1 00:00:01,125 --> 00:00:04,607 PREVIOUSLY ON "SMALLVILLE"... 2 00:00:04,631 --> 00:00:08,210 YOU RAN OFF WITH A GIRL YOU BARELY KNOW AND GOT MARRIED. 3 00:00:08,234 --> 00:00:10,754 IT WASN'T LEGAL. I WAS ON RED KRYPTONITE, MOM. 4 00:00:10,778 --> 00:00:12,656 JASON, WHAT'S REALLY GOING ON HERE? 5 00:00:12,680 --> 00:00:15,421 WHERE THIS IS HEADING WITH US, I JUST DON'T THINK YOU'RE READY. 6 00:00:15,445 --> 00:00:18,323 THERE'S A PART OF ME THAT NEVER FEELS FREER 7 00:00:18,347 --> 00:00:19,726 THAN WHEN I'M WITH ALICIA. 8 00:00:19,750 --> 00:00:22,299 SHE TRIED TO KILL LANA, AND SHE TRIED TO KILL YOU. 9 00:00:22,323 --> 00:00:24,631 ALICIA NEEDS TO BE IN AN INSTITUTION. 10 00:00:24,655 --> 00:00:26,774 WHY'D THEY LET HER OUT OF BELLE REVE? 11 00:00:26,798 --> 00:00:28,677 A LITTLE SOMETHING MY DOCTOR CAME UP WITH. 12 00:00:28,701 --> 00:00:30,579 IT KEEPS ME FROM USING MY POWERS. 13 00:00:30,603 --> 00:00:32,783 WHY DID YOU JUST WALK OUT ON THIS RELATIONSHIP? 14 00:00:32,807 --> 00:00:34,744 I THINK THAT MY MOTHER ARRANGED IT. 15 00:00:34,768 --> 00:00:36,688 YOU DON'T EVEN SEE WHAT YOU DID WAS WRONG! 16 00:00:36,712 --> 00:00:38,589 YOU DOSED ME WITH RED KRYPTONITE! 17 00:00:38,613 --> 00:00:40,521 LOOK, I KNOW THAT WE CAN NEVER BE TOGETHER 18 00:00:40,545 --> 00:00:42,054 AFTER WHAT I DID. 19 00:00:42,078 --> 00:00:44,798 WHATEVER'S GOING ON, IT DOESN'T CHANGE THE WAY 20 00:00:44,822 --> 00:00:47,101 THAT I FEEL ABOUT YOU. 21 00:00:47,125 --> 00:00:49,103 Alicia: I LOVE YOU, CLARK. FOR AS LONG AS I LIVE, 22 00:00:49,127 --> 00:00:51,165 I'M NEVER GONNA REVEAL YOUR SECRET. 23 00:00:51,189 --> 00:00:53,768 Both: ♫ SINGIN' I LOVE ROCK 'N' ROLL ♫ 24 00:00:53,792 --> 00:00:57,374 ♫ SO PUT ANOTHER DIME IN THE JUKEBOX, BABY ♫ 25 00:00:57,398 --> 00:00:59,616 ♫ I LOVE ROCK 'N' ROLL ♫ 26 00:00:59,640 --> 00:01:02,450 ♫ SO COME AND TAKE YOUR TIME AND DANCE WITH ME ♫ 27 00:01:02,474 --> 00:01:04,483 WOW!! 28 00:01:04,507 --> 00:01:05,683 HA HA HA HA! 29 00:01:05,707 --> 00:01:07,757 HA HA HA! 30 00:01:07,781 --> 00:01:10,360 ♫ HE SMILED, SO I GOT UP AND ASKED FOR HIS NAME ♫ 31 00:01:10,384 --> 00:01:12,393 YOU. RIGHT THERE. 32 00:01:12,417 --> 00:01:14,495 ♫ SAID IT DOESN'T MATTER ♫ 33 00:01:14,519 --> 00:01:16,768 ♫ 'CAUSE HE SAID THAT IT'S ALL THE SAME ♫ 34 00:01:16,792 --> 00:01:19,671 ♫ I SAID, CAN I TAKE YOU HOME? ♫ 35 00:01:19,695 --> 00:01:23,777 ♫ WHERE WE CAN BE ALONE ♫ 36 00:01:23,801 --> 00:01:25,780 ♫ AND THEN WE WERE MOVIN' ON ♫ 37 00:01:25,804 --> 00:01:28,653 ♫ AND HE WAS WITH ME, YEAH, ME ♫ 38 00:01:28,677 --> 00:01:32,418 ♫ NEXT WE WERE MOVIN' ON, AND HE WAS WITH ME ♫ 39 00:01:32,442 --> 00:01:34,120 ♫ YEAH, ME ♫ 40 00:01:34,144 --> 00:01:36,664 ♫ SINGIN' I LOVE ROCK 'N' ROLL ♫ 41 00:01:36,688 --> 00:01:39,396 ♫ SO PUT ANOTHER DIME IN THE JUKEBOX, BABY ♫ 42 00:01:39,420 --> 00:01:41,829 ♫ I LOVE ROCK 'N' ROLL ♫ 43 00:01:41,853 --> 00:01:45,598 ♫ SO COME AND TAKE YOUR TIME AND DANCE WITH ME ♫ 44 00:01:50,906 --> 00:01:54,469 FIRST HE MARRIED THE GIRL, NOW HE'S DATING HER? 45 00:01:57,174 --> 00:01:58,722 THAT WAS SUBTLE, LOIS. 46 00:01:58,746 --> 00:01:59,877 RIGHT. GOOD. 47 00:02:08,829 --> 00:02:11,891 I THINK I'VE SEEN ENOUGH FOR ONE NIGHT. 48 00:02:14,496 --> 00:02:16,868 LANA, WAIT. 49 00:02:19,241 --> 00:02:21,219 I JUST WANT TO APOLOGIZE. 50 00:02:21,243 --> 00:02:24,484 FOR WHAT... TRYING TO KILL ME OR NOT SUCCEEDING? 51 00:02:24,508 --> 00:02:26,727 LOOK, ALL I WANT IS A CHANCE 52 00:02:26,751 --> 00:02:28,729 TO PROVE TO YOU WHO I REALLY AM. 53 00:02:28,753 --> 00:02:30,887 YOU ALREADY HAVE. 54 00:02:37,564 --> 00:02:39,473 I CAN'T BELIEVE YOU BROUGHT HER HERE. 55 00:02:39,497 --> 00:02:40,644 JASON, LISTEN... 56 00:02:40,668 --> 00:02:42,546 LISTEN TO WHAT... ANOTHER APOLOGY? 57 00:02:42,570 --> 00:02:44,879 YOU THINK JUST 'CAUSE SHE SAYS SHE'S BETTER 58 00:02:44,903 --> 00:02:47,813 THAT EVERYTHING'S GOING TO BE OKAY? 59 00:02:47,837 --> 00:02:50,512 COME ON, MAN. 60 00:04:00,730 --> 00:04:02,872 AAH! 61 00:04:08,841 --> 00:04:09,988 [ CRASH ] 62 00:04:10,012 --> 00:04:11,884 LANA? 63 00:04:17,422 --> 00:04:20,625 LANA? 64 00:04:24,701 --> 00:04:26,403 HEY. 65 00:04:28,805 --> 00:04:30,314 LANA? 66 00:04:30,338 --> 00:04:32,441 HEY, CAN YOU HEAR ME? 67 00:04:37,447 --> 00:04:39,355 LANA. 68 00:04:39,379 --> 00:04:42,058 LANA, LOOK AT ME. 69 00:04:42,082 --> 00:04:49,369 ♫ SOMEBODY SAVE ME ♫ 70 00:04:49,393 --> 00:04:53,343 ♫ LET YOUR WARM HANDS BREAK RIGHT THROUGH ♫ 71 00:04:53,367 --> 00:04:59,752 ♫ SOMEBODY SAVE ME ♫ 72 00:04:59,776 --> 00:05:03,425 ♫ I DON'T CARE HOW YOU DO IT ♫ 73 00:05:03,449 --> 00:05:04,658 ♫ JUST STAY ♫ 74 00:05:04,682 --> 00:05:06,430 ♫ STAY WITH ME ♫ 75 00:05:06,454 --> 00:05:08,432 ♫ STAY ♫ 76 00:05:08,456 --> 00:05:10,095 ♫ COME ON ♫ 77 00:05:10,119 --> 00:05:13,769 ♫ I'VE BEEN WAITING FOR YOU ♫ 78 00:05:13,793 --> 00:05:19,447 ♫ JUST STAY WITH ME ♫ 79 00:05:19,471 --> 00:05:24,752 ♫ I'VE MADE THIS WHOLE WORLD SHINE FOR YOU ♫ 80 00:05:24,776 --> 00:05:26,084 ♫ JUST STAY ♫ 81 00:05:26,108 --> 00:05:28,788 ♫ STAY ♫ 82 00:05:28,812 --> 00:05:31,987 ♫ COME ON ♫ 83 00:05:44,903 --> 00:05:46,882 HOW IS LANA? IS SHE OKAY? 84 00:05:46,906 --> 00:05:49,043 HEY, CLARK, YEAH, SHE'S... SHE'S FINE. 85 00:05:49,067 --> 00:05:51,918 I MEAN, LUCKY FOR HER, JASON PULLED A T.J. HOOKER 86 00:05:51,942 --> 00:05:53,088 AND BROKE HER BATHROOM DOOR DOWN. 87 00:05:53,112 --> 00:05:55,091 ONLY TO DISCOVER THAT LANA'S MYSTERY ASSAILANT 88 00:05:55,115 --> 00:05:57,095 HAD SOMEHOW FLOWN THE COOP. 89 00:05:57,119 --> 00:05:59,697 SO, HAVE THEY ARRESTED YOUR ARM ORNAMENT YET? 90 00:05:59,721 --> 00:06:02,031 WHAT? 91 00:06:02,055 --> 00:06:03,963 SHERIFF ADAMS WAS JUST HERE, AND SHE SPENT A LOT OF TIME 92 00:06:03,987 --> 00:06:07,608 FOCUSING ON THE "ATTACKED IN A LOCKED ROOM" SCENARIO. 93 00:06:07,632 --> 00:06:09,540 AND THE NAME ALICIA BAKER CAME UP... 94 00:06:09,564 --> 00:06:12,144 MORE THAN ONCE, IN A BUNNY BOILER KIND OF WAY. 95 00:06:12,168 --> 00:06:14,146 ALICIA DIDN'T DO THIS. 96 00:06:14,170 --> 00:06:16,149 EVER SINCE SHE WAS RELEASED FROM BELLE REVE, 97 00:06:16,173 --> 00:06:17,880 SHE'S BEEN WEARING A LEAD BRACELET. 98 00:06:17,904 --> 00:06:19,884 IT PREVENTS HER FROM USING HER ABILITIES. 99 00:06:19,908 --> 00:06:21,886 AND DID SHE ALSO HAPPEN TO BE WEARING ANYTHING LOW-CUT 100 00:06:21,910 --> 00:06:24,189 WHEN SHE SPUN YOU THAT TALE, 'CAUSE I'M NOT SURE 101 00:06:24,213 --> 00:06:26,492 YOU'RE THINKING WITH YOUR BIG BRAIN HERE. 102 00:06:26,516 --> 00:06:27,863 CLARK, JUST BECAUSE ALICIA 103 00:06:27,887 --> 00:06:29,795 SAYS THAT THE BRACELET KEEPS HER FROM TELEPORTING 104 00:06:29,819 --> 00:06:32,639 DOESN'T MEAN THAT IT'S THE TRUTH. 105 00:06:32,663 --> 00:06:34,502 SHE WAS WITH ME WHEN LANA GOT ATTACKED. 106 00:06:34,526 --> 00:06:35,903 I WAS SAYING GOOD NIGHT IN GRANDVILLE. 107 00:06:35,927 --> 00:06:37,675 EVERY SECOND? 108 00:06:37,699 --> 00:06:39,908 YOU HAVE TO ADMIT THAT SHE CAN TRANSPORT 109 00:06:39,932 --> 00:06:41,680 EASIER THAN CAPTAIN KIRK. 110 00:06:41,704 --> 00:06:43,983 AND SHE DID TRY TO CARVE HERSELF A JACK-O-LANA BEFORE, 111 00:06:44,007 --> 00:06:45,917 CUT AND DRY... EMPHASIS ON THE "CUT." 112 00:06:45,941 --> 00:06:48,189 I'M TELLING YOU, ALICIA COULDN'T HAVE DONE THIS. 113 00:06:48,213 --> 00:06:50,016 I KNOW HER. 114 00:07:01,761 --> 00:07:05,966 CLARK... LANA DOESN'T WANT TO SEE YOU. 115 00:07:13,045 --> 00:07:17,557 I'M GETTING A FUNNY SENSE OF DéJà VU HERE, MR. KENT. 116 00:07:17,581 --> 00:07:20,560 HAVEN'T WE ACTED OUT THIS PARTICULAR CHARADE BEFORE? 117 00:07:20,584 --> 00:07:22,762 THIS IS DIFFERENT, SHERIFF. ALICIA DID NOT ATTACK LANA. 118 00:07:22,786 --> 00:07:24,935 SHE WAS WITH ME. 119 00:07:24,959 --> 00:07:26,939 I BETTER NOT FIND OUT YOU'RE COVERING 120 00:07:26,963 --> 00:07:28,841 FOR THAT GIRLFRIEND OF YOURS, MR. KENT. 121 00:07:28,865 --> 00:07:30,843 HAVING YOU AS AN ALIBI IS THE ONLY THING 122 00:07:30,867 --> 00:07:33,271 KEEPING ME FROM TOSSING HER TAIL IN JAIL. 123 00:07:43,283 --> 00:07:45,832 SHERIFF ADAMS ALREADY HAS ALICIA TRIED AND CONVICTED. 124 00:07:45,856 --> 00:07:47,865 SHERIFF ADAMS HAS A POINT, CLARK. 125 00:07:47,889 --> 00:07:49,997 FIRST LAS VEGAS, AND NOW AN ASSAULT CHARGE. 126 00:07:50,021 --> 00:07:52,000 WHAT ARE YOU DOING WITH THIS GIRL, CLARK? 127 00:07:52,024 --> 00:07:54,002 ALICIA DIDN'T DO THIS. 128 00:07:54,026 --> 00:07:56,276 SON, YOUR GIRLFRIEND HAS PROBLEMS, 129 00:07:56,300 --> 00:07:57,848 AND THIS RELATIONSHIP IS NOT HEALTHY. 130 00:07:57,872 --> 00:07:59,851 WHY CAN'T YOU SEE THAT? 131 00:07:59,875 --> 00:08:01,882 YOU ALWAYS TOLD ME TO LOOK FOR THE GOOD IN PEOPLE, 132 00:08:01,906 --> 00:08:04,286 TO BELIEVE IN THEM, AND ALICIA DESERVES A SECOND CHANCE. 133 00:08:04,310 --> 00:08:07,019 WHY DO YOU CONTINUE TO SEE HER KNOWING HOW WE FEEL? 134 00:08:07,043 --> 00:08:09,293 SHE KEPT MY SECRET. SHE GOT SHOT PROTECTING ME. 135 00:08:09,317 --> 00:08:11,896 WHAT ELSE DOES SHE HAVE TO DO TO PROVE HERSELF? 136 00:08:11,920 --> 00:08:13,927 WHAT IF SHE DID THIS, CLARK? 137 00:08:13,951 --> 00:08:17,927 WHAT IF SHE ATTACKED LANA THE WAY SHE DID BEFORE? 138 00:08:24,406 --> 00:08:26,785 EVER THOUGHT ABOUT GETTING OUT MORE? 139 00:08:26,809 --> 00:08:29,048 THIS COMING FROM THE HOTSHOT COLLEGE STUDENT 140 00:08:29,072 --> 00:08:31,391 WHO RAN AWAY FROM COLLEGE THIS WEEKEND. 141 00:08:31,415 --> 00:08:32,923 IT'S GREEK WEEK. 142 00:08:32,947 --> 00:08:34,654 SO? 143 00:08:34,678 --> 00:08:36,326 SO THEY'RE WEARING THEIR LETTERS ON THEIR SHIRTS, 144 00:08:36,350 --> 00:08:37,928 THEY SING GROUP SONGS... 145 00:08:37,952 --> 00:08:40,331 THE FRATERNITIES ARE HAVING A POWER PUKING CONTEST. 146 00:08:40,355 --> 00:08:42,033 OH, OKAY. ENOUGH SAID. 147 00:08:42,057 --> 00:08:44,837 I DON'T UNDERSTAND WHY YOU CAME OUT TO SMALLVILLE, THOUGH. 148 00:08:44,861 --> 00:08:46,340 WELL, BELIEVE IT OR NOT, 149 00:08:46,364 --> 00:08:48,641 I LIKE SPENDING TIME WITH YOU, LITTLE COUSIN. 150 00:08:48,665 --> 00:08:50,644 ALTHOUGH, THAT DOESN'T MEAN I'M READY 151 00:08:50,668 --> 00:08:52,748 TO BUY INTO YOUR "METEORS MAKE FREAKS" THEORY. 152 00:08:52,772 --> 00:08:54,750 IT'S NOT JUST A THEORY, LOIS. 153 00:08:54,774 --> 00:08:56,783 ALICIA BAKER TRIED TO KILL MY BEST FRIEND TWICE, 154 00:08:56,807 --> 00:08:58,956 AND IT WAS BECAUSE OF HER METEOR-INDUCED ABILITIES 155 00:08:58,980 --> 00:09:00,957 THAT SHE WAS ABLE TO DO THAT. 156 00:09:00,981 --> 00:09:03,091 DID YOU KNOW THAT LANA'S BATHROOM DOOR WAS LOCKED? 157 00:09:03,115 --> 00:09:05,364 WHO ELSE COULD'VE GOTTEN IN OR OUT, FOR THAT MATTER? 158 00:09:05,388 --> 00:09:07,365 THAT'S WHAT I WANT TO KNOW. 159 00:09:07,389 --> 00:09:09,769 CHLOE, WE NEED TO FIND OUT IF THERE'S ANYBODY ELSE 160 00:09:09,793 --> 00:09:11,841 IN SMALLVILLE WHO HAS ABILITIES SIMILAR TO ALICIA'S. 161 00:09:11,865 --> 00:09:13,945 CLARK, I'M SORRY, BUT EVEN IF THERE WAS SOMEONE ELSE 162 00:09:13,969 --> 00:09:16,006 LIKE ALICIA, WHAT WOULD THEY HAVE AGAINST LANA? 163 00:09:16,030 --> 00:09:18,110 HEY, I FINISHED THAT OP-ED PIECE, CHLOE. 164 00:09:18,134 --> 00:09:19,851 GREAT. 165 00:09:19,875 --> 00:09:20,984 HEY, LOIS. 166 00:09:21,008 --> 00:09:22,716 HI. 167 00:09:22,740 --> 00:09:25,119 I HAD A FEELING I'D BUMP INTO YOU HERE. 168 00:09:25,143 --> 00:09:28,123 UM, I WAS WONDERING IF, UH, 169 00:09:28,147 --> 00:09:31,998 YOU'D LIKE TO MAYBE HAVE A CUP OF COFFEE 170 00:09:32,022 --> 00:09:34,000 OR SOMETHING WITH ME, MAYBE. 171 00:09:34,024 --> 00:09:36,003 COFFEE? 172 00:09:36,027 --> 00:09:39,407 YOU KNOW, LOIS WAS JUST SAYING SHE NEEDS TO GET OUT MORE. 173 00:09:39,431 --> 00:09:44,043 I-I... LOOK... EXCELLENT, IT'S A DATE. 174 00:09:44,067 --> 00:09:45,969 "SMALLVILLE'S GLORY DAYS." 175 00:09:48,172 --> 00:09:50,019 SOUNDS INTERESTING. 176 00:09:50,043 --> 00:09:52,177 I THINK IT IS, AND I'll TELL YOU ABOUT IT OVER COFFEE. 177 00:09:55,751 --> 00:09:58,500 HEY, TIM, UH, YOU WERE AT THE TALON LAST NIGHT. 178 00:09:58,524 --> 00:10:01,063 DID YOU SEE ANYTHING... SUSPICIOUS? 179 00:10:01,087 --> 00:10:03,737 UM, NO, NOTHING OUT OF THE ORDINARY. 180 00:10:03,761 --> 00:10:05,039 BUT YOUR MOTHER... SHE WAS THERE. 181 00:10:05,063 --> 00:10:07,072 SHE WAS CLEANING UP, AND THE BLOND GIRL 182 00:10:07,096 --> 00:10:09,115 THAT YOU WERE WITH WAS IN THE ALLEY. 183 00:10:09,139 --> 00:10:11,071 MAYBE THEY SAW SOMETHING. 184 00:10:22,215 --> 00:10:25,789 YOU LOOK LIKE A BIG CAT IN A SMALL CAGE. 185 00:10:28,123 --> 00:10:30,542 YOU ALL RIGHT? 186 00:10:30,566 --> 00:10:32,899 NO. 187 00:10:35,131 --> 00:10:38,481 SOMEONE SAW A BLOND GIRL IN THE ALLEY BEHIND THE TALON 188 00:10:38,505 --> 00:10:42,181 WHEN LANA WAS ATTACKED. 189 00:10:46,145 --> 00:10:48,924 THEN SOMEBODY SAW ANOTHER BLOND GIRL IN THE ALLEY, 190 00:10:48,948 --> 00:10:52,929 BECAUSE IT WASN'T ME. 191 00:10:52,953 --> 00:10:56,235 THERE'S BOUND TO BE SUSPICION, CLARK. 192 00:10:56,259 --> 00:10:59,008 PEOPLE THINK I DID IT. 193 00:10:59,032 --> 00:11:01,240 BESIDES, YOU COULDN'T HAVE DONE IT, 194 00:11:01,264 --> 00:11:03,943 BECAUSE YOU WERE WITH ME 195 00:11:03,967 --> 00:11:07,111 AND YOU WERE WEARING YOUR BRACELET. 196 00:11:15,283 --> 00:11:16,529 CLARK. 197 00:11:16,553 --> 00:11:20,164 YOU LIED TO ME. 198 00:11:20,188 --> 00:11:23,308 I DIDN'T... I DIDN'T LIE. 199 00:11:23,332 --> 00:11:28,144 I DIDN'T THINK THAT I NEEDED IT. 200 00:11:28,168 --> 00:11:30,248 YOU DON'T UNDERSTAND. 201 00:11:30,272 --> 00:11:32,320 I COULDN'T GIVE UP MY POWERS AGAIN. 202 00:11:32,344 --> 00:11:34,552 IT WAS WORSE THAN BEING IN PRISON. 203 00:11:34,576 --> 00:11:37,187 WHAT WOULD YOU DO IF SOMEBODY TOLD YOU 204 00:11:37,211 --> 00:11:39,188 THAT YOU COULDN'T USE YOUR ABILITIES? 205 00:11:39,212 --> 00:11:40,990 I DON'T KNOW. 206 00:11:41,014 --> 00:11:43,293 BUT I WOULD... I WOULD GIVE THEM AWAY IN A SECOND 207 00:11:43,317 --> 00:11:45,567 BEFORE I'D USE THEM TO HURT SOMEONE. 208 00:11:45,591 --> 00:11:48,301 YEAH, SO WOULD I. 209 00:11:48,325 --> 00:11:51,304 I'M BETTER NOW, CLARK. YOU KNOW THAT. 210 00:11:51,328 --> 00:11:54,979 I JUST WANT PEOPLE TO ACCEPT ME FOR WHO I AM. 211 00:11:55,003 --> 00:11:57,111 I THINK IF YOU'RE HONEST WITH YOURSELF, 212 00:11:57,135 --> 00:11:59,215 YOU'LL REALIZE THAT DEEP DOWN INSIDE, 213 00:11:59,239 --> 00:12:02,018 YOU WANT THAT TO. 214 00:12:02,042 --> 00:12:04,321 LOOK, I'M... 215 00:12:04,345 --> 00:12:06,594 SO SORRY THAT I DIDN'T TELL YOU 216 00:12:06,618 --> 00:12:09,350 ABOUT THE BRACELET. 217 00:12:11,224 --> 00:12:14,904 BUT I DIDN'T DO ANYTHING TO HURT LANA. 218 00:12:14,928 --> 00:12:16,661 I SWEAR. 219 00:12:18,702 --> 00:12:22,008 I SWEAR. 220 00:12:26,974 --> 00:12:29,623 JASON, DON'T BE RIDICULOUS. I'll BE FINE FOR A FEW HOURS. 221 00:12:29,647 --> 00:12:32,927 YOU DO REALIZE THAT YOU WERE ATTACKED IN YOUR OWN APARTMENT 222 00:12:32,951 --> 00:12:34,099 BEHIND A LOCKED DOOR. 223 00:12:34,123 --> 00:12:35,961 YOU WANT ME JUST TO LEAVE YOU ALONE 224 00:12:35,985 --> 00:12:37,302 AND SPEND THE EVENING DIGGING THROUGH 225 00:12:37,326 --> 00:12:39,306 THE UNIVERSITY'S MICROFICHE? NO. 226 00:12:39,330 --> 00:12:42,269 WELL, I AM NOT GOING TO LET YOU FLUNK HISTORY. 227 00:12:42,293 --> 00:12:44,241 MOM. 228 00:12:44,265 --> 00:12:46,374 READY TO GO? 229 00:12:46,398 --> 00:12:49,142 WHY DON'T CLARK AND I STAY WITH LANA? 230 00:12:55,080 --> 00:12:57,452 I THINK THAT THAT IS A GREAT IDEA. 231 00:12:59,414 --> 00:13:01,663 GO. 232 00:13:01,687 --> 00:13:04,267 I'll BE FINE. 233 00:13:04,291 --> 00:13:06,669 ALL RIGHT. 234 00:13:06,693 --> 00:13:09,697 I WON'T BE LONG. 235 00:14:00,091 --> 00:14:04,498 [ HORN HONKING ] 236 00:14:37,779 --> 00:14:40,458 MOM, WHAT ARE YOU DOING HERE? 237 00:14:40,482 --> 00:14:43,393 I HAD TO COME TO MAKE SURE MY SON WAS ALL RIGHT. 238 00:14:43,417 --> 00:14:45,796 I PHONED DR. MARTIN ON THE WAY HERE. 239 00:14:45,820 --> 00:14:47,798 HE CAN SEE YOU TODAY. 240 00:14:47,822 --> 00:14:50,201 I'M FINE. I'VE BEEN HURT WORSE IN FOOTBALL. 241 00:14:50,225 --> 00:14:52,234 WELL, IT NEVER HURTS TO GET A SECOND OPINION 242 00:14:52,258 --> 00:14:53,706 FROM A REAL DOCTOR. 243 00:14:53,730 --> 00:14:55,278 LET IT GO, MOM. 244 00:14:55,302 --> 00:14:58,141 IT'S JUST HARD TO SEE YOU SUFFERING HERE BY YOURSELF. 245 00:14:58,165 --> 00:15:00,414 YOU'D AT LEAST THINK YOUR GIRLFRIEND WOULD BE HERE. 246 00:15:00,438 --> 00:15:02,687 YOU REALLY WANT TO PLAY THAT GAME? 247 00:15:02,711 --> 00:15:05,321 THIS IS NOT A GAME, JASON. THIS IS YOUR LIFE. 248 00:15:05,345 --> 00:15:09,196 AND I'M WORRIED ABOUT THE PATH YOU'RE HEADING DOWN. 249 00:15:09,220 --> 00:15:11,899 OH, YOU MEAN THE PATH YOU SENT ME DOWN? 250 00:15:11,923 --> 00:15:14,201 WHAT ARE YOU TALKING ABOUT? 251 00:15:14,225 --> 00:15:15,703 LANA... 252 00:15:15,727 --> 00:15:17,706 THE GIRL YOU MADE SURE I MET IN PARIS. 253 00:15:17,730 --> 00:15:20,333 ARE YOU SERIOUS? 254 00:15:21,836 --> 00:15:24,445 HOW COULD ANYONE MANEUVER TWO PEOPLE 255 00:15:24,469 --> 00:15:26,871 MEETING AND FALLING IN LOVE IN PARIS? 256 00:15:28,904 --> 00:15:30,423 MRS. TEAGUE. 257 00:15:30,447 --> 00:15:32,455 UM, I DIDN'T KNOW YOU WERE HERE. 258 00:15:32,479 --> 00:15:34,859 COME IN, LANA. WE WERE JUST TALKING ABOUT YOU. 259 00:15:34,883 --> 00:15:36,490 DID, UH, 260 00:15:36,514 --> 00:15:39,865 JASON SHARE HIS MATCHMAKING THEORY WITH YOU? 261 00:15:39,889 --> 00:15:42,739 YEAH, HE DID. 262 00:15:42,763 --> 00:15:44,801 AND WHAT DID YOU THINK... 263 00:15:44,825 --> 00:15:47,303 THAT I HAD SOMEHOW USED MY MYSTERIOUS POWERS 264 00:15:47,327 --> 00:15:49,407 TO COERCE YOU INTO GOING TO PARIS 265 00:15:49,431 --> 00:15:52,375 AT EXACTLY THE SAME TIME THAT MY SON WAS THERE? 266 00:15:53,976 --> 00:15:55,884 YOU DON'T HAVE TO ANSWER THAT. 267 00:15:55,908 --> 00:15:59,919 I THINK SHE ALREADY HAS. 268 00:15:59,943 --> 00:16:02,894 LANA, I'M NOT A PERFECT MOTHER. 269 00:16:02,918 --> 00:16:06,499 I CAN BE... OVERPROTECTIVE AND SOMETIMES OVERBEARING, 270 00:16:06,523 --> 00:16:09,773 ESPECIALLY WHEN IT COMES TO WOMEN IN MY SON'S LIFE. 271 00:16:09,797 --> 00:16:10,903 MOM? 272 00:16:10,927 --> 00:16:13,206 I HAD NOTHING TO DO 273 00:16:13,230 --> 00:16:15,210 WITH GETTING THE TWO OF YOU TOGETHER, 274 00:16:15,234 --> 00:16:18,244 AS YOU CAN PROBABLY REALIZE FROM MY REACTION TO IT. 275 00:16:18,268 --> 00:16:20,917 AND WHY MY SON FEELS THE NEED TO BLAME ME 276 00:16:20,941 --> 00:16:23,549 FOR MEETING YOU... 277 00:16:23,573 --> 00:16:27,448 IS SOMETHING YOU SHOULD BE ASKING YOURSELF. 278 00:16:31,855 --> 00:16:34,234 IF YOU CHANGE YOUR MIND ABOUT THE DOCTOR, 279 00:16:34,258 --> 00:16:35,605 LET ME KNOW. 280 00:16:35,629 --> 00:16:37,532 FEEL BETTER. 281 00:17:16,080 --> 00:17:18,384 IT WON'T WORK. 282 00:17:20,446 --> 00:17:23,867 THE ONE THAT THEY MADE ME AT BELLE REVE WAS SPECIAL. 283 00:17:23,891 --> 00:17:26,530 IT HAD TO BE ABLE TO RELEASE TRACE AMOUNTS OF LEAD 284 00:17:26,554 --> 00:17:29,373 INTO MY BLOODSTREAM TO DAMPEN MY ABILITIES. 285 00:17:29,397 --> 00:17:30,936 REMEMBER? 286 00:17:30,960 --> 00:17:35,341 I GUESS IT'S THE THOUGHT THAT COUNTS. 287 00:17:35,365 --> 00:17:39,486 THAT'S A PRETTY UGLY THOUGHT. 288 00:17:39,510 --> 00:17:41,949 WHERE WERE YOU LAST NIGHT? 289 00:17:41,973 --> 00:17:45,624 I WAS WONDERING IF YOU WERE EVER GONNA CALL ME AGAIN. WHY? 290 00:17:45,648 --> 00:17:48,481 LANA'S BOYFRIEND WAS ATTACKED. 291 00:17:50,625 --> 00:17:53,604 I WAS THE ONE WHO SAVED HIM, AND I FOUND THIS IN HIS CAR. 292 00:17:53,628 --> 00:17:56,639 OKAY, I DIDN'T DO IT, CLARK. 293 00:17:56,663 --> 00:18:00,112 I DON'T KNOW HOW THAT GOT THERE, BUT I... 294 00:18:00,136 --> 00:18:01,715 IT WASN'T ME. 295 00:18:01,739 --> 00:18:04,518 ALICIA, YOU HAVE TO TURN YOURSELF IN. 296 00:18:04,542 --> 00:18:06,120 YOU DON'T BELIEVE ME. 297 00:18:06,144 --> 00:18:08,684 I WANT TO. I REALLY DO. 298 00:18:08,708 --> 00:18:10,686 BUT I NEED TO STOP WHO'S DOING THIS. 299 00:18:10,710 --> 00:18:12,728 OKAY, WELL, THEN FIND OUT WHO REALLY DID IT. 300 00:18:12,752 --> 00:18:14,460 EVERYBODY THINKS IT'S YOU. 301 00:18:14,484 --> 00:18:16,464 WHY, BECAUSE OF MY POWERS? 302 00:18:16,488 --> 00:18:18,637 BECAUSE I'M A FREAK? 303 00:18:18,661 --> 00:18:20,399 YOU KNOW WHAT, CLARK? 304 00:18:20,423 --> 00:18:22,572 MAYBE IF EVERYBODY KNEW YOUR SECRET, 305 00:18:22,596 --> 00:18:24,373 YOU'D BE A SUSPECT, TOO. 306 00:18:24,397 --> 00:18:26,546 NO, ALICIA, THIS IS NOT ABOUT YOUR ABILITIES. 307 00:18:26,570 --> 00:18:28,949 THAT'S REALLY EASY FOR YOU TO SAY, CLARK. 308 00:18:28,973 --> 00:18:31,081 EVERYBODY THINKS THAT YOU'RE NORMAL. 309 00:18:31,105 --> 00:18:33,385 HOW DO YOU THINK YOUR FRIENDS WOULD REACT IF THEY FOUND OUT 310 00:18:33,409 --> 00:18:34,956 THAT YOU WERE EXACTLY LIKE ME? 311 00:18:34,980 --> 00:18:37,491 WE'LL JUST GO TO THE SHERIFF. WE'LL TELL HER WHAT HAPPENED. 312 00:18:37,515 --> 00:18:38,992 WE'LL EXPLAIN EVERYTHING. 313 00:18:39,016 --> 00:18:43,098 SHE'LL UNDERSTAND, AND IT'LL ALL WORK OUT. 314 00:18:43,122 --> 00:18:45,501 JUST EXPLAIN IT TO HER. 315 00:18:45,525 --> 00:18:49,058 ALL RIGHT, I'll GO WITH YOU... 316 00:18:51,602 --> 00:18:56,568 IF YOU TELL HER ABOUT YOUR POWERS, TOO. 317 00:18:58,771 --> 00:19:00,590 I CAN'T DO THAT. 318 00:19:00,614 --> 00:19:02,191 WHY NOT, CLARK? 319 00:19:02,215 --> 00:19:04,794 DON'T YOU UNDERSTAND THAT 320 00:19:04,818 --> 00:19:07,559 ONCE PEOPLE KNOW THE TRUTH ABOUT US, 321 00:19:07,583 --> 00:19:11,027 THEN THEY'LL HAVE TO ACCEPT US FOR WHO WE REALLY ARE? 322 00:19:13,059 --> 00:19:14,638 I'M SORRY. 323 00:19:14,662 --> 00:19:16,510 YEAH, I'M SORRY, TOO. 324 00:19:16,534 --> 00:19:18,743 LETTING PEOPLE KNOW ABOUT US IS THE ONLY WAY 325 00:19:18,767 --> 00:19:21,039 THAT WE'RE EVER GONNA BE FREE, CLARK. 326 00:19:23,041 --> 00:19:25,174 DON'T HATE ME FOR WANTING THAT. 327 00:19:32,513 --> 00:19:33,792 GOODBYE, CLARK. 328 00:19:33,816 --> 00:19:36,189 ALICIA... 329 00:19:56,114 --> 00:19:58,664 MR. KENT, DIDN'T SEE YOU THERE. 330 00:19:58,688 --> 00:20:01,566 DID YOU COME TO HELP YOUR MOTHER? 331 00:20:01,590 --> 00:20:05,232 MMM, SHE HAS ALMOST GOT THAT LATTE MACHINE DOWN. 332 00:20:05,256 --> 00:20:08,505 NO, SHERIFF, I CAME HERE TO SEE YOU. 333 00:20:08,529 --> 00:20:13,236 I FOUND THIS IN THE CAR WHEN JASON WAS ATTACKED. 334 00:20:14,837 --> 00:20:16,816 IT BELONGS TO ALICIA. 335 00:20:16,840 --> 00:20:19,851 YOU FLIP-FLOP MORE THAN A POLITICIAN, MR. KENT. 336 00:20:19,875 --> 00:20:23,195 SO, NOW YOU THINK YOUR GIRLFRIEND'S GUILTY, HUH? 337 00:20:23,219 --> 00:20:24,827 MAYBE. 338 00:20:24,851 --> 00:20:27,100 WELL, I HATE TO DISAPPOINT YOU, MR. KENT, 339 00:20:27,124 --> 00:20:29,101 BUT I'VE ALREADY BEEN DOWN THAT ROAD. 340 00:20:29,125 --> 00:20:32,106 DESPITE YOUR CLAIM THAT MISS BAKER WAS WITH YOU 341 00:20:32,130 --> 00:20:34,168 AT THE TIME OF THE FIRST INCIDENT, 342 00:20:34,192 --> 00:20:37,612 I YANKED HER IN FOR A LITTLE DOG-AND-PONY. 343 00:20:37,636 --> 00:20:39,616 THE SCARF MAY HAVE BEEN THERE, 344 00:20:39,640 --> 00:20:41,578 BUT YOUR GIRLFRIEND WASN'T. 345 00:20:41,602 --> 00:20:44,322 ALICIA BAKER WAS LOCKED IN AN INTERROGATION ROOM WITH ME 346 00:20:44,346 --> 00:20:46,824 AT THE TIME THE SECOND VICTIM WAS ATTACKED. 347 00:20:46,848 --> 00:20:50,282 THERE'S NO WAY SHE COULD'VE DONE IT. 348 00:21:20,320 --> 00:21:24,372 "CAN ANY CELL HOLD HER?" 349 00:21:24,396 --> 00:21:27,637 PROBABLY NOT. 350 00:21:27,661 --> 00:21:30,280 ALICIA, WHAT ARE YOU DOING HERE? 351 00:21:30,304 --> 00:21:34,245 CHLOE SULLIVAN... ACE REPORTER. 352 00:21:34,269 --> 00:21:36,247 YOU WRITE ALL THESE ARTICLES 353 00:21:36,271 --> 00:21:38,249 ABOUT THE PEOPLE YOU CALL "FREAKS," 354 00:21:38,273 --> 00:21:40,652 AND YOU DON'T EVEN REALIZE THAT SOMEONE CLOSE TO YOU 355 00:21:40,676 --> 00:21:43,256 IS ONE OF THEM. WHY ARE YOU IGNORING 356 00:21:43,280 --> 00:21:45,800 WHAT'S RIGHT IN FRONT OF YOUR FACE, CHLOE? 357 00:21:45,824 --> 00:21:48,662 DON'T YOU WANT TO KNOW THE TRUTH ABOUT CLARK KENT? 358 00:21:48,686 --> 00:21:51,306 EVERYONE KNOWS YOU'RE CRAZY. 359 00:21:51,330 --> 00:21:53,369 WHY SHOULD I BELIEVE YOU? 360 00:21:53,393 --> 00:21:55,943 YOU DON'T HAVE TO. I'M GONNA PROVE IT. 361 00:21:55,967 --> 00:21:58,900 AND THEN YOU CAN WRITE THE STORY OF A LIFETIME. 362 00:22:03,306 --> 00:22:05,655 WHERE ARE WE? WHAT ARE YOU DOING? 363 00:22:05,679 --> 00:22:07,828 GIVING YOU YOUR NEXT HEADLINE... 364 00:22:07,852 --> 00:22:10,785 AND MAKING THINGS BETTER FOR CLARK. 365 00:22:16,261 --> 00:22:18,241 CLARK, I'M ON OLD BLOSSOM ROAD, 366 00:22:18,265 --> 00:22:20,674 AND THERE'S SOMETHING REALLY WRONG WITH THE CAR! 367 00:22:20,698 --> 00:22:23,677 IT WON'T STOP! JUST HURRY! 368 00:22:23,701 --> 00:22:26,851 ONCE YOU SEE THIS, YOU'LL UNDERSTAND. 369 00:22:26,875 --> 00:22:29,314 AND CLARK CAN BE WHO HE REALLY IS, 370 00:22:29,338 --> 00:22:31,687 AND YOU CAN USE THAT POISON PEN OF YOURS 371 00:22:31,711 --> 00:22:34,715 TO ENLIGHTEN SMALLVILLE FOR A CHANGE. 372 00:22:43,126 --> 00:22:45,358 CLARK, WHAT ARE YOU... DON'T WORRY, CHLOE. 373 00:23:18,070 --> 00:23:20,944 OH, MY GOD. 374 00:23:28,954 --> 00:23:32,094 VOILà, SMALLVILLE... CIRCA 1988. 375 00:23:32,118 --> 00:23:33,796 BEFORE THE METEOR SHOWER. 376 00:23:33,820 --> 00:23:36,300 AFTER THAT, EVERYTHING CHANGED. 377 00:23:36,324 --> 00:23:38,302 MY FATHER USED TO SAY THAT... 378 00:23:38,326 --> 00:23:40,845 THAT THE METEOR SHOWER INFECTED SMALLVILLE SOMEHOW. 379 00:23:40,869 --> 00:23:43,850 IT BROUGHT AN... EVIL TO OUR TOWN. 380 00:23:43,874 --> 00:23:46,352 SOUNDS LIKE SOMETHING FROM THE SCI-FI CHANNEL. 381 00:23:46,376 --> 00:23:49,055 YEAH. I'M SORRY, I GET A LITTLE CARRIED AWAY 382 00:23:49,079 --> 00:23:50,487 BY THE PAST SOMETIMES. 383 00:23:50,511 --> 00:23:54,863 I DON'T HAVE MANY MEMORIES OF MY FATHER, 384 00:23:54,887 --> 00:23:56,866 YOU KNOW. 385 00:23:56,890 --> 00:24:00,531 HE PASSED AWAY WHEN I WAS YOUNG. 386 00:24:00,555 --> 00:24:03,405 I KNOW WHAT IT'S LIKE TO LOSE A PARENT. 387 00:24:03,429 --> 00:24:05,407 MY MOM DIED WHEN I WAS LITTLE. 388 00:24:05,431 --> 00:24:08,410 I CHERISH THE MEMORIES I HAVE OF HER. 389 00:24:08,434 --> 00:24:09,943 YEAH... 390 00:24:09,967 --> 00:24:12,816 MY FAVORITES ARE WHEN MY FATHER USED TO TALK 391 00:24:12,840 --> 00:24:14,448 ABOUT SMALLVILLE 392 00:24:14,472 --> 00:24:17,523 AND THE WAY THINGS USED TO BE. 393 00:24:17,547 --> 00:24:20,525 I MEAN... LOOK AT IT NOW. 394 00:24:20,549 --> 00:24:24,001 NOBODY... NOBODY CARES ABOUT RIGHT OR WRONG 395 00:24:24,025 --> 00:24:27,064 OR... OR MORALITY. 396 00:24:27,088 --> 00:24:30,068 LIKE THAT FOOTBALL COACH DATING A STUDENT. 397 00:24:30,092 --> 00:24:31,570 IT'S NOT RIGHT. 398 00:24:31,594 --> 00:24:34,113 THEY'RE BOTH OVER 18. 399 00:24:34,137 --> 00:24:37,477 HA HA HA HA. 400 00:24:37,501 --> 00:24:40,982 LOIS, IT... IT DOESN'T MAKE IT RIGHT. 401 00:24:41,006 --> 00:24:42,985 NO. I MEAN, RULES... 402 00:24:43,009 --> 00:24:45,026 RULES ARE THERE FOR A REASON. 403 00:24:45,050 --> 00:24:47,360 IF THOSE TWO GOT AWAY WITH IT, 404 00:24:47,384 --> 00:24:50,393 THEN OTHER PEOPLE WOULD TRY, YOU SEE? 405 00:24:50,417 --> 00:24:53,497 IT'S A GOOD THING THAT THEY WERE PUNISHED. 406 00:24:53,521 --> 00:24:56,101 SO, YOU THINK THEY WERE ATTACKED 407 00:24:56,125 --> 00:24:58,945 BECAUSE SOMEONE THOUGHT THEIR RELATIONSHIP WAS IMMORAL? 408 00:24:58,969 --> 00:25:00,506 UM... 409 00:25:00,530 --> 00:25:04,006 I THINK THAT THEY GOT EXACTLY WHAT THEY DESERVED. 410 00:25:06,077 --> 00:25:09,418 Man: THE SMALLVILLE HISTORICAL MUSEUM WILL BE CLOSING IN TWO MINUTES. 411 00:25:09,442 --> 00:25:11,521 WOW... JUST LOOK AT THE TIME. 412 00:25:11,545 --> 00:25:13,593 I'VE GOTTA GET BACK TO THE "TORCH." 413 00:25:13,617 --> 00:25:16,652 I HAVE SOME... STUDYING TO DO. 414 00:25:34,673 --> 00:25:37,194 CHLOE, HAVE YOU SEEN CLARK? 415 00:25:37,218 --> 00:25:39,657 WHAT? HAVE I SEEN CLARK DO WHAT? 416 00:25:39,681 --> 00:25:43,101 WHAT? UH... YEAH, I'VE SEEN HIM. 417 00:25:43,125 --> 00:25:44,203 WHERE? 418 00:25:44,227 --> 00:25:46,205 WHY? DID SOMETHING HAPPEN? 419 00:25:46,229 --> 00:25:48,207 BAD DATE. I'M STARTING TO THINK MAYBE ALICIA 420 00:25:48,231 --> 00:25:50,010 ISN'T OUR RESIDENT PSYCHO KILLER. 421 00:25:50,034 --> 00:25:51,542 I NEED TO FIND CLARK. 422 00:25:51,566 --> 00:25:53,675 HE'S PROBABLY ZIPPING AROUND, LOOKING FOR ALICIA. 423 00:25:53,699 --> 00:25:56,148 ARE YOU ALL RIGHT? 424 00:25:56,172 --> 00:25:57,679 FINE. YEAH. 425 00:25:57,703 --> 00:25:59,605 FINE. UH... 426 00:26:01,147 --> 00:26:03,687 HE'S PROBABLY OUT AT ALICIA'S HOUSE. 427 00:26:03,711 --> 00:26:05,629 I'll SWING BY, SEE IF HE'S THERE. 428 00:26:05,653 --> 00:26:08,033 CAN YOU GIVE ME A CALL IF HE SHOWS UP HERE? OKAY. 429 00:26:08,057 --> 00:26:09,117 OKAY. 430 00:26:21,233 --> 00:26:23,612 I'M GLAD YOU'RE FINALLY HOME. 431 00:26:23,636 --> 00:26:26,055 WHAT ARE YOU DOING? 432 00:26:26,079 --> 00:26:30,021 OH, I'M... I'M JUST LOOKING FOR EVIDENCE 433 00:26:30,045 --> 00:26:32,123 TO LEAVE AT THE NEXT MURDER. 434 00:26:32,147 --> 00:26:33,726 IT WAS YOU. 435 00:26:33,750 --> 00:26:36,668 EVERYONE THINKS THAT I'M GUILTY BECAUSE OF YOU. 436 00:26:36,692 --> 00:26:38,532 YOU ARE GUILTY. 437 00:26:38,556 --> 00:26:41,135 I MEAN, THIS... THIS REALLY USED TO BE SUCH A NICE LITTLE TOWN. 438 00:26:41,159 --> 00:26:43,237 YOU DON'T UNDERSTAND WHAT YOU'VE DONE. 439 00:26:43,261 --> 00:26:46,482 EVEN CLARK THINKS THAT I'M GUILTY. 440 00:26:46,506 --> 00:26:47,767 YOU'RE NOT GONNA... AAH! 441 00:26:49,769 --> 00:26:51,771 I ALREADY HAVE. 442 00:27:16,544 --> 00:27:19,253 YOU CERTAINLY HAVE GROWN. 443 00:27:19,277 --> 00:27:22,256 FORGIVE ME, BUT... 444 00:27:22,280 --> 00:27:25,261 YOU'LL HAVE TO REFRESH MY MEMORY, MRS. TEAGUE. 445 00:27:25,285 --> 00:27:27,833 I WASN'T AWARE THAT WE'D MET BEFORE. 446 00:27:27,857 --> 00:27:30,296 NO, PLEASE, LEX, CALL ME GENEVIEVE. 447 00:27:30,320 --> 00:27:33,241 I SERVED ON NUMEROUS COMMITTEES WITH YOUR FATHER 448 00:27:33,265 --> 00:27:35,803 AND YOUR LATE MOTHER. 449 00:27:35,827 --> 00:27:38,077 I USED TO SEE YOU WITH THEM OFTEN. 450 00:27:38,101 --> 00:27:40,249 A BORED YOUNG BOY AT THE OPERA... 451 00:27:40,273 --> 00:27:42,652 ALWAYS GETTING INTO TROUBLE. 452 00:27:42,676 --> 00:27:45,285 SOME OF MY FINER MOMENTS, I'M SURE. 453 00:27:45,309 --> 00:27:48,159 CAN I GET YOU SOMETHING, GENEVIEVE? 454 00:27:48,183 --> 00:27:52,195 I ASSURE YOU, MY TASTES HAVE MATURED. 455 00:27:52,219 --> 00:27:54,829 I'M SURE YOU'VE DEVELOPED A TASTE 456 00:27:54,853 --> 00:27:57,395 FOR QUITE A LOT OF THINGS, LEX. 457 00:28:02,332 --> 00:28:05,381 I UNDERSTAND YOU HAVE A RELATIONSHIP WITH LANA LANG. 458 00:28:05,405 --> 00:28:09,848 CARE TO TELL ME WHERE THIS IS GOING? 459 00:28:09,872 --> 00:28:13,191 MY SON IS YOUNG, LEX. 460 00:28:13,215 --> 00:28:15,294 YOUNG AND HEADSTRONG... 461 00:28:15,318 --> 00:28:17,296 LIKE THAT BOY AT THE OPERA. 462 00:28:17,320 --> 00:28:20,400 HE CAN'T ALWAYS SEE WHAT'S BEST FOR HIM. 463 00:28:20,424 --> 00:28:22,203 AND YOU CAN? 464 00:28:22,227 --> 00:28:24,867 WITH THE WISDOM OF AGE, YES, I CAN. 465 00:28:24,891 --> 00:28:27,209 AND WHAT I SEE 466 00:28:27,233 --> 00:28:29,872 IS THAT HE'S THROWING HIS FUTURE AWAY, 467 00:28:29,896 --> 00:28:31,900 AS IS YOUR FRIEND. 468 00:28:34,442 --> 00:28:36,380 SURELY YOU KNOW 469 00:28:36,404 --> 00:28:40,226 THEY'RE IN A RELATIONSHIP THAT WILL NEVER WORK. 470 00:28:40,250 --> 00:28:42,389 I DON'T USUALLY INVOLVE MYSELF 471 00:28:42,413 --> 00:28:44,891 IN OTHER PEOPLE'S AFFAIRS OF THE HEART, GENEVIEVE. 472 00:28:44,915 --> 00:28:47,294 BUT YOU DID INTERVENE AT THE HIGH SCHOOL. 473 00:28:47,318 --> 00:28:50,369 THAT WAS A CIVIC MATTER. 474 00:28:50,393 --> 00:28:52,441 LOOK, I'M NOT A FAMILY THERAPIST, 475 00:28:52,465 --> 00:28:54,828 BUT I WOULD SUGGEST THAT YOU TALK TO YOUR SON. 476 00:28:57,932 --> 00:29:01,253 OH, I'VE TRIED, LEX. 477 00:29:01,277 --> 00:29:04,357 BUT AS IS OFTEN THE WAY WITH YOUNG MEN, 478 00:29:04,381 --> 00:29:06,983 THEY DON'T LISTEN PARTICULARLY TO THEIR MOTHERS. 479 00:29:09,346 --> 00:29:13,398 I WAS HOPING I COULD PERSUADE YOU TO HELP ME. 480 00:29:13,422 --> 00:29:17,372 AS I SAID, I DON'T INTERFERE IN OTHER PEOPLE'S... 481 00:29:17,396 --> 00:29:21,879 IN OTHER PEOPLE'S AFFAIRS OF THE HEART, I KNOW. 482 00:29:21,903 --> 00:29:24,482 PERHAPS YOU SHOULD LOOK AT THE BIGGER PICTURE, LEX. 483 00:29:24,506 --> 00:29:28,447 HELPING ME COULD WORK TO YOUR ADVANTAGE. 484 00:29:28,471 --> 00:29:30,991 I RECENTLY CAME ACROSS SOME INFORMATION 485 00:29:31,015 --> 00:29:33,353 ABOUT HOW YOUR FATHER MANAGED TO OVERTURN 486 00:29:33,377 --> 00:29:36,497 HIS CONVICTION AND GET OUT OF PRISON. 487 00:29:36,521 --> 00:29:39,430 INFORMATION YOU MIGHT FIND... 488 00:29:39,454 --> 00:29:42,789 VERY INTERESTING. 489 00:29:46,765 --> 00:29:50,298 [ DOG BARKING IN THE DISTANCE ] 490 00:30:12,798 --> 00:30:15,030 ALICIA! 491 00:30:26,545 --> 00:30:28,047 ALICIA. 492 00:30:35,056 --> 00:30:38,806 NO. PLEASE, NO. 493 00:30:38,830 --> 00:30:41,040 PLEASE, ALICIA. 494 00:30:41,064 --> 00:30:44,783 NO... NO. 495 00:30:44,807 --> 00:30:46,917 NO!! 496 00:30:46,941 --> 00:30:49,013 NO! 497 00:30:52,919 --> 00:30:56,329 NO!! 498 00:30:56,353 --> 00:30:58,601 CLARK! 499 00:30:58,625 --> 00:31:01,064 OH, MY GOD. 500 00:31:01,088 --> 00:31:03,092 CLARK, WHAT HAPPENED? 501 00:31:07,596 --> 00:31:10,441 I THINK I KNOW WHO DID THIS... 502 00:31:12,544 --> 00:31:14,906 AND WHERE WE CAN FIND HIM. 503 00:31:29,595 --> 00:31:31,043 HEY... 504 00:31:31,067 --> 00:31:32,845 EVEN YOU THOUGHT SHE WAS GUILTY, DIDN'T YOU? 505 00:31:32,869 --> 00:31:34,602 HUH? 506 00:31:39,136 --> 00:31:41,116 TRY NOT TO FEEL TOO BAD. 507 00:31:41,140 --> 00:31:44,684 I MEAN, HEY, SHE DID TRY TO KILL YOUR GIRLFRIEND LAST YEAR. 508 00:31:46,487 --> 00:31:49,166 YOU TRIED TO KILL LANA. WHAT DOES THAT MAKE YOU? 509 00:31:49,190 --> 00:31:51,468 NO, TRY TO UNDERSTAND, CLARK. 510 00:31:51,492 --> 00:31:53,931 I DID WHAT'S RIGHT FOR SMALLVILLE. 511 00:31:53,955 --> 00:31:56,606 I HAVE TO MAKE THINGS RIGHT. 512 00:31:56,630 --> 00:31:59,178 YOU KILLED ALICIA. 513 00:31:59,202 --> 00:32:03,608 I LOVED HER, AND YOU TOOK THAT AWAY FROM ME. 514 00:32:17,185 --> 00:32:19,188 AAH! 515 00:32:23,594 --> 00:32:25,072 YOU KILLED HER! 516 00:32:25,096 --> 00:32:27,544 ALL SHE WANTED WAS A CHANCE. 517 00:32:27,568 --> 00:32:31,049 CLARK! STOP! 518 00:32:31,073 --> 00:32:33,205 CLARK! CLARK! YOU'RE KILLING HIM! 519 00:32:35,709 --> 00:32:37,658 STOP. 520 00:32:37,682 --> 00:32:40,015 LET HIM GO! 521 00:32:48,224 --> 00:32:52,206 IT'S GONNA BE OKAY. 522 00:32:52,230 --> 00:32:54,773 CLARK, IT'S GONNA BE OKAY. 523 00:33:04,846 --> 00:33:07,696 NOW, WHY WOULD LEX LUTHOR WANT TO SEE ME? 524 00:33:07,720 --> 00:33:09,197 LET ME TAKE A STAB AT IT. 525 00:33:09,221 --> 00:33:11,900 'CAUSE YOU WANT TO LECTURE ME ON THE EVILS 526 00:33:11,924 --> 00:33:13,072 OF A PART-TIME COACH 527 00:33:13,096 --> 00:33:15,606 DATING AN 18-YEAR-OLD HIGH-SCHOOL STUDENT. 528 00:33:15,630 --> 00:33:18,109 I TOOK A HARD LINE ABOUT THE SCHOOL RULES, JASON, 529 00:33:18,133 --> 00:33:19,982 BUT THAT DOESN'T MEAN 530 00:33:20,006 --> 00:33:22,745 I DON'T APPRECIATE THE INDIVIDUALS INVOLVED. 531 00:33:22,769 --> 00:33:24,818 I'M SORRY I COST YOU YOUR JOB, 532 00:33:24,842 --> 00:33:27,714 AND I'D LIKE TO MAKE IT UP TO YOU. 533 00:33:29,146 --> 00:33:30,956 REALLY? 534 00:33:30,980 --> 00:33:33,058 I MEAN, YOU STILL HAVEN'T RESCHEDULED MY MEETING 535 00:33:33,082 --> 00:33:35,231 WITH YOUR H.R. GUY OVER AT LUTHORCORP. 536 00:33:35,255 --> 00:33:39,736 I HAVE A POSITION YOU MIGHT FIND MORE APPEALING. 537 00:33:39,760 --> 00:33:42,795 A POSITION THAT PAYS $100,000 A YEAR. 538 00:33:44,797 --> 00:33:48,117 BECAUSE I'M OBVIOUSLY QUALIFIED FOR A $100,000-A-YEAR JOB. 539 00:33:48,141 --> 00:33:50,880 MY MOTHER PUT YOU UP TO THIS, DIDN'T SHE? 540 00:33:50,904 --> 00:33:53,254 SHE IS TRYING HER BEST TO GET BETWEEN LANA AND ME. 541 00:33:53,278 --> 00:33:56,257 SHE'S TRYING TO DO A LOT MORE THAN THAT, JASON. 542 00:33:56,281 --> 00:33:59,091 THAT'S WHY I WANT TO WORK TOGETHER... 543 00:33:59,115 --> 00:34:01,133 TO FIND OUT WHAT SHE'S REALLY UP TO. 544 00:34:01,157 --> 00:34:03,937 YOU WANT TO TEAM UP AGAINST MY MOTHER? 545 00:34:03,961 --> 00:34:07,902 THE ENEMY OF MY ENEMY. 546 00:34:07,926 --> 00:34:11,207 AND HOW DO I KNOW I CAN TRUST YOU? 547 00:34:11,231 --> 00:34:13,178 YOU DON'T. 548 00:34:13,202 --> 00:34:16,306 BUT WHAT OTHER CHOICE DO YOU HAVE? 549 00:34:37,233 --> 00:34:41,015 CLARK... 550 00:34:41,039 --> 00:34:44,373 HONEY, YOU'VE BEEN UP HERE FOR TWO DAYS. 551 00:34:51,251 --> 00:34:55,133 WHAT HAPPENED TO ALICIA, 552 00:34:55,157 --> 00:34:56,929 IT WASN'T YOUR FAULT. 553 00:34:59,362 --> 00:35:02,341 IF I HAD BELIEVED HER, SHE WOULDN'T BE DEAD. 554 00:35:02,365 --> 00:35:06,816 CLARK, SHE WAS FRAMED. THERE'S... 555 00:35:06,840 --> 00:35:09,273 THERE'S NO WAY YOU COULD'VE KNOWN THAT. 556 00:35:11,277 --> 00:35:12,985 I COULD'VE TRUSTED HER. 557 00:35:13,009 --> 00:35:14,988 DID YOU KNOW THAT ALICIA WANTED ME TO GO 558 00:35:15,012 --> 00:35:19,032 TO THE SHERIFF WITH HER AND TELL HER EVERYTHING? 559 00:35:19,056 --> 00:35:21,265 ALICIA THOUGHT THAT IF PEOPLE KNEW THE TRUTH ABOUT ME 560 00:35:21,289 --> 00:35:23,298 AND WHAT I CAN DO, 561 00:35:23,322 --> 00:35:27,003 THEY WOULDN'T BE SO QUICK TO JUDGE HER. 562 00:35:27,027 --> 00:35:29,876 BUT I DIDN'T GO. 563 00:35:29,900 --> 00:35:33,151 I WAS TOO AFRAID OF WHAT PEOPLE MIGHT THINK, 564 00:35:33,175 --> 00:35:35,383 HOW THEY WOULD REACT. 565 00:35:35,407 --> 00:35:37,856 BUT WHAT IF SHE WAS RIGHT? 566 00:35:37,880 --> 00:35:40,390 BECAUSE IF PEOPLE KNEW 567 00:35:40,414 --> 00:35:45,927 WHAT I CAN DO AND WHO I REALLY AM... 568 00:35:45,951 --> 00:35:50,025 MAYBE SHE'D STILL BE ALIVE. 569 00:35:52,099 --> 00:35:56,333 AND I JUST CAN'T FORGIVE MYSELF FOR THAT. 570 00:36:19,032 --> 00:36:21,211 I'M HEADED BACK TO SCHOOL. 571 00:36:21,235 --> 00:36:23,374 I HAVE AN 8:00 CLASS TOMORROW. 572 00:36:23,398 --> 00:36:25,177 OKAY. 573 00:36:25,201 --> 00:36:27,479 LOOKING FOR CLUES ABOUT TIM'S ABILITY, 574 00:36:27,503 --> 00:36:29,521 THINGS WE SHOULD HAVE SEEN BEFORE, 575 00:36:29,545 --> 00:36:31,254 BLAMING ALICIA? 576 00:36:31,278 --> 00:36:33,356 I THINK MAYBE I'VE SEEN TOO MUCH ALREADY. 577 00:36:33,380 --> 00:36:36,061 I'VE SPENT THE LAST FOUR YEARS FERRETING OUT METEOR FREAKS, 578 00:36:36,085 --> 00:36:38,062 TRYING TO EXPOSE THEM. 579 00:36:38,086 --> 00:36:40,090 I NEVER SHOULD'VE STARTED THIS WALL. 580 00:36:41,961 --> 00:36:45,072 CHLOE, YOU'RE A REPORTER. 581 00:36:45,096 --> 00:36:47,405 YOU INVESTIGATE AND EXPOSE. THAT'S WHO YOU ARE. 582 00:36:47,429 --> 00:36:51,503 YEAH, WELL, THEN I GUESS SOMETIMES IT SUCKS BEING ME. 583 00:36:55,039 --> 00:36:59,090 LOIS, IF... IF YOU FOUND OUT SOMETHING... 584 00:36:59,114 --> 00:37:02,093 SOMETHING SOMEONE DIDN'T WANT YOU TO KNOW ABOUT THEM... 585 00:37:02,117 --> 00:37:05,097 WOULD YOU TELL THEM? 586 00:37:05,121 --> 00:37:06,369 THAT DEPENDS. 587 00:37:06,393 --> 00:37:09,102 IS THAT PERSON SOMEONE YOU CARE ABOUT? 588 00:37:09,126 --> 00:37:11,506 YEAH. 589 00:37:11,530 --> 00:37:16,242 AND DOES KEEPING THE SECRET HURT ANYONE? 590 00:37:16,266 --> 00:37:18,445 NO. 591 00:37:18,469 --> 00:37:20,447 THEN MY ANSWER IS NO. 592 00:37:20,471 --> 00:37:22,450 IF I REALLY CARED ABOUT THAT PERSON, 593 00:37:22,474 --> 00:37:24,452 I WOULDN'T TELL THEM THAT I KNEW. 594 00:37:24,476 --> 00:37:26,524 BUT I WOULD GO OUT OF MY WAY TO BE SUPPORTIVE OF THEM 595 00:37:26,548 --> 00:37:28,557 SO THAT HOPEFULLY, ONE DAY, 596 00:37:28,581 --> 00:37:31,361 THEY WOULD BE COMFORTABLE ENOUGH 597 00:37:31,385 --> 00:37:33,434 TO TELL ME THEMSELVES. 598 00:37:33,458 --> 00:37:35,465 NO OFFENSE, LOIS, BUT THAT'S THE LAST THING 599 00:37:35,489 --> 00:37:38,340 I EXPECTED TO HEAR FROM YOU. 600 00:37:38,364 --> 00:37:40,341 I'VE LEARNED THE HARD WAY 601 00:37:40,365 --> 00:37:42,544 THAT PEOPLE KEEP SECRETS FOR A REASON, 602 00:37:42,568 --> 00:37:46,479 EVEN FROM THE PEOPLE THEY'RE CLOSEST TO. 603 00:37:46,503 --> 00:37:49,447 CHLOE, IS THERE SOMETHING YOU WANT TO TELL ME? 604 00:37:52,181 --> 00:37:54,590 ARE YOU THE ONE WITH THE SECRET? 605 00:37:54,614 --> 00:37:57,294 NO. 606 00:37:57,318 --> 00:37:59,265 NO, IT'S NOT ME. 607 00:37:59,289 --> 00:38:01,439 OKAY. 608 00:38:01,463 --> 00:38:04,173 I'll SEE YOU IN A COUPLE OF WEEKS OR SO. 609 00:38:04,197 --> 00:38:07,501 YEAH. 610 00:38:09,432 --> 00:38:12,282 I'M SURE WHOEVER IT IS THAT YOU'RE TALKING ABOUT 611 00:38:12,306 --> 00:38:15,416 WILL TELL YOU WHEN THEY'RE READY. 612 00:38:15,440 --> 00:38:17,289 THANKS. 613 00:38:17,313 --> 00:38:19,191 BYE, BABY. 614 00:38:19,215 --> 00:38:20,593 BYE. 615 00:38:20,617 --> 00:38:22,166 SAFE DRIVE HOME. 616 00:38:22,190 --> 00:38:23,650 OKAY. 617 00:38:38,110 --> 00:38:42,646 CLARK... WHY DIDN'T YOU JUST TELL ME? 618 00:39:29,175 --> 00:39:30,452 HEY, CLARK. 619 00:39:30,476 --> 00:39:35,559 I... JUST WANTED TO SAY THAT I AM SO SORRY... 620 00:39:35,583 --> 00:39:37,585 FOR EVERYTHING. 621 00:39:43,492 --> 00:39:50,276 IT MUST'VE BEEN SO HARD BEING SO DIFFERENT, 622 00:39:50,300 --> 00:39:55,483 HAVING EVERYONE JUDGE YOU BEFORE THEY EVEN KNOW YOU. 623 00:39:55,507 --> 00:39:58,247 KNOWING THAT THERE'S SOME PEOPLE THAT... 624 00:39:58,271 --> 00:40:01,615 MIGHT NEVER ACCEPT YOU. 625 00:40:07,382 --> 00:40:10,233 I JUST... 626 00:40:10,257 --> 00:40:13,407 I WANT YOU TO KNOW THAT I'M HERE FOR YOU... 627 00:40:13,431 --> 00:40:15,793 IF YOU EVER NEED TO TALK. 628 00:40:21,240 --> 00:40:26,106 THANKS, CHLOE. I APPRECIATE THAT. 629 00:40:54,643 --> 00:40:57,622 Captions by VITAC... www.vitac.com 630 00:40:57,646 --> 00:41:00,650 CAPTIONS PAID FOR BY WARNER BROS. TELEVISION