1
00:00:04,948 --> 00:00:07,284
( theme music playing )

2
00:02:22,886 --> 00:02:26,290
( door creaks )

3
00:02:27,391 --> 00:02:29,826
Ben:
HELLO?

4
00:03:08,699 --> 00:03:11,234
BELYAKOV?

5
00:03:17,708 --> 00:03:19,576
( roars )

6
00:03:19,676 --> 00:03:21,778
( gasps )

7
00:03:30,987 --> 00:03:32,923
BAD DREAM?

8
00:03:33,023 --> 00:03:35,926
- Man: I'LL TAKE TWO.
- Man £2: I'M GOOD.

9
00:03:50,040 --> 00:03:53,276
GOT IT?

10
00:03:53,377 --> 00:03:55,946
Fletch:
WHO DO YOU LIKE
IN THE FIGHT TONIGHT?

11
00:03:56,046 --> 00:03:57,581
WHAT FIGHT?

12
00:03:57,681 --> 00:04:00,183
WHERE THE HELL HAVE
YOU BEEN, MARS?

13
00:04:00,283 --> 00:04:02,285
BAER VS. LOUIS?

14
00:04:02,386 --> 00:04:04,588
IT'S THE SO-CALLED
FIGHT OF THE CENTURY.

15
00:04:04,688 --> 00:04:07,924
GOT THAT RIGHT!
JOE LOUIS IS GONNA TEAR
THAT FELLOW APART!

16
00:04:08,024 --> 00:04:10,260
DAMN, IF YOU DON'T GOT
THE CORNER ON STUPID.

17
00:04:10,361 --> 00:04:13,797
EASE UP THERE, FLETCH.
GIVE THE BOY A BREAK HERE.

18
00:04:13,897 --> 00:04:15,866
LOOK, WHAT THESE TWO
GREENHORNS NEED IS

19
00:04:15,966 --> 00:04:18,702
A LITTLE SCHOOLING
IN THE MANLY ARTS.
NOW LOOK, BOYS.

20
00:04:18,802 --> 00:04:21,372
LESSON ONE:
WHEN A WHITE FELLA

21
00:04:21,472 --> 00:04:24,074
GETS IN THE RING
WITH AN EIGHT BALL,

22
00:04:24,174 --> 00:04:26,410
THE EIGHT BALL'S
GOT NO CHANCE.

23
00:04:26,510 --> 00:04:29,746
YOU SEE, THEY CALL BOXING
"THE SWEET SCIENCE."

24
00:04:29,846 --> 00:04:32,383
AND THAT'S WHERE YOUR COLORED
JUST RUNS INTO TROUBLE.

25
00:04:32,483 --> 00:04:34,618
THAT'S JUST
THAT SCIENCE PART.

26
00:04:34,718 --> 00:04:37,488
YEAH, BUT JOE LOUIS
IS A BIG 'UN.

27
00:04:37,588 --> 00:04:40,323
HELL, I DON'T CARE
IF HE'S BIG AS AN OX,

28
00:04:40,424 --> 00:04:42,826
NO JAZZ-BO'S HALF
THE ATHLETE A WHITE MAN IS.

29
00:04:42,926 --> 00:04:44,327
HOW COME?

30
00:04:44,428 --> 00:04:46,663
WELL, BECAUSE
HE CAN'T THINK
ON HIS FEET.

31
00:04:46,763 --> 00:04:48,231
( chuckles )

32
00:04:48,331 --> 00:04:50,300
IT'S HIS ACHILLES' FOOT,
SO TO SPEAK.

33
00:04:50,401 --> 00:04:54,771
NOW, PLEASE DON'T TELL ME
YOU PUT ANY OF YOUR RAG MONEY
ON JOE LOUIS.

34
00:04:54,871 --> 00:04:57,574
- A COUPLE BUCKS.
- OH! ( guffawing )

35
00:04:57,674 --> 00:05:01,144
THAT IS A LESSON
HARD LEARNED,
MY FRIEND.

36
00:05:01,244 --> 00:05:04,515
FIGHT OF THE CENTURY,
JEEZ, MORE LIKE LOCK
OF THE CENTURY.

37
00:05:04,615 --> 00:05:06,149
LOOK,
I'LL TELL YOU BOTH WHAT,

38
00:05:06,249 --> 00:05:09,653
IF I WAS YOU,
I'D PUT EVERY JIT I GOT
ON MAX BAER.

39
00:05:09,753 --> 00:05:14,257
OH, TEARS GONNA FALL
LIKE RAIN TONIGHT
IN HARLEM.

40
00:05:14,357 --> 00:05:16,460
( laughing )

41
00:05:16,560 --> 00:05:19,362
MARK MY WORD.

42
00:05:24,034 --> 00:05:27,504
- Woman: MORNING.
- Man: HEY, HOW YOU DOING?

43
00:05:27,604 --> 00:05:31,408
OH, THAT COFFEE TASTES
LIKE PASSED WATER.

44
00:05:31,508 --> 00:05:33,376
IT TASTES FINE TO ME.

45
00:05:33,477 --> 00:05:35,311
WELL, YOU'RE
USED TO IT.

46
00:05:35,412 --> 00:05:37,648
YOU BEEN HERE LONGER
THAN ME.

47
00:05:37,748 --> 00:05:40,551
Lila:
SUGAR, IT ISN'T HOW LONG
YOU BEEN HERE THAT COUNTS.

48
00:05:40,651 --> 00:05:42,519
IT'S WHERE YOU'VE BEEN
BEFORE.

49
00:05:42,619 --> 00:05:45,622
FRENCH BEANS AND CHICORY,
NOW THAT'S COFFEE.

50
00:05:45,722 --> 00:05:48,158
YOU GET USED
TO THE FINER THINGS
IN LIFE, HONEY,

51
00:05:48,258 --> 00:05:49,826
THERE'S NO TURNING BACK.

52
00:05:49,926 --> 00:05:52,829
Rita Sue:
HEARD FROM THE PROFESSOR?

53
00:05:52,929 --> 00:05:55,966
NOT A THING.

54
00:05:56,066 --> 00:05:58,869
YOU DON'T REALLY THINK
SAMSON DID HIM IN,
DO YOU?

55
00:05:58,969 --> 00:06:00,270
I DO.

56
00:06:00,370 --> 00:06:02,372
AND I WILL SEE TO IT
THAT LITTLE SHRIMP

57
00:06:02,473 --> 00:06:04,274
PICKS A NUMBER
FOR WHAT HE DONE.

58
00:06:04,374 --> 00:06:05,809
AND YOU CAN STAKE ON IT.

59
00:06:05,909 --> 00:06:09,913
- MAYBE HE RUN OFF
WITH CATALINA.
- CATALINA?

60
00:06:10,013 --> 00:06:13,183
Rita Sue:
THAT LITTLE CHILI-PEPPER
DANCED THE KOOTCH IN LOVING?

61
00:06:13,283 --> 00:06:17,187
RUN RABBIT
THE SAME NIGHT AS LODZ.

62
00:06:17,287 --> 00:06:20,457
IT'S PROBABLY
JUST A COINCIDENCE.

63
00:06:22,225 --> 00:06:23,727
IT'S TRAGIC.

64
00:06:23,827 --> 00:06:26,797
THAT'S WHAT HAPPENS
WHEN SPIROCHETES
EAT YOUR BRAIN.

65
00:06:26,897 --> 00:06:29,065
EXCUSE ME.

66
00:06:35,438 --> 00:06:38,041
DON'T THINK I'M CRAZY
BUT...

67
00:06:39,209 --> 00:06:41,144
I'VE SEEN HER TOO.

68
00:06:41,244 --> 00:06:43,446
WHO?

69
00:06:45,081 --> 00:06:47,450
YOUR MAMA.

70
00:06:50,587 --> 00:06:52,923
MY MOTHER'S DEAD.

71
00:07:05,769 --> 00:07:08,605
- SOFIE.
- ( Sofie sniffing )

72
00:07:08,705 --> 00:07:10,574
HEY, SOFIE, WAIT.

73
00:07:10,674 --> 00:07:13,109
- WHAT HAPPENED?
- NOTHING.

74
00:07:14,344 --> 00:07:16,246
WHAT?

75
00:07:18,181 --> 00:07:20,584
RUTHIE SAYS
SHE SEEN MY MAMA.

76
00:07:22,452 --> 00:07:24,521
- I'LL GO SET HER STRAIGHT.
- NO, DON'T.

77
00:07:24,621 --> 00:07:27,257
NO, DON'T SAY ANYTHING.

78
00:07:27,357 --> 00:07:29,025
THAT AIN'T RIGHT.

79
00:07:29,125 --> 00:07:31,895
Sofie:
IT'S OKAY.

80
00:08:08,899 --> 00:08:11,134
WHEN DO YOU START POURING
THE FOUNDATION?

81
00:08:11,234 --> 00:08:14,304
SIX WEEKS
FROM TOMORROW.

82
00:08:14,404 --> 00:08:16,139
IF YOU WANT IT SOONER,

83
00:08:16,239 --> 00:08:18,842
- I'M GONNA HAVE TO
PUT ON A SECOND SHIFT.
- COST IS NO OBJECT.

84
00:08:18,942 --> 00:08:22,212
THIS IS THE LORD'S WORK
WE'RE DOING HERE,
MR. BOWLER.

85
00:08:23,680 --> 00:08:26,850
ISN'T IT BEAUTIFUL,
NORMAN?

86
00:08:26,950 --> 00:08:29,519
IS THIS THE RAMPED
ENTRANCE HERE?

87
00:08:29,620 --> 00:08:30,854
AT THE REAR OF THE TEMPLE?

88
00:08:30,954 --> 00:08:34,625
- YES, SIR, I BELIEVE SO.
- THERE IT IS.

89
00:08:34,725 --> 00:08:36,459
DO YOU SEE?

90
00:08:36,559 --> 00:08:40,363
THAT WAY YOU WON'T MISS
A SINGLE SERVICE.

91
00:08:40,463 --> 00:08:42,933
JUSTIN, I--

92
00:08:45,401 --> 00:08:47,470
GOOD MORNING, IRIS.

93
00:08:47,570 --> 00:08:49,773
MR. DOLAN.

94
00:08:50,440 --> 00:08:52,575
SORRY I'M LATE.

95
00:08:52,676 --> 00:08:54,745
GOT HELD UP ON THE ROAD.

96
00:08:54,845 --> 00:08:57,313
GOD ALMIGHTY,
IT'S BACKED UP FOR MILES!

97
00:08:57,413 --> 00:08:59,816
FOLKS IN JALOPIES,
ON FOOT...

98
00:08:59,916 --> 00:09:02,252
( whistles )
SWELL DESIGN.

99
00:09:02,352 --> 00:09:03,987
THANK YOU, TOMMY.

100
00:09:04,087 --> 00:09:06,923
IRIS, COULD YOU TAKE
MR. BOWLER OUTSIDE

101
00:09:07,023 --> 00:09:09,760
AND SHOW HIM WHERE
WOULD WE LIKE TO PLACE
THE FOUNTAIN?

102
00:09:09,860 --> 00:09:13,664
- OF COURSE.
- THANK YOU.

103
00:09:13,764 --> 00:09:15,999
MR. BOWLER?

104
00:09:28,679 --> 00:09:31,247
DISTURBING NEWS?

105
00:09:31,347 --> 00:09:33,850
I'M AFRAID SO.

106
00:09:33,950 --> 00:09:36,687
I'VE BEEN FOLLOWING IRIS.

107
00:09:44,728 --> 00:09:47,764
HAWKINS,
WHERE YOU HEADED?

108
00:09:47,864 --> 00:09:49,733
THERE'S A FELLA
I NEED TO TALK TO.

109
00:09:49,833 --> 00:09:52,568
I SAW YOU AND SOFIE
THIS MORNING.

110
00:09:52,669 --> 00:09:54,938
GETTING KIND
OF CLOSE, HUH?

111
00:09:55,038 --> 00:09:56,339
YEAH, SO?

112
00:09:56,439 --> 00:10:00,643
LISTEN, KID,
SHE'S HURTING,
SHE'S LOOKING TO YOU.

113
00:10:00,744 --> 00:10:03,313
THINGS HAPPEN.

114
00:10:03,413 --> 00:10:05,348
WHAT THE HELL
ARE YOU SAYING?

115
00:10:05,448 --> 00:10:07,417
I'M SAYING
STAY AWAY FROM HER.

116
00:10:07,517 --> 00:10:10,553
I'M SAYING SHE DON'T
NEED THE GRIEF.

117
00:10:10,653 --> 00:10:13,724
I'M SAYING IT'S NONE
OF YOUR GODDAMN BUSINESS.

118
00:10:15,558 --> 00:10:19,696
NO, YOU'RE RIGHT.
IT AIN'T.

119
00:10:19,796 --> 00:10:22,132
BUT WE BOTH KNOW
THAT WHEREVER YOU'RE HEADED,

120
00:10:22,232 --> 00:10:24,667
IT'S LIKELY
TO BE A ONE-WAY TRIP.

121
00:10:24,768 --> 00:10:27,771
AND THAT LITTLE GIRL--

122
00:10:27,871 --> 00:10:31,041
SHE'S LOST ENOUGH
ALREADY.

123
00:10:41,284 --> 00:10:43,219
HAWKINS!

124
00:10:48,792 --> 00:10:51,061
( knocks at door )

125
00:10:51,161 --> 00:10:53,363
COME IN.

126
00:11:06,777 --> 00:11:09,445
I JUST WANTED TO SAY
I'M SORRY.

127
00:11:09,545 --> 00:11:13,616
THAT'S ALL RIGHT,
HONEY.

128
00:11:13,716 --> 00:11:16,987
BESIDES
I'M THE ONE
WHO SHOULD BE SORRY.

129
00:11:17,087 --> 00:11:20,223
YOU MUST THINK
I'M TETCHED.

130
00:11:21,724 --> 00:11:23,626
MAYBE.

131
00:11:23,726 --> 00:11:26,362
SOFIE?

132
00:11:29,599 --> 00:11:31,968
I AIN'T CRAZY.

133
00:11:33,703 --> 00:11:36,039
CLOSE THE DOOR.

134
00:11:38,208 --> 00:11:40,376
PLEASE.

135
00:11:48,451 --> 00:11:51,621
YOU TOLD ME ONCE
YOU...

136
00:11:51,721 --> 00:11:54,324
YOU THOUGHT
YOUR MAMA HAD

137
00:11:54,424 --> 00:11:57,093
ONE FOOT IN THIS WORLD
AND ONE IN THE OTHER.

138
00:11:57,193 --> 00:11:59,495
UH-HUH.

139
00:11:59,595 --> 00:12:02,165
DID SHE EVER SEE
DEAD FOLKS?

140
00:12:09,572 --> 00:12:11,942
I'VE BEEN SEEING THEM.

141
00:12:14,244 --> 00:12:16,379
EVERY DAY.

142
00:12:16,479 --> 00:12:19,082
EVER SINCE
I GOT SNAKE-BIT.

143
00:12:21,117 --> 00:12:25,021
ROUSTIES I USED TO KNOW,
A COUPLE OF OTHERS.

144
00:12:25,121 --> 00:12:27,323
CARNIES.

145
00:12:28,724 --> 00:12:31,394
JUST GOING ABOUT
THEIR BUSINESS.

146
00:12:32,662 --> 00:12:34,865
YOU'VE SEEN MY MAMA?

147
00:12:37,000 --> 00:12:38,902
HER MOST OF ALL.

148
00:12:39,002 --> 00:12:41,571
HAS SHE TOLD YOU
WHAT SHE WANTS?

149
00:12:41,671 --> 00:12:44,540
WHY SHE KEEPS COMING BACK?
ANYTHING?

150
00:12:44,640 --> 00:12:46,109
NOTHING.

151
00:12:46,209 --> 00:12:49,112
NONE OF THEM SPEAK.
NOT A WORD.

152
00:12:51,381 --> 00:12:53,549
THEY'RE JUST...

153
00:12:53,649 --> 00:12:56,086
THERE.

154
00:13:01,791 --> 00:13:04,227
YOU'RE NOT CRAZY.

155
00:13:08,164 --> 00:13:09,933
Tommy:
SHE DID IT, JUSTIN.

156
00:13:10,033 --> 00:13:11,601
THERE'S NO QUESTION.

157
00:13:11,701 --> 00:13:13,836
SHE BURNED DOWN
THE MISSION.

158
00:13:13,937 --> 00:13:16,072
SHE KILLED THOSE KIDS.

159
00:13:16,172 --> 00:13:19,142
- Justin: NO.
- INNOCENT PEOPLE
DON'T DRIVE OUT

160
00:13:19,242 --> 00:13:21,311
TO THE MIDDLE OF NOWHERE
TO BURN THEIR CLOTHES.

161
00:13:21,411 --> 00:13:25,081
IT HAD TO BE WHAT
SHE WAS WEARING THAT NIGHT.
NOTHING ELSE MAKES SENSE.

162
00:13:29,585 --> 00:13:32,522
( children laughing )

163
00:13:35,391 --> 00:13:38,061
I ALWAYS SAID
I'D FOLLOW THE TRUTH,

164
00:13:38,161 --> 00:13:40,663
NO MATTER WHERE IT LED.

165
00:13:40,763 --> 00:13:43,366
AND NOW HERE IT IS

166
00:13:43,466 --> 00:13:45,635
AT MY DOORSTEP.

167
00:14:21,604 --> 00:14:23,974
HELLO?

168
00:14:46,929 --> 00:14:48,864
Man:
ARE YOU LOST?

169
00:14:48,965 --> 00:14:52,168
I'M LOOKING FOR
A MR. GEDDES.

170
00:14:55,805 --> 00:14:58,441
I'M EVANDER GEDDES.

171
00:15:01,111 --> 00:15:03,479
DO YOU MAKE MASKS?

172
00:15:11,554 --> 00:15:15,058
( clock chiming )

173
00:15:18,995 --> 00:15:21,064
HEY, MISTER!

174
00:15:21,164 --> 00:15:22,865
Geddes:
I'LL BE JUST A MINUTE.

175
00:15:22,965 --> 00:15:26,402
I DON'T REALLY GOT
A LOT OF TIME.

176
00:15:28,438 --> 00:15:30,273
NONSENSE.

177
00:15:30,373 --> 00:15:33,743
THERE'S ALWAYS TIME
FOR HOT CIDER

178
00:15:33,843 --> 00:15:36,479
AND GOOD COMPANY.

179
00:15:37,380 --> 00:15:39,082
NOW...

180
00:15:39,182 --> 00:15:41,617
WHERE WERE WE?

181
00:15:41,717 --> 00:15:43,453
HENRY SCUDDER.

182
00:15:43,553 --> 00:15:44,754
OH, YES.

183
00:15:44,854 --> 00:15:47,123
HACK SCUDDER.

184
00:15:47,223 --> 00:15:48,958
WE HAD QUITE A TIME
TOGETHER

185
00:15:49,059 --> 00:15:51,561
IN THE OLD DAYS
AT HYDE & TELLER.

186
00:15:52,595 --> 00:15:53,929
YOU MADE A MASK...

187
00:15:54,030 --> 00:15:55,798
OF HIS FACE?

188
00:15:55,898 --> 00:15:57,633
INDEED I DID,
INDEED I DID.

189
00:15:57,733 --> 00:15:58,968
AND A FINE MASK IT WAS.

190
00:15:59,069 --> 00:16:01,404
EXQUISITE.

191
00:16:02,938 --> 00:16:05,408
YOU SEE,
YOUNG FRIEND,
SINCE MY RETIREMENT,

192
00:16:05,508 --> 00:16:07,443
I ONLY MAKE MASKS
OF CHILDREN.

193
00:16:07,543 --> 00:16:11,481
THOSE STILL CLOSE
TO WOMB TIME,

194
00:16:11,581 --> 00:16:16,652
THEIR SWEET LITTLE FACES
NOT YET RAVAGED BY
BROKEN DREAMS.

195
00:16:18,988 --> 00:16:21,324
HENRY SCUDDER WAS
A RARE EXCEPTION.

196
00:16:21,424 --> 00:16:25,095
IN FACT, HE'S THE ONLY ADULT
I'VE DONE IN YEARS.

197
00:16:25,195 --> 00:16:29,332
EVERY PORE, EVERY NUANCE

198
00:16:29,432 --> 00:16:32,368
PERFECTLY RENDERED.
HAVE YOU SEEN IT?

199
00:16:32,468 --> 00:16:34,604
I NEVER SEEN
NOTHING LIKE IT.

200
00:16:34,704 --> 00:16:38,040
AND I'D WAGER
YOU'RE NOT LIKELY
TO SEE ITS EQUAL AGAIN.

201
00:16:38,141 --> 00:16:41,277
I BET IT WAS EXPENSIVE.
COST A LOT?

202
00:16:41,377 --> 00:16:42,845
OH, YES.

203
00:16:42,945 --> 00:16:47,683
BUT WHAT PRICE CAN ONE
PLACE ON IMMORTALITY,
YOUNG FRIEND?

204
00:16:47,783 --> 00:16:49,719
WHO PAID FOR IT?

205
00:16:49,819 --> 00:16:52,054
WHY, HENRY DID,
OF COURSE.

206
00:16:52,155 --> 00:16:56,426
YOU MEAN HE PAID FOR IT
BEFORE HE DIED?

207
00:16:56,526 --> 00:16:58,661
( guffawing )

208
00:16:58,761 --> 00:17:00,196
WHAT?

209
00:17:00,296 --> 00:17:02,598
OH, MY YOUNG FRIEND, NO.

210
00:17:02,698 --> 00:17:05,835
IT WASN'T A DEATH-MASK
I MADE FOR HENRY.

211
00:17:07,803 --> 00:17:10,573
HE WAS VERY MUCH ALIVE.

212
00:17:33,095 --> 00:17:35,431
DAMN IT.

213
00:17:54,184 --> 00:17:56,286
BEST RIDE
IN THE WHOLE WORLD,
KIDS!

214
00:17:56,386 --> 00:17:59,322
Boy:
THANKS, DAD.

215
00:18:01,957 --> 00:18:04,494
YOU HOLD ON
TIGHT NOW!

216
00:18:06,662 --> 00:18:10,032
YOU JUST LET THEM
KEEP RIDING AND RIDING,
OKAY, SLUGGER?

217
00:18:10,132 --> 00:18:11,767
YOU SURE?

218
00:18:11,867 --> 00:18:15,171
THEY'LL BE SPINNING AROUND
FOR A HALF-HOUR AT LEAST.

219
00:18:15,271 --> 00:18:17,573
THAT'S WHAT I FIGURED.
THIS IS THEIR FIRST TIME UP,

220
00:18:17,673 --> 00:18:20,410
AND, WELL, I JUST WANT THEM
TO ALWAYS REMEMBER IT.

221
00:18:20,510 --> 00:18:22,478
YES, SIR.

222
00:18:22,578 --> 00:18:24,380
GOOD MAN.

223
00:18:29,985 --> 00:18:32,087
THERE GOES
ONE IN A MILLION.

224
00:18:32,188 --> 00:18:35,725
I CAN'T EVEN IMAGINE
HAVING A DAD
LIKE THAT.

225
00:18:35,825 --> 00:18:37,927
COME ON.

226
00:18:38,027 --> 00:18:39,895
YOUR DAD LOVES YOU.

227
00:18:41,030 --> 00:18:43,333
SURE, HE LOVES ME.

228
00:18:43,433 --> 00:18:45,335
BUT NOT LIKE THAT.

229
00:18:47,169 --> 00:18:49,272
NOTHING LIKE THAT.

230
00:18:51,173 --> 00:18:54,076
OF COURSE, YOU CAN'T
REALLY BLAME HIM.

231
00:18:54,176 --> 00:18:57,947
I MEAN,
LOOK AT ME.

232
00:18:58,047 --> 00:19:00,683
I'M NOT VERY LOVABLE.

233
00:19:02,084 --> 00:19:04,554
THAT'S NOT TRUE.

234
00:19:06,322 --> 00:19:08,558
NOT TRUE AT ALL.

235
00:19:12,395 --> 00:19:14,930
DON'T TALK ABOUT YOURSELF
THAT WAY.

236
00:19:17,267 --> 00:19:19,101
OKAY.

237
00:19:19,201 --> 00:19:22,372
- IF YOU SAY SO.
- I SAY SO.

238
00:19:22,472 --> 00:19:26,276
- Sofie: JONESY!
- WHAT?

239
00:19:27,076 --> 00:19:28,878
WHERE'S BEN?

240
00:19:28,978 --> 00:19:31,747
- HELL, I DON'T KNOW.
- WHEN DID YOU LAST SEE HIM?

241
00:19:31,847 --> 00:19:35,318
WHAT DOES HE LOOK LIKE,
A DAMN BABYSITTER?

242
00:19:52,835 --> 00:19:55,338
Woman:
OH, MY WORD.

243
00:20:00,510 --> 00:20:02,745
Young man:
HEY, LOOK AT THAT!

244
00:20:05,781 --> 00:20:08,451
Dealer:
LAST DRAW.
PLACE YOUR BETS.

245
00:20:18,027 --> 00:20:21,464
WHY ARE YOU DOING THIS?

246
00:20:21,564 --> 00:20:24,634
THERE'S NO OTHER WAY.

247
00:20:26,101 --> 00:20:28,137
I'VE SUPPORTED YOU.

248
00:20:28,237 --> 00:20:30,105
I'VE GIVEN YOU EVERYTHING,

249
00:20:30,205 --> 00:20:32,708
EVEN THIS PLACE--
THE MONEY, THE TEMPLE.

250
00:20:32,808 --> 00:20:36,178
NONE OF IT WOULD'VE HAPPENED
IF IT WASN'T FOR THE FIRE.

251
00:20:36,278 --> 00:20:39,882
YES, YOU'RE RIGHT.

252
00:20:39,982 --> 00:20:42,818
YOU NEEDED MARTYRS.
I GAVE THEM TO YOU.

253
00:20:42,918 --> 00:20:46,389
- I DID NOT ASK YOU--
- YOU NEVER ASK!

254
00:20:47,923 --> 00:20:50,092
YOU NEVER HAVE TO ASK.

255
00:20:50,192 --> 00:20:51,994
I'VE ALWAYS KNOWN
WHAT YOU WANT,

256
00:20:52,094 --> 00:20:55,365
AND I'VE ALWAYS BEEN THE ONE
TO PAY THE PRICE.

257
00:21:03,305 --> 00:21:05,608
YOU'RE RIGHT.

258
00:21:06,275 --> 00:21:08,378
ALEXSEI?

259
00:21:08,478 --> 00:21:10,780
ALEXSEI, PLEASE?

260
00:21:12,281 --> 00:21:15,217
I WILL TAKE RESPONSIBILITY
FOR THE FIRE.

261
00:21:15,317 --> 00:21:18,053
I'M NOT ONE
OF YOUR FOLLOWERS.

262
00:21:18,153 --> 00:21:19,722
IRIS--

263
00:21:19,822 --> 00:21:22,458
IF YOU HAD ANY INTENTION OF
FOLLOWING THROUGH WITH THAT,

264
00:21:22,558 --> 00:21:25,060
YOU WOULD HAVE DONE IT
A LONG TIME AGO.

265
00:21:29,465 --> 00:21:32,968
IF YOU WANT ME
TO DO THIS...

266
00:21:34,269 --> 00:21:36,839
YOU'RE GOING
TO HAVE TO ASK.

267
00:21:55,525 --> 00:21:57,960
GO AHEAD, JUSTIN.

268
00:21:58,060 --> 00:21:59,662
ASK ME.

269
00:21:59,762 --> 00:22:02,865
ASK ME
TO TURN MYSELF IN.

270
00:22:05,968 --> 00:22:08,671
I CAN'T.

271
00:22:10,840 --> 00:22:13,476
ASK ME.

272
00:22:25,688 --> 00:22:28,090
Geddes:
LOVE OF MOTHER,

273
00:22:29,625 --> 00:22:32,495
IT'S A POWERFUL THING,
YOUNG FRIEND.

274
00:22:34,329 --> 00:22:36,265
EVEN THE HARD HEART

275
00:22:36,365 --> 00:22:39,735
BEARS A SOFT SPOT
FOR DEAR OLD MOM.

276
00:22:39,835 --> 00:22:42,772
IS THAT WHY
HE HAD YOU MAKE IT?

277
00:22:42,872 --> 00:22:43,806
YES.

278
00:22:43,906 --> 00:22:48,444
AND A UNIQUELY SUITABLE GIFT,
I MIGHT ADD.

279
00:22:50,480 --> 00:22:52,782
SHE'S BLIND, I'M TOLD.

280
00:22:52,882 --> 00:22:54,083
I KNOW THAT!

281
00:22:54,183 --> 00:22:59,589
LOOK,
I'M TRYING TO FIND
WHERE HE WENT TO.

282
00:22:59,689 --> 00:23:00,690
I COULDN'T TELL YOU.

283
00:23:00,790 --> 00:23:02,424
HE MUST'VE LEFT
SOMETHING,

284
00:23:02,525 --> 00:23:05,961
SOME WAY
FOR YOU TO REACH HIM
OR SEND THE MASK TO.

285
00:23:06,061 --> 00:23:08,931
I MAY HAVE AN ADDRESS.

286
00:23:09,031 --> 00:23:10,399
WHERE?

287
00:23:10,500 --> 00:23:12,635
I'VE GOT SOME OLD RECORDS
TUCKED AWAY SOMEWHERE.

288
00:23:12,735 --> 00:23:14,403
I'LL TAKE A LOOK LATER.

289
00:23:14,504 --> 00:23:17,206
NO, NOW!
TAKE A LOOK NOW.

290
00:23:17,306 --> 00:23:19,542
WE HAVE SO MUCH
TO TALK ABOUT.

291
00:23:19,642 --> 00:23:21,877
I DON'T GET MANY VISITORS.

292
00:23:21,977 --> 00:23:24,480
LOOK, MISTER,
YOU'RE WASTING MY TIME!

293
00:23:24,580 --> 00:23:27,717
PLEASE GO FIND
THAT ADDRESS!

294
00:23:29,819 --> 00:23:32,021
CERTAINLY.

295
00:23:33,022 --> 00:23:34,957
CERTAINLY.

296
00:23:35,891 --> 00:23:37,627
MAY I SAY

297
00:23:37,727 --> 00:23:42,097
YOU HAVE A MOST
INTERESTING FACE?

298
00:23:43,165 --> 00:23:45,100
STILL YOUTHFUL.

299
00:23:47,269 --> 00:23:50,606
SKIN SOFT
AND SUPPLE.

300
00:23:53,843 --> 00:23:55,210
THE ADDRESS.

301
00:23:55,310 --> 00:23:57,713
AND YET,
THERE'S THE STRONG BROW,

302
00:23:57,813 --> 00:24:00,015
THE CHEEKBONES,
THE DEEP-SET EYES

303
00:24:00,115 --> 00:24:03,853
OF A POWERFUL MAN
WHO WILL SOON EMERGE.

304
00:24:05,220 --> 00:24:07,289
I'M SORRY.
I'M BEING FOOLISH.

305
00:24:07,389 --> 00:24:10,159
I'LL GO LOOK NOW.

306
00:24:43,859 --> 00:24:46,395
Stumpy:
NO, TO THE LEFT.
TAKE IT TO THE LEFT.

307
00:24:46,495 --> 00:24:47,663
TO THE LEFT.
COME ON!

308
00:24:47,763 --> 00:24:50,232
TO YOUR LEFT,
FOR GOD'S SAKE.

309
00:24:50,332 --> 00:24:53,769
- ( static )
- IS THAT-- TO THE LEFT,
YOU JACKASS!

310
00:24:53,869 --> 00:24:56,706
THERE'S TOO MUCH
DAMN STATIC.

311
00:24:56,806 --> 00:24:59,508
I GOT TO BE ABLE TO HEAR
LOUIS'S BIG OLE NOGGIN

312
00:24:59,609 --> 00:25:02,111
- WHEN IT SMACKS THE CANVAS!
- CAN IT, DREIFUSS.

313
00:25:02,211 --> 00:25:06,548
- YOU'RE WRECKING THE SUSPENSE!
- ( laughing )

314
00:25:11,353 --> 00:25:14,690
Man on radio:
Drink Moxie, the only
soft drink with...

315
00:25:14,790 --> 00:25:17,526
HEY!
OKAY, DON'T TOUCH IT.

316
00:25:17,627 --> 00:25:19,194
I'M GONNA GO CHECK IN
WITH THE WARDEN.

317
00:25:19,294 --> 00:25:22,031
I'LL BE BACK
BEFORE THE BELL.
ALL RIGHT?

318
00:25:38,981 --> 00:25:41,283
THAT GAL'S
REALLY SOMETHING.

319
00:25:41,383 --> 00:25:43,919
YEAH, SHE SURELY IS.

320
00:25:50,125 --> 00:25:52,227
EVERYTHING GOOD?

321
00:25:53,562 --> 00:25:55,097
NOW THIS NEXT GUY,

322
00:25:55,197 --> 00:25:57,767
HE'S REALLY SOMETHING.

323
00:25:57,867 --> 00:26:01,904
HANDSOME TO THE CORE.

324
00:26:02,004 --> 00:26:04,173
FASCINATING
PERSONALITY.

325
00:26:04,273 --> 00:26:06,642
RAZOR-SHARP WIT.

326
00:26:06,742 --> 00:26:08,678
HE IS A...

327
00:26:08,778 --> 00:26:11,180
HE IS A REAL MAN'S MAN,

328
00:26:11,280 --> 00:26:13,182
YET SURPRISINGLY...

329
00:26:13,282 --> 00:26:15,250
( groans )

330
00:26:15,350 --> 00:26:16,719
TENDER.

331
00:26:16,819 --> 00:26:19,889
- SOUNDS LIKE
A REAL CATCH.
- OH, HE IS.

332
00:26:19,989 --> 00:26:22,557
HE IS.
HE SURELY IS.

333
00:26:22,658 --> 00:26:24,493
A REAL BIG SPENDER?

334
00:26:24,593 --> 00:26:26,729
GENEROUS TO A FAULT.

335
00:26:26,829 --> 00:26:28,563
MUST BE QUITE A LOVER.

336
00:26:28,664 --> 00:26:33,803
HE COULD TEACH CLARK GABLE
A THING OR TWO ABOUT
A THING OR TWO.

337
00:26:33,903 --> 00:26:35,905
HE'D BETTER GET
HIS TROUSERS OFF
IN A HURRY

338
00:26:36,005 --> 00:26:38,107
'CAUSE WE AIN'T GOT
ALL DAY!

339
00:26:48,117 --> 00:26:49,785
FELIX?

340
00:26:49,885 --> 00:26:51,954
HOW MUCH DO YOU OWE?

341
00:26:52,054 --> 00:26:55,891
AW, JESUS, BABY,
NOT NOW.

342
00:26:55,991 --> 00:26:58,928
YOU CAN TELL ME.
IS IT MORE THAN
$100?

343
00:26:59,028 --> 00:27:01,163
LATER.

344
00:27:04,433 --> 00:27:06,135
$200?

345
00:27:06,235 --> 00:27:08,938
THREE?

346
00:27:09,038 --> 00:27:11,673
COME ON, BABY.
GET IT OFF YOUR CHEST.

347
00:27:11,774 --> 00:27:14,910
IT'S FOUR AND CHANGE.

348
00:27:17,279 --> 00:27:19,181
FELIX!

349
00:27:19,281 --> 00:27:20,682
JESUS. WHATEVER.

350
00:27:20,783 --> 00:27:24,787
IT'S JUST A GOD-AWFUL RUN
OF SHIT LUCK.

351
00:27:26,188 --> 00:27:28,257
HOW MUCH YOU GOT RIDING
ON THAT FIGHT?

352
00:27:28,357 --> 00:27:30,993
TONIGHT? NOTHING.
NOT A PLUGGED NICKEL.

353
00:27:31,093 --> 00:27:34,096
NO, I'M THROUGH WITH IT.
NO MORE GAMBLING.

354
00:27:34,196 --> 00:27:39,068
- YOU BETTER BE
TELLING ME THE TRUTH.
- I AM.

355
00:27:39,168 --> 00:27:41,403
GOD'S WITNESS.

356
00:28:06,261 --> 00:28:08,964
BABY, YOU DON'T WANT
TO DO THAT.

357
00:28:11,767 --> 00:28:14,503
I SHOULD HAVE
MY HEAD EXAMINED.

358
00:28:22,611 --> 00:28:24,013
NOW, YOUAY
WHAT YOU OWE,

359
00:28:24,113 --> 00:28:26,415
AND THEN NEVER AGAIN.
YOU HEAR ME?

360
00:28:26,515 --> 00:28:28,350
LOUD AND CLEAR, ANGEL.

361
00:28:28,450 --> 00:28:31,053
NEVER AGAIN.

362
00:28:55,945 --> 00:28:59,915
Stroud:
QUITE A RESPONSIBILITY.

363
00:29:00,015 --> 00:29:02,918
ALL THOSE KIDS
WITH THEIR LIFE
IN YOUR HANDS,

364
00:29:03,018 --> 00:29:05,254
TRUSTING YOU
NOTHING WILL
GO WRONG.

365
00:29:05,354 --> 00:29:07,589
GUESS I DON'T
LOOK AT IT THAT WAY.

366
00:29:07,689 --> 00:29:11,460
I GUESS YOU
HAD BETTER START.

367
00:29:11,560 --> 00:29:15,931
YOU'RE THE ONLY THING
THAT STANDS BETWEEN THEM
AND AN UNTIMELY DEATH.

368
00:29:17,499 --> 00:29:20,635
HASTINGS, NEBRASKA,
1908,

369
00:29:20,735 --> 00:29:22,404
I REMEMBER IT
LIKE IT WAS YESTERDAY.

370
00:29:22,504 --> 00:29:24,974
A LITTLE GIRL
STARTED ROCKING
THE CARRIAGE

371
00:29:25,074 --> 00:29:26,909
WHEN IT REACHED
THE TOP.

372
00:29:27,009 --> 00:29:29,244
KIND OF LIKE THAT KID'S
DOING RIGHT NOW.

373
00:29:29,344 --> 00:29:32,647
- Boy: WHOO!
- LITTLE GIRL,
BEAUTIFUL CHILD,

374
00:29:32,747 --> 00:29:35,250
BLONDE HAIR,
BIG BLUE EYES.

375
00:29:35,350 --> 00:29:36,585
FLIPPED IT OVER.

376
00:29:36,685 --> 00:29:39,321
SHE MUST HAVE
FALLEN 40 FEET.

377
00:29:39,421 --> 00:29:42,124
LIKE A DOLL
IN A CRINOLINE DRESS.

378
00:29:42,224 --> 00:29:45,995
UNTIL SHE HIT
ONE OF THEM CROSSBARS.

379
00:29:46,095 --> 00:29:48,697
DAMN, WHAT A SIGHT.

380
00:29:48,797 --> 00:29:50,933
HER MAMA SCREAMING,
"BABY, BABY, BABY,"

381
00:29:51,033 --> 00:29:53,035
PICKING UP THE PIECES
OF THAT LITTLE CHILD

382
00:29:53,135 --> 00:29:55,770
AND TRYING TO PUT IT
BACK TOGETHER

383
00:29:55,871 --> 00:29:58,908
LIKE A PRECIOUS
HUMPTY DUMPTY.

384
00:29:59,008 --> 00:30:01,176
( children laughing )

385
00:30:03,112 --> 00:30:05,948
HEY THERE!
QUIT THAT ROCKING!

386
00:30:10,452 --> 00:30:11,921
LET ME ASK YOU SOMETHING.

387
00:30:12,021 --> 00:30:15,224
YOU GOT TO FELLA WORKING
FOR YOU NAME OF SCUDDER?

388
00:30:16,658 --> 00:30:18,760
CAN'T HELP YOU.

389
00:30:18,860 --> 00:30:21,463
CAN'T OR WON'T?

390
00:30:21,563 --> 00:30:25,200
YOU GONNA RIDE OR WHAT?

391
00:30:29,638 --> 00:30:32,074
YOU'RE A PRETTY TOUGH GUY.

392
00:30:33,675 --> 00:30:36,378
( whistling )

393
00:30:53,062 --> 00:30:55,197
( Geddes echoing )
ALWAYS CAREFUL.

394
00:30:55,297 --> 00:30:59,534
ACCURATELY RENDER
EACH PLANE AND CURVE.

395
00:31:01,103 --> 00:31:02,571
A FORM OF PERFECTION
THAT IS

396
00:31:02,671 --> 00:31:07,376
THE ADDITORY SUM
OF INDIVIDUAL IMPERFECTIONS.

397
00:31:09,144 --> 00:31:10,946
MY OBJECTIVE, YOU SEE,

398
00:31:11,046 --> 00:31:14,416
IS TO CAPTURE THE SOUL.

399
00:31:21,123 --> 00:31:23,692
IS TO CAPTURE THE SOUL.

400
00:31:27,262 --> 00:31:30,099
HEY.

401
00:31:30,199 --> 00:31:33,568
EASY, MY YOUNG FRIEND.
I'LL BE WITH YOU
IN A MOMENT.

402
00:31:36,405 --> 00:31:40,075
- WHAT IS THIS PLACE?
- MY WORKSHOP.

403
00:31:41,643 --> 00:31:44,913
( grunting )

404
00:31:45,014 --> 00:31:46,881
WHAT THE HELL
ARE YOU DOING?

405
00:31:46,982 --> 00:31:50,552
SOMETHING... MAGICAL.

406
00:31:54,356 --> 00:31:57,859
THAT'S RIGHT,
KEEP STRUGGLING.

407
00:31:57,959 --> 00:32:01,930
PERSPIRATION OPENS UP
THE PORES.

408
00:32:02,031 --> 00:32:04,566
LISTEN.

409
00:32:04,666 --> 00:32:06,868
PLEASE.

410
00:32:06,968 --> 00:32:09,571
LISTEN.

411
00:32:09,671 --> 00:32:11,740
JUST LET ME GO.

412
00:32:11,840 --> 00:32:14,609
I WON'T GO TO THE POLICE,
I SWEAR.

413
00:32:14,709 --> 00:32:18,013
OH, I KNOW YOU
WON'T DO THAT.

414
00:32:18,113 --> 00:32:22,117
NO, NO ONE EVER GOES
TO THE POLICE.

415
00:32:29,724 --> 00:32:33,695
NOW, DON'T FRET,
YOUNG FRIEND.

416
00:32:33,795 --> 00:32:36,265
IT'S A SIMPLE PARALYTIC.

417
00:32:38,033 --> 00:32:40,902
I JUST NEED
TO HAVE YOU HOLD

418
00:32:41,002 --> 00:32:43,705
- PERFECTLY STILL.
- ( muffled screaming )

419
00:33:19,808 --> 00:33:22,144
CAN YOU HEAR ME?

420
00:33:26,115 --> 00:33:28,283
( plaster shatters )

421
00:33:30,285 --> 00:33:33,255
THAT WAS VERY FOOLISH!

422
00:33:34,456 --> 00:33:37,192
YOU COULD'VE
CUT YOURSELF,

423
00:33:37,292 --> 00:33:40,061
OR RAISED A BUMP.

424
00:33:48,069 --> 00:33:49,738
NOW.

425
00:33:51,039 --> 00:33:54,109
YOU'VE HEARD
OF PLASTER OF PARIS?

426
00:33:54,209 --> 00:33:58,813
WELL, THIS IS
PLASTER OF GENOA.

427
00:33:58,913 --> 00:34:02,083
A MUCH FINER
CASTING AGENT.

428
00:34:02,884 --> 00:34:04,253
OF COURSE, I--

429
00:34:04,353 --> 00:34:09,591
I DO ADD A FEW INGREDIENTS
OF MY OWN.

430
00:34:09,691 --> 00:34:11,826
BOILED LINSEED OIL,

431
00:34:11,926 --> 00:34:15,029
AND A TOUCH
OF BEESWAX,

432
00:34:15,130 --> 00:34:17,999
AND A TINY DOSE
OF PARAFFIN.

433
00:34:18,099 --> 00:34:21,436
A LITTLE BIT OF ALUM

434
00:34:21,536 --> 00:34:27,376
TO SPEED UP
THE SETTLING PROCESS.

435
00:34:28,009 --> 00:34:30,145
OH, IT'S LOVELY.

436
00:34:30,245 --> 00:34:34,316
YES, THAT IS...

437
00:34:34,416 --> 00:34:35,850
LOVELY.

438
00:34:37,852 --> 00:34:39,621
( muffled screaming )

439
00:34:41,089 --> 00:34:44,559
( gasping )

440
00:34:44,659 --> 00:34:47,762
- ( coughing )
- Geddes: AH, YOU'RE UP.

441
00:34:47,862 --> 00:34:49,864
WHAT HAPPENED?

442
00:34:49,964 --> 00:34:51,866
YOU FELL ASLEEP
ON THE COUCH.

443
00:34:51,966 --> 00:34:54,035
I DO HOPE YOU HAD
A NICE REST.

444
00:34:54,135 --> 00:34:56,905
Ben:
WHAT DID YOU DO TO ME?

445
00:34:57,005 --> 00:34:59,508
NOTHING.
I WAS JUST--
I WAS HERE.

446
00:34:59,608 --> 00:35:01,310
I WAS PAINTING.

447
00:35:03,144 --> 00:35:05,180
HAVE YOU GOT
A WORKSHOP?

448
00:35:05,280 --> 00:35:08,417
A WHAT?

449
00:35:08,517 --> 00:35:11,186
- WHERE IS IT?
- I DON'T HAVE ONE!

450
00:35:14,489 --> 00:35:17,559
- I KNOW YOU GOT
A BASEMENT.
- NO.

451
00:35:17,659 --> 00:35:21,129
- WHAT'S UNDER THE HOUSE?
- I DON'T UNDERSTAND.

452
00:35:21,230 --> 00:35:23,164
SHOW ME!
( panting )

453
00:35:23,265 --> 00:35:26,735
( chuckles )

454
00:35:26,835 --> 00:35:29,938
Geddes:
YOU SEE?
THERE'S NOTHING THERE.

455
00:35:30,905 --> 00:35:33,275
NOTHING.

456
00:35:43,017 --> 00:35:45,487
PERHAPS YOU HAD
A BAD DREAM.

457
00:35:48,223 --> 00:35:52,461
WELL, IT MUST'VE BEEN
A DOOZY.

458
00:35:52,561 --> 00:35:54,363
OH!

459
00:35:54,463 --> 00:35:58,900
I FOUND AN ADDRESS
FOR HENRY.

460
00:36:02,404 --> 00:36:05,740
THAT'S HIS MA'S ADDRESS.

461
00:36:05,840 --> 00:36:07,542
I ALREADY BEEN THERE.

462
00:36:07,642 --> 00:36:10,379
THAT'S THE ONLY ONE I HAVE.

463
00:36:10,479 --> 00:36:13,982
SAY, WHY DON'T YOU
STAY FOR DINNER?

464
00:36:15,116 --> 00:36:16,818
I'M COOKING A BRISKET.

465
00:36:16,918 --> 00:36:19,254
NO. THANKS.

466
00:36:19,354 --> 00:36:21,856
I GOT TO GET BACK.

467
00:36:30,665 --> 00:36:33,368
( truck engine
starting )

468
00:37:00,061 --> 00:37:02,497
( music broadcast playing )

469
00:37:07,636 --> 00:37:11,172
Announcer:
Welcome to the Church
of the Air,

470
00:37:11,272 --> 00:37:16,778
an hour of faith
and hope featuring
our own Brother Justin.

471
00:37:16,878 --> 00:37:20,281
Justin's voice:
I won't lie to you,
brothers and sisters,

472
00:37:20,382 --> 00:37:22,351
when Eve ate the apple,

473
00:37:22,451 --> 00:37:26,821
man's fleeting hopes
for a life in eternal paradise
were crushed.

474
00:37:26,921 --> 00:37:32,394
As a result, we now live
in a world of pain
and despair.

475
00:37:32,494 --> 00:37:34,863
A WORLD OF PAIN
AND DESPAIR.

476
00:37:34,963 --> 00:37:38,266
Announcer 2:
There's a right
to the head!

477
00:37:38,367 --> 00:37:40,335
And a powerful left hook
to the body!

478
00:37:40,435 --> 00:37:42,771
Baer is driven
into the ropes!

479
00:37:42,871 --> 00:37:46,007
There's a right cross,
and another, and another!

480
00:37:46,107 --> 00:37:49,611
- AW, COME ON!
- Joe Louis is merciless
in his pursuit of Max Baer!

481
00:37:49,711 --> 00:37:51,880
Baer staggers back
into a neutral corner.

482
00:37:51,980 --> 00:37:54,849
The clown prince of boxing
seems out on his feet!

483
00:37:54,949 --> 00:37:57,686
Oh doctor, has he taken
a royal beating tonight!

484
00:37:57,786 --> 00:37:59,888
The Brown Bomber closes in,

485
00:37:59,988 --> 00:38:02,491
firing vicious combinations
to the head and body.

486
00:38:02,591 --> 00:38:06,060
Oh, there's a powerful right.
And Baer is down!

487
00:38:06,160 --> 00:38:08,162
- NO! COME ON!
- ( men shouting )

488
00:38:08,262 --> 00:38:10,532
- GET UP,
YOU SON OF A BITCH!
- Five, six, seven...

489
00:38:10,632 --> 00:38:13,101
- eight, nine.
It's all over!
- ( bell rings )

490
00:38:13,201 --> 00:38:14,903
( hooting )

491
00:38:15,003 --> 00:38:17,839
In one of the most lopsided
fights in boxing history,

492
00:38:17,939 --> 00:38:21,009
big Joe Louis has
annihilated Max Baer

493
00:38:21,109 --> 00:38:25,213
in two minutes and 23 seconds
of the fourth round!

494
00:38:25,313 --> 00:38:27,281
What a night, folks!

495
00:38:27,382 --> 00:38:29,350
What a night!

496
00:38:31,953 --> 00:38:34,723
LOCK OF THE CENTURY.

497
00:38:47,902 --> 00:38:52,774
WELL, THAT'S WHAT YOU GET
FOR BETTING ON A HEBE.

498
00:38:52,874 --> 00:38:54,743
WHAT DID YOU SAY?

499
00:38:54,843 --> 00:38:58,046
- I'M JUST SAYING--
- MAX BAER AIN'T NO JEW!

500
00:38:58,146 --> 00:38:59,881
SURE HE IS.

501
00:38:59,981 --> 00:39:02,984
EVERYBODY KNOWS THAT.

502
00:39:03,084 --> 00:39:05,386
SHEENY TO THE CORE.

503
00:39:07,656 --> 00:39:09,390
SO, IT WEREN'T A--

504
00:39:09,491 --> 00:39:12,861
A WHITE MAN
FIGHTING A NIGRA.

505
00:39:14,062 --> 00:39:16,431
IT NEVER WAS.

506
00:39:17,365 --> 00:39:19,701
SON OF A BITCH!

507
00:39:21,369 --> 00:39:23,137
IT'S A GODDAMNED JEW.

508
00:39:24,873 --> 00:39:27,208
Roustie:
THIS WAY OUT, FOLKS.

509
00:39:27,308 --> 00:39:30,011
RIGHT THIS WAY.

510
00:39:34,182 --> 00:39:35,784
Woman:
I HAD THE BEST TIME.

511
00:39:35,884 --> 00:39:39,120
- GOOD NIGHT, FOLKS.
- GOOD NIGHT.

512
00:39:43,424 --> 00:39:46,060
Roustie:
THIS WAY, FOLKS,
THIS WAY OUT.

513
00:39:47,095 --> 00:39:49,664
Stroud:
MUST BE NICE.

514
00:39:50,331 --> 00:39:52,400
WHAT'S THAT?

515
00:39:52,501 --> 00:39:55,203
IT MUST BE NICE
BEING SO SMALL.

516
00:39:55,303 --> 00:40:00,208
EVERY MAN, WOMAN
AND HALF-GROWED TYKE
JUST TOWERING OVER YOU,

517
00:40:00,308 --> 00:40:04,212
WANTING TO PICK YOU UP
AND CUDDLE YOU JUST LIKE
A LITTLE BABY.

518
00:40:04,312 --> 00:40:07,549
( snorts )

519
00:40:07,649 --> 00:40:12,053
YEAH, THAT'S WHAT
IT'S LIKE ALL RIGHT.

520
00:40:12,153 --> 00:40:15,657
SOMEONE ACTUALLY TOLD ME
YOU RUN THIS PLACE.

521
00:40:15,757 --> 00:40:19,027
- COULD THAT BE TRUE?
- COULD BE.

522
00:40:19,127 --> 00:40:21,162
DOES IT EVER
TIRE YOU OUT,

523
00:40:21,262 --> 00:40:23,765
DEALING WITH
ALL THE BIG FOLKS?

524
00:40:25,867 --> 00:40:28,903
SOMETIMES.
LIKE RIGHT NOW.

525
00:40:29,003 --> 00:40:31,640
( laughing )

526
00:40:32,974 --> 00:40:35,376
YOU KNOW,
YOU'RE ALL RIGHT!

527
00:40:35,476 --> 00:40:39,848
KNEE-HIGH TO A BEDBUG
AND ALL FULL OF SPUNK,

528
00:40:39,948 --> 00:40:41,716
HOW ABOUT THAT?

529
00:40:41,816 --> 00:40:45,887
YOU EVER TRAVEL
WITH A BOY NAME OF SCUDDER?

530
00:40:49,290 --> 00:40:51,025
NOT THAT I RECALL.

531
00:40:51,125 --> 00:40:52,761
NOW THAT IS CURIOUS.

532
00:40:52,861 --> 00:40:55,163
'CAUSE A FELLA DOWN
IN LOVING, NEW MEXICO,

533
00:40:55,263 --> 00:40:56,831
ONE OF THESE LODGE BOYS,

534
00:40:56,931 --> 00:40:59,568
HE TOLD ME
THIS SCUDDER BOY WAS
BUDDIES WITH A MIDGET,

535
00:40:59,668 --> 00:41:02,604
SO I FIGURE
HE'S GALLIVANTING
WITH A CARNY SHOW.

536
00:41:02,704 --> 00:41:04,172
NOT THIS ONE.

537
00:41:04,272 --> 00:41:06,641
YEAH, THAT'S WHAT
EVERYBODY'S BEEN TELLING ME.

538
00:41:06,741 --> 00:41:09,477
THEY BEEN GIVING ME
THE RUN-AROUND ALL DAY.

539
00:41:09,578 --> 00:41:12,380
AND THEN I SEE YOU,

540
00:41:12,480 --> 00:41:14,749
AND I GET TO THINKING,
"WHAT ARE THE ODDS?

541
00:41:14,849 --> 00:41:19,888
HOW MANY RUNTS LIKE YOU
COULD BE RUNNING DOWN THE SAME
ROAD THIS SCUDDER BOY'S ON?"

542
00:41:22,456 --> 00:41:24,759
- SCUDDER, HUH?
- MM-HMM.

543
00:41:24,859 --> 00:41:27,762
I MIGHT BE ABLE
TO HELP YOU OUT
WITH THAT.

544
00:41:27,862 --> 00:41:30,231
IT'S ABOUT FUCKING TIME.

545
00:41:30,331 --> 00:41:32,701
WHAT DO YOU GOT?

546
00:41:33,935 --> 00:41:37,105
YOU MIGHT TRY
THE DAILY BROTHERS' SHOW.

547
00:41:37,205 --> 00:41:39,273
IT'S A FIRST-CLASS
OPERATION.

548
00:41:39,373 --> 00:41:41,643
HE PROBABLY WORKS
FOR THEM.

549
00:41:41,743 --> 00:41:45,379
AND THEY'S LOUSY
WITH MIDGETS.

550
00:41:45,479 --> 00:41:48,783
YOU'D BETTER COOPERATE,
KNEE-HIGH,

551
00:41:48,883 --> 00:41:50,151
OR I'M GONNA RUN YOU IN.

552
00:41:50,251 --> 00:41:51,586
( snorts )

553
00:41:51,686 --> 00:41:55,123
IF YOU'S A LAWMAN
I GUESS I'M JOHN DILLINGER.

554
00:41:55,223 --> 00:41:58,126
SAVE IT FOR HALLOWEEN.

555
00:41:58,226 --> 00:41:59,961
THIS CARNIVAL IS SHIT!

556
00:42:00,061 --> 00:42:03,965
IT'S NOTHING
BUT HALF-WITS, WHORES
AND TWO-BIT FREAKS.

557
00:42:04,065 --> 00:42:07,168
YOU'RE LUCKY I DON'T BURN IT
TO THE GROUND.

558
00:42:34,729 --> 00:42:37,498
Rita Sue:
YOU BET ON THAT DAMN FIGHT.

559
00:42:37,598 --> 00:42:39,634
WEEPING JESUS, WOMAN.

560
00:42:39,734 --> 00:42:41,970
WHY YOU ALWAYS GIVING ME
THE UP AND DOWN?

561
00:42:42,070 --> 00:42:44,939
LOOK ME IN THE EYE
AND TELL ME YOU DIDN'T!

562
00:42:47,508 --> 00:42:49,577
AS A MATTER OF FACT...

563
00:42:49,678 --> 00:42:52,213
I DID.

564
00:42:53,748 --> 00:42:54,983
ALL OF IT?

565
00:42:55,083 --> 00:42:57,185
YOU BET YOUR BRUNSWICK
ALL OF IT.

566
00:42:57,285 --> 00:42:59,788
YOU LOST EVERYTHING.

567
00:43:01,923 --> 00:43:04,726
WHO SAID ANYTHING
ABOUT LOSING?

568
00:43:06,560 --> 00:43:08,129
YOU BET ON JOE LOUIS?

569
00:43:08,229 --> 00:43:10,098
OF COURSE, I DID.
IT WAS A DEAD CERT.

570
00:43:10,198 --> 00:43:13,968
YOU PUT ALL THAT MONEY
ON A SHINE?

571
00:43:14,068 --> 00:43:16,705
WHAT DO I CARE
WHAT COLOR HE IS?

572
00:43:16,805 --> 00:43:21,509
WHAT, DO YOU THINK
I'M SOME HILLBILLY?

573
00:43:21,609 --> 00:43:25,346
YOU SEE THAT--
THAT'S THE SHIT THERE.

574
00:43:25,446 --> 00:43:27,782
THAT'S WHAT I...

575
00:43:44,332 --> 00:43:44,398
THEY'RE CLOSED.

576
00:43:46,334 --> 00:43:48,302
YEAH,
I SEE THAT.

577
00:43:48,402 --> 00:43:50,705
YOU WORK HERE?

578
00:43:51,672 --> 00:43:53,141
NO.

579
00:43:53,241 --> 00:43:55,243
SMOKE?

580
00:43:55,343 --> 00:43:58,346
YEAH, THANKS.

581
00:43:59,948 --> 00:44:02,817
YOU'RE COMING TO THE CARNY
ALL ON YOUR LONESOME?

582
00:44:04,218 --> 00:44:08,022
WHAT'S THE MATTER?
COULDN'T FIND A DATE?

583
00:44:08,122 --> 00:44:11,092
I DON'T SEE A GAL
HANGING ON YOUR ARM.

584
00:44:11,192 --> 00:44:12,360
OOOOH...

585
00:44:12,460 --> 00:44:14,362
YOU GOT ME THERE.

586
00:44:14,462 --> 00:44:17,565
THAT YOU DID.

587
00:44:17,665 --> 00:44:20,134
I'VE HAD PLENTY OF WOMEN
IN MY DAY.

588
00:44:20,234 --> 00:44:23,671
ALL BACK-STABBING BITCHES
AND OUTHOUSE WHORES.

589
00:44:23,772 --> 00:44:26,340
I'LL TELL YOU, KID,

590
00:44:26,440 --> 00:44:28,843
THE MORE I KNOW WOMEN...

591
00:44:28,943 --> 00:44:31,312
THE MORE I LIKE DOGS.

592
00:44:36,617 --> 00:44:38,086
HEY!

593
00:44:40,822 --> 00:44:43,491
I TOLD YOU
THEY WERE CLOSED.

594
00:45:00,641 --> 00:45:02,210
HEY.

595
00:45:05,146 --> 00:45:07,215
I'VE BEEN LOOKING FOR YOU.

596
00:45:19,127 --> 00:45:20,761
WHAT CHANGED YOUR MIND?

597
00:45:20,862 --> 00:45:23,731
JUST SOMETHING
I NEED TO TRY.

598
00:45:23,832 --> 00:45:26,134
YOU SEEM NERVOUS.

599
00:45:29,203 --> 00:45:31,272
CUT.

600
00:46:01,903 --> 00:46:04,272
THE TWO OF WANDS.

601
00:46:04,372 --> 00:46:07,275
HERE IS A LORD OVERLOOKING
HIS DOMINION,

602
00:46:07,375 --> 00:46:08,542
YET HE TURNS AWAY.

603
00:46:08,642 --> 00:46:11,880
ASHES, AGONY,
DISFIGUREMENT.

604
00:46:19,320 --> 00:46:21,222
( pig squeals )

605
00:46:21,322 --> 00:46:23,557
( panting )

606
00:46:23,657 --> 00:46:25,559
IT'S HAPPENING AGAIN,
ISN'T IT?

607
00:46:31,665 --> 00:46:33,601
SHOULD I STOP?

608
00:46:33,701 --> 00:46:35,836
NO.

609
00:46:36,470 --> 00:46:38,372
KEEP GOING.

610
00:46:51,419 --> 00:46:52,820
( gasps )

611
00:46:52,921 --> 00:46:55,456
( explosion )

612
00:46:55,556 --> 00:46:57,191
( gasps )

613
00:47:03,764 --> 00:47:05,599
WHAT DID YOU SEE?

614
00:47:07,868 --> 00:47:10,204
NOTHING.

615
00:47:13,107 --> 00:47:15,243
IT'S THE LOVERS.

616
00:47:15,343 --> 00:47:18,012
ATTRACTION, PASSION,
TRIALS CONQUERED.

617
00:47:23,417 --> 00:47:25,253
( bays )

618
00:47:25,353 --> 00:47:28,322
- ( screams )
- ( blade zings )

619
00:47:31,092 --> 00:47:33,627
DON'T YOU WANT TO HEAR
WHAT IT MEANS?

620
00:47:35,529 --> 00:47:37,631
I THINK I KNOW.

621
00:47:52,313 --> 00:47:55,649
Apollonia:
YOU WERE ALWAYS THE ONE
WHO READ THE CARDS.

622
00:48:07,195 --> 00:48:10,464
Iris:
I POURED THE GASOLINE
ON THE FLOOR.

623
00:48:10,564 --> 00:48:13,134
I LIT THE MATCH.

624
00:48:14,368 --> 00:48:18,306
I DON'T KNOW
HOW LONG I STOOD THERE.

625
00:48:20,308 --> 00:48:23,777
I JUST REMEMBER
THE MATCH...

626
00:48:23,877 --> 00:48:26,480
- ( Tommy sighs )
- BURNING MY FINGERS.

627
00:48:29,283 --> 00:48:32,020
AND THEN EVERYTHING
CAUGHT FIRE.

628
00:48:34,355 --> 00:48:36,290
I RAN.

629
00:48:39,193 --> 00:48:42,296
I WATCHED IT BURN
FROM ACROSS THE STREET.

630
00:48:44,332 --> 00:48:48,702
I NEEDED
TO SEE IT HAPPEN...

631
00:48:51,305 --> 00:48:55,109
BUT I...

632
00:48:55,209 --> 00:48:58,312
I DIDN'T WANT TO HEAR
THE SCREAMS.

633
00:49:03,651 --> 00:49:05,586
WHY?

634
00:49:08,922 --> 00:49:11,592
I FELL UNDER A SHADOW.

635
00:49:15,796 --> 00:49:18,132
IT PREYED UPON ME.

636
00:49:20,168 --> 00:49:23,671
- IT NEEDED TO BE DONE.
- Justin: THAT'S ENOUGH.

637
00:49:25,906 --> 00:49:28,176
DID YOU GET EVERYTHING?

638
00:49:31,612 --> 00:49:34,014
EVERYTHING.

639
00:49:39,053 --> 00:49:41,589
YOU'VE DONE
THE RIGHT THING,
IRINA.

640
00:49:49,863 --> 00:49:52,633
YOU ARE FORGIVEN.

641
00:50:12,120 --> 00:50:14,655
IS THAT WHAT YOU SEEN?

642
00:50:19,627 --> 00:50:21,095
I'VE BEEN THERE.

643
00:50:22,230 --> 00:50:25,199
RECKON THAT'S WHERE
SCUDDER IS?

644
00:50:26,767 --> 00:50:28,736
YEAH.

645
00:50:34,142 --> 00:50:36,477
I'LL TELL THE MAN.

646
00:50:46,620 --> 00:50:49,357
YOU GOT SOMEONE
ON YOUR TAIL.

647
00:50:49,457 --> 00:50:52,226
IS HE A BIG GUY
IN A BROWN SUIT?

648
00:50:53,394 --> 00:50:56,697
I THINK I HOOKED UP WITH HIM
WHEN I COME IN.

649
00:50:56,797 --> 00:50:59,133
A REAL PEACH THAT ONE.

650
00:50:59,233 --> 00:51:02,236
SMILES A LOT,
BUT HE GOT DEAD MAN'S EYES.

651
00:51:02,336 --> 00:51:03,971
WHO DO YOU RECKON
HE IS?

652
00:51:04,071 --> 00:51:07,175
- JOHNNY LAW.
- HIS TYPE'S MORE
COMFORTABLE BEHIND BARS

653
00:51:07,275 --> 00:51:09,843
THAN IN FRONT OF 'EM.

654
00:51:18,586 --> 00:51:22,122
I GOT A FEELING
HE'LL BE BACK THOUGH.

655
00:51:46,247 --> 00:51:47,915
- Jones: THERE YOU GO.
- Man: GOT IT?

656
00:51:48,015 --> 00:51:50,017
THAT'S GONNA DO IT.

657
00:51:50,117 --> 00:51:53,254
- ( chatter )
- STRAIGHT AHEAD.

658
00:51:54,755 --> 00:51:56,156
KEEP GOING.

659
00:51:58,526 --> 00:52:00,494
WE GOTTA GO!
GIVE IT TO ME.

660
00:52:00,594 --> 00:52:02,496
THAT'S IT.

661
00:52:03,964 --> 00:52:06,534
OKAY, SET HER DOWN.

662
00:52:06,634 --> 00:52:08,502
IT'S HEAVY.

663
00:52:23,617 --> 00:52:26,320
Woman:
THIS CAME
SPECIAL DELIVERY.

664
00:52:26,420 --> 00:52:29,189
- WHO'S IT FROM?
- THERE'S NO RETURN ADDRESS.

665
00:52:29,290 --> 00:52:31,359
THANK YOU, DINAH.

666
00:53:11,765 --> 00:53:14,402
( blows )

667
00:53:28,782 --> 00:53:32,453
HEY, KID!
PICK IT UP.
WE AIN'T GOT ALL DAY!

668
00:53:32,553 --> 00:53:36,123
Jones:
LET'S GO.
PUT THOSE BAGS OVER THERE.

669
00:53:36,223 --> 00:53:38,826
( heartbeat thumping )

670
00:53:47,468 --> 00:53:51,238
Jones:
COME ON, WE GOT A STORM COMING.
LET'S GET WITH IT. LET'S GO!

671
00:53:51,339 --> 00:53:53,173
BRING IT UP!

672
00:53:53,273 --> 00:53:56,610
THERE'S A BUNCH
OF POLES AND SIDING.

673
00:54:04,752 --> 00:54:07,355
LET'S GO, KID!
COME ON!

674
00:54:09,723 --> 00:54:11,892
COME ON!

675
00:54:15,429 --> 00:54:18,298
- ( gasping )
- ( plaster shatters )

676
00:54:53,300 --> 00:54:54,935
Jones:
GOD DAMN IT, HAWKINS.

677
00:54:55,035 --> 00:54:57,638
QUIT YOUR GAWKING.
MOVE!

678
00:55:33,173 --> 00:55:36,477
( theme music playing )