VE PROTECTED YOU.

190
00:12:34,004 --> 00:12:36,152
BUT I COULDN'T BE TRUSTED
BECAUSE I'M A LUTHOR.

191
00:12:36,176 --> 00:12:37,514
NO, THAT'S NOT IT.

192
00:12:37,538 --> 00:12:40,086
I DON'T CARE! I'M GOING
TO DEDICATE MYSELF

193
00:12:40,110 --> 00:12:44,191
TO ENSURING THE WHOLE WORLD
KNOWS WHO CLARK KENT REALLY IS.

194
00:12:44,215 --> 00:12:47,087
LIFE AS YOU KNOW IT IS OVER.

195
00:12:50,451 --> 00:12:52,453
LEX...

196
00:12:54,025 --> 00:12:56,499
LEX!

197
00:13:06,740 --> 00:13:08,648
MOM!

198
00:13:08,672 --> 00:13:12,475
DAD! WE GOT A BIG PROBLEM!

199
00:13:14,749 --> 00:13:16,221
SARA?

200
00:13:18,623 --> 00:13:21,231
WHAT ARE YOU DOING HERE?

201
00:13:21,255 --> 00:13:24,134
LILACS. I HAVEN'T
SEEN LILACS IN YEARS.

202
00:13:24,158 --> 00:13:27,769
THEY'RE MY FAVORITE. MY MOTHER
USED TO GROW THEM FOR ME.

203
00:13:27,793 --> 00:13:31,072
WHERE IS YOUR FAMILY?

204
00:13:31,096 --> 00:13:34,277
LISTEN...

205
00:13:34,301 --> 00:13:37,250
PLEASE DON'T LET
HIM TAKE ME AGAIN.

206
00:13:37,274 --> 00:13:38,480
WHO?

207
00:13:38,504 --> 00:13:40,823
THE TRAVELER, CLARK.

208
00:13:40,847 --> 00:13:43,080
HOW DO YOU KNOW MY NAME?

209
00:13:46,084 --> 00:13:50,094
AAH!

210
00:13:50,118 --> 00:13:53,322
SARA, YOU CANNOT ESCAPE ME.

211
00:14:02,532 --> 00:14:07,253
NO MATTER WHERE YOU
HIDE, I WILL ALWAYS FIND YOU.

212
00:14:07,277 --> 00:14:08,554
NO.

213
00:14:08,578 --> 00:14:11,557
PLEASE! NO!

214
00:14:11,581 --> 00:14:13,759
CLARK!

215
00:14:13,783 --> 00:14:17,187
AAH!

216
00:14:20,291 --> 00:14:24,225
NO! SARA!

217
00:14:27,600 --> 00:14:30,839
CLARK. THANK GOD,
WE'VE BEEN SO WORRIED.

218
00:14:30,863 --> 00:14:32,811
WHAT HAPPENED?

219
00:14:32,835 --> 00:14:34,643
YOU FELL ASLEEP WHILE YOU WERE
STUDYING FOR YOUR HISTORY EXAM.

220
00:14:34,667 --> 00:14:36,215
THAT WAS A DAY
AND A HALF AGO, SON.

221
00:14:36,239 --> 00:14:37,746
WE'VE BEEN TRYING TO
WAKE YOU EVER SINCE.

222
00:14:37,770 --> 00:14:39,548
YOU MUST'VE BEEN DREAMING.

223
00:14:39,572 --> 00:14:41,591
IT WAS SO REAL.

224
00:14:41,615 --> 00:14:45,125
I MET THIS GIRL SARA CONROY,
AND SHE WAS IN TROUBLE.

225
00:14:45,149 --> 00:14:48,558
CONROY. THAT'S THE NAME OF
OUR NEW NEXT-DOOR NEIGHBOR.

226
00:14:48,582 --> 00:14:50,630
HE HAS A TEENAGE DAUGHTER.

227
00:14:50,654 --> 00:14:54,164
THEY MOVED INTO
LANA'S OLD HOUSE?

228
00:14:54,188 --> 00:14:57,368
THERE'S BEEN A MOVING
TRUCK THERE SINCE YESTERDAY.

229
00:14:57,392 --> 00:15:01,596
HOW COULD I DREAM ABOUT
SOMEONE I'VE NEVER EVEN MET?

230
00:15:22,620 --> 00:15:24,839
WOW.

231
00:15:24,863 --> 00:15:26,841
SOMEBODY'S SURE UP EARLY.

232
00:15:26,865 --> 00:15:28,842
CLARK, HAVE YOU
BEEN UP ALL NIGHT?

233
00:15:28,866 --> 00:15:31,306
I WAS KIND OF AFRAID
TO GO TO SLEEP.

234
00:15:31,330 --> 00:15:33,548
I MEAN, I CAN'T GET OVER
HOW REAL THAT DREAM WAS.

235
00:15:33,572 --> 00:15:35,410
I FEEL LIKE I SHOULD
CHECK ON THE CONROYS.

236
00:15:35,434 --> 00:15:37,682
WHAT WOULD YOU SAY, THAT SARA
WAS IN DANGER IN YOUR DREAMS?

237
00:15:37,706 --> 00:15:39,284
YOU NEED TO BE CAREFUL.

238
00:15:39,308 --> 00:15:40,817
I GOT TO BE CAREFUL
WHEN I'M SLEEPING, TOO.

239
00:15:40,841 --> 00:15:43,560
YOU WEREN'T JUST ASLEEP,
SON. YOU WERE OUT FOR 36 HOURS.

240
00:15:43,584 --> 00:15:44,890
AND IT JUST HAPPENS TO COINCIDE

241
00:15:44,914 --> 00:15:46,893
WITH THAT GIRL
MOVING IN NEXT DOOR?

242
00:15:46,917 --> 00:15:48,865
YOU THINK SHE'S
KEEPING ME ASLEEP?

243
00:15:48,889 --> 00:15:51,628
I DON'T KNOW, CLARK, BUT
WITH ALL THE WEIRD THINGS

244
00:15:51,652 --> 00:15:54,701
THAT HAVE BEEN GOING ON AROUND
HERE, YOU NEED TO BE CAREFUL.

245
00:15:54,725 --> 00:15:56,303
SO, LOOK, I'M ASKING YOU,

246
00:15:56,327 --> 00:15:59,561
YOU STAY AWAY
FROM THE NEIGHBORS.

247
00:16:06,408 --> 00:16:09,711
MISSED YOU AT SCHOOL
THE LAST FEW DAYS.

248
00:16:11,615 --> 00:16:14,894
I HAVEN'T BEEN FEELING SO GOOD.

249
00:16:14,918 --> 00:16:17,496
TO BE HONEST, YOU
LOOK A LITTLE TIRED.

250
00:16:17,520 --> 00:16:19,698
MAYBE YOU SHOULD
TRY AND GET SOME SLEEP.

251
00:16:19,722 --> 00:16:20,601
NO.

252
00:16:20,625 --> 00:16:23,703
UH, I'll BE FINE.

253
00:16:23,727 --> 00:16:25,836
OKAY. WELL, UM...

254
00:16:25,860 --> 00:16:29,711
I BROUGHT YOU YOUR HOMEWORK.

255
00:16:29,735 --> 00:16:31,842
MR. BLAIR SAID
THAT YOU COULD, UH,

256
00:16:31,866 --> 00:16:34,745
MAKE UP YOUR HISTORY EXAM
AS LONG AS YOU HAVE A NOTE

257
00:16:34,769 --> 00:16:36,918
FROM YOUR PARENTS.

258
00:16:36,942 --> 00:16:40,606
YOU'RE THE BEST.

259
00:16:44,780 --> 00:16:46,889
CAN I TELL YOU SOMETHING?

260
00:16:46,913 --> 00:16:49,432
SURE.

261
00:16:49,456 --> 00:16:52,365
I HAD THIS DREAM, AND IT'S
REALLY FREAKING ME OUT.

262
00:16:52,389 --> 00:16:54,498
WHAT WAS IT ABOUT?

263
00:16:54,522 --> 00:16:57,741
A LOT OF THINGS... THIS GIRL.

264
00:16:57,765 --> 00:16:59,543
OH.

265
00:16:59,567 --> 00:17:01,576
LANA, IT'S NOT LIKE THAT.

266
00:17:01,600 --> 00:17:03,408
SHE NEEDED HELP.

267
00:17:03,432 --> 00:17:05,479
LET ME GUESS.

268
00:17:05,503 --> 00:17:07,482
YOU HAD TO SAVE HER.

269
00:17:07,506 --> 00:17:09,485
EXCEPT I COULDN'T.

270
00:17:09,509 --> 00:17:11,687
HER NAME'S SARA, AND SHE
MOVED INTO YOUR OLD HOUSE.

271
00:17:11,711 --> 00:17:13,688
WHEN DID YOU MEET HER?

272
00:17:13,712 --> 00:17:15,720
THAT'S THE THING, I HAVEN'T.

273
00:17:15,744 --> 00:17:18,665
HOW COULD I BE
DREAMING ABOUT HER?

274
00:17:18,689 --> 00:17:21,568
WELL, MAYBE IF YOU WALKED
ME THROUGH THE DREAM,

275
00:17:21,592 --> 00:17:23,669
WE COULD FIGURE IT OUT TOGETHER.

276
00:17:23,693 --> 00:17:26,503
YOU DON'T THINK I'M NUTS?

277
00:17:26,527 --> 00:17:28,906
CLARK, I THINK YOU
HAVE A LOT OF ISSUES,

278
00:17:28,930 --> 00:17:32,703
BUT I DO NOT THINK YOU
HAVE LOST YOUR MIND.

279
00:17:34,936 --> 00:17:36,814
WHERE DID YOU SEE HER FIRST?

280
00:17:36,838 --> 00:17:39,687
CRATER LAKE. YOU WERE THERE.

281
00:17:39,711 --> 00:17:41,719
REALLY? WHAT WERE WE DOING?

282
00:17:41,743 --> 00:17:43,691
NOTHING.

283
00:17:43,715 --> 00:17:48,697
UM... IT'S REALLY HAZY.

284
00:17:48,721 --> 00:17:51,860
OKAY. WELL, I
HAVE A BETTER IDEA.

285
00:17:51,884 --> 00:17:55,058
WHY DON'T WE GO
SEE SARA IN PERSON?

286
00:18:07,472 --> 00:18:10,075
SHE SEEMED SO...

287
00:18:12,377 --> 00:18:14,687
DO THE DOCTORS THINK
SHE'LL COME OUT OF IT?

288
00:18:14,711 --> 00:18:17,784
WELL, THERE'S ALWAYS HOPE.

289
00:18:21,788 --> 00:18:24,367
IT MUST BE REALLY HARD TO
SEE YOUR DAUGHTER LIKE THIS.

290
00:18:24,391 --> 00:18:26,939
OH, SARA'S MY NIECE.

291
00:18:26,963 --> 00:18:29,866
SO, THIS IS YOUR
OLD HOUSE, LANA.

292
00:18:31,829 --> 00:18:34,678
AND YOUR THE BOY FROM NEXT DOOR.

293
00:18:34,702 --> 00:18:35,949
WHAT EXACTLY HAPPENED?

294
00:18:35,973 --> 00:18:37,411
CLARK.

295
00:18:37,435 --> 00:18:39,414
IT'S OKAY. IT'S NO SECRET.

296
00:18:39,438 --> 00:18:41,456
IT WAS A CAR ACCIDENT.

297
00:18:41,480 --> 00:18:43,958
SARA AND HER PARENTS
WENT OFF THE LOEB BRIDGE

298
00:18:43,982 --> 00:18:46,160
ON THEIR WAY HOME
FROM A SOCCER GAME.

299
00:18:46,184 --> 00:18:48,793
THE PARAMEDICS
SAY SARA WAS ASLEEP,

300
00:18:48,817 --> 00:18:50,666
WHICH IS PROBABLY
WHY SHE SURVIVED.

301
00:18:50,690 --> 00:18:52,098
SARA'S FROM SMALLVILLE?

302
00:18:52,122 --> 00:18:55,732
GRANDVILLE... JUST
OVER THE COUNTY LINE.

303
00:18:55,756 --> 00:19:00,107
LILACS... THOSE ARE
SARA'S FAVORITE.

304
00:19:00,131 --> 00:19:03,741
YES.

305
00:19:03,765 --> 00:19:05,882
HOW DID YOU KNOW THAT?

306
00:19:05,906 --> 00:19:08,186
THEY'RE MY FAVORITE, TOO.

307
00:19:08,210 --> 00:19:11,973
IT MUST BE KISMET,
LIVING IN THE SAME HOUSE.

308
00:19:20,153 --> 00:19:23,131
THAT'S AN INTERESTING MEDAL.

309
00:19:23,155 --> 00:19:25,033
THIS?

310
00:19:25,057 --> 00:19:27,036
WELL, IT'S JUST GOOD
OLD ST. CHRISTOPHER.

311
00:19:27,060 --> 00:19:29,539
THE PATRON SAINT
OF TRAVELERS, RIGHT?

312
00:19:29,563 --> 00:19:31,440
YES.

313
00:19:31,464 --> 00:19:33,474
YES, I SAY HIS
PRAYER EVERY NIGHT

314
00:19:33,498 --> 00:19:35,476
IN THE HOPES THAT
SARA'S JOURNEY WILL END,

315
00:19:35,500 --> 00:19:38,850
AND SHE'LL COME BACK TO US.

316
00:19:38,874 --> 00:19:41,483
LOOK, I'M SORRY. YOU'LL
HAVE TO EXCUSE ME.

317
00:19:41,507 --> 00:19:45,127
IT'S, UM, TIME FOR
SARA'S MEDICATION.

318
00:19:45,151 --> 00:19:48,855
THANK YOU FOR STOPPING BY.

319
00:20:09,978 --> 00:20:12,055
DAD, I THOUGHT I MADE IT CLEAR

320
00:20:12,079 --> 00:20:14,158
THAT I'M BACK FULLY
COMMITTED TO LUTHORCORP

321
00:20:14,182 --> 00:20:16,491
AND TO YOU.

322
00:20:16,515 --> 00:20:20,024
WELL, I'M DELIGHTED... [ SIGHS ]

323
00:20:20,048 --> 00:20:21,951
TO HEAR IT.

324
00:20:24,094 --> 00:20:29,274
NOW... WHAT'S THE PROBLEM?

325
00:20:29,298 --> 00:20:31,808
I'VE BEEN BLOCKED OUT OF
HALF THE COMPUTER FILES

326
00:20:31,832 --> 00:20:34,765
I NEED TO DO MY JOB.
INSUFFICIENT SECURITY CLEARANCE?

327
00:20:36,237 --> 00:20:39,009
THANK YOU, MELI.

328
00:20:42,012 --> 00:20:45,253
THESE, UH...

329
00:20:45,277 --> 00:20:48,597
SECURITY MEASURES,
LEX, ARE A NECESSARY EVIL.

330
00:20:48,621 --> 00:20:50,098
YOU SHOULD KNOW THAT.

331
00:20:50,122 --> 00:20:51,959
WE HAVE TO PROTECT OUR ASSETS.

332
00:20:51,983 --> 00:20:53,262
FROM ME?

333
00:20:53,286 --> 00:20:56,565
I APPLAUD YOUR RENEWED
COMMITMENT TO LUTHORCORP.

334
00:20:56,589 --> 00:20:59,938
AFTER WHAT YOU'VE BEEN THROUGH,

335
00:20:59,962 --> 00:21:02,012
IT'S REMARKABLE.

336
00:21:02,036 --> 00:21:06,176
BUT YOU THINK I MIGHT
BETRAY YOU AGAIN.

337
00:21:06,200 --> 00:21:08,873
BETRAY ME? THAT'S
AN INTERESTING NOTION.

338
00:21:10,275 --> 00:21:12,984
MIGHT YOU?

339
00:21:13,008 --> 00:21:17,859
I WANT THIS TO WORK.

340
00:21:17,883 --> 00:21:20,262
I WANT US TO BE A FAMILY AGAIN.

341
00:21:20,286 --> 00:21:23,594
YOU HAVE NOTHING
TO FEAR FROM ME.

342
00:21:23,618 --> 00:21:28,070
WHY HAVE YOU REFUSED TO
COMPLETE THE PSYCHOLOGICAL PROFILE?

343
00:21:28,094 --> 00:21:30,974
COME ON, DAD. YOU'VE NEVER
BELIEVED IN THAT PSYCHOBABBLE,

344
00:21:30,998 --> 00:21:32,675
AND NEITHER DO I.

345
00:21:32,699 --> 00:21:35,678
I BELIEVE THAT, UH, PERSONAL,
EMOTIONAL PROBLEMS

346
00:21:35,702 --> 00:21:39,213
ARE BOUND TO AFFECT
DAY-TO-DAY DECISION-MAKING.

347
00:21:39,237 --> 00:21:42,216
I THINK THAT DREAMS
CAN OFTEN REVEAL

348
00:21:42,240 --> 00:21:44,287
HIDDEN DANGERS,
SERVE AS A WARNING...

349
00:21:44,311 --> 00:21:46,291
SPARE ME THE JUNGIAN
CLIFF NOTES, DAD.

350
00:21:46,315 --> 00:21:48,362
IT'S FIVE SESSIONS,
LEX. THAT'S ALL.

351
00:21:48,386 --> 00:21:51,996
I THOUGHT YOU WANTED
TO REESTABLISH OUR BOND.

352
00:21:52,020 --> 00:21:55,199
I DO.

353
00:21:55,223 --> 00:21:57,032
THEN DO IT.

354
00:21:57,056 --> 00:21:59,304
PROVE THAT MY TOTAL
CONFIDENCE IN YOU

355
00:21:59,328 --> 00:22:02,732
IS JUSTIFIED.

356
00:22:06,207 --> 00:22:08,385
CLARK KENT DREAMING
OF THE GIRL NEXT DOOR.

357
00:22:08,409 --> 00:22:10,387
ISN'T IT NICE TO KNOW THAT
SOME THINGS NEVER CHANGE?

358
00:22:10,411 --> 00:22:12,790
RIGHT NOW I'M JUST
TRYING TO STAY AWAKE.

359
00:22:12,814 --> 00:22:15,052
YEAH, EVEN RED
BULL HAS ITS LIMITS.

360
00:22:15,076 --> 00:22:17,054
TRUST ME. I'VE TESTED THEM.

361
00:22:17,078 --> 00:22:19,197
I THINK SARA'S REACHING
OUT TO ME FOR HELP.

362
00:22:19,221 --> 00:22:21,659
ENTERING YOUR DREAMS
TO COMMUNICATE?

363
00:22:21,683 --> 00:22:23,802
WELL, HOW ELSE WOULD I
KNOW THESE DETAILS OF HER LIFE.

364
00:22:23,826 --> 00:22:25,363
LIKE THE LILACS?

365
00:22:25,387 --> 00:22:28,066
WELL, THERE'S A THEORY
THAT TELEPATHIC RECEPTIVITY

366
00:22:28,090 --> 00:22:30,069
IS INCREASED
DURING R.E.M. SLEEP.

367
00:22:30,093 --> 00:22:32,210
IT HAS TO DO WITH
FRONTAL LOBE ACTIVITY.

368
00:22:32,234 --> 00:22:34,274
MY FRONTAL LOBE IS
ACTING AS A BEACON.

369
00:22:34,298 --> 00:22:36,876
I'VE NEVER SEEN A CASE
AS DRAMATIC AS THIS,

370
00:22:36,900 --> 00:22:39,719
BUT WE ALL KNOW THAT YOUR
BRAIN IS WIRED A LITTLE DIFFERENTLY

371
00:22:39,743 --> 00:22:41,220
THAN THE REST OF OURS.

372
00:22:41,244 --> 00:22:43,152
ADD THE FACT THAT THE
RIVER WHERE SHE CRASHED

373
00:22:43,176 --> 00:22:45,325
IS A KNOWN SOURCE FOR
OUR FAVORITE GREEN STUFF,

374
00:22:45,349 --> 00:22:47,358
AND YOU HAVE THE PERFECT
SMALLVILLE COCKTAIL

375
00:22:47,382 --> 00:22:48,889
FOR WEIRDNESS.

376
00:22:48,913 --> 00:22:51,232
YOU THINK THE METEOR
ROCKS GAVE HER THIS ABILITY.

377
00:22:51,256 --> 00:22:53,695
WELL, ONCE SHE'S IN,
SHE CAN KEEP YOU ASLEEP.

378
00:22:53,719 --> 00:22:57,268
IT CERTAINLY EXPLAINS THE
DAY-AND-A-HALF SNORE-A-THON.

379
00:22:57,292 --> 00:22:59,772
I DIDN'T WAKE UP UNTIL
THE TRAVELER APPEARED.

380
00:22:59,796 --> 00:23:03,245
AND I THINK IT'S HER UNCLE.

381
00:23:03,269 --> 00:23:07,310
OR A MANIFESTATION OF THE
FEAR THAT SHE HAS FOR HER UNCLE.

382
00:23:07,334 --> 00:23:08,681
SORRY.

383
00:23:08,705 --> 00:23:11,214
I DIDN'T MEAN TO GET
ALL FREUDIAN ON YOU.

384
00:23:11,238 --> 00:23:14,687
NO. HER UNCLE IS
ALL-POWERFUL IN HER LIFE.

385
00:23:14,711 --> 00:23:16,689
WHY WOULDN'T HE
BE IN HER DREAMS?

386
00:23:16,713 --> 00:23:18,391
YOU'RE NOT BUYING
THE ALTRUISM ANGLE?

387
00:23:18,415 --> 00:23:21,426
MY FAITH IN HUMAN KINDNESS
IS NOT WHAT IT USED TO BE.

388
00:23:21,450 --> 00:23:23,427
YOU UP FOR A TRIP
TO THE COURTHOUSE

389
00:23:23,451 --> 00:23:25,429
TO SEE WHAT PUBLIC RECORDS
TELL US ABOUT UNCLE NICHOLAS?

390
00:23:25,453 --> 00:23:27,431
I HAVE A DEADLINE
FOR THE "DAILY PLANET."

391
00:23:27,455 --> 00:23:30,135
AND SHOCKINGLY, A WALL OF WEIRD
STORY DOESN'T TAKE PRECEDENCE

392
00:23:30,159 --> 00:23:31,736
IN THEIR MIND.

393
00:23:31,760 --> 00:23:33,738
NO TIME FOR CHILDISH
PURSUITS ANYMORE.

394
00:23:33,762 --> 00:23:36,212
HEY, YOU KNOW IF I HAD A CHOICE,

395
00:23:36,236 --> 00:23:39,485
I WOULD DEFINITELY BE DOWN THERE
PULLING DUSTY RECORDS WITH YOU.

396
00:23:39,509 --> 00:23:42,448
I DOUBT THAT. IT'S
OKAY, I'll GRAB LANA.

397
00:23:42,472 --> 00:23:45,947
YEAH, AT LEAST SHE CAN PROVIDE
A CONSTANT SOURCE OF CAFFEINE.

398
00:23:58,461 --> 00:24:01,409
NOW I KNOW WHY PUBLIC
RECORDS ARE PUBLIC.

399
00:24:01,433 --> 00:24:03,411
THEY'RE INCREDIBLY BORING.

400
00:24:03,435 --> 00:24:05,373
NOT ALL OF THEM.

401
00:24:05,397 --> 00:24:07,377
TAKE A LOOK AT THIS.

402
00:24:07,401 --> 00:24:09,319
WOW.

403
00:24:09,343 --> 00:24:11,521
SARA'S PARENTS WERE RICH.

404
00:24:11,545 --> 00:24:13,783
WHEN THEY DIED, SHE
INHERITED EVERYTHING.

405
00:24:13,807 --> 00:24:15,825
ONE GUESS WHO'S IN
CONTROL OF THE MONEY.

406
00:24:15,849 --> 00:24:17,427
UNCLE NICHOLAS.

407
00:24:17,451 --> 00:24:19,830
AS LONG AS SHE STAYS IN A COMA,

408
00:24:19,854 --> 00:24:22,193
HE CONTROLS THE WEALTH.

409
00:24:22,217 --> 00:24:25,196
BUT HE STILL HASN'T
DONE ANYTHING WRONG.

410
00:24:25,220 --> 00:24:27,339
I MEAN, TAKING
CARE OF YOUR NIECE

411
00:24:27,363 --> 00:24:30,202
AND LIVING A NICE LIFE ISN'T
EXACTLY A SMOKING GUN.

412
00:24:30,226 --> 00:24:32,474
THEN WHY IS SARA
SO SCARED OF HIM?

413
00:24:32,498 --> 00:24:34,806
I JUST DON'T GET IT.

414
00:24:34,830 --> 00:24:36,478
HEY, YOU'RE TIRED.

415
00:24:36,502 --> 00:24:39,953
I'M AFRAID TO CLOSE MY EYES.

416
00:24:39,977 --> 00:24:43,509
I'll GO PUT ON ANOTHER
POT OF COFFEE.

417
00:24:46,384 --> 00:24:48,292
YOU DON'T HAVE TO STAY.

418
00:24:48,316 --> 00:24:50,949
I WANT TO, CLARK.

419
00:25:10,539 --> 00:25:12,988
THAT WAS FAST.

420
00:25:13,012 --> 00:25:14,491
SARA.

421
00:25:14,515 --> 00:25:16,052
HI.

422
00:25:16,076 --> 00:25:19,325
I MUST'VE FALLEN ASLEEP.

423
00:25:19,349 --> 00:25:21,427
YEAH.

424
00:25:21,451 --> 00:25:24,401
HOW DO YOU GET INTO MY DREAMS?

425
00:25:24,425 --> 00:25:26,062
I DON'T KNOW, CLARK.

426
00:25:26,086 --> 00:25:28,305
THIS HAS NEVER
HAPPENED TO ME BEFORE.

427
00:25:28,329 --> 00:25:30,338
I CAN JUST SEE THE DAY.

428
00:25:30,362 --> 00:25:32,870
SUDDENLY, I WAS IN THE
WOODS AND THEN AT SCHOOL

429
00:25:32,894 --> 00:25:35,013
AND THEN AT YOUR HOUSE...

430
00:25:35,037 --> 00:25:38,316
I REALIZED WHAT HAPPENED WHEN
YOU AND LANA CAME TO SEE ME.

431
00:25:38,340 --> 00:25:41,020
YOU CAN HEAR US?

432
00:25:41,044 --> 00:25:44,454
YEAH. IT'S LIKE BEING
IN A LONG, DARK TUNNEL.

433
00:25:44,478 --> 00:25:48,088
I MEAN, SOMETIMES IT'S
OPEN. BUT SOMETIMES IT'S NOT.

434
00:25:48,112 --> 00:25:50,090
I TRIED TO REACH OUT TO YOU.

435
00:25:50,114 --> 00:25:53,434
YOU DON'T KNOW WHAT IT'S LIKE
TO BE LOCKED IN YOUR OWN BODY...

436
00:25:53,458 --> 00:25:56,020
NEVER ANY CONTACT.

437
00:25:57,923 --> 00:26:00,572
SARA, WHO'S THE TRAVELER?

438
00:26:00,596 --> 00:26:03,945
OH, WE SHOULDN'T TALK
ABOUT HIM. HE'LL FIND US.

439
00:26:03,969 --> 00:26:05,908
IS IT YOUR UNCLE?

440
00:26:05,932 --> 00:26:09,581
WHY ARE YOU SO AFRAID OF
HIM? WHAT DOES HE DO TO YOU?

441
00:26:09,605 --> 00:26:11,383
I DON'T KNOW.

442
00:26:11,407 --> 00:26:14,056
I USED TO BE ABLE TO
HEAR THE DOCTORS TALKING,

443
00:26:14,080 --> 00:26:16,119
AND THEY SAID I
SHOULD'VE WOKEN UP.

444
00:26:16,143 --> 00:26:19,463
BUT EVERY TIME I DO FEEL
JUST A LITTLE BIT BETTER,

445
00:26:19,487 --> 00:26:22,124
HE DOES SOMETHING,
AND I GET SENT BACK

446
00:26:22,148 --> 00:26:25,899
TO A DEEP DARK PLACE THAT'S
AT THE BOTTOM OF THE OCEAN.

447
00:26:25,923 --> 00:26:29,372
I ALMOST WOKE UP ONCE.

448
00:26:29,396 --> 00:26:31,529
THAT'S WHEN HE MOVED US HERE.

449
00:26:34,633 --> 00:26:37,912
OH, GOD, HE'S HERE.

450
00:26:37,936 --> 00:26:41,140
AAH!

451
00:26:50,019 --> 00:26:53,659
INTERESTING THEORY, CLARK.

452
00:26:53,683 --> 00:26:56,934
I KNOW IT SOUNDS CRAZY,
BUT THAT'S WHAT HAPPENED.

453
00:26:56,958 --> 00:26:59,536
NOW YOU'RE SAVING
PEOPLE IN YOUR DREAMS, TOO.

454
00:26:59,560 --> 00:27:01,438
A SHRINK WOULD HAVE A
FIELD DAY WITH THAT SCENARIO.

455
00:27:01,462 --> 00:27:03,071
YOU DON'T BELIEVE ME?

456
00:27:03,095 --> 00:27:05,172
I BELIEVE YOU BELIEVE IT,
AND THAT'S ENOUGH FOR ME.

457
00:27:05,196 --> 00:27:07,416
YOU'LL HAVE TO
FORGIVE ME, CLARK.

458
00:27:07,440 --> 00:27:09,677
I HAVE A PERSONAL BIAS
AGAINST PSYCHOTHERAPY.

459
00:27:09,701 --> 00:27:11,981
YOU DON'T LIKE LETTING
PEOPLE IN YOUR HEAD.

460
00:27:12,005 --> 00:27:13,552
SOMETHING LIKE THAT.

461
00:27:13,576 --> 00:27:15,955
WELL, THIS GIRL'S IN MY
HEAD UNTIL I FIGURE OUT A WAY

462
00:27:15,979 --> 00:27:17,186
TO HELP HER.

463
00:27:17,210 --> 00:27:19,428
I MADE A FEW CALLS TO
METROPOLIS GENERAL.

464
00:27:19,452 --> 00:27:22,532
IT'S TRUE. SARA WAS
SUPPOSED TO WAKE UP.

465
00:27:22,556 --> 00:27:25,135
SO HER UNCLE IS DRUGGING HER.

466
00:27:25,159 --> 00:27:28,037
THEY DIDN'T HAVE ANY
EVIDENCE OF FOUL PLAY,

467
00:27:28,061 --> 00:27:30,241
BUT THEY'VE ONLY PERFORMED
ROUTINE BLOOD TESTS.

468
00:27:30,265 --> 00:27:32,443
MAYBE HE'S USING A
DRUG THAT'S UNTRACEABLE.

469
00:27:32,467 --> 00:27:34,504
FROM ALL APPEARANCES, THE
GUY HASN'T DONE ANYTHING WRONG.

470
00:27:34,528 --> 00:27:37,508
WE BOTH KNOW APPEARANCES
CAN BE DECEIVING, LEX.

471
00:27:37,532 --> 00:27:40,151
TELLING THE COPS YOU HEARD IT IN
A DREAM WON'T GET HIM ARRESTED.

472
00:27:40,175 --> 00:27:42,583
I APPRECIATE YOUR HELP.

473
00:27:42,607 --> 00:27:43,640
ANYTIME.

474
00:27:48,044 --> 00:27:51,464
I ALWAYS LIKED THIS SWORD.

475
00:27:51,488 --> 00:27:54,628
WHAT IS IT, SOME SORT OF, UH,
LEGENDARY SAMURAI ANTIQUE?

476
00:27:54,652 --> 00:27:56,198
HARDLY.

477
00:27:56,222 --> 00:27:58,502
IT'S A, UH, IT'S A PROP

478
00:27:58,526 --> 00:28:00,774
FROM MY FAVORITE KUROSAWA MOVIE.

479
00:28:00,798 --> 00:28:03,507
"THRONE OF BLOOD."

480
00:28:03,531 --> 00:28:06,565
I BOUGHT IT AT AUCTION.

481
00:28:08,307 --> 00:28:10,685
RELAX, CLARK.

482
00:28:10,709 --> 00:28:14,218
IT CAN'T HURT
YOU. IT'S NOT REAL.

483
00:28:14,242 --> 00:28:16,021
RIGHT.

484
00:28:16,045 --> 00:28:18,623
YOU'VE GOT TO
LEARN THE DIFFERENCE

485
00:28:18,647 --> 00:28:21,526
BETWEEN REALITY AND FANTASY.

486
00:28:21,550 --> 00:28:24,625
GET SOME SLEEP.

487
00:28:26,656 --> 00:28:28,829
[ KNOCK ON DOOR ]

488
00:28:31,563 --> 00:28:32,770
CLARK.

489
00:28:32,794 --> 00:28:34,512
THIS IS A PLEASANT SURPRISE.

490
00:28:34,536 --> 00:28:37,645
I THOUGHT I'D BRING SARA
SOME FRESH FLOWERS.

491
00:28:37,669 --> 00:28:39,601
HUH. COME IN.

492
00:28:47,650 --> 00:28:50,560
THIS IS REAL NICE OF YOU, CLARK.

493
00:28:50,584 --> 00:28:54,194
WOULD YOU MIND IF I SIT
WITH HER FOR A WHILE?

494
00:28:54,218 --> 00:28:56,690
NOT AT ALL.

495
00:29:00,094 --> 00:29:02,602
CAN I GET YOU
SOMETHING TO DRINK?

496
00:29:02,626 --> 00:29:04,804
ANYTHING WITH CAFFEINE.

497
00:29:04,828 --> 00:29:07,172
I THINK I MIGHT HAVE SOME SODA.

498
00:30:04,164 --> 00:30:05,612
CLARK.

499
00:30:05,636 --> 00:30:06,873
SARA.

500
00:30:06,897 --> 00:30:09,877
HE'S SO ANGRY.

501
00:30:09,901 --> 00:30:15,678
WAIT, IF YOU'RE
HERE, THAT MEANS I'M...

502
00:30:36,401 --> 00:30:38,778
[ KNOCK ON DOOR ] Lana: HELLO?

503
00:30:38,802 --> 00:30:40,781
LANA, HI, COME ON IN.

504
00:30:40,805 --> 00:30:42,783
I WAS, UH, LOOKING FOR CLARK.

505
00:30:42,807 --> 00:30:44,656
I BROUGHT HIM A PICK-ME-UP.

506
00:30:44,680 --> 00:30:46,918
OH, WELL, HE'S NOT
BACK FROM LEX'S,

507
00:30:46,942 --> 00:30:49,261
BUT YOU'RE WELCOME TO WAIT.

508
00:30:49,285 --> 00:30:50,923
THANKS.

509
00:30:50,947 --> 00:30:53,264
SO YOU FINALLY
HAVE NEW NEIGHBORS.

510
00:30:53,288 --> 00:30:56,428
YEAH, NOT AS GOOD
AS THE OLD ONES.

511
00:30:56,452 --> 00:30:59,831
MRS. KENT, COULD I
ASK YOU SOMETHING?

512
00:30:59,855 --> 00:31:01,798
OF COURSE, LANA.

513
00:31:09,837 --> 00:31:14,712
DO YOU KNOW WHY
CLARK PUSHED ME AWAY?

514
00:31:17,445 --> 00:31:20,795
METROPOLIS CHANGED CLARK.

515
00:31:20,819 --> 00:31:24,999
HE'S NOT THE SAME BOY HE
WAS WHEN HE LEFT THIS SPRING.

516
00:31:25,023 --> 00:31:27,463
JONATHAN AND I ARE
TRYING TO FIGURE IT OUT, TOO.

517
00:31:27,487 --> 00:31:29,405
I GUESS I JUST...

518
00:31:29,429 --> 00:31:34,311
I FEEL LIKE IF I STAY IN
HIS ORBIT LONG ENOUGH,

519
00:31:34,335 --> 00:31:38,274
HE'LL FINALLY DECIDE TO OPEN UP.

520
00:31:38,298 --> 00:31:42,272
Jonathan: MARTHA!
COME QUICK! IT'S CLARK!

521
00:31:46,847 --> 00:31:49,787
Martha: OH, MY GOD!

522
00:31:49,811 --> 00:31:52,290
JONATHAN!

523
00:31:52,314 --> 00:31:53,962
WHAT HAPPENED?

524
00:31:53,986 --> 00:31:56,435
I DON'T KNOW. HE MUST'VE
FALLEN ASLEEP AT THE WHEEL.

525
00:31:56,459 --> 00:31:57,996
I'll CALL AN AMBULANCE.

526
00:31:58,020 --> 00:32:00,339
I THINK HE JUST HIT HIS
HEAD. HE'S GOING TO BE FINE.

527
00:32:00,363 --> 00:32:02,972
WHERE WAS HE COMING FROM?
LEX'S MANSION IS THE OTHER WAY.

528
00:32:02,996 --> 00:32:06,275
OH, CLARK, I TOLD YOU
NOT TO GO TO THE CONROYS.

529
00:32:06,299 --> 00:32:08,879
HE WAS WORRIED ABOUT SARA.
HE KEPT SEEING HER IN HIS DREAMS.

530
00:32:08,903 --> 00:32:11,851
THIS IS MY FAULT. I
TOOK HIM OVER THERE.

531
00:32:11,875 --> 00:32:15,015
OH, DON'T BLAME YOURSELF.
CLARK WILL BE FINE.

532
00:32:15,039 --> 00:32:16,818
WHAT ABOUT SARA?

533
00:32:16,842 --> 00:32:19,044
I'M WORRIED ABOUT HER, TOO.

534
00:32:31,798 --> 00:32:33,460
SARA, WAIT!

535
00:32:36,963 --> 00:32:39,042
SARA!

536
00:32:39,066 --> 00:32:41,043
NO!

537
00:32:41,067 --> 00:32:42,815
WE HAVE TO GET AWAY FROM HIM!

538
00:32:42,839 --> 00:32:44,517
YOU CAN'T KEEP RUNNING.

539
00:32:44,541 --> 00:32:47,822
I JUST WANT TO BE FREE!

540
00:32:47,846 --> 00:32:49,353
YOU CAN.

541
00:32:49,377 --> 00:32:52,556
IN THE REAL WORLD, YOU
JUST HAVE TO FACE HIM.

542
00:32:52,580 --> 00:32:54,528
I'M AFRAID.

543
00:32:54,552 --> 00:32:56,501
SARA, YOU'RE KEEPING
US IN THIS DREAM.

544
00:32:56,525 --> 00:32:58,533
I CAN'T HELP YOU
UNTIL I WAKE UP.

545
00:32:58,557 --> 00:33:00,034
I HAVE NO POWER.

546
00:33:00,058 --> 00:33:03,069
I'M SORRY, CLARK.

547
00:33:03,093 --> 00:33:04,070
AAH!

548
00:33:04,094 --> 00:33:06,096
SARA!

549
00:33:21,613 --> 00:33:24,993
HOW DID HE KNOW ABOUT THIS?

550
00:33:25,017 --> 00:33:29,066
HOW DID HE KNOW
ABOUT THE LILACS?

551
00:33:29,090 --> 00:33:32,871
I DON'T KNOW WHAT'S
GOING ON IN THERE,

552
00:33:32,895 --> 00:33:34,998
BUT IT'S GOING TO STOP.

553
00:33:37,431 --> 00:33:39,432
Lana: DON'T PUT
THAT NEEDLE IN HER.

554
00:33:41,935 --> 00:33:45,616
HOW DID YOU GET IN HERE?

555
00:33:45,640 --> 00:33:48,589
WE KNOW YOU'VE
BEEN DRUGGING SARA.

556
00:33:48,613 --> 00:33:51,661
REALLY.

557
00:33:51,685 --> 00:33:54,425
YOU AND YOUR BOYFRIEND
ARE A LITTLE TOO NEIGHBORLY

558
00:33:54,449 --> 00:33:55,966
FOR YOUR OWN GOOD.

559
00:33:55,990 --> 00:33:58,970
IF YOU KILL HER,
THERE'S NO MORE MONEY.

560
00:33:58,994 --> 00:34:01,626
WHO SAID ANYTHING
ABOUT KILLING HER?

561
00:34:29,057 --> 00:34:30,765
SARA, ARE YOU OKAY?

562
00:34:30,789 --> 00:34:32,568
I'M ALL RIGHT, CLARK.

563
00:34:32,592 --> 00:34:34,970
BUT SHE'S IN TROUBLE.

564
00:34:34,994 --> 00:34:36,872
WHO?

565
00:34:36,896 --> 00:34:38,697
LANA.

566
00:34:43,704 --> 00:34:47,648
NO.

567
00:35:01,123 --> 00:35:03,941
I WARNED YOU, SARA.

568
00:35:03,965 --> 00:35:06,144
THIS IS A FIGHT
YOU'LL NEVER WIN.

569
00:35:06,168 --> 00:35:07,675
IT'S TOO LATE.

570
00:35:07,699 --> 00:35:09,749
SARA, WE HAVE TO SAVE LANA.

571
00:35:09,773 --> 00:35:13,076
HE'S TOO STRONG.
YOU CAN'T STOP HIM.

572
00:35:15,980 --> 00:35:18,758
DEATH TO ALL THOSE
WHO TRESPASS HERE.

573
00:35:18,782 --> 00:35:21,085
SARA! YOU HAVE TO HELP ME!

574
00:35:27,621 --> 00:35:32,102
NO, SARA, YOU CANNOT ESCAPE ME.

575
00:35:32,126 --> 00:35:33,675
RETURN WITH ME.

576
00:35:33,699 --> 00:35:34,977
NO.

577
00:35:35,001 --> 00:35:36,738
Clark: YOU'RE STRONGER
THAN HE HIS, SARA!

578
00:35:36,762 --> 00:35:38,110
HE CANNOT SAVE YOU.

579
00:35:38,134 --> 00:35:40,182
HE DID THIS TO YOU.

580
00:35:40,206 --> 00:35:43,086
GET ANGRY. HE TOOK
SIX YEARS OF YOUR LIFE.

581
00:35:43,110 --> 00:35:45,718
I CONTROL YOUR DESTINY, SARA.

582
00:35:45,742 --> 00:35:48,992
CLOSE YOUR EYES. LET ME
TORMENT YOUR SLUMBER.

583
00:35:49,016 --> 00:35:51,894
DON'T BE AFRAID, SARA.

584
00:35:51,918 --> 00:35:56,660
THE MORE YOU RESIST, SARA,
THE MORE YOU WILL SUFFER.

585
00:35:56,684 --> 00:35:59,757
I WILL NOT WARN YOU AGAIN.

586
00:36:12,242 --> 00:36:13,820
[ GASPS ]

587
00:36:13,844 --> 00:36:14,921
CLARK.

588
00:36:14,945 --> 00:36:18,047
MOM. LANA'S IN TROUBLE.

589
00:36:31,023 --> 00:36:32,164
LANA.

590
00:37:05,630 --> 00:37:07,762
LOOKING FOR THIS?

591
00:37:30,288 --> 00:37:31,865
LEX?

592
00:37:31,889 --> 00:37:33,867
WHAT'S SO URGENT?

593
00:37:33,891 --> 00:37:36,140
I DECIDED TO DO IT.

594
00:37:36,164 --> 00:37:37,771
OH? DO WHAT?

595
00:37:37,795 --> 00:37:40,845
MEET WITH THE PSYCHIATRIST,

596
00:37:40,869 --> 00:37:43,218
SUBMIT TO A FULL
BATTERY OF MENTAL TESTS.

597
00:37:43,242 --> 00:37:44,749
I'M CURIOUS.

598
00:37:44,773 --> 00:37:48,124
TELL ME WHAT CHANGED YOUR MIND?

599
00:37:48,148 --> 00:37:51,157
BECAUSE I DEALING
FROM A POSITION OF FEAR.

600
00:37:51,181 --> 00:37:54,129
IF THERE'S ONE THING YOU CAN
SNIFF OUT LIKE A BLOODHOUND,

601
00:37:54,153 --> 00:37:55,791
IT'S THAT.

602
00:37:55,815 --> 00:37:58,135
IT'S A GIFT, LEX,
AND IT'S USEFUL.

603
00:37:58,159 --> 00:38:01,898
I KNOW THE ONLY WAY I'M
GOING TO PROVE TO YOU

604
00:38:01,922 --> 00:38:04,001
THAT I'M YOUR RIGHTFUL HEIR

605
00:38:04,025 --> 00:38:06,945
IS TO DEAL FROM A
POSITION OF STRENGTH.

606
00:38:06,969 --> 00:38:10,008
I HAVE NOTHING TO HIDE.

607
00:38:10,032 --> 00:38:13,151
THAT WOULD MEAN
A LOT TO ME, SON.

608
00:38:13,175 --> 00:38:15,783
WELL, I FIGURED
YOU'RE MY FATHER,

609
00:38:15,807 --> 00:38:17,816
AND YOU ONLY HAVE MY
BEST INTERESTS AT HEART.

610
00:38:17,840 --> 00:38:19,818
WHO'S THE GOOD DOCTOR?

611
00:38:19,842 --> 00:38:20,919
CLAIRE FOSTER.

612
00:38:20,943 --> 00:38:22,322
OH, HIGHLY CREDENTIALED.

613
00:38:22,346 --> 00:38:25,124
SHE'S PUBLISHED A
COUPLE OF BOOKS.

614
00:38:25,148 --> 00:38:27,822
SHE'LL BE ABLE TO HELP YOU
WORK THROUGH ANY PROBLEMS.

615
00:38:29,954 --> 00:38:32,932
THAT ISLAND DIDN'T
MAKE ME CRAZY, DAD.

616
00:38:32,956 --> 00:38:34,274
OH, CRAZY?

617
00:38:34,298 --> 00:38:37,231
NO, OF COURSE NOT.

618
00:38:39,304 --> 00:38:41,883
BUT IT'LL BE GOOD TO
HAVE THAT IN WRITING,

619
00:38:41,907 --> 00:38:43,309
WON'T IT?

620
00:38:48,414 --> 00:38:49,876
LEX.

621
00:38:53,219 --> 00:38:56,329
WHEN YOU'RE RICH,
YOU'RE NOT CRAZY.

622
00:38:56,353 --> 00:38:58,456
YOU'RE ECCENTRIC.

623
00:39:22,152 --> 00:39:23,990
HI, SARA, HOW YOU DOING?

624
00:39:24,014 --> 00:39:25,155
HI.

625
00:39:26,456 --> 00:39:29,135
I BROUGHT YOU SOME FRESH LILACS.

626
00:39:29,159 --> 00:39:31,437
I KNOW THEY'RE YOUR FAVORITE.

627
00:39:31,461 --> 00:39:34,872
IT'S CLARK, ISN'T IT?

628
00:39:34,896 --> 00:39:37,974
I DIDN'T THINK
YOU'D REMEMBER ME.

629
00:39:37,998 --> 00:39:40,908
YEAH. WE'VE BEEN THROUGH
SO MUCH TOGETHER,

630
00:39:40,932 --> 00:39:44,082
EVEN THOUGH WE'VE
NEVER OFFICIALLY MET.

631
00:39:44,106 --> 00:39:47,115
I-I STILL DON'T KNOW HOW
I GOT IN YOUR DREAMS.

632
00:39:47,139 --> 00:39:49,157
THE IMPORTANT
THING IS, YOU'RE SAFE.

633
00:39:49,181 --> 00:39:51,490
AND YOU'RE AWAKE.

634
00:39:51,514 --> 00:39:55,465
YOU'RE OBVIOUSLY A SPECIAL GUY.

635
00:39:55,489 --> 00:39:58,198
I SAW SOME OF THE
THINGS YOU'RE ABLE TO DO.

636
00:39:58,222 --> 00:40:03,032
WELL, IN OUR DREAMS,
WE'RE ALL SUPER.

637
00:40:03,056 --> 00:40:05,175
I JUST...

638
00:40:05,199 --> 00:40:07,207
I KNOW IT'S NONE OF MY BUSINESS.

639
00:40:07,231 --> 00:40:09,209
I KNOW DREAMS ARE
USUALLY... PRIVATE.

640
00:40:09,233 --> 00:40:12,467
NO. UM...

641
00:40:15,440 --> 00:40:18,050
I'M CURIOUS TO HEAR
YOUR PERSPECTIVE.

642
00:40:18,074 --> 00:40:20,151
WHAT DID YOU SEE?

643
00:40:20,175 --> 00:40:24,226
SOMEONE WHO'S CLEARLY IN LOVE...

644
00:40:24,250 --> 00:40:27,099
BUT WHO RESISTS IT.

645
00:40:27,123 --> 00:40:28,454
LANA... RIGHT?

646
00:40:32,159 --> 00:40:34,307
CLARK, TAKE IT FROM SOMEONE

647
00:40:34,331 --> 00:40:37,041
WHO'S BEEN TRAPPED
FOR SIX YEARS.

648
00:40:37,065 --> 00:40:39,312
IF YOU LOVE HER THAT MUCH,

649
00:40:39,336 --> 00:40:42,477
DON'T PUSH HER AWAY.

650
00:40:42,501 --> 00:40:45,320
IT'S A LONG AND
COMPLICATED STORY, SARA.

651
00:40:45,344 --> 00:40:48,523
I ONLY KNOW WHAT I SAW.

652
00:40:48,547 --> 00:40:51,079
I MAY HAVE BEEN THERE, BUT...

653
00:40:53,181 --> 00:40:55,385
LANA'S THE GIRL OF YOUR DREAMS.

654
00:41:10,130 --> 00:41:12,450
BURNING THE MIDNIGHT OIL?

655
00:41:12,474 --> 00:41:15,282
I FINALLY GOT SOME SLEEP.

656
00:41:15,306 --> 00:41:17,285
MY MAKEUP HISTORY
EXAM IS TOMORROW.

657
00:41:17,309 --> 00:41:20,088
HOW ARE YOU FEELING?

658
00:41:20,112 --> 00:41:21,459
PRETTY STUPID.

659
00:41:21,483 --> 00:41:23,122
WHY?

660
00:41:23,146 --> 00:41:26,995
WHAT YOU DID WAS REALLY
BRAVE. YOU SAVED SARA'S LIFE.

661
00:41:27,019 --> 00:41:29,028
YEAH, AND IT ALMOST
COST ME MINE.

662
00:41:29,052 --> 00:41:31,271
I WAS LUCKY YOU GOT THERE.

663
00:41:31,295 --> 00:41:34,033
YOU BELIEVED IN ME WHEN I
THOUGHT I WAS LOSING MY MIND.

664
00:41:34,057 --> 00:41:37,537
IT WAS THE LEAST I COULD DO.

665
00:41:37,561 --> 00:41:41,541
SO, I FINALLY MET SARA.

666
00:41:41,565 --> 00:41:46,117
ALL SHE COULD
TALK ABOUT WAS YOU.

667
00:41:46,141 --> 00:41:48,419
I TOLD HER I'D LOVE
TO SWITCH PLACES...

668
00:41:48,443 --> 00:41:51,052
YOU KNOW, FIND OUT WHAT
GOES ON INSIDE YOUR HEAD.

669
00:41:51,076 --> 00:41:53,124
IT'S NOT THAT EXCITING.

670
00:41:53,148 --> 00:41:55,427
STILL... YOU KNOW, MAYBE
IT WOULD EXPLAIN WHY

671
00:41:55,451 --> 00:41:57,398
THINGS BETWEEN US...

672
00:41:57,422 --> 00:41:59,461
LANA, IF I HAD THE
ANSWERS UP HERE,

673
00:41:59,485 --> 00:42:01,463
YOU'D BE THE FIRST TO KNOW.

674
00:42:01,487 --> 00:42:04,037
YOU KNOW, IT'S JUST
THE LAST FEW DAYS

675
00:42:04,061 --> 00:42:06,610
I FELT LIKE THE GIRL
NEXT DOOR AGAIN.

676
00:42:06,634 --> 00:42:08,311
IT WAS NICE.

677
00:42:08,335 --> 00:42:12,239
EVEN THOUGH IT
ALMOST GOT YOU KILLED?

678
00:42:15,543 --> 00:42:17,304
LANA...

679
00:42:18,606 --> 00:42:22,610
YOU'LL ALWAYS BE
THE GIRL NEXT DOOR.

680
00:42:27,657 --> 00:42:30,595
SO, UM, ANY CHANCE WE COULD
DO SOMETHING THIS WEEKEND...

681
00:42:30,619 --> 00:42:33,099
YOU KNOW, AS FRIENDS?

682
00:42:33,123 --> 00:42:35,441
WHAT DID YOU HAVE IN MIND?

683
00:42:35,465 --> 00:42:38,474
WELL, IT'S BEEN LIKE
AN OVEN OUTSIDE,

684
00:42:38,498 --> 00:42:41,378
SO I WAS THINKING WE COULD
GO SWIMMING AT CRATER LAKE.

685
00:42:41,402 --> 00:42:46,514
I REALLY DON'T THINK
SKINNY-DIPPING IS A GOOD IDEA.

686
00:42:46,538 --> 00:42:51,313
WHO SAID ANYTHING
ABOUT SKINNY-DIPPING?

687
00:42:54,646 --> 00:42:57,349
MAYBE IN YOUR DREAMS, CLARK.

688
00:43:19,643 --> 00:43:22,452
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689
00:43:22,476 --> 00:43:25,481
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