1
00:00:28,167 --> 00:00:31,576
♫ STARING RIGHT
BACK IN THE FACE ♫

2
00:00:31,600 --> 00:00:34,277
♫ A MEMORY CAN'T BE ERASED ♫

3
00:00:34,301 --> 00:00:36,119
♫ I KNOW ♫

4
00:00:36,143 --> 00:00:40,984
♫ BECAUSE I TRIED ♫

5
00:00:41,008 --> 00:00:44,957
♫ START TO FEEL THE EMPTINESS ♫

6
00:00:44,981 --> 00:00:46,988
♫ AND EVERYTHING
I'M GONNA MISS ♫

7
00:00:47,012 --> 00:00:48,353
♫ I KNOW ♫

8
00:00:53,018 --> 00:00:59,969
♫ ALL THIS TIME IS PASSING BY ♫

9
00:00:59,993 --> 00:01:06,144
♫ I THINK IT'S TIME
TO JUST MOVE ON ♫

10
00:01:06,168 --> 00:01:10,980
♫ WHEN YOU COME BACK DOWN ♫

11
00:01:11,004 --> 00:01:13,682
♫ IF YOU LAND ON YOUR FEET ♫

12
00:01:13,706 --> 00:01:16,354
♫ I HOPE YOU FIND A WAY ♫

13
00:01:16,378 --> 00:01:18,986
♫ TO MAKE IT BACK TO ME ♫

14
00:01:19,010 --> 00:01:23,019
♫ WHEN YOU COME AROUND ♫

15
00:01:23,043 --> 00:01:25,962
♫ I'll BE THERE FOR YOU ♫

16
00:01:25,986 --> 00:01:28,218
OOH!

17
00:01:36,295 --> 00:01:39,933
♫ START TO BREATHE
AND FAKE A SMILE ♫

18
00:01:39,957 --> 00:01:42,305
♫ IT'S ALL THE SAME
AFTER A WHILE ♫

19
00:01:42,329 --> 00:01:44,707
♫ I KNOW ♫

20
00:01:44,731 --> 00:01:48,341
♫ THAT YOU ARE TIRED ♫

21
00:01:48,365 --> 00:01:51,313
♫ CARRYING THE ONES YOU LOST ♫

22
00:01:51,337 --> 00:01:54,347
♫ A PICTURE FRAME
WITH ALL THE THOUGHTS ♫

23
00:01:54,371 --> 00:01:56,948
♫ I KNOW ♫

24
00:01:56,972 --> 00:02:00,322
♫ YOU HOLD INSIDE ♫

25
00:02:00,346 --> 00:02:06,357
♫ I HOPE THAT YOU
CAN FIND YOUR WAY ♫

26
00:02:06,381 --> 00:02:14,027
♫ BACK TO THE PLACE
THAT YOU BELONG ♫

27
00:02:29,240 --> 00:02:31,703
YOU'RE ALL GONNA PAY.

28
00:02:46,254 --> 00:02:51,360
NOW, THAT'S WHAT I CALL A TORCH.

29
00:02:55,163 --> 00:02:58,372
GENIUS.

30
00:02:58,396 --> 00:03:05,707
♫ SOMEBODY SAVE ME ♫

31
00:03:05,731 --> 00:03:09,681
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

32
00:03:09,705 --> 00:03:16,086
♫ SOMEBODY SAVE ME ♫

33
00:03:16,110 --> 00:03:19,759
♫ I DON'T CARE HOW YOU DO IT ♫

34
00:03:19,783 --> 00:03:20,990
♫ JUST STAY ♫

35
00:03:21,014 --> 00:03:22,762
♫ STAY WITH ME ♫

36
00:03:22,786 --> 00:03:24,764
♫ STAY ♫

37
00:03:24,788 --> 00:03:26,425
♫ COME ON ♫

38
00:03:26,449 --> 00:03:30,098
♫ I'VE BEEN WAITING FOR YOU ♫

39
00:03:30,122 --> 00:03:35,774
♫ JUST STAY WITH ME ♫

40
00:03:35,798 --> 00:03:41,078
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

41
00:03:41,102 --> 00:03:42,408
♫ JUST STAY ♫

42
00:03:42,432 --> 00:03:45,111
♫ STAY ♫

43
00:03:45,135 --> 00:03:48,268
♫ COME ON ♫

44
00:03:51,211 --> 00:03:52,747
"ELECTION OF PROM ROYALTY

45
00:03:52,771 --> 00:03:54,750
"IS AN ARCHAIC
AND ELITIST RITUAL

46
00:03:54,774 --> 00:03:56,722
WHOSE TIME HAS COME AND GONE."

47
00:03:56,746 --> 00:03:58,293
CHLOE SULLIVAN STRIKES AGAIN.

48
00:03:58,317 --> 00:04:00,155
WHAT? OH, PLEASE DON'T TELL ME

49
00:04:00,179 --> 00:04:01,855
I LOST YOU TO TIARA FEVER, TOO.

50
00:04:01,879 --> 00:04:04,198
NO, BUT BALLOONS AND
TAFFETA SEEM A LITTLE HARMLESS

51
00:04:04,222 --> 00:04:05,758
COMPARED TO YOUR USUAL TARGETS.

52
00:04:05,782 --> 00:04:07,431
WELL, THIS IS HOW I SEE IT.

53
00:04:07,455 --> 00:04:09,431
HOMECOMING IS FOR JOCKS,
GRADUATION'S FOR PARENTS,

54
00:04:09,455 --> 00:04:11,764
AND PROM IS THE RITE OF
PASSAGE THAT'S FOR ALL OF US.

55
00:04:11,788 --> 00:04:13,436
IT'S SUPPOSED TO
BE A CULMINATION

56
00:04:13,460 --> 00:04:15,307
OF FOUR YEARS OF MEMORIES.

57
00:04:15,331 --> 00:04:17,468
WHY DO WE HAVE TO
RUIN IT WITH THE PINNACLE

58
00:04:17,492 --> 00:04:19,310
OF A POPULARITY CONTEST?

59
00:04:19,334 --> 00:04:22,173
DOES THAT MEAN MORE PIZZA
FOR THE BRAD PITT MARATHON?

60
00:04:22,197 --> 00:04:24,444
WHAT, YOU'RE NOT GOING?
WHAT HAPPENED WITH JASON?

61
00:04:24,468 --> 00:04:26,117
SHOWING UP WITH THE COACH

62
00:04:26,141 --> 00:04:28,749
THAT GOT FIRED FOR
DATING A STUDENT?

63
00:04:28,773 --> 00:04:31,050
THAT IS AN ENTRANCE
I COULD LIVE WITHOUT.

64
00:04:31,074 --> 00:04:32,853
RIGHT.

65
00:04:32,877 --> 00:04:35,454
BESIDES, AFTER IMAGINING
SOMETHING FOR FOUR YEARS,

66
00:04:35,478 --> 00:04:38,356
I JUST DON'T THINK IT COULD
LIVE UP TO EXPECTATIONS.

67
00:04:38,380 --> 00:04:40,358
WELL, NOT IF YOU'RE PART OF
THE HALF-EMPTY PERSUASION.

68
00:04:40,382 --> 00:04:43,161
AND THE LANA I KNOW
WOULDN'T COP OUT LIKE THAT.

69
00:04:43,185 --> 00:04:46,163
COME ON, LANA, IT'S
GONNA BE SO MUCH FUN.

70
00:04:46,187 --> 00:04:49,266
LEX EVEN GOT LIFEHOUSE
TO PLAY FOR THE SENIORS.

71
00:04:49,290 --> 00:04:51,869
YOU CAN HELP ME BRING
STAG BACK IN STYLE.

72
00:04:51,893 --> 00:04:55,266
EXCUSE ME. COMING THROUGH.

73
00:04:58,197 --> 00:05:02,208
SMELLS LIKE SCHOOL SPIRIT.

74
00:05:02,232 --> 00:05:05,480
CHLOE, YOU MAY THINK BASHING
A SACRED SCHOOL TRADITION

75
00:05:05,504 --> 00:05:07,552
IN YOUR TABLOID RAG IS COOL,

76
00:05:07,576 --> 00:05:09,507
BUT I THINK IT'S DISGUSTING.

77
00:05:12,240 --> 00:05:13,788
LIGHTEN UP, DAWN.

78
00:05:13,812 --> 00:05:15,819
YOU'LL GET YOUR THRONE,
BECAUSE THIS ENTIRE SCHOOL

79
00:05:15,843 --> 00:05:18,120
IS TERRIFIED OF YOU AND
YOUR VICIOUS RUMOR MILL.

80
00:05:18,144 --> 00:05:22,365
KILL ME NOW. YOU ARE
SUCH THE "HYPOCRAT."

81
00:05:22,389 --> 00:05:24,096
HYPOCR...

82
00:05:24,120 --> 00:05:26,468
I'M SORRY, WHATEVER IT IS
THAT YOU'RE SAYING TO ME

83
00:05:26,492 --> 00:05:27,829
IS GETTING LOST IN TRANSLATION.

84
00:05:27,853 --> 00:05:29,430
DON'T PLAY STUPID.

85
00:05:29,454 --> 00:05:31,372
THE ONLY REASON YOU'RE
PICTURE'S ON THAT WALL

86
00:05:31,396 --> 00:05:32,834
IS BECAUSE OF YOUR LAME ARTICLE.

87
00:05:32,858 --> 00:05:35,831
WHAT PICTURE? WHAT WALL?

88
00:05:40,264 --> 00:05:43,113
I WOULD SAY, MAY
THE BEST GIRL WIN.

89
00:05:43,137 --> 00:05:45,345
BUT I THINK WE BOTH
KNOW WHO THAT IS, HMM?

90
00:05:45,369 --> 00:05:47,446
LATERS.

91
00:05:47,470 --> 00:05:49,848
SO APPARENTLY, I'M
NOT THE ONLY ONE

92
00:05:49,872 --> 00:05:51,550
WHO ENJOYED YOUR ARTICLE...

93
00:05:51,574 --> 00:05:53,922
YOUR HIGHNESS.

94
00:05:53,946 --> 00:05:55,423
[ GIGGLES ]

95
00:05:55,447 --> 00:05:57,855
GOOD LUCK.

96
00:05:57,879 --> 00:05:59,850
[ BELL RINGS ]

97
00:06:02,423 --> 00:06:04,500
Lex: WHO FOUND HER?

98
00:06:04,524 --> 00:06:06,533
THE GARDENER... HE WAS
DIGGING A DRAINAGE DITCH.

99
00:06:06,557 --> 00:06:08,559
THE GUY'S PRETTY SHAKEN UP.

100
00:06:18,167 --> 00:06:20,274
HOW LONG HAS SHE BEEN DEAD?

101
00:06:20,298 --> 00:06:21,569
AT LEAST A DAY.

102
00:06:24,572 --> 00:06:28,322
LEX... OH, MY GOD.

103
00:06:28,346 --> 00:06:30,954
JASON, WHAT ARE YOU DOING HERE?

104
00:06:30,978 --> 00:06:33,226
I CAME TO TALK TO YOU
ABOUT SOME REPORTS,

105
00:06:33,250 --> 00:06:35,226
AND THEN I SAW SECURITY
RUN OUT OF THE MANSION.

106
00:06:35,250 --> 00:06:39,555
I FOUND THIS,
SIR. WE GOT AN I.D.

107
00:06:45,259 --> 00:06:47,898
BRIDGETTE CROSBY.
I KNOW THAT NAME.

108
00:06:47,922 --> 00:06:49,970
I'VE COME ACROSS IT SEVERAL
TIMES IN MY RESEARCH.

109
00:06:49,994 --> 00:06:51,901
SHE WORKS FOR VIRGIL
SWANN, THE BILLIONAIRE.

110
00:06:51,925 --> 00:06:54,403
LOOK, THIS DOESN'T CONCERN YOU.

111
00:06:54,427 --> 00:06:56,545
IF IT HAS ANYTHING TO
DO WITH THE ARTIFACTS,

112
00:06:56,569 --> 00:06:58,447
IT CONCERNS ME.

113
00:06:58,471 --> 00:07:01,934
EDWARDS, LYLE, WILL YOU PLEASE
ESCORT MR. TEAGUE TO HIS CAR?

114
00:07:13,985 --> 00:07:17,223
NOW, SHOULD I BOW TO
YOU WHEN I SEE YOU, OR...

115
00:07:17,247 --> 00:07:19,194
CUTE. VERY CUTE.

116
00:07:19,218 --> 00:07:21,466
WHAT ABOUT "BOYCOTTING THE
VOTE" DIDN'T ANYONE UNDERSTAND?

117
00:07:21,490 --> 00:07:23,298
OH, THEY UNDERSTAND
IT PERFECTLY.

118
00:07:23,322 --> 00:07:24,629
YOU SEE, YOU ARE THE BOYCOTT.

119
00:07:24,653 --> 00:07:26,471
I MEAN, THINK ABOUT IT.

120
00:07:26,495 --> 00:07:28,533
FOR THE LAST FOUR YEARS,
EVERYBODY'S BEEN TRYING TO

121
00:07:28,557 --> 00:07:30,935
BREAK OUT OF THE STEREOTYPE
THEY'VE BEEN STUCK IN.

122
00:07:30,959 --> 00:07:33,307
YOU'RE THE BATTLE CRY.

123
00:07:33,331 --> 00:07:36,439
HUH. THE GREAT SMALLVILLE
HIGH PROM COUP, HUH?

124
00:07:36,463 --> 00:07:38,542
CLARK, YOU DIDN'T HAPPEN
TO HAVE ANYTHING TO DO

125
00:07:38,566 --> 00:07:40,213
WITH THIS, DID YOU?

126
00:07:40,237 --> 00:07:42,009
I MAY HAVE SPOKEN
TO A FEW PEOPLE.

127
00:07:43,370 --> 00:07:46,348
NOW, I KNOW YOU'RE NOT GONNA
LET ME STORM THIS BASTILLE ALONE.

128
00:07:46,372 --> 00:07:48,350
SO WHO IS SMALLVILLE'S
MOST ELIGIBLE BACHELOR

129
00:07:48,374 --> 00:07:49,975
TAKING TO PROM?

130
00:07:51,976 --> 00:07:55,456
I WAS ACTUALLY THINKING
OF SITTING THIS ONE OUT.

131
00:07:55,480 --> 00:07:57,557
WHAT? OH, NOT YOU, TOO.

132
00:07:57,581 --> 00:07:59,459
WAIT, LET ME GUESS.

133
00:07:59,483 --> 00:08:01,531
YOU SPENT FOUR YEARS
IMAGINING WHAT IT WOULD BE LIKE,

134
00:08:01,555 --> 00:08:03,033
AND YOU JUST DON'T THINK

135
00:08:03,057 --> 00:08:04,963
IT'S GONNA LIVE UP TO
YOUR EXPECTATIONS.

136
00:08:04,987 --> 00:08:07,235
SOMETHING LIKE THAT.

137
00:08:07,259 --> 00:08:10,509
SO YOU'RE GONNA LET ME
BREAK OUT OF MY RUT ONSTAGE,

138
00:08:10,533 --> 00:08:12,009
WEARING A SASH,
WHILE YOU'RE AT HOME

139
00:08:12,033 --> 00:08:14,572
PLAYING THE "WHAT IF?"
GAME FOR THE 900th TIME.

140
00:08:14,596 --> 00:08:16,574
I NEVER SAID YOU WERE IN A RUT.

141
00:08:16,598 --> 00:08:18,476
YEAH, BUT I AM,
AND I'M NOT ALONE.

142
00:08:18,500 --> 00:08:20,377
YOU KNOW, CLARK, IN
A COUPLE OF WEEKS,

143
00:08:20,401 --> 00:08:22,278
WE'RE GONNA GRADUATE
FROM THIS ADOLESCENT FANTASY,

144
00:08:22,302 --> 00:08:23,951
AND WE'RE NOT GONNA
HAVE A RUT TO FALL BACK INTO.

145
00:08:23,975 --> 00:08:25,521
THE THING ABOUT
EXPECTATIONS, CLARK,

146
00:08:25,545 --> 00:08:28,384
IS THEY'RE SUPPOSED TO DRIVE
YOU TO DO MORE WITH YOUR LIFE,

147
00:08:28,408 --> 00:08:30,555
NOT STOP YOU FROM LIVING IT.

148
00:08:30,579 --> 00:08:33,658
PERSONALLY, I THINK THE FUTURE
HOLDS A LOT MORE PROMISE FOR YOU

149
00:08:33,682 --> 00:08:35,585
THAN YOU GIVE IT CREDIT.

150
00:08:40,018 --> 00:08:43,437
SO, 2:00 IS TANNING,
3:00 IS NAILS,

151
00:08:43,461 --> 00:08:45,269
4:00 IS HAIR,

152
00:08:45,293 --> 00:08:48,000
AND THE LIMO
PICKS US UP AT 6:00.

153
00:08:48,024 --> 00:08:51,344
IF I WERE YOU, I'D BE MORE
CONCERNED ABOUT 12:00.

154
00:08:51,368 --> 00:08:52,674
WE DON'T NEED TO
START THAT EARLY.

155
00:08:52,698 --> 00:08:55,301
NO, DAWN. 12:00.

156
00:08:57,332 --> 00:09:00,682
IS THAT YOUR BOYFRIEND
CRUSHING ON A FRESHMAN?

157
00:09:00,706 --> 00:09:04,686
SHE IS SO NOT MAKING PEP SQUAD.

158
00:09:04,710 --> 00:09:10,090
FIRST OFF, WONDER BRA, LATERS.

159
00:09:10,114 --> 00:09:11,561
THE TALON?

160
00:09:11,585 --> 00:09:13,692
HI, CAN YOU SAY "MORTIFIED"?

161
00:09:13,716 --> 00:09:17,096
I MEAN, PROM IS
ONLY 27 HOURS AWAY.

162
00:09:17,120 --> 00:09:21,299
YEAH, ABOUT
THAT... I'M NOT GOING.

163
00:09:21,323 --> 00:09:23,030
DON'T BE STUPID.

164
00:09:23,054 --> 00:09:25,003
DAWN, IT'S OVER.

165
00:09:25,027 --> 00:09:26,474
WHAT?

166
00:09:26,498 --> 00:09:28,436
IT SHOULD'VE BEEN
OVER A LONG TIME AGO.

167
00:09:28,460 --> 00:09:30,106
I'M NOT HANGING AROUND

168
00:09:30,130 --> 00:09:31,739
JUST SO THAT I CAN BE A BOW
TIE THAT MATCHES YOUR DRESS.

169
00:09:31,763 --> 00:09:35,381
YOU CAN'T BREAK UP WITH
ME THE DAY BEFORE PROM.

170
00:09:35,405 --> 00:09:37,037
IT'S OVER.

171
00:09:39,469 --> 00:09:40,710
BILLY!

172
00:09:43,342 --> 00:09:45,049
THAT'S HARSH.

173
00:09:45,073 --> 00:09:48,523
FORGET IT. HE'S SO
YESTERDAY'S MYSTERY MEAT.

174
00:09:48,547 --> 00:09:52,596
OKAY. MASSIVE RE-STRATEGY.

175
00:09:52,620 --> 00:09:56,084
I CAN'T GO TO PROM
ALONE. I NEED MY KING.

176
00:09:59,385 --> 00:10:02,089
GET ME A YEARBOOK.

177
00:10:05,591 --> 00:10:07,764
[ SINGING ]

178
00:10:14,068 --> 00:10:16,476
I NEED ME SOME OF THIS!

179
00:10:16,500 --> 00:10:18,503
GENIUS.

180
00:10:21,075 --> 00:10:24,053
HARMONY, CHECK OUT THIS PROFILE.

181
00:10:24,077 --> 00:10:27,355
OKAY, GORGEOUS, CAPTAIN
OF THE FOOTBALL TEAM,

182
00:10:27,379 --> 00:10:30,589
AND SINGLE LONG ENOUGH
THAT I'M NOT SLOPPY SECONDS.

183
00:10:30,613 --> 00:10:33,130
MM-HMM. GET ME THE
DIGITS FOR CLARK KENT.

184
00:10:33,154 --> 00:10:37,688
UH-HUH... YEAH.

185
00:10:40,120 --> 00:10:42,592
AAH!

186
00:11:36,870 --> 00:11:38,841
[ CAR APPROACHING ]

187
00:11:44,846 --> 00:11:48,720
STOP! PLEASE, STOP!

188
00:11:51,623 --> 00:11:55,786
I NEED HELP! STOP!

189
00:11:58,227 --> 00:12:00,466
UGH!

190
00:12:00,490 --> 00:12:02,192
[ TIRES SQUEALING ]

191
00:12:06,936 --> 00:12:11,215
HOLY CRAP.

192
00:12:11,239 --> 00:12:14,741
I'M CLARK KENT'S MOM.

193
00:12:17,674 --> 00:12:19,576
[ ASHLEE SIMPSON'S
"LA LA" PLAYING LOUDLY ]

194
00:12:22,308 --> 00:12:24,557
MOM?

195
00:12:24,581 --> 00:12:26,889
♫ YOU MAKE ME WANNA LA LA ♫

196
00:12:26,913 --> 00:12:28,931
♫ IN THE KITCHEN ON THE FLOOR ♫

197
00:12:28,955 --> 00:12:30,762
♫ I'll BE A FRENCH MAID ♫

198
00:12:30,786 --> 00:12:32,364
♫ WHEN I MEET YOU AT THE DOOR ♫

199
00:12:32,388 --> 00:12:34,765
♫ I'M LIKE AN ALLEY CAT ♫

200
00:12:34,789 --> 00:12:36,567
MOM!

201
00:12:36,591 --> 00:12:38,599
[ MUSIC STOPS ]

202
00:12:38,623 --> 00:12:40,601
WHAT'S GOING ON?

203
00:12:40,625 --> 00:12:44,173
[ Giggles ] HI, "SON."

204
00:12:44,197 --> 00:12:47,576
WHAT'S FOR DINNER?

205
00:12:47,600 --> 00:12:49,677
DINNER? OH, RIGHT.

206
00:12:49,701 --> 00:12:53,312
HERE, START WITH
THIS. IT'S REALLY YUMMY.

207
00:12:53,336 --> 00:12:55,383
ARE YOU FEELING OKAY?

208
00:12:55,407 --> 00:12:57,185
I'M GREAT.

209
00:12:57,209 --> 00:12:59,817
I WAS WANTING TO ASK YOU,

210
00:12:59,841 --> 00:13:03,289
DO YOU HAVE A DATE
FOR THE PROM YET?

211
00:13:03,313 --> 00:13:06,322
MOM, I TOLD YOU I'M
NOT GOING TO THE PROM.

212
00:13:06,346 --> 00:13:09,325
WHAT? YOU HAVE TO GO!

213
00:13:09,349 --> 00:13:12,868
WELL, I KIND OF WANTED
TO GO WITH LANA, BUT...

214
00:13:12,892 --> 00:13:16,230
LANA LANG? [ SCOFFS ]
YOU CAN'T BE SERIOUS.

215
00:13:16,254 --> 00:13:18,933
YOU TWO ARE SO LAST YEAR.

216
00:13:18,957 --> 00:13:23,607
CLARK, YOUR PROM IS THE MOST
MEMORABLE NIGHT OF YOUR LIFE.

217
00:13:23,631 --> 00:13:25,879
I AM NOT GOING
TO LET YOU MISS IT.

218
00:13:25,903 --> 00:13:27,740
YOU CAN TAKE ME.

219
00:13:27,764 --> 00:13:30,283
MOM, YOU'RE ALREADY
GOING, REMEMBER, WITH DAD?

220
00:13:30,307 --> 00:13:31,845
YOU'RE CHAPERONES.

221
00:13:31,869 --> 00:13:34,917
OH... YEAH. RIGHT. COOL.

222
00:13:34,941 --> 00:13:38,374
[ LOIS SNEEZES ]

223
00:13:39,745 --> 00:13:41,352
[ SNEEZES ]

224
00:13:41,376 --> 00:13:43,354
OH, I SWEAR, THE DOG
KNOWS I'M ALLERGIC.

225
00:13:43,378 --> 00:13:45,226
HE FOLLOWS ME
AROUND WHEREVER I GO.

226
00:13:45,250 --> 00:13:46,697
HE'S TORTURING ME.

227
00:13:46,721 --> 00:13:49,960
SO... THIS IS YOUR
LITTLE SECRET.

228
00:13:49,984 --> 00:13:53,287
YOU'RE TAKING HER TO
THE PROM, AREN'T YOU?

229
00:13:54,388 --> 00:13:56,306
[ LAUGHS ] LOIS?

230
00:13:56,330 --> 00:13:58,668
MRS. KENT, A LOT OF THINGS
ARE POSSIBLE IN THIS WORLD,

231
00:13:58,692 --> 00:14:00,369
BUT THERE WILL BE A MAN ON MARS

232
00:14:00,393 --> 00:14:01,993
BEFORE CLARK AND I
GO TO A PROM TOGETHER.

233
00:14:03,264 --> 00:14:05,644
SO, WHAT, YOU TWO JUST
GET TOGETHER AND MACK,

234
00:14:05,668 --> 00:14:07,745
BUT KEEP IT ON THE
DOWN LOW IN PUBLIC?

235
00:14:07,769 --> 00:14:08,875
MOM!

236
00:14:08,899 --> 00:14:10,447
I DON'T MEAN TO
BE RUDE, MRS. KENT,

237
00:14:10,471 --> 00:14:12,649
BUT, UH, DID YOU CRACK
OPEN THE COOKING SHERRY?

238
00:14:12,673 --> 00:14:15,905
OF COURSE NOT. I'M JUST
SUPERPUMPED ABOUT PROM.

239
00:14:18,278 --> 00:14:20,986
WELL, I'M GONNA GO.

240
00:14:21,010 --> 00:14:23,428
MOM, MAYBE I SHOULD TAKE
YOU TO THE TALON TONIGHT.

241
00:14:23,452 --> 00:14:26,792
THE TALON? OH,
RIGHT, I WORK THERE.

242
00:14:26,816 --> 00:14:29,687
UH, NO, I'M DRIVING
MYSELF. LATERS.

243
00:14:32,760 --> 00:14:33,892
"LATERS"?

244
00:14:44,870 --> 00:14:46,948
I'M PSYCHED BILLY DUMPED DAWN.

245
00:14:46,972 --> 00:14:48,951
SHE WAS GETTING SO STUCK-UP.

246
00:14:48,975 --> 00:14:52,307
I HEARD HE ALREADY HOOKED
UP WITH SUE ANN GARDNER.

247
00:14:53,337 --> 00:14:57,841
SUE ANN GARDNER IS A BIG FAT HO.

248
00:15:00,884 --> 00:15:04,063
MRS. KENT?

249
00:15:04,087 --> 00:15:06,426
OH. HI, LANA.

250
00:15:06,450 --> 00:15:08,827
SHOULDN'T YOU BE AT SCHOOL
HELPING WITH THE DECORATIONS?

251
00:15:08,851 --> 00:15:11,370
THE PROM COMMITTEE NEEDS
ALL THE HELP THEY CAN GET.

252
00:15:11,394 --> 00:15:13,402
I'M NOT GONNA GO TO THE PROM.

253
00:15:13,426 --> 00:15:16,303
WHY, YOU THINK
YOU'RE SO ABOVE IT ALL?

254
00:15:16,327 --> 00:15:19,307
NO, OF COURSE NOT.

255
00:15:19,331 --> 00:15:21,479
OH, COME ON.

256
00:15:21,503 --> 00:15:23,740
POOR LITTLE ORPHAN GIRL...

257
00:15:23,764 --> 00:15:26,783
GOING OFF TO YOUR
FANCY FRENCH ART SCHOOL,

258
00:15:26,807 --> 00:15:28,945
GOING OUT WITH A
BIG COLLEGE GUY.

259
00:15:28,969 --> 00:15:30,846
[ GIGGLES ]

260
00:15:30,870 --> 00:15:32,888
I DON'T HAVE TO LISTEN TO THIS.

261
00:15:32,912 --> 00:15:34,844
HEY.

262
00:15:45,482 --> 00:15:48,085
GENIUS.

263
00:15:49,557 --> 00:15:51,333
LANA, HAVE YOU SEEN MY MOM?

264
00:15:51,357 --> 00:15:53,466
FORGET ABOUT YOUR MOM, CLARK.

265
00:15:53,490 --> 00:15:56,469
I HAVE BEEN MEANING
TO ASK YOU SOMETHING.

266
00:15:56,493 --> 00:15:58,409
YEAH, SURE, WHAT IS IT?

267
00:15:58,433 --> 00:16:00,741
WELL, I KNOW THAT IT'S
KIND OF LAST-MINUTE,

268
00:16:00,765 --> 00:16:03,914
BUT I THOUGHT IT'D
BE TOTALLY AMAZING

269
00:16:03,938 --> 00:16:07,018
IF WE WENT TO PROM TOGETHER.

270
00:16:07,042 --> 00:16:09,750
US?

271
00:16:09,774 --> 00:16:12,121
LANA, WHAT ABOUT JASON?

272
00:16:12,145 --> 00:16:15,509
CLARK, IT'S YOU I
WANT TO GO WITH.

273
00:16:17,581 --> 00:16:19,783
DON'T YOU WANT TO GO WITH ME?

274
00:16:22,914 --> 00:16:25,994
WELL, I MEAN, I...
AWESOME, IT'S A DATE.

275
00:16:26,018 --> 00:16:28,035
I'VE GOTTA GET BACK TO
THE SCHOOL AND HELP SET UP.

276
00:16:28,059 --> 00:16:29,561
THEY'RE LOST WITHOUT ME.

277
00:16:30,922 --> 00:16:33,124
LATERS.

278
00:16:40,070 --> 00:16:44,379
MOM... MOM, ARE YOU ALL RIGHT?

279
00:16:44,403 --> 00:16:46,782
FOR THE LIFE OF ME,

280
00:16:46,806 --> 00:16:49,138
I CAN'T REMEMBER HOW I GOT HERE.

281
00:16:56,144 --> 00:17:00,423
HEY. HI, WHAT DO
YOU NEED ME TO DO?

282
00:17:00,447 --> 00:17:02,524
LOOKING GREAT, GUYS.

283
00:17:02,548 --> 00:17:04,097
THAT'S PERFECT,

284
00:17:04,121 --> 00:17:06,428
BUT REMEMBER TO USE
ENOUGH TAPE, OKAY?

285
00:17:06,452 --> 00:17:10,131
TOO MUCH IS ALWAYS
BETTER THAN NOT ENOUGH.

286
00:17:10,155 --> 00:17:12,474
[ SCOFFS ] GIMME THAT.

287
00:17:12,498 --> 00:17:17,138
HARMONY, THIS IS SUPPOSED
TO BE COTTON-CANDY PINK.

288
00:17:17,162 --> 00:17:19,039
WHY IS IT SEA-FOAM GREEN?

289
00:17:19,063 --> 00:17:21,410
NICE DAWN STILES IMPERSONATION.

290
00:17:21,434 --> 00:17:24,583
YEAH, YOU HAVE THE QUEEN
BITCH CONTROL FREAK DOWN-PAT.

291
00:17:24,607 --> 00:17:26,815
WHAT'S THAT SUPPOSED TO MEAN?

292
00:17:26,839 --> 00:17:28,486
WHERE IS DAWN, ANYWAY?

293
00:17:28,510 --> 00:17:31,419
I HAVE NO CLUE, AND HONESTLY,
WE'LL GET WAY MORE DONE

294
00:17:31,443 --> 00:17:32,920
WITHOUT HER ORDERING US AROUND.

295
00:17:32,944 --> 00:17:35,948
Billy: SEE YOU GUYS TOMORROW.

296
00:17:37,618 --> 00:17:39,556
DID YOU BENCH 250
TODAY? AWESOME.

297
00:17:39,580 --> 00:17:41,923
SO I'll SEE YOU GUYS TOMORROW?

298
00:17:45,486 --> 00:17:47,863
YOU WORKED UP QUITE A SWEAT.

299
00:17:47,887 --> 00:17:50,436
HEY, LANA, I DIDN'T
EXPECT TO SEE YOU

300
00:17:50,460 --> 00:17:52,168
DECORATING FOR THE PROM.

301
00:17:52,192 --> 00:17:55,010
WELL, MAYBE THERE'S MORE
TO ME THAN MEETS THE EYE.

302
00:17:55,034 --> 00:17:58,572
HEARD YOU GOT OVER
DAWN STILES PRETTY QUICK.

303
00:17:58,596 --> 00:18:00,475
I COULDN'T STAND TO SPEND
ANOTHER SECOND WITH HER.

304
00:18:00,499 --> 00:18:02,045
I MEAN, HER VOICE...
IT'S A LITTLE TOO

305
00:18:02,069 --> 00:18:03,848
"NAILS ON THE CHALKBOARD,"
YOU KNOW WHAT I MEAN?

306
00:18:03,872 --> 00:18:06,003
NO, I DON'T KNOW WHAT YOU MEAN!

307
00:18:09,977 --> 00:18:12,054
BUT I HAVE AN IDEA.

308
00:18:12,078 --> 00:18:15,558
WHY DON'T YOU GO CLEAN
UP, AND THEN WE CAN HANG OUT

309
00:18:15,582 --> 00:18:18,129
AND GET TO KNOW
EACH OTHER BETTER?

310
00:18:18,153 --> 00:18:21,616
BE RIGHT BACK.

311
00:18:42,704 --> 00:18:44,612
CHLOE. HAVE YOU SEEN LANA?

312
00:18:44,636 --> 00:18:47,655
THE ONLY PEOPLE HERE
ARE THE SCHOOL SPIRIT CLUB

313
00:18:47,679 --> 00:18:49,657
SPREADING THEIR PROM-AGANDA.

314
00:18:49,681 --> 00:18:51,217
WHY?

315
00:18:51,241 --> 00:18:53,189
THERE'S SOMETHING GOING ON.
MY MOM STARTED TO ACT STRANGE.

316
00:18:53,213 --> 00:18:54,962
IT'S LIKE SHE'S CHANNELING
SOME INNER TEENAGER,

317
00:18:54,986 --> 00:18:56,622
NOW LANA'S NOT
ACTING LIKE HERSELF.

318
00:18:56,646 --> 00:18:59,024
WELL, IF YOU THINK LANA'S
HERE DECORATING FOR THE PROM,

319
00:18:59,048 --> 00:19:01,090
THAT DEFINITELY FALLS
UNDER "ALTERED STATES."

320
00:19:06,955 --> 00:19:11,058
LANA... WHAT ARE
YOU DOING IN HERE?

321
00:19:12,931 --> 00:19:15,563
NOBODY BREAKS UP
WITH DAWN STILES.

322
00:19:17,204 --> 00:19:18,641
AAH!

323
00:19:18,665 --> 00:19:20,106
[ ELECTRICITY BUZZES ]

324
00:19:26,112 --> 00:19:28,544
CLARK?

325
00:19:40,054 --> 00:19:42,062
LANA? WHAT'S GOING ON?

326
00:19:42,086 --> 00:19:43,602
I DON'T KNOW.

327
00:19:43,626 --> 00:19:45,628
YOU CAME OUT OF THE
BOYS' LOCKER ROOM.

328
00:19:57,199 --> 00:19:58,599
UGH.

329
00:20:03,775 --> 00:20:06,152
LANA, YOU WERE JUST IN THERE.

330
00:20:06,176 --> 00:20:09,009
I DON'T EVEN KNOW
HOW I GOT TO SCHOOL.

331
00:20:21,159 --> 00:20:23,767
THAT WAS CLARK.
HE'S AT THE HOSPITAL.

332
00:20:23,791 --> 00:20:25,198
BILLY'S GONNA MAKE
A FULL RECOVERY.

333
00:20:25,222 --> 00:20:26,969
GOOD.

334
00:20:26,993 --> 00:20:29,101
CLARK SAID HE SAW ME COME
OUT OF THAT LOCKER ROOM.

335
00:20:29,125 --> 00:20:31,868
DO YOU THINK I COULD'VE DONE
ANYTHING WHEN I WAS BLACKED OUT?

336
00:20:33,829 --> 00:20:35,848
WHY WOULD I EVER
HURT BILLY DURDEN?

337
00:20:35,872 --> 00:20:38,880
YOU WOULDN'T. BUT
DAWN STILES WOULD.

338
00:20:38,904 --> 00:20:41,312
DAWN? THE GIRL MOST
LIKELY TO BE PROM QUEEN?

339
00:20:41,336 --> 00:20:44,014
PEOPLE WERE SAYING THAT YOU
WERE ACTING FREAKISHLY LIKE HER,

340
00:20:44,038 --> 00:20:46,187
AND CLARK'S MOM WAS
ACTING VERY DAWN-ISH

341
00:20:46,211 --> 00:20:48,589
BEFORE SHE CAME BACK
ON-LINE AT THE TALON.

342
00:20:48,613 --> 00:20:51,021
THAT'S THE LAST THING I
REMEMBER BEFORE BLACKING OUT...

343
00:20:51,045 --> 00:20:53,062
TALKING TO MARTHA
KENT IN THE TALON.

344
00:20:53,086 --> 00:20:55,124
AND MRS. KENT SAYS THE
LAST THING SHE REMEMBERS

345
00:20:55,148 --> 00:20:56,825
IS DRIVING ALONG ROUTE 54.

346
00:20:56,849 --> 00:20:58,327
THAT'S WHERE THEY
FOUND DAWN'S BODY

347
00:20:58,351 --> 00:21:00,329
AT THE BOTTOM OF
CARLTON GORGE...

348
00:21:00,353 --> 00:21:03,031
THE MOTHER LODE
OF ALL METEOR ROCK.

349
00:21:03,055 --> 00:21:05,072
OH, MY GOD.

350
00:21:05,096 --> 00:21:07,074
THEY HAVE HER IN THE EMERGENCY
ROOM. SHE'S IN A DEEP COMA.

351
00:21:07,098 --> 00:21:09,976
SO YOU THINK THAT HER
SPIRIT WAS SOMEHOW ABLE

352
00:21:10,000 --> 00:21:13,139
TO TAKE OVER MARTHA AND
THEN TRANSFER INTO ME?

353
00:21:13,163 --> 00:21:16,183
WELL, WE ARE IN SMALLVILLE,

354
00:21:16,207 --> 00:21:17,883
AND, I MEAN, WHAT WOULD
THE SENIOR PROM BE

355
00:21:17,907 --> 00:21:20,941
WITHOUT A BODY-SNATCHING
PROM QUEEN?

356
00:21:29,248 --> 00:21:31,054
LANA, ARE YOU OKAY?

357
00:21:31,078 --> 00:21:33,056
YEAH, I JUST FEEL
REALLY HORRIBLE.

358
00:21:33,080 --> 00:21:34,829
I HAVE NO IDEA WHAT I DID.

359
00:21:34,853 --> 00:21:37,400
YOU DIDN'T DO ANYTHING. YOU
WERE INHABITED BY DAWN STILES.

360
00:21:37,424 --> 00:21:39,632
AND THE QUESTION
IS, NOW THAT WE HAVE

361
00:21:39,656 --> 00:21:42,259
THE OLD LANA BACK,
WHERE'S THE NEW DAWN?

362
00:21:46,061 --> 00:21:47,840
HOW IS SHE?

363
00:21:47,864 --> 00:21:49,170
WELL, SHE'S BARELY HANGING ON.

364
00:21:49,194 --> 00:21:51,142
SHE'S GOT MASSIVE HEAD INJURIES,

365
00:21:51,166 --> 00:21:52,914
AND SHE'S SEVERELY DISFIGURED.

366
00:21:52,938 --> 00:21:55,039
DISFIGURED?

367
00:21:57,142 --> 00:21:59,119
NO, IT COULDN'T BE.

368
00:21:59,143 --> 00:22:02,076
THAT FACE WAS SO PERFECT.

369
00:22:13,085 --> 00:22:15,994
EW, GROSS.

370
00:22:16,018 --> 00:22:17,995
[ MONITOR BEEPING STEADILY ]

371
00:22:18,019 --> 00:22:22,268
UH, YOU'RE NOT ALLOWED IN HERE.

372
00:22:22,292 --> 00:22:24,464
REALLY?

373
00:22:26,467 --> 00:22:28,274
I'M TERRIFIED TO EVEN THINK

374
00:22:28,298 --> 00:22:31,276
WHAT ELSE I COULD'VE SAID OR
DONE DURING THAT LAST HOUR.

375
00:22:31,300 --> 00:22:33,948
SO YOU DON'T REMEMBER WHAT
YOU SAID TO ME AT THE TALON TODAY?

376
00:22:33,972 --> 00:22:37,306
OH, NO. WHAT'D I SAY?

377
00:22:39,008 --> 00:22:42,216
YOU JUST, UM, ASKED ME TO PROM.

378
00:22:42,240 --> 00:22:46,260
OH. REALLY?

379
00:22:46,284 --> 00:22:49,022
IT WASN'T YOU, THOUGH,
RIGHT? IT WAS DAWN, SO...

380
00:22:49,046 --> 00:22:52,926
Woman on P.A.: CODE
BLUE, ROOM 256.

381
00:22:52,950 --> 00:22:56,899
CODE BLUE, ROOM 256.

382
00:22:56,923 --> 00:22:59,430
EXCUSE ME, ARE YOU
FRIENDS OF DAWN'S?

383
00:22:59,454 --> 00:23:01,703
YES, WHAT HAPPENED?

384
00:23:01,727 --> 00:23:04,274
THERE'S NOTHING THEY CAN
DO. I'M AFRAID SHE PASSED ON.

385
00:23:04,298 --> 00:23:06,908
I'M SURE SHE DIDN'T SUFFER.

386
00:23:06,932 --> 00:23:09,733
I'M SORRY.

387
00:23:21,013 --> 00:23:22,444
GENIUS.

388
00:23:44,534 --> 00:23:46,511
FIND ANYTHING INTERESTING?

389
00:23:46,535 --> 00:23:49,474
YEAH, AS A MATTER
OF FACT, I DID.

390
00:23:49,498 --> 00:23:52,976
YOU'VE CROSSED THE LINE. I
TAKE MY PRIVACY VERY SERIOUSLY.

391
00:23:53,000 --> 00:23:55,079
AND I TAKE MURDER
VERY SERIOUSLY.

392
00:23:55,103 --> 00:23:57,481
IT SAYS HERE THAT YOU SENT
AN E-MAIL TO BRIDGETTE CROSBY...

393
00:23:57,505 --> 00:23:59,252
I NEVER DENIED I KNEW HER.

394
00:23:59,276 --> 00:24:02,385
CONFIRMING A MEETING
BETWEEN THE TWO OF YOU

395
00:24:02,409 --> 00:24:05,427
HERE AT THE LUTHER
MANSION ON THE SAME MORNING

396
00:24:05,451 --> 00:24:08,090
SHE WAS FOUND
FACE-DOWN IN THE DIRT.

397
00:24:08,114 --> 00:24:11,317
WELL, MISS CROSBY NEVER
SHOWED UP FOR THAT MEETING.

398
00:24:13,989 --> 00:24:15,535
YOU MENTIONED AN
ITEM IN YOUR E-MAIL.

399
00:24:15,559 --> 00:24:17,537
I ASSUME YOU'RE TALKING
ABOUT AN ARTIFACT.

400
00:24:17,561 --> 00:24:20,300
WHAT WERE YOU GONNA DO,
YOU WERE GONNA BUY IT FROM HER,

401
00:24:20,324 --> 00:24:22,441
OR WERE YOU GONNA
TAKE IT WITH FORCE?

402
00:24:22,465 --> 00:24:25,104
I DON'T NEED TO EXPLAIN
MYSELF TO YOU, JASON.

403
00:24:25,128 --> 00:24:27,106
NO, BUT YOU'RE GONNA HAVE
TO EXPLAIN IT TO THE POLICE.

404
00:24:27,130 --> 00:24:29,247
LOOK, I HAVE NO INTEREST
BEING IN THE MIDDLE

405
00:24:29,271 --> 00:24:31,510
OF A MURDER INVESTIGATION
I HAVE NOTHING TO DO WITH,

406
00:24:31,534 --> 00:24:34,111
NOT TO MENTION THE MEDIA
CIRCUS THAT COMES WITH IT.

407
00:24:34,135 --> 00:24:36,153
THERE WAS A DEAD BODY
FOUND ON YOUR PROPERTY, LEX.

408
00:24:36,177 --> 00:24:38,485
IT'S KINDA HARD TO IGNORE.

409
00:24:38,509 --> 00:24:40,342
TRUST ME, I'M NOT.

410
00:24:42,042 --> 00:24:44,360
WHO ARE YOU TRYING TO PROTECT...

411
00:24:44,384 --> 00:24:46,386
YOU, YOUR FATHER?

412
00:24:48,588 --> 00:24:51,097
BURYING BODIES IN THE BACKYARD

413
00:24:51,121 --> 00:24:53,492
ISN'T EXACTLY A
HOBBY OF MINE, JASON.

414
00:24:57,556 --> 00:25:00,104
YEAH, WELL, COVERING
UP A HOMICIDE

415
00:25:00,128 --> 00:25:02,275
ISN'T EXACTLY A HOBBY OF MINE.

416
00:25:02,299 --> 00:25:04,561
I THINK I'll GO HAVE A
CHAT WITH THE SHERIFF.

417
00:25:17,042 --> 00:25:19,521
I JUST WENT TO
SEE THE ALLERGIST.

418
00:25:19,545 --> 00:25:21,592
THIS SAYS I OWE $200.

419
00:25:21,616 --> 00:25:26,827
ACTUALLY, IT'S $215,
INCLUDING LAB FEES.

420
00:25:26,851 --> 00:25:29,499
BUT ALL THEY DID WAS STICK A
BUNCH OF NEEDLES IN MY BACK

421
00:25:29,523 --> 00:25:31,501
AND MAKE ME REALLY ITCHY.

422
00:25:31,525 --> 00:25:33,402
WHAT'S THAT ALL ABOUT?

423
00:25:33,426 --> 00:25:36,034
WELL, THEY NEED TO FIND
OUT WHAT YOU'RE ALLERGIC TO.

424
00:25:36,058 --> 00:25:39,267
I KNOW WHAT I'M ALLERGIC TO.
HE'S GOT FOUR LEGS AND DROOLS.

425
00:25:39,291 --> 00:25:42,040
WHAT I NEED IS A PRESCRIPTION.

426
00:25:42,064 --> 00:25:45,197
PLEASE. A DOG'S
LIFE DEPENDS ON IT.

427
00:25:48,099 --> 00:25:50,548
MISS?

428
00:25:50,572 --> 00:25:54,204
MAYBE I CAN HELP YOU.

429
00:26:05,153 --> 00:26:07,062
HEY, YOU GUYS LOOK GREAT.

430
00:26:07,086 --> 00:26:09,194
CLARK, THE ONLY REASON
WE AGREED TO BE CHAPERONES

431
00:26:09,218 --> 00:26:10,564
WAS BECAUSE OF YOU.

432
00:26:10,588 --> 00:26:12,466
I KNOW. IT'S A LITTLE BACKWARDS.

433
00:26:12,490 --> 00:26:14,267
MY PARENTS ARE
GOING TO THE PROM,

434
00:26:14,291 --> 00:26:16,100
AND I'M STAYING HOME
TO WAIT UP FOR THEM.

435
00:26:16,124 --> 00:26:18,341
SON, WE DON'T WANT YOU TO
LOOK BACK ON HIGH SCHOOL

436
00:26:18,365 --> 00:26:20,072
AND REGRET NOT
GOING TO THE PROM.

437
00:26:20,096 --> 00:26:22,145
DAD, I'M NOT SURE THAT
STANDING BY THE PUNCH BOWL

438
00:26:22,169 --> 00:26:24,347
AND WATCHING BAD DANCING
IS A MEMORY I'M GONNA CHERISH.

439
00:26:24,371 --> 00:26:27,508
I WOULDN'T BE SO SURE
ABOUT THAT, CLARK.

440
00:26:27,532 --> 00:26:29,674
I'll BRING THE TRUCK AROUND.

441
00:26:32,237 --> 00:26:35,616
I THINK I KNOW WHY
YOU'RE NOT GOING TONIGHT.

442
00:26:35,640 --> 00:26:37,487
WHEN I WAS A FRESHMAN,

443
00:26:37,511 --> 00:26:39,620
I REMEMBER STANDING OUTSIDE

444
00:26:39,644 --> 00:26:42,121
AND WATCHING THE
SENIORS GOING INTO PROM.

445
00:26:42,145 --> 00:26:44,893
THE GUYS IN THEIR TUXES AND
THE GIRLS IN THEIR DRESSES.

446
00:26:44,917 --> 00:26:48,397
I GUESS I ALWAYS THOUGHT
THAT THAT WOULD BE LANA AND ME.

447
00:26:48,421 --> 00:26:50,099
OH, CLARK...

448
00:26:50,123 --> 00:26:52,101
THINGS DON'T ALWAYS END
UP THE WAY YOU PICTURE THEM,

449
00:26:52,125 --> 00:26:53,901
BUT SOMETIMES THEY
CAN END UP EVEN BETTER

450
00:26:53,925 --> 00:26:55,426
IF YOU GIVE THEM A CHANCE.

451
00:26:58,130 --> 00:27:02,163
IF YOU CHANGE YOUR MIND, I
PUT YOUR TUX BY THE DOOR.

452
00:27:04,605 --> 00:27:06,513
YOU RENTED ME A TUX?

453
00:27:06,537 --> 00:27:08,313
JUST IN CASE.

454
00:27:08,337 --> 00:27:09,439
MOM...

455
00:27:14,143 --> 00:27:15,444
Lois: WELL?

456
00:27:22,150 --> 00:27:23,658
HOW DO I LOOK?

457
00:27:23,682 --> 00:27:27,660
IT LOOKS LIKE YOU'RE
GOING TO THE PROM.

458
00:27:27,684 --> 00:27:29,326
I AM.

459
00:27:31,728 --> 00:27:33,636
AND YOU'RE TAKING ME.

460
00:27:33,660 --> 00:27:36,539
I'M NOT GONNA LET YOU SIT
AROUND MOPING ALL NIGHT

461
00:27:36,563 --> 00:27:38,169
WHILE YOUR PARENTS GO OUT

462
00:27:38,193 --> 00:27:39,610
AND DO THE ELECTRIC
BOOGALOO ALL NIGHT.

463
00:27:39,634 --> 00:27:41,273
IT'S GONNA BE FUN.

464
00:27:41,297 --> 00:27:44,415
NO, I-I'M NOT GOING.

465
00:27:44,439 --> 00:27:46,677
MASSIVE RE-STRATEGY.

466
00:27:46,701 --> 00:27:49,219
YOU'RE GOING TO YOUR SENIOR
PROM WHETHER YOU LIKE IT OR NOT.

467
00:27:49,243 --> 00:27:50,551
END OF DISCUSSION.

468
00:27:50,575 --> 00:27:52,651
PUT ON YOUR TUX.

469
00:27:52,675 --> 00:27:56,285
LOIS, WASN'T THIS NOT IN
THE REALM OF POSSIBILITIES?

470
00:27:56,309 --> 00:27:58,628
ANYTHING'S POSSIBLE, CLARK.

471
00:27:58,652 --> 00:28:01,183
ANYTHING.

472
00:28:06,188 --> 00:28:07,735
OVER HERE, SHERIFF.

473
00:28:07,759 --> 00:28:09,966
WAIT A SECOND.

474
00:28:09,990 --> 00:28:13,239
THE BODY WAS RIGHT HERE. IT
WAS RIGHT NEXT TO THIS ROCK.

475
00:28:13,263 --> 00:28:16,273
THEY MUST'VE JUST
BUILT THIS GAZEBO.

476
00:28:16,297 --> 00:28:18,143
WELL, ACCORDING TO
THE COUNTY RECORDS,

477
00:28:18,167 --> 00:28:19,445
THE GAZEBO'S BEEN HERE

478
00:28:19,469 --> 00:28:21,306
SINCE BEFORE THE LUTHORS
EVEN HEARD OF SMALLVILLE.

479
00:28:21,330 --> 00:28:23,007
SHERIFF, I KNOW WHAT I SAW.

480
00:28:23,031 --> 00:28:24,709
UH-HUH, THE DEAD
AND DECAYING BODY

481
00:28:24,733 --> 00:28:26,150
OF ONE BRIDGETTE CROSBY.

482
00:28:26,174 --> 00:28:28,052
MR. TEAGUE, I'll LEVEL WITH YOU.

483
00:28:28,076 --> 00:28:29,714
A GOOD MURDER MYSTERY
IS JUST THE KIND OF THING

484
00:28:29,738 --> 00:28:31,386
I COULD USE RIGHT ABOUT NOW.

485
00:28:31,410 --> 00:28:33,558
THE THING IS, YOU CAN'T HAVE
A MURDER WITHOUT A VICTIM.

486
00:28:33,582 --> 00:28:35,258
AND, SEE, THIS
BRIDGETTE CROSBY...

487
00:28:35,282 --> 00:28:37,061
THERE'S NO RECORD
THAT SHE EVER EXISTED.

488
00:28:37,085 --> 00:28:39,121
THIS IS CRAZY. OF
COURSE SHE EXISTED.

489
00:28:39,145 --> 00:28:41,224
WELL, EVERY GOVERNMENT
DATABASE FROM THE IRS TO THE PTA

490
00:28:41,248 --> 00:28:43,265
HAPPENS TO DISAGREE WITH YOU.

491
00:28:43,289 --> 00:28:45,398
I EVEN WENT ON ONE OF
THOSE GOOGLE SEARCHES.

492
00:28:45,422 --> 00:28:47,999
IT KEPT ASKING ME IF I
MEANT "BING CROSBY."

493
00:28:48,023 --> 00:28:50,272
THE GARDENER. THE
GARDENER FOUND THE BODY.

494
00:28:50,296 --> 00:28:52,132
DID YOU QUESTION HIM?

495
00:28:52,156 --> 00:28:54,004
I QUESTIONED THE ENTIRE
LANDSCAPING STAFF.

496
00:28:54,028 --> 00:28:56,407
IT'S LEX.

497
00:28:56,431 --> 00:28:58,478
HE'S PAID THEM OFF, OR
HE'S INTIMIDATING THEM.

498
00:28:58,502 --> 00:29:00,410
OR YOU'RE YANKING MY ROPE.

499
00:29:00,434 --> 00:29:04,143
MR. TEAGUE, THE NEXT TIME
YOU SAY THERE'S BEEN A KILLING,

500
00:29:04,167 --> 00:29:06,169
I'D BETTER SEE A STIFF.

501
00:29:18,049 --> 00:29:20,422
[ CELLPHONE BEEPS, RINGING ]

502
00:29:27,627 --> 00:29:30,166
HELLO, MOTHER.

503
00:29:30,190 --> 00:29:32,437
OH, IT'S DONE.

504
00:29:32,461 --> 00:29:36,170
LEX TOOK CARE OF THE
BODY JUST LIKE WE WANTED.

505
00:29:36,194 --> 00:29:38,072
MM-HMM.

506
00:29:38,096 --> 00:29:40,199
I LOVE YOU, TOO.

507
00:30:10,595 --> 00:30:16,175
♫ I WAS YOUNG
BUT I WASN'T NAIVE ♫

508
00:30:16,199 --> 00:30:18,476
♫ I WATCHED HELPLESS ♫

509
00:30:18,500 --> 00:30:21,080
♫ AS YOU TURNED
AROUND TO LEAVE ♫

510
00:30:21,104 --> 00:30:23,180
ISN'T THIS AMAZING?

511
00:30:23,204 --> 00:30:25,583
OH, AREN'T YOU SO
GLAD YOU CAME, CLARK?

512
00:30:25,607 --> 00:30:27,685
WE ARE GONNA HAVE SO MUCH FUN!

513
00:30:27,709 --> 00:30:30,087
OKAY, LOIS, YOU GOT ME HERE.

514
00:30:30,111 --> 00:30:32,119
YOU CAN STOP LAYING IT ON.

515
00:30:32,143 --> 00:30:35,415
I'M GONNA GO GET SOME PUNCH.

516
00:30:43,653 --> 00:30:49,704
♫ AFTER ALL THIS TIME ♫

517
00:30:49,728 --> 00:30:54,708
♫ I NEVER THOUGHT WE'D BE HERE ♫

518
00:30:54,732 --> 00:30:58,536
COME ON, CHLOE, YOU CAN DO THIS.

519
00:31:08,344 --> 00:31:12,293
HEY. HAVEN'T I SEEN
YOU HERE BEFORE?

520
00:31:12,317 --> 00:31:15,126
WELL, MAYBE THIS TIME WE WON'T
HAVE ANY NATURAL DISASTERS.

521
00:31:15,150 --> 00:31:17,398
I'M REALLY SURPRISED
THAT YOU MADE IT.

522
00:31:17,422 --> 00:31:19,360
YEAH, WELL, REMEMBER
ALL THOSE REGRETS

523
00:31:19,384 --> 00:31:21,130
THAT WE WERE TALKING ABOUT?

524
00:31:21,154 --> 00:31:23,263
WELL, I THINK NOT SEEING YOU
WITH A CROWN ON YOUR HEAD

525
00:31:23,287 --> 00:31:24,688
WOULD BE AT THE TOP OF THE LIST.

526
00:31:29,362 --> 00:31:32,341
I'M GLAD YOU'RE HERE.

527
00:31:32,365 --> 00:31:35,473
Lois: CLARK! CLARK!

528
00:31:35,497 --> 00:31:37,514
IT'S CALLED AN
"ESCORT" FOR A REASON.

529
00:31:37,538 --> 00:31:40,747
AND YOU'RE HERE... IN PINK.

530
00:31:40,771 --> 00:31:42,550
[ LAUGHS ] WHY?

531
00:31:42,574 --> 00:31:45,621
I CAME TO, UH, CHEER
YOU ON, OF COURSE.

532
00:31:45,645 --> 00:31:48,524
Woman: EXCUSE ME,
EVERYBODY, EXCUSE ME!

533
00:31:48,548 --> 00:31:50,255
THANKS, GUYS.

534
00:31:50,279 --> 00:31:53,289
IF I COULD JUST GET YOUR
ATTENTION FOR A MOMENT.

535
00:31:53,313 --> 00:31:55,159
THANK YOU.

536
00:31:55,183 --> 00:31:57,661
IT IS TIME FOR THE
BIG ANNOUNCEMENT.

537
00:31:57,685 --> 00:32:00,665
OKAY, IF BY SOME
WEIRD REASON, I WIN,

538
00:32:00,689 --> 00:32:03,461
THE TIARA BURNING
PARTY IS AT MY HOUSE.

539
00:32:04,422 --> 00:32:07,700
LET'S GET CLOSER. COME ON.

540
00:32:07,724 --> 00:32:10,243
Woman: YOU VOTED,
AND THE RESULTS ARE IN.

541
00:32:10,267 --> 00:32:14,546
THIS YEAR'S SMALLVILLE
HIGH PROM QUEEN IS...

542
00:32:14,570 --> 00:32:16,472
[ DRUMROLL ]

543
00:32:20,205 --> 00:32:22,738
CHLOE SULLIVAN!

544
00:32:29,212 --> 00:32:31,691
COME ON UP HERE, CHLOE.

545
00:32:31,715 --> 00:32:33,686
CONGRATULATIONS.

546
00:32:36,819 --> 00:32:38,798
[ GIGGLES ]

547
00:32:38,822 --> 00:32:40,222
UGH!

548
00:32:42,625 --> 00:32:44,331
WHAT THE HELL AM
I DOING IN A DRESS,

549
00:32:44,355 --> 00:32:45,803
AND WHAT THE HELL AM
I DOING AT YOUR PROM?

550
00:32:45,827 --> 00:32:47,334
OH, NO.

551
00:32:47,358 --> 00:32:49,330
OKAY.

552
00:32:50,832 --> 00:32:53,340
DID YOU PIN THAT ON ME?

553
00:32:53,364 --> 00:32:55,381
I-I'll EXPLAIN LATER, LOIS.

554
00:32:55,405 --> 00:32:58,283
A LITTLE CLOSE TO THE
BOOB, DON'T YOU THINK?

555
00:32:58,307 --> 00:33:00,345
OH, MY GOSH, YOU GUYS!
THANK YOU SO MUCH!

556
00:33:00,369 --> 00:33:02,287
THIS IS SO TOTALLY AWESOME!

557
00:33:02,311 --> 00:33:06,420
I GUESS I COULD SAY
I'VE LOOKED TO THE STARS

558
00:33:06,444 --> 00:33:10,624
AND WISHED FOR THIS MOMENT
EVER SINCE I WAS A LITTLE GIRL.

559
00:33:10,648 --> 00:33:14,497
YOU CAN DREAM OF STANDING
HERE YOUR WHOLE LIFE,

560
00:33:14,521 --> 00:33:17,700
BUT RIGHT NOW, LOOKING
DOWN ON ALL OF YOU...

561
00:33:17,724 --> 00:33:19,503
I JUST...

562
00:33:19,527 --> 00:33:22,264
THIS IS JUST SO
TOTALLY... GENIUS!

563
00:33:22,288 --> 00:33:23,765
THANK YOU SO MUCH!

564
00:33:23,789 --> 00:33:26,508
ALTHOUGH, I JUST HAVE TO SAY

565
00:33:26,532 --> 00:33:30,671
THAT THE PERSON WHO
REALLY DESERVES THIS HONOR

566
00:33:30,695 --> 00:33:33,715
IS DAWN STILES.

567
00:33:33,739 --> 00:33:35,676
[ LAUGHTER ]

568
00:33:35,700 --> 00:33:38,649
NO, SERIOUSLY, YOU
GUYS. SERIOUSLY.

569
00:33:38,673 --> 00:33:42,482
SHE GAVE SO MUCH OF HERSELF...
WAY MORE THAN CHLOE SULLIVAN.

570
00:33:42,506 --> 00:33:45,784
All: [ Chanting ] CHLOE!
CHLOE! CHLOE!

571
00:33:45,808 --> 00:33:50,758
CHLOE! CHLOE! CHLOE!

572
00:33:50,782 --> 00:33:55,362
ANYWAY, I PROMISE
THIS WILL BE ONE NIGHT

573
00:33:55,386 --> 00:33:58,535
THAT I WILL ALWAYS REMEMBER...

574
00:33:58,559 --> 00:34:02,498
AND YOU WILL NEVER FORGET.

575
00:34:02,522 --> 00:34:04,670
OKAY, SMALLVILLE, I
CLICKED MY HEELS TOGETHER

576
00:34:04,694 --> 00:34:06,572
THREE TIMES, AND
NOTHING HAPPENED.

577
00:34:06,596 --> 00:34:08,297
BETTER TELL ME WHAT'S GOING ON.

578
00:34:12,572 --> 00:34:14,849
♫ START TO FEEL THE EMPTINESS ♫

579
00:34:14,873 --> 00:34:17,412
♫ AND EVERYTHING
I'M GONNA MISS ♫

580
00:34:17,436 --> 00:34:20,914
♫ I KNOW ♫

581
00:34:20,938 --> 00:34:24,318
♫ THAT I CAN'T HIDE ♫

582
00:34:24,342 --> 00:34:30,523
♫ ALL THIS TIME IS PASSING BY ♫

583
00:34:30,547 --> 00:34:36,869
♫ I THINK IT'S TIME
TO JUST MOVE ON ♫

584
00:34:36,893 --> 00:34:41,001
♫ WHEN YOU COME BACK DOWN ♫

585
00:34:41,025 --> 00:34:44,374
♫ IF YOU LAND ON YOUR FEET ♫

586
00:34:44,398 --> 00:34:47,307
♫ I HOPE YOU FIND A WAY ♫

587
00:34:47,331 --> 00:34:49,379
♫ TO MAKE IT BACK TO ME ♫

588
00:34:49,403 --> 00:34:53,613
♫ WHEN YOU COME AROUND ♫

589
00:34:53,637 --> 00:34:56,546
♫ I'll BE THERE FOR YOU ♫

590
00:34:56,570 --> 00:34:58,988
OOH!

591
00:34:59,012 --> 00:35:01,643
♫ WITH WHAT YOU'RE
GOING THROUGH ♫

592
00:35:06,478 --> 00:35:10,457
♫ START TO BREATHE
AND FAKE A SMILE ♫

593
00:35:10,481 --> 00:35:13,329
♫ IT'S ALL THE SAME
AFTER A WHILE ♫

594
00:35:13,353 --> 00:35:15,501
♫ I KNOW ♫

595
00:35:15,525 --> 00:35:17,334
♫ THAT YOU ARE TIRED ♫

596
00:35:17,358 --> 00:35:18,564
DAD?

597
00:35:18,588 --> 00:35:20,566
DAD, ARE YOU OKAY?

598
00:35:20,590 --> 00:35:22,037
YEAH, CHLOE... SHE'S NOT...

599
00:35:22,061 --> 00:35:24,340
SHE'S NOT ACTING LIKE HERSELF.

600
00:35:24,364 --> 00:35:27,341
SHE TOOK OFF DOWN
THE STAIRS. I-I'M FINE.

601
00:35:27,365 --> 00:35:29,967
DAD, I NEED YOU TO
GET SOMETHING FOR ME.

602
00:35:53,088 --> 00:35:56,420
YOU'RE ALL GONNA PAY.

603
00:36:10,974 --> 00:36:15,708
NOW, THAT'S WHAT I CALL A TORCH.

604
00:36:18,010 --> 00:36:19,981
GENIUS.

605
00:36:22,012 --> 00:36:24,992
HOW DID YOU DO THAT?

606
00:36:25,016 --> 00:36:27,564
I KNOW IT'S YOU, DAWN.

607
00:36:27,588 --> 00:36:29,626
AND YOU DON'T WANT TO DO THIS.

608
00:36:29,650 --> 00:36:32,698
ALL THOSE YEARS I KEPT TRYING
TO BE WHAT EVERYONE ELSE WANTED,

609
00:36:32,722 --> 00:36:34,999
AND IT TURNS OUT THOSE
LOSERS DON'T EVEN CARE.

610
00:36:35,023 --> 00:36:37,532
THIS WAS SUPPOSED TO BE
THE BEST NIGHT OF MY LIFE,

611
00:36:37,556 --> 00:36:39,533
AND THEY LAUGHED AT ME.

612
00:36:39,557 --> 00:36:42,106
LET CHLOE GO.

613
00:36:42,130 --> 00:36:43,678
I WILL.

614
00:36:43,702 --> 00:36:46,479
SEE, CLARK, THERE'S A WHOLE
LIFE AFTER HIGH SCHOOL,

615
00:36:46,503 --> 00:36:51,414
AND I CAN BE WHOEVER I WANT.

616
00:36:51,438 --> 00:36:53,646
[ GASPS ]

617
00:36:53,670 --> 00:36:55,472
CLARK?

618
00:36:57,443 --> 00:37:00,691
THE CROWN'S MINE, BITCH.

619
00:37:00,715 --> 00:37:05,119
GENIUS.

620
00:37:10,755 --> 00:37:13,602
DAWN!

621
00:37:13,626 --> 00:37:17,135
SERIOUSLY, MR. KENT,
YOU CAN'T STOP ME.

622
00:37:17,159 --> 00:37:21,534
THAT MAY BE TRUE,
BUT I CAN STOP MY SON.

623
00:37:23,695 --> 00:37:25,097
[ GRUNTING ]

624
00:37:31,503 --> 00:37:34,180
WHAT ARE YOU
DOING? WHAT IS THAT?

625
00:37:34,204 --> 00:37:37,077
IT'S TIME FOR YOU
TO LEAVE, DAWN!

626
00:38:05,101 --> 00:38:08,503
CHLOE! CHLOE.

627
00:38:10,175 --> 00:38:13,177
ARE YOU OKAY?
YEAH, I'M FINE, THANKS.

628
00:38:21,846 --> 00:38:24,624
I THINK YOU DROPPED SOMETHING.

629
00:38:24,648 --> 00:38:27,289
CONGRATULATIONS, CHLOE.

630
00:38:40,130 --> 00:38:43,740
LISTEN, LOIS... YOUR
PARENTS FILLED ME IN.

631
00:38:43,764 --> 00:38:46,113
APPARENTLY, SOME GIRL NAMED
DAWN WAS POSSESSING ME?

632
00:38:46,137 --> 00:38:48,144
YEAH, WELL, THAT'S
THE SHORT VERSION.

633
00:38:48,168 --> 00:38:50,646
YEAH, WELL, THAT'S THE LAST
TIME I LET HER DO MY HAIR.

634
00:38:50,670 --> 00:38:53,689
LOOK, I'M SORRY YOU
GOT PULLED INTO ALL THIS.

635
00:38:53,713 --> 00:38:55,249
DON'T WORRY ABOUT IT.

636
00:38:55,273 --> 00:38:57,215
I NEVER QUITE MADE
IT TO MY SENIOR PROM.

637
00:38:59,077 --> 00:39:01,750
THE PUNCH COULD
USE A LITTLE KICK.

638
00:39:10,657 --> 00:39:12,765
♫ WHAT DAY IS IT? ♫

639
00:39:12,789 --> 00:39:15,307
♫ AND IN WHAT MONTH? ♫

640
00:39:15,331 --> 00:39:19,594
♫ THIS CLOCK NEVER
SEEMED SO ALIVE ♫

641
00:39:21,836 --> 00:39:23,675
YOU KNOW, I WAS THINKING,

642
00:39:23,699 --> 00:39:26,271
SINCE YOU DID GET ALL DRESSED
UP AND YOU CAME HERE WITH ME...

643
00:39:27,871 --> 00:39:30,220
YOU SHOULD AT LEAST
GET A DANCE OUT OF IT.

644
00:39:30,244 --> 00:39:31,852
CHIVALRY NOTED.

645
00:39:31,876 --> 00:39:34,184
BUT, UH, I'M NOT THE ONE YOU
WANT TO DANCE WITH, CLARK.

646
00:39:34,208 --> 00:39:35,809
SHE IS.

647
00:39:48,659 --> 00:39:50,338
GO.

648
00:39:50,362 --> 00:39:52,198
♫ I DON'T KNOW WHY ♫

649
00:39:52,222 --> 00:39:55,695
♫ I CAN'T KEEP MY
EYES OFF OF YOU ♫

650
00:39:58,898 --> 00:40:04,180
♫ ALL OF THE THINGS
THAT I WANNA SAY ♫

651
00:40:04,204 --> 00:40:08,854
♫ JUST AREN'T COMING OUT RIGHT ♫

652
00:40:08,878 --> 00:40:12,856
♫ I'M TRIPPING ON WORDS ♫

653
00:40:12,880 --> 00:40:14,742
HEY.

654
00:40:17,744 --> 00:40:19,222
YOU KNOW A YEAR FROM NOW,

655
00:40:19,246 --> 00:40:21,624
THIS IS ALL GONNA FEEL
LIKE A LIFETIME AGO.

656
00:40:21,648 --> 00:40:23,925
IT FEELS LIKE JUST
YESTERDAY WHEN HE DESERTED

657
00:40:23,949 --> 00:40:26,267
THAT NERVOUS FRESHMAN
ON THE DANCE FLOOR.

658
00:40:26,291 --> 00:40:28,129
YOU'RE HEADED FOR METROPOLIS.

659
00:40:28,153 --> 00:40:30,631
YOU ARE DESTINED TO
BE A BIG-SHOT REPORTER

660
00:40:30,655 --> 00:40:32,133
AT THE DAILY PLANET.

661
00:40:32,157 --> 00:40:33,774
DO YOU REALLY PICTURE CLARK KENT

662
00:40:33,798 --> 00:40:35,630
BEING ABLE TO KEEP UP WITH YOU?

663
00:40:40,965 --> 00:40:42,812
YOU KNOW, LOIS, I THINK CLARK

664
00:40:42,836 --> 00:40:45,644
MIGHT HAVE A LOT MORE
TO OFFER THAN YOU REALIZE.

665
00:40:45,668 --> 00:40:47,771
I WOULDN'T BET ON IT.

666
00:40:58,920 --> 00:41:01,722
MAY I HAVE THIS DANCE?

667
00:41:04,655 --> 00:41:06,686
I THOUGHT YOU'D NEVER ASK.

668
00:41:07,927 --> 00:41:11,666
♫ 'CAUSE IT'S YOU AND ME ♫

669
00:41:11,690 --> 00:41:13,869
♫ AND ALL OF THE PEOPLE ♫

670
00:41:13,893 --> 00:41:17,242
♫ WITH NOTHING TO DO ♫

671
00:41:17,266 --> 00:41:18,914
♫ NOTHING TO LOSE ♫

672
00:41:18,938 --> 00:41:21,316
♫ AND IT'S YOU AND ME ♫

673
00:41:21,340 --> 00:41:23,948
♫ AND ALL OF THE PEOPLE ♫

674
00:41:23,972 --> 00:41:26,280
♫ AND I DON'T KNOW WHY ♫

675
00:41:26,304 --> 00:41:29,782
♫ I CAN'T KEEP MY
EYES OFF OF YOU ♫

676
00:41:29,806 --> 00:41:31,653
♫ AND ME ♫

677
00:41:31,677 --> 00:41:34,327
♫ AND ALL OF THE PEOPLE ♫

678
00:41:34,351 --> 00:41:36,789
♫ WITH NOTHING TO DO ♫

679
00:41:36,813 --> 00:41:39,731
♫ AND NOTHING TO PROVE ♫

680
00:41:39,755 --> 00:41:41,992
♫ AND IT'S YOU AND ME ♫

681
00:41:42,016 --> 00:41:45,195
♫ AND ALL OF THE PEOPLE ♫

682
00:41:45,219 --> 00:41:47,838
♫ AND I DON'T KNOW WHY ♫

683
00:41:47,862 --> 00:41:53,202
♫ I CAN'T KEEP MY
EYES OFF OF YOU ♫

684
00:41:53,226 --> 00:41:58,207
♫ THERE'S SOMETHING
ABOUT YOU NOW ♫

685
00:41:58,231 --> 00:42:02,351
♫ I CAN'T QUITE FIGURE OUT ♫

686
00:42:02,375 --> 00:42:04,952
♫ EVERYTHING SHE DOES ♫

687
00:42:04,976 --> 00:42:07,385
♫ IS BEAUTIFUL ♫

688
00:42:07,409 --> 00:42:10,758
♫ EVERYTHING SHE DOES ♫

689
00:42:10,782 --> 00:42:14,361
♫ IS RIGHT ♫

690
00:42:14,385 --> 00:42:17,963
♫ 'CAUSE IT'S YOU AND ME ♫

691
00:42:17,987 --> 00:42:20,966
♫ AND ALL OF THE PEOPLE ♫

692
00:42:20,990 --> 00:42:22,997
♫ WITH NOTHING TO DO ♫

693
00:42:23,021 --> 00:42:25,269
♫ NOTHING TO LOSE ♫

694
00:42:25,293 --> 00:42:28,432
♫ AND IT'S YOU AND ME ♫

695
00:42:28,456 --> 00:42:30,834
♫ AND ALL OF THE PEOPLE ♫

696
00:42:30,858 --> 00:42:33,977
♫ AND I DON'T KNOW WHY ♫

697
00:42:34,001 --> 00:42:36,709
♫ I CAN'T KEEP MY
EYES OFF OF YOU ♫

698
00:42:36,733 --> 00:42:38,441
♫ AND ME ♫

699
00:42:38,465 --> 00:42:41,314
♫ AND ALL OF THE PEOPLE ♫

700
00:42:41,338 --> 00:42:44,347
♫ WITH NOTHING TO DO ♫

701
00:42:44,371 --> 00:42:46,247
♫ AND NOTHING TO PROVE ♫

702
00:42:46,271 --> 00:42:48,349
♫ AND IT'S YOU AND ME ♫

703
00:42:48,373 --> 00:42:51,852
♫ AND ALL OF THE PEOPLE ♫

704
00:42:51,876 --> 00:42:54,354
♫ AND I DON'T KNOW WHY ♫

705
00:42:54,378 --> 00:42:58,952
♫ I CAN'T KEEP MY
EYES OFF OF YOU ♫

706
00:43:07,360 --> 00:43:10,008
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707
00:43:10,032 --> 00:43:13,034
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