1
00:00:52,466 --> 00:00:54,433
(girl) This is a story

2
00:00:54,466 --> 00:00:59,166
about my Uncle Tommy
and his friend Mr. O'Malley

3
00:00:59,200 --> 00:01:03,200
and how everybody got upset
because they were all confused.

4
00:01:05,066 --> 00:01:08,733
This is a story
about the actors.

5
00:01:10,133 --> 00:01:12,400
(thunder)

6
00:01:12,433 --> 00:01:14,433
"Now is the winter
of our discontent

7
00:01:14,466 --> 00:01:18,066
"made glorious summer
by this sun of York,

8
00:01:18,100 --> 00:01:21,066
"and all the clouds
that lour'd upon our house

9
00:01:21,100 --> 00:01:23,500
"in the deep bosom
of the ocean buried.

10
00:01:23,533 --> 00:01:28,400
"Now are our brows
bound with victorious wreaths,

11
00:01:28,433 --> 00:01:32,666
"our bruised arms
hung up for monuments,

12
00:01:32,700 --> 00:01:35,800
"our stern alarums
chang'd to merry meetings,

13
00:01:35,833 --> 00:01:41,300
"our dreadful marches
to delightful measures.

14
00:01:41,333 --> 00:01:44,666
"Grim‐visag'd war hath smooth'd
his wrinkled front,

15
00:01:44,700 --> 00:01:47,700
"and now,
instead of mounting
barb‐ed steeds

16
00:01:47,733 --> 00:01:50,566
"to fright the souls
of fearful adversaries,

17
00:01:50,600 --> 00:01:54,166
"he capers nimbly
in a lady's chamber

18
00:01:54,200 --> 00:01:56,766
to the lascivious pleasings
of a lute."

19
00:01:56,800 --> 00:02:00,733
(man) Sorry, sorry. Could you
just say what's on the card?

20
00:02:00,766 --> 00:02:02,333
I was told
to prepare something.

21
00:02:02,366 --> 00:02:06,633
I know, but if you could
just say what's on the card,
please. Look into the camera.

22
00:02:06,666 --> 00:02:09,100
(woman) Hold up the packet.

23
00:02:09,133 --> 00:02:13,266
Just hold it a little higher.
A bit higher. And just what's
on the card. That's all. OK.

24
00:02:13,300 --> 00:02:16,266
"McCullagh's. My God,
that's a right lump
of a sausage."

25
00:02:19,133 --> 00:02:21,633
Brilliant.
That was great. Um...

26
00:02:21,666 --> 00:02:24,700
Could you just put
a bit more welly in it?

27
00:02:24,733 --> 00:02:26,233
Wel... Welly?

28
00:02:26,266 --> 00:02:28,366
Welly, yeah.

29
00:02:28,400 --> 00:02:31,100
"McCullagh's. My God,
that's a right lump
of a sausage!"

30
00:02:31,133 --> 00:02:33,133
Sell it to me, will you?
Sell it.

31
00:02:35,500 --> 00:02:37,533
"McCullagh's. My God,
that's a right..."

32
00:02:37,566 --> 00:02:42,433
Sorry. You're talking
about sausages, but I don't
believe a word of this.

33
00:02:42,466 --> 00:02:44,600
I mean, I just don't
believe it.

34
00:02:44,633 --> 00:02:47,333
I'm finding this hard
to get worked up about,
actually.

35
00:02:47,366 --> 00:02:50,066
Where are your feelings?
You're an actor.
Believe it, will you?

36
00:02:50,100 --> 00:02:52,533
McCull...
I'm sorry, I can't.

37
00:02:52,566 --> 00:02:54,533
You're going? Excuse me. Sorry,
didn't mean to offend you.

38
00:02:54,566 --> 00:02:58,566
Didn't mean to offend
your sensibilities, pal.

39
00:02:58,600 --> 00:03:00,633
(man) Next.
(woman) Next.

40
00:03:02,633 --> 00:03:04,733
(woman) My God, that's
a right lump of a sausage.

41
00:03:04,766 --> 00:03:07,133
(man) My God,
that's a right lump...

42
00:03:07,166 --> 00:03:09,666
(♪ "Star of the Sea")

43
00:03:11,433 --> 00:03:15,333
(girl) ♪ In the city,
there's a thousand souls and

44
00:03:15,366 --> 00:03:19,266
♪ I wanna tell them all
I'm sorry

45
00:03:19,300 --> 00:03:22,700
♪ I get up,
and I face the morning

46
00:03:22,733 --> 00:03:27,766
♪ I get up, and I face
the morning tonight

47
00:03:27,800 --> 00:03:32,600
(children) ♪ It's all right

48
00:03:32,633 --> 00:03:35,600
♪ Star

49
00:03:35,633 --> 00:03:39,500
♪ Of the sea

50
00:03:39,533 --> 00:03:43,066
♪ Have mercy

51
00:03:43,100 --> 00:03:46,600
♪ On me

52
00:03:46,633 --> 00:03:50,166
♪ Part

53
00:03:50,200 --> 00:03:53,633
♪ The clouds

54
00:03:53,666 --> 00:03:57,300
♪ Look down

55
00:03:57,333 --> 00:04:01,633
♪ Look down

56
00:04:01,666 --> 00:04:05,400
♪ In the city,
there's a thousand souls and

57
00:04:05,433 --> 00:04:09,133
♪ I want to tell them all
I'm sorry

58
00:04:09,166 --> 00:04:12,333
♪ I get up,
and I face the morning

59
00:04:12,366 --> 00:04:18,400
♪ I get up, and I face
the morning tonight

60
00:04:18,433 --> 00:04:22,533
♪ It's all right

61
00:04:22,566 --> 00:04:25,666
♪ Star

62
00:04:25,700 --> 00:04:29,100
♪ Of the sea

63
00:04:29,133 --> 00:04:32,733
♪ Have mercy

64
00:04:32,766 --> 00:04:36,666
♪ On me

65
00:04:36,700 --> 00:04:39,666
♪ Star

66
00:04:39,700 --> 00:04:43,433
♪ In the clouds

67
00:04:43,466 --> 00:04:47,100
♪ Look down

68
00:04:47,133 --> 00:04:50,633
♪ Look down ♪

69
00:04:50,666 --> 00:04:54,466
(man) Where is the power,
then, to... to beat him back?

70
00:04:54,500 --> 00:04:57,766
Where be thy followers?
And... And thy... thy tenants?

71
00:04:57,800 --> 00:04:59,733
Are they now upon
the western shore,

72
00:04:59,766 --> 00:05:02,200
safe‐conducting the rebels
from their ships?

73
00:05:02,233 --> 00:05:05,733
No, my good Lord.
My friends are in the north.

74
00:05:05,766 --> 00:05:07,766
Cold friends to me.

75
00:05:07,800 --> 00:05:11,800
What do they in the north
when they should serve
their sovereign in the west?

76
00:05:11,833 --> 00:05:14,033
My gracious sovereign,
now in Devonshire,

77
00:05:14,066 --> 00:05:16,100
as I by my friends
are well advertised,

78
00:05:16,133 --> 00:05:18,100
Sir Edward Courtney
and the haughty prelate,

79
00:05:18,133 --> 00:05:20,133
Bishop of Exeter,
his elder brother,

80
00:05:20,166 --> 00:05:23,166
with many more confederates,
are in view.

81
00:05:25,133 --> 00:05:26,033
(mutters)

82
00:05:26,066 --> 00:05:28,333
In Kent, my liege,
the Gilfords are in arms,

83
00:05:28,366 --> 00:05:31,600
and every hour, more competitors
flock to the rebels...

84
00:05:31,633 --> 00:05:33,600
My Lord, the army
of great Buckingham.

85
00:05:33,633 --> 00:05:35,700
The army
of great Buckingham.

86
00:05:35,733 --> 00:05:37,233
...strong.

87
00:05:39,366 --> 00:05:41,333
My Lord, the army of great...

88
00:05:41,366 --> 00:05:44,600
Out on you, owls!
Nothing but songs of death?

89
00:05:44,633 --> 00:05:47,133
Oof! Fuck.

90
00:05:47,166 --> 00:05:51,500
There takes thou that
till thou bring better news.

91
00:05:51,533 --> 00:05:52,633
(whispers) Fuck.

92
00:05:55,200 --> 00:05:57,566
(scattered applause)

93
00:06:00,400 --> 00:06:03,100
Don't you ever fucking
upstage me again.

94
00:06:03,133 --> 00:06:05,600
My fucking badge fell off.
Ungrateful bastard.

95
00:06:05,633 --> 00:06:08,233
I don't know why
I break my bleedin' back
every night here.

96
00:06:08,266 --> 00:06:11,433
None of these stupid knackers
understand any of it, anyway.

97
00:06:11,466 --> 00:06:15,100
I barely understand it.
Be all over soon.

98
00:06:15,133 --> 00:06:17,300
Jesus, put me out of
my fucking misery.

99
00:06:17,333 --> 00:06:20,700
I know, Arthur,
but the point is,
it's not worth it

100
00:06:20,733 --> 00:06:25,500
for 220 fucking Euros a week
to debase myself like this.

101
00:06:25,533 --> 00:06:29,000
There must be something
on the horizon.

102
00:06:32,533 --> 00:06:34,433
Really?

103
00:06:34,466 --> 00:06:39,100
If there's a sign of anything,
Arthur, get on to me, will you?

104
00:06:39,133 --> 00:06:42,133
I'm bollixed with the rent.
I'm out on my ass.

105
00:06:42,166 --> 00:06:44,766
What about those
sausage bastards?

106
00:06:44,800 --> 00:06:48,400
No? Oh. They didn't know
what they wanted, anyway.

107
00:06:48,433 --> 00:06:51,533
All right, Arthur. Bye.

108
00:06:51,566 --> 00:06:54,633
I've got to get myself
a new agent.

109
00:06:54,666 --> 00:06:57,066
Someone who can get me
a big film.

110
00:06:57,100 --> 00:06:58,166
Look at this.

111
00:07:00,300 --> 00:07:02,600
This is how an actor
should be treated.

112
00:07:02,633 --> 00:07:04,333
Tubbetstown Castle.

113
00:07:04,366 --> 00:07:08,500
Ten grand a night
and the whole fucking place
to yourself.

114
00:07:08,533 --> 00:07:11,600
That's my dream.
I'm not fucking around.

115
00:07:11,633 --> 00:07:14,266
One must never give up hope.

116
00:07:14,300 --> 00:07:16,500
Am I too old?

117
00:07:16,533 --> 00:07:18,266
For what?

118
00:07:18,300 --> 00:07:20,200
Hamlet.

119
00:07:20,233 --> 00:07:21,666
To play Hamlet himself?

120
00:07:21,700 --> 00:07:23,700
Yes.

121
00:07:23,733 --> 00:07:26,200
Yes, Tony, you are too old.

122
00:07:26,233 --> 00:07:31,500
I always
wanted to play Hamlet,
but with just the vowels.

123
00:07:31,533 --> 00:07:34,533
Now, why wouldn't anyone
have gone with me on that, Tom?

124
00:07:34,566 --> 00:07:38,533
Each character
vocally crippled.

125
00:07:40,666 --> 00:07:42,466
Oo ee,

126
00:07:42,500 --> 00:07:45,033
oo o uh ee,

127
00:07:45,066 --> 00:07:48,366
a i e e‐io.

128
00:07:48,400 --> 00:07:51,433
Confidence
is all about character.

129
00:07:51,466 --> 00:07:56,366
Being comfortable in it,
losing yourself.

130
00:07:56,400 --> 00:07:59,100
You need the character.
What is it?

131
00:07:59,133 --> 00:08:01,466
I'm a pallbearer
and a messenger.

132
00:08:01,500 --> 00:08:03,766
Oh, I need characters,
not messengers.

133
00:08:03,800 --> 00:08:05,500
I need a message.

134
00:08:05,533 --> 00:08:09,033
A message, yes.
You are a character
with a message for me.

135
00:08:09,066 --> 00:08:13,100
Now, who is he? Who is this
character with a message?

136
00:08:13,133 --> 00:08:15,633
Is he in love?
Did he sleep well last night?

137
00:08:15,666 --> 00:08:16,700
He...
Yes?

138
00:08:16,733 --> 00:08:18,166
...could have a bad...
Yes?

139
00:08:18,200 --> 00:08:19,600
...stammer.

140
00:08:19,633 --> 00:08:21,800
No, because you'd stop
my flow, my rhythm.

141
00:08:21,833 --> 00:08:23,800
You'd stop my juice.

142
00:08:23,833 --> 00:08:26,766
He could, though, just before
he says the line, right,

143
00:08:26,800 --> 00:08:28,800
inadvertently,
because of nerves,

144
00:08:28,833 --> 00:08:31,633
make this weird
kind of honking sound.

145
00:08:31,666 --> 00:08:33,633
You're being foolish.

146
00:08:33,666 --> 00:08:35,733
I'm just no good.

147
00:08:35,766 --> 00:08:37,133
(man) I'll give you
a fiver.

148
00:08:37,166 --> 00:08:41,333
A fiver?
Have you lost your reason,
Maurice? This is preposterous.

149
00:08:41,366 --> 00:08:43,200
Take it or leave it.

150
00:08:43,233 --> 00:08:44,333
I'll take it.

151
00:08:44,366 --> 00:08:46,766
Who got you this job?

152
00:08:47,833 --> 00:08:49,300
You did.

153
00:08:49,333 --> 00:08:53,533
And would I have moved
mountains to get it for you
if you were no good?

154
00:08:53,566 --> 00:08:57,300
I don't know.
You like having me around
to help you with your lines,

155
00:08:57,333 --> 00:09:00,666
take off your hump,
rub your shoulder,
which I don't love, actually.

156
00:09:00,700 --> 00:09:04,400
You see,
I've seen something.

157
00:09:04,433 --> 00:09:05,666
Where?

158
00:09:05,700 --> 00:09:09,633
In you. And I have
a proposition.

159
00:09:09,666 --> 00:09:11,700
What is it?

160
00:09:11,733 --> 00:09:14,533
Finish your drink,
and we'll go somewhere
a little more private.

161
00:09:18,066 --> 00:09:21,066
You're not gay or anything
like that, are you?
'Cause I'm not like that.

162
00:09:21,100 --> 00:09:23,333
Oh, no, I can assure you.
Anyway, it's irrelevant.

163
00:09:25,466 --> 00:09:28,466
(Tony) You haven't been here,
have you?
(Tom) No.

164
00:09:28,500 --> 00:09:32,166
I moved in
in my glorious past.

165
00:09:32,200 --> 00:09:36,600
Voice‐overs, American TV.

166
00:09:36,633 --> 00:09:39,066
It's falling apart now.

167
00:09:39,100 --> 00:09:41,466
Can't afford the rent.

168
00:09:41,500 --> 00:09:44,266
I'm being kicked out.

169
00:09:44,300 --> 00:09:49,133
Got to find an apartment,
a little flat.

170
00:09:49,166 --> 00:09:50,566
Bed‐sit or something.

171
00:09:52,466 --> 00:09:54,433
So what's this proposition?

172
00:09:54,466 --> 00:09:57,100
Well, it's
a little complex.

173
00:09:57,133 --> 00:10:00,466
I think you'll agree
that acting isn't real.

174
00:10:00,500 --> 00:10:02,100
Yeah.

175
00:10:02,133 --> 00:10:04,466
That's because
nothing is at stake,

176
00:10:04,500 --> 00:10:07,500
and we're just pretending
that it is.

177
00:10:07,533 --> 00:10:10,100
Well, now, supposing
something was at stake,

178
00:10:10,133 --> 00:10:13,300
really at stake,
like life or death or money.

179
00:10:13,333 --> 00:10:15,066
That's real life.

180
00:10:15,100 --> 00:10:18,733
Well, my proposition is
to blur the difference.

181
00:10:18,766 --> 00:10:20,633
I'm not with you.

182
00:10:20,666 --> 00:10:22,000
Well, for many weeks now,

183
00:10:22,033 --> 00:10:25,766
I've been frequenting
this very, very rough
pub in the docks.

184
00:10:25,800 --> 00:10:29,066
What? With, like,
sailors or...?
Oh, no. No.

185
00:10:29,100 --> 00:10:33,200
No, I've been seeking out
bad company for research,
you know.

186
00:10:33,233 --> 00:10:36,333
To play Richard, I needed
to meet some villains.

187
00:10:36,366 --> 00:10:40,033
Villains?
The real thing,
to help my performance.

188
00:10:40,066 --> 00:10:44,166
Cutting‐edge lowlifes.
You know, the godforsaken.

189
00:10:44,200 --> 00:10:46,300
What? Like gangsters or...?

190
00:10:46,333 --> 00:10:48,466
Well, men who operate
outside the law.

191
00:10:48,500 --> 00:10:52,166
And you talk to them?
Well, one in particular.

192
00:10:52,200 --> 00:10:54,466
I think you should
watch yourself, Tony.

193
00:10:54,500 --> 00:10:57,566
Well, this brings me
to the proposition.

194
00:10:57,600 --> 00:11:01,433
It's to do with this guy?
I need you to hear me out.

195
00:11:01,466 --> 00:11:04,066
For entertainment value,
I'll listen.

196
00:11:04,100 --> 00:11:06,066
Maybe you'll sing
a different tune.

197
00:11:06,100 --> 00:11:09,200
From what I can make out,
there's a certain party

198
00:11:09,233 --> 00:11:12,366
is owed money
by another certain party,

199
00:11:12,400 --> 00:11:15,666
and neither of them
have ever met.

200
00:11:15,700 --> 00:11:18,200
Right. So a certain party
owes somebody money.

201
00:11:18,233 --> 00:11:21,700
Yes, and they
have never met.

202
00:11:21,733 --> 00:11:27,333
Now, supposing someone,
sitting not a million miles
from my good self,

203
00:11:27,366 --> 00:11:31,066
were to pretend
he was the party
to whom the money was owed.

204
00:11:31,100 --> 00:11:33,766
If he could carry it off,
he could collect the money.

205
00:11:36,233 --> 00:11:39,166
If you're serious,
you've lost it.
I mean, you're gone.

206
00:11:39,200 --> 00:11:42,033
Au contraire,
my gallant compadre.

207
00:11:42,066 --> 00:11:44,666
You are just the man to do it,
the man to do the acting.

208
00:11:44,700 --> 00:11:47,333
Acting? I can't act.
I'm shit.
Exactly.

209
00:11:47,366 --> 00:11:50,166
This exercise is exactly
what you need for training,

210
00:11:50,200 --> 00:11:52,733
because there's
something at stake.

211
00:11:52,766 --> 00:11:56,233
You've got to formulate
every aspect of your character.

212
00:11:56,266 --> 00:11:59,133
You must never, ever
let your facade drop.

213
00:11:59,166 --> 00:12:01,566
If you manage this,

214
00:12:01,600 --> 00:12:03,666
you will never look back.

215
00:12:03,700 --> 00:12:06,233
And you and I,
we will share the proceeds

216
00:12:06,266 --> 00:12:08,466
and be very happy men.

217
00:12:08,500 --> 00:12:11,133
Let's talk details.
No, Tony.

218
00:12:11,166 --> 00:12:15,366
I don't want to hear any more.
It's late. And you're a nutbag.

219
00:12:19,800 --> 00:12:22,133
Tell me you'll think about it.
No.

220
00:12:22,166 --> 00:12:26,133
Tubbetstown Castle awaits
for men of means.

221
00:12:26,166 --> 00:12:29,266
You're ridiculous.
Sleep on it.

222
00:12:29,300 --> 00:12:33,533
Come, sleep, the balm of woe,
the certain knot of peace.

223
00:12:33,566 --> 00:12:36,333
Good night, Tony!

224
00:12:36,366 --> 00:12:39,066
The poor man's fortune,

225
00:12:39,100 --> 00:12:42,133
the prisoner's release.

226
00:12:42,166 --> 00:12:47,800
A certain party owed money
by another certain party,

227
00:12:47,833 --> 00:12:51,266
neither party
ever having met.

228
00:12:54,800 --> 00:12:56,533
Oh, fuck!

229
00:12:58,333 --> 00:13:01,333
(sirens wailing)

230
00:13:08,766 --> 00:13:10,800
Hold on, hold on.
Where you going, son?

231
00:13:10,833 --> 00:13:13,466
Whoa, whoa, whoa. Hold it.

232
00:13:13,500 --> 00:13:15,033
Your house?
Yes.

233
00:13:15,066 --> 00:13:17,466
Brannigan.

234
00:13:17,500 --> 00:13:20,166
Is this your tea?
Oh, McCullagh's. My God.

235
00:13:20,200 --> 00:13:22,766
You left the gas on, sir.

236
00:13:22,800 --> 00:13:25,733
Is there someone
you can phone?

237
00:13:25,766 --> 00:13:28,200
I'll call me sister.

238
00:13:28,233 --> 00:13:31,233
Want a chip?
No, no, no.
You're all right.

239
00:13:31,266 --> 00:13:34,666
Listen, Rita,
my house is on fire.

240
00:14:12,833 --> 00:14:16,200
(man) Rita, who is it?

241
00:14:16,233 --> 00:14:18,800
Who's that?
Clive. He's English.
Don't start.

242
00:14:18,833 --> 00:14:21,300
The hedgehog's
going back in his shell.

243
00:14:21,333 --> 00:14:22,600
(laughs)

244
00:14:26,500 --> 00:14:29,433
(Clive through wall)
Hello, darling.

245
00:14:29,466 --> 00:14:32,700
What? What? Did I...?

246
00:14:32,733 --> 00:14:35,366
Did I say something?
I was asleep.

247
00:14:35,400 --> 00:14:38,300
(Cockney accent)
Hello, darling. Hello.

248
00:14:38,333 --> 00:14:42,066
You all right?
You look lovely.

249
00:14:42,100 --> 00:14:43,700
Do you want a pear?

250
00:14:43,733 --> 00:14:46,700
This bloody thing looks great,
but it's very fernickety.

251
00:14:46,733 --> 00:14:49,200
Mary, eat your breakfast.
I'm gonna be late.

252
00:14:49,233 --> 00:14:52,466
Clive, this is
my brother Tommy.
Hello, mate. How you doing?

253
00:14:52,500 --> 00:14:54,766
I'm OK.
Yeah, I know.

254
00:14:54,800 --> 00:14:57,100
Still, though, eh?

255
00:14:57,133 --> 00:14:59,300
Thanks.

256
00:14:59,333 --> 00:15:01,566
Rita tells me you act.
(Mary) Great actor.

257
00:15:01,600 --> 00:15:04,133
He's the black sheep.
He's my favorite.

258
00:15:04,166 --> 00:15:06,133
Favorite?
Favorite what?

259
00:15:06,166 --> 00:15:09,233
He's my favorite love,
my favorite person.

260
00:15:09,266 --> 00:15:12,133
They're always in cahoots.
I'm in sales, chum.
Imports and sales.

261
00:15:12,166 --> 00:15:13,300
How's business?

262
00:15:13,333 --> 00:15:15,300
I'll tell you
the truth.

263
00:15:15,333 --> 00:15:16,900
Things are always slow
this time of year.

264
00:15:16,933 --> 00:15:21,366
You've got to chase them
for every single farthing,
every groat they owe you.

265
00:15:21,400 --> 00:15:24,333
They'll all disappear
into the woodwork.
Like flies, Tom. Like bees.

266
00:15:24,366 --> 00:15:26,533
Yeah?
OK.

267
00:15:26,566 --> 00:15:29,366
(Rita) Mary, come on.
You're gonna make me late.
Tommy can bring me.

268
00:15:29,400 --> 00:15:33,100
Yeah. Like flies.
Bees. Oh, dear.

269
00:15:33,133 --> 00:15:36,666
A certain party owed money
by another certain party,

270
00:15:36,700 --> 00:15:39,233
and neither party's
ever met each other.

271
00:15:39,266 --> 00:15:41,633
It's a tantalizing
proposition,
Uncle Tommy.

272
00:15:41,666 --> 00:15:43,800
Potentially
very lucrative.

273
00:15:43,833 --> 00:15:46,666
And if someone were to,
you know...

274
00:15:46,700 --> 00:15:48,633
Pass themselves off

275
00:15:48,666 --> 00:15:50,700
as the party
to whom the money's owed.

276
00:15:50,733 --> 00:15:53,800
Someone with great skill.
An actor, perhaps?

277
00:15:53,833 --> 00:15:56,633
Perhaps an actor
whose house burned down.

278
00:15:56,666 --> 00:16:00,400
Actors need characters, Mary.
Precisely my weak point,
you know?

279
00:16:00,433 --> 00:16:01,700
(bell dings)

280
00:16:01,733 --> 00:16:04,800
I think you could do it.
I think you could do
anything you wanted.

281
00:16:04,833 --> 00:16:06,133
No, Mary.

282
00:16:06,166 --> 00:16:07,733
If you don't believe
in yourself,

283
00:16:07,766 --> 00:16:10,500
you'll never convince anyone
that you're not you.

284
00:16:10,533 --> 00:16:11,733
What?

285
00:16:11,766 --> 00:16:14,066
Tommy, trust me.
Mary, you're nine.

286
00:16:14,100 --> 00:16:16,466
Why are you telling me
about it?

287
00:16:16,500 --> 00:16:19,633
Because... Because
you're weird and clever
and you know too much.

288
00:16:19,666 --> 00:16:23,200
It's like you were born
a grown‐up person.
I was born ancient.

289
00:16:23,233 --> 00:16:25,266
Don't say that.
Don't say things like that.

290
00:16:25,300 --> 00:16:27,766
It's really creepy, you know?
I mean, really.

291
00:16:27,800 --> 00:16:31,200
Where are you going?
I have to get you ready.

292
00:16:31,233 --> 00:16:34,066
You have to go to school.
I don't need it.

293
00:16:34,100 --> 00:16:36,466
Mary, I can't...
Let's just try.

294
00:16:36,500 --> 00:16:40,033
I can't act.
Mary. Mary. Mary.

295
00:16:40,066 --> 00:16:43,333
Come on, eejit‐head.
I can't reach.

296
00:16:43,366 --> 00:16:44,766
Yeah, and Clive
won't miss his clothes.

297
00:16:44,800 --> 00:16:47,366
Clive is very,
very thick, Tom.

298
00:16:47,400 --> 00:16:50,300
But that's, like,
really thick.

299
00:16:50,333 --> 00:16:52,400
He is. He's really,
really thick.

300
00:16:54,766 --> 00:16:57,633
OK. But we're
just playing, OK?

301
00:17:00,800 --> 00:17:02,766
Two words. A bit much.

302
00:17:02,800 --> 00:17:04,666
One word. Not enough.

303
00:17:06,333 --> 00:17:07,800
More rings.

304
00:17:07,833 --> 00:17:10,166
Any more rings,
and my fingers'll fall off.

305
00:17:10,200 --> 00:17:12,533
No, they won't. Come on.

306
00:17:12,566 --> 00:17:14,700
Are we married now?

307
00:17:14,733 --> 00:17:18,300
Tom, you don't embarrass me.
You embarrass yourself.

308
00:17:21,200 --> 00:17:24,033
Mary, I can't actually...
What's the word?

309
00:17:24,066 --> 00:17:26,666
I can't actually see,
you know, with my eyes.

310
00:17:26,700 --> 00:17:29,433
Vis‐à‐vis the world
and everything.

311
00:17:29,466 --> 00:17:32,700
Tommy, anyone
wearing those glasses
is for real.

312
00:17:32,733 --> 00:17:37,100
Although you look much nicer.
No, really, much nicer.
Almost like a person.

313
00:17:37,133 --> 00:17:40,133
OK, come over here
and sit down.

314
00:17:40,166 --> 00:17:41,700
Aah!

315
00:17:41,733 --> 00:17:44,366
(Cockney accent)
Hey, careful. Careful. Hello.

316
00:17:44,400 --> 00:17:46,533
Would you like a drink?
A drink would be smashing.

317
00:17:46,566 --> 00:17:48,533
Well, I'm not your servant.
Oh.

318
00:17:53,500 --> 00:17:57,133
Would you like a cigarette?
Please, help yourself.

319
00:18:02,266 --> 00:18:05,133
You can't trust your eyes.
Well, what can I trust?

320
00:18:05,166 --> 00:18:07,100
Use the force.
What force?

321
00:18:07,133 --> 00:18:08,166
The force of habit.

322
00:18:13,833 --> 00:18:15,200
You don't need to look.

323
00:18:18,700 --> 00:18:20,066
Aah!

324
00:18:25,300 --> 00:18:26,600
Aah!

325
00:18:31,166 --> 00:18:33,166
You'll be fine.
I know it's going to work.

326
00:18:35,200 --> 00:18:36,666
Really.

327
00:18:36,700 --> 00:18:37,700
Really.

328
00:18:42,633 --> 00:18:44,700
(sparse applause)

329
00:18:44,733 --> 00:18:48,233
Thank you. Thank you.
No, please. Thank you.

330
00:18:48,266 --> 00:18:49,766
My colleagues.

331
00:18:52,333 --> 00:18:56,166
The main pleasure
of this play, I conclude,

332
00:18:56,200 --> 00:19:00,100
is the embodiment
of pure, unmotivated evil.

333
00:19:00,133 --> 00:19:05,533
I soar through the text
as one might peruse
the racing form.

334
00:19:07,400 --> 00:19:09,500
This... This certain party

335
00:19:09,533 --> 00:19:14,233
that doesn't know
the other certain party.

336
00:19:14,266 --> 00:19:15,266
I'll do it.

337
00:19:17,666 --> 00:19:19,200
My boy.

338
00:19:19,233 --> 00:19:22,066
Do you know the Baltic Bar?
Oh, good night.

339
00:19:22,100 --> 00:19:25,633
Our certain party
holds court there
every night.

340
00:19:25,666 --> 00:19:27,500
That place is bedlam.

341
00:19:27,533 --> 00:19:30,733
They know me. I tend to be
with the certain party.

342
00:19:30,766 --> 00:19:32,533
Who is?
Barreller.

343
00:19:32,566 --> 00:19:33,700
Barreller what?

344
00:19:33,733 --> 00:19:35,733
I only know him
as Barreller.

345
00:19:35,766 --> 00:19:38,033
(bar commotion/yelling)

346
00:19:38,066 --> 00:19:39,566
Keep your hands off me.

347
00:19:39,600 --> 00:19:41,600
(phone rings)

348
00:19:41,633 --> 00:19:44,466
(man) Baltic.
(Cockney accent)
Barreller, please.

349
00:19:44,500 --> 00:19:46,633
(man) Boss, you're wanted
on the phone.

350
00:19:49,400 --> 00:19:51,533
I represent
a certain party.

351
00:19:51,566 --> 00:19:54,033
Absolutely. You're here
to do a job.

352
00:19:54,066 --> 00:19:55,333
My name is Clive.

353
00:19:55,366 --> 00:19:57,200
If that makes you
feel comfortable.

354
00:19:57,233 --> 00:19:59,400
♪ And his dark hair

355
00:19:59,433 --> 00:20:02,700
♪ Always he has dark eyes

356
00:20:02,733 --> 00:20:06,500
So. A little threat
behind a little veil?
Nothing specific.

357
00:20:06,533 --> 00:20:08,500
The party I represent
will be most displeased...

358
00:20:08,533 --> 00:20:11,400
Don't want things
to become unpleasant.

359
00:20:11,433 --> 00:20:13,300
However...
Absolutely.

360
00:20:13,333 --> 00:20:15,233
Barreller!

361
00:20:15,266 --> 00:20:18,300
Mr. Barreller, I'll
come straight to the point.
I represent a certain party.

362
00:20:18,333 --> 00:20:21,233
Oh, yeah?
To whom you owe
a certain amount of money.

363
00:20:21,266 --> 00:20:23,233
Are you from
over the water?

364
00:20:23,266 --> 00:20:25,566
As it happens,
I've just arrived
in your fair city.

365
00:20:25,600 --> 00:20:28,300
For your money?
The very thing.

366
00:20:28,333 --> 00:20:31,233
Well, I wasn't expecting you.
I was gonna send it over.

367
00:20:31,266 --> 00:20:33,266
I saved you the bother.

368
00:20:33,300 --> 00:20:36,366
That's a lot of money.
I'm gonna need
a couple of days.

369
00:20:36,400 --> 00:20:39,066
I'm leaving tomorrow.
Now look here,
Mister...

370
00:20:39,100 --> 00:20:42,033
Clive. Call me Clive.
Clive, I think you're
being unreasonable.

371
00:20:42,066 --> 00:20:44,033
And I believe
a debt is a debt.

372
00:20:44,066 --> 00:20:46,800
The party I represent
will be satisfied

373
00:20:46,833 --> 00:20:49,266
with nothing less
than payment in full.

374
00:20:49,300 --> 00:20:50,666
While I'm a reasonable man,

375
00:20:50,700 --> 00:20:53,066
the party I represent
is, I'm afraid, vice versa.

376
00:20:53,100 --> 00:20:55,300
No need for this
to get messy.

377
00:20:55,333 --> 00:20:58,300
I quite agree. Tomorrow.
The Shelbourne. 5:00.

378
00:20:58,333 --> 00:20:59,366
I can't...

379
00:20:59,400 --> 00:21:01,466
Textbook.

380
00:21:01,500 --> 00:21:03,433
Fuck it.

381
00:21:06,766 --> 00:21:10,666
(♪ piano)

382
00:21:48,133 --> 00:21:49,066
Oof!

383
00:22:03,600 --> 00:22:05,033
Never again.

384
00:22:05,066 --> 00:22:08,200
You are very late.
I was beginning to worry.

385
00:22:08,233 --> 00:22:10,266
We were just sitting down
to our tea.

386
00:22:13,166 --> 00:22:14,333
No milk.

387
00:22:14,366 --> 00:22:16,600
Right bastard.

388
00:22:16,633 --> 00:22:19,033
These are me sons
Lesley and Ronnie.

389
00:22:19,066 --> 00:22:21,733
All right?
Clive. How you doing?
Ronnie.

390
00:22:21,766 --> 00:22:24,733
And me daughter Dolores.
How are you?

391
00:22:24,766 --> 00:22:27,500
Charmed, I'm sure.
How are you?

392
00:22:27,533 --> 00:22:28,566
Fine.

393
00:22:28,600 --> 00:22:32,633
Good. Nice to meet you.

394
00:22:32,666 --> 00:22:36,200
Eh, it was a nightmare
raising this.

395
00:22:36,233 --> 00:22:39,766
Well, what you gotta
realize is my client ‐
Thank you, dear ‐

396
00:22:39,800 --> 00:22:42,166
appreciates all efforts
in extremis.

397
00:22:42,200 --> 00:22:45,166
He will be deeply impressed.
Don't open that here.

398
00:22:45,200 --> 00:22:48,333
Relax. I'm just having
a little... (yelps)

399
00:22:48,366 --> 00:22:51,766
It's all there. 50 thou.
Yeah, it is. It's all there.

400
00:22:51,800 --> 00:22:54,566
It's... All of it is there.
Yes, it is.

401
00:22:54,600 --> 00:22:55,733
I counted it.

402
00:22:55,766 --> 00:22:57,266
Oh!

403
00:22:59,466 --> 00:23:02,100
Oh! It's all there, innit?

404
00:23:02,133 --> 00:23:04,466
You... Aren't you
a treasure? Ha‐ha.

405
00:23:06,300 --> 00:23:10,366
My client will be pleased.
We're clear now,
are we?

406
00:23:10,400 --> 00:23:14,133
You are free as a bird,
Mr. Barreller, until you next
decide to do business with us.

407
00:23:14,166 --> 00:23:17,033
Oh, no. There won't
be a next time.

408
00:23:17,066 --> 00:23:19,133
No, from now on,
I'm totally legit.

409
00:23:19,166 --> 00:23:21,666
Are you saying my client's
not legitimate?
No, no.

410
00:23:21,700 --> 00:23:24,666
I want to leave
something stable
for the boys.

411
00:23:24,700 --> 00:23:27,366
Something aboveboard.
Neither of them
are brilliant.

412
00:23:27,400 --> 00:23:31,700
Lesley here, he's not
all there, you know.
Are you, Lesley?

413
00:23:31,733 --> 00:23:33,433
No, I'm not. No.

414
00:23:33,466 --> 00:23:36,800
Yeah, and Ronnie's deaf
in one ear. Watch.

415
00:23:36,833 --> 00:23:38,500
Ronnie.

416
00:23:41,233 --> 00:23:43,133
Yeah, how unfortunate.
You are in the whole...

417
00:23:43,166 --> 00:23:44,366
I'm fine.

418
00:23:44,400 --> 00:23:46,466
She's trying to get
into the acting.

419
00:23:46,500 --> 00:23:47,666
Oh, really?

420
00:23:47,700 --> 00:23:50,533
We know an actor,
comes in the Baltic ‐
Anthony O'Malley.

421
00:23:50,566 --> 00:23:53,366
He's gonna help me
get training.

422
00:23:53,400 --> 00:23:55,733
Get training, me arse.
Get pregnant, more like.

423
00:23:55,766 --> 00:23:57,766
Is he, now?
Do you know him?

424
00:23:57,800 --> 00:24:00,233
No. Never heard of him.
Oh, what's this?

425
00:24:00,266 --> 00:24:04,666
Ah, yes. A drink,
I thought, to no hard feelings.
Flaming sambucas.

426
00:24:04,700 --> 00:24:06,600
You might want to
blow it out first, Lesley.

427
00:24:06,633 --> 00:24:07,600
OK.

428
00:24:11,533 --> 00:24:14,033
Well, this was very easy.

429
00:24:14,066 --> 00:24:17,466
No, I don't
like that, no.
(Barreller) Jesus...

430
00:24:17,500 --> 00:24:20,066
(Tom) Give it a puff.
I don't think that...

431
00:24:20,100 --> 00:24:22,066
(strained)
That's really nice.

432
00:24:22,100 --> 00:24:24,100
Have mine. I'll take you
for a real drink.

433
00:24:24,133 --> 00:24:27,233
I'll buy you a pint
in the Baltic.
I have shares in it.

434
00:24:27,266 --> 00:24:29,333
Meet some real Dubs.
Not like all this bollocks.

435
00:24:29,366 --> 00:24:34,466
I would love to. I really would.
I'd love to, but I got a plane.
I got a bloody plane.

436
00:24:34,500 --> 00:24:37,100
Come on, Clive.
Ten minutes.
I got to get it.

437
00:24:37,133 --> 00:24:40,766
Come on.
(Dolores) Why don't you
just come for one?

438
00:24:40,800 --> 00:24:43,333
I'd really like to. I...
I would really like to.

439
00:24:43,366 --> 00:24:46,333
I really, really would,
but I got to...

440
00:24:46,366 --> 00:24:50,033
You might enjoy it.
Yeah, I know. Let's go.

441
00:24:52,366 --> 00:24:56,433
Ah, fuck this. Gonna have to
break the law here, Clive.

442
00:24:56,466 --> 00:24:59,200
(siren wails)

443
00:25:00,633 --> 00:25:05,100
Technically,
this is not actually
an ambulance.

444
00:25:05,133 --> 00:25:07,600
How's business, then,
in general, Clive?

445
00:25:07,633 --> 00:25:11,166
I've got to be honest.
It's slow this time of year.
It always is.

446
00:25:11,200 --> 00:25:14,766
You've got to chase
every single farthing,
every groat they owe you.

447
00:25:14,800 --> 00:25:19,066
They all disappear
into the woodwork.
Like flies. Like bees.

448
00:25:19,100 --> 00:25:21,333
I wasn't disappearing
anywhere, Clive.

449
00:25:21,366 --> 00:25:23,733
I know, but I got to
follow orders, ain't I?

450
00:25:23,766 --> 00:25:26,466
Plus, I get to have
a little trip to Dublin.

451
00:25:26,500 --> 00:25:29,133
What do you mean,
"People disappear like bees"?

452
00:25:29,166 --> 00:25:30,666
I...

453
00:25:30,700 --> 00:25:33,200
don't know.

454
00:25:33,233 --> 00:25:35,433
That's an East End
expression, is it?

455
00:25:35,466 --> 00:25:39,200
Yeah, that's it.
Exactly. Exactly.

456
00:25:41,400 --> 00:25:45,100
(Barreller) What's he like,
then, Mr. Magnani?

457
00:25:45,133 --> 00:25:46,100
Who?

458
00:25:46,133 --> 00:25:48,233
Your boss.
What's he like?

459
00:25:48,266 --> 00:25:50,166
Oh, Mr. Magnanani.

460
00:25:50,200 --> 00:25:53,400
Mr. Magnani.
I've never met him.

461
00:25:57,666 --> 00:25:59,800
Well, Mr. Magnanani...

462
00:25:59,833 --> 00:26:01,100
Yeah.

463
00:26:01,133 --> 00:26:03,233
What's anyone like,
Barreller?

464
00:26:03,266 --> 00:26:05,366
What are you like?
What are you like?

465
00:26:05,400 --> 00:26:07,300
It's an impossible
question.

466
00:26:07,333 --> 00:26:09,500
I can't tell you
what the man's like,
but I will.

467
00:26:09,533 --> 00:26:13,500
He's, um, now
in his autumn years.

468
00:26:13,533 --> 00:26:15,533
He sort of
leaves the day‐to‐day
running of his empire

469
00:26:15,566 --> 00:26:18,033
to his trusted associates,
you know?

470
00:26:18,066 --> 00:26:21,133
He surrounds himself
with all grandchildren.

471
00:26:21,166 --> 00:26:25,033
He's got his rose garden.
He tends that with
his beautiful young wife.

472
00:26:25,066 --> 00:26:27,433
His young wife
has grandchildren?

473
00:26:27,466 --> 00:26:30,800
No. No! Don't be a nelly.
'Course not.

474
00:26:30,833 --> 00:26:33,766
He married again, didn't he?
He got married again.

475
00:26:33,800 --> 00:26:37,600
After his first wife ‐
She was, she was, she was,
she was, she was, uh,

476
00:26:37,633 --> 00:26:40,100
she was tragically sucked out
the window of a DC‐10.

477
00:26:40,133 --> 00:26:41,633
Can I get another drink?

478
00:26:41,666 --> 00:26:43,100
Out of a plane?
What?

479
00:26:48,700 --> 00:26:51,700
Yeah. Bugger, innit?
A man of many private sorrows.

480
00:26:51,733 --> 00:26:54,100
You can see it. It's all
sort of etched in his face.

481
00:26:54,133 --> 00:26:56,266
He looks like
a really old wallet.

482
00:26:56,300 --> 00:26:59,700
That is the key to the man.
It's what he's all about.

483
00:26:59,733 --> 00:27:02,400
And very few people
realize this, see it,

484
00:27:02,433 --> 00:27:06,433
actually see it in the man.
In the man. You know?

485
00:27:06,466 --> 00:27:09,633
Imagine it, right. There
he is, watching the apples
fall from the trees...

486
00:27:09,666 --> 00:27:12,500
Do you mean the roses?
Well, yeah.

487
00:27:12,533 --> 00:27:15,500
But there's
an orchard an' all.
He's got the lot.

488
00:27:15,533 --> 00:27:19,400
It sounds quite a place.
Thanks, Dickie. Cheers.
Thank you.

489
00:27:19,433 --> 00:27:21,400
That's what
I'd like, too, Clive.

490
00:27:21,433 --> 00:27:25,633
That's why I'm now
completely legitimate,

491
00:27:25,666 --> 00:27:29,266
with an office, you know,
a pencil sharpener.

492
00:27:29,300 --> 00:27:32,266
Biscuits, bread bin, lino.

493
00:27:32,300 --> 00:27:34,233
Something to hand on,
you know?

494
00:27:34,266 --> 00:27:39,766
I suppose, Clive,
I'm a bit like Mr. Mag...
Mag... Magni...

495
00:27:39,800 --> 00:27:43,200
Mr. Magniani in that regard ‐

496
00:27:43,233 --> 00:27:45,333
You know, family.

497
00:27:45,366 --> 00:27:47,633
Family. Fucking family.

498
00:27:47,666 --> 00:27:51,533
People... People don't fucking
talk about this anymore,

499
00:27:51,566 --> 00:27:53,533
but what... If you
ain't got family,

500
00:27:53,566 --> 00:27:56,633
if you ain't got it,
what have you got?

501
00:27:56,666 --> 00:27:59,466
What have you actually got?
That's it.

502
00:27:59,500 --> 00:28:01,333
You got fuck all

503
00:28:01,366 --> 00:28:04,666
and a one‐way ticket
to fucking yesterday,
mate. It's nothing.

504
00:28:04,700 --> 00:28:07,433
That Guinness
has hit you a little bit,
has it, Clive?

505
00:28:07,466 --> 00:28:09,800
Not being Irish,
you know, and I'm not,

506
00:28:09,833 --> 00:28:13,133
I don't really have a head
for strong drink.

507
00:28:13,166 --> 00:28:16,700
Why don't you
give us a song?
(Barreller) Give us a song.

508
00:28:16,733 --> 00:28:18,800
Oh, no. No, you don't.
Come on.

509
00:28:18,833 --> 00:28:20,800
I never sing.

510
00:28:20,833 --> 00:28:23,266
Not me, babe, you know.
I never do it. Never.

511
00:28:23,300 --> 00:28:27,500
♪ Although I know
I've only met you

512
00:28:29,700 --> 00:28:34,300
♪ Something tells me
that I won't forget you

513
00:28:37,100 --> 00:28:40,600
♪ It's like you're sent
from heaven above

514
00:28:43,233 --> 00:28:44,333
♪ Feels so right

515
00:28:45,466 --> 00:28:46,666
♪ It must be love

516
00:28:51,533 --> 00:28:55,166
♪ I turn my back
on slow romance

517
00:28:58,233 --> 00:29:01,200
♪ Following a merry dance

518
00:29:04,566 --> 00:29:10,033
♪ Could this be love?

519
00:29:11,700 --> 00:29:18,600
♪ Could this be love?

520
00:29:18,633 --> 00:29:24,166
♪ Could this be love?

521
00:29:28,566 --> 00:29:31,533
♪ Could this be love? ♪

522
00:29:39,566 --> 00:29:42,733
What time is it?
It's early. It's only
quarter past nine.

523
00:29:42,766 --> 00:29:45,033
Oh, the play.
What?

524
00:29:45,066 --> 00:29:49,466
The plane. I'm really sorry,
Dolores. I've got to go.

525
00:29:49,500 --> 00:29:50,600
Get a later one.

526
00:29:50,633 --> 00:29:52,566
Can I drive you
to the airport, Clive?

527
00:29:52,600 --> 00:29:57,233
Uh, no. No. No, thanks.
I'll get a cab.
Clive, wait.

528
00:29:57,266 --> 00:29:59,500
Here.

529
00:29:59,533 --> 00:30:02,500
Thanks. Thanks a lot.

530
00:30:02,533 --> 00:30:03,700
All right.

531
00:30:05,833 --> 00:30:08,600
I'll see you. Bye‐bye.
See you.

532
00:30:12,133 --> 00:30:14,033
Hey, taxi! Hey!

533
00:30:14,066 --> 00:30:15,366
(groans)

534
00:30:18,800 --> 00:30:20,700
Cue 106. Go.

535
00:30:20,733 --> 00:30:22,700
Where is the power, then,
to beat him back?

536
00:30:22,733 --> 00:30:25,233
Where are thy tenants
and thy followers?

537
00:30:29,600 --> 00:30:30,766
Douglas!

538
00:30:30,800 --> 00:30:33,733
Did you go on that cue 106?
(man) Yeah, that's 106.

539
00:30:33,766 --> 00:30:35,300
It looked different.

540
00:30:35,333 --> 00:30:37,533
Douglas, it's me.
Open up. It's me.

541
00:30:37,566 --> 00:30:41,033
Quiet, man. For goodness sake,
there's a show on.

542
00:30:41,066 --> 00:30:43,766
It's me. Will you put
your other glasses on?
Douglas!

543
00:30:50,633 --> 00:30:53,433
Mrs. O'Browning...
Shh, there's a show on.

544
00:30:53,466 --> 00:30:55,400
I know. I'm in it.
I beg your pardon?

545
00:30:55,433 --> 00:30:58,533
Where do you think
you're going?

546
00:30:58,566 --> 00:31:00,533
This is a fake moustache.

547
00:31:00,566 --> 00:31:01,733
Shh.

548
00:31:01,766 --> 00:31:04,633
It's stuck.
Calm down.

549
00:31:04,666 --> 00:31:06,100
It's me!

550
00:31:08,800 --> 00:31:10,166
Look, look, look.

551
00:31:12,833 --> 00:31:14,633
(mumbles)

552
00:31:16,366 --> 00:31:17,733
Are they on
the western shore?

553
00:31:17,766 --> 00:31:20,533
Still not here.
Where the fuck is he?

554
00:31:23,200 --> 00:31:25,300
(grunts)

555
00:31:25,333 --> 00:31:28,766
My Lord, the army
of great Buckingham.
The arm ‐

556
00:31:28,800 --> 00:31:31,766
I'll have to give his line
to somebody else.
Buckingham...

557
00:31:31,800 --> 00:31:36,100
No, my good Lord,
my friends are in the north.

558
00:31:36,133 --> 00:31:39,333
(Tony) Where is thy power,
then, to beat him back?

559
00:31:39,366 --> 00:31:41,700
John.
Where be thy villagers...?

560
00:31:41,733 --> 00:31:43,766
My Lord, the army...

561
00:31:43,800 --> 00:31:47,500
Cold friends to me.
What do they in the north
when they should serve...

562
00:31:48,733 --> 00:31:50,700
...in the, uh, west?

563
00:31:50,733 --> 00:31:52,800
My gracious sovereign,
now in Devonshire,

564
00:31:52,833 --> 00:31:55,400
as I by my friends
are well advertised,

565
00:31:55,433 --> 00:31:57,433
Sir Edward Courtney
and the Bishop of Exeter,

566
00:31:57,466 --> 00:32:00,033
the haughty prelate,
his other brother,

567
00:32:00,066 --> 00:32:02,666
with many more confederates,
are in view.

568
00:32:02,700 --> 00:32:04,666
I'm falling!
(everyone gasps)

569
00:32:04,700 --> 00:32:07,500
Fuck.

570
00:32:07,533 --> 00:32:08,600
OK, curtain.

571
00:32:08,633 --> 00:32:10,533
My Lord, the army
of great Buckingham...

572
00:32:10,566 --> 00:32:14,300
I don't fucking
believe it. I wouldn't,
but if I wanted to,

573
00:32:14,333 --> 00:32:18,133
I could
go and stay right now
in Tubbetstown Castle.

574
00:32:18,166 --> 00:32:22,133
Ten grand a night,
and a castle all to myself.

575
00:32:22,166 --> 00:32:24,300
I wouldn't. That's
obviously insane,

576
00:32:24,333 --> 00:32:27,266
but I could
if I were insane enough.

577
00:32:27,300 --> 00:32:29,300
I knew you could do it.
I always said you could do it.

578
00:32:29,333 --> 00:32:32,266
I just didn't
fucking believe it.

579
00:32:32,300 --> 00:32:35,200
See, Anthony?
You see, acting?
Yes.

580
00:32:35,233 --> 00:32:39,566
Acting ‐ it's a craft.
It's not a trade.
And what does that mean?

581
00:32:39,600 --> 00:32:42,100
It means you have to live it.

582
00:32:42,133 --> 00:32:46,400
You're going to gloat.
I knew you would be
fucking unbearable.

583
00:32:47,533 --> 00:32:50,466
I'm not gloating.
I feel awful.

584
00:32:50,500 --> 00:32:53,300
They didn't strike me
as dangerous criminals
in the least. They were decent.

585
00:32:53,333 --> 00:32:55,300
Well, they're not.

586
00:32:55,333 --> 00:32:57,700
Barreller has told me
stories that would
make your skin crawl.

587
00:32:57,733 --> 00:33:01,133
Mm. So tell me
about you and her.

588
00:33:01,166 --> 00:33:04,733
Me and Dolores?
Yeah. You're gonna
get her trained, yeah?

589
00:33:04,766 --> 00:33:07,566
Well,
I... You know, she's young.
I try to help the younger ‐

590
00:33:07,600 --> 00:33:09,366
Oh, Tony, bollocks!

591
00:33:09,400 --> 00:33:11,766
All right. She's gorgeous,
and I fancy her.

592
00:33:11,800 --> 00:33:14,100
What do you want me to say?
Are you trying to embarrass me?

593
00:33:16,766 --> 00:33:18,733
I think she liked Clive.

594
00:33:18,766 --> 00:33:21,300
Who's Clive?

595
00:33:21,333 --> 00:33:23,300
My character.

596
00:33:23,333 --> 00:33:26,366
Oh, well. She's never going
to see him again, is she?

597
00:33:29,366 --> 00:33:31,033
(knocking)

598
00:33:33,800 --> 00:33:36,766
Quick. Give me
a drink of water.

599
00:33:36,800 --> 00:33:39,800
First of all, I don't know
what possessed me.

600
00:33:39,833 --> 00:33:43,600
It must have been
an actor's curiosity,
I suppose,

601
00:33:43,633 --> 00:33:46,300
but I slipped down
to the Baltic Bar
last night,

602
00:33:46,333 --> 00:33:48,400
just to check on how
effective you'd been

603
00:33:48,433 --> 00:33:51,066
and what Dolores
thought of you

604
00:33:51,100 --> 00:33:54,266
and all that
bollocks about returning
to the scene of the crime.

605
00:33:54,300 --> 00:33:56,566
Tony, you fool.
What happened?

606
00:33:56,600 --> 00:34:00,200
Look, Barreller...
our certain party...

607
00:34:00,233 --> 00:34:03,400
A certain party owes money
to the other certain party,

608
00:34:03,433 --> 00:34:06,266
neither party
having ever met.

609
00:34:06,300 --> 00:34:08,700
She knows.
She knows?
What does she know?

610
00:34:08,733 --> 00:34:11,700
I know everything.
And you should give me
some of the money as well.

611
00:34:11,733 --> 00:34:14,133
She helped me
with the character.

612
00:34:14,166 --> 00:34:16,100
Who else
fucking helped you?

613
00:34:16,133 --> 00:34:18,100
Watch your language,
mister.

614
00:34:18,133 --> 00:34:20,300
No one. No one.
She just directed me.

615
00:34:20,333 --> 00:34:22,566
Are... Are you
entirely off your head?

616
00:34:22,600 --> 00:34:24,766
I know. It's weird.
Now what happened?

617
00:34:24,800 --> 00:34:27,733
Barreller wasn't there.
Dolores was.

618
00:34:27,766 --> 00:34:30,400
I knew by her. If you
knew her like I do,

619
00:34:30,433 --> 00:34:32,400
you'd know that
something was amiss.

620
00:34:32,433 --> 00:34:34,466
They know
they've been done?

621
00:34:34,500 --> 00:34:37,666
Someone rang from Magnani,
someone real, to arrange
about getting the money.

622
00:34:37,700 --> 00:34:40,266
The shit hit the fan?
Obviously.

623
00:34:40,300 --> 00:34:43,333
Barreller insisted he'd
just given their man Clive
the full payment.

624
00:34:43,366 --> 00:34:46,700
And then the Magnani people
threw a freaker.

625
00:34:46,733 --> 00:34:49,533
And, Tom, they're
sending someone over.

626
00:34:51,300 --> 00:34:52,533
Fuck. Poor Barreller.

627
00:34:52,566 --> 00:34:54,200
Fuck Barreller.
What about me?

628
00:34:54,233 --> 00:34:56,033
Hey.
Oh, fuck off.

629
00:34:56,066 --> 00:34:58,433
What about you?
Dolores starts on me.

630
00:34:58,466 --> 00:35:00,566
She said did her dad tell me
anything about the deal?

631
00:35:00,600 --> 00:35:03,066
Because sometimes
he has a loose tongue.

632
00:35:03,100 --> 00:35:05,800
Yeah, and, "Did you blab
to anyone," and so on.
I didn't let on.

633
00:35:05,833 --> 00:35:09,200
I was brilliant.
I'm sure she bought it.

634
00:35:09,233 --> 00:35:11,600
Jesus, this could be
a fucking hit man.

635
00:35:11,633 --> 00:35:13,800
I mean, I could get
tortured or anything.

636
00:35:13,833 --> 00:35:16,566
Calm down.
You're acting
like a baby.

637
00:35:16,600 --> 00:35:20,066
Sometimes
you're entitled. OK?

638
00:35:20,100 --> 00:35:22,700
This is heavy. I can
hardly breathe here. OK?

639
00:35:22,733 --> 00:35:26,366
Relax the kaks. When's
this hit man coming?

640
00:35:26,400 --> 00:35:29,766
Today. He's flying in
at noon. He's going straight
to the Baltic Bar.

641
00:35:29,800 --> 00:35:32,500
There's only
one thing for it.
What?

642
00:35:32,533 --> 00:35:35,433
Mary, what?

643
00:35:50,533 --> 00:35:52,066
Oh, good fuck.

644
00:35:52,100 --> 00:35:55,233
Hey, baby!
Oh, it's so good
to see you!

645
00:35:55,266 --> 00:35:57,533
(Scottish accent)
Barreller?

646
00:35:57,566 --> 00:36:00,633
That's the name. Name of me.
Are you from Magnanery?

647
00:36:00,666 --> 00:36:03,466
I wasn't expecting
to be picked up.

648
00:36:03,500 --> 00:36:07,066
It's the least I could do,
given the unfortunate
circumstances.

649
00:36:07,100 --> 00:36:09,533
And I'm going to buy you
some lunch. Come on.

650
00:36:09,566 --> 00:36:12,166
Fucking right
it's the least you could do.
Here.

651
00:36:12,200 --> 00:36:14,600
Don't fucking start, OK?
I'm not in the mood.

652
00:36:14,633 --> 00:36:16,600
I don't care
what fucking mood
you're in.

653
00:36:16,633 --> 00:36:19,266
You've got a lot
of explaining to do.

654
00:36:19,300 --> 00:36:21,400
Don't. Just fucking relax,
would you?

655
00:36:21,433 --> 00:36:23,733
What is your pr...
Where are you off to now, pal?

656
00:36:23,766 --> 00:36:26,600
Come on. I have a table
booked in the Harbour.

657
00:36:26,633 --> 00:36:30,133
I'm not going to
airbrush the situation
here, Barreller.

658
00:36:30,166 --> 00:36:32,733
The lads in London have gone
fucking bananas about this.

659
00:36:32,766 --> 00:36:36,600
I've never seen 'em this mad.
They want this fucker killed.

660
00:36:36,633 --> 00:36:40,233
Well, I do as well.
You know, yeah.
Magnani's upset, OK?

661
00:36:40,266 --> 00:36:42,266
But we can't all spend
all the time

662
00:36:42,300 --> 00:36:45,633
rolling around in the past
and who's responsible for what.

663
00:36:45,666 --> 00:36:47,633
It gets tedious.

664
00:36:47,666 --> 00:36:50,133
Well, the world would be
a much nicer place

665
00:36:50,166 --> 00:36:52,433
if we all took your advice,
I'm sure,

666
00:36:52,466 --> 00:36:56,166
but Magnani's having
a conniption. I've never
seen her this bad.

667
00:36:56,200 --> 00:36:59,566
What's that supposed to mean,
"I've never seen her this bad"?

668
00:36:59,600 --> 00:37:02,733
I mean, I've never
seen her want a man
tortured this bad.

669
00:37:02,766 --> 00:37:05,200
I didn't know
this Magnani bloke
was a woman.

670
00:37:05,233 --> 00:37:07,266
Yeah. A lot of people
make that mistake.

671
00:37:07,300 --> 00:37:10,633
It's a sexist thing.
Don't stereotype her,
Barreller.

672
00:37:10,666 --> 00:37:13,333
Dangerous mistake.
I get stereotyped.

673
00:37:13,366 --> 00:37:16,500
Sometimes, you know, I just
get this, a kind of a mist.

674
00:37:16,533 --> 00:37:18,533
It just comes down on me,
you know?

675
00:37:18,566 --> 00:37:21,566
I'm very much a man of me fists,
you know? I think with them.

676
00:37:21,600 --> 00:37:24,200
Anyway,
who ripped us off?

677
00:37:24,233 --> 00:37:28,100
I don't know. Nice bloke.
English guy. Clive. Very nice.

678
00:37:28,133 --> 00:37:30,533
Clive?
That's all I know.

679
00:37:30,566 --> 00:37:33,100
Would you recognize him
again?

680
00:37:33,133 --> 00:37:35,700
Do you know,
I think I would.
I fucking would.

681
00:37:35,733 --> 00:37:37,766
Very handsome fella.
Big glasses on him.

682
00:37:37,800 --> 00:37:40,466
I just assumed
he was your man.
You just assumed?

683
00:37:40,500 --> 00:37:44,433
Because somebody told you
they're somebody, you just
assume that's who they are?

684
00:37:44,466 --> 00:37:46,400
I must say, I find that
idiotic, Barreller.

685
00:37:46,433 --> 00:37:50,066
Hey, easy on the casual insults
floating around there, pal.

686
00:37:50,100 --> 00:37:52,366
I'm buying you lunch
and everything.

687
00:37:52,400 --> 00:37:56,700
Don't start in with
the "mean Scottish" bollocks.
That makes me very intolerant.

688
00:37:56,733 --> 00:37:58,800
You take it easy, right?

689
00:37:58,833 --> 00:38:01,133
It's one thing
me calling you an imbecile

690
00:38:01,166 --> 00:38:04,800
because you gave our money
to some bloke just because
he has glasses on,

691
00:38:04,833 --> 00:38:07,366
but you're getting into
a whole racist area,

692
00:38:07,400 --> 00:38:09,500
which is fucked‐up,
frankly.

693
00:38:09,533 --> 00:38:11,633
You're great on the old,
"That's sexist. That's racist."

694
00:38:11,666 --> 00:38:13,633
What are you, the fucking army
or somebody?

695
00:38:13,666 --> 00:38:15,466
Nobody tells me what to do.

696
00:38:15,500 --> 00:38:18,633
You have obviously
failed to grasp
what's happening here.

697
00:38:18,666 --> 00:38:20,633
Most people
in your position

698
00:38:20,666 --> 00:38:23,233
would tend to be slightly
a bit more contrite.

699
00:38:23,266 --> 00:38:25,233
What are you
attacking me for?

700
00:38:25,266 --> 00:38:27,666
Because it was obviously
someone from your side
who ripped us off.

701
00:38:27,700 --> 00:38:29,400
What?
Everything all right?

702
00:38:29,433 --> 00:38:32,500
You fuck off. This is
a business lunch here, OK?

703
00:38:32,533 --> 00:38:34,466
Sorry. Excuse me.
Get out of it.

704
00:38:36,666 --> 00:38:39,233
Where did you get it
that it was somebody
from our side that ‐

705
00:38:39,266 --> 00:38:41,100
No one here knew anything
about it.

706
00:38:41,133 --> 00:38:43,566
What about this actor
you were helping?

707
00:38:43,600 --> 00:38:46,633
What the fuck is that about?
He wouldn't know.

708
00:38:46,666 --> 00:38:50,333
All he knew was
I owed money to somebody.
Everybody owes to someone.

709
00:38:50,366 --> 00:38:54,233
Anyway, he's a moron.
And the fucker can't act.

710
00:38:55,800 --> 00:38:57,433
Where is he now?

711
00:38:57,466 --> 00:38:59,733
Here.

712
00:38:59,766 --> 00:39:02,400
What's this?

713
00:39:02,433 --> 00:39:04,566
It's Clive's. He forgot it
when he fucked off.

714
00:39:04,600 --> 00:39:05,666
What's in it?

715
00:39:05,700 --> 00:39:08,033
Clues, Jock. Clues.

716
00:39:08,066 --> 00:39:11,500
What clues?
I don't know. It's locked.

717
00:39:11,533 --> 00:39:14,400
So how do you know
it's got clues in it?

718
00:39:14,433 --> 00:39:18,066
I presume it has, man!
Jesus!

719
00:39:18,100 --> 00:39:20,200
Jesus... for fuck's sa...

720
00:39:20,233 --> 00:39:22,266
Show a bit of initiative.

721
00:39:29,766 --> 00:39:31,800
Where's the Aran Islands?

722
00:39:31,833 --> 00:39:34,800
That's where he's gone.
Very clever bloke.

723
00:39:34,833 --> 00:39:37,200
Over there. West. Very good
place to hide. Brilliant.

724
00:39:37,233 --> 00:39:39,633
Well, do you think
we should go there?

725
00:39:39,666 --> 00:39:42,066
I'm not fucking going.
It's your money.

726
00:39:42,100 --> 00:39:44,066
I don't believe this.

727
00:39:44,100 --> 00:39:46,366
You lost it.
You can recognize him.

728
00:39:46,400 --> 00:39:49,433
It's not big, like.
You'll find him.
Incredible.

729
00:39:49,466 --> 00:39:51,800
You're in a very bad place,
do you know that?

730
00:39:51,833 --> 00:39:55,333
Relax. Stop talking
about work all the time.

731
00:39:55,366 --> 00:39:56,633
Fuck.

732
00:39:56,666 --> 00:39:59,333
How tall
is this Clive fella?

733
00:39:59,366 --> 00:40:01,266
He's, uh...
He's about my height.

734
00:40:01,300 --> 00:40:03,366
This is the only way
to get there?

735
00:40:03,400 --> 00:40:08,300
Yeah, Jock, the only way
to get to an island
is over the sea.

736
00:40:08,333 --> 00:40:10,766
If I don't find him,
I'm coming straight back.

737
00:40:10,800 --> 00:40:13,033
You still owe Magnani
50 thousand.

738
00:40:13,066 --> 00:40:14,800
Yeah, yeah.
Stop moaning.

739
00:40:14,833 --> 00:40:17,766
Moaning?
It's an annoying
and fatiguing characteristic.

740
00:40:17,800 --> 00:40:21,400
Well, coming from someone
as balanced as you, pal,

741
00:40:21,433 --> 00:40:24,766
I'll have to take that
on board.
Good man.

742
00:40:24,800 --> 00:40:26,100
I get seasick.

743
00:40:27,433 --> 00:40:31,500
Toodle‐oo.
Good luck, now.

744
00:40:38,566 --> 00:40:42,033
Jesus Christ,
what's that fucking smell?

745
00:40:42,066 --> 00:40:45,433
Oh... Oh, I think
I'm gonna be sick.

746
00:40:45,466 --> 00:40:47,566
(ship's horn blows)

747
00:40:51,366 --> 00:40:53,066
Are you all right?

748
00:40:53,100 --> 00:40:55,733
I just feel
completely weird.
I don't doubt it.

749
00:40:55,766 --> 00:41:00,166
But that was mad weird,
you know? It was like
I was having memories.

750
00:41:00,200 --> 00:41:02,100
You became Barreller.

751
00:41:02,133 --> 00:41:04,533
Well, no. Made‐up memories
of a made‐up Barreller.

752
00:41:04,566 --> 00:41:06,766
Very thick and violent
kind of Barreller.

753
00:41:06,800 --> 00:41:09,566
No doubt an aspect
of yourself.

754
00:41:09,600 --> 00:41:11,766
What, that I'm thick
and violent?

755
00:41:11,800 --> 00:41:14,200
No. That you have an aspect.

756
00:41:14,233 --> 00:41:16,333
An aspect that's both
thick and violent?

757
00:41:16,366 --> 00:41:19,400
In order to be convincing.

758
00:41:19,433 --> 00:41:21,800
So you're talking to somebody
about me, and you'd say,

759
00:41:21,833 --> 00:41:25,100
"Tom, yeah, he's lovely,
but there is this side to him
that's thick and violent"?

760
00:41:25,133 --> 00:41:27,633
No. You're overreacting
to what is, at root,

761
00:41:27,666 --> 00:41:30,333
a compliment.

762
00:41:30,366 --> 00:41:34,200
You generally just praising
my violent, aggressive nature?

763
00:41:34,233 --> 00:41:36,700
That you found it.

764
00:41:36,733 --> 00:41:39,466
You're full of shite, Tony.
Do you know that?
Within yourself.

765
00:41:41,233 --> 00:41:43,200
Just admit one thing.
What?

766
00:41:43,233 --> 00:41:45,200
That I was right.
That you were right?

767
00:41:45,233 --> 00:41:47,300
You're learning from this.
That's true.
Fucking learning...

768
00:41:47,333 --> 00:41:50,333
And we are sad men,

769
00:41:50,366 --> 00:41:55,433
standing and awaiting advice
from a nine‐year‐old girl.

770
00:41:55,466 --> 00:41:58,100
Well, we're big enough
to accept that.

771
00:41:58,133 --> 00:42:00,200
And from that,
we take faint comfort.

772
00:42:00,233 --> 00:42:02,200
It's all we're ever
gonna get.

773
00:42:02,233 --> 00:42:05,200
And now we must desist
before we wallow in self‐pity.

774
00:42:05,233 --> 00:42:07,733
Good.
We have to kill Clive.

775
00:42:07,766 --> 00:42:10,466
You see, this
Aran Islands plan

776
00:42:10,500 --> 00:42:12,333
is only of any use
in the short‐term.

777
00:42:12,366 --> 00:42:14,600
He'll come back.
It was an emergency.
What the hell?

778
00:42:14,633 --> 00:42:18,566
He's going to come back,
and he's still going to
want his money.

779
00:42:18,600 --> 00:42:21,166
Ha‐ha‐ha‐ha.
Exactly.

780
00:42:21,200 --> 00:42:24,600
So the medium‐term solution
is to kill Clive, the character,

781
00:42:24,633 --> 00:42:28,700
and present Magnani with
the problem that the money
may be irrevocably lost,

782
00:42:28,733 --> 00:42:30,733
along with Clive,
and hope they give up.

783
00:42:30,766 --> 00:42:33,166
But if Magnani holds
Barreller responsible,

784
00:42:33,200 --> 00:42:36,633
Clive's dead, the money's gone,
but it's Barreller's fault.

785
00:42:36,666 --> 00:42:38,500
That's a long‐term plan here.

786
00:42:38,533 --> 00:42:41,633
The beauty is,
Barreller and Magnani
have never met.

787
00:42:41,666 --> 00:42:43,500
They must never meet.

788
00:42:43,533 --> 00:42:47,433
'Cause once
Magnani knows who you are,
things could turn unpleasant.

789
00:42:47,466 --> 00:42:51,366
Which I would like to avoid,
if at all possible. Ha‐ha‐ha.

790
00:42:51,400 --> 00:42:55,133
That's the idea,
and only a moron
would need to state it.

791
00:42:55,166 --> 00:42:58,500
What were we thinking?
I have continuously
cut you slack, young lady,

792
00:42:58,533 --> 00:43:01,633
and I am not beyond
having you disciplined.
Here.

793
00:43:04,066 --> 00:43:06,233
What is this plan?

794
00:43:06,266 --> 00:43:09,433
It's the super‐longest‐term
copperfasten plan.

795
00:43:09,466 --> 00:43:10,333
Which is?

796
00:43:10,366 --> 00:43:12,633
To invent a time machine,
go back in time,

797
00:43:12,666 --> 00:43:15,166
and never put this whole scheme
into operation.

798
00:43:15,200 --> 00:43:16,666
The chances of that
would be...?

799
00:43:16,700 --> 00:43:19,666
To put it scientifically,
not brilliant.

800
00:43:19,700 --> 00:43:22,200
But the first thing we can try
is killing Clive off.

801
00:43:22,233 --> 00:43:24,466
Kill my character?
Yes.

802
00:43:24,500 --> 00:43:26,366
Who's gonna do that?
You will.

803
00:43:26,400 --> 00:43:28,300
How?

804
00:43:28,333 --> 00:43:31,466
You have to present yourself
to Barreller again.

805
00:43:31,500 --> 00:43:33,166
As Clive.
No.

806
00:43:34,666 --> 00:43:37,500
I'll go as me.
No.

807
00:43:37,533 --> 00:43:39,466
Who, then?

808
00:43:55,800 --> 00:43:57,766
(Barreller) Can I get you
anything, Jock?

809
00:43:57,800 --> 00:44:01,200
(Scottish accent)
Well, I am gonna need
more popcorn, Barreller.

810
00:44:01,233 --> 00:44:03,233
Oh, yeah.
That's easy, then.

811
00:44:03,266 --> 00:44:06,133
Lesley, get the popcorn,
will you?

812
00:44:07,700 --> 00:44:10,366
I need to keep
eating popcorn.

813
00:44:10,400 --> 00:44:12,600
It helps me convince myself
I'm in the pictures

814
00:44:12,633 --> 00:44:15,666
so I don't have to deal with
the incredible brutality

815
00:44:15,700 --> 00:44:18,800
I have to inflict on people,
you know, every day.

816
00:44:18,833 --> 00:44:22,733
Just kinda makes it
seem quite not so real,
you know?

817
00:44:24,200 --> 00:44:26,700
I'm afraid I'm very much
out of my depth here.

818
00:44:26,733 --> 00:44:28,566
Well, just do your best, OK?

819
00:44:30,533 --> 00:44:34,133
I don't say thanks,
big man, OK? It's just
something I don't do.

820
00:44:34,166 --> 00:44:35,733
OK.

821
00:44:35,766 --> 00:44:38,266
Don't want to lose
my edge, you know?
OK.

822
00:44:39,366 --> 00:44:42,033
So. So who knew?

823
00:44:42,066 --> 00:44:44,066
Who knew about your deal
with Magnani?

824
00:44:44,100 --> 00:44:46,466
Me and me daughter Dolores

825
00:44:46,500 --> 00:44:49,700
and me two sons
Ronnie and Lesley.

826
00:44:49,733 --> 00:44:54,633
Lesley's not even all there,
you know, or anything.

827
00:44:54,666 --> 00:44:57,166
Lesley, you probably
don't even know

828
00:44:57,200 --> 00:45:01,300
who Mr. Magna... Magnanin...
Magnanooni is, do you?

829
00:45:01,333 --> 00:45:02,566
No.

830
00:45:02,600 --> 00:45:06,300
And Ronnie's deaf
in one ear. Ronnie.

831
00:45:06,333 --> 00:45:08,433
Ronnie!

832
00:45:10,466 --> 00:45:13,266
Brilliant. That's it?
Like, no one else?

833
00:45:13,300 --> 00:45:15,066
Well...

834
00:45:15,100 --> 00:45:18,633
What's that? What's that
wee sneaky look about?
What's that?

835
00:45:18,666 --> 00:45:21,466
Oh, that's...
That's impossible.

836
00:45:21,500 --> 00:45:24,600
There was this actor.
I was helping him
with stories.

837
00:45:24,633 --> 00:45:26,633
He was an actor
researching villains.

838
00:45:26,666 --> 00:45:30,500
Lot of lowlifes in here,
lot of actors in here ‐
horrible, dirty, no money.

839
00:45:30,533 --> 00:45:33,666
He thought Dad was more
of a serious criminal
than he really is.

840
00:45:33,700 --> 00:45:36,733
How serious are you?
I'm completely
legitimate now.

841
00:45:36,766 --> 00:45:39,333
I have shares in this place,
got an office,

842
00:45:39,366 --> 00:45:41,633
electric kettle, biscuits,
all... all that.

843
00:45:41,666 --> 00:45:45,533
I mean, now,
I may have talked meself up
a little bit to this fella.

844
00:45:45,566 --> 00:45:48,733
To this actor guy?
Yeah.

845
00:45:48,766 --> 00:45:54,366
What did you specifically
tell him about Magnani?

846
00:45:54,400 --> 00:45:58,633
It's just that
in the shady world

847
00:45:58,666 --> 00:46:01,666
of outside
the normal procedures

848
00:46:01,700 --> 00:46:04,666
of everything
in everyday life,

849
00:46:04,700 --> 00:46:07,500
it's possible
for a certain party

850
00:46:07,533 --> 00:46:11,200
to owe money
to another certain party

851
00:46:11,233 --> 00:46:14,266
without them
having ever met.

852
00:46:14,300 --> 00:46:16,800
And did you happen
to casually fucking mention ‐

853
00:46:16,833 --> 00:46:19,100
in your little tête‐à‐tête
at the bar

854
00:46:19,133 --> 00:46:21,466
entertaining
your fucking actor pal ‐

855
00:46:21,500 --> 00:46:24,233
did you happen
by any chance to mention

856
00:46:24,266 --> 00:46:27,466
that you
might be such a certain party
in a similar scheme of things?

857
00:46:27,500 --> 00:46:29,066
Yes, I did.

858
00:46:29,100 --> 00:46:32,300
So he could very plausibly then,
go and tell somebody ‐

859
00:46:32,333 --> 00:46:34,100
maybe an actor,

860
00:46:34,133 --> 00:46:36,766
maybe an actor with abilities
bordering on genius ‐

861
00:46:36,800 --> 00:46:40,033
who decides to come around,
fool you and take the money!

862
00:46:40,066 --> 00:46:43,600
I don't know. I'm very sorry.
I'd pay you the money back
if I could.

863
00:46:43,633 --> 00:46:45,700
Oh, you're sorry? Oh, good.
Oh, that's all right, then.

864
00:46:45,733 --> 00:46:48,100
Do you want some popcorn?

865
00:46:48,133 --> 00:46:50,333
I'm having
a fucking heart attack.

866
00:46:50,366 --> 00:46:54,100
I'm having a fucking aneurysm
in your bar!

867
00:46:54,133 --> 00:46:56,233
I'm gonna have to talk
to this actor guy.

868
00:46:56,266 --> 00:46:58,233
Uh, maybe...
What?

869
00:46:58,266 --> 00:47:00,133
Maybe I should
talk to him.

870
00:47:00,166 --> 00:47:02,133
I'm not with you,
darlin'.

871
00:47:02,166 --> 00:47:03,466
He's harmless.

872
00:47:03,500 --> 00:47:06,133
He's a puff.
His name's O'Malley.

873
00:47:06,166 --> 00:47:07,533
I'm not saying
you're scary,

874
00:47:07,566 --> 00:47:09,533
but if he was
to become scared

875
00:47:09,566 --> 00:47:13,366
and go to the police...
You want
the gentle approach?

876
00:47:13,400 --> 00:47:15,400
He mightn't
have told anyone
intentionally.

877
00:47:15,433 --> 00:47:19,366
Well, OK, fine. Fine.
Maybe you've got a point.

878
00:47:19,400 --> 00:47:21,366
However, if you
don't get results...

879
00:47:30,100 --> 00:47:33,066
All this popcorn,
it's beginning to rot my face.

880
00:47:33,100 --> 00:47:36,366
Gonna have to change my snack.
In the daytime, anyway.

881
00:47:36,400 --> 00:47:38,133
OK.

882
00:47:47,500 --> 00:47:49,733
(Tony) If I did
take the kingdom
from your sons,

883
00:47:49,766 --> 00:47:52,333
to make amends,
I will give it
to your daughter.

884
00:47:52,366 --> 00:47:55,300
If I have kill'd
the issue of your womb,

885
00:47:55,333 --> 00:47:57,733
to quicken your increase,

886
00:47:57,766 --> 00:48:01,200
I will beget my issue
upon your daughter.

887
00:48:05,100 --> 00:48:06,633
(all gasp)

888
00:48:06,666 --> 00:48:09,700
Look, what has been done
cannot be now amended.

889
00:48:09,733 --> 00:48:12,533
(Tom) Can we please
just give the money back?

890
00:48:12,566 --> 00:48:14,533
After all
we've been through?

891
00:48:14,566 --> 00:48:17,266
I don't care.
You may be
a sniveling little cur,

892
00:48:17,300 --> 00:48:20,500
but at the moment,
that money is my only comfort.

893
00:48:20,533 --> 00:48:23,300
My colleagues.
My colleaugues.

894
00:48:23,333 --> 00:48:26,033
The thing is,
I like Barreller
and Dolores,

895
00:48:26,066 --> 00:48:29,300
and we're putting them
through agony.

896
00:48:29,333 --> 00:48:34,233
I will converse
with iron‐witted fools.

897
00:48:34,266 --> 00:48:37,233
He's not even a real crook.
We shouldn't be stealing
from the guy.

898
00:48:37,266 --> 00:48:41,033
We are not stealing from him.
We are robbing Magnani.

899
00:48:41,066 --> 00:48:43,533
Who could be one of
the biggest headcases
in Europe.

900
00:48:43,566 --> 00:48:46,766
Look, let's just stick
to Mary's plan.

901
00:48:46,800 --> 00:48:50,666
I tell Dolores
how to contact Clive.

902
00:48:50,700 --> 00:48:55,366
You play Clive.
We fake Clive's death.
Dolores tells Barreller.

903
00:48:55,400 --> 00:48:57,700
Barreller tells Magnani,
"We've found Clive,

904
00:48:57,733 --> 00:49:01,533
and he's spent all the money,
but he's dead."

905
00:49:01,566 --> 00:49:04,533
What?
It's that... simple.

906
00:49:04,566 --> 00:49:07,100
What?!
Don't back out now.

907
00:49:07,133 --> 00:49:08,466
I can't do this.

908
00:49:08,500 --> 00:49:10,266
We're so close.
I can't, Tony.
It's bollocks.

909
00:49:10,300 --> 00:49:13,533
Shit. You're on.
What? I haven't rehearsed.

910
00:49:13,566 --> 00:49:15,533
Who is Clive supposed to be?

911
00:49:15,566 --> 00:49:17,766
I don't know.
I can't be here.
Improvise.

912
00:49:17,800 --> 00:49:20,766
I never improvise.
Try it. It's fun!

913
00:49:20,800 --> 00:49:23,766
Dolores,
what a pleasant surprise.

914
00:49:23,800 --> 00:49:25,466
(screaming)
I'm very sorry.

915
00:49:25,500 --> 00:49:27,633
And what can I do
for you, my love?

916
00:49:27,666 --> 00:49:29,300
How are the drama classes?

917
00:49:30,566 --> 00:49:31,733
Ow.

918
00:49:35,566 --> 00:49:37,533
(Dolores) I know
we spoke about this

919
00:49:37,566 --> 00:49:39,700
and you say
you don't remember anything,

920
00:49:39,733 --> 00:49:42,066
but the thing is,
is that Dad thinks

921
00:49:42,100 --> 00:49:45,133
he might have said something
to you about this money,

922
00:49:45,166 --> 00:49:47,233
and that you might have said
something to somebody.

923
00:49:47,266 --> 00:49:48,266
No.

924
00:49:48,300 --> 00:49:51,333
No.

925
00:49:51,366 --> 00:49:54,066
No.

926
00:49:54,100 --> 00:49:55,733
Yes?
Clive.

927
00:49:55,766 --> 00:49:58,233
Yes, Clive. Tell me.
No, but he wouldn't...

928
00:49:58,266 --> 00:50:02,033
Who is he?
He's my, uh,
he's my cousin, Dolores.

929
00:50:02,066 --> 00:50:04,100
He came here
a little while ago,

930
00:50:04,133 --> 00:50:06,100
down on his luck,
you understand.

931
00:50:06,133 --> 00:50:08,300
I mentioned
that I was research...

932
00:50:10,233 --> 00:50:12,733
Oh, I... Oh, I'm so sorry.

933
00:50:12,766 --> 00:50:16,333
Mr. O'Malley, if you can
just tell me where he is,
if I can talk to him.

934
00:50:16,366 --> 00:50:18,066
We might be able to help him.

935
00:50:18,100 --> 00:50:19,700
You want to help him?

936
00:50:19,733 --> 00:50:22,066
I only met him
briefly, but...
Yes?

937
00:50:22,100 --> 00:50:25,500
I don't think that he...
Yes?

938
00:50:25,533 --> 00:50:27,100
I mean, I feel that...

939
00:50:27,133 --> 00:50:29,466
Yes?
That he'd listen to me.

940
00:50:29,500 --> 00:50:33,300
You want to help him
after all the things
he's done...

941
00:50:33,333 --> 00:50:37,266
to... both of us?

942
00:50:37,300 --> 00:50:39,266
What the fuck are you saying,
you stupid twonk?

943
00:50:39,300 --> 00:50:42,600
I don't want to see
anyone getting hurt.
Where can I find him?

944
00:50:42,633 --> 00:50:47,500
He wanted to go.
He said he wanted to go away.

945
00:50:47,533 --> 00:50:49,566
He owed some money,

946
00:50:49,600 --> 00:50:53,433
and he needed to lie low
for a while.

947
00:50:53,466 --> 00:50:54,600
Where is he?

948
00:50:54,633 --> 00:50:56,633
He's...

949
00:50:59,333 --> 00:51:01,366
He's... He's in...
Yes?

950
00:51:05,266 --> 00:51:07,500
...Tubbetstown Castle.

951
00:51:07,533 --> 00:51:09,600
Fuck. Fuck.

952
00:51:09,633 --> 00:51:11,400
You stupid bollix.

953
00:51:11,433 --> 00:51:13,500
You know how much
that place costs.

954
00:51:13,533 --> 00:51:15,533
Do you think
this isn't hard enough?

955
00:51:15,566 --> 00:51:18,666
You told me to improvise.
I told you I can't improvise.

956
00:51:18,700 --> 00:51:20,666
I told you
to improvise, Tony.

957
00:51:20,700 --> 00:51:23,133
I didn't tell you
to go completely off
the fucking biff.

958
00:51:23,166 --> 00:51:26,133
Tom, Tom,
Tubbetstown Castle...
Yeah?

959
00:51:26,166 --> 00:51:30,233
...felt right.
Oh, you're an awful
fucking eejit, Tony.

960
00:51:30,266 --> 00:51:32,333
Did you enjoy the show,
ladies?
Yes.

961
00:51:32,366 --> 00:51:34,166
What are you doing
wearing school uniforms?

962
00:51:34,200 --> 00:51:37,133
Surely you're all too old
for school.

963
00:51:37,166 --> 00:51:38,733
Especially you.
(giggle)

964
00:51:38,766 --> 00:51:41,100
Hey, you're nuts,
you know that?

965
00:51:41,133 --> 00:51:44,100
This is so you can stay
in that place for one night.

966
00:51:44,133 --> 00:51:45,500
Isn't that right?

967
00:51:45,533 --> 00:51:47,166
Ignore him, ladies.

968
00:51:47,200 --> 00:51:50,100
He has syphilis.

969
00:51:50,133 --> 00:51:52,166
(girl) Did you hear that?

970
00:52:12,200 --> 00:52:14,700
(Mary) Dear manager
of Tubbetstown,

971
00:52:14,733 --> 00:52:17,166
we wish to hire your castle
for a night

972
00:52:17,200 --> 00:52:22,166
on behalf of a famous actor
who needs their privacy
respected.

973
00:52:22,200 --> 00:52:26,233
Therefore, we would ask
that your staff vacate
the premises

974
00:52:26,266 --> 00:52:28,700
for the duration
of the visit.

975
00:52:28,733 --> 00:52:30,266
(gunshots)

976
00:52:30,300 --> 00:52:32,100
Effective, aren't they?

977
00:52:32,133 --> 00:52:36,366
Now, the cue is,
"My balls swole up
like a couple of grapefruit."

978
00:52:36,400 --> 00:52:40,066
I blow the explosives,
you're dead. OK?

979
00:52:40,100 --> 00:52:43,666
"My balls swole up
like a couple of grapefruit,"

980
00:52:43,700 --> 00:52:45,800
I blow the squibs.
OK.

981
00:52:45,833 --> 00:52:48,466
Is this working?
(feedback)

982
00:52:48,500 --> 00:52:50,466
What are you trying
to fucking do?

983
00:52:50,500 --> 00:52:52,600
You're supposed
to be able to hear me.

984
00:52:52,633 --> 00:52:55,400
How am I gonna
suddenly start talking
about my balls?

985
00:52:55,433 --> 00:52:57,066
You are an actor.

986
00:52:57,100 --> 00:53:00,400
You will work it
into the fabric of the scene.

987
00:53:00,433 --> 00:53:03,600
I know you... Huh?
(♪ lounge)

988
00:53:03,633 --> 00:53:06,533
Into the fabric?
I work my balls
into the fabric?

989
00:53:06,566 --> 00:53:09,100
Tom, focus.

990
00:53:09,133 --> 00:53:10,633
(music stops)

991
00:53:10,666 --> 00:53:13,533
Now be ready. I was covered
in these things on Excalibur,

992
00:53:13,566 --> 00:53:17,333
and they hurt like fuck
when they go off.

993
00:53:17,366 --> 00:53:21,500
Were there guns
in Excalibur?
In our Excalibur, yes.

994
00:53:23,500 --> 00:53:25,700
All right.

995
00:53:25,733 --> 00:53:28,200
Hello.

996
00:53:30,300 --> 00:53:31,600
How you been?

997
00:53:31,633 --> 00:53:33,166
Uhh.

998
00:53:33,200 --> 00:53:35,066
You were absolutely
entitled to do that.

999
00:53:35,100 --> 00:53:36,466
What I did was wrong.

1000
00:53:36,500 --> 00:53:38,466
I just couldn't believe it.
I know, I know.

1001
00:53:38,500 --> 00:53:41,533
You seemed so nice.
Don't. I know.
I was vain or something.

1002
00:53:41,566 --> 00:53:43,600
I wanted to see
if I could do it.

1003
00:53:43,633 --> 00:53:46,700
Well, now you know.
I mean, where the fuck
are we going?

1004
00:53:46,733 --> 00:53:49,300
To the money.
I'm minding this castle

1005
00:53:49,333 --> 00:53:52,566
for some earls
and lords and that.

1006
00:53:52,600 --> 00:53:56,233
The Duke of Richard.
He's an old mate.

1007
00:53:57,766 --> 00:53:59,700
I have done this
before, you know.

1008
00:53:59,733 --> 00:54:01,700
It's all about
catching the tides.

1009
00:54:01,733 --> 00:54:04,566
You gotta wait
till the current likes you.

1010
00:54:04,600 --> 00:54:07,633
You know any songs?

1011
00:54:07,666 --> 00:54:11,100
I'm living here, ain't I?
Hiding from my creditors.

1012
00:54:11,133 --> 00:54:13,100
I've always taken
the easy way out.

1013
00:54:13,133 --> 00:54:15,400
Don't know what it is.
Shortcuts and that.

1014
00:54:15,433 --> 00:54:18,466
My dad was the same.
People can change, Clive.

1015
00:54:18,500 --> 00:54:20,466
You just need
to make the effort.

1016
00:54:20,500 --> 00:54:22,500
Yeah, well, I can't do it
by myself, can I?

1017
00:54:22,533 --> 00:54:24,500
I need someone else
to show me the way.

1018
00:54:24,533 --> 00:54:26,500
Then I wouldn't end up
in all these scrapes.

1019
00:54:26,533 --> 00:54:29,366
Can I ask you something?
Why you so angry with me?

1020
00:54:29,400 --> 00:54:32,166
Because... Because...
Because I'm a slave
to my emotions.

1021
00:54:32,200 --> 00:54:34,600
I don't know why
I expected you
to understand.

1022
00:54:34,633 --> 00:54:37,100
(Dolores)
So instead of admitting that
you've done something wrong,

1023
00:54:37,133 --> 00:54:39,100
you're telling me
that you're unlucky?

1024
00:54:39,133 --> 00:54:40,366
Yeah, exactly. I am...

1025
00:54:40,400 --> 00:54:43,400
Well, it's not all bad,
obviously. I met you.

1026
00:54:43,433 --> 00:54:46,400
If I hadn't,
maybe I still wouldn't care.
That's not bad, is it?

1027
00:54:46,433 --> 00:54:49,400
So what are you saying?
Actually, what I'm...
what I'm saying is,

1028
00:54:49,433 --> 00:54:52,733
I wish I'd never gone through
with the whole thing.

1029
00:54:58,666 --> 00:55:02,133
This is the castle.
Whoa.

1030
00:55:02,166 --> 00:55:04,533
What's going on? Eh?

1031
00:55:08,500 --> 00:55:11,366
Listen...

1032
00:55:11,400 --> 00:55:14,233
What?
Was it just me?

1033
00:55:14,266 --> 00:55:16,766
What do you mean?
I mean...

1034
00:55:16,800 --> 00:55:21,200
You know, that time when we met,
I thought that...

1035
00:55:21,233 --> 00:55:25,066
I suppose it was
just part of the act, really.

1036
00:55:25,100 --> 00:55:26,633
Look...

1037
00:55:30,533 --> 00:55:33,233
So where's the money?

1038
00:55:33,266 --> 00:55:35,700
It's upstairs. Come on.

1039
00:55:43,166 --> 00:55:45,533
Was what
part of the act?
Nothing.

1040
00:55:49,100 --> 00:55:50,500
Why doesn't he say his cue?

1041
00:55:50,533 --> 00:55:53,233
"My balls swole as big
as grapefruit." Is that
so difficult to remember?

1042
00:55:59,166 --> 00:56:02,033
Listen, what do you mean?

1043
00:56:02,066 --> 00:56:03,633
Between you and me.
Yeah.

1044
00:56:03,666 --> 00:56:06,066
What I felt when we sang.

1045
00:56:06,100 --> 00:56:08,300
Yeah.
Was it part of the ruse?

1046
00:56:08,333 --> 00:56:11,033
No.
Because...

1047
00:56:11,066 --> 00:56:13,133
Because if it was,
that's a horrible gift
that you have.

1048
00:56:13,166 --> 00:56:15,633
No, don't...
To be able to cast
that kind of spell.

1049
00:56:15,666 --> 00:56:19,166
That night, I lay in bed
thinking about you
and would I see you again.

1050
00:56:19,200 --> 00:56:21,500
What an idiot.

1051
00:56:21,533 --> 00:56:23,266
No. Listen, I'm the idiot.

1052
00:56:23,300 --> 00:56:26,333
(♪ lounge)

1053
00:56:32,333 --> 00:56:37,366
Talk about your balls.
Why isn't he talking
about his bollocks?

1054
00:56:37,400 --> 00:56:39,433
He's in love, Mr. O'Malley.
In love?

1055
00:56:39,466 --> 00:56:41,300
What about me?
I'll give him love.

1056
00:56:41,333 --> 00:56:43,100
No, wait!
Come here.

1057
00:56:44,400 --> 00:56:45,400
Come here.

1058
00:56:45,433 --> 00:56:47,166
Stop!

1059
00:56:47,200 --> 00:56:50,133
I want to tell you.
I want to tell you
everything.

1060
00:56:50,166 --> 00:56:52,300
This is a pointless exercise,
young lady.

1061
00:56:52,333 --> 00:56:54,666
I am in peak condition.

1062
00:56:54,700 --> 00:56:58,400
But you've
got to be a bit patient,
'cause it sounds a bit... mad.

1063
00:56:58,433 --> 00:57:00,033
Go away!
This is pointless.

1064
00:57:01,800 --> 00:57:05,400
I'm sort of not
who I seem to be.

1065
00:57:05,433 --> 00:57:06,566
Come here.

1066
00:57:08,233 --> 00:57:11,200
I have made
such a big mistake.

1067
00:57:11,233 --> 00:57:14,266
Go away!
Come here.

1068
00:57:14,300 --> 00:57:16,400
(laughs)

1069
00:57:16,433 --> 00:57:19,500
I can't do this anymore.
You're all I ever think about.

1070
00:57:19,533 --> 00:57:22,666
Give me that.
Give me that.

1071
00:57:22,700 --> 00:57:24,366
I've been unbelievably stupid...

1072
00:57:24,400 --> 00:57:27,100
Give it to me.
Give it to me.

1073
00:57:27,133 --> 00:57:28,600
...and...

1074
00:57:28,633 --> 00:57:30,666
No.

1075
00:57:33,633 --> 00:57:34,666
Ha‐ha!

1076
00:57:35,766 --> 00:57:37,233
Stop!

1077
00:57:37,266 --> 00:57:39,100
Ow!

1078
00:57:39,133 --> 00:57:40,766
(gunshots)

1079
00:57:40,800 --> 00:57:41,766
Give it to me.

1080
00:57:46,600 --> 00:57:48,733
Fucking hell, that was sore.

1081
00:57:48,766 --> 00:57:52,033
You're shot.
No, you don't understand.

1082
00:57:52,066 --> 00:57:54,333
Clive, just stay there, OK?
Don't move, OK?

1083
00:57:54,366 --> 00:57:57,133
Uh, no, wait.
Fuck! There's no signal
on my phone.

1084
00:57:57,166 --> 00:57:59,133
Don't move, OK?
I'm gonna come back.

1085
00:57:59,166 --> 00:58:01,766
Come back. Dolores.
Aw, bollocks.

1086
00:58:01,800 --> 00:58:04,500
Give it to me.
No. Get away.

1087
00:58:04,533 --> 00:58:08,466
Hello, can you hear me?
Hello?

1088
00:58:08,500 --> 00:58:11,333
Hello.
Hello, can you hear me?

1089
00:58:11,366 --> 00:58:14,266
You twit.
What are you doing?

1090
00:58:14,300 --> 00:58:17,166
This is wrong.
You're losing your mind.

1091
00:58:17,200 --> 00:58:20,233
You can't drop me in it, Tom.
I won't let you!

1092
00:58:20,266 --> 00:58:23,633
Hello. Is there
anyone there? Fuck!

1093
00:58:23,666 --> 00:58:25,200
(Tom and Tony yell)

1094
00:58:25,233 --> 00:58:26,466
Unbelievable.
(music stops)

1095
00:58:26,500 --> 00:58:28,600
She's right.

1096
00:58:28,633 --> 00:58:30,566
Pull yourself
together, man.

1097
00:58:38,833 --> 00:58:40,533
♪ Mi‐mi‐mi‐mi‐mi ♪

1098
00:58:40,566 --> 00:58:42,200
Aaah. Ooh...

1099
00:58:42,233 --> 00:58:45,100
<i>(woman over PA)</i>
<i>Ladies and gentlemen,</i>
<i>this is your final call.</i>

1100
00:58:45,133 --> 00:58:46,433
Beginners, please.

1101
00:58:46,466 --> 00:58:48,300
What's the matter with you?

1102
00:58:48,333 --> 00:58:50,466
Clive's dead.
All our troubles are over.

1103
00:58:53,466 --> 00:58:56,033
You don't care,
not even a little bit,
how she must feel?

1104
00:58:56,066 --> 00:58:58,600
She's as tough as old boots,
that girl.

1105
00:58:58,633 --> 00:59:01,033
Anyway, she's always got
my shoulder to cry on.

1106
00:59:01,066 --> 00:59:03,333
You?
Yes, I've known her longer
than you have.

1107
00:59:03,366 --> 00:59:06,766
So?
I know how she feels.

1108
00:59:06,800 --> 00:59:10,033
How does she feel?
She worships me.

1109
00:59:10,066 --> 00:59:13,433
Oh, she worships you.
Right. Yeah, of course.

1110
00:59:13,466 --> 00:59:16,400
Our troubles are over!

1111
00:59:16,433 --> 00:59:20,066
You fucking come back here, T...
Tony, come here!

1112
00:59:20,100 --> 00:59:22,700
Tony.

1113
00:59:22,733 --> 00:59:24,500
Fuck.

1114
00:59:24,533 --> 00:59:27,733
Now is the winter
of our discontent...

1115
00:59:31,800 --> 00:59:33,733
(♪ "Lovely Morning)
When I got back,
he'd vanished.

1116
00:59:33,766 --> 00:59:36,200
His blood was everywhere,
but he'd gone.

1117
00:59:36,233 --> 00:59:38,100
I mean, I'm the one.

1118
00:59:38,133 --> 00:59:40,233
I must have led
his killers to him.

1119
00:59:40,266 --> 00:59:43,100
I am so sorry, Mr. O'Malley.
I feel fucking terrible.

1120
00:59:43,133 --> 00:59:45,100
I shouldn't
have let you go.

1121
00:59:45,133 --> 00:59:47,633
I mean, I was robbed
and left in the shitter,

1122
00:59:47,666 --> 00:59:50,100
but to be killed
like that.

1123
00:59:51,533 --> 00:59:55,666
If only I hadn't let slip
our conversation
about the money.

1124
00:59:55,700 --> 00:59:59,266
You weren't to know,
and I should have kept
me big mouth shut.

1125
00:59:59,300 --> 01:00:02,100
Clive and I weren't
too close, Dolores.

1126
01:00:02,133 --> 01:00:05,766
He had many qualities
about him,

1127
01:00:05,800 --> 01:00:09,700
which, to tell you the truth,
made him something of an insect.

1128
01:00:09,733 --> 01:00:11,800
(rings)
Hello.

1129
01:00:11,833 --> 01:00:15,700
We all do stupid things.
That's right. We all do.

1130
01:00:15,733 --> 01:00:19,100
(Ronnie) Dolores!

1131
01:00:19,133 --> 01:00:22,266
No, Barreller.
Not all of us.

1132
01:00:22,300 --> 01:00:24,300
I'm sorry to contradict you.

1133
01:00:24,333 --> 01:00:26,133
Not all of us.

1134
01:00:26,166 --> 01:00:27,633
Who's on the phone?
Yeah.

1135
01:00:27,666 --> 01:00:29,200
I need a piss.

1136
01:00:30,433 --> 01:00:32,033
Hello?
(Mary) Hello.

1137
01:00:32,066 --> 01:00:34,766
I'm ringing from
the serious‐injury hospital.

1138
01:00:34,800 --> 01:00:38,233
There's a gentleman here
who's been asking for you.
He's been shot.

1139
01:00:38,266 --> 01:00:40,733
Clive?
Yes, Clive.

1140
01:00:40,766 --> 01:00:43,066
Are you sure?
It can't be. I saw him.

1141
01:00:43,100 --> 01:00:45,066
He was shot about 20 times.
(knocking on door)

1142
01:00:45,100 --> 01:00:48,500
We're closed.
We've got the best surgeons
in the world.

1143
01:00:48,533 --> 01:00:51,566
There's nothing
we haven't seen.
Of course.

1144
01:00:51,600 --> 01:00:53,766
He's still in
a very serious condition,

1145
01:00:53,800 --> 01:00:57,333
but a visit from you, I think,
would brighten up his spirits
considerably.

1146
01:00:57,366 --> 01:00:58,633
(banging on door)
We're closed!

1147
01:00:58,666 --> 01:01:00,633
You're certain it's him?
That he's alive?

1148
01:01:00,666 --> 01:01:02,733
How many people
called Clive

1149
01:01:02,766 --> 01:01:06,466
do you think were shot
in Tubbetstown Castle

1150
01:01:06,500 --> 01:01:08,466
and have your number?
Sorry.

1151
01:01:08,500 --> 01:01:11,366
Ronnie, see who it is,
tell them to fuck off.

1152
01:01:11,400 --> 01:01:12,700
Could I see him tomorrow?

1153
01:01:12,733 --> 01:01:14,433
What?
The door!

1154
01:01:14,466 --> 01:01:16,066
I think he would like that
very much.

1155
01:01:16,100 --> 01:01:17,366
Fuckin' deaf eejit.

1156
01:01:19,400 --> 01:01:22,066
(banging)
(dial tone)

1157
01:01:22,100 --> 01:01:23,633
Hey!
No, wait!

1158
01:01:23,666 --> 01:01:26,333
Daddy! Daddy?

1159
01:01:26,366 --> 01:01:28,233
Come on. Come on!
(Dolores) Jesus!

1160
01:01:28,266 --> 01:01:30,633
Take it easy.
He's not the full shilling.

1161
01:01:30,666 --> 01:01:33,066
The Aran Islands
is fucking freezing.

1162
01:01:33,100 --> 01:01:36,566
(whirring)
Exactly how many Barrellers
are in your fuckin' outfit?

1163
01:01:36,600 --> 01:01:39,733
I'm Barreller.
I'm the only Barreller.
Is this Barreller, is it? Huh?

1164
01:01:39,766 --> 01:01:42,566
Is this Barreller, is it?
Take it easy.
He's got a bad ear.

1165
01:01:42,600 --> 01:01:44,666
I'll give him
two fucking bad ears.

1166
01:01:44,700 --> 01:01:46,566
(Barreller) Hey!

1167
01:01:46,600 --> 01:01:48,500
Ahh! Ooh. Fuck.

1168
01:01:50,700 --> 01:01:52,433
Dad, will you...
Fuck.

1169
01:01:52,466 --> 01:01:54,666
Aah! Ow! Oh, fuck.

1170
01:01:54,700 --> 01:01:58,233
Who are ya?
What do you want?
Where's Magnani's money?

1171
01:01:58,266 --> 01:02:00,666
I gave it to Clive.
Who is Clive?

1172
01:02:00,700 --> 01:02:02,800
The guy your fellas killed
in Tubbetstown.

1173
01:02:02,833 --> 01:02:07,166
Who was that Scottish bloke
who came here?
I'm the Scottish bloke!

1174
01:02:07,200 --> 01:02:09,566
Then who the fuck is Jock?
I'm Jock!

1175
01:02:09,600 --> 01:02:12,233
Do you like popcorn?
Do you eat popcorn?

1176
01:02:12,266 --> 01:02:15,566
For the last time,
have you got Magnani's money?

1177
01:02:15,600 --> 01:02:20,400
I gave it to Clive.
There isn't any Clive!

1178
01:02:20,433 --> 01:02:23,066
Dolores,
tell this fucking eejit
what happened to Clive.

1179
01:02:23,100 --> 01:02:27,166
He was killed. Stone dead.

1180
01:02:27,200 --> 01:02:32,133
Great. That's it.
Let me up, please.

1181
01:02:32,166 --> 01:02:33,700
Don't...
Don't you try it.

1182
01:02:33,733 --> 01:02:36,666
Don't you fucking
try nothing.

1183
01:02:36,700 --> 01:02:38,733
You'll get that.

1184
01:02:38,766 --> 01:02:42,033
Don't try anything.

1185
01:02:42,066 --> 01:02:46,066
I don't know what kind
of fucking pantomime
you're running here,

1186
01:02:46,100 --> 01:02:52,133
but you have brought it
on yourselves.

1187
01:02:52,166 --> 01:02:54,300
Magnani's coming over.

1188
01:02:54,333 --> 01:02:56,766
Let him come!

1189
01:02:56,800 --> 01:02:58,800
Her!
Who's her?

1190
01:02:58,833 --> 01:03:03,600
Magnani. She's a woman.
For fuck's sake.

1191
01:03:03,633 --> 01:03:05,600
Well, let her come.
Daddy.

1192
01:03:05,633 --> 01:03:07,466
Ohh...
What can I do?
Clive is dead!

1193
01:03:07,500 --> 01:03:10,200
What the fuck can I do?

1194
01:03:10,233 --> 01:03:11,200
Huh?
Daddy.

1195
01:03:11,233 --> 01:03:13,766
Let her come.
What can I do?

1196
01:03:13,800 --> 01:03:20,200
♪ Oh, what a lovely morning...

1197
01:03:20,233 --> 01:03:21,766
(door opens)

1198
01:03:21,800 --> 01:03:23,400
(coin clatters)

1199
01:03:23,433 --> 01:03:25,133
(door opens)

1200
01:03:25,166 --> 01:03:31,166
♪ Oh, what a lovely morning

1201
01:03:31,200 --> 01:03:36,166
♪ Oh, what a lovely morning

1202
01:03:36,200 --> 01:03:41,800
♪ Oh, what a lovely morning

1203
01:03:41,833 --> 01:03:44,533
♪ Oh, what a...

1204
01:03:44,566 --> 01:03:47,500
Follow that taxi.

1205
01:03:47,533 --> 01:03:52,466
♪ Oh, what a lovely morning ♪

1206
01:03:52,500 --> 01:03:55,433
I was just really lucky,
I suppose,

1207
01:03:55,466 --> 01:03:58,200
that most of the bullets
hit me in the arse.

1208
01:03:58,233 --> 01:04:00,600
Then why is all the plaster
around your chest?

1209
01:04:00,633 --> 01:04:03,600
Um, well, a lot...
a lot of the bullets,

1210
01:04:03,633 --> 01:04:07,666
they went up my arse
into the chestular area.

1211
01:04:07,700 --> 01:04:09,066
My God.

1212
01:04:09,100 --> 01:04:12,466
Doctors have never seen
anything like it.
It's great to see you.

1213
01:04:12,500 --> 01:04:15,133
I'm glad you survived,
but do you have the money?

1214
01:04:15,166 --> 01:04:17,533
If I had it,
I'd give it to you, I swear,

1215
01:04:17,566 --> 01:04:20,266
but my would‐be assassins,
whoever they may be,
got their hands on it.

1216
01:04:20,300 --> 01:04:22,533
I want to make it up
to you, I do.

1217
01:04:22,566 --> 01:04:24,500
I'm gonna work
every hour God sends me

1218
01:04:24,533 --> 01:04:26,500
until you have it back,
I promise.

1219
01:04:26,533 --> 01:04:29,700
But I wanted to see you,
you know.

1220
01:04:29,733 --> 01:04:32,433
Not because of that, but...

1221
01:04:32,466 --> 01:04:34,700
I want to see you...
You've got every reason
to reject me, but I...

1222
01:04:34,733 --> 01:04:38,000
I know. You don't
have to say anything.

1223
01:04:39,733 --> 01:04:41,466
I have feelings, too.

1224
01:04:41,500 --> 01:04:43,733
Yeah?
But they're
for someone else.

1225
01:04:43,766 --> 01:04:46,433
Who?
It's your cousin, Clive.

1226
01:04:46,466 --> 01:04:49,633
Anthony O'Malley.
(coughing)

1227
01:04:49,666 --> 01:04:51,466
You all right?
You all right?

1228
01:04:51,500 --> 01:04:53,066
My arm!

1229
01:04:53,100 --> 01:04:56,166
Yeah, that's much better.
Brilliant.

1230
01:04:56,200 --> 01:04:57,800
Aah! Oh, dear.

1231
01:04:57,833 --> 01:04:59,100
Whoops‐a‐daisy.

1232
01:04:59,133 --> 01:05:01,166
Thank you.
You're very kind.

1233
01:05:01,200 --> 01:05:03,300
(coughs)

1234
01:05:03,333 --> 01:05:07,033
I never
want to see you again, Clive.
You've caused so much misery.

1235
01:05:07,066 --> 01:05:10,033
No, wait, Dolores!
Dolores, wait a minute.

1236
01:05:10,066 --> 01:05:12,800
Dolores, wait.
Wait a minute.
Listen to me.

1237
01:05:12,833 --> 01:05:15,066
All right,
my fucking bucko.

1238
01:05:15,100 --> 01:05:16,600
Dolores! Dolores!

1239
01:05:16,633 --> 01:05:20,233
The famous Clive.
I'm not.
You've got the wrong guy.

1240
01:05:20,266 --> 01:05:24,733
Tell it to Magnani.
I always get my man.
Help. Help. Help me.

1241
01:05:24,766 --> 01:05:27,133
I have to admit,
it was a nice touch

1242
01:05:27,166 --> 01:05:30,166
getting your accomplice
to imitate Barreller.
Help me, please!

1243
01:05:30,200 --> 01:05:31,700
The Aran Islands?
Doctor?

1244
01:05:31,733 --> 01:05:35,033
Nice.
But the fun's over, Clive.

1245
01:05:35,066 --> 01:05:39,800
Magnani arrives over tonight
for her money and for you.

1246
01:05:39,833 --> 01:05:44,033
And for Barreller
for being so fucking stupid
with his fucking big mouth.

1247
01:05:44,066 --> 01:05:46,533
And for that bird.
She told me you were dead.

1248
01:05:46,566 --> 01:05:49,733
She thought I was dead...
Ah, save it
for the interrogation.

1249
01:05:49,766 --> 01:05:52,333
Barreller's office,
midnight.
What?

1250
01:05:52,366 --> 01:05:55,133
I trust
you'll be joining us.
Well, actually...

1251
01:05:55,166 --> 01:05:58,633
Here, just for my own curiosity,
who shot you?

1252
01:05:58,666 --> 01:06:02,466
A jealous lover, right?
Ah, you're kidding me.

1253
01:06:02,500 --> 01:06:07,066
You're not worth a bullet.
I've other plans for you, pal.

1254
01:06:07,100 --> 01:06:10,500
Here, check this out. Huh?

1255
01:06:10,533 --> 01:06:13,333
What is...? Aah! Aah! Aah!

1256
01:06:13,366 --> 01:06:14,366
Ears! Ears! Fuck!

1257
01:06:14,400 --> 01:06:17,100
Oh, God.
What the...? Fuck!

1258
01:06:17,133 --> 01:06:20,500
Fuck off. Fuck off.
Hang on.
I've got you now.

1259
01:06:20,533 --> 01:06:22,766
Fuck off!
I've got you now.

1260
01:06:22,800 --> 01:06:26,300
Fuck off!
You're a dead man!
You're a dead man!

1261
01:06:26,333 --> 01:06:29,333
Ears. He's got ears.
You'll never get away.
Here!

1262
01:06:29,366 --> 01:06:32,033
Run!
Stop him. Here.

1263
01:06:32,066 --> 01:06:34,533
Stop him!

1264
01:06:36,100 --> 01:06:38,100
Aaah!

1265
01:06:38,133 --> 01:06:40,766
Aw, come on! Fuck.

1266
01:06:46,666 --> 01:06:50,300
Airport, arrivals.
Now. Move it. Move it.

1267
01:06:50,333 --> 01:06:53,200
Hang on! Hang on.
For God's sake.

1268
01:06:53,233 --> 01:06:55,600
Wait till I get in the car.

1269
01:06:55,633 --> 01:06:57,733
Mary, Magnani's coming.
What, now?

1270
01:06:57,766 --> 01:06:59,633
Yes, now.
OK, stay calm.

1271
01:06:59,666 --> 01:07:03,100
OK.
I know. Get a dress.
Do you hear me?

1272
01:07:03,133 --> 01:07:04,266
A dress?

1273
01:07:05,733 --> 01:07:08,700
Plots have I laid,
inductions dangerous...

1274
01:07:08,733 --> 01:07:11,066
Excuse me.

1275
01:07:11,100 --> 01:07:13,100
(grunts)
Oh! Fuck!

1276
01:07:18,500 --> 01:07:20,466
Ladies and gentlemen...

1277
01:07:20,500 --> 01:07:22,733
What the fuck?

1278
01:07:22,766 --> 01:07:24,600
Bloody fiasco!

1279
01:07:26,100 --> 01:07:28,466
Are you out of your tiny mind?

1280
01:07:28,500 --> 01:07:31,200
This is theater.
This is Shakespeare.

1281
01:07:31,233 --> 01:07:34,033
Magnani's coming, OK?
So just give me the money.

1282
01:07:34,066 --> 01:07:36,133
You cannot stop a play.

1283
01:07:36,166 --> 01:07:39,500
...are both, are we not,
business people?

1284
01:07:39,533 --> 01:07:42,366
We are both, are we not,
business people?

1285
01:07:42,400 --> 01:07:45,366
A certain party
owes another party money,
neither party ever having met.

1286
01:07:45,400 --> 01:07:47,633
You know what happens
if they do meet?

1287
01:07:47,666 --> 01:07:49,766
One of them is gonna
come round here

1288
01:07:49,800 --> 01:07:51,533
and cut
your little mickey off,

1289
01:07:51,566 --> 01:07:54,066
and I'm this close
to not caring anymore.

1290
01:07:54,100 --> 01:07:56,400
Swallow your pride,
go next door
and borrow a dress.

1291
01:07:56,433 --> 01:07:58,800
Borrow a dress?
A frock.
Get into a frock!

1292
01:07:58,833 --> 01:08:00,133
A frock?

1293
01:08:00,166 --> 01:08:01,500
Here, I'll take that.

1294
01:08:01,533 --> 01:08:03,733
Ooh! That's heavy.

1295
01:08:03,766 --> 01:08:05,400
Nearly.

1296
01:08:09,633 --> 01:08:13,400
We are both, are we not,
business people?

1297
01:08:13,433 --> 01:08:15,766
I have been reasonable,

1298
01:08:15,800 --> 01:08:19,133
but no one expects
to be tricked.

1299
01:08:19,166 --> 01:08:21,566
I am at a loss.

1300
01:08:21,600 --> 01:08:24,400
I am absolutely clueless.

1301
01:08:24,433 --> 01:08:27,066
(Tony, higher voice)
Mr. Barreller?

1302
01:08:27,100 --> 01:08:28,466
Barreller's just fine.

1303
01:08:28,500 --> 01:08:31,200
We have had a fine time,
haven't we?

1304
01:08:31,233 --> 01:08:34,400
I was fooled, Mrs. Magaloony.
I was tricked.

1305
01:08:34,433 --> 01:08:36,133
It's all right.

1306
01:08:36,166 --> 01:08:39,233
We've recovered the money,
and we have the culprit.

1307
01:08:39,266 --> 01:08:43,366
Clive?
I have a very effective
Scottish friend.

1308
01:08:43,400 --> 01:08:47,033
But Clive is dead.
He fools you very easily,
doesn't he?

1309
01:08:47,066 --> 01:08:51,066
But I don't like to be tricked.
We're bringing him here tonight.

1310
01:08:51,100 --> 01:08:53,366
I thought
you might like to watch.
Watch what?

1311
01:08:53,400 --> 01:08:57,066
The fun.
Ah, no.
I don't think I do.

1312
01:08:57,100 --> 01:09:00,233
Perhaps you might like
to retire somewhere.

1313
01:09:00,266 --> 01:09:02,233
(wheezing voice) Don't worry.
We'll clean up after.

1314
01:09:02,266 --> 01:09:04,700
You won't even know
we were here.

1315
01:09:04,733 --> 01:09:09,766
I... I think I'll just go
and wash me face. Excuse me.

1316
01:09:09,800 --> 01:09:11,366
Ooh!

1317
01:09:13,833 --> 01:09:16,033
Cheer up. It's over.

1318
01:09:19,366 --> 01:09:21,733
(normal voice) That was
pretty fucking good, Tony.
Well, I, uh...

1319
01:09:21,766 --> 01:09:24,266
(normal voice)
What do you mean?
I mean it was very good.

1320
01:09:24,300 --> 01:09:25,733
What are you saying?

1321
01:09:25,766 --> 01:09:28,633
What do you mean?
Are you trying to say
that I'm a p...?

1322
01:09:28,666 --> 01:09:32,200
Because I am not.
Oh, for fuck's sake.

1323
01:09:32,233 --> 01:09:34,333
Yeah, I think you're gay, OK?
I think you're degenerate.

1324
01:09:34,366 --> 01:09:36,766
You like big hairy men.
It's all coming out now,
isn't it?

1325
01:09:36,800 --> 01:09:39,466
All the jealousy.
All the spite.
They're here.

1326
01:09:39,500 --> 01:09:42,333
Go on. Go. Go.
I am sorry to tell you
that you have just made

1327
01:09:42,366 --> 01:09:44,500
a very powerful enemy,
my boy.

1328
01:09:44,533 --> 01:09:47,266
(man) Jock, is this it?
Are you seri...?

1329
01:09:47,300 --> 01:09:51,600
Are you fucking serious?!
You want to talk about this now?
This is not the end of this.

1330
01:09:51,633 --> 01:09:56,800
We are so very, very far
from the end.

1331
01:09:56,833 --> 01:09:59,166
(imitates Tony) "We are
so very far from the end.

1332
01:09:59,200 --> 01:10:01,566
"We are so very, very far
from the end.

1333
01:10:01,600 --> 01:10:04,000
"So very far from the end."
(groans)

1334
01:10:11,733 --> 01:10:14,200
And who are you?

1335
01:10:14,233 --> 01:10:16,200
(higher voice)
I'm Mrs. O'Groany.

1336
01:10:16,233 --> 01:10:18,300
I represent Barreller.

1337
01:10:18,333 --> 01:10:21,066
You represent him?

1338
01:10:21,100 --> 01:10:23,633
I have your money.

1339
01:10:23,666 --> 01:10:25,433
Get in.

1340
01:10:25,466 --> 01:10:27,500
Good woman, yourself, Tony.

1341
01:10:27,533 --> 01:10:29,566
What a gentleman.

1342
01:10:29,600 --> 01:10:31,033
Thank you, Tony.

1343
01:10:31,066 --> 01:10:33,300
Mind your tights.

1344
01:10:33,333 --> 01:10:35,433
By golly.

1345
01:10:35,466 --> 01:10:39,166
(imitates Tony)
"Very, very far from the end."

1346
01:10:39,200 --> 01:10:40,533
What kind of...?

1347
01:10:40,566 --> 01:10:41,533
Aah!

1348
01:10:41,566 --> 01:10:43,766
Fuck! Who's that?

1349
01:10:43,800 --> 01:10:47,666
What the fuck? Stop. Stop!
Who's there?

1350
01:10:47,700 --> 01:10:51,033
(English accent)
I wouldn't move, if I were you.
Things might become heated.

1351
01:10:51,066 --> 01:10:52,800
Who are you?

1352
01:10:52,833 --> 01:10:56,566
You disappoint me.
And you were doing
so well, Mr. Quirk.

1353
01:10:56,600 --> 01:10:58,300
How do you know me?

1354
01:10:58,333 --> 01:11:00,033
There's little I don't know
or can't find out.

1355
01:11:00,066 --> 01:11:02,266
I'm Magnani.
You can't be,
because Tony isn't...

1356
01:11:02,300 --> 01:11:03,766
Don't panic, my love.

1357
01:11:03,800 --> 01:11:07,100
Recognize these?
Please attach yourself
to the stairs.

1358
01:11:07,133 --> 01:11:09,100
Hurry, Mr. Quirk.
I don't have all day.

1359
01:11:09,133 --> 01:11:10,266
There.

1360
01:11:23,100 --> 01:11:24,466
You're shaking.
I've never...

1361
01:11:24,500 --> 01:11:25,733
You're trembling.

1362
01:11:25,766 --> 01:11:27,800
I've never
been tortured before.

1363
01:11:27,833 --> 01:11:30,533
A‐ah ah ah ah‐ha!

1364
01:11:30,566 --> 01:11:33,100
Aiyah!
I think you like it.

1365
01:11:33,133 --> 01:11:36,633
I think you wanted
to be caught, to be trapped,
to be made to suffer.

1366
01:11:36,666 --> 01:11:38,400
Well, here you are.

1367
01:11:38,433 --> 01:11:41,400
So, Mrs. O'Groany,
as a woman,

1368
01:11:41,433 --> 01:11:44,600
which do you think instills
more respect in a man ‐

1369
01:11:44,633 --> 01:11:46,333
the threat of violence

1370
01:11:46,366 --> 01:11:49,633
or the dim, distant prospect
of sexual intercourse?

1371
01:11:49,666 --> 01:11:52,500
Oh, I wouldn't know.

1372
01:11:52,533 --> 01:11:55,600
The, uh, sex.

1373
01:11:55,633 --> 01:11:57,500
Say, "I want you
to hurt me."

1374
01:11:57,533 --> 01:12:00,400
Oh, look, come on. Can we...?
(whispers)
Mr. Quirk, say it.

1375
01:12:00,433 --> 01:12:03,566
A‐ah a‐ah a‐ah... Ow!

1376
01:12:03,600 --> 01:12:07,233
I want you to hurt me.
I want you to hurt me, please.

1377
01:12:07,266 --> 01:12:08,266
I will.

1378
01:12:20,533 --> 01:12:22,300
Dolores.

1379
01:12:24,733 --> 01:12:26,033
(mouths)

1380
01:12:30,266 --> 01:12:34,233
Don't do that. Dolores,
please don't do that.
Don't!

1381
01:12:42,666 --> 01:12:45,066
(Magnani)
What are you doing?
He left it up here.

1382
01:12:45,100 --> 01:12:46,633
No!

1383
01:12:46,666 --> 01:12:48,500
(normal voice)
Relax. It's just water.

1384
01:12:51,333 --> 01:12:54,033
Yes, it's up here,
but it's caught.

1385
01:12:54,066 --> 01:12:57,600
You'll get your gloves
dirty.
They're black anyway.

1386
01:13:02,233 --> 01:13:04,300
Ah, here it is.

1387
01:13:04,333 --> 01:13:05,700
How long have you known?

1388
01:13:05,733 --> 01:13:09,100
Oh, only, like,
since Tubbetstown.

1389
01:13:09,133 --> 01:13:11,266
You blew yourself up,
for God's sake.

1390
01:13:11,300 --> 01:13:12,766
Then telling me
you'd survived.

1391
01:13:12,800 --> 01:13:14,533
I know. That was a bit much.

1392
01:13:14,566 --> 01:13:16,066
Here we go.

1393
01:13:16,100 --> 01:13:19,166
No. Nothing else up here.

1394
01:13:19,200 --> 01:13:23,200
We may have incurred
some small expenses.

1395
01:13:26,666 --> 01:13:29,100
You know, you're
a fucking good actor.
Am I?

1396
01:13:29,133 --> 01:13:30,800
Anyway,
I'm a thief, you know?

1397
01:13:30,833 --> 01:13:33,800
But we're giving the money back.
Tony's with Magnani right now.

1398
01:13:33,833 --> 01:13:36,533
I need to get out of these,
'cause I don't know how he is
or anything.

1399
01:13:36,566 --> 01:13:39,466
(Magnani)
Mrs. O'Groany.
What?

1400
01:13:39,500 --> 01:13:42,000
Your hair is on fire.
What?

1401
01:13:43,433 --> 01:13:45,500
I have to go
to the bathroom.

1402
01:13:45,533 --> 01:13:49,400
Wait a minute.
You're a bloke!
How dare you?

1403
01:13:49,433 --> 01:13:53,033
He's a bloke!
Are you wearing a wire?

1404
01:13:53,066 --> 01:13:56,233
Who are you,
and what are you doing?

1405
01:13:56,266 --> 01:13:58,600
Perhaps he has this coming
to him.
How can you say that?

1406
01:13:58,633 --> 01:14:00,800
You love the man.
Are you
out of your fucking mind?

1407
01:14:00,833 --> 01:14:03,666
He's the biggest asshole
I ever met.

1408
01:14:03,700 --> 01:14:06,733
Let's let him suffer.
Let's see how you like it.

1409
01:14:06,766 --> 01:14:09,366
Look, you've got your money,
what you came for.

1410
01:14:09,400 --> 01:14:11,700
Why don't you
just take it and go?

1411
01:14:11,733 --> 01:14:13,766
Are you with the police?
No. No.

1412
01:14:13,800 --> 01:14:16,300
Who are you?
I am an actor.

1413
01:14:17,733 --> 01:14:20,066
What?

1414
01:14:20,100 --> 01:14:23,366
I know he's an asshole,
but he's a friend asshole.

1415
01:14:23,400 --> 01:14:24,566
Are you Barreller?

1416
01:14:24,600 --> 01:14:28,200
No. What does it matter?
It doesn't matter now.

1417
01:14:28,233 --> 01:14:31,166
No. You see, Mrs. O'Groany,
it does matter.

1418
01:14:34,733 --> 01:14:36,766
What are you doing?
You've got your money.

1419
01:14:36,800 --> 01:14:40,033
Let's not
do something stupid.
You already have.

1420
01:14:40,066 --> 01:14:42,166
Aah!
Fuck.

1421
01:14:42,200 --> 01:14:45,500
Just take them off for a while.
We'll go for a drink.
No.

1422
01:14:45,533 --> 01:14:48,633
Now, who are you?

1423
01:14:48,666 --> 01:14:51,300
Get sandwiches.
Shut up.

1424
01:14:53,066 --> 01:14:57,200
My name is Anthony O'Malley.

1425
01:14:57,233 --> 01:15:00,533
No? Well, I'm in a production
of Richard III.

1426
01:15:00,566 --> 01:15:02,400
I am Richard III,

1427
01:15:02,433 --> 01:15:05,233
and the man who robbed you,
he's in it with me.

1428
01:15:05,266 --> 01:15:07,166
His name is Thomas Quirk.

1429
01:15:09,300 --> 01:15:10,633
Please, I love you.

1430
01:15:13,666 --> 01:15:17,133
I didn't do anything.
It was his idea.
Look in my handbag.

1431
01:15:17,166 --> 01:15:20,500
Look. There's
a theater program there.

1432
01:15:20,533 --> 01:15:23,466
Go back.
No, further back.

1433
01:15:23,500 --> 01:15:25,100
Right back.
Right back. Right back.

1434
01:15:25,133 --> 01:15:27,466
That's him. See,
that's Thomas Quirk.

1435
01:15:27,500 --> 01:15:29,766
(sirens wailing
and horns honk)

1436
01:15:29,800 --> 01:15:31,500
Ohh...

1437
01:15:31,533 --> 01:15:33,433
Oh!
Out the back.

1438
01:15:33,466 --> 01:15:35,233
Bastard.

1439
01:15:41,733 --> 01:15:43,700
Tony, are you OK?
(knocking on door)
Thomas.

1440
01:15:43,733 --> 01:15:46,766
Come on, open up.
It's Tom. Come on. Tony.

1441
01:15:46,800 --> 01:15:49,633
(Dolores) Mr. O'Malley,
are you in there?
(doorbell rings)

1442
01:15:49,666 --> 01:15:51,700
Tony! Tony!

1443
01:16:00,433 --> 01:16:03,133
(woman over PA)
Ladies and gentlemen,
this is your ten‐minute call.

1444
01:16:03,166 --> 01:16:04,500
Enjoy the final performance.

1445
01:16:04,533 --> 01:16:08,100
(stage manager)
Can I get some actors on stage,
perchance to dream?

1446
01:16:08,133 --> 01:16:09,800
Dream on.
Dream on.

1447
01:16:09,833 --> 01:16:12,300
(man) Dream on.

1448
01:16:12,333 --> 01:16:14,533
What's the matter
with you?

1449
01:16:14,566 --> 01:16:16,533
Is it the money?

1450
01:16:16,566 --> 01:16:18,733
Well, I'm relieved.

1451
01:16:18,766 --> 01:16:22,433
No amount of money
is worth that kind
of hassle, Tony.

1452
01:16:22,466 --> 01:16:23,500
None.

1453
01:16:26,833 --> 01:16:29,166
Don't slouch. Here.

1454
01:16:43,700 --> 01:16:46,066
Hello. I'm Mary. I'm nine.

1455
01:16:46,100 --> 01:16:49,433
My uncle's in this play.
He's a very good man.

1456
01:16:49,466 --> 01:16:52,366
OK. I'm Dolores.
How are you?

1457
01:16:52,400 --> 01:16:54,666
Generally,
a bit disappointed, usually.

1458
01:16:54,700 --> 01:16:56,333
Let's sit together.

1459
01:16:58,766 --> 01:17:00,233
OK.

1460
01:17:00,266 --> 01:17:02,600
You're incredibly beautiful.
Did you know that?

1461
01:17:02,633 --> 01:17:05,400
Thanks.
Don't be shy. It's true.

1462
01:17:05,433 --> 01:17:07,800
Wait till you see my uncle.
He's a terrific actor.

1463
01:17:07,833 --> 01:17:09,800
(woman over PA)
Five minutes to curtain...

1464
01:17:09,833 --> 01:17:13,600
Listen, um, I'm meeting her
for a drink later, OK?

1465
01:17:13,633 --> 01:17:16,233
I just thought
you should know.

1466
01:17:16,266 --> 01:17:18,500
I mean, I know you like her
and everything.

1467
01:17:18,533 --> 01:17:21,500
I don't know if it's
going to amount to anything,

1468
01:17:21,533 --> 01:17:24,533
but I wanted you to know.

1469
01:17:24,566 --> 01:17:26,533
She's going to be in
tonight.

1470
01:17:26,566 --> 01:17:28,666
I tell you, it's making me
nervous as fuck.

1471
01:17:33,300 --> 01:17:35,633
Row 24, E and F.

1472
01:17:51,233 --> 01:17:54,200
Dive...

1473
01:17:54,233 --> 01:17:56,733
Dive tho...

1474
01:17:56,766 --> 01:17:58,800
Dive, thoughts,
down into my soul ‐

1475
01:17:58,833 --> 01:18:01,366
here Clarence comes.

1476
01:18:03,733 --> 01:18:05,366
Brother, good day.

1477
01:18:05,400 --> 01:18:08,200
What means this armed guard
that waits upon your grace?

1478
01:18:08,233 --> 01:18:09,233
That's him.

1479
01:18:09,266 --> 01:18:12,466
(man) ...hath appointed
this conduct

1480
01:18:12,500 --> 01:18:14,100
to convey me to the Tower.

1481
01:18:14,133 --> 01:18:15,633
Upon what cause?

1482
01:18:15,666 --> 01:18:17,333
Because my name
is George.
Hi.

1483
01:18:17,366 --> 01:18:20,166
Alack, my lord,
that fault is none of yours.

1484
01:18:20,200 --> 01:18:22,733
He should, for that,
commit your godfathers.

1485
01:18:22,766 --> 01:18:25,600
O, belike his majesty
hath some intent

1486
01:18:25,633 --> 01:18:29,266
that you should be
new‐christen'd in the Tower.

1487
01:18:29,300 --> 01:18:30,733
Whoa!
(audience screams)

1488
01:18:30,766 --> 01:18:32,100
(shouts)

1489
01:18:32,133 --> 01:18:33,800
I'm so sorry.
I'm so sorry.

1490
01:18:33,833 --> 01:18:35,666
I'll come down.

1491
01:18:35,700 --> 01:18:38,633
Just give her some air.
(people murmuring)

1492
01:18:38,666 --> 01:18:40,666
Stand by yourself?

1493
01:18:40,700 --> 01:18:42,100
(people) Ohh!

1494
01:18:42,133 --> 01:18:43,133
Fuck.

1495
01:18:43,166 --> 01:18:48,400
(theatrical laughter)

1496
01:18:48,433 --> 01:18:52,233
Ill news, by'r lady.
Seldom comes the better.

1497
01:18:52,266 --> 01:18:53,333
Neighbors, God speed!

1498
01:18:53,366 --> 01:18:55,066
Give you
good morrow, sir.

1499
01:18:55,100 --> 01:18:58,233
Doth the news hold
of good King Edward's
death?

1500
01:18:58,266 --> 01:19:02,700
(woman)
Aye, sir, it is too true.
God help the while!

1501
01:19:02,733 --> 01:19:06,466
Then, masters, look to see
a troublous world.

1502
01:19:06,500 --> 01:19:10,666
No, no,
by God's good grace,
his son shall reign.

1503
01:19:10,700 --> 01:19:12,166
(both laugh)

1504
01:19:18,633 --> 01:19:21,366
I'm sorry. Line?
"Woe to that land that's
govern'd by a child!"

1505
01:19:21,400 --> 01:19:23,600
Oh, yeah. Sorry.
What? What?

1506
01:19:23,633 --> 01:19:27,800
(Mary and Tony)
"Woe to that land that's
govern'd by a child!"

1507
01:19:27,833 --> 01:19:30,033
Woe to that...

1508
01:19:31,433 --> 01:19:32,666
What she said.

1509
01:19:32,700 --> 01:19:35,266
Show me that.

1510
01:19:35,300 --> 01:19:38,266
(theatrical laughter)
It's him.

1511
01:19:38,300 --> 01:19:42,233
I am having the worst show
of my life.
Me too.

1512
01:19:42,266 --> 01:19:44,300
A horse! A horse!

1513
01:19:44,333 --> 01:19:47,233
My kingdom for a horse!

1514
01:19:47,266 --> 01:19:49,366
Oh! Aah!

1515
01:19:49,400 --> 01:19:51,433
(sound of explosions,
gunshots, siren blaring)

1516
01:19:51,466 --> 01:19:54,333
(sounds fade)

1517
01:19:54,366 --> 01:19:58,233
(actor) Abate the edge
of traitors, gracious Lord,

1518
01:19:58,266 --> 01:20:00,400
that would reduce
these bloody days again

1519
01:20:00,433 --> 01:20:05,100
and make poor England
weep in streams of blood!

1520
01:20:05,133 --> 01:20:06,066
Now, civil wounds
are stopp'd...

1521
01:20:06,100 --> 01:20:07,466
(explosion)
(man) Sorry.

1522
01:20:07,500 --> 01:20:11,700
...and peace lives again.

1523
01:20:11,733 --> 01:20:14,166
God say Amen.
(cast) Amen.

1524
01:20:15,766 --> 01:20:17,133
Ohh!

1525
01:20:18,233 --> 01:20:19,633
Fucking hell.

1526
01:20:23,733 --> 01:20:24,733
Oh.

1527
01:20:24,766 --> 01:20:26,200
(Tom) Incredible!

1528
01:20:26,233 --> 01:20:28,133
The worst yet!

1529
01:20:28,166 --> 01:20:30,733
You'd think
I couldn't get any worse.
How could I get any worse?!

1530
01:20:30,766 --> 01:20:33,333
But unbelievably,
on the last night ‐

1531
01:20:33,366 --> 01:20:35,266
the last night ‐

1532
01:20:35,300 --> 01:20:37,600
I find lower depths.

1533
01:20:37,633 --> 01:20:40,466
Oh, fuck it!

1534
01:20:40,500 --> 01:20:42,200
(champagne cork pops
next door/laughter)

1535
01:20:42,233 --> 01:20:46,200
It must be all the...
It must be all the excitement.

1536
01:20:46,233 --> 01:20:48,733
Hey? Tony?

1537
01:20:48,766 --> 01:20:50,700
What do you think, hmm?

1538
01:20:50,733 --> 01:20:54,233
Tony, can I give you
a hand with that?

1539
01:21:00,600 --> 01:21:01,733
Tom?

1540
01:21:01,766 --> 01:21:02,733
Yeah?

1541
01:21:02,766 --> 01:21:06,333
(knock on door)

1542
01:21:06,366 --> 01:21:09,333
I've...

1543
01:21:09,366 --> 01:21:11,466
betrayed you.

1544
01:21:11,500 --> 01:21:15,266
What do you mean?
(knocking)

1545
01:21:15,300 --> 01:21:17,500
I'm weak, Tom.

1546
01:21:19,833 --> 01:21:23,400
Who's at the door?

1547
01:21:23,433 --> 01:21:26,766
Everything is so...

1548
01:21:26,800 --> 01:21:28,766
wrong.

1549
01:21:28,800 --> 01:21:30,733
(door opens)

1550
01:21:42,066 --> 01:21:44,300
Well, gentlemen.

1551
01:21:44,333 --> 01:21:46,033
Tony?

1552
01:21:46,066 --> 01:21:49,800
This is Thomas Quirk.

1553
01:21:49,833 --> 01:21:52,466
Yes.
What do you want?

1554
01:21:52,500 --> 01:21:55,033
We want the man
who fooled everybody.

1555
01:21:55,066 --> 01:21:56,200
This is him.
Tony.

1556
01:21:56,233 --> 01:21:58,766
Well, now... may I?

1557
01:21:58,800 --> 01:22:00,766
Oh, please do, yes.

1558
01:22:00,800 --> 01:22:03,500
This is where we have
a little problem.

1559
01:22:03,533 --> 01:22:07,200
You're telling us
he played all the parts?

1560
01:22:07,233 --> 01:22:09,466
(Tony) He did,
and he was wonderful.

1561
01:22:09,500 --> 01:22:12,433
Mr. O'Malley, we were
at the show tonight,

1562
01:22:12,466 --> 01:22:15,633
and we realized something.
That fucker canna act.

1563
01:22:15,666 --> 01:22:18,533
Here, now, I might have had
a bad show. That can happen...

1564
01:22:18,566 --> 01:22:19,666
You were shite.

1565
01:22:19,700 --> 01:22:22,133
You forgot your lines.
You stood in the wrong places.

1566
01:22:22,166 --> 01:22:25,266
You nearly brained a woman
in the front row.

1567
01:22:25,300 --> 01:22:29,233
I've been tired.
I have good nights. Tony?

1568
01:22:29,266 --> 01:22:35,200
Yeah. Yes. On occasion,
he's been sufficiently OK.

1569
01:22:36,466 --> 01:22:39,300
Thank you, Tony.
That's great.

1570
01:22:39,333 --> 01:22:43,033
I sent you to the Aran Islands,
you stupid bollix.

1571
01:22:43,066 --> 01:22:46,500
You think I'm stupid, huh?
You think I'd believe you,
huh?

1572
01:22:46,533 --> 01:22:49,533
You're strictly amateur hour.
What you talking about?

1573
01:22:49,566 --> 01:22:52,066
You could nae send me
a Christmas card.

1574
01:22:52,100 --> 01:22:56,500
All right.
All right, gentlemen.

1575
01:22:56,533 --> 01:23:00,133
I know what I saw.

1576
01:23:00,166 --> 01:23:02,100
Mr. Quirk...

1577
01:23:02,133 --> 01:23:05,666
I'm sorry. Your acting
leaves much to be desired.

1578
01:23:05,700 --> 01:23:10,333
I didn't, and I don't know
how anybody could,

1579
01:23:10,366 --> 01:23:13,200
believe you...
for a second.

1580
01:23:13,233 --> 01:23:18,100
Which brings us to the heart
of our problem, Mr. O'Malley.

1581
01:23:18,133 --> 01:23:22,466
You, on the other hand,
were magnificent.

1582
01:23:22,500 --> 01:23:24,633
Thank you.
Thank you so much.

1583
01:23:24,666 --> 01:23:28,166
One does what one can
with the material one...
Wait a minute.

1584
01:23:28,200 --> 01:23:29,733
Oi! Wait... Tony!

1585
01:23:29,766 --> 01:23:31,100
Wait a minute.
Tony?!

1586
01:23:33,500 --> 01:23:37,800
You don't think that I...?
I couldn't do... You... But...

1587
01:23:37,833 --> 01:23:42,733
No, I deal in stagecraft,
not in reality.

1588
01:23:42,766 --> 01:23:46,066
I mean, this is life.
I mean, I...

1589
01:23:46,100 --> 01:23:49,533
On stage, I... I...

1590
01:23:49,566 --> 01:23:53,266
On stage, not...

1591
01:23:56,700 --> 01:23:58,333
I see.

1592
01:24:01,366 --> 01:24:02,533
Ow.

1593
01:24:04,633 --> 01:24:07,166
Not the face.

1594
01:24:07,200 --> 01:24:08,800
Not the face.

1595
01:24:12,666 --> 01:24:15,300
(applause)

1596
01:24:15,333 --> 01:24:18,166
And now we come
to what many consider

1597
01:24:18,200 --> 01:24:20,733
the most hotly contended award
of the evening ‐

1598
01:24:20,766 --> 01:24:23,066
best actor in a leading role.

1599
01:24:23,100 --> 01:24:25,466
(Marty) In this
particular category,
it's been a super year.

1600
01:24:25,500 --> 01:24:28,533
It certainly has,
and the nominees are...

1601
01:24:28,566 --> 01:24:31,466
Paul Ó Grádaigh
in We're Home from the Hills.

1602
01:24:31,500 --> 01:24:35,100
Stiofan McAlister
in Bucketful of Angels.

1603
01:24:35,133 --> 01:24:38,433
Marcus Ó Gearhaghty
in The Conniptions of Rover.

1604
01:24:38,466 --> 01:24:42,100
And Anthony O'Malley
in Richard III.

1605
01:24:42,133 --> 01:24:44,666
And the award goes to...

1606
01:24:44,700 --> 01:24:46,400
This is stiff competition.
Uh‐huh.

1607
01:24:46,433 --> 01:24:48,633
(mutters)
Come on, you stupid bitch.

1608
01:24:48,666 --> 01:24:50,566
(both) Anthony O'Malley.
Yes!

1609
01:24:50,600 --> 01:24:51,766
Yes! Yes!

1610
01:24:51,800 --> 01:24:55,300
(cheers and applause)

1611
01:24:56,533 --> 01:24:59,566
You losers.
Talentless bastards.

1612
01:25:01,566 --> 01:25:03,433
Fuck off.
Fuck off. Fuck off.

1613
01:25:05,533 --> 01:25:07,666
Aah! Fuck.

1614
01:25:10,466 --> 01:25:12,700
Thank you.
Oh!

1615
01:25:12,733 --> 01:25:14,433
And you.

1616
01:25:16,533 --> 01:25:19,766
Move back.
That's enough.

1617
01:25:19,800 --> 01:25:23,033
Thank you.
Thank you so much.

1618
01:25:23,066 --> 01:25:26,733
Best actor. Best actor...

1619
01:25:26,766 --> 01:25:30,600
Ah, it's a load of shite.
I'm going for a drink.
I'm going for a drink.

1620
01:25:30,633 --> 01:25:32,566
"What is acting?"
Come for a drink.

1621
01:25:32,600 --> 01:25:35,033
...I asked myself...
Fuck you, then.

1622
01:25:35,066 --> 01:25:38,433
...every evening
as I stared into the mirror,

1623
01:25:38,466 --> 01:25:40,733
applying makeup.
(fly buzzes)

1624
01:25:40,766 --> 01:25:45,266
I watch myself
slowly disappear

1625
01:25:45,300 --> 01:25:49,633
as I breathe life
into whatever creation
I must face and defeat

1626
01:25:49,666 --> 01:25:52,300
over the next three hours

1627
01:25:52,333 --> 01:25:55,700
before I can reclaim myself,

1628
01:25:55,733 --> 01:25:59,200
never forgetting...
Jesus.
Hey, it's on! It's on!

1629
01:25:59,233 --> 01:26:00,266
(man) What's on?
It's on!

1630
01:26:00,300 --> 01:26:02,500
What's fucking...

1631
01:26:02,533 --> 01:26:05,400
What's fucking on?
(♪ jingle)

1632
01:26:05,433 --> 01:26:06,500
Thank you.

1633
01:26:06,533 --> 01:26:11,066
(cockerel crows)

1634
01:26:11,100 --> 01:26:12,233
So cheeky.

1635
01:26:15,266 --> 01:26:16,466
McCullagh's.

1636
01:26:16,500 --> 01:26:19,600
My God, that's a right lump
of a sausage.

1637
01:26:19,633 --> 01:26:22,633
Great. Really good.
(man) Nice one, Dolores.

1638
01:26:22,666 --> 01:26:25,533
(man #2) Not bad.
Say, what's with the ass?

1639
01:26:25,566 --> 01:26:28,033
(♪ ballroom)

1640
01:26:31,333 --> 01:26:32,766
You're lucky.

1641
01:26:32,800 --> 01:26:36,766
There's not many men
can fall three stories
and live to tell the tale.

1642
01:26:36,800 --> 01:26:39,700
An actor is always
in peak condition,
Barreller.

1643
01:26:39,733 --> 01:26:41,700
Yeah, I suppose so.

1644
01:26:41,733 --> 01:26:45,166
I ask you, what kind
of a fucking eejit

1645
01:26:45,200 --> 01:26:47,600
just falls
out of a fucking window?

1646
01:26:47,633 --> 01:26:49,066
What?

1647
01:26:49,100 --> 01:26:52,600
May I?
Aye. Come on.

1648
01:26:52,633 --> 01:26:55,266
You're going to have to
pick me up.

1649
01:26:55,300 --> 01:26:56,633
All right.

1650
01:27:04,766 --> 01:27:07,333
Your dad doesn't
suspect us, does he?

1651
01:27:07,366 --> 01:27:10,166
No. He doesn't know
what the fuck
was going on.

1652
01:27:10,200 --> 01:27:12,033
He's just glad
it's all over.

1653
01:27:12,066 --> 01:27:16,100
You know, all the agony.
Ahh! What the fuck
are you doing?

1654
01:27:16,133 --> 01:27:18,333
But I like hurtin' ya.

1655
01:27:18,366 --> 01:27:20,333
You're such a baby.

1656
01:27:22,566 --> 01:27:24,533
Sorry.
Are you gonna
make it better?

1657
01:27:24,566 --> 01:27:25,666
Yeah.

1658
01:27:25,700 --> 01:27:26,666
Ahh!

1659
01:27:29,066 --> 01:27:31,033
Oh, I'm so sorry.
Whoo!

1660
01:27:31,066 --> 01:27:33,033
I was just coming
to congratulate you

1661
01:27:33,066 --> 01:27:35,200
on such
a wonderful performance
this evening.

1662
01:27:35,233 --> 01:27:37,533
I suppose many people
have told you you're beautiful.

1663
01:27:37,566 --> 01:27:40,133
Have you ever thought
of doing Shakespeare?
Ophelia?

1664
01:27:40,166 --> 01:27:41,466
Not you, sir. Her....

1665
01:27:41,500 --> 01:27:44,566
Is that better?
You're getting there, yeah.

1666
01:27:44,600 --> 01:27:48,266
It wouldn't be difficult,
because we'd only use
the vowel sounds.

1667
01:27:48,300 --> 01:27:50,166
Oo ee, oo o uh ee,

1668
01:27:50,200 --> 01:27:52,166
a i ee e ee o.

1669
01:27:53,633 --> 01:27:57,200
Well, I suppose
even stupid people

1670
01:27:57,233 --> 01:27:59,500
deserve happy endings,

1671
01:27:59,533 --> 01:28:03,300
but the bad actors
always get all the attention.

1672
01:28:03,333 --> 01:28:06,800
You never notice
the good ones.

1673
01:28:06,833 --> 01:28:09,466
The good ones disappear.

1674
01:29:22,533 --> 01:29:25,633
(♪ "Star of the Sea")

1675
01:29:33,200 --> 01:29:36,766
(girl) ♪ In the city,
there's a thousand souls and

1676
01:29:36,800 --> 01:29:40,466
♪ I want to tell them all
I'm sorry

1677
01:29:40,500 --> 01:29:44,100
♪ I get up,
and I face the morning

1678
01:29:44,133 --> 01:29:50,033
♪ I get up, and I face
the morning tonight

1679
01:29:50,066 --> 01:29:54,033
(children) ♪ It's all right

1680
01:29:54,066 --> 01:29:57,033
♪ Star

1681
01:29:57,066 --> 01:30:00,633
♪ Of the sea

1682
01:30:00,666 --> 01:30:04,300
♪ Have mercy

1683
01:30:04,333 --> 01:30:08,333
♪ On me

1684
01:30:08,366 --> 01:30:11,333
♪ Part

1685
01:30:11,366 --> 01:30:14,800
♪ The clouds

1686
01:30:14,833 --> 01:30:18,466
♪ Look down

1687
01:30:18,500 --> 01:30:22,766
♪ Look down

1688
01:30:22,800 --> 01:30:26,533
♪ In the city,
there's a thousand souls and

1689
01:30:26,566 --> 01:30:30,266
♪ I want to tell them all
I'm sorry

1690
01:30:30,300 --> 01:30:33,733
♪ I get up,
and I face the morning

1691
01:30:33,766 --> 01:30:39,600
♪ I get up, and I face
the morning tonight

1692
01:30:39,633 --> 01:30:43,600
♪ It's all right

1693
01:30:43,633 --> 01:30:46,600
♪ Star

1694
01:30:46,633 --> 01:30:50,366
♪ Of the sea

1695
01:30:50,400 --> 01:30:54,066
♪ Have mercy

1696
01:30:54,100 --> 01:30:58,066
♪ On me

1697
01:30:58,100 --> 01:31:01,033
♪ Star

1698
01:31:01,066 --> 01:31:04,633
♪ In the clouds

1699
01:31:04,666 --> 01:31:08,366
♪ Look down

1700
01:31:08,400 --> 01:31:12,233
♪ Look down ♪