1
00:00:09,804 --> 00:00:11,781
MOM?!

2
00:00:11,805 --> 00:00:13,723
[ PARTY NOISEMAKERS BLOW ]

3
00:00:13,747 --> 00:00:15,726
All: HAPPY BIRTHDAY, CLARK!

4
00:00:15,750 --> 00:00:16,986
HAPPY BIRTHDAY, SWEETHEART.

5
00:00:17,010 --> 00:00:19,730
WE GOT YOU, DIDN'T WE?

6
00:00:19,754 --> 00:00:20,991
WHOO!

7
00:00:21,015 --> 00:00:22,893
LOOK... AND LOIS EVEN MADE

8
00:00:22,917 --> 00:00:24,794
HER WORLD-FAMOUS
RUM CAKE FOR YOU.

9
00:00:24,818 --> 00:00:25,960
FROM SCRATCH.

10
00:00:28,922 --> 00:00:30,800
WOW. I NEVER WOULD HAVE GUESSED.

11
00:00:30,824 --> 00:00:32,543
YOU SHOULD HAVE
SEEN THE FIRST TWO.

12
00:00:32,567 --> 00:00:33,903
UH, COME ON.
PRESENTS BEFORE CAKE.

13
00:00:33,927 --> 00:00:36,701
COME ON, BIRTHDAY
BOY. COME SIT DOWN.

14
00:00:38,002 --> 00:00:39,549
OPEN IT.

15
00:00:39,573 --> 00:00:40,811
WOW.

16
00:00:40,835 --> 00:00:42,906
[ PAPER RUSTLES ]

17
00:00:47,942 --> 00:00:49,920
NOT THAT YOU'RE
THE "DEAR DIARY" TYPE,

18
00:00:49,944 --> 00:00:52,823
BUT SINCE YOU KEEP
EVERYTHING TO YOURSELF,

19
00:00:52,847 --> 00:00:54,665
I THOUGHT IT MIGHT HELP.

20
00:00:54,689 --> 00:00:56,927
AND SINCE I'M ON
AN INTERN BUDGET,

21
00:00:56,951 --> 00:00:58,829
I FIGURED I COULD JUST COMP YOU

22
00:00:58,853 --> 00:01:01,031
A COUPLE OF THOSE
IOUs THAT YOU OWE ME.

23
00:01:01,055 --> 00:01:03,835
[ LAUGHTER ]

24
00:01:03,859 --> 00:01:05,060
THANK YOU.

25
00:01:10,004 --> 00:01:12,837
THAT'S DAD'S HANDWRITING.

26
00:01:15,069 --> 00:01:17,813
I FOUND IT IN HIS DESK.

27
00:01:19,974 --> 00:01:22,617
[ PAPER RUSTLES ]

28
00:01:30,756 --> 00:01:32,804
[ CHUCKLES LIGHTLY ]

29
00:01:32,828 --> 00:01:36,608
TWO TICKETS TO THE
WOLVERINES GAME IN MILWAUKEE...

30
00:01:36,632 --> 00:01:38,610
[ CHUCKLES LIGHTLY ]

31
00:01:38,634 --> 00:01:39,941
RIGHT BEHIND HOME PLATE.

32
00:01:39,965 --> 00:01:42,944
YEAH, YOUR DAD AND HIS BASEBALL.

33
00:01:42,968 --> 00:01:44,945
THERE WAS NO ONE IN THE WORLD

34
00:01:44,969 --> 00:01:47,002
HE'D RATHER WATCH A GAME WITH.

35
00:02:00,055 --> 00:02:02,057
THANKS FOR THE TICKETS, DAD.

36
00:02:04,058 --> 00:02:07,192
I JUST WISH THAT YOU
WERE HERE TO GO WITH ME.

37
00:02:20,806 --> 00:02:22,138
DAD?

38
00:02:25,039 --> 00:02:27,688
LISTEN, I'M SORRY I COULDN'T
BE AT YOUR BIRTHDAY PARTY

39
00:02:27,712 --> 00:02:30,945
TO SEE THE KIND OF
MAN YOU'RE BECOMING.

40
00:02:32,288 --> 00:02:34,795
DAD, EVERYTHING I
AM IS BECAUSE OF YOU.

41
00:02:34,819 --> 00:02:36,098
NOT EVERYTHING.

42
00:02:36,122 --> 00:02:37,930
YOU SEE, THERE CAN
BE NO MORE LESSONS.

43
00:02:37,954 --> 00:02:39,901
YOU'RE GONNA HAVE TO
DO THIS ON YOUR OWN.

44
00:02:39,925 --> 00:02:41,872
I CAN'T HELP YOU ANYMORE.

45
00:02:41,896 --> 00:02:44,036
YOU'RE GONNA HAVE TO STOP HIM.

46
00:02:44,060 --> 00:02:45,807
STOP WHO?

47
00:02:45,831 --> 00:02:47,808
HE'S MUCH WORSE THAN
WE POSSIBLY IMAGINED...

48
00:02:47,832 --> 00:02:49,140
SO MANY PEOPLE...

49
00:02:49,164 --> 00:02:53,245
SO MANY PEOPLE ARE GONNA DIE.

50
00:02:53,269 --> 00:02:55,817
I DON'T UNDERSTAND, DAD.
WHAT ARE YOU TALKING ABOUT?

51
00:02:55,841 --> 00:02:58,689
I'M TALKING ABOUT LIONEL LUTHOR.

52
00:02:58,713 --> 00:03:00,947
WHAT IS HE DOING?

53
00:03:03,750 --> 00:03:06,057
HE'S GONNA DO
SOMETHING TERRIBLE.

54
00:03:06,081 --> 00:03:09,324
TELL ME, DAD. WHAT
AM I SUPPOSED TO DO?

55
00:03:10,986 --> 00:03:14,860
I'M SORRY, CLARK, BUT
TO SAVE THIS WORLD...

56
00:03:16,331 --> 00:03:19,264
YOU'VE GOT TO
KILL LIONEL LUTHOR.

57
00:03:24,871 --> 00:03:27,248
DAD, DON'T GO.

58
00:03:27,272 --> 00:03:30,823
DAD?!

59
00:03:30,847 --> 00:03:33,849
DAD, WAIT!

60
00:03:37,753 --> 00:03:44,096
♫ SOMEBODY SAVE ME ♫

61
00:03:44,120 --> 00:03:47,300
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

62
00:03:47,324 --> 00:03:54,175
♫ SOMEBODY SAVE ME ♫

63
00:03:54,199 --> 00:03:57,979
♫ I DON'T CARE HOW YOU DO IT ♫

64
00:03:58,003 --> 00:03:58,912
♫ JUST STAY ♫

65
00:03:58,936 --> 00:04:00,953
♫ STAY WITH ME ♫

66
00:04:00,977 --> 00:04:03,014
♫ STAY ♫

67
00:04:03,038 --> 00:04:04,956
♫ COME ON ♫

68
00:04:04,980 --> 00:04:08,290
♫ I'VE BEEN WAITING FOR YOU ♫

69
00:04:08,314 --> 00:04:14,167
♫ JUST STAY WITH ME ♫

70
00:04:14,191 --> 00:04:18,230
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

71
00:04:18,254 --> 00:04:21,004
♫ JUST STAY ♫

72
00:04:21,028 --> 00:04:23,036
♫ STAY ♫

73
00:04:23,060 --> 00:04:26,362
♫ COME ON ♫

74
00:04:31,908 --> 00:04:35,117
CLARK, GRIEF CAN PLAY
TRICKS ON THE MIND.

75
00:04:35,141 --> 00:04:38,120
MOM, I KNOW WHAT
I SAW. IT WAS DAD...

76
00:04:38,144 --> 00:04:40,894
HIS SPIRIT, HIS GHOST,
WHATEVER YOU WANT TO CALL IT.

77
00:04:40,918 --> 00:04:43,295
SWEETHEART, I SEE
YOUR DAD ALL THE TIME.

78
00:04:43,319 --> 00:04:46,399
EVERY MORNING WHEN I
WAKE UP, I FEEL HIM BESIDE ME,

79
00:04:46,423 --> 00:04:49,161
BUT IT'S NOT HIM, AND
IT'S NOT HIS GHOST.

80
00:04:49,185 --> 00:04:51,264
IT'S MY MIND
WANTING IT SO BADLY,

81
00:04:51,288 --> 00:04:52,665
I THINK HE'S REALLY THERE.

82
00:04:52,689 --> 00:04:54,968
RIGHT NOW, YOU'RE
REALLY ANGRY WITH LIONEL,

83
00:04:54,992 --> 00:04:57,040
AND MAYBE YOU WANT
SOMEONE TO SAY IT'S OKAY

84
00:04:57,064 --> 00:04:58,370
TO GET BACK AT HIM.

85
00:04:58,394 --> 00:05:01,098
MOM, THIS ISN'T THE
FIRST TIME I'VE SEEN DAD.

86
00:05:05,072 --> 00:05:07,079
IT'S A LONG STORY, BUT
LANA WAS IN TROUBLE.

87
00:05:07,103 --> 00:05:09,081
I TRIED TO SAVE HER
AND HAD SOME SORT

88
00:05:09,105 --> 00:05:10,322
OF NEAR-DEATH EXPERIENCE.

89
00:05:10,346 --> 00:05:12,055
I SAW DAD.

90
00:05:12,079 --> 00:05:14,350
HE WAS THE ONE WHO TOLD
ME LIONEL KNEW MY SECRET.

91
00:05:16,353 --> 00:05:19,393
THAT WASN'T MY IMAGINATION.
WHAT IF THIS WASN'T, EITHER?

92
00:05:19,417 --> 00:05:23,165
IF THAT'S TRUE, IF IT
REALLY WAS YOUR FATHER...

93
00:05:23,189 --> 00:05:25,238
THEN WHAT LIONEL'S
UP TO IS A LOT WORSE

94
00:05:25,262 --> 00:05:27,000
THAN JUST KNOWING MY SECRET.

95
00:05:27,024 --> 00:05:29,201
IT WOULD HAVE TO
BE, FOR YOUR FATHER

96
00:05:29,225 --> 00:05:32,028
TO SUGGEST TAKING
SOMEONE'S LIFE.

97
00:05:38,235 --> 00:05:40,314
ONE DRIP AND ONE EXTRA-HOT
DOUBLE-CAP WITH NO FOAM.

98
00:05:40,338 --> 00:05:42,055
SORRY AGAIN ABOUT THE MESS-UP.

99
00:05:42,079 --> 00:05:45,158
DON'T WORRY. I KNOW HOW
FINICKY THAT STEAMER CAN BE.

100
00:05:45,182 --> 00:05:47,060
THANK YOU. LOIS, HEY.

101
00:05:47,084 --> 00:05:49,163
HEY. RUNNING A DELIVERY SERVICE?

102
00:05:49,187 --> 00:05:50,963
OH, NO.

103
00:05:50,987 --> 00:05:53,697
ACTUALLY, CHLOE STARTED
SHORT-CIRCUITING, SO I...

104
00:05:53,721 --> 00:05:55,298
SAVE IT, LANA. IT'S OKAY.

105
00:05:55,322 --> 00:05:58,072
THERE'S ONLY ONE EXTRA-HOT
DOUBLE-CAP NO-FOAM IN THIS TOWN.

106
00:05:58,096 --> 00:05:59,702
RUNS BY LEX,

107
00:05:59,726 --> 00:06:02,175
WALKS IN HERE LIKE
HE OWNS THE PLACE.

108
00:06:02,199 --> 00:06:05,178
ACTUALLY, LOIS, HE
DOES OWN THE PLACE.

109
00:06:05,202 --> 00:06:07,240
SO ARE YOU HIS NEW ASSISTANT?

110
00:06:07,264 --> 00:06:11,009
UM, NO, NOT EXACTLY.

111
00:06:15,413 --> 00:06:17,120
NO WAY.

112
00:06:17,144 --> 00:06:19,793
WELL, I GUESS IF YOU'RE IN THE
MARKET FOR A NEW BOYFRIEND,

113
00:06:19,817 --> 00:06:22,149
WHY NOT SMALLVILLE'S
MOST ELIGIBLE BACHELOR?

114
00:06:25,523 --> 00:06:27,355
HE'S NOT MY BOYFRIEND.

115
00:06:28,456 --> 00:06:30,158
UH-HUH.

116
00:06:32,189 --> 00:06:35,408
LOOK, I KNOW I'M NOT VERSED
IN THE WHOLE GIRL-TALK THING,

117
00:06:35,432 --> 00:06:38,341
BUT I DO HAVE AN UNBIASED EAR,

118
00:06:38,365 --> 00:06:40,343
AND I KNOW WHAT IT'S
LIKE TO HAVE A CASE

119
00:06:40,367 --> 00:06:42,470
OF THE BAD-BOY BLUES.

120
00:06:48,846 --> 00:06:50,524
OKAY, CLARK, I AM THE PRESIDENT

121
00:06:50,548 --> 00:06:52,326
OF GHOST BELIEVERS ANONYMOUS,

122
00:06:52,350 --> 00:06:54,127
BUT YOUR DAD "HAMLET" -ING YOU?

123
00:06:54,151 --> 00:06:56,329
CHLOE, I KNOW HOW IT SOUNDS.

124
00:06:56,353 --> 00:06:59,332
ALL RIGHT, HAND ME A
CLOAK AND CALL ME HORATIO.

125
00:06:59,356 --> 00:07:01,435
GREAT... NOW, WHAT
COULD BE SO BAD

126
00:07:01,459 --> 00:07:04,338
THAT MY DAD WOULD WANT
LIONEL LUTHOR DEAD TO STOP IT?

127
00:07:04,362 --> 00:07:06,440
MAYBE IT HAS SOMETHING
TO DO WITH HIM KNOWING,

128
00:07:06,464 --> 00:07:08,302
YOU KNOW, WHERE
YOU REALLY CAME FROM.

129
00:07:08,326 --> 00:07:11,105
I THINK THAT'S PART OF IT,
BUT THERE'S GOT TO BE MORE.

130
00:07:11,129 --> 00:07:12,547
WELL...

131
00:07:12,571 --> 00:07:15,108
IF LIONEL IS HATCHING SOME
SORT OF AN EVIL SCHEME,

132
00:07:15,132 --> 00:07:17,451
IT WOULD EXPLAIN WHY HE'S
BEEN SITTING ON YOUR SECRET.

133
00:07:17,475 --> 00:07:19,483
I THINK SOMETHING'S
ALREADY IN MOTION.

134
00:07:19,507 --> 00:07:21,786
CHLOE, SOMEONE TRIED
TO BLACKMAIL MY MOM

135
00:07:21,810 --> 00:07:24,459
WITH SECURITY FOOTAGE OF
ME USING MY ABILITIES. WHAT?

136
00:07:24,483 --> 00:07:26,545
GUESS WHICH BILLIONAIRE
CAME TO THE RESCUE.

137
00:07:28,487 --> 00:07:29,793
ALL RIGHT.

138
00:07:29,817 --> 00:07:31,365
SAY THIS GHOST OF
YOUR DAD'S IS RIGHT

139
00:07:31,389 --> 00:07:33,367
AND THEN WE GO AND DIG
THROUGH LIONEL'S CLOSET

140
00:07:33,391 --> 00:07:35,470
AND WE FIND A SMOKING
GUN... THEN WHAT?

141
00:07:35,494 --> 00:07:37,401
IT DEPENDS WHAT
IT WAS. WOULD IT?

142
00:07:37,425 --> 00:07:39,074
I MEAN, IS THERE
ANYTHING WE COULD FIND

143
00:07:39,098 --> 00:07:40,658
THAT WOULD MAKE
CLARK KENT KILL SOMEONE?

144
00:07:50,608 --> 00:07:53,148
MY HELICOPTER'S WAITING, DAD.

145
00:07:53,172 --> 00:07:54,889
WHAT'S SO IMPORTANT?

146
00:07:54,913 --> 00:07:57,492
OBVIOUSLY SOMETHING YOU'VE
GOT COOKING IN HONDURAS,

147
00:07:57,516 --> 00:07:59,894
ALTHOUGH I DOUBT IT'S
THE BANANA DAIQUIRIS.

148
00:07:59,918 --> 00:08:01,826
YOU'VE BEEN RACKING
UP QUITE A LOT

149
00:08:01,850 --> 00:08:03,853
OF FREQUENT-FLIER MILES, SON.

150
00:08:05,855 --> 00:08:07,502
CHALLENGING UPPER MANAGEMENT

151
00:08:07,526 --> 00:08:09,865
OFTEN LEADS TO A
BOUT OF UNEMPLOYMENT.

152
00:08:09,889 --> 00:08:12,106
WELL, THE WELFARE
OF YOUR WORKERS

153
00:08:12,130 --> 00:08:14,562
IS THE LEAST OF MY CONCERNS.

154
00:08:17,136 --> 00:08:19,137
YOU'RE INVOLVED
WITH MILTON FINE.

155
00:08:21,199 --> 00:08:22,516
I KNOW THAT HE'S BEEN SMUGGLING

156
00:08:22,540 --> 00:08:24,519
SOME OF THE DEADLIEST
VIRUSES IN THE WORLD

157
00:08:24,543 --> 00:08:26,120
INTO THIS COUNTRY
WITH YOUR HELP.

158
00:08:26,144 --> 00:08:27,382
WELL, DON'T WORRY, DAD.

159
00:08:27,406 --> 00:08:30,278
WE'RE NOT GONNA PUT THEM
IN ANY HALLOWEEN CANDY.

160
00:08:31,579 --> 00:08:33,258
YOU'RE EXTREMELY NONCHALANT

161
00:08:33,282 --> 00:08:35,360
FOR A MAN WHOSE COLLECTION
OF MICROORGANISMS

162
00:08:35,384 --> 00:08:38,163
COULD WIPE OUT MORE
THAN HALF OF THIS COUNTRY.

163
00:08:38,187 --> 00:08:40,535
IT'S UNDER CONTROL.

164
00:08:40,559 --> 00:08:42,297
YOUR BUSINESS PARTNER'S A MAN

165
00:08:42,321 --> 00:08:43,938
WHO SEEMS TO BE ABLE TO APPEAR

166
00:08:43,962 --> 00:08:45,941
AT OPPOSITE ENDS OF THE
EARTH SIMULTANEOUSLY.

167
00:08:45,965 --> 00:08:48,427
HOW MUCH CONTROL
DO YOU HAVE OVER HIM?

168
00:08:51,431 --> 00:08:53,948
YOUR INTEL IS IMPRESSIVE,
BUT INCOMPLETE.

169
00:08:53,972 --> 00:08:56,381
SHUT THE OPERATION DOWN,
LEX. SHUT IT DOWN NOW.

170
00:08:56,405 --> 00:08:58,514
WHEREVER YOU'RE
INCUBATING THESE VIRUSES,

171
00:08:58,538 --> 00:08:59,979
YOU NEED TO DESTROY THEM.

172
00:09:01,311 --> 00:09:02,918
MILTON FINE EMBODIES A THREAT

173
00:09:02,942 --> 00:09:04,659
GREATER THAN YOU
APPEAR TO REALIZE.

174
00:09:04,683 --> 00:09:06,292
YOU'RE THE ONE WHO TAUGHT ME.

175
00:09:06,316 --> 00:09:08,323
KEEP YOUR FRIENDS CLOSE
AND YOUR ENEMIES CLOSER.

176
00:09:08,347 --> 00:09:09,965
THIS IS ONE ENEMY
YOU DON'T KNOW,

177
00:09:09,989 --> 00:09:11,897
AND NOT KNOWING
WHO YOU'RE IN BED WITH

178
00:09:11,921 --> 00:09:14,193
CAN MAKE FOR A VERY
UNCOMFORTABLE AWAKENING.

179
00:09:15,495 --> 00:09:17,503
WELL, I'll PRESENT THAT
NUGGET TO THE BOARD.

180
00:09:17,527 --> 00:09:19,428
WHEN THEY ASK ME WHY I'M LATE.

181
00:09:28,937 --> 00:09:30,940
[ GASPS ]

182
00:09:34,614 --> 00:09:36,615
[ BREATHING HEAVILY ]

183
00:10:12,653 --> 00:10:14,630
WAIT, CLARK, THE ALARM.

184
00:10:14,654 --> 00:10:17,033
I CLONED THE TRANSPONDER
FROM LIONEL'S KEYBOARD

185
00:10:17,057 --> 00:10:19,259
SO WE COULD OVERRIDE
THE DIGITAL CIPHER.

186
00:10:22,392 --> 00:10:23,970
I NEED A NIGHTLIFE.

187
00:10:23,994 --> 00:10:26,503
LOOK FOR ANYTHING MY DAD
MIGHT BE WARNING ME ABOUT.

188
00:10:26,527 --> 00:10:28,344
OKAY, IT MIGHT TAKE A MINUTE.

189
00:10:28,368 --> 00:10:31,071
I CAN'T EXACTLY SEARCH FOR A
FILE CALLED "MY EVIL SCHEME."

190
00:10:33,072 --> 00:10:34,750
CLARK, HAVE YOU THOUGHT
ABOUT THE FACT THAT,

191
00:10:34,774 --> 00:10:37,312
IF LIONEL KNOWS YOUR
SECRET, HE MIGHT HAVE TOLD...

192
00:10:37,336 --> 00:10:39,379
LEX?

193
00:10:40,610 --> 00:10:42,018
KNOWLEDGE IS POWER.

194
00:10:42,042 --> 00:10:43,759
LIONEL WOULD NEVER
LEVEL THE PLAYING FIELD.

195
00:10:43,783 --> 00:10:45,662
I GUESS THIS IS ONE
OF THOSE RARE TIMES

196
00:10:45,686 --> 00:10:47,323
WHEN WE HAVE TO PUT OUR FAITH

197
00:10:47,347 --> 00:10:49,350
IN THE LUTHOR
FAMILY DYSFUNCTION.

198
00:10:50,620 --> 00:10:52,298
LOCKED OUT.

199
00:10:52,322 --> 00:10:53,629
CHECK HIS CALENDAR.

200
00:10:53,653 --> 00:10:55,556
I'M MULTITASKING
AS FAST AS I CAN.

201
00:11:02,101 --> 00:11:03,309
LEON ROWLAND?

202
00:11:03,333 --> 00:11:05,010
WHO'S THAT?

203
00:11:05,034 --> 00:11:07,313
IT LOOKS LIKE LIONEL HAS AN
INTERVIEW SCHEDULED TOMORROW

204
00:11:07,337 --> 00:11:08,715
WITH THE INQUISITOR'S
TOP REPORTER

205
00:11:08,739 --> 00:11:10,647
REGARDING SOMETHING
CALLED "THE WEAPON."

206
00:11:10,671 --> 00:11:12,643
[ COMPUTER CHIMES ]

207
00:11:17,447 --> 00:11:19,296
AND THE PENTAGON.

208
00:11:19,320 --> 00:11:21,628
LOOKS LIKE THE MYSTERIOUS WEAPON

209
00:11:21,652 --> 00:11:23,629
IS THE HOT TOPIC THIS WEEK.

210
00:11:23,653 --> 00:11:25,686
YEAH, MAYBE IT'S
NOT SO MYSTERIOUS.

211
00:11:27,388 --> 00:11:28,804
WAIT, YOU THINK

212
00:11:28,828 --> 00:11:31,331
THAT YOU MIGHT BE THE
WEAPON LIONEL'S TALKING ABOUT?

213
00:11:52,582 --> 00:11:54,331
I BOUGHT US COFFEES,

214
00:11:54,355 --> 00:11:56,663
BUT AFTER A THREE-HOUR
CONVERSATION WITH LOIS,

215
00:11:56,687 --> 00:11:58,259
THEY GOT A BIT COLD.

216
00:11:59,620 --> 00:12:02,068
WELL, I CAN'T WAIT TO READ
ALL ABOUT LEX AND LANA

217
00:12:02,092 --> 00:12:03,571
IN TOMORROW'S EARLY EDITION.

218
00:12:03,595 --> 00:12:05,172
SHE'S NOT LIKE THAT.

219
00:12:05,196 --> 00:12:08,174
BELIEVE IT OR NOT,
SHE'S A GREAT LISTENER,

220
00:12:08,198 --> 00:12:10,206
AND WITH EVERYTHING
THAT'S BEEN GOING ON,

221
00:12:10,230 --> 00:12:12,078
SHE'S BEEN A WONDERFUL
OUTLET FOR ME.

222
00:12:12,102 --> 00:12:13,634
[ SIGHS ]

223
00:12:15,636 --> 00:12:18,509
IT LOOKS LIKE I'M NOT THE
ONLY ONE WHO NEEDS AN OUTLET.

224
00:12:20,311 --> 00:12:22,659
LANA, SOMETHING'S HAPPENED.

225
00:12:22,683 --> 00:12:24,562
I'VE BEEN WRESTLING

226
00:12:24,586 --> 00:12:27,625
WITH WHETHER OR NOT I
SHOULD LET YOU IN ON IT,

227
00:12:27,649 --> 00:12:29,496
BUT WHEN ALL'S SAID AND DONE,

228
00:12:29,520 --> 00:12:32,253
YOU'RE THE ONE PERSON IN
THE WORLD I CAN SHARE IT WITH.

229
00:12:34,296 --> 00:12:36,604
I'VE BEEN WORKING
ON SOMETHING...

230
00:12:36,628 --> 00:12:39,537
SOMETHING BIGGER
THAN EITHER OF US.

231
00:12:39,561 --> 00:12:42,139
LEX, WHATEVER
IT IS, I TRUST YOU.

232
00:12:42,163 --> 00:12:44,512
THIS ISN'T ABOUT
TRUSTING ME ANYMORE.

233
00:12:44,536 --> 00:12:46,714
IT'S ABOUT TRUSTING YOU.

234
00:12:46,738 --> 00:12:49,387
IT'S ABOUT KNOWING HOW
DEEP YOU WANT TO GET INVOLVED

235
00:12:49,411 --> 00:12:51,413
AND KNOWING WHEN TO SAY STOP.

236
00:12:59,681 --> 00:13:02,559
LANA, WHAT I'M
ABOUT TO SHOW YOU...

237
00:13:02,583 --> 00:13:07,328
MEANS YOU'RE ALL-IN... 100%.

238
00:13:17,369 --> 00:13:20,148
Lana: WHAT IS THIS PLACE?

239
00:13:20,172 --> 00:13:21,678
Lex: THE FUTURE.

240
00:13:21,702 --> 00:13:24,645
I'D LIKE YOU TO BE BY
MY SIDE WHEN IT ARRIVES.

241
00:13:29,581 --> 00:13:31,688
YOU'VE BEEN COLLECTING VIRUSES?

242
00:13:31,712 --> 00:13:33,591
THE MOST DEADLY ON THE PLANET.

243
00:13:33,615 --> 00:13:35,586
WHAT ARE YOU GONNA DO WITH THEM?

244
00:13:37,259 --> 00:13:38,661
CHANGE THE WORLD.

245
00:13:40,322 --> 00:13:42,299
LANA...

246
00:13:42,323 --> 00:13:44,626
WE'VE BEEN ABLE TO
ALTER THE VIRUSES...

247
00:13:46,698 --> 00:13:50,347
TRANSFORMING THEM
INTO THE ULTIMATE VACCINE.

248
00:13:50,371 --> 00:13:52,681
ONE SHOT OF THIS
AND, THEORETICALLY,

249
00:13:52,705 --> 00:13:56,183
YOU'D BE PROTECTED FROM ANY
DISEASE THAT COULD BE UNLEASHED.

250
00:13:56,207 --> 00:13:58,186
UNLEASHED?

251
00:13:58,210 --> 00:13:59,317
BY WHOM?

252
00:13:59,341 --> 00:14:01,720
WELL, ACCORDING TO FINE,

253
00:14:01,744 --> 00:14:04,423
THE CIA BELIEVES THE
BLACK SPACECRAFT

254
00:14:04,447 --> 00:14:06,193
MIGHT BE THE FIRST OF MANY.

255
00:14:06,217 --> 00:14:08,626
LISTEN, YOU NEED TO KEEP
THIS BETWEEN THE TWO OF US.

256
00:14:08,650 --> 00:14:11,600
EVEN FINE DOESN'T KNOW WE'RE
DEVELOPING THE VACCINE HERE.

257
00:14:11,624 --> 00:14:14,201
I THOUGHT YOU TWO
WERE WORKING TOGETHER.

258
00:14:14,225 --> 00:14:16,258
WHY DON'T YOU TRUST HIM ANYMORE?

259
00:14:18,259 --> 00:14:20,408
BECAUSE I THINK HE
MIGHT BE REPORTING BACK

260
00:14:20,432 --> 00:14:22,264
TO SOMETHING A LITTLE HIGHER UP.

261
00:14:29,772 --> 00:14:31,649
YOU FOUND THE SHIP.

262
00:14:31,673 --> 00:14:34,793
I WAS TRACKING FINE, AND
HE LED ME DIRECTLY TO IT,

263
00:14:34,817 --> 00:14:37,426
BUT THAT'S NOT
THE INTRIGUING PART.

264
00:14:37,450 --> 00:14:38,697
THESE TWO PHOTOGRAPHS

265
00:14:38,721 --> 00:14:41,230
WERE TAKEN A HUNDREDTH
OF A SECOND APART.

266
00:14:41,254 --> 00:14:42,825
WHERE DID HE GO?

267
00:14:48,490 --> 00:14:50,308
OH, MY GOD.

268
00:14:50,332 --> 00:14:52,740
DO YOU THINK HE CAME OUT
OF THAT SHIP LIKE THE OTHERS?

269
00:14:52,764 --> 00:14:55,543
THAT'S WHY I WAS
GOING ALONG WITH HIM.

270
00:14:55,567 --> 00:14:57,645
I THOUGHT I COULD BUY SOME
TIME TO FIND HIS WEAKNESS,

271
00:14:57,669 --> 00:15:00,702
BUT I'M STARTING TO
THINK HE DOESN'T HAVE ONE.

272
00:15:05,548 --> 00:15:07,525
HE MIGHT.

273
00:15:07,549 --> 00:15:10,688
AFTER THE METEOR SHOWER,
WHEN I FOUND YOUR DAD

274
00:15:10,712 --> 00:15:13,532
IN THAT STRANGE
TRANCE, HE GRABBED ME,

275
00:15:13,556 --> 00:15:15,788
AND HE TOLD ME HOW TO STOP THEM.

276
00:15:20,823 --> 00:15:22,701
[ TELEPHONE RINGS ]

277
00:15:22,725 --> 00:15:24,403
Martha: HI, THIS IS
THE KENT RESIDENCE.

278
00:15:24,427 --> 00:15:26,605
PLEASE LEAVE A MESSAGE.

279
00:15:26,629 --> 00:15:28,547
Lionel: Martha, it's Lionel.

280
00:15:28,571 --> 00:15:31,780
I know things are strained,
but something's going on.

281
00:15:31,804 --> 00:15:33,682
Clark needs to know about it.

282
00:15:33,706 --> 00:15:36,556
Please. Call me as
soon as you get this.

283
00:15:36,580 --> 00:15:38,557
[ ANSWERING MACHINE BEEPS ]

284
00:15:38,581 --> 00:15:39,913
[ SIGHS ]

285
00:15:44,518 --> 00:15:45,825
[ TELEPHONE BEEPING ]

286
00:15:45,849 --> 00:15:48,522
[ EERIE NOISE ]

287
00:15:54,557 --> 00:15:56,860
JONATHAN.

288
00:15:58,861 --> 00:16:01,434
HOW LONG, MARTHA?

289
00:16:02,765 --> 00:16:04,744
WHAT?

290
00:16:04,768 --> 00:16:07,571
HOW LONG HAVE YOU HAD
FEELINGS FOR LIONEL LUTHOR?

291
00:16:10,573 --> 00:16:12,591
IT'S NOT LIKE THAT.

292
00:16:12,615 --> 00:16:14,823
I WANT YOU TO BE
HAPPY, SWEETHEART.

293
00:16:14,847 --> 00:16:16,826
I'VE ALWAYS JUST...

294
00:16:16,850 --> 00:16:19,682
JUST WANTED YOU
TO BE HAPPY, BUT...

295
00:16:21,754 --> 00:16:23,533
NOT WITH HIM.

296
00:16:23,557 --> 00:16:25,788
JONATHAN.

297
00:16:30,894 --> 00:16:34,498
YOU KNOW YOU'RE THE
ONLY MAN I'VE EVER LOVED.

298
00:16:37,500 --> 00:16:40,350
IT'S BEEN...

299
00:16:40,374 --> 00:16:44,884
SO HARD WITHOUT YOU...
YOUR VOICE, YOUR TOUCH.

300
00:16:44,908 --> 00:16:48,812
I MISS YOU SO MUCH.

301
00:16:53,386 --> 00:16:55,459
I MISS YOU, TOO, SWEETHEART.

302
00:16:57,991 --> 00:16:59,970
[ SIGHS ]

303
00:16:59,994 --> 00:17:02,773
WHY DID YOU HAVE TO LEAVE ME?

304
00:17:02,797 --> 00:17:06,406
I'M SORRY, MARTHA. I
DIDN'T HAVE ANY CHOICE.

305
00:17:06,430 --> 00:17:09,810
AND SOON, NEITHER WILL A
LOT OF OTHER INNOCENT PEOPLE.

306
00:17:09,834 --> 00:17:12,683
ARE YOU TALKING ABOUT LIONEL?

307
00:17:12,707 --> 00:17:14,685
WHAT IS IT? WHAT IS HE DOING?

308
00:17:14,709 --> 00:17:17,588
HE'S GOING TO DROWN
YOU ALL IN YOUR OWN BLOOD,

309
00:17:17,612 --> 00:17:19,820
JUST LIKE HE DID ME.

310
00:17:19,844 --> 00:17:23,823
LIKE HE DID YOU? WHAT?

311
00:17:23,847 --> 00:17:25,726
MARTHA, I'M SORRY,

312
00:17:25,750 --> 00:17:29,830
BUT YOU HAVE GOT TO TELL
CLARK THERE IS NO OTHER CHOICE.

313
00:17:29,854 --> 00:17:32,902
LIONEL LUTHOR HAS TO DIE.

314
00:17:32,926 --> 00:17:35,700
JONATHAN...

315
00:17:37,030 --> 00:17:38,903
HE HAS TO.

316
00:18:06,131 --> 00:18:08,668
HE WAS STANDING RIGHT
HERE, LIKE HE WAS STILL ALIVE.

317
00:18:08,692 --> 00:18:11,141
HE SAID LIONEL WAS GONNA
DROWN US ALL IN BLOOD.

318
00:18:11,165 --> 00:18:12,572
WHAT DOES THAT MEAN?

319
00:18:12,596 --> 00:18:13,744
I DON'T KNOW.

320
00:18:13,768 --> 00:18:15,775
MOM, I THINK IT MIGHT
HAVE SOMETHING TO DO

321
00:18:15,799 --> 00:18:17,618
WITH LIONEL USING
ME AS A WEAPON.

322
00:18:17,642 --> 00:18:20,781
BUT, CLARK, YOU WOULD
NEVER GO ALONG WITH THAT.

323
00:18:20,805 --> 00:18:22,683
WHAT IF HE'S FOUND A
WAY TO CONTROL ME?

324
00:18:22,707 --> 00:18:24,754
MAYBE THAT'S WHAT DAD'S
COME BACK TO HELP STOP.

325
00:18:24,778 --> 00:18:26,226
ALL THIS TIME,

326
00:18:26,250 --> 00:18:28,529
I THOUGHT LIONEL WAS
MAKING UP FOR HIS PAST.

327
00:18:28,553 --> 00:18:29,729
IT'S NOT YOUR FAULT.

328
00:18:29,753 --> 00:18:32,062
LIONEL HAS BEEN
MANIPULATING ALL OF US.

329
00:18:32,086 --> 00:18:35,089
CLARK, HE SAID SOMETHING ELSE.

330
00:18:36,822 --> 00:18:39,499
I THINK HE MEANT...

331
00:18:39,523 --> 00:18:42,567
LIONEL HAD SOMETHING
TO DO WITH HIS DEATH.

332
00:18:50,204 --> 00:18:52,183
Man: We've tracked Milton Fine

333
00:18:52,207 --> 00:18:54,185
to the Midwestern region
of the United States.

334
00:18:54,209 --> 00:18:55,716
We're working to
narrow his coordinates.

335
00:18:55,740 --> 00:18:57,088
We'll let you know
when we have them.

336
00:18:57,112 --> 00:18:58,590
[ DOOR OPENS ]

337
00:18:58,614 --> 00:19:01,091
GOOD EVENING, MR. LUTHOR.

338
00:19:01,115 --> 00:19:03,164
MAY I?

339
00:19:03,188 --> 00:19:05,827
PLEASE. HELP YOURSELF.

340
00:19:05,851 --> 00:19:08,198
EVERYBODY ELSE DOES.

341
00:19:08,222 --> 00:19:11,733
SOME SAY THE TOAST CAME ABOUT

342
00:19:11,757 --> 00:19:15,736
BY A MAN WHO FEARED THAT
HIS DRINK HAD BEEN POISONED,

343
00:19:15,760 --> 00:19:18,262
BUT HE WAS A QUICK-WITTED MAN.

344
00:19:20,536 --> 00:19:23,614
HE JOYFULLY CLANKED HIS MUG
WITH THE MUGS OF HIS MATES,

345
00:19:23,638 --> 00:19:25,617
SLOSHING HIS LETHAL BEVERAGE

346
00:19:25,641 --> 00:19:28,173
INTO EVERYONE'S
DRINK WITH CHEER.

347
00:19:31,846 --> 00:19:34,779
A SIMPLE TAP, THEN,
MUST BE A SIGN OF TRUST.

348
00:19:41,727 --> 00:19:43,828
I'M NOT REALLY THIRSTY.

349
00:19:55,570 --> 00:19:57,603
I THOUGHT WE HAD AN AGREEMENT.

350
00:19:59,275 --> 00:20:02,123
YOU WOULD INFORM ME
OF THE VIRUS' PROGRESS,

351
00:20:02,147 --> 00:20:05,857
BUT I SEEM TO BE SHOCKINGLY
CUT OUT OF THE LOOP.

352
00:20:05,881 --> 00:20:08,614
A FACT YOU'VE PROBABLY
KNOWN FOR WEEKS.

353
00:20:10,885 --> 00:20:12,863
COME ON.

354
00:20:12,887 --> 00:20:16,138
I MEAN, YOU MUST HAVE ASSUMED
I WOULD INHERENTLY BELIEVE

355
00:20:16,162 --> 00:20:17,698
YOUR CIA BLUFF.

356
00:20:17,722 --> 00:20:20,902
AND THAT'S WHY I CHOSE YOU...

357
00:20:20,926 --> 00:20:23,274
FOR YOUR INSATIABLE DISTRUST

358
00:20:23,298 --> 00:20:25,801
AND YOUR PROPENSITY FOR
COVERING ALL THE BASES.

359
00:20:27,173 --> 00:20:28,880
THEN I'M SURE YOU
DIDN'T WALTZ IN HERE

360
00:20:28,904 --> 00:20:30,713
THINKING I'D JUST ROLL OVER.

361
00:20:30,737 --> 00:20:32,715
NO, NOT YOU.

362
00:20:32,739 --> 00:20:34,887
NOT WITHOUT A BONE.

363
00:20:34,911 --> 00:20:38,159
I'll TAKE THE TRUTH.

364
00:20:38,183 --> 00:20:41,893
I ASSURE YOU THE VACCINE
IS PROCESSED AND READY...

365
00:20:41,917 --> 00:20:44,325
BUT I'D BE FOOLISH
TO HAND IT OVER

366
00:20:44,349 --> 00:20:46,899
TO SOMEONE WHOSE
AGENDA IS STILL UP FOR GRABS.

367
00:20:46,923 --> 00:20:49,772
LEX, IT'S A VACCINE.

368
00:20:49,796 --> 00:20:52,303
WHAT THREAT COULD
IT POSSIBLY POSE?

369
00:20:52,327 --> 00:20:56,231
NOW, THAT'S A QUESTION I'VE
BEEN ASKING MYSELF FOR WEEKS.

370
00:21:05,942 --> 00:21:08,213
I'M HOPING THIS WILL HELP
ME GET A FEW ANSWERS.

371
00:21:12,949 --> 00:21:14,327
[ EXHALES SHARPLY ]

372
00:21:14,351 --> 00:21:18,331
CLOSE... BUT I'M
NOT ONE OF THEM.

373
00:21:18,355 --> 00:21:20,686
I WAS ONLY MADE BY THEM.

374
00:21:21,928 --> 00:21:23,890
[ GASPS ]

375
00:21:28,295 --> 00:21:29,836
WHERE'S THE VACCINE?

376
00:21:34,901 --> 00:21:36,778
OKAY, NOW, BEFORE I
TELL YOU ANY OF THIS,

377
00:21:36,802 --> 00:21:38,880
YOU HAVE TO PROMISE YOU'LL
KEEP A COOL HEAD AND BACK-BURNER

378
00:21:38,904 --> 00:21:40,683
THOSE "AMERICAN
PSYCHO" INSTINCTS, OKAY?

379
00:21:40,707 --> 00:21:42,024
CHLOE, WHAT IS IT?

380
00:21:42,048 --> 00:21:43,356
[ SIGHS ]

381
00:21:43,380 --> 00:21:45,027
I PULLED UP YOUR
DAD'S PHONE RECORDS,

382
00:21:45,051 --> 00:21:47,830
AND UNLESS LIONEL WAS
SELLING LONG-DISTANCE PLANS,

383
00:21:47,854 --> 00:21:50,293
HE WAS DESPERATELY TRYING
TO GET AHOLD OF YOUR DAD.

384
00:21:50,317 --> 00:21:51,965
THERE WERE AT
LEAST 20 CALLS LOGGED

385
00:21:51,989 --> 00:21:53,420
IN THOSE LAST FEW WEEKS.

386
00:21:55,692 --> 00:21:57,399
MY DAD SAID HE DIED
PROTECTING MY SECRET.

387
00:21:57,423 --> 00:21:59,841
MAYBE THAT'S HOW HE FOUND
OUT LIONEL KNEW ABOUT ME.

388
00:21:59,865 --> 00:22:02,845
WHEN DID THE CALLS STOP?

389
00:22:02,869 --> 00:22:05,408
THEY DIDN'T.

390
00:22:05,432 --> 00:22:08,875
LIONEL TALKED TO YOUR
DAD AN HOUR BEFORE HE DIED.

391
00:22:10,877 --> 00:22:12,886
YOU THINK LIONEL WAS
JUST CONGRATULATING HIM?

392
00:22:12,910 --> 00:22:15,388
NOT UNLESS HE DID IT IN PERSON.

393
00:22:15,412 --> 00:22:18,390
LIONEL'S CELL CALL CAME
THROUGH A TOWER IN JANSEN'S FIELD.

394
00:22:18,414 --> 00:22:20,823
THAT'S ONLY A MILE
AWAY FROM YOUR HOUSE.

395
00:22:20,847 --> 00:22:23,289
LIONEL WAS THERE?

396
00:22:26,854 --> 00:22:29,455
LIONEL WAS THERE
THE NIGHT MY DAD DIED.

397
00:22:48,345 --> 00:22:49,777
CLARK.

398
00:22:52,849 --> 00:22:54,828
I'M GLAD YOU CALLED. THANK YOU.

399
00:22:54,852 --> 00:22:56,429
WE DON'T HAVE MUCH TIME.

400
00:22:56,453 --> 00:22:58,885
IS THIS WHERE IT HAPPENED?

401
00:23:02,359 --> 00:23:04,967
IS THIS WHERE YOU MET MY
FATHER THE NIGHT HE DIED?

402
00:23:04,991 --> 00:23:07,894
YES. YES, IT IS.

403
00:23:09,366 --> 00:23:11,798
I HAD TO TALK TO HIM.
IT WAS IMPORTANT.

404
00:23:17,003 --> 00:23:18,351
HE FOUND OUT, DIDN'T HE?

405
00:23:18,375 --> 00:23:20,984
[ BREATHING HEAVILY ]

406
00:23:21,008 --> 00:23:24,358
HE FOUND OUT ABOUT YOUR
PLANS TO USE ME AS A WEAPON.

407
00:23:24,382 --> 00:23:26,090
A WEAPON?

408
00:23:26,114 --> 00:23:29,386
NO. CLARK, NO.

409
00:23:30,788 --> 00:23:32,059
AAH!

410
00:23:33,060 --> 00:23:35,039
WHAT DID YOU DO TO HIM?

411
00:23:35,063 --> 00:23:37,140
CLARK, I WANTED TO HELP HIM.

412
00:23:37,164 --> 00:23:40,097
HE NEEDED AN ALLY, BUT
HE TOOK IT THE WRONG WAY.

413
00:23:41,068 --> 00:23:42,476
YOU KILLED MY FATHER.

414
00:23:42,500 --> 00:23:44,908
WHAT HAPPENED? HE WOULDN'T
GO ALONG WITH YOUR PLAN?

415
00:23:44,932 --> 00:23:46,409
WAS THAT IT?

416
00:23:46,433 --> 00:23:49,052
YOU PUSHED HIM. YOU PUSHED
HIM TILL HIS HEART GAVE OUT.

417
00:23:49,076 --> 00:23:50,153
LISTEN TO ME, CLARK.

418
00:23:50,177 --> 00:23:52,055
I WILL NEVER BE ANYONE'S WEAPON.

419
00:23:52,079 --> 00:23:53,157
IT'S NOT YOU!

420
00:23:53,181 --> 00:23:55,919
Jonathan: LIES.

421
00:23:55,943 --> 00:23:58,022
THAT'S ALL HE'S
GONNA TELL YOU, SON.

422
00:23:58,046 --> 00:24:00,925
YOU'RE GONNA HAVE TO KILL
HIM BEFORE HE GETS THE CHANCE.

423
00:24:00,949 --> 00:24:01,926
LISTEN.

424
00:24:01,950 --> 00:24:03,496
SHUT UP!

425
00:24:03,520 --> 00:24:06,831
DO IT, CLARK. DO IT.

426
00:24:06,855 --> 00:24:08,131
YOU'VE GOT IT WRONG, CLARK.

427
00:24:08,155 --> 00:24:09,934
[ BREATHING HEAVILY ]

428
00:24:09,958 --> 00:24:11,435
YOU KILLED HIM.

429
00:24:11,459 --> 00:24:13,506
YES, HE KILLED ME. SO GO
ON, SON, AVENGE MY DEATH.

430
00:24:13,530 --> 00:24:15,963
YOUR FATHER WOULD NEVER
MAKE YOU A MURDERER, CLARK.

431
00:24:19,067 --> 00:24:20,514
KILL HIM!

432
00:24:20,538 --> 00:24:24,418
LISTEN TO ME,
CLARK. LISTEN TO ME.

433
00:24:24,442 --> 00:24:25,989
CLARK, I KNOW THIS IS DIFFICULT,

434
00:24:26,013 --> 00:24:29,446
BUT YOU HAVE GOT
TO KILL LIONEL LUTHOR.

435
00:24:36,054 --> 00:24:39,126
CLARK KENT, KILL HIM NOW!

436
00:24:47,566 --> 00:24:50,614
YOU KNOW... [ GRUNTS ]

437
00:24:50,638 --> 00:24:54,418
I ASK YOU TO DO
ONE SIMPLE THING.

438
00:24:54,442 --> 00:24:57,005
JUST ONE.

439
00:24:59,248 --> 00:25:02,587
YOU'RE A TREMENDOUS
DISAPPOINTMENT TO ME, SON.

440
00:25:02,611 --> 00:25:04,988
YOU'RE NOT MY FATHER.

441
00:25:05,012 --> 00:25:06,991
OH...

442
00:25:07,015 --> 00:25:10,094
WELL, IT LOOKS LIKE I MIGHT
HAVE UNDERESTIMATED YOU...

443
00:25:10,118 --> 00:25:11,466
KAL-EL.

444
00:25:11,490 --> 00:25:12,490
CATCH!

445
00:25:32,942 --> 00:25:34,919
[ GRUNTING ]

446
00:25:34,943 --> 00:25:37,121
IT WOULD BE SO EASY

447
00:25:37,145 --> 00:25:40,524
TO SNAP YOUR NECK
JUST LIKE A TWIG...

448
00:25:40,548 --> 00:25:43,168
BUT I STILL NEED YOU.

449
00:25:43,192 --> 00:25:45,270
WHO ARE YOU?

450
00:25:45,294 --> 00:25:47,272
I'M THE GUY THAT'S GONNA
HELP BRING THIS WORLD

451
00:25:47,296 --> 00:25:48,934
TO ITS KNEES.

452
00:25:48,958 --> 00:25:50,205
[ GROANS ]

453
00:25:50,229 --> 00:25:51,599
[ GRUNTS ]

454
00:25:59,969 --> 00:26:02,516
DON'T TOUCH ME. DON'T DO IT.

455
00:26:02,540 --> 00:26:04,073
DON'T... JUST...

456
00:26:05,545 --> 00:26:07,246
AAH!

457
00:26:22,991 --> 00:26:26,194
WHAT... WHAT JUST HAPPENED?

458
00:26:34,304 --> 00:26:37,022
I WAS FAIRLY CERTAIN MILTON
FINE WAS A KRYPTONIAN,

459
00:26:37,046 --> 00:26:39,153
BUT I DIDN'T REALIZE
THAT SHAPE-SHIFTING

460
00:26:39,177 --> 00:26:42,257
WAS ONE OF THE KRYPTONIANS'
MIRACULOUS ABILITIES.

461
00:26:42,281 --> 00:26:43,958
IT ISN'T.

462
00:26:43,982 --> 00:26:46,055
THEN FINE'S NOT A KRYPTONIAN?

463
00:26:48,057 --> 00:26:50,366
CLARK, IT IS IMPORTANT
TO BOTH OF US

464
00:26:50,390 --> 00:26:52,392
THAT WE KEEP THIS FROM LEX.

465
00:26:55,664 --> 00:26:58,043
LOOK, FINE WAS
CREATED BY KRYPTONIANS,

466
00:26:58,067 --> 00:27:00,305
AND HE'S ALREADY
BEEN DESTROYED TWICE.

467
00:27:00,329 --> 00:27:02,707
TWICE? SOME SORT OF
SELF-REPLICATING ENTITY...

468
00:27:02,731 --> 00:27:04,310
THAT'S INCREDIBLE.

469
00:27:04,334 --> 00:27:06,736
THAT'S ONE WORD FOR IT, BUT
WHY WAS HE SO AFRAID OF YOU?

470
00:27:08,337 --> 00:27:10,285
AND HOW WERE YOU
ABLE TO DESTROY HIM

471
00:27:10,309 --> 00:27:11,587
JUST BY TOUCHING HIM?

472
00:27:11,611 --> 00:27:13,682
I'M NOT SURE, BUT...

473
00:27:18,087 --> 00:27:20,666
I FEEL THE ANSWERS...

474
00:27:20,690 --> 00:27:25,125
COULD LIE SOMEWHERE... IN HERE.

475
00:27:35,164 --> 00:27:37,237
WHERE DID YOU FIND ALL THIS?

476
00:27:39,740 --> 00:27:41,711
I DIDN'T FIND IT.

477
00:27:46,246 --> 00:27:47,778
I WROTE IT.

478
00:27:49,720 --> 00:27:52,427
AND WHATEVER
VOICE I'M CHANNELING,

479
00:27:52,451 --> 00:27:55,631
I BELIEVE THAT WHAT I WROTE...

480
00:27:55,655 --> 00:27:57,386
IS MEANT FOR YOU.

481
00:28:16,477 --> 00:28:19,825
SO HELL FREEZES OVER AND NO
ONE EVEN BOTHERS TO TELL ME?

482
00:28:19,849 --> 00:28:22,258
CHLOE, LISTEN. MR. LUTHOR
HAS BEEN WRITING THESE.

483
00:28:22,282 --> 00:28:24,129
IT SEEMS TO BE SOME
SORT OF WARNING,

484
00:28:24,153 --> 00:28:25,685
BUT I CAN'T DECIPHER IT.

485
00:28:29,359 --> 00:28:32,268
WELL, UNFORTUNATELY, MY
KRYPTONIAN'S A LITTLE RUSTY.

486
00:28:32,292 --> 00:28:34,670
I DON'T KNOW WHAT ANY OF
THIS MEANS, MISS SULLIVAN.

487
00:28:34,694 --> 00:28:35,766
I AM SIMPLY THE ORACLE.

488
00:28:37,198 --> 00:28:38,745
I BELIEVE THE ANSWERS
COULD BE FOUND

489
00:28:38,769 --> 00:28:40,270
WITH A VISIT TO YOUR FORTRESS.

490
00:28:41,731 --> 00:28:43,179
THE LAST TIME SOMEONE TALKED ME

491
00:28:43,203 --> 00:28:44,481
INTO TAKING HIM TO THE FORTRESS,

492
00:28:44,505 --> 00:28:46,283
IT WAS A TRICK TO
RELEASE GENERAL ZOD.

493
00:28:46,307 --> 00:28:48,354
I HAVE PLANS, SO IF WE
COULD PROTECT SMALLVILLE

494
00:28:48,378 --> 00:28:50,387
FROM THE WRATH OF
KRYPTON'S DEADLIEST VILLAIN,

495
00:28:50,411 --> 00:28:52,158
THAT WOULD BE GREAT.

496
00:28:52,182 --> 00:28:54,761
ANCIENT HIEROGLYPHICS
WERE DECIPHERED BY FINDING...

497
00:28:54,785 --> 00:28:56,392
REPEATED PATTERNS. YEAH, I KNOW.

498
00:28:56,416 --> 00:28:59,150
SO LET ME SCAN THIS
AND SEE IF WE GOT ANY.

499
00:29:00,820 --> 00:29:03,100
WHY WOULD FINE WANT
TO EXPOSE HIMSELF NOW?

500
00:29:03,124 --> 00:29:04,801
Lionel: HE'S AFRAID I'M
GOING TO HELP YOU.

501
00:29:04,825 --> 00:29:07,504
TO STOP WHAT HE AND
LEX ARE PLANNING TO DO.

502
00:29:07,528 --> 00:29:09,206
WHICH IS WHAT?

503
00:29:09,230 --> 00:29:12,708
FINE HAS BEEN HELPING LEX
TO DEVELOP A VIRUS SO LETHAL

504
00:29:12,732 --> 00:29:15,212
IT COULD BRING HUMANITY
TO THE BRINK OF EXTINCTION.

505
00:29:15,236 --> 00:29:19,245
LUTHORCORP SCIENTISTS
COMPLETED THE PROJECT TODAY.

506
00:29:19,269 --> 00:29:23,189
SO THE WEAPON ISN'T
CLARK. IT'S THIS VIRUS.

507
00:29:23,213 --> 00:29:24,251
YES.

508
00:29:24,275 --> 00:29:25,793
MAYBE THAT'S WHAT THIS PATTERN

509
00:29:25,817 --> 00:29:27,424
IS TRYING TO WARN ME AGAINST.

510
00:29:27,448 --> 00:29:28,856
I HAVE A STRONG SENSE

511
00:29:28,880 --> 00:29:31,728
THAT THIS WARNING I HAVE
BEEN ENTRUSTED TO PASS ON

512
00:29:31,752 --> 00:29:35,202
IS RELATED TO SOMETHING MORE
TERRIBLE EVEN THAN THE VIRUS.

513
00:29:35,226 --> 00:29:37,434
MAYBE THE VIRUS
IS JUST A PART OF IT.

514
00:29:37,458 --> 00:29:38,906
YEAH.

515
00:29:38,930 --> 00:29:42,139
DO YOU HAVE ACCESS TO THE LAB?

516
00:29:42,163 --> 00:29:44,194
NO, I DON'T KNOW WHERE IT IS.

517
00:29:45,435 --> 00:29:47,268
I THINK WE KNOW
SOMEONE WHO DOES.

518
00:30:09,891 --> 00:30:11,498
WHAT ARE YOU DOING?

519
00:30:11,522 --> 00:30:13,341
SMOOTH ONE, SMALLVILLE.

520
00:30:13,365 --> 00:30:14,941
THERE'S SOMETHING I
HAVE TO TALK TO YOU ABOUT.

521
00:30:14,965 --> 00:30:17,269
HOW DID YOU GET IN HERE?

522
00:30:18,930 --> 00:30:21,549
I THINK I JUST HEARD
A KEG BEING TAPPED.

523
00:30:21,573 --> 00:30:23,275
I'M GONNA GO CHECK IT OUT.

524
00:30:24,806 --> 00:30:26,254
[ DOOR CLOSES ]

525
00:30:26,278 --> 00:30:27,784
LANA, I SHOULDN'T BE
GOING THROUGH YOUR STUFF.

526
00:30:27,808 --> 00:30:29,956
I THINK YOU'RE INVOLVED IN
SOMETHING EXTREMELY DANGEROUS.

527
00:30:29,980 --> 00:30:31,559
ARE YOU WORRIED
THAT I'M INVOLVED IN IT

528
00:30:31,583 --> 00:30:34,361
OR THAT I'M INVOLVED
IN IT WITH LEX?

529
00:30:34,385 --> 00:30:37,465
NO, LANA, THIS HAS NOTHING
TO DO WITH MY FEELINGS.

530
00:30:37,489 --> 00:30:40,398
LEX DOESN'T KNOW WHAT
HE'S GOTTEN HIMSELF INTO.

531
00:30:40,422 --> 00:30:41,869
NEITHER DO YOU.

532
00:30:41,893 --> 00:30:43,871
YOU BREAK INTO MY PLACE
AND YOU EXPECT ME TO BELIEVE

533
00:30:43,895 --> 00:30:46,403
ANYTHING THAT COMES
OUT OF YOUR MOUTH?

534
00:30:46,427 --> 00:30:48,976
LEX IS IN TROUBLE, AND IF
YOU CARE ABOUT HIM AT ALL,

535
00:30:49,000 --> 00:30:51,408
YOU'LL TELL ME
WHERE THAT LAB IS...

536
00:30:51,432 --> 00:30:53,935
BEFORE IT'S TOO LATE.

537
00:30:59,441 --> 00:31:00,918
IMPRESSIVE.

538
00:31:00,942 --> 00:31:03,420
LOOKS LIKE I UNDERESTIMATED
YOUR WILLINGNESS

539
00:31:03,444 --> 00:31:05,924
TO TACKLE A NONPROFIT VENTURE.

540
00:31:05,948 --> 00:31:07,995
WELL, LUTHORCORP
DOESN'T TAKE THE THREAT

541
00:31:08,019 --> 00:31:09,852
OF AN ALIEN ARMAGEDDON LIGHTLY.

542
00:31:11,452 --> 00:31:14,602
YOU WERE NEVER GONNA CREATE
A VACCINE FOR HUMANS, WERE YOU?

543
00:31:14,626 --> 00:31:16,935
IS THAT WHAT YOU THINK?

544
00:31:16,959 --> 00:31:18,406
IT WAS GONNA BE YOUR WAY

545
00:31:18,430 --> 00:31:20,437
OF PROTECTING YOUR
EXTRATERRESTRIAL GUESTS

546
00:31:20,461 --> 00:31:23,871
WHEN THEY ARRIVE AND UNLEASH
SOME HORRIBLE DISEASE ON US.

547
00:31:23,895 --> 00:31:25,412
SO YOU WENT BEHIND MY BACK

548
00:31:25,436 --> 00:31:28,000
AND MASS-PRODUCED
THE VACCINE FOR MANKIND.

549
00:31:33,476 --> 00:31:35,853
I WANTED TO GIVE MY
PEOPLE A FIGHTING CHANCE

550
00:31:35,877 --> 00:31:37,956
BEFORE YOU GOT YOUR
DIRTY HANDS ON THEM.

551
00:31:37,980 --> 00:31:41,459
I APPLAUD YOUR
NOBLE EFFORTS TO...

552
00:31:41,483 --> 00:31:44,032
PROTECT YOUR SPECIES.

553
00:31:44,056 --> 00:31:47,990
UNFORTUNATELY, IT'S ALL
BASED ON FAULTY ASSUMPTIONS.

554
00:31:53,526 --> 00:31:56,628
I NEVER INTENDED TO
MASS-PRODUCE THE VACCINE.

555
00:31:59,701 --> 00:32:02,404
ONE DOSE IS ALL I EVER NEEDED.

556
00:32:03,705 --> 00:32:05,377
[ GRUNTS ]

557
00:32:21,523 --> 00:32:23,726
[ GRUNTS ]

558
00:32:53,757 --> 00:32:55,935
I'M NOT SURE WHAT TO
TELL YOU, MR. LUTHOR.

559
00:32:55,959 --> 00:32:57,837
WHATEVER YOU WERE INJECTED WITH,

560
00:32:57,861 --> 00:32:59,839
IT DOESN'T APPEAR TO
HAVE HAD ANY EFFECT.

561
00:32:59,863 --> 00:33:02,611
IN FACT, YOU'VE
NEVER BEEN HEALTHIER.

562
00:33:02,635 --> 00:33:04,613
WELL, I APPRECIATE THE
VOTE OF CONFIDENCE.

563
00:33:04,637 --> 00:33:05,969
THANK YOU, DOCTOR.

564
00:33:13,576 --> 00:33:14,907
ARE YOU OKAY?

565
00:33:16,910 --> 00:33:18,588
YEAH.

566
00:33:18,612 --> 00:33:20,860
SO, I'M GUESSING MY
FATHER TOLD YOU EVERYTHING

567
00:33:20,884 --> 00:33:23,562
THAT HAPPENED AT THE LAB.

568
00:33:23,586 --> 00:33:26,495
YOU KNOW, IF YOU HAD LISTENED
TO YOUR FATHER'S WARNINGS,

569
00:33:26,519 --> 00:33:28,497
NONE OF THIS WOULD
HAVE HAPPENED.

570
00:33:28,521 --> 00:33:30,499
NONE OF WHAT?

571
00:33:30,523 --> 00:33:32,401
ALL THE VIRUSES WERE DESTROYED,

572
00:33:32,425 --> 00:33:34,504
AND NOW LUTHORCORP
HAS THE TECHNOLOGY

573
00:33:34,528 --> 00:33:36,529
TO CREATE AN
EXTRAORDINARY VACCINE.

574
00:33:37,871 --> 00:33:39,873
LEX, YOU WERE DOUBLE-CROSSED.

575
00:33:42,976 --> 00:33:44,783
WHERE'S FINE RIGHT NOW?

576
00:33:44,807 --> 00:33:48,010
I DON'T KNOW. MY OPERATIVES
ARE SCOURING THE GLOBE.

577
00:33:49,643 --> 00:33:51,390
CLARK.

578
00:33:51,414 --> 00:33:53,392
I WAS THE GOOD GUY HERE.

579
00:33:53,416 --> 00:33:55,395
LUTHORCORP SPENT
OVER $10 MILLION

580
00:33:55,419 --> 00:33:56,720
PRODUCING THAT VACCINE.

581
00:33:58,422 --> 00:34:00,629
ONE MORE THING, CLARK.

582
00:34:00,653 --> 00:34:02,756
LANA CALLED ME.

583
00:34:06,630 --> 00:34:09,508
I DON'T WANT TO HEAR YOU
WERE RIFLING THROUGH HER STUFF

584
00:34:09,532 --> 00:34:11,541
LIKE A CRAZY ROOMMATE AGAIN.

585
00:34:11,565 --> 00:34:13,682
IF YOU WANT SOMETHING FROM ME,

586
00:34:13,706 --> 00:34:16,039
DON'T GO RUNNING
TO LANA TO FIND IT.

587
00:34:18,512 --> 00:34:20,813
YOU REALLY CROSSED THE LINE.

588
00:34:22,746 --> 00:34:24,954
ALL THOSE YEARS WE WERE FRIENDS,

589
00:34:24,978 --> 00:34:27,727
WERE YOU JUST WAITING
FOR ME TO STEP ASIDE

590
00:34:27,751 --> 00:34:29,658
SO YOU COULD SWOOP
IN AND MAKE YOUR MOVE?

591
00:34:29,682 --> 00:34:31,525
I DON'T KNOW, CLARK.

592
00:34:32,927 --> 00:34:35,564
ALL THOSE YEARS YOU
TOLD LANA YOU LOVED HER,

593
00:34:35,588 --> 00:34:38,833
WERE YOU JUST WAITING TO
WALK AWAY AND BREAK HER HEART?

594
00:34:40,494 --> 00:34:41,841
LOOK, THERE'S A NATURAL TENDENCY

595
00:34:41,865 --> 00:34:43,713
TO BLAME THE PERSON
WHO'S REPLACED YOU.

596
00:34:43,737 --> 00:34:45,646
I GET THAT,

597
00:34:45,670 --> 00:34:48,548
BUT I DIDN'T TAKE LANA FROM YOU.

598
00:34:48,572 --> 00:34:51,606
YOU LOST HER ALL BY YOURSELF.

599
00:35:07,891 --> 00:35:09,893
[ KNOCK ON DOOR ]

600
00:35:16,900 --> 00:35:20,780
LIONEL. WHAT ARE YOU DOING HERE?

601
00:35:20,804 --> 00:35:25,880
I HAVE TO MAKE A
CONFESSION TO YOU, MARTHA.

602
00:35:40,795 --> 00:35:43,673
MARTHA, THE, UM...

603
00:35:43,697 --> 00:35:47,108
THE NIGHT JONATHAN
WAS ELECTED, I, UM...

604
00:35:47,132 --> 00:35:49,034
I CALLED HIM.

605
00:35:51,036 --> 00:35:53,014
SO IT'S TRUE?

606
00:35:53,038 --> 00:35:58,713
I TOLD HIM THAT I KNEW
EVERYTHING ABOUT CLARK.

607
00:36:01,545 --> 00:36:04,079
HE WAS SO ANGRY, HE...

608
00:36:10,856 --> 00:36:12,827
HE NEVER LET ME EXPLAIN.

609
00:36:36,952 --> 00:36:41,091
I-I WISH I HAD A HEART AS FULL
OF STRENGTH AND GOODNESS

610
00:36:41,115 --> 00:36:42,764
AS YOUR SON, MARTHA.

611
00:36:42,788 --> 00:36:45,661
I DON'T.

612
00:36:49,864 --> 00:36:51,673
BUT I WANT YOU TO REMEMBER

613
00:36:51,697 --> 00:36:54,028
THAT I WAS AT LEAST
HONEST WITH YOU.

614
00:36:57,802 --> 00:37:00,905
AND IN TIME, MAYBE YOU'LL
BE ABLE TO FORGIVE ME.

615
00:37:17,893 --> 00:37:19,901
I'M SORRY IF THINGS GOT AWKWARD.

616
00:37:19,925 --> 00:37:21,202
I WAS REALLY HOPING

617
00:37:21,226 --> 00:37:23,175
THAT CLARK WOULDN'T
END UP IN ALL THIS.

618
00:37:23,199 --> 00:37:25,177
I JUST DON'T WANT TO HURT HIM.

619
00:37:25,201 --> 00:37:28,664
I DON'T, EITHER. I
CARE ABOUT HIM, TOO.

620
00:37:31,036 --> 00:37:32,914
BUT THEN I HAVE TO REMIND MYSELF

621
00:37:32,938 --> 00:37:34,916
THAT CLARK'S SPECIALTY

622
00:37:34,940 --> 00:37:37,148
IS BARGING IN WHERE
HE'S NOT INVITED

623
00:37:37,172 --> 00:37:38,820
AND THEN SOMEHOW MAKING YOU FEEL

624
00:37:38,844 --> 00:37:40,846
LIKE YOU'RE THE ONE
WHO SHOULD APOLOGIZE.

625
00:37:43,949 --> 00:37:48,629
OKAY, UM, I HAVE A GREAT IDEA.

626
00:37:48,653 --> 00:37:52,188
HOW ABOUT A MORATORIUM
ON THE CLARK TOPIC?

627
00:37:53,889 --> 00:37:55,937
TWIST MY ARM.

628
00:37:55,961 --> 00:37:58,094
DON'T TEMPT ME.

629
00:38:02,038 --> 00:38:04,245
I STILL CAN'T MAKE
SENSE OF ALL OF THIS.

630
00:38:04,269 --> 00:38:06,048
WHY WOULD YOU BE ASKED

631
00:38:06,072 --> 00:38:09,074
TO PRODUCE A SUPERVACCINE
JUST TO HAVE IT DESTROYED?

632
00:38:10,806 --> 00:38:12,885
I DON'T KNOW, BUT THEN AGAIN,

633
00:38:12,909 --> 00:38:15,657
I THINK LIKE A
RED-BLOODED HUMAN.

634
00:38:15,681 --> 00:38:17,983
WELL, HE WAS OBVIOUSLY
PREPARING FOR SOMETHING.

635
00:38:27,092 --> 00:38:29,065
WHAT HAPPENED?

636
00:38:33,228 --> 00:38:34,900
YOU OKAY?

637
00:38:36,972 --> 00:38:38,149
YEAH.

638
00:38:38,173 --> 00:38:39,835
NEVER BETTER.

639
00:38:57,224 --> 00:38:59,972
I THOUGHT YOU'D BE
OUTSIDE LANA'S DORM

640
00:38:59,996 --> 00:39:01,827
WITH YOUR BINOCULARS BY NOW.

641
00:39:06,932 --> 00:39:09,010
I APPRECIATE THE CONCERN,

642
00:39:09,034 --> 00:39:10,912
BUT LANA AND I ARE
NONE OF YOUR BUSINESS.

643
00:39:10,936 --> 00:39:12,244
PLEASE, SMALLVILLE.

644
00:39:12,268 --> 00:39:15,718
I'VE HAD THREE EXES PUT
UNDER MILITARY SURVEILLANCE.

645
00:39:15,742 --> 00:39:19,175
I'M HARDLY QUALIFIED TO DISH
OUT POST-RELATIONSHIP TACT.

646
00:39:20,876 --> 00:39:23,820
BUT IT'S TIME FOR
SOME TOUGH LOVE.

647
00:39:25,351 --> 00:39:27,324
LANA'S GOING TO MOVE ON.

648
00:39:29,126 --> 00:39:33,836
SHE ALREADY HAS... WITH LEX.

649
00:39:33,860 --> 00:39:35,833
[ SIGHS ]

650
00:39:38,065 --> 00:39:41,044
AND IT SUCKS, BUT YOU
GOT TO TRUST YOUR GUT

651
00:39:41,068 --> 00:39:42,945
THAT YOU DID THIS
FOR A REASON...

652
00:39:42,969 --> 00:39:44,747
WHATEVER REASONS GUYS HAVE

653
00:39:44,771 --> 00:39:47,173
FOR DUMPING HOT, SMART,
FUN GIRLS THESE DAYS.

654
00:39:49,275 --> 00:39:51,153
LOOK, GIVE HER
SOME SPACE, CLARK.

655
00:39:51,177 --> 00:39:52,856
YOUR WHOLE
NIGHT-STALKER ROUTINE...

656
00:39:52,880 --> 00:39:54,758
THAT IS GONNA RUIN ANY
OF THE GOOD FEELINGS

657
00:39:54,782 --> 00:39:55,988
THAT LANA HAS FOR YOU.

658
00:39:56,012 --> 00:39:57,815
IF THERE ARE ANY.

659
00:39:59,056 --> 00:40:00,363
LOOK.

660
00:40:00,387 --> 00:40:03,166
SOMETIMES YOU GOT TO
TUCK YOUR FEELINGS AWAY

661
00:40:03,190 --> 00:40:05,769
UNTIL IT'S THE RIGHT TIME.

662
00:40:05,793 --> 00:40:07,901
LIKE STUFFING DOLLARS
INTO A PIGGY BANK

663
00:40:07,925 --> 00:40:09,896
FOR A BIKE YOU
CAN'T QUITE AFFORD.

664
00:40:11,367 --> 00:40:14,307
EXCEPT I CAN'T QUITE IMAGINE
THERE IS ANYONE ELSE OUT THERE.

665
00:40:14,331 --> 00:40:16,079
WELL, YOU NEVER KNOW, CLARK.

666
00:40:16,103 --> 00:40:18,952
MAYBE WHEN YOU CRACK OPEN
THAT PIGGY BANK, YOU'LL FIND

667
00:40:18,976 --> 00:40:21,854
THAT ALL THIS TIME YOU
HAVEN'T BEEN SAVING FOR A BIKE.

668
00:40:21,878 --> 00:40:23,981
YOU'VE REALLY BEEN
SAVING FOR A HARLEY.

669
00:40:27,213 --> 00:40:31,193
THERE ARE TIMES WHEN I THINK
YOU DON'T KNOW ME AT ALL...

670
00:40:31,217 --> 00:40:34,221
THEN OTHERS WHERE I THINK YOU
KNOW ME BETTER THAN ANYONE.

671
00:40:35,922 --> 00:40:37,901
WELL, THAT'S WHAT I'M
HERE FOR, SMALLVILLE...

672
00:40:37,925 --> 00:40:40,027
ONE SAVE AT A TIME.

673
00:40:41,998 --> 00:40:46,039
SPEAKING OF SAVING
THINGS... MY CAKE!

674
00:40:46,063 --> 00:40:47,811
CLARK, YOUR MOM THOUGHT
WE MIGHT WANT TO SHARE

675
00:40:47,835 --> 00:40:50,268
SOME OF THE LEFTOVER
BIRTHDAY CAKE.

676
00:40:52,239 --> 00:40:53,816
[ CLEARS THROAT ]

677
00:40:53,840 --> 00:40:55,818
WELL, I'M SURE THERE'S
A GOAT ON THIS FARM

678
00:40:55,842 --> 00:40:58,416
THAT WILL APPRECIATE
MY KNACK FOR BATTER.

679
00:41:02,250 --> 00:41:05,028
YOU HANDLED THE WHOLE
PARTY THING REALLY WELL,

680
00:41:05,052 --> 00:41:06,229
BY THE WAY.

681
00:41:06,253 --> 00:41:07,885
THANKS.

682
00:41:09,887 --> 00:41:12,867
THE BASEBALL
TICKETS, THEY, UM...

683
00:41:12,891 --> 00:41:14,838
HIT ME HARDER THAN I THOUGHT.

684
00:41:14,862 --> 00:41:16,840
YEAH, BUT THOSE TICKETS...

685
00:41:16,864 --> 00:41:18,996
THEY WEREN'T YOUR
DAD'S ONLY GIFT.

686
00:41:22,039 --> 00:41:24,948
I MEAN, IT DIDN'T COME
WITH A BIG, PRETTY RED BOW,

687
00:41:24,972 --> 00:41:27,251
BUT YOUR DAD RAISED
YOU TO BE YOUR OWN MAN.

688
00:41:27,275 --> 00:41:30,253
THAT WAS HIS REAL GIFT...

689
00:41:30,277 --> 00:41:32,981
AND HE GAVE THAT
TO YOU EVERY DAY.

690
00:41:36,483 --> 00:41:38,262
I THOUGHT YOU JUST CAME HERE

691
00:41:38,286 --> 00:41:40,394
TO GET TIPSY OFF
OF LOIS' RUM CAKE.

692
00:41:40,418 --> 00:41:44,869
YEAH. ACTUALLY, I CAME BY FOR
YOUR KRYPTONIAN DICTIONARY.

693
00:41:44,893 --> 00:41:48,202
UM, I RAN LIONEL'S
SYMBOLS IN THAT PROGRAM,

694
00:41:48,226 --> 00:41:50,474
AND IT CAME UP
WITH THIS PATTERN...

695
00:41:50,498 --> 00:41:53,902
3 SIGNS REPEATED 32 TIMES.

696
00:42:00,077 --> 00:42:01,980
WHAT DOES IT SAY?

697
00:42:05,143 --> 00:42:07,045
"ZOD IS COMING."

698
00:42:21,329 --> 00:42:24,309
Captions by VITAC...
www.vitac.com

699
00:42:24,333 --> 00:42:27,335
CAPTIONS PAID FOR BY
WARNER BROS. TELEVISION