1 00:00:12,858 --> 00:00:15,338 ♫ YOU PAINT A PICTURE ON THE WALL ♫ 2 00:00:15,362 --> 00:00:17,840 ♫ 'CAUSE YOU'VE GOT A LOT TO TELL ME ♫ 3 00:00:17,864 --> 00:00:20,504 ♫ BUT YOU DON'T THINK YOU COULD SAY IT BETTER ♫ 4 00:00:20,528 --> 00:00:22,777 ♫ OH, BABY ♫ 5 00:00:22,801 --> 00:00:25,234 ♫ YOU'RE BRINGING UP TIMES I CAN'T RECALL ♫ 6 00:00:29,010 --> 00:00:30,488 HOW TASTELESS IS THIS? 7 00:00:30,512 --> 00:00:32,360 I THINK THEY EVEN USED REAL METEOR ROCK. 8 00:00:32,384 --> 00:00:33,991 THE AMERICAN VERSION OF CLOSURE. 9 00:00:34,015 --> 00:00:35,894 YOU CAN ONLY GET OVER YOUR GRIEF 10 00:00:35,918 --> 00:00:38,268 WHEN YOU FIGURE OUT HOW TO MERCHANDISE YOUR TRAGEDY. 11 00:00:38,292 --> 00:00:40,972 OOH, COTTON CANDY. COME ON. 12 00:00:40,996 --> 00:00:43,905 HI. ONE COTTON CANDY, PLEASE. 13 00:00:43,929 --> 00:00:47,240 SOMETIMES, I THINK IT'D BE NICE TO GET AWAY FROM ALL THIS. 14 00:00:47,264 --> 00:00:48,881 MAYBE CLARK WAS RIGHT. 15 00:00:48,905 --> 00:00:51,244 JUST... LEAVE IT ALL BEHIND. 16 00:00:51,268 --> 00:00:53,247 AND WE ALMOST WENT THROUGH AN ENTIRE DAY 17 00:00:53,271 --> 00:00:55,451 WITHOUT MENTIONING OUR FAVORITE FARM BOY. 18 00:00:55,475 --> 00:00:58,024 I'M SORRY. I DIDN'T MEAN TO THROW A WET TOWEL 19 00:00:58,048 --> 00:00:59,926 OVER OUR GIRLS' DAY OUT. 20 00:00:59,950 --> 00:01:02,399 IT'S OKAY. I JUST FEEL I SHOULD TAKE THIS MOMENT 21 00:01:02,423 --> 00:01:04,301 TO STATE SOMETHING VERY OBVIOUS. 22 00:01:04,325 --> 00:01:06,334 CLARK NOT DATING YOU WAS HIS LOSS, NOT YOURS. 23 00:01:06,358 --> 00:01:08,307 OKAY? 24 00:01:08,331 --> 00:01:10,370 LANA LANG. HEY! 25 00:01:10,394 --> 00:01:12,873 LANA LANG, HEY, YOU WANT TO SHOW OFF YOUR ARM? 26 00:01:12,897 --> 00:01:14,476 AMAZE AND ASTOUND YOUR FRIENDS? 27 00:01:14,500 --> 00:01:16,317 SURE, WHY NOT? 28 00:01:16,341 --> 00:01:18,951 I'll LET YOU IN ON A LITTLE SECRET, TOO. 29 00:01:18,975 --> 00:01:21,954 THE GAME'S RIGGED. 30 00:01:21,978 --> 00:01:25,090 MAGNETS. JUST GET IT CLOSE, I'll SLIP YOU A PRIZE. 31 00:01:25,114 --> 00:01:27,332 WON'T YOU GET IN TROUBLE FOR THAT? 32 00:01:27,356 --> 00:01:30,337 OH, NO, IT'S THE, UH, LAST DAY OF THE FAIR, YOU KNOW? 33 00:01:30,361 --> 00:01:32,900 WHAT ARE THEY GOING TO DO? 34 00:01:32,924 --> 00:01:35,543 I REST MY CASE, HA HA. 35 00:01:35,567 --> 00:01:37,646 SETH IS MY LAB PARTNER. 36 00:01:37,670 --> 00:01:40,879 YEAH, AND HE'S ALSO HAD A CRUSH ON YOU FOR FOREVER. 37 00:01:40,903 --> 00:01:43,554 ISN'T HE THE ONE THAT USED TO SPELL YOUR NAME OUT 38 00:01:43,578 --> 00:01:44,985 WITH SPAGHETTI? 39 00:01:45,009 --> 00:01:47,058 YEAH, THAT WAS IN SIXTH GRADE, 40 00:01:47,082 --> 00:01:50,924 AND NOW HE'S INTO, LIKE, CARS, COMICS, AND GAMECUBES. 41 00:01:50,948 --> 00:01:53,567 WHAT EXACTLY DO WE HAVE IN COMMON? 42 00:01:53,591 --> 00:01:55,599 I DON'T KNOW. 43 00:01:55,623 --> 00:01:58,473 JUST MISSED... HE'S CUTE, THOUGH. 44 00:01:58,497 --> 00:02:00,335 WOULD YOU LIKE TO TRY AGAIN? 45 00:02:00,359 --> 00:02:02,608 WHY NOT? EXPAND YOUR HORIZONS. 46 00:02:02,632 --> 00:02:04,040 GO FOR IT. 47 00:02:04,064 --> 00:02:06,944 ALL RIGHT. 48 00:02:06,968 --> 00:02:08,086 OH! 49 00:02:08,110 --> 00:02:10,590 HA HA HA. 50 00:02:10,614 --> 00:02:14,153 HA HA! 51 00:02:14,177 --> 00:02:17,157 AIM. AIM. I AM AIMING! 52 00:02:17,181 --> 00:02:19,501 I GIVE UP. 53 00:02:19,525 --> 00:02:21,503 HERE. 54 00:02:21,527 --> 00:02:25,969 FOR A FINE EFFORT. 55 00:02:25,993 --> 00:02:31,417 OH, SETH, I... YOU DON'T LIKE IT? 56 00:02:31,441 --> 00:02:32,978 I'll TAKE IT. 57 00:02:33,002 --> 00:02:35,723 UH, I'M SORRY, SIR, BUT YOU HAVE TO WIN FIRST. 58 00:02:35,747 --> 00:02:38,409 OH, YEAH? LIKE HER? 59 00:02:40,151 --> 00:02:43,994 UM, I THINK YOU SHOULD... SHOULD LEAVE. 60 00:02:44,018 --> 00:02:46,637 YEAH? 61 00:02:46,661 --> 00:02:48,569 I'D LIKE TO SEE YOU MAKE ME. 62 00:02:48,593 --> 00:02:51,704 HERE, JUST TAKE IT AND LEAVE HIM ALONE. 63 00:02:51,728 --> 00:02:54,206 YOU GONNA LET YOUR CHICK DO YOUR FIGHTING FOR YA? 64 00:02:54,230 --> 00:02:57,675 COME ON, PUNK. WHAT YOU GOT? 65 00:03:00,780 --> 00:03:03,558 I'M GONNA TEAR YOU APART! 66 00:03:03,582 --> 00:03:06,022 GET SECURITY. 67 00:03:06,046 --> 00:03:07,564 ♫ YOU ARE EVERYTHING AND MORE ♫ 68 00:03:07,588 --> 00:03:10,027 ♫ TO ME ♫ 69 00:03:10,051 --> 00:03:12,131 ♫ I WILL LET YOU BE ♫ 70 00:03:12,155 --> 00:03:14,503 ♫ I WILL, I WILL ♫ 71 00:03:14,527 --> 00:03:17,176 ♫ I SAID, BABY ♫ 72 00:03:17,200 --> 00:03:21,513 ♫ YOU'RE AMAZING ♫ 73 00:03:21,537 --> 00:03:25,611 ♫ I WANT TO LET YOU SEE ♫ 74 00:03:37,228 --> 00:03:40,738 SETH, OH, MY GOD. SOMEONE CALL AN AMBULANCE! 75 00:03:40,762 --> 00:03:42,735 SETH? 76 00:03:47,640 --> 00:03:51,081 Man: OKAY, SETH, JUST RELAX, AND TRY NOT TO MOVE. 77 00:03:51,105 --> 00:03:53,655 I'M FEELING A LITTLE CLAUSTROPHOBIC IN HERE. 78 00:03:53,679 --> 00:03:55,488 IT'S COMPLETELY NORMAL. 79 00:03:55,512 --> 00:03:57,229 I'M ABOUT TO TURN ON THE MRI. 80 00:03:57,253 --> 00:03:59,132 YOU'RE GOING TO HEAR SOME NOISES, 81 00:03:59,156 --> 00:04:00,764 AND WE'LL BE DONE BEFORE YOU KNOW IT. 82 00:04:00,788 --> 00:04:02,236 [ HUMMING NOISE ] 83 00:04:02,260 --> 00:04:04,669 WHAT'S THAT? WHAT'S HAPPENING? IS THAT NORMAL? 84 00:04:04,693 --> 00:04:07,302 IT'S JUST THE MAGNETIC FIELD BEING ACTIVATED. 85 00:04:07,326 --> 00:04:10,107 NOTHING TO WORRY ABOUT. 86 00:04:10,131 --> 00:04:12,150 AAAAH! 87 00:04:12,174 --> 00:04:15,653 HELP! HELP! 88 00:04:15,677 --> 00:04:17,740 HOLD ON! 89 00:04:32,259 --> 00:04:34,362 I NEED A NURSE IN HERE NOW! 90 00:04:38,838 --> 00:04:40,247 RELAX. 91 00:04:40,271 --> 00:04:44,576 I NEED SOME HELP IN HERE, STAT! 92 00:04:45,377 --> 00:04:47,255 SETH, WHAT HAPPENED? 93 00:04:47,279 --> 00:04:49,582 ARE YOU OKAY? 94 00:04:57,894 --> 00:05:01,644 CHLOE WAS RIGHT. 95 00:05:01,668 --> 00:05:04,201 YOU REALLY ARE CUTE. 96 00:05:07,305 --> 00:05:14,391 ♫ SOMEBODY SAVE ME ♫ 97 00:05:14,415 --> 00:05:18,336 ♫ LET YOUR WARM HANDS BREAK RIGHT THROUGH ♫ 98 00:05:18,360 --> 00:05:24,774 ♫ SOMEBODY SAVE ME ♫ 99 00:05:24,798 --> 00:05:28,610 ♫ I DON'T CARE HOW YOU DO IT ♫ 100 00:05:28,634 --> 00:05:29,682 ♫ JUST STAY ♫ 101 00:05:29,706 --> 00:05:31,613 ♫ STAY WITH ME ♫ 102 00:05:31,637 --> 00:05:33,617 ♫ STAY ♫ 103 00:05:33,641 --> 00:05:35,319 ♫ COME ON ♫ 104 00:05:35,343 --> 00:05:38,793 ♫ I'VE BEEN WAITING FOR YOU ♫ 105 00:05:38,817 --> 00:05:44,630 ♫ JUST STAY WITH ME ♫ 106 00:05:44,654 --> 00:05:49,338 ♫ I'VE MADE THIS WHOLE WORLD SHINE FOR YOU ♫ 107 00:05:49,362 --> 00:05:51,240 ♫ JUST STAY ♫ 108 00:05:51,264 --> 00:05:53,814 ♫ STAY ♫ 109 00:05:53,838 --> 00:05:56,771 ♫ COME ON ♫ 110 00:06:00,846 --> 00:06:03,255 T.B. RECORDS? 111 00:06:03,279 --> 00:06:04,728 I'M A LITTLE CONFUSED. 112 00:06:04,752 --> 00:06:06,730 I ASKED YOU TO LOOK INTO THE TENEMENT FIRE 113 00:06:06,754 --> 00:06:08,231 THAT KILLED MY GRANDPARENTS, 114 00:06:08,255 --> 00:06:10,235 AND YOU'VE BROUGHT ME THE HISTORY 115 00:06:10,259 --> 00:06:12,367 OF MY FATHER'S CHILDHOOD INOCULATIONS. 116 00:06:12,391 --> 00:06:14,641 HEY, THESE THINGS TAKE TIME. 117 00:06:14,665 --> 00:06:16,673 ESPECIALLY WHEN YOU'RE BILLING BY THE HOUR. 118 00:06:16,697 --> 00:06:18,976 YEAH, WELL, THE INFORMATION I PULLED... 119 00:06:19,000 --> 00:06:22,721 IT'S NOT THE RECORDS THAT ARE IMPORTANT. 120 00:06:22,745 --> 00:06:25,285 IT'S THE LIST OF THE INDIVIDUALS WHO'VE ACCESSED THEM. 121 00:06:25,309 --> 00:06:27,588 TURNS OUT I'M NOT THE ONLY ONE LOOKING 122 00:06:27,612 --> 00:06:30,286 INTO THE LUTHOR FAMILY HISTORY. 123 00:06:39,326 --> 00:06:41,901 [ SIREN WAILING ] 124 00:07:02,999 --> 00:07:04,375 [ DOOR OPENS ] 125 00:07:04,399 --> 00:07:08,040 HEY. 126 00:07:08,064 --> 00:07:09,913 EITHER YOU'RE REALLY EXCITED ABOUT YOUR JELL-O, 127 00:07:09,937 --> 00:07:11,386 OR YOU'RE FEELING A LOT BETTER. 128 00:07:11,410 --> 00:07:13,387 I FEEL GREAT, ACTUALLY. 129 00:07:13,411 --> 00:07:15,351 YEAH, YOU'RE CUT LOOKS AMAZING. 130 00:07:15,375 --> 00:07:17,093 YEAH. 131 00:07:17,117 --> 00:07:19,797 YOU SHOULD SEE THE MRI MACHINE. IT'S A TKO. 132 00:07:19,821 --> 00:07:22,730 YEAH, DO THEY KNOW WHAT HAPPENED? 133 00:07:22,754 --> 00:07:25,403 UM, I GUESS SOMETHING INTERFERED WITH THE MAGNETIC FIELD. 134 00:07:25,427 --> 00:07:27,737 MUST'VE JUST BEEN AN OLD MACHINE, I GUESS. 135 00:07:27,761 --> 00:07:29,870 HUH. 136 00:07:29,894 --> 00:07:31,843 I'M SORRY FOR RUINING YOUR DAY AT THE FAIR, TOO. 137 00:07:31,867 --> 00:07:33,845 THANKS FOR BRINGING ME TO THE HOSPITAL. 138 00:07:33,869 --> 00:07:36,819 I WAS HAPPY TO HELP. 139 00:07:36,843 --> 00:07:39,923 UM... 140 00:07:39,947 --> 00:07:42,786 YOU KNOW, I-I'D REALLY LIKE TO MAKE IT UP TO YOU. 141 00:07:42,810 --> 00:07:45,129 MAYBE TAKE YOU OUT SOMETIME? 142 00:07:45,153 --> 00:07:49,459 SETH, YOU DON'T HAVE TO. 143 00:07:58,731 --> 00:08:01,110 WELL, OKAY. 144 00:08:01,134 --> 00:08:03,077 HOW ABOUT TONIGHT? 145 00:08:11,988 --> 00:08:13,968 CLARK, WHAT'S THE RUSH? 146 00:08:13,992 --> 00:08:16,731 YOU'RE NOT UPSET THAT SETH ASKED ME OUT, ARE YOU? 147 00:08:16,755 --> 00:08:18,473 NO. IT'S GREAT. 148 00:08:18,497 --> 00:08:20,737 I'M GLAD YOU THINK SO. 149 00:08:20,761 --> 00:08:23,009 BECAUSE THE LAST TIME I CHECKED, 150 00:08:23,033 --> 00:08:25,768 YOU AND I WERE JUST FRIENDS. 151 00:08:28,911 --> 00:08:33,894 LANA, IT'S FINE. REALLY, IT'S NO PROBLEM. 152 00:08:33,918 --> 00:08:37,854 I JUST... I GOTTA GO. 153 00:09:03,616 --> 00:09:05,865 HELLO, SWEETHEART. HI, BABY. 154 00:09:05,889 --> 00:09:08,139 SOMETHING MUST BE WRONG IF HE STUCK HIS HEAD 155 00:09:08,163 --> 00:09:10,142 IN THE REFRIGERATOR AND DIDN'T EAT THE LAST PIECE 156 00:09:10,166 --> 00:09:12,504 OF CHERRY PIE. 157 00:09:12,528 --> 00:09:14,902 IT'S NOTHING. IT'S JUST LANA. 158 00:09:16,504 --> 00:09:18,612 SETH NELSON ASKED HER OUT. 159 00:09:18,636 --> 00:09:20,184 WHAT DID SHE SAY? 160 00:09:20,208 --> 00:09:23,820 SHE SAID YES SO FAST IT GAVE ME WHIPLASH. 161 00:09:23,844 --> 00:09:25,822 LOOK, CLARK, 162 00:09:25,846 --> 00:09:28,066 JEALOUSY IS A TOUGH EMOTION... 163 00:09:28,090 --> 00:09:30,067 DAD, I'M NOT JEALOUS. 164 00:09:30,091 --> 00:09:31,200 AH. 165 00:09:31,224 --> 00:09:33,503 MAYBE A LITTLE BIT, BUT... 166 00:09:33,527 --> 00:09:36,206 LOOK, HE ASKED HER OUT ON A DATE RIGHT IN FRONT OF ME. 167 00:09:36,230 --> 00:09:40,111 I JUST FIND IT HARD TO BELIVE SHE'D SAY YES. 168 00:09:40,135 --> 00:09:44,287 CLARK, YOU MADE A REALLY TOUGH DECISION, SON. 169 00:09:44,311 --> 00:09:46,590 YOU DIDN'T WANT TO PUT LANA IN ANY MORE DANGER, 170 00:09:46,614 --> 00:09:49,192 BUT YOU CAN'T HAVE IT BOTH WAYS. 171 00:09:49,216 --> 00:09:51,856 NOW, IF YOU'RE NOT WILLING TO GO OUT WITH LANA, 172 00:09:51,880 --> 00:09:54,100 THEN SHE'S PERFECTLY FREE TO GO OUT 173 00:09:54,124 --> 00:09:55,230 WITH WHOEVER SHE WANTS. 174 00:09:55,254 --> 00:09:58,158 I GUESS YOU HAVE TO ACCEPT IT. 175 00:10:01,232 --> 00:10:02,942 [ KNOCK ON DOOR ] 176 00:10:02,966 --> 00:10:05,245 FINALLY. I DIDN'T THINK YOU WERE GOING TO SHOW. 177 00:10:05,269 --> 00:10:07,548 NOT THAT CLARK KENT EVER OPERATES ON THE SAME SPEED 178 00:10:07,572 --> 00:10:09,649 AS THE REST OF THE WORLD. 179 00:10:09,673 --> 00:10:11,283 INTERESTING OBSERVATION, CHLOE. 180 00:10:11,307 --> 00:10:12,924 HEY, LEX. 181 00:10:12,948 --> 00:10:14,986 UH, CLARK'S NOT HERE. OBVIOUSLY. 182 00:10:15,010 --> 00:10:18,262 ACTUALLY, I WAS LOOKING FOR YOU. 183 00:10:18,286 --> 00:10:20,264 IT'S COME TO MY ATTENTION 184 00:10:20,288 --> 00:10:22,668 THAT YOU'VE BEEN CHECKING INTO MY FATHER. 185 00:10:22,692 --> 00:10:24,570 I SAW YOUR NAME 186 00:10:24,594 --> 00:10:27,173 ON THE METROPOLIS COUNTY RECORDS LOG. 187 00:10:27,197 --> 00:10:29,076 OH. YEAH, THAT. 188 00:10:29,100 --> 00:10:31,109 UM, I'M JUST WRITING A STORY ON HIM FOR THE "TORCH." 189 00:10:31,133 --> 00:10:32,951 OH, REALLY? 190 00:10:32,975 --> 00:10:36,916 A STORY THAT INVOLVES OBSCURE CHILDHOOD MEDICAL RECORDS? 191 00:10:36,940 --> 00:10:39,188 JUST TRYING TO BE THOROUGH. 192 00:10:39,212 --> 00:10:41,623 THE MARK OF A GOOD REPORTER. 193 00:10:41,647 --> 00:10:44,090 AND YOU ARE A GOOD REPORTER, CHLOE. 194 00:10:45,652 --> 00:10:47,629 SO GOOD, APPARENTLY, THAT MY FATHER 195 00:10:47,653 --> 00:10:50,004 PULLED STRINGS TO MAKE YOU THE YOUNGEST COLUMNIST 196 00:10:50,028 --> 00:10:52,005 IN THE HISTORY OF THE "DAILY PLANET." 197 00:10:52,029 --> 00:10:53,337 WHAT DO YOU WANT, LEX? 198 00:10:53,361 --> 00:10:55,139 I'M JUST CURIOUS. 199 00:10:55,163 --> 00:10:57,212 WONDERING WHY A HIGH-SCHOOL REPORTER 200 00:10:57,236 --> 00:11:02,089 IS DIGGING SO DEEPLY INTO MY FATHER'S PAST. 201 00:11:02,113 --> 00:11:05,995 MAYBE I'll JUST ASK HIM ABOUT IT AT DINNER TONIGHT. 202 00:11:06,019 --> 00:11:08,096 GO AHEAD, SINCE THE ONLY WAY YOU COULD'VE FOUND OUT 203 00:11:08,120 --> 00:11:11,331 ABOUT THOSE RECORDS IS IF YOU LOOKED INTO THEM YOURSELF. 204 00:11:11,355 --> 00:11:14,065 AT LEAST I'M PREPARED FOR WHAT I MIGHT FIND. 205 00:11:14,089 --> 00:11:17,192 I'M NOT SO SURE YOU REALIZE WHAT YOU'VE GOTTEN YOURSELF INTO. 206 00:11:39,162 --> 00:11:42,101 LANA. 207 00:11:42,125 --> 00:11:46,748 I OWE YOU AN APOLOGY. 208 00:11:46,772 --> 00:11:50,884 IT DID BOTHER ME WHEN SETH ASKED YOU OUT. 209 00:11:50,908 --> 00:11:54,759 BUT I HAVE TO GET USED TO THE IDEA THAT 210 00:11:54,783 --> 00:11:58,123 YOU'RE GOING TO BE DATING OTHER PEOPLE. 211 00:11:58,147 --> 00:11:59,895 I'M SORRY, TOO, CLARK. 212 00:11:59,919 --> 00:12:02,923 I DIDN'T MEAN FOR THAT TO HAPPEN RIGHT IN FRONT OF YOU. 213 00:12:05,056 --> 00:12:08,135 TRUTHFULLY, I DON'T EVEN KNOW WHY I AGREED 214 00:12:08,159 --> 00:12:10,438 TO GO OUT WITH SETH. 215 00:12:10,462 --> 00:12:14,908 MAYBE I WAS JUST SUBCONSCIOUSLY TRYING TO MAKE YOU JEALOUS. 216 00:12:17,272 --> 00:12:21,494 SO YOU'RE NOT REALLY INTO HIM. 217 00:12:21,518 --> 00:12:26,059 HE'S A NICE ENOUGH GUY... JUST... 218 00:12:26,083 --> 00:12:29,004 THERE AREN'T ANY SPARKS. 219 00:12:29,028 --> 00:12:32,091 HE'S GOING TO BE HERE ANY SECOND TO PICK ME UP. 220 00:12:36,236 --> 00:12:38,216 LANA, I KNOW I SHOULD STAY OUT OF IT, 221 00:12:38,240 --> 00:12:40,219 BUT IF YOU DON'T FEEL THAT WAY ABOUT SETH, 222 00:12:40,243 --> 00:12:42,481 IT'S NOT RIGHT TO LEAD HIM ON. 223 00:12:42,505 --> 00:12:44,177 Seth: LANA? 224 00:12:45,879 --> 00:12:48,089 HEY. READY TO GO? 225 00:12:48,113 --> 00:12:50,856 SETH, HI. 226 00:12:54,260 --> 00:12:58,172 MAYBE WE SHOULD SIT DOWN. 227 00:12:58,196 --> 00:12:59,899 YEAH. 228 00:13:05,806 --> 00:13:09,317 I DON'T KNOW HOW TO SAY THIS. 229 00:13:09,341 --> 00:13:11,889 I KNOW I SAID I COULD GO WITH YOU, 230 00:13:11,913 --> 00:13:14,246 BUT I CAN'T. 231 00:13:16,890 --> 00:13:19,129 I REALLY AM SORRY. 232 00:13:19,153 --> 00:13:23,034 IT'S NO PROBLEM. 233 00:13:23,058 --> 00:13:27,009 IT'S JUST THAT YOU'RE ALWAYS SO BUSY, YOU KNOW? 234 00:13:27,033 --> 00:13:30,144 YOU OWE IT TO YOURSELF TO TAKE A BREAK, 235 00:13:30,168 --> 00:13:33,042 HAVE A LITTLE BIT OF FUN. 236 00:13:35,174 --> 00:13:38,095 YOU KNOW WHAT? YOU'RE RIGHT. 237 00:13:38,119 --> 00:13:40,258 I'D LOVE TO GO OUT WITH YOU. 238 00:13:40,282 --> 00:13:44,057 HEY, COULD YOU COVER ME? THANKS. 239 00:13:53,940 --> 00:13:57,250 SETH, WHAT ARE WE DOING HERE? 240 00:13:57,274 --> 00:13:59,383 THE FAIR'S CLOSED FOR THE SEASON. 241 00:13:59,407 --> 00:14:01,385 IT IS, BUT THEY DON'T TAKE THE RIDES AWAY 242 00:14:01,409 --> 00:14:03,388 FOR A FEW MORE DAYS. 243 00:14:03,412 --> 00:14:05,860 AND HOW ARE WE SUPPOSED TO GET IN? 244 00:14:05,884 --> 00:14:09,289 UM, TURN AROUND. IT'S A SURPRISE. 245 00:14:19,903 --> 00:14:22,413 HOW DID YOU DO THAT? 246 00:14:22,437 --> 00:14:25,417 I GUESS THE NO-PEEKING RULE WASN'T REALLY CLEAR. 247 00:14:25,441 --> 00:14:28,991 CAN YOU KEEP A BIG SECRET? 248 00:14:29,015 --> 00:14:31,625 WHAT DO YOU MEAN? 249 00:14:31,649 --> 00:14:34,469 YOU KNOW AFTER THAT GUY HIT ME, AND I WENT TO THE HOSPITAL? 250 00:14:34,493 --> 00:14:36,532 I ALL OF A SUDDEN GOT THESE STRANGE POWERS. 251 00:14:36,556 --> 00:14:38,959 IT'S LIKE I COULD WARP AN ELECTROMAGNETIC FIELD. 252 00:14:40,661 --> 00:14:42,308 I DON'T KNOW. 253 00:14:42,332 --> 00:14:44,381 IT WAS AFTER THE MRI, AND IT WAS, LIKE, 254 00:14:44,405 --> 00:14:46,485 ALL OF A SUDDEN I COULD MOVE METAL OBJECTS LIKE A MAGNET. 255 00:14:46,509 --> 00:14:48,548 CAN YOU DO IT ALL THE TIME? 256 00:14:48,572 --> 00:14:54,655 WELL... ONLY WHEN I CONCENTRATE. 257 00:14:54,679 --> 00:14:57,529 AM I SCARING YOU? 258 00:14:57,553 --> 00:15:01,634 MAYBE IN THE PAST YOU WOULD BE, BUT... 259 00:15:01,658 --> 00:15:04,091 ACTUALLY, I THINK IT'S KINDA COOL. 260 00:15:07,035 --> 00:15:09,144 THANKS FOR NOT THINKING I'M A FREAK. 261 00:15:09,168 --> 00:15:11,477 THANKS FOR BEING HONEST WITH ME. 262 00:15:11,501 --> 00:15:13,504 IT REALLY MEANS A LOT. 263 00:15:26,621 --> 00:15:29,000 YOU'RE AMAZING. 264 00:15:29,024 --> 00:15:30,125 LET'S GO. 265 00:15:45,145 --> 00:15:47,394 I LOVE THIS RIDE. 266 00:15:47,418 --> 00:15:49,197 YEAH, ME TOO. 267 00:15:49,221 --> 00:15:52,432 IT REMINDS THAT THERE'S A WORLD OUT THERE BEYOND SMALLVILLE. 268 00:15:52,456 --> 00:15:56,006 I'M GOING TO LEAVE ONE DAY. 269 00:15:56,030 --> 00:15:58,539 I JUST CAN'T BELIEVE YOU'RE HERE WITH ME, 270 00:15:58,563 --> 00:16:01,013 EVEN THOUGH I'VE ALWAYS THOUGHT WE'VE HAD A CONNECTION, 271 00:16:01,037 --> 00:16:02,609 YOU KNOW? 272 00:16:20,732 --> 00:16:23,643 YEAH, ME TOO. 273 00:16:23,667 --> 00:16:26,269 I NEVER REALIZED IT WAS THIS STRONG. 274 00:16:34,812 --> 00:16:38,192 I-I'M SORRY. 275 00:16:38,216 --> 00:16:41,721 I'M MOVING TOO FAST. I'll STOP. 276 00:16:43,123 --> 00:16:44,671 AAH! 277 00:16:44,695 --> 00:16:48,174 OH, MY GOD! SETH, Y-YOU'RE CRAZY! 278 00:16:48,198 --> 00:16:50,808 [ LAUGHS ] 279 00:16:50,832 --> 00:16:54,714 AAH! SETH, WHAT'S GOING ON? 280 00:16:54,738 --> 00:16:57,086 YOU'RE MAKING ME NAUSEOUS. 281 00:16:57,110 --> 00:16:59,514 [ LAUGHS ] 282 00:17:03,750 --> 00:17:05,767 CLARK, WHAT ARE YOU DOING HERE? 283 00:17:05,791 --> 00:17:08,732 WELL, I HEARD SCREAMING. I THOUGHT YOU WERE IN TROUBLE, 284 00:17:08,756 --> 00:17:10,735 SO I PULLED THE SWITCH. 285 00:17:10,759 --> 00:17:12,777 WHAT SWITCH? I DIDN'T HEAR THE MOTOR GO OFF. 286 00:17:12,801 --> 00:17:15,640 DO YOU ALWAYS COME TO THE FAIR 287 00:17:15,664 --> 00:17:18,145 WHEN IT'S CLOSED, CLARK? 288 00:17:18,169 --> 00:17:22,249 DID YOU FOLLOW US HERE? 289 00:17:22,273 --> 00:17:24,152 ARE YOU STALKING ME? 290 00:17:24,176 --> 00:17:27,882 BETTER FIND A NEW HOBBY, CLARK. 291 00:17:34,160 --> 00:17:36,138 YOU ACTUALLY DATED THAT LOSER? 292 00:17:36,162 --> 00:17:38,265 Lana: YEAH. [ LAUGHS ] 293 00:17:45,474 --> 00:17:49,226 [ BELL RINGS ] 294 00:17:49,250 --> 00:17:50,727 NICE TRICK. 295 00:17:50,751 --> 00:17:52,729 HAVEN'T YOU GOT ANYTHING BETTER TO DO 296 00:17:52,753 --> 00:17:55,293 THAN FOLLOW ME AROUND, CLARK? 297 00:17:55,317 --> 00:17:57,335 YOU CAN CONTROL METAL OBJECTS, CAN'T YOU, SETH? 298 00:17:57,359 --> 00:17:58,697 SO WHAT IF I CAN? 299 00:17:58,721 --> 00:18:01,702 AND YOU'VE GOT SOME KIND OF HOLD OVER LANA. 300 00:18:01,726 --> 00:18:04,446 HATE TO POKE A HOLE IN YOUR LITTLE THEORY, CLARK. 301 00:18:04,470 --> 00:18:07,279 LANA'S NOT MADE OUT OF STEEL. 302 00:18:07,303 --> 00:18:09,282 WELL, I DON'T KNOW HOW YOU'RE DOING IT, 303 00:18:09,306 --> 00:18:11,685 BUT I'M NOT GOING TO LET YOU FORCE LANA TO BE WITH YOU. 304 00:18:11,709 --> 00:18:13,687 I'M NOT FORCING HER TO DO ANYTHING. 305 00:18:13,711 --> 00:18:16,261 I'M JUST A PERSUASIVE GUY, AND LANA'S ON THE REBOUND. 306 00:18:16,285 --> 00:18:18,293 IT'S NOT MY FAULT YOU BLEW IT, CLARK. 307 00:18:18,317 --> 00:18:20,367 SHE'S NOT INTO YOU, SETH. 308 00:18:20,391 --> 00:18:21,829 COULD'VE FOOLED ME. 309 00:18:21,853 --> 00:18:24,772 LOOK, LANA'S ALL I'VE EVER THOUGHT ABOUT, OKAY? 310 00:18:24,796 --> 00:18:26,475 AND NOW SHE'S MINE, 311 00:18:26,499 --> 00:18:28,577 AND YOU'RE JUST GOING TO HAVE TO DEAL WITH IT. 312 00:18:28,601 --> 00:18:30,679 I'M WARNING YOU, SETH. STAY AWAY FROM LANA. 313 00:18:30,703 --> 00:18:33,343 AND I'M WARNING YOU, LEAVE US ALONE. 314 00:18:33,367 --> 00:18:35,471 YOU HAVE NO IDEA WHAT I'M CAPABLE OF. 315 00:18:52,633 --> 00:18:54,641 SO, YOU THINK THAT THE METEOR FLAKES 316 00:18:54,665 --> 00:18:56,674 FROM THE SNOW GLOBE, PLUS THE MRI, 317 00:18:56,698 --> 00:18:58,417 EQUALS MAGNET BOY? 318 00:18:58,441 --> 00:18:59,648 MM-HMM. 319 00:18:59,672 --> 00:19:01,781 OKAY, WELL, ASSUMING WE CAN PROVE THAT SETH CAN 320 00:19:01,805 --> 00:19:04,455 MANIPULATE METAL WITH HIS MIND, WHAT DOES THAT HAVE TO DO 321 00:19:04,479 --> 00:19:06,456 WITH LANA'S SUDDEN SETH INFATUATION? 322 00:19:06,480 --> 00:19:08,459 HER ATTRACTION TO HIM HAS SOMETHING TO DO 323 00:19:08,483 --> 00:19:10,433 WITH THE ACCIDENT. 324 00:19:10,457 --> 00:19:12,765 OR LANA COULD JUST THINK HE'S REALLY HOT. 325 00:19:12,789 --> 00:19:15,438 SERIOUSLY. I MEAN, I KNOW YOU DON'T WANT TO ADMIT IT, 326 00:19:15,462 --> 00:19:17,702 BUT IT'S POSSIBLE THAT LANA JUST REALLY LIKES HIM. 327 00:19:17,726 --> 00:19:21,407 CHLOE, THEY HAVE NOTHING IN COM... SHH. 328 00:19:21,431 --> 00:19:23,850 HE'S ALWAYS BEEN AROUND, BUT THEY BARELY KNOW EACH OTHER. 329 00:19:23,874 --> 00:19:26,684 WELL, EXCEPT FOR THE PAST TWO YEARS, 330 00:19:26,708 --> 00:19:29,658 YOU COULD BE DESCRIBING YOURSELF. 331 00:19:29,682 --> 00:19:31,483 I FOUND IT. 332 00:19:33,386 --> 00:19:34,864 LOOK AT THIS. 333 00:19:34,888 --> 00:19:37,467 THE ELECTROMAGNETIC ACTIVITY IN SETH'S NERVOUS SYSTEM 334 00:19:37,491 --> 00:19:38,830 IS HIGHER AFTER THE MRI. 335 00:19:38,854 --> 00:19:41,533 WELL, THAT EXPLAINS THE WALKING MAGNET THEORY. 336 00:19:41,557 --> 00:19:43,575 WHY DIDN'T THE DOCTORS FLAG IT? 337 00:19:43,599 --> 00:19:46,439 ACCORDING TO THIS, THEY CHALKED IT UP TO AN ACCIDENT. 338 00:19:46,463 --> 00:19:48,683 THEY'RE GOING TO KEEP AN EYE ON HIM FOR A FEW WEEKS. 339 00:19:48,707 --> 00:19:51,587 WELL, UH, OKAY, LET'S HEAD BACK TO THE "TORCH" SO WE CAN 340 00:19:51,611 --> 00:19:54,450 CHECK UP ON THE EFFECTS OF ELECTROMAGNETISM IN THE BODY. 341 00:19:54,474 --> 00:19:55,516 OKAY. 342 00:20:00,553 --> 00:20:02,601 WHAT'S GOING ON? 343 00:20:02,625 --> 00:20:05,528 WHAT ARE YOU TWO DOING IN HERE? 344 00:20:08,393 --> 00:20:10,972 AHEM. NOTHING. 345 00:20:10,996 --> 00:20:12,945 UH, SORRY. 346 00:20:12,969 --> 00:20:15,447 WE WERE JUST TAKING A BREAK FROM CANDY STRIPING. 347 00:20:15,471 --> 00:20:17,620 THIS IS A HOSPITAL, YOUNG LADY. 348 00:20:17,644 --> 00:20:19,853 VOLUNTEERING IS ABOUT HELPING PATIENTS, 349 00:20:19,877 --> 00:20:22,858 NOT ABOUT MAKEOUT SESSIONS IN THE FILE ROOM, OKAY? 350 00:20:22,882 --> 00:20:24,584 OKAY. 351 00:20:26,517 --> 00:20:28,819 A GOOD REPORTER ALWAYS THINKS ON HER FEET. 352 00:20:43,008 --> 00:20:44,780 LANA. 353 00:20:47,443 --> 00:20:50,524 I HEARD YOU WARNED SETH TO STAY AWAY FROM ME. 354 00:20:50,548 --> 00:20:52,526 FIRST YOU FOLLOW US TO THE FAIR, 355 00:20:52,550 --> 00:20:53,899 AND NOW THIS? 356 00:20:53,923 --> 00:20:55,900 WHO DO YOU THINK YOU ARE, CLARK? 357 00:20:55,924 --> 00:20:58,475 LANA, I HAD TO. 358 00:20:58,499 --> 00:21:00,977 SETH IS DIFFERENT. HE WAS AFFECTED BY THE MRI. 359 00:21:01,001 --> 00:21:03,581 IT SOMEHOW MADE HIM MAGNETIC. 360 00:21:03,605 --> 00:21:05,543 I KNOW THAT, CLARK. 361 00:21:05,567 --> 00:21:07,847 SETH SHOWED ME. 362 00:21:07,871 --> 00:21:10,650 HE'S BEEN COMPLETELY HONEST ABOUT HIS ABILITIES. 363 00:21:10,674 --> 00:21:12,978 AND I THINK IT'S GREAT. 364 00:21:15,621 --> 00:21:17,729 WELL, IT'S NOT JUST METAL. 365 00:21:17,753 --> 00:21:19,733 I THINK HE'S AFFECTING YOU, TOO. 366 00:21:19,757 --> 00:21:21,765 HE'S USING HIS POWERS TO MAKE YOU LIKE HIM. 367 00:21:21,789 --> 00:21:23,767 DON'T BE RIDICULOUS. 368 00:21:23,791 --> 00:21:25,771 LANA, YOUR BRAIN IS LIKE A CIRCUIT BOARD 369 00:21:25,795 --> 00:21:28,675 OF MAGNETIC IMPULSES, AND CHLOE AND I THINK... 370 00:21:28,699 --> 00:21:30,677 YOU TALKED TO CHLOE ABOUT THIS? 371 00:21:30,701 --> 00:21:32,679 THAT IT'S LIKE HE'S A GIANT MAGNET. 372 00:21:32,703 --> 00:21:34,683 AND HE'S ABLE TO CONTROL THOSE IMPULSES, 373 00:21:34,707 --> 00:21:36,685 MAKE YOUR BRAIN SECRETE THE CHEMICALS 374 00:21:36,709 --> 00:21:38,628 THAT CONTROL YOUR EMOTIONS. 375 00:21:38,652 --> 00:21:39,859 THAT'S CRAZY. 376 00:21:39,883 --> 00:21:41,861 LANA, THE BRAIN RELEASES CHEMICALS 377 00:21:41,885 --> 00:21:43,895 THAT CONTROL DEPRESSION AND HUNGER. 378 00:21:43,919 --> 00:21:45,566 WHY NOT ATTRACTION? 379 00:21:45,590 --> 00:21:47,039 SETH ISN'T TOUCHING ME NOW. 380 00:21:47,063 --> 00:21:49,702 BUT I AM BEGINNING TO CARE MORE ABOUT HIM THAN I HAVE 381 00:21:49,726 --> 00:21:53,878 FOR ANY OTHER GUY... EVER. 382 00:21:53,902 --> 00:21:56,681 SO, HOW DO YOU EXPLAIN THAT? 383 00:21:56,705 --> 00:21:58,514 I DON'T KNOW. 384 00:21:58,538 --> 00:22:00,516 MAYBE IT'S LIKE METAL. 385 00:22:00,540 --> 00:22:02,559 THE LONGER A MAGNET STAYS IN CONTACT WITH METAL, 386 00:22:02,583 --> 00:22:04,562 THE LONGER THE EFFECTS LAST. 387 00:22:04,586 --> 00:22:06,794 LOOK, CLARK, IF YOU DON'T WANT TO DATE ME, THAT'S FINE. 388 00:22:06,818 --> 00:22:09,027 BUT TO MAKE UP SOME CRAZY THEORY SO I DON'T GO OUT 389 00:22:09,051 --> 00:22:11,700 WITH ANYONE ELSE... LANA, THAT'S NOT IT. 390 00:22:11,724 --> 00:22:14,635 I CAME HERE TO TELL YOU THAT WHO I DATE 391 00:22:14,659 --> 00:22:16,638 IS NONE OF YOUR BUSINESS. 392 00:22:16,662 --> 00:22:18,910 LANA, SETH IS DANGEROUS. 393 00:22:18,934 --> 00:22:21,067 NO, CLARK, YOU ARE. 394 00:22:22,769 --> 00:22:26,120 WE'RE NOT TOGETHER ANYMORE, AND THAT WAS YOUR CHOICE. 395 00:22:26,144 --> 00:22:28,748 SO LET ME GO. 396 00:22:51,978 --> 00:22:53,780 GREAT. 397 00:22:56,755 --> 00:22:58,856 Man: EVENING. 398 00:23:04,664 --> 00:23:07,745 GO AHEAD, CALL THE COPS. 399 00:23:07,769 --> 00:23:09,947 THE FIRST QUESTION THEY'RE GOING TO ASK 400 00:23:09,971 --> 00:23:11,950 IS WHY WOULD A PERSON LIKE ME 401 00:23:11,974 --> 00:23:14,082 BREAK INTO A HIGH-SCHOOL NEWSPAPER? 402 00:23:14,106 --> 00:23:17,016 WHATEVER COULD I BE LOOKING FOR? 403 00:23:17,040 --> 00:23:19,761 WHO ARE YOU? WHAT DO YOU WANT? 404 00:23:19,785 --> 00:23:21,764 LET'S JUST SAY THAT I'M WORKING FOR SOMEONE 405 00:23:21,788 --> 00:23:24,767 WHO'S INTERESTED IN THE SAME THING YOU ARE. 406 00:23:24,791 --> 00:23:28,672 WHICH LUTHOR SENT YOU? 407 00:23:28,696 --> 00:23:32,777 WHY WOULD YOU JUMP TO THAT CONCLUSION, CHLOE? 408 00:23:32,801 --> 00:23:35,911 WAIT. WHAT DO YOU THINK YOU'RE DOING? 409 00:23:35,935 --> 00:23:39,039 SOMETHING I DOUBT THAT YOU'LL WANT TO TELL THE POLICE ABOUT. 410 00:23:41,212 --> 00:23:44,677 YOU HAVE A NICE NIGHT. 411 00:23:58,095 --> 00:24:00,814 I GOT TO SAY, I LIKE THE NEW LANA. 412 00:24:00,838 --> 00:24:02,818 I TOOK YOUR ADVICE 413 00:24:02,842 --> 00:24:04,949 AND SPLURGED ON A WHOLE NEW WARDROBE. 414 00:24:04,973 --> 00:24:07,082 I CAN'T WAIT TO SEE THE REST LATER. 415 00:24:07,106 --> 00:24:08,980 COULD HAVE A FASHION SHOW. 416 00:24:14,115 --> 00:24:16,264 YOU KNOW HOW YOU SAID 417 00:24:16,288 --> 00:24:20,169 YOU WANTED TO GET OUT OF SMALLVILLE SOMEDAY? 418 00:24:20,193 --> 00:24:23,274 WHY NOT TODAY? 419 00:24:23,298 --> 00:24:26,873 ARE YOU SERIOUS? 420 00:24:31,839 --> 00:24:34,258 WHERE DO YOU WANT TO GO? 421 00:24:34,282 --> 00:24:35,960 I DON'T KNOW. 422 00:24:35,984 --> 00:24:38,024 I FIGURED WE'D JUST SEE WHERE THE ROAD TAKES US. 423 00:24:38,048 --> 00:24:40,751 WHAT DO YOU SAY? 424 00:24:42,953 --> 00:24:46,229 I'D GO ANYWHERE WITH YOU. 425 00:24:50,904 --> 00:24:53,184 YOU KNOW WE'RE, UH, 426 00:24:53,208 --> 00:24:55,912 PROBABLY GOING TO NEED SOME MONEY. 427 00:24:59,046 --> 00:25:02,119 I THINK I'VE GOT THAT COVERED. 428 00:25:10,259 --> 00:25:14,165 MEET ME OUT BACK. I'VE GOT A SURPRISE FOR YOU, OKAY? 429 00:25:21,375 --> 00:25:25,156 WHAT ARE YOU DOING, CLEANING US OUT? 430 00:25:25,180 --> 00:25:28,831 TAKING AN ADVANCE ON MY SHARE OF THE PROFITS. 431 00:25:28,855 --> 00:25:30,893 OKAY, JOKE'S OVER. PUT THE MONEY BACK. 432 00:25:30,917 --> 00:25:33,065 I'M NOT JOKING, LEX. 433 00:25:33,089 --> 00:25:37,165 I NEED THE CASH. SETH AND I ARE LEAVING SMALLVILLE. 434 00:25:40,299 --> 00:25:42,379 LANA, YOU CAN'T BE SERIOUS. 435 00:25:42,403 --> 00:25:45,412 I CAN'T STAY IN SMALLVILLE FOR A COFFEE SHOP, LEX. 436 00:25:45,436 --> 00:25:48,816 TRY AND UNDERSTAND... MY WHOLE FAMILY'S GONE. 437 00:25:48,840 --> 00:25:51,090 MY FRIENDS HAVE CHANGED. 438 00:25:51,114 --> 00:25:53,823 I FOUND SOMEONE WHO REALLY WANTS TO BE WITH ME... 439 00:25:53,847 --> 00:25:55,426 WHO TRUSTS ME. 440 00:25:55,450 --> 00:25:57,869 FOR THE FIRST TIME IN A LONG TIME, 441 00:25:57,893 --> 00:25:59,400 I DON'T FEEL LIKE I'M ALONE. 442 00:25:59,424 --> 00:26:02,135 [ HORN HONKS ] 443 00:26:02,159 --> 00:26:03,937 [ LAUGHS ] 444 00:26:03,961 --> 00:26:06,110 [ WHISTLES ] 445 00:26:06,134 --> 00:26:07,306 HOP IN. 446 00:26:09,307 --> 00:26:12,913 PRETTY SWEET RIDE FOR A 16-YEAR-OLD. 447 00:26:14,315 --> 00:26:16,994 LANA, YOU'RE MAKING A SERIOUS MISTAKE. 448 00:26:17,018 --> 00:26:20,428 HAVE A NICE LIFE, LEX. 449 00:26:20,452 --> 00:26:22,285 LET'S GO. 450 00:26:34,040 --> 00:26:35,879 WHERE'S LANA? 451 00:26:35,903 --> 00:26:39,283 LEAVING TOWN WITH HER NEW BOYFRIEND... 452 00:26:39,307 --> 00:26:42,087 SHE JUST CLEARED OUT THE REGISTER. 453 00:26:42,111 --> 00:26:44,229 DON'T WORRY, CLARK. I'M CALLING THE SHERIFF. 454 00:26:44,253 --> 00:26:46,416 THEY WON'T EVEN MAKE IT OUT OF TOWN. 455 00:27:16,096 --> 00:27:20,308 WHAT HAPPENED? WHAT'S WRONG? 456 00:27:20,332 --> 00:27:22,239 [ SIRENS WAILING ] 457 00:27:22,263 --> 00:27:24,467 WE'RE STUCK. 458 00:27:31,076 --> 00:27:34,255 LOOK AT IT. IT'S LIKE THE ROAD MELTED. 459 00:27:34,279 --> 00:27:37,429 I CAN'T BELIEVE IT. 460 00:27:37,453 --> 00:27:39,332 OH, MY GOD. 461 00:27:39,356 --> 00:27:40,965 [ SIRENS CONTINUE ] 462 00:27:40,989 --> 00:27:42,290 SETH, IT'S THE SHERIFF. 463 00:27:46,395 --> 00:27:50,141 WHAT ARE WE GOING TO DO? 464 00:27:53,474 --> 00:27:58,257 DON'T WORRY, OKAY? WE'RE GOING TO BE TOGETHER. 465 00:27:58,281 --> 00:27:59,583 TRUST ME. 466 00:28:17,406 --> 00:28:19,515 Sheriff: LANA LANG, REMAIN IN THE VEHICLE. 467 00:28:19,539 --> 00:28:21,511 AND PUT YOUR HANDS ON THE DASHBOARD. 468 00:28:25,688 --> 00:28:27,565 CLARK, YOU WERE RIGHT. 469 00:28:27,589 --> 00:28:29,668 I DIDN'T BELIEVE YOU BEFORE, BUT NOW... 470 00:28:29,692 --> 00:28:31,671 IT'S OKAY, LANA. WE ALL MAKE MISTAKES, 471 00:28:31,695 --> 00:28:33,573 BELIEVE ME. 472 00:28:33,597 --> 00:28:36,237 SHERIFF ADAMS KNOWS THAT YOU DIDN'T STEAL THE CAR, 473 00:28:36,261 --> 00:28:40,412 AND LEX HAS A LAWYER WORKING ON THE OTHER CHARGES. 474 00:28:40,436 --> 00:28:43,246 I WAS SO MEAN TO YOU. 475 00:28:43,270 --> 00:28:46,551 YOU STILL DIDN'T GIVE UP ON ME. 476 00:28:46,575 --> 00:28:51,427 DO YOU HAVE ANY IDEA WHERE SETH WENT? 477 00:28:51,451 --> 00:28:55,302 UM, WELL, HE'S GOT A BROTHER IN GRANDVILLE, 478 00:28:55,326 --> 00:28:57,535 WORKS AT A DINER. 479 00:28:57,559 --> 00:29:01,194 WE WERE GOING TO STAY WITH HIM. 480 00:29:03,597 --> 00:29:05,240 CLARK. 481 00:29:13,580 --> 00:29:16,684 THANK YOU. 482 00:29:29,771 --> 00:29:32,752 YOU'RE A LUTHOR, SO IT'S A GIVEN THAT YOU'RE UNSCRUPULOUS. 483 00:29:32,776 --> 00:29:36,556 BUT I REALLY THOUGHT THAT PETTY LARCENY WAS BENEATH YOU, LEX. 484 00:29:36,580 --> 00:29:38,760 CAN YOU BE A LITTLE MORE SPECIFIC WITH THE CHARGE? 485 00:29:38,784 --> 00:29:41,393 I CAUGHT SOME CREEP IN MY OFFICE TRYING TO STEAL ONE 486 00:29:41,417 --> 00:29:42,624 OF MY COMPUTERS. 487 00:29:42,648 --> 00:29:44,828 I FIGURED EITHER YOU OR YOUR FATHER HIRED HIM. 488 00:29:44,852 --> 00:29:46,771 BUT YOU'RE ACCUSING ME. 489 00:29:46,795 --> 00:29:48,773 YOU'RE WHAT THEY EUPHEMISTICALLY CALL 490 00:29:48,797 --> 00:29:50,775 THE LESSER OF TWO EVILS. 491 00:29:50,799 --> 00:29:53,679 I ADMIRE YOUR TAKE-CHARGE ATTITUDE. 492 00:29:53,703 --> 00:29:58,386 BARGING IN HERE AND ACCUSING ME TOOK GUTS... 493 00:29:58,410 --> 00:30:01,449 OR SHEER STUPIDITY. 494 00:30:01,473 --> 00:30:04,293 WHAT DO YOU SAY WE PAY A VISIT TO YOUR, UH, 495 00:30:04,317 --> 00:30:06,520 INTRUDER? 496 00:30:08,423 --> 00:30:11,533 Chloe: HOW DID HE DIE? 497 00:30:11,557 --> 00:30:13,606 NATURAL CAUSES. 498 00:30:13,630 --> 00:30:15,809 APPARENTLY, HIS HEART JUST GAVE OUT. 499 00:30:15,833 --> 00:30:17,511 YOU BELIEVE THAT? 500 00:30:17,535 --> 00:30:19,514 GIVEN WHAT HE WAS LOOKING INTO, 501 00:30:19,538 --> 00:30:22,618 I DOUBT THERE WAS ANYTHING NATURAL ABOUT HIS DEATH. 502 00:30:22,642 --> 00:30:26,723 HOW DO I KNOW YOU'RE NOT JUST PLAYING ME, LEX? 503 00:30:26,747 --> 00:30:30,328 YOU'RE RIGHT, CHLOE... I COULD BE. 504 00:30:30,352 --> 00:30:32,731 I OFTEN BRING HIGH-SCHOOL GIRLS TO THE MORGUE 505 00:30:32,755 --> 00:30:35,435 TO SHOW THEM WHAT HAPPENS WHEN TRAINED PROFESSIONALS 506 00:30:35,459 --> 00:30:36,867 CROSS MY FATHER. 507 00:30:36,891 --> 00:30:38,869 WELL, THERE'S NOTHING IN MY FILES 508 00:30:38,893 --> 00:30:40,871 WORTH KILLING FOR. 509 00:30:40,895 --> 00:30:44,476 WE'VE GOT A CORPSE HERE THAT SAYS YOU'RE WRONG. 510 00:30:44,500 --> 00:30:48,506 CHLOE, YOU'RE INVOLVED IN A VERY DANGEROUS GAME. 511 00:30:50,407 --> 00:30:53,318 I CAN PROTECT YOU. 512 00:30:53,342 --> 00:30:55,484 YEAH, LIKE YOU PROTECTED HIM? 513 00:30:59,851 --> 00:31:03,331 MASON KNEW THE RISKS OF TANGLING WITH MY FATHER. 514 00:31:03,355 --> 00:31:06,575 YOU CLEARLY DON'T. 515 00:31:06,599 --> 00:31:10,865 I'M THE ONLY CHOICE YOU'VE GOT. 516 00:31:21,920 --> 00:31:24,599 [ SLAM, THUD ] 517 00:31:24,623 --> 00:31:26,831 [ DOOR OPENING ] 518 00:31:26,855 --> 00:31:28,905 Man: HEY, WHAT ARE YOU DOING IN HERE? 519 00:31:28,929 --> 00:31:30,536 YOU'RE NOT SUPPOSED... AAH! 520 00:31:30,560 --> 00:31:31,762 [ THUD ] 521 00:31:35,798 --> 00:31:37,701 SETH. 522 00:31:39,772 --> 00:31:41,752 I'M SO HAPPY YOU'RE HERE. 523 00:31:41,776 --> 00:31:43,784 REALLY? BECAUSE I JUST SAW CLARK LEAVE, 524 00:31:43,808 --> 00:31:45,927 AND I THOUGHT MAYBE YOU WERE HAVING SECOND THOUGHTS ABOUT US. 525 00:31:45,951 --> 00:31:47,790 CLARK'S MY PAST. YOU'RE MY FUTURE. 526 00:31:47,814 --> 00:31:49,462 BESIDES, I MADE UP A STORY, 527 00:31:49,486 --> 00:31:51,435 TOLD HIM THAT YOU WERE HEADED TO GRANDVILLE. 528 00:31:51,459 --> 00:31:52,937 HE'S PROBABLY HALFWAY THERE BY NOW. 529 00:31:52,961 --> 00:31:55,825 PUT YOUR HANDS IN THE AIR. 530 00:32:02,834 --> 00:32:05,708 GO ON. 531 00:32:08,981 --> 00:32:10,959 SETH DOESN'T HAVE A BROTHER WHO WORKS IN GRANDVILLE. 532 00:32:10,983 --> 00:32:13,023 LANA WAS TRYING TO THROW ME OFF HIS TRAIL. 533 00:32:13,047 --> 00:32:15,025 SHE LIED TO ME, RIGHT TO MY FACE, 534 00:32:15,049 --> 00:32:16,828 AND I BELIEVED HER. 535 00:32:16,852 --> 00:32:18,930 SHE'S CLEARLY NOT HERSELF, CLARK. 536 00:32:18,954 --> 00:32:21,504 I KNOW. I'M NOT ANGRY. 537 00:32:21,528 --> 00:32:22,906 IT'S JUST I REALIZE 538 00:32:22,930 --> 00:32:25,709 THAT THAT'S WHAT I'VE BEEN DOING TO HER ALL THIS TIME. 539 00:32:25,733 --> 00:32:27,983 YOUR FEELINGS FOR LANA ARE NOT A LIE. 540 00:32:28,007 --> 00:32:30,716 THINK I MADE THE RIGHT DECISION, PUSHING HER AWAY? 541 00:32:30,740 --> 00:32:32,712 I DON'T KNOW. 542 00:32:34,875 --> 00:32:37,626 I MISS THE DAYS WHEN YOUR ANSWERS WERE YES AND NO. 543 00:32:37,650 --> 00:32:38,897 ME TOO. 544 00:32:38,921 --> 00:32:40,600 [ KNOCK ON DOOR ] 545 00:32:40,624 --> 00:32:42,732 HEY, SETH PULLED A "BONNIE AND CLYDE" 546 00:32:42,756 --> 00:32:45,606 AND BROKE LANA OUT OF JAIL. WHAT? 547 00:32:45,630 --> 00:32:46,937 YEAH, SHERIFF'S GOT ALL THE ROADS BLOCKED. 548 00:32:46,961 --> 00:32:48,840 SHE'S GOING TO RUIN HER LIFE BEING WITH HIM. 549 00:32:48,864 --> 00:32:50,473 I GOTTA FIND THEM. 550 00:32:50,497 --> 00:32:52,715 CLARK, THEY COULD BE HIDING ANYWHERE. 551 00:32:52,739 --> 00:32:54,947 THEY'RE A NEEDLE IN A HAYSTACK. 552 00:32:54,971 --> 00:32:57,675 DEPENDS ON THE NEEDLE. 553 00:33:22,107 --> 00:33:24,658 I CAN'T BELIEVE YOU CAME BACK FOR ME. 554 00:33:24,682 --> 00:33:26,659 YOU COULD'VE BEEN CAUGHT. 555 00:33:26,683 --> 00:33:28,662 I COULD NEVER LEAVE SMALLVILLE WITHOUT YOU. 556 00:33:28,686 --> 00:33:30,665 YOU'RE ALL I'VE EVER WANTED. 557 00:33:30,689 --> 00:33:33,668 LET'S JUST GO NOW AND GET OUT OF HERE... JUST THE TWO OF US. 558 00:33:33,692 --> 00:33:36,673 NOT YET. IT'S TOO DANGEROUS. 559 00:33:36,697 --> 00:33:38,706 THEY'RE TAKING THE RIDES OUT OF HERE TOMORROW MORNING. 560 00:33:38,730 --> 00:33:40,879 WE'LL SLIP AWAY ON ONE OF THE TRUCKS. 561 00:33:40,903 --> 00:33:42,965 COME HERE. 562 00:33:53,720 --> 00:33:57,761 YOU'RE NOT TAKING HER ANYWHERE. 563 00:33:57,785 --> 00:33:59,903 I TOLD YOU TO STAY AWAY FROM HER. 564 00:33:59,927 --> 00:34:01,589 CLARK. 565 00:34:02,862 --> 00:34:04,133 LET HIM GO. 566 00:34:13,606 --> 00:34:15,809 LET HIM GO, CLARK, OR I SWEAR, I'll SHOOT. 567 00:34:18,882 --> 00:34:21,255 GET AWAY FROM HIM, CLARK! 568 00:34:26,693 --> 00:34:30,697 LANA, I CAN HANDLE IT FROM HERE. 569 00:34:35,974 --> 00:34:38,838 JUST GO. JUST MEET ME OUTSIDE, OKAY? 570 00:34:54,099 --> 00:34:55,907 YOU NEED HELP, SETH. 571 00:34:55,931 --> 00:34:57,979 NO, YOU'RE JUST SAYING THAT BECAUSE YOU WANT LANA BACK. 572 00:34:58,003 --> 00:35:00,043 BUT YOU CAN'T HAVE HER. 573 00:35:00,067 --> 00:35:01,739 [ GUN COCKS ] 574 00:35:06,175 --> 00:35:07,852 [ CLICKS ] 575 00:35:07,876 --> 00:35:13,123 LOOKS LIKE I'M NOT THE ONLY ONE WITH SPECIAL POWERS. 576 00:35:31,047 --> 00:35:33,181 CLARK, YOU CAN'T FIGHT PHYSICS. 577 00:35:39,088 --> 00:35:41,592 NEITHER CAN YOU. 578 00:35:56,942 --> 00:35:59,815 [ GROANS ] 579 00:36:12,061 --> 00:36:14,881 NICE OUTFIT. 580 00:36:14,905 --> 00:36:17,845 IT GOES WITH THE COMMUNITY SERVICE. 581 00:36:17,869 --> 00:36:21,344 WHICH IS GETTING OFF EASY, AFTER WHAT I DID. 582 00:36:25,079 --> 00:36:28,899 LEX, THANKS FOR ALL YOUR HELP. 583 00:36:28,923 --> 00:36:32,635 WHAT GOOD ARE LAWYERS IF THEY CAN'T JUMP THROUGH HOOPS? 584 00:36:32,659 --> 00:36:35,238 ANY WORD ON YOUR FRIEND SETH? 585 00:36:35,262 --> 00:36:37,311 HE'S STILL IN A COMA. THEY DON'T KNOW 586 00:36:37,335 --> 00:36:41,347 WHAT HE'LL REMEMBER IF AND WHEN HE EVER WAKES UP. 587 00:36:41,371 --> 00:36:44,273 LEX, I'M SORRY I LET YOU DOWN. 588 00:36:46,007 --> 00:36:50,287 I CAN'T DEFEND MY BEHAVIOR, MAGNETISM OR NO MAGNETISM. 589 00:36:50,311 --> 00:36:53,162 BUT I'D REALLY LIKE MY JOB AT THE TALON BACK. 590 00:36:53,186 --> 00:36:55,394 DONE. 591 00:36:55,418 --> 00:36:57,437 I'M SERIOUS. THE PLACE NEEDS YOU. 592 00:36:57,461 --> 00:37:01,073 AND I MAKE A LOUSY LATTE. 593 00:37:01,097 --> 00:37:03,044 LEX... 594 00:37:03,068 --> 00:37:05,347 LANA, I DID A LOT WORSE THINGS THAN STEAL A SPORTS CAR 595 00:37:05,371 --> 00:37:07,351 WHEN I WAS YOUR AGE. 596 00:37:07,375 --> 00:37:09,454 AND I'M THE LAST GUY TO CRITICIZE SOMEONE 597 00:37:09,478 --> 00:37:12,988 FOR FALLING FOR THE WRONG PERSON. 598 00:37:13,012 --> 00:37:17,088 BUT I'M SURE THE RIGHT GUY IS OUT THERE. 599 00:37:30,065 --> 00:37:31,467 LEX. 600 00:37:34,309 --> 00:37:36,318 I WAS THINKING ABOUT WHAT YOU SAID, 601 00:37:36,342 --> 00:37:39,217 AND I NEED YOUR HELP. 602 00:37:50,360 --> 00:37:54,041 ALL RIGHT, CHLOE, YOU HAVE THE FLOOR. 603 00:37:54,065 --> 00:37:58,077 IT ALL STARTED WITH THE WALL OF WEIRD. 604 00:37:58,101 --> 00:38:00,220 YOUR DAD WAS INTERESTED IN THE EFFECTS 605 00:38:00,244 --> 00:38:02,153 OF THE METEOR ROCKS. 606 00:38:02,177 --> 00:38:04,385 HE WANTED ME TO START FEEDING HIM INFORMATION 607 00:38:04,409 --> 00:38:07,253 ABOUT THE MORE BIZARRE INCIDENTS. 608 00:38:12,360 --> 00:38:14,492 IT'S ALWAYS BEEN AN OBSESSION OF HIS. 609 00:38:17,367 --> 00:38:21,148 BUT I CAN'T IMAGINE THAT'S THE EXTENT OF YOUR ARRANGEMENT. 610 00:38:21,172 --> 00:38:25,312 HE WANTED ME TO SPY ON A FRIEND. 611 00:38:25,336 --> 00:38:28,086 WHO? 612 00:38:28,110 --> 00:38:30,543 DOES IT MATTER? 613 00:38:36,121 --> 00:38:39,572 CLARK. 614 00:38:39,596 --> 00:38:41,474 AND DID YOU? 615 00:38:41,498 --> 00:38:43,137 OF COURSE NOT. 616 00:38:43,161 --> 00:38:45,180 I WOULD NEVER DO THAT. CLARK IS MY FRIEND. 617 00:38:45,204 --> 00:38:49,539 AND I TOLD HIM THAT, BUT THEN HE THREATENED TO FIRE MY DAD. 618 00:38:51,572 --> 00:38:53,220 SO I-I FIGURED THAT... 619 00:38:53,244 --> 00:38:55,553 IN ORDER TO GET OUT OF MY AGREEMENT WITH HIM, 620 00:38:55,577 --> 00:38:58,427 I HAD TO FIND SOMETHING ON YOUR FATHER. 621 00:38:58,451 --> 00:39:01,300 YOU KNOW, SOMETHING DAMAGING ENOUGH SO THAT I COULD 622 00:39:01,324 --> 00:39:04,564 BLACKMAIL LIONEL LUTHOR. 623 00:39:04,588 --> 00:39:07,269 THAT WAS A VERY DANGEROUS DECISION. 624 00:39:07,293 --> 00:39:10,197 I KNOW. 625 00:39:13,471 --> 00:39:16,320 I'll PROTECT YOU, CHLOE. 626 00:39:16,344 --> 00:39:19,285 YOU HAVE MY WORD. 627 00:39:19,309 --> 00:39:21,327 BUT IN ORDER TO DO THAT, 628 00:39:21,351 --> 00:39:24,615 I NEED TO KNOW WHAT YOU FOUND OUT ABOUT MY FATHER. 629 00:39:27,088 --> 00:39:31,200 HAVE YOU EVER HEARD OF A MAN NAMED MORGAN EDGE? 630 00:39:31,224 --> 00:39:34,504 BEFORE HE WAS KILLED, HE WAS THE BIGGEST CRIME LORD 631 00:39:34,528 --> 00:39:36,231 IN METROPOLIS. 632 00:39:39,905 --> 00:39:44,382 HE WAS ALSO YOUR FATHER'S CLOSEST CHILDHOOD FRIEND. 633 00:39:58,659 --> 00:40:01,510 LANA. 634 00:40:01,534 --> 00:40:04,613 I, UH, CAME BY TO SAY THANK YOU 635 00:40:04,637 --> 00:40:06,447 FOR SAVING ME FROM SETH. 636 00:40:06,471 --> 00:40:09,289 AND TO APOLOGIZE. 637 00:40:09,313 --> 00:40:11,653 FOR REAL THIS TIME. 638 00:40:11,677 --> 00:40:15,327 I SHOULD'VE BELIEVED YOU, CLARK. I'M SORRY. 639 00:40:15,351 --> 00:40:18,532 I KNOW YOU WEREN'T ACTING OF YOUR OWN FREE WILL. 640 00:40:18,556 --> 00:40:20,235 MAYBE. 641 00:40:20,259 --> 00:40:22,508 BUT EVEN THOUGH I WAS UNDER SETH'S INFLUENCE, 642 00:40:22,532 --> 00:40:25,171 PART OF ME ALWAYS KNEW YOU WERE RIGHT. 643 00:40:25,195 --> 00:40:28,675 I JUST KEPT TELLING MYSELF THAT YOU WERE JEALOUS. 644 00:40:28,699 --> 00:40:33,576 I GUESS THAT'S JUST THE WAY I WANTED YOU TO FEEL. 645 00:40:38,353 --> 00:40:41,456 IT WASN'T EASY FOR ME TO SEE YOU WITH ANOTHER GUY. 646 00:40:44,721 --> 00:40:50,469 ARE YOU STILL SURE YOU DON'T WANT TO BE THAT GUY, CLARK? 647 00:40:51,630 --> 00:40:55,651 LANA... IT'S ALL RIGHT, CLARK. I JUST... 648 00:40:55,675 --> 00:40:58,009 I WANTED TO MAKE SURE BEFORE I TOLD YOU THIS. 649 00:41:02,284 --> 00:41:05,595 EVEN THOUGH MY COMPASS WAS WAY OFF 650 00:41:05,619 --> 00:41:09,499 WITH SETH... 651 00:41:09,523 --> 00:41:12,474 HE STILL HAD THE COURAGE TO BE HONEST WITH ME. 652 00:41:12,498 --> 00:41:16,008 THEN HE USED HIS ABILITIES TO MANIPULATE YOU. 653 00:41:16,032 --> 00:41:18,340 I AM NOT CONDONING WHAT HE DID. 654 00:41:18,364 --> 00:41:20,407 BELIEVE ME, I'M PAYING FOR IT. 655 00:41:24,643 --> 00:41:27,624 IT STILL FELT GOOD CARING FOR SOMEONE 656 00:41:27,648 --> 00:41:33,260 AND HAVING MY FEELINGS RETURNED. 657 00:41:33,284 --> 00:41:37,059 I WANT THAT AGAIN. 658 00:41:38,592 --> 00:41:41,372 I DON'T EXPECT YOU TO WAIT FOREVER FOR ME. 659 00:41:41,396 --> 00:41:43,514 GOOD. 660 00:41:43,538 --> 00:41:45,517 BECAUSE ONE OF THESE DAYS, 661 00:41:45,541 --> 00:41:48,050 SOMEONE'S GOING TO COME ALONG THAT'S RIGHT FOR ME. 662 00:41:48,074 --> 00:41:51,509 AND I'M GOING TO WANT TO BE WITH THAT PERSON. 663 00:41:53,711 --> 00:41:56,815 AND YOU'RE GOING TO HAVE TO DEAL WITH THAT. 664 00:42:18,545 --> 00:42:21,524 Captions by VITAC... www.vitac.com 665 00:42:21,548 --> 00:42:24,552 CAPTIONS PAID FOR BY WARNER BROS. 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