1 00:00:00,531 --> 00:00:02,979 PREVIOUSLY ON "ALIAS"... 2 00:00:03,003 --> 00:00:05,011 MS. BRISTOW, WE KNOW YOU KNOW HOW TO READ THIS CODE. 3 00:00:05,035 --> 00:00:07,583 DECIPHER THE TEXT, AND WE WON'T HAVE TO... 4 00:00:07,607 --> 00:00:10,556 DON'T BOTHER NEGOTIATING WITH ME! 5 00:00:10,580 --> 00:00:11,740 [ ELECTRICITY CRACKLING ] AAH! 6 00:00:21,422 --> 00:00:23,029 SYDNEY. DAD. 7 00:00:23,053 --> 00:00:24,893 YOU'RE ALL RIGHT, SWEETHEART. YOU'RE ALL RIGHT. 8 00:00:29,600 --> 00:00:31,501 HE'S WITH US. GET IN. 9 00:00:33,033 --> 00:00:36,036 YOU MADE IT, SYDNEY. 10 00:00:37,737 --> 00:00:39,469 YOU MADE IT. 11 00:01:17,177 --> 00:01:19,055 Lauren: THE BIGGEST PROBLEM, OBVIOUSLY, IS LINDSEY. 12 00:01:19,079 --> 00:01:21,328 HE'S GOING TO DO EVERYTHING HE CAN TO DISCREDIT US. 13 00:01:21,352 --> 00:01:23,360 BUT AT THE VERY LEAST, 14 00:01:23,384 --> 00:01:25,462 WE'LL BE ABLE TO GET TO SYDNEY'S COORDINATES. 15 00:01:25,486 --> 00:01:26,662 Sloane: WHERE'S THE... 16 00:01:26,686 --> 00:01:29,260 WHERE'S THE OTHER MAP? 17 00:01:31,322 --> 00:01:32,799 Vaughn: OKAY, ACCORDING. 18 00:01:32,823 --> 00:01:35,372 TO THE GEOSYNCHRONOUS ORBITAL POSITION, 19 00:01:35,396 --> 00:01:36,802 OUR ENTRANCE IS HERE AND HERE. 20 00:01:36,826 --> 00:01:38,569 WE'VE GOT TO SECURE THIS... 21 00:01:44,835 --> 00:01:47,378 SWEETHEART, YOU'RE OKAY. 22 00:01:58,519 --> 00:02:00,191 HOW DO YOU FEEL? 23 00:02:01,652 --> 00:02:04,123 BETTER, THANKS. 24 00:02:05,626 --> 00:02:08,134 WHAT'S GOING ON? 25 00:02:08,158 --> 00:02:09,605 YOU SHOULD KNOW... SLOANE WAS INSTRUMENTAL 26 00:02:09,629 --> 00:02:11,608 IN ORCHESTRATING YOUR ESCAPE. 27 00:02:11,632 --> 00:02:13,139 I SUPPOSE I OWE YOU A THANK YOU. 28 00:02:13,163 --> 00:02:15,141 SYDNEY, AS LONG AS YOU'RE ALIVE, 29 00:02:15,165 --> 00:02:17,514 YOU'LL NEVER OWE ME A THING. 30 00:02:17,538 --> 00:02:20,546 NOT JUST YOU. 31 00:02:20,570 --> 00:02:25,421 BREAKING ME OUT OF THAT FACILITY WAS DANGEROUS AND SELFLESS. 32 00:02:25,445 --> 00:02:27,478 THANK YOU. 33 00:02:28,649 --> 00:02:29,819 ALL OF YOU. 34 00:02:32,223 --> 00:02:33,860 AT THE MOMENT, WE'RE FUGITIVES, 35 00:02:33,884 --> 00:02:35,662 BUT WE'RE WORKING ON A PLAN TO FRAME THE COVENANT 36 00:02:35,686 --> 00:02:37,503 FOR YOUR EXTRACTION. 37 00:02:37,527 --> 00:02:38,905 HAVE YOU MAPPED THE COORDINATES 38 00:02:38,929 --> 00:02:40,537 FROM THE CODE THAT LINDSEY FOUND IN ROME? 39 00:02:40,561 --> 00:02:41,908 THEY POINT TO A STRIP OF DESERT NEAR THE SAN ANDREAS FAULT 40 00:02:41,932 --> 00:02:44,240 LESS THAN AN HOUR FROM HERE. 41 00:02:44,264 --> 00:02:45,711 IF THERE'S SOMETHING WAITING FOR US, 42 00:02:45,735 --> 00:02:47,174 IT'S MOST LIKELY BURIED. 43 00:02:47,198 --> 00:02:49,246 I'M GOING TO GO CHECK IT OUT. 44 00:02:49,270 --> 00:02:51,177 IN THE MEANTIME, WE HAVE A LEAD... 45 00:02:51,201 --> 00:02:52,718 SOMETHING THAT MIGHT ACTUALLY HELP US 46 00:02:52,742 --> 00:02:54,680 RETRIEVE YOUR LOST MEMORIES. 47 00:02:54,704 --> 00:02:56,151 SYDNEY, MY FOUNDATION GIVES GRANTS 48 00:02:56,175 --> 00:02:58,254 TO VARIOUS RESEARCHERS. 49 00:02:58,278 --> 00:03:00,486 ONE OF THESE MEN HAS IN DEVELOPMENT 50 00:03:00,510 --> 00:03:03,229 A NON-INVASIVE THERAPY FOR TREATING 51 00:03:03,253 --> 00:03:05,591 LONG-TERM SEVERE AMNESIA. 52 00:03:05,615 --> 00:03:07,264 IF THIS THERAPY WORKS, 53 00:03:07,288 --> 00:03:09,466 WHY DIDN'T YOU MENTION IT BEFORE? 54 00:03:09,490 --> 00:03:12,239 WELL, SYDNEY, UP UNTIL NOW, I DIDN'T THINK 55 00:03:12,263 --> 00:03:14,294 THAT YOU'D BE WILLING TO ACCEPT MY HELP. 56 00:03:17,867 --> 00:03:19,945 DAD, I WANT TO GO WITH YOU. 57 00:03:19,969 --> 00:03:22,432 YOU SHOULD REST. I'VE RESTED ENOUGH. 58 00:03:27,737 --> 00:03:30,787 SO I WAS AN IDIOT. 59 00:03:30,811 --> 00:03:32,718 MICHAEL TRIED TO WARN ME ABOUT LINDSEY, 60 00:03:32,742 --> 00:03:34,390 BUT I DIDN'T LISTEN. 61 00:03:34,414 --> 00:03:36,893 I COULDN'T BELIEVE WHAT HE WAS TELLING ME, 62 00:03:36,917 --> 00:03:39,765 SO I DID WHAT I ALWAYS DO... 63 00:03:39,789 --> 00:03:40,896 I FOLLOWED THE RULES. 64 00:03:40,920 --> 00:03:43,293 Jack: WE SHOULD GO. 65 00:03:47,627 --> 00:03:49,476 YOU SAID ON THE HELICOPTER 66 00:03:49,500 --> 00:03:50,906 THAT WHEN LINDSEY FORCED YOU TO BREAK THE CODE, 67 00:03:50,930 --> 00:03:52,778 YOU GAVE HIM FALSE COORDINATES. 68 00:03:52,802 --> 00:03:54,610 WHERE DID YOU SEND THEM? 69 00:03:54,634 --> 00:03:57,283 I DON'T KNOW. I... 70 00:03:57,307 --> 00:03:59,310 I THINK SOMEWHERE IN SIMI VALLEY. 71 00:04:10,920 --> 00:04:12,299 [ TELEPHONE RINGS ] 72 00:04:12,323 --> 00:04:13,460 YEAH? 73 00:04:13,484 --> 00:04:14,631 Man: SIR, WE'VE CHECKED THE LOCATION. 74 00:04:14,655 --> 00:04:16,262 IT'S CLEAN. IT'S A LIQUOR STORE. 75 00:04:16,286 --> 00:04:17,903 I WANT YOU TO CHECK IT AGAIN. 76 00:04:17,927 --> 00:04:19,466 I THINK WE'VE BEEN PLAYED. DON'T TELL ME WE'VE BEEN PLAYED. 77 00:04:19,490 --> 00:04:20,560 CHECK IT AGAIN! 78 00:04:43,514 --> 00:04:45,831 WHAT IF WHATEVER WE'RE LOOKING FOR ISN'T METAL? 79 00:04:45,855 --> 00:04:49,034 THEN WE'RE SCREWED. NOT AN UNFAMILIAR SITUATION. 80 00:04:49,058 --> 00:04:52,468 LISTEN, SYDNEY, WHILE I REMAIN SKEPTICAL 81 00:04:52,492 --> 00:04:54,571 OF SLOANE'S ALLEGED REHABILITATION, 82 00:04:54,595 --> 00:04:57,374 THE MAN JUMPED IN FRONT OF A BULLET TO SAVE MY LIFE. 83 00:04:57,398 --> 00:04:58,805 I'VE BEEN THROUGH TOO MUCH WITH HIM. 84 00:04:58,829 --> 00:05:00,706 I DON'T TRUST THAT MAN. 85 00:05:00,730 --> 00:05:02,678 AND I STILL CAN'T BELIEVE YOU DON'T FEEL THE SAME. 86 00:05:02,702 --> 00:05:05,050 WHAT I'M FEELING IS IRRELEVANT. 87 00:05:05,074 --> 00:05:08,014 IN CONSPIRING TO SAVE YOU FROM THE NSC, 88 00:05:08,038 --> 00:05:10,387 SLOANE'S ALSO GIVEN US ALL THE AMMUNITION 89 00:05:10,411 --> 00:05:12,358 WE'D EVER NEED TO INVALIDATE HIS PARDON AGREEMENT. 90 00:05:12,382 --> 00:05:14,620 HE'S PUT HIS LIFE IN OUR HANDS. 91 00:05:14,644 --> 00:05:17,363 AND AS FAR AS BREAKING YOU OUT, 92 00:05:17,387 --> 00:05:20,750 YOURS WAS IN HIS. 93 00:05:25,995 --> 00:05:27,697 HIKE! 94 00:05:32,432 --> 00:05:34,310 NICE CATCH, STEVEN. 95 00:05:34,334 --> 00:05:36,466 HEY, ROBIN. 96 00:05:40,441 --> 00:05:42,473 SWEETIE, COME HERE. STEVEN, COME HERE! 97 00:05:48,548 --> 00:05:50,497 SPECIAL AGENT REIMS, FBI. YOU'RE UNDER ARREST ON SUSPICION 98 00:05:50,521 --> 00:05:52,858 OF CONSPIRACY TO IMPEDE A FEDERAL INVESTIGATION. 99 00:05:52,882 --> 00:05:54,701 THIS IS LINDSEY, ISN'T IT? YOUR CHILDREN WILL BE LOOKED AFTER 100 00:05:54,725 --> 00:05:56,502 THROUGH THE DURATION OF YOUR CUSTODY... HE ORDERED THIS? 101 00:05:56,526 --> 00:05:58,735 UNLESS YOU FIND A SUITABLE FAMILY MEMBER. 102 00:05:58,759 --> 00:06:00,630 YOU'RE GOING TO HAVE TO COME WITH US. 103 00:06:07,437 --> 00:06:08,915 IS THIS FAMILIAR TO YOU? 104 00:06:08,939 --> 00:06:11,141 NO. 105 00:06:33,494 --> 00:06:35,502 I DON'T KNOW IF I BURIED IT MYSELF, 106 00:06:35,526 --> 00:06:37,504 OR IF IT WAS LEFT FOR ME TO FIND. 107 00:06:37,528 --> 00:06:38,975 AND THAT SYMBOL? 108 00:06:38,999 --> 00:06:40,646 IT SYMBOLIZES MEMBERSHIP 109 00:06:40,670 --> 00:06:42,509 IN THE MAGNIFIC ORDER OF RAMBALDI. 110 00:06:42,533 --> 00:06:44,810 WHOEVER THAT PERSON WAS, HE MADE A VOW 111 00:06:44,834 --> 00:06:46,983 TO SAFEGUARD RAMBALDI'S PROPHECIES. 112 00:06:47,007 --> 00:06:48,485 WHEN YOU GET BACK, YOU'LL ASK MARSHALL 113 00:06:48,509 --> 00:06:49,985 TO RUN A DNA TEST. 114 00:06:50,009 --> 00:06:51,488 RIGHT. WHAT'S YOUR ALIBI? 115 00:06:51,512 --> 00:06:52,988 I'll RETURN TO LINDSEY, 116 00:06:53,012 --> 00:06:54,990 TELL HIM I WAS ABDUCTED BY THE COVENANT, 117 00:06:55,014 --> 00:06:56,762 AND THAT YOU'RE STILL BEING HELD HOSTAGE. 118 00:06:56,786 --> 00:06:58,124 AND WHAT ARE WE SAYING THEY WANT? 119 00:06:58,148 --> 00:06:59,865 HOW ABOUT THE RAMBALDI DEVICE? 120 00:06:59,889 --> 00:07:01,827 YOU'D LIKE THAT, WOULDN'T YOU? 121 00:07:01,851 --> 00:07:03,829 SYDNEY, I KNOW WHAT YOU'RE THINKING. 122 00:07:03,853 --> 00:07:05,672 WHY DON'T YOU ASK YOURSELF... 123 00:07:05,696 --> 00:07:06,973 IF THE DEVICE WAS SO VALUABLE TO ME, WHY DID I LET IT GO? 124 00:07:06,997 --> 00:07:09,576 FOR YOUR FREEDOM. 125 00:07:09,600 --> 00:07:10,776 YOU TRADED IT FOR YOUR PARDON, 126 00:07:10,800 --> 00:07:11,978 AND HERE'S YOUR CHANCE TO GET IT BACK. 127 00:07:12,002 --> 00:07:14,511 IT IS SOMETHING THE CIA MIGHT BELIEVE 128 00:07:14,535 --> 00:07:15,812 THE COVENANT WOULD TAKE IN EXCHANGE FOR YOU. 129 00:07:15,836 --> 00:07:17,483 AND ONCE WE MAKE THE EXCHANGE, 130 00:07:17,507 --> 00:07:18,985 THE DEVICE WILL BE DESTROYED. 131 00:07:19,009 --> 00:07:20,646 NO ONE WILL HAVE IT. 132 00:07:20,670 --> 00:07:22,819 I'll CONTACT BOB LINDSEY AND TELL HIM. 133 00:07:22,843 --> 00:07:24,120 THAT MY SOURCES HAVE CONFIRMED 134 00:07:24,144 --> 00:07:25,822 THAT THE COVENANT IS RESPONSIBLE 135 00:07:25,846 --> 00:07:27,454 FOR YOUR BREAKOUT. 136 00:07:27,478 --> 00:07:28,824 AS SOON AS I HEAR FROM DR. BREZZEL, 137 00:07:28,848 --> 00:07:30,526 I'll LET YOU KNOW. 138 00:07:30,550 --> 00:07:32,427 HE'S THE NEURO RESEARCHER. HE WORKS OUT OF YALE. 139 00:07:32,451 --> 00:07:34,730 WHAT ABOUT YOU? 140 00:07:34,754 --> 00:07:36,161 WE'RE SAYING THAT YOUR FATHER AND I 141 00:07:36,185 --> 00:07:37,663 WERE INVESTIGATING YOUR DISAPPEARANCE. 142 00:07:37,687 --> 00:07:39,004 WE'RE SETTING UP A PAPER TRAIL... 143 00:07:39,028 --> 00:07:40,606 RENT-A-CARS, AIRLINE TICKETS... 144 00:07:40,630 --> 00:07:41,908 THERE'S SOMETHING ELSE THAT JUST OCCURRED TO ME. 145 00:07:41,932 --> 00:07:43,540 IF LINDSEY'S TO BELIEVE I WAS BEING HELD 146 00:07:43,564 --> 00:07:44,670 BY THE COVENANT, THERE NEEDS TO BE 147 00:07:44,694 --> 00:07:46,613 SOME EVIDENCE OF MY MISTREATMENT. 148 00:07:46,637 --> 00:07:47,673 NO. 149 00:07:47,697 --> 00:07:49,014 SHE'S RIGHT. 150 00:07:49,038 --> 00:07:50,146 I WAS GOING TO BRING THAT UP MYSELF 151 00:07:50,170 --> 00:07:51,677 AT THE LAST POSSIBLE MOMENT. 152 00:07:51,701 --> 00:07:52,848 I AM NOT GOING TO LET YOU BEAT... 153 00:07:52,872 --> 00:07:53,850 I'M THE ONLY ONE WHO'S NSC, 154 00:07:53,874 --> 00:07:55,721 THE ONLY ONE LINDSEY WILL LISTEN TO. 155 00:07:55,745 --> 00:07:58,124 IF I DON'T GO BACK, HE'S GOING TO THINK I'M PARTY TO THIS. 156 00:07:58,148 --> 00:08:00,125 JACK, THIS IS INSANE. VAUGHN, THIS WHOLE SITUATION'S A PROBLEM. 157 00:08:00,149 --> 00:08:02,689 WE NEED PHYSICAL EVIDENCE TO HELP SELL THE IDEA 158 00:08:02,713 --> 00:08:04,113 THAT THE COVENANT WAS RESPONSIBLE. 159 00:08:06,716 --> 00:08:08,764 YOU SHOULD DO IT. 160 00:08:08,788 --> 00:08:11,190 WHENEVER YOU'RE READY. 161 00:08:16,726 --> 00:08:18,569 JUST GET IT OVER WITH. 162 00:08:24,675 --> 00:08:26,776 I KNOW HOW DIFFICULT THIS MUST BE... 163 00:08:30,680 --> 00:08:34,860 THAT WAS FOR TURNING ME IN TO LINDSEY. 164 00:08:34,884 --> 00:08:37,524 THIS IS FOR HELPING ME BREAK OUT. 165 00:08:37,548 --> 00:08:39,990 NOW LET'S GET THIS OVER WITH. 166 00:08:52,131 --> 00:08:55,741 WHERE'S SYDNEY BRISTOW? 167 00:08:55,765 --> 00:08:58,014 YOU COVERED FOR HER ONCE, AND IT COST YOU YOUR JOB. 168 00:08:58,038 --> 00:09:00,716 DO IT AGAIN... 169 00:09:00,740 --> 00:09:03,119 THIS CELL WILL BE YOUR HOME FOR THE NEXT 10 YEARS. 170 00:09:03,143 --> 00:09:06,192 MY LAWYER'S NAME IS SHELLY BYRD. 171 00:09:06,216 --> 00:09:08,254 YOUR ONLY PLAY HERE IS TO TELL ME 172 00:09:08,278 --> 00:09:11,927 WHERE SYDNEY BRISTOW IS AND WHO BROKE HER OUT. 173 00:09:11,951 --> 00:09:13,730 WAS IT HER FATHER? 174 00:09:13,754 --> 00:09:15,601 WHAT I KNOW HERE 175 00:09:15,625 --> 00:09:18,104 IS THAT SENDING AGENTS TO ARREST ME 176 00:09:18,128 --> 00:09:20,265 IN FRONT OF MY CHILDREN IS ONE OF THE LAST MISTAKES 177 00:09:20,289 --> 00:09:23,033 YOU'LL EVER MAKE AS SENIOR DIRECTOR OF THE NSC. 178 00:09:24,965 --> 00:09:27,943 I'VE KNOWN MEN LIKE YOU... 179 00:09:27,967 --> 00:09:31,778 MEN WHO PRETEND TO BE PATRIOTS. 180 00:09:31,802 --> 00:09:34,244 YOU ARE ALWAYS REVEALED. 181 00:09:36,076 --> 00:09:38,124 WHAT? 182 00:09:38,148 --> 00:09:39,926 SIR, IT'S LAUREN REED. 183 00:09:39,950 --> 00:09:41,181 SHE'S HERE. 184 00:09:45,816 --> 00:09:48,094 SHE WAS THROWN FROM A VAN IN FRONT OF THE BUILDING. 185 00:09:48,118 --> 00:09:49,995 JUST DROVE BY AND DUMPED HER. WHEN? 186 00:09:50,019 --> 00:09:52,138 LESS THEN FIVE MINUTES AGO. SHE REFUSED MEDICAL SERVICES. 187 00:09:52,162 --> 00:09:54,063 SAID SHE NEEDED TO SPEAK WITH YOU. 188 00:10:02,172 --> 00:10:04,210 AND THAT WAS THE COVENANT'S ONLY DEMAND? 189 00:10:04,234 --> 00:10:05,812 YES. 190 00:10:05,836 --> 00:10:07,312 "YOUR PEOPLE WANT SYDNEY BRISTOW. 191 00:10:07,336 --> 00:10:09,154 WE WANT THE RAMBALDI DEVICE." 192 00:10:09,178 --> 00:10:10,986 THAT'S WHAT THE MAN SAID. 193 00:10:11,010 --> 00:10:11,987 THE VOICE? 194 00:10:12,011 --> 00:10:14,090 YES. 195 00:10:14,114 --> 00:10:17,322 YOU DON'T FIND THE TIMING CURIOUS? 196 00:10:17,346 --> 00:10:20,667 THAT SYDNEY BRISTOW WAS TAKEN FROM A BLACK OPS U.S. FACILITY, 197 00:10:20,691 --> 00:10:22,629 THAT SOMEHOW THEY TOOK YOU AS WELL, 198 00:10:22,653 --> 00:10:24,330 THAT YOU'VE SINCE BEEN RELEASED, 199 00:10:24,354 --> 00:10:28,674 AND MEANWHILE YOUR HUSBAND AND SYDNEY BRISTOW'S FATHER 200 00:10:28,698 --> 00:10:31,908 ARE M.I.A. SEARCHING FOR A COVENANT CELL? 201 00:10:31,932 --> 00:10:33,308 CURIOUS? 202 00:10:33,332 --> 00:10:35,181 NO. 203 00:10:35,205 --> 00:10:39,716 LOGICAL, APPROPRIATE, LUCKY AS HELL FOR ME... YES. 204 00:10:39,740 --> 00:10:41,717 I DON'T KNOW WHY THE COVENANT IS WILLING 205 00:10:41,741 --> 00:10:43,720 TO MAKE THIS EXCHANGE OR WHAT IT MEANS, 206 00:10:43,744 --> 00:10:45,751 BUT SYDNEY IS DEPENDING ON YOUR MAKING THIS HAPPEN. 207 00:10:45,775 --> 00:10:49,195 SINCE WHEN DID YOU AND BRISTOW BECOME SO CLOSE? 208 00:10:49,219 --> 00:10:51,658 OR IS THAT ABOUT SHARING THE SAME MAN? 209 00:10:51,682 --> 00:10:55,331 THIS IS A WOMAN'S LIFE. 210 00:10:55,355 --> 00:10:58,664 PROTECT IT, OR I WILL REPORT 211 00:10:58,688 --> 00:11:01,236 EVERYTHING YOU'VE DONE TO YOUR SUPERIORS. 212 00:11:01,260 --> 00:11:03,208 NEED I REMIND YOU THAT IT WAS YOUR HUSBAND 213 00:11:03,232 --> 00:11:04,711 WHO HELPED HER FLEE THE COUNTRY 214 00:11:04,735 --> 00:11:06,211 WHEN SHE WAS WANTED BY THE NSC? 215 00:11:06,235 --> 00:11:07,714 IN THE WRONG HANDS, 216 00:11:07,738 --> 00:11:10,716 THAT INFORMATION COULD BE QUITE DAMAGING. 217 00:11:10,740 --> 00:11:13,243 ONE MORE THING. 218 00:11:15,075 --> 00:11:18,924 AT 6:30 THIS EVENING, YOU ARE TO PRESS REDIAL. 219 00:11:18,948 --> 00:11:20,385 THE PERSON WHO ANSWERS 220 00:11:20,409 --> 00:11:22,057 WILL GIVE YOU THE DETAILS OF THE EXCHANGE. 221 00:11:22,081 --> 00:11:23,389 HELLO? 222 00:11:23,413 --> 00:11:24,890 Man: [ Distorted ] THE RAMBALDI DEVICE. 223 00:11:24,914 --> 00:11:26,192 IN EXCHANGE FOR SYDNEY BRISTOW. 224 00:11:26,216 --> 00:11:27,734 DO WE HAVE A DEAL? 225 00:11:27,758 --> 00:11:29,235 YES. 226 00:11:29,259 --> 00:11:30,736 KEEP THIS PHONE WITH YOU AT ALL TIMES. 227 00:11:30,760 --> 00:11:33,823 YOU WILL BE NOTIFIED AS TO TIME AND PLACE. 228 00:11:43,702 --> 00:11:46,706 LAUREN DID WELL. 229 00:11:57,888 --> 00:11:59,365 I NEVER THANKED YOU 230 00:11:59,389 --> 00:12:00,927 FOR HELPING ME EXTRACT SYDNEY. 231 00:12:00,951 --> 00:12:02,828 YOU DON'T HAVE TO THANK ME. 232 00:12:02,852 --> 00:12:04,770 YES, I DO. 233 00:12:04,794 --> 00:12:06,897 ESPECIALLY GIVEN YOUR HISTORY. 234 00:12:09,058 --> 00:12:12,477 I USED TO THINK YOU DIDN'T HAVE MUCH OF A SPINE. 235 00:12:12,501 --> 00:12:14,980 AND HAS THAT ASSESSMENT CHANGED AT ALL? 236 00:12:15,004 --> 00:12:16,336 NO. 237 00:12:50,000 --> 00:12:53,149 DR. BREZZEL'S EXPECTING US. 238 00:12:53,173 --> 00:12:55,451 THIS IS WHERE HE WORKS? 239 00:12:55,475 --> 00:12:57,383 WOW. 240 00:12:57,407 --> 00:12:58,884 SAY SOMETHING ELSE. 241 00:12:58,908 --> 00:13:00,279 MAY WE COME IN? 242 00:13:03,153 --> 00:13:04,183 PROFESSOR! 243 00:13:08,288 --> 00:13:10,360 THERE ARE SOME BEAUTIFUL PEOPLE HERE. 244 00:13:14,965 --> 00:13:17,472 YOU KNOW, I WAS THINKING JUST NOW, 245 00:13:17,496 --> 00:13:20,907 UH, I WASN'T EXPECTING YOU UNTIL TUESDAY, 246 00:13:20,931 --> 00:13:22,948 AND, UM... HI. 247 00:13:22,972 --> 00:13:24,549 AND THEN I REALIZED THAT IT IS. 248 00:13:24,573 --> 00:13:27,953 IT'S TUESDAY. AND, UH... 249 00:13:27,977 --> 00:13:31,486 YOU KNOW, YOU'VE COME TO ME AT A REALLY AWKWARD TIME. 250 00:13:31,510 --> 00:13:33,188 I'M NOT NEARLY FINISHED, 251 00:13:33,212 --> 00:13:36,022 SO I CAN'T PROMISE YOU ANYTHING. 252 00:13:36,046 --> 00:13:39,125 STILL, YOUR RESEARCH IN MEMORY RETRIEVAL 253 00:13:39,149 --> 00:13:40,796 SOUNDS QUITE PROMISING. 254 00:13:40,820 --> 00:13:42,028 OH, YEAH, WELL, THAT... THAT'S... 255 00:13:42,052 --> 00:13:43,198 WELL, IT'S REALLY A TRIP. 256 00:13:43,222 --> 00:13:47,332 CAN I... DO YOU MIND IF I... 257 00:13:47,356 --> 00:13:49,034 [ WHISPERING ] 258 00:13:49,058 --> 00:13:51,878 OH, SHE LIKES TO HUG PEOPLE. 259 00:13:51,902 --> 00:13:53,208 THIS IS KAYA. 260 00:13:53,232 --> 00:13:55,010 SHE'S ONE OF MY STUDENTS. 261 00:13:55,034 --> 00:13:57,984 UH, CAPABLE, BUT, UH... 262 00:13:58,008 --> 00:14:00,316 SHE'S ALL ABOUT HUGGING. 263 00:14:00,340 --> 00:14:02,948 ALL ABOUT HUGGING... 264 00:14:02,972 --> 00:14:05,051 YOU KNOW, I'M STARVING. 265 00:14:05,075 --> 00:14:06,976 ANYONE ELSE? 266 00:14:09,950 --> 00:14:11,297 OKAY, YOU HAVE GOT TO BE KIDDING ME. 267 00:14:11,321 --> 00:14:13,259 I CAN'T DO THIS. 268 00:14:13,283 --> 00:14:15,283 LOOK, WE'RE NOT HERE BECAUSE WE HAVE OTHER OPTIONS. 269 00:14:25,195 --> 00:14:26,542 FACON? 270 00:14:26,566 --> 00:14:28,443 AH, NO, THANKS. 271 00:14:28,467 --> 00:14:30,115 FACON? NO, THANK YOU. 272 00:14:30,139 --> 00:14:32,217 NO? 273 00:14:32,241 --> 00:14:36,422 FACON... PROCESSED SOY PROTEIN 274 00:14:36,446 --> 00:14:38,583 SHAPED AND COLORED TO RESEMBLE 275 00:14:38,607 --> 00:14:42,057 THE ESSENCE OF SMOKED PIG FLESH. 276 00:14:42,081 --> 00:14:46,032 WE LIVE IN AN AGE OF SIMULATIONS. 277 00:14:46,056 --> 00:14:48,264 BUT FACON IS ONLY ONE OF MANY ILLUSIONS 278 00:14:48,288 --> 00:14:50,395 OF THE POSTMODERN WORLD. 279 00:14:50,419 --> 00:14:53,568 I DON'T KNOW ANYTHING ABOUT YOU, 280 00:14:53,592 --> 00:14:57,503 EXCEPT THAT I'M NOT SUPPOSED TO KNOW ANYTHING ABOUT YOU. 281 00:14:57,527 --> 00:15:00,505 SUFFICE TO SAY THAT THERE ARE PEOPLE 282 00:15:00,529 --> 00:15:02,278 WHO ARE UNDER THE IMPRESSION 283 00:15:02,302 --> 00:15:04,179 THAT MY DAUGHTER HAS COMMITTED A CRIME. 284 00:15:04,203 --> 00:15:05,581 HER MEMORIES ARE THE ONLY THINGS 285 00:15:05,605 --> 00:15:07,383 THAT CAN EXONERATE HER. 286 00:15:07,407 --> 00:15:10,456 I SEE. SO THERE'S PRESSURE... 287 00:15:10,480 --> 00:15:12,989 PRESSURE THAT THE THERAPY SHOULD WORK. 288 00:15:13,013 --> 00:15:14,990 UM, REAL STAKES. 289 00:15:15,014 --> 00:15:17,222 AND HOW DOES THE THERAPY WORK? 290 00:15:17,246 --> 00:15:19,294 TELL THEM HOW YOU GOT THE IDEA, 291 00:15:19,318 --> 00:15:21,267 BUT NOT THE LONG VERSION. 292 00:15:21,291 --> 00:15:24,000 I BEGAN IN THE NEUROSCIENCES. 293 00:15:24,024 --> 00:15:26,001 UH, BACKGROUND IN PHILOSOPHY. 294 00:15:26,025 --> 00:15:28,975 TREATED HEAD TRAUMA PATIENTS FOR 12 YEARS 295 00:15:28,999 --> 00:15:32,477 UNTIL ONE NIGHT ON I-95 296 00:15:32,501 --> 00:15:34,409 I BECAME ONE OF THEM... 297 00:15:34,433 --> 00:15:36,282 A HEAD TRAUMA PATIENT. 298 00:15:36,306 --> 00:15:38,614 I DROVE INTO THE HIGHWAY MEDIAN. 299 00:15:38,638 --> 00:15:40,385 TOTALED MY PICKUP TRUCK. 300 00:15:40,409 --> 00:15:45,150 SO I SPENT THE NEXT 18 MONTHS IN VARIOUS FORMS OF TRACTION. 301 00:15:45,174 --> 00:15:48,323 NOW, THAT'S NOT THE TORTURE YOU'D EXPECT, 302 00:15:48,347 --> 00:15:51,027 NOT MOVING FOR A YEAR AND A HALF. 303 00:15:51,051 --> 00:15:54,659 IT'S... IT'S LIBERATING, ODDLY. 304 00:15:54,683 --> 00:15:58,104 WELL, IN ANY EVENT, UH... ONE NIGHT... 305 00:15:58,128 --> 00:16:01,206 MONTH 11 OF MY MOTIONLESSNESS... 306 00:16:01,230 --> 00:16:04,309 SOMETHING OBVIOUS OCCURRED TO ME. 307 00:16:04,333 --> 00:16:08,344 OUR DREAMS ARE BOTH A PRIORI 308 00:16:08,368 --> 00:16:11,346 AND A POSTERIORI, 309 00:16:11,370 --> 00:16:14,679 WHICH MEANS THAT OUR DREAMS CONTAIN OUR MEMORIES, 310 00:16:14,703 --> 00:16:18,053 WHICH MEANS THAT THERE'S A SHARED RESERVOIR. 311 00:16:18,077 --> 00:16:22,028 SO, UM, I BEGAN TO CONSIDER WAYS 312 00:16:22,052 --> 00:16:25,490 TO CONSCIOUSLY ENTER THE SUBCONSCIOUS... 313 00:16:25,514 --> 00:16:27,663 WAYS TO CONVINCE THE BRAIN 314 00:16:27,687 --> 00:16:30,666 THAT IT WAS TRULY EXPERIENCING 315 00:16:30,690 --> 00:16:33,538 THE DREAM MEMORY STATE. 316 00:16:33,562 --> 00:16:36,371 SO, I TURNED TO THE ONE THING 317 00:16:36,395 --> 00:16:38,203 THAT I REALLY KNEW. 318 00:16:38,227 --> 00:16:40,145 DRUGS. 319 00:16:40,169 --> 00:16:44,310 ERGO, I TOTALED MY PICKUP TRUCK. 320 00:16:44,334 --> 00:16:47,312 WHAT ARE THE DRUGS? 321 00:16:47,336 --> 00:16:49,685 OH, WELL, THE COCKTAIL'S A, MM, HAPPY COMBO 322 00:16:49,709 --> 00:16:53,058 OF SYNTHETICS AND ORGANICS. 323 00:16:53,082 --> 00:16:54,659 I MEAN, IT WON'T KILL YOU, 324 00:16:54,683 --> 00:16:57,062 BUT DEPENDING ON WHAT THEY ARE, 325 00:16:57,086 --> 00:16:59,119 YOUR DREAMS JUST MIGHT. 326 00:17:01,051 --> 00:17:04,399 I SAY WE GET THIS PARTY STARTED. 327 00:17:04,423 --> 00:17:06,425 KAYA WILL SHOW YOU WHERE TO CHANGE. 328 00:17:10,099 --> 00:17:12,132 COME WITH ME. 329 00:17:19,108 --> 00:17:22,118 Brezzel: WHEN MOST PEOPLE ARE ASLEEP, 330 00:17:22,142 --> 00:17:23,649 THEY DON'T REALIZE THEY'RE DREAMING 331 00:17:23,673 --> 00:17:25,650 UNTIL THEY'RE AWAKE. 332 00:17:25,674 --> 00:17:28,593 BUT YOU... YOU'RE GOING TO HAVE TO BECOME LUCID 333 00:17:28,617 --> 00:17:30,196 IN THE DREAM STATE ITSELF. 334 00:17:30,220 --> 00:17:32,158 HOW DO I DO THAT? 335 00:17:32,182 --> 00:17:34,629 WELL, THE DRUGS I'M GOING TO GIVE YOU 336 00:17:34,653 --> 00:17:36,232 WILL DO MOST OF THE WORK, 337 00:17:36,256 --> 00:17:39,165 BUT I WILL BE MONITORING YOUR NEURAL ACTIVITY, 338 00:17:39,189 --> 00:17:41,206 AND WHEN I KNOW YOU'RE IN REM, 339 00:17:41,230 --> 00:17:43,768 I WILL GIVE YOU A VERBAL CUE OVER THE HEADPHONES. 340 00:17:43,792 --> 00:17:46,772 TELL ME, WHAT WAS THE LAST THING YOU REMEMBER 341 00:17:46,796 --> 00:17:49,614 BEFORE YOUR MISSING TIME? 342 00:17:49,638 --> 00:17:52,418 BEING KNOCKED UNCONSCIOUS IN MY APARTMENT. 343 00:17:52,442 --> 00:17:54,249 OH. 344 00:17:54,273 --> 00:17:56,121 I SEE. 345 00:17:56,145 --> 00:17:58,254 UH, WELL, 346 00:17:58,278 --> 00:18:01,726 ONCE YOU'RE AWARE THAT YOU'RE IN THE DREAM STATE, 347 00:18:01,750 --> 00:18:04,629 YOUR OBJECTIVE WILL BE TO PICK UP THE THREAD 348 00:18:04,653 --> 00:18:08,293 OF YOUR LAST MEMORY IN AS MUCH DETAIL AS YOU CAN. 349 00:18:08,317 --> 00:18:10,765 HOW? 350 00:18:10,789 --> 00:18:13,438 WELL, YOU'RE GONNA... 351 00:18:13,462 --> 00:18:15,140 YOU KNOW, YOU'RE JUST GOING TO HAVE TO FEEL YOUR WAY BACK. 352 00:18:15,164 --> 00:18:16,802 IT'S LIKE... IT'S LIKE... 353 00:18:16,826 --> 00:18:19,304 IT'S LIKE USING A MUSCLE 354 00:18:19,328 --> 00:18:21,407 THAT YOU NEVER USED BEFORE. 355 00:18:21,431 --> 00:18:23,779 IF YOU CAN GET TO THAT POINT, 356 00:18:23,803 --> 00:18:26,212 JUST STAY WITH IT, 357 00:18:26,236 --> 00:18:29,314 BECAUSE ULTIMATELY YOU WILL BECOME AWARE 358 00:18:29,338 --> 00:18:32,487 OF WHAT HAPPENED NEXT. 359 00:18:32,511 --> 00:18:34,419 I DON'T REALLY UNDERSTAND. 360 00:18:34,443 --> 00:18:36,621 I KNOW. YOU WILL. 361 00:18:36,645 --> 00:18:38,823 JUST BE AWARE 362 00:18:38,847 --> 00:18:41,627 THAT IF YOU ENCOUNTER A NEW MEMORY, 363 00:18:41,651 --> 00:18:43,569 IT MIGHT BE TRAUMATIC. 364 00:18:43,593 --> 00:18:46,232 BUT IT WON'T NECESSARILY BE REAL. 365 00:18:46,256 --> 00:18:47,802 OH, IT WILL BE TO YOU. 366 00:18:47,826 --> 00:18:49,205 HERE ARE YOUR HEADPHONES. 367 00:18:49,229 --> 00:18:51,476 I'M PUTTING THEM ON YOU NOW. 368 00:18:51,500 --> 00:18:52,731 AND... GOOD LUCK. 369 00:19:25,265 --> 00:19:28,514 SYDNEY, I'M GOING TO COUNT DOWN FROM 10. 370 00:19:28,538 --> 00:19:32,677 BY THE TIME I REACH 1, YOU WILL BE ASLEEP. 371 00:19:32,701 --> 00:19:40,701 10... 9... 8... 7... 6... 5... 4... 3... 372 00:19:46,486 --> 00:19:50,460 2... 1... 373 00:19:57,227 --> 00:19:58,843 HEY. 374 00:19:58,867 --> 00:19:59,844 VAUGHN. 375 00:19:59,868 --> 00:20:00,576 YEAH, IT'S ME. 376 00:20:00,600 --> 00:20:01,647 DON'T MOVE. 377 00:20:01,671 --> 00:20:02,648 YOU'VE SUFFERED A SEVERE HEAD TRAUMA. 378 00:20:02,672 --> 00:20:03,779 WHAT? ANY NAUSEA OR DIZZINESS? 379 00:20:03,803 --> 00:20:05,251 NO. WHERE AM I? 380 00:20:05,275 --> 00:20:07,352 ON THE WAY TO THE HOSPITAL. 381 00:20:07,376 --> 00:20:09,385 YOU HAVE A MILD CONCUSSION. YOU'LL BE OKAY. 382 00:20:09,409 --> 00:20:10,656 WE'LL RUN A C.T. SCAN TO CHECK FOR BLEEDING. 383 00:20:10,680 --> 00:20:13,258 LISTEN, WILL'S GOING TO BE OKAY. WHAT? WILL? 384 00:20:13,282 --> 00:20:14,459 HE LOST A LOT OF BLOOD, BUT WE GOT HIM IN TIME. 385 00:20:14,483 --> 00:20:15,690 HE'S ON HIS WAY TO CEDARS. 386 00:20:15,714 --> 00:20:17,191 WILL'S IN WITNESS PROTECTION. 387 00:20:17,215 --> 00:20:19,465 THIS IS NORMAL... GAPS IN MEMORY LEADING UP TO THE INJURY. 388 00:20:19,489 --> 00:20:21,526 SYDNEY, THE WOMAN YOU WERE LIVING WITH WAS NOT FRANCIE. 389 00:20:21,550 --> 00:20:23,599 WE FOUND A FILE THAT WILL WAS COMPILING. 390 00:20:23,623 --> 00:20:25,531 HER NAME IS ALLISON DORN. YOU SHOT HER. 391 00:20:25,555 --> 00:20:27,233 I KNOW. SHE WAS THE SECOND DOUBLE, THE ONE WE NEVER FOUND. 392 00:20:27,257 --> 00:20:28,434 IT'S COMING BACK TO YOU. 393 00:20:28,458 --> 00:20:29,534 MISS, YOU NEED TO LIE DOWN. 394 00:20:29,558 --> 00:20:30,936 WAIT, WAIT. 395 00:20:30,960 --> 00:20:33,478 THE COVENANT... HAVE YOU EVER HEARD OF THE COVENANT? 396 00:20:33,502 --> 00:20:34,939 YEAH, THEY WERE LISTED ON THE S.I.T. REPORT YESTERDAY 397 00:20:34,963 --> 00:20:36,282 AS AN EMERGING THREAT. WHY? ARE THEY INVOLVED IN THIS? 398 00:20:36,306 --> 00:20:37,582 SLOANE... 399 00:20:37,606 --> 00:20:39,685 HAS SLOANE BEEN PARDONED BY THE STATE DEPARTMENT? 400 00:20:39,709 --> 00:20:40,709 PARDONED? 401 00:20:42,471 --> 00:20:45,650 YOU'RE NOT WEARING A WEDDING RING. 402 00:20:45,674 --> 00:20:47,592 NO, I THOUGHT WE'D GO TO SANTA BARBARA FIRST 403 00:20:47,616 --> 00:20:48,817 AND SEE HOW THAT WENT. 404 00:20:53,423 --> 00:20:54,860 YOU'RE NOT MARRIED. 405 00:20:54,884 --> 00:20:57,763 WOW, YOU REALLY DID HIT YOUR HEAD, HUH? 406 00:20:57,787 --> 00:21:01,907 I THOUGHT YOU GAVE UP ON US. 407 00:21:01,931 --> 00:21:04,238 SYD, WHEN I WALKED INTO YOUR APARTMENT 408 00:21:04,262 --> 00:21:06,512 AND I SAW YOU LYING THERE, 409 00:21:06,536 --> 00:21:08,744 I THOUGHT, GOD, DON'T LET ME MISS A CHANCE 410 00:21:08,768 --> 00:21:10,616 TO TELL HER HOW MUCH I LOVE HER. 411 00:21:10,640 --> 00:21:12,701 I LOVE YOU. 412 00:21:16,746 --> 00:21:17,822 [ Gasps ] AAH! 413 00:21:17,846 --> 00:21:19,024 SYDNEY? 414 00:21:19,048 --> 00:21:21,255 GET AWAY FROM ME. 415 00:21:21,279 --> 00:21:22,527 SYDNEY, YOU'RE DREAMING. 416 00:21:22,551 --> 00:21:23,958 UH, IF YOU CAN HEAR ME, 417 00:21:23,982 --> 00:21:25,890 THEN YOU'RE IN A DREAM STATE. 418 00:21:25,914 --> 00:21:27,793 YOU... YOU NEED TO USE IT 419 00:21:27,817 --> 00:21:29,995 TO GET BACK TO WHERE YOU WERE, 420 00:21:30,019 --> 00:21:32,568 TO GET TO THE LAST MEMORY YOU HAVE. 421 00:21:32,592 --> 00:21:34,399 NOW, REMEMBER, 422 00:21:34,423 --> 00:21:36,841 YOU SAID IT WAS IN YOUR APARTMENT 423 00:21:36,865 --> 00:21:37,842 THAT YOU WERE KNOCKED OUT. 424 00:21:37,866 --> 00:21:41,746 YOU MUST TRY TO GO BACK TO THAT PLACE. 425 00:21:41,770 --> 00:21:44,350 YOU MUST TRY TO FIND THAT PLACE. 426 00:21:44,374 --> 00:21:48,853 SYDNEY, YOU ARE IN CONTROL OF YOUR ENVIRONMENT. 427 00:21:48,877 --> 00:21:50,480 GO NOW. 428 00:22:54,373 --> 00:22:55,680 SHE'S OUT OF REM, 429 00:22:55,704 --> 00:22:58,954 AND SHE EXISTS NOW IN ACTUAL MEMORY. 430 00:22:58,978 --> 00:23:00,856 SHE WAS KNOCKED UNCONSCIOUS AFTER THE FIGHT. 431 00:23:00,880 --> 00:23:03,859 HOW CAN SHE REMEMBER ANYTHING THAT HAPPENED AFTER THAT? 432 00:23:03,883 --> 00:23:05,430 BECAUSE UNCONSCIOUSLY, 433 00:23:05,454 --> 00:23:08,464 THE MIND CAN STILL ESTABLISH TRANS-HISTORICAL ACCOUNTS 434 00:23:08,488 --> 00:23:09,935 OF THE REAL WORLD. 435 00:23:09,959 --> 00:23:11,466 MEANING EVEN WITH HER EYES CLOSED, 436 00:23:11,490 --> 00:23:13,037 HER OTHER SENSES WERE ALERT. 437 00:23:13,061 --> 00:23:15,470 YES. THANK YOU. 438 00:23:15,494 --> 00:23:18,142 AND BASED ON THOSE SENSES, 439 00:23:18,166 --> 00:23:20,545 HER BRAIN WILL CONSTRUCT 440 00:23:20,569 --> 00:23:22,808 AN ACCURATE BUT INCOMPLETE MEMORY 441 00:23:22,832 --> 00:23:25,379 OF THE EVENTS THAT FOLLOWED. 442 00:23:25,403 --> 00:23:26,982 THE BARBECUE CHIPS... 443 00:23:27,006 --> 00:23:29,415 PLEASE, COULD YOU PASS ME THOSE? 444 00:23:29,439 --> 00:23:30,740 THANK YOU. 445 00:23:39,919 --> 00:23:42,652 [ LAUGHTER ] 446 00:23:45,755 --> 00:23:48,698 [ MEN WHISPERING ] 447 00:24:02,672 --> 00:24:04,489 Sydney: I SEE THEM. THEY'RE TAKING ME AWAY... 448 00:24:04,513 --> 00:24:06,091 Brezzel: WHO, SYDNEY? 449 00:24:06,115 --> 00:24:09,194 BUT I CAN'T SEE THEIR FACES. 450 00:24:09,218 --> 00:24:12,026 WHAT DID SHE SAY? 451 00:24:12,050 --> 00:24:14,050 UH, SOMEONE WITHOUT A FACE. IT'S NOT THAT UNCOMMON. 452 00:24:23,593 --> 00:24:24,810 [ Distorted ] EXPECTED... 453 00:24:24,834 --> 00:24:27,042 [ Distorted ] EXPECTED BY NOW... 454 00:24:27,066 --> 00:24:29,444 AT LEAST TWO MORE... SCHEDULE... 455 00:24:29,468 --> 00:24:30,745 EXPECTED BY NOW. 456 00:24:30,769 --> 00:24:35,020 [Distorted] AT LEAST TWO MORE... 457 00:24:35,044 --> 00:24:38,122 IT SHOULD BE SOMEWHERE NEAR... HOW MUCH FURTHER? 458 00:24:38,146 --> 00:24:41,156 [Distorted] THEY SAID THEY'D MEET US AT THE SAFE HOUSE... 459 00:24:41,180 --> 00:24:43,688 AND THEN WE'LL GO GET ALLISON. 460 00:24:43,712 --> 00:24:46,631 THERE WERE THREE ALTOGETHER... 461 00:24:46,655 --> 00:24:49,033 [Distorted] TAKE HER OUT. 462 00:24:49,057 --> 00:24:51,760 DON'T. 463 00:25:34,002 --> 00:25:36,164 All: HI, SYDNEY! 464 00:25:40,209 --> 00:25:42,811 HAPPY BIRTHDAY. 465 00:25:48,017 --> 00:25:50,195 HMM. SHE'S EXTRAPOLATING. 466 00:25:50,219 --> 00:25:51,295 MEANING WHAT? 467 00:25:51,319 --> 00:25:53,758 UH, BRAIN ACTIVITY INDICATES 468 00:25:53,782 --> 00:25:55,700 HER MEMORY CENTERS AREN'T ACTIVE. 469 00:25:55,724 --> 00:25:57,002 SHE IS... SHE'S IN A TANGENT. 470 00:25:57,026 --> 00:25:59,959 I WAS IN A TANGENT ONCE. 471 00:26:01,830 --> 00:26:04,168 HOW NICE FOR YOU. 472 00:26:04,192 --> 00:26:08,243 HAPPY BIRTHDAY, HONEY. 473 00:26:08,267 --> 00:26:09,769 MAKE A WISH, SYDNEY. 474 00:26:20,179 --> 00:26:22,811 [ GIRLS CHEERING ] 475 00:26:25,615 --> 00:26:27,056 TIME TO CUT THE CAKE. 476 00:26:30,219 --> 00:26:31,661 IT'S ALL RIGHT. 477 00:26:48,677 --> 00:26:50,254 [ GASPS ] 478 00:26:50,278 --> 00:26:53,988 SYDNEY... LISTEN TO ME. 479 00:26:54,012 --> 00:26:55,920 YOU HAVE TO CONCENTRATE. 480 00:26:55,944 --> 00:26:57,693 IT'S THE ONLY WAY YOU'RE GOING TO GET BACK ON TRACK. 481 00:26:57,717 --> 00:27:00,165 I DON'T KNOW HOW. 482 00:27:00,189 --> 00:27:03,122 FOCUS ON THE LAST DETAIL YOU REMEMBER. 483 00:27:07,256 --> 00:27:08,326 THERE I AM. 484 00:27:11,800 --> 00:27:13,108 EXCUSE ME. 485 00:27:13,132 --> 00:27:14,733 I HAVE TO GO. 486 00:28:34,242 --> 00:28:35,984 SYDNEY. 487 00:29:05,344 --> 00:29:07,151 THIS IS... THIS IS VERY, VERY UNUSUAL. 488 00:29:07,175 --> 00:29:09,093 VERY UNUSUAL. 489 00:29:09,117 --> 00:29:10,896 Vaughn: WHAT? 490 00:29:10,920 --> 00:29:12,898 WELL, SHE... SHE'S STILL IN BETA, 491 00:29:12,922 --> 00:29:14,999 BUT SHE'S DREAMING. 492 00:29:15,023 --> 00:29:17,056 THAT JUST... THAT JUST DOESN'T HAPPEN. 493 00:29:34,772 --> 00:29:36,875 SYDNEY. 494 00:29:40,048 --> 00:29:41,055 YOU KNOW BETTER. 495 00:29:41,079 --> 00:29:42,181 YOU WERE PART OF THIS. 496 00:30:07,105 --> 00:30:09,014 KILL THE POWER FEED! Jack: WHAT THE HELL'S HAPPENING? 497 00:30:09,038 --> 00:30:11,055 SHE'S IN V-TACH! 498 00:30:11,079 --> 00:30:12,918 GET THE EPINEPHRINE! IT'S ON THE TRAY. 499 00:30:12,942 --> 00:30:15,060 GET THESE OFF HER. 500 00:30:15,084 --> 00:30:16,962 SHE'S FLATLINING! 501 00:30:16,986 --> 00:30:18,924 WE NEED TO RESUSCITATE HER NOW. 502 00:30:18,948 --> 00:30:20,118 GET THE DEFIBRILLATOR PADDLES. 503 00:30:21,951 --> 00:30:24,369 200 JOULES, CHARGING. 504 00:30:24,393 --> 00:30:25,393 CLEAR! 505 00:30:26,925 --> 00:30:29,103 WE NEED 300. SYDNEY, WAKE UP. 506 00:30:29,127 --> 00:30:31,000 CLEAR! 507 00:30:48,416 --> 00:30:49,416 HEY. 508 00:30:55,453 --> 00:30:56,831 VAUGHN. 509 00:30:56,855 --> 00:30:58,027 HELP ME UP. 510 00:31:10,868 --> 00:31:12,046 SYD. 511 00:31:12,070 --> 00:31:15,981 I CAN'T HELP IT. I JUST MISS YOU. 512 00:31:16,005 --> 00:31:17,576 I DO. 513 00:31:21,380 --> 00:31:22,888 YOU KNOW WE CAN'T DO THIS. 514 00:31:22,912 --> 00:31:25,930 OH, GIVE ME A BREAK. 515 00:31:25,954 --> 00:31:27,861 IT'S A DREAM. WE CAN DO WHATEVER WE WANT. 516 00:31:27,885 --> 00:31:28,593 NO. 517 00:31:28,617 --> 00:31:29,935 AT LEAST I CAN. 518 00:31:29,959 --> 00:31:33,537 SYD... [ DOOR OPENS ] 519 00:31:33,561 --> 00:31:35,900 YOUR VITALS ARE NORMAL. YOU'RE GOING TO BE FINE. 520 00:31:35,924 --> 00:31:38,467 I ASSUME HE'S TOLD YOU. 521 00:31:45,233 --> 00:31:49,107 GOD, I... IT'S OKAY. 522 00:31:56,045 --> 00:31:59,224 MS. VAUGHN... LAUREN! MS. REED! 523 00:31:59,248 --> 00:32:01,265 HEY. 524 00:32:01,289 --> 00:32:02,627 WHOA. 525 00:32:02,651 --> 00:32:04,168 I HAD TOO MANY JELLY DOUGHNUTS. 526 00:32:04,192 --> 00:32:06,101 ARE THOSE THE DNA RESULTS? 527 00:32:06,125 --> 00:32:07,472 UH, NOT EXACTLY. 528 00:32:07,496 --> 00:32:09,603 I CHECKED THE SAMPLE AGAINST ALL AVAILABLE DATA BANKS, 529 00:32:09,627 --> 00:32:11,937 AND I WASN'T REALLY ABLE TO FIND A MATCH, 530 00:32:11,961 --> 00:32:13,138 BUT I DID RUN SOME OTHER FORENSIC TESTS, 531 00:32:13,162 --> 00:32:15,463 AND, WELL, HOPE THIS HELPS. 532 00:32:18,136 --> 00:32:20,009 YES, I UNDERSTAND. 533 00:32:22,671 --> 00:32:24,149 THAT WAS LAUREN. 534 00:32:24,173 --> 00:32:25,419 NO MATCH ON THE DNA. 535 00:32:25,443 --> 00:32:28,523 WE STILL DON'T KNOW WHO THE HAND BELONGS TO. 536 00:32:28,547 --> 00:32:32,627 IN MY DREAM, IT WAS MY BIRTHDAY. I WAS 7. 537 00:32:32,651 --> 00:32:34,629 WHEN I CUT THE CAKE, I LOOKED DOWN, 538 00:32:34,653 --> 00:32:37,702 AND I WAS CUTTING OFF THIS HAND. 539 00:32:37,726 --> 00:32:39,664 WHOSE HAND? DID YOU SEE HIS FACE? 540 00:32:39,688 --> 00:32:41,305 YES, I DID. 541 00:32:41,329 --> 00:32:43,467 WHO WAS IT? 542 00:32:43,491 --> 00:32:44,563 LAZAREY. 543 00:32:47,736 --> 00:32:49,573 WHY WOULD I DREAM I WAS CUTTING OFF THE HAND 544 00:32:49,597 --> 00:32:51,176 OF A MAN I MURDERED? 545 00:32:51,200 --> 00:32:52,546 FORENSIC ANALYSIS LEADS MARSHALL 546 00:32:52,570 --> 00:32:56,281 TO BELIEVE THAT WHOEVER THIS HAND BELONGED TO WAS ALIVE 547 00:32:56,305 --> 00:32:59,424 AS RECENTLY AS FOUR MONTHS AGO. 548 00:32:59,448 --> 00:33:01,085 WELL, THEN, IT COULDN'T HAVE BEEN LAZAREY, 549 00:33:01,109 --> 00:33:02,627 BECAUSE I KILLED HIM LAST YEAR. 550 00:33:02,651 --> 00:33:04,158 UNLESS YOU DIDN'T. 551 00:33:04,182 --> 00:33:06,660 WHAT? I WAS ON THE VIDEOTAPE. IT WAS ME. 552 00:33:06,684 --> 00:33:08,263 I SLASHED HIS THROAT. 553 00:33:08,287 --> 00:33:11,495 UNLESS YOU DIDN'T. IT COULD HAVE BEEN A PERFORMANCE. 554 00:33:11,519 --> 00:33:14,139 WELL, LAZAREY WAS A RUSSIAN DIPLOMAT. 555 00:33:14,163 --> 00:33:17,302 THE RUSSIANS MUST HAVE TYPED HIS DNA. 556 00:33:17,326 --> 00:33:19,244 LAUREN'S WORKED WITH THEM. I'll CALL HER, 557 00:33:19,268 --> 00:33:20,948 HAVE HER GET A SAMPLE, SEE IF IT'S A MATCH. 558 00:33:22,371 --> 00:33:26,110 YOU KNOW, UH, THIS REALLY WAS SOMETHING. 559 00:33:26,134 --> 00:33:28,412 UH, WHATEVER YOU EXPERIENCED 560 00:33:28,436 --> 00:33:30,715 ELEVATED YOUR HEART RATE TO THE POINT OF, UH, 561 00:33:30,739 --> 00:33:33,058 VENTRICULAR TACHYCARDIA, 562 00:33:33,082 --> 00:33:35,489 WHICH SENT YOU INTO CARDIAC ARREST, 563 00:33:35,513 --> 00:33:38,622 WHICH ALMOST SENT ME INTO CARDIAC ARREST, AND... 564 00:33:38,646 --> 00:33:40,064 UH, ARE YOU OKAY? 565 00:33:40,088 --> 00:33:41,196 YEAH. 566 00:33:41,220 --> 00:33:43,497 I MEAN, I FEEL GREAT, ACTUALLY. 567 00:33:43,521 --> 00:33:45,199 WHAT OTHER DETAILS DO YOU REMEMBER? 568 00:33:45,223 --> 00:33:47,131 AFTER MY FIGHT WITH ALLISON, 569 00:33:47,155 --> 00:33:48,632 THESE MEN CAME INTO THE ROOM. 570 00:33:48,656 --> 00:33:53,177 I-I COULDN'T SEE THEIR FACES, AND THEY WERE WEARING BLACK. 571 00:33:53,201 --> 00:33:57,242 THEY TOOK ME TO A BUILDING. I WAS ON A GURNEY. 572 00:33:57,266 --> 00:33:59,714 THEY WHEELED ME THROUGH THE DOOR, 573 00:33:59,738 --> 00:34:02,316 AND I LOST THEM 574 00:34:02,340 --> 00:34:04,020 BEFORE I COULD SEE WHERE THEY TOOK ME NEXT. 575 00:34:07,215 --> 00:34:11,179 LAUREN STRANGLED ME. 576 00:34:13,782 --> 00:34:15,052 WELL, THAT WAS A DREAM. 577 00:34:16,784 --> 00:34:19,604 IT MUST HAVE BEEN A DREAM, RIGHT? 578 00:34:19,628 --> 00:34:21,106 IT'S... IT'S UNCLEAR. 579 00:34:21,130 --> 00:34:24,209 YOU KNOW, THIS IS NOT AN EXACT SCIENCE. IT... 580 00:34:24,233 --> 00:34:25,570 AT THAT POINT IN YOUR LIFE, YOU HAD NEVER EVEN MET LAUREN. 581 00:34:25,594 --> 00:34:28,543 UH, YOU KNOW, 582 00:34:28,567 --> 00:34:31,345 THIS WOULD PROBABLY BE A REPRESENTATIONAL FIGURE, 583 00:34:31,369 --> 00:34:35,680 WHICH IS ALSO NOT THAT UNCOMMON, BY THE WAY. 584 00:34:35,704 --> 00:34:37,381 MASKED FIGURES, SHAPESHIFTERS... 585 00:34:37,405 --> 00:34:39,624 THEY FIRST APPEAR AS ONE CHARACTER, 586 00:34:39,648 --> 00:34:42,457 YOUR MOTHER, AN OLD CLASSMATE... 587 00:34:42,481 --> 00:34:46,260 IN MY CASE, A PARROT. 588 00:34:46,284 --> 00:34:49,633 UM, BUT THEY'RE REALLY JUST PHYSICAL MANIFESTATIONS 589 00:34:49,657 --> 00:34:51,296 OF SOMEONE ELSE. 590 00:34:51,320 --> 00:34:52,767 I WANT TO GO BACK. 591 00:34:52,791 --> 00:34:55,499 Jack: SYDNEY, THAT'S A MISTAKE. 592 00:34:55,523 --> 00:34:57,271 THEY WERE TAKING ME TOWARDS A ROOM. 593 00:34:57,295 --> 00:34:59,343 IT WAS ROOM 47. 594 00:34:59,367 --> 00:35:02,606 THAT'S WHERE I WAS. THAT'S WHERE I WAS BEING HELD. 595 00:35:02,630 --> 00:35:06,204 I HAVE TO GO BACK AND SEE WHAT HAPPENED TO ME IN THERE. 596 00:35:11,108 --> 00:35:13,681 YOU'RE THE GREATEST. 597 00:35:15,184 --> 00:35:17,361 ONCE YOU'RE UNDER, 598 00:35:17,385 --> 00:35:20,794 YOU'LL MOST LIKELY BEGIN IN A DREAM CYCLE. 599 00:35:20,818 --> 00:35:23,128 AGAIN, NO MATTER WHERE YOU ARE, 600 00:35:23,152 --> 00:35:26,200 TRY TO PICK UP THE THREAD OF YOUR LAST MEMORY 601 00:35:26,224 --> 00:35:28,372 BY FOCUSING ON A DETAIL YOU REMEMBER, 602 00:35:28,396 --> 00:35:30,104 SOMETHING VIVID. 603 00:35:30,128 --> 00:35:32,276 THERE WAS HANGING PLASTIC 604 00:35:32,300 --> 00:35:34,508 IN THE BUILDING WHERE I WAS TAKEN. 605 00:35:34,532 --> 00:35:35,780 WELL, WHATEVER IT IS, 606 00:35:35,804 --> 00:35:37,711 YOU'RE LOOKING FOR A LINK... 607 00:35:37,735 --> 00:35:40,584 A PORTAL BACK TO YOUR MEMORY STATE, 608 00:35:40,608 --> 00:35:43,617 BACK TO THE DOOR YOU DESCRIBED. 609 00:35:43,641 --> 00:35:45,249 Kaya: GOOD LUCK. 610 00:35:45,273 --> 00:35:46,644 THANKS. 611 00:35:48,646 --> 00:35:50,224 OKAY. 612 00:35:50,248 --> 00:35:52,296 HERE'S THE HEADPHONES. 613 00:35:52,320 --> 00:35:54,628 I AM GOING TO PUT THEM ON YOU. 614 00:35:54,652 --> 00:35:56,425 GOOD LUCK. 615 00:36:17,445 --> 00:36:19,753 WHEN I RECEIVED A CALL FOR THIS MEETING, 616 00:36:19,777 --> 00:36:22,927 I ASSUMED IT WOULD BE WITH A LOW-LEVEL AGENT. 617 00:36:22,951 --> 00:36:25,689 YOU HAVE CONFIRMATION OF THE COVENANT'S DEMANDS. 618 00:36:25,713 --> 00:36:29,863 MY SOURCES HAVE CONFIRMED THEY ARE HOLDING SYDNEY BRISTOW. 619 00:36:29,887 --> 00:36:32,367 THEY'RE ASKING FOR THE RAMBALDI DEVICE 620 00:36:32,391 --> 00:36:34,869 IN EXCHANGE FOR HER RELEASE. 621 00:36:34,893 --> 00:36:36,740 THIS IS AN AWKWARD CONVERSATION. 622 00:36:36,764 --> 00:36:39,173 HOW SO? 623 00:36:39,197 --> 00:36:41,575 BECAUSE OF WHAT I'M ASKING OF YOU... 624 00:36:41,599 --> 00:36:43,307 TO USE YOUR CONTACTS. 625 00:36:43,331 --> 00:36:46,410 WHY COME TO ME? 626 00:36:46,434 --> 00:36:48,653 BECAUSE YOU CAN GIVE ME UNTRACEABILITY. 627 00:36:48,677 --> 00:36:50,785 I'M LOOKING FOR SOMEONE TRAINED IN WET WORK... 628 00:36:50,809 --> 00:36:53,387 IN PARTICULAR, 629 00:36:53,411 --> 00:36:55,660 DEAD SHOT WITH A LONG-RANGE RIFLE. 630 00:36:55,684 --> 00:36:58,423 I PLAN ON MAKING THE TRADE. 631 00:36:58,447 --> 00:37:00,825 DURING THE EXCHANGE, 632 00:37:00,849 --> 00:37:02,951 I WANT SYDNEY BRISTOW TAKEN OUT. 633 00:37:05,623 --> 00:37:08,773 WHY MAKE THE TRADE? 634 00:37:08,797 --> 00:37:09,903 IT'S VERY SIMPLE... 635 00:37:09,927 --> 00:37:12,506 HAVE THE COVENANT END HER LIFE. 636 00:37:12,530 --> 00:37:14,338 BECAUSE I WANT ASSURANCE 637 00:37:14,362 --> 00:37:17,412 THAT SYDNEY BRISTOW IS ELIMINATED. 638 00:37:17,436 --> 00:37:19,383 AH. 639 00:37:19,407 --> 00:37:21,546 I SEE. 640 00:37:21,570 --> 00:37:24,012 SHE HAS SOMETHING ON YOU, DOES SHE? 641 00:37:27,315 --> 00:37:29,794 IF SHE'S HIT BY A SNIPER, 642 00:37:29,818 --> 00:37:31,995 IT'LL APPEAR AS IF IT'S A COVENANT DOUBLE-CROSS. 643 00:37:32,019 --> 00:37:36,660 WELL, WITH ALL DUE RESPECT, MR. DIRECTOR, 644 00:37:36,684 --> 00:37:38,001 WHAT GUARANTEE DO I HAVE 645 00:37:38,025 --> 00:37:40,929 THAT THIS ISN'T SOME FORM OF ENTRAPMENT? 646 00:37:44,663 --> 00:37:47,642 BECAUSE I KNOW WHAT YOU'RE UP TO, MR. SLOANE. 647 00:37:47,666 --> 00:37:50,274 I CAN SEE YOUR BIG PICTURE. 648 00:37:50,298 --> 00:37:52,000 I KNOW YOUR ENDGAME. 649 00:37:55,474 --> 00:37:56,875 I EVEN HAVE PROOF. 650 00:38:09,688 --> 00:38:11,595 ONCE I ARRANGE THE TRADE, 651 00:38:11,619 --> 00:38:13,461 I'll CALL YOU WITH THE DETAILS. 652 00:38:27,576 --> 00:38:29,553 THE DNA YOU GOT FROM THE KREMLIN... 653 00:38:29,577 --> 00:38:30,715 I MATCHED IT. 654 00:38:30,739 --> 00:38:32,387 THE HAND BELONGS TO LAZAREY? 655 00:38:32,411 --> 00:38:33,858 YEAH. 656 00:38:33,882 --> 00:38:36,791 I MEAN, IT BELONGED TO LAZAREY BEFORE THE... 657 00:38:36,815 --> 00:38:37,815 THANK YOU. SURE. 658 00:38:39,987 --> 00:38:41,825 YOU'RE SURE THE DNA MATCHED LAZAREY. 659 00:38:41,849 --> 00:38:44,329 YES, WHICH MEANS SYDNEY DIDN'T KILL HIM. 660 00:38:44,353 --> 00:38:46,331 LINDSEY HAS NOTHING ON HER. 661 00:38:46,355 --> 00:38:47,671 SHE CAN COME HOME. 662 00:38:47,695 --> 00:38:49,027 THANK YOU. 663 00:39:05,974 --> 00:39:07,945 YOU STILL ASLEEP? 664 00:39:10,748 --> 00:39:12,557 I THINK SO. 665 00:39:12,581 --> 00:39:18,432 [ BEBOP MUSIC QUIETLY PLAYS OVER THE RADIO ] 666 00:39:18,456 --> 00:39:21,666 I'VE NEVER HEARD OF A ST. AIDAN. 667 00:39:21,690 --> 00:39:23,492 THEY'RE HARD TO FIND. 668 00:39:30,438 --> 00:39:31,599 DON'T FORGET THE CASE. 669 00:39:33,101 --> 00:39:36,775 [ LOUD ROCK MUSIC PLAYING ] 670 00:39:47,114 --> 00:39:48,832 SYD, YOU MADE IT. 671 00:39:48,856 --> 00:39:49,963 HOPE YOU'RE READY 672 00:39:49,987 --> 00:39:51,666 FOR AN EXPENSIVE LESSON IN THE ART OF GAMBLING. 673 00:39:51,690 --> 00:39:54,798 [ BOTH LAUGHING ] 674 00:39:54,822 --> 00:39:56,601 I'M LOOKING FOR THAT BUILDING. 675 00:39:56,625 --> 00:39:57,802 CHECK THE KITCHEN. 676 00:39:57,826 --> 00:39:59,503 KITCHEN. 677 00:39:59,527 --> 00:40:01,699 THANKS. 678 00:40:13,942 --> 00:40:16,990 Brezzel: OKAY. 679 00:40:17,014 --> 00:40:18,693 SHE'S IN. 680 00:40:18,717 --> 00:40:20,425 Vaughn: IS SHE ALL RIGHT? 681 00:40:20,449 --> 00:40:21,995 UM, SHE'S ALPHA. 682 00:40:22,019 --> 00:40:24,729 HER SEROTONIN LEVELS ARE STILL INCREASING. 683 00:40:24,753 --> 00:40:27,131 AND, UH, SEE? HER HEART RATE'S UP. 684 00:40:27,155 --> 00:40:31,460 SHE'S ON TRACK FOR ANOTHER VIVID ONE. 685 00:40:39,166 --> 00:40:40,814 YOU SHOULDN'T HAVE COME BACK. 686 00:40:40,838 --> 00:40:42,816 WHO ARE YOU? WHO THE HELL ARE YOU? 687 00:40:42,840 --> 00:40:45,088 I'M TELLING YOU, YOU DON'T WANT TO BE HERE. 688 00:40:45,112 --> 00:40:47,492 YOU'RE NOT LAUREN. 689 00:40:47,516 --> 00:40:48,553 I KNOW YOU'RE NOT LAUREN. 690 00:40:48,577 --> 00:40:49,923 IT DOESN'T MATTER WHO I AM. 691 00:40:49,947 --> 00:40:51,456 ALL THAT MATTERS IS THAT YOU LEAVE. 692 00:40:51,480 --> 00:40:54,128 YOU GET THE HELL OUT OF MY WAY. 693 00:40:54,152 --> 00:40:55,152 I CAN'T DO THAT. 694 00:41:03,130 --> 00:41:05,494 YOU ARE SO STUBBORN! 695 00:41:09,137 --> 00:41:10,914 YOU IDIOT. WE WANT TO STAY AWAY. 696 00:41:10,938 --> 00:41:12,716 WE KNOW THE COVENANT HAD US. 697 00:41:12,740 --> 00:41:14,519 WE SUSPECTED IT ALL ALONG. OF COURSE WE'RE RIGHT. 698 00:41:14,543 --> 00:41:16,149 IT WAS THE COVENANT. 699 00:41:16,173 --> 00:41:18,151 WE THINK IT'S AN ACCIDENT WE DON'T REMEMBER ANYTHING? 700 00:41:18,175 --> 00:41:20,655 THEN WHAT HAPPENED TO ME? 701 00:41:20,679 --> 00:41:21,925 TRUST LAZAREY. 702 00:41:21,949 --> 00:41:24,628 WHAT DOES HE HAVE TO DO WITH IT? 703 00:41:24,652 --> 00:41:25,789 THAT'S ENOUGH QUESTIONS. 704 00:41:25,813 --> 00:41:27,532 WHAT'S IN ROOM 47? 705 00:41:27,556 --> 00:41:30,635 PULL HER OUT NOW. I'M NOT GOING TO RISK HER LIFE AGAIN. 706 00:41:30,659 --> 00:41:32,195 NO, HER HEART RATE'S ALL RIGHT. 707 00:41:32,219 --> 00:41:34,499 LET'S... LET'S GIVE HER A CHANCE. 708 00:41:34,523 --> 00:41:35,793 LEAVE, YOU IDIOT! 709 00:42:37,255 --> 00:42:39,958 OH, MY GOD.