1 00:00:40,229 --> 00:00:43,378 ♫ ONE, TAKE CONTROL OF ME ♫ 2 00:00:43,402 --> 00:00:46,113 ♫ YOU'RE MESSING WITH THE ENEMY ♫ 3 00:00:46,137 --> 00:00:48,515 ♫ SAID IT'S 2, IT'S ANOTHER TRICK ♫ 4 00:00:48,539 --> 00:00:50,387 ♫ MESSIN' WITH MY MIND, I WAKE UP ♫ 5 00:00:50,411 --> 00:00:53,320 ♫ CHASE DOWN AN EMPTY STREET ♫ 6 00:00:53,344 --> 00:00:55,494 ♫ BLINDLY SNAP THE BROKEN BEATS ♫ 7 00:00:55,518 --> 00:00:57,595 ♫ SAID IT'S GONE WITH THE DIRTY TRICK ♫ 8 00:00:57,619 --> 00:01:00,384 ♫ IT'S TAKEN ALL THESE DAYS TO FIND YA ♫ 9 00:01:03,256 --> 00:01:06,260 ♫ I TELL YOU I WANT YOU ♫ 10 00:01:08,293 --> 00:01:10,411 ♫ I TELL YOU I NEED YOU ♫ 11 00:01:10,435 --> 00:01:13,414 ♫ FRIENDS, TAKE CONTROL OF ME, STALKING 'CROSS THE GALLERY ♫ 12 00:01:13,438 --> 00:01:15,417 ♫ ALL THESE PILLS GOT TO OPERATE ♫ 13 00:01:15,441 --> 00:01:18,381 ♫ THE COLOR QUITS AND ALL INVADE US ♫ 14 00:01:18,405 --> 00:01:21,183 ♫ THERE IT GOES AGAIN ♫ 15 00:01:21,207 --> 00:01:22,525 ♫ TAKE ME TO THE EDGE AGAIN ♫ 16 00:01:22,549 --> 00:01:26,090 ♫ ALL I GOT IS A DIRTY TRICK ♫ 17 00:01:26,114 --> 00:01:29,388 ♫ I'M CHASIN' DOWN ALL WALLS TO SAVE YA ♫ 18 00:01:30,459 --> 00:01:33,862 ♫ I TELL YOU I WANT YOU ♫ 19 00:01:35,224 --> 00:01:38,329 ♫ I'll TELL YOU I NEED YOU ♫ 20 00:01:40,200 --> 00:01:42,603 ♫ THE BLOOD AIN'T ON MY FACE ♫ 21 00:01:45,606 --> 00:01:48,581 ♫ I JUST WANTED YOU NEAR ME ♫ 22 00:01:55,588 --> 00:02:00,131 ♫ I TELL YOU I WANT YOU ♫ 23 00:02:00,155 --> 00:02:03,128 ♫ I'll TELL YOU I NEED YOU ♫ 24 00:02:05,501 --> 00:02:08,664 ♫ THE BLOOD AIN'T ON MY HANDS ♫ 25 00:02:10,366 --> 00:02:12,639 ♫ I JUST WANTED YOU NEAR ME ♫ 26 00:02:16,514 --> 00:02:19,417 [ CELLPHONE PLAYING REVEILLE ] 27 00:02:25,283 --> 00:02:29,504 WHO THE HELL CALLS AT 3:00 A.M.? 28 00:02:29,528 --> 00:02:31,638 THIS HAD BETTER BE GOOD. 29 00:02:31,662 --> 00:02:34,140 LO, IT'S ME! 30 00:02:34,164 --> 00:02:35,913 LUCY? 31 00:02:35,937 --> 00:02:38,146 WHERE ARE YOU? 32 00:02:38,170 --> 00:02:40,377 GOOD NEWS, BIG SIS. 33 00:02:40,401 --> 00:02:42,381 I'M COMING TO SEE YOU DAY AFTER TOMORROW. 34 00:02:42,405 --> 00:02:43,923 DON'T WORRY ABOUT THE AIRPORT. I'll GRAB A SHUTTLE. LUCY, WAIT. 35 00:02:43,947 --> 00:02:46,224 CAN'T WAIT TO SEE YOU. BYE! 36 00:02:46,248 --> 00:02:48,457 [ DIAL TONE ] 37 00:02:48,481 --> 00:02:50,685 [ EXHALES ] 38 00:02:58,563 --> 00:03:05,677 ♫ SOMEBODY SAVE ME ♫ 39 00:03:05,701 --> 00:03:09,613 ♫ LET YOUR WARM HANDS BREAK RIGHT THROUGH ♫ 40 00:03:09,637 --> 00:03:16,260 ♫ SOMEBODY SAVE ME ♫ 41 00:03:16,284 --> 00:03:19,724 ♫ I DON'T CARE HOW YOU DO IT ♫ 42 00:03:19,748 --> 00:03:20,966 ♫ JUST STAY ♫ 43 00:03:20,990 --> 00:03:22,728 ♫ STAY WITH ME ♫ 44 00:03:22,752 --> 00:03:24,730 ♫ STAY ♫ 45 00:03:24,754 --> 00:03:26,603 ♫ COME ON ♫ 46 00:03:26,627 --> 00:03:30,277 ♫ I'VE BEEN WAITING FOR YOU ♫ 47 00:03:30,301 --> 00:03:35,744 ♫ JUST STAY WITH ME ♫ 48 00:03:35,768 --> 00:03:41,221 ♫ I'VE MADE THIS WHOLE WORLD SHINE FOR YOU ♫ 49 00:03:41,245 --> 00:03:42,551 ♫ JUST STAY ♫ 50 00:03:42,575 --> 00:03:45,295 ♫ STAY ♫ 51 00:03:45,319 --> 00:03:48,423 ♫ COME ON ♫ 52 00:03:55,331 --> 00:03:57,370 HOPE YOU GUYS ARE HUNGRY 53 00:03:57,394 --> 00:03:59,712 BECAUSE THERE ARE PLENTY MORE WHERE THESE CAME FROM. 54 00:03:59,736 --> 00:04:02,977 LOIS, YOU REALLY DIDN'T HAVE TO... DO ALL THIS. 55 00:04:03,001 --> 00:04:05,750 AT LEAST LET ME HELP. I SHOULD MAKE SOME EGGS. 56 00:04:05,774 --> 00:04:07,581 OH, NO, NO, MRS. KENT. 57 00:04:07,605 --> 00:04:09,584 YOU JUST SIT DOWN AND RELAX. 58 00:04:09,608 --> 00:04:11,586 LOOK, HERE I AM, USING YOUR HOME 59 00:04:11,610 --> 00:04:13,889 AS MY OWN PERSONAL MOTEL 6. 60 00:04:13,913 --> 00:04:15,861 IT'S REALLY THE LEAST I CAN DO. 61 00:04:15,885 --> 00:04:19,336 YEAH, WELL, I'M NOT THAT HUNGRY, SO I'M GONNA HAVE SOME O.J. 62 00:04:19,360 --> 00:04:23,300 COME ON, BREAKFAST IS THE MOST IMPORTANT MEAL OF THE DAY. 63 00:04:23,324 --> 00:04:24,966 BACON? 64 00:04:28,670 --> 00:04:32,010 OKAY, SO I'M NEVER GONNA MAKE IT TO THE CORDON BLEU, 65 00:04:32,034 --> 00:04:34,012 BUT I THOUGHT IT WOULD BE LESS OF A DISASTER 66 00:04:34,036 --> 00:04:36,340 THAN HELPING OUT ON THE FARM. 67 00:04:37,781 --> 00:04:40,360 MAYBE IRONING. 68 00:04:40,384 --> 00:04:42,423 LOIS, WHAT'S GOING ON? 69 00:04:42,447 --> 00:04:43,925 WHAT DO YOU MEAN? 70 00:04:43,949 --> 00:04:45,898 YOU MADE US BREAKFAST, 71 00:04:45,922 --> 00:04:48,370 YOU'RE OFFERING TO DO THE CHORES... 72 00:04:48,394 --> 00:04:50,332 YOU WANT SOMETHING. 73 00:04:50,356 --> 00:04:52,935 NO. IT'S CALLED BEING NICE. 74 00:04:52,959 --> 00:04:55,038 YEAH, WELL, IF YOU WERE ANY NICER, 75 00:04:55,062 --> 00:04:56,880 WE'D STARVE. 76 00:04:56,904 --> 00:04:59,838 CLARK... 77 00:05:03,411 --> 00:05:06,721 HE'S RIGHT, MRS. KENT. 78 00:05:06,745 --> 00:05:10,997 LOOK... UM... 79 00:05:11,021 --> 00:05:16,358 SEE, YOU GUYS HAVE BEEN SO GOOD TO ME ALREADY... 80 00:05:17,889 --> 00:05:20,808 IT'S KIND OF HARD TO ASK FOR YET ANOTHER FAVOR, SO... 81 00:05:20,832 --> 00:05:27,117 BUT, UM, I... Lucy: LO? ANYBODY HOME? 82 00:05:27,141 --> 00:05:31,682 HI, SWEETIE. WHAT'S YOUR NAME? 83 00:05:31,706 --> 00:05:33,124 HI. 84 00:05:33,148 --> 00:05:36,957 I'M SO HAPPY TO SEE YOU. 85 00:05:36,981 --> 00:05:40,832 UM... MEET MY SISTER LUCY. 86 00:05:40,856 --> 00:05:42,935 SHE WAS KINDA HOPING MAYBE SHE COULD CRASH HERE 87 00:05:42,959 --> 00:05:45,038 FOR A COUPLE DAYS. 88 00:05:45,062 --> 00:05:47,941 I KNOW IT'S LAST-MINUTE, BUT I HAD THIS SCHOOL BREAK, 89 00:05:47,965 --> 00:05:50,074 AND I'M WILLING TO SLEEP IN THE BARN. 90 00:05:50,098 --> 00:05:52,747 NO, THAT'S OKAY. LOIS CAN SLEEP IN THE BARN. 91 00:05:52,771 --> 00:05:54,778 NOBODY HAS TO SLEEP OUT THERE. 92 00:05:54,802 --> 00:05:57,853 WE'D LOVE TO HAVE YOU, LUCY. UM, YOU CAN STAY IN LOIS' ROOM. 93 00:05:57,877 --> 00:06:01,942 WE'LL, UH, WE'LL GO UP AND GET YOUR THINGS SET UP. 94 00:06:07,148 --> 00:06:10,827 SO, LUCY, LOIS HAS TOLD US ABSOLUTELY NOTHING ABOUT YOU. 95 00:06:10,851 --> 00:06:12,930 WELL, THERE'S NOT MUCH TO TELL. 96 00:06:12,954 --> 00:06:14,773 OH, PLEASE, LET ME GLOAT. 97 00:06:14,797 --> 00:06:16,475 SHE IS GETTING STRAIGHT A's. 98 00:06:16,499 --> 00:06:19,177 AT ONE OF THE MOST PRESTIGIOUS PREP SCHOOLS IN EUROPE. 99 00:06:19,201 --> 00:06:21,180 SHE IS FLUENT IN THREE LANGUAGES, 100 00:06:21,204 --> 00:06:23,483 AND SHE IS FENDING OFF IVY LEAGUE COLLEGES 101 00:06:23,507 --> 00:06:24,884 WITH A STICK. 102 00:06:24,908 --> 00:06:28,488 WOW, THAT'S IMPRESSIVE. WHAT HAPPENED TO LOIS? 103 00:06:28,512 --> 00:06:30,752 YOU'RE GONNA FIND THAT CLARK'S CHARM 104 00:06:30,776 --> 00:06:32,093 IS AN ACQUIRED TASTE, 105 00:06:32,117 --> 00:06:34,521 MUCH LIKE HIS SENSE OF FASHION. 106 00:06:38,024 --> 00:06:40,103 WELL, THANKS FOR LETTING ME STAY. 107 00:06:40,127 --> 00:06:42,906 I DON'T KNOW HOW I'M GOING TO REPAY YOU. 108 00:06:42,930 --> 00:06:45,769 WELL, JUST TELL ME PLENTY OF EMBARRASSING STORIES ABOUT LOIS. 109 00:06:45,793 --> 00:06:47,536 [ LAUGHS ] FUNNY GUY. 110 00:06:47,966 --> 00:06:50,516 WELL, I'M JUST GONNA GO WASH 111 00:06:50,540 --> 00:06:53,449 FOUR TIME ZONES WORTH OF AIRPORT CONNECTIONS. 112 00:06:53,473 --> 00:06:55,851 LUCY? 113 00:06:55,875 --> 00:06:58,185 ARE YOU SURE EVERYTHING'S OKAY? 114 00:06:58,209 --> 00:07:03,084 NOW THAT I'M HERE WITH YOU, IT'S PERFECT. 115 00:07:15,168 --> 00:07:17,947 YOU KNOW, YOU CHEATED ON THAT LAST STRETCH, YOUNG LADY. 116 00:07:17,971 --> 00:07:19,250 I HAD YOU BEAT. 117 00:07:19,274 --> 00:07:21,252 WELL, I ONLY OFFERED YOU A KISS. 118 00:07:21,276 --> 00:07:23,939 DIDN'T THINK YOU'D ACTUALLY FALL FOR IT. 119 00:07:28,615 --> 00:07:30,146 OH, MY GOD. 120 00:07:33,220 --> 00:07:35,853 HOLD ON. 121 00:07:38,896 --> 00:07:40,274 IS ANYTHING MISSING? 122 00:07:40,298 --> 00:07:42,600 I DON'T KNOW. 123 00:07:45,103 --> 00:07:48,144 MY JEWELRY'S STILL HERE. 124 00:07:48,168 --> 00:07:51,247 MY WALLET'S RIGHT WHERE I LEFT IT. 125 00:07:51,271 --> 00:07:54,851 OKAY, WELL, IF NOTHING VALUABLE IS MISSING, THEN... 126 00:07:54,875 --> 00:07:56,677 THE STONE. 127 00:08:13,899 --> 00:08:15,617 WHO ELSE COULD'VE KNOWN IT WAS HERE? 128 00:08:15,641 --> 00:08:17,178 I DON'T KNOW. 129 00:08:17,202 --> 00:08:20,221 WELL, NO ONE SAW ME TAKE IT IN CHINA. 130 00:08:20,245 --> 00:08:23,987 MAYBE, UH, MAYBE LEX OR LIONEL FIGURED IT OUT. 131 00:08:24,011 --> 00:08:26,889 OR CLARK. 132 00:08:26,913 --> 00:08:28,893 I MEAN, YOU ALWAYS SAID THERE WAS A SIDE OF HIM 133 00:08:28,917 --> 00:08:31,134 THAT YOU NEVER REALLY KNEW. 134 00:08:31,158 --> 00:08:34,639 I DON'T CARE WHO DID THIS, JASON. 135 00:08:34,663 --> 00:08:36,641 I DON'T CARE ABOUT THESE STONES. 136 00:08:36,665 --> 00:08:38,644 I JUST WANT TO FORGET THEY EVER EXISTED. 137 00:08:38,668 --> 00:08:41,648 LANA, THIS ISN'T SOME BAD DREAM THAT YOU CAN JUST BLINK AWAY. 138 00:08:41,672 --> 00:08:44,610 THIS IS REAL LIFE. 139 00:08:44,634 --> 00:08:46,153 WE HAVE TO FIND THAT STONE. 140 00:08:46,177 --> 00:08:47,685 NO, WE DON'T. 141 00:08:47,709 --> 00:08:50,658 JASON, OUR RELATIONSHIP 142 00:08:50,682 --> 00:08:52,961 HAS BECOME MORE ABOUT CHASING ARTIFACTS 143 00:08:52,985 --> 00:08:54,663 THAN IT IS ABOUT YOU AND ME. 144 00:08:54,687 --> 00:08:57,296 AND THAT ISN'T A RELATIONSHIP. 145 00:08:57,320 --> 00:09:01,000 REMEMBER WHEN OUR BIGGEST PROBLEM 146 00:09:01,024 --> 00:09:04,729 WAS TRYING TO FIND A PLACE TO STEAL A KISS? 147 00:09:07,663 --> 00:09:11,283 YEAH, USUALLY YOU PREFERRED UNDER THE BLEACHERS. 148 00:09:11,307 --> 00:09:13,215 WELL, THERE IS NO REASON 149 00:09:13,239 --> 00:09:15,687 WHY WE CAN'T GO BACK TO THOSE DAYS, 150 00:09:15,711 --> 00:09:18,951 WITHOUT WORRYING ABOUT BREAK-INS AND ARTIFACTS 151 00:09:18,975 --> 00:09:23,981 AND THE LUTHORS... AND CLARK KENT. 152 00:09:27,686 --> 00:09:30,028 YOU'RE RIGHT. 153 00:09:32,432 --> 00:09:37,114 THEN WHOEVER TOOK THE STONE, THEY CAN JUST KEEP IT. 154 00:09:37,138 --> 00:09:38,976 AND, UH... 155 00:09:39,000 --> 00:09:41,318 AND WE'LL JUST CONCENTRATE ON THE ONLY THING 156 00:09:41,342 --> 00:09:45,807 THAT REALLY MATTERS... US. 157 00:09:56,190 --> 00:09:58,269 I HOPE YOU'RE THIRSTY. 158 00:09:58,293 --> 00:10:00,140 WHAT ARE YOU DOING? 159 00:10:00,164 --> 00:10:03,144 OH, I FIGURED I WOULD HELP OUT AND GET THE MORNING MILK. 160 00:10:03,168 --> 00:10:05,376 I SPENT LAST SPRING BREAK 161 00:10:05,400 --> 00:10:08,181 ON MY FRIEND'S FARM IN THE SWISS COUNTRYSIDE. 162 00:10:08,205 --> 00:10:10,452 WELL, YOU DIDN'T REALLY HAVE TO DO THAT. 163 00:10:10,476 --> 00:10:12,785 I FIGURED IF I'M GONNA STAY, 164 00:10:12,809 --> 00:10:15,143 I HAVE TO PULL MY OWN WEIGHT. 165 00:10:20,119 --> 00:10:22,427 HEY, UH, LOIS, DID YOU... DID YOU HEAR THAT? 166 00:10:22,451 --> 00:10:24,700 I'M SORRY, DID YOU SAY SOMETHING? 167 00:10:24,724 --> 00:10:26,702 GO GET CHANGED. I'M GOING TO WORK. 168 00:10:26,726 --> 00:10:29,105 SINCE WHEN DID YOU WORK? 169 00:10:29,129 --> 00:10:31,337 SINCE TODAY. I'M HELPING YOUR MOM OUT AT THE TALON. 170 00:10:31,361 --> 00:10:34,041 SO CHLOE IS GONNA BE YOUR OFFICIAL SMALLVILLE TOUR GUIDE, 171 00:10:34,065 --> 00:10:36,783 NOT THAT THERE'S MUCH TO SEE. 172 00:10:36,807 --> 00:10:39,187 OH, I DON'T KNOW. 173 00:10:39,211 --> 00:10:42,051 SO FAR IT LOOKS PRETTY GOOD. 174 00:10:42,075 --> 00:10:44,293 [ BOTH CHUCKLE ] 175 00:10:44,317 --> 00:10:46,855 DON'T LET ALL THAT FLIRTING GO TO YOUR HEAD. 176 00:10:46,879 --> 00:10:48,357 SHE GOES TO AN ALL-GIRLS SCHOOL. 177 00:10:48,381 --> 00:10:50,200 YOU'RE PROBABLY THE FIRST GUY SHE'S TALKED TO 178 00:10:50,224 --> 00:10:51,461 IN A COUPLE MONTHS. 179 00:10:51,485 --> 00:10:53,234 LOIS, I DON'T WANT YOU TO GET THE WRONG IDEA, 180 00:10:53,258 --> 00:10:54,806 BUT EVER SINCE LUCY CAME TO TOWN, 181 00:10:54,830 --> 00:10:56,307 YOU'VE BEEN GRUMPIER THAN NORMAL. 182 00:10:56,331 --> 00:10:58,070 ARE YOU NOT HAPPY TO SEE YOUR SISTER? 183 00:10:58,094 --> 00:10:59,471 OF COURSE I AM. 184 00:10:59,495 --> 00:11:01,813 LOOK, THERE'S A THING WITH SISTERS. 185 00:11:01,837 --> 00:11:04,778 YOU CAN LOVE THEM WITHOUT REALLY LIKING THEM. 186 00:11:04,802 --> 00:11:06,874 YOU DON'T LIKE YOUR OWN SISTER? 187 00:11:08,375 --> 00:11:10,455 MORE LIKE SHE'S NOT VERY CRAZY ABOUT ME, 188 00:11:10,479 --> 00:11:12,125 NOT THAT I BLAME HER. 189 00:11:12,149 --> 00:11:13,758 YEAH, WELL... 190 00:11:13,782 --> 00:11:15,831 LOOK, YOU MIGHT BE A LITTLE ROUGH AROUND THE EDGES, 191 00:11:15,855 --> 00:11:18,433 BUT AS FAR AS SISTERS GO, LUCY COULD DO A LOT WORSE. 192 00:11:18,457 --> 00:11:22,393 UM... THANKS FOR THE RINGING ENDORSEMENT. 193 00:11:24,394 --> 00:11:26,474 WHEN MY MOTHER DIED, 194 00:11:26,498 --> 00:11:29,147 MY DAD HAD TWO GIRLS HE DIDN'T KNOW HOW TO DEAL WITH, 195 00:11:29,171 --> 00:11:31,509 SO HE DID WHAT EVERY GOOD MILITARY LEADER WOULD DO... 196 00:11:31,533 --> 00:11:33,881 HE INSTITUTED A CHAIN OF COMMAND, 197 00:11:33,905 --> 00:11:35,855 AND I REPORTED TO HIM... 198 00:11:35,879 --> 00:11:37,887 AND LUCY REPORTED TO YOU. 199 00:11:37,911 --> 00:11:40,120 YEAH. IT TAKES SIBLING RIVALRY TO A WHOLE NEW LEVEL. 200 00:11:40,144 --> 00:11:42,862 I HAD TO MAKE SURE SHE HAD THREE SQUARE MEALS, 201 00:11:42,886 --> 00:11:45,365 GOT TO SCHOOL, DID HER HOMEWORK... 202 00:11:45,389 --> 00:11:47,952 YOU BECAME HER MOTHER. 203 00:11:49,424 --> 00:11:53,806 YEAH, EXCEPT I WAS... NOT PREPARED. 204 00:11:53,830 --> 00:11:56,438 I USED TO GIVE HER ADVICE LIKE, UH, YOU KNOW, 205 00:11:56,462 --> 00:11:58,410 "DON'T KISS A BOY, OR YOU'RE GONNA GET PREGNANT." 206 00:11:58,434 --> 00:12:00,413 AND, YEAH, MAYBE SHE HAD A FEW MORE CHORES 207 00:12:00,437 --> 00:12:02,846 THAN MOST KIDS. 208 00:12:02,870 --> 00:12:05,889 IS THAT WHY SHE DECIDED TO GO TO BOARDING SCHOOL? 209 00:12:05,913 --> 00:12:08,393 OH, UNLIKE YOUR FAMILY, THERE WAS NO DISCUSSION. 210 00:12:08,417 --> 00:12:10,296 WHEN THE GENERAL GIVES AN ORDER, 211 00:12:10,320 --> 00:12:11,596 YOU'RE EXPECTED TO CARRY IT OUT. 212 00:12:11,620 --> 00:12:14,530 WHOA, SOUNDS KIND OF HARSH. 213 00:12:14,554 --> 00:12:18,304 TRUST ME, LUCY GOT THE BETTER END OF THE DEAL. 214 00:12:18,328 --> 00:12:19,937 I MEAN, DON'T GET ME WRONG, 215 00:12:19,961 --> 00:12:22,470 SHE TOTALLY DESERVES IT. 216 00:12:22,494 --> 00:12:24,543 BUT I GUESS THERE WAS JUST A PART OF ME 217 00:12:24,567 --> 00:12:27,470 THAT WAS ALWAYS JEALOUS SHE GOT OUT AND I DIDN'T. 218 00:12:31,544 --> 00:12:33,623 I GOTTA GO TO WORK. 219 00:12:33,647 --> 00:12:37,351 I HEAR YOUR MOTHER'S A SLAVE DRIVER. 220 00:12:40,455 --> 00:12:43,394 I NEED A HALF-CAF SOY LATTE... NO FOAM, NO WHIP... 221 00:12:43,418 --> 00:12:46,237 AND A BLUEBERRY MUFFIN TOP, HOLD THE STEM. 222 00:12:46,261 --> 00:12:49,903 WHATEVER HAPPENED TO REGULAR OLD BLACK COFFEE? 223 00:12:49,927 --> 00:12:51,904 TWO LANES UNDER ONE ROOF. 224 00:12:51,928 --> 00:12:53,947 THAT'S GOTTA BE INTERESTING. 225 00:12:53,971 --> 00:12:56,279 WELL, I HAVEN'T HAD A HOT SHOWER IN TWO DAYS. 226 00:12:56,303 --> 00:12:58,383 AND THE LAUNDRY MACHINE IS RUNNING NONSTOP. 227 00:12:58,407 --> 00:13:00,215 THE PHONE LINE IS CONSISTENTLY BUSY. 228 00:13:00,239 --> 00:13:03,318 NO, IT'S NICE HAVING THEM AROUND. 229 00:13:03,342 --> 00:13:06,022 IT KIND OF TAKES THE LONELINESS OUT OF THE HOUSE. 230 00:13:06,046 --> 00:13:08,995 YEAH, I ALWAYS HATED THE SOUND OF A QUIET HOME. 231 00:13:09,019 --> 00:13:10,967 WHOA! IS THAT LOIS WITH A TRAY? 232 00:13:10,991 --> 00:13:12,500 HEY, CUZ. 233 00:13:12,524 --> 00:13:14,995 YES, IT IS. IT'S KIND OF LIKE A FREE FLOOR SHOW. 234 00:13:17,499 --> 00:13:18,677 HAVE YOU TWO BEEN CATCHING UP? 235 00:13:18,701 --> 00:13:20,609 UM, YEAH, LUCY'S JUST FILLING ME IN 236 00:13:20,633 --> 00:13:22,280 ON ALL HER HIDDEN TALENTS. 237 00:13:22,304 --> 00:13:24,243 SHE WAS A VIOLINIST 238 00:13:24,267 --> 00:13:26,245 FOR THE ZURICH YOUTH ORCHESTRA. 239 00:13:26,269 --> 00:13:28,519 IT WAS NOTHING. IT'S JUST A HOBBY. 240 00:13:28,543 --> 00:13:31,692 GIVEN THEIR REPUTATION IN EUROPE, I HIGHLY DOUBT THAT. 241 00:13:31,716 --> 00:13:34,456 OH, SORRY, LUCY, THIS IS... LEX LUTHOR. 242 00:13:34,480 --> 00:13:36,457 I READ YOUR PROFILE IN "FORTUNE" MAGAZINE A COUPLE MONTHS AGO. 243 00:13:36,481 --> 00:13:38,630 I THOUGHT YOUR THEORIES ON THE FUTURE OF AMERICAN BUSINESS 244 00:13:38,654 --> 00:13:40,427 WERE VERY INTERESTING. 245 00:13:45,462 --> 00:13:47,010 WELL, I'D BE CURIOUS 246 00:13:47,034 --> 00:13:49,043 TO HEAR WHAT YOU THINK OF MY PIANO SKILLS. 247 00:13:49,067 --> 00:13:50,575 DROP BY THE MANSION. 248 00:13:50,599 --> 00:13:53,048 I'D LOVE TO PLAY WITH A SERIOUS MUSICIAN. 249 00:13:53,072 --> 00:13:55,049 Lois: UGH! 250 00:13:55,073 --> 00:13:56,706 AW, CRAP! 251 00:13:58,607 --> 00:14:01,581 I'M GONNA GO HELP HER OUT. 252 00:14:13,395 --> 00:14:15,705 LUCY... 253 00:14:15,729 --> 00:14:18,071 WHO'S THAT GUY STARING AT YOU BACK THERE? 254 00:14:32,148 --> 00:14:34,090 [ FOOTSTEPS APPROACHING ] 255 00:14:37,754 --> 00:14:41,335 LUTHOR, WHERE IS IT? 256 00:14:41,359 --> 00:14:45,539 WELL, PERHAPS YOU CAN TELL ME WHAT IT IS YOU WANT. 257 00:14:45,563 --> 00:14:48,283 YOU KNOW EXACTLY WHAT IT IS I WANT. 258 00:14:48,307 --> 00:14:49,745 YOU GAVE ME THAT MAP 259 00:14:49,769 --> 00:14:52,418 BECAUSE YOU KNEW I'D END UP IN CHINA, 260 00:14:52,442 --> 00:14:56,153 AND YOU KNEW I'D FIND THAT STONE. 261 00:14:56,177 --> 00:14:59,056 IT WAS ALL ONE BIG CALCULATED PLOY, WASN'T IT? 262 00:14:59,080 --> 00:15:02,100 IF I HAD THE FORESIGHT WHICH YOU ATTRIBUTE TO ME, 263 00:15:02,124 --> 00:15:04,261 I WOULDN'T NEED ANY ANCIENT ARTIFACTS TO HELP ME. 264 00:15:04,285 --> 00:15:06,033 IF YOU'VE GOT ANY KIND OF FORESIGHT, 265 00:15:06,057 --> 00:15:07,535 YOU WILL LET ME KNOW WHERE THAT STONE IS RIGHT NOW. 266 00:15:07,559 --> 00:15:09,268 OTHERWISE, THIS IS GONNA GET VERY UGLY. 267 00:15:09,292 --> 00:15:11,770 OH, SO NOW, IN ADDITION TO HURLING ACCUSATIONS, 268 00:15:11,794 --> 00:15:13,243 YOU DECIDE TO THREATEN ME? 269 00:15:13,267 --> 00:15:16,046 YOU BREAK INTO HER APARTMENT, 270 00:15:16,070 --> 00:15:17,778 YOU GO THROUGH HER PRIVATE THINGS. 271 00:15:17,802 --> 00:15:19,551 I ASSURE YOU, BREAKING AND ENTERING 272 00:15:19,575 --> 00:15:22,124 IS NOT MY STYLE. 273 00:15:22,148 --> 00:15:25,157 YOUR LOST TREASURE ISN'T HERE, MR. TEAGUE. 274 00:15:25,181 --> 00:15:26,788 YOU'LL HAVE TO LOOK SOMEWHERE ELSE. 275 00:15:26,812 --> 00:15:28,414 GOOD DAY. 276 00:15:34,822 --> 00:15:37,402 I'M NOT GOING ANYWHERE, LUTHOR, UNTIL YOU GIVE ME THAT STONE, 277 00:15:37,426 --> 00:15:39,403 OR YOU CONVINCE ME THAT YOU DIDN'T TAKE IT. 278 00:15:39,427 --> 00:15:41,547 YOU STORM IN HERE, YOU ACCUSE ME 279 00:15:41,571 --> 00:15:44,310 OF SOME HAM-FISTED HOME INVASION... 280 00:15:44,334 --> 00:15:46,351 WHY ARE YOU DOING THIS? 281 00:15:46,375 --> 00:15:49,416 IS IT AN ACT, AN ELABORATE DIVERSION...? 282 00:15:49,440 --> 00:15:53,159 DON'T TURN THIS AROUND ON ME! 283 00:15:53,183 --> 00:15:56,423 I THINK WE BOTH KNOW THERE'S NOTHING STRONGER 284 00:15:56,447 --> 00:16:00,830 THAN THE LOVE BETWEEN MOTHER AND SON. 285 00:16:00,854 --> 00:16:04,258 AND I'M SURE MISS LANG AGREES. 286 00:16:35,634 --> 00:16:37,437 [ THUMP ] 287 00:17:39,371 --> 00:17:40,747 I KNEW YOU HAD TALENTS, 288 00:17:40,771 --> 00:17:43,220 BUT I DIDN'T THINK BURGLARY WAS ONE OF THEM. 289 00:17:43,244 --> 00:17:45,553 I SWEAR, I WAS GONNA PAY IT ALL BACK. I'M NOT SOME CRIMINAL. 290 00:17:45,577 --> 00:17:47,721 YOU DO A PRETTY GOOD JOB OF IMPERSONATING ONE. 291 00:17:49,552 --> 00:17:51,962 LOOK, LUCY, I JUST DON'T GET IT. 292 00:17:51,986 --> 00:17:53,527 I MEAN, WHY? 293 00:17:55,490 --> 00:17:57,707 DO YOU HAVE ANY IDEA WHAT IT'S LIKE 294 00:17:57,731 --> 00:18:00,312 TO BE DIFFERENT FROM EVERYONE ELSE, 295 00:18:00,336 --> 00:18:02,373 TO BE A TOTAL OUTSIDER? 296 00:18:02,397 --> 00:18:04,275 I MIGHT HAVE AN IDEA. 297 00:18:04,299 --> 00:18:05,578 AT MY SCHOOL, I'M SURROUNDED BY 298 00:18:05,602 --> 00:18:08,380 THE WEALTHIEST KIDS IN THE WORLD. 299 00:18:08,404 --> 00:18:11,624 SO UNLESS I WANT TO BE THE SCHOOL'S OUTCAST, 300 00:18:11,648 --> 00:18:14,629 I HAD TO BE LIKE THEM, LOOK LIKE THEM. 301 00:18:14,653 --> 00:18:16,991 WELL, I'M SURE IT'S A VERY EXPENSIVE UNDERTAKING. 302 00:18:17,015 --> 00:18:19,393 BUT DO YOU HAVE TO RESORT TO PETTY THEFT TO FIT IN? 303 00:18:19,417 --> 00:18:23,339 WELL, I TRIED USING MY CREDIT CARDS, BUT THEY MAXED OUT. 304 00:18:23,363 --> 00:18:25,470 SO I WENT TO THIS CLUB OWNER 305 00:18:25,494 --> 00:18:29,305 WHO'S KNOWN FOR LENDING MONEY TO THE CREDIT-IMPAIRED. 306 00:18:29,329 --> 00:18:31,478 YOU WENT TO A LOAN SHARK? 307 00:18:31,502 --> 00:18:33,481 WELL, IT'S CALLED SOMETHING ELSE IN GERMAN, 308 00:18:33,505 --> 00:18:34,752 BUT, YEAH, THAT'S THE IDEA. 309 00:18:34,776 --> 00:18:36,455 WAIT, SO THAT'S THE GUY 310 00:18:36,479 --> 00:18:38,159 WHO WAS HERE THE OTHER DAY, STARING AT YOU. 311 00:18:41,044 --> 00:18:44,024 ALL RIGHT, LOOK, HOW MUCH DO YOU OWE? 312 00:18:44,048 --> 00:18:47,767 $50,000 U.S. 313 00:18:47,791 --> 00:18:50,301 BUT MOST OF IT IS JUST BOGUS INTEREST. 314 00:18:50,325 --> 00:18:52,372 LUCY, WE GOT TO TELL YOUR FATHER ABOUT THIS. 315 00:18:52,396 --> 00:18:53,774 NO, I CAN'T. 316 00:18:53,798 --> 00:18:55,437 THE GENERAL'S CONVINCED 317 00:18:55,461 --> 00:18:57,079 I'M THE EMBODIMENT OF THE PERFECT DAUGHTER. 318 00:18:57,103 --> 00:18:59,641 WELL, AT LEAST WE HAVE TO TELL LOIS. 319 00:18:59,665 --> 00:19:02,445 I DON'T WANT TO DISAPPOINT HER. 320 00:19:02,469 --> 00:19:05,718 SHE'S YOUR SISTER. SHE'LL UNDERSTAND. 321 00:19:05,742 --> 00:19:10,348 NOT EVERYONE HAS A FAMILY LIKE YOURS, CLARK. 322 00:19:13,082 --> 00:19:16,655 PLEASE DON'T TELL HER. 323 00:19:20,661 --> 00:19:23,469 I THINK THE BEST THING FOR ME TO DO 324 00:19:23,493 --> 00:19:26,113 IS TO JUST... DISAPPEAR FOR A WHILE. 325 00:19:26,137 --> 00:19:28,369 LUCY, WAIT. 326 00:19:30,502 --> 00:19:32,420 IF YOU'RE IN SOME SORT OF TROUBLE, 327 00:19:32,444 --> 00:19:33,852 THE BEST THING TO DO IS JUST STAY HERE 328 00:19:33,876 --> 00:19:35,578 AND KEEP A LOW PROFILE. 329 00:19:37,851 --> 00:19:39,814 MAYBE THERE'S SOMETHING I CAN DO TO HELP. 330 00:19:49,796 --> 00:19:51,903 Chloe: HIS NAME IS MARCUS BECKER. 331 00:19:51,927 --> 00:19:54,147 HE'S A BOUNCER AT A CLUB CALLED "KRONOS" IN ZURICH 332 00:19:54,171 --> 00:19:56,049 WITH A RéSUMé CHOCK FULL OF FELONIES. 333 00:19:56,073 --> 00:19:57,811 APPARENTLY, THIS CLUB IS A KIND OF A FRONT 334 00:19:57,835 --> 00:19:59,082 FOR THE KIND OF PEOPLE 335 00:19:59,106 --> 00:20:00,985 THAT YOU DON'T WANT TO OWE MONEY TO. 336 00:20:01,009 --> 00:20:03,818 I WISH SHE'D JUST TELL LOIS. 337 00:20:03,842 --> 00:20:05,183 SHE DOESN'T HAVE TO. 338 00:20:06,685 --> 00:20:08,823 I KNEW HER HOP, SKIP, AND A JUMP OVER THE ATLANTIC 339 00:20:08,847 --> 00:20:10,766 WASN'T BECAUSE SHE MISSED HER BIG SISTER, 340 00:20:10,790 --> 00:20:12,998 AND IF THIS GUY IS BOTHERING LUCY, I'M GONNA FIND HIM. 341 00:20:13,022 --> 00:20:14,670 WE'RE GONNA HAVE A LITTLE TALK. 342 00:20:14,694 --> 00:20:16,402 LOIS, BEFORE YOU GO ALL LIFETIME HEROINE, 343 00:20:16,426 --> 00:20:18,406 REMEMBER THAT THIS IS NOT THE SCHOOL BULLY 344 00:20:18,430 --> 00:20:19,977 SHE'S DEALING WITH. 345 00:20:20,001 --> 00:20:22,110 SERIOUSLY, SHE IS IN TROUBLE. 346 00:20:22,134 --> 00:20:25,414 BUT I THINK I KNOW SOMEONE WHO CAN HELP. 347 00:20:25,438 --> 00:20:28,811 [ CLASSICAL MUSIC PLAYS ] 348 00:20:33,017 --> 00:20:34,995 [ CLAPS ] 349 00:20:35,019 --> 00:20:38,699 BRAVO, LUCY. EXCELLENT PERFORMANCE. 350 00:20:38,723 --> 00:20:40,101 YEAH, I HAD NO IDEA THE YOUNGER LANE 351 00:20:40,125 --> 00:20:41,832 WAS SUCH A VIRTUOSO. 352 00:20:41,856 --> 00:20:43,104 OH, APPARENTLY, THERE'S QUITE A BIT 353 00:20:43,128 --> 00:20:45,107 ABOUT THE YOUNGER LANE WE DON'T KNOW. 354 00:20:45,131 --> 00:20:46,839 THANKS, CLARK. 355 00:20:46,863 --> 00:20:48,841 YOU'RE PRETTY GREAT ABOUT KEEPING A SECRET. 356 00:20:48,865 --> 00:20:51,014 LUCY, I WANT TO HELP YOU. THAT'S WHY I'M HERE. 357 00:20:51,038 --> 00:20:53,447 LEX, I WAS GONNA TELL YOU ABOUT THE MONEY, 358 00:20:53,471 --> 00:20:56,720 BUT I THINK SHE ALREADY BEAT ME TO IT. 359 00:20:56,744 --> 00:20:59,725 AND WHAT MONEY WOULD THAT BE? 360 00:20:59,749 --> 00:21:01,786 I DIDN'T COME HERE LOOKING FOR A HANDOUT. 361 00:21:01,810 --> 00:21:04,060 I CAN SOLVE THIS PROBLEM MYSELF. 362 00:21:04,084 --> 00:21:06,131 WELL, AS LONG AS WE'RE ON THE TOPIC OF PERSONAL FINANCE, 363 00:21:06,155 --> 00:21:08,534 HOW DID YOU THINK YOU'D BE ABLE TO PAY THIS MONEY BACK... 364 00:21:08,558 --> 00:21:09,996 STANDING ON A STREET CORNER 365 00:21:10,020 --> 00:21:11,738 PLAYING YOUR VIOLIN FOR LOOSE CHANGE? 366 00:21:11,762 --> 00:21:13,470 THERE'S A REASON I DIDN'T TELL YOU. 367 00:21:13,494 --> 00:21:16,073 LOOK, I DON'T WANT TO HAVE TO SAY ANYTHING TO THE GENERAL... 368 00:21:16,097 --> 00:21:18,506 YOU'RE NOT MOM, ALL RIGHT, SO STOP TRYING TO BE. 369 00:21:18,530 --> 00:21:20,810 DON'T YOU DARE BRING MOM INTO THIS. 370 00:21:20,834 --> 00:21:22,110 LADIES... PLEASE. 371 00:21:22,134 --> 00:21:25,054 LUCY OWES $50,000 TO A GUY IN SWITZERLAND. 372 00:21:25,078 --> 00:21:27,781 HE'S COME TO SMALLVILLE TO COLLECT. 373 00:21:32,788 --> 00:21:35,828 NOW, LUCY, HOW DOES A GIRL LIKE YOU 374 00:21:35,852 --> 00:21:38,930 GET INVOLVED WITH A LOAN SHARK? 375 00:21:38,954 --> 00:21:41,174 IT'S A LONG STORY. 376 00:21:41,198 --> 00:21:43,506 LOOK, I DIDN'T ASK FOR ANYONE'S HELP, 377 00:21:43,530 --> 00:21:46,010 NOT CLARK, NOT LOIS, NOT YOU. 378 00:21:46,034 --> 00:21:48,181 I'M A BIG GIRL. I CAN HANDLE THIS ON MY OWN. 379 00:21:48,205 --> 00:21:51,240 $50,000 IS A LOT TO HANDLE, EVEN FOR A "BIG GIRL." 380 00:21:54,073 --> 00:21:56,121 YEAH, WELL, I GUESS THAT'S MY PROBLEM. 381 00:21:56,145 --> 00:21:58,153 LUCY, BEFORE YOU WALK OUT THAT DOOR, 382 00:21:58,177 --> 00:22:00,857 WHY DON'T YOU TELL ME WHAT HAPPENED? 383 00:22:00,881 --> 00:22:03,954 I HAVE THE RESOURCES TO DEAL WITH THESE KIND OF PEOPLE. 384 00:22:08,160 --> 00:22:10,938 THEY WANT BEARER BONDS, WHICH ARE IMPOSSIBLE TO TRACE. 385 00:22:10,962 --> 00:22:12,541 THIS ISN'T AMATEUR HOUR. 386 00:22:12,565 --> 00:22:14,813 I THOUGHT YOU HAD A POLICY NOT TO DEAL WITH EXTORTIONISTS. 387 00:22:14,837 --> 00:22:16,315 THIS IS DIFFERENT, CLARK. 388 00:22:16,339 --> 00:22:18,247 THIS ISN'T THE FIRST TIME I'VE DEALT WITH THESE PEOPLE. 389 00:22:18,271 --> 00:22:20,280 WAIT, YOU KNOW MARCUS BECKER? I KNOW THE MAN HE WORKS FOR. 390 00:22:20,304 --> 00:22:22,082 THEY'RE A GERMAN CRIME SYNDICATE, 391 00:22:22,106 --> 00:22:23,985 AND THEY'VE REPEATEDLY BLOCKED MY ATTEMPTS 392 00:22:24,009 --> 00:22:25,255 TO BUY A HOTEL IN ZURICH 393 00:22:25,279 --> 00:22:27,029 THROUGH INTIMIDATION AND BLACKMAIL. 394 00:22:27,053 --> 00:22:28,260 IF I GET THIS GUY IN CUSTODY, 395 00:22:28,284 --> 00:22:30,161 I'll HAVE SOMETHING TO SQUEEZE THEM WITH. 396 00:22:30,185 --> 00:22:32,235 SO LUCY'S JUST A PAWN? 397 00:22:32,259 --> 00:22:35,663 NO. I JUST HAVE OTHER REASONS FOR HELPING HER OUT. 398 00:22:37,595 --> 00:22:39,944 BECKER WANTS ME TO MEET HIM AT AN ABANDONED WAREHOUSE 399 00:22:39,968 --> 00:22:41,946 AT THE CORNER OF MARKET AND LINDEN. 400 00:22:41,970 --> 00:22:43,348 LEX, THIS ISN'T WORTH GETTING HURT OVER. 401 00:22:43,372 --> 00:22:45,851 NO ONE'S GETTING HURT, CLARK. 402 00:22:45,875 --> 00:22:47,852 ALL I'M DOING IS DELIVERING THE BRIEFCASE. 403 00:22:47,876 --> 00:22:50,085 THE GPS DEVICE INSIDE WILL LEAD MY SECURITY TEAM RIGHT TO THEM. 404 00:22:50,109 --> 00:22:52,988 HE SAID HE ONLY WANTS ME THERE. 405 00:22:53,012 --> 00:22:55,016 NO. THAT'S NOT GONNA HAPPEN. 406 00:22:56,887 --> 00:22:59,090 I'M GOING ALONE. 407 00:23:02,294 --> 00:23:03,931 100 GRAND, CHROME WHEELS, 408 00:23:03,955 --> 00:23:06,004 AND 13 SPEAKERS INSTEAD OF A BACKSEAT? 409 00:23:06,028 --> 00:23:08,308 OH, YEAH, I GET THE GEAR SHIFT. 410 00:23:08,332 --> 00:23:10,610 Lucy: ARE WE THERE YET? 411 00:23:10,634 --> 00:23:13,383 HAVE YOU EVER BEEN IN A CAR AND NOT UTTERED THOSE WORDS? 412 00:23:13,407 --> 00:23:15,947 ALL I'M SAYING IS, THIS GUY'S NOT GONNA BE HAPPY 413 00:23:15,971 --> 00:23:17,948 IF WE'RE NOT THERE ON TIME. 414 00:23:17,972 --> 00:23:20,252 HE'S NOT THE KIND OF GUY YOU WANT TO PISS OFF. 415 00:23:20,276 --> 00:23:21,917 RELAX. WE'RE CLOSE. 416 00:23:24,250 --> 00:23:26,329 [ SIREN WAILING ] 417 00:23:26,353 --> 00:23:27,354 DAMN IT. 418 00:23:34,663 --> 00:23:36,241 CAN YOU OUTRUN THEM? 419 00:23:36,265 --> 00:23:39,669 DON'T WORRY. I'll HANDLE IT. 420 00:23:50,451 --> 00:23:53,756 JUST STAY PUT. 421 00:23:55,356 --> 00:23:57,095 EXCUSE ME, OFFICER. 422 00:23:57,119 --> 00:24:00,168 I APPRECIATE YOUR NEED TO FILL YOUR SPEEDING TICKET QUOTA, 423 00:24:00,192 --> 00:24:03,142 BUT CAN WE MAKE THIS QUICK? 424 00:24:03,166 --> 00:24:05,676 PUT YOUR HANDS OVER YOUR HEAD. 425 00:24:05,700 --> 00:24:07,207 WHAT? 426 00:24:07,231 --> 00:24:10,150 PUT YOUR HANDS UP NOW. 427 00:24:10,174 --> 00:24:12,984 LOOK, I THINK THERE'S BEEN A MISTAKE. 428 00:24:13,008 --> 00:24:15,087 I MAY HAVE BEEN SPEEDING, BUT... 429 00:24:15,111 --> 00:24:16,688 [ German accent ] SHUT UP. 430 00:24:16,712 --> 00:24:19,145 GO GET THE BONDS, MR. LUTHOR. 431 00:24:22,189 --> 00:24:23,397 OH, MY GOD. 432 00:24:23,421 --> 00:24:25,452 NO, NO, NO, JUST... JUST STAY CALM, OKAY? 433 00:24:37,807 --> 00:24:40,270 NICE TRY. 434 00:24:41,412 --> 00:24:43,114 DUMP IT IN THE BAG. 435 00:24:56,259 --> 00:25:00,795 THANK YOU... AND GOOD NIGHT. 436 00:25:04,769 --> 00:25:09,174 YOU WOULDN'T WANT LUCY TO BE AN ONLY CHILD, WOULD YOU? 437 00:25:26,296 --> 00:25:28,274 TAKE MY WORD FOR IT, 438 00:25:28,298 --> 00:25:30,305 THERE'S NO CASH ON THE PREMISES. 439 00:25:30,329 --> 00:25:32,448 WAIT. WHERE'S MARCUS BECKER? 440 00:25:32,472 --> 00:25:34,535 NEVER HEARD OF HIM. 441 00:25:44,416 --> 00:25:46,324 [ TRAIN WHISTLE BLOWS ] 442 00:25:46,348 --> 00:25:48,298 LEX! 443 00:25:48,322 --> 00:25:50,399 CLARK, HE'S GOT THE GIRLS. 444 00:25:50,423 --> 00:25:53,156 [ GROANS ] 445 00:26:13,622 --> 00:26:15,860 Lois: HEY! 446 00:26:15,884 --> 00:26:17,532 SOMEBODY! 447 00:26:17,556 --> 00:26:19,604 IT'S NO USE. 448 00:26:19,628 --> 00:26:22,962 WE ARE TOTALLY AND UTTERLY SCREWED. 449 00:26:24,163 --> 00:26:26,443 OH, LET'S NOT JUMP TO CONCLUSIONS HERE. 450 00:26:26,467 --> 00:26:30,216 I HAVE A HISTORY OF GETTING US OUT OF THE JAMS YOU GET US INTO. 451 00:26:30,240 --> 00:26:33,021 I'll THINK OF SOMETHING. 452 00:26:33,045 --> 00:26:34,882 LOIS, THIS ISN'T LIKE US GETTING OURSELVES 453 00:26:34,906 --> 00:26:36,485 LOCKED IN THE MESS HALL PANTRY 454 00:26:36,509 --> 00:26:38,087 OR GETTING LOST ON OUR BIKES IN BANGKOK. 455 00:26:38,111 --> 00:26:40,083 [ DOOR UNLOCKS ] 456 00:26:43,517 --> 00:26:46,236 I DON'T GET IT. 457 00:26:46,260 --> 00:26:47,998 YOU GOT YOUR MONEY. 458 00:26:48,022 --> 00:26:49,940 WHY DON'T YOU GO BACK HOME, EAT SOME SWISS CHEESE, 459 00:26:49,964 --> 00:26:52,143 AND LIVE HAPPILY EVER AFTER? 460 00:26:52,167 --> 00:26:53,946 YOU DON'T NEED US. 461 00:26:53,970 --> 00:26:56,078 BUT I DO. THE LUTHOR WELL HAS ONLY JUST BEEN TAPPED. 462 00:26:56,102 --> 00:26:57,610 I'M HERE TO STRIKE IT RICH. 463 00:26:57,634 --> 00:27:00,213 YOU SON OF A BITCH. YOU'RE HOLDING US FOR RANSOM? 464 00:27:00,237 --> 00:27:02,609 LUCY, ZIP IT. 465 00:27:06,984 --> 00:27:09,623 LET MY SISTER GO. 466 00:27:09,647 --> 00:27:11,966 YOU DON'T NEED BOTH OF US. 467 00:27:11,990 --> 00:27:13,668 SURE I DO. 468 00:27:13,692 --> 00:27:16,632 A PAIR OF LANES... IT DEFINITELY UPS THE ANTE. 469 00:27:16,656 --> 00:27:18,635 THE WORLD WOULD BE A WHOLE LOT WORSE 470 00:27:18,659 --> 00:27:20,908 WITHOUT HER IN IT THAN WITHOUT ME, RIGHT? 471 00:27:20,932 --> 00:27:23,640 SHE'S THE ONE WITH THE FUTURE... 472 00:27:23,664 --> 00:27:27,068 IF SHE'D ONLY LEARN TO BEHAVE HERSELF. 473 00:27:30,313 --> 00:27:32,651 EAT UP, GIRLS. 474 00:27:32,675 --> 00:27:35,995 HOW GENEROUS OF YOU. I THOUGHT YOU'D LET US STARVE. 475 00:27:36,019 --> 00:27:38,251 THE ONE WITH THE STICKER HAS NO TOMATOES. 476 00:27:41,685 --> 00:27:43,635 LUCY. 477 00:27:43,659 --> 00:27:45,306 YEAH? 478 00:27:45,330 --> 00:27:49,635 HOW DID HE KNOW YOU DON'T LIKE TOMATOES? 479 00:27:52,638 --> 00:27:56,320 LUCY LANE HAS BEEN CONNING US THIS WHOLE TIME. 480 00:27:56,344 --> 00:28:00,554 THAT'S A PRETTY BOLD ACCUSATION, CLARK. 481 00:28:00,578 --> 00:28:04,182 THE DROP-OFF WAS A FAKE. THERE WAS NO WAREHOUSE. 482 00:28:05,615 --> 00:28:07,592 AND LUCY WAS THE ONLY ONE WHO KNEW ABOUT THE GPS. 483 00:28:07,616 --> 00:28:09,165 I MEAN, HOW ELSE WOULD BECKER HAVE KNOWN 484 00:28:09,189 --> 00:28:11,036 TO TREAT THE BRIEFCASE LIKE THE PLAGUE? 485 00:28:11,060 --> 00:28:13,741 BECKER'S A PRO. HE COULD SIMPLY BE CAUTIOUS ABOUT THE MONEY. 486 00:28:13,765 --> 00:28:15,642 IT'S ALL PART OF A BIGGER PLAN. 487 00:28:15,666 --> 00:28:17,245 THE WAY SHE ACCIDENTALLY WOKE ME UP 488 00:28:17,269 --> 00:28:19,246 ON HER WAY TO STEAL FROM THE TALON. 489 00:28:19,270 --> 00:28:21,310 SHE KNEW I'D CATCH HER IN THE ACT. 490 00:28:21,334 --> 00:28:23,181 HER SOB STORY ABOUT NOT BEING ABLE TO FIT IN AT SCHOOL. 491 00:28:23,205 --> 00:28:25,584 IT WAS ALL A SETUP IN ORDER TO WIN MY SYMPATHY 492 00:28:25,608 --> 00:28:27,310 SO I'D COME TO YOU FOR THE MONEY. 493 00:28:29,784 --> 00:28:32,723 SHE PLAYED US LIKE A STRADIVARIUS. 494 00:28:32,747 --> 00:28:35,325 WHAT I DON'T UNDERSTAND IS, WHY ABDUCT LOIS? 495 00:28:35,349 --> 00:28:38,069 I KNOW IT'S A CON, BUT WHY KIDNAP YOUR OWN SISTER? 496 00:28:38,093 --> 00:28:41,072 WELL, THEY SAY SIBLING RIVALRIES RUN DEEP. 497 00:28:41,096 --> 00:28:43,759 LINE ONE, MR. LUTHOR. IT'S BECKER. 498 00:28:48,336 --> 00:28:49,783 LEX LUTHOR. 499 00:28:49,807 --> 00:28:52,716 Becker: Place $500,000 in bearer bonds 500 00:28:52,740 --> 00:28:54,688 in the tractor trailer 501 00:28:54,712 --> 00:28:57,292 on highway 54 just north of Cherry Hill. 502 00:28:57,316 --> 00:28:59,624 THAT'S NOT HOW IT WORKS. 503 00:28:59,648 --> 00:29:02,358 [ DIAL TONE ] 504 00:29:02,382 --> 00:29:04,124 CLARK? 505 00:29:06,356 --> 00:29:09,035 CLARK? 506 00:29:09,059 --> 00:29:10,461 [ SIGHS ] 507 00:29:15,438 --> 00:29:19,142 I SWEAR, LOIS, IT WASN'T SUPPOSED TO END UP THIS WAY. 508 00:29:20,703 --> 00:29:23,283 WHEN MICHAEL HOOVER WAS THROWING DIRT CLODS AT YOU, 509 00:29:23,307 --> 00:29:24,784 WHO KICKED HIS BUTT, HUH? 510 00:29:24,808 --> 00:29:27,287 WHO WAS THE ONE WHO LET YOU SLEEP IN HER BED 511 00:29:27,311 --> 00:29:30,154 AND LISTEN TO YOU SNORE EVERY NIGHT AFTER MOM DIED? 512 00:29:31,686 --> 00:29:34,136 LOIS, I'M SORRY. 513 00:29:34,160 --> 00:29:36,299 WELL, "SORRY'S" NOT GOOD ENOUGH. 514 00:29:36,323 --> 00:29:38,301 I WANT TO KNOW WHY. 515 00:29:38,325 --> 00:29:41,705 I WANT TO KNOW WHY YOU TURNED TO A LIFE OF CRIME 516 00:29:41,729 --> 00:29:43,848 WHEN YOU HAVE EVERYTHING IN THE WORLD GOING FOR YOU. 517 00:29:43,872 --> 00:29:46,450 YOU'RE AS CLOSE TO FRICKIN' PERFECT AS IT GETS. 518 00:29:46,474 --> 00:29:49,153 [ Voice breaking ] BECAUSE THAT'S WHAT THE GENERAL ALWAYS WANTED. 519 00:29:49,177 --> 00:29:51,740 I JUST WENT ALONG AND PLAYED THE PART. 520 00:29:53,282 --> 00:29:56,161 FROM THE DAY I LEFT FOR SCHOOL, ALL I WANTED WAS TO GO HOME. 521 00:29:56,185 --> 00:29:58,165 WHY DIDN'T YOU TELL THE GENERAL THAT? 522 00:29:58,189 --> 00:30:00,797 HOW COULD I? 523 00:30:00,821 --> 00:30:03,430 IT WAS CLEAR HE DIDN'T WANT ME AROUND. 524 00:30:03,454 --> 00:30:06,198 HE WANTED YOU. 525 00:30:08,160 --> 00:30:10,379 WHAT ARE YOU TALKING ABOUT? 526 00:30:10,403 --> 00:30:12,281 WHY DO YOU THINK HE SENT ME OFF TO SCHOOL 527 00:30:12,305 --> 00:30:13,842 AFTER MOM DIED? 528 00:30:13,866 --> 00:30:16,716 HE SENT YOU OFF TO SCHOOL BECAUSE YOU WERE BRILLIANT 529 00:30:16,740 --> 00:30:19,320 AND YOU DESERVED THE BEST EDUCATION AVAILABLE. 530 00:30:19,344 --> 00:30:23,293 WELL, YOU CAN THINK WHATEVER YOU WANT. 531 00:30:23,317 --> 00:30:26,221 BUT THE FACT IS, I ALWAYS ENVIED YOU. 532 00:30:27,884 --> 00:30:29,425 ME? 533 00:30:31,458 --> 00:30:33,536 I WAS BEING DRAGGED AROUND THE WORLD 534 00:30:33,560 --> 00:30:35,468 LIKE A SPARE PIECE OF LUGGAGE. 535 00:30:35,492 --> 00:30:38,872 YEAH, BUT YOU HAD SOMETHING I NEVER HAD. 536 00:30:38,896 --> 00:30:40,475 WHAT? 537 00:30:40,499 --> 00:30:43,172 YOU HAD DAD. 538 00:30:45,545 --> 00:30:47,552 LUCE... 539 00:30:47,576 --> 00:30:51,481 I DON'T THINK EITHER OF US EVER HAD DAD. 540 00:31:20,846 --> 00:31:23,466 I'M SORRY I GOT YOU INTO THIS, LOIS. 541 00:31:23,490 --> 00:31:24,927 Lois: DON'T WORRY ABOUT IT. 542 00:31:24,951 --> 00:31:27,424 WE'VE BEEN IN FAR WORSE TROUBLE THAN THIS. 543 00:31:41,371 --> 00:31:43,314 [ BANGING ] 544 00:32:04,439 --> 00:32:06,040 [ CLICKING ] 545 00:32:18,384 --> 00:32:19,656 OH! 546 00:32:20,617 --> 00:32:22,589 [ TIRES SQUEALING ] 547 00:32:28,366 --> 00:32:29,528 AH! 548 00:32:35,935 --> 00:32:37,907 [ BOTH PANTING ] 549 00:32:43,945 --> 00:32:46,548 WE'RE PULLING OVER. NOW! 550 00:33:11,548 --> 00:33:13,580 [ MERCEDES ENGINE TURNS OVER ] 551 00:33:25,494 --> 00:33:27,072 HOW ARE YOU FEELING? 552 00:33:27,096 --> 00:33:28,945 WELL, I HAVE A NEWFOUND APPRECIATION FOR SEATBELTS, 553 00:33:28,969 --> 00:33:30,441 I CAN TELL YOU THAT. 554 00:33:33,003 --> 00:33:35,652 WHAT ARE YOU GONNA DO WITH MY SISTER? 555 00:33:35,676 --> 00:33:37,425 I DON'T HAVE A CHOICE. 556 00:33:37,449 --> 00:33:39,727 I HAVE TO NOTIFY THE AUTHORITIES. 557 00:33:39,751 --> 00:33:41,960 [ ENGINE REVS ] 558 00:33:41,984 --> 00:33:44,633 HEY! HEY! 559 00:33:44,657 --> 00:33:47,590 [ TIRES SQUEAL ] 560 00:33:48,662 --> 00:33:50,525 LUCY!! 561 00:34:11,489 --> 00:34:13,928 LEX, ANY LUCK FINDING LUCY? 562 00:34:13,952 --> 00:34:16,872 NO, ALL THAT TURNED UP WAS THE CAR, 563 00:34:16,896 --> 00:34:18,557 MINUS MY $50,000. 564 00:34:21,802 --> 00:34:22,979 LOOK, LEX, I KNOW 565 00:34:23,003 --> 00:34:25,441 THAT LOIS FEELS REALLY BADLY ABOUT THIS, 566 00:34:25,465 --> 00:34:27,544 BUT THERE'S REALLY NO WAY SHE'S GONNA BE ABLE... 567 00:34:27,568 --> 00:34:29,046 CLARK, I'M NOT HERE TO COLLECT. 568 00:34:29,070 --> 00:34:30,889 BESIDES, HAVING BECKER IN CUSTODY 569 00:34:30,913 --> 00:34:32,815 IS WORTH A LOT MORE TO ME THAN 50 GRAND. 570 00:34:34,617 --> 00:34:36,896 YOUR DEAL IN ZURICH. 571 00:34:36,920 --> 00:34:40,559 WELL, I'M GLAD THAT SOMEONE CAME OUT OF THIS AHEAD. 572 00:34:40,583 --> 00:34:43,463 SO HOW'S LOIS? 573 00:34:43,487 --> 00:34:45,004 UM, I DON'T KNOW. 574 00:34:45,028 --> 00:34:46,961 SHE HASN'T SAID ANYTHING ALL DAY. 575 00:34:49,034 --> 00:34:51,472 BUT I DON'T KNOW WHY LUCY WOULD RUN AWAY. 576 00:34:51,496 --> 00:34:54,517 I MEAN, LOIS IS HER FAMILY. 577 00:34:54,541 --> 00:34:56,749 JUST BECAUSE YOU HAVE THE SAME BLOOD 578 00:34:56,773 --> 00:34:59,021 RUNNING THROUGH YOUR VEINS DOESN'T MAKE YOU FAMILY. 579 00:34:59,045 --> 00:35:01,809 LOOK AT US, CLARK. 580 00:35:03,652 --> 00:35:06,932 I'M A PRODUCT OF MY FATHER'S BREEDING. 581 00:35:06,956 --> 00:35:08,764 HE NEEDED AN HEIR. 582 00:35:08,788 --> 00:35:12,497 BUT YOUR PARENTS CHOSE YOU OUT OF LOVE. 583 00:35:12,521 --> 00:35:16,065 I'D TAKE YOUR FAMILY ANY DAY OF THE WEEK. 584 00:35:19,831 --> 00:35:22,709 I JUST THINK LOIS AND LUCY COULD'VE BEEN CLOSER. 585 00:35:22,733 --> 00:35:24,983 WELL, HOPEFULLY, ONE DAY THEY WILL BE. 586 00:35:25,007 --> 00:35:27,615 BUT THAT'S UP TO THEM. 587 00:35:27,639 --> 00:35:31,590 SO QUIT BLAMING YOURSELF FOR WHAT HAPPENED. 588 00:35:31,614 --> 00:35:33,746 LEX. 589 00:35:37,952 --> 00:35:40,972 DO YOU EVER MISS NOT HAVING A SIBLING? 590 00:35:40,996 --> 00:35:44,030 I USED TO... 591 00:35:46,762 --> 00:35:49,041 TILL I MET YOU, CLARK. 592 00:35:49,065 --> 00:35:51,644 YOU'RE CLOSER TO ME THAN ANY... 593 00:35:51,668 --> 00:35:53,139 BLOOD BROTHER. 594 00:36:15,166 --> 00:36:17,115 HEY. HEY. 595 00:36:17,139 --> 00:36:18,916 HAVE YOU RECOVERED FROM HURRICANE LUCY YET? 596 00:36:18,940 --> 00:36:20,579 I JUST HOPE SHE CHANGES HER WAYS 597 00:36:20,603 --> 00:36:22,021 BEFORE SHE GETS HERSELF HURT. 598 00:36:22,045 --> 00:36:23,582 YOU KNOW, IT NEVER FAILS. 599 00:36:23,606 --> 00:36:25,624 KEEPING SECRETS ALWAYS LEADS TO TROUBLE. 600 00:36:25,648 --> 00:36:27,727 I DON'T KNOW WHICH IS MORE DIFFICULT... 601 00:36:27,751 --> 00:36:31,131 BEING THE ONE KEEPING THE SECRET OR THE ONE WHO'S BEING DUPED. 602 00:36:31,155 --> 00:36:32,764 HAVE YOU TALKED TO LOIS? 603 00:36:32,788 --> 00:36:35,095 SHE'S BEEN HOLED UP IN HER ROOM ALL DAY. 604 00:36:35,119 --> 00:36:37,099 SHE TOOK IT ALL PRETTY HARD. 605 00:36:37,123 --> 00:36:40,001 YEAH, WELL, THE ONE THING LOIS HAS ALWAYS WANTED 606 00:36:40,025 --> 00:36:42,044 IS TO PROTECT HER LITTLE SISTER. 607 00:36:42,068 --> 00:36:44,608 I GUESS NO MATTER HOW BAD YOU WANT TO, 608 00:36:44,632 --> 00:36:46,172 YOU JUST CAN'T SAVE EVERYONE. 609 00:36:48,076 --> 00:36:50,153 BUT IT DOESN'T STOP YOU FROM TRYING, 610 00:36:50,177 --> 00:36:52,010 DOES IT, CLARK? 611 00:36:59,688 --> 00:37:03,200 DAD, CLEARLY THE IDEA OF PERSONAL SPACE IS LOST ON YOU. 612 00:37:03,224 --> 00:37:05,633 LEX, ONE OF YOUR EMPLOYEES 613 00:37:05,657 --> 00:37:07,635 PAID ME A VISIT RECENTLY, 614 00:37:07,659 --> 00:37:10,838 AND I WASN'T CLEAR WHETHER IT WAS OFFICIAL BUSINESS... 615 00:37:10,862 --> 00:37:12,640 OR WHAT IT WAS. 616 00:37:12,664 --> 00:37:14,782 OUR OUTSTANDING BUSINESS IS FINISHED. 617 00:37:14,806 --> 00:37:18,086 WELL, HE... JASON TEAGUE, THAT'S WHO IT WAS... 618 00:37:18,110 --> 00:37:20,851 ACCUSED ME OF TAKING SOMETHING THAT, UH, 619 00:37:20,875 --> 00:37:23,222 DIDN'T BELONG TO ME... OF STEALING. 620 00:37:23,246 --> 00:37:25,896 WELL, IT WOULDN'T BE THE FIRST TIME. 621 00:37:25,920 --> 00:37:30,032 BE THAT AS IT MAY, THE ACCUSATION WAS FALSE. 622 00:37:30,056 --> 00:37:32,204 [ SIGHS ] 623 00:37:32,228 --> 00:37:34,666 BUT GIVEN WHAT'S MISSING, 624 00:37:34,690 --> 00:37:37,671 I ALMOST WISH I WAS GUILTY. 625 00:37:37,695 --> 00:37:39,943 WHAT WAS IT? 626 00:37:39,967 --> 00:37:42,215 YOU KNOW THE ANSWER TO THAT QUESTION, LEX. 627 00:37:42,239 --> 00:37:44,749 YOU'RE THE ONE WHO TOOK IT FROM HIM. 628 00:37:44,773 --> 00:37:46,921 DAD, IF YOU WANT TO PLAY GAMES, 629 00:37:46,945 --> 00:37:49,124 THERE'S A DECK OF CARDS IN THE PARLOR. 630 00:37:49,148 --> 00:37:50,825 LET'S TALK ABOUT GAMES. 631 00:37:50,849 --> 00:37:52,829 YOU HIRE SOMEONE TO TRAVEL TO CHINA 632 00:37:52,853 --> 00:37:55,791 TO SEARCH FOR AN ANCIENT ARTIFACT. 633 00:37:55,815 --> 00:37:58,235 HE FINDS IT, HE STEALS IT, BUT HE KEEPS IT FOR HIMSELF. 634 00:37:58,259 --> 00:38:01,738 THEN YOU HAVE TO STEAL IT BACK FROM HIM. 635 00:38:01,762 --> 00:38:06,003 YOU'VE TURNED "HOT POTATO" INTO A ART FORM, SON. 636 00:38:06,027 --> 00:38:08,931 JASON TEAGUE FOUND THE STONE? 637 00:38:12,034 --> 00:38:15,785 EITHER YOU ARE THE BEST CON MAN IN THE WORLD, 638 00:38:15,809 --> 00:38:19,114 OR YOU ARE TRULY, UNBELIEVABLY NAIVE. 639 00:38:23,018 --> 00:38:25,021 GOOD AFTERNOON, LEX. 640 00:39:25,293 --> 00:39:27,340 I THOUGHT YOU SAID 641 00:39:27,364 --> 00:39:29,343 THAT TELESCOPES WERE FOR GEEKS AND STALKERS. 642 00:39:29,367 --> 00:39:31,876 YEAH, WELL, AS WAS PROVEN OVER THE LAST FEW DAYS, 643 00:39:31,900 --> 00:39:33,878 I CAN SERIOUSLY MISJUDGE PEOPLE. 644 00:39:33,902 --> 00:39:36,282 YOU KNOW, IF YOU'VE COME TO KICK ME OFF THE FARM, 645 00:39:36,306 --> 00:39:37,978 I COMPLETELY UNDERSTAND. 646 00:39:39,438 --> 00:39:41,216 YEAH, UM... 647 00:39:41,240 --> 00:39:43,861 ACTUALLY, I CAME HERE TO TELL YOU 648 00:39:43,885 --> 00:39:46,093 WE HAVE FOOD IN THE OVEN IF YOU'RE HUNGRY. 649 00:39:46,117 --> 00:39:48,026 THANKS. 650 00:39:48,050 --> 00:39:49,898 HOW ARE YOU HOLDING UP? 651 00:39:49,922 --> 00:39:52,231 I JUST GOT OFF THE PHONE WITH THE GENERAL. 652 00:39:52,255 --> 00:39:54,903 OH... THAT WAS ALL THE SCREAMING I HEARD FROM THE HOUSE. 653 00:39:54,927 --> 00:39:57,936 YEAH, WELL, APPARENTLY, HE IS VERY DISAPPOINTED IN ME 654 00:39:57,960 --> 00:39:59,840 FOR LETTING THIS HAPPEN, 655 00:39:59,864 --> 00:40:03,012 AND AS FAR AS MY FAMILY CHAIN OF COMMAND GOES, 656 00:40:03,036 --> 00:40:06,117 I AM THE WEAKEST LINK. 657 00:40:06,141 --> 00:40:08,289 I'M SORRY. 658 00:40:08,313 --> 00:40:10,021 DON'T BE. 659 00:40:10,045 --> 00:40:12,124 YOU KNOW, THERE'S SOMETHING CATHARTIC 660 00:40:12,148 --> 00:40:14,420 ABOUT TELLING A THREE-STAR GENERAL TO GO TO HELL. 661 00:40:17,253 --> 00:40:19,262 UH, YOU KNOW, ALL THESE YEARS, 662 00:40:19,286 --> 00:40:21,405 I THOUGHT I HAD MY SISTER PEGGED, 663 00:40:21,429 --> 00:40:23,407 BUT, IN REALITY, 664 00:40:23,431 --> 00:40:26,941 SHE'S A COMPLETE STRANGER TO ME. 665 00:40:26,965 --> 00:40:28,273 EVEN IF THAT WERE TRUE, 666 00:40:28,297 --> 00:40:30,416 I THINK THAT IF SHE CALLED YOU TOMORROW, 667 00:40:30,440 --> 00:40:32,972 YOU'D BE THERE IN A SECOND TO HELP HER. 668 00:40:34,173 --> 00:40:36,282 YEAH, I WOULD. 669 00:40:36,306 --> 00:40:39,179 SHE'S MY SISTER. 670 00:40:41,313 --> 00:40:43,932 I DON'T THINK LUCY'S ALL THAT BAD. 671 00:40:43,956 --> 00:40:47,059 YOU'RE AMAZING, SMALLVILLE. 672 00:40:48,320 --> 00:40:50,499 YOU ALWAYS LOOK FOR THE BEST IN PEOPLE, 673 00:40:50,523 --> 00:40:52,372 EVEN WHEN THEY WALK ALL OVER YOU. 674 00:40:52,396 --> 00:40:54,204 I GUESS THAT EXPLAINS WHY WE'RE FRIENDS. 675 00:40:54,228 --> 00:40:56,907 OH, WE'RE FRIENDS NOW? 676 00:40:56,931 --> 00:41:01,237 WELL, I WON'T TELL ANYONE IF YOU DON'T. 677 00:41:40,452 --> 00:41:43,432 Captions by VITAC... www.vitac.com 678 00:41:43,456 --> 00:41:46,460 CAPTIONS PAID FOR BY WARNER BROS. 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