1
00:00:04,915 --> 00:00:07,518
( theme music playing )

2
00:01:41,011 --> 00:01:44,147
( metal jangling;
creaking )

3
00:02:20,651 --> 00:02:24,255
( Sofie whispering )
BEN? BEN, WAKE UP.

4
00:02:24,355 --> 00:02:27,391
- WHAT HAPPENED?
- I SMELL SMOKE.

5
00:02:42,506 --> 00:02:45,242
NO FIRE.
NO SMOKE.
NOTHING.

6
00:02:45,342 --> 00:02:48,679
- ARE YOU SURE?
- YEAH, I'M SURE.

7
00:02:48,779 --> 00:02:50,847
THERE'S NOTHING.

8
00:02:50,947 --> 00:02:53,284
MAYBE IT WAS A DREAM.

9
00:02:53,384 --> 00:02:55,519
YEAH, MAYBE.

10
00:02:56,587 --> 00:02:58,755
PROBABLY.

11
00:03:14,771 --> 00:03:17,240
( barks )

12
00:03:35,992 --> 00:03:38,795
GABE?

13
00:04:13,897 --> 00:04:17,200
Tommy:
YOU'RE GONNA HAVE TO TURN
SOME OF THESE PEOPLE AWAY.

14
00:04:17,300 --> 00:04:18,835
WE ALREADY WENT
OVER THIS, MR. DOLAN.

15
00:04:18,935 --> 00:04:20,937
I WENT OVER IT WITH YOU,
NOW WITH YOUR BROTHER.

16
00:04:21,037 --> 00:04:23,540
- JUSTIN?
- NOT A SINGLE SOUL
WILL BE TURNED AWAY.

17
00:04:23,640 --> 00:04:25,842
FOR PETE'S SAKE, JUSTIN,
YOU KNOW THE ONLY REASON

18
00:04:25,942 --> 00:04:27,811
A LOT OF THEM ARE HERE
IS FOR A HOT MEAL.

19
00:04:27,911 --> 00:04:29,646
THEN THEY WILL BE FED.

20
00:04:29,746 --> 00:04:31,715
( laughing )

21
00:04:33,316 --> 00:04:35,352
IT'S NOT JUST THE FOOD.

22
00:04:35,452 --> 00:04:37,421
A LOT OF THESE PEOPLE
MIGHT BE CRIMINALS.

23
00:04:37,521 --> 00:04:39,155
THERE'S A LOT OF MONEY
POURING IN.

24
00:04:39,255 --> 00:04:41,858
- MAYBE THEY'RE LOOKING
FOR AN ANGLE--
- ( splashes )

25
00:04:41,958 --> 00:04:44,361
DAMN IT!

26
00:04:44,461 --> 00:04:47,263
THEY'RE NOT ALL HERE
TO BE SAVED, BROTHER JUSTIN.

27
00:04:47,364 --> 00:04:49,966
THEY'VE COME BECAUSE
THEY WERE CALLED,
MR. DOLAN.

28
00:04:50,066 --> 00:04:52,703
I NEED THEM ALL.

29
00:04:56,006 --> 00:04:59,976
Sofie:
EVERYTHING SEEMS WORSE
WHEN I'M TRYING TO SLEEP.

30
00:05:01,412 --> 00:05:04,848
I SMELLED SMOKE.
IT WASN'T A DREAM.

31
00:05:07,117 --> 00:05:08,619
IT WASN'T.

32
00:05:08,719 --> 00:05:11,522
SOMETIMES I WONDER
IF ALL THIS AIN'T THE DREAM.

33
00:05:11,622 --> 00:05:14,825
IF IT IS,
I WANT TO WAKE UP.

34
00:05:17,628 --> 00:05:20,497
YOU SHOULD DO THAT MORE.

35
00:05:24,435 --> 00:05:25,869
I WAS WONDERING...

36
00:05:25,969 --> 00:05:29,540
IF YOU WANNA DO ONE
OF THOSE READINGS
WITH THE CARDS.

37
00:05:29,640 --> 00:05:32,943
IT DOESN'T WORK
WITHOUT MAMA.

38
00:05:34,478 --> 00:05:36,413
WE COULD GIVE IT A SHOT.

39
00:05:36,513 --> 00:05:39,416
I DON'T DO THAT ANYMORE.

40
00:05:43,386 --> 00:05:44,655
DO ME A FAVOR,

41
00:05:44,755 --> 00:05:47,491
GET THE CARDS.
BURN THEM.

42
00:05:47,591 --> 00:05:50,226
TAKE THEM OUT OF MY PLACE
AND BURN THEM.

43
00:05:50,326 --> 00:05:53,797
I DON'T EVER WANT
TO SEE 'EM AGAIN.

44
00:05:58,669 --> 00:06:01,772
I TAKE IT YOU'LL
BE NEEDING A TRUCK.

45
00:06:01,872 --> 00:06:04,007
YEAH.

46
00:06:04,107 --> 00:06:06,843
BEEN IN INGRAM A WEEK.

47
00:06:06,943 --> 00:06:12,549
A SHIT BURG LIKE THIS...
IT AIN'T WORTH A DAY.

48
00:06:14,585 --> 00:06:16,252
WHAT'RE YOU SAYIN'?

49
00:06:16,352 --> 00:06:18,789
IF WE STICK AROUND
MUCH LONGER,

50
00:06:18,889 --> 00:06:20,791
THEY'RE GONNA
START GROUSING.

51
00:06:20,891 --> 00:06:22,793
YOU TELL HIM I'M DOING
THE BEST I CAN.

52
00:06:22,893 --> 00:06:25,862
- HE KNOWS THAT.
- THEN WHY YOU CRAWLING UP
MY HOOP ABOUT IT?

53
00:06:25,962 --> 00:06:28,599
I'VE BEEN
ALL OVER THIS PLACE.
I AIN'T FOUND NOTHING.

54
00:06:28,699 --> 00:06:31,635
IT'S NOT LIKE KERRIGAN
GAVE ME A ROAD MAP.

55
00:06:31,735 --> 00:06:35,739
ALL RIGHT,
I'M JUST ASKING.

56
00:06:38,909 --> 00:06:42,045
THERE'S SOME RANCH ROADS
IN THE HILLS.

57
00:06:43,514 --> 00:06:46,149
I'M GONNA RUN THEM OUT,
SEE WHAT'S WHAT.

58
00:06:49,319 --> 00:06:51,688
I'LL TELL HIM.

59
00:06:55,325 --> 00:06:57,628
KID...

60
00:06:58,962 --> 00:07:01,231
WATCH YOUR BACK.

61
00:07:01,331 --> 00:07:03,934
IS THAT COMING
FROM YOU OR HIM?

62
00:07:04,034 --> 00:07:06,737
IT'S BOTH OF US.

63
00:07:12,175 --> 00:07:15,612
- ( ragtime music blaring )
- ( wind roaring )

64
00:07:17,013 --> 00:07:20,684
TURN OFF THAT DAMNED
SQUAWK-O-DYNE.

65
00:07:27,023 --> 00:07:29,660
Announcer:
Drink Moxie,
the only soft drink

66
00:07:29,760 --> 00:07:31,628
with the genuine
Moxie taste.

67
00:07:31,728 --> 00:07:35,766
MOXIE, THE ONLY SOFT DRINK
YOU'LL EVER CRAVE.

68
00:07:35,866 --> 00:07:38,669
AND NOW,
LADIES AND GENTLEMAN,

69
00:07:38,769 --> 00:07:41,037
LEND A KIND EAR,
AS WE BRING YOU

70
00:07:41,137 --> 00:07:47,010
Brother Justin's
Saturday morning
"Church of the Air"!

71
00:07:53,684 --> 00:07:56,152
GOOD MORNING,
BROTHERS AND SISTERS.

72
00:07:56,252 --> 00:08:00,691
I WAS JUST MAKING SOME NOTES
A FEW MOMENTS AGO.

73
00:08:00,791 --> 00:08:04,961
AND YOU'LL NEVER BELIEVE
WHAT I WAS THINKING ABOUT.

74
00:08:05,061 --> 00:08:10,100
I WAS THINKING ABOUT...
SALT.

75
00:08:10,200 --> 00:08:13,937
IN MANY WAYS,
SALT MIGHT APPEAR TO BE
A CURSE FROM ABOVE.

76
00:08:14,037 --> 00:08:17,774
THE SALT FROM THE SWEAT
OF OUR BACK-BREAKING LABORS.

77
00:08:17,874 --> 00:08:21,444
THE SALT FROM THE TEARS
OF A CHILD GONE HUNGRY.

78
00:08:21,544 --> 00:08:27,183
THE SALT RUBBED UNMERCIFULLY
INTO THE LASH MARKS
LEFT BY THE WHIP.

79
00:08:27,283 --> 00:08:29,920
THE OCEANS THEMSELVES,
GREAT BODIES OF WATER

80
00:08:30,020 --> 00:08:33,389
THAT MIGHT IRRIGATE
THIS WITHERED LAND,
BUT CANNOT. AND WHY?

81
00:08:33,489 --> 00:08:38,194
BECAUSE THEY ARE
POISONED WITH SALT.

82
00:08:39,229 --> 00:08:42,633
AND YET... WE KNOW

83
00:08:42,733 --> 00:08:45,001
THAT IT IS NOT A CURSE;

84
00:08:46,302 --> 00:08:47,871
IT IS A BLESSING.

85
00:08:47,971 --> 00:08:51,742
A MERE PINCH KILLS
THE WRITHING SLUG

86
00:08:51,842 --> 00:08:53,610
THAT RAVISHES OUR GARDEN,

87
00:08:53,710 --> 00:08:57,313
the leech that sucks
our lifeblood.

88
00:08:59,249 --> 00:09:02,352
And let us not forget,
brothers and sisters,

89
00:09:02,452 --> 00:09:04,587
the salt upon our tables,

90
00:09:04,688 --> 00:09:07,824
PURE AND WHITE,

91
00:09:07,924 --> 00:09:11,494
THAT INCREASES
OUR ENJOYMENT

92
00:09:11,594 --> 00:09:14,665
OF GOD'S SIMPLE BOUNTY.

93
00:09:21,337 --> 00:09:22,706
Ruthie:
YOU MIND?

94
00:09:22,806 --> 00:09:26,509
- WHAT HAPPENED?
- THEY'VE BEEN SKITTISH.

95
00:09:26,609 --> 00:09:29,412
ONE OF THEM MUST'VE BIT
THE OTHERS...

96
00:09:29,512 --> 00:09:31,982
OR THEY GOT SICK.

97
00:09:34,150 --> 00:09:37,253
WHO KNOWS WHY
SOME THINGS DIE?

98
00:09:40,490 --> 00:09:43,526
WHY YOU BEEN
DUCKING ME, BEN?

99
00:09:43,626 --> 00:09:46,663
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.

100
00:09:46,763 --> 00:09:50,400
YEAH?
THEN WHY WON'T YOU
EVEN LOOK AT ME?

101
00:09:51,902 --> 00:09:54,237
IF I DID SOMETHING TO YOU,
OR SAID SOMETHING,

102
00:09:54,337 --> 00:09:57,207
YOU STAND UP LIKE A MAN,
BEN HAWKINS, AND YOU TELL ME.

103
00:09:57,307 --> 00:10:00,310
DON'T YOU HIDE
FROM ME LIKE YOU HIDE
FROM EVERYTHING ELSE.

104
00:10:00,410 --> 00:10:02,278
I AIN'T HIDING FROM YOU.

105
00:10:02,378 --> 00:10:06,582
WELL, YOU'RE DOING
A PRETTY GOOD IMPERSONATION.

106
00:10:06,683 --> 00:10:09,485
OKAY, I DON'T WANT
TO BE AROUND YOU.

107
00:10:09,585 --> 00:10:11,922
SATISFIED?

108
00:10:13,656 --> 00:10:15,358
YOU'RE SCARED OF SOMETHING.

109
00:10:15,458 --> 00:10:19,830
THE ONLY THING SCARES ME
IS FOLKS USING OTHER FOLKS
TO USE ME.

110
00:10:19,930 --> 00:10:21,965
YOU THINK
I WANT TO USE YOU?
FOR WHAT?

111
00:10:22,065 --> 00:10:25,168
FORGET IT, GOD DAMN IT.
IT AIN'T EVEN ABOUT YOU!

112
00:10:27,537 --> 00:10:29,940
JUST FORGET EVERYTHING.

113
00:10:30,941 --> 00:10:33,844
YOU SAID IT--
SOME THINGS DIE;

114
00:10:35,812 --> 00:10:38,281
SOME THINGS DON'T.

115
00:11:18,454 --> 00:11:20,824
( ragtime music playing )

116
00:11:20,924 --> 00:11:23,894
Rita Sue:
I CAN'T KEEP UP
THIS PACE, FELIX.

117
00:11:23,994 --> 00:11:25,695
Stumpy:
OH HELL,
THIS AIN'T NOTHING.

118
00:11:25,796 --> 00:11:29,532
YOU GOT US PUTTING OUT
FROM NOON TILL SUNDAY.

119
00:11:29,632 --> 00:11:33,603
WELL, THIS ONE HERE'S
A SPECIAL FELLOW.

120
00:11:33,703 --> 00:11:36,907
TRUTH BE TOLD, HE'S AN ALDERMAN,
COULD BE MAYOR OF INGRAM
SOME DAY.

121
00:11:37,007 --> 00:11:39,409
I THOUGHT IT WOULD MAKE...

122
00:11:39,509 --> 00:11:42,813
MAKE PRETTY GOOD SENSE
FOR THE FUTURE, IS WHA
I THOUGHT.

123
00:11:44,180 --> 00:11:46,016
YOU'RE FULL OF SHIT,
AS USUAL.

124
00:11:46,116 --> 00:11:47,851
OKAY, THEN.
I'LL SEND HIM ON HIS WAY.

125
00:11:47,951 --> 00:11:50,186
NO MATTER.
YOU SAY THE WORD.

126
00:11:55,458 --> 00:11:57,794
I'M ALL...

127
00:11:57,894 --> 00:12:00,230
MESSED UP
DOWN THERE.

128
00:12:20,583 --> 00:12:22,886
( belches )

129
00:12:32,395 --> 00:12:34,297
( groans )

130
00:12:39,202 --> 00:12:42,906
JUST GET OUT OF HERE.
GET!

131
00:12:44,674 --> 00:12:48,011
( fizzing )

132
00:13:04,961 --> 00:13:06,997
HEY, SOFIE!

133
00:13:12,135 --> 00:13:13,603
DID YOU DO
LIKE I ASKED?

134
00:13:13,703 --> 00:13:16,506
YEAH, I BURNED THEM.
EXCEPT THIS ONE.

135
00:13:16,606 --> 00:13:19,542
WHAT'S IT MEAN?

136
00:13:19,642 --> 00:13:21,177
NEVER SEEN IT BEFORE.

137
00:13:21,277 --> 00:13:23,213
IT WAS IN THERE
WITH THE OTHERS.

138
00:13:23,313 --> 00:13:25,615
WELL, I'VE SEEN EVERY ONE
A THOUSAND TIMES.

139
00:13:25,715 --> 00:13:28,584
IT'S NOT ONE OF MINE.

140
00:13:28,684 --> 00:13:31,354
IT WAS IN THERE
WITH THE OTHERS!

141
00:13:31,454 --> 00:13:33,623
THEN BURN IT!

142
00:14:28,878 --> 00:14:31,447
WELCOME HOME, NORMAN.

143
00:14:36,386 --> 00:14:38,154
HEY, JONES.

144
00:14:38,788 --> 00:14:40,490
LIBBY.

145
00:14:44,260 --> 00:14:46,829
- HERE, I GOT IT.
- NO, DON'T.

146
00:14:46,929 --> 00:14:49,165
NO, NO.
IT'S ALL RIGHT.

147
00:14:51,634 --> 00:14:53,569
PUT HER THERE.

148
00:14:58,041 --> 00:15:00,110
THERE YOU GO.

149
00:15:02,812 --> 00:15:04,714
Samson:
HEY, JONESY.

150
00:15:04,814 --> 00:15:06,983
HOW YOU DOING THERE,
BUTTERCUP?

151
00:15:07,083 --> 00:15:09,452
- HOW COME YOU AIN'T INSIDE?
- COMMERCE.

152
00:15:09,552 --> 00:15:12,989
SINCE WHEN'D YOUR MAMA
PLY HER TRADE BEFORE
THE CRACK OF NOON?

153
00:15:13,089 --> 00:15:15,425
ASK HER SQUEALING JOHNNIE.

154
00:15:24,700 --> 00:15:27,003
I COULD USE AN EXTRA PAIR
OF HANDS ON COLOSSUS.

155
00:15:27,103 --> 00:15:29,372
HELL, YOU GOT FOUR GUYS
ON THERE NOW.

156
00:15:29,472 --> 00:15:31,641
THREE GUYS.

157
00:15:33,576 --> 00:15:35,678
Samson:
SHE SEEMS TO BE
HOLDING HER OWN.

158
00:15:35,778 --> 00:15:38,481
Jones:
IT AIN'T HER.
IT'S THE REST OF THEM.

159
00:15:38,581 --> 00:15:40,316
THEY DON'T LIKE IT.

160
00:15:40,416 --> 00:15:43,053
- SINCE WHEN DOES THAT CUT ICE?
- PLUS SHE DON'T KNOW JACK.

161
00:15:43,153 --> 00:15:46,389
SO? OSGOOD DON'T KNOW
HOW TO FIND HIS PECKER

162
00:15:46,489 --> 00:15:49,492
IF THE LIGHT ISN'T ON.
HE MANAGES.

163
00:15:51,661 --> 00:15:54,064
LOOK, IF YOU'RE ANGLING
TO GET HER ASS CAND,

164
00:15:54,164 --> 00:15:56,766
YOU'RE HUNTING
WITH THE WRONG DOG.
I LIKE HER.

165
00:15:56,866 --> 00:15:58,901
HELL, SAMSON!
IT'S YOUR SHOW--

166
00:15:59,001 --> 00:16:02,505
AND IT'S YOUR CREW!
YOU WANNA CAN HER,
DON'T EVEN TALK TO ME.

167
00:16:02,605 --> 00:16:04,374
YOU HANDLE IT!

168
00:16:11,614 --> 00:16:13,783
( clangs )

169
00:16:13,883 --> 00:16:15,918
WATCH IT UP THERE!

170
00:16:16,018 --> 00:16:18,388
SORRY.

171
00:16:28,298 --> 00:16:30,233
LITTLE LATE IN THE DAY
FOR BREAKFAST.

172
00:16:30,333 --> 00:16:34,804
HONEY PIE,
I COULD EAT BREAKFAST
THREE TIMES A DAY.

173
00:16:37,340 --> 00:16:40,310
GIVE A HOLLER
IF THERE'S ANYTHING ELSE.

174
00:16:44,714 --> 00:16:46,316
ONE THING--

175
00:16:46,416 --> 00:16:48,551
THE NIGHT OF THE FIRE
AT THE MISSION,

176
00:16:48,651 --> 00:16:51,121
YOU SAW THE CAR.

177
00:16:52,655 --> 00:16:54,890
DAMNED VULTURE.

178
00:16:54,990 --> 00:16:57,727
YOU WANT A STORY,
TALK TO THE COPS.

179
00:16:57,827 --> 00:17:01,331
IT'S OVER.
WHY DON'T YOU
GIVE IT A REST?

180
00:17:01,431 --> 00:17:05,935
YOU KNOW, A YOUNG LADY
CAME TO ME THE OTHER DAY,

181
00:17:06,035 --> 00:17:07,770
NO OLDER THAN YOU,
I'M SURE.

182
00:17:07,870 --> 00:17:11,307
SHE WAS A GOOD CHRISTIAN
WHO HAD BEEN IN A BAD WAY.

183
00:17:11,407 --> 00:17:14,844
AN UNWED MOTHER,
HAD TO GIVE HER BABY UP
A FEW YEARS BACK.

184
00:17:14,944 --> 00:17:18,080
SHE'D GOTTEN HER LIFE
BACK ON TRACK

185
00:17:18,181 --> 00:17:19,915
AND TOLD ME
I COULD INTERVIEW HER

186
00:17:20,015 --> 00:17:21,684
IF I COULD JUST FIND OUT
IF HER BABY

187
00:17:21,784 --> 00:17:24,620
WAS AMONG THOSE WHO PERISHED
IN THE MINTERN FIRE.

188
00:17:24,720 --> 00:17:28,124
I HAD TO TELL HER
HE WAS.

189
00:17:28,224 --> 00:17:31,727
ME, NOT THE COPS.

190
00:17:33,329 --> 00:17:36,299
NOW, WHAT I COULDN'T
TELL HER

191
00:17:36,399 --> 00:17:39,235
WAS THAT THE FLESH
OF THOSE CHILDREN

192
00:17:39,335 --> 00:17:41,137
ROASTED SO BLACK,

193
00:17:41,237 --> 00:17:43,806
IT FELL STRAIGHT AWAY
FROM THEIR LITTLE BONES

194
00:17:43,906 --> 00:17:46,309
WHEN THEY TRIED
TO MOVE THEM.

195
00:17:53,283 --> 00:17:55,451
( change jingles )

196
00:17:56,118 --> 00:17:57,420
"LET IT REST"?

197
00:17:57,520 --> 00:17:59,689
HOW DO YOU SUPPOSE
SHE RESTS?

198
00:17:59,789 --> 00:18:03,426
HOW DO YOU SUPPOSE
THOSE KIDS ARE RESTING?

199
00:18:12,268 --> 00:18:14,304
HE WAS SLUMPED DOWN.

200
00:18:14,404 --> 00:18:16,306
SLUMPED DOWN,
OR NOT VERY TALL?

201
00:18:16,406 --> 00:18:18,508
I COULDN'T SEE HIM.

202
00:18:18,608 --> 00:18:21,143
YOU'RE SURE
IT WAS A HIM?

203
00:18:21,244 --> 00:18:23,879
COULD IT HAVE BEEN
A WOMAN?

204
00:18:26,982 --> 00:18:30,320
YEAH. YEAH,
IT MIGHT HAVE BEEN.

205
00:18:35,891 --> 00:18:38,261
JUST ONE MORE THING--

206
00:18:42,164 --> 00:18:44,534
TOAST.

207
00:18:45,435 --> 00:18:47,570
I ASKED
FOR WHEAT TOAST.

208
00:18:47,670 --> 00:18:50,172
DRY.

209
00:18:52,575 --> 00:18:54,544
YEAH.

210
00:19:20,736 --> 00:19:22,672
HOWDY, FRIEND.

211
00:19:22,772 --> 00:19:25,708
YOU KNOW SOMEBODY
AROUND THESE PARTS
CALLED THE CRONE?

212
00:19:25,808 --> 00:19:28,511
TAKE THIS ROAD
FOR A COUPLE OF MILES,

213
00:19:28,611 --> 00:19:31,814
AND RIGHT UP YONDER,
THE ROAD SPLITS.

214
00:19:31,914 --> 00:19:33,416
YOU BEAR RIGHT,

215
00:19:33,516 --> 00:19:35,951
THEN YOU WILL BE ON
OLD CHERRY BLOSSOM ROAD.

216
00:19:36,051 --> 00:19:37,787
YOU GO TILL YOU SEE
A HOUSE.

217
00:19:37,887 --> 00:19:40,756
HOW DO I KNOW
THE HOUSE?

218
00:19:40,856 --> 00:19:42,592
AIN'T BUT ONE.

219
00:19:42,692 --> 00:19:46,128
HEY, HEY,
HOLD UP A MITE,
FRIEND.

220
00:19:46,228 --> 00:19:49,865
HERE. COME ON OUT.
I NEED TO SHOW YOU
SOMETHING.

221
00:19:49,965 --> 00:19:54,236
- WHAT?
- WELL, COME ON OUT.
I WON'T HURT YOU.

222
00:20:17,927 --> 00:20:20,262
GO ON.
SHOW HIM.

223
00:20:26,469 --> 00:20:28,371
WHAT THE HELL
YOU DO THAT FOR?

224
00:20:28,471 --> 00:20:32,174
SHE'S ABNORMAL.
A RETARD.

225
00:20:32,274 --> 00:20:34,777
BUT SHE DON'T COMPLAIN.

226
00:20:34,877 --> 00:20:38,614
WON'T TELL NOBODY.
BACK OF YOUR TRUCK
FOR $2.

227
00:20:39,849 --> 00:20:42,017
SHE'S TIGHT.

228
00:20:57,132 --> 00:20:59,535
( whimpering )

229
00:21:05,375 --> 00:21:07,743
I'M SORRY.

230
00:21:27,329 --> 00:21:30,566
DON'T DO THAT NO MORE.

231
00:21:31,367 --> 00:21:34,737
NO, I WON'T.

232
00:21:34,837 --> 00:21:37,106
EVER AGAIN.

233
00:21:41,043 --> 00:21:42,945
( sniveling )

234
00:21:53,956 --> 00:21:59,662
Stroud:
* JUST ME AND MY SHADOW

235
00:21:59,762 --> 00:22:04,133
* ALL ALONE
AND FEELIN' BLUE... *

236
00:22:23,786 --> 00:22:25,621
( humming )

237
00:22:41,804 --> 00:22:46,141
HENRY SCUDDER.
LOOK AT YOU.

238
00:22:49,812 --> 00:22:52,582
* AND WHEN IT'S 12:00

239
00:22:52,682 --> 00:22:55,217
* WE CLIMB THE STAIRS

240
00:22:55,317 --> 00:22:56,786
* WE NEVER KNOCK

241
00:22:56,886 --> 00:23:00,089
( echoing )
* 'CAUSE NOBODY'S THERE.

242
00:23:00,189 --> 00:23:03,392
Justin:
* AND WHEN IT'S 12:00

243
00:23:03,493 --> 00:23:07,062
* AND WE CLIMB
THE STAIRS *

244
00:23:07,162 --> 00:23:10,265
* WE NEVER KNOCK

245
00:23:10,365 --> 00:23:14,570
* FOR THERE'S NOBODY--
WHOOP!

246
00:23:16,772 --> 00:23:19,542
THERE.

247
00:23:33,489 --> 00:23:37,760
YOU KNOW,
I CAN REMEMBER...

248
00:23:37,860 --> 00:23:40,630
SITTING
AT YOUR KNEE
AT THE PERGOLA

249
00:23:40,730 --> 00:23:43,365
IN THE COOL
SPRING EVENINGS

250
00:23:43,465 --> 00:23:45,400
WHILE YOU READ
YOUR BIBLE.

251
00:23:45,501 --> 00:23:47,703
OPEN.

252
00:23:47,803 --> 00:23:51,240
GOOD.

253
00:23:51,340 --> 00:23:53,809
I REMEMBER TRYING
TO LIFT IT.

254
00:23:55,978 --> 00:23:59,515
IT SEEMED TOO HEAVY
FOR ONE PERSON TO HOLD.

255
00:23:59,615 --> 00:24:03,118
YOU KNOW THE FIRST WORD
I COULD READ IN ENGLISH--

256
00:24:03,218 --> 00:24:05,254
OPEN.

257
00:24:05,354 --> 00:24:08,123
--WAS FROM YOUR BIBLE.

258
00:24:13,295 --> 00:24:17,499
IT WAS "GARDEN."
REMEMBER?

259
00:24:17,600 --> 00:24:21,637
OH, IT'S GOING
TO GLISTEN, NORMAN.

260
00:24:21,737 --> 00:24:25,875
THE RADIO TOWER ALONE
WILL BE OVER 200 FEET TALL.

261
00:24:42,457 --> 00:24:45,895
DID I TELL YOU
WHAT TOMMY DOLAN SAID?

262
00:24:48,864 --> 00:24:50,499
HE SAID,

263
00:24:50,600 --> 00:24:54,737
IN A SINGLE
COAST-TO-COAST
BROADCAST...

264
00:24:54,837 --> 00:24:56,839
I WILL SPEAK
TO MORE SOULS

265
00:24:56,939 --> 00:25:01,176
THAN OUR LORD DID
IN HIS ENTIRE LIFETIME.

266
00:25:06,448 --> 00:25:09,218
IT'S GOING
TO BE BREATHTAKING.

267
00:25:49,224 --> 00:25:51,727
THAT'S RIGHT, GENTLEMEN,
STEP RIGHT UP IN CLOSE

268
00:25:51,827 --> 00:25:56,431
TO WITNESS THE PLUSH, RICH
TEXTURE OF WOMANHOOD
SELDOM SEEN.

269
00:25:56,531 --> 00:25:59,769
PLENTY OF ROOM, BOYS.
STEP ON IN.

270
00:25:59,869 --> 00:26:02,805
YOU AIN'T GONNA
LIKE THIS, MAMA.

271
00:26:05,741 --> 00:26:07,943
C'MON BOYS.
COME ON IN TIGHT

272
00:26:08,043 --> 00:26:10,813
AND GET A GANDER
OF SOMETHING YOU'RE NOT
LIKELY TO SEE

273
00:26:10,913 --> 00:26:15,250
UNTIL YOUR WEDDING NIGHT,
AND MAYBE NOT EVEN THEN.

274
00:26:15,350 --> 00:26:17,653
( chuckles )

275
00:26:20,622 --> 00:26:23,926
COME ON OUT HERE,
LITTLE FLOWERS,

276
00:26:24,026 --> 00:26:28,664
AND DEMONSTRATE THE MEANING
OF THE WORD DESIRE!

277
00:26:28,764 --> 00:26:30,900
( cheering )

278
00:26:34,704 --> 00:26:37,639
( burlesque music playing )

279
00:26:37,740 --> 00:26:39,608
THIS IS NOT
YOUR MOTHER.

280
00:26:39,709 --> 00:26:41,543
THIS IS
NOT YOUR SISTER.

281
00:26:41,643 --> 00:26:44,346
THIS IS NOT
YOUR AUNT CLAUDINE.

282
00:26:44,446 --> 00:26:46,615
FRET NOT,
GENTLEMEN,

283
00:26:46,716 --> 00:26:48,884
WHERE YOUR IMAGINATION
WILL TAKE YOU.

284
00:26:48,984 --> 00:26:51,286
IT TAKES YOU
TO A LAND

285
00:26:51,386 --> 00:26:54,924
WHERE ONLY PLEASURE
RESIDES.

286
00:26:56,591 --> 00:26:58,928
( boys hooting )

287
00:27:06,969 --> 00:27:09,104
YOU BEEN SWIGGING
WOOD ALCOHOL AGAIN?

288
00:27:09,204 --> 00:27:12,641
- WHAT?
- YOU'RE PEDDLING FLESH TO A
GODDAMN SUNDAY SCHOOL OUTING.

289
00:27:12,742 --> 00:27:14,443
DON'T YOU EVER DEMEAN
WHAT I DO.

290
00:27:14,543 --> 00:27:16,779
I DO NOT PEDDLE FLESH.
I SELL DREAMS.

291
00:27:16,879 --> 00:27:19,214
THIS IS WHAT COMES FROM DOING
A SHOW BEFORE DUSK.

292
00:27:19,314 --> 00:27:21,350
IF THEY DON'T RUN US OUT
THEY'RE GONNA LOCK US UP.

293
00:27:21,450 --> 00:27:23,853
Stumpy:
NO, NO, DARLING.
NO, NO, NO.

294
00:27:23,953 --> 00:27:27,522
THE LITTLE
FRECKLY-FACED KID OUT THERE,
HE'S THE SHERIFF'S SON.

295
00:27:27,622 --> 00:27:30,926
SEE, HIS OLD MAN
SLIPPED ME A FIN,
TOLD ME TO WALK THEM IN.

296
00:27:31,026 --> 00:27:34,629
AND YOU KNOW ME.
I NEVER ARGUE WITH LAW
OR LOCAL CUSTOM.

297
00:27:34,730 --> 00:27:37,166
WE DOING KIDDIE SHOWS NOW?

298
00:27:39,434 --> 00:27:41,570
IT'S HIS BIRTHDAY.

299
00:27:41,670 --> 00:27:43,472
OH.

300
00:27:45,374 --> 00:27:49,144
YOU BETTER GO OUT THERE.
GET ON. YOUR DAUGHTER'S
DANCING LONELY.

301
00:27:49,244 --> 00:27:52,815
( sighs )

302
00:27:59,221 --> 00:28:01,356
( cheering )

303
00:28:12,234 --> 00:28:13,635
HEY THERE, BUD!

304
00:28:13,735 --> 00:28:17,172
HEY. WHY DON'T YOU
GET ON IN THERE

305
00:28:17,272 --> 00:28:18,673
FREE OF CHARGE?

306
00:28:18,774 --> 00:28:20,642
OH GOD,
IT'S GONNA BE A HELL
OF A BLOW-OFF.

307
00:28:20,742 --> 00:28:22,812
I AIN'T HERE
FOR NO TITTY SHOW.

308
00:28:22,912 --> 00:28:25,915
OH HELL NO.
I KNOW THAT.

309
00:28:33,222 --> 00:28:34,990
WELL.

310
00:28:35,090 --> 00:28:37,692
I HAD BETTER--
I'D BETTER GET BACK
ON IN THERE

311
00:28:37,793 --> 00:28:40,462
OR THE WARDEN WILL
SKIN ME ALIVE.

312
00:28:40,562 --> 00:28:42,965
YOU KNOW WHAT I MEAN?

313
00:28:50,572 --> 00:28:53,508
LATER.
AFTER THE SHOW.

314
00:29:05,654 --> 00:29:08,557
( squeaking )

315
00:29:56,171 --> 00:29:58,207
HEY!

316
00:30:36,678 --> 00:30:39,014
( buzzing )

317
00:30:48,723 --> 00:30:51,526
ANYBODY?

318
00:31:00,302 --> 00:31:02,804
I'D LIKE TO SEND
A TELEGRAM, PLEASE.

319
00:31:02,904 --> 00:31:05,574
TO JUSTIN CROWE,

320
00:31:05,674 --> 00:31:08,777
MINTERN, CALIFORNIA,
FROM...

321
00:31:08,877 --> 00:31:10,845
MICHAEL.

322
00:31:10,946 --> 00:31:12,314
"LEAVING TEXAS. STOP.

323
00:31:12,414 --> 00:31:14,950
PUSHING ON
TO NEW MEXICO. STOP.

324
00:31:15,050 --> 00:31:19,021
IMPRESSIVE SCENERY.
STOP."

325
00:31:20,189 --> 00:31:23,292
OH--
MAKE THAT COLLECT.

326
00:31:23,392 --> 00:31:25,427
YES, SIR.

327
00:32:06,568 --> 00:32:09,404
( twig cracks )

328
00:32:09,504 --> 00:32:12,174
- ANYONE?
- ( distant shouting )

329
00:32:12,274 --> 00:32:14,109
I AIN'T NO TRESPASSER.

330
00:32:14,209 --> 00:32:17,712
- WHAT'S YOURS IS YOURS.
- ( men hooting )

331
00:32:18,847 --> 00:32:21,750
( noises continuing )

332
00:32:24,586 --> 00:32:27,089
( metal clattering )

333
00:32:29,824 --> 00:32:31,593
I AIN'T THE LAW!

334
00:32:31,693 --> 00:32:34,496
I AIN'T NO POACHER!

335
00:32:45,474 --> 00:32:47,642
( hollering )

336
00:33:21,042 --> 00:33:23,412
( grunts )

337
00:33:26,181 --> 00:33:28,117
( rock whizzes )

338
00:33:33,955 --> 00:33:36,491
- ( whizzes )
- ( grunts )

339
00:34:10,091 --> 00:34:13,295
COME ON.

340
00:34:13,395 --> 00:34:15,864
- ( laughing )
- ( Ben coughing )

341
00:34:40,855 --> 00:34:42,857
( sighs )

342
00:34:48,897 --> 00:34:51,233
( softly )
WHEN YOU WERE A KID,

343
00:34:51,333 --> 00:34:54,903
YOU THOUGHT THE SEAMS

344
00:34:55,003 --> 00:34:57,906
WERE VEINS.

345
00:35:44,386 --> 00:35:47,822
- ( exotic music playing )
- Man: YOU'RE SOMETHING ELSE,
HONEY.

346
00:35:54,329 --> 00:35:56,698
Man 2:
COME ON, GIVE IT A KISS!

347
00:36:04,339 --> 00:36:07,309
- ( snake hisses )
- ( man cackles )

348
00:36:10,812 --> 00:36:11,946
( gasps )

349
00:36:13,615 --> 00:36:15,950
( gasping )

350
00:36:16,050 --> 00:36:18,320
SOMEBODY HELP!

351
00:36:31,099 --> 00:36:33,368
- KILL IT.
- Man: YEAH, KILL IT.

352
00:36:33,468 --> 00:36:37,372
- KILL IT!
- YOU HEARD HER, KILL IT.

353
00:36:38,006 --> 00:36:40,309
( screaming )

354
00:36:55,023 --> 00:36:57,359
( monkey chittering )

355
00:37:01,830 --> 00:37:05,600
HEY, THAT SHITSACK MONKEY
IS TRYING TO GET MY 'SHINE.

356
00:37:09,371 --> 00:37:11,406
( spits )

357
00:37:13,408 --> 00:37:16,478
( laughing )
LOOK AT THAT FUCKING MONKEY.

358
00:37:18,380 --> 00:37:21,583
ALL HE DOES IS
PISS AND SHIT.

359
00:37:52,246 --> 00:37:54,248
WHAT'RE YOU DOING?

360
00:37:54,349 --> 00:37:56,418
AIN'T IT CLEAR?

361
00:38:05,827 --> 00:38:07,362
THAT'S ENOUGH NOW.

362
00:38:07,462 --> 00:38:09,398
LEAVE SOME FOR THE WORMS.

363
00:38:10,499 --> 00:38:13,802
I SAID THAT'S
E-GODDAMN-NOUGH!

364
00:38:31,853 --> 00:38:33,855
GO BURY HIM.

365
00:38:51,339 --> 00:38:55,243
DEEP!
NOT LIKE THE LAST ONE.

366
00:38:55,343 --> 00:38:57,412
THAT'S RIGHT, JOANNE.

367
00:38:57,512 --> 00:39:00,449
YOU A PRETTY LITTLE LADY,

368
00:39:00,549 --> 00:39:02,417
THAT'S WHAT YOU ARE.

369
00:39:02,517 --> 00:39:05,787
YEAH, THAT'S WHAT YOU ARE.

370
00:39:07,789 --> 00:39:10,859
Man:
INSIDE'S SHUT DOWN!

371
00:39:10,959 --> 00:39:12,894
( honks )

372
00:39:18,099 --> 00:39:21,570
Stumpy:
I'M SORRY
IT'S TAKEN SO LONG,

373
00:39:21,670 --> 00:39:23,838
BUT WE HAVE BEEN WORKING
TRIPLE-TIME

374
00:39:23,938 --> 00:39:27,576
- JUST TO MAKE THINGS RIGHT.
- Bud: THAT'S SWEET.
WHERE IS IT?

375
00:39:40,655 --> 00:39:44,325
Bud:
WHERE'S THE REST?

376
00:39:44,425 --> 00:39:47,796
Stumpy:
LOOK, DO YOU
WANT A DRINK?

377
00:39:50,098 --> 00:39:53,234
- NEXT WEEK?
- NEXT WEEK.

378
00:39:53,334 --> 00:39:56,204
DON'T, UH...

379
00:39:57,572 --> 00:39:59,474
DON'T MAKE ME
TAKE MEASURES.

380
00:39:59,574 --> 00:40:02,343
- NO. HELL NO.
- NO.

381
00:40:02,443 --> 00:40:04,646
BUD, I WOULD NEVER
MAKE YOU DO THAT.

382
00:40:04,746 --> 00:40:07,281
- NO, NOT EVER.
- Bud: NO, OF COURSE.

383
00:40:07,381 --> 00:40:09,518
- NEXT WEEK, THEN?
- YES, SIR.

384
00:40:09,618 --> 00:40:11,753
THAT'S MIGHTY WHITE
OF YOU.

385
00:40:13,221 --> 00:40:14,889
WELL, HEY THERE,
LAMBCHOP!

386
00:40:14,989 --> 00:40:19,794
YOU REMEMBER BUD EVERHARD,
MY OLD PARTNER IN CRIME.

387
00:40:19,894 --> 00:40:22,797
- I DON'T BELIEVE SO.
- BUD AND I TRIED TO OPEN

388
00:40:22,897 --> 00:40:26,100
THAT CATHOUSE
ON THE RESERVATION
OUTSIDE ALBUQUERQUE

389
00:40:26,200 --> 00:40:28,102
ONCE UPON A TIME.

390
00:40:28,202 --> 00:40:30,004
IT WAS...
( laughing )

391
00:40:30,104 --> 00:40:34,175
I TOLD YOU THAT ONE.
I TOLD YOU THAT,
I'M SURE.

392
00:40:34,275 --> 00:40:35,977
I TOLD HER THAT ONE
50 TIMES.

393
00:40:36,077 --> 00:40:37,779
UH-HUH.

394
00:40:37,879 --> 00:40:39,514
I HAVE ANOTHER STOP
TO MAKE,

395
00:40:39,614 --> 00:40:43,084
BUT IT WAS A PLEASURE
MEETING YOU, MRS. DREIFUSS.

396
00:40:43,985 --> 00:40:45,987
NEXT WEEK.

397
00:40:49,090 --> 00:40:52,260
BEST EGG IN THE WORLD,
BUD EVERHARD.

398
00:40:52,360 --> 00:40:56,264
RAN INTO SOME HARD LUCK
RECENTLY WITH THIS WIDOW
HE TOOK UP WITH--

399
00:40:56,364 --> 00:40:58,399
HOW MUCH ARE YOU
INTO HIM FOR?

400
00:40:58,499 --> 00:41:01,335
NOW, YOU SEE,
WHY DO YOU DO THAT?

401
00:41:01,435 --> 00:41:04,038
I GOT A TOUGH HIDE,
BUT SOMETIMES

402
00:41:04,138 --> 00:41:07,275
IT'S LIKE YOU AIM
TO HURT ME SOMETIMES.

403
00:41:56,424 --> 00:41:58,727
WHAT DO YOU WANT?!

404
00:42:12,674 --> 00:42:16,177
"I MAY NOT RETURN WITH THEE
AND NOR GO IN WITH THEE
BY THE BY,

405
00:42:16,277 --> 00:42:21,249
EAT BREAD WITH THEE
NOR DRINK WATER WITH THEE
IN THIS PLACE."

406
00:42:46,641 --> 00:42:49,243
OH, DEAR.

407
00:42:49,343 --> 00:42:51,379
GOODNESS!

408
00:42:51,479 --> 00:42:55,083
YES.
TERRIBLY CLUMSY OF ME.

409
00:43:06,695 --> 00:43:08,262
DOWN THERE.

410
00:43:28,482 --> 00:43:30,651
CELESTE?

411
00:43:56,177 --> 00:44:00,114
YOU LOOK AS IF
YOU'RE ABOUT TO PRAY.

412
00:44:00,214 --> 00:44:03,885
YOUR MOTHER TAUGHT YOU
HOW TO PRAY, DIDN'T SHE?

413
00:44:14,695 --> 00:44:18,232
- ( sighs deeply )
- ( zipper unzips )

414
00:44:19,600 --> 00:44:22,503
OH, MY DEAR, DEAR CELESTE.

415
00:44:22,603 --> 00:44:24,806
I WILL SHOW YOU THINGS.

416
00:44:24,906 --> 00:44:29,778
WONDERFUL, TERRIBLE THINGS.

417
00:44:58,539 --> 00:45:02,176
( panting )

418
00:45:41,883 --> 00:45:43,217
THAT'S IT?

419
00:45:43,317 --> 00:45:46,921
$3.28, A HOBO KNIFE
AND SOME GODDAMN BUTTONS?

420
00:45:48,289 --> 00:45:49,824
THAT DON'T HELP.

421
00:45:49,924 --> 00:45:52,526
SHE'S HOLDING OUT.

422
00:45:54,896 --> 00:45:57,298
HEY, COME ON.

423
00:45:57,398 --> 00:46:00,334
COME ON.

424
00:46:00,434 --> 00:46:02,570
COME ON!

425
00:46:04,873 --> 00:46:07,375
LOOK AT THAT.
I SAID.
YOU SEE THAT!

426
00:46:07,475 --> 00:46:09,543
IT'S SILVER.

427
00:46:14,682 --> 00:46:17,051
- OH, SHIT.
- WHAT?

428
00:46:22,690 --> 00:46:23,657
OH SHIT.

429
00:46:23,757 --> 00:46:26,060
HEY, ERN! ERN!
STOP!

430
00:46:26,160 --> 00:46:28,462
- WHAT DO YOU MEAN?
DAMN IT!
- STOP!

431
00:46:28,562 --> 00:46:30,899
DIG!

432
00:46:35,703 --> 00:46:37,571
- COME ON, SET HIM DOWN.
- ( panting )

433
00:46:37,671 --> 00:46:40,608
( coughing )

434
00:46:40,708 --> 00:46:42,343
GO ON.

435
00:46:42,443 --> 00:46:44,845
YOU OKAY?

436
00:46:48,616 --> 00:46:52,220
LOOK AT THIS.
IS THIS YOURS?

437
00:46:53,687 --> 00:46:56,190
- HUH?
- YEAH, YEAH.

438
00:46:58,159 --> 00:47:01,362
SHE'S BEEN WAITING
FOR YOU.

439
00:47:02,363 --> 00:47:04,098
YES, SIR.

440
00:47:05,466 --> 00:47:08,502
( wind gusting )

441
00:47:23,351 --> 00:47:25,386
WHO'S THERE?

442
00:47:34,028 --> 00:47:38,132
LODZ.
WHERE HAVE YOU BEEN?

443
00:48:06,460 --> 00:48:09,263
( classical waltz
playing )

444
00:49:03,984 --> 00:49:06,620
( door closes )

445
00:49:09,723 --> 00:49:12,160
( static )

446
00:49:29,143 --> 00:49:31,045
Justin's voice:
In lush green pastures

447
00:49:31,145 --> 00:49:33,514
the shepherd lies down
with his flock.

448
00:49:33,614 --> 00:49:35,249
But he does not sleep,

449
00:49:35,349 --> 00:49:37,485
forever vigilant
against the beast.

450
00:49:37,585 --> 00:49:39,920
The sheep are nothing
without the shepherd,

451
00:49:40,020 --> 00:49:42,190
but prey to the beasts
of the night.

452
00:49:42,290 --> 00:49:45,025
When the sheep gives its life
for the shepherd's table,

453
00:49:45,126 --> 00:49:47,795
there is no greater honor.

454
00:49:49,730 --> 00:49:53,033
( theme music playing )