1 00:00:16,083 --> 00:00:17,417 [horn honking] 2 00:00:26,094 --> 00:00:29,263 [Randy Newman ragtime theme] 3 00:00:29,297 --> 00:00:31,532 * IT'S A JUNGLE OUT THERE 4 00:00:31,565 --> 00:00:36,070 * DISORDER AND CONFUSION EVERYWHERE * 5 00:00:36,103 --> 00:00:38,506 * NO ONE SEEMS TO CARE 6 00:00:38,539 --> 00:00:39,573 * WELL, I DO 7 00:00:39,606 --> 00:00:42,676 * HEY, WHO'S IN CHARGE HERE? 8 00:00:42,710 --> 00:00:46,246 * IT'S A JUNGLE OUT THERE 9 00:00:46,280 --> 00:00:49,350 * POISON IN THE VERY AIR WE BREATHE * 10 00:00:49,383 --> 00:00:52,152 * DO YOU KNOW WHAT'S IN THE WATER THAT YOU DRINK? * 11 00:00:52,185 --> 00:00:55,823 * WELL, I DO, AND IT'S A-MA-ZING * 12 00:00:55,856 --> 00:00:58,859 * PEOPLE THINK I'M CRAZY 'CAUSE I WORRY ALL THE TIME * 13 00:00:58,892 --> 00:01:02,496 * IF YOU PAID ATTENTION, YOU'D BE WORRIED TOO * 14 00:01:02,530 --> 00:01:06,733 * YOU'D BETTER PAY ATTENTION OR THIS WORLD WE LOVE SO MUCH * 15 00:01:06,766 --> 00:01:10,537 * MIGHT JUST KILL YOU 16 00:01:10,570 --> 00:01:12,439 * I COULD BE WRONG NOW 17 00:01:12,472 --> 00:01:14,742 * BUT I DON'T THINK SO 18 00:01:14,775 --> 00:01:17,311 * 'CAUSE IT'S A JUNGLE OUT THERE * 19 00:01:17,344 --> 00:01:21,114 * IT'S A JUNGLE OUT THERE * 20 00:01:33,627 --> 00:01:35,628 - [sobbing] 21 00:01:37,631 --> 00:01:40,734 - EXCUSE ME. MISS? 22 00:01:40,768 --> 00:01:42,370 WHERE YOU WANT IT? 23 00:01:42,402 --> 00:01:44,371 - TALK TO HIM. - OH, FINE. 24 00:01:44,405 --> 00:01:46,206 - HEY, SPORT, WHERE AM I GOING? 25 00:01:46,240 --> 00:01:48,609 - WELL, IT'S A REFRIGERATOR. LET'S TRY THE KITCHEN. 26 00:01:48,641 --> 00:01:50,411 - YEAH, ALL RIGHT. I WAS JUST ASKING. 27 00:01:52,712 --> 00:01:53,813 THAT'S ANOTHER STEP. 28 00:01:53,847 --> 00:01:56,650 - WHERE? - RIGHT THERE. 29 00:01:56,683 --> 00:01:59,520 - WHAT--WHAT--THAT? WHAT ARE YOU TALKING ABOUT? 30 00:01:59,552 --> 00:02:00,853 - YEAH, IT'S GONNA COST YOU. 31 00:02:00,888 --> 00:02:02,290 - COST ME WHAT? 32 00:02:02,322 --> 00:02:04,625 - MONEY, 40 BUCKS. IT'S IN THE CONTRACT. 33 00:02:04,658 --> 00:02:06,694 - WHAT? - PAGE FOUR. 34 00:02:06,727 --> 00:02:08,929 "ANY CHANGE IN ELEVATION IN SAID RESIDENCE 35 00:02:08,961 --> 00:02:11,664 "OR PLACE OF BUSINESS SHALL CONSTITUTE A STAIRWAY. 36 00:02:11,699 --> 00:02:13,634 ADDITIONAL DELIVERY FEES MAY APPLY." 37 00:02:13,667 --> 00:02:15,402 - THAT'S RIDICULOUS. IT'S NOT A STEP. 38 00:02:15,436 --> 00:02:17,405 IT'S A LIP. IT'S NOT EVEN A LIP. 39 00:02:17,437 --> 00:02:18,705 IT'S A DEMI-LIP. 40 00:02:18,739 --> 00:02:20,207 - IT'S A STEP. 41 00:02:20,240 --> 00:02:21,675 YOU WANT THIS REFRIGERATOR OR NOT? 42 00:02:21,709 --> 00:02:25,646 - YEAH. 43 00:02:25,679 --> 00:02:28,181 - 40 BUCKS. 44 00:02:28,216 --> 00:02:30,783 FOR THE STEP. 45 00:02:36,324 --> 00:02:37,490 - EXCUSE ME. 46 00:02:40,661 --> 00:02:44,198 NATALIE, HE WANTS 40 MORE DOLLARS. 47 00:02:44,231 --> 00:02:45,932 - WHAT FOR? 48 00:02:45,966 --> 00:02:47,668 - THE FLOOR IS UNEVEN. 49 00:02:47,700 --> 00:02:49,437 - WELL, THAT'S RIDICULOUS. IT'S JUST A LIP. 50 00:02:49,469 --> 00:02:51,538 - THAT'S WHAT I SAID, EXACTLY, VERBATIM. 51 00:02:51,572 --> 00:02:53,807 - TELL HIM NO. 52 00:02:53,841 --> 00:02:55,742 - HE'S DOING THE STARE-DOWN. 53 00:02:55,776 --> 00:02:58,679 - THEN STARE BACK. MR. MONK, HE'S TESTING YOU. 54 00:02:58,711 --> 00:03:00,713 JUST LOOK HIM IN THE EYE AND SAY NO. 55 00:03:00,747 --> 00:03:01,581 - I DON'T THINK I CAN. 56 00:03:01,615 --> 00:03:03,817 I'VE NEVER WON A STARE-DOWN IN MY LIFE. 57 00:03:03,850 --> 00:03:05,586 I'M "O" FOR FIVE. 58 00:03:05,618 --> 00:03:07,788 - MR. MONK, THIS IS YOUR HOUSE, ISN'T IT? 59 00:03:07,820 --> 00:03:10,490 YOU CAN'T LET SOMEONE STARE YOU DOWN IN YOUR OWN HOUSE. 60 00:03:10,524 --> 00:03:12,225 - IT'S MY HOUSE. 61 00:03:12,259 --> 00:03:15,429 YOU'RE ABSOLUTELY RIGHT. 62 00:03:19,766 --> 00:03:20,901 - WHAT'S IT GONNA BE? 63 00:03:20,933 --> 00:03:22,936 - OKAY, $40. 64 00:03:25,004 --> 00:03:27,441 - PLUS 120 FOR THE DELIVERY. 65 00:03:27,474 --> 00:03:29,310 - [sighs] 66 00:03:29,342 --> 00:03:31,844 JUST A SECOND. 67 00:03:31,878 --> 00:03:34,448 - PLUS GRATUITY. - OKAY. 68 00:03:38,852 --> 00:03:42,289 OKAY, THERE YOU GO. THANK YOU VERY MUCH. 69 00:03:42,323 --> 00:03:43,790 [phone rings] 70 00:03:43,824 --> 00:03:45,325 - HELLO. 71 00:03:45,359 --> 00:03:46,793 [sniffles] 72 00:03:46,826 --> 00:03:48,795 YES. 73 00:03:48,829 --> 00:03:50,798 OKAY, I UNDERSTAND. 74 00:03:50,831 --> 00:03:51,965 WE'LL BE RIGHT DOWN. 75 00:03:54,801 --> 00:03:56,336 - YOU OKAY? WHO WAS THAT? 76 00:03:56,370 --> 00:03:57,771 - IT'S THE FBI. 77 00:03:57,805 --> 00:03:59,706 THEY WANT TO ASK YOU SOME QUESTIONS. 78 00:04:01,908 --> 00:04:03,743 - FIRST OFF, I'D LIKE TO THANK CAPTAIN STOTTLEMEYER 79 00:04:03,776 --> 00:04:05,044 FOR LETTING US MEET HERE THIS MORNING. 80 00:04:05,078 --> 00:04:06,479 WHEN WE'RE IN L.A. OF COURSE 81 00:04:06,514 --> 00:04:07,948 WE'LL BE WORKING OUT OF MY FIELD OFFICE. 82 00:04:07,980 --> 00:04:09,417 - WHO'S GOING TO L.A.? 83 00:04:09,449 --> 00:04:11,519 - MR. MONK IS, I HOPE. 84 00:04:11,551 --> 00:04:13,420 I WORK FOR A DIVISION OF THE BUREAU CALLED TEAM ALPHA. 85 00:04:13,454 --> 00:04:15,756 IT'S OUR JOB TO IDENTIFY AND TRACK 86 00:04:15,788 --> 00:04:17,891 HIGH-PROFILE TARGETS, DANGEROUS INDIVIDUALS. 87 00:04:17,925 --> 00:04:18,925 FOR THE LAST FOUR MONTHS, 88 00:04:18,959 --> 00:04:20,894 WE'VE BEEN FOLLOWING A MAN NAMED FRANK DEPALMA. 89 00:04:20,927 --> 00:04:22,596 HE'S A CONTRACT KILLER, AN ASSASSIN. 90 00:04:22,629 --> 00:04:23,831 HE'S PROBABLY THE BEST IN THE WORLD. 91 00:04:23,863 --> 00:04:24,997 - I'VE NEVER HEARD OF HIM. 92 00:04:25,031 --> 00:04:26,367 - WELL, HE'S WORKED VERY HARD 93 00:04:26,399 --> 00:04:27,367 TO MAKE SURE YOU HAVEN'T HEARD OF HIM. 94 00:04:27,401 --> 00:04:28,636 HE'S LINKED TO 17 MURDERS-- 95 00:04:28,668 --> 00:04:29,937 10 OF THEM HERE, 5 IN EUROPE, 2 IN ASIA, 96 00:04:29,970 --> 00:04:31,805 AND WE'VE NEVER BEEN ABLE TO PROVE A THING. 97 00:04:31,838 --> 00:04:34,341 THERE'S JUST NO EVIDENCE AT ALL. 98 00:04:34,375 --> 00:04:37,076 - I'M SORRY. WHAT DOES THIS HAVE TO DO WITH ME? 99 00:04:37,110 --> 00:04:39,947 - MR. DEPALMA ARRIVED IN LOS ANGELES YESTERDAY MORNING, 100 00:04:39,980 --> 00:04:41,882 AND AT 4:35 P.M. HE STEPPED OFF A CURB 101 00:04:41,915 --> 00:04:43,951 ON WILSHIRE BOULEVARD AND WAS HIT BY A BUS. 102 00:04:43,983 --> 00:04:45,718 HE WAS KILLED INSTANTLY. 103 00:04:45,752 --> 00:04:47,754 - I'M SORRY. WHAT DOES THIS HAVE TO DO WITH ME? 104 00:04:47,788 --> 00:04:50,757 - HERE'S A PICTURE OF FRANK DEPALMA. 105 00:04:50,790 --> 00:04:52,526 - OH, MY GOD! 106 00:04:52,560 --> 00:04:54,327 - JEEZ LOUISE, LOOK AT THAT. 107 00:04:54,362 --> 00:04:55,963 - SWEET. 108 00:04:55,995 --> 00:04:57,831 - I'M SORRY. WHAT DOES THIS HAVE TO DO WITH ME? 109 00:04:57,865 --> 00:04:58,798 - MR. MONK, LOOK AT HIM. 110 00:04:58,831 --> 00:05:00,468 - HE'S YOUR TWIN. 111 00:05:00,500 --> 00:05:01,769 - REALLY? - YEAH. 112 00:05:01,802 --> 00:05:02,970 - I DON'T SEE IT. 113 00:05:03,002 --> 00:05:06,540 - WELL... 114 00:05:06,574 --> 00:05:08,908 - OH, MY GOD. IT'S ME. 115 00:05:08,942 --> 00:05:10,444 - THAT'S YOUR DOPPELGANGER. 116 00:05:10,478 --> 00:05:11,879 THEY SAY EVERYBODY'S GOT ONE. 117 00:05:11,911 --> 00:05:13,346 - WHO SAYS THAT? 118 00:05:13,380 --> 00:05:14,447 - PEOPLE. 119 00:05:14,481 --> 00:05:15,649 AND THEIR DOPPELGANGERS. 120 00:05:15,682 --> 00:05:17,617 - FORTUNATELY, WE WERE THERE WHEN THE ACCIDENT OCCURRED. 121 00:05:17,651 --> 00:05:19,887 SO WE KEPT A LID ON IT. WE KEPT THE PRESS OUT. 122 00:05:19,920 --> 00:05:21,922 THE DEATH CERTIFICATE SAYS "JOHN DOE," 123 00:05:21,954 --> 00:05:23,423 SO OFFICIALLY, IT NEVER HAPPENED. 124 00:05:23,456 --> 00:05:25,358 - I THINK I SEE WHERE THIS IS GOING. 125 00:05:25,393 --> 00:05:26,726 - YEAH, ME TOO. - NO, YOU DON'T. 126 00:05:26,759 --> 00:05:28,596 - WE'D LIKE TO FIND OUT WHO HIRED THIS MAN 127 00:05:28,629 --> 00:05:29,896 AND WHO HIS TARGET IS. 128 00:05:29,930 --> 00:05:31,731 MR. MONK, ADRIAN, 129 00:05:31,764 --> 00:05:33,800 THE FBI WOULD LIKE YOU TO GO TO LOS ANGELES 130 00:05:33,834 --> 00:05:35,968 AND TAKE FRANK DEPALMA'S PLACE, 131 00:05:36,002 --> 00:05:37,637 JUST FOR A DAY, TWO AT THE MOST. 132 00:05:37,670 --> 00:05:39,139 - YOU WANT MR. MONK TO GO UNDERCOVER 133 00:05:39,172 --> 00:05:40,574 AS A HIT MAN? 134 00:05:40,608 --> 00:05:41,875 - WE'LL HAVE A WIRE ON YOU. 135 00:05:41,908 --> 00:05:43,911 WE'LL NEVER BE MORE THAN 20 YARDS AWAY. 136 00:05:43,944 --> 00:05:45,745 - OKAY, THANK YOU VERY MUCH. 137 00:05:45,778 --> 00:05:46,779 WE'RE GONNA PASS. 138 00:05:46,814 --> 00:05:48,882 - WHY DON'T WE LET ADRIAN DECIDE FOR HIMSELF? 139 00:05:48,915 --> 00:05:50,850 - THAT'S NOT HOW IT WORKS AROUND HERE. MEETING'S OVER. 140 00:05:50,884 --> 00:05:52,485 COME ON, MONK, I'LL WALK YOU OUT. 141 00:05:52,519 --> 00:05:53,954 - ACTUALLY, THERE'S ANOTHER REASON 142 00:05:53,987 --> 00:05:55,822 YOU MIGHT WANT TO RECONSIDER. 143 00:05:55,855 --> 00:05:58,024 FRANK DEPALMA CAME TO LOS ANGELES TO KILL SOMEBODY. 144 00:05:58,057 --> 00:06:00,494 WE DON'T KNOW WHO HIRED HIM. WE DON'T KNOW WHO THE TARGET IS. 145 00:06:00,528 --> 00:06:04,665 IF YOU DON'T HELP US, THEY'RE GONNA FIND SOMEBODY ELSE. 146 00:06:04,697 --> 00:06:06,666 THERE'S A LIFE AT STAKE HERE, MR. MONK. 147 00:06:21,048 --> 00:06:22,014 YOU WERE BORN AND RAISED... 148 00:06:22,048 --> 00:06:23,884 - 829 CHAMBERS STREET. ALLSTON, MASSACHUSETTS. 149 00:06:23,917 --> 00:06:25,853 PARENTS: JOSEPH AND HELEN. 150 00:06:25,886 --> 00:06:28,187 HE WAS A PROFESSIONAL GAMBLER. DIED WHEN I WAS 14. 151 00:06:28,221 --> 00:06:29,589 - YOUR FIRST ARREST? 152 00:06:29,622 --> 00:06:31,692 - OCTOBER 22ND, 1997. 153 00:06:31,725 --> 00:06:32,860 ASSAULT AND BATTERY. 154 00:06:32,893 --> 00:06:36,497 I DID 2 1/2 YEARS AT JOLIET, AND MY CELLMATE'S NAME WAS 155 00:06:36,529 --> 00:06:38,432 BARRY "THE MAGGOT" FRANKLIN. - FIRST CONTRACT KILL? 156 00:06:38,466 --> 00:06:40,533 - NOVEMBER 13TH, 1999, 157 00:06:40,567 --> 00:06:41,701 KEY WEST. 158 00:06:41,735 --> 00:06:44,071 REAL ESTATE BILLIONAIRE DONNIE HERNANDEZ. 159 00:06:44,103 --> 00:06:47,441 I BLEW UP HIS YACHT. MADE IT LOOK LIKE A FUEL LEAK. 160 00:06:47,475 --> 00:06:50,009 - WELL, THAT WAS VERY IMPRESSIVE, MR. MONK. 161 00:06:50,043 --> 00:06:51,845 OR SHOULD I SAY "MR. DEPALMA"? 162 00:06:51,879 --> 00:06:54,180 ALL RIGHT, WE BETTER GET YOU DRESSED. 163 00:06:54,213 --> 00:06:56,048 YOUR FRIENDS ARE MEETING US DOWNSTAIRS. 164 00:06:56,082 --> 00:06:57,584 - WHOA, WHOA, WHOA, WHOA. YOU MEAN NOW? 165 00:06:57,617 --> 00:06:59,086 - YEAH, WE'RE ALREADY LATE. 166 00:06:59,119 --> 00:07:00,487 SOMEBODY'S BEEN CALLING YOUR HOTEL ROOM LOOKING FOR YOU. 167 00:07:00,521 --> 00:07:02,723 - WAIT, WAIT, NO, NO, NO. I CAN'T GO NOW. 168 00:07:02,755 --> 00:07:04,223 I'M NOT READY. I JUST STARTED. 169 00:07:04,257 --> 00:07:05,593 - YOU'RE GONNA BE FINE. 170 00:07:05,625 --> 00:07:07,060 YOU'VE GOT THE WHOLE FILE MEMORIZED. 171 00:07:07,093 --> 00:07:08,629 - I JUST FORGOT IT. 172 00:07:08,661 --> 00:07:09,930 - FORGOT WHAT? 173 00:07:09,963 --> 00:07:11,499 - EVERYTHING ABOUT THE GUY. 174 00:07:11,531 --> 00:07:14,834 IT--IT'S A BLANK. 175 00:07:14,867 --> 00:07:16,637 HOLD ON. OKAY, I GOT IT BACK. 176 00:07:16,670 --> 00:07:18,071 WAIT, IT'S GONE AGAIN. 177 00:07:18,105 --> 00:07:21,007 OKAY, IT'S BACK. 178 00:07:21,040 --> 00:07:23,976 - ADRIAN, LOOK, I'VE RUN DOZENS OF AGENTS UNDERCOVER. 179 00:07:24,011 --> 00:07:27,014 AT THE END OF THE DAY, IT'S ALL ABOUT ATTITUDE. 180 00:07:27,047 --> 00:07:29,115 - ATTITUDE. - YOU GOTTA SELL IT. 181 00:07:29,149 --> 00:07:30,817 YOU GOTTA BELIEVE THAT YOU'RE FRANKIE DEPALMA. 182 00:07:30,850 --> 00:07:32,052 RIGHT, YOU WALK THROUGH A DOOR, 183 00:07:32,084 --> 00:07:33,521 YOU DON'T JUST WALK THROUGH IT. 184 00:07:33,553 --> 00:07:35,588 YOU STRIDE. YOU SWAGGER. 185 00:07:35,622 --> 00:07:39,026 YOU'RE AT THE TABLE, YOU OWN THE TABLE. 186 00:07:39,058 --> 00:07:40,961 OKAY, YOU ARE THE TOUGHEST SON OF A BITCH 187 00:07:40,994 --> 00:07:42,795 IN THE ROOM, AND EVERYBODY KNOWS IT. 188 00:07:42,829 --> 00:07:45,766 - LIKE THE REFRIGERATOR DELIVERY MAN. 189 00:07:45,798 --> 00:07:47,134 - RIGHT. 190 00:07:47,167 --> 00:07:49,101 OKAY, FROM THIS MOMENT ON, 191 00:07:49,136 --> 00:07:51,738 ADRIAN MONK, HE DOESN'T EXIST. 192 00:07:51,771 --> 00:07:53,574 - WHEW. - RIGHT. 193 00:07:53,606 --> 00:07:55,942 YOU'RE FRANKIE DEPALMA. 194 00:07:55,975 --> 00:07:57,677 YOU'RE A KILLING MACHINE. 195 00:07:57,711 --> 00:07:59,713 YEAH, THAT'S IT. 196 00:08:02,048 --> 00:08:05,653 [slow jazzy music] 197 00:08:05,685 --> 00:08:13,694 * 198 00:09:09,649 --> 00:09:12,653 - WELCOME BACK, MR. DEPALMA. 199 00:09:35,241 --> 00:09:36,342 - I'D LIKE TO MEET HIM. 200 00:09:36,375 --> 00:09:37,711 - WHO'S THAT? 201 00:09:37,745 --> 00:09:39,613 - MY TWIN, MY DOPPELGANGER. 202 00:09:39,647 --> 00:09:41,682 I WONDER IF I COULD TAKE HIM. 203 00:09:41,715 --> 00:09:43,082 - YOU MEAN LIKE IN A FIGHT? 204 00:09:43,115 --> 00:09:45,384 - YEAH, I BET I COULD TAKE HIM. 205 00:09:45,418 --> 00:09:48,855 MAN VERSUS DOPPELGANGER. 206 00:09:48,889 --> 00:09:50,090 - TEAM ALPHA TO BASE. 207 00:09:50,123 --> 00:09:51,859 I'M APPROACHING THE ROOM. 208 00:09:56,697 --> 00:10:00,167 OKAY, I'M IN THE ROOM. 209 00:10:00,200 --> 00:10:04,336 I'M LOOKING AROUND THE ROOM. 210 00:10:04,370 --> 00:10:06,907 ON MY RIGHT IS A WET BAR 211 00:10:06,940 --> 00:10:08,341 WITH TWO BOTTLES OF VODKA, 212 00:10:08,375 --> 00:10:10,009 TWO BOTTLES OF SCOTCH, 213 00:10:10,043 --> 00:10:11,043 AND ASSORTED OTHER LIQUORS. 214 00:10:11,077 --> 00:10:14,782 ABOVE THE WET BAR IS SOME TYPE OF BLACKBOARD. 215 00:10:14,815 --> 00:10:17,116 NO CHALK. 216 00:10:17,149 --> 00:10:19,152 THERE ARE TWO BOWLS OF FRUIT-- 217 00:10:19,186 --> 00:10:21,754 ONE REAL, ONE PLASTIC. 218 00:10:21,788 --> 00:10:23,289 BOTH CONTAIN GRAPES. 219 00:10:23,322 --> 00:10:24,892 - IS HE GONNA TELL US EVERYTHING HE'S DOING? 220 00:10:24,924 --> 00:10:25,926 - APPARENTLY. 221 00:10:25,958 --> 00:10:28,195 - I'M ASCENDING THREE STEPS. 222 00:10:28,227 --> 00:10:33,232 THE UPPER PLATFORM HAS AN 8x3-FOOT HOT TUB. 223 00:10:33,265 --> 00:10:36,168 IT'S STEAMING. 224 00:10:36,202 --> 00:10:40,106 SMELLS HEAVILY CHLORINATED. 225 00:10:40,139 --> 00:10:43,677 ON THE HOT TUB ARE SIX, REPEAT SIX, 226 00:10:43,711 --> 00:10:47,047 WHITE ROLLED-UP TERRYCLOTH TOWELS. 227 00:10:47,080 --> 00:10:49,115 POSSIBLY EGYPTIAN COTTON. 228 00:10:49,149 --> 00:10:51,183 ON THE SOUTH WALL IS A THERMOSTAT 229 00:10:51,217 --> 00:10:53,220 SET TO 75 DEGREES. 230 00:10:53,253 --> 00:10:56,255 I'M DESCENDING THE STAIRS. 231 00:10:59,726 --> 00:11:01,861 THERE'S A STANDING LAMP ON MY RIGHT 232 00:11:01,894 --> 00:11:03,897 IN FRONT OF A GRAY COUCH WITH FOUR CUSHIONS-- 233 00:11:03,931 --> 00:11:05,264 TWO GRAY, TWO ORANGE. 234 00:11:05,298 --> 00:11:09,970 I'M TOUCHING THE STANDING LAMP. 235 00:11:10,003 --> 00:11:12,371 STILL TOUCHING THE LAMP. 236 00:11:12,404 --> 00:11:14,908 STILL TOUCHING. 237 00:11:14,942 --> 00:11:17,009 CAN'T STOP TOUCHING THE LAMP. 238 00:11:17,043 --> 00:11:19,746 WHAT'S WRONG WITH ME? 239 00:11:19,779 --> 00:11:23,350 THERE'S A SUITCASE ON THE OTTOMAN. 240 00:11:23,383 --> 00:11:27,287 I AM OPENING THE SUITCASE. 241 00:11:27,320 --> 00:11:30,222 THE SUITCASE IS OPEN. 242 00:11:30,256 --> 00:11:32,192 WAIT A MINUTE. 243 00:11:32,225 --> 00:11:34,894 IT'S WIDER ON THE OUTSIDE THAN IT IS ON THE INSIDE. 244 00:11:34,927 --> 00:11:36,296 THERE MUST BE A HIDDEN-- 245 00:11:36,328 --> 00:11:40,834 HIDDEN COMPARTMENT. 246 00:11:40,868 --> 00:11:42,402 [knocking at door] 247 00:11:42,434 --> 00:11:44,937 THERE'S SOMEONE AT THE DOOR. 248 00:11:48,140 --> 00:11:51,144 I AM WALKING TOWARD THE DOOR. 249 00:11:52,779 --> 00:11:54,246 HELLO? 250 00:11:54,280 --> 00:11:55,215 - IT'S LOLA. 251 00:11:55,248 --> 00:11:57,384 - LOLA WHO? 252 00:11:57,417 --> 00:12:00,120 - THAT'S NOT FUNNY, FRANKIE. OPEN THE DOOR. 253 00:12:00,153 --> 00:12:03,155 - OKAY. 254 00:12:04,892 --> 00:12:06,793 - HOW MANY LOLAS DO YOU KNOW? 255 00:12:06,826 --> 00:12:11,130 HOW MANY OTHER LOLAS DO YOU NEED TO KNOW? 256 00:12:11,163 --> 00:12:13,966 WOW, YOU LOOK REALLY NICE. 257 00:12:14,000 --> 00:12:16,870 - THANK YOU. 258 00:12:16,903 --> 00:12:18,504 - AT THIS POINT, MOST MEN WOULD BE COMMENTING 259 00:12:18,538 --> 00:12:21,041 ON HOW I LOOK, BUT THAT'S COOL. 260 00:12:21,073 --> 00:12:22,375 YOU'RE NOT MOST MEN. 261 00:12:22,408 --> 00:12:24,043 YOU'RE DEFINITELY ONE OF A KIND. 262 00:12:24,076 --> 00:12:25,812 - NOT QUITE. 263 00:12:25,846 --> 00:12:28,048 - ARE YOU FEELING OKAY? YOU SOUND FUNNY. 264 00:12:28,081 --> 00:12:31,183 - I'M OKAY. 265 00:12:31,217 --> 00:12:32,786 - OH, MY GOD, LOOK AT YOUR VIEW. 266 00:12:32,820 --> 00:12:35,322 THIS IS INCREDIBLE. 267 00:12:35,355 --> 00:12:38,290 WOW, THIS IS WAY NICER THAN MINE. 268 00:12:38,325 --> 00:12:40,393 I'M IN 1801, 269 00:12:40,427 --> 00:12:43,462 IN CASE YOU WERE WONDERING. 270 00:12:47,567 --> 00:12:50,403 ALL RIGHT, YOU'RE STILL MAD ABOUT BARCELONA, 271 00:12:50,437 --> 00:12:52,172 AND I DON'T BLAME YOU. 272 00:12:52,205 --> 00:12:55,375 BUT FRANKIE, I'M TRYING TO MAKE IT UP TO YOU. 273 00:12:55,408 --> 00:12:57,277 I MEAN, I GOT YOU THIS JOB, DIDN'T I? 274 00:12:57,309 --> 00:13:00,513 I MEAN, YOU'RE MAKING, LIKE, 80 GRAND IN TWO DAYS. 275 00:13:02,014 --> 00:13:06,485 I MEAN, I FIGURE YOU AND I ARE EVEN. 276 00:13:12,225 --> 00:13:13,326 MAYBE NOT. 277 00:13:13,360 --> 00:13:14,494 [knocking at door] 278 00:13:14,527 --> 00:13:16,395 - ROOM SERVICE. 279 00:13:16,428 --> 00:13:19,298 - I DIDN'T ORDER ROOM SERVICE. 280 00:13:19,331 --> 00:13:23,135 - ACTUALLY... 281 00:13:23,169 --> 00:13:25,337 I TOOK THE LIBERTY. 282 00:13:28,875 --> 00:13:30,309 HELLO. 283 00:13:30,342 --> 00:13:32,980 COME ON IN. 284 00:13:33,013 --> 00:13:36,850 - CHAMPAGNE. 285 00:13:36,884 --> 00:13:38,085 - IT'S ON THE HOUSE, 286 00:13:38,118 --> 00:13:41,087 COMPLEMENTS OF JIMMY BARLOWE. 287 00:13:41,120 --> 00:13:45,392 - OH, WELL, BE SURE TO THANK JIMMY BARLOWE FOR ME. 288 00:13:47,460 --> 00:13:49,828 - THANK YOU. 289 00:13:57,971 --> 00:13:59,471 - IS THERE A PROBLEM, MR. DEPALMA? 290 00:13:59,505 --> 00:14:01,408 - NO. 291 00:14:01,441 --> 00:14:04,010 - IT'S JUST YESTERDAY YOU SEEMED MORE APPRECIATIVE. 292 00:14:04,043 --> 00:14:05,477 - HOW APPRECIATIVE WAS I? 293 00:14:05,511 --> 00:14:06,913 - $20. 294 00:14:06,947 --> 00:14:09,615 - FOR WHAT? 295 00:14:09,649 --> 00:14:11,451 FINE. 296 00:14:11,484 --> 00:14:15,554 FINE. OKAY, HERE IS 20. 297 00:14:18,258 --> 00:14:20,460 UH, YOU GONNA GIVE ME THAT 50 CENTS BACK? 298 00:14:20,493 --> 00:14:22,195 - [clears throat] 299 00:14:27,299 --> 00:14:29,036 - ARE YOU FEELING OKAY? 300 00:14:29,068 --> 00:14:30,503 - NOT AS GOOD AS THAT WAITER. 301 00:14:30,537 --> 00:14:33,405 $20, WHAT A RACKET. 302 00:14:36,243 --> 00:14:38,345 LISTEN, THIS IS A LITTLE EMBARRASSING, 303 00:14:38,378 --> 00:14:40,179 BUT MAYBE I'M GETTING OLD. 304 00:14:40,212 --> 00:14:43,082 I FORGOT THE NAME OF THE TARGET. 305 00:14:43,115 --> 00:14:45,118 - IT'S OKAY BECAUSE I DIDN'T TELL YOU HIS NAME. 306 00:14:45,152 --> 00:14:49,121 CAN YOU PUT THAT GUN DOWN AND COME SIT WITH ME? 307 00:14:49,155 --> 00:14:50,623 [gun clatters] 308 00:14:58,197 --> 00:15:00,432 GOOD BOY. 309 00:15:00,466 --> 00:15:02,434 ACTUALLY, I DON'T KNOW THIS GUY'S NAME EITHER, 310 00:15:02,469 --> 00:15:04,071 BUT WE'RE GONNA FIND IT OUT TONIGHT. 311 00:15:04,104 --> 00:15:06,706 - I HOPE IT'S THAT WAITER. 312 00:15:06,739 --> 00:15:09,942 - HERE. 313 00:15:09,976 --> 00:15:11,378 CHEERS. 314 00:15:11,410 --> 00:15:13,113 - [sniffs, coughs] 315 00:15:16,149 --> 00:15:17,484 [makes slurping sounds] 316 00:15:17,517 --> 00:15:19,086 - YOU'RE NOT EVEN DRINKING IT. 317 00:15:19,119 --> 00:15:23,523 - YEAH, I'M TRYING TO CUT DOWN. 318 00:15:23,556 --> 00:15:26,426 - WELL, I HOPE YOU'RE NOT GIVING UP ALL YOUR VICES. 319 00:15:33,000 --> 00:15:34,067 IS THERE A PROBLEM? 320 00:15:34,100 --> 00:15:35,735 - I HAVE A GIRLFRIEND. 321 00:15:35,768 --> 00:15:37,403 - YOU HAVE A GIRLFRIEND? 322 00:15:37,437 --> 00:15:39,639 WELL, AS I RECALL, THAT'S NEVER BEEN A PROBLEM 323 00:15:39,672 --> 00:15:41,274 FOR YOU IN THE PAST. 324 00:15:41,307 --> 00:15:44,376 - HERE'S THE THING. 325 00:15:44,411 --> 00:15:47,114 WE'RE SORT OF GOING STEADY. 326 00:15:47,147 --> 00:15:48,748 - STEADY? 327 00:15:48,780 --> 00:15:52,052 WELL, I THINK THAT'S SWEET. 328 00:15:52,085 --> 00:15:53,186 - SHE'S HERE. 329 00:15:53,220 --> 00:15:55,154 - HERE IN THE ROOM? - YEAH, NO. 330 00:15:55,187 --> 00:15:56,523 SHE'S HERE IN LOS ANGELES. 331 00:15:56,556 --> 00:15:58,758 I MEAN, SHE COULD COME IN ANY MINUTE. 332 00:15:58,790 --> 00:16:00,994 SHE MIGHT WANT TO KISS ME TOO. 333 00:16:01,028 --> 00:16:04,364 SHE'S PRETTY. WE KISS ALL THE TIME. 334 00:16:04,397 --> 00:16:05,697 - WHAT WAS HER NAME? 335 00:16:05,731 --> 00:16:07,333 - NATALIE. 336 00:16:07,366 --> 00:16:11,038 NATALIE TEEGERB. 337 00:16:11,071 --> 00:16:12,239 - TEEGERB? 338 00:16:12,272 --> 00:16:13,706 - WITH A "B" ON THE END. 339 00:16:13,740 --> 00:16:16,775 IT'S CANADIAN. IT'S FRENCH CANADIAN. 340 00:16:16,808 --> 00:16:19,412 - WELL, I'D LIKE TO MEET HER. 341 00:16:19,446 --> 00:16:21,148 BRING HER TONIGHT. 342 00:16:21,181 --> 00:16:23,383 - OH, NO, I DON'T-- - OH, NO, I INSIST. 343 00:16:23,416 --> 00:16:25,217 GIRL'S GOTTA KNOW WHAT SHE'S UP AGAINST. 344 00:16:25,251 --> 00:16:27,153 YOU KNOW WHAT I MEAN? 345 00:16:27,187 --> 00:16:31,124 WE'LL BE AT THE VICTORY CLUB UP LAUREL CANYON. 346 00:16:31,158 --> 00:16:33,393 - WILL JIMMY BE THERE? 347 00:16:33,426 --> 00:16:34,726 - WELL, THAT'S PRETTY MUCH A SAFE BET. 348 00:16:34,760 --> 00:16:35,595 HE OWNS THE JOINT. 349 00:16:35,628 --> 00:16:37,230 JUST MEET US AT THE BAR AT AROUND 8:00. 350 00:16:42,068 --> 00:16:43,336 [door closes] 351 00:16:43,370 --> 00:16:47,106 - WELL, I GUESS YOU HAVE A DATE, MISS TEEGERB. 352 00:16:52,812 --> 00:16:55,782 [driving rock music] 353 00:16:55,815 --> 00:17:02,788 * 354 00:17:02,822 --> 00:17:04,624 - IT'S SO LOUD. 355 00:17:04,656 --> 00:17:07,527 - I LIKE IT. YOU WANT TO DANCE, FRANKIE? 356 00:17:07,559 --> 00:17:09,796 - FRANKIE DON'T DANCE. 357 00:17:09,828 --> 00:17:11,298 NEITHER DO I. 358 00:17:11,330 --> 00:17:13,333 NATALIE, I CAN'T DO THIS. 359 00:17:13,365 --> 00:17:15,167 I'M NOT A TOUGH GUY. WHO AM I FOOLING? 360 00:17:15,201 --> 00:17:16,836 - YOU'RE FOOLING EVERYBODY. YOU'RE DOING GREAT. 361 00:17:16,868 --> 00:17:18,371 I'VE BEEN LISTENING TO YOU ALL DAY. 362 00:17:18,404 --> 00:17:20,839 IF I DIDN'T KNOW YOU, I WOULDN'T EVEN KNOW YOU. 363 00:17:20,873 --> 00:17:22,741 - HELP YOU? 364 00:17:22,775 --> 00:17:24,277 - I HOPE SO. 365 00:17:24,310 --> 00:17:26,679 CAN YOU TURN THE MUSIC DOWN JUST A LITTLE? 366 00:17:26,712 --> 00:17:28,315 - YOU GOTTA BE KIDDING ME, BUDDY. 367 00:17:28,347 --> 00:17:29,516 THIS IS A DANCE CLUB. 368 00:17:29,548 --> 00:17:31,784 YOU DON'T LIKE THE MUSIC, TAKE A HIKE. 369 00:17:31,817 --> 00:17:33,685 - OKAY, SORRY. 370 00:17:33,720 --> 00:17:35,555 - WE'RE LOOKING FOR JIMMY BARLOWE. 371 00:17:35,587 --> 00:17:36,855 - NEVER HEARD OF HIM. 372 00:17:36,888 --> 00:17:38,625 - WHAT ABOUT HIS FRIEND LOLA? 373 00:17:38,657 --> 00:17:40,093 ALL RIGHT, IF YOU SEE 'EM, 374 00:17:40,126 --> 00:17:41,661 TELL 'EM FRANKIE DEPALMA'S LOOKING FOR 'EM. 375 00:17:41,693 --> 00:17:44,663 - MR. DEPALMA? 376 00:17:44,697 --> 00:17:47,866 I HAD NO IDEA. I'M NEW HERE. 377 00:17:47,900 --> 00:17:50,202 MY NAME'S CHARLIE. 378 00:17:53,905 --> 00:17:57,710 LET ME TURN THE MUSIC DOWN. 379 00:17:57,743 --> 00:17:59,145 [turns music down] 380 00:17:59,179 --> 00:18:00,646 IS THAT OKAY? 381 00:18:00,680 --> 00:18:02,148 - WHAT DO YOU THINK? 382 00:18:02,182 --> 00:18:03,883 - I COULD TURN IT OFF. 383 00:18:03,915 --> 00:18:05,384 [music stops] 384 00:18:05,417 --> 00:18:07,653 YOU'RE RIGHT. IT'S MUCH BETTER THIS WAY. 385 00:18:07,686 --> 00:18:09,155 GOOD CALL. 386 00:18:09,189 --> 00:18:11,790 - HEY, WHAT HAPPENED? 387 00:18:11,824 --> 00:18:12,825 WHO TURNED IT OFF? 388 00:18:12,858 --> 00:18:14,394 - IT WAS HURTING MY EARS. 389 00:18:14,426 --> 00:18:15,728 - WHO THE HELL ARE YOU? 390 00:18:15,761 --> 00:18:18,230 - WHOA, THAT'S FRANKIE DEPALMA, JAKE. 391 00:18:18,265 --> 00:18:20,567 - OH, HELL, FRANKIE-- MR. DEPALMA, I HAD NO IDEA. 392 00:18:20,599 --> 00:18:22,902 I'M REALLY SORRY. HERE, LET ME BUY YOU A DRINK. 393 00:18:22,934 --> 00:18:25,471 IT WON'T HAPPEN AGAIN. I'M REALLY, REALLY SORRY. 394 00:18:25,505 --> 00:18:27,440 - HEY, RELAX. 395 00:18:27,473 --> 00:18:29,175 WALK IT OFF. 396 00:18:29,209 --> 00:18:30,876 GIVE FRANKIE A CHANCE TO COOL DOWN. 397 00:18:34,780 --> 00:18:37,750 - SAME OLD FRANKIE. I CAN'T TAKE YOU ANYWHERE. 398 00:18:37,784 --> 00:18:39,719 YOU MUST BE NATALIE. 399 00:18:39,751 --> 00:18:40,787 YOU'RE A LUCKY WOMAN. 400 00:18:40,819 --> 00:18:42,255 - I KNOW I AM. 401 00:18:42,288 --> 00:18:44,523 - WELL, ENJOY IT WHILE YOU CAN. 402 00:18:44,557 --> 00:18:47,894 WE SHOULD GET GOING. JIMMY'S IN THE BACK WAITING. 403 00:18:47,926 --> 00:18:49,828 - JIMMY'S IN THE BACK. 404 00:18:49,862 --> 00:18:52,731 - I'LL TAKE GOOD CARE OF HIM. 405 00:18:57,304 --> 00:19:00,272 [mellow rock music] 406 00:19:00,307 --> 00:19:03,942 * 407 00:19:03,976 --> 00:19:07,247 - THAT'S HIM? DOESN'T LOOK LIKE MUCH. 408 00:19:07,279 --> 00:19:08,881 UNCLE JIMMY, I COULD HAVE DONE THIS JOB. 409 00:19:08,914 --> 00:19:10,349 I WOULDA DONE IT FOR FREE. 410 00:19:10,383 --> 00:19:12,318 - I TOLD YOU, LENNY. I NEEDED THE BEST. 411 00:19:12,352 --> 00:19:13,685 SHUT UP AND WATCH. 412 00:19:13,720 --> 00:19:17,190 AND WHO KNOWS, MAYBE YOU MIGHT LEARN SOMETHING. 413 00:19:18,691 --> 00:19:20,826 - FRANKIE DEPALMA, 414 00:19:20,859 --> 00:19:22,828 THIS IS JIMMY BARLOWE. 415 00:19:22,862 --> 00:19:26,499 - FRANKIE DEPALMA, I HEAR GOOD THINGS. 416 00:19:26,532 --> 00:19:27,700 - ABOUT ME? 417 00:19:27,733 --> 00:19:28,934 - YEAH, OF COURSE ABOUT YOU, 418 00:19:28,968 --> 00:19:31,538 OTHERWISE WHY WOULD I SAY IT? 419 00:19:31,570 --> 00:19:32,872 THIS IS MY NEPHEW, LENNY. 420 00:19:32,904 --> 00:19:35,342 AND OF COURSE YOU ALREADY KNOW TONY G. 421 00:19:35,375 --> 00:19:38,211 - WE HAVEN'T SEEN EACH OTHER SINCE MIAMI. 422 00:19:38,244 --> 00:19:39,546 IT MUST HAVE BEEN, WHAT, THREE, FOUR YEARS? 423 00:19:39,578 --> 00:19:42,481 - SOUNDS ABOUT RIGHT. 424 00:19:42,515 --> 00:19:43,849 - SO HOW IS FAT GORDY? 425 00:19:43,883 --> 00:19:44,851 - STILL FAT. 426 00:19:44,884 --> 00:19:46,752 HE GOT FATTER. 427 00:19:46,786 --> 00:19:48,921 ACTUALLY HE'S THINKING ABOUT CHANGING HIS NAME 428 00:19:48,954 --> 00:19:51,523 TO "FATTER GORDY." 429 00:19:51,557 --> 00:19:52,892 - LISTEN, FRANKIE, 430 00:19:52,924 --> 00:19:54,361 BEFORE YOU AND THE BOSS GET STARTED, 431 00:19:54,394 --> 00:19:56,229 LITTLE DAVEY WAS MY SECOND COUSIN. 432 00:19:56,262 --> 00:19:58,330 HIS FAMILY WOULD LIKE TO, YOU KNOW, 433 00:19:58,365 --> 00:19:59,832 BURY THE KID, GET A LITTLE CLOSURE. 434 00:19:59,865 --> 00:20:02,568 BUT WE ONLY GOT A HEAD AND ONE LEG. 435 00:20:02,602 --> 00:20:04,002 WE CAN'T FIND THE REST OF HIM. 436 00:20:04,036 --> 00:20:05,971 MAYBE YOU COULD HELP US OUT, YOU KNOW? 437 00:20:06,005 --> 00:20:08,508 - I'LL THINK ABOUT IT. 438 00:20:08,540 --> 00:20:09,741 - WHOA, WHAT ARE YOU DOING? 439 00:20:09,776 --> 00:20:12,644 - YOUR TIE IS CROOKED. 440 00:20:12,679 --> 00:20:15,248 - OKAY, I GET IT, I GET IT. I'M SORRY. 441 00:20:15,281 --> 00:20:17,250 I SHOULDN'T HAVE ASKED ANYTHING ABOUT LITTLE DAVEY. 442 00:20:17,284 --> 00:20:19,451 OKAY? DO WHATEVER YOU GOTTA DO. 443 00:20:19,486 --> 00:20:21,887 IT'S NONE OF MY BUSINESS. SORRY I EVEN ASKED. 444 00:20:21,921 --> 00:20:24,856 - IS SOMEONE GONNA TELL ME WHY I'M HERE? 445 00:20:24,891 --> 00:20:28,394 - BUSINESS FIRST. OH, I LIKE THAT. 446 00:20:28,428 --> 00:20:32,464 - THERE'S A GUY OVER IN VENTURA. 447 00:20:32,499 --> 00:20:34,000 HIS NAME IS GREENBLATT, 448 00:20:34,032 --> 00:20:36,536 STANLEY GREENBLATT, 449 00:20:36,568 --> 00:20:37,869 AND HE NEEDS TO HAVE AN ACCIDENT. 450 00:20:37,903 --> 00:20:40,440 - WHAT KIND OF ACCIDENT? 451 00:20:40,472 --> 00:20:41,807 - YOUR KIND OF ACCIDENT. 452 00:20:41,840 --> 00:20:43,976 - JOB IS A PIECE OF CAKE. 453 00:20:44,009 --> 00:20:46,445 OKAY, GUY LIVES ALONE. HE'S, LIKE, 100 YEARS OLD. 454 00:20:46,479 --> 00:20:49,548 - UH, UH, UH, HERE THEY ARE. 455 00:20:49,582 --> 00:20:51,851 LOLA SAID THAT YOU'RE A CONNOISSEUR. 456 00:20:51,884 --> 00:20:53,885 YOU'RE GONNA LIKE THESE. THESE ARE COHIBAS. 457 00:20:53,920 --> 00:20:57,656 HAND ROLLED. 458 00:20:57,690 --> 00:20:59,659 - SWEET. 459 00:20:59,692 --> 00:21:00,859 - YOU KNOW, I WAS WONDERING-- 460 00:21:00,893 --> 00:21:03,563 ARE THESE THINGS GONNA TASTE AS GOOD WHEN THEY'RE LEGAL? 461 00:21:03,596 --> 00:21:05,030 KNOW WHAT I MEAN? 462 00:21:05,064 --> 00:21:07,634 - [sucking] 463 00:21:11,604 --> 00:21:14,006 - HEY, YOU, UH-- 464 00:21:14,039 --> 00:21:15,741 YOU DON'T CUT OFF THE TIP? 465 00:21:15,775 --> 00:21:18,877 - NO, NO, THAT'S TOO EASY. 466 00:21:18,911 --> 00:21:21,314 [sucking] 467 00:21:21,347 --> 00:21:23,516 SO... 468 00:21:23,549 --> 00:21:27,554 THIS GREENBLATT GUY, WHAT'D HE DO? 469 00:21:27,586 --> 00:21:30,589 - LOLA SAID YOU DIDN'T ASK ANY QUESTIONS. 470 00:21:30,623 --> 00:21:33,726 - WHY WOULD SHE SAY THAT? 471 00:21:33,759 --> 00:21:35,761 - THAT'S ANOTHER QUESTION. WHAT-- 472 00:21:35,795 --> 00:21:38,096 LOOK, MY UNCLE SAYS DO IT, YOU PUT THIS OLD GUY DOWN. 473 00:21:38,130 --> 00:21:40,767 OKAY, THAT'S THE JOB. THAT'S ALL YOU NEED TO KNOW. 474 00:21:40,799 --> 00:21:42,034 WHAT-- 475 00:21:42,067 --> 00:21:45,672 - SHH. 476 00:21:45,704 --> 00:21:47,105 - IT DOESN'T MAKE SENSE. 477 00:21:47,138 --> 00:21:48,641 THIS GUY'S A NOBODY. 478 00:21:48,674 --> 00:21:51,377 STANLEY GREENBLATT, 75 YEARS OLD. 479 00:21:51,411 --> 00:21:53,579 IT'S HIS BIRTHDAY TODAY, ACTUALLY. 480 00:21:53,613 --> 00:21:56,615 HE'S A RETIRED UPS DRIVER. 481 00:21:56,648 --> 00:21:57,916 HE LIVES ALONE. HE'S A WIDOWER. 482 00:21:57,950 --> 00:21:59,852 HE'S GOT ONE SON, ONE DAUGHTER. 483 00:21:59,885 --> 00:22:02,689 SON DIED LAST YEAR. 484 00:22:02,721 --> 00:22:04,990 - AND? - AND NOTHING. 485 00:22:05,023 --> 00:22:06,925 GUY'S NEVER BEEN ARRESTED. 486 00:22:06,959 --> 00:22:08,627 THERE'S NO MOB CONNECTION WHATSOEVER. 487 00:22:08,661 --> 00:22:09,961 I MEAN, AS FAR AS WE KNOW, 488 00:22:09,996 --> 00:22:11,364 HE'S NEVER EVEN MET JIMMY BARLOWE. 489 00:22:11,397 --> 00:22:13,065 - SO THEN WHY DOES BARLOWE WANT HIM DEAD? 490 00:22:13,098 --> 00:22:16,067 - AND WHY WOULD HE PAY SOMEBODY 80 GRAND TO DO IT? 491 00:22:16,102 --> 00:22:17,804 - MAYBE IT'S AN INSURANCE SCAM. 492 00:22:17,836 --> 00:22:19,105 - DOESN'T TRACK. 493 00:22:19,137 --> 00:22:20,606 THE GUY'S NOT INSURED BY ANYONE FOR ANYTHING. 494 00:22:20,640 --> 00:22:22,541 HE'S BROKE, LIVING ON A FIXED INCOME. 495 00:22:22,575 --> 00:22:25,478 JIMMY B NEVER SAID ANYTHING ABOUT WHY HE WANTED HIM KILLED? 496 00:22:25,511 --> 00:22:27,680 - NO. 497 00:22:27,713 --> 00:22:29,382 - AGENT STONE, CAN WE GO HOME NOW? 498 00:22:29,415 --> 00:22:31,150 MR. MONK DID EVERYTHING YOU SAID. 499 00:22:31,182 --> 00:22:33,051 IT'S BEEN REALLY HARD ON HIM. 500 00:22:33,085 --> 00:22:35,121 HE HAS TROUBLE ENOUGH BEING HIMSELF. 501 00:22:35,153 --> 00:22:36,756 - AND I APPRECIATE THAT, MISS TEEGER. 502 00:22:36,788 --> 00:22:40,058 I REALLY DO, BUT WE DON'T HAVE THE WHOLE PICTURE YET. 503 00:22:40,092 --> 00:22:41,461 RIGHT? WHO'S STANLEY GREENBLATT? 504 00:22:41,493 --> 00:22:42,461 WHY IS THERE A CONTRACT ON HIM? 505 00:22:42,494 --> 00:22:43,796 I MEAN, UNTIL WE KNOW THAT, 506 00:22:43,829 --> 00:22:45,531 OUR JOB'S NOT DONE HERE. 507 00:22:45,565 --> 00:22:48,800 IT WON'T TAKE MUCH LONGER. JUST A DAY OR TWO. 508 00:22:48,835 --> 00:22:52,137 - WHAT DO YOU THINK? CAN YOU KEEP GOING? 509 00:22:52,171 --> 00:22:55,106 - [sighing] YEAH. 510 00:22:55,141 --> 00:22:58,411 - RANDY AND I CAN CHECK OUT THE OLD MAN FOR YOU. 511 00:22:58,444 --> 00:23:01,480 - SURE, I APPRECIATE THAT. THANK YOU. 512 00:23:01,513 --> 00:23:02,815 - GET OUTTA HERE, BOTH OF YOU! 513 00:23:02,848 --> 00:23:03,915 I'M GONNA CALL THE POLICE! 514 00:23:03,950 --> 00:23:05,617 - MR. GREENBLATT, WE ARE THE POLICE. 515 00:23:05,652 --> 00:23:07,453 WE'RE HERE TO HELP YOU. 516 00:23:07,487 --> 00:23:09,489 - I DON'T NEED YOUR HELP. JUST LEAVE ME ALONE. 517 00:23:09,521 --> 00:23:12,191 - SIR, WE THINK YOU MIGHT BE IN DANGER. 518 00:23:12,223 --> 00:23:14,125 - I DON'T GIVE A DAMN WHAT YOU THINK! 519 00:23:14,160 --> 00:23:15,428 WOULD YOU GET OUT OF MY HOUSE? 520 00:23:15,461 --> 00:23:17,997 - HAVE YOU EVER SEEN THIS MAN BEFORE? 521 00:23:18,029 --> 00:23:20,467 HIS NAME'S JIMMY BARLOWE, ALSO KNOWN AS MAD JIMMY. 522 00:23:20,500 --> 00:23:23,102 HE OWNS A COUPLE OF CASINOS IN RENO. 523 00:23:23,134 --> 00:23:24,671 - I NEVER HEARD OF HIM, OKAY? 524 00:23:24,703 --> 00:23:26,071 YOU SATISFIED? 525 00:23:26,105 --> 00:23:28,074 - WELL, HE KNOWS YOU. 526 00:23:28,106 --> 00:23:29,942 - I DON'T GIVE A DAMN WHO KNOWS ME. 527 00:23:29,976 --> 00:23:32,010 WHY DON'T YOU PEOPLE JUST LEAVE ME ALONE? 528 00:23:32,044 --> 00:23:33,211 YOU'RE GONNA GIVE ME A HEART ATTACK. 529 00:23:33,244 --> 00:23:34,212 - HEY, HEY. 530 00:23:34,246 --> 00:23:35,582 - SIR, WE CAN PROTECT YOU. 531 00:23:35,615 --> 00:23:36,749 WE CAN PUT YOU IN A SAFE HOUSE. 532 00:23:36,782 --> 00:23:38,617 - OH, NO, I'M NOT GOING ANYWHERE, 533 00:23:38,651 --> 00:23:40,519 NOT WITH YOU OR ANYONE. 534 00:23:40,552 --> 00:23:42,221 GOOD-BYE, GOOD-BYE, GOOD-BYE. 535 00:23:42,253 --> 00:23:43,589 - YEAH, I THINK HE WANTS US TO LEAVE. 536 00:23:43,623 --> 00:23:44,891 - YOU THINK? - [screaming] 537 00:23:44,923 --> 00:23:46,192 - OW! 538 00:23:46,224 --> 00:23:48,528 - [shouting indistinctly] 539 00:23:48,560 --> 00:23:50,697 - JEEZ. STANLEY, WE'RE LEAVING. 540 00:23:50,730 --> 00:23:53,031 - WHY WOULD JIMMY BARLOWE WANT TO KILL THIS GUY? 541 00:23:53,065 --> 00:23:54,800 - MAYBE HE MET HIM. 542 00:23:54,834 --> 00:23:56,669 - YOU OKAY? - I'M ALL RIGHT. 543 00:23:56,702 --> 00:23:57,903 - THAT MUST HAVE STUNG. 544 00:23:57,936 --> 00:24:02,074 [indistinct chatter] 545 00:24:02,107 --> 00:24:05,176 - FRANKIE, HOW'S IT LOOK? 546 00:24:05,211 --> 00:24:06,178 - HOW'S WHAT LOOK? 547 00:24:06,211 --> 00:24:08,548 - THE JOB. THE OLD MAN. 548 00:24:10,549 --> 00:24:11,851 HOW ARE YOU GONNA GET IN? 549 00:24:11,884 --> 00:24:14,220 - I DON'T KNOW. I HAVEN'T SEEN THE HOUSE. 550 00:24:14,252 --> 00:24:15,688 - YOU HAVEN'T EVEN CASED THE JOINT YET? 551 00:24:15,721 --> 00:24:16,722 - NO. 552 00:24:16,756 --> 00:24:18,057 - WHAT THE HELL YOU BEEN DOING? 553 00:24:18,089 --> 00:24:19,125 - RELAX, LENNY. 554 00:24:19,157 --> 00:24:20,960 THIS IS THE WAY HE WORKS. 555 00:24:20,992 --> 00:24:22,193 HE'S METHODICAL. 556 00:24:22,228 --> 00:24:23,996 - ADRIAN! 557 00:24:24,029 --> 00:24:25,163 ADRIAN. 558 00:24:25,196 --> 00:24:27,866 ADRIAN? 559 00:24:27,900 --> 00:24:30,702 ADRIAN. 560 00:24:30,737 --> 00:24:32,771 ADRIAN. 561 00:24:32,805 --> 00:24:34,707 ADRIAN. 562 00:24:34,740 --> 00:24:36,041 ADRIAN. 563 00:24:36,075 --> 00:24:37,143 ADRIAN, ADRIAN. 564 00:24:37,175 --> 00:24:38,144 ADRIAN. 565 00:24:38,176 --> 00:24:40,046 ADRIAN? 566 00:24:40,078 --> 00:24:41,948 ADRIAN? 567 00:24:41,980 --> 00:24:44,150 I THOUGHT THAT WAS YOU. 568 00:24:44,182 --> 00:24:45,718 ARE YOU ON VACATION TOO? 569 00:24:45,751 --> 00:24:48,287 I DIDN'T THINK YOU EVER LEFT SAN FRANCISCO. 570 00:24:48,319 --> 00:24:51,257 I DIDN'T THINK YOU EVER LEFT YOUR LIVING ROOM. 571 00:24:51,289 --> 00:24:53,224 ISN'T THIS WEATHER AMAZING? 572 00:24:53,259 --> 00:24:54,826 YOU DON'T EVEN HAVE TO CHECK THE WEATHER REPORT. 573 00:24:54,861 --> 00:24:56,828 EVERY DAY IS 78 AND SUNNY. 574 00:24:56,863 --> 00:24:59,065 IT'S LIKE PARADISE. 575 00:24:59,097 --> 00:25:00,866 HAROLD KRENSHAW. HOW YOU DOING? 576 00:25:04,069 --> 00:25:06,573 HOW DO YOU GUYS KNOW ADRIAN? 577 00:25:06,605 --> 00:25:09,776 - I'M SORRY, PAL. YOU GOT THE WRONG GUY. 578 00:25:09,808 --> 00:25:11,644 DO I LOOK LIKE AN ADRIAN? 579 00:25:11,678 --> 00:25:13,045 YOU BELIEVE THIS GUY? 580 00:25:13,078 --> 00:25:14,814 - ADRIAN, WHAT ARE YOU DOING? 581 00:25:14,846 --> 00:25:16,583 - HEY, PAL. 582 00:25:16,615 --> 00:25:19,685 YOU'RE MAKING A MISTAKE. 583 00:25:19,719 --> 00:25:22,020 NOW YOU GOT A DECISION TO MAKE. 584 00:25:22,054 --> 00:25:23,990 YOU WANT TO BE IN THE PAPERS TOMORROW 585 00:25:24,022 --> 00:25:28,227 IN THE OBITUARY SECTION, SECTION D? 586 00:25:28,259 --> 00:25:31,262 YOU MADE A MISTAKE. GO HOME. 587 00:25:31,297 --> 00:25:33,965 DO IT. 588 00:25:34,000 --> 00:25:35,134 - OW. 589 00:25:35,166 --> 00:25:36,935 OW, I'M SORRY. 590 00:25:36,969 --> 00:25:38,671 I THOUGHT THAT YOU WERE SOMEBODY ELSE. 591 00:25:38,704 --> 00:25:40,573 - BYE. - OW! 592 00:25:47,713 --> 00:25:49,280 - WHAT THE HELL ARE YOU LOOKING AT? 593 00:25:49,315 --> 00:25:52,951 FINISH YOUR SHIRLEY TEMPLE. 594 00:25:52,984 --> 00:25:55,186 - WHAT'D I TELL YOU, HUH? 595 00:25:55,221 --> 00:25:58,057 - LET'S GET THE CHECK. I LOST MY APPETITE. 596 00:26:07,165 --> 00:26:08,934 - STILL WEARING THE SUIT, HUH? 597 00:26:08,968 --> 00:26:11,237 DIDN'T GET A CHANCE TO CHANGE? 598 00:26:11,269 --> 00:26:13,338 - WHY SHOULD I CHANGE. THIS COFFEE'S COLD. 599 00:26:13,372 --> 00:26:15,240 IT TASTES LIKE B.M. 600 00:26:15,273 --> 00:26:16,375 - IT'S ICED TEA. 601 00:26:16,407 --> 00:26:17,777 - WELL, WARM IT UP. 602 00:26:17,809 --> 00:26:19,377 - SO YOU WANT TEA? 603 00:26:19,411 --> 00:26:21,079 - NO. 604 00:26:21,113 --> 00:26:24,115 I WANT WARM ICED TEA. 605 00:26:25,652 --> 00:26:27,653 - OKAY, THAT'S IT. WE'RE PULLING THE PLUG. 606 00:26:27,686 --> 00:26:29,188 THIS OPERATION IS OVER. 607 00:26:29,221 --> 00:26:30,789 - YEAH, I THINK YOU'RE RIGHT. 608 00:26:30,823 --> 00:26:31,990 - WHAT? WHAT ARE YOU TALKING ABOUT? 609 00:26:32,023 --> 00:26:33,859 I'M NOT QUITTING NOW. WHY SHOULD I? 610 00:26:33,893 --> 00:26:35,894 I'M IN THE ZONE. I'M FRANKIE DEPALMA. 611 00:26:35,927 --> 00:26:36,996 - NO, YOU'RE NOT. 612 00:26:37,028 --> 00:26:39,766 MONK, YOU'RE IN TOO DEEP. 613 00:26:39,798 --> 00:26:41,099 I'VE SEEN IT HAPPEN BEFORE. 614 00:26:41,133 --> 00:26:42,934 EVEN REAL COPS, WHEN THEY GO UNDERCOVER, 615 00:26:42,969 --> 00:26:44,202 THEY GET THEIR WIRES CROSSED. 616 00:26:44,236 --> 00:26:45,771 - WHOA. 617 00:26:45,805 --> 00:26:47,839 WHAT DO YOU MEAN, "EVEN REAL COPS"? 618 00:26:47,874 --> 00:26:49,776 - THAT'S NOT WHAT I MEANT TO SAY. 619 00:26:49,808 --> 00:26:51,277 - I'M NOT QUITTING. 620 00:26:51,309 --> 00:26:52,811 I'M IN TOO FAR TO QUIT NOW. 621 00:26:52,845 --> 00:26:53,680 LOOK, WE'RE CLOSE. 622 00:26:53,712 --> 00:26:56,682 WE HAVE THE WHO. ALL WE NEED IS THE WHY. 623 00:26:56,715 --> 00:26:58,217 RIGHT? 624 00:26:58,250 --> 00:27:00,686 WHY DO THEY WANT TO KILL THE OLD GUY? 625 00:27:00,720 --> 00:27:01,988 - YOU KNOW WHAT, WE'RE CALLING DR. BELL. 626 00:27:02,020 --> 00:27:03,255 - WHY? 627 00:27:03,288 --> 00:27:04,824 - BECAUSE YOU'RE ENJOYING THIS WAY TOO MUCH. 628 00:27:04,856 --> 00:27:06,858 I THINK YOU LIKE SCARING PEOPLE. 629 00:27:06,893 --> 00:27:08,795 I THINK YOU'VE BEEN SO REPRESSED AND POWERLESS 630 00:27:08,827 --> 00:27:10,128 FOR SO MANY YEARS, 631 00:27:10,162 --> 00:27:11,698 IT'S JUST GUSHING OUT OF YOU. 632 00:27:11,730 --> 00:27:13,365 YOU ARE NOT YOURSELF. 633 00:27:13,398 --> 00:27:16,134 - OR MAYBE YOU'RE MEETING THE REAL ME FOR THE FIRST TIME. 634 00:27:16,167 --> 00:27:18,837 - MR. MONK, THAT WAS HAROLD KRENSHAW 635 00:27:18,871 --> 00:27:20,873 YOU WERE PUSHING AROUND THIS MORNING. 636 00:27:20,906 --> 00:27:21,973 - OKAY, LOOK, I'M IN CHARGE. IT'S MY CALL. 637 00:27:22,008 --> 00:27:23,209 WE'RE PULLING THE PLUG. 638 00:27:23,241 --> 00:27:24,676 - YOU CAN'T STOP ME. 639 00:27:24,711 --> 00:27:25,711 YOU CAN'T KEEP ME HERE. 640 00:27:25,744 --> 00:27:27,212 I'M GONNA FINISH WHAT I STARTED 641 00:27:27,246 --> 00:27:28,748 WITH YOU OR WITHOUT YOU. 642 00:27:34,119 --> 00:27:37,824 - MONK, SIT DOWN. 643 00:27:42,127 --> 00:27:43,996 - GET OUT OF MY WAY, LELAND. 644 00:27:55,040 --> 00:27:57,844 I'LL BE IN TOUCH. 645 00:27:59,979 --> 00:28:03,382 - NOW WHO THE HELL WAS THAT? 646 00:28:07,185 --> 00:28:09,188 [knocking at door] 647 00:28:15,394 --> 00:28:17,296 - HELLO? 648 00:28:17,328 --> 00:28:18,830 OH. 649 00:28:18,865 --> 00:28:20,932 HMM, I KNEW YOU'D COME. 650 00:28:20,967 --> 00:28:23,402 LIKE A MOTH TO A FLAME. 651 00:28:23,434 --> 00:28:25,104 HOW DID IT GO? 652 00:28:25,136 --> 00:28:29,441 WHAT, YOU DIDN'T KILL HIM? 653 00:28:29,474 --> 00:28:31,810 WHY NOT? WAS THERE A PROBLEM? 654 00:28:31,844 --> 00:28:34,480 FRANKIE, YOU GIVE YOUR WORD TO JIMMY BARLOWE, 655 00:28:34,512 --> 00:28:35,981 YOU DAMN WELL BETTER KEEP IT. 656 00:28:36,015 --> 00:28:37,817 - I'M NOT WHACKING ANYBODY UNTIL I KNOW WHY. 657 00:28:37,849 --> 00:28:40,987 WHO IS THIS GUY GREENBLATT AND WHY IS HE SO IMPORTANT? 658 00:28:41,019 --> 00:28:42,488 - SINCE WHEN DO YOU CARE? 659 00:28:42,520 --> 00:28:44,490 DID YOU FORGET WHAT YOU SAID TO ME IN BARCELONA? 660 00:28:44,522 --> 00:28:46,959 THE MINUTE YOU START ASKING WHY, 661 00:28:46,992 --> 00:28:48,493 IT'S TIME TO GET OUT. 662 00:28:48,527 --> 00:28:49,828 - I DON'T WANT TO TALK ABOUT BARCELONA. 663 00:28:49,862 --> 00:28:52,064 IT'S ANCIENT HISTORY. 664 00:28:52,097 --> 00:28:54,500 - WELL, THAT'S WHAT I'VE BEEN TRYING TO TELL YOU. 665 00:28:54,532 --> 00:28:56,969 DOES NATALIE KNOW YOU'RE HERE? 666 00:28:57,002 --> 00:28:59,872 IS SHE ANCIENT HISTORY TOO? 667 00:28:59,905 --> 00:29:01,773 I WAS JUST GETTING READY FOR BED. 668 00:29:01,807 --> 00:29:03,142 YOU WANT TO DO MY LEGS? 669 00:29:05,344 --> 00:29:07,012 - NO MORE GAMES, LOLA. 670 00:29:07,046 --> 00:29:08,847 WHO IS STANLEY GREENBLATT? 671 00:29:08,881 --> 00:29:10,449 I NEED TO KNOW. 672 00:29:10,481 --> 00:29:11,851 - FINE. 673 00:29:11,884 --> 00:29:13,952 FRANKIE, YOU WIN. I'LL TELL YOU. 674 00:29:13,986 --> 00:29:15,821 BUT YOU NEED TO COME AND SIT WITH ME. 675 00:29:15,855 --> 00:29:17,789 - [sighs] 676 00:29:17,824 --> 00:29:19,191 - THE ROOM MIGHT BE BUGGED. 677 00:29:24,363 --> 00:29:27,365 CLOSER. 678 00:29:31,436 --> 00:29:33,538 I DON'T KNOW. 679 00:29:33,572 --> 00:29:35,374 - [groans] 680 00:29:43,515 --> 00:29:45,284 - WHO ARE YOU? 681 00:29:45,317 --> 00:29:47,854 - YOU KNOW WHO I AM. 682 00:29:47,886 --> 00:29:50,990 I'M FR--ADRIAN. 683 00:29:51,022 --> 00:29:54,226 DEPAL-MONK. 684 00:29:54,259 --> 00:29:56,127 - WHAT? 685 00:29:56,162 --> 00:29:57,596 - I'M ADRIAN. 686 00:29:57,628 --> 00:29:58,865 - WAIT A SECOND. NO, NO, NO. 687 00:29:58,897 --> 00:30:01,901 I'M CONFUSED HERE. 688 00:30:03,102 --> 00:30:05,070 WHAT'S GOING ON? ARE YOU OKAY? 689 00:30:05,104 --> 00:30:08,007 YOU'RE ACTING LIKE YOU'RE, LIKE, HYPNOTIZED OR SOMETHING. 690 00:30:08,039 --> 00:30:10,342 [knocking] - LOLA. 691 00:30:10,375 --> 00:30:12,979 - GREAT. STAY. 692 00:30:13,011 --> 00:30:15,213 [knocking at door] HOLD ON. 693 00:30:15,247 --> 00:30:16,883 - HEY, WHAT'S GOING ON? - YOU SEEN FRANKIE? 694 00:30:16,915 --> 00:30:19,018 - YEAH, HE'S OVER THERE, I THINK. 695 00:30:19,050 --> 00:30:21,553 - I'VE BEEN LOOKING ALL OVER FOR YOU. 696 00:30:21,586 --> 00:30:23,890 - [swishing water] 697 00:30:23,923 --> 00:30:25,924 - WHAT ARE YOU DOING? 698 00:30:25,958 --> 00:30:27,459 - I'M RINSING. 699 00:30:27,492 --> 00:30:30,930 - UNCLE JIMMY'S FURIOUS, OKAY? 700 00:30:30,962 --> 00:30:32,999 HE SAYS NO MORE EXCUSES. 701 00:30:33,031 --> 00:30:34,933 HE WANTS THE OLD MAN DEAD TONIGHT. 702 00:30:34,967 --> 00:30:37,169 WE'RE SICK AND TIRED OF WAITING FOR HIS FUNERAL, YOU KNOW? 703 00:30:37,202 --> 00:30:38,871 - OH, TONIGHT, NO. 704 00:30:38,904 --> 00:30:41,039 NO, SORRY. TONIGHT'S NO GOOD. 705 00:30:41,073 --> 00:30:42,974 HERE'S THE THING. I MADE OTHER PLANS. 706 00:30:43,009 --> 00:30:45,912 I'M WHACKING SOMEBODY ELSE IN PASADENA LATER. 707 00:30:45,944 --> 00:30:47,479 I'VE ALREADY BOUGHT THE BULLET, SO-- 708 00:30:47,512 --> 00:30:49,248 - JIMMY SAID IF YOU DON'T DO IT 709 00:30:49,280 --> 00:30:52,651 OR YOU CAN'T DO IT, THEN I GET THE GIG. 710 00:30:52,683 --> 00:30:54,886 SO WHAT'S IT GONNA BE, 711 00:30:54,921 --> 00:30:56,422 YOU WANT THE JOB OR NOT? 712 00:30:58,523 --> 00:31:00,291 THEN LET'S GET THIS DONE. 713 00:31:00,326 --> 00:31:02,627 WE--WE'RE GONNA HAVE TO GO OUT THROUGH THE BASEMENT. 714 00:31:02,661 --> 00:31:04,931 I SAW SOME GUY IN THE LOBBY. HE DIDN'T LOOK RIGHT TO ME. 715 00:31:04,963 --> 00:31:06,565 I THINK HE MIGHT BE A COP. 716 00:31:06,597 --> 00:31:08,034 WE'LL TAKE MY CAR. 717 00:31:08,067 --> 00:31:10,336 - IT'S OKAY. YOU STAY HERE. 718 00:31:10,368 --> 00:31:12,038 I'LL TAKE CARE OF THE OLD MAN. 719 00:31:12,070 --> 00:31:13,940 I'LL WHACK HIM, AND I'LL CALL YOU WHEN IT'S OVER. 720 00:31:13,972 --> 00:31:14,973 - NO, NO, NO, NO, NO. 721 00:31:15,007 --> 00:31:17,509 JIMMY WANTS ME TO GO ALONG. 722 00:31:17,542 --> 00:31:19,310 HE INSISTED ACTUALLY. 723 00:31:19,345 --> 00:31:23,548 LOOKS LIKE WE'RE GONNA BE A TEAM. 724 00:31:23,582 --> 00:31:25,917 OKAY. 725 00:31:54,180 --> 00:31:55,247 WHAT'S THE PROBLEM? 726 00:31:55,280 --> 00:31:59,050 - I DON'T LIKE IT. IT'S TOO QUIET. 727 00:31:59,085 --> 00:32:00,385 - WHAT DO YOU MEAN IT'S TOO QUIET? 728 00:32:00,419 --> 00:32:02,288 QUIET IS A GOOD THING. 729 00:32:02,320 --> 00:32:06,025 YOU WANT A PARADE? COME ON, LET'S DO THIS. 730 00:32:11,730 --> 00:32:14,200 - I JUST REMEMBERED. I FORGOT MY GUN. 731 00:32:14,232 --> 00:32:17,135 IT'S MY LUCKY GUN. 732 00:32:17,169 --> 00:32:18,403 - WHAT DO YOU NEED A GUN FOR? 733 00:32:18,436 --> 00:32:20,506 IT'S SUPPOSED TO LOOK LIKE AN ACCIDENT. 734 00:32:20,538 --> 00:32:23,108 - RIGHT. OKAY. 735 00:32:23,142 --> 00:32:24,977 I'LL GO IN. YOU STAY OUT HERE. 736 00:32:25,010 --> 00:32:27,278 YOU STAY BY THE CAR. I NEED A LOOKOUT. 737 00:32:27,313 --> 00:32:31,049 YOU SEE SOMEBODY, YOU HONK THE HORN. 738 00:32:31,083 --> 00:32:34,086 - YEAH, OKAY. 739 00:32:44,329 --> 00:32:46,664 - MR. GREENBLATT? 740 00:32:46,698 --> 00:32:48,099 HELLO? 741 00:32:48,134 --> 00:32:50,201 STANLEY, MY NAME IS ADRIAN MONK. 742 00:32:50,236 --> 00:32:52,270 I'M WITH THE POLICE. 743 00:32:52,304 --> 00:32:53,538 MR. GREENBLATT? 744 00:32:53,572 --> 00:32:57,643 HELLO? 745 00:32:57,675 --> 00:32:59,177 MR. GREENBLATT? 746 00:33:01,480 --> 00:33:04,482 OH, MY GOD. 747 00:33:24,403 --> 00:33:26,137 - HE DEAD? 748 00:33:26,172 --> 00:33:28,207 - HEART ATTACK. 749 00:33:28,240 --> 00:33:30,175 - HEY... 750 00:33:30,209 --> 00:33:33,211 HE GOT LUCKY. 751 00:33:39,451 --> 00:33:40,751 - CAPTAIN, DO YOU HAVE A MINUTE? 752 00:33:40,786 --> 00:33:43,555 MR. MONK WOULD LIKE TO SAY SOMETHING. 753 00:33:43,588 --> 00:33:45,423 - SORRY. 754 00:33:45,457 --> 00:33:48,126 - MR. MONK, YOU HAVE TO DO IT IN PERSON. 755 00:33:52,864 --> 00:33:55,201 - I'M SORRY. 756 00:33:55,233 --> 00:33:56,535 - SHOW HIM THE CARD. 757 00:34:00,538 --> 00:34:04,742 GO AHEAD, READ IT. 758 00:34:04,776 --> 00:34:07,512 - "I WAS 'UDDERLY' WRONG." 759 00:34:07,546 --> 00:34:10,449 IT'S A COW. 760 00:34:10,481 --> 00:34:12,650 UDDER. 761 00:34:12,684 --> 00:34:14,686 "I'M SORRY IF I UPSET YOU. 762 00:34:14,719 --> 00:34:16,487 "PLEASE GIVE ME ANOTHER CHANCE. 763 00:34:16,521 --> 00:34:20,126 "I WOULD HATE FOR MY CARELESS GESTURE 764 00:34:20,159 --> 00:34:23,161 TO SPOIL OUR FINE ROMANCE." 765 00:34:25,431 --> 00:34:28,434 IT'S THE ONLY ONE THEY HAD. 766 00:34:28,467 --> 00:34:32,170 - THANK YOU, MONK. 767 00:34:32,204 --> 00:34:34,606 I REALIZE HOW HARD THIS MUST HAVE BEEN FOR YOU 768 00:34:34,639 --> 00:34:37,175 TO HAVE NATALIE BUY IT FOR YOU. 769 00:34:37,208 --> 00:34:41,380 - OKAY, I BOUGHT IT, BUT MR. MONK PAID FOR IT. 770 00:34:41,413 --> 00:34:43,215 OR HE WILL. 771 00:34:43,248 --> 00:34:44,815 THE POINT IS HE KNOWS HE WENT TOO FAR, 772 00:34:44,849 --> 00:34:46,518 AND HE FEELS TERRIBLE. 773 00:34:46,552 --> 00:34:48,487 HE'D NEVER HAD THAT KIND OF POWER BEFORE. 774 00:34:48,519 --> 00:34:50,322 IT WAS LIKE A DRUG. IT WENT TO HIS HEAD. 775 00:34:50,356 --> 00:34:51,389 BUT HE LEARNED HIS LESSON. 776 00:34:51,422 --> 00:34:53,659 WHY DON'T YOU TELL THE CAPTAIN WHAT YOU LEARNED? 777 00:34:53,692 --> 00:34:56,394 - I'M NOT A TOUGH GUY. 778 00:34:56,427 --> 00:34:58,329 - SURE YOU ARE. 779 00:34:58,364 --> 00:35:01,166 - I DON'T THINK SO. 780 00:35:01,199 --> 00:35:05,570 - MONK, YOU ARE ONE OF THE TOUGHEST GUYS I KNOW. 781 00:35:05,603 --> 00:35:07,706 - NO - YOU JUST DON'T ADVERTISE IT. 782 00:35:07,739 --> 00:35:09,608 BUT IT'S IN YOU. 783 00:35:09,641 --> 00:35:11,342 IT'S BURIED DEEP DOWN. 784 00:35:11,376 --> 00:35:13,545 YOU FOOLED ALL THOSE WISE GUYS, DIDN'T YOU? 785 00:35:13,579 --> 00:35:15,414 YOU COULDN'T HAVE DONE THAT UNLESS IT WAS IN YOU. 786 00:35:15,447 --> 00:35:16,882 AND YOU STOOD UP TO ME. 787 00:35:16,914 --> 00:35:19,251 I'M PROUD OF YOU, MAN. 788 00:35:19,284 --> 00:35:20,485 - I DON'T FEEL IT. 789 00:35:20,518 --> 00:35:21,820 I HAD IT. 790 00:35:21,853 --> 00:35:25,623 I HAD IT FOR ONE DAY, BUT IT'S GONE. 791 00:35:25,657 --> 00:35:27,293 - IT'S NOT GONE. 792 00:35:27,326 --> 00:35:28,626 IT'S THERE. 793 00:35:28,659 --> 00:35:31,862 WHEN THE CHIPS ARE DOWN AND IT REALLY MATTERS, 794 00:35:31,896 --> 00:35:34,199 YOU'LL FIND IT. 795 00:35:34,233 --> 00:35:36,467 - WHAT HAPPENED TO JIMMY BARLOWE? 796 00:35:36,501 --> 00:35:37,603 - NOTHING. 797 00:35:37,635 --> 00:35:38,570 WE CAN'T TOUCH HIM. 798 00:35:38,603 --> 00:35:40,606 TECHNICALLY, THERE WAS NO CRIME COMMITTED. 799 00:35:40,639 --> 00:35:42,541 - BUT MR. GREENBLATT-- - DIED OF NATURAL CAUSES. 800 00:35:42,574 --> 00:35:46,612 THERE WAS NO MURDER. NO CASH CHANGED HANDS. 801 00:35:46,644 --> 00:35:48,514 I JUST TALKED TO AGENT STONE. THE CASE IS CLOSED. 802 00:35:48,547 --> 00:35:50,548 - I STILL DON'T UNDERSTAND. 803 00:35:50,581 --> 00:35:52,583 WHY WOULD THE MOB WANT TO KILL HIM? 804 00:35:52,617 --> 00:35:54,519 - NOBODY KNOWS. 805 00:35:54,552 --> 00:35:55,920 PROBABLY NEVER WILL. 806 00:35:55,954 --> 00:35:58,324 - SO THAT'S IT. 807 00:35:58,356 --> 00:35:59,657 - HEY, THANKS FOR THE CARD. 808 00:35:59,690 --> 00:36:03,195 I'LL PUT IT WITH MY COLLECTION. 809 00:36:03,228 --> 00:36:04,563 - THOSE ARE NICE. 810 00:36:04,596 --> 00:36:05,831 FROM YOUR BOYS? 811 00:36:05,864 --> 00:36:08,233 - YEP. 812 00:36:14,806 --> 00:36:16,907 TWO BIRTHDAY CARDS 813 00:36:16,942 --> 00:36:19,445 FROM YOUR SONS. 814 00:36:19,478 --> 00:36:22,313 - THAT'S RIGHT. 815 00:36:22,347 --> 00:36:26,784 - THEY BOTH SENT YOU A CARD. 816 00:36:26,818 --> 00:36:27,985 - THAT'S RIGHT. 817 00:36:28,018 --> 00:36:30,789 - YOU HAVE TWO CHILDREN. 818 00:36:30,822 --> 00:36:33,525 SO YOU GOT TWO CARDS. 819 00:36:33,559 --> 00:36:34,826 - YOU KNOW, MONK, 820 00:36:34,860 --> 00:36:36,961 NOT SAYING ANYTHING IS ALWAYS AN OPTION. 821 00:36:36,994 --> 00:36:40,931 - LELAND, WHEN I WAS IN GREENBLATT'S HOUSE, 822 00:36:40,965 --> 00:36:44,603 HE HAD TWO BIRTHDAY CARDS ON HIS MANTLE. 823 00:36:44,635 --> 00:36:46,572 THEY BOTH SAID, 824 00:36:46,605 --> 00:36:48,574 "HAPPY BIRTHDAY, DAD." 825 00:36:48,606 --> 00:36:52,411 THERE WERE TWO CARDS. 826 00:36:52,443 --> 00:36:54,746 - WHAT DOES THAT MEAN, TWO CARDS? 827 00:36:56,847 --> 00:36:59,318 - YOU WERE RIGHT. 828 00:36:59,351 --> 00:37:00,652 I DON'T KNOW HOW WE MISSED IT. 829 00:37:00,686 --> 00:37:02,954 GREENBLATT'S SON, ALVIN, THE ONE WHO DIED LAST YEAR, 830 00:37:02,987 --> 00:37:04,922 HE WORKED PART-TIME FOR ONE OF JIMMY BARLOWE'S CASINOS. 831 00:37:04,956 --> 00:37:06,724 - THEY NEVER FOUND A BODY. 832 00:37:06,757 --> 00:37:07,958 - THAT'S RIGHT. 833 00:37:07,992 --> 00:37:09,795 HE DROWNED NEAR CATALINA. THERE WAS NO BODY. 834 00:37:09,827 --> 00:37:11,663 - OKAY, SOMEONE WANT TO TELL ME WHAT'S GOING ON? 835 00:37:11,697 --> 00:37:13,699 - ALVIN GREENBLATT IS ALIVE. 836 00:37:13,731 --> 00:37:16,668 WE'RE THINKING HE STOLE SOME MONEY FROM THE CASINO 837 00:37:16,702 --> 00:37:18,903 AND THEN FAKED HIS OWN DEATH. 838 00:37:18,936 --> 00:37:21,407 - HE'S ALIVE? ARE WE SURE ABOUT THIS? 839 00:37:21,440 --> 00:37:24,409 - HE SENT HIS DAD A BIRTHDAY CARD LAST WEEK. 840 00:37:24,443 --> 00:37:26,512 - LENNY SAID THAT THEY WERE 841 00:37:26,545 --> 00:37:29,681 "TIRED OF WAITING FOR THE OLD MAN'S FUNERAL." 842 00:37:29,715 --> 00:37:32,650 THIS WASN'T ABOUT STANLEY GREENBLATT. 843 00:37:32,684 --> 00:37:33,719 IT NEVER WAS. 844 00:37:33,751 --> 00:37:36,422 IT WAS ABOUT HIS SON. 845 00:37:36,454 --> 00:37:38,456 - THEY'VE BEEN LOOKING FOR ALVIN FOR A YEAR. 846 00:37:38,489 --> 00:37:39,757 - THAT'S WHY THEY WANTED STANLEY DEAD. 847 00:37:39,791 --> 00:37:40,891 THEY WERE TRYING TO LURE HIS SON OUT OF HIDING. 848 00:37:40,925 --> 00:37:43,394 THEY FIGURED HE WOULDN'T MISS HIS FATHER'S FUNERAL. 849 00:37:43,429 --> 00:37:44,762 - SO HE'S HERE? 850 00:37:44,795 --> 00:37:46,597 - I DON'T SEE ALVIN. 851 00:37:46,632 --> 00:37:48,534 HELL, NOBODY'S HERE. 852 00:37:48,567 --> 00:37:51,637 WHY AM I NOT SURPRISED? 853 00:37:51,670 --> 00:37:52,938 I THINK WE'RE TOO LATE. 854 00:37:52,971 --> 00:37:54,905 - MAYBE THEY PICKED HIM UP AT THE AIRPORT. 855 00:37:54,940 --> 00:37:56,474 - GREAT. 856 00:37:58,677 --> 00:38:01,612 - [sobbing] 857 00:38:01,646 --> 00:38:04,815 - I BEEN WAITING A YEAR AND A HALF FOR THIS. 858 00:38:04,849 --> 00:38:07,552 WHERE'S MY MONEY, YOU SON OF A BITCH? 859 00:38:07,585 --> 00:38:08,753 - I DON'T-- 860 00:38:08,786 --> 00:38:10,621 OKAY, OKAY! I'LL TELL YOU. 861 00:38:10,655 --> 00:38:12,990 I'VE GOT IT. IT'S--I BURIED IT. 862 00:38:13,023 --> 00:38:15,393 IT'S IN MY ATTIC 863 00:38:15,427 --> 00:38:16,927 UNDER SOME FLOORBOARDS. 864 00:38:16,961 --> 00:38:21,065 - HEY, ALVIN, I GOT SOME BAD NEWS FOR YOU. 865 00:38:21,099 --> 00:38:24,503 I BELIEVE YOU. 866 00:38:24,536 --> 00:38:25,771 [chuckles] KILL HIM. 867 00:38:25,804 --> 00:38:27,606 - NO, GOD. 868 00:38:27,639 --> 00:38:29,074 - IS THIS A PRIVATE PARTY? 869 00:38:29,106 --> 00:38:30,608 - FRANKIE, I THOUGHT YOU LEFT TOWN. 870 00:38:30,641 --> 00:38:31,710 - WHAT ARE YOU WEARING? 871 00:38:31,742 --> 00:38:33,077 - CHANEL NO. 5. WHAT ARE YOU WEARING? 872 00:38:33,110 --> 00:38:34,380 - WHAT? 873 00:38:34,413 --> 00:38:36,681 - I FIGURED OUT WHAT WAS GOING ON. 874 00:38:36,715 --> 00:38:38,016 I PUT TWO AND TWO TOGETHER. 875 00:38:38,048 --> 00:38:39,650 THIS IS GREENBLATT'S KID, RIGHT? 876 00:38:39,684 --> 00:38:41,052 WHAT'S HE INTO YOU FOR? 877 00:38:41,085 --> 00:38:42,621 - 700 GRAND. 878 00:38:42,653 --> 00:38:44,690 BUT WE GOT WHAT WE NEED. WE'RE GONNA FINISH IT. 879 00:38:44,722 --> 00:38:46,692 - LET ME DO IT. 880 00:38:46,724 --> 00:38:48,760 GIVE ME THE GUN. 881 00:38:48,793 --> 00:38:49,827 - WHY? WHAT FOR? 882 00:38:49,860 --> 00:38:51,996 - I'M A PROFESSIONAL, ALL RIGHT? 883 00:38:52,030 --> 00:38:53,764 HEY, I GOT A REPUTATION. 884 00:38:53,798 --> 00:38:56,434 HIS OLD MAN KEELED OVER TEN MINUTES BEFORE I GOT THERE. 885 00:38:56,467 --> 00:38:57,635 I FELT LIKE A FOOL. 886 00:38:57,668 --> 00:38:58,969 IT PISSED ME OFF. 887 00:38:59,003 --> 00:39:00,672 LET ME DO IT, NO CHARGE. 888 00:39:00,706 --> 00:39:03,675 ON THE HOUSE, FOR MY OWN PEACE OF MIND. 889 00:39:03,708 --> 00:39:05,510 I JUST WANT TO PUT THIS KID TEN FEET UNDER. 890 00:39:05,543 --> 00:39:06,777 - YOU MEAN SIX FEET UNDER. 891 00:39:06,811 --> 00:39:07,512 - WHATEVER YOU WANT. 892 00:39:07,545 --> 00:39:09,614 I PREFER TEN. IT'S UP TO YOU. 893 00:39:09,648 --> 00:39:10,815 GIVE ME THE GUN. 894 00:39:10,849 --> 00:39:11,782 - NO, I'M GONNA DO IT. 895 00:39:11,817 --> 00:39:13,418 I'M GONNA DO IT. 896 00:39:13,452 --> 00:39:14,719 - GIVE ME THE GUN. 897 00:39:17,121 --> 00:39:20,425 LENNY... 898 00:39:20,458 --> 00:39:23,961 LEONARD. 899 00:39:23,994 --> 00:39:26,130 GIVE ME THE GUN. 900 00:39:33,838 --> 00:39:36,507 - OKAY, FINE, YOU DO IT. 901 00:39:36,541 --> 00:39:37,675 - NO, DON'T! 902 00:39:37,708 --> 00:39:39,577 DON'T! [sobbing] 903 00:39:39,610 --> 00:39:40,911 - NOBODY MOVE! 904 00:39:40,945 --> 00:39:41,913 DON'T MOVE. 905 00:39:41,947 --> 00:39:43,047 - FBI! 906 00:39:43,081 --> 00:39:45,050 - GET 'EM UP. - LET ME SEE YOUR HANDS! 907 00:39:45,083 --> 00:39:46,784 - I TOLD YOU THIS GUY WASN'T RIGHT! 908 00:39:46,818 --> 00:39:48,987 I KNEW IT! 909 00:39:49,019 --> 00:39:51,155 [overlapping chatter] 910 00:39:51,188 --> 00:39:52,690 - I TOLD YOU. 911 00:39:52,724 --> 00:39:54,492 YOU HAD IT IN YOU ALL ALONG. 912 00:39:54,525 --> 00:39:55,661 - MR. MONK, ARE YOU ALL RIGHT? 913 00:39:55,693 --> 00:39:56,862 I WAS SO SCARED. 914 00:39:56,894 --> 00:40:00,599 - YOU AND ME BOTH. 915 00:40:00,632 --> 00:40:02,833 - GREAT JOB, MONK. 916 00:40:06,771 --> 00:40:08,773 - FRANKIE DEPALMA. 917 00:40:08,806 --> 00:40:11,742 YOU'RE THE DEAD MAN. 918 00:40:11,777 --> 00:40:15,614 - ACTUALLY, HE'S BEEN DEAD SINCE FRIDAY. 919 00:40:18,115 --> 00:40:20,851 - I KNEW YOU WASN'T RIGHT. 920 00:40:23,253 --> 00:40:24,222 - WHAT DO YOU THINK? 921 00:40:24,255 --> 00:40:25,891 IT'S JUST MAKING SO MUCH ICE. 922 00:40:25,923 --> 00:40:27,224 IT WON'T STOP MAKING ICE. 923 00:40:27,257 --> 00:40:29,059 - YEAH, I UNDERSTAND. 924 00:40:29,094 --> 00:40:32,130 IF YOU COULD BACK UP A LITTLE. 925 00:40:32,163 --> 00:40:34,565 YEAH, OKAY, HERE IT IS. 926 00:40:34,599 --> 00:40:36,802 YEAH, THE SHUT-OFF THINGY BROKE OFF. 927 00:40:36,835 --> 00:40:38,836 I THINK I GOT ONE IN MY TRUCK. 928 00:40:38,869 --> 00:40:40,204 I CAN FIX IT FOR YOU RIGHT NOW. 929 00:40:40,237 --> 00:40:41,972 - GREAT. - IT'LL COST YOU 200. 930 00:40:42,007 --> 00:40:44,108 - IT'S NOT EVEN A WEEK OLD. 931 00:40:44,141 --> 00:40:46,244 THERE MUST BE SOME KIND OF WARRANTY. 932 00:40:46,277 --> 00:40:47,579 - NORMALLY, YES. 933 00:40:47,612 --> 00:40:49,179 BUT IT WASN'T HOOKED UP CORRECTLY, 934 00:40:49,213 --> 00:40:50,548 SO IT'S ALL BEEN VOIDED. 935 00:40:50,581 --> 00:40:52,784 - BUT YOU HOOKED IT UP. 936 00:40:52,818 --> 00:40:54,952 YOU HOOKED IT UP LAST WEEK. 937 00:40:54,985 --> 00:40:56,121 - YOU WANT ME TO FIX IT OR NOT? 938 00:40:56,153 --> 00:40:56,922 - OH, YOU'RE GONNA FIX IT. 939 00:40:56,954 --> 00:41:00,057 AND YOU'RE GONNA FIX IT FOR FREE. 940 00:41:00,090 --> 00:41:02,159 - I DON'T THINK SO. 941 00:41:05,063 --> 00:41:08,132 - YOU'RE GONNA FIX IT FOR FREE. 942 00:41:08,166 --> 00:41:12,237 - NOT GONNA HAPPEN. 943 00:41:34,259 --> 00:41:36,762 YOU KNOW WHAT, I, UH-- 944 00:41:36,795 --> 00:41:38,228 YEAH, I THINK YOU'RE RIGHT. 945 00:41:38,262 --> 00:41:40,264 YOU KNOW, I'M SURE IT'S STILL COVERED. 946 00:41:40,297 --> 00:41:42,934 I'LL GO GET THAT PART. 947 00:41:47,072 --> 00:41:48,273 - HEY. 948 00:41:48,306 --> 00:41:51,175 I STILL GOT IT. 949 00:41:51,208 --> 00:41:53,110 - YEAH, YOU STILL GOT IT. 950 00:41:53,143 --> 00:41:56,146 Captioning by CaptionMax www.captionmax.com