1 00:00:03,299 --> 00:00:06,099 WE WERE DRIVING ON MULHOLLAND... YOU KNOW, ALL THE CURVES, 2 00:00:06,133 --> 00:00:07,767 AND WE COME AROUND THIS CORNER, 3 00:00:07,799 --> 00:00:10,199 AND THE SUN'S RIGHT IN OUR EYES. 4 00:00:10,233 --> 00:00:11,233 EGG WHITES? SURE. THANKS. 5 00:00:12,233 --> 00:00:13,432 SO THE SUN'S IN YOUR FACE? 6 00:00:13,467 --> 00:00:15,766 COMPLETELY BLINDING ME. 7 00:00:15,800 --> 00:00:18,199 AND THE FIRST THING HE DOES WITHOUT EVEN THINKING ABOUT IT, 8 00:00:18,233 --> 00:00:19,800 HE SLAPS DOWN THE... 9 00:00:19,832 --> 00:00:21,466 VISOR. YEAH, THE VISOR. 10 00:00:21,500 --> 00:00:23,733 SO THE SUN'S NOT IN MY EYES. 11 00:00:23,766 --> 00:00:26,733 AND I JUST THOUGHT, THAT WAS SO SWEET. 12 00:00:26,766 --> 00:00:29,033 HE REALLY LIKES YOU. 13 00:00:29,067 --> 00:00:31,167 HE'S SO FUNNY. 14 00:00:31,199 --> 00:00:33,799 YOU'RE NOT GONNA BREAK HIS HEART, THOUGH, RIGHT? 15 00:00:33,832 --> 00:00:37,167 ME? ERIC'S A FRIEND. YOU KNOW WHAT I MEAN. 16 00:00:37,200 --> 00:00:39,500 NO, I LIKE HIM, TOO. 17 00:00:42,067 --> 00:00:43,067 BUT? 18 00:00:43,100 --> 00:00:45,133 BUT NOTHING. 19 00:00:45,167 --> 00:00:46,799 [ CELLULAR PHONES RING ] 20 00:00:46,832 --> 00:00:48,732 HELLO? YEAH? 21 00:00:48,767 --> 00:00:51,232 YEAH, I'll BE THERE. 22 00:00:51,267 --> 00:00:53,667 WE'LL EAT LATER. Vaughn: SHE COMPARED YOU TO ICE CREAM? 23 00:00:53,700 --> 00:00:54,567 YEAH, VANILLA SWISS ALMOND, 24 00:00:54,600 --> 00:00:56,366 WHICH IS A REALLY SIGNIFICANT FLAVOR. 25 00:00:56,399 --> 00:00:57,366 I'M NOT SAYING IT'S NOT. 26 00:00:57,399 --> 00:00:59,232 AND THEN SHE SAID THAT I'M THIS BIG SPOONFUL. 27 00:00:59,267 --> 00:01:00,500 WHICH YOU TOOK AS A COMPLIMENT? 28 00:01:00,533 --> 00:01:02,466 I TAKE EVERYTHING SHE SAYS AS A COMPLIMENT. 29 00:01:02,500 --> 00:01:04,067 SHE'S GOT THAT GREAT ACCENT. 30 00:01:04,099 --> 00:01:05,742 I DON'T KNOW. I CAN'T EVEN LOOK AT THIS GIRL, 31 00:01:05,766 --> 00:01:07,332 SHE'S SO PRETTY. 32 00:01:07,367 --> 00:01:08,742 NADIA'S GREAT. I KNOW THAT, ALL RIGHT? 33 00:01:08,766 --> 00:01:10,343 BUT YOU MIGHT WANT TO JUST CONSIDER TAKING IT SLOW. 34 00:01:10,367 --> 00:01:12,067 WHOA, WHOA, WHOA. WHAT'S WITH THE WARNING? 35 00:01:12,099 --> 00:01:13,466 SALLY VINCENT. 36 00:01:13,500 --> 00:01:15,432 SALLY... THAT WAS A COMPLETELY DIFFERENT STORY. 37 00:01:15,466 --> 00:01:17,067 HOW IS THAT DIFFERENT? 38 00:01:17,099 --> 00:01:19,099 WHEN IT ENDED, YOU WERE ALL, LIKE, WEIRD. 39 00:01:19,132 --> 00:01:21,167 WEIRD HOW? YOU WERE BUILDING SHIPS IN BOTTLES. 40 00:01:21,200 --> 00:01:23,167 YOU BUILT MANY, MANY SHIPS IN MANY BOTTLES 41 00:01:23,200 --> 00:01:24,799 OVER MANY, MANY MONTHS. 42 00:01:24,832 --> 00:01:27,242 YEAH, THAT'S CALLED A HOBBY. A HOBBY? YOU LOCKED YOURSELF IN A CLOSET FOR A MONTH, 43 00:01:27,266 --> 00:01:29,033 TELL ME YOU DON'T STILL THINK ABOUT 44 00:01:29,067 --> 00:01:30,700 HOW I GOT THOSE SHIPS IN THE BOTTLES. 45 00:01:30,733 --> 00:01:31,766 HEY. HI. 46 00:01:31,799 --> 00:01:32,633 HEY. HEY. 47 00:01:32,667 --> 00:01:34,299 Vaughn: WHAT'S GOING ON? 48 00:01:34,332 --> 00:01:36,633 WE GOT CALLED IN, BUT THEY'VE BEEN IN THERE ALL MORNING. 49 00:01:36,667 --> 00:01:39,033 THAT'S WEIRD. WHAT DO YOU THINK IT IS? 50 00:01:39,067 --> 00:01:41,067 WE DON'T KNOW. HERE WE GO. 51 00:01:53,799 --> 00:01:56,766 AS YOU KNOW, MY POSITION HERE AT A.P.O. 52 00:01:56,799 --> 00:01:59,099 IS CONTINGENT UPON AN AGREEMENT I MADE 53 00:01:59,133 --> 00:02:02,233 WITH DIRECTOR CHASE'S OFFICE LAST YEAR. 54 00:02:02,266 --> 00:02:04,766 THAT AGREEMENT INCLUDES A SHORT LIST 55 00:02:04,799 --> 00:02:08,733 OF OPERATIVES WITH WHOM I AM NOT AUTHORIZED TO ENGAGE. 56 00:02:08,766 --> 00:02:10,332 SO THAT IF A MISSION AROSE 57 00:02:10,366 --> 00:02:12,199 THAT INVOLVED ANY OF THESE PEOPLE, 58 00:02:12,233 --> 00:02:14,332 I AM TO IMMEDIATELY RECUSE MYSELF. 59 00:02:14,366 --> 00:02:18,599 I AM TO STEP DOWN. 60 00:02:18,633 --> 00:02:20,266 WELL, THAT DAY HAS COME. 61 00:02:20,300 --> 00:02:23,633 SO AS OF NOW, I AM GIVING FULL OPERATIONAL AUTHORITY 62 00:02:23,667 --> 00:02:26,733 OVER YOUR NEXT ASSIGNMENT TO JACK BRISTOW. 63 00:02:26,766 --> 00:02:29,533 I WOULD ASK FOR YOUR COOPERATION 64 00:02:29,567 --> 00:02:33,133 IN NOT INVOLVING ME AT ALL. 65 00:02:33,167 --> 00:02:35,567 GOOD LUCK. 66 00:02:40,266 --> 00:02:42,599 SO, WHAT, HE'S NOT COMING BACK? 67 00:02:42,633 --> 00:02:44,067 WHEN THIS MATTER IS RESOLVED, YES. 68 00:02:44,099 --> 00:02:45,308 IF SLOANE CAN'T TOUCH THIS CASE, 69 00:02:45,332 --> 00:02:47,699 THEN WHY DID THEY ASSIGN IT TO HIS TASK FORCE? 70 00:02:47,733 --> 00:02:50,533 BECAUSE OF SYDNEY. OUR TARGET IS SOMEONE 71 00:02:50,567 --> 00:02:53,099 WITH WHOM SEVERAL OF YOU ARE QUITE FAMILIAR. 72 00:02:53,133 --> 00:02:54,199 WHO IS IT? 73 00:02:54,233 --> 00:02:56,500 ANNA ESPINOSA. 74 00:02:56,533 --> 00:03:00,266 I THO... SHE'S SUPPOSED TO BE DEAD. 75 00:03:00,300 --> 00:03:02,099 SO ARE A LOT OF PEOPLE. 76 00:03:02,133 --> 00:03:03,699 WHO IS SHE? 77 00:03:03,733 --> 00:03:05,699 FORMER SOVIET AGENT RAISED IN CUBA. 78 00:03:05,733 --> 00:03:07,733 USED TO BE K-DIRECTORATE. 79 00:03:07,766 --> 00:03:09,467 FOUR DAYS AGO, OUR LONDON LISTENING POST 80 00:03:09,500 --> 00:03:11,199 INTERCEPTED CHATTER ABOUT A DEAD DROP 81 00:03:11,233 --> 00:03:12,599 FROM A SUSPECTED TERRORIST GROUP. 82 00:03:12,633 --> 00:03:14,733 SATELLITE SURVEILLANCE OF THE SPECIFIED LOCATION 83 00:03:14,766 --> 00:03:17,000 REVEALED THIS. 84 00:03:22,067 --> 00:03:24,432 MARSHALL. 85 00:03:24,466 --> 00:03:25,567 THANK YOU. 86 00:03:25,599 --> 00:03:28,233 AND CONGRATULATIONS ON THE, UH... 87 00:03:28,266 --> 00:03:31,733 UH, NOW, I PULLED THE FILES ON MISS ESPINOSA. 88 00:03:31,766 --> 00:03:33,667 SHE SPECIALIZES IN CLOSE-QUARTER KILLS, 89 00:03:33,699 --> 00:03:37,067 STRANGULATION, EDGED WEAPONS, GUNS, HIGH-LEVEL THEFT, 90 00:03:37,099 --> 00:03:38,533 SECURITY BREECH... 91 00:03:38,567 --> 00:03:41,432 SHE SPENT SIX YEARS ON INTERPOL'S MOST-WANTED LIST. 92 00:03:41,466 --> 00:03:43,199 SIX AND A HALF, ACTUALLY. DID THE... 93 00:03:43,233 --> 00:03:45,667 AFTER SHE LEFT K-DIRECTORATE, SHE WENT FREELANCE. 94 00:03:45,699 --> 00:03:47,400 WORKED FOR THE HIGHEST BIDDER. 95 00:03:47,432 --> 00:03:49,408 YOU KNOW, GIVE HER THE DOUGH, SHE'LL GIVE YOU THE SHOW. 96 00:03:49,432 --> 00:03:54,199 SHE'S ALSO ASSOCIATED WITH THE FOLLOWERS OF RAMBALDI. 97 00:03:56,099 --> 00:03:58,800 Jack: INTEL INDICATES ANNA'S MAKING CONTACT. 98 00:03:58,832 --> 00:04:01,800 WITH AN ASSOCIATE IN BRUSSELS 36 HOURS FROM NOW... 99 00:04:01,832 --> 00:04:03,500 EXCUSE ME. 100 00:04:03,532 --> 00:04:05,099 CONCERNING AN ASSIGNMENT... 101 00:04:10,167 --> 00:04:11,699 SYDNEY? 102 00:04:11,733 --> 00:04:13,733 YOU WANT US TO SURVEILLE THE MEET. 103 00:04:13,766 --> 00:04:16,033 YES. YOU, MARSHALL, AND DIXON. 104 00:04:16,067 --> 00:04:18,167 GIVEN YOUR FAMILIARITY WITH ANNA'S METHODS, 105 00:04:18,199 --> 00:04:19,567 I WANT YOU TO TRACK HER MOVEMENTS. 106 00:04:19,600 --> 00:04:21,167 FIND OUT WHAT THE ASSIGNMENT IS. 107 00:04:21,199 --> 00:04:23,033 IF THE OPPORTUNITY PRESENTS ITSELF, 108 00:04:23,067 --> 00:04:25,067 YOU'RE AUTHORIZED TO BRING HER IN. 109 00:04:25,100 --> 00:04:27,699 THE CATEGORY OF FORCE YOU CHOOSE TO EXERCISE 110 00:04:27,733 --> 00:04:29,699 WILL REMAIN CLASSIFIED. 111 00:04:29,733 --> 00:04:32,100 WHEN DO WE LEAVE? 112 00:04:32,132 --> 00:04:34,100 WE'RE ARRANGING A JET FOR THIS EVENING. 113 00:04:34,132 --> 00:04:37,766 YOU'LL HAVE 20 HOURS IN COUNTRY TO COORDINATE BEFORE THE MEET. 114 00:04:37,800 --> 00:04:39,432 THAT'S ALL. 115 00:04:42,667 --> 00:04:43,766 WHAT HAPPENED? 116 00:04:43,800 --> 00:04:45,466 I DON'T KNOW. 117 00:04:46,699 --> 00:04:48,766 ARE YOU OKAY? 118 00:04:48,800 --> 00:04:51,033 I GOT LIGHTHEADED. 119 00:04:51,067 --> 00:04:52,766 WE HAVE A WHILE BEFORE WE HAVE TO LEAVE. 120 00:04:52,800 --> 00:04:55,033 DO YOU WANT TO GRAB SOMETHING TO EAT? 121 00:04:55,067 --> 00:04:56,399 SURE. 122 00:04:56,432 --> 00:04:57,766 IT WAS JUST ME AND ANNA 123 00:04:57,800 --> 00:04:59,367 IN THE MIDDLE OF THE STADIUM. 124 00:04:59,399 --> 00:05:01,766 I HAVE THE KEY, SHE HAS THE BOX. 125 00:05:01,800 --> 00:05:04,766 WE NEEDED TO WORK TOGETHER TO GET THE CODE. 126 00:05:04,800 --> 00:05:07,367 BUT THERE SHE IS RIGHT NEXT TO ME. 127 00:05:07,399 --> 00:05:08,766 ALL I KEPT THINKING WAS, 128 00:05:08,800 --> 00:05:10,699 I COULD TAKE HER OUT RIGHT NOW. 129 00:05:10,733 --> 00:05:12,466 END IT ONCE AND FOR ALL. 130 00:05:12,500 --> 00:05:15,567 THAT WASN'T YOUR ASSIGNMENT. 131 00:05:15,600 --> 00:05:18,567 NOT THAT NIGHT. 132 00:05:18,600 --> 00:05:21,567 BUT I SWORE TO MYSELF IF I EVER HAD THE CHANCE AGAIN, 133 00:05:21,600 --> 00:05:23,466 I WOULD NOT HESITATE. 134 00:05:23,500 --> 00:05:25,800 THIS CAN'T BE EASY FOR YOU. 135 00:05:25,832 --> 00:05:28,800 I'M NOT WORRIED ABOUT ME. 136 00:05:28,832 --> 00:05:31,667 WHAT'S GOING ON WITH YOU? 137 00:05:33,832 --> 00:05:38,500 I KNOW ONLY A FEW THINGS ABOUT RAMBALDI. 138 00:05:38,533 --> 00:05:41,766 I KNOW HE WAS A PROPHET, 15th CENTURY. 139 00:05:41,800 --> 00:05:45,632 I KNOW MY FATHER WAS... IS... I DON'T KNOW, 140 00:05:45,667 --> 00:05:47,399 OBSESSED WITH HIM. 141 00:05:47,432 --> 00:05:50,533 LAST YEAR, WHEN MY FATHER CONNECTED ME TO RAMBALDI, 142 00:05:50,567 --> 00:05:54,367 I STARTED TO HALLUCINATE, AND... 143 00:05:54,399 --> 00:05:57,033 I SAW SOMETHING AWFUL. 144 00:05:59,567 --> 00:06:01,500 SOUNDS AND FAST IMAGES... 145 00:06:01,533 --> 00:06:05,333 THEY WENT BY QUICKLY, BUT... 146 00:06:05,367 --> 00:06:08,733 THERE WAS ONE VISION THAT FELT SO REAL. 147 00:06:08,766 --> 00:06:10,699 WHAT WAS IT? 148 00:06:11,733 --> 00:06:18,600 WE WERE BOTH TOGETHER, SCARED AND UPSET, 149 00:06:18,632 --> 00:06:21,667 HOLDING GUNS AIMED AT EACH OTHER. 150 00:06:21,699 --> 00:06:28,167 AND I REMEMBER MY HANDS WERE SHAKING. 151 00:06:28,199 --> 00:06:30,367 AND I PULLED THE TRIGGER. 152 00:06:32,332 --> 00:06:36,266 BLOOD WAS POURING DOWN YOUR CHEST, AND... 153 00:06:36,300 --> 00:06:38,533 I WANTED TO SAY I WAS SORRY, 154 00:06:38,567 --> 00:06:40,500 BUT YOU JUST LOOKED AT ME 155 00:06:40,533 --> 00:06:44,132 AS IF YOU'D BEEN EXPECTING IT. 156 00:06:44,167 --> 00:06:48,500 AS IF YOU KNEW ALL ALONG... 157 00:06:48,533 --> 00:06:50,667 KNEW I WAS GOING TO KILL YOU. 158 00:06:53,132 --> 00:06:57,399 I KNOW I MUST SOUND INSANE. 159 00:06:57,432 --> 00:07:01,432 NADIA, THERE'S SOMETHING I SHOULD HAVE TOLD YOU. 160 00:07:04,233 --> 00:07:05,333 MISS BRISTOW? 161 00:07:05,367 --> 00:07:07,567 THERE'S A CALL FOR YOU. 162 00:07:13,500 --> 00:07:14,399 HI. 163 00:07:14,432 --> 00:07:16,667 HERE YOU GO. 164 00:07:16,699 --> 00:07:19,432 HELLO? 165 00:07:19,466 --> 00:07:23,432 Anna: HELLO, SYDNEY. 166 00:07:23,466 --> 00:07:25,167 ANNA. 167 00:07:25,199 --> 00:07:27,432 TURN AROUND. 168 00:07:35,367 --> 00:07:37,500 I'D ADVISE AGAINST ANY ACTION. 169 00:07:37,533 --> 00:07:40,300 MY ASSOCIATES WOULDN'T LIKE THAT. 170 00:07:49,500 --> 00:07:54,432 THERE'S SOMETHING I NEED YOU TO DO FOR ME, SYDNEY. 171 00:07:54,466 --> 00:07:56,233 I MUST SAY, 172 00:07:56,266 --> 00:08:01,100 I HAVE BEEN LOOKING FORWARD TO WORKING WITH YOU AGAIN. 173 00:08:39,067 --> 00:08:41,033 ANNA HAS NADIA. 174 00:08:41,067 --> 00:08:42,509 SHE KNEW SHE WAS GOING TO BE INTERCEPTED IN BRUSSELS, 175 00:08:42,533 --> 00:08:45,366 SO SHE TOOK HER. IF I DON'T DO WHAT SHE SAYS, 176 00:08:45,399 --> 00:08:49,432 DAD, SHE'S GOING TO KILL MY SISTER. 177 00:09:05,167 --> 00:09:07,500 Jack: IF WE DON'T MEET HER DEMANDS, 178 00:09:07,533 --> 00:09:10,399 ANNA ESPINOSA CLAIMS SHE'LL KILL NADIA. 179 00:09:10,432 --> 00:09:12,067 WE HAVE 18 HOURS TO COMPLY. 180 00:09:12,100 --> 00:09:13,200 WHAT ARE HER DEMANDS? 181 00:09:13,232 --> 00:09:15,067 SHE WANTS ME TO TAKE THE MEET IN BRUSSELS 182 00:09:15,100 --> 00:09:16,442 POSING AS HER. I'M TO RETRIEVE A PACKAGE 183 00:09:16,466 --> 00:09:18,200 FROM A MAN NAMED MILOS SABINE. 184 00:09:18,232 --> 00:09:19,743 IF I DELIVER IT TO HER... A BOUTIQUE IN BEVERLY HILLS... 185 00:09:19,767 --> 00:09:22,133 BY A SPECIFIED TIME, SHE CLAIMS SHE'LL LET NADIA GO. 186 00:09:22,167 --> 00:09:24,167 SYDNEY, SCRAP THE SURVEILLANCE OP IN BRUSSELS. 187 00:09:24,200 --> 00:09:25,442 GET WITH MARSHALL TO COORDINATE NEW PARAMETERS. 188 00:09:25,466 --> 00:09:28,167 YOU'RE GOING IN AS ANNA ESPINOSA. 189 00:09:28,200 --> 00:09:30,167 DIG UP EVERYTHING YOU CAN ABOUT SABINE... 190 00:09:30,200 --> 00:09:31,676 BUSINESS ASSOCIATES, LAST-KNOWN WHEREABOUTS, THE WORKS. 191 00:09:31,700 --> 00:09:33,700 COORDINATE WITH LANGLEY. WE'LL NEED TOTAL SATELLITE 192 00:09:33,732 --> 00:09:34,908 COVERAGE OF THE MEETING POINT. 193 00:09:34,932 --> 00:09:36,808 I WANT SNIPER TEAMS AND FULL GROUND SUPPORT READY TO GO. 194 00:09:36,832 --> 00:09:38,200 ON IT. 195 00:09:38,232 --> 00:09:40,399 WE'LL WHEELS UP WITHIN THE HOUR. 196 00:09:47,299 --> 00:09:50,799 APPROACHING THE METRO STATION. 197 00:09:50,832 --> 00:09:53,667 Vaughn: DO YOU SEE ANYONE? 198 00:09:53,700 --> 00:09:55,432 WHITE MALE, LATE 70s. 199 00:09:55,466 --> 00:09:57,033 THERE'S NO PHOTO IN HIS FILE, 200 00:09:57,067 --> 00:09:58,375 BUT BASED ON ESTIMATED DATE OF BIRTH, 201 00:09:58,399 --> 00:10:00,366 THIS COULD BE OUR GUY. 202 00:10:06,200 --> 00:10:08,067 [ Imitating Anna ] THIS TIME OF YEAR. 203 00:10:08,100 --> 00:10:09,700 DOES TERRIBLE THINGS TO MY HAIR. 204 00:10:11,200 --> 00:10:13,232 MISS ESPINOSA. 205 00:10:15,700 --> 00:10:18,366 HOW I WISH THAT I WERE YOUNGER. 206 00:10:18,399 --> 00:10:20,633 DO YOU HAVE THE PACKAGE? 207 00:10:20,667 --> 00:10:23,700 WHAT YOUR ASSOCIATES HAVE REQUESTED OF ME 208 00:10:23,732 --> 00:10:26,133 IS... HIGHLY VALUABLE. 209 00:10:26,167 --> 00:10:30,799 I WOULD LIKE TO MAKE SURE THAT I GET MY MONEY'S WORTH. 210 00:10:30,832 --> 00:10:36,567 ARE YOU PREPARED TO REACH YOUR END? 211 00:10:36,600 --> 00:10:39,133 I'M ALWAYS PREPARED 212 00:10:39,167 --> 00:10:41,667 ONCE APPRISED OF THE SPECIFICS. 213 00:10:41,700 --> 00:10:43,267 30 MINUTES AGO 214 00:10:43,299 --> 00:10:45,232 A MAN ENTERED THE HOTEL METROPOL. 215 00:10:45,267 --> 00:10:48,232 HE IS CURRENTLY ENJOYING A 17-YEAR-OLD SCOTCH 216 00:10:48,267 --> 00:10:49,767 IN THE BAR LOCATED 217 00:10:49,799 --> 00:10:51,633 IN THE WEST LOBBY OF THE HOTEL. 218 00:10:51,667 --> 00:10:55,700 THE MAN'S NAME IS WILLEM KARG. 219 00:10:55,732 --> 00:10:58,167 THIS IS THE MAN. 220 00:11:00,366 --> 00:11:01,732 THE MAN YOU ARE TO KILL. 221 00:11:03,232 --> 00:11:05,100 I WILL REQUIRE PHOTOGRAPHIC EVIDENCE 222 00:11:05,133 --> 00:11:08,033 OF HIS CORPSE, PLUS WHAT I UNDERSTAND 223 00:11:08,067 --> 00:11:13,767 IS YOUR KEEPSAKE... HIS RIGHT INDEX FINGER. 224 00:11:13,799 --> 00:11:16,299 I WILL BE SITTING ON THIS BENCH 225 00:11:16,332 --> 00:11:18,667 FOR THE NEXT 40 MINUTES. 226 00:11:18,700 --> 00:11:20,732 RETURN WITHIN THAT TIME, 227 00:11:20,767 --> 00:11:23,600 AND YOU WILL GET YOUR PACKAGE. 228 00:11:23,633 --> 00:11:26,267 AFTER THAT, 229 00:11:26,299 --> 00:11:29,567 I WILL NOT BE SITTING ON THIS BENCH. 230 00:11:32,667 --> 00:11:36,767 TICK-TOCK, MISS ESPINOSA. 231 00:11:36,799 --> 00:11:38,676 HOTEL METROPOL... SEVEN BLOCKS AWAY. WE HAVE 32 MINUTES. 232 00:11:38,700 --> 00:11:39,708 MARSHALL, HOW ARE WE DOING ON KARG? 233 00:11:39,732 --> 00:11:42,533 DO YOU HAVE ANYTHING ON HIM YET? ON ITS WAY. 234 00:11:42,567 --> 00:11:45,167 IT'S A RATHER LARGE FILE. 235 00:11:45,200 --> 00:11:46,767 WE GOT IT. 236 00:11:46,799 --> 00:11:48,543 THIS GUY'S WANTED IN FOUR DIFFERENT COUNTRIES. 237 00:11:48,567 --> 00:11:50,076 MONEY LAUNDERING, KIDNAPPING, CONSPIRACY. 238 00:11:50,100 --> 00:11:51,667 AFFILIATIONS... 239 00:11:51,700 --> 00:11:52,775 RUSSIAN AND CHINESE ORGANIZED CRIME SYNDICATES. 240 00:11:52,799 --> 00:11:55,100 KNOWN ASSOCIATES... ANTON MATTEO AND PETER GIGER. 241 00:11:55,133 --> 00:11:56,500 SOLICITATION FOR PROSTITUTION, 242 00:11:56,533 --> 00:11:57,700 THREE CHARGES. 243 00:11:57,732 --> 00:11:59,432 THIS GUY'S GOT A REAL THING FOR HOOKERS. 244 00:11:59,466 --> 00:12:02,000 WAIT. 245 00:12:16,200 --> 00:12:18,200 Man: THERE YOU ARE, MA'AM. 246 00:12:18,232 --> 00:12:22,432 ROOM 1132. TWO KEYS. 247 00:12:22,466 --> 00:12:26,432 WILL YOU BE NEEDING ANY HELP WITH ANY BAGS? 248 00:12:26,466 --> 00:12:29,133 [ French accent ] NO, THANK YOU. I'M TRAVELING LIGHT. 249 00:12:45,667 --> 00:12:47,399 WILLEM? 250 00:12:47,432 --> 00:12:51,432 JA? 251 00:12:51,466 --> 00:12:53,466 DO YOU KNOW 252 00:12:53,500 --> 00:12:57,799 HOW HARD IT HAS BEEN TO FIND YOU? 253 00:12:57,832 --> 00:13:00,466 IF I KNEW YOU WERE LOOKING, 254 00:13:00,500 --> 00:13:02,600 I WOULD HAVE MADE IT A LOT EASIER. 255 00:13:02,633 --> 00:13:06,067 MATTEO SAID YOU WERE NOT DRINKING ANYMORE, 256 00:13:06,100 --> 00:13:08,100 YOU BAD BOY. 257 00:13:08,133 --> 00:13:11,432 I WON'T TELL MATTEO. 258 00:13:11,466 --> 00:13:13,432 HOW DO YOU KNOW MY BUSINESS PARTNER? 259 00:13:13,466 --> 00:13:17,366 WHO DO YOU THINK SENT ME TO YOU? 260 00:13:18,799 --> 00:13:22,466 I AM MATTEO'S EARLY BIRTHDAY PRESENT. 261 00:13:22,500 --> 00:13:25,033 REALLY? 262 00:13:25,067 --> 00:13:29,267 HE WOULDN'T TELL ME HOW OLD YOU WERE. 263 00:13:29,299 --> 00:13:33,399 HE KNOWS I DON'T USUALLY... 264 00:13:33,432 --> 00:13:35,432 WORK WITH OLDER MEN. 265 00:13:36,533 --> 00:13:38,799 YOU DON'T SEEM SO OLD. 266 00:13:38,832 --> 00:13:40,500 THANK YOU SO MUCH. 267 00:13:43,299 --> 00:13:45,600 WE HAVE A ROOM. 268 00:13:45,633 --> 00:13:47,799 SHALL WE? 269 00:13:47,832 --> 00:13:51,732 SO IT'S HAPPY BIRTHDAY TO ME, JA? 270 00:13:51,767 --> 00:13:54,732 GREAT, BEAUTIFUL ARMS. 271 00:13:54,767 --> 00:13:59,600 I LOVE... ARMS. 272 00:14:00,832 --> 00:14:02,633 HEY, WHAT... WHAT IS THIS? 273 00:14:02,667 --> 00:14:05,399 IT'S YOUR LUCKY DAY. YOU GET TO LIVE. 274 00:14:05,432 --> 00:14:06,633 WE'RE GONNA NEED THAT RING. 275 00:14:06,667 --> 00:14:09,200 AND THE FINGER IT'S ON. WHAT'S HAPPENING?! 276 00:14:09,232 --> 00:14:10,576 THERE ARE PEOPLE OUT THERE WHO WANT YOU DEAD. 277 00:14:10,600 --> 00:14:12,700 FORTUNATELY FOR YOU, WE'RE NOT THEM. 278 00:14:12,732 --> 00:14:14,299 WHEN THIS IS OVER, YOU'RE GONNA WALK 279 00:14:14,332 --> 00:14:15,700 OUT OF THIS HOTEL AND DISAPPEAR. 280 00:14:15,732 --> 00:14:20,432 YOU'LL THANK US FOR IT LATER. WHAT ARE YOU DOING? AAH! 281 00:14:26,832 --> 00:14:29,299 YOU LOOK LIKE HER. 282 00:14:29,332 --> 00:14:31,533 YOUR MOTHER. 283 00:14:31,567 --> 00:14:34,299 DON'T WASTE YOUR TIME TRYING TO SCARE ME. 284 00:14:35,700 --> 00:14:38,267 YOU ARE SCARED. 285 00:14:40,799 --> 00:14:43,366 I WOULD BE SCARED, TOO, 286 00:14:43,399 --> 00:14:49,267 IF I DID NOT UNDERSTAND WHAT THIS WAS ALL ABOUT. 287 00:14:49,299 --> 00:14:51,232 SHE TOLD ME ABOUT YOU. 288 00:14:51,267 --> 00:14:53,366 SYDNEY. 289 00:14:53,399 --> 00:14:55,567 I KNOW ENOUGH. 290 00:14:55,600 --> 00:14:59,732 YOUR SISTER... SHE'S A CURSE. 291 00:14:59,767 --> 00:15:02,700 YOU SEE WHAT HAPPENS, DON'T YOU? 292 00:15:02,732 --> 00:15:05,267 TO EVERYONE SHE LOVES. 293 00:15:05,299 --> 00:15:10,432 ONE DAY YOU WILL BE ASKED TO PAY THE PRICE. 294 00:15:10,466 --> 00:15:16,500 TODAY YOU WILL FEEL A LITTLE BIT OF THAT. 295 00:15:31,432 --> 00:15:33,200 PLEASE! PLEASE! 296 00:15:33,232 --> 00:15:34,567 THERE MUST BE ANOTHER WAY! PLEASE! 297 00:15:34,600 --> 00:15:36,567 WE'VE GOT NINE MINUTES LEFT. 298 00:15:36,600 --> 00:15:38,399 [ KARG SHOUTING ] KEEP HIM QUIET. 299 00:15:38,432 --> 00:15:40,167 YEAH. 300 00:15:40,200 --> 00:15:41,533 PLEASE! BITE THIS. BITE THIS. 301 00:15:41,567 --> 00:15:43,200 YOU GOT HIM? 302 00:15:43,232 --> 00:15:46,667 LOOK AT ME. 303 00:15:46,700 --> 00:15:48,200 [ KARG GRUNTING ] 304 00:15:48,232 --> 00:15:50,167 LOOK AT ME. LOOK AT ME. 305 00:15:50,200 --> 00:15:51,399 LOOK AT ME. 306 00:15:51,432 --> 00:15:59,432 AAH! AAH! AAH! 307 00:16:00,667 --> 00:16:03,100 [ CONTINUES SCREAMING ] 308 00:16:07,466 --> 00:16:09,067 WHAT ARE YOU PEOPLE DOING? 309 00:16:09,100 --> 00:16:10,500 Vaughn: DON'T MOVE. 310 00:16:26,100 --> 00:16:29,799 YOUR REPUTATION IS WELL-EARNED. 311 00:16:29,832 --> 00:16:32,067 I STILL WISH I WERE YOUNGER. 312 00:16:40,267 --> 00:16:42,799 YOU SHOULD LET YOUR ASSOCIATES KNOW 313 00:16:42,832 --> 00:16:47,067 THAT THIS IS THE LAST REMAINING SAMPLE. 314 00:16:47,100 --> 00:16:50,067 THEY SHOULD TREAT IT AS IF IT WERE SACRED. 315 00:16:50,100 --> 00:16:52,100 ABSOLUTELY. 316 00:16:52,133 --> 00:16:54,133 HA HA. 317 00:16:56,100 --> 00:16:59,533 I'VE GOT IT. I'M ON MY WAY. 318 00:16:59,567 --> 00:17:06,767 THIS IS A GIFT FROM ME... TO YOU... 319 00:17:06,799 --> 00:17:08,732 TO SYDNEY. 320 00:17:08,767 --> 00:17:13,067 EVERY TIME SHE LOOKS AT YOU, 321 00:17:13,099 --> 00:17:15,432 I WANT HER TO THINK OF ME. 322 00:17:15,467 --> 00:17:20,133 AND ONE DAY, WHETHER YOU CHOOSE TO OR NOT, 323 00:17:20,166 --> 00:17:23,432 YOU WILL HELP ME DESTROY HER. 324 00:17:24,567 --> 00:17:26,133 AAH! 325 00:17:34,799 --> 00:17:37,232 THE LAB CONFIRMED 326 00:17:37,267 --> 00:17:38,500 IT'S THE DANTE COMPOUND... 327 00:17:38,532 --> 00:17:40,700 A SUPER-RARE PHOSPHOROUS-BASED PUTTY. 328 00:17:40,732 --> 00:17:43,633 BUT NOT THE SAME KIND OF PUTTY YOU'D USE 329 00:17:43,666 --> 00:17:45,500 ON THE NEWSPAPER TO COPY "BEETLE BAILEY" 330 00:17:45,532 --> 00:17:48,366 OUT OF... YOU EVER DO THAT WITH... 331 00:17:48,400 --> 00:17:50,200 ANYWAY, IT'S COMPLETELY HARMLESS ON ITS OWN. 332 00:17:50,232 --> 00:17:51,743 BUT WHEN MIXED WITH CERTAIN NERVE AGENTS... 333 00:17:51,767 --> 00:17:53,567 VX GAS IN PARTICULAR... BOO-YAH-CA! 334 00:17:53,599 --> 00:17:56,133 IT MUTATES THE NEUROTOXINS, CAUSING THEM TO SELF-REPLICATE 335 00:17:56,166 --> 00:17:58,732 AT A RATE THAT WOULD BE, LIKE, HISTORIC. 336 00:17:58,767 --> 00:18:01,532 WE'LL HAVE TO SECURE ALL CHEMICAL LABORATORIES 337 00:18:01,567 --> 00:18:03,599 THAT MANUFACTURE VX. 338 00:18:03,633 --> 00:18:05,342 HOW LONG WOULD IT TAKE YOU TO CONSTRUCT A FAKE? 339 00:18:05,366 --> 00:18:07,333 A FAKE? YOU MEAN LIKE SOMETHING THAT WOULD 340 00:18:07,366 --> 00:18:08,700 ACTUALLY PASS AS THE REAL THING? 341 00:18:08,732 --> 00:18:11,366 SYDNEY'S MEETING WITH ANNA IN 30 MINUTES. 342 00:18:11,400 --> 00:18:13,700 TURNING THIS OVER TO HER IS NOT THE IDEAL OPTION. 343 00:18:13,732 --> 00:18:15,166 CAN YOU DO IT? 344 00:18:15,200 --> 00:18:17,166 NO. ABSOLUTELY NOT, NO. 345 00:18:18,400 --> 00:18:19,567 OKAY, PROBABLY. 346 00:18:19,599 --> 00:18:21,133 BUT, LISTEN, ONE MORE THING. 347 00:18:21,166 --> 00:18:23,133 I KNOW THIS ISN'T, YOU KNOW, LIKE MY PROVINCE, 348 00:18:23,166 --> 00:18:26,333 BUT I THINK I HAVE AN IDEA WHO ANNA'S WORKING FOR. 349 00:18:26,366 --> 00:18:28,067 THERE'S THIS FRINGE TERRORIST CELL 350 00:18:28,099 --> 00:18:30,133 CALLED THE CADMUS REVOLUTIONARY FRONT. 351 00:18:30,166 --> 00:18:31,633 YEAH, THEY'RE FORMER COVENANT. 352 00:18:31,666 --> 00:18:33,575 RIGHT, SO I DON'T NEED TO TELL YOU HOW... DO YOU? 353 00:18:33,599 --> 00:18:35,432 YES, I KNOW WHO THEY ARE. 354 00:18:35,467 --> 00:18:37,642 WELL, TURNS OUT THE CRF... THEY'VE BEEN TRYING TO ACQUIRE 355 00:18:37,666 --> 00:18:39,366 THE DANTE COMPOUND FOR OVER A YEAR. 356 00:18:39,400 --> 00:18:41,432 I THINK THEY'RE TRYING TO BUILD A CHEMICAL BOMB. 357 00:18:41,467 --> 00:18:43,099 I READ THE ECHELON REPORT ON THE CRF. 358 00:18:43,133 --> 00:18:44,500 WE DON'T KNOW WHAT THEIR AGENDA IS. 359 00:18:44,532 --> 00:18:46,099 THEN WE INCREASE OUR KNOWLEDGE BASE. 360 00:18:46,133 --> 00:18:47,500 FIGURE A WAY TO PENETRATE THE CRF 361 00:18:47,532 --> 00:18:49,432 AND DETERMINE THEIR MOTIVES. 362 00:18:49,467 --> 00:18:51,476 WELL, WE ACTUALLY HAVE SOMEBODY IN CUSTODY WITH CRF CONNECTIONS, 363 00:18:51,500 --> 00:18:53,232 CONSIDERING THEIR COVENANT TIES AND ALL. 364 00:18:53,267 --> 00:18:55,099 OH, GOD. 365 00:18:55,133 --> 00:18:57,133 Sydney: IF WE GIVE ANNA A FAKE, 366 00:18:57,166 --> 00:18:58,532 SHE WILL KILL NADIA. YOU KNOW THAT. 367 00:18:58,567 --> 00:19:00,309 TURNING OVER THE COMPOUND WOULD BE IRRESPONSIBLE, 368 00:19:00,333 --> 00:19:01,633 NOT TO MENTION UNNECESSARY. 369 00:19:01,666 --> 00:19:04,267 MY RESPONSIBILITY IS TO GET NADIA BACK... 370 00:19:04,299 --> 00:19:05,567 SAFE, ALIVE. 371 00:19:05,599 --> 00:19:07,166 Sloane: HE'S RIGHT, SYDNEY. 372 00:19:07,200 --> 00:19:08,799 WHAT ARE YOU TALKING ABOUT? 373 00:19:08,833 --> 00:19:10,267 I'M TRYING TO SAVE YOUR DAUGHTER. 374 00:19:10,299 --> 00:19:13,567 GIVING ANNA THE COMPOUND IS AN UNNECESSARY RISK. 375 00:19:13,599 --> 00:19:15,567 UNNECESSARY? 376 00:19:15,599 --> 00:19:18,532 SHE WON'T KILL HER. IT'S NOT HER DESTINY. 377 00:19:18,567 --> 00:19:22,267 PLEASE TELL ME THIS IS NOT ABOUT WHAT I THINK IT IS. 378 00:19:22,299 --> 00:19:25,133 IF YOU HAD FAITH, YOU WOULD KNOW WHAT I KNOW. 379 00:19:25,166 --> 00:19:27,532 FAITH IN A 15th CENTURY LUNATIC? 380 00:19:27,567 --> 00:19:31,532 DAD, PLEASE TELL ME RAMBALDI IS NOT DICTATING PROCEDURES. 381 00:19:31,567 --> 00:19:34,799 HE HAS NO AUTHORITY HERE, 382 00:19:34,833 --> 00:19:36,799 AND I KNOW ANNA BETTER THAN ANYONE. 383 00:19:36,833 --> 00:19:38,500 THAT'S WHY YOU CHOSE ME FOR THIS MISSION. 384 00:19:38,532 --> 00:19:41,532 DAD, PLEASE, I NEED TO GET MY SISTER BACK. 385 00:19:44,799 --> 00:19:46,500 THANK YOU. 386 00:19:52,099 --> 00:19:54,567 YOU SHOULDN'T BE HERE, ARVIN. 387 00:19:59,500 --> 00:20:02,500 HEY. 388 00:20:02,532 --> 00:20:05,232 WHERE ARE YOU GOING? I'll TELL YOU LATER. WHEN'S THE MEET WITH ANNA? 389 00:20:05,267 --> 00:20:06,532 NOW. 390 00:20:06,567 --> 00:20:09,299 NADIA'S GONNA BE OKAY. 391 00:20:10,432 --> 00:20:13,333 I JUST WANT THE GHOSTS TO GO AWAY. 392 00:20:13,366 --> 00:20:15,267 TELL ME ABOUT IT. 393 00:20:22,767 --> 00:20:27,366 ♪ ANOTHER BRIDE ♪ ANOTHER JUNE 394 00:20:27,400 --> 00:20:32,366 ♪ ANOTHER SUNNY ♪ HONEYMOON 395 00:20:32,400 --> 00:20:37,333 ♪ ANOTHER SEASON ♪ ANOTHER REASON 396 00:20:37,366 --> 00:20:40,232 ♪ FOR MAKIN' WHOOPEE 397 00:20:42,833 --> 00:20:44,799 HERE. 398 00:20:44,833 --> 00:20:47,200 NICE WORK. 399 00:20:47,232 --> 00:20:49,467 YOU AREN'T EVEN GONNA LOOK AT IT? 400 00:20:49,500 --> 00:20:51,467 I TRUST YOU. 401 00:20:51,500 --> 00:20:55,099 YOU WOULDN'T TRY TO DECEIVE ME, WOULD YOU? 402 00:21:02,333 --> 00:21:04,099 WHERE'S MY SISTER? 403 00:21:06,232 --> 00:21:09,099 WAIT FIVE MINUTES AFTER MY EXIT, 404 00:21:09,133 --> 00:21:12,700 THEN GO TO THE FOURTH FLOOR OF THE PARKING STRUCTURE 405 00:21:12,732 --> 00:21:14,400 ACROSS THE STREET... 406 00:21:14,432 --> 00:21:17,032 OR MY FRIENDS WILL BLOW A HOLE IN YOUR HEART. 407 00:21:17,067 --> 00:21:19,032 GET YOUR HANDS OFF ME. 408 00:21:19,067 --> 00:21:23,299 IT WAS NICE GETTING TO KNOW YOUR SISTER. 409 00:21:29,666 --> 00:21:35,567 ♪ HE DOESN'T PHONE ♪ HE DOESN'T WRITE 410 00:21:35,599 --> 00:21:40,366 ♪ HE SAYS HE'S BUSY ♪ BUT I SAY, "IS HE?" 411 00:21:40,400 --> 00:21:42,666 ♪ HE'S MAKIN' WHOOPEE 412 00:21:46,232 --> 00:21:51,599 ♪ HE DOESN'T MAKE MUCH MONEY 413 00:21:51,633 --> 00:21:55,666 ♪ ONLY FIVE THOUSAND PER 414 00:21:57,299 --> 00:22:01,133 ♪ SOME JUDGE WHO THINKS HE'S FUNNY ♪ 415 00:22:02,133 --> 00:22:04,099 DISPATCH, I NEED BACKUP. 416 00:22:08,067 --> 00:22:11,067 SHE CAN HAVE THE BLOUSE. 417 00:22:11,099 --> 00:22:16,732 ♪ THE JUDGE SAYS BUDGE ♪ RIGHT INTO JAIL 418 00:22:16,767 --> 00:22:19,567 ♪ HE'D BETTER KEEP HER 419 00:22:19,599 --> 00:22:22,032 ♪ I THINK IT'S CHEAPER 420 00:22:22,067 --> 00:22:25,099 ♪ THAN MAKIN' WHOOPEE 421 00:22:38,200 --> 00:22:39,232 [ ALARM CHIRPS ] 422 00:22:57,200 --> 00:22:58,732 ARE YOU OKAY? 423 00:23:12,700 --> 00:23:14,133 OPEN IT UP. 424 00:23:14,166 --> 00:23:18,532 PROCEDURE DICTATES. WE'RE OLD FRIENDS. 425 00:23:18,567 --> 00:23:21,767 ACTUALLY, GIVEN OUR SHARED INTIMACIES WITH YOUR LATE WIFE, 426 00:23:21,799 --> 00:23:25,099 I MAY EVEN GO SO FAR AS TO SAY THAT WE'RE FAMILY. 427 00:23:25,133 --> 00:23:27,633 [ CELL DOOR BUZZES ] 428 00:23:43,700 --> 00:23:46,232 MR. VAUGHN, YOUR TIMING IS IMPECCABLE. 429 00:23:46,267 --> 00:23:48,366 THE LAST OF MY BROKEN BONES IS FINALLY HEALED, 430 00:23:48,400 --> 00:23:51,133 AND I SIT BEFORE YOU A FRESH CANDIDATE 431 00:23:51,166 --> 00:23:52,333 FOR YOUR AGGRESSION. 432 00:23:52,366 --> 00:23:54,267 BEFORE WE BEGIN WHATEVER INQUISITION 433 00:23:54,299 --> 00:23:57,200 YOU'RE HERE FOR, THERE IS A PESKY QUESTION 434 00:23:57,232 --> 00:23:59,299 THAT'S BEEN LINGERING IN MY HEAD. 435 00:23:59,333 --> 00:24:01,099 DO YOU MIND? 436 00:24:01,133 --> 00:24:02,700 GO AHEAD. 437 00:24:02,732 --> 00:24:05,200 WAS IT THE INFIDELITY 438 00:24:05,232 --> 00:24:06,732 OR THE ESPIONAGE THAT MOTIVATED YOU 439 00:24:06,767 --> 00:24:08,799 TO KILL THE WOMAN I LOVED? 440 00:24:08,833 --> 00:24:10,299 THE WOMAN YOU LOVED? 441 00:24:10,333 --> 00:24:11,700 YES. 442 00:24:11,732 --> 00:24:14,133 LOVED. 443 00:24:14,166 --> 00:24:16,299 YOU KNOW, SHE ONCE ACTUALLY TOLD ME 444 00:24:16,333 --> 00:24:20,067 THAT SHE LONGED TO LOVE YOU, 445 00:24:20,099 --> 00:24:22,200 BUT THE MUNDANE EXISTENCE YOU PROVIDED 446 00:24:22,232 --> 00:24:24,299 COULDN'T HOLD A CANDLE TO MY PASSION. 447 00:24:27,299 --> 00:24:30,267 THAT WASN'T FOR SLEEPING WITH THE WOMAN I WAS MARRIED TO. 448 00:24:30,299 --> 00:24:32,032 I COULDN'T CARE LESS ABOUT HER. 449 00:24:32,067 --> 00:24:33,799 THEN WHAT? THE TORTURE? 450 00:24:33,833 --> 00:24:36,200 THIS IS HOW IT'S GONNA BE, 451 00:24:36,232 --> 00:24:38,109 AND I'M ONLY GOING TO GIVE YOU ONE SHOT AT THIS. 452 00:24:38,133 --> 00:24:40,366 THE CRF... THEY'VE HIRED ANNA ESPINOSA. 453 00:24:40,400 --> 00:24:42,700 THEY'RE BUILDING A BOMB. 454 00:24:42,732 --> 00:24:45,232 WHY HAVE THEY MADE REPEATED ATTEMPTS TO CONTACT YOU? 455 00:24:45,267 --> 00:24:48,099 SO IT'S BEGUN. 456 00:24:48,133 --> 00:24:49,799 WHAT HAS? 457 00:24:49,833 --> 00:24:50,873 WOULDN'T YOU LIKE TO KNOW. 458 00:24:50,900 --> 00:24:53,166 WELL, YOU'RE GONNA TELL ME WHAT THEY'RE PLANNING 459 00:24:53,200 --> 00:24:54,767 AND WHERE THEY'RE LOCATED. 460 00:24:54,799 --> 00:24:56,342 AND IF YOU'RE FISHING FOR SOME TYPE OF PARDON AGREEMENT, 461 00:24:56,366 --> 00:24:59,032 IT'S NOT IN THE CARDS. BUT I AM WILLING 462 00:24:59,067 --> 00:25:00,307 TO PROVIDE YOU CERTAIN AMENITIES 463 00:25:00,333 --> 00:25:01,809 THAT WILL MAKE YOUR LIFE IN CONFINEMENT 464 00:25:01,833 --> 00:25:03,067 A LITTLE MORE COMFORTABLE. 465 00:25:03,099 --> 00:25:05,067 I SEE YOUR BARGAINING SKILLS 466 00:25:05,099 --> 00:25:06,767 HAVE GONE THE WAY OF YOUR MANHOOD. 467 00:25:06,799 --> 00:25:08,767 LET ME REPHRASE THAT. 468 00:25:08,799 --> 00:25:10,775 I'D BE WILLING TO LEAVE YOU WITH WHAT YOU ALREADY HAVE 469 00:25:10,799 --> 00:25:13,200 AND NOT MAKE YOUR LIFE MORE UNCOMFORTABLE. 470 00:25:14,333 --> 00:25:17,067 I DON'T SEE THAT THERE'S MUCH LEFT TO TAKE AWAY. 471 00:25:17,099 --> 00:25:19,032 YOU STONEWALL ME, 472 00:25:19,067 --> 00:25:21,032 AND I'll HAVE YOU SHIPPED TO ALDER PENITENTIARY, 473 00:25:21,067 --> 00:25:23,032 AND I'll HAVE YOU SECURED IN DARKENED SOLITARY. 474 00:25:23,067 --> 00:25:25,067 TILL THE END OF DAYS. 475 00:25:25,099 --> 00:25:28,567 24/7 IN A PITCH BLACK CELL WITH ZERO HUMAN CONTACT 476 00:25:28,599 --> 00:25:31,133 IS A SLOW WAY TO DIE, 477 00:25:31,166 --> 00:25:33,309 ESPECIALLY WITH ALL THE DEMONS YOU'VE GOT IN YOUR CLOSET. 478 00:25:33,333 --> 00:25:37,532 AND BELIEVE ME, THEY WILL COME KNOCKING. 479 00:25:37,567 --> 00:25:42,232 I REGRET TO INFORM YOU, MR. VAUGHN... 480 00:25:42,267 --> 00:25:44,500 I'M NOT AFRAID OF THE DARK. 481 00:25:52,267 --> 00:25:53,799 YOU SHOULD BE. 482 00:25:53,833 --> 00:25:55,666 I'M HAVING YOU TRANSFERRED TO ALDER TONIGHT. 483 00:25:55,700 --> 00:25:57,200 [ CELL DOOR BUZZES ] 484 00:26:13,500 --> 00:26:15,166 [ DOOR BUZZES ] 485 00:26:19,200 --> 00:26:20,567 HOW DID HE RESPOND? 486 00:26:20,599 --> 00:26:21,700 AS EXPECTED. 487 00:26:21,732 --> 00:26:23,232 WE'LL SEND IN 488 00:26:23,267 --> 00:26:25,000 THE SURGICAL TEAM THIS EVENING. 489 00:26:39,067 --> 00:26:40,666 WHAT DID SHE DO TO YOU? 490 00:26:40,700 --> 00:26:41,732 I'll BE OKAY. 491 00:26:41,767 --> 00:26:43,099 ARE YOU SURE? 492 00:26:43,133 --> 00:26:45,166 MM-HMM. I SHOULD GO. 493 00:26:56,732 --> 00:26:58,567 HEY. 494 00:26:58,599 --> 00:27:01,032 I'M SO GLAD YOU'RE ALL RIGHT. 495 00:27:02,666 --> 00:27:04,633 THANK YOU, SYDNEY. 496 00:27:04,666 --> 00:27:07,366 THE DOCTOR'S WAITING. 497 00:27:07,400 --> 00:27:10,500 THE TISSUE IN THE SCORCHED REGION'S COMPLETELY MACERATED, 498 00:27:10,532 --> 00:27:12,567 SO WE'LL HAVE TO GRAFT NEW SKIN. 499 00:27:12,599 --> 00:27:14,333 BUT WE CAN FIX THIS. 500 00:27:14,366 --> 00:27:15,567 THANK YOU. 501 00:27:15,599 --> 00:27:18,432 I'll BE BACK IN A MINUTE AND DRESS IT FOR YOU. 502 00:27:18,467 --> 00:27:19,666 WE'RE GONNA FIND ANNA. 503 00:27:19,700 --> 00:27:21,532 WE KNOW WHO SHE'S WORKING FOR NOW. 504 00:27:21,567 --> 00:27:23,500 WE'RE TRACKING HER DOWN. 505 00:27:23,532 --> 00:27:27,099 SHE SAID THINGS ABOUT US. 506 00:27:27,133 --> 00:27:29,532 THAT WE'LL BE TORN APART. 507 00:27:29,567 --> 00:27:31,700 WHAT DOES THAT MEAN? 508 00:27:33,432 --> 00:27:34,633 Sydney: WHEN MOM DIED, 509 00:27:34,666 --> 00:27:37,767 I REQUESTED CLEARANCE TO HER FILES. 510 00:27:37,799 --> 00:27:39,633 I GOT IT. 511 00:27:39,666 --> 00:27:41,532 THERE WAS AN AUDIO TAPE... 512 00:27:41,567 --> 00:27:43,633 SURVEILLANCE FROM A HOTEL ROOM IN HAMBURG. 513 00:27:43,666 --> 00:27:47,799 SHE WAS TALKING TO A MAN. HIS VOICE WAS NEVER IDENTIFIED. 514 00:27:47,833 --> 00:27:51,767 SHE WAS DESCRIBING THE SYMBOLOGY OF THIS... 515 00:27:51,799 --> 00:27:54,099 THE MARK OF RAMBALDI. 516 00:27:54,133 --> 00:27:57,267 SHE SAID THE OUTER MARKINGS REPRESENTED HER TWO DAUGHTERS. 517 00:27:57,299 --> 00:28:00,400 THE CENTER IS THE OBJECT 518 00:28:00,432 --> 00:28:03,467 OVER WHICH THEY WILL DO GREAT BATTLE... 519 00:28:04,767 --> 00:28:06,532 WITH EACH OTHER. 520 00:28:07,467 --> 00:28:09,532 THOSE WERE HER WORDS. 521 00:28:12,500 --> 00:28:15,333 AND THEN MOM WENT QUIET. 522 00:28:15,366 --> 00:28:18,432 IT WAS ALMOST LIKE THE NEXT PART WAS TOO PAINFUL. 523 00:28:18,467 --> 00:28:19,432 TELL ME. 524 00:28:19,467 --> 00:28:20,567 NADIA, IT'S INSANE. 525 00:28:20,599 --> 00:28:22,732 WHAT? 526 00:28:22,767 --> 00:28:24,400 ACCORDING TO RAMBALDI, 527 00:28:24,432 --> 00:28:26,799 ONLY ONE OF THE DAUGHTERS WILL SURVIVE. 528 00:28:26,833 --> 00:28:29,232 I AM NOT GOING TO LIE TO YOU. 529 00:28:29,267 --> 00:28:31,432 SOME OF THE PREDICTIONS RAMBALDI MADE 530 00:28:31,467 --> 00:28:32,666 HAVE COME TRUE. 531 00:28:35,467 --> 00:28:38,532 SO IF... IF YOU WANT TO GO BACK... 532 00:28:38,567 --> 00:28:41,366 TO ARGENTINA? 533 00:28:41,400 --> 00:28:43,400 DO YOU BELIEVE IN ALL THIS? 534 00:28:43,432 --> 00:28:46,333 RAMBALDI? 535 00:28:46,366 --> 00:28:49,467 NO. 536 00:28:49,500 --> 00:28:52,467 BUT THE PEOPLE WHO DO ARE DANGEROUS. 537 00:28:52,500 --> 00:28:54,732 THEY'RE ZEALOTS WHO WILL STOP AT NOTHING 538 00:28:54,767 --> 00:28:56,599 TO MAKE THEIR VISIONS INTO REALITY. 539 00:28:56,633 --> 00:28:58,366 ARE YOU KIDDING ME? 540 00:28:58,400 --> 00:29:00,333 CHANGE MY LIFE BECAUSE SOME FREAKSHOW 541 00:29:00,366 --> 00:29:02,767 MADE A PREDICTION 400 YEARS AGO? 542 00:29:04,366 --> 00:29:07,700 ANNA CONTRIVED TO TEAR US APART 543 00:29:07,732 --> 00:29:12,299 TO MAKE SOME RIDICULOUS PROPHECY COME TRUE. 544 00:29:12,333 --> 00:29:14,232 BUT WE'RE TOGETHER NOW. 545 00:29:17,567 --> 00:29:20,200 [ AIR HISSING ] 546 00:29:28,700 --> 00:29:30,666 [ CELL DOOR BUZZES ] 547 00:29:46,732 --> 00:29:48,599 [ BEEPING ] 548 00:30:04,099 --> 00:30:05,099 [ CELL DOOR BUZZES ] 549 00:30:05,133 --> 00:30:07,633 Vaughn: SARK'S BEING TRANSPORTED TO ALDER TONIGHT. 550 00:30:07,666 --> 00:30:09,299 GOOD, BECAUSE HIS TRACKING DEVICE IS IN. 551 00:30:09,333 --> 00:30:11,432 THAT ANAESTHETIC GAS... TOTALLY KNOCKED SARK OUT. 552 00:30:11,467 --> 00:30:13,200 DIDN'T KNOW WHAT HIT HIM. 553 00:30:13,232 --> 00:30:15,176 HOW MANY HOURS UNTIL THE DELAYED ACTIVATOR GOES HOT? 554 00:30:15,200 --> 00:30:17,267 24. OH, AND IF THE CRF TRIES TO RUN 555 00:30:17,299 --> 00:30:19,032 A COUNTERSURVEILLANCE SWEEP ON SARK, 556 00:30:19,067 --> 00:30:20,133 NO DETECTO. 557 00:30:20,166 --> 00:30:22,200 THAT'S NOT THE ONLY MODIFICATION 558 00:30:22,232 --> 00:30:24,166 THAT MR. BRISTOW AUTHORIZED. 559 00:30:24,200 --> 00:30:28,166 THE TRACKER IS PACKED WITH A HIGH-DENSITY EXPLOSIVE. 560 00:30:28,200 --> 00:30:30,200 JUST ENOUGH TO BLOW OFF HIS MELON 561 00:30:30,232 --> 00:30:32,267 IN CASE HE TRIES TO GO OFF-BOOK. 562 00:30:32,299 --> 00:30:34,166 YOU MESS WITH A FRIEND OF FLINKMAN, 563 00:30:34,200 --> 00:30:36,067 YOU'RE MESSING WITH FLINKMAN. 564 00:30:36,099 --> 00:30:37,432 GOOD JOB, MARSHALL. 565 00:30:37,467 --> 00:30:40,432 [ DOOR BUZZES ] 566 00:31:00,532 --> 00:31:04,067 Man: THIS IS TRANSPORT TEAM ALPHA. 567 00:31:04,099 --> 00:31:06,166 WE HAVE SECURED THE PRISONER, AND WE ARE EN ROUTE. 568 00:31:06,200 --> 00:31:08,166 E.T.A., 0600. 569 00:31:08,200 --> 00:31:10,299 [ TIRES SCREECH ] 570 00:31:10,333 --> 00:31:12,532 [ EXPLOSION ] 571 00:31:16,599 --> 00:31:22,299 [ GUNFIRE ] 572 00:31:25,299 --> 00:31:29,232 Man: PUT YOUR HEAD DOWN! SHOOT! 573 00:31:33,067 --> 00:31:34,133 [ TIRES SCREECHING ] 574 00:31:39,833 --> 00:31:43,032 [ HORN BLARING ] 575 00:31:43,067 --> 00:31:44,500 COME WITH ME! 576 00:31:46,500 --> 00:31:49,700 COME ON! 577 00:31:49,732 --> 00:31:52,299 QUICKLY! GO! 578 00:31:56,232 --> 00:31:58,732 GET IN BACK! 579 00:31:58,767 --> 00:32:00,532 THERE IS CHANGE OF CLOTHES! 580 00:32:02,232 --> 00:32:04,467 Man on radio: ALPHA, DO YOU COPY? 581 00:32:13,799 --> 00:32:16,400 [ KNOCK ON DOOR ] 582 00:32:16,432 --> 00:32:18,099 YOU GOT A MINUTE? 583 00:32:18,133 --> 00:32:20,232 WE PICKED UP CHATTER ON A MEET SCHEDULED 584 00:32:20,267 --> 00:32:22,133 BETWEEN THE CRF AND AN ADMINISTRATOR 585 00:32:22,166 --> 00:32:24,099 AT THE SHILANOST CHEMICAL LABS IN ESTONIA... 586 00:32:24,133 --> 00:32:25,333 JAN VORICH. 587 00:32:25,366 --> 00:32:27,267 SHILANOST WAS A SOVIET-RUN FACILITY. 588 00:32:27,299 --> 00:32:28,532 MARGINAL SECURITY AT BEST. 589 00:32:28,567 --> 00:32:31,700 THEFT OF A LEVEL-4 TOXIN COULD GO UNNOTICED THERE FOR YEARS. 590 00:32:31,732 --> 00:32:33,400 IT'S PROBABLY JUST A MEET, 591 00:32:33,432 --> 00:32:37,232 BUT IF ANNA'S THERE, THIS WOULD BE OUR BEST SHOT 592 00:32:37,267 --> 00:32:39,267 AT GETTING HER BACK IN OUR SIGHTS. 593 00:32:47,133 --> 00:32:50,299 TAKE NADIA WITH YOU. OBSERVATION ONLY. 594 00:32:50,333 --> 00:32:52,333 IF VORICH HAS A SAMPLE OF VX, 595 00:32:52,366 --> 00:32:54,366 I WANT YOU TO FIND OUT WHERE IT IS. 596 00:32:54,400 --> 00:32:58,599 THIS IS A SURVEILLANCE, NOT A BOXING MATCH. 597 00:32:58,633 --> 00:33:01,700 CAN I TRUST YOU TO MAINTAIN YOUR PROFESSIONALISM? 598 00:33:01,732 --> 00:33:05,299 SHE BRINGS OUT THE WORST IN ME, DAD, 599 00:33:05,333 --> 00:33:08,032 BUT, YES, OF COURSE. 600 00:33:09,700 --> 00:33:11,366 WHAT IS IT? 601 00:33:13,633 --> 00:33:15,799 ANNA NEVER CHECKED THE SAMPLE. 602 00:33:15,833 --> 00:33:18,232 MARSHALL SAID HE COULDN'T HAVE MADE A GOOD FAKE ANYWAY. 603 00:33:18,267 --> 00:33:19,633 YOU WERE RIGHT, DAD. 604 00:33:19,666 --> 00:33:21,532 I WAS STUBBORN. I'M SORRY. 605 00:33:21,567 --> 00:33:24,099 YOU TRUSTED YOUR INSTINCTS TO ENSURE 606 00:33:24,133 --> 00:33:26,799 THE SAFE RETURN OF A FELLOW AGENT, 607 00:33:26,833 --> 00:33:30,633 A MEMBER OF YOUR FAMILY, AND YOU SUCCEEDED. 608 00:33:33,633 --> 00:33:37,000 [ THUNDER CRASHING ] 609 00:33:41,799 --> 00:33:43,333 TAKE THE MOTORCYCLE. 610 00:33:43,366 --> 00:33:45,767 GET YOURSELF TO CRF HEADQUARTERS. 611 00:33:45,799 --> 00:33:47,333 WHAT ABOUT YOU? 612 00:33:47,366 --> 00:33:49,333 FOLLOW PROTOCOL! 613 00:33:49,366 --> 00:33:50,666 GO! 614 00:34:03,767 --> 00:34:05,732 [ No accent ] TANGO IS IN MOTION. 615 00:34:05,767 --> 00:34:08,166 COPY THAT. GOOD WORK. 616 00:34:08,199 --> 00:34:10,300 IN THE NEXT 24 HOURS, SARK SHOULD LEAD US 617 00:34:10,333 --> 00:34:12,032 TO CRF HEADQUARTERS. 618 00:34:12,067 --> 00:34:15,132 WE'LL PUT A TACTICAL TEAM ON STANDBY. 619 00:34:15,166 --> 00:34:17,233 FOR NOW, WE WAIT. 620 00:34:18,833 --> 00:34:21,132 WHO WANTS TO ORDER CHINESE? 621 00:34:21,166 --> 00:34:23,132 I'M STARVING. 622 00:34:23,166 --> 00:34:24,599 THAI? 623 00:34:24,632 --> 00:34:26,067 INDIAN? 624 00:34:28,266 --> 00:34:29,800 SYDNEY? 625 00:34:29,833 --> 00:34:32,233 YOU AND YOUR SISTER... ARE YOU GOING AFTER ANNA? 626 00:34:32,266 --> 00:34:34,233 THIS IS HIGHLY INAPPROPRIATE. EXCUSE ME. 627 00:34:34,266 --> 00:34:38,099 COME ON, SYDNEY, YOU KNOW OF ANNA'S BELIEFS. 628 00:34:38,132 --> 00:34:40,800 YOU KNOW THE LENGTHS SHE'LL GO TO SEE THEM REALIZED. 629 00:34:40,833 --> 00:34:43,500 YOU WANT TO TALK ABOUT BELIEFS? 630 00:34:43,532 --> 00:34:47,166 THIS IS SOMETHING YOU WANT TO DISCUSS? 631 00:34:47,199 --> 00:34:48,766 FROM WHERE I'M STANDING, 632 00:34:48,800 --> 00:34:51,199 IT WAS YOUR MADMAN OBSESSION WITH RAMBALDI 633 00:34:51,233 --> 00:34:54,532 THAT DRAGGED ME AND NADIA INTO THIS ENDLESS PIT OF CONFUSION. 634 00:34:54,567 --> 00:34:56,632 SO GIVEN THAT, LET ME ASK YOU... 635 00:34:56,666 --> 00:34:59,432 WHAT IS IT YOU BELIEVE? 636 00:34:59,467 --> 00:35:01,166 I BELIEVE THAT IF THE TWO OF YOU 637 00:35:01,199 --> 00:35:03,132 GO OUT ON THIS MISSION, 638 00:35:03,166 --> 00:35:07,699 AND ANNA ESPINOSA HAS HER WAY, 639 00:35:07,733 --> 00:35:13,132 THAT ONLY ONE OF YOU WILL RETURN HOME ALIVE. 640 00:35:33,833 --> 00:35:35,800 IT'S BEEN 24 HOURS. SARK'S TRACKER IS STILL DARK. 641 00:35:35,833 --> 00:35:37,699 I KNOW. I'M CHECKING THE SATELLITE, 642 00:35:37,733 --> 00:35:39,367 MAKING SURE IT'S NOT OFFLINE. 643 00:35:39,400 --> 00:35:40,776 YOU'RE SURE YOU DID THE INSERTION PROPERLY? 644 00:35:40,800 --> 00:35:42,233 COME ON. IT'S ME. 645 00:35:42,266 --> 00:35:43,508 I CAN'T STRESS ENOUGH HOW CRITICAL IT IS 646 00:35:43,532 --> 00:35:44,575 THAT WE LOCATE CRF HEADQUARTERS. 647 00:35:44,599 --> 00:35:46,443 I KNOW. ALL RIGHT? WHY'S EVERYBODY PICKING ON ME? 648 00:35:46,467 --> 00:35:47,766 SERIOUSLY. 649 00:35:47,800 --> 00:35:50,467 IT'S HARD WORK. 650 00:35:50,500 --> 00:35:54,032 OKAY, I GOT IT. IT'S HOT. 651 00:35:54,067 --> 00:35:56,733 THEY ARE IN SOUTH AFRICA. JOHANNESBURG. 652 00:35:56,766 --> 00:35:59,432 658 KRONER STREET, TO BE EXACT. 653 00:35:59,467 --> 00:36:00,467 LET'S MOVE, PEOPLE. 654 00:36:08,666 --> 00:36:10,599 SYDNEY AND NADIA ARE IN ESTONIA 655 00:36:10,632 --> 00:36:12,199 PURSUING ANNA. 656 00:36:12,233 --> 00:36:14,199 DIXON IS LEADING A TEAM TO JOHANNESBURG 657 00:36:14,233 --> 00:36:16,467 TO RAID CRF HEADQUARTERS. 658 00:36:16,500 --> 00:36:18,733 THIS SHOULD ALL BE OVER SOON. 659 00:36:18,766 --> 00:36:20,467 THANK YOU. 660 00:36:33,699 --> 00:36:36,199 [ SIREN WAILING IN DISTANCE ] 661 00:36:36,233 --> 00:36:39,266 MAINTAIN YOUR PERIMETER COVER POINTS. 662 00:36:39,300 --> 00:36:41,266 WE NEED TO LOCK THIS BUILDING DOWN TIGHT. 663 00:36:41,300 --> 00:36:43,666 NO ONE SLIPS OUT. WE'D RATHER TAKE HOME DATA ON CRF, 664 00:36:43,699 --> 00:36:45,132 NOT PRISONERS. 665 00:36:45,166 --> 00:36:46,666 LET'S GO. GO, GO, GO. 666 00:37:01,733 --> 00:37:03,632 I GOT SOMETHING. 667 00:37:24,666 --> 00:37:26,199 GENTLEMEN. 668 00:37:29,199 --> 00:37:31,666 WERE YOU EXPECTING A BIGGER PARTY? 669 00:37:31,699 --> 00:37:35,099 THIS ISN'T CRF HEADQUARTERS. 670 00:37:35,132 --> 00:37:37,067 YOU'RE A GENIUS. 671 00:37:37,099 --> 00:37:38,532 WHERE ARE WE? 672 00:37:38,567 --> 00:37:41,432 NOWHERE IN PARTICULAR. 673 00:37:41,467 --> 00:37:42,666 AND THAT'S THE TRUTH. 674 00:37:42,699 --> 00:37:45,567 JUST A NICE PLACE FOR A CHAT. 675 00:37:47,400 --> 00:37:51,099 REALLY, MICHAEL, DON'T LOOK SO SHOCKED. 676 00:37:51,132 --> 00:37:54,467 YOU COULDN'T HAVE HAD SUCH LOW EXPECTATIONS OF ME. 677 00:37:54,500 --> 00:37:59,400 NOW, WITH REGARDS TO YOUR PREVIOUS REQUEST, 678 00:37:59,432 --> 00:38:02,500 I WILL HELP YOU LOCATE CRF LEADERSHIP. 679 00:38:02,532 --> 00:38:06,333 BUT AS ALWAYS, YOU MUST DO SOMETHING FOR ME IN RETURN. 680 00:38:06,367 --> 00:38:08,067 WHY THE CHARADE? 681 00:38:08,099 --> 00:38:09,608 IF YOU WERE GOING TO COOPERATE, WHY RUN AT ALL? 682 00:38:09,632 --> 00:38:12,599 FOR THE BUBBLY, OF COURSE. 683 00:38:35,166 --> 00:38:36,367 WE'RE EARLY. 684 00:38:36,400 --> 00:38:40,367 WHO SAYS GIRLS CAN'T MAKE IT ANYWHERE ON TIME? 685 00:38:40,400 --> 00:38:43,199 GET COMFORTABLE. 686 00:38:43,233 --> 00:38:45,266 [ ELEVATOR BELL DINGS ] 687 00:38:55,233 --> 00:38:56,333 VORICH. 688 00:38:56,367 --> 00:38:59,233 ALL RIGHT, ONE DOWN, ONE TO GO. 689 00:38:59,266 --> 00:39:01,500 WHERE ARE YOU, ANNA? COME ON. 690 00:39:16,099 --> 00:39:17,132 LET'S TAKE HER. 691 00:39:17,166 --> 00:39:19,233 BAD IDEA. 692 00:39:19,266 --> 00:39:21,333 I WAS HOPING WE COULD SPEND A LITTLE MORE TIME... 693 00:39:26,099 --> 00:39:27,699 VORICH HAD THE VX GAS WITH HIM. GO! 694 00:40:00,199 --> 00:40:01,666 [ KNIFE PLUNGES ] AAH! 695 00:40:22,266 --> 00:40:24,632 WHY IS THE CRF ASSEMBLING THIS BOMB? 696 00:40:24,666 --> 00:40:26,166 WHAT DO THEY HAVE PLANNED? 697 00:40:26,199 --> 00:40:28,166 IT'S NO USE. 698 00:40:28,199 --> 00:40:31,099 YOU'RE TOO LATE. 699 00:40:31,132 --> 00:40:33,266 TELL ME! AAH! 700 00:40:36,166 --> 00:40:40,632 [ WHISPERING ] 701 00:40:54,099 --> 00:40:56,333 [ COCKS GUN ] 702 00:41:21,699 --> 00:41:24,599 OH, MY GOD, I THOUGHT YOU WERE... ANNA. 703 00:41:25,599 --> 00:41:27,532 [ GUNSHOT ] 704 00:41:37,699 --> 00:41:40,467 NADIA. 705 00:41:40,500 --> 00:41:43,632 OH, GOD. OH, GOD. DON'T BE SCARED. 706 00:41:43,666 --> 00:41:49,166 I'M RIGHT... I'M RIGHT HERE. IT'S OKAY. STAY WITH ME. 707 00:41:49,199 --> 00:41:52,067 JUST BREATHE. JUST STAY WITH ME. 708 00:41:52,099 --> 00:41:54,166 JUST KEEP BREATHING. 709 00:41:54,199 --> 00:41:56,467 NADIA? NADIA? 710 00:41:56,500 --> 00:41:58,632 LOOK AT ME. LOOK AT ME. LOOK ME IN THE EYE. 711 00:41:58,666 --> 00:42:01,500 DON'T. 712 00:42:01,532 --> 00:42:09,067 I'M RIGHT HERE. DON'T.