1 00:00:04,915 --> 00:00:07,284 ( theme music playing ) 2 00:01:40,844 --> 00:01:43,414 Justin on radio: ...and though I am alone tonight, 3 00:01:43,514 --> 00:01:46,450 I can sense your presence. 4 00:01:46,550 --> 00:01:48,985 - You are with me, and I with you. - Cop: KEEP IT MOVING. 5 00:01:49,085 --> 00:01:53,023 - I SAID MOVE YOUR FEET. - Some of you are warm by the fireplace, 6 00:01:53,123 --> 00:01:56,193 - the children sleeping upstairs. - SHUT UP IN THERE! 7 00:01:56,293 --> 00:01:58,529 Many of you are cold and hungry, 8 00:01:58,629 --> 00:02:02,566 carried down the highway like autumn leaves in a stream. 9 00:02:02,666 --> 00:02:05,569 But all of you have one thing in common 10 00:02:05,669 --> 00:02:10,941 - deep inside. - ( Justin whispering ) Varlyn Stroud, 11 00:02:11,041 --> 00:02:14,678 - ( static ) - I need you. 12 00:02:16,046 --> 00:02:17,681 ( normally ) You are alone, 13 00:02:17,781 --> 00:02:20,317 alone when we are torn from the womb, 14 00:02:20,417 --> 00:02:22,686 - ( static ) - alone when we die... 15 00:02:22,786 --> 00:02:25,088 ( static clears ) 16 00:02:25,188 --> 00:02:27,624 alone when we stand and face judgment. 17 00:02:27,724 --> 00:02:31,228 ( whispering ) Release my apostle. 18 00:02:31,328 --> 00:02:33,230 He is a good man. 19 00:02:33,330 --> 00:02:37,167 ( normally ) All who come before us and all who follow after, 20 00:02:37,268 --> 00:02:40,537 a thousand million souls-- all alone. 21 00:02:40,637 --> 00:02:43,374 ( whispers ) He is my archangel made flesh. 22 00:02:43,474 --> 00:02:45,509 ( normally ) And yet... 23 00:02:45,609 --> 00:02:48,745 I feel you here with me. 24 00:02:48,845 --> 00:02:50,647 I am no stranger to your hopelessness. 25 00:02:50,747 --> 00:02:52,716 ( whispers ) Find Henry Scudder. 26 00:02:52,816 --> 00:02:55,786 ( normally ) The Bible tells us we were made 27 00:02:55,886 --> 00:02:58,522 in the glorious image of our Maker. 28 00:02:58,622 --> 00:03:00,657 We are no less perfect than He. 29 00:03:00,757 --> 00:03:03,360 And yet we look to Him for absolution 30 00:03:03,460 --> 00:03:08,299 when instead we need only look into ourselves. 31 00:03:12,769 --> 00:03:14,405 DEVIN KERRIGAN? 32 00:03:14,505 --> 00:03:18,008 YES, MA'AM-- I MEAN, SISTER. 33 00:03:18,108 --> 00:03:20,043 PLEASE HAVE A SEAT. 34 00:03:20,143 --> 00:03:22,413 IF YOU JUST WANNA GIVE ME HIS ROOM NUMBER, 35 00:03:22,513 --> 00:03:24,281 I RECKON I CAN FIND THE WAY UP. 36 00:03:24,381 --> 00:03:27,718 - I DON'T WANNA BE NO TROUBLE. - HAVE A SEAT. 37 00:03:37,561 --> 00:03:40,364 ( Justin praying in Latin ) 38 00:04:01,251 --> 00:04:04,655 ( prayer continuing ) 39 00:04:35,285 --> 00:04:37,688 Sister: ARE YOU MR. HAWKINS? 40 00:04:39,022 --> 00:04:40,991 YEAH. 41 00:04:41,091 --> 00:04:44,094 YOU MAY SEE FATHER KERRIGAN NOW. 42 00:04:50,534 --> 00:04:52,403 Sister: IS SOMETHING WRONG? 43 00:04:52,503 --> 00:04:55,372 NO. I MEAN... 44 00:04:55,472 --> 00:04:57,774 HOW'D YOU KNOW MY NAME? 45 00:04:57,874 --> 00:05:00,677 IT WAS ON THE LIST, OF COURSE. 46 00:05:03,814 --> 00:05:06,182 SO WHAT'S THIS LIST I'M ON? 47 00:05:06,282 --> 00:05:08,151 AUTHORIZED VISITORS. 48 00:05:08,251 --> 00:05:10,387 HOW'D YOU PICK MY NAME OFF OF IT? 49 00:05:10,487 --> 00:05:12,423 IT'S A VERY SHORT LIST. 50 00:05:12,523 --> 00:05:15,091 THERE'S JUST YOUR NAME AND ONE OTHER. 51 00:05:16,793 --> 00:05:18,962 HENRY SCUDDER. 52 00:05:20,163 --> 00:05:22,466 AS A MATTER OF FACT, YES. 53 00:05:38,449 --> 00:05:41,418 ( creaks ) 54 00:05:45,121 --> 00:05:47,624 OH, JEEZ. 55 00:05:49,926 --> 00:05:52,429 Kerrigan: "CHEEKS ARE HOLLOW, SKIN IS WITHERED, 56 00:05:52,529 --> 00:05:55,899 CRONE-TIME COMES, THIS LIFE COMES TO AN END. 57 00:05:55,999 --> 00:05:59,436 'LIFE-- LIFE, DEATH, LIFE,' THE WORDS OF A CRONE." 58 00:05:59,536 --> 00:06:02,005 CHEEKS ARE HOLLOW, SKIN IS WITHERED. 59 00:06:02,105 --> 00:06:05,476 CHEEKS ARE HOLLOW, SKIN IS WITHERED. 60 00:06:05,576 --> 00:06:09,345 CRONE-TIME COMES, THIS LIFE COMES TO AN END. 61 00:06:09,446 --> 00:06:11,515 LIFE-- 62 00:06:11,615 --> 00:06:14,284 THIS LIFE COMES TO AN END. 63 00:06:14,384 --> 00:06:17,120 "LIFE, DEATH, LIFE." 64 00:06:17,220 --> 00:06:19,590 CHEEKS HOLLOW, SKIN WITHERED. 65 00:06:19,690 --> 00:06:22,125 CRONE-TIME COMES, THIS LIFE COME TO AN END. 66 00:06:22,225 --> 00:06:25,061 FATHER KERRIGAN? THERE IS SOMEONE HERE TO SEE YOU. 67 00:06:25,161 --> 00:06:29,299 THE WORDS OF A CRONE. THIS LIFE COMES TO AN END. 68 00:06:29,399 --> 00:06:34,204 "LIFE, DEATH, LIFE," THE WORDS OF A CRONE... 69 00:06:34,304 --> 00:06:37,073 ( rambling continues ) 70 00:06:51,254 --> 00:06:53,356 FATHER KERRIGAN... 71 00:06:53,456 --> 00:06:56,292 WHO IS HE? 72 00:06:56,392 --> 00:07:00,363 - CHEEKS ARE HOLLOW, THE SKIN IS WITHERED. - WHAT IS HE? 73 00:07:00,463 --> 00:07:04,100 CRONE-TIME COMES, THIS LIFE COMES TO AN END. 74 00:07:04,200 --> 00:07:06,236 WHERE'S SCUDDER? 75 00:07:06,336 --> 00:07:08,204 LIFE, DEATH, LIFE. 76 00:07:08,304 --> 00:07:11,107 LIFE! DEATH! LIFE! 77 00:07:11,207 --> 00:07:12,709 THE WORDS OF A CRONE! 78 00:07:12,809 --> 00:07:16,880 YOU KNEW HIM. DO YOU HAVE ANY IDEA WHERE HE WENT TO? 79 00:07:16,980 --> 00:07:21,084 ...THIS LIFE COMES TO AN END. THE WORDS OF THE CRONE. 80 00:07:22,886 --> 00:07:24,621 CHRIST. WHAT'D HE DO TO YOU? 81 00:07:24,721 --> 00:07:27,390 ( muttering ) CRONE-TIME COMES, 82 00:07:27,490 --> 00:07:29,359 THIS LIFE COMES TO AN END! 83 00:07:29,459 --> 00:07:31,962 THE WORDS OF THE CRONE. 84 00:07:35,966 --> 00:07:37,734 ( hisses ) 85 00:07:52,115 --> 00:07:54,284 ( panting ) 86 00:08:30,621 --> 00:08:32,789 LIFE. 87 00:08:32,889 --> 00:08:35,025 DEATH. 88 00:08:35,125 --> 00:08:37,861 LIFE. 89 00:08:39,062 --> 00:08:41,297 THE CRONE. 90 00:09:28,278 --> 00:09:32,315 Justin: "AFTER THE GREAT WAR BETWEEN HEAVEN AND HELL 91 00:09:32,415 --> 00:09:33,984 GOD MADE THE EARTH, 92 00:09:34,084 --> 00:09:38,388 AND GAVE DOMINION OVER IT TO THE CRAFTY APE HE CALLED MAN." 93 00:09:38,488 --> 00:09:40,323 ( knocks ) 94 00:09:48,331 --> 00:09:50,934 JUSTIN? 95 00:09:51,034 --> 00:09:55,605 YOU DIDN'T COME DOWN FOR BREAKFAST. 96 00:09:55,706 --> 00:09:59,142 OH... I MUST HAVE BEEN LOST IN PRAYER. 97 00:09:59,242 --> 00:10:02,746 - ALL MORNING? - THERE IS MUCH TO PRAY FOR. 98 00:10:08,151 --> 00:10:11,521 SOMETIMES I THINK YOU GET LOST IN YOUR OWN IMPORTANCE. 99 00:10:11,621 --> 00:10:14,157 YOU MEAN MY WORK? 100 00:10:14,257 --> 00:10:16,259 THE LORD'S WORK. 101 00:10:16,359 --> 00:10:18,161 YES, OF COURSE. 102 00:10:18,261 --> 00:10:20,330 THAT'S WHAT I MEAN. 103 00:10:23,867 --> 00:10:27,170 YOU MIGHT ALSO BEWARE OF FALSE PROPHETS. 104 00:10:27,270 --> 00:10:29,806 DOLAN? 105 00:10:34,244 --> 00:10:36,747 ENVY? 106 00:10:38,281 --> 00:10:40,884 COME NOW, IRIS. 107 00:10:40,984 --> 00:10:45,055 I TRUST YOU MUCH MORE THAN I TRUST TOMMY DOLAN. 108 00:11:11,481 --> 00:11:13,249 ( horn honking ) 109 00:11:13,349 --> 00:11:15,952 Man: GET OFF THE ROAD! 110 00:11:36,539 --> 00:11:40,210 HELL, WE'RE LIKE FAMILY. YOU DON'T STEAL FROM FAMILY. EVERYBODY KNOWS THAT. 111 00:11:40,310 --> 00:11:43,079 WELL, ALL I'M SAYING IS THE COUNT HAS BEEN SKINNY. 112 00:11:43,179 --> 00:11:47,750 YOU TRY SQUEEZING ANOTHER DIME OUT OF THESE CHILI-PICKERS. 113 00:11:47,851 --> 00:11:50,086 I SWEAR TO GOD, SAMSON, 114 00:11:50,186 --> 00:11:53,824 I'M TELLING THE TRUTH, AS THE LORD IS MY WITNESS. 115 00:11:55,025 --> 00:11:58,128 - FINE. - AW HELL, 116 00:11:58,228 --> 00:12:00,730 DO YOU THINK I'D STEAL FROM YOU AFTER ALL WE'VE BEEN THROUGH? 117 00:12:00,831 --> 00:12:04,200 - HELL. - ALL RIGHT. ALL RIGHT. 118 00:12:04,300 --> 00:12:08,671 HEY, HAVE YOU HEARD THAT HUGGINS & FISK FOLDED? 119 00:12:08,771 --> 00:12:10,807 HUGGINS & FISK? THAT'S A BIG OUTFIT. 120 00:12:10,907 --> 00:12:13,209 WENT BACK TO THE BARN LAST MONTH. 121 00:12:13,309 --> 00:12:15,812 WELL, TIMES IS HARD, I'LL GIVE YA THAT. 122 00:12:15,912 --> 00:12:19,315 YEAH, THAT'S WHAT THAMES WAS SAYING. 123 00:12:19,415 --> 00:12:22,819 - UH, CLARENCE THAMES? - NONE OTHER. 124 00:12:22,919 --> 00:12:25,588 GOT A LETTER FROM HIM DAY BEFORE YESTERDAY. 125 00:12:25,688 --> 00:12:30,426 HIM AND MARGE AND THE GIRLS ARE LOOKIN' FOR A PLACE TO LAND. 126 00:12:30,526 --> 00:12:31,962 NO KIDDING. 127 00:12:32,062 --> 00:12:35,798 THEM THAMES GIRLS, FLASH ACT. 128 00:12:42,805 --> 00:12:45,876 OH! WELL, I'LL BE A MONKEY'S UNCLE! 129 00:12:45,976 --> 00:12:47,978 WOULD YOU LOOK AT THIS? 130 00:12:48,078 --> 00:12:50,180 RITA SUE MUST HAVE WASHED THEM IN MY PANTS. 131 00:12:50,280 --> 00:12:51,681 ( laughs ) 132 00:12:51,781 --> 00:12:56,319 THERE'S ONE... FIVE, 10, $16. 133 00:12:56,419 --> 00:12:58,788 WELL, I'LL BE DAMNED. 134 00:12:58,889 --> 00:13:01,858 - SEE YOU, STUMP. - SEE YOU, SAMSON. 135 00:13:07,597 --> 00:13:09,732 GOLD-BRICKING LITTLE CHISELER. 136 00:13:09,832 --> 00:13:11,834 YOU LITTLE SHIT-- OW! 137 00:13:11,935 --> 00:13:14,470 GOD DAMN. 138 00:13:19,910 --> 00:13:21,878 AS I LIVE AND BREATHE. 139 00:13:21,978 --> 00:13:24,014 SKEETER LEWIS. 140 00:13:24,114 --> 00:13:27,017 MY OLD FLAME. IT'S GOOD TO SEE YA BACK! 141 00:13:27,117 --> 00:13:29,819 LET SAY WE GRAB OURSELVES A SNORT AFTER THE SHOW, 142 00:13:29,920 --> 00:13:32,222 CATCH UP ON OUR LIES? 143 00:13:36,859 --> 00:13:39,462 Ruthie: SKEETER LEWIS. DAMN. 144 00:13:39,562 --> 00:13:42,198 C'MON, GABE. 145 00:13:48,004 --> 00:13:51,174 ( "O Mio Babbino Caro" playing ) 146 00:15:45,888 --> 00:15:49,392 Ben: "THE WORDS OF THE CRONE." 147 00:15:53,863 --> 00:15:57,033 ( thunder rumbles ) 148 00:16:03,139 --> 00:16:06,109 ( truck door closes ) 149 00:16:25,328 --> 00:16:27,697 ( distant explosion ) 150 00:16:29,099 --> 00:16:32,135 ( siren blaring ) 151 00:16:32,235 --> 00:16:35,438 ( alarm sounding ) 152 00:17:06,502 --> 00:17:10,573 - ( cheering ) - Man: HALLELUJAH! 153 00:17:13,476 --> 00:17:17,813 "THE WORK IS GREAT, FOR THIS TEMPLE IS NOT FOR MAN, 154 00:17:17,913 --> 00:17:20,082 BUT FOR THE LORD GOD!" 155 00:17:20,183 --> 00:17:22,552 Woman: PRAISE THE LORD! 156 00:17:24,554 --> 00:17:26,156 Man: AMEN! 157 00:17:26,256 --> 00:17:28,090 AS I LOOK OUT ON THE FACES 158 00:17:28,191 --> 00:17:30,059 OF THE MEN, WOMEN AND CHILDREN 159 00:17:30,160 --> 00:17:34,230 WHO HAVE JOINED US HERE TODAY AT THE BIRTH OF THE TEMPLE OF JERICHO... 160 00:17:34,330 --> 00:17:36,799 - Woman: HALLELUJAH! - Man: AAAA-MEN. 161 00:17:36,899 --> 00:17:39,602 AMEN, AMEN, BROTHER JUSTIN. 162 00:17:39,702 --> 00:17:42,938 ...I CANNOT HELP BUT BE REMINDED OF SOME OTHER CHILDREN, 163 00:17:43,038 --> 00:17:46,609 INNOCENT MARTYRS WHO PERISHED HORRIBLY 164 00:17:46,709 --> 00:17:50,246 IN THE FLAMES OF THE DIGNITY MINISTRY, 165 00:17:50,346 --> 00:17:54,617 TO WHOM I DEDICATE THIS HOLY PLACE. 166 00:17:54,717 --> 00:17:56,319 ( somberly ) AMEN. 167 00:17:56,419 --> 00:18:00,390 TO THE MEMORY OF POLLY ANN BONHAM. 168 00:18:00,490 --> 00:18:03,159 - AMEN. - Justin: GOODY WILLIAMS. 169 00:18:03,259 --> 00:18:05,828 - ( crowd somberly ) AMEN. - ARLIS PRATT. 170 00:18:05,928 --> 00:18:08,130 AMEN. 171 00:18:08,231 --> 00:18:11,133 BOBBY KEELAN 172 00:18:13,769 --> 00:18:17,072 LET US BOW OUR HEADS IN SILENT PRAYER, 173 00:18:17,173 --> 00:18:19,575 SO THAT THEIR SOULS MAY ENTER 174 00:18:19,675 --> 00:18:24,447 INTO THE ETERNAL GLORY OF OUR LORD'S HOUSE. 175 00:18:36,058 --> 00:18:40,062 - AMEN. - ( scattered amens ) 176 00:18:40,162 --> 00:18:41,397 TELL ME SOMETHING, ELEANOR. 177 00:18:41,497 --> 00:18:43,466 WAS ANYONE STILL IN THE MINISTRY 178 00:18:43,566 --> 00:18:45,335 WHEN YOU AND LESTER WENT HOME? 179 00:18:45,435 --> 00:18:48,738 - THE CHILDREN. - YES, I MEAN BESIDES THE CHILDREN. 180 00:18:48,838 --> 00:18:50,206 MISS KEENER THE NURSE. 181 00:18:50,306 --> 00:18:52,475 ANYONE WHO DIDN'T DIE IN THE FIRE? 182 00:18:52,575 --> 00:18:55,811 NO. NO ONE EXCEPT MISS IRIS. 183 00:18:55,911 --> 00:18:58,581 - MISS IRIS? REALLY? - OH! 184 00:18:58,681 --> 00:19:00,483 SHE ALWAYS CAME BY TO TUCK THEM IN. 185 00:19:00,583 --> 00:19:03,519 SHE WAS AS DEVOTED TO THOSE KIDS AS IF'N THEY WAS HER OWN. 186 00:19:03,619 --> 00:19:06,822 Iris: MR. DOLAN. AND ELEANOR. 187 00:19:06,922 --> 00:19:08,658 OH, MISS IRIS. WE WAS JUST-- 188 00:19:08,758 --> 00:19:11,227 REMARKING HOW LOVELY THE CHOIR SOUNDED TODAY. 189 00:19:11,327 --> 00:19:13,363 YOU MUST'VE BEEN PRACTICING ALL NIGHT. 190 00:19:13,463 --> 00:19:15,465 NO, NOT ALL NIGHT. 191 00:19:15,565 --> 00:19:17,933 IF YOU'LL EXCUSE US, THERE'S A PHOTOGRAPHER I KNOW 192 00:19:18,033 --> 00:19:21,237 WHO'S REAL ANXIOUS TO GET SOME SHOTS OF THIS LOVELY LADY 193 00:19:21,337 --> 00:19:23,606 AND HER ESTEEMED BROTHER FOR THE EVENING EDITION. 194 00:19:23,706 --> 00:19:26,842 OH. WELL, YOU BETTER GET ON THEN. 195 00:19:30,580 --> 00:19:32,548 Tommy: RIGHT THIS WAY. 196 00:20:28,404 --> 00:20:31,273 ( sobbing ) 197 00:20:38,180 --> 00:20:40,550 OH, EXCUSE ME. 198 00:20:41,451 --> 00:20:43,853 ( keening ) 199 00:20:45,154 --> 00:20:48,123 WHY, WHAT'S THE MATTER, CHILD? 200 00:20:48,223 --> 00:20:52,194 OH THERE, THERE, THERE. 201 00:20:52,294 --> 00:20:54,464 BE CALM. BE CALM. 202 00:20:54,564 --> 00:20:57,099 Photographer: ANOTHER BIG SMILE FOR ME. 203 00:20:57,199 --> 00:20:59,669 PERFECT. THANK YOU. 204 00:21:53,589 --> 00:21:56,091 SAMSON'S GOT US BY THE SHORT AND CURLIES. 205 00:21:56,191 --> 00:21:58,093 HE GOT ALL UPPITY ON ME. 206 00:21:58,193 --> 00:21:59,595 WELL, WE WERE CHEATING HIM. 207 00:21:59,695 --> 00:22:01,797 JUST A LITTLE BIT MORE THAN USUAL. 208 00:22:01,897 --> 00:22:03,899 OW. JESUS H. 209 00:22:03,999 --> 00:22:06,802 MEBBE YOU SHOULD GO OUT AND LOOK FOR SOFIE TOO, DADDY. 210 00:22:06,902 --> 00:22:08,804 WELL, THERE AIN'T BUT A FEW ROADS. 211 00:22:08,904 --> 00:22:11,807 SAMSON OR JONES'S CREW GOT THEM COVERED. 212 00:22:13,108 --> 00:22:14,143 OW! 213 00:22:14,243 --> 00:22:16,446 GOD BLAST IT, YOU SON OF--! 214 00:22:16,546 --> 00:22:18,681 FELIX, SHE COULD BE OUT THERE, SICK OR HURT. 215 00:22:18,781 --> 00:22:21,684 OR SHE COULD BE ON A TRAIN, HALFWAY TO SUNNY CALIFORNEE 216 00:22:21,784 --> 00:22:24,353 FOR ALL WE KNOW. JESUS H. PARTICULAR CHRIST! 217 00:22:24,454 --> 00:22:27,457 SHOULD OF KEPT MY EYE ON HER. I DON'T KNOW WHAT I WAS THINKING. 218 00:22:27,557 --> 00:22:30,826 I WONDER WHY SHE JUST TOOK OFF, JUST LIKE THAT. 219 00:22:30,926 --> 00:22:34,129 YOU TALK TO HER YESTERDAY, LIB? SHE SAY ANYTHING TO YOU? 220 00:22:34,229 --> 00:22:35,731 NO, MAMA. 221 00:22:35,831 --> 00:22:38,534 IT DON'T TAKE A GENIUS TO FIGURE OUT. 222 00:22:38,634 --> 00:22:41,571 THERE'S JUST NOTHING HERE FOR HER ANYMORE. 223 00:22:44,139 --> 00:22:46,542 EXCUSE ME. 224 00:22:47,309 --> 00:22:48,778 POOR THING. 225 00:22:48,878 --> 00:22:51,447 FINALLY FOUND HERSELF A FRIEND AND THEN ALL OF A SUDDEN-- 226 00:22:51,547 --> 00:22:53,983 OW! GOD DAMN IT! 227 00:22:54,083 --> 00:22:55,718 GOD DAMN-IT! 228 00:22:55,818 --> 00:22:58,754 - WOULD YOU GIVE ME THAT? - WHAT? 229 00:22:58,854 --> 00:23:00,523 HERE. 230 00:23:15,037 --> 00:23:16,872 HEY, SOFIE! 231 00:23:27,382 --> 00:23:30,786 HEY! WHERE'RE YOU GOING, GIRL? 232 00:23:30,886 --> 00:23:33,823 SOFIE? 233 00:23:36,258 --> 00:23:38,928 ( brakes squeal ) 234 00:23:40,029 --> 00:23:42,231 SOFIE. HEY! 235 00:23:43,933 --> 00:23:45,868 WAIT UP. 236 00:23:45,968 --> 00:23:48,838 SOFIE! 237 00:23:51,206 --> 00:23:53,676 SOFIE? 238 00:23:59,148 --> 00:24:01,984 SOFIE. 239 00:24:13,362 --> 00:24:16,131 - ( sobbing ) - HEY. HEY! 240 00:24:18,100 --> 00:24:20,002 HEY. 241 00:25:06,148 --> 00:25:08,851 ( crowd laughs ) 242 00:25:13,122 --> 00:25:15,157 ( applause ) 243 00:25:15,257 --> 00:25:19,829 BONELESS BILLY BENSON DIDN'T START OFF LIFE AS A SIDESHOW CURIOSITY. 244 00:25:19,929 --> 00:25:21,831 OH NO, LADIES AND GENTLEMEN, 245 00:25:21,931 --> 00:25:26,401 THIS SEEMINGLY NORMAL YOUNG MAN WAS EMPLOYED AS A STEEPLEJACK 246 00:25:26,501 --> 00:25:28,638 IN THE WINDY CITY. 247 00:25:28,738 --> 00:25:30,606 THAT'S CHICAGO, LADY. 248 00:25:30,706 --> 00:25:32,474 ONE DAY, HE FELL EIGHT STORIES 249 00:25:32,574 --> 00:25:35,477 YET FOUND HIMSELF COMPLETELY UNHARMED. 250 00:25:35,577 --> 00:25:38,513 TURNS OUT BILLY HAS THE AMAZING ABILITY 251 00:25:38,614 --> 00:25:42,417 TO RELOCATE EVERY BONE OF HIS BODY AT WILL! 252 00:25:42,517 --> 00:25:45,120 ( audience gasping ) 253 00:25:45,220 --> 00:25:48,157 I'LL BET HE CAN LICK HIMSELF JUST LIKE A DOG. 254 00:25:48,257 --> 00:25:51,927 IF YOU WAS THE ALTERNATIVE, I SURE AS HELL HOPE SO! 255 00:25:52,027 --> 00:25:54,029 ( laughter ) 256 00:25:54,129 --> 00:25:58,100 - ( French music playing ) - ( men hooting ) 257 00:26:00,469 --> 00:26:02,738 ( whistling ) 258 00:26:22,257 --> 00:26:24,393 ( cheering uproariously ) 259 00:26:35,337 --> 00:26:37,172 ( cheering ) 260 00:26:40,309 --> 00:26:42,077 COME ON, BOYS! 261 00:26:42,177 --> 00:26:45,180 ALL RIGHT! I WANT TO THANK YOU FOR COMING TONIGHT, GENTS. 262 00:26:45,280 --> 00:26:48,283 BUT I CANNOT BE HELD RESPONSIBLE FOR ANY LAUNDRY BILLS. 263 00:26:48,383 --> 00:26:49,952 ( laughing ) 264 00:26:50,052 --> 00:26:52,421 WELL NOW, AIN'T YOU THE SPORTS? 265 00:26:52,521 --> 00:26:55,657 I'LL TELL YOU WHAT, I GOT SOMETHING HERE THAT I DON'T OFFER 266 00:26:55,758 --> 00:26:59,795 BUT THE MOST DISCRIMINATING OF GENTLEMEN. 267 00:26:59,895 --> 00:27:02,698 ANYBODY HERE IN THIS LITTLE INTIMATE CROWD OF OURS 268 00:27:02,798 --> 00:27:04,834 - EVER HEARD OF MAE WEST? - Crowd: YES! 269 00:27:04,934 --> 00:27:08,170 WELL, SHE AIN'T HERE TONIGHT. 270 00:27:08,270 --> 00:27:09,471 ( crowd jeers ) 271 00:27:09,571 --> 00:27:12,808 BUT IT SEEMS A CERTAIN PRIVATE DETECTIVE 272 00:27:12,908 --> 00:27:14,977 IN HOLLYWOOD, CALIFORNIA MANAGED 273 00:27:15,077 --> 00:27:17,713 TO GET A SHOT OF HER DOING SOMETHING SO PERVERSE, 274 00:27:17,813 --> 00:27:21,383 SO DEPRAVED WITH ONE OF HER FAMOUS LOVE SLAVES, 275 00:27:21,483 --> 00:27:24,686 THAT THE PHOTOGRAPH HAS BEEN BANNED IN ALL 48 STATES! 276 00:27:24,787 --> 00:27:27,456 ( laughing ) 277 00:27:27,556 --> 00:27:32,895 NOW WHAT YOU DO IS YOU LINE UP A LITTLE HOLE HERE WITH ANOTHER HOLE HERE... 278 00:27:32,995 --> 00:27:35,330 AND YOU CAN LOOK RIGHT THROUGH IT. 279 00:27:35,430 --> 00:27:36,966 YOU TWIST THEM A BIT... 280 00:27:37,066 --> 00:27:39,234 RIGHT, RIGHT, RIGHT... 281 00:27:39,334 --> 00:27:42,304 ( laughs crudely ) 282 00:27:42,404 --> 00:27:44,173 NOW, BOYS, 283 00:27:44,273 --> 00:27:47,476 BY GOD I CAN'T TELL IF THAT'S ERROL FLYNN OR RUDOLPH VALENTINO. 284 00:27:47,576 --> 00:27:49,478 ( guffawing ) 285 00:27:49,578 --> 00:27:51,747 ALL RIGHT. 286 00:27:51,847 --> 00:27:55,751 OOH NO, THAT'S BIG RUDY ALL RIGHT. 287 00:27:55,851 --> 00:27:59,488 - ( laughing ) - TWO BITS, GENTLEMEN! TWO BITS. 288 00:27:59,588 --> 00:28:01,757 A SMALL PRICE FOR BIG EXCITEMENT! 289 00:28:01,857 --> 00:28:03,993 COME ON, GENTLEMEN, TAKE ONE PAIR, BOYS, ONE PAIR. 290 00:28:04,093 --> 00:28:06,295 - Boy: I WANT TWO! - THERE YOU ARE. 291 00:28:42,364 --> 00:28:46,068 WHERE'D YOU RUN OFF TO, GIRL? YOU HAD US FIT! 292 00:28:46,168 --> 00:28:49,104 SHE WAS LOST. FOUND HER ON THE ROAD. 293 00:28:49,204 --> 00:28:51,540 I'M SORRY. 294 00:28:52,674 --> 00:28:54,877 NEVER MIND THAT. 295 00:28:54,977 --> 00:28:57,479 WE'RE JUST GLAD YOU'RE BACK, DARLING. 296 00:29:19,734 --> 00:29:21,503 Sofie: I CAN'T PAY MY WAY. 297 00:29:21,603 --> 00:29:24,806 - I CAN'T READ THE CARDS. - HELL, HONEY, NOBODY CAN. 298 00:29:24,907 --> 00:29:26,708 NOT REALLY. 299 00:29:26,808 --> 00:29:29,411 MAMA DID. 300 00:29:29,511 --> 00:29:31,080 WELL, THAT DON'T MATTER. 301 00:29:31,180 --> 00:29:33,949 I KNOW YOU AND YOUR MAMA HAD A HARD RUN. 302 00:29:34,049 --> 00:29:37,186 WHAT'S IMPORTANT NOW IS FOR YOU GET YOUR REST. 303 00:29:38,520 --> 00:29:41,656 LET SOMEONE TAKE CARE OF YOU FOR A CHANGE, HUH? 304 00:29:41,756 --> 00:29:43,993 MANAGEMENT'S ORDER. 305 00:30:02,277 --> 00:30:03,545 I GOT SOMETHING. 306 00:30:03,645 --> 00:30:06,481 - YEAH? - GIVE HIM THIS. 307 00:30:12,454 --> 00:30:13,688 POEMS? 308 00:30:13,788 --> 00:30:16,858 YEAH, POEMS. ASK HIM WHAT IT MEANS. 309 00:30:16,959 --> 00:30:20,162 ALL RIGHT. 310 00:30:21,163 --> 00:30:22,797 WAIT. 311 00:30:22,898 --> 00:30:25,367 THERE'S SOMETHING ELSE. 312 00:30:27,502 --> 00:30:29,638 I SAW THIS OTHER MAN HERE, 313 00:30:29,738 --> 00:30:32,407 WITH TATTOOS, LIKE THIS. 314 00:30:34,743 --> 00:30:37,246 YOU SHOW THAT TOO. 315 00:30:43,785 --> 00:30:46,221 TELL ME WHAT HE SAYS. 316 00:31:21,856 --> 00:31:24,559 ( heart beating ) 317 00:31:25,827 --> 00:31:27,696 ( knocks ) 318 00:31:30,099 --> 00:31:32,701 ALL SQUARED AWAY? 319 00:31:38,640 --> 00:31:40,942 WHERE'S LODZ? 320 00:31:42,144 --> 00:31:43,845 HE TOOK A POWDER. 321 00:31:43,945 --> 00:31:46,248 WHY? 322 00:31:48,917 --> 00:31:52,988 AIRING OUT IN HERE, IT'LL BE JUST FINE. 323 00:31:53,088 --> 00:31:56,491 YOU KNOW I DIDN'T EVEN KNOW I WAS GONE UNTIL YOU CAME. 324 00:31:58,693 --> 00:32:00,329 JUST TILL I'M ASLEEP, 325 00:32:00,429 --> 00:32:02,664 WOULD IT BE TOO MUCH TROUBLE 326 00:32:02,764 --> 00:32:05,000 IF YOU STAYED? 327 00:32:06,068 --> 00:32:08,203 I COULD DO THAT. 328 00:32:31,693 --> 00:32:35,297 WHAT THE HELL YOU DOING GIVING LODZ'S TRAILER TO SOFIE? 329 00:32:35,397 --> 00:32:37,199 WHAT DO YOU MEAN, WHAT AM I DOING? 330 00:32:37,299 --> 00:32:39,701 WHAT IF LODZ COMES BACK? 331 00:32:39,801 --> 00:32:41,803 THE TRAILER'S HIS. 332 00:32:41,903 --> 00:32:45,040 YOU TALK TO THE BOSS LIKE I ASKED? 333 00:32:45,140 --> 00:32:48,143 HE AIN'T SEEN HIM SINCE THE NIGHT OF THE FIRE. 334 00:32:48,243 --> 00:32:50,179 GOT NO IDEA WHERE HE WENT? 335 00:32:50,279 --> 00:32:52,381 WELL, IT AIN'T HIS CONCERN. 336 00:32:52,481 --> 00:32:54,183 IT SHOULD BE. 337 00:32:54,283 --> 00:32:56,185 WHAT ARE YOU SAYING? 338 00:32:56,285 --> 00:32:58,387 HE CAN'T HAVE JUST DISAPPEARED. 339 00:32:58,487 --> 00:33:01,390 LILA, PEOPLE BLOW IN AND OUT OF THIS PLACE EVERY DAY. 340 00:33:01,490 --> 00:33:05,327 HE'S BLIND. WHAT DID HE DO, FEEL HIS WAY TO A BUS DEPOT? 341 00:33:05,427 --> 00:33:07,829 JUST TOOK OFF WITHOUT TELLING NOBODY? 342 00:33:07,929 --> 00:33:10,599 WITHOUT TELLING ME? 343 00:33:13,668 --> 00:33:17,739 LOOK, MANAGEMENT THINKS HE'S GONE AND SO DO I. 344 00:33:17,839 --> 00:33:19,908 THAT'S THE WAY IT IS. 345 00:33:20,008 --> 00:33:24,045 I SURE AS HELL WISH I COULD TELL YOU SOMETHING DIFFERENT. 346 00:33:25,747 --> 00:33:28,250 I'M SURE YOU DO. 347 00:33:45,800 --> 00:33:47,569 Iris: I'LL JUST SET THIS DOWN. 348 00:33:47,669 --> 00:33:49,104 WELL, WHO HAVE WE HERE? 349 00:33:49,204 --> 00:33:51,540 JUSTIN, THIS IS OUR NEW MAID, CELESTE WATKINS. 350 00:33:51,640 --> 00:33:55,544 CELESTE WILL BE KEEPING HOUSE WHILE YOU AND I ATTEND TO CHURCH BUSINESS. 351 00:33:55,644 --> 00:34:01,150 - WELCOME, CELESTE. - THANK YOU, SIR. IT'S AN HONOR. 352 00:34:05,354 --> 00:34:08,523 YOU'RE THE YOUNG LADY FROM THE RECEPTION. 353 00:34:08,623 --> 00:34:09,858 YES, SIR. 354 00:34:09,958 --> 00:34:12,561 I DON'T KNOW WHY I CRIED LIKE THAT. 355 00:34:12,661 --> 00:34:14,696 SILLY. 356 00:34:14,796 --> 00:34:17,699 - YOU WERE SO KIND. - CELESTE IS AN ORPHAN. 357 00:34:17,799 --> 00:34:20,835 AND SHE CAME ALL THE WAY FROM OREGON AFTER YOUR BROADCAST. 358 00:34:20,935 --> 00:34:24,173 REALLY? HOW FLATTERING. 359 00:34:24,273 --> 00:34:27,142 I'VE NEVER HEARD ANYONE TALK LIKE YOU. 360 00:34:27,242 --> 00:34:29,144 NOT EVER. 361 00:34:29,244 --> 00:34:32,381 ELEANOR, WOULD YOU SHOW CELESTE TO HER ROOM. 362 00:34:32,481 --> 00:34:35,284 - PLEASE GET HER BAG. - OF COURSE. 363 00:34:37,719 --> 00:34:40,322 THIS WAY, SWEETHEART. 364 00:34:53,402 --> 00:34:55,136 IT'S SUCH A SHAME. 365 00:34:55,237 --> 00:34:59,374 A LOVELY GIRL LIKE THAT WITH NO ONE ELSE IN THE WHOLE WORLD. 366 00:35:04,112 --> 00:35:06,448 DON'T WAIT UP. 367 00:35:12,053 --> 00:35:15,524 - Iris: ELEANOR? - SHE'S ALL SQUARED AWAY, MISS IRIS. 368 00:35:15,624 --> 00:35:17,826 THANK YOU. 369 00:35:23,432 --> 00:35:26,568 IT WAS SO NICE TO SEE YOU AND MR. DOLAN CHATTING. 370 00:35:26,668 --> 00:35:28,770 ( laughs giddily ) 371 00:35:28,870 --> 00:35:31,039 HE'S QUITE A SCAMP, THAT ONE. 372 00:35:31,139 --> 00:35:32,474 GOODNESS, ELEANOR, 373 00:35:32,574 --> 00:35:36,545 HOW YOU SHINE UNDER THE GENTLEMAN'S ATTENTION. 374 00:35:36,645 --> 00:35:37,946 OH! 375 00:35:38,046 --> 00:35:41,516 HE ASKED ME SO MANY QUESTIONS! 376 00:35:41,616 --> 00:35:43,818 DID HE? 377 00:36:24,493 --> 00:36:27,596 AT LEAST SHE'S ALIVE. 378 00:36:29,964 --> 00:36:32,334 THAT'S SOMETHING, ALL RIGHT. 379 00:36:44,245 --> 00:36:46,815 - I WAS JUST-- - ABOUT WHAT HAPPENED-- 380 00:36:48,950 --> 00:36:52,887 - THAT NIGHT... - I DON'T REALLY WANNA TALK ABOUT IT. 381 00:36:52,987 --> 00:36:55,524 I KNOW. ME NEITHER. 382 00:36:55,624 --> 00:36:59,794 I JUST... WANTED YOU TO KNOW... 383 00:37:01,496 --> 00:37:04,766 I AIN'T SAID NOTHING TO NOBODY AND I NEVER WILL. 384 00:37:04,866 --> 00:37:07,902 IT'S BETWEEN YOU AND ME. 385 00:37:08,002 --> 00:37:10,672 AND HER, I GUESS. 386 00:37:12,040 --> 00:37:13,908 I GUESS. 387 00:37:16,044 --> 00:37:19,681 I JUST WANTED YOU TO KNOW. 388 00:37:21,550 --> 00:37:24,653 I APPRECIATE THAT. 389 00:37:24,753 --> 00:37:27,288 Stumpy: THERE YOU ARE, GIRL. 390 00:37:27,389 --> 00:37:29,758 HELL, I BEEN LOOKING ALL OVER FOR YOU. 391 00:37:31,192 --> 00:37:35,397 YOU GOT A HALF-DOZEN GENTS BACK THERE WAITING ON YOU. 392 00:37:43,472 --> 00:37:45,206 SEE YOU AROUND. 393 00:37:45,306 --> 00:37:47,308 SURE. 394 00:37:50,144 --> 00:37:52,814 BY GOD, LOOK AT THOSE STARS, JONES. 395 00:37:52,914 --> 00:37:56,150 MAN, THEY SURE ARE OUT TONIGHT, HUH? 396 00:37:56,250 --> 00:37:58,553 YEAH. 397 00:39:06,120 --> 00:39:08,056 ( groaning ) 398 00:39:08,156 --> 00:39:11,092 ( tapping ) 399 00:39:50,565 --> 00:39:52,901 £ ( Justin grunting ) 400 00:41:06,608 --> 00:41:07,942 ABOUT THAT POEM-- 401 00:41:08,042 --> 00:41:12,246 WE NEED TO FIND AN OLD LADY IN INGRAM, TEXAS. 402 00:41:14,616 --> 00:41:16,150 HOW'S HE FIGURE IT? 403 00:41:16,250 --> 00:41:19,621 THE POEM WAS WRITTEN BY A FELLOW NAMED INGRAM. 404 00:41:19,721 --> 00:41:22,523 CHARLES, JAMES, SOMETHING. 405 00:41:22,624 --> 00:41:26,861 IT DON'T MATTER. HE WANTS TO SEE YOU. 406 00:41:26,961 --> 00:41:29,664 I THOUGHT YOU SAID I WAS SUPPOSED TO TALK TO YOU. 407 00:41:29,764 --> 00:41:33,167 ALL'S I KNOW IS WHEN I GAVE HIM THAT PICTURE, 408 00:41:33,267 --> 00:41:35,804 HE GOT ALL STEWED UP. 409 00:41:35,904 --> 00:41:39,774 - THAT DON'T MAKE NO SENSE. - IT DON'T HAVE TO. 410 00:41:39,874 --> 00:41:44,278 ONLY THING MATTERS IS HE WANTS TO SEE YOU NOW. 411 00:41:53,254 --> 00:41:55,924 ( door opens, closes ) 412 00:41:59,427 --> 00:42:02,063 Management: YOU'VE SEEN THE USHER. 413 00:42:02,163 --> 00:42:04,532 Ben: USHER? 414 00:42:04,633 --> 00:42:07,135 Management: THE TATTOOED MAN. 415 00:42:07,235 --> 00:42:09,270 YEAH, I SEEN HIM. 416 00:42:09,370 --> 00:42:11,973 EVERYWHERE. 417 00:42:12,073 --> 00:42:14,676 ON THE DAMN ROAD. IN MY DREAMS. 418 00:42:14,776 --> 00:42:15,844 WHO THE HELL IS HE? 419 00:42:15,944 --> 00:42:19,247 Management: SAMHAIN. NECROTUS. 420 00:42:19,347 --> 00:42:21,616 KHAYBET, LORD OF SHADOWS. 421 00:42:21,716 --> 00:42:25,586 A THOUSAND NAMES IN A THOUSAND BOOKS, 422 00:42:25,687 --> 00:42:27,622 BUT THEY ALL MEAN THE SAME: 423 00:42:27,722 --> 00:42:30,491 THE USHER OF DESTRUCTION. 424 00:42:30,591 --> 00:42:33,862 HE IS FLESH. 425 00:42:35,363 --> 00:42:40,168 IT MEANS THE END-TIMES ARE NOT NEAR, HAWKINS. 426 00:42:40,268 --> 00:42:42,170 THEY ARE UPON US. 427 00:42:42,270 --> 00:42:45,506 YOU WILL NEVER BE PREPARED IN TIME. 428 00:42:45,606 --> 00:42:48,242 WE ARE LOST. 429 00:42:50,178 --> 00:42:52,914 WHAT ABOUT YOU? 430 00:42:53,014 --> 00:42:54,548 NO. 431 00:42:54,649 --> 00:42:56,651 WHY THE HELL NOT? 432 00:42:56,751 --> 00:43:00,154 YOU'RE STRONG. YOU KNOW WHAT TO DO. 433 00:43:00,254 --> 00:43:03,324 IT'S IMPOSSIBLE. 434 00:43:03,424 --> 00:43:07,128 - Ben: BUT... - I'M DYING. 435 00:43:13,367 --> 00:43:15,336 LET ME HEAL YOU. 436 00:43:15,436 --> 00:43:17,605 NO. 437 00:43:17,706 --> 00:43:20,008 YOU SAID THERE AIN'T MUCH TIME. 438 00:43:20,108 --> 00:43:21,943 SO LET ME GIVE YOU WHAT I GOT. 439 00:43:22,043 --> 00:43:24,946 IT WOULD BE AN ABOMINATION. 440 00:43:25,046 --> 00:43:27,481 YOU KNOW WHAT'S AT STAKE. YOU SHOWED ME. 441 00:43:27,581 --> 00:43:29,583 ( scoffs ) GET AWAY. 442 00:43:29,684 --> 00:43:32,286 YOU GOTTA DO IT. 443 00:43:35,356 --> 00:43:37,291 HERE. 444 00:43:41,796 --> 00:43:43,464 NO! GET BACK! 445 00:43:43,564 --> 00:43:47,535 - WHY WON'T YOU LET ME DO IT? - MY TIME HAS PASSED. 446 00:43:47,635 --> 00:43:51,539 IT'S YOUR BATTLE NOW, BEN HAWKINS. 447 00:43:51,639 --> 00:43:54,342 YOU MUST WALK YOUR OWN PATH, 448 00:43:54,442 --> 00:43:56,711 BUT WITH HASTE, BOY. 449 00:43:56,811 --> 00:43:59,313 FOR TIME GROWS SHORT AND YOU CANNOT FALTER. 450 00:43:59,413 --> 00:44:01,382 GO! NOW! 451 00:44:01,482 --> 00:44:04,118 GO! 452 00:44:05,086 --> 00:44:06,855 GO! 453 00:44:06,955 --> 00:44:10,458 ( gasps, shallow panting ) 454 00:44:28,242 --> 00:44:30,178 WELL, LOOK AT YOU. 455 00:44:30,278 --> 00:44:32,480 ( scoffs ) 456 00:44:32,580 --> 00:44:35,316 YOU SEEN SKEETER LEWIS? 457 00:44:35,416 --> 00:44:37,051 SKEETER WHO? 458 00:44:37,151 --> 00:44:38,787 SKEETER LEWIS. 459 00:44:38,887 --> 00:44:40,922 I THINK I BEEN STOOD UP. 460 00:44:41,022 --> 00:44:43,324 ( chuckles ) I GUESS SO. 461 00:44:43,424 --> 00:44:45,526 WHAT? 462 00:44:45,626 --> 00:44:47,896 WELL, THE MAN'S DEAD. 463 00:44:47,996 --> 00:44:50,198 THAT AIN'T FUNNY. 464 00:44:50,298 --> 00:44:52,433 I AIN'T FUNNING. 465 00:44:55,169 --> 00:44:57,839 I SAW HIM, BIG AS LIFE, JUST THIS MORNING. 466 00:44:57,939 --> 00:45:01,976 I SEEN HIM PUT IN THE GROUND FIVE YEARS AGO COME JULY. 467 00:45:05,413 --> 00:45:09,517 MAYBE IT WAS SOMEONE LOOKED LIKE SKEETER. 468 00:45:09,617 --> 00:45:11,519 YEAH. 469 00:45:15,489 --> 00:45:19,928 BUT, UH, SHAME TO LET ALL THAT PERFUME GO TO WASTE. 470 00:45:20,028 --> 00:45:22,864 YOU KNOW I JUST HAPPEN TO HAVE STANDING RESERVATIONS 471 00:45:22,964 --> 00:45:27,035 AT ALL THE FINEST ESTABLISHMENTS IN TOWN. 472 00:45:50,524 --> 00:45:52,994 ( barking ) 473 00:47:02,863 --> 00:47:07,168 UH, SOFIE? 474 00:47:07,268 --> 00:47:10,238 IT'S OKAY, WE GOT THIS FINE. 475 00:47:20,781 --> 00:47:23,184 GIVE ME THAT ONE. 476 00:47:27,021 --> 00:47:28,856 - HEY. - WHAT? 477 00:47:28,957 --> 00:47:30,791 YOU TELL THAT 'DONA SHE CAN WORK WITH US? 478 00:47:30,891 --> 00:47:33,194 WHAT ARE YOU TALKING ABOUT? 479 00:47:33,294 --> 00:47:35,896 ( groans ) 480 00:47:35,997 --> 00:47:38,967 ( sighs ) 481 00:47:41,302 --> 00:47:42,903 AIN'T YOU GONNA DO SOMETHING? 482 00:47:43,004 --> 00:47:44,272 - NO. - NO? 483 00:47:44,372 --> 00:47:46,474 LOOK, I KNOW SHE LOST HER MA AND ALL, 484 00:47:46,574 --> 00:47:49,610 BUT DAMN IT, JONESY, I AIN'T WORKING WITH NO SKIRT. 485 00:47:49,710 --> 00:47:51,712 THE HELL WITH HER. 486 00:47:51,812 --> 00:47:54,415 - Man: HERE YOU GO. - LET'S GO. 487 00:47:58,652 --> 00:48:00,989 ( grunts ) 488 00:48:16,404 --> 00:48:18,172 LET'S GO! LET'S START 'EM UP! 489 00:48:18,272 --> 00:48:20,208 THAT OUGHT TO HOLD HER. 490 00:48:20,308 --> 00:48:22,643 IF IT DON'T, FLASH YOUR LIGHTS. 491 00:48:36,957 --> 00:48:38,526 WHERE TO? 492 00:48:38,626 --> 00:48:40,528 INGRAM, TEXAS. 493 00:48:40,628 --> 00:48:43,731 THAT SHIT SPOT'S SURE OFF THE BEATEN PATH. 494 00:48:43,831 --> 00:48:47,468 WELL THEN, LET'S BEAT US ONE THERE. 495 00:49:23,804 --> 00:49:26,174 ( speaks Japanese) 496 00:50:08,649 --> 00:50:11,785 ( theme music playing )