1
00:00:05,738 --> 00:00:08,509
(Sydney) THE FIRST TIME I
LEARNED OF PROPHET 5,

2
00:00:08,541 --> 00:00:11,112
MY FIANCé WAS GUNNED
DOWN IN FRONT OF ME.

3
00:00:11,144 --> 00:00:14,082
IT TURNS OUT, HE
WASN'T THE FIRST.

4
00:00:16,216 --> 00:00:18,318
THEY KILLED ANYONE
WHO GOT TOO CLOSE.

5
00:00:20,221 --> 00:00:23,757
THEY'D INFILTRATED THE
HIGHEST LEVELS OF GOVERNMENTS

6
00:00:23,791 --> 00:00:27,361
AND THE INNER SANCTUMS
OF INTELLIGENCE AGENCIES.

7
00:00:27,394 --> 00:00:29,362
THEY APPEARED TO
CONTROL ENTIRE SECTORS

8
00:00:29,396 --> 00:00:33,201
OF TECHNOLOGY, FINANCE, DEFENSE.

9
00:00:33,234 --> 00:00:36,070
WE BELIEVED THEY WERE
RUN BY A GROUP OF TWELVE...

10
00:00:36,103 --> 00:00:39,173
WHOSE POWER WAS
EVERYWHERE AND NOWHERE.

11
00:00:39,207 --> 00:00:42,343
BECAUSE NO ONE
KNEW WHO THEY WERE...

12
00:00:42,375 --> 00:00:44,545
UNTIL NOW.

13
00:00:45,779 --> 00:00:49,250
I'VE LIVED WITH
SECRETS ALL MY LIFE...

14
00:00:49,283 --> 00:00:52,253
AND I'M DONE.

15
00:01:17,444 --> 00:01:20,180
I DON'T BELIEVE I'VE
SEEN YOU HERE BEFORE.

16
00:01:20,213 --> 00:01:23,484
VODKA MARTINI, PLEASE, DRY.

17
00:01:29,390 --> 00:01:31,125
I've got visual confirmation.

18
00:01:31,158 --> 00:01:33,093
COPY THAT. I'M STANDING BY.

19
00:01:41,835 --> 00:01:44,271
Got it. UNDERSTOOD. GOOD WORK.

20
00:01:46,206 --> 00:01:48,776
MR. KHEEL, MS.
McMULLEN, OF COURSE.

21
00:01:48,808 --> 00:01:51,745
YOUR PARTY IS
WAITING. RIGHT THIS WAY.

22
00:01:55,182 --> 00:01:57,484
THIS IS PHOENIX, DO
YOU READ? GO AHEAD.

23
00:01:57,518 --> 00:02:00,153
KHEEL AND McMULLEN... I
REMEMBER THOSE NAMES.

24
00:02:00,188 --> 00:02:01,489
They're in the
Prophet 5 archive.

25
00:02:01,522 --> 00:02:04,492
PULLING IT UP NOW.
McMULLEN AND KHEEL...

26
00:02:04,525 --> 00:02:06,459
You're right. They're
members of Prophet 5.

27
00:02:06,493 --> 00:02:08,461
THEY'RE HERE. Can
you get their picture?

28
00:02:08,496 --> 00:02:10,198
I THINK SO. I'll
HAVE TO IMPROVISE.

29
00:02:10,230 --> 00:02:12,699
Don't risk blowing your cover.

30
00:02:12,733 --> 00:02:14,901
I WON'T.

31
00:02:22,776 --> 00:02:24,677
Outrigger, what's your status?

32
00:02:24,711 --> 00:02:26,347
I'M IN POSITION.

33
00:02:26,379 --> 00:02:29,250
COPY, ANY SIGN OF
YOUR TARGET? Standing by.

34
00:02:33,353 --> 00:02:35,423
COME ON! TURN AROUND.

35
00:02:35,456 --> 00:02:39,492
(speaking Italian)

36
00:02:44,932 --> 00:02:47,235
(horn honks)

37
00:02:49,402 --> 00:02:51,204
TARGET ACQUIRED. I'M DONE HERE.

38
00:03:01,814 --> 00:03:03,717
(exhales deeply)

39
00:03:06,919 --> 00:03:09,389
I GOT A NASTY SKIN CONDITION.

40
00:03:09,423 --> 00:03:12,393
TRUST ME, YOU DO NOT WANNA
SEE ME WITHOUT MY SHIRT.

41
00:03:12,425 --> 00:03:14,262
IT'S NOT A, UH,

42
00:03:14,294 --> 00:03:16,296
IT'S NOT A PRETTY,
UH, A PRETTY SIGHT.

43
00:03:22,802 --> 00:03:24,737
(high-pitched beeping)

44
00:03:24,771 --> 00:03:30,343
WHOO! TIME FLIES IN
THE OLD... STEAM ROOM.

45
00:03:30,377 --> 00:03:34,781
HAS IT REALLY BEEN SIX
MINUTES? IT FEELS LIKE... TWO.

46
00:03:35,983 --> 00:03:38,686
I'M GONNA RUN. NICE
TALKING WITH YOU.

47
00:03:38,718 --> 00:03:39,887
SORRY.

48
00:03:44,925 --> 00:03:46,894
(Tom) SON OF A BITCH.
WHY DO I ALWAYS GET.

49
00:03:46,926 --> 00:03:50,397
THE ASSIGNMENTS THAT
INVOLVE HYPOTHERMIA?

50
00:03:50,430 --> 00:03:52,332
'CAUSE YOU'RE ALWAYS
LATE TO BRIEFINGS.

51
00:03:57,670 --> 00:03:58,906
(speaking Russian)

52
00:04:06,847 --> 00:04:08,316
(high-pitched whirring)

53
00:04:08,348 --> 00:04:09,717
(speaking Russian)

54
00:04:32,872 --> 00:04:34,742
DAMN IT!

55
00:04:41,615 --> 00:04:45,018
(brakes squeal, horn honks)

56
00:04:52,725 --> 00:04:55,663
(camera shutter clicks)
VISUALS ACQUIRED.

57
00:05:00,867 --> 00:05:03,571
UHH!

58
00:05:03,603 --> 00:05:09,108
OH, I AM REALLY
SORRY... UM... DEBBIE.

59
00:05:09,141 --> 00:05:11,711
Phoenix, do you
copy? PHOENIX HERE.

60
00:05:11,745 --> 00:05:13,723
I NEED TO SIGN OFF. CAN
YOU HANDLE THIS WITHOUT ME?

61
00:05:13,747 --> 00:05:16,384
I'm on it. Good
luck, dad. LIKEWISE.

62
00:05:28,629 --> 00:05:31,564
EXCUSE ME, UH, WOULD YOU
MIND? IT'S FOR MY GRANDDAUGHTER.

63
00:05:31,598 --> 00:05:33,667
SURE.

64
00:05:33,701 --> 00:05:35,636
UH, TRY TO GET THE
CAPITOL IN THE BACK.

65
00:05:35,668 --> 00:05:37,670
(woman) SMILE!

66
00:05:37,704 --> 00:05:39,572
(camera shutter clicks)

67
00:05:39,606 --> 00:05:42,610
(indistinct conversations)

68
00:05:46,713 --> 00:05:48,781
EXCUSE ME?

69
00:05:48,816 --> 00:05:52,620
WHAT DO YOU THINK YOU'RE DOING?
OH, HEY, I'M COVERING FOR DEBBIE.

70
00:05:52,653 --> 00:05:54,622
SHE SAID SHE
CLEARED IT WITH YOU.

71
00:05:54,654 --> 00:05:56,956
DID SHE NOT CLEAR
IT WITH YOU? NO.

72
00:05:56,990 --> 00:05:58,591
OKAY, WELL, SHE SAID SHE DID.

73
00:05:58,625 --> 00:06:00,627
SHE HAD SOME KIND
OF FAMILY EMERGENCY.

74
00:06:00,661 --> 00:06:03,630
HER SISTER WAS LIKE, SICK.
THE GROSS KIND OR SOMETHING.

75
00:06:08,168 --> 00:06:09,603
WELL, IT'S GOOD
OF YOU TO FILL IN.

76
00:06:09,637 --> 00:06:11,639
THANKS, I NEED THE
TIPS WITH RENT AND...

77
00:06:11,672 --> 00:06:12,872
IT'S EXPENSIVE DOWN UNDER.

78
00:06:12,906 --> 00:06:14,875
(cell phone rings)

79
00:06:14,908 --> 00:06:17,076
MATE, WE'VE GOT A
SITUATION DOWN HERE.

80
00:06:17,110 --> 00:06:19,579
EXCUSE ME!

81
00:06:19,612 --> 00:06:21,714
HOW DID YOU SAY YOU KNEW DEBBIE?

82
00:06:23,684 --> 00:06:25,552
UHH! (thud)

83
00:06:33,661 --> 00:06:36,062
(man) HEY!

84
00:06:40,701 --> 00:06:41,735
STOP!

85
00:07:07,060 --> 00:07:08,795
(camera shutter clicks)

86
00:07:25,678 --> 00:07:28,682
NOW WE KNOW WHO WE'RE FIGHTING.

87
00:07:30,149 --> 00:07:38,149
♪♪♪

88
00:08:02,882 --> 00:08:04,851
(Jack) NOW THAT WE KNOW
WHO THE TWELVE ARE,

89
00:08:04,884 --> 00:08:06,586
WE'VE BEEN ABLE
TO FILL IN DETAILS...

90
00:08:06,620 --> 00:08:08,221
NONE OF WHICH ARE REASSURING.

91
00:08:08,254 --> 00:08:11,091
BETWEEN THEM, THESE PEOPLE WIELD
AN ENORMOUS AMOUNT OF POWER.

92
00:08:11,124 --> 00:08:13,093
THEIR GLOBAL REACH
IS WELL... GLOBAL.

93
00:08:13,125 --> 00:08:15,095
WELL, WE KNOW WHO THEY ARE NOW.

94
00:08:15,127 --> 00:08:16,663
WHY DON'T WE JUST TAKE 'EM IN?

95
00:08:16,697 --> 00:08:17,841
UNFORTUNATELY,
IT'S NOT THAT SIMPLE.

96
00:08:17,865 --> 00:08:20,067
WHEN WE MAKE A MOVE
AGAINST PROPHET 5,

97
00:08:20,100 --> 00:08:22,069
IT NEEDS TO BE THE RIGHT ONE.

98
00:08:22,101 --> 00:08:24,271
WE NEED TO ARREST
THEM SIMULTANEOUSLY

99
00:08:24,303 --> 00:08:25,372
TO AVOID TIPPING THEM OFF.

100
00:08:25,404 --> 00:08:27,707
MARSHALL, WE NEED A PROGRAM
TO TRACK THEIR MOVEMENTS.

101
00:08:27,740 --> 00:08:29,819
I WANT YOU TO INPUT THE VISUALS
AND DATA WE HAVE ON THE TWELVE.

102
00:08:29,843 --> 00:08:31,855
CROSS-REFERENCE EVERYTHING
WITH INTERNATIONAL DATABASES.

103
00:08:31,879 --> 00:08:34,246
OKAY, SURE, THAT SHOULD
JUST TAKE ME A LIFETIME.

104
00:08:34,280 --> 00:08:36,316
I MEAN, THAT'S REALLY...

105
00:08:36,349 --> 00:08:38,184
NO PROBLEM. I'll
GET RIGHT ON THAT.

106
00:08:38,217 --> 00:08:40,320
WHAT ABOUT SLOANE?

107
00:08:40,352 --> 00:08:42,064
AS OF NOW, WE'RE OPERATING
UNDER THE ASSUMPTION

108
00:08:42,088 --> 00:08:44,057
THAT HE'S WORKING
FOR THE TWELVE.

109
00:08:44,091 --> 00:08:46,860
WE TAKE THEM
DOWN, WE GET TO HIM.

110
00:08:48,227 --> 00:08:51,197
THE TWELVE HAVE BEEN SEARCHING
FOR THIS FOR A LONG TIME...

111
00:08:51,230 --> 00:08:53,200
SINCE BEFORE YOU WERE BORN.

112
00:08:53,232 --> 00:08:56,336
MM. DON'T GET TOO ATTACHED.

113
00:08:56,369 --> 00:08:58,171
THEY'RE EXPECTING
IT TO BE TURNED OVER.

114
00:08:58,205 --> 00:09:00,640
I SHOULD GET GOING. TELL
ME, HAVE YOU EVER CONSIDERED

115
00:09:00,673 --> 00:09:03,744
WHAT WOULD HAPPEN
IF YOU DID THAT?

116
00:09:03,777 --> 00:09:06,346
ONCE PROPHET 5 HAS THE AMULET,

117
00:09:06,379 --> 00:09:08,816
THEIR USE FOR
YOU, FOR ALL OF US...

118
00:09:08,849 --> 00:09:10,783
WOULD BE LIMITED...

119
00:09:10,817 --> 00:09:14,020
UNLESS WE FIND A WAY OF
SOLIDIFYING OUR POSITION,

120
00:09:14,053 --> 00:09:16,990
MAKING OURSELVES
LESS EXPENDABLE.

121
00:09:17,024 --> 00:09:19,292
THAT'S A VERY
BOLD MOVE, ARVIN...

122
00:09:19,326 --> 00:09:22,696
TRYING TO CUT A SIDE DEAL
WITH ONE OF THEIR TOP ASSETS.

123
00:09:22,730 --> 00:09:24,607
OH, I'M WELL AWARE THAT
YOU COULD WALK OUT OF HERE

124
00:09:24,631 --> 00:09:26,099
AND TELL THEM
WHAT I'M PROPOSING.

125
00:09:26,133 --> 00:09:28,601
YOU MIGHT CURRY SOME FAVOR,

126
00:09:28,635 --> 00:09:32,338
SAVE YOUR LIFE... TEMPORARILY.

127
00:09:32,371 --> 00:09:34,106
BUT YOU WON'T.

128
00:09:34,140 --> 00:09:35,743
YOU'RE LIKE ME.

129
00:09:35,775 --> 00:09:37,811
YOU HAVE GOOD INSTINCTS
FOR SELF-PRESERVATION.

130
00:09:37,845 --> 00:09:39,812
I CAN VOUCH FOR THE
FACT THAT YOU WILL BE

131
00:09:39,846 --> 00:09:42,381
WELL-COMPENSATED
FOR YOUR EFFORTS.

132
00:09:42,414 --> 00:09:45,018
SO DOES HE COME
WITH THE PACKAGE?

133
00:09:46,219 --> 00:09:48,054
I ASSUME THAT MEANS
YOU'RE INTERESTED?

134
00:09:48,087 --> 00:09:50,790
WHAT DO YOU HAVE IN MIND?

135
00:10:01,735 --> 00:10:03,135
HEY.

136
00:10:03,169 --> 00:10:05,172
OH, HEY.

137
00:10:08,075 --> 00:10:10,143
YOU KNOW, ISABELLE'S GONNA
BE UP IN LIKE, TWO HOURS.

138
00:10:10,177 --> 00:10:12,178
YEAH, I CAN'T SLEEP.

139
00:10:15,347 --> 00:10:18,284
YEAH, I CAN SEE WHY. THAT STUFF
WOULD GIVE ANYONE NIGHTMARES.

140
00:10:19,986 --> 00:10:22,154
THE MAN THAT GAVE
ME THE AMULET TOLD ME

141
00:10:22,188 --> 00:10:24,758
THAT WHAT WAS INSIDE
WAS THE END OF NATURE,

142
00:10:24,792 --> 00:10:27,794
AND THAT STARS WOULD
FALL FROM THE SKY...

143
00:10:27,827 --> 00:10:30,963
AND THAT NO MATTER WHAT
I DID, I COULDN'T STOP IT.

144
00:10:30,998 --> 00:10:33,767
WELL, CONSIDER THE SOURCE...

145
00:10:33,801 --> 00:10:37,203
A PRISONER IN A
MAXIMUM SECURITY PRISON.

146
00:10:37,236 --> 00:10:39,740
HE RECOGNIZED ME.

147
00:10:39,773 --> 00:10:41,741
HE KNEW WHO I WAS.

148
00:10:41,774 --> 00:10:45,044
WEIRD, YEAH. NOT
REALLY CONCLUSIVE.

149
00:10:45,077 --> 00:10:47,715
WHAT IF HE'S RIGHT? HE'S NOT.

150
00:10:47,748 --> 00:10:50,750
HOW CAN YOU SAY THAT

151
00:10:50,783 --> 00:10:52,418
WITH EVERYTHING WE'VE SEEN?

152
00:10:52,451 --> 00:10:53,754
(sighs)

153
00:10:56,255 --> 00:10:58,225
"THIS WOMAN,
WITHOUT PRETENSE"...

154
00:10:58,258 --> 00:10:59,759
THAT WOULD BE YOU.

155
00:10:59,793 --> 00:11:03,697
"WILL HAVE HAD HER EFFECT,
NEVER HAVING SEEN THE BEAUTY

156
00:11:03,730 --> 00:11:05,164
OF MY SKY BEHIND MOUNT SUBASIO."

157
00:11:05,197 --> 00:11:07,200
I MEAN, WORDY AND WRONG.

158
00:11:07,234 --> 00:11:09,970
ALL THIS TALK ABOUT PROPHECY
AND FATE... YOU'VE DISPROVEN IT.

159
00:11:10,003 --> 00:11:11,346
YOU CLIMBED MOUNT
SUBASIO. YOU SAW THE SKY.

160
00:11:11,370 --> 00:11:13,340
IT'S NOT JUST THAT.

161
00:11:13,373 --> 00:11:15,107
SLOANE?

162
00:11:18,278 --> 00:11:21,114
I KEEP THINKING ABOUT
ALL THE PEOPLE HE'S KILLED...

163
00:11:21,148 --> 00:11:25,052
I MEAN, INCLUDING
HIS OWN DAUGHTER.

164
00:11:25,085 --> 00:11:28,221
I KNOW WHAT IT'S LIKE TO
GROW UP WITHOUT A MOM.

165
00:11:28,254 --> 00:11:31,291
I DON'T WANT THAT FOR
ISABELLE. SHE NEEDS ME.

166
00:11:31,323 --> 00:11:34,293
WHICH IS WHY WE
WON'T LET THAT HAPPEN.

167
00:11:34,326 --> 00:11:37,496
YOU PROMISE?

168
00:11:37,529 --> 00:11:39,966
I PROMISE.

169
00:11:42,769 --> 00:11:44,971
HEY.

170
00:11:47,173 --> 00:11:49,275
MMM, YOUR HAIR
SMELLS LIKE FRUIT.

171
00:11:49,308 --> 00:11:50,911
MMM.

172
00:11:50,943 --> 00:11:55,347
MITCHELL THREW APPLESAUCE
AT MY HEAD THIS AFTERNOON.

173
00:11:55,381 --> 00:11:57,918
I DIDN'T GET A CHANCE
TO WASH IT OUT.

174
00:11:57,951 --> 00:12:00,754
DON'T WORRY. I FIND
IT VERY ATTRACTIVE.

175
00:12:03,956 --> 00:12:06,359
YOU DO REALIZE I'M
HALF ASLEEP, RIGHT?

176
00:12:06,393 --> 00:12:09,528
(whispers) OH. PERHAPS I
COULD INSPIRE YOU TO WAKE UP.

177
00:12:09,562 --> 00:12:12,932
(Mitchell) Daddy?

178
00:12:12,966 --> 00:12:16,302
OR PERHAPS YOU COULD
GO CHECK ON MITCHELL.

179
00:12:16,336 --> 00:12:17,370
RIGHT.

180
00:12:17,403 --> 00:12:18,971
(chuckles)

181
00:12:19,005 --> 00:12:20,440
I'll BE BACK.

182
00:12:20,472 --> 00:12:22,909
MMM.

183
00:12:22,942 --> 00:12:25,011
TURN OFF THE LIGHT.

184
00:12:25,044 --> 00:12:26,413
GOT IT.

185
00:12:26,446 --> 00:12:28,948
(knock on door)

186
00:12:28,981 --> 00:12:29,950
TOM?

187
00:12:29,982 --> 00:12:31,350
I'M SORRY.

188
00:12:31,384 --> 00:12:33,452
I DIDN'T REALIZE
HOW LATE IT WAS.

189
00:12:33,485 --> 00:12:37,890
UH, NO, THAT'S OKAY. I
WAS, UM... I WAS UP WORKING.

190
00:12:37,924 --> 00:12:39,125
WHAT'S GOING ON?

191
00:12:39,158 --> 00:12:41,260
JUST IN THE NEIGHBORHOOD.

192
00:12:41,293 --> 00:12:43,931
I THOUGHT I'D SEE
IF YOU WERE AWAKE.

193
00:12:43,963 --> 00:12:46,033
WHICH IS RIDICULOUS,

194
00:12:46,066 --> 00:12:49,469
BECAUSE IT'S NOT TRUE. I JUST...

195
00:12:49,501 --> 00:12:51,904
I WANTED TO TALK TO YOU.

196
00:12:51,938 --> 00:12:53,472
COME ON IN, PLEASE.

197
00:12:57,409 --> 00:12:59,211
DO YOU, UH, WANT
SOMETHING TO DRINK?

198
00:12:59,245 --> 00:13:00,447
WHAT DO YOU GOT?

199
00:13:00,480 --> 00:13:03,350
COFFEE.

200
00:13:03,383 --> 00:13:05,451
YOU'RE NOT GONNA
GIVE ME SOME LECTURE

201
00:13:05,485 --> 00:13:08,488
ABOUT DRINKING ON A
SCHOOL NIGHT, ARE YOU?

202
00:13:08,520 --> 00:13:10,523
NOT YET.

203
00:13:14,527 --> 00:13:17,364
YOU'RE THINKING
ABOUT HER, AREN'T YOU?

204
00:13:19,499 --> 00:13:22,201
I WISH I HAD DONE
THINGS DIFFERENTLY.

205
00:13:24,037 --> 00:13:26,405
COULD'VE SAVED HER.

206
00:13:26,438 --> 00:13:28,240
BUT I DIDN'T.

207
00:13:28,274 --> 00:13:32,412
WHAT HAPPENED TO YOUR
WIFE... IT WAS A CRIME.

208
00:13:32,445 --> 00:13:36,316
KORMAN PULLED THE
TRIGGER, NOT YOU.

209
00:13:36,349 --> 00:13:39,119
THEN WHY DO I FEEL
LIKE I'M TO BLAME?

210
00:13:41,187 --> 00:13:43,190
BECAUSE YOU'RE A GOOD MAN.

211
00:13:53,432 --> 00:13:57,070
UM... RACHEL, I'M... I'M SORRY.

212
00:13:57,104 --> 00:13:59,206
NO, IT'S OKAY.

213
00:13:59,239 --> 00:14:00,649
THAT'S... THAT'S NOT
WHY I CAME HERE.

214
00:14:00,673 --> 00:14:02,142
NO, I-I KNOW. I KNOW.

215
00:14:02,174 --> 00:14:04,043
UM, IT'S NOT A BIG
DEAL AT ALL. I MEAN...

216
00:14:04,076 --> 00:14:06,645
NO, YOU KNOW WHAT?
I-I-I SHOULD... I SHOULD GO.

217
00:14:06,678 --> 00:14:10,116
NO. STAY, AND WE'LL TALK.

218
00:14:10,149 --> 00:14:11,850
PLEASE.

219
00:14:13,120 --> 00:14:14,421
I'M GONNA GET US THAT COFFEE.

220
00:14:14,453 --> 00:14:16,889
OKAY.

221
00:14:46,286 --> 00:14:49,088
WHAT'S TAKING YOU GUYS SO LONG?

222
00:15:08,107 --> 00:15:10,177
MARSHALL?

223
00:15:11,378 --> 00:15:15,581
ABOUT WHAT HAP... PENNED.

224
00:15:15,615 --> 00:15:18,618
(knock on door)

225
00:15:21,653 --> 00:15:23,623
WHERE DID YOU GO?

226
00:15:23,655 --> 00:15:25,292
IT'S BEEN A WHILE, HASN'T IT?

227
00:15:25,325 --> 00:15:27,027
(muffled screams)

228
00:15:43,342 --> 00:15:46,578
WHERE'S MITCHELL?
WHERE'S MY WIFE?

229
00:15:46,613 --> 00:15:49,249
YOUR FAMILY'S FINE.
THEY'RE SAFE AT HOME.

230
00:15:49,282 --> 00:15:52,019
ALTHOUGH I IMAGINE
THEY'RE SICK WITH WORRY.

231
00:15:54,153 --> 00:15:56,123
WHAT DO YOU WANT FROM ME?

232
00:15:56,155 --> 00:15:59,292
RAMBALDI DESCRIBED AN
UNDERGROUND CAVERN.

233
00:15:59,326 --> 00:16:01,293
HE GAVE A VERY
PRECISE DESCRIPTION

234
00:16:01,327 --> 00:16:04,230
OF THE STONE FORMATION INSIDE.

235
00:16:04,264 --> 00:16:06,232
I WANT YOU TO LOCATE IT FOR ME.

236
00:16:06,265 --> 00:16:07,634
WHAT?

237
00:16:07,667 --> 00:16:10,136
YOU'RE FAMILIAR, OF COURSE,
WITH THE U.S. GOVERNMENT'S

238
00:16:10,169 --> 00:16:11,279
GROUND-PENETRATING
SATELLITE NETWORK.

239
00:16:11,303 --> 00:16:13,605
I NEED YOU TO ACCESS THE SYSTEM.

240
00:16:13,639 --> 00:16:17,277
YOU'RE... TASKING ME?

241
00:16:17,309 --> 00:16:19,278
WHAT, YOU THINK
YOU'RE STILL MY BOSS?

242
00:16:19,312 --> 00:16:20,580
MARSHALL...

243
00:16:20,613 --> 00:16:22,749
WHATEVER YOU'RE DOING
IS BAD, OKAY? I KNOW THAT.

244
00:16:22,782 --> 00:16:24,583
IT'S LIKE, END-OF-THE-WORLD BAD.

245
00:16:24,616 --> 00:16:26,286
THIS IS NOT A REQUEST.

246
00:16:26,318 --> 00:16:30,256
I WILL NOT HELP YOU.

247
00:16:32,792 --> 00:16:34,661
LET ME KNOW WHEN
YOU PERSUADE HIM.

248
00:16:41,634 --> 00:16:45,804
WHAT... WHAT ARE YOU
DOING? WHAT IS THAT?

249
00:16:45,837 --> 00:16:47,774
HEY, HEY. HEY, TAKE IT EASY!

250
00:16:47,807 --> 00:16:49,275
OKAY, LET'S TALK ABOUT THIS!

251
00:16:49,308 --> 00:16:51,744
NO! NO! PLEASE! (Screams)

252
00:16:51,778 --> 00:16:54,213
THANK YOU FOR COMING.

253
00:16:54,246 --> 00:16:56,515
I'M SO GLAD YOU'RE HERE.

254
00:16:56,548 --> 00:16:58,518
HOW ARE YOU HOLDING UP?

255
00:16:58,551 --> 00:17:00,519
I SENT MITCHELL TO MY MOTHER'S.

256
00:17:00,552 --> 00:17:04,090
I DIDN'T WANT HIM
TO SEE ME LIKE THIS.

257
00:17:04,124 --> 00:17:05,668
I MEAN, HE WOULDN'T JUST LEAVE.
I MEAN, YOU KNOW HIM, RIGHT?

258
00:17:05,692 --> 00:17:07,626
HE WOULDN'T DO
THAT. NO, HEWOULDN'T.

259
00:17:07,660 --> 00:17:09,729
IT JUST DOESN'T MAKE
SENSE. I MEAN, HE'S...

260
00:17:09,761 --> 00:17:13,133
HE'S A GAME DESIGNER. WHY
WOULD SOMEBODY ABDUCT HIM?

261
00:17:14,701 --> 00:17:16,736
THERE'S SOMETHING
YOU NEED TO KNOW.

262
00:17:16,769 --> 00:17:19,672
(cell phone rings) EXCUSE ME.

263
00:17:21,240 --> 00:17:23,742
MARSHALL DOESN'T WORK
FOR A VIDEO GAME DESIGNER.

264
00:17:25,178 --> 00:17:26,113
BRISTOW.

265
00:17:26,145 --> 00:17:27,680
I'M AT RACHEL'S PLACE.

266
00:17:27,713 --> 00:17:30,182
I GOT WORRIED WHEN
SHE DIDN'T CHECK IN.

267
00:17:30,217 --> 00:17:32,852
Door was open.
Wallet, keys, phone.

268
00:17:32,884 --> 00:17:35,822
ARE STILL HERE. THAT
CAN'T BE A COINCIDENCE.

269
00:17:35,855 --> 00:17:38,557
GET BACK TO A.P.O.
ALERT THE TEAM.

270
00:17:38,590 --> 00:17:41,161
We'll meet you there as soon
as possible. I'M ON MY WAY.

271
00:17:52,172 --> 00:17:54,473
BUT I WORKED FOR
THE C.I.A., THE N.S.A.

272
00:17:54,507 --> 00:17:56,442
WHY WOULD HE NEED TO LIE?

273
00:17:56,476 --> 00:18:00,180
YOU HAVE TO UNDERSTAND, CARRIE,
HE WAS ORDERED NOT TO TELL YOU.

274
00:18:00,212 --> 00:18:02,148
WE ALL WERE.

275
00:18:02,182 --> 00:18:04,651
HE WAS TRYING TO PROTECT YOU.

276
00:18:04,683 --> 00:18:06,786
WE NEED TO GET BACK.
THERE'S ANOTHER SITUATION.

277
00:18:06,818 --> 00:18:08,086
I WANT TO GO WITH YOU.

278
00:18:08,121 --> 00:18:11,590
THAT'S NOT POSSIBLE. WELL, I CAN'T
JUST WATCH FROM THE SIDELINES.

279
00:18:11,624 --> 00:18:13,625
AND I'M WILLING TO BET
THAT WITHOUT MARSHALL,

280
00:18:13,660 --> 00:18:16,628
YOUR TECHNICAL SUPPORT
IS SEVERELY COMPROMISED.

281
00:18:16,663 --> 00:18:18,798
I CAN HELP. PLEASE?

282
00:18:18,830 --> 00:18:21,167
OKAY, GRAB YOUR COAT.

283
00:18:22,934 --> 00:18:24,903
I'VE THOUGHT A LOT ABOUT YOU

284
00:18:24,936 --> 00:18:27,173
SINCE THE LAST TIME
WE SAW EACH OTHER.

285
00:18:30,742 --> 00:18:33,746
I WAS HOPING WE'D MEET AGAIN.

286
00:18:38,550 --> 00:18:41,721
OF COURSE, IN MY MIND, IT WAS...

287
00:18:41,753 --> 00:18:43,556
UNDER MUCH DIFFERENT
CIRCUMSTANCES.

288
00:18:47,660 --> 00:18:49,862
RACHEL, DON'T MAKE ME DO THIS.

289
00:18:49,895 --> 00:18:52,432
OH, IS NOW THE PART
WHERE YOU TELL ME

290
00:18:52,464 --> 00:18:54,866
THIS IS GONNA HURT YOU A
LOT MORE THAN IT HURTS ME?

291
00:18:56,903 --> 00:19:00,173
I WISH THAT WERE TRUE.

292
00:19:00,207 --> 00:19:03,375
(electricity humming) (screams)

293
00:19:03,410 --> 00:19:05,545
SLOANE DID THIS.

294
00:19:06,913 --> 00:19:10,717
HE KNOWS WHERE WE
LIVE, WHERE WE WORK,

295
00:19:10,750 --> 00:19:12,519
HOW WE WORK.

296
00:19:12,551 --> 00:19:14,186
BUT THE QUESTION REMAINS... WHY?

297
00:19:14,221 --> 00:19:17,856
TO DISABLE OUR
TECHNICAL CAPABILITIES,

298
00:19:17,890 --> 00:19:19,459
UH, TO DISTRACT US?

299
00:19:19,491 --> 00:19:21,760
WELL, PERHAPS HE NEEDS
SOMETHING FROM THEM.

300
00:19:21,794 --> 00:19:23,363
AND MARSHALL AND RACHEL?

301
00:19:23,395 --> 00:19:25,597
YOU KNOW HE WON'T
HESITATE TO KILL THEM

302
00:19:25,632 --> 00:19:27,599
ONCE HE GETS WHAT HE NEEDS.

303
00:19:27,634 --> 00:19:30,369
I KNOW.

304
00:19:32,805 --> 00:19:36,375
YOU WERE RIGHT ABOUT HIM.

305
00:19:36,409 --> 00:19:41,381
AFTER IRINA WAS EXTRACTED,
I WAS TAKEN INTO CUSTODY.

306
00:19:41,413 --> 00:19:45,384
I HAD TO DESIGNATE A
GUARDIAN FOR SYDNEY.

307
00:19:46,752 --> 00:19:48,186
I CHOSE SLOANE.

308
00:19:51,423 --> 00:19:53,759
IN SPITE OF
EVERYTHING HE'S DONE,

309
00:19:53,792 --> 00:19:57,896
I BELIEVED THAT SOME PART
OF HIM WAS STILL THE FRIEND

310
00:19:57,930 --> 00:20:00,432
I ONCE TRUSTED WITH MY DAUGHTER.

311
00:20:02,368 --> 00:20:05,971
CLEARLY, I WAS WRONG.

312
00:20:08,875 --> 00:20:10,576
(high-pitched
electronic whirring)

313
00:20:10,609 --> 00:20:12,878
IF YOU JUST COME IN HERE.

314
00:20:12,912 --> 00:20:14,614
OH, MY... VAUGHN?

315
00:20:15,714 --> 00:20:17,416
I THOUGHT YOU WERE...

316
00:20:19,486 --> 00:20:23,756
I THOUGHT... OKAY, I GUESS
THAT WAS A LIE, TOO, RIGHT?

317
00:20:23,789 --> 00:20:25,325
IT'S COMPLICATED. I...

318
00:20:25,357 --> 00:20:28,361
ANYWAY, WHAT... WHAT CAN I
DO? MARSHALL WROTE A PROGRAM

319
00:20:28,394 --> 00:20:29,895
TO TRACK THE
MOVEMENTS OF THE TWELVE,

320
00:20:29,929 --> 00:20:32,832
AND I RAN IT THROUGH OUR
STANDARD DECRYPTION PROGRAM.

321
00:20:32,865 --> 00:20:34,834
BUT HE'S GOT SO MANY
SECURITY PROTOCOLS...

322
00:20:34,866 --> 00:20:36,868
CAN I? YEAH, SURE.

323
00:20:38,805 --> 00:20:40,807
(typing, high-pitched beeping)

324
00:20:40,839 --> 00:20:42,509
(beep)

325
00:20:42,541 --> 00:20:43,809
YOU'RE IN.

326
00:20:43,843 --> 00:20:45,412
WHAT WAS IT?

327
00:20:45,444 --> 00:20:47,814
"MOONGLUM OF ELWHER."

328
00:20:47,846 --> 00:20:49,582
YEAH, WELL, THAT
WAS MY NEXT GUESS.

329
00:20:49,615 --> 00:20:52,618
HE'S REREADING ALL
HIS FAVORITE BOOKS

330
00:20:52,652 --> 00:20:56,388
TO GET READY FOR WHEN
MITCHELL STARTS READING.

331
00:20:56,423 --> 00:20:58,891
ANYWAY, SO WHAT ELSE CAN I DO?

332
00:20:58,924 --> 00:20:59,924
AAH!

333
00:21:04,497 --> 00:21:06,865
PEYTON, WOULD YOU MIND
GIVING US A MOMENT ALONE?

334
00:21:16,643 --> 00:21:19,711
SO YOU WANT TO SEE YOUR
FAMILY AGAIN, DON'T YOU?

335
00:21:21,647 --> 00:21:25,585
DON'T BE DIFFICULT.
THINK ABOUT YOUR SON.

336
00:21:27,854 --> 00:21:31,691
NO, MARSHALL, YOU'RE
NOT CUT OUT FOR THIS.

337
00:21:34,626 --> 00:21:37,763
YOU KNOW, I NEVER LIKED YOU.

338
00:21:37,797 --> 00:21:41,800
I TOLERATED YOU
BECAUSE I HAD TO,

339
00:21:41,834 --> 00:21:45,438
YOU KNOW, BECAUSE
YOU WERE MY SUPERIOR...

340
00:21:45,471 --> 00:21:47,740
AND I WAS AFRAID OF YOU.

341
00:21:47,773 --> 00:21:54,846
AND I SAW HOW...
TWISTED YOU WERE.

342
00:21:54,881 --> 00:21:58,617
BUT NOW I SEE YOU FOR
WHO YOU REALLY ARE.

343
00:21:58,651 --> 00:22:02,888
YOU ARE A WEAK, PATHETIC MAN.

344
00:22:05,724 --> 00:22:08,595
YOU KNOW, YOU'RE RIGHT.
I'M NOT CUT OUT FOR THIS.

345
00:22:08,627 --> 00:22:12,565
BUT I AM THINKING ABOUT MY SON.

346
00:22:13,799 --> 00:22:18,704
I WANT MITCHELL
TO LOOK UP TO ME,

347
00:22:18,738 --> 00:22:20,740
TO BE PROUD OF HIS DAD.

348
00:22:22,775 --> 00:22:26,813
WHICH IS WHY NO MATTER
WHAT YOU DO TO ME...

349
00:22:26,846 --> 00:22:29,115
I'll NEVER HELP YOU.

350
00:22:32,419 --> 00:22:34,487
YOU KNOW WHAT?

351
00:22:34,520 --> 00:22:38,424
I GOT... I GOT A HANGNAIL
RIGHT THERE ON MY THUMB.

352
00:22:38,458 --> 00:22:40,859
YOU MIND WORKING
ON THAT ONE NEXT?

353
00:22:48,067 --> 00:22:50,068
MARSHALL'S RIGHT ABOUT YOU.

354
00:22:52,572 --> 00:22:56,075
I'M DOING WHAT NEEDS TO BE DONE.

355
00:22:56,107 --> 00:22:58,510
DOES THAT HELP
YOU SLEEP AT NIGHT?

356
00:22:58,545 --> 00:23:01,713
EVENTUALLY, MARSHALL OR
RACHEL WILL DO WHAT I ASK.

357
00:23:01,748 --> 00:23:03,682
NO, THEY WON'T.

358
00:23:03,715 --> 00:23:04,784
WHY NOT?

359
00:23:04,817 --> 00:23:06,752
BECAUSE THEY HAVE
SOMETHING YOU DON'T.

360
00:23:06,786 --> 00:23:08,654
WHAT?

361
00:23:08,688 --> 00:23:12,023
LOVE, FAMILY, HONOR...
TAKE YOUR PICK.

362
00:23:12,057 --> 00:23:14,026
THAT'S WHY YOU'LL
NEVER BREAK THEM.

363
00:23:14,059 --> 00:23:15,795
YOU'RE RIGHT.

364
00:23:17,864 --> 00:23:21,733
I NEED TO FIND ANOTHER WAY.

365
00:23:24,202 --> 00:23:27,138
WHAT ABOUT AIRPORTS?
We've notified the F.A.A.,

366
00:23:27,173 --> 00:23:29,208
BUT I ASSUME SLOANE
WOULD HAVE OTHER MEANS.

367
00:23:29,240 --> 00:23:30,777
I'M TAKING ISABELLE
TO THE SITTER'S.

368
00:23:30,809 --> 00:23:33,144
I'll be back as soon as I
can. (cell phone beeps)

369
00:23:47,993 --> 00:23:51,897
IF YOU TRY ANYTHING, BE
ADVISED, IT WILL END BADLY.

370
00:23:53,164 --> 00:23:55,166
WHAT DO YOU WANT?

371
00:23:55,201 --> 00:23:58,871
TALK TO MARSHALL. HE'LL
LISTEN TO YOU. (dialing cell phone)

372
00:23:58,904 --> 00:24:02,775
THEY DIDN'T DO WHAT YOU WANTED.

373
00:24:02,808 --> 00:24:04,876
YOU HAVE AN OPPORTUNITY
TO SAVE THEIR LIVES.

374
00:24:04,911 --> 00:24:06,945
I SUGGEST YOU TAKE IT.

375
00:24:06,979 --> 00:24:08,681
Syd, oh, my God.

376
00:24:08,714 --> 00:24:10,793
MARSHALL... LISTEN, YOU NEED
TO FIND CARRIE AND MITCHELL,

377
00:24:10,817 --> 00:24:12,951
MAKE SURE THEY'RE OKAY.

378
00:24:12,984 --> 00:24:15,922
THEY'RE FINE. NOTHING IS GONNA
HAPPEN... IF ANYTHING SHOULD HAPPEN TO ME,

379
00:24:15,954 --> 00:24:18,057
I WANT YOU TO TELL
MITCHELL HOW STRONG I WAS...

380
00:24:18,089 --> 00:24:19,959
YOU KNOW, MAKE SURE
HE'S PROUD OF HIS OLD MAN.

381
00:24:19,991 --> 00:24:22,929
TELL CARRIE TO MOVE ON, ALL
RIGHT, AND FIND SOMEONE ELSE.

382
00:24:22,961 --> 00:24:25,565
IT'S TOTALLY FINE.
MARSHALL, LISTEN TO ME!

383
00:24:25,597 --> 00:24:27,933
WHATEVER SLOANE IS
ASKING, I WANT YOU TO DO IT.

384
00:24:27,967 --> 00:24:29,935
WHAT? SYD, NO, I CAN'T.

385
00:24:29,969 --> 00:24:32,605
MARSHALL, WHATEVER HE ASKS.

386
00:24:32,638 --> 00:24:34,641
YOUR LIFE IS MORE IMPORTANT.

387
00:24:35,741 --> 00:24:37,809
NOW BEFORE I HANG UP,

388
00:24:37,844 --> 00:24:40,046
IS THERE ANYTHING YOU
WANT ME TO TELL CARRIE?

389
00:24:40,078 --> 00:24:43,950
YEAH, ACTUALLY, I WANT YOU
TO TELL CARRIE THAT I LOVE HER,

390
00:24:43,982 --> 00:24:45,718
AND THAT I'll FINISH READING.

391
00:24:45,751 --> 00:24:48,855
"LITTLEST FISH" TO
MITCHELL WHEN I GET...

392
00:24:49,989 --> 00:24:53,726
YOU DID THE RIGHT THING.

393
00:25:16,682 --> 00:25:18,951
WHY ARE WE HERE?

394
00:25:18,984 --> 00:25:20,952
I TOLD YOU I WOULDN'T HELP YOU.

395
00:25:20,987 --> 00:25:24,757
YES, BUT HE AGREED TO,
AND HE NEEDS YOUR HELP.

396
00:25:24,790 --> 00:25:27,093
MARSHALL? NO. RACHEL...

397
00:25:27,125 --> 00:25:29,761
LOOK, I KNOW THIS IS BAD,
BUT WE CANNOT DO THIS!

398
00:25:29,796 --> 00:25:32,731
WE HAVE TO. I SPOKE TO
SYDNEY. SHE UNDERSTANDS.

399
00:25:32,765 --> 00:25:36,802
LISTEN, RACHEL, I'M
GONNA DO THIS, OKAY?

400
00:25:36,836 --> 00:25:39,705
AND UNLESS YOU HELP ME
LEAPFROG THE SYSTEM, IT WON'T WORK.

401
00:25:39,739 --> 00:25:41,307
LEAPFROG?

402
00:25:41,339 --> 00:25:43,308
WE HAVE TO MAKE SURE
WE'RE NOT DETECTED,

403
00:25:43,342 --> 00:25:45,744
OR ELSE THEY'LL SHUT US OUT.

404
00:25:45,778 --> 00:25:48,615
WE'RE GONNA NEED TO
OPEN A BUNCH OF PORTS.

405
00:25:48,647 --> 00:25:51,784
I WOULDN'T STAY ON ANY OF THEM
FOR LONGER THAN 15 SECONDS EACH.

406
00:25:51,817 --> 00:25:54,552
THAT'S RIGHT. 15 SECONDS...
THAT'S A GOOD IDEA.

407
00:25:55,688 --> 00:25:57,824
SHE'S VERY BRIGHT.

408
00:25:57,856 --> 00:25:59,625
TERRIFIC. GET TO IT.

409
00:25:59,659 --> 00:26:02,662
(high-pitched
electronic whirring)

410
00:26:02,694 --> 00:26:04,096
(cell phone beeps)

411
00:26:04,130 --> 00:26:06,633
THAT WAS SYDNEY.

412
00:26:06,665 --> 00:26:08,734
SHE JUST GOT OFF THE
PHONE WITH MARSHALL. WHAT?

413
00:26:08,768 --> 00:26:10,368
HE'S FINE. I'll EXPLAIN LATER.

414
00:26:10,402 --> 00:26:11,478
BUT HE PASSED ON A MESSAGE
FOR YOU. HE SAID HE'D FINISH

415
00:26:11,502 --> 00:26:13,281
READING MITCHELL "THE
LITTLEST FISH" WHEN HE GOT HOME.

416
00:26:13,305 --> 00:26:15,229
HE'S TRYING TO TELL YOU
SOMETHING. WE HAVEN'T

417
00:26:15,241 --> 00:26:16,875
READ HIM THAT BOOK
IN AT LEAST A YEAR.

418
00:26:16,909 --> 00:26:21,780
WHAT'S IT ABOUT? IT'S ABOUT A
GOLDFISH AND SOME BOY WHO'S HIS FRIEND.

419
00:26:21,814 --> 00:26:23,281
UM, OH, GOD, HIS NAME IS NILES.

420
00:26:23,315 --> 00:26:25,951
NO, UM, NOAH!

421
00:26:25,984 --> 00:26:30,957
N.O.A.A... NATIONAL OCEANIC AND
ATMOSPHERIC ADMINISTRATION.

422
00:26:30,990 --> 00:26:32,892
THEY MONITOR WEATHER
PATTERNS, ECOSYSTEMS...

423
00:26:32,924 --> 00:26:34,794
USING A STATE-OF-THE-ART
SATELLITE NETWORK.

424
00:26:34,826 --> 00:26:36,828
MAYBE SLOANE'S TRYING
TO GET THEM TO HACK IN.

425
00:26:36,863 --> 00:26:38,774
I CAN SET UP SOME TRIP
WIRES TO MONITOR THE HACK.

426
00:26:38,798 --> 00:26:41,733
IF I CAN DETECT THEM, I CAN PINPOINT
THEIR LOCATION. (computer beeping)

427
00:26:41,768 --> 00:26:44,403
WELL, WHATEVER
SLOANE'S MAKING THEM DO,

428
00:26:44,435 --> 00:26:48,374
IT'S HAPPENING
NOW. I'll BE FAST.

429
00:26:48,406 --> 00:26:50,876
(Sloane) ANY PROGRESS?

430
00:26:50,910 --> 00:26:53,278
THEY'RE CLOSE.

431
00:26:58,217 --> 00:26:59,885
THE FIREWALL'S FLAGGING
AN INSANE AMOUNT

432
00:26:59,919 --> 00:27:01,420
OF NETWORK ACTIVITY.

433
00:27:01,452 --> 00:27:03,756
SOMEONE'S SENDING
OUT SIGNATURES.

434
00:27:03,789 --> 00:27:05,290
OH, IT'S... IT'S MARSHALL.

435
00:27:05,324 --> 00:27:08,795
HE'S INTENTIONALLY TRIGGERING
THE NETWORK SECURITY PROTOCOLS.

436
00:27:08,827 --> 00:27:10,696
CAN YOU TRACE THE LOCATION?

437
00:27:11,830 --> 00:27:13,700
THAT'S IT.

438
00:27:13,732 --> 00:27:15,902
(high-pitched whirring)

439
00:27:15,934 --> 00:27:18,738
WHERE IS THAT? CENTRAL ITALY.

440
00:27:18,770 --> 00:27:20,707
ZOOM OUT.

441
00:27:26,444 --> 00:27:29,248
I SHOULD HAVE KNOWN.

442
00:27:29,280 --> 00:27:30,281
(sighs)

443
00:27:31,884 --> 00:27:34,252
WELL, WHAT HAPPENS NOW?

444
00:27:34,286 --> 00:27:36,288
GOOD WORK, AS USUAL.

445
00:27:39,157 --> 00:27:40,291
I'M NARROWING IT DOWN.

446
00:27:40,326 --> 00:27:43,261
MEXICO. THEY'RE IN IXTAPA.

447
00:27:43,295 --> 00:27:46,732
I'll ASSEMBLE A RESCUE
TEAM IMMEDIATELY.

448
00:27:46,766 --> 00:27:48,366
I'VE CONVENED THE TWELVE.

449
00:27:48,400 --> 00:27:51,136
THEY'RE EAGERLY
ANTICIPATING OUR ARRIVAL.

450
00:27:51,170 --> 00:27:53,172
THE JET'S WAITING.
WE SHOULD GET GOING.

451
00:27:53,204 --> 00:27:56,375
PERHAPS WE SHOULD RECONSIDER
OUR PLANS FOR THE PRISONERS.

452
00:27:56,407 --> 00:27:59,711
(chuckles) DON'T TELL ME
YOU'RE GETTING SENTIMENTAL.

453
00:27:59,746 --> 00:28:03,082
OR DO YOU JUST HAVE
A THING FOR BLONDES?

454
00:28:03,115 --> 00:28:05,852
IT SIMPLY SEEMS
UNNECESSARY, THAT'S ALL.

455
00:28:05,884 --> 00:28:07,886
THIS ISN'T OPEN FOR DISCUSSION.

456
00:28:07,920 --> 00:28:09,387
ELIMINATE THEM.

457
00:28:20,799 --> 00:28:22,868
WHERE ARE THEY?

458
00:28:22,902 --> 00:28:25,503
DO YOU THINK THEY JUST LEFT?

459
00:28:25,537 --> 00:28:27,506
OH, MY GOD, RACHEL,
WHAT'S WRONG?

460
00:28:27,538 --> 00:28:29,842
YOU HAVING A HEART ATTACK?

461
00:28:29,875 --> 00:28:31,410
EXPOSURE TO
ELECTRICITY? RACHEL...

462
00:28:31,442 --> 00:28:34,346
NO, NO, I'M NOT
HAVING A HEART ATTACK.

463
00:28:34,380 --> 00:28:36,115
WHAT ARE YOU DOING?

464
00:28:36,147 --> 00:28:37,516
(grunts)

465
00:28:37,548 --> 00:28:39,751
WHAT IS THAT, A GARROTE?
YOU CARRY A GARROTE?

466
00:28:39,786 --> 00:28:43,088
IT'S AN UNDERWIRE.
SOMETIMES IT PAYS TO BE A GIRL.

467
00:28:47,093 --> 00:28:48,760
UH, RACHEL... HEY!

468
00:28:48,795 --> 00:28:51,462
LISTEN, I HAVE A FAMILY,
OKAY, AND A CHILD.

469
00:28:51,497 --> 00:28:53,464
AND I WANNA HAVE ANOTHER
ONE, MAYBE EVEN A GIRL.

470
00:28:53,499 --> 00:28:54,500
(gun cocks)

471
00:28:54,532 --> 00:28:56,367
(grunting)

472
00:29:02,173 --> 00:29:05,111
OH, MY GOD, THAT WAS THE
COOLEST THING I'VE EVER SEEN.

473
00:29:05,144 --> 00:29:07,512
SERIOUSLY, THAT WAS, LIKE,
"EMPIRE STRIKES BACK" COOL.

474
00:29:07,546 --> 00:29:09,115
LET'S GET OUT OF HERE. YEAH.

475
00:29:13,352 --> 00:29:14,353
GET DOWN!

476
00:29:21,527 --> 00:29:24,496
OH, MY GOD. SYD, THANK YOU.

477
00:29:24,529 --> 00:29:26,865
THANK YOU, THANK YOU, THANK
YOU, THANK YOU, THANK YOU.

478
00:29:29,268 --> 00:29:30,469
HOW DID YOU FIND US?

479
00:29:30,501 --> 00:29:33,204
YOUR WIFE, MARSHALL.
CARRIE FOUND YOU.

480
00:29:35,173 --> 00:29:36,508
ANY SIGN OF SLOANE?

481
00:29:36,541 --> 00:29:39,310
WE CHECKED THE ENTIRE
FACILITY. HE'S NOT HERE.

482
00:29:44,450 --> 00:29:47,086
I THINK YOU SHOULD SEE THIS.

483
00:29:47,118 --> 00:29:49,154
MARSHALL'S PROGRAM
TO TRACK THE TWELVE

484
00:29:49,188 --> 00:29:51,589
WAS DESIGNED TO
NOTIFY HIM AUTOMATICALLY

485
00:29:51,623 --> 00:29:54,425
SHOULD ANYTHING
SIGNIFICANT HAPPEN.

486
00:29:54,460 --> 00:29:56,528
THAT'S PRETTY
SIGNIFICANT, IF YOU ASK ME.

487
00:29:56,561 --> 00:29:58,497
THEY'RE GATHERING.

488
00:29:58,529 --> 00:30:00,833
(cell phone rings)

489
00:30:00,866 --> 00:30:02,401
BRISTOW.

490
00:30:02,433 --> 00:30:04,369
HEY, DAD, MARSHALL
AND RACHEL ARE GOOD.

491
00:30:04,403 --> 00:30:07,472
THEY GOT TO THEM.
MARSHALL'S SAFE.

492
00:30:07,506 --> 00:30:09,174
THANK GOD.

493
00:30:09,208 --> 00:30:12,478
BUT SLOANE, SARK AND
PEYTON... THEY'RE GONE.

494
00:30:12,510 --> 00:30:14,589
THEY'RE GOING TO ZURICH.
THE TWELVE ARE MEETING THERE.

495
00:30:14,613 --> 00:30:16,347
SLOANE MUST BE PRESENTING THEM

496
00:30:16,382 --> 00:30:18,260
WITH THE INFORMATION
MARSHALL AND RACHEL ACQUIRED.

497
00:30:18,284 --> 00:30:20,251
THIS IS WHAT WE'VE
BEEN WAITING FOR.

498
00:30:20,286 --> 00:30:23,255
WE CAN BRING THEM
ALL DOWN. I know.

499
00:30:23,288 --> 00:30:26,325
I'll ALERT OUR CONTACTS,
HAVE THEM ASSEMBLE IN ZURICH.

500
00:30:26,357 --> 00:30:29,996
SYDNEY, it's almost over.

501
00:30:30,028 --> 00:30:31,363
(cell phone beeps)

502
00:30:31,396 --> 00:30:33,565
AND THEN I TOLD
HIM THAT, YOU KNOW,

503
00:30:33,598 --> 00:30:36,468
HE BETTER MOVE TO
MY THUMB OR HANGNAIL.

504
00:30:36,501 --> 00:30:39,137
HE DIDN'T THINK
FLINKMAN HAD IT IN HIM.

505
00:30:39,171 --> 00:30:42,374
YEAH, I MEAN, YOU KNOW, HE'S SUCH A
JERK. I COULD THINK OF SOME OTHER WORDS.

506
00:30:42,407 --> 00:30:44,375
YOU SAID YOU WERE
MAPPING CAVES IN ITALY.

507
00:30:44,410 --> 00:30:46,244
DO YOU HAVE THE
COORDINATES? YEAH.

508
00:30:46,278 --> 00:30:48,489
THAT'S THE OTHER THING... WE SPENT
HOURS HACKING INTO THE SYSTEM.

509
00:30:48,513 --> 00:30:51,250
AND THEN AS SOON AS HE GETS
WHAT HE WANTS, HE'S ALL CRYPTIC,

510
00:30:51,282 --> 00:30:53,285
YOU KNOW... (imitates
Sloane) "I SHOULD'VE KNOWN."

511
00:30:53,318 --> 00:30:56,087
WHAT IS THAT ABOUT?
HE SHOULD'VE KNOWN?

512
00:30:56,122 --> 00:30:58,065
YEAH, THAT'S WHAT HE SAID.
WHERE IN ITALY? WHAT REGION?

513
00:30:58,089 --> 00:30:59,357
UMBRIA.

514
00:30:59,391 --> 00:31:01,059
MOUNT SUBASIO.

515
00:31:01,093 --> 00:31:03,494
DAD'S TEAM WILL TAKE CARE
OF THE TWELVE IN ZURICH,

516
00:31:03,528 --> 00:31:06,397
BUT IF THEY'RE GOING AFTER
SOMETHING IN MOUNT SUBASIO,

517
00:31:06,432 --> 00:31:08,267
I'M GONNA BEAT
THEM TO IT. SYDNEY.

518
00:31:08,299 --> 00:31:09,335
YOU WERE RIGHT, VAUGHN.

519
00:31:09,367 --> 00:31:13,204
I CAN'T GIVE IN TO THIS
IDEA THAT I'M POWERLESS.

520
00:31:13,239 --> 00:31:15,007
I CAN BRING THEM DOWN.

521
00:31:15,040 --> 00:31:18,144
I KNOW. I WAS JUST
GONNA SAY I'll GO WITH YOU.

522
00:31:37,296 --> 00:31:40,298
(panting)

523
00:31:53,378 --> 00:31:55,047
VAUGHN!

524
00:32:09,461 --> 00:32:14,400
VAUGHN, OVER HERE!

525
00:32:14,432 --> 00:32:17,103
YOU'LL HAVE TO LOWER ME.

526
00:32:18,537 --> 00:32:22,008
YOU SURE ABOUT THIS?

527
00:32:22,040 --> 00:32:24,375
YEAH, I AM.

528
00:32:37,556 --> 00:32:39,724
I'll BE TRACKING YOU.

529
00:32:39,758 --> 00:32:42,228
(beeping)

530
00:32:52,538 --> 00:32:55,340
(wind howling)

531
00:33:56,768 --> 00:33:58,136
(beeping)

532
00:34:44,849 --> 00:34:46,184
SYDNEY.

533
00:34:47,885 --> 00:34:50,356
YOU CAME.

534
00:34:59,431 --> 00:35:00,831
OH, I WOULDN'T DO THAT.

535
00:35:00,865 --> 00:35:03,668
THE SOUND OF ONE SHOT
WOULD TRIGGER A CAVE-IN.

536
00:35:03,702 --> 00:35:07,572
(clicking)

537
00:35:07,606 --> 00:35:08,840
YOU'RE COMING WITH ME.

538
00:35:11,876 --> 00:35:13,844
REMEMBER WHEN YOU
WERE A LITTLE GIRL,

539
00:35:13,878 --> 00:35:16,282
AND YOU CAME TO LIVE
WITH EMILY AND ME?

540
00:35:16,315 --> 00:35:18,684
I TRY NOT TO DWELL ON IT.

541
00:35:18,717 --> 00:35:20,652
OH, SYDNEY, YOU
WERE SO WITHDRAWN.

542
00:35:20,686 --> 00:35:22,930
OF COURSE, WE UNDERSTOOD...
YOU HAD JUST LOST YOUR MOTHER,

543
00:35:22,954 --> 00:35:25,657
AND YOUR FATHER WAS
TAKEN INTO CUSTODY.

544
00:35:25,690 --> 00:35:26,724
REMEMBER?

545
00:35:26,757 --> 00:35:29,695
WE TRIED TO REACH OUT...

546
00:35:29,728 --> 00:35:33,898
BUT THERE WAS A TIME
WHEN THAT WAS IMPOSSIBLE.

547
00:35:35,701 --> 00:35:37,668
SO WE LINED THE
SHELVES OF YOUR ROOM,

548
00:35:37,702 --> 00:35:41,340
ALL OF THEM, WITH
STUFFED ANIMALS...

549
00:35:41,373 --> 00:35:44,742
HOPING THAT THAT
WOULD COMFORT YOU.

550
00:35:44,775 --> 00:35:48,679
AND EVERY MORNING, I WOULD COME
INTO YOUR ROOM TO WAKE YOU UP...

551
00:35:48,713 --> 00:35:53,885
THERE THEY WERE, BURIED
UNDERNEATH YOUR BLANKET.

552
00:35:53,918 --> 00:35:56,887
YOU SAID THERE WAS A STORM
IN THE MIDDLE OF THE NIGHT,

553
00:35:56,922 --> 00:35:59,458
AND IT KNOCKED THEM OVER,

554
00:35:59,490 --> 00:36:01,393
AND THEY WERE DROWNING...

555
00:36:02,693 --> 00:36:06,597
SO ONE BY ONE, YOU RESCUED THEM.

556
00:36:07,766 --> 00:36:12,338
EVEN THEN, I WONDERED
WHEN YOU WOULD LEARN...

557
00:36:12,371 --> 00:36:16,407
YOU CAN'T RESCUE EVERYONE.

558
00:36:18,610 --> 00:36:20,612
(beeps)

559
00:36:24,615 --> 00:36:26,585
I JUST RECEIVED
WORD FROM ZURICH.

560
00:36:26,617 --> 00:36:29,454
THE TEAM'S TAKING UP
POSITIONS OUTSIDE THE BUILDING.

561
00:36:29,487 --> 00:36:31,590
WE'LL BE GETTING VISUALS
SOON. WE GOT A PROBLEM.

562
00:36:31,623 --> 00:36:34,360
I WAS GOING THROUGH WHAT WE
GOT FROM SLOANE'S SAFE HOUSE.

563
00:36:34,393 --> 00:36:36,604
LOOK AT THIS... IT'S A SCHEMATIC
OF THE L.A. SUBWAY SYSTEM.

564
00:36:36,628 --> 00:36:38,606
WAIT A MINUTE. LOAD-BEARING
DATA ENGINEERING ANALYSIS?

565
00:36:38,630 --> 00:36:40,465
HE'S MAPPING
ARCHITECTURAL WEAKNESSES

566
00:36:40,498 --> 00:36:42,333
OF THE TUNNELS
AROUND OUR FACILITY.

567
00:36:42,367 --> 00:36:43,768
SLOANE'S TARGETING A.P.O.

568
00:36:43,802 --> 00:36:46,672
CLEAR THE BUILDING. TOM,
DIXON, ORGANIZE A SEARCH TEAM.

569
00:36:46,704 --> 00:36:48,840
START SWEEPING THE TUNNELS.

570
00:36:48,873 --> 00:36:51,809
MARSHALL, RACHEL,
I WANT ALL CIVILIANS

571
00:36:51,842 --> 00:36:54,846
EVACUATED FROM THE
SUBWAY. HOW DO WE DO THAT?

572
00:36:54,880 --> 00:36:57,648
CALL IN A BOMB THREAT.

573
00:37:00,286 --> 00:37:02,320
I KNOW WHEN YOU
TALKED TO MARSHALL

574
00:37:02,353 --> 00:37:04,322
HE GAVE YOU A MESSAGE.

575
00:37:04,356 --> 00:37:06,324
BUT REALLY, IT DIDN'T
MATTER ANYMORE,

576
00:37:06,358 --> 00:37:08,693
BECAUSE I HAD
ACCOUNTED FOR EVERYONE.

577
00:37:08,726 --> 00:37:11,563
WHAT DO YOU MEAN, EVERYONE?

578
00:37:11,597 --> 00:37:13,764
PROPHET 5, A.P.O...

579
00:37:16,501 --> 00:37:18,637
I HAD TO REMOVE THOSE OBSTACLES.

580
00:37:20,338 --> 00:37:23,342
IF YOU SO MUCH AS TOUCH
ANYONE ELSE I LOVE...

581
00:37:23,375 --> 00:37:26,545
THE TIME FOR THREATS
HAS PASSED, SYDNEY.

582
00:37:26,577 --> 00:37:30,416
BESIDES, EVEN IF I WANTED
TO, I COULDN'T STOP IT NOW.

583
00:37:35,653 --> 00:37:38,789
MR. SLOANE COULDN'T
MAKE IT. HE SENT ME INSTEAD.

584
00:37:44,695 --> 00:37:47,432
I'M MAKING SURE THAT
THIS IS GOING TO HAPPEN,

585
00:37:47,465 --> 00:37:49,367
THAT I'll SEE THIS THROUGH.

586
00:37:49,400 --> 00:37:51,570
YOU, ABOVE ALL, SHOULD
UNDERSTAND THAT.

587
00:37:51,603 --> 00:37:54,606
THERE'S NO SHYING
AWAY FROM FATE.

588
00:37:54,639 --> 00:37:55,706
I DON'T BELIEVE IN FATE.

589
00:37:55,740 --> 00:37:58,476
BE THAT AS IT MAY, I'M VERY
GLAD YOU'RE HERE, SYDNEY,

590
00:37:58,510 --> 00:38:01,612
BECAUSE I WOULDN'T WANT YOU
TO BE THERE WHEN IT HAPPENS.

591
00:38:01,646 --> 00:38:03,981
WHAT HAVE YOU DONE?

592
00:38:04,014 --> 00:38:07,452
(alarm sounding)

593
00:38:29,574 --> 00:38:33,478
(steady beeping)

594
00:38:39,518 --> 00:38:41,487
I FOUND IT.

595
00:38:41,519 --> 00:38:42,653
IT'S BIG.

596
00:38:46,056 --> 00:38:48,025
I NEVER WANTED YOU TO SUFFER

597
00:38:48,059 --> 00:38:51,128
THE WAY YOU DID WHEN
YOU WERE A CHILD...

598
00:38:51,161 --> 00:38:54,132
THE WAY YOU SUFFERED
WHEN YOU LOST DANNY,

599
00:38:54,164 --> 00:38:55,400
WHEN YOU LOST VAUGHN.

600
00:38:58,003 --> 00:39:01,539
HOW MUCH LONGER TILL WE'RE
EVACUATED? Rachel just radioed in.

601
00:39:01,572 --> 00:39:03,541
THEY NEED FIVE MORE
MINUTES TO SECURE THE AREA.

602
00:39:03,574 --> 00:39:05,543
CAN YOU DISABLE IT?

603
00:39:05,577 --> 00:39:07,077
NOT WITHOUT
TRIGGERING THE FAIL-SAFE.

604
00:39:07,112 --> 00:39:10,449
BUT THE TIMER...
It's a quartz oscillator.

605
00:39:10,481 --> 00:39:12,451
I could slow it down,
buy them the time.

606
00:39:12,483 --> 00:39:14,018
ARE YOU SURE?

607
00:39:14,052 --> 00:39:16,554
I'VE GOT LIQUID NITROGEN.

608
00:39:16,588 --> 00:39:18,456
I COULD FREEZE THE MECHANISM.

609
00:39:18,489 --> 00:39:21,527
HITTING IT WITH NITRO'S ONLY
GONNA BUY YOU 20 SECONDS.

610
00:39:21,559 --> 00:39:23,728
NOT IF I STAY HERE
AND KEEP HITTING IT.

611
00:39:25,697 --> 00:39:27,632
ALL RIGHT, TOM, DO WHAT YOU CAN.

612
00:39:27,666 --> 00:39:30,068
But the second that
timer dips below a minute,

613
00:39:30,101 --> 00:39:32,704
GET THE HELL OUT
OF THERE. WILL DO.

614
00:39:55,226 --> 00:39:57,195
I'M ASSUMING YOU
HAVE THE AMULET.

615
00:39:57,228 --> 00:39:59,530
OF COURSE.

616
00:40:01,632 --> 00:40:04,001
(beeping)

617
00:40:04,034 --> 00:40:07,572
(men grunting)

618
00:40:12,710 --> 00:40:14,612
(shell casings fall to floor)

619
00:40:20,952 --> 00:40:24,722
SYDNEY, I'M OFFERING
YOU A CHANCE...

620
00:40:26,492 --> 00:40:28,494
TO WALK.

621
00:40:28,527 --> 00:40:30,596
YOU KNOW I CAN'T DO THAT.

622
00:40:30,628 --> 00:40:34,500
THE ONLY PERSON YOU CAN RESCUE

623
00:40:34,532 --> 00:40:38,068
IS YOURSELF.

624
00:40:38,103 --> 00:40:40,438
(shouting indistinctly)

625
00:40:48,514 --> 00:40:52,182
JACK, what's the
status on the evac?

626
00:40:52,217 --> 00:40:55,253
THE LAST OF THE
CIVILIANS JUST MADE IT OUT.

627
00:40:55,286 --> 00:40:56,353
(inhales sharply) GOOD.

628
00:40:56,387 --> 00:40:59,157
DON'T LOSE YOUR 60-SECOND
WINDOW. GET UP TOP NOW.

629
00:40:59,190 --> 00:41:00,190
Okay.

630
00:41:00,224 --> 00:41:02,494
(panting)

631
00:41:02,527 --> 00:41:03,695
WILL DO.

632
00:41:11,969 --> 00:41:14,606
HEY, LISTEN...

633
00:41:14,639 --> 00:41:16,574
CAN YOU PATCH ME
THROUGH TO RACHEL?

634
00:41:16,608 --> 00:41:17,608
(man) Copy.

635
00:41:20,045 --> 00:41:22,012
TOM, YOU NEED TO GET OUT.

636
00:41:22,047 --> 00:41:23,481
YEAH.

637
00:41:25,282 --> 00:41:27,885
HEY, RACHEL?

638
00:41:27,918 --> 00:41:31,021
I wish there were more time.

639
00:41:33,023 --> 00:41:35,126
I WOULD'VE ASKED YOU OUT.

640
00:41:38,329 --> 00:41:40,065
I WOULD'VE SAID YES.

641
00:41:44,570 --> 00:41:46,237
(rapid beeping)

642
00:41:55,179 --> 00:41:58,583
(whirring and beeping)

643
00:42:13,931 --> 00:42:16,001
MM.

644
00:42:17,969 --> 00:42:20,038
THE SKY... MM.

645
00:42:29,614 --> 00:42:32,016
I'M SORRY, SYDNEY,
THIS ISN'T MY CHOICE.

646
00:42:32,050 --> 00:42:35,052
YOU'RE NOT ALLOWED TO
SEE THIS. (firing silenced gunshots)